Podcasts about best revival

"Directors are authors of a production," is the vision held by Trip Cullman, director of the play, We Had a World. This beautiful play explores intergenerational relationships in a family with complicated dynamics. Starring Joanna Gleason, Andrew Barth Feldman, and Jeanine Serralles and written by Joshua Harmon. Sarah and Trip discuss the play, queer representation on stage, the importances of live theatre, and more! Trip Cullman (Director). Broadway: Cult Of Love, The Rose Tattoo, Choir Boy, Lobby Hero (Tony nom., Best Revival), Six Degrees of Separation (Tony nom., Best Revival), Significant Other. Select Off Broadway: I Can Get It For You Wholesale (Best Revival, Drama Desk and Outer Critics) (CSC); The Lonely Few, Moscow Moscow…, YEN, Punk Rock (Obie), A Funny Thing Happened… (MCC); Days Of Rage, The Layover, The Substance of Fire, Lonely I'm Not, Bachelorette, Some Men, Swimming In The Shallows (Second Stage); Unknown Soldier, The Pain Of My Belligerence, Assistance, A Small Fire (Drama Desk nom.), The Drunken City (Playwrights Horizons); Significant Other (Roundabout); Choir Boy (MTC); Murder Ballad (MTC and Union Square); The Mother, I'm Gonna Pray For You So Hard (Atlantic); Roulette (EST); The Hallway Trilogy: Nursing (Rattlestick); The Last Sunday In June (Rattlestick and Century Center); Dog Sees God (Century Center); US Drag (stageFARM); several productions with The Play Company. Select regional: Berkeley Rep, McCarter, Geffen, Arena, Alliance, Old Globe, La Jolla, South Coast Rep, Bay Street, Williamstown. Connect with GOOD SHOW! Instagram: ⁠@goodshowpodcast⁠  Tik Tok: ⁠@goodshowpodcast ⁠  Learn more about your ad choices. Visit megaphone.fm/adchoices

long tails and ears for hats"Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse at theampliverse.com Email us any thoughts and takes and we may read it on the next episode at showgaysmoviemusical@gmail.com Don't forget to check out the Ampliverse Bookshop for further reading!Referenceshttps://www.thefader.com/2017/09/25/josie-and-the-pussycats-soundtrack-2001-oral-history

We are excited to bring you this new episode in our podcast series, The Art of Collaboration with Anne Kauffman and dots. This series focuses on directors and choreographers in conversation with some of their collaborators. This series explores the ins and outs of these processes, both finer details as well as overarching ideas about what goes into a productive collaboration on a show. In this episode you will hear an in-depth and transparent conversation with Anne and dots focused on the collaboration between directors and designers as well as navigating the industry as a collective.   Bios: dots (Scenic Designer) is a design collective creating environments for theater, film, commercials, and immersive experiences. Hailing from Colombia, South Africa, and Japan, we are Santiago Orjuela-Laverde, Andrew Moerdyk, and Kimie Nishikawa. As collaborators, we believe that the whole is greater than the sum of its individual parts. Recent highlights include the Broadway productions of Oh, Mary! ; Romeo + Juliet, An Enemy of the People (Tony Award Nomination for Best Scenic Design of a Play); Appropriate (Tony Award, Drama Desk and Outer Critics Circle Award nominations for Outstanding Scenic Design); The Sign in Sidney Brustein's Window; and The Big Gay Jamboree ; Recent awards include a 2024 Obie Award for Sustained Achievement in Design, 2023 and 2024 Henry Hewes Design Award, recipient of 2025 USA Fellowship Award . designbydots.com. Anne Kauffman (Director)'s credits include the New York Philharmonic, BAM, Ars Nova, NYTW, Roundabout Theatre Company, Encores! Off-Center, Women's Project, Playwrights Horizons, MCC, The Public, P73 Productions, New Georges, Vineyard Theatre, LCT3, Yale Rep, Steppenwolf, Goodman Theatre, La Jolla Playhouse, Z Space, American Conservatory Theater, and Berkeley Rep. She is a Resident Director at Roundabout Theatre, Artistic Associate and Founding Member of The Civilians, a Clubbed Thumb Affiliated Artist and co-creator of the CT Directing Fellowship, a New Georges Affiliated Artist, an SDC Executive Board Member, Vice President and Trustee of SDCF 2020-2023, and Artistic Director of City Center's Encores! Off-Center 2017-2020. Her awards include a 2024 Tony nomination for Best Director for Mary Jane, a 2023 Tony nomination for Best Revival for The Sign in Sidney Brustein's Window, three Obies, the Joan and Joseph Cullman Award for Exceptional Creativity from Lincoln Center, the Alan Schneider Director Award, a Lucille Lortel Award, a Drama League Award, and the Joe A. Callaway. She is co-creator of the Cast Album Project with Jeanine Tesori.   dots headshot courtesy of dots Anne Kauffman's headshot by Tess Mayer

In this episode I welcome along one of my heroes Yaël Farber! Yaël is multi-award winning director and playwright whose work has received international acclaim. Her productions have toured all over the globe being praised for their visceral qualities. She has two Olivier Award nominations both for Best Revival of a Play:Macbeth, Almeida 2021The Crucible, Old Vic 2014But has over 29 awards to her name including:Helen Hayes Awards - 10 nominations for her adaptation of “Salomé”Evening StandardBroadway World Amnesty International Freedom of Expression Best of Edinburgh Fleur de Cap - South AfricaFNB Vita - with the play “Shopping and Fucking” by Mark RavenhillShe has tackled some of the best plays in the world including:King Lear, Almeida 2024My Brilliant Friend - NT of Iceland HamletLes BlancsSaloméThe Crucible - currently available on Digital Theatre and I emplore all of you to go at watch it. In my view it is the definitive version of The Crucible, the best version of it you will ever see!Look out for her book “Playing with Fire”, about her experience of directing in theatres across the world, set for release next year. In my view Yaël is one of the best directors in the world and it was an honour to talk about her revival of The Crucible. A production that still sticks with me 10 years after it was done at the Old Vic.We discuss the play, her process and how she wants her actors to viscerally engage with themselves and feel all the emotions kept in the body to produce top, top performances.Such an honour, thank you Yaël, here's to our next episode!Oliver GowerSpotlight Link: https://www.spotlight.com/9097-9058-5261Instagram: @goweroliverFor enquiries and requests: olliegower10@gmail.comPlease Like, Download and Subscribe ✍️

It's time for Hollywood to celebrate the best and the worst that Showgays had to offer this year! "Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse at theampliverse.com  Email us any thoughts and takes and we may read it on the next episode at showgaysmoviemusical@gmail.com  Join our live discussion of all things Showgays on our Discord server! https://discord.gg/Ma5FasSwXU  Don't forget to check out the Ampliverse Bookshop for further reading!

