Podcasts about le nozze

With Le nozze di Figaro, Mozart composed a tragicomic classic that has been a crowd favourite since its premiere in 1786. Mozart and librettist Da Ponte combine playful intrigues with existential questions about life and social criticism, which, under Kirill Serebrennikov's direction, remain as relevant as ever. During this evening, we will delve into the underlying themes of Mozart's masterpiece about love, power, and deceit.The opera takes place over the course of one day full of craziness. Figaro and Susanna are preparing for their wedding, but their employer, Count Almaviva, turns out to have a crush on Susanna. Meanwhile, his wife, the Countess, is seduced by the young Cherubino.Being an unconventional director, Kirill Serebrennikov reveals the passions and motivations behind the characters in this household, which presents an orderly exterior but harbours turbulence on the inside. Bearing resemblance to a thriller, the relationships are pushed to a breaking point. Serebrennikov adds an extra storyline by splitting the role of Cherubino – a teenage boy, conventionally performed by a female singer – into a male and a female character. The silent but lively Cherubino—played by a male actor—is brimming with sexual desire yet fails to notice the love that the singing Cherubina feels for him.During Behind the Opera, we'll take a closer look at the origins and the staging of this work, and explore themes from the opera: how do you control your desires, or do your desires control you? And how does social criticism affect the making of an opera that confronts the viewer with the struggle of releasing your inhibitions? Behind the Opera is an initiative from De Balie in collaboration with De Nationale Opera en Ballet. This evening at De Balie offers an introduction to Serebrennikov's Le nozze di Figaro ahead of its premiere on May 8th.Programme editor: Veronica BaasIn cooperation with: Nationale Opera & BalletZie het privacybeleid op https://art19.com/privacy en de privacyverklaring van Californië op https://art19.com/privacy#do-not-sell-my-info.

