Podcasts about le nozze

Gepresenteerd door: Saskia Voorbach Deutsche Kammerakademie Neuss Christoph Koncz, dirigent Isabelle van Keulen, viool * Wolfgang Amadeus Mozart - Ouverture uit Le Nozze di Figaro * Wolfgang Amadeus Mozart - Vioolconcert nr.3, KV 216 * Felix Mendelssohn - Symfonie nr. 4, op. 90 ‘Italiaanse'

Lizzie Lee is a genre-defying vocalist blending classical precision with the soul and spontaneity of New York's jazz tradition. Her voice—praised for its rich color and “acrobatics and élan”—offers a bold reinterpretation of the American Songbook and beyond. Raised in Alaska and trained in Paris and New York, Lizzie brings a rare combination of global sensibility and emotional connection to her work. Her debut album, 72nd Street, recorded at the legendary Van Gelder Studio, is a striking statement of identity: lush, lyrical, and rooted in both tradition and risk. The album features a stellar lineup including Joe Farnsworth (drums), Stacy Dillard (tenor sax), John Webber (bass), Joe Block (keys), and Rob Nuovo (guitar). With performances across NYC, the northeast and internationally, and acclaim from artists like Bill Frisell and David Broza, Lizzie is merging elegance with edge, storytelling with swing, while fast becoming a name to know among vocalists in the jazz world. In the classical genre, Lizzie is a dynamic soprano praised for her “brilliant coloratura, acrobatics, and élan” (Opera Magazine) and has performed across the United States, Europe, and Asia. Lizzie debuted in Europe at Staatstheater Darmstadt and has received international acclaim for her roles as the Parrot in the world premiere of Mahosot: Architect of Dreams by Somtow Sucharitkul in Bangkok and as the Countess in Le Nozze di Figaro in NYC. She has appeared as a soloist with the Jenaer Philharmonie, Bergische Symphoniker, and in concerts in Vienna with Maestro Francisco Araiza. Her artistry has been shaped through work with legendary mentors such as Martina Arroyo and the late Dalton Baldwin, whose influence continues to inspire her interpretive depth and stylistic sensitivity. Lizzie has performed at iconic venues such as Carnegie Hall and the Sydney Opera House and has worked closely with artists from many of the world's most prestigious theaters including the Metropolitan Opera, Royal Opera House, San Francisco Opera, Washington National Opera, and Opéra Bastille.

Questo brano è tratto dal video trasmesso in diretta dal ritiro tenuto da Pier Giorgio a Parigi, dove ha letto e commentato il libro “Il Piccolo Principe” di Antoine de Saint-Exup⁠é⁠ry. Qui Pier Giorgio, con un parallelismo tra il quadro “Nozze di Cana” del Veronese (che vi invitiamo a cercare su Google, e ad osservarlo per qualche minuto con calma) custodito al Louvre, ed il pozzo cercato nel deserto dal Piccolo Principe, ci indica sia la straordinarietà del miracolo delle nozze di Cana, quale invito a cercare la fonte, il pozzo, che scorre nel profondo di ciascuno di noi, e allo stesso tempo ci invita a festeggiare la Vita.

Loretta conduce "Ben Essere", ogni settimana su Gorgoradio.it L'argomento della settimana è: lo zaffiro, le nozze di zaffiro, la gemma della saggezza, comprensione e fusione della coppia Visita il sito di Loretta : ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.lecodelbenessere.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ #iconsiglidibenessere

II domenica del Tempo ordinario

Giuseppe Chimenti è la mente che ruota intorno al progetto Le Nozze Chimiche, nome che nel 2024 ha registrato l’ottimo album “5”, supportato da Fabrizio Massara, ex tastierista dei Baustelle. Chimenti è stato ospite di Alternitalia per raccontare questo disco e per presentare la data live del 17 gennaio al Pianeta Sonoro di Roma. ASCOLTA

When is the last time you witnessed the power of your own voice? Maybe you're like Benjamin, it was today, fool! Or maybe it's been while? Finding my own voice and starting this Flirtcast didn't come easily. I've struggled for most of my life to even just connect to my voice and that's the inspiration for this episode today. To hopefully help you in connect to your voice, find it if it's gone away, or perhaps discover it like you never have before. We welcome Nick Higgs the Singer to the show to guide us through the conversation as we talk about what hold us back from radiating our true voices, what we can do to overcome these blocks, and how we can bring more confidence to our conversations! Then we'll get into allll the flirting tips about how you can use your voice as in incredible tool to flirt. Not just with the words you say, but with tone, pitch, speed, volume, range, and more!  Finally, we'll wrap up with some anxiety practices and vocal exercises you can do when your tongue is tied and you feel like you might not be able to get the words out. Being able to express yourself, your needs and boundaries, and how you're feeling is wildly important in dating - and in all of your relationships. My hope with this episode is that you feel more connected to your voice and feel confident using it to communicate, have amazing conversations, and FLIRT! Enjoying the show and want to support my work? Buy the Flirt Coach a coffee! Then don't forget to subscribe, rate, and review Flirtations on your favorite podcast platform, and share this episode to spread BFE - big flirt energy, all over the world! About our guest:  Nicholas Higgs pursued his passion for music at the University of Toronto, where he earned both his Master's and Bachelor's degrees. Under the esteemed guidance of Professor Lorna MacDonald, he honed his skills and expanded his repertoire, showcasing his versatility in roles such as Count Almaviva in Mozart's Le Nozze di Figaro and Grigory in William Walton's The Bear. Other roles include Guglielmo (Così fan tutte), Abraham Kaplan (Street Scene), Papageno (Die Zauberflöte), and Curio (Giulio Cesare). Praised for his “rich and agile voice,” baritone Nicholas engages listeners as a performer, content creator, and educator. He recently served as the music director, as well as performed the role of the Escapologist, in a production of Matilda the Musical with Triple Threat Theatre in Lindsay, Ontario. Nicholas has made a significant impact as a content creator, amassing a dedicated following of over 450 thousand individuals across various social platforms. Through his online presence, he seeks to provide high-quality music education to his followers, firmly believing that everyone deserves the opportunity to sing. You can find Nicholas on social media at the username @nickhiggsthesinger. About your host:  Benjamin is a flirt and dating coach sharing his love of flirting and BFE - big flirt energy, with the world! A lifelong introvert and socially anxious member of society, Benjamin now helps singles and daters alike flirt with more confidence, clarity, and fun! As the flirt is all about connection, Benjamin helps the flirt community (the flirties!) date from a place that allows the value of connection in all forms - platonic, romantic, and with the self - to take center stage and transform lives for greater healing and deeper connections. You can connect with Benjamin on Instagram, TikTok, stream the Flirtations Flirtcast everywhere you listen to podcasts (like right here!), and find out more about working together 1:1 here.