Phil Lesh: A Tribute to a Musical IconIn this episode of the Deadhead Cannabis Show, Larry Mishkin discusses the significance of the Grateful Dead's concert on November 4, 1977, at Colgate University, along with various music news updates, tributes to Phil Lesh, and reflections on Quincy Jones's legacy. The conversation highlights the dynamics of the band during the concert, the impact of newer jam bands like Goose, and the importance of preserving musical legacies through releases like Dave's Picks. In this episode, Larry discusses the latest music news, particularly focusing on the Grateful Dead's legacy and their recent box set releases. He reflects on the band's unique performances and the significance of their music. The conversation then shifts to marijuana legalization efforts, particularly in Florida, where a recent ballot measure was rejected despite public support. Larry expresses disappointment in the political landscape surrounding marijuana and emphasizes the benefits of legalization. The episode concludes with a deep dive into a specific Grateful Dead performance, highlighting the band's improvisational style and the joy their music brings to fans.TakeawaysThis episode was recorded on Election Day, November 5th.The Grateful Dead's show on November 4, 1977, is a highlight.The Jones Gang incident showcased the band's playful dynamics.Goose represents the new generation of jam bands.Phil Lesh's influence on music and improvisation is profound.Quincy Jones's legacy in music is celebrated.Dave's Picks Volume 52 features a remarkable concert.The importance of preserving musical history through recordings.Larry reflects on his personal experiences with the Grateful Dead.The episode blends cannabis culture with music appreciation. Music brings joy and relaxation after a long day.The Grateful Dead's legacy continues to inspire new generations.Unique performances can redefine classic songs.Marijuana legalization faces political challenges despite public support.The benefits of marijuana legalization are well-documented.Music and cannabis culture often intersect in meaningful ways.The improvisational nature of the Grateful Dead's music is a hallmark of their performances.Public sentiment can sometimes clash with political decisions.The Grateful Dead's music remains timeless and relevant.Engaging with music and cannabis responsibly enhances the experience.Sound Bites"This is a special episode being taped on Election Day.""It's just a big love fest with all these guys.""Phil has changed my life.""Quincy was the man I won my first Grammy with.""It's a wonderful, wonderful show.""You just don't know what you're missing out on.""It's just cool to hear it.""This is a pretty amazing second set.""It's a very cool segue from one into the other.""It's a must hear.""It's a wonderful part of the show.""It's a very unfortunate thing that this happened.""People in Florida are gonna smoke marijuana anyway.""It's a great way to end this wonderful show."Chapters00:00Introduction and Context of the Episode03:45Exploring the Grateful Dead's November 4, 1977 Show11:34The Jones Gang Incident and Band Dynamics16:49Music News: Goose and Gen 3 Jam Bands20:51Tributes to Phil Lesh and Reflections on Legacy25:30Remembering Quincy Jones: A Musical Legend30:06Dave's Picks Volume 52: A Review36:30Celebrating Music and New Releases38:53Exploring the Grateful Dead's Legacy44:17Marijuana News and Legalization Efforts01:01:01Deep Dive into Grateful Dead Performances01:09:55Closing Thoughts and Reflections LARRY'S NOTES:Grateful Dead November 11, 1977 (47 years ago)Cotterrell GymnasiumColgate UniversityHamilton, NYGrateful Dead Live at Cotterrell Gym, Colgate U on 1977-11-04 : Free Download, Borrow, and Streaming : Internet Archive Dave's Picks #12 This show literally “popped up out of nowhere” during the very famous fall tour of the very famous 1977 year of touring.  On November 1st they played in Detroit's legendary Cobo Hall.  The next night up in Toronto.  They had Nov. 3 set for Utica, NY but the show fell through a few weeks before.  They were still set for Rochester on Nov. 5th (which was released as Dick's Picks #34) and Binghamton on Nov. 7th.  So less than 4 weeks before this show, while already hitting the road, negotiations began for this show which were only finalized the night before.  Cotterrell gym on the Colgate campus is a small venue.  Think large high school gym with pull out bleachers.  There were only 3,000 folks at the show.  But 2300 of them were held for Colgate students so only 700 were sold to the public or really the Deadheads.  A tough ticket as the Heads used to say.  But those who made it in had a ball and saw one of the best shows of the year. One of those shows that lots of Deadheads wished they had seen. This version of the show from Archive, is an audience tape and a great contrast to other episodes where we have featured Dead show clips from audience tapes.  This one was taped by Jerry Moore who was set up directly behind the soundboard.  Go to Archive and check  out the entire show. On a personal note, glad to see that Archive is back up and running after its hacking episode a few weeks ago.  INTRO:                     Dupree's Diamond Blues                                    Track #8                                    2:50 – 4:52 "Dupree's Diamond Blues" is based on an American folk song titled "Frankie Dupree," which was based on a real historical figure named Frank Dupree.According to In The Pine: Selected Kentucky Folksongs, Dupree tried robbing a diamond wedding ring from a jewelry store in Atlanta, Georgia, in 1921. He intended to give the ring to his girlfriend Betty. When a police officer showed up, Dupree shot him dead. He then fled to Chicago where he killed another officer and wounded others.Authorities eventually apprehended Dupree while he was getting his mail. They shipped him back to Atlanta where he was executed on September 1, 1922.The song is the second track on the Grateful Dead's third album, Aoxomoxoa (1969). As with most of the songs on the album, Dead lyricist Robert Hunter wrote the words and Dead frontman Jerry Garcia wrote the music.Well when I get those jelly roll bluesThe term "jelly roll" was once common African American slang for a woman's genitalia. The great ragtime pianist Jelly Roll Morton took his name from that very meaning. In 1924, Morton recorded an influential jazz song titled "Jelly Roll Blues," which is most likely what Hunter is referencing here. Debuted in January, 1969 and played a total of 17 times that year. Then dropped until Oct 2, 1977 at the Paramount Theater in Portland, OR, played 4 times that year, this version being the last one of the year. Played twice in 1978, then put back on the shelf until Aug. 28, 1982 at the Oregon County Fair in Veneta, OR (home to the famous show from August 27, 1972 to support the Creamery). From '82 to '90 played at least once a year, '85 was the outlier with 16 performances Only played two more times, both in 1994. This is a great version with Jerry's lyrics and playing both very strong. The 8th song of the first set following:  GO TO ARCHIVE LINK A beautiful Bertha opening but I have featured that song so much, and it is such a common opener, that I needed to go with something else today.  I love it from the 1969 Fillmore West shows where two of the nights the second set would start with DuPree's into Mountains of the Moon before jumping into the fabulous Dark Star/St. Stephen/11/Lovelight suite (in my humble opinion, the best suite of songs ever played by the Dead and certainly the one that best defines the band and the basic foundation that supports so much of their music. Played:         82 timesFirst:              January 24, 1969 at Avalon Ballroom, San Francisco, CA, USALast:              October 13, 1994 at Madison Square Garden, New York, NY, USA   SHOW No. 1:         Tuning (start of second set, stage banter re Jones Gang)                                    Track #10                                    :15 – End Why did Phil do this?  To kill time, he was dosed, adding a bit of levity to the evening's proceedings.  Or there is this:Two nights before the Dead played in Toronto at Seneca College's Field House.  The night before was at Cobo Hall in Detroit.  So they took the 3d off while traveling from Toronto to Hamilton, NY to play this show.  Apparently, the band could not or did not want to try to take their stash into Canada.  Keith Richards of the Stones had just been busted in Canada for possession and no one wanted to take any chances.  SO . . . . it seems they were “jonesing” from something, weed, acid, or whatever. Many of the Deadhead reports of the show in Archive and at the Dead Setlist Program note that the guys seemed very stoned or, more likely, dosed.  They were wearing sunglasses indoors in the evening. Good friend Henry was a student at Colgate in 1977 and attended the show.  In telling me about it, he basically began with the Jones Gang episode.  So it was cool to finally hear the show and hear Phil do his thing.  A great way to keep everybody entertained while waiting for some technical issues to be resolved.  And something that was sadly missing in their later years when basically none of them said anything while on stage, Bobby sporadically with a comment and Jerry I saw speak from the stage maybe 5 times out of 110 shows.  This is the kind of stuff that normalized them and separated them from the button down rock acts that showed up, played the same set list that they had played all tour and would keep playing  When they spoke it was all pre planned, “Thank you (insert name of city where they are playing). And then launched into a killer Samson (even though it was a Friday).  Just part of another great Dead experience and the kind of thing that makes it easy to remember the show even years later.  Everyone talks about the Jones Gang show, maybe more than they think of it as a Colgate show or Hamilton, NY show.  Sure took Henry back.  MUSIC NEWS:      Music Intro:                                    Cold Rain & Snow                                    Goose                                    10.25.2024                                    LJVM Coliseum                                    Winston-Salem, N.C.                                    Goose - “Cold Rain and Snow” (10/25/24 - LJVM Coliseum - Winston-Salem, NC) (youtube.com)                                    0:10 – 1:05 Another Phil tribute by one of the most promising Gen3 (Gen1 = Dead; Gen2=Phish) jam bands on the scene.  Not the first time they have covered the Dead, but it's a damn good cover of a tune that traces its Dead roots to their very first album and even before that.  Jerry loved it.  Phil made it happen and restarted his singing career on the closing chorus in 1982 at MSG.  And Goose nails it here.  They really bring it every time they play.  The jam band that I figure will outlast me! Mickey and Mike Gordon statements on Phil's passing: Quincy Jones dies: Quincy Delight Jones Jr. (March 14, 1933 – November 3, 2024 at 91) was an American record producer, songwriter, composer, arranger, and film and television producer.[1] Over his course of his career he received several accolades including 28 Grammy Awards, a Primetime Emmy Award and a Tony Award as well as nominations for seven Academy Awards and four Golden Globe Awards.[2] Jones came to prominence in the 1950s as a jazz arranger and conductor before producing pop hit records for Lesley Gore in the early 1960s (including "It's My Party") and serving as an arranger and conductor for several collaborations between the jazz artists Frank Sinatra and Count Basie. Jones produced three of the most successful albums by pop star Michael Jackson: Off the Wall (1979), Thriller (1982), and Bad (1987). In 1985, Jones produced and conducted the charity song "We Are the World", which raised funds for victims of famine in Ethiopia.[3] Jones composed numerous films scores including for The Pawnbroker (1965), In the Heat of the Night (1967), In Cold Blood (1967), The Italian Job (1969), The Wiz (1978), and The Color Purple (1985). He won the Primetime Emmy Award for Outstanding Music Composition for a Series for the miniseries Roots (1977). He received a Tony Award for Best Revival of a Musical as a producer for the revival of The Color Purple (2016). Throughout career he was the recipient of numerous honorary awards including the Grammy Legend Award in 1992, the Jean Hersholt Humanitarian Award in 1995, the Kennedy Center Honors in 2001, the National Medal of the Arts in 2011, the Ordre des Arts et des Lettres in 2014, and the Academy Honorary Award in 2024. He was named one of the most influential jazz musicians of the 20th century by Time.[1] "I woke up today to the Terrible news that we lost Quincy Jones.. Genius is a description loosely used but Rarely deserved. Point blank, Quincy was the MAN. I won my 1st Grammy with Quincy and I live with his Wisdom daily," Ice-T on X. Dave's Picks, Volume 52 (The Downs At Santa Fe, Santa Fe, NM • 9/11/83)Time to order Dave's Picks 2025 subscription.  I say it every year.  SHOW No. 2:         Eyes of the World                                    Track #15                                    11:10 – END                                     INTO                                     Estimated Prophet                                    Track #16                                    Start - :20 The unique thing in this segment is that it is the first, and one of the only times, that the band played Eyes into Estimated as it was almost always played as Estimated>Eyes.  This is the end of Eyes jam and segue into Estimated.  Very cool to hear it played “backwards”.  This entire Eyes (all 13 minutes of it), is magnificent and a must hear if you are looking for some great Dead jamming to rock to.  On this night, the boys were apparently in a state of mind that let them do a bit of exploring away from the norm for them, if there even is a “Dead norm”.  It sure worked out well for the rest of us.  SHOW No. 3:         The Other One                                    Track #17                                    :52 – 3:00             We've featured this song so many times, discussed the whole That's It For The Other One suite and all of its subparts. This one is the opposite, a 4 minutes 20 seconds version, with the first 3+ minutes just a hard jam.  They only sing the first verse of the standard Other One and then head straight into Drums.  This clip just features the jam with Jerry leading the way.  So clean and powerful, if 1977 is the best year ever for the band, then this has to be one of its peaks.  Maybe not the best of '77 because Barton Hall, but still way up there for nights when the band was truly smoking hot and holding nothing back.  Some of the best post-1970 psychedelic Dead that you will ever hear.  Everyone in sync and making the magic that kept us all coming back for more until there was no more to come back to.  Just buckle in and enjoy the ride. Played:         550 timesFirst:  October 31, 1967 at Winterland Arena, San Francisco, CA, USALast:  July 9, 1995 at Soldier Field, Chicago MJ NEWS:    SHOW No. 4:         Playin Reprise                                    Track #21                                    3:00 – 6:34 "Playing in the Band" is a song by the Grateful Dead. The lyrics were written by Robert Hunter and rhythm guitaristBob Weir composed the music, with some assistance from percussionist Mickey Hart.[1] The song first emerged in embryonic form on the self-titled 1971 live albumGrateful Dead. It then appeared in a more polished form on Ace, Bob Weir's first solo album (which included every Grateful Dead member except Ron "Pigpen" McKernan). During a Bob Weir and Wolf Bros concert livestream on February 12, 2021, Weir credited David Crosby with the composition of the main riff. Weir stated, "David Crosby came up with the seminal lick... and then he left. We were out at Mickey's barn. So Mickey said, 'Make a song out of that'. Next day, I had it".[ It has since become one of the best-known Grateful Dead numbers and a standard part of their repertoire. According to Deadbase X, it ranks fourth on the list of songs played most often in concert by the band with 581 performances. In the Grateful Dead's live repertoire, all songs featured musical improvisation and many featured extended instrumental solos; but certain key songs were used as starting points for serious collective musical improvisation—the entire band creating spontaneously all at once. In this regard "Playing in the Band" was of major importance, second only to "Dark Star". During "Playing in the Band" the Grateful Dead would play the planned verses and choruses of the song itself; then they would improvise and explore brand new musical territory, sometimes for twenty minutes or more; and then the chorus would usually be reprised, to bring the song to its end. Sometimes during these extended "jams", the band would even perform other entire songs, before at last coming back around to the final chorus aka the “Reprise”. On some occasions, more early on than later, the band would play the main song, jam for some amount of time and slide back in for the reprise.  Its performance in this style on 21 May 1974 at the Hec Edmundson Pavilion in Seattle has been cited as the longest uninterrupted performance of a single song in the Grateful Dead's history, clocking in at 46 minutes and 32 seconds.[3][4] It was released in 2018 on the boxset Pacific Northwest '73–'74: The Complete Recordings and as its own LP.  Very cool – an entire album just for one song.  Like Phish' Ruby Waves at Alpine Valley in 2019 got its own album. Then later they might add a song or two in between the main portion and the reprise. Then later they might hold it for the encore the same night the main song had been performed. Then later, they might hold it until the night after the main song had been performed and then two nights later and sometimes 3.  Not uncommon for play the main song the first night of a multi-night run and then the reprise the last night.  Usually during the show, but as stated, sometimes in the encore. Then they might forget to ever get back to it, play the main song again and the whole process would repeat as everyone would wait to see if and when they would finally play the reprise. David Dodd:  To me, the unpredictability of a “Playin” jam was always a highlight of a show. It could get incredibly far out there—completely away from anything—and then, just like that, snap back in, quietly and cautiously or slam-bang, or later, after they'd played most of another song, or a whole set, into the “Playin Reprise.” Sometimes the reprise would never occur. While it usually ran 3 or 4 minutes, this show's reprise went almost 7 minutes with an extended jam before they every got to the reprise lyrics. For Phish fans, think Twe-pri.  For non Phish fans that's the song Tweezer and its “reprise” and that band takes all sorts of liberties with it.  Not so unlike the Dead's style as previously discussed but most famously, at least as far as I know as a still neophyte Phish head, during their 13 show Baker's Dozen run at MSG, Phish played Tweezer the very first night on July 21st to open the second set and then the Twi-Pri finally showed up on August 6th as the second song of the encore after On The Road Again to close out the entire 13 night run. Reprises are great! Played:  648 times (no separate breakdown for how may Reprises were played but I'm sure there were times they never got back to a reprise although one year April Fools 1985 at Cumberland County Civic Center in Portland MA – actually March 31st but called it their April Fools joke even though they did play again the next night, April 1, at the same venue - they played the reprise first and then the main song)First:  February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast:  July 5, 1995 at the Riverport Amphitheater in Maryland Heights (St. Louis), MO  OUTRO                     Johnny B. Goode (Bob – “Happy Homecoming”)                                    Track #22                                    0:12 – 2:08 We've also featured this song quite a bit, a Chuck Berry classic covered by almost every rock n roll band that ever played a set of music and even some that never did.  Its guitar intro is as famous a song opening as any in the genre.  I love this version because of Bobby's greetings to the students wishing them a happy homecoming!  Imagine going to your high school or college homecoming dance and the band is the Grateful Dead.  Now that's a story to tell.  Not sure and I don't think it really matters whether that weekend was or was not Colgate's homecoming.  It just showed that stoned and all, Bobby knew he was on a college campus. Almost always played as an encore or show closer if no encore.  Unlike another Chuck Berry classic covered by the Dead, The Promised Land, which could be played as a show opener, set closer, second set opener, encore, it would pop up just about anywhere. Great way to end a great show.  The boys just blow the walls down on this one.  Or, as commenter RFKROX posted back in 2008 about this version, “Oh, and the Johnny B. Goode is the most incredible rockin' version I've ever heard this band play!! It's the fucking SHIT!!”  I couldn't have said it any better myself! Played:   283 timesFirst:  September 7, 1969 at Family Dog on the Great Highway, San Francisco, CA, USALast:  April 5, 1995 at Birmingham-Jefferson Civic Center Coliseum, Birmingham, AL, USA  - very interesting, not played at all on the final summer tour.  .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