In this episode of OPERA Road Trip, host Sebastian F. Schwarz turns to France—one of the historic strongholds of the European operatic tradition—shaped by a dense network of public institutions, a strong culture of state support, and a long-standing belief in opera as a public good. From the court of Louis XIV and the founding of the Académie Royale de Musique to the grand opéra tradition of the 19th century and the decentralisation policies of the post-war period, the episode traces how France developed a uniquely structured and highly institutionalised operatic ecosystem. It is a system built on stability and public investment, yet increasingly confronted with financial pressures, evolving audience expectations, and the need for renewal. At the heart of the episode are conversations with two leading figures of today's French opera landscape: Valérie Chevalier, General Director of Opéra Orchestre National Montpellier Occitanie, reflecting on regional opera, decentralisation, and the realities of leading a major house outside Paris; and Stéphane Degout, one of France's most internationally acclaimed baritones, offering a performer's perspective on the French repertoire, artistic identity, and the relationship between national tradition and global careers. Together, their voices reveal a system negotiating continuity and change—raising questions about how a deeply rooted cultural model can adapt to the demands of the present while preserving its artistic core. Opera Road Trip is hosted by Sebastian F. Schwarz who is Casting Director of Milan's Teatro alla Scala and whose curriculum as an opera manager includes CEO and Artistic Director and Administrator positions at Theater an der Wien, Glyndebourne, Teatro Regio Torino, Festival della Valle d'Itria, Hamburgische Staatsoper and Wexford Festival Opera. He is Vice-president of the International Richard Strauss Society, member of the board of the European Musical Theatre Academy and co-founder of the Cesti Competition for Baroque Opera. All episodes: https://operavision.eu/features/opera-road-trip Music extracts for this episode: Introduction: Fidelio (Beethoven): Overture, op. 72 Ecerpts from Herculanum (Félicien David): Véronique Gens, Edgaras Montvidas, Brussels Philharmonic, Hervé Niquet Ecerpts from L'île du rêve (Reynaldo Hahn): Hélène Guilmette, Cyrill Dubois, Munich Radio Orchestra, Hervé Niquet Ecerpts from Werther (Jules Massenet): Marie-Nicole Lemieux, Orchestre del'Opéra Orchestre National Montpellier-Occitanie, Jean-Marie Zeitouni   Excerpt from Le Nozze di Figaro (Wolfgang Amadeus Mozart): Stéphane Degout, Dutch National Opera, Netherlands Chamber Orchestra, Ivor Bolton Bonus Music: Excerpt from Mazeppa (Clémence Grandval): Julien Dran, Munich Radio Orchestra, Mihhail Gerts Link to the recorded catalogue of rediscovered works published by Palazzetto Bru Zane: https://bru-zane.com/en/dischi/ OperaVision is a freeview opera streaming platform, supported by the European Union's Creative Europe programme.   Watch live streams as the performances themselves unfold in the opera house. Enjoy a variety of shows - including opera, operetta, musical theatre, dance, ballet and concerts. Opera connaisseur or curious newcomer, there is something for everyone on OperaVision.       In dieser Episode von OPERA Road Trip richtet Gastgeber Sebastian F. Schwarz den Blick auf Frankreich – eines der historischen Zentren der europäischen Operntradition, geprägt von einem dichten Netz öffentlicher Institutionen, einer ausgeprägten Kultur staatlicher Förderung und dem tief verwurzelten Verständnis von Oper als öffentliches Gut. Vom Hof Ludwigs XIV. und der Gründung der Académie Royale de Musique über die Grand opéra des 19. Jahrhunderts bis hin zu den Dezentralisierungspolitiken der Nachkriegszeit zeichnet die Episode nach, wie sich in Frankreich ein einzigartig strukturiertes und stark institutionalisiertes Opernsystem entwickelt hat. Es ist ein System, das auf Stabilität und öffentlicher Finanzierung beruht, zugleich jedoch zunehmend mit finanziellem Druck, sich wandelnden Publikumserwartungen und dem Bedarf nach Erneuerung konfrontiert ist. Im Zentrum der Episode stehen Gespräche mit zwei prägenden Persönlichkeiten der heutigen französischen Opernlandschaft: Valérie Chevalier, Generaldirektorin des Opéra Orchestre National Montpellier Occitanie, die über regionale Oper, Dezentralisierung und die Realität der Leitung eines großen Hauses außerhalb von Paris spricht; sowie Stéphane Degout, einer der international renommiertesten französischen Baritone, der eine künstlerische Perspektive auf das französische Repertoire, Fragen der Identität und das Spannungsverhältnis zwischen nationaler Tradition und internationaler Karriere einbringt. Gemeinsam zeichnen ihre Stimmen das Bild eines Systems im Spannungsfeld von Kontinuität und Wandel – und werfen die Frage auf, wie sich ein tief verwurzeltes kulturelles Modell an die Anforderungen der Gegenwart anpassen kann, ohne seinen künstlerischen Kern zu verlieren. Opera Road Trip wird moderiert von Sebastian F. Schwarz, Casting Director des Mailänder Teatro alla Scala, dessen Laufbahn als Opernmanager Positionen als CEO, Künstlerischer Leiter und Administrator am Theater an der Wien, bei Glyndebourne, am Teatro Regio Torino, beim Festival della Valle d'Itria, an der Hamburgischen Staatsoper und beim Wexford Festival Opera umfasst. Er ist Vizepräsident der Internationalen Richard-Strauss-Gesellschaft, Mitglied des Vorstands der European Musical Theatre Academy und Mitbegründer des Cesti Competition for Baroque Opera. Alle Episoden: https://operavision.eu/features/opera-road-trip Musikbeispiele dieser Episode: Einleitung: Fidelio (Beethoven): Ouvertüre op. 72 Auszüge aus Herculanum (Félicien David): Véronique Gens, Edgaras Montvidas, Brussels Philharmonic, Hervé Niquet Auszüge aus L'île du rêve (Reynaldo Hahn): Hélène Guilmette, Cyrill Dubois, Münchner Rundfunkorchester, Hervé Niquet Auszüge aus Werther (Jules Massenet): Marie-Nicole Lemieux, Orchestre de l'Opéra Orchestre National Montpellier-Occitanie, Jean-Marie Zeitouni Auszug aus Le Nozze di Figaro (Wolfgang Amadeus Mozart): Stéphane Degout, Dutch National Opera, Netherlands Chamber Orchestra, Ivor Bolton Bonusmusik: Auszug aus Mazeppa (Clémence de Grandval): Julien Dran, Münchner Rundfunkorchester, Mihhail Gerts Link zum Aufnahmen-Katalog wiederentdeckter Werke, herausgegeben vom Palazzetto Bru Zane: https://bru-zane.com/en/dischi/ OperaVision ist eine frei zugängliche Streaming-Plattform für Oper, unterstützt durch das Programm Creative Europe der Europäischen Union. Erleben Sie Live-Streams, während die Aufführungen direkt im Opernhaus stattfinden. Entdecken Sie eine Vielfalt an Formaten – darunter Oper, Operette, Musiktheater, Tanz, Ballett und Konzerte. Ob Opernkenner oder neugieriger Neueinsteiger – bei OperaVision findet jeder etwas.     Dans cet épisode d'OPERA Road Trip, l'animateur Sebastian F. Schwarz se tourne vers la France — l'un des bastions historiques de la tradition lyrique européenne — façonnée par un dense réseau d'institutions publiques, une forte culture de soutien étatique et une conviction durable de l'opéra comme bien public. De la cour de Louis XIV et de la fondation de l'Académie Royale de Musique à la tradition du grand opéra au XIXe siècle, jusqu'aux politiques de décentralisation de l'après-guerre, l'épisode retrace la manière dont la France a développé un écosystème lyrique à la fois fortement structuré et hautement institutionnalisé. Un système fondé sur la stabilité et l'investissement public, mais aujourd'hui confronté à des pressions financières croissantes, à l'évolution des attentes du public et à la nécessité de se renouveler. Au cœur de l'épisode, des entretiens avec deux figures majeures du paysage lyrique français actuel : Valérie Chevalier, directrice générale de l'Opéra Orchestre National Montpellier Occitanie, qui revient sur l'opéra en région, la décentralisation et les réalités de la direction d'une grande maison en dehors de Paris ; et Stéphane Degout, l'un des barytons français les plus acclamés à l'international, qui apporte le point de vue de l'interprète sur le répertoire français, l'identité artistique et le lien entre tradition nationale et carrière internationale. Ensemble, leurs regards dessinent un système en équilibre entre continuité et transformation — et interrogent la capacité d'un modèle culturel profondément ancré à s'adapter aux exigences du présent tout en préservant son essence artistique. Opera Road Trip est présenté par Sebastian F. Schwarz, directeur de casting du Teatro alla Scala de Milan, dont le parcours de directeur d'opéra comprend des fonctions de CEO, directeur artistique et administrateur au Theater an der Wien, à Glyndebourne, au Teatro Regio de Turin, au Festival della Valle d'Itria, à l'Opéra d'État de Hambourg et au Wexford Festival Opera. Il est vice-président de l'International Richard Strauss Society, membre du conseil de l'European Musical Theatre Academy et cofondateur du Cesti Competition for Baroque Opera. Tous les épisodes : https://operavision.eu/features/opera-road-trip Extraits musicaux de cet épisode : Introduction : Fidelio (Beethoven) : Ouverture, op. 72 Extraits de Herculanum (Félicien David) : Véronique Gens, Edgaras Montvidas, Brussels Philharmonic, Hervé Niquet Extraits de L'île du rêve (Reynaldo Hahn) : Hélène Guilmette, Cyrill Dubois, Orchestre de la Radio de Munich, Hervé Niquet Extraits de Werther (Jules Massenet) : Marie-Nicole Lemieux, Orchestre de l'Opéra Orchestre National Montpellier-Occitanie, Jean-Marie Zeitouni Extrait de Le Nozze di Figaro (Wolfgang Amadeus Mozart) : Stéphane Degout, Dutch National Opera, Netherlands Chamber Orchestra, Ivor Bolton Musique bonus : Extrait de Mazeppa (Clémence de Grandval) : Julien Dran, Orchestre de la Radio de Munich, Mihhail Gerts Lien vers le catalogue enregistré des œuvres redécouvertes publié par le Palazzetto Bru Zane : https://bru-zane.com/en/dischi/ OperaVision est une plateforme gratuite de streaming d'opéra, soutenue par le programme Europe créative de l'Union européenne. Regardez des diffusions en direct au moment même où les représentations se déroulent à l'opéra. Profitez d'une grande variété de spectacles — opéra, opérette, théâtre musical, danse, ballet et concerts. Que vous soyez mélomane averti ou simple curieux, OperaVision propose une offre pour tous.      