“We should start back” sono le primissime parole de “Le Cronache del Ghiaccio e del Fuoco” di George R.R. Martin e noi abbiamo pensato di fare esattamente così. In questo episodio Tyrion è i nostri occhi e le nostre orecchie durante la cerimonia e il banchetto di nozze della coppia reale. L'insofferenza e lo sconforto di Tyrion sono palpabili durante tutta la cerimonia. Inoltre, Tyrion passa tutto il tempo a pensare a come Joffrey abbia potuto davvero attentare alla vita di Brandon Stark. Finita la cerimonia, la coppia torna alla Fortezza Rossa per il banchetto di 77 portate. Negli appartamenti si cambiano e poi vanno in giro per i soliti convenevoli di corte. Tra le prime 30 portate la prima parte del banchetto passa più o meno tranquilla, se con tranquillità possiamo definire il caos della Sala del Trono tra giocolieri, vino a fiumi e troppi leccaculo. A un certo punto, però, la musica cambia. Joff decide di intrattenere i suoi ospiti chiamando a sé due nani. I nani impersonano rispettivamente un soldato Baratheon e un soldato Stark. Sansa rimane impassibile, come se non vedesse il palese insulto, Tyrion lo è meno. Ma mantiene la calma, anche quando Joff comanda che sfidi i due nani a duello e vinca per lui o quando Joffrey gli svuota il suo grande calice di vino sulla testa chiedendogli poi di fargli da coppiere per il resto della serata. A fare compagnia ai due sfortunati protagonisti c'è Ser Garlan Tyrell, voce della ragione, che tenta addirittura di far ragionare il giovane re, ovviamente senza successo. Purtroppo è proprio quando escono fuori la torta nuziale che iniziano i guai. Sansa si accorge che la spada di Ser Ilyn, che Joff ha richiesto per il taglio della torta, non è più quella di suo padre, mentre Tyrion, coppiere reale, assiste in presa diretta al soffocamento di suo nipote. Nessuno può aiutare il giovane re, né Garlan con le sue pacche sulle spalle, né Olenna Tyrell che grida a chiunque di chiamare i soccorsi, né Margaery che piange disperata tra le braccia della madre e nemmeno Cersei Lannister che urla di dolore con il corpo del figlio morto tra le braccia. Tyrion è stranamente calmo, come se l'evento non lo riguardasse. Nonostante la sua coscienza gli urli che deve andarsene, Tyrion rimane in sala. Prima svuota la coppa di vino a terra, poi si avvicina alla sorella tentando di consolarla. Eppure Cersei, cieca dalla rabbia e sicuramente non aiutata da Tywin che giustamente le dice di lasciar andare il corpo del re, ordina alle Guardie Reali di arrestare il fratello: è stato lui l'assassino del re, è lui che devono prendere e buttare in cella. In tutto questo di Sansa Stark si sono perse le tracce. Ovviamente condividete su tutte le piattaforme, spargete la voce e mettete like al video. Potete trovarci su tutti gli altri social tramite i link qua sotto Facebook: https://www.facebook.com/tronodispadepod/ Twitter: https://twitter.com/tronodispadepod Instagram: https://www.instagram.com/tronodispadepod/ Spotify: https://open.spotify.com/show/4mdslx4Nd8vunpc7nP3B45 Google Podcast: https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3uZm0vcy81MDk3ZTk4OC9wb2RjYXN0L3Jzcw== Patreon: https://www.patreon.com/ilpodcastdelghiaccioedelfuoco Ko-fi: https://ko-fi.com/ilpodcastdelghiaccioedelfuoco Linkt.ree: https://linktr.ee/ilpodcastdelghiaccioedelfuoco

On this episode of The Hillsdale College Online Courses Podcast, Jeremiah and Juan (and a very special guest) discuss Haydn's The Creation before introducing Dr. Hyperion Knight. In “The History of Classical Music,” concert pianist and Hillsdale College Distinguished Fellow Hyperion Knight explains how music has developed and what distinguishes the greatest musical achievements through the life of Beethoven. Join this course, whether you are a music novice or an aficionado of the classical style, to learn what makes music great. The Classical Period synthesized opposing Rococo elements into a classic style and explored the capabilities of each instrument by giving each a crucial role in compositions. Significant pieces discussed include Haydn's “Farewell Symphony” and The Creation, and Mozart's Le Nozze di Figaro, Don Giovanni, The Magic Flute, Requiem, and piano concertos.See omnystudio.com/listener for privacy information.

On this episode of The Hillsdale College Online Courses Podcast, Jeremiah and Juan (and a very special guest) discuss Haydn's The Creation before introducing Dr. Hyperion Knight. In “The History of Classical Music,” concert pianist and Hillsdale College Distinguished Fellow Hyperion Knight explains how music has developed and what distinguishes the greatest musical achievements through the life of Beethoven. Join this course, whether you are a music novice or an aficionado of the classical style, to learn what makes music great. The Classical Period synthesized opposing Rococo elements into a classic style and explored the capabilities of each instrument by giving each a crucial role in compositions. Significant pieces discussed include Haydn's “Farewell Symphony” and The Creation, and Mozart's Le Nozze di Figaro, Don Giovanni, The Magic Flute, Requiem, and piano concertos.See omnystudio.com/listener for privacy information.