pWotD Episode 2743: Quincy Jones Welcome to Popular Wiki of the Day, spotlighting Wikipedia's most visited pages, giving you a peek into what the world is curious about today.With 1,063,332 views on Monday, 4 November 2024 our article of the day is Quincy Jones.Quincy Delight Jones Jr. (March 14, 1933 – November 3, 2024) was an American record producer, songwriter, composer, arranger, and film and television producer. Over the course of his career he received several accolades including 28 Grammy Awards, a Primetime Emmy Award and a Tony Award as well as nominations for seven Academy Awards and four Golden Globe Awards. Jones came to prominence in the 1950s as a jazz arranger and conductor before producing pop hit records for Lesley Gore in the early 1960s (including "It's My Party") and serving as an arranger and conductor for several collaborations between the jazz artists Frank Sinatra and Count Basie. Jones produced three of the most successful albums by pop star Michael Jackson: Off the Wall (1979), Thriller (1982), and Bad (1987). In 1985, Jones produced and conducted the charity song "We Are the World", which raised funds for victims of famine in Ethiopia.Jones composed numerous films scores including for The Pawnbroker (1965), In the Heat of the Night (1967), In Cold Blood (1967), The Italian Job (1969), The Wiz (1978), and The Color Purple (1985). He won the Primetime Emmy Award for Outstanding Music Composition for a Series for the miniseries Roots (1977). He received a Tony Award for Best Revival of a Musical as a producer for the revival of The Color Purple (2016).Throughout career he was the recipient of numerous honorary awards including the Grammy Legend Award in 1992, the Jean Hersholt Humanitarian Award in 1995, the Kennedy Center Honors in 2001, the National Medal of the Arts in 2011, the Ordre des Arts et des Lettres in 2014, and the Academy Honorary Award in 2024. He was named one of the most influential jazz musicians of the 20th century by Time.This recording reflects the Wikipedia text as of 06:51 UTC on Tuesday, 5 November 2024.For the full current version of the article, see Quincy Jones on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm generative Amy.