ReferencesGuerra, DJ. Unpublished LecturesMozart, WA. 1786. Le Nozze di Figaro. K.492. Overturehttps://music.youtube.com/watch?v=pb1tlh9xn38&si=TJ34fcY86DMcVddeLennon/McCartney. 1966. Got to get You into My Life: Revolver lp.https://music.youtube.com/watch?v=r95-7zfgtLw&si=5SnrpxA1j2YFXIzjHunter/Garcia.1970. Brokedown Palace. American Beauty lphttps://music.youtube.com/watch?v=-9HepG1Z4fI&si=7ui43FuZWIm5cNRx

A cura di Paolo PellegriniWolfgang Amadeus Mozart, Le Nozze di FigaroFigaro, Rolando PaneraiSusanna, Rita StreichIl Conte d'Almaviva, Heinz RehfussLa Contessa d'Almaviva, Teresa Stich-RandallCherubino, Pilar LorengarMarcellina, Christiane GayraudDon Bartolo, Marcello CortisDon Basilio, Hugues CuénodDon Curzio, Gérard FriedmannAntonio, André VessièresBarbarina, Madeleine IgnalChœurs du Festival d'Aix-en-ProvenceOrchestre de la Société des Concerts du ConservatoireHans Rosbaud, direttore

Parlem d'Òpera 617: "Òpera a Catalunya: Le nozze di Figaro"

E dopo l'apertura dedicata a Gaza, oggi il commento di Mario Ajello riguarda le piazze della contestazione troppo violente, quindi andiamo in America con Anna Guaita e le speranze di Trump di ricevere il nobel per la pace, per la cronaca vi raccontiamo la storia di un matrimonio mai registrato, per il cinema andiamo a Roma con un film recuperato dalla storia raccontato da Gloria Satta. Quindi la pagina di sport con l'imperdibile storia di Massimo Boccucci e l'irriverente Lunedì di Sorrentino il caustico commento alla serie A di calcio

Countessa Almaviva: Margaret Price Susanna: Mirella Freni Cherubino: Frederica von Stade Marcellina: Jane Berbié Barbarina: Daniele Perriers Figaro: José Van Dam Conte Almaviva: Gabriel Bacquier Bartolo: Kurt Moll Basilio: Michel Sénéchal Curzio: Jacques Loreau Antonio: Jules Bastin Conductor: Sir Georg Solti Paris Opéra at the Met 8 September 1976 In-house recording

Contessa Almaviva: Ilva Ligabue Susanna: Graziella Sciutti Cherubino: Biancamaria Casoni Marcellina: Silvana Zanolli Barbarina: Emilia Ravaglia Figaro: Rolando Panerai Conte Almaviva: Tito Gobbi Bartolo: Angelo Nosotti Basilio: Florindo Andreolli Curzio: Mario Carlin Antonio: Giorgio Onesti Conductor Carlo Maria Giulini Teatro dell'Opera di Roma at the Met 26 June 1968 In-house recording https://parterre.com/2025/08/09/corriam-tutti-a-festeggiar/

Dass die französische Revolution vor der Tür stand und auch in Österreich der Aufbruch in der Luft lag, zeigen uns Mozart und sein Librettist da Ponte mit ihrer ersten gemeinsamen Oper «Le nozze di Figaro». Wie sich der Diener Figaro und die Zofe Susanna gegen Adel und Standesdünkel wehren, ist politisch brisant und musikalisch brillant. Mozart und da Ponte gestalten nicht nur diese beiden Hauptfiguren, sondern auch die Nebenrollen vielschichtig und menschlich. In der Diskothek werden fünf Aufnahmen verglichen. Gäste von Annelis Berger sind die Operndramaturgin Julia Hölscher und der Cembalist und Dirigent Thomas Leininger. Erstausstrahlung: 30.09.2019

Acclamata da pubblico e critica è in scena all'Opera House di Sydney la produzione de "Le Nozze di Figaro" del regista Sir David McVicar con la direzione d'orchestra di Matteo Dal Maso.

A cura di Paolo PellegriniFigaro : Cesare SiepiSusanna : Hilde GuedenIl Conte di Almaviva : Alfred PoellLa Contessa di Almaviva : Lisa della CasaCherubino : Suzanne DancoBartolo : Fernando CorenaMarcellina : Hilde Rössel-MajdanDon Basilio : Murray DickieDon Curzio : Hugo Meyer-WelfingBarbarina : Anny FelbermayerAntonio : Harald PröglhofWiener StaatsopernchorWiener PhilharmonikerErich Kleiber

Ayako Ohtake, a Sydney-based Japanese soprano singer, hosts monthly music segment called VIVA! Opera for SBS Japanese. For this episode, Ms Ohtake picked 'Sull'aria' from "Le nozze di Figaro" composed by W.A. Mozart. - 7月29日の放送に引き続き、モーツァルト「フィガロの結婚」から、花嫁となるスザンナと伯爵夫人によるソプラノ二人の優雅なソプラノ二重唱をお送りします。

'Aprite, Presto' from Le nozze di Figaro composed by W.A.Mozart is a lively and dynamic duet between Susanna and Cherubino. It's a short but exhilarating piece that draws you into the chaos, letting you share in the urgency and thrill of the moment. Listen to VIVA! Opera, a monthly content by Sydney-based Japanese soprano singer, Ayako Ohtake. - 躍動感や動きに満ちあふれたデュエットで、スザンナとケルビーノの短い２重唱。大慌ての2人と一緒に、ハラハラしながら楽しめる曲です。(2023年9月26日放送)

Le prime pagine dei principali quotidiani nazionali commentate in rassegna stampa da Davide Giacalone. Le imposizioni di Erdogan per la parata del Pride in Ungheria e i dubbi della Cassazione sul decreto sicurezza. I consigli della rivista Sale & Pepe.I piatti italiani fatti all'estero. Quanti di noi viaggiando ne ha provato qualcuno? In diretta la direttrice Livia Fagetti. La MotoGP corre questo weekend il gran premio d'Olanda, sul circuito di Assen. Oggi le qualifiche e la gara sprint, domani alle 14:00 la gara. Ci ha raggiunti il nostro inviato speciale Max Biaggi. Carceri, emergenza affollamento ed emergenza caldo. Come è la situazione in Italia? Alessio Scandurra, coordinatore dell'Osservatorio di Antigone sulle condizioni di detenzione. La situazione in Iran: la tregua, la paura per i civili, la difficoltà a prelevare i propri soldi dalla banca... chi vive in Italia riesce ad avere informazioni da amici e parenti che sono rimasti là? In diretta Azar Karimi, portavoce dei Giovani Iraniani d'Italia. Il matrimonio del momento a Venezia tra Jeff Bezos e Lauren Sanchez. Come è andata? Ne abbiamo parlato con Elvira Serra del Corriere della Sera. All'interno di Non Stop News, con Luigi Santarelli, Barbara Sala e Ludo Marafini.