Inside this Episode with host, Mitch Hampton I seem to never tire of saying that among my many missions on this podcast is to have guests that are quite different than myself. Although Christine and I are both musicians and in the music world, I can't carry a tune to save my life and my truly awful singing voice is one of the main reasons I decided to purely instrumental music in terms of my own performance.  Not only does our guest have one of the best singing voices  in her for any field or genre of music but she also speaks five plus languages and is well versed in a remarkably diverse repertoire of music Indeed her newest release is representative of just the kind of eclecticism I always champion. I always love having guests on my show who have been in the "classical music" world as it is a genre most misunderstood at times by the public and always worthy of continuation and celebration. I sincerely hope you enjoy watching this episode as much as we did recording it. Ms. Moore's Bio : ( Full Bio on her website below) Praised by the Leipziger Volkszeitung for her lush sound and powerful expression, soprano Christine Moore Vassallo is a versatile performer with equal command in opera, recital, and contemporary music.  The Sacramento, California native counts among her many opera roles Mimi in La Boheme, the title role Madama Butterfly, Alice Ford in Falstaff, Micaela in Carmen, the title role in Suor Angelica, Santuzza in Cavalleria Rusticana, Donna Anna in Don Giovanni, Countess in Le Nozze di Figaro, Judith in Bluebeard's Castle, Leonora in Il Trovatore (described as "velvety and luscious" by SongWordSight Magazine), the title roles in Aida and Ariadne auf Naxos with such companies as the Leipzig Opera, Central City Opera, Santa Fe Opera, Chautauqua Institute, Utopia Opera, Create Opera, the Aldeburgh Summer Festival, Sacramento Opera, the Amato Opera and Lyric Artists of New York. She curated and performed in the first ever concert of Arab composers, entitled "Nearer to East: Chamber Music from the Arab World" at the Bruno Walter Auditorium at Lincoln Center, which concert was lauded by the Library as one of the outstanding of the year. Christine speaks five languages and sings in ten, and has given numerous solo recitals featuring works of all genres of repertoire and languages, including in Granada and Madrid with Festival de Cancion Espanola, Trinity Concert Series in New York, the Library at Lincoln Center, Merkin Concert Hall, the Edinburgh Fringe Festival, and the Old Stone House, Brooklyn. She made her UK debut in 2005 at the Paxton Chamber Music Festival in Scotland with Schoenberg's Pierrot Lunaire (praised by the Glasgow Herald) and has performed many new works by living composers, including the premiere at Merkin Hall NYC of Richard Thompson's song cycle The Shadow of Dawn as well as the NYC premiere of his opera The Mask in the Mirror, Andrew Rudin's Masha's Arias, and works by Michael Rose, Kareem Roustom, Halim El-Dabh, Richard Cameron-Wolfe, Steve Gerber and Zaid Jabri with the Brooklyn New Music Collective.  In 2016 she founded the singers collective Lyric Artists of New York, producing operas and concerts in the New York area. In 2023 she made her Weill Hall at Carnegie debut, and is currently collaborating on a project with composer and pianist Patricio Molina set to premiere in 2025 of his songs set to Arab women poets of the Andalus period. Album webpage on the Meridian Records website: https://www.meridian-records.co.uk/acatalog/CDE84647-From-Al-Andalus-to-the-Americas.html  Christine's Website: www.christinemooresoprano.com #middleeast #egypt #spain #oud #darbuka #andalus #soprano #classicalmusic #flute ##arabic #folkmusic #latinamerica #meridianrecords #istanbul #farsi #opera #newyorkcity #artsong  --- Support this podcast: https://podcasters.spotify.com/pod/show/mitch-hampton/support

Ita-Lufthansa, l’Ue autorizza le nozze - Santanchè e i turisti in elicottero a Cogne. Ironie del web

Nuovo rinvio per le nozze tra Ita e Lufthansa. La compagnia aerea tedesca si dice pronta a sacrificare alcune rotte tra Fiumicino e Usa per avere l'ok di Bruxelles all'accordo.

“We should start back” sono le primissime parole de “Le Cronache del Ghiaccio e del Fuoco” di George R.R. Martin e noi abbiamo pensato di fare esattamente così. Il vestito è pronto ed è bellissimo, tutto bianco e grigio, i colori della sua casata... strano. Sansa all'inizio non si fa tante domande, lo indosserà per Willas e questo le basta per andare avanti. Tutto cambia quando entra in stanza Cersei e con lei un mantello matrimoniale... il bianco virginale dell'abito e il mantello Stark dipingono un'immagine del tutto diversa da quella che Sansa si era prefigurata: la stanno portando a un matrimonio e il matrimonio è il suo. Disperata, tenta addirittura la fuga, ma Cersei è pronta con minacce e ricatti. Oggi lei sposerà Tyrion o non uscirà viva dal castello. La cerimonia passa in un batter d'occhio, i Tyrell sono spariti e lei fa di tutto pur di non crollare. Arrivati al momento dello scambio dei mantelli, lei non ce la fa più, non si inginocchia per Tyrion, nessuno ha mai pensato ai suoi sentimenti, perché lei dovrebbe avere un occhio di riguardo per i suoi? Al terzo tentativo, Joffrey, sempre crudele, ordina a Dontos di fare da sgabello a Tyrion così che la cerimonia possa continuare e che i due possano essere uniti per sempre in matrimonio davanti ai Sette. Se la cerimonia è imbarazzante, il banchetto è pietoso. Tyrion è ubriaco, Sansa disperata. L'unico che riesce a farla distrarre un attimo è Ser Garlan che le chiede di danzare con lui. Questo breve momento di spensieratezza viene interrotto dal re, che oltre a violarla fisicamente, la minaccia di stupro. Il momento della messa a letto è il peggiore, eppure, per grazia e intervento divino, questo le viene evitato, anche se per un soffio. Quasi ci scappava il morto, con Tyrion che minaccia apertamente la figura del re e suo padre che in parte mette pezze per rimediare la palese disfunzionalità della famiglia. In camera da letto è straziante leggere di una Sansa terrorizzata all'idea di condividere il letto con Tyrion, di diventare a tutti gli effetti sua moglie in spirito e in corpo. È proprio all'ultimo momento che Tyrion si ferma, quando la vede tremante e fragile, piccola e nuda, vulnerabile... E se lei non volesse mai consumare? Beh, è per questo che ci sono le puttane, dice Tyrion. Ovviamente condividete su tutte le piattaforme, spargete la voce e mettete like al video. Potete trovarci su tutti gli altri social tramite i link qua sotto Facebook: https://www.facebook.com/tronodispadepod/ Twitter: https://twitter.com/tronodispadepod Instagram: https://www.instagram.com/tronodispadepod/ Spotify: https://open.spotify.com/show/4mdslx4Nd8vunpc7nP3B45 Google Podcast: https://www.google.com/podcasts?feed=aHR0cHM6Ly9hbmNob3uZm0vcy81MDk3ZTk4OC9wb2RjYXN0L3Jzcw== Patreon: https://www.patreon.com/ilpodcastdelghiaccioedelfuoco Ko-fi: https://ko-fi.com/ilpodcastdelghiaccioedelfuoco Linkt.ree: https://linktr.ee/ilpodcastdelghiaccioedelfuoco