I'm gonna live forever. "Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse at theampliverse.com  Email us any thoughts and takes and we may read it on the next episode at showgaysmoviemusical@gmail.com  Join our live discussion of all things Showgays on our Discord server! https://discord.gg/Ma5FasSwXU  Don't forget to check out the Ampliverse Bookshop for further reading!

We're reviewing the situation. "Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse at theampliverse.com  Email us any thoughts and takes and we may read it on the next episode at showgaysmoviemusical@gmail.com  Join our live discussion of all things Showgays on our Discord server! https://discord.gg/Ma5FasSwXU  Don't forget to check out the Ampliverse Bookshop for further reading!

Anyone in the mood for chocolate cake? "Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse at theampliverse.com  Email us any thoughts and takes and we may read it on the next episode at showgaysmoviemusical@gmail.com  Join our live discussion of all things Showgays on our Discord server! https://discord.gg/Ma5FasSwXU  Don't forget to check out the Ampliverse Bookshop for further reading!

Much like spaghetti, this film throws everything at the wall to see what sticks. "Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse at theampliverse.com  Email us any thoughts and takes and we may read it on the next episode at showgaysmoviemusical@gmail.com  Join our live discussion of all things Showgays on our Discord server! https://discord.gg/Ma5FasSwXU  Don't forget to check out the Ampliverse Bookshop for further reading! References https://www.americantheatre.org/2022/12/19/pippin-in-the-belly-of-the-beast/

Kiely Williams - "Spectacular" Music Video "Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse at theampliverse.com  Email us any thoughts and takes and we may read it on the next episode at showgaysmoviemusical@gmail.com  Join our live discussion of all things Showgays on our Discord server! https://discord.gg/Ma5FasSwXU  Don't forget to check out the Ampliverse Bookshop for further reading!

Thank heaven for full adult women, how about that? "Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse at theampliverse.com  Email us any thoughts and takes and we may read it on the next episode at showgaysmoviemusical@gmail.com  Join our live discussion of all things Showgays on our Discord server! https://discord.gg/Ma5FasSwXU  Don't forget to check out the Ampliverse Bookshop for further reading!

Let the woman rest, please. "Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse at theampliverse.com  Email us any thoughts and takes and we may read it on the next episode at showgaysmoviemusical@gmail.com  Join our live discussion of all things Showgays on our Discord server! https://discord.gg/Ma5FasSwXU  Don't forget to check out the Ampliverse Bookshop for further reading! --- Send in a voice message: https://podcasters.spotify.com/pod/show/showgays/message

We discover RJ is our resident Austen-ite. "Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse at theampliverse.com  Email us any thoughts and takes and we may read it on the next episode at showgaysmoviemusical@gmail.com  Join our live discussion of all things Showgays on our Discord server! https://discord.gg/Ma5FasSwXU  Don't forget to check out the Ampliverse Bookshop for further reading! --- Send in a voice message: https://podcasters.spotify.com/pod/show/showgays/message

Join Spencer, Kate, and Ashley as they break down the nominees for the Tony Awards!Categories Discussed:Special Tony AwardBest Revival of a PlayBest Revival of a MusicalBest PlayBest MusicalTune into the Tony Awards at 6:30 PM on PlutoTV and at 8 pm on CBS

Ten years after its original staging, “Appropriate” has received eight Tony Award nominations. Playwright Branden Jacobs-Jenkins talks about the moments of his life that inspired it.The play tells the story of three siblings reuniting in their family home after the death of their father. Charged with going through his belongings, the children discover troubling relics within the home. They are left to deal with the question of an inheritance, but also this new challenge to their late father's legacy.Jacobs-Jenkins has since staged “Appropriate” several times, been a Pulitzer Prize finalist for two subsequent plays, and been awarded a MacArthur “genius” fellowship. But it wasn't until December 2023 that the playwright made his Broadway debut with “Appropriate,” which is now up for eight Tony Awards, including Best Revival of a Play and Best Performance by an Actress in a Leading Role in a Play for actress Sarah Paulson.Host Kai Wright sits with Brandon Jacobs-Jenkins to discuss the real-life moments that inspired the creation of this show, and the playwright's efforts to understand the complicated inheritances of race in America. Tell us what you think. We're @noteswithkai on Instagram and X (Twitter). Email us at notes@wnyc.org. Send us a voice message by recording yourself on your phone and emailing us, or record one here.Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.