Il nostro Sergio Nava, inviato a Bruxelles, ci racconta questa giornata di Consiglio Europeo. Tra proteste e vip a Venezia va in scena il matrimonio di Jeff Bezos con Lauren Sanchez. Ci racconta tutto Vera Mantengoli, giornalista de Il Corriere del Veneto. Inquinamento da Pfas: sentenza storica per il caso Miteni. Con noi per parlarne Luigi Lazzaro, presidente Legambiente Veneto. Ed è serata di Mondiale per Club: in campo la Juventus sfida il City. Tutti gli aggiornamenti da Giovanni Capuano.

Francesca Basso spiega le decisioni prese al vertice dell'Aja sui contributi finanziari degli Stati membri, pressati dalle richieste di Donald Trump. Giuseppe Guastella parla della sentenza d'appello per l'uccisione di Giulia Tramontano, con la conferma della condanna per il suo ex fidanzato. Vera Mantengoli racconta dei preparativi per i tre giorni di festeggiamenti (e proteste) a Venezia per le nozze tra il proprietario di Amazon e Lauren.I link di corriere.it:Perché da 10 anni Trump semina dubbi sull'articolo 5 della NatoFemminicidio di Giulia Tramontano, confermato in appello l'ergastolo per Alessandro ImpagnatielloNozze di Jeff Bezos e Lauren Sanchez a Venezia, quanto costa la festa (e tutto quello che sappiamo)

Reski, Petra www.deutschlandfunkkultur.de, Fazit

Le prime pagine dei principali quotidiani nazionali commentate in rassegna stampa da Davide Giacalone. La tregua tra Iran e Israele mentre la guerra in Ucraina continua e le spese militari dell'UE. #Ilpostinazienda. Oggi abbiamo concluso la nostra rubrica che anche quest'anno ha portato tante aziende in onda, mettendo a disposizione posti di lavoro. Abbiamo fatto un bilancio di quest'anno con Riccardo Di Stefano, vicepresidente di Confindustria. Un recente studio dell'Alta Scuola di Economia e Management dei Sistemi Sanitari è andato a contare i Pronto Soccorso nel nostro Paese. Se ne registrano 115 in meno negli ultimi 12 anni. Abbiamo fatto il punto con il Dottor Fabio De Iaco (con la i), già presidente della SIMEU (Società Italiana di Medicina di Emergenza-Urgenza). In Laguna iniziano ad arrivare gli ospiti di Jeff Bezos e Lauren Sánchez che convoleranno a nozze a Venezia. Ne abbiamo parlato con Elvira Serra, inviata a Venezia del Corriere della Sera. L'attualità, commentata dal direttore dell'agenzia Ansa, Luigi Contu. All'interno di Non Stop News, con Enrico Galletti, Massimo Lo Nigro e Giusi Legrenzi.

Dopo l'analisi sul pericolo per i nostri soldati, l'ampia pagina della guerra iraniana prosegue con Anna Guaita e le prossime mosse di Donald Trump, mentre delle condizioni in cui versa l'asse della resistenza che fa capo a Teheran ci parla Lorenzo Vita, quindi passiamo alla pagina di cronaca con l'inviata Camilla Mozzetti e un messaggio inquietante nel caso del duplice delitto di villa Pamphili, quindi due numeri sul matrimonio dell'anno quello di Jeff Besos, il fondatore di Amazon, di scena a Venezia

Le nozze di Cana di Paolo Veronese: commento e analisi del dipinto con descrizione dei personaggi e confronto con le nozze di Cana dipinte dal Tintoretto.

Novantaduesima puntata di De Core Podcast condotto da Alessandro Pieravanti e Danilo da Fiumicino. Ospite della puntata: Andrea Pisani. "De Core" sono tutte le cose che ci fanno stare bene: musica, film, viaggi, cibo, sport e chi più ne ha più ne metta. Playlist scelta come brani "De Core" da Andrea: "Baba O'Riley" The Who - "Now and Then" The Beatles - "Firenze (Canzone triste) Ivan Graziani - " Cinque... dieci... venti... Atto primo Scena I, Le Nozze di Figaro - W. A. Mozart. Location: Riverside - Roma. Format di Alessandro Pieravanti e Danilo Contaldo prodotto da Dopcast. Produzione e post-produzione audio e video: Matteo Pieravanti. Musiche: Matteo Pieravanti. Logo: Alessandro Catalano. Trofei by SKFactory Lab 3D. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Gepresenteerd door: Saskia Voorbach Deutsche Kammerakademie Neuss Christoph Koncz, dirigent Isabelle van Keulen, viool * Wolfgang Amadeus Mozart - Ouverture uit Le Nozze di Figaro * Wolfgang Amadeus Mozart - Vioolconcert nr.3, KV 216 * Felix Mendelssohn - Symfonie nr. 4, op. 90 ‘Italiaanse'

Lizzie Lee is a genre-defying vocalist blending classical precision with the soul and spontaneity of New York's jazz tradition. Her voice—praised for its rich color and “acrobatics and élan”—offers a bold reinterpretation of the American Songbook and beyond. Raised in Alaska and trained in Paris and New York, Lizzie brings a rare combination of global sensibility and emotional connection to her work. Her debut album, 72nd Street, recorded at the legendary Van Gelder Studio, is a striking statement of identity: lush, lyrical, and rooted in both tradition and risk. The album features a stellar lineup including Joe Farnsworth (drums), Stacy Dillard (tenor sax), John Webber (bass), Joe Block (keys), and Rob Nuovo (guitar). With performances across NYC, the northeast and internationally, and acclaim from artists like Bill Frisell and David Broza, Lizzie is merging elegance with edge, storytelling with swing, while fast becoming a name to know among vocalists in the jazz world. In the classical genre, Lizzie is a dynamic soprano praised for her “brilliant coloratura, acrobatics, and élan” (Opera Magazine) and has performed across the United States, Europe, and Asia. Lizzie debuted in Europe at Staatstheater Darmstadt and has received international acclaim for her roles as the Parrot in the world premiere of Mahosot: Architect of Dreams by Somtow Sucharitkul in Bangkok and as the Countess in Le Nozze di Figaro in NYC. She has appeared as a soloist with the Jenaer Philharmonie, Bergische Symphoniker, and in concerts in Vienna with Maestro Francisco Araiza. Her artistry has been shaped through work with legendary mentors such as Martina Arroyo and the late Dalton Baldwin, whose influence continues to inspire her interpretive depth and stylistic sensitivity. Lizzie has performed at iconic venues such as Carnegie Hall and the Sydney Opera House and has worked closely with artists from many of the world's most prestigious theaters including the Metropolitan Opera, Royal Opera House, San Francisco Opera, Washington National Opera, and Opéra Bastille.