Friedrich, Uwe www.deutschlandfunk.de, Kultur heute

Kirill Serebrennikow hat "Le Nozze di Figaro" in Berlin inszeniert: Zunächst ein Sozialdrama, gibt der Regisseur Mozarts Oper später eine surreale, kapitalismuskritische Ebene. Ein ungeheuer unterhaltsamer Abend, lobt Kritiker Uwe Friedrich. Friedrich, Uwe www.deutschlandfunkkultur.de, Fazit

Sir Antonio Pappano is one of the world's most acclaimed conductors. He started work at the age of ten as an accompanist for his father, who worked as a singing teacher. After leading orchestras in Brussels and Oslo, Pappano was appointed as musical director of the Royal Opera House in 2002. Stepping down after 22 years leading Covent Garden, he has joined the London Symphony Orchestra as chief conductor. Antonio Pappano was knighted in 2012 and conducted the orchestra at the coronation of King Charles III in 2023. An award winning recording artist, he has conducted on over 70 live and studio albums.Antonio Pappano tells John Wilson about his upbringing in a central London council flat, the son of Italian immigrants, and his love of music from an early age. He recalls the significance of receiving his grade 5 piano examination result by post, "a lightbulb moment” in which he realised what he wanted to do with his life. He also describes his parents' grief after the death of his baby sister, which led to the Pappano family moving to Connecticut, where Antonio continued his musical tuition under a local piano teacher called Norma Verrilli and composer Arnold Franchetti. His professional career was nurtured by conductor and pianist Daniel Barenboim who employed Pappano as his assistant for six years, a period in which he learned the art of conducting. He also looks back at his 22 years leading the Royal Opera at Covent Garden and talks candidly of his concerns about the funding and championing of opera in the UK.Producer: Edwina PitmanMusic and archive:Puccini, Turandot, Act 1 Ah! per l'ultima volta! Liszt, Consolations S.172 for piano no.3 in D flat major; Lento placid Monteverdi, Dolci miei sospiri Gershwin, The Man I love Prokofiev, Symphony No.1 in D Major, Op.25 for two pianos Mozart, Piano Concerto No. 20 in D Minor, K. 466 I. Allegro Wagner, Das Rheingold, Act 1, Rheingold, Rheingold! Wagner, Tristan und Isolde, WWV 90, Act 3 Scene 2 O diese Sonne! Götterdämmerung, Act 3 Siegfrieds Trauermarsch Following Pappano, BBC Radio 4, September 2017 Puccini, La_Boheme, Act 1, Che gelida manina Strauss, Ariadne auf Naxos, Opera Handel, Zadok the Priest, HWV 258 Mozart, Le Nozze di Figaro, Act 3 Sull'aria che soave zeffiretto Vaughan Williams, Fantasia_on_a_Theme_by_Thomas_Tallis Ades, Three-piece Suite from Powder Her Face - Suite No.1

In an industry where self-doubt can be paralysing, Opera for Peace Ambassador and soprano Ailyn Perez shares her techniques for helping emerging artists to trust their voices, how to navigate away from the feeling of continually being judged, and she acknowledges her own vulnerability when approaching a new piece – a reminder that even those at the pinnacle of their careers experience moments of uncertainty.  Meanwhile, young tenor Matteo Ivan Rašic questions whether as a singer you need to be self-centred, and reflects on the significance of success as the son of a refugee family, giving a personal perspective on the stakes involved in pursuing a career in the arts.   Watch now on Opera Vision Artifacts Assembly from Young Artists at the Palau de les Arts Documentary from Oper Frankfurt on audition training for the Paul Hindemith Orchestra Academy Masterclass with Sarah Connolly Music extracts Introduction and closing from Die Entführung aus dem Serail (Mozart): Overture Donizetti ‘Quel guardo il cavaliere' from Don Pasquale, with soprano Nanami Yoneda and pianist Kamal Khan Mozart ‘Se vuol ballare' from Le Nozze di Figaro, with bass baritone Ihor Mostovai and pianist Carmen Santoro Charpentier ‘Depuis le jour' from Louise, with soprano Oksana Sliubyk and pianist Kamal Khan

Welcome to the Instant Trivia podcast episode 1107, where we ask the best trivia on the Internet. Round 1. Category: Da Or Ba Or Dee. With Da" Or "Ba" Or "Dee in quotes 1: When Santa gives these creatures P.T.O. in the summer, some travel up to 800 miles for grazing grounds. reindeer. 2: It's the last name of a film character played by both Gary Cooper and Adam Sandler. Deeds. 3: Its name origin is African but this instrument is now widely associated with the music of Latin America. marimba. 4: It's a word describing motorcyclist Bud Ekins, or the name of a Marvel hero. daredevil. 5: Herb Caen referred to San Francisco as this place "by-the-Bay". Baghdad. Round 2. Category: Sports Films 1: Sylvester Stallone was inspired to write this film after seeing underdog Chuck Wepner take on Muhammad Ali. Rocky. 2: In "Knute Rockne: All American", this actor delivered the famous deathbed line "Win one for the Gipper". Ronald Reagan. 3: This 1981 film about 2 participants in the 1924 Olympics ran off with 4 Oscars including Best Picture. Chariots of Fire. 4: Susan Sarandon and Tim Robbins struck up a romance after meeting on the set of this baseball flick. Bull Durham. 5: This 1977 film featured Paul Newman as aging hockey coach Reggie Dunlop. Slap Shot. Round 3. Category: Home States 1: Butch Cassidy,Roseanne,Donny Osmond. Utah. 2: Robert Motherwell,Kurt Cobain,Bill Gates. Washington. 3: Thomas Dewey,Henry Ford,Madonna. Michigan. 4: Dana Carvey,Evel Knievel,Jeannette Rankin. Montana. 5: Amelia Earhart,Edgar Lee Masters,Dennis Hopper. Kansas. Round 4. Category: 7, 8 Or 9 1: Number of Snow White's height-challenged housemates. 7. 2: The one that starts with 2 vowels. 8. 3: In the famous Christmas poem, Santa's sleigh is pulled by this many tiny reindeer. 8. 4: Number of classic "Ancient Wonders" that included the Colossus of Rhodes. 7. 5: Some people compare happiness to being on this number cloud. 9. Round 5. Category: As A Young Man 1: …He covered the Boer War for the Morning Post, got captured, escaped and became a national hero. Winston Churchill. 2: …as a pre-teen this "Le Nozze di Figaro" composer wrote a one-act German singspiel. Mozart. 3: …he was tutored by Aristotle and then beat Darius III at Issus. Alexander the Great. 4: …in the 1300s B.C. he made Thebes Egypt's capital and changed his name to honor Amon. Tutankhamon. 5: …he ran his brother's senatorial campaign, then investigated Hoffa and the Teamsters. Bobby Kennedy. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

