A prize awarded annually by the John D. and Catherine T. MacArthur Foundation
POPULARITY
10 episodes with macarthur fellowship
10 episodes with macarthur fellowship
11 episodes with macarthur fellowship
6 episodes with macarthur fellowship
5 episodes with macarthur fellowship
6 episodes with macarthur fellowship
6 episodes with macarthur fellowship
4 episodes with macarthur fellowship
3 episodes with macarthur fellowship
5 episodes with macarthur fellowship
4 episodes with macarthur fellowship
2 episodes with macarthur fellowship
3 episodes with macarthur fellowship
2 episodes with macarthur fellowship
2 episodes with macarthur fellowship
4 episodes with macarthur fellowship
3 episodes with macarthur fellowship
7 episodes with macarthur fellowship
The New Yorker: The Writer's Voice - New Fiction from The New Yorker
Han Ong reads his story “My Balenciaga,” from the March 23, 2026, issue of the magazine. The recipient of a MacArthur Fellowship and of the Berlin Prize Fellowship from the American Academy in Berlin, Ong is the author of more than a dozen plays and two novels, “The Disinherited” and “Fixer Chao,” which will be reissued in July. Learn about your ad choices: dovetail.prx.org/ad-choices
Today on the program, a trip into the archive and a return to Episode 863, my conversation with Yiyun Li from 2023. Yiyun Li is the author of several works of fiction—Wednesday's Child; The Book of Goose; Must I Go; Where Reasons End; Kinder Than Solitude; Gold Boy, Emerald Girl; The Vagrants; and A Thousand Years of Good Prayers—and the memoirs Things in Nature Merely Grow and Dear Friend, from My Life I Write to You in Your Life. She is the recipient of many awards, including a PEN/Faulkner Award, a PEN/Malamud Award, a PEN/Hemingway Award, a PEN/Jean Stein Book Award, a MacArthur Fellowship, and a Windham–Campbell Prize, and has been a finalist for the Pulitzer Prize. Her work has appeared in The New Yorker, A Public Space, The Best American Short Stories, and The PEN/O. Henry Prize Stories, among other publications. She teaches at Princeton University and lives in Princeton, New Jersey. Original air date: September 6, 2023. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. This episode is sponsored by Ulysses. Go to ulys.app/writeabook to download Ulysses, and use the code OTHERPPL at checkout to get 25% off the first year of your yearly subscription." Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Get How to Write a Novel, the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to Brad's email newsletter. Support the show on Patreon Merch Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
Olufunmilayo “Funmi” Olopade, director for the Center for Clinical Cancer Genetics and Global Health at the University of Chicago, credits her Nigerian upbringing for her focus on global cancer genetics.“My Yoruba culture really worships our ancestors and the people before us,” Olopade said on the Cancer History Project podcast. “And so that's why I was able to really say, ‘Okay, let's lay the foundation for genetics. Let's go to Nigeria.'”Olopade appears on this special Black History Month episode of the Cancer History Project Podcast in conversation with Robert A. Winn, director and Lipman Chair in Oncology at VCU Massey Comprehensive Cancer Center and guest editor for The Cancer Letter for Black History Month highlighting some of the giants in the field of cancer research.This episode is sponsored by City of Hope, the American Society of Clinical Oncology, Sidney Kimmel Comprehensive Cancer Center at Johns Hopkins, and the University of Texas MD Anderson Cancer Center.Olopade is certainly a giant in cancer genetics and global health.“For those of you who don't know, Dr. Olopade is not only the director of the Center for Clinical Cancer Genetics and Global Health at the University of Chicago, but she is really a giant in the field and internationally renowned in the context of her expertise in breast cancer,” Winn said on the podcast. “By the way, for those of you who thought you knew Dr. Olopade, remember that she is a really rare, not only National Academy, but in that top 1% of 1% of the 2025 MacArthur Fellowship, also known as the Genius Grant.”On this episode of the Cancer History Project Podcast, Olopade shares her story of immigrating to the U.S. from Nigeria to pursue medicine, and finding her way to becoming a leading expert in oncology.“For us to honor Black History Month, we have to honor all the people who mentored us, who were ahead of us,” Olopade said. “For me, my father was a pastor, and my parents really wanted a doctor. I had big brothers and sisters, I was number 5 of 6 children, and there was just one last chance to find a doctor in the family. Because in those days, growing up in Nigeria, you were either a teacher or a pastor, or and then in his generation he became a pastor.”Growing up in Nigeria, Olopade was deeply influenced by the health disparities she saw due to lack of healthcare access, which initially sparked an interest in cardiology.Explore related articles and read the full transcript: https://cancerhistoryproject.com/article/funmi-olopade-podcast/
George Saunders is an author known for his inventive short stories and the Booker Prize–winning novel Lincoln in the Bardo. His works include the collections Tenth of December and Liberation Day and the craft book A Swim in a Pond in the Rain. Named one of Time magazine's 100 most influential people, he has received numerous honors, from a MacArthur Fellowship to the National Book Foundation's 2025 Medal for Distinguished Contribution to American Letters. Saunders teaches in the creative writing program at Syracuse University, where he has mentored generations of emerging authors. ------ Thank you to the sponsors that fuel our podcast and our team: AG1 https://drinkag1.com/tetra ------ Athletic Nicotine https://www.athleticnicotine.com/tetra Use code 'TETRA' ------ LMNT Electrolytes https://drinklmnt.com/tetra Use code 'TETRA' ------ Squarespace https://squarespace.com/tetra Use code 'TETRA' ------ Sign up to receive Tetragrammaton Transmissions https://www.tetragrammaton.com/join-newsletter
Host Jason Blitman is joined by acclaimed author George Saunders who talks about his new novel, Vigil. Conversation highlights include:
Notes and Links to Kiese Laymon's Work Kiese Laymon is a Black southern writer from Jackson, Mississippi. Laymon is the Libbie Shearn Moody Professor of English and Creative Writing at Rice University. Laymon is the author of Long Division, which won the 2022 NAACP Image Award for fiction, and the essay collection, How to Slowly Kill Yourself and Others in America, named a notable book of 2021 by the New York Times critics. Laymon's bestselling memoir, Heavy: An American Memoir, won the Andrew Carnegie Medal for Excellence in Nonfiction, the Christopher Isherwood Prize for Autobiographical Prose, the Barnes and Noble Discovery Award, the Austen Riggs Erikson Prize for Excellence in Mental Health Media, and was named one of the 50 Best Memoirs of the Past 50 Years by The New York Times. The audiobook, read by the author, was named the Audible 2018 Audiobook of the Year. Laymon is the recipient of 2020-2021 Radcliffe Fellowship at Harvard. Laymon is at work on the books, Good God, and City Summer, Country Summer, and a number of other film and television projects. He is the founder of The Catherine Coleman Literary Arts and Justice Initiative, a program based out of the Margaret Walker Center at Jackson State University, aimed at aiding young people in Jackson get more comfortable reading, writing, revising and sharing on their own terms, in their own communities. He is the co-host of Reckon True Stories with Deesha Philyaw. Kiese Laymon was awarded a MacArthur Fellowship in 2022. Buy Heavy “The Worst Shot Ever Taken” from Believer Magazine Review for Heavy from NPR Kiese Laymon's Website Kiese Laymon's Wikipedia Page At about 1:45, the two discuss Kiese's article from The Believer and word counts and teaching high and college At about 3:05, Kiese talks about his love of hoops and names some standout and favorite players from back in the day and now At about 4:10, The two shout out grizzled veterans like Phillip Rivers and LeBron James At about 5:30, Pete highlights Ernie Barnes' work and asks Kiese about the significance of Barnes' paintings At about 8:45, Kiese shares his memories of and love for basketball and jumpstops and shot fakes-shout out, Mahmoud Abdul-Rauf At about 10:40, Pete shouts out Jeff Pearlman's basketball wiles At about 11:10, Kiese lays out the exposition for his The Believer article and Pete and Kiese fanboy over Kiese's writer friends and Sactown's own, Cydni Matsuoka At about 14:00, Kiese responds to Pete's question about the “possibility” of Steph Curry At about 16:45, Toni Cade Bambara and “Gorilla, My Love” is highlighted, as Pete links Kiese's penultimate sentence to Bambara's work At about 18:20, The two discuss Kiese's mom as a “public intellectual” and Kiese lists formative reading and listening At about 20:30, Kiese shouts out Kendrick Lamar as a link to Public Enemy's activism and consciousness, and marvels at his lasting power At about 24:20, Kiese