Prosecutors say the suspect in the Gilgo Beach murder investigation, Rex Heuermann, faces two more murder charges. He's now accused of killing six women.Chains like TJ Maxx, Marshalls and HomeGoods, all which have the same parent company, have begun outfitting workers with body cameras at some stores. It's part of a new growing effort to fight shoplifting in stores.At 99 years old, Command Sgt. Major Henry Armstrong is one of the few remaining D-Day veterans left. He traveled to Normandy for the 80th anniversary of D-Day to revisit the site of the harrowing and pivotal day that shaped his life. CBS News' Charlie D'Agata shares his story.Just two days before D-Day, U.S. Navy Captain Daniel Gallery and his team captured a Nazi submarine in the eastern Atlantic, uncovering a trove of vital intelligence. Charles Lachman, author of "Codename Nemo: The Hunt for a Nazi U-Boat and the Elusive Enigma Machine" and executive producer of "Inside Edition," joins "CBS Mornings" to talk about Operation Nemo and how the course of World War II was changed.After more than a decade, Emmy Award-winning actor Sarah Paulson stars as Toni Lafayette in the Broadway play "Appropriate." The Branden Jacobs-Jenkins play has received eight Tony nominations, including "Best Revival of a Play" and "Best Leading Actress in a Play." Paulson and Jacobs-Jenkins join "CBS Mornings."Actor Glen Powell tells "CBS Mornings" co-anchor Gayle King about the "weird turns" in his new film "Hit Man," how his life has changed since the 2022 box office hit "Top Gun: Maverick" and introduces his family in his hometown of Austin, Texas.After hosting "Wheel of Fortune" for 41 years, Pat Sajak will take his final spin on Friday. Last year, he announced this would be his final season.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Spoiler alert: we dinna like this. "Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse at theampliverse.com  Email us any thoughts and takes and we may read it on the next episode at showgaysmoviemusical@gmail.com  Join our live discussion of all things Showgays on our Discord server! https://discord.gg/Ma5FasSwXU  Don't forget to check out the Ampliverse Bookshop for further reading! --- Send in a voice message: https://podcasters.spotify.com/pod/show/showgays/message

A Complicated WomanMay 10 – June 2, 2024the Terris Theatre, Chester JEFF CALHOUN (Director/Choreographer) Broadway: Disney's Newsies (Tony Award Nomination for Best Director), Bonnie & Clyde, Jekyll & Hyde, Grey Gardens, Deaf West's Big River (Tony Award Nomination for Best Revival of a Musical), Brooklyn, Annie Get Your Gun, Grease read more The post BroadwayRadio Interview: Jeff Calhoun, Director / Choreographer of A Complicated Woman appeared first on BroadwayRadio.

Unlike the film, this podcast does not feature a live birth. "Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse at theampliverse.com  Email us any thoughts and takes and we may read it on the next episode at showgaysmoviemusical@gmail.com  Join our live discussion of all things Showgays on our Discord server! https://discord.gg/Ma5FasSwXU  Don't forget to check out the Ampliverse Bookshop for further reading! --- Send in a voice message: https://podcasters.spotify.com/pod/show/showgays/message

Send us a Text Message.LET'S TALK TONYS! We are getting deep into Lindsey and Bryn's opinions on the Tony Nominations this week chatting about The Notebook, The Outsiders, SUFFS, and more! We talk about predictions for each category including some of the most competitive categories: supporting actor, supporting actress, best revival, and best choreography! CLICK HERE to join the Patreon and become a Broadway Bestie to gain access to the after-chat, Meet Me at the Stagedoor. Broadway GrossesTony NomsPatreon: Click HERE to become a Broadway Bestie TikTok: @LindseyStone_BroadwayInstagram: @FromTheMezzanine_PodcastYoutube: @FromtheMezzanineBroadwayBroadway Spotify Playlist: https://open.spotify.com/playlist/5t55fULcCqN0NMmK4OnfOA?si=89c08b1a8bb34d95

This movie asks the important question: what if the Village People were straight? "Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse at theampliverse.com  Email us any thoughts and takes and we may read it on the next episode at showgaysmoviemusical@gmail.com  Join our live discussion of all things Showgays on our Discord server! https://discord.gg/Ma5FasSwXU  Don't forget to check out the Ampliverse Bookshop for further reading! --- Send in a voice message: https://podcasters.spotify.com/pod/show/showgays/message

He really was the man that got away. "Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse at theampliverse.com  Email us any thoughts and takes and we may read it on the next episode at showgaysmoviemusical@gmail.com  Join our live discussion of all things Showgays on our Discord server! https://discord.gg/Ma5FasSwXU  Don't forget to check out the Ampliverse Bookshop for further reading! --- Send in a voice message: https://podcasters.spotify.com/pod/show/showgays/message

Gordon Greenberg has directed on Broadway, Off-Broadway, in London's West End, written for television and stage, and developed, directed and produced new works for arts institutions across America. Current Directing/Writing projects include The Heart of Rock and Roll , which opens on Broadway at the James Earl Jones Theatre in April, 2024, following its record breaking run at The Old Globe, the hit Off-Broadway show Dracula, A Comedy of Terrors (Director & Co-Writer, with Steve Rosen, New World Stages & podcast starring John Stamos, Laura Benanti, & Annaleigh Ashford), a new musical about Picasso (directing & co-writing with Stephen Schwartz & Caridad Svich), the NBC television series Most Talkative (Co-Executive Producer/Writer, NBC, Blumhouse, Andy Cohen), Crime and Punishment, A Comedy (directing & co-writing with Steve Rosen) for the Old Globe, a London revival of The Baker's Wife (Menier Choclate Factory, 2024), Single White Female (A.T.G.), The Wedding Banquet (Ang Lee, Hua Musicals, Taiwan), Ghost Tour, The Play, and the new comedy podcast series Rolling Calls starring Julie Halston & Richard Kind (co-writer, Steve Rosen). His acclaimed revival of Who's Afraid of Virgina Woolf starring Calista Flockhart and Zachary Quinto at the Geffen Playhouse won the Los Angeles Drama Critics Award for Best Revival. Variety called it “Inspired”, the L.A. Times called it “Unerringly good…Qunto & Flockhart expose something infinitely fragile in Edward Albee's shatterproof play”, Entertainment Weekly called it “A riveting production…brilliantly staged by Gordon Greenberg”, and the Wall Street Journal called it “Intriguing…Here, unusually, there is the suggestion that the oncoming dawn may truly presage a fragile new beginning.”  Other directing work includes the revisal of Working (Drama Desk Award, adapted with Stephen Schwartz and Lin-Manuel Miranda), Jacques Brel…(Drama Desk, Drama League, Outer Critics Award noms), Terms of Endearment with Alfred Molina & Calista Flockhart (Geffen Playhouse for Greg Berlanti), the stage adaptation of Tangled (Disney), Johnny Baseball (Williamstown), Stars of David by Jeanine Tesori, Tom Kitt, Tony Kushner (Daryl Roth), Pirates! (created with Nell Benjamin, Huntington, Paper Mill, Goodspeed, MUNY), Band Geeks! (also co-writer, Goodspeed, NEA grant), The Baker's Wife (Paper Mill, Goodspeed), 1776 (Paper Mill), Floyd Collins (Signature), the Klezmer-Rock reimagining of Isaac Bashevis Singer's Yentl (Asolo Rep), Blue Sky Boys by Deborah Breevort (Capital Rep.), the professional premiere of Edges The Musical (Capital Rep.), the acclaimed reimagining of Jesus Christ, Superstar starring Billy Porter (Helen Hayes, St. Louis MUNY), the U.S. national tour of Guys & Dolls, Disney's Believe, the Disney Fantasy Christening (with Neil Patrick Harris & Jerry Seinfeld), West Side Story (MUNY, Circle Award nom), Happy Days, A New Musical (Paper Mill, Goodspeed, U.S. National Tour), Vanities, A New Musical (Theatreworks Palo Alto - San Francisco Bay Area Theatre Critics Award), We The People (Lucille Lortel Theatre & Paper Mill Playhouse), Rags (Roundabout, workshop), and the all-female workshop of Man of La Mancha (Mirvish, Toronto), Other writing work includes, for television, Herbie Rebooted for Disney, Emerald City Music Hall, an original movie musical for Nickelodeon Television and Scramble Band, an original movie musical for the Disney Channel, The Single Girls Guide (co-writer Tommy Newman) for Dallas Theatre Center, Ars Nova, Capital Rep, the podcast Theatre Camp (with Jonathan Marc Sherman) for Sirius XM, Killing Time (with Steve Rosen), an At Home Play Commission from The Old Globe, and the new book of Meet Me In St. Louis for the St. Louis MUNY's 100th Anniversary. Learn more about your ad choices. Visit podcastchoices.com/adchoices