Questo brano è tratto dal video trasmesso in diretta dal ritiro tenuto da Pier Giorgio a Parigi, dove ha letto e commentato il libro “Il Piccolo Principe” di Antoine de Saint-Exup⁠é⁠ry. Qui Pier Giorgio, con un parallelismo tra il quadro “Nozze di Cana” del Veronese (che vi invitiamo a cercare su Google, e ad osservarlo per qualche minuto con calma) custodito al Louvre, ed il pozzo cercato nel deserto dal Piccolo Principe, ci indica sia la straordinarietà del miracolo delle nozze di Cana, quale invito a cercare la fonte, il pozzo, che scorre nel profondo di ciascuno di noi, e allo stesso tempo ci invita a festeggiare la Vita.

When is the last time you witnessed the power of your own voice? Maybe you're like Benjamin, it was today, fool! Or maybe it's been while? Finding my own voice and starting this Flirtcast didn't come easily. I've struggled for most of my life to even just connect to my voice and that's the inspiration for this episode today. To hopefully help you in connect to your voice, find it if it's gone away, or perhaps discover it like you never have before. We welcome Nick Higgs the Singer to the show to guide us through the conversation as we talk about what hold us back from radiating our true voices, what we can do to overcome these blocks, and how we can bring more confidence to our conversations! Then we'll get into allll the flirting tips about how you can use your voice as in incredible tool to flirt. Not just with the words you say, but with tone, pitch, speed, volume, range, and more!  Finally, we'll wrap up with some anxiety practices and vocal exercises you can do when your tongue is tied and you feel like you might not be able to get the words out. Being able to express yourself, your needs and boundaries, and how you're feeling is wildly important in dating - and in all of your relationships. My hope with this episode is that you feel more connected to your voice and feel confident using it to communicate, have amazing conversations, and FLIRT! Enjoying the show and want to support my work? Buy the Flirt Coach a coffee! Then don't forget to subscribe, rate, and review Flirtations on your favorite podcast platform, and share this episode to spread BFE - big flirt energy, all over the world! About our guest:  Nicholas Higgs pursued his passion for music at the University of Toronto, where he earned both his Master's and Bachelor's degrees. Under the esteemed guidance of Professor Lorna MacDonald, he honed his skills and expanded his repertoire, showcasing his versatility in roles such as Count Almaviva in Mozart's Le Nozze di Figaro and Grigory in William Walton's The Bear. Other roles include Guglielmo (Così fan tutte), Abraham Kaplan (Street Scene), Papageno (Die Zauberflöte), and Curio (Giulio Cesare). Praised for his “rich and agile voice,” baritone Nicholas engages listeners as a performer, content creator, and educator. He recently served as the music director, as well as performed the role of the Escapologist, in a production of Matilda the Musical with Triple Threat Theatre in Lindsay, Ontario. Nicholas has made a significant impact as a content creator, amassing a dedicated following of over 450 thousand individuals across various social platforms. Through his online presence, he seeks to provide high-quality music education to his followers, firmly believing that everyone deserves the opportunity to sing. You can find Nicholas on social media at the username @nickhiggsthesinger. About your host:  Benjamin is a flirt and dating coach sharing his love of flirting and BFE - big flirt energy, with the world! A lifelong introvert and socially anxious member of society, Benjamin now helps singles and daters alike flirt with more confidence, clarity, and fun! As the flirt is all about connection, Benjamin helps the flirt community (the flirties!) date from a place that allows the value of connection in all forms - platonic, romantic, and with the self - to take center stage and transform lives for greater healing and deeper connections. You can connect with Benjamin on Instagram, TikTok, stream the Flirtations Flirtcast everywhere you listen to podcasts (like right here!), and find out more about working together 1:1 here.

On this episode of The Hillsdale College Online Courses Podcast, Jeremiah and Juan (and a very special guest) discuss Haydn's The Creation before introducing Dr. Hyperion Knight. In “The History of Classical Music,” concert pianist and Hillsdale College Distinguished Fellow Hyperion Knight explains how music has developed and what distinguishes the greatest musical achievements through the life of Beethoven. Join this course, whether you are a music novice or an aficionado of the classical style, to learn what makes music great. The Classical Period synthesized opposing Rococo elements into a classic style and explored the capabilities of each instrument by giving each a crucial role in compositions. Significant pieces discussed include Haydn's “Farewell Symphony” and The Creation, and Mozart's Le Nozze di Figaro, Don Giovanni, The Magic Flute, Requiem, and piano concertos.See omnystudio.com/listener for privacy information.

On this episode of The Hillsdale College Online Courses Podcast, Jeremiah and Juan (and a very special guest) discuss Haydn's The Creation before introducing Dr. Hyperion Knight. In “The History of Classical Music,” concert pianist and Hillsdale College Distinguished Fellow Hyperion Knight explains how music has developed and what distinguishes the greatest musical achievements through the life of Beethoven. Join this course, whether you are a music novice or an aficionado of the classical style, to learn what makes music great. The Classical Period synthesized opposing Rococo elements into a classic style and explored the capabilities of each instrument by giving each a crucial role in compositions. Significant pieces discussed include Haydn's “Farewell Symphony” and The Creation, and Mozart's Le Nozze di Figaro, Don Giovanni, The Magic Flute, Requiem, and piano concertos.See omnystudio.com/listener for privacy information.