reflects on Public Enemy's methods versus that of others like NWA or Dead Prez At about 26:25, Kiese highlights Julian Randle, Safiya Sinclair, Deesha Philyaw, and Sarah Aziza's work as some that resonates with his college students At about 28:40, Pete calls attention to Heavy's epigraph and dedication and discusses their significance At about 30:05-30:27 At about 31:05, Kiese responds to Pete's question about so much of the book's Prologue being centered on his Grandmama At about 32:45, Kiese outlines his rationale and motivation for ultimately writing a different type of book, not the “safer” book his mom and publishers might have wanted At about 34:30, Kiese and Pete discuss the echo of his time at Millsap College being censored/edited with an op-ed piece of his At about 35:40, Kiese recounts stories associated with the book's opening scene in Las Vegas At about 38:45, Kiese reflects on his mother as his “best friend” and ideas of mortality and “initation” At about 40:55, Kiese responds to Pete's questions about the way his family interacted in his childhood At about 45:20, Pete sets up an important opening scene involving Layla and asks Kiese about rape/sexual assault in the house of older acquaintances At about 50:10, Kiese reflects on ideas of power and safety and sexuality At about 53:15, Pete and Kiese discuss the juxtaposition of his mom as a public intellectual and as someone who struggled with financial and other practical pursuits At about 55:30, Kiese talks about Malachi Hunter in the book and balancing “reductive and stupid” comments he made with lessons he taught Kiese At about 57:20, Kiese and Pete trace the different ways in which Malachi and Kiese's mom and grandmother undertook “reckoning” or didn't At about 59:00, Kiese homes in on his grandmother's life and “reckon[ings}” with history and sexism and racism At about 1:01:00, Pete and Kiese discuss the ways in which Kiese's grandmother got by financially and spiritually At about 1:01:50, Kiese expands on the ways in which he viewed organized religion At about 1:03:40, The two discuss the ways in which the book's title was manifested through his grandmother's love At about 1:04:10, Abundance! and slang that didn't catch on is discussed At about 1:04:50, Kiese reflects on a painful experience in school involving a viewing of Roots without a larger discussion At about 1:08:55, Kiese expands upon how he saw Mississippi in his year away in Maryland At about 1:11:05, Kiese discusses an early relationship and its challenges and the conflicting ways in which he viewed his coach and teacher At about 1:14:10, Kiese regrades a high school essay-it's an “A!” At about 1:15:00, Kiese responds to Pete asking about his high school graduation boycott At about 1:16:50, The two discuss time in college and Kiese's relationship with a girl and his learning in class and outside of school-Pete highlights a wonderful paragraph on Page 141 that highlights “liberation” At about 1:18:00, Kiese shares the practical advice Malachi Hunter gave Kiese as he was threatened in college for his writing At about 1:19:25, Kiese reflects on the ways in which he viewed his writing At about 1:20:45, Kiese talks about Tate Reeves' presence at a racist frat event and the ways in which Tate knew Kiese and failed him At about 1:23:50, Kiese talks about how the book is different/aged since he published it in 2018 You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode. Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Jeff Pearlman, a recent guest, is up soon at Chicago Review. Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of formative and transformative writing for children, as Pete surveys wonderful writers on their own influences. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show. This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form. The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com. Please tune in for Episode 317 with Dr. Timothy Wellbeck. a leader in the fight for justice and racial equity. Timothy presently serves as the founding Director of the Center for Anti-Racism at Temple University, where he has led the Center from its inception into becoming one of the leading institutions of its kind. A Civil Rights Attorney by training and practice, Timothy is a scholar of law, race, and cultural studies. We'll be talking about his standing-room only, incredibly popular Temple University classes about Kendrick Lamar and his music. The episode airs on January 13. Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.
Ocean Vuong is the author of the novel The Emperor of Gladness, available from Penguin Press. Ocean's other books include the critically acclaimed poetry collections Night Sky with Exit Wounds and Time Is a Mother, as well as the New York Times bestselling novel On Earth We're Briefly Gorgeous. A recipient of the MacArthur Fellowship and the American Book Award, he used to work as a fast-food server, which inspired The Emperor of Gladness. Born in Saigon, Vietnam, he currently splits his time between Northampton, Massachusetts, and New York City. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Get How to Write a Novel, the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to Brad's email newsletter. Support the show on Patreon Merch Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
As a recipient of the MacArthur Fellowship (also known as the MacArthur Genius Grant), you could say filmmaker Sterlin Harjo is a certified genius. He's responsible for creating the groundbreaking series “Reservation Dogs,” which follows the lives of four Indigenous teenagers in rural Oklahoma. Now, Sterlin is back with a new series called “The Lowdown,” starring Ethan Hawke as a rough-and-tumble bookstore owner and "truthstorian" in Tulsa, Oklahoma. He sat down with Tom Power during this year's Toronto International Film Festival to talk about his career — and how being a genius really just means your friends will give you a hard time about it.
In this episode of ACM ByteCast, our special guest host Scott Hanselman (of The Hanselminutes Podcast) welcomes ACM Fellow Dawn Song, Professor in Computer Science at UC Berkeley, Co-Director of Berkeley Center for Responsible Decentralized Intelligence (RDI), and Founder of Oasis Labs. Her research interest lies in AI safety and security, Agentic AI, deep learning, security and privacy, and decentralization technology. Dawn is the recipient of numerous awards including the MacArthur Fellowship, the Guggenheim Fellowship, the NSF CAREER Award, the Alfred P. Sloan Research Fellowship, the MIT Technology Review TR-35 Award, ACM SIGSAC Outstanding Innovation Award, and more than 10 Test-of-Time awards and Best Paper awards from top conferences in Computer Security and Deep Learning. She has been recognized as Most Influential Scholar (AMiner Award) for being the most cited scholar in computer security. Dawn is an IEEE Fellow and an Elected Member of American Academy of Arts and Sciences. She is also a serial entrepreneur and has been named on the Female Founder 100 List by Inc. and Wired25 List of Innovators. Dawn shares her academic journey in cybersecurity, which used to be a much smaller field and how the MacArthur Fellowship (aka the “Genius Grant”) and other prestigious recognitions enabled her to pursue impactful multidisciplinary research. Dawn and Scott cover a myriad of topics around Agentic AI, including current and future security vulnerabilities from AI-powered malicious attacks, Dawn's popular MOOC at RDI, and the associated AgentX-AgentBeats global competition (with more than $1 million in prizes and resources) focused on standardized, reproducible agent evaluation benchmarks to advance the field as a public good. AgentX-AgentBeats Agentic AI Competition Berkeley RDI Agentic AI MOOC
Host Marcia Franklin continues her conversation with Idaho-born playwright Samuel Hunter, focusing on the craft of playwriting, some of the actors he admires, and a new project he's working on that's not for the stage. Hunter, a Moscow, ID native, is the recipient of a 2014 MacArthur Fellowship, known colloquially as the "Genius Grant." He also won an Obie Award in 2011. Originally Aired: 10/16/2015
Studying oysters can help us understand how Connecticut’s shoreline is changing. Studying lizards can help us understand the history of life on our planet. Biologists research living organisms. And in doing so, they help us understand not only ourselves, but also the way our lives are intertwined with those of every other species. This hour— Connecticut biologists tell us how their work helps us see what’s going on in the world around us. We'll discuss everything from how someone growing up in New York City could become fascinated by nature to the impact of federal funding cuts on research. GUESTS: Martha Muñoz: Assistant Professor in the Department of Ecology and Evolutionary Biology at Yale University, Assistant Curator of Vertebrate Zoology at the Yale Peabody Museum and recipient of a 2024 MacArthur Fellowship. Maria Rosa: Assistant Professor of Biology at Connecticut College. This episode originally aired on July 25, 2025.See omnystudio.com/listener for privacy information.