We wish you healing. "Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse at theampliverse.com  Email us any thoughts and takes and we may read it on the next episode at showgaysmoviemusical@gmail.com  Join our live discussion of all things Showgays on our Discord server! https://discord.gg/Ma5FasSwXU  Don't forget to check out the Ampliverse Bookshop for further reading! --- Send in a voice message: https://podcasters.spotify.com/pod/show/showgays/message

Stephen Flaherty is a composer who writes for theatre, film and the concert hall. With longtime collaborator Lynn Ahrens, he won Tony, Drama Desk and Outer Critics Circle Awards for the Broadway musical Ragtime and was nominated for two Academy awards and two Golden Globes for the animated feature film Anastasia, which they also adapted for Broadway. Additional Broadway credits include Once on This Island (Tony Award, Best Revival), Seussical, Rocky, My Favourite Year, Chita Rivera: The Dancer's Life (original songs), and Neil Simon's Proposals (incidental music).  Off-Broadway and Regional credits include The Glorious Ones, Dessa Rose, A Man of No Importance (all three at Lincoln Centre Theatre), Loving Repeating: A Musical of Gertrude Stein (About Face), Little Dancer (Kennedy Centre and Seattle 5th Avenue), In Your Arms (Old Globe) and Lucky Stiff (Playwrights Horizons). Future productions include Little Dancer and Knoxville. Stephen Flaherty's work in film includes the animated feature Anastasia, the original score for the documentary After the Storm, Lucky Stiff and Nasrin. His concert commissions include American River Suite and With Voices Raised. Additional awards include London's Olivier (Best Musical), Chicago's Joseph Jefferson (Best Musical) and four Grammy nominations. He serves on Council for the Dramatists Guild of America and co-founded the DGF Fellows Program for Emerging Writers with Lynn Ahrens. In 2014 Ahrens and Flaherty received the Oscar Hammerstein Award for Lifetime Achievement and in 2015 they were inducted into the Theatre Hall of Fame. For more information please visit AhrensAndFlaherty.com. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts. Or from wherever you access your favourite podcasts. A conversation with creatives about craft and career. Follow socials on instagram (stagespodcast) and facebook (Stages).www.stagespodcast.com.au

Jeff Whiting is an award-winning director and choreographer, acclaimed as a 'director with a joyous touch' by the New York Times, Jeff Whiting specializes in work for theater, television, special events and concerts around the world, including James Taylor, Bette Midler, Steve Martin, Tony Bennett, Catherine Zeta-Jones, and Sting. On Broadway, Jeff was the Associate/Resident Director for the Broadway productions of Bullets Over Broadway (6 Tony Nominations - Susan Stroman), Big Fish (Norbert Leo Butz), The Scottsboro Boys (12 Tony nominations), Hair (Tony-winner of Best Revival), Young Frankenstein (Sutton Foster, Megan Mullally), and Wicked's 5th Anniversary (Stephanie J. Block, Ashanti). National Tour credits include Hairspray, Young Frankenstein, Bullets Over Broadway, Rockin' Road to Dublin, Christmas in Killarney, and The Producers. Having been praised on THE VIEW as 'a truly remarkable talent,' Jeff's theatrical direction and choreography includes development and World premieres of Loch Lomond, Chasing Rainbows (starring Ben Crawford, Ruby Rakos), Fly More Than You Fall (Best Musical), The Scottsboro Boys (Phoenix Theatre Co.), The Lost Colony (Waterside Theatre), Big Fish (Milwaukee), Single Wide (NYMF), Hairspray (Brazilian Production), Big (Milwaukee), In The Light (NYFA), Catch Me If You Can (New London Barn), The Sound of Music (Phoenix Theatre Co.), and Gypsy (Best Director). The Broadway Workroom is designed to showcase emerging artists' work by providing rehearsal and presentation space, including technical support, at no cost to the production in order to help the team further their creative goals along the developmental journey. At the end of each week, the public is invited, at no cost, to experience these dynamic new musicals in concert at Open Jar Studios (1601 Broadway). Tickets for each concert are free, and attendees are encouraged to make a donation to The Stage Door Foundation to help fund their programs. The Broadway Workroom Series provides a rare opportunity for Broadway enthusiasts to witness the evolution of new musicals, a process typically reserved for industry insiders during private "workshops" or "readings. The series' vibe is to present glimpses of shows in their development phases, with focus on the writing and performances and less attention to production value.

Jennifer Lopez is this. Now. "Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse at theampliverse.com  Email us any thoughts and takes and we may read it on the next episode at showgaysmoviemusical@gmail.com  Join our live discussion of all things Showgays on our Discord server! https://discord.gg/Ma5FasSwXU  Don't forget to check out the Ampliverse Bookshop for further reading! --- Send in a voice message: https://podcasters.spotify.com/pod/show/showgays/message

Sorry to all those dancin' feet. "Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse at theampliverse.com  Email us any thoughts and takes and we may read it on the next episode at showgaysmoviemusical@gmail.com  Join our live discussion of all things Showgays on our Discord server! https://discord.gg/Ma5FasSwXU  Don't forget to check out the Ampliverse Bookshop for further reading! References https://www.docdroid.net/adRci8a/42nd-street-novel-pdf#page=3 --- Send in a voice message: https://podcasters.spotify.com/pod/show/showgays/message

Be sure to take a dramamine ahead of time. "Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse at theampliverse.com  Email us any thoughts and takes and we may read it on the next episode at showgaysmoviemusical@gmail.com  Join our live discussion of all things Showgays on our Discord server! https://discord.gg/Ma5FasSwXU  Don't forget to check out the Ampliverse Bookshop for further reading! --- Send in a voice message: https://podcasters.spotify.com/pod/show/showgays/message

The world is a carousel of color. Pictures of the final scene with the beehive "Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse at theampliverse.com  Email us any thoughts and takes and we may read it on the next episode at showgaysmoviemusical@gmail.com  Join our live discussion of all things Showgays on our Discord server! https://discord.gg/Ma5FasSwXU  Don't forget to check out the Ampliverse Bookshop for further reading! --- Send in a voice message: https://podcasters.spotify.com/pod/show/showgays/message

Stop trying to make musicals happen, they're never gonna happen. "Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse at theampliverse.com  Email us any thoughts and takes and we may read it on the next episode at showgaysmoviemusical@gmail.com  Join our live discussion of all things Showgays on our Discord server! https://discord.gg/Ma5FasSwXU  Don't forget to check out the Ampliverse Bookshop for further reading! --- Send in a voice message: https://podcasters.spotify.com/pod/show/showgays/message

Danielle Brooks, future Academy Award nominee. "Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse at theampliverse.com  Email us any thoughts and takes and we may read it on the next episode at showgaysmoviemusical@gmail.com  Join our live discussion of all things Showgays on our Discord server! https://discord.gg/Ma5FasSwXU  Don't forget to check out the Ampliverse Bookshop for further reading! https://www.npr.org/2022/11/08/1135090797/revisiting-the-color-purple-wars https://www.npr.org/2023/12/19/1219323296/the-color-purple-review --- Send in a voice message: https://podcasters.spotify.com/pod/show/showgays/message