Inside this Episode with host, Mitch Hampton I seem to never tire of saying that among my many missions on this podcast is to have guests that are quite different than myself. Although Christine and I are both musicians and in the music world, I can't carry a tune to save my life and my truly awful singing voice is one of the main reasons I decided to purely instrumental music in terms of my own performance.  Not only does our guest have one of the best singing voices  in her for any field or genre of music but she also speaks five plus languages and is well versed in a remarkably diverse repertoire of music Indeed her newest release is representative of just the kind of eclecticism I always champion. I always love having guests on my show who have been in the "classical music" world as it is a genre most misunderstood at times by the public and always worthy of continuation and celebration. I sincerely hope you enjoy watching this episode as much as we did recording it. Ms. Moore's Bio : ( Full Bio on her website below) Praised by the Leipziger Volkszeitung for her lush sound and powerful expression, soprano Christine Moore Vassallo is a versatile performer with equal command in opera, recital, and contemporary music.  The Sacramento, California native counts among her many opera roles Mimi in La Boheme, the title role Madama Butterfly, Alice Ford in Falstaff, Micaela in Carmen, the title role in Suor Angelica, Santuzza in Cavalleria Rusticana, Donna Anna in Don Giovanni, Countess in Le Nozze di Figaro, Judith in Bluebeard's Castle, Leonora in Il Trovatore (described as "velvety and luscious" by SongWordSight Magazine), the title roles in Aida and Ariadne auf Naxos with such companies as the Leipzig Opera, Central City Opera, Santa Fe Opera, Chautauqua Institute, Utopia Opera, Create Opera, the Aldeburgh Summer Festival, Sacramento Opera, the Amato Opera and Lyric Artists of New York. She curated and performed in the first ever concert of Arab composers, entitled "Nearer to East: Chamber Music from the Arab World" at the Bruno Walter Auditorium at Lincoln Center, which concert was lauded by the Library as one of the outstanding of the year. Christine speaks five languages and sings in ten, and has given numerous solo recitals featuring works of all genres of repertoire and languages, including in Granada and Madrid with Festival de Cancion Espanola, Trinity Concert Series in New York, the Library at Lincoln Center, Merkin Concert Hall, the Edinburgh Fringe Festival, and the Old Stone House, Brooklyn. She made her UK debut in 2005 at the Paxton Chamber Music Festival in Scotland with Schoenberg's Pierrot Lunaire (praised by the Glasgow Herald) and has performed many new works by living composers, including the premiere at Merkin Hall NYC of Richard Thompson's song cycle The Shadow of Dawn as well as the NYC premiere of his opera The Mask in the Mirror, Andrew Rudin's Masha's Arias, and works by Michael Rose, Kareem Roustom, Halim El-Dabh, Richard Cameron-Wolfe, Steve Gerber and Zaid Jabri with the Brooklyn New Music Collective.  In 2016 she founded the singers collective Lyric Artists of New York, producing operas and concerts in the New York area. In 2023 she made her Weill Hall at Carnegie debut, and is currently collaborating on a project with composer and pianist Patricio Molina set to premiere in 2025 of his songs set to Arab women poets of the Andalus period. Album webpage on the Meridian Records website: https://www.meridian-records.co.uk/acatalog/CDE84647-From-Al-Andalus-to-the-Americas.html  Christine's Website: www.christinemooresoprano.com #middleeast #egypt #spain #oud #darbuka #andalus #soprano #classicalmusic #flute ##arabic #folkmusic #latinamerica #meridianrecords #istanbul #farsi #opera #newyorkcity #artsong  --- Support this podcast: https://podcasters.spotify.com/pod/show/mitch-hampton/support

Ita-Lufthansa, l’Ue autorizza le nozze - Santanchè e i turisti in elicottero a Cogne. Ironie del web

Friedrich, Uwe www.deutschlandfunk.de, Kultur heute

Kirill Serebrennikow hat "Le Nozze di Figaro" in Berlin inszeniert: Zunächst ein Sozialdrama, gibt der Regisseur Mozarts Oper später eine surreale, kapitalismuskritische Ebene. Ein ungeheuer unterhaltsamer Abend, lobt Kritiker Uwe Friedrich. Friedrich, Uwe www.deutschlandfunkkultur.de, Fazit

Sir Antonio Pappano is one of the world's most acclaimed conductors. He started work at the age of ten as an accompanist for his father, who worked as a singing teacher. After leading orchestras in Brussels and Oslo, Pappano was appointed as musical director of the Royal Opera House in 2002. Stepping down after 22 years leading Covent Garden, he has joined the London Symphony Orchestra as chief conductor. Antonio Pappano was knighted in 2012 and conducted the orchestra at the coronation of King Charles III in 2023. An award winning recording artist, he has conducted on over 70 live and studio albums.Antonio Pappano tells John Wilson about his upbringing in a central London council flat, the son of Italian immigrants, and his love of music from an early age. He recalls the significance of receiving his grade 5 piano examination result by post, "a lightbulb moment” in which he realised what he wanted to do with his life. He also describes his parents' grief after the death of his baby sister, which led to the Pappano family moving to Connecticut, where Antonio continued his musical tuition under a local piano teacher called Norma Verrilli and composer Arnold Franchetti. His professional career was nurtured by conductor and pianist Daniel Barenboim who employed Pappano as his assistant for six years, a period in which he learned the art of conducting. He also looks back at his 22 years leading the Royal Opera at Covent Garden and talks candidly of his concerns about the funding and championing of opera in the UK.Producer: Edwina PitmanMusic and archive:Puccini, Turandot, Act 1 Ah! per l'ultima volta! Liszt, Consolations S.172 for piano no.3 in D flat major; Lento placid Monteverdi, Dolci miei sospiri Gershwin, The Man I love Prokofiev, Symphony No.1 in D Major, Op.25 for two pianos Mozart, Piano Concerto No. 20 in D Minor, K. 466 I. Allegro Wagner, Das Rheingold, Act 1, Rheingold, Rheingold! Wagner, Tristan und Isolde, WWV 90, Act 3 Scene 2 O diese Sonne! Götterdämmerung, Act 3 Siegfrieds Trauermarsch Following Pappano, BBC Radio 4, September 2017 Puccini, La_Boheme, Act 1, Che gelida manina Strauss, Ariadne auf Naxos, Opera Handel, Zadok the Priest, HWV 258 Mozart, Le Nozze di Figaro, Act 3 Sull'aria che soave zeffiretto Vaughan Williams, Fantasia_on_a_Theme_by_Thomas_Tallis Ades, Three-piece Suite from Powder Her Face - Suite No.1