Live from the Grand Teton Music Festival is a series of one-hour podcasts hosted by Music Director Sir Donald Runnicles and GTMF General Manager Jeff Counts. Sue Heineman with the Grand Teton Music Festival OrchestraSir Donald Runnicles, conductorWolfgang Amadeus MozartOverture from Le Nozze di Figaro, K. 492Concerto for Bassoon in B-flat Major, K. 191Sue Heineman, bassoonSymphony No. 25 in G minor, K. 183

Sermone predicato nella Chiesa Cristiana Evangelica -Sola Grazia- di Caltanissetta il 31-12-2023-Testo biblico- Giovanni 2-1-12-Serie- Il Vangelo di Giovanni - 11-Predicatore- Nazzareno Ulfo--Ascolta altri sermoni nella nostra pagina dedicata- https---www.sermoni.solagrazia.it-

Sermone predicato nella Chiesa Cristiana Evangelica -Sola Grazia- di Caltanissetta il 31-12-2023-Testo biblico- Giovanni 2-1-12-Serie- Il Vangelo di Giovanni - 11-Predicatore- Nazzareno Ulfo--Ascolta altri sermoni nella nostra pagina dedicata- https---www.sermoni.solagrazia.it-

Sermone predicato nella Chiesa Cristiana Evangelica "Sola Grazia" di Caltanissetta il 31/12/2023Testo biblico: Giovanni 2:1-12Serie: Il Vangelo di Giovanni / 11Predicatore: Nazzareno UlfoAscolta altri sermoni nella nostra pagina dedicata: https://www.sermoni.solagrazia.it/

The Observer encounters an ending. Distressing breaches of quarantine. Record and transmit, just like a virus. The one that wouldn't be recorded.The fourth episode of Observable Radio, a found footage anthology podcast from Cameron Suey and Phil van Hest.Content Warnings: Gun ViolenceWritten and Edited by Cameron SueyProduced by Cameron Suey, Phil van Hest, and PurpurinaThe EnsemblePhil van HestJohn WarrenTrevor HendersonNathaniel LeighKyle GouldKatie SkovholtHector LealJason SmithKeano RaubunJoseph FaradayRosemary ThorneJack GrigoliJoshua KellyDaniel ProfetaJesse LealNatalie BergeRae WittePurpurinaArt by Karrin FletcherPsychology Consultant Elisa Leal, Psy.D (CA PSY28330)Find us online: observableradio.comSpecial Thanks to Geoff, Cathleen, and all our patrons and listeners.The following music was used for this media project:The Backrooms by MyuuDegenerate Blues by Alexander NakaradaBreaking World News, Your Big Rock Concert by WinnieTheMoogElevator Music, Late Night Country Road, and Children Eating Corn by Tim KuligRoad Trip by Frank SchroeterSelf Portrait In Three Shades Of Blue, and Captivity Is Led Captive by Justin Allan ArnoldEine Kleine Nachtmusik performed by the Advent Chamber Orchestra at BolingbrookConan Concerto by Keith WolkLe Nozze di Figaro - No. 11 Cavatina 'Porgi, Amor' performed by Skidmore College OrchestraStoner Jam by Gordon BeattieGoldberg Variations performed by Glen GouldFor further information about SFX and Media Licenses, please visit the show notes at:https://www.observableradio.com/episodes/transmission-a04-signs-signifiersAdditional Resources:https://www.sandyhookpromise.org/blog/community-resources/help-for-victims-and-survivors-of-gun-violence/https://everytownsupportfund.org/everytown-survivor-network/resources-for-victims-and-survivors-of-gun-violence/https://gunresponsibility.org/resources/Stick around after the credits for a look at Twilight Meridian, a scripted gothic/noir audio drama from our friends at Wrong Dimension Productions. Observable Radio is listener supported. To find out how you can contribute, and learn more about the production, join us on patreon.com/observableradio.com Hosted on Acast. See acast.com/privacy for more information.

Es wird inhaliert in dieser Komödie, und zwar nicht nur Mozart. Der russische Regisseur Evgeny Titov setzt in seiner Neuinszenierung von "Le nozze di Figaro" auf Tempo und Witz einer Boulevardkomödie in der Cannabis-Plantage. Das ist unterhaltsam, aber nicht über die volle Länge, zumal Dirigent Stefano Montanari zu einem exaltierten Stil neigt. Peter Jungblut war für BR-KLASSIK dabei.

Nach nur sechs Jahren kommt an der Bayerischen Staatsoper erneut Mozarts "Le nozze di Figaro" auf die Bühne - in der Neuinszenierung von Staatsopern-Debütant Evgeny Titov. Am Pult steht Stefano Montanari. Der Italiener hat sich zunächst als Barockgeiger einen Namen gemacht, bevor er Dirigent wurde.

Ayako Ohtake, a Sydney-based Japanese soprano singer, hosts biweekly music segment called VIVA! Opera for SBS Japanese. - 躍動感や動きに満ちあふれたデュエットで、スザンナとケルビーノの短い２重唱。大慌ての2人と一緒に、ハラハラしながら楽しめる曲です。

Mit viel Polit-Prominenz stand am 27. Juli die Premiere von Figaros Hochzeit auf dem Programm der Salzburger Festspiele. Martin Kušej inszeniert eine Mischung aus Grusel, Sex und Komödie, die sich irgendwann erschöpft. Dafür überzeugt die Musik.