Director Blitz Bazawule joins his composer Kris Bowers to discuss their new adaptation of “The Color Purple.” You may remember the original filmed adaptation of Alice Walker's Pulitzer Prize-winning novel, directed by Steven Spielberg, from 1985. This version is actually an adaptation of the hit Broadway show, which won two Tony Awards, including Best Revival of a Musical. Our guest host, music journalist Jon Burlingame, returns to the Dolby Institute Podcast to speak with Kris and Blitz about their collaboration on the film, which began very early in the filmmaking process. “I brought Kris on very early because I really believe in my entire team being on the same page right when we begin. I don't believe in silos as a filmmaker and, ultimately, I fancy myself more of a conductor than anything else. I need my entire symphony to start building some kind of harmony, and I can't wait till the very ending to bring on my composer when so much has already been discussed. So bringing Kris on also helped [him] understand how we were approaching music from a macro perspective, what were the intentions around these choices that then he could then expand into the scoring process. And why Kris? I mean, he's the coolest cat. That's just it.”—Blitz Bazawule, Director, “The Color Purple” (2023)Be sure to check out The Color Purple now in theaters, in Dolby Vision® and Dolby Atmos®, where available.Please subscribe to The Dolby Institute Podcast wherever you get your podcasts.You can also check out the video for this episode.Learn more about the Dolby Institute and check out Dolby.com. Connect with Dolby on Instagram, Twitter, Facebook, or LinkedIn.

Molly's fight or flight has been triggered. "Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse at theampliverse.com  Email us any thoughts and takes and we may read it on the next episode at showgaysmoviemusical@gmail.com  Join our live discussion of all things Showgays on our Discord server! https://discord.gg/Ma5FasSwXU  Don't forget to check out the Ampliverse Bookshop for further reading! --- Send in a voice message: https://podcasters.spotify.com/pod/show/showgays/message

Carrie Coon joins host Jessica Kantor on Raising Cinephiles to discuss her introduction to cinema at her grandparent's house and a discovery of how her introduction to cinema may have an influence on bringing Bertha Russell to life in The Gilded Age. Season two is now streaming on Max. Originally from Copley, OH, Carrie Coon is a Chicago-based theatre, television and film actress. She received a BA in English and Spanish from the University of Mount Union and her MFA in Acting at the University of Wisconsin, Madison. Coon was nominated for a Tony Award in the Best Featured Actress category for her Broadway debut as Honey in the transfer of Steppenwolf Theatre's production of "Edward Albee's Who's Afraid of Virginia Woolf?", directed by Pam MacKinnon. Although Coon did not win in 2013, the production was awarded Best Revival, Best Director (MacKinnon) and Best Actor (Tracy Letts).  New Episodes Every Wednesday!EPISODE CREDITS:Host, Producer, Editor: Jessica KantorBooker: Noelia MurphyBe sure to follow and tag Raising Cinephiles on Instagram

We'd watch 6 straight hours of this ballet "Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse at theampliverse.com  Email us any thoughts and takes and we may read it on the next episode at showgaysmoviemusical@gmail.com  Join our live discussion of all things Showgays on our Discord server! https://discord.gg/Ma5FasSwXU  Don't forget to check out the Ampliverse Bookshop for further reading! References https://www.youtube.com/watch?v=dTkWRmKUcgQ https://www.youtube.com/watch?v=XYkawtPrnQU --- Send in a voice message: https://podcasters.spotify.com/pod/show/showgays/message

One might call Gordon Greenberg the driving force behind this sucker (pun intended). He sits down with Andrew for what very well might be the final episode of the podcastula for awhile (what is a podcastula, anyway?). Sharing some of his own reasons for even wanted to create Dracula, A Comedy of Terrors in the first place, this episode is one that you won't soon forget. Gordon is the Co-Author & Director of the production. Additional resume stuffs include: Picasso starring Antonio Banderas (directing and co-writing with Stephen Schwartz and Caridad Svich for Trafalgar Entertainment); “Most Talkative” (co-creator, NBC/Universal TV, Andy Cohen,Blumhouse); Who's Afraid of Virginia Woolf? (Geffen Playhouse, L.A. Drama Critics Circle Award, Best Revival); Crime and Punishment, A Comedy (directed and cowritten with Steve Rosen, The Old Globe); Guys and Dolls starring Rebel Wilson (Savoy Theatre London, six Olivier Award noms); Barnum (Menier Chocolate Factory,London); Piaf/Dietrich (Mirvish Toronto, Dora Award, Best Production); Holiday Inn (director/co-writer, Broadway, PBS “Great Performances”); Working (Drama Desk Award); Jacques Brel… (Zipper Theatre, Drama Desk, Drama League, Outer Critics noms); Ebenezer Scrooge's BIG San Diego Christmas Show (The Old Globe); The Secret of My Success (Universal Stage Productions,TUTS, Paramount); new works at Ars Nova, Williamstown, Huntington, Paper Mill, Signature, Goodspeed, Chicago Shakes, TheatreWorks Silicon Valley, Asolo, NY Stage and Film. Education: Stanford, NYU Film, Royal Academy of Dramatic Art. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the second annual Showies! We award the movies of the past year, honoring the good, the bad, and the in-between. "Best Revival of a Podcast: Showgays" is a podcast in ⁠The Ampliverse⁠. ⁠Instagram⁠ / ⁠Twitter⁠ and share your thoughts with us about the movie! Email us any thoughts and takes and we may read it on the next episode at ⁠showgaysmoviemusical@gmail.com⁠ Don't forget to check out the ⁠Ampliverse Bookshop⁠ for further reading! --- Send in a voice message: https://podcasters.spotify.com/pod/show/showgays/message

Adam is a bad egg, Molly is a noble poor, and RJ has gout. "Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse at theampliverse.com  Email us any thoughts and takes and we may read it on the next episode at showgaysmoviemusical@gmail.com  Join our live discussion of all things Showgays on our Discord server! https://discord.gg/Ma5FasSwXU  Don't forget to check out the Ampliverse Bookshop for further reading! --- Send in a voice message: https://podcasters.spotify.com/pod/show/showgays/message

It is the 250th milestone episode of The Jake's Take with Jacob Elyachar Podcast! Thank you to every one of my guests who took time out of their schedules to speak with me (and trusted my brand). I also want to thank all my listeners who listened and watched my conversations; I greatly appreciate it!I am honored to welcome Drama Desk and Tony-winning producer Evan McGill for this milestone episode! Evan is the founder of Evan McGill Productions. He is a native of Boston, MA, and graduated from the University of Miami (FL) in 2006 with a BBA. Evan later received his MBA from Columbus State University and MIB from Florida International University. He began acting at age 6 in the Boston area and has been a theater fan for life! He was one of the owners of Knit-Rite, a Kansas City, KS-based medical device company manufacturing various medical textiles for different patient types. Evan and his partners sold that company in December 2020. Since then, Evan McGill has been involved with various Broadway productions, including Mr. Saturday Night, Kimberly Akimbo, Parade (2023), and The Sign in Sidney Brustein's Window(2023). He has produced several Broadway cast albums, including The Music Man: The 2022 Broadway Cast Recording and Funny Girl: New Broadway Cast Recording. Both albums reached number one on the Billboard Cast Albums chart. In 2023, Evan received two Tony Award nominations for his role as a producer of Parade and The Sign in Sidney Brustein's Window, respectively nominated for Best Revival of a Musical and Best Revival of a Play. He won a Tony Award for Parade at the 76th Tony Awards. Evan also received a Drama Desk Award for Outstanding Revival of a Musical for Parade. He now splits his time between Kansas City and New York City. He loves traveling the world or seeing new productions staged outside of New York City, wherever they may be! On this milestone episode of The Jake's Take with Jacob Elyachar Podcast, Evan McGill shared how he got involved with Broadway and his involvement with Mr. Saturday Night, Kimberly Akimbo, and the 2023 revival of Parade.