He's only 34, but has already won some of the most prestigious awards for creativity in the country. On this episode of Dialogue, Marcia Franklin interviews playwright and Moscow, ID native Samuel Hunter. Hunter is the recipient of a 2014 MacArthur Fellowship, known colloquially as the "Genius Grant." He also won an Obie Award in 2011. Hunter talks about what it was like to win the MacArthur, and what he plans to do with the time and money it affords him to dedicate to his craft. He also discusses the evolution of his works, which have been performed all over the country, and the role of Idaho in his plays. Originally Aired: 10/09/2015
Dr. Cara Judea Alhadeff discusses her work and the profound ideas in her book Zazu Dreams: Between the Scarab and the Dung Beetle, A Cautionary Fable for the Anthropocene Era. She explores themes of dream consciousness, cultural and ecological extinction, radical symbiosis, and the concept of apocalyptic parenting as a strategy for social justice and ecological ethics, an antidote to petroleum parenting. The discussion digs into the interdisciplinary ties found in her stories, her collaborative projects, and the communal effort in creating sustainable futures. Dr. Alhadeff also shares her real-life experiences of living for almost a decade in a reclaimed school bus, 'The Love Bus', exemplifying the principles of radical mothering, reuse, collective creativity, and joy amidst systemic challenges. Dr. Cara Judea Alhadeff is a professor and author of dozens of books and articles on art, philosophy, sexuality, climate justice, life-passion activism, and "petroleum parenting," including the critically-acclaimed Zazu Dreams: Between the Scarab and the Dung Beetle, A Cautionary Fable for the Anthropocene Era, and Viscous Expectations: Justice, Vulnerability, The Ob-scene. Alhadeff's forthcoming book, Unlearning What We Think We Know (Vernon Press), will be performed during the World Affairs Conference. Her photographs/ performance videos are in private and public collection,s including San Francisco MoMA, MoMA Salzburg, Austria, the Kinsey Institute for Research in Sex, Gender, and Reproduction, and include collaborations with international choreographers, composers, poets, sculptors, architects, and scientists. She has been interviewed by The New York Times, San Francisco Chronicle, Pacifica Radio, NPR, and the New Art Examiner. Alongside Archbishop Desmond Tutu and Vandana Shiva, Alhadeff received the Random Kindness Community Resilience Leadership Award, 2020. In 2022, Alhadeff was nominated for a MacArthur Fellowship. Her theoretical and visual work is the subject of documentaries for international public television/ radio. A former professor of Critical Pedagogy & Performance at UC Santa Cruz and Founder of Radical Art in Action, Alhadeff teaches, performs, and parents a creative-zero-waste life. She and her family live and perform in their eco-art installation, a repurposed school bus. www.carajudeaalhadeff.com Topics 00:00 Introduction to Dr. Cara Judea Alhadeff 01:35 Exploring 'Zazu Dreams' 04:01 Dreams and Cultural Extinction 06:08 Fractal Democracy and Radical Art 08:39 Sensory Consciousness and Neuroaesthetics 14:50 Interconnected Oppressions and Emancipation 28:05 Ancestral Lineage and Multiculturalism 34:00 Exploring Automatic Behaviors and Consciousness 34:50 Interbeing and Consumer Decisions 36:35 The Impact of Privilege and Capitalist Norms 38:06 Radical Symbiosis and Cultural Conditioning 39:21 Eco-Spirituality and Political Awareness 41:18 Apocalyptic Parenting and Deep Noticing 48:01 The Love Bus: A Journey of Reuse and Respect 54:40 Adapting to Change and Collective Creativity 57:55 Conclusion: Embracing Art and Language Resources: Dr. Cara Judea Alhadeff's Website ZAZU DREAMS: Between the Scarab and the Dung Beetle, A Cautionary Fable for the Anthropocene Era by Dr. Cara Judea Alhadeff Zazu Dreams book-to-film animation adaptation Fractal Flourishing: Jeremy Lent (Sounds of SAND Podcast) Arab Jewish Mysticism: Hadar Cohen (Sounds of SAND Podcast) Quantum Listening: IONE (Sounds of SAND Podcast) Deep Listening: Pauline Oliveros 5Rhythms Dance Rural Studio: Samuel Mockbee and an architecture of decency Thrutopian Dreams: Manda Scott (Sounds of SAND Podcast) An Ecotopian Lexicon edited by Schneider-Mayerson and Bellamy Challenging Petroleum Parenting Decolonizing Motherhood Empire of Normality: Neurodiversity and Capitalism by Robert Chapman Viscous Expectations: Justice, Vulnerability, The Ob-scene by cara judea Alhadeff The Love Bus: Beauty & Waste In the Face of Climate Crisis Facing Apocalyspe by Catherine Keller Benjamin Lay: The first Revolutionary Quaker Abolitionist Cara Judea Alhadeff, PhD, Promiscuous Crossings (Substack) Email Cara Support the mission of SAND and the production of this podcast by becoming a SAND Member
Jonathan Lethem is the author of A Different Kind of Tension: New and Selected Stories, available from Ecco. It was the official October 2025 pick of the Otherppl Book Club. Lethem is the bestselling author of thirteen novels, including Brooklyn Crime Novel, The Feral Detective, and Motherless Brooklyn, winner of the National Book Critics Circle Award. His five story collections include Men and Cartoons and Lucky Alan, and his short fiction has appeared in the New Yorker, Harper's Magazine, and the Paris Review, among other publications, garnering a Pushcart Prize, a World Fantasy Award, and inclusion in The Best American Short Stories. The recipient of a MacArthur Fellowship and a Guggenheim Fellowship, he lives in Los Angeles and Maine. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Get How to Write a Novel, the debut audio course from DeepDive. 50+ hours of never-before-heard insight, inspiration, and instruction from dozens of today's most celebrated contemporary authors. Subscribe to Brad's email newsletter. Support the show on Patreon Merch Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
Host Dave Schlom visits with brand new MacArthur Fellowship award winner Kareem El-Badry, an astrophysicist at the California Institute of Technology in Pasadena.
Send us a textMargaret D. Stock is an immigration attorney, and retired Lieutenant Colonel in the United States Army Reserve. She is a recognized expert on immigration law as it applies to U.S. military personnel and veterans. In 2013, she was a recipient of a MacArthur Fellowship, often referred to as a "genius grant." She has taught law at the United States Military Academy in West Point, New York.She ran for the United States Senate as an Independent candidate in the 2016 Senate election in Alaska losing to the incumbent Sen. Lisa Murkowski. Today we discuss her life, but also her concerns about the politicization of the US military, the change in the way our country treats its immigrants, and the illegal extra-judicial killings of Venezuelans by the US military in the Caribbean Sea.