Das Motto der Salzburger Festspiele 2023 lautet: "Die Zeit ist aus den Fugen". Burgtheaterchef Martin Kušej lässt seine Antihelden in der Neuinszenierung von Mozarts "Le Nozze di Figaro" in einer Tristesse spielen, die an einen Heizungskeller erinnert. Ein Vorbericht.

Ayako Ohtake, a Sydney-based Japanese soprano singer, hosts biweekly music segment called VIVA! Opera for SBS Japanese. - 伯爵役のアリア「訴訟に勝っただと！」をピックアップし、バリトンの魅力を紹介します。動揺するなかで怒りをあらわにし、最後は復讐を誓うドラマチックな場面です。

Il sindaco di Loiri, 'demoliremo tutto il giorno dopo'

Mozart-Spezialistin Joana Mallwitz und Operndirektor Jens-Daniel Herzog bringen zum Abschied der Nürnberger Generalmusikdirektorin Mozarts Klassiker "Figaros Hochzeit" musikalisch wie szenisch völlig staubfrei auf die Nürnberger Opernbühne. In Mathis Neidhardts beweglichen Altbauzimmern der wohlhabenden Familie Almaviva wackeln die Wände vor Emotionen. Premiere war am 15. April.

Zwei Jahre musste Regisseur Jens-Daniel Herzog aufgrund der Pandemie darauf warten, seine Sicht auf Mozarts "Le nozze di Figaro" dem Publikum zu präsentieren. Am 15. April feiert seine Neuinszenierung nun endlich Premiere in Nürnberg. Und wird damit zur Abschiedsarbeit von Generalmusikdirektorin Joana Mallwitz, die zur nächsten Saison nach Berlin wechselt.

"Le nozze di Figaro" an der Wiener Staatsoper, inszeniert von Barrie Kosky und mit Philippe Jordan am Pult: Retro-Chic im Rokokoschlösschen. Und eine Susanna, die aus dem Orchestergraben synchronisiert werden musste.

One of the world's most beloved operas, Mozart's  Le Nozze di Figaro, is not only the focus of this episode, but also the inspiration for Elly Uncomposed: A Novel Opera, a magical realist novel by author and retired opera singer, Valerie Niemerg.  Like the opera Figaro, some truly serious and important topics are addressed in Elly Uncomposed, but with a charmingly comical touch. Join Valerie and Pat for a wide-ranging conversation about her delightful book, stories about her time in professional opera, and an exploration of Le Nozze di Figaro.

Meditazioni anchor.fm/giulio-maspero

Melissa Short Zapin started as a soprano in Honolulu, Hawaii. An unforgettable rendition of Je veux vivre from Romeo et Juliet won her the Miss Hawai‘i title and a place on the famed Miss America stage. There, she won the talent and swimsuit competitions and finished in the top ten. Melissa was first in the NSAL Opera Competition, performing Christine in Phantom of the Opera and Cinderella in Rogers and Hammerstein's Cinderella. Both performances won Po'okela awards for Best Female Performer in a Musical. She was a featured guest artist at several galas for the Hawaii Opera Theater. After receiving the Hungarian Arts Music Festival Award, Melissa accompanied famed tenor Marcello Giordani in several concerts appearing at the Fresno Grand Opera House in Dayton, Ohio. Her operatic performances included La Contessa in Mozart's Le Nozze di Figaro, Desdemona in Verdi's Otello at Vero Beach, and Musetta in La Boheme. Melissa was the featured soloist in Mozart's Vesperae solennes de Consessore and John Rutter's Mass at the world-famous Carnegie Hall, both of which were highlights of her career. Melissa also worked as a voiceover artist and performer, appearing on television in the hit shows Sex in the City and Elementary with Lucy Liu. In 2015 Melissa retired as an Opera singer and began Grandma Ruth's Pies, baking handmade, all-natural, preservative-free pies. What started as baking for family and friends to enjoy during the holidays quickly expanded to local farm stands in the Hamptons. When she moved to Los Angeles in 2017, Melissa's business boomed, reaching a larger audience. She started servicing the entertainment industry and local farmers' markets, turning Grandma Ruth's Pies into a year-round operation. She currently sells online, offering local delivery in Los Angeles and the Hamptons and flash-frozen pies shipped nationally. Some crowd favorites are the Vegan Apple Crumble Pie and Chocolate Cream Pie. Grandma Ruth's Pies bring families together with fresh, handmade, natural ingredients molded by skilled hands into perfection. Made from scratch and with her Grandma Ruth's love, the pies brought Melissa's family together throughout the years. Melissa now delivers that sentiment to the homes of everyone that eat her delicious pies. It's A Hawaii Thing Productions. Quality content for the Hawaii Enthusiast and traveler. Celebrities, artists & community leaders vomming together to showcase the spirit of the islands. New weekly program dedicated to anything and everything unique to life in Hawaii. To Learn more about It's A Hawaii Thing visit: https://www.itsahawaiithing.com/ It's A Hawaii Thing is a https://www.wikiocast.com/ production.

Super thrilled to announce new guest, Kendra Bigley, to The Story!Kendra Bigley earned the Bachelor of Music in piano performance from the Eastman School of Music, where she studied with Barry Snyder, Fernando Laires, and Jean Barr. Ms. Bigley has built a career as a chamber musician, teacher, music director, vocal coach, and accompanist at such institutions as the Trust Performing Arts Center, Fulton Theatre, Servant Stage Company, Opera Lancaster, Florida International University, Lancaster Bible College, and Temple University, where she is currently pursuing a Masters degree in Collaborative Piano/Opera Coaching, studying with Charles Abramovic and Lambert Orkis. With Temple Opera Theater, Ms. Bigley has performed in the recent productions of Debussy's "Pelleas et Melisande" and Mozart's "Le Nozze di Figaro". At the Trust Performing Arts Center, Ms. Bigley has collaborated with artists including Carla Leurs, Amy Owens, Doris Hall-Gulati, Thomas Meglioranza, Samantha Hankey, Timothy Long, and Christopher Shih. Her favorite shows as music-director/conductor include “Working”, “Little Shop of Horrors”, “Little Women”, “My Fair Lady”, “The Music Man”, and “Titanic” for which she won the Regional Broadway Music Award for Best Music Director. Ms. Bigley lives in Lancaster City with her husband, conductor/singer/actor, Robert Bigley.Support this podcast at — https://redcircle.com/the-story/donations