Welcome to the Instant Trivia podcast episode 1107, where we ask the best trivia on the Internet. Round 1. Category: Da Or Ba Or Dee. With Da" Or "Ba" Or "Dee in quotes 1: When Santa gives these creatures P.T.O. in the summer, some travel up to 800 miles for grazing grounds. reindeer. 2: It's the last name of a film character played by both Gary Cooper and Adam Sandler. Deeds. 3: Its name origin is African but this instrument is now widely associated with the music of Latin America. marimba. 4: It's a word describing motorcyclist Bud Ekins, or the name of a Marvel hero. daredevil. 5: Herb Caen referred to San Francisco as this place "by-the-Bay". Baghdad. Round 2. Category: Sports Films 1: Sylvester Stallone was inspired to write this film after seeing underdog Chuck Wepner take on Muhammad Ali. Rocky. 2: In "Knute Rockne: All American", this actor delivered the famous deathbed line "Win one for the Gipper". Ronald Reagan. 3: This 1981 film about 2 participants in the 1924 Olympics ran off with 4 Oscars including Best Picture. Chariots of Fire. 4: Susan Sarandon and Tim Robbins struck up a romance after meeting on the set of this baseball flick. Bull Durham. 5: This 1977 film featured Paul Newman as aging hockey coach Reggie Dunlop. Slap Shot. Round 3. Category: Home States 1: Butch Cassidy,Roseanne,Donny Osmond. Utah. 2: Robert Motherwell,Kurt Cobain,Bill Gates. Washington. 3: Thomas Dewey,Henry Ford,Madonna. Michigan. 4: Dana Carvey,Evel Knievel,Jeannette Rankin. Montana. 5: Amelia Earhart,Edgar Lee Masters,Dennis Hopper. Kansas. Round 4. Category: 7, 8 Or 9 1: Number of Snow White's height-challenged housemates. 7. 2: The one that starts with 2 vowels. 8. 3: In the famous Christmas poem, Santa's sleigh is pulled by this many tiny reindeer. 8. 4: Number of classic "Ancient Wonders" that included the Colossus of Rhodes. 7. 5: Some people compare happiness to being on this number cloud. 9. Round 5. Category: As A Young Man 1: …He covered the Boer War for the Morning Post, got captured, escaped and became a national hero. Winston Churchill. 2: …as a pre-teen this "Le Nozze di Figaro" composer wrote a one-act German singspiel. Mozart. 3: …he was tutored by Aristotle and then beat Darius III at Issus. Alexander the Great. 4: …in the 1300s B.C. he made Thebes Egypt's capital and changed his name to honor Amon. Tutankhamon. 5: …he ran his brother's senatorial campaign, then investigated Hoffa and the Teamsters. Bobby Kennedy. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

Live from the Grand Teton Music Festival is a series of one-hour podcasts hosted by Music Director Sir Donald Runnicles and GTMF General Manager Jeff Counts. Sue Heineman with the Grand Teton Music Festival OrchestraSir Donald Runnicles, conductorWolfgang Amadeus MozartOverture from Le Nozze di Figaro, K. 492Concerto for Bassoon in B-flat Major, K. 191Sue Heineman, bassoonSymphony No. 25 in G minor, K. 183

Sermone predicato nella Chiesa Cristiana Evangelica -Sola Grazia- di Caltanissetta il 31-12-2023-Testo biblico- Giovanni 2-1-12-Serie- Il Vangelo di Giovanni - 11-Predicatore- Nazzareno Ulfo--Ascolta altri sermoni nella nostra pagina dedicata- https---www.sermoni.solagrazia.it-

Sermone predicato nella Chiesa Cristiana Evangelica -Sola Grazia- di Caltanissetta il 31-12-2023-Testo biblico- Giovanni 2-1-12-Serie- Il Vangelo di Giovanni - 11-Predicatore- Nazzareno Ulfo--Ascolta altri sermoni nella nostra pagina dedicata- https---www.sermoni.solagrazia.it-

Sermone predicato nella Chiesa Cristiana Evangelica "Sola Grazia" di Caltanissetta il 31/12/2023Testo biblico: Giovanni 2:1-12Serie: Il Vangelo di Giovanni / 11Predicatore: Nazzareno UlfoAscolta altri sermoni nella nostra pagina dedicata: https://www.sermoni.solagrazia.it/

The Observer encounters an ending. Distressing breaches of quarantine. Record and transmit, just like a virus. The one that wouldn't be recorded.The fourth episode of Observable Radio, a found footage anthology podcast from Cameron Suey and Phil van Hest.Content Warnings: Gun ViolenceWritten and Edited by Cameron SueyProduced by Cameron Suey, Phil van Hest, and PurpurinaThe EnsemblePhil van HestJohn WarrenTrevor HendersonNathaniel LeighKyle GouldKatie SkovholtHector LealJason SmithKeano RaubunJoseph FaradayRosemary ThorneJack GrigoliJoshua KellyDaniel ProfetaJesse LealNatalie BergeRae WittePurpurinaArt by Karrin FletcherPsychology Consultant Elisa Leal, Psy.D (CA PSY28330)Find us online: observableradio.comSpecial Thanks to Geoff, Cathleen, and all our patrons and listeners.The following music was used for this media project:The Backrooms by MyuuDegenerate Blues by Alexander NakaradaBreaking World News, Your Big Rock Concert by WinnieTheMoogElevator Music, Late Night Country Road, and Children Eating Corn by Tim KuligRoad Trip by Frank SchroeterSelf Portrait In Three Shades Of Blue, and Captivity Is Led Captive by Justin Allan ArnoldEine Kleine Nachtmusik performed by the Advent Chamber Orchestra at BolingbrookConan Concerto by Keith WolkLe Nozze di Figaro - No. 11 Cavatina 'Porgi, Amor' performed by Skidmore College OrchestraStoner Jam by Gordon BeattieGoldberg Variations performed by Glen GouldFor further information about SFX and Media Licenses, please visit the show notes at:https://www.observableradio.com/episodes/transmission-a04-signs-signifiersAdditional Resources:https://www.sandyhookpromise.org/blog/community-resources/help-for-victims-and-survivors-of-gun-violence/https://everytownsupportfund.org/everytown-survivor-network/resources-for-victims-and-survivors-of-gun-violence/https://gunresponsibility.org/resources/Stick around after the credits for a look at Twilight Meridian, a scripted gothic/noir audio drama from our friends at Wrong Dimension Productions. Observable Radio is listener supported. To find out how you can contribute, and learn more about the production, join us on patreon.com/observableradio.com Hosted on Acast. See acast.com/privacy for more information.

Es wird inhaliert in dieser Komödie, und zwar nicht nur Mozart. Der russische Regisseur Evgeny Titov setzt in seiner Neuinszenierung von "Le nozze di Figaro" auf Tempo und Witz einer Boulevardkomödie in der Cannabis-Plantage. Das ist unterhaltsam, aber nicht über die volle Länge, zumal Dirigent Stefano Montanari zu einem exaltierten Stil neigt. Peter Jungblut war für BR-KLASSIK dabei.

Nach nur sechs Jahren kommt an der Bayerischen Staatsoper erneut Mozarts "Le nozze di Figaro" auf die Bühne - in der Neuinszenierung von Staatsopern-Debütant Evgeny Titov. Am Pult steht Stefano Montanari. Der Italiener hat sich zunächst als Barockgeiger einen Namen gemacht, bevor er Dirigent wurde.