Los Angeles-based artist Liza Lou is widely known for introducing beads as a contemporary fine art medium. Lou's persistent experimentation has challenged hierarchies and helped to redefine previously marginalized terms such as craft, labor, the feminine, and the decorative. Reviewing her groundbreaking Kitchen (1991–1996) at the New Museum in New York, Roberta Smith wrote, “…this radiant piece effortlessly annihilates any barriers between art and craft, [and] proves unequivocally… that quality is where you find it and will not be denied.”¹In the two and a half decades since Kitchen, Lou's oeuvre has expanded to include numerous room size sculptures, including Back Yard (1996–1998), a 500-square-foot work comprised of 250,000 pieces of beaded grass; Trailer(1998–2000), a forty-foot-long mobile home with a glittering film noir interior; and Security Fence (2005), a chain link and razor wire fence enclosure covered in silver-lined glass beads that both attracts and repels, transforming a symbol of confinement.In 2002, Lou was awarded a MacArthur Fellowship and moved to KwaZulu-Natal, South Africa, where she operated an art studio and women's advocacy program from 2005–2020. There, Lou explored the capacity of beads to stand in for the paint medium in a body of Minimalist woven works. For example, The Waves (2013–2017) comprises an installation of over one thousand woven white cloths which cover gallery walls from floor to ceiling. Through the process of weaving, each cloth is “painted” with the residue of natural oils from the artist and her assistant's hands. In 2020, Lou returned to her solo practice in Los Angeles and began a series of abstract, gestural oil paintings on woven, glass-beaded cloths. Lou and Zuckerman discuss living in a state of wonder, meditating, bending the light, endurance, labor, repetition, focusing on beauty, God, the intersection between fine art and craft, suffering and pain, truth and who is “with you!”
Welcome to episode 257 of Growers Daily! We cover: why there are no Nobels (or any other big prize) for farmers, what to do about persistent mold on alliums, and some insights gleaned from the Kentucky composting conference about commercial composting startups. We are a Non-Profit!
All you Marrou fans out there may have been wondering, "Where did that fabulous Frenchmen go"? After all, this little podcast has not covered H.I.'s theme since April 1 of the current year. Fitting date? Don't be fooled, Jeff and Dave have not given up on all things ancient education, and this week the guys return to Part II, Chapter IX. In this portion of the larger section, Classical Education in the Hellenistic Age, Marrou is dealing with what he entitles "Lesser Forms". How was the ephebia structured, and how did the architectural forms change to match this? What did the typical syllabus contain, and what of the formation of a canon? What is the connection between thinking great thoughts and walking? Should you look out for roving hygienists in your neighborhood, and can you earn a certificate or award for φιλοπονία (love of industry)? The disscussion next moves on to the "birdcage" center of ancient learning, the Museum (Alexandria, et alia), where MacArthur Fellowship recipients complained about the sluggish wifi and were feted by the Ptolemies. But we digress. Stick around for the closing bit on medicine and vo. tech, and think about sending us your own reflections for episode 200!
Karen Russell joins Deborah Treisman to read and discuss “The Stone,” by Louise Erdrich, which was published in The New Yorker in 2019. Russell is the author of six books of fiction, including the story collections “Vampires in the Lemon Grove” and “Orange World and Other Stories” and the novels “Swamplandia!,” which was a finalist for the Pulitzer Prize in 2012, and “The Antidote,” which came out earlier this year and was long-listed for the National Book Award. Russell, the recipient of a MacArthur Fellowship, was included in the magazine's “20 Under 40” Fiction Issue in 2010. Learn about your ad choices: dovetail.prx.org/ad-choices
Andee Rudloff is a consultant, educator and professional artist workingprimarily in Kentucky and Tennessee. Andee Rudloff has 30 years of experience as a consultant, art administrator, curator and professional artist including murals and exhibitions in Tennessee,Kentucky; Magdeburg, Germany; New York, N.Y.; Taipei, Taiwan; and other national and international exchanges. Her goal is to engage the community through creative opportunities and she does so frequently through murals, exhibitions, greenway planning, tactical urbanism, and cultural expression for social change. Currently, Andee Rudloff works as an artist-in-residence with Arts for All Kentucky, Gifted Studies at WKU,and via contract work as a muralist. She is on the board of trustees for the Tanne Foundation based in Boston, MA, which provides support to individual artists in need. Rudloff served three terms on the Kentucky Arts Council Board and was appointed by three Kentucky Governors to serve beginning in 2011.Andee Rudloff served as the guest curator for SKyPAC, Scholastic Art & Writing, and the National Corvette Museum's first art exhibition titled Car Part Art. She was a featured artist at ArtPrize 8 in Grand Rapids, MI, and served as a Kentucky AIR forTimeslips with MacArthur Fellowship recipient Anne Basting based in Milwaukie, WI. She successfully designed and launched all education, engagement, internship and visual art programming for the Southern Kentucky Performing Arts Center (SKyPAC). In 2013, the Kentucky Art Education Association named Rudloff Museum Educator of the Year. She served as the community relations manager, educator and curator at the Frist Art Museum in Nashville, TN. Rudloff was the curator of the Nashville International Airport's Arts at the Airport Foundation designing new spaces and organizing exhibitions and performances during a multi-million dollar renovation.She has served as the curator for Curb Records' Johnny Cash Collection, facilitator of the At Home Project with Judy Chicago at WKU, as well numerous other curatorial and teaching positions. She was awarded Best Community Art Energizer by the Nashville Scene. Andee Rudloff has been a featured community art presenter at the National Art Education Association annual conference, TeachMeet, Ambition Fest and as well as artist-in-residence at several public and private schools. She received the 2010 ADAM Award for Outstanding Achievement and Support for Kids on the Block in Middle Tennessee.Andee Rudloff #DoStuffInstagram:@chicNhairFB: Artist Andee Rudloff"Still on the Run" - https://www.fbrmusic.com/@treymitchellphotography @feeding_the_senses_unsensoredfacebook.com/profile.php?id=100074368084848www.threads.net/@treymitchellphotographyftsunashville@gmail.com
As a recipient of the MacArthur Fellowship (also known as the MacArthur Genius Grant), you could say filmmaker Sterlin Harjo is a certified genius. He's responsible for creating the groundbreaking series “Reservation Dogs,” which follows the lives of four Indigenous teenagers in rural Oklahoma. Now, Sterlin is back with a new series called “The Lowdown,” starring Ethan Hawke as a rough-and-tumble bookstore owner and "truthstorian" in Tulsa, Oklahoma. He sat down with Tom Power during this year's Toronto International Film Festival to talk about his career — and how being a genius really just means your friends will give you a hard time about it.