(00:00:33) Machtmissbrauch, Verlogenheit und Bestechlichkeit - der Regisseur Jan Philipp Gloger nutzt die Möglichkeiten der Mozart-Oper, um Gegenwartsbezüge herzustellen.  Weitere Themen:  (00:05:16) Ein Konsumtempel mit grüner Architektur - Mario Botta zu seiner Gestaltung eines Out-Let-Centers in Mendrisio. (00:09:39) «litafrika - Poesien eines Kontinents» - das Museum Strauhof in Zürich will die Neugier für afrikanische Lyrik wecken. (00:15:35) Provenienzforschung – ein neues Projekt der Stiftung für Kunst, Kultur und Geschichte. (00:19:32) «Schöner trinken» - eine Ausstellung über barocke Trinksitten im Historischen Museum Basel.

Ever think that your neighbor is so annoying that you might cast them as a villain in your next novel? Well, Joanne Lessner has. She is a polymath who has been singing, writing, acting and performing since college. Is she the most famous? No. Has she made it to Broadway? Well, yes, but most of her career has not been there. Has she built a family and a body of art that she is immensely and justifiably proud of? Absolutely. Take a listen. Here is a link to Joanne's website: http://joannesydneylessner.com/ Here is her bio: Joanne Sydney Lessner is a writer, singer, and actor. Joanne's debut novel Pandora's Bottle was inspired by the true story of the world's most expensive bottle of wine and named one of the top five books of 2010 by Paperback Dolls. She has written four novels featuring aspiring actress and amateur sleuth Isobel Spice: The Temporary Detective (BloodWrites Award for Best New Mystery), Bad Publicity, And Justice for Some, and Offed Stage Left. “The Ghosts' High Noon,” an Isobel Spice short story, is available on this site as a free download. Joanne has written the book and lyrics to several musicals with her husband, composer/conductor Joshua Rosenblum, including the cult hit Fermat's Last Tango, which received its Off-Broadway premiere at the York Theatre Company. The original cast recording became a bestseller, and the DVD has been screened at festivals from New Jersey to New Zealand. The Teatro da Trindade in Lisbon, Portugal, presented the European premiere and subsequently gave the world premiere of their next musical, Einstein's Dreams, based on the celebrated novel by Alan Lightman. Their musical Garbo and Me was presented in concert at the York Theatre Company and the historic Paramount Theatre in Rutland, Vermont, while their adaptation of Wilkie Collins's The Haunted Hotel was unveiled at the Signature Theatre Company in Arlington, Virginia. Their musical revue Love is Not a Science was presented at London's Royal Central School of Speech and Drama, where they will return with a musical based on Edna Ferber and George S. Kaufman's classic play, Stage Door. Joanne's play, Critical Mass, received its New York premiere at the Lion Theatre on Theatre Row as winner of the Heiress Productions Playwriting Competition. She is also a regular contributing writer to Opera News. A remarkably versatile performer, Joanne has appeared on Broadway in Cyrano: The Musical, and in other New York City venues in roles as varied as Charlotte in A Little Night Music, Juliet in Romeo and Juliet, Susanna in Le Nozze di Figaro, and Cis in the cabaret version of William Bolcom's Casino Paradise, which the New York Times named “one of the year's ten best events in classical music.” She has performed in concert as a soloist with New York City Opera Vox, New York Festival of Song, The New York Pops at Carnegie Hall, Lincoln Center's American Songbook, and the Harrisburg and Albany Symphonies. Joanne has also played ten principal Gilbert and Sullivan roles with the award-winning Blue Hill Troupe, including Julia Jellicoe in The Grand Duke, for which she was honored as Best Female Performer at the International Gilbert and Sullivan Festival in Buxton, England. Joanne holds a BA in music, summa cum laude, from Yale University

Countess Almaviva: Pilar Lorengar Susanna: Mirella Freni Cherubino: Teresa Berganza Marcellina: Nancy Williams Barbarina: Loretta Di Franco Figaro: Cesare Siepi Count Almaviva: Tom Krause Dr. Bartolo: Fernando Corena Don Basilio: Paul Franke Antonio: Lorenzo Alvary Don Curzio: Gabor Carelli Conductor: Joseph Rosenstock Metropolitan Opera 11 October 1967 In-house recording

Siamo arrivati al quinto appuntamento con le avventure di Cadmo in giro per la Grecia: ti ringrazio avere seguito con pazienza tutte le puntate e di essere qui ad ascoltare la conclusione di questa intricata storia! La reggia è in subbuglio: da settimane si sta preparando il grande evento.La magnifica Tebe guidata da Cadmo ed Armonia è una città tra le più ammirate e temute.Cadmo ha stretto alleanze e ha sconfitto nemici: Tebe non teme alcun assalto e prospera.Gli dei siedono a tavola con la regale coppia, tutto l'Olimpo scende e offre un aiuto del preparare questo avvenimento in modo che divenga indimenticabile...

This episode is part of our series in collaboration with the hosts of the Classical Gabfest Podcast - conductors Tiffany Lu, William White, and Kensho Watanabe. Please go check out their show, and their episode featuring us! -- Emerging onto the international stage, Kensho Watanabe is fast becoming one of the most exciting and versatile young conductors to come out of the United States. Recently recognized as a recipient of a Career Assistance Award by the Solti Foundation U.S, Kensho will make his Metropolitan Opera debut next season, conducting Kevin Puts' The Hours. Assistant Conductor of The Philadelphia Orchestra from 2016 to 2019, Kensho made his critically acclaimed subscription debut with the Orchestra and pianist, Daniil Trifonov, taking over from his mentor Yannick Nézet-Séguin. He would continue on to conduct four subscription concerts with the Philadelphia Orchestra in 2019, in addition to debuts at the Bravo! Vail Festival and numerous concerts at the Mann and Saratoga Performing Arts Centres. Recent highlights include Kensho's debuts with the London Philharmonic and Tokyo Philharmonic Orchestras, Orchestre National du Capitole de Toulouse, Rhode Island Philharmonic as well as his Finnish debut with the Jyväskylä Sinfonia. Kensho has also enjoyed collaborations with the Houston Symphony, Royal Scottish National Orchestra, Detroit Symphony, Brussels Philharmonic and the BBC National Orchestra of Wales, the Seiji Ozawa Matsumoto Festival, and the Orchestre Metropolitain in Montreal. Equally at home in both symphonic and operatic repertoire, Watanabe has led numerous operas with the Curtis Opera Theatre, most recently Puccini's La rondine in 2017 and La bohème in 2015. Additionally, he served as assistant conductor to Yannick Nézet-Séguin on a new production of Strauss' Elektra at Montréal Opera. This season, Watanabe will conduct Mozart's Le Nozze di Figaro at the Seiji Ozawa Music Academy. Watanabe has previously been the inaugural conducting fellow of the Curtis Institute of Music from 2013 to 2015, under the mentorship of Nézet-Séguin. An accomplished violinist, Watanabe received his master of music degree from the Yale School of Music and served as a substitute violinist in The Philadelphia Orchestra from 2012 to 2016. -- We're super excited to announce that we're piloting a database of opportunities for creatives like you! The database features scholarships, grants, internships, & more. It will be updated monthly with new links, opportunities, and deadlines. All you have to do to access the database is sign up for our newsletter at creativebaggagepodcast.com --- Support this podcast: https://anchor.fm/creative-baggage/support