Ayako Ohtake, a Sydney-based Japanese soprano singer, hosts biweekly music segment called VIVA! Opera for SBS Japanese. - 躍動感や動きに満ちあふれたデュエットで、スザンナとケルビーノの短い２重唱。大慌ての2人と一緒に、ハラハラしながら楽しめる曲です。

Mit viel Polit-Prominenz stand am 27. Juli die Premiere von Figaros Hochzeit auf dem Programm der Salzburger Festspiele. Martin Kušej inszeniert eine Mischung aus Grusel, Sex und Komödie, die sich irgendwann erschöpft. Dafür überzeugt die Musik.

Ayako Ohtake, a Sydney-based Japanese soprano singer, hosts biweekly music segment called VIVA! Opera for SBS Japanese. - 伯爵役のアリア「訴訟に勝っただと！」をピックアップし、バリトンの魅力を紹介します。動揺するなかで怒りをあらわにし、最後は復讐を誓うドラマチックな場面です。

One of the world's most beloved operas, Mozart's  Le Nozze di Figaro, is not only the focus of this episode, but also the inspiration for Elly Uncomposed: A Novel Opera, a magical realist novel by author and retired opera singer, Valerie Niemerg.  Like the opera Figaro, some truly serious and important topics are addressed in Elly Uncomposed, but with a charmingly comical touch. Join Valerie and Pat for a wide-ranging conversation about her delightful book, stories about her time in professional opera, and an exploration of Le Nozze di Figaro.

Melissa Short Zapin started as a soprano in Honolulu, Hawaii. An unforgettable rendition of Je veux vivre from Romeo et Juliet won her the Miss Hawai‘i title and a place on the famed Miss America stage. There, she won the talent and swimsuit competitions and finished in the top ten. Melissa was first in the NSAL Opera Competition, performing Christine in Phantom of the Opera and Cinderella in Rogers and Hammerstein's Cinderella. Both performances won Po'okela awards for Best Female Performer in a Musical. She was a featured guest artist at several galas for the Hawaii Opera Theater. After receiving the Hungarian Arts Music Festival Award, Melissa accompanied famed tenor Marcello Giordani in several concerts appearing at the Fresno Grand Opera House in Dayton, Ohio. Her operatic performances included La Contessa in Mozart's Le Nozze di Figaro, Desdemona in Verdi's Otello at Vero Beach, and Musetta in La Boheme. Melissa was the featured soloist in Mozart's Vesperae solennes de Consessore and John Rutter's Mass at the world-famous Carnegie Hall, both of which were highlights of her career. Melissa also worked as a voiceover artist and performer, appearing on television in the hit shows Sex in the City and Elementary with Lucy Liu. In 2015 Melissa retired as an Opera singer and began Grandma Ruth's Pies, baking handmade, all-natural, preservative-free pies. What started as baking for family and friends to enjoy during the holidays quickly expanded to local farm stands in the Hamptons. When she moved to Los Angeles in 2017, Melissa's business boomed, reaching a larger audience. She started servicing the entertainment industry and local farmers' markets, turning Grandma Ruth's Pies into a year-round operation. She currently sells online, offering local delivery in Los Angeles and the Hamptons and flash-frozen pies shipped nationally. Some crowd favorites are the Vegan Apple Crumble Pie and Chocolate Cream Pie. Grandma Ruth's Pies bring families together with fresh, handmade, natural ingredients molded by skilled hands into perfection. Made from scratch and with her Grandma Ruth's love, the pies brought Melissa's family together throughout the years. Melissa now delivers that sentiment to the homes of everyone that eat her delicious pies. It's A Hawaii Thing Productions. Quality content for the Hawaii Enthusiast and traveler. Celebrities, artists & community leaders vomming together to showcase the spirit of the islands. New weekly program dedicated to anything and everything unique to life in Hawaii. To Learn more about It's A Hawaii Thing visit: https://www.itsahawaiithing.com/ It's A Hawaii Thing is a https://www.wikiocast.com/ production.

This episode is part of our series in collaboration with the hosts of the Classical Gabfest Podcast - conductors Tiffany Lu, William White, and Kensho Watanabe. Please go check out their show, and their episode featuring us! -- Emerging onto the international stage, Kensho Watanabe is fast becoming one of the most exciting and versatile young conductors to come out of the United States. Recently recognized as a recipient of a Career Assistance Award by the Solti Foundation U.S, Kensho will make his Metropolitan Opera debut next season, conducting Kevin Puts' The Hours. Assistant Conductor of The Philadelphia Orchestra from 2016 to 2019, Kensho made his critically acclaimed subscription debut with the Orchestra and pianist, Daniil Trifonov, taking over from his mentor Yannick Nézet-Séguin. He would continue on to conduct four subscription concerts with the Philadelphia Orchestra in 2019, in addition to debuts at the Bravo! Vail Festival and numerous concerts at the Mann and Saratoga Performing Arts Centres. Recent highlights include Kensho's debuts with the London Philharmonic and Tokyo Philharmonic Orchestras, Orchestre National du Capitole de Toulouse, Rhode Island Philharmonic as well as his Finnish debut with the Jyväskylä Sinfonia. Kensho has also enjoyed collaborations with the Houston Symphony, Royal Scottish National Orchestra, Detroit Symphony, Brussels Philharmonic and the BBC National Orchestra of Wales, the Seiji Ozawa Matsumoto Festival, and the Orchestre Metropolitain in Montreal. Equally at home in both symphonic and operatic repertoire, Watanabe has led numerous operas with the Curtis Opera Theatre, most recently Puccini's La rondine in 2017 and La bohème in 2015. Additionally, he served as assistant conductor to Yannick Nézet-Séguin on a new production of Strauss' Elektra at Montréal Opera. This season, Watanabe will conduct Mozart's Le Nozze di Figaro at the Seiji Ozawa Music Academy. Watanabe has previously been the inaugural conducting fellow of the Curtis Institute of Music from 2013 to 2015, under the mentorship of Nézet-Séguin. An accomplished violinist, Watanabe received his master of music degree from the Yale School of Music and served as a substitute violinist in The Philadelphia Orchestra from 2012 to 2016. -- We're super excited to announce that we're piloting a database of opportunities for creatives like you! The database features scholarships, grants, internships, & more. It will be updated monthly with new links, opportunities, and deadlines. All you have to do to access the database is sign up for our newsletter at creativebaggagepodcast.com --- Support this podcast: https://anchor.fm/creative-baggage/support

The Two Gay Geeks