“If we look at the entire history of the human experience, if you saw some text or you heard some spoken language, you could 100 percent reliably infer that there was a human who created that. Our experience of having that text or that image generated for us is very akin to the experience of a magic trick, and we sort of pre-subconsciously want to attribute some kind of intelligence to what's going on on the other side.At the core of the work is that sense of curiosity, that sense of joy, that sense of beauty, and that sense of learning. I've been fortunate to have all kinds of strange and interesting experiences, whether that's seeing weird things in the sky over secret military bases in the middle of the Nevada desert, going scuba diving and finding internet cables on the bottom of the ocean, or tracking spy satellites in the sky and being able to predict when they'll appear in a flash against the backdrop of stars. The world around us is extraordinary and embodied, right? It is not on screens, and I'm very privileged to have that be so much a part of my process.”Trevor Paglen is an artist whose work makes the invisible visible, whether he's photographing secret government sites from miles away or revealing the hidden infrastructures of mass surveillance. He's a geographer by training, and he combines investigative journalism with his art practice to explore the hidden power structures of our time, including military technology and artificial intelligence. His work has been exhibited in major museums around the world, and he's also an award-winning author. His exhibitions, like 'The Black Sites' and 'Limit Tele-photography,' have earned him critical acclaim, including a MacArthur Fellowship. He's recently opened a new exhibition at Pace Gallery in New York called Cardinals (Jun 26–Aug 15) which delves into the intriguing connections between UFO sightings, AI, and the spread of disinformation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“If we look at the entire history of the human experience, if you saw some text or you heard some spoken language, you could 100 percent reliably infer that there was a human who created that. Our experience of having that text or that image generated for us is very akin to the experience of a magic trick, and we sort of pre-subconsciously want to attribute some kind of intelligence to what's going on on the other side.At the core of the work is that sense of curiosity, that sense of joy, that sense of beauty, and that sense of learning. I've been fortunate to have all kinds of strange and interesting experiences, whether that's seeing weird things in the sky over secret military bases in the middle of the Nevada desert, going scuba diving and finding internet cables on the bottom of the ocean, or tracking spy satellites in the sky and being able to predict when they'll appear in a flash against the backdrop of stars. The world around us is extraordinary and embodied, right? It is not on screens, and I'm very privileged to have that be so much a part of my process.”Trevor Paglen is an artist whose work makes the invisible visible, whether he's photographing secret government sites from miles away or revealing the hidden infrastructures of mass surveillance. He's a geographer by training, and he combines investigative journalism with his art practice to explore the hidden power structures of our time, including military technology and artificial intelligence. His work has been exhibited in major museums around the world, and he's also an award-winning author. His exhibitions, like 'The Black Sites' and 'Limit Tele-photography,' have earned him critical acclaim, including a MacArthur Fellowship. He's recently opened a new exhibition at Pace Gallery in New York called Cardinals (Jun 26–Aug 15) which delves into the intriguing connections between UFO sightings, AI, and the spread of disinformation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“If we look at the entire history of the human experience, if you saw some text or you heard some spoken language, you could 100 percent reliably infer that there was a human who created that. Our experience of having that text or that image generated for us is very akin to the experience of a magic trick, and we sort of pre-subconsciously want to attribute some kind of intelligence to what's going on on the other side.At the core of the work is that sense of curiosity, that sense of joy, that sense of beauty, and that sense of learning. I've been fortunate to have all kinds of strange and interesting experiences, whether that's seeing weird things in the sky over secret military bases in the middle of the Nevada desert, going scuba diving and finding internet cables on the bottom of the ocean, or tracking spy satellites in the sky and being able to predict when they'll appear in a flash against the backdrop of stars. The world around us is extraordinary and embodied, right? It is not on screens, and I'm very privileged to have that be so much a part of my process.”Trevor Paglen is an artist whose work makes the invisible visible, whether he's photographing secret government sites from miles away or revealing the hidden infrastructures of mass surveillance. He's a geographer by training, and he combines investigative journalism with his art practice to explore the hidden power structures of our time, including military technology and artificial intelligence. His work has been exhibited in major museums around the world, and he's also an award-winning author. His exhibitions, like 'The Black Sites' and 'Limit Tele-photography,' have earned him critical acclaim, including a MacArthur Fellowship. He's recently opened a new exhibition at Pace Gallery in New York called Cardinals (Jun 26–Aug 15) which delves into the intriguing connections between UFO sightings, AI, and the spread of disinformation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“If we look at the entire history of the human experience, if you saw some text or you heard some spoken language, you could 100 percent reliably infer that there was a human who created that. Our experience of having that text or that image generated for us is very akin to the experience of a magic trick, and we sort of pre-subconsciously want to attribute some kind of intelligence to what's going on on the other side.At the core of the work is that sense of curiosity, that sense of joy, that sense of beauty, and that sense of learning. I've been fortunate to have all kinds of strange and interesting experiences, whether that's seeing weird things in the sky over secret military bases in the middle of the Nevada desert, going scuba diving and finding internet cables on the bottom of the ocean, or tracking spy satellites in the sky and being able to predict when they'll appear in a flash against the backdrop of stars. The world around us is extraordinary and embodied, right? It is not on screens, and I'm very privileged to have that be so much a part of my process.”Trevor Paglen is an artist whose work makes the invisible visible, whether he's photographing secret government sites from miles away or revealing the hidden infrastructures of mass surveillance. He's a geographer by training, and he combines investigative journalism with his art practice to explore the hidden power structures of our time, including military technology and artificial intelligence. His work has been exhibited in major museums around the world, and he's also an award-winning author. His exhibitions, like 'The Black Sites' and 'Limit Tele-photography,' have earned him critical acclaim, including a MacArthur Fellowship. He's recently opened a new exhibition at Pace Gallery in New York called Cardinals (Jun 26–Aug 15) which delves into the intriguing connections between UFO sightings, AI, and the spread of disinformation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
The Creative Process in 10 minutes or less · Arts, Culture & Society
“If we look at the entire history of the human experience, if you saw some text or you heard some spoken language, you could 100 percent reliably infer that there was a human who created that. Our experience of having that text or that image generated for us is very akin to the experience of a magic trick, and we sort of pre-subconsciously want to attribute some kind of intelligence to what's going on on the other side.At the core of the work is that sense of curiosity, that sense of joy, that sense of beauty, and that sense of learning. I've been fortunate to have all kinds of strange and interesting experiences, whether that's seeing weird things in the sky over secret military bases in the middle of the Nevada desert, going scuba diving and finding internet cables on the bottom of the ocean, or tracking spy satellites in the sky and being able to predict when they'll appear in a flash against the backdrop of stars. The world around us is extraordinary and embodied, right? It is not on screens, and I'm very privileged to have that be so much a part of my process.”Trevor Paglen is an artist whose work makes the invisible visible, whether he's photographing secret government sites from miles away or revealing the hidden infrastructures of mass surveillance. He's a geographer by training, and he combines investigative journalism with his art practice to explore the hidden power structures of our time, including military technology and artificial intelligence. His work has been exhibited in major museums around the world, and he's also an award-winning author. His exhibitions, like 'The Black Sites' and 'Limit Tele-photography,' have earned him critical acclaim, including a MacArthur Fellowship. He's recently opened a new exhibition at Pace Gallery in New York called Cardinals (Jun 26–Aug 15) which delves into the intriguing connections between UFO sightings, AI, and the spread of disinformation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“If we look at the entire history of the human experience, if you saw some text or you heard some spoken language, you could 100 percent reliably infer that there was a human who created that. Our experience of having that text or that image generated for us is very akin to the experience of a magic trick, and we sort of pre-subconsciously want to attribute some kind of intelligence to what's going on on the other side.At the core of the work is that sense of curiosity, that sense of joy, that sense of beauty, and that sense of learning. I've been fortunate to have all kinds of strange and interesting experiences, whether that's seeing weird things in the sky over secret military bases in the middle of the Nevada desert, going scuba diving and finding internet cables on the bottom of the ocean, or tracking spy satellites in the sky and being able to predict when they'll appear in a flash against the backdrop of stars. The world around us is extraordinary and embodied, right? It is not on screens, and I'm very privileged to have that be so much a part of my process.”Trevor Paglen is an artist whose work makes the invisible visible, whether he's photographing secret government sites from miles away or revealing the hidden infrastructures of mass surveillance. He's a geographer by training, and he combines investigative journalism with his art practice to explore the hidden power structures of our time, including military technology and artificial intelligence. His work has been exhibited in major museums around the world, and he's also an award-winning author. His exhibitions, like 'The Black Sites' and 'Limit Tele-photography,' have earned him critical acclaim, including a MacArthur Fellowship. He's recently opened a