The Two Gay Geeks

In this episode we had the 75th Miss North Carolina, Arlie Honeycutt Kidd! In 2012, Arlie was honored to receive the Miss North Carolina Overall Talent award as well as a Talent Preliminary award, and went on to become the 75th Miss North Carolina!!! She had the opportunity to travel the state over the course of a year speaking and performing, and she received a Most Talented Non-Finalist award at the 2013 Miss America Pageant.  Offstage, Arlie currently serves as the Talent Relations Associate at Lemonpie.  She has also sung in numerous shows, favorite roles including Susanna in Le Nozze di Figaro, Ariel in The Little Mermaid, Anne (Cover) in The Rake's Progress, and Elvira in L'italiana in Algeri. In 2017, she completed her Masters degree in Vocal Performance at Louisiana State University. She talked about her pageant journey being a contestant in Miss America, her crowning moment in Miss North Carolina, and her experience working at Lemonpie! As always, we hope you enjoyed this episode!Stay on the Loop: https://www.instagram.com/rmvpod/Stay Connected: https://www.instagram.com/arliehoneykidd/Compete!: https://missnc.org/local-competitions/--- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app--- Send in a voice message: https://anchor.fm/meghavarsha/messageSupport this podcast: https://anchor.fm/meghavarsha/support

Le nozze di Cana sono un episodio cerniera che, concludendo la prima settimana pubblica di Gesù, ne inaugura la missione. Nel racconto dell'evangelista Giovanni, a questa settimana corrisponderà l'ultima, quella della sua Passione, definitiva manifestazione della sua gloria. Ma il testo, con il rimando costante a due livelli di significato, offre anche una chiave di lettura essenziale per comprendere tutto il Quarto Vangelo. Il video è la sintesi di una delle LIVE con il prof, che trovate qui:https://youtu.be/agycMSG36zc

Lettura e commento del Vangelo delle nozze di Cana in Gv 2, 1-11 con la nostra solita sessione di domande e risposte. Un'ora, spero piacevole, col prof.

Soprano Jenna Siladie has earned warm acclaim, praised by the New York Times for her "endearing sweet voice", and hailed by the European press as having a “both warm and shimmering tone". ​The 2019/20 season has heralded in a string of successes, including the role debut as Marguerite in Faust, as well as Arianna in the Handel opera Giustino: "The soprano Jenna Siladie, who in the role of Arianna shows vocally, why she is the star of the young ensemble." ​In 2018 Jenna joined the prestigious ensemble at the Theater an der Wien in Vienna, Austria, singing the lead heroine of Élisabeth in Verdi's Don Carlos. Der Standard noted, “the most harmonious performance of the production goes to Jenna Siladie whose beautiful Élisabeth combines elegance, fullness, and vocal warmth and luminosity.” In the autumn of 2017, she made her Germany debut as a guest at Oper Wuppertal, singing Gutrune in Götterdämmerung, being praised for singing “with passion and sweet soprano sound which is seldom heard” (Die Deutsche Bühne). She saw the addition of two new roles in the spring of 2017 as Adina in L'elisir d'amore with St. Petersburg Opera Company and then Lauretta in Opera Company of Middlebury's production of Il trittico. Ms. Siladie's additional operatic credits include Micaela in Carmen, Iolanta in Iolanta (Tchaikovsky), Susanna in Le Nozze di Figaro. She made her NYC debut with Gotham Chamber Opera in 2014, performing the respective leading roles of Popelka and Armande in a double bill production of Bohuslav Martinů's operas Veselohra na mostě and Alexandre Bis. Other NYC highlights include the leading role of Léontine in the U.S premiere of the Chevalier de Saint-Georges' 1780 opera L'amant anonyme (March 2016). A frequent concert and recital soloist, Ms. Siladie made her Carnegie Hall debut in June 2017 as soloist in John Rutter's Mass of the Children and has been a favorite guest with Carolina Philharmonic. Further concert appearances throughout the United States have seen her in Santa Fe NM, New Haven CT, and Vero Beach Opera in Florida. She has also appeared in Lieder programs throughout Austria. Ms. Siladie earned her Master of Music from Yale University, where she "showed fine, round tone in the title role" of Tchaikovsky's final opera Iolanta, and was "particularly impressive and created a very memorable character out of Lucia" (Hartford Courant) in The Rape of Lucretia. Ms. Siladie also earned her Bachelor of Music from Stetson University, where she notably appeared as soprano soloist in Handel's Messiah with the Stetson University Orchestra and Choral Union. "Jenna Siladie, an EBULLIENT soprano with great stage presence SPARKLED" - Wall Street Journal Website: https://www.jennasiladie.com Facebook: Jenna Siladie, Soprano Instagram: @jennasiladie @upwardfacingsoprano In this episode we talk about: - Jenna's health and wellness journey during the pandemic - Being a professional musician / opera singer in Europe vs. US - Teaching Yoga in Ukraine - Performance Anxiety TW: exercise bulimia, disordered eating, performance anxiety, mental and physical health --- Send in a voice message: https://anchor.fm/thealignedmusician/message