The dragon isn't named Pete, the dragon is named Elliott. Submit a category to the Showies! "Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse at theampliverse.com  Email us any thoughts and takes and we may read it on the next episode at showgaysmoviemusical@gmail.com  Join our live discussion of all things Showgays on our Discord server! https://discord.gg/Ma5FasSwXU  Don't forget to check out the Ampliverse Bookshop for further reading! References https://cartoonresearch.com/index.php/the-story-behind-petes-dragon/ --- Send in a voice message: https://podcasters.spotify.com/pod/show/showgays/message

Have you ever had a dreams that, that you, um, you had, you'd, you would, you could, you'd do, you would, you want, you, you could do so, you, you'd do, you could, you, you want, you want him to do you so much you could do anything? "Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse at theampliverse.com  Email us any thoughts and takes and we may read it on the next episode at showgaysmoviemusical@gmail.com  Join our live discussion of all things Showgays on our Discord server! https://discord.gg/Ma5FasSwXU  Don't forget to check out the Ampliverse Bookshop for further reading! References The Lesbian Masterdoc (in PDF form): https://www.docdroid.net/N46Ea3o/copy-of-am-i-a-lesbian-masterdoc-pdf --- Send in a voice message: https://podcasters.spotify.com/pod/show/showgays/message

Two heterosexual men deciding the most important part of Latin American political history is the gowns. "Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse.  Instagram / Twitter and share your thoughts with us about the movie!  Email us any thoughts and takes and we may read it on the next episode!  #MadeonZencastr References Calvo, Giancarlo. “Unmasking Peronismo: Juan Perón's Legacy on Argentina.” Northeastern University Political Review, 13 Nov. 2019. Chumo II, Peter N. “‘The Greatest Social Climber Since Cinderella': ‘Evita' and the American Success Story.” Literature Film Quarterly, vol. 29, no. 1, Jan. 2001, p. 32. Doughty, Caitlin. “Iconic Corpse: The Preservation of Eva Peron”, May 26, 2017. Graham-Jones, Jean. “‘The Truth Is . . . My Soul Is with You': Documenting a Tale of Two Evitas.” Theatre Survey, vol. 46, no. 1, May 2005. The Truth Behind… Evita https://breakingcharacter.com/the-truth-behind-evita/#:~:text=Though%20the%20original%20Broadway%20and,an%20anonymous%20working%2Dclass%20Argentinian. --- Send in a voice message: https://podcasters.spotify.com/pod/show/showgays/message

Just stepping outside of the bit, here… "Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse at theampliverse.com  Email us any thoughts and takes and we may read it on the next episode at showgaysmoviemusical@gmail.com  Join our live discussion of all things Showgays on our Discord server! https://discord.gg/Ma5FasSwXU  Don't forget to check out the Ampliverse Bookshop for further reading! --- Send in a voice message: https://podcasters.spotify.com/pod/show/showgays/message

“The minute we think we know everything, or do everything… we become irrelevant.” – Jamie Forshaw What happens when we stop learning? What happens when we stop exploring? That's what makes Jamie Forshaw's artistry as a producer with Madison Wells Live extremely personal and special – he doesn't stop exploring. We as artists always have to keep exploring… and sometimes that exploration heals us from a nervous breakdown or have massive commercial hits on Broadway.  In this episode we discuss… Why we do what we do Exploration What happens when you meet an idol respectfully? Art healing a nervous breakdown Do coincidences exist? How does a piece speak to Jamie when he is producing a project? Developing The Thing About Jellyfish and Jenkins Show doctors! Not every show needs to go to Broadway Finding the right theatre for a show Jamie Forshaw (Producer) leads Madison Wells Live as their Executive Producer. Under his oversight, Madison Wells Live has developed a robust-but-curated slate of stage productions focused on essential, artist-driven storytelling. Broadway credits include Shucked, The Old Man and the Pool, Company (Tony Award for “Best Revival of a Musical''), Hadestown (Tony Award for “Best Musical''), Pass Over and The Inheritance (Tony Award for “Best Play”). West End: The Ocean at the End of the Lane (Olivier nomination for “Best New Play”). Off-Broadway: Seven Deadly Sins (Drama Desk Award for “Best Unique Theatrical Experience”). Regional: Swept Away. Over the course of his 20+ year career working with an array of internationally recognized producers, including Cameron Mackintosh, Thomas Schumacher, and Michael Cohl, Forshaw has become a sought-after specialist in managing high profile, multi-million dollar budgeted global theater productions. He most recently served as V.P. of Production at Andrew Lloyd Webber's Really Useful Group, where he oversaw its full global roster of First-Class productions. Mr. Forshaw holds an M.F.A. from Columbia University in Theatre Management and Producing. Learn more about your ad choices. Visit megaphone.fm/adchoices

Dylan and Connor are joined by Alex Joseph Grayson (Parade, Into the Woods). Before THIS Parade (wink, wink) passes by, the boys are joined by Alex to discuss all things regarding 2023's Tony-winning Best Revival of a Musical. Hear about how Alex approaches his performance of Jim Conley, taking the show from City Center to the Jacobs, and staying in top shape for the show eight times a week. Alex is a man of many hats (and trades), which play into the journey that brought him to the Broadway stage. They discuss performing in last season's Into the Woods revival, his incredible costars, and what it's like covering many tracks. To top it all off, the boys recap their incredible time at Taylor Swift's Eras Tour. Jenifer Lewis, Jason Robert Brown, and Alex's abs are on the tip of this conversation's iceberg. Tune in for MORE.Follow Alex on InstagramFollow DRAMA. on Twitter & Instagram & TiktokFollow Connor MacDowell on Twitter & InstagramFollow Dylan MacDowell on Twitter & InstagramEdited by ConnorSupport the podcast by subscribing to DRAMA+, which also includes bonus episodes, Instagram Close Friends content, and more!

Last Sunday, the musical Parade won the Tony for Best Revival of a Musical. Written by Atlanta native Alfred Uhry, Parade documents the 1915 lynching of Leo Frank. Host Bill Nigut welcomes Uhry, Rabbi Alvin Sugarman, and author Steve Oney to tell Frank's story. The panel Alfred Uhry, playwright and screenwriter, "Parade" Rabbi Alvin Sugarman, senior rabbi, The Temple Jim Galloway, @jimjournalist, former columnist, The Atlanta Journal-Constitution Steve Oney, @steveoneywriter, author, And the Dead Shall Rise 0:00 - Introduction 5:00 - Alfred Uhrey writes "Parade," a story about the lynching of Jewish man Leo Frank 13:00 - Steve Oney on the parallels of the Leo Frank lynching and antisemitism today 18:00 - Alfred talks writing "Parade" 20:00 - Steve Oney talks Leo Frank's sexual history 25:00 - Rabbi emeritus Alvin Sugerman talks Atlanta's current climate 33:00 - Alvin talks Leo Frank's wife Lucille Selig 38:00 - Steve Oney talks importance of lynching in history 41:00 - Jim Galloway on failed antisemitism bills in the legislative session 43:00 - The importance of the Shema The Political Rewind team will be off Monday, June 19 in observance of Juneteenth. Tuesday on Political Rewind: The Atlanta Journal-Constitution's Greg Bluestein joins the panel.

The beloved and spooky Stephen Sondheim musical "Sweeney Todd: The Demon Barber of Fleet Street" has been revived on Broadway, earning 8 Tony nominations, including one for Best Revival of a Musical. To discuss the project, we're joined by Annaleigh Ashford, who is Tony nominated for her role as baker Mrs. Lovett, and musical supervisor and conductor Alex Lacamoire.