new exhibition at Pace Gallery in New York called Cardinals (Jun 26–Aug 15) which delves into the intriguing connections between UFO sightings, AI, and the spread of disinformation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“There's a word for this brain rot, right? I think that's very real. There are studies coming out now that are showing that the more and more of our cognitive labor we offload to AI systems, the less creative we become, the less critical we become, and the less of our human faculties for reason we use. There's something sad about that, but there's also something dangerous about it because that leaves us very open to being manipulated. The surveillance capitalism kind of economy of extracting data from every possible moment of everyday life in order to extract value. The sensor systems that we're surrounded with are not simply passive devices that are recording us; they are increasingly becoming active sculptors of our experience of reality. Playing dirty.If we look at the entire history of the human experience, if you saw some text or you heard some spoken language, you could 100 percent reliably infer that there was a human who created that. Our experience of having that text or that image generated for us is very akin to the experience of a magic trick, and we sort of pre-subconsciously want to attribute some kind of intelligence to what's going on on the other side.I'm trying to think about these other media strategies, whether that's UFO photography, psychological operations, magic, or neuroscience, and take them seriously as contributing factors to the changing visual culture. With the collection at Pace Gallery, (New York, Jun 26–Aug 15) it was really just to put those images together and show them. They're all photographed on film. A lot of them are photographed on instant film. They're not images that are made with AI; they're not images that are photoshopped. What I really wanted to get at was thinking about the ways in which what we see in an image is very often what we're predisposed to see. I am playing with these mechanics of perception and proposing that as a way of thinking about images now.At the core of the work is that sense of curiosity, that sense of joy, that sense of beauty, and that sense of learning. I've been fortunate to have all kinds of strange and interesting experiences, whether that's seeing weird things in the sky over secret military bases in the middle of the Nevada desert, going scuba diving and finding internet cables on the bottom of the ocean, or tracking spy satellites in the sky and being able to predict when they'll appear in a flash against the backdrop of stars. The world around us is extraordinary and embodied, right? It is not on screens, and I'm very privileged to have that be so much a part of my process.”Trevor Paglen is an artist whose work makes the invisible visible, whether he's photographing secret government sites from miles away or revealing the hidden infrastructures of mass surveillance. He's a geographer by training, and he combines investigative journalism with his art practice to explore the hidden power structures of our time, including military technology and artificial intelligence. His work has been exhibited in major museums around the world, and he's also an award-winning author. His exhibitions, like 'The Black Sites' and 'Limit Tele-photography,' have earned him critical acclaim, including a MacArthur Fellowship. He's recently opened a new exhibition at Pace Gallery in New York called Cardinals, which delves into the intriguing connections between UFO sightings, AI, and the spread of disinformation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“There's a word for this brain rot, right? I think that's very real. There are studies coming out now that are showing that the more and more of our cognitive labor we offload to AI systems, the less creative we become, the less critical we become, and the less of our human faculties for reason we use. There's something sad about that, but there's also something dangerous about it because that leaves us very open to being manipulated. The surveillance capitalism kind of economy of extracting data from every possible moment of everyday life in order to extract value. The sensor systems that we're surrounded with are not simply passive devices that are recording us; they are increasingly becoming active sculptors of our experience of reality. Playing dirty.If we look at the entire history of the human experience, if you saw some text or you heard some spoken language, you could 100 percent reliably infer that there was a human who created that. Our experience of having that text or that image generated for us is very akin to the experience of a magic trick, and we sort of pre-subconsciously want to attribute some kind of intelligence to what's going on on the other side.I'm trying to think about these other media strategies, whether that's UFO photography, psychological operations, magic, or neuroscience, and take them seriously as contributing factors to the changing visual culture. With the collection at Pace Gallery, (New York, Jun 26–Aug 15) it was really just to put those images together and show them. They're all photographed on film. A lot of them are photographed on instant film. They're not images that are made with AI; they're not images that are photoshopped. What I really wanted to get at was thinking about the ways in which what we see in an image is very often what we're predisposed to see. I am playing with these mechanics of perception and proposing that as a way of thinking about images now.At the core of the work is that sense of curiosity, that sense of joy, that sense of beauty, and that sense of learning. I've been fortunate to have all kinds of strange and interesting experiences, whether that's seeing weird things in the sky over secret military bases in the middle of the Nevada desert, going scuba diving and finding internet cables on the bottom of the ocean, or tracking spy satellites in the sky and being able to predict when they'll appear in a flash against the backdrop of stars. The world around us is extraordinary and embodied, right? It is not on screens, and I'm very privileged to have that be so much a part of my process.”Trevor Paglen is an artist whose work makes the invisible visible, whether he's photographing secret government sites from miles away or revealing the hidden infrastructures of mass surveillance. He's a geographer by training, and he combines investigative journalism with his art practice to explore the hidden power structures of our time, including military technology and artificial intelligence. His work has been exhibited in major museums around the world, and he's also an award-winning author. His exhibitions, like 'The Black Sites' and 'Limit Tele-photography,' have earned him critical acclaim, including a MacArthur Fellowship. He's recently opened a new exhibition at Pace Gallery in New York called Cardinals, which delves into the intriguing connections between UFO sightings, AI, and the spread of disinformation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“There's a word for this brain rot, right? I think that's very real. There are studies coming out now that are showing that the more and more of our cognitive labor we offload to AI systems, the less creative we become, the less critical we become, and the less of our human faculties for reason we use. There's something sad about that, but there's also something dangerous about it because that leaves us very open to being manipulated. The surveillance capitalism kind of economy of extracting data from every possible moment of everyday life in order to extract value. The sensor systems that we're surrounded with are not simply passive devices that are recording us; they are increasingly becoming active sculptors of our experience of reality. Playing dirty.If we look at the entire history of the human experience, if you saw some text or you heard some spoken language, you could 100 percent reliably infer that there was a human who created that. Our experience of having that text or that image generated for us is very akin to the experience of a magic trick, and we sort of pre-subconsciously want to attribute some kind of intelligence to what's going on on the other side.I'm trying to think about these other media strategies, whether that's UFO photography, psychological operations, magic, or neuroscience, and take them seriously as contributing factors to the changing visual culture. With the collection at Pace Gallery, (New York, Jun 26–Aug 15) it was really just to put those images together and show them. They're all photographed on film. A lot of them are photographed on instant film. They're not images that are made with AI; they're not images that are photoshopped. What I really wanted to get at was thinking about the ways in which what we see in an image is very often what we're predisposed to see. I am playing with these mechanics of perception and proposing that as a way of thinking about images now.At the core of the work is that sense of curiosity, that sense of joy, that sense of beauty, and that sense of learning. I've been fortunate to have all kinds of strange and interesting experiences, whether that's seeing weird things in the sky over secret military bases in the middle of the Nevada desert, going scuba diving and finding internet cables on the bottom of the ocean, or tracking spy satellites in the sky and being able to predict when they'll appear in a flash against the backdrop of stars. The world around us is extraordinary and embodied, right? It is not on screens, and I'm very privileged to have that be so much a part of my process.”Trevor Paglen is an artist whose work makes the invisible visible, whether he's photographing secret government sites from miles away or revealing the hidden infrastructures of mass surveillance. He's a geographer by training, and he combines investigative journalism with his art practice to explore the hidden power structures of our time, including military technology and artificial intelligence. His work has been exhibited in major museums around the world, and he's also an award-winning author. His exhibitions, like 'The Black Sites' and 'Limit Tele-photography,' have earned him critical acclaim, including a MacArthur Fellowship. He's recently opened a new exhibition at Pace Gallery in New York called Cardinals, which delves into the intriguing connections between UFO sightings, AI, and the spread of disinformation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“There's a word for this brain rot, right? I think that's very real. There are studies coming out now that are showing that the more and more of our cognitive labor we offload to AI systems, the less creative we become, the less critical we become, and the less of our human faculties for reason we use. There's something sad about that, but there's also something dangerous about it because that leaves us very open to being manipulated. The surveillance capitalism kind of economy of extracting data from every possible moment of everyday life in order to extract value. The sensor systems that we're surrounded with are not simply passive devices that are recording us; they are increasingly becoming active sculptors of our experience of reality. Playing dirty.If we look at the entire history of the human experience, if you saw some text or you heard some spoken language, you could 100 percent reliably infer that there was a human who created that. Our experience of having that text or that image generated for us is very akin to the experience of a magic trick, and we sort of pre-subconsciously want to attribute some kind of intelligence to what's going on on the other side.I'm trying to think about these other media strategies, whether that's UFO photography, psychological operations, magic, or neuroscience, and take them seriously as contributing factors to the changing visual culture. With the collection at Pace Gallery, (New York, Jun 26–Aug 15) it was really just to put those images together and show them. They're all photographed on film. A lot of them are photographed on instant film. They're not images that are made with AI; they're not images that are photoshopped. What I really wanted to get at was thinking about the ways in which what we see in an image is very often what we're predisposed to see. I am playing with these mechanics of perception and proposing that as a way of thinking about images now.At the core of the work is that sense of curiosity, that sense of joy, that sense of beauty, and that sense of learning. I've been fortunate to have all kinds of strange and interesting experiences, whether that's seeing weird things in the sky over secret military bases in the middle of the Nevada desert, going scuba diving and finding internet cables on the bottom of the ocean, or tracking spy satellites in the sky and being able to predict when they'll appear in a flash against the backdrop of stars. The world around us is extraordinary and embodied, right? It is not on screens, and I'm very privileged to have that be so much a part of my process.”Trevor Paglen is an artist whose work makes the invisible visible, whether he's photographing secret government sites from miles away or revealing the hidden infrastructures of mass surveillance. He's a geographer by training, and he combines investigative journalism with his art practice to explore the hidden power structures of our time, including military technology and artificial intelligence. His work has been exhibited in major museums around the world, and he's also an award-winning author. His exhibitions, like 'The Black Sites' and 'Limit Tele-photography,' have earned him critical acclaim, including a MacArthur Fellowship. He's recently opened a new exhibition at Pace Gallery in New York called Cardinals, which delves into the intriguing connections between UFO sightings, AI, and the spread of disinformation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
“There's a word for this brain rot, right? I think that's very real. There are studies coming out now that are showing that the more and more of our cognitive labor we offload to AI systems, the less creative we become, the less critical we become, and the less of our human faculties for reason we use. There's something sad about that, but there's also something dangerous about it because that leaves us very open to being manipulated. The surveillance capitalism kind of economy of extracting data from every possible moment of everyday life in order to extract value. The sensor systems that we're surrounded with are not simply passive devices that are recording us; they are increasingly becoming active sculptors of our experience of reality. Playing dirty.If we look at the entire history of the human experience, if you saw some text or you heard some spoken language, you could 100 percent reliably infer that there was a human who created that. Our experience of having that text or that image generated for us is very akin to the experience of a magic trick, and we sort of pre-subconsciously want to attribute some kind of intelligence to what's going on on the other side.I'm trying to think about these other media strategies, whether that's UFO photography, psychological operations, magic, or neuroscience, and take them seriously as contributing factors to the changing visual culture. With the collection at Pace Gallery, (New York, Jun 26–Aug 15) it was really just to put those images together and show them. They're all photographed on film. A lot of them are photographed on instant film. They're not images that are made with AI; they're not images that are photoshopped. What I really wanted to get at was thinking about the ways in which what we see in an image is very often what we're predisposed to see. I am playing with these mechanics of perception and proposing that as a way of thinking about images now.At the core of the work is that sense of curiosity, that sense of joy, that sense of beauty, and that sense of learning. I've been fortunate to have all kinds of strange and interesting experiences, whether that's seeing weird things in the sky over secret military bases in the middle of the Nevada desert, going scuba diving and finding internet cables on the bottom of the ocean, or tracking spy satellites in the sky and being able to predict when they'll appear in a flash against the backdrop of stars. The world around us is extraordinary and embodied, right? It is not on screens, and I'm very privileged to have that be so much a part of my process.”Trevor Paglen is an artist whose work makes the invisible visible, whether he's photographing secret government sites from miles away or revealing the hidden infrastructures of mass surveillance. He's a geographer by training, and he combines investigative journalism with his art practice to explore the hidden power structures of our time, including military technology and artificial intelligence. His work has been exhibited in major museums around the world, and he's also an award-winning author. His exhibitions, like 'The Black Sites' and 'Limit Tele-photography,' have earned him critical acclaim, including a MacArthur Fellowship. He's recently opened a new exhibition at Pace Gallery in New York called Cardinals, which delves into the intriguing connections between UFO sightings, AI, and the spread of disinformation.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast
Studying oysters can help us understand how Connecticut’s shoreline is changing. Studying lizards can help us understand the history of life on our planet. Biologists research living organisms. And in doing so, they help us understand not only ourselves, but also the way our lives are intertwined with those of every other species. This hour— Connecticut biologists tell us how their work helps us see what’s going on in the world around us. We'll discuss everything from how someone growing up in New York City could become fascinated by nature to the impact of federal funding cuts on research. GUESTS: Martha Muñoz: Assistant Professor in the Department of Ecology and Evolutionary Biology at Yale University, Assistant Curator of Vertebrate Zoology at the Yale Peabody Museum and recipient of a 2024 MacArthur Fellowship. Maria Rosa: Assistant Professor of Biology at Connecticut College. See omnystudio.com/listener for privacy information.
What Fresh Hell: Laughing in the Face of Motherhood | Parenting Tips From Funny Moms
Dr. Ibram X. Kendi is the author of many highly acclaimed books including STAMPED FROM THE BEGINNING: The Definitive History of Racist Ideas in America, which won the National Book Award for Nonfiction. In 2020, Time magazine named Dr. Kendi one of the 100 most influential people in the world. Dr. Kendi was awarded a 2021 MacArthur Fellowship, popularly known as the Genius Grant. In this interview, we are discussing his book HOW TO RAISE AN ANTIRACIST. His latest book for young readers is called MALCOM LIVES and you can buy it here. In this interview, Dr. Kendi explains: why caregivers cannot protect young people from racism by ignoring what's happening to our children why teaching antiracism is the best way to protect our children from racism's harms why children have an easier time understanding these ideas than we might think how putting off conversations about race, or giving kids the message that racism is unmentionable, can make our children prey to more sinister messaging It is never too early, or too late, to start raising our kids to be antiracist. Get How To Raise An Antiracist in our Bookshop store: https://bookshop.org/a/12099/9780593242537 and find out more on Dr. Kendi's website: https://ibramxkendi.com We love the sponsors that make this show possible! You can always find all the special deals and codes for all our current sponsors on our website: https://www.whatfreshhellpodcast.com/p/promo-codes/ mom friends, funny moms, parenting advice, parenting experts, parenting tips, mothers, families, parenting skills, parenting strategies, parenting styles, busy moms, self-help for moms, manage kid's behavior, teenager, tween, child development, family activities, family fun, parent child relationship, decluttering, kid-friendly, inclusive, inclusivity , anti-racism, racism, race, anti-racist education Learn more about your ad choices. Visit podcastchoices.com/adchoices
Why does a society that depends so much on nannies, caregivers, and home-care workers offer them so little in return? What does this reflect about modern culture and the values it espouses? How can we elevate caregiving into a much-valued pursuit in society?And what drives certain individuals to become changemakers and dedicate their whole lives to serving others? Find out from Ai-jen Poo, exclusively in conversation with Dr. Hitendra Wadhwa on Intersections Podcast.Ai-jen Poo is a next-generation labor leader, an award-winning organizer, and a leading voice in the women's movement. She is the President of the National Domestic Workers Alliance, a non-profit organization that works to win respect, recognition, and labor rights and protections for the nearly 2.5 million nannies, house cleaners, and homecare workers across America; Executive Director of Caring Across Generations, a national organization of family caregivers, care workers, disabled people, and aging adults working to transform the way we care in this country, and a trustee of the Ford Foundation. Recently, she served as a commissioner on President Biden's Advisory Commission on Asian Americans, Native Hawaiians and Pacific Islanders. Ai-jen has been recognized among Fortune's World's 50 Greatest Leaders and Time's 100 Most Influential People, and received a MacArthur Fellowship, commonly known as a “Genius Grant.” A nationally recognized expert on the care economy, Ai-jen has authored the celebrated book The Age of Dignity: Preparing for the Elder Boom in a Changing America.In this episode, Ai-jen reveals:- Why some people devote their lives to serving others, and what they gain in return- What changes when we organize not from rage, but from love- Elevating caregiving to a central pillar in our society's values
The New Yorker: The Writer's Voice - New Fiction from The New Yorker
Han Ong reads his story “Happy Days,” from the June 30, 2025, issue of the magazine. The recipient of a MacArthur Fellowship and the Berlin Prize, Ong is the author of more than a dozen plays and two novels, “Fixer Chao” and “The Disinherited.” Learn about your ad choices: dovetail.prx.org/ad-choices
Novelist Jonathan Lethem is the author of Girl In Landscape, Chronic City, and Brooklyn Crime Novel, as well as ten other novels. His stories and essays have been collected in seven volumes. His fifth novel, Motherless Brooklyn, won the National Book Critic's Circle Award, and he has been the recipient of The Berlin Prize and a Macarthur Fellowship among other honors. He lives in Los Angeles and Maine.He and Zuckerman discuss writing stories about Art, growing up as a child of a painter, where freedom is found, mirroring the world, doing his tricks, looking, kinship and generation, waiting and wondering, play, denial of independence, and memory and savoring!
Revered by some, vilified by others, Ibram X. Kendi is America's most controversial anti-racism scholar. In this wide-ranging and frank conversation, the bestselling author of How to Be an Anti-Racist discusses his foundational (and republished) 2012 book The Black Campus Movement, drawing parallels between 1960s student activism and today's Gaza protests. Kendi argues critics deliberately misrepresent his work to "make me into this boogeyman" and keep people from engaging with evidence-based scholarship on racism. Despite facing accusations of being a "fraud," Kendi remains committed to his mission, particularly in his upcoming role at Howard University, where he'll direct a new Institute for Advanced Study. Five Key Takeaways * History Repeating: Kendi argues that today's campus protests over Gaza mirror 1960s Black student activism, with opponents using similar talking points to undermine anti-racist efforts on college campuses.* The "Boogeyman" Strategy: Kendi believes his critics deliberately misrepresent his work to make him seem "scary" and keep people from engaging with his evidence-based scholarship on racism, rather than addressing his actual arguments.* Campus Activism Then vs. Now: Key differences between the 1960s and today include the federal government now working to "re-segregate" campuses rather than desegregate them, and the presence of campus police forces that can suppress demonstrations.* Indirect Racism: Kendi argues that modern racism operates indirectly—when people deny that racist policies exist while racial disparities persist, they're implicitly suggesting that Black people are inferior, just without saying it explicitly.* New Chapter at Howard: After facing controversy and criticism, Kendi is moving from Boston University to historically Black Howard University to direct a new Institute for Advanced Study focused on rigorously studying racism.DR. IBRAM X. KENDI is a National Book Award-winning author of seventeen books for adults and children, including eleven New York Times bestsellers. Dr. Kendi is the Andrew W. Mellon Professor in the Humanities at Boston University, and the director of the BU Center for Antiracist Research. In the summer of 2025, he will join Howard University as Professor of History and Director of its newly established Howard Institute for Advanced Study. Dr. Kendi is the author of Stamped from the Beginning: The Definitive History of Racist Ideas in America, which won the National Book Award for Nonfiction, making him the youngest author to win that award. He also authored the international bestseller, How to Be an Antiracist, which was described in the New York Times as “the most courageous book to date on the problem of race in the Western mind.” Dr. Kendi's other bestsellers include How to Raise an Antiracist and Antiracist Baby, illustrated by Ashley Lukashevsky. In 2020, Time magazine named Dr. Kendi one of the 100 Most Influential People in the world. He was awarded a 2021 MacArthur Fellowship, popularly known as the Genius Grant. His newest book is Malcolm Lives! It is the first major biography of Malcolm for young readers in more than thirty years. It appeared in May 2025 on the centennial of Malcolm's birth and debuted on the New York Times bestseller list.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting the daily KEEN ON show, he is the host of the long-running How To Fix Democracy interview series. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe
For the Season 3 finale—and the series finale—of "Barbara London Calling," Barbara speaks with artist María Magdalena Campos-Pons. Born in 1959 in Matanzas, Cuba, Magda recently received the ARTnews Lifetime Achievement Award for her contributions to art. Last year, she was honored with a MacArthur Fellowship, and she is currently the Cornelius Vanderbilt Endowed Chair Professor of Fine Arts at Vanderbilt University.
Ocean Vuong's debut novel On Earth We're Briefly Gorgeous placed him in an elite club of American writers. He teaches at NYU and is the recipient of a MacArthur Fellowship, among many other honors. But before all this, the author was raised by working-class Vietnamese immigrant parents in Hartford, Connecticut. Vuong's new novel The Emperor of Gladness takes place in a similar environment and centers on an unlikely friendship between a 19 year-old college dropout named Hai and an 82-year-old with dementia named Grazina. In today's episode, Vuong joins NPR's Ari Shapiro for a conversation about reframing our view of the United States and the American dream, describing ugly things in a beautiful way, and Vuong's experience working in close quarters at a fast food restaurant.To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy
Ocean Vuong is the author of the novel The Emperor of Gladness, available from Penguin Press. Ocean's other books include the critically acclaimed poetry collections Night Sky with Exit Wounds and Time Is a Mother, as well as the New York Times bestselling novel On Earth We're Briefly Gorgeous. A recipient of the MacArthur Fellowship and the American Book Award, he used to work as a fast-food server, which inspired The Emperor of Gladness. Born in Saigon, Vietnam, he currently splits his time between Northampton, Massachusetts, and New York City. *** Otherppl with Brad Listi is a weekly podcast featuring in-depth interviews with today's leading writers. Available where podcasts are available: Apple Podcasts, Spotify, YouTube, etc. Subscribe to Brad Listi's email newsletter. Support the show on Patreon Merch Twitter Instagram TikTok Bluesky Email the show: letters [at] otherppl [dot] com The podcast is a proud affiliate partner of Bookshop, working to support local, independent bookstores. Learn more about your ad choices. Visit megaphone.fm/adchoices
“Practice teaches us to have faith in the process,” says Andrea Barrett, National Book Award winning author. In this episode of Emerging Form, we speak with her about her newest book, Dust and Light: On the Art of Fact in Fiction. It's one of the most metaphor-rich, process-curious shows we've had yet. We explore the joys of rabbit holes, the importance of not knowing what we are looking for, the inevitability of false starts (and how to let go of the work we've done), why we shouldn't worry about writing unreadable first drafts, how to develop the muscle of intuition, and the questionable wisdom of how we teach creative writing.Andrea Barrett is the author of the National Book Award-winning Ship Fever, Voyage of the Narwhal, Servants of the Map, Natural History, and other works of fiction. She has received a MacArthur Fellowship, a Guggenheim Award, an Award in Literature from the American Academy of Arts and Letters, an NEA Fellowship, and the Rea Award for the Short Story, and been a finalist for the Pulitzer Prize. She lives in the Adirondacks. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit emergingform.substack.com/subscribe
Hanif Abdurraqib is a poet, essayist, and cultural critic from Columbus, Ohio. And buddy, he's also a fantastic and empathetic guest who we have a blast talking to! That's right, MacArthur Fellowship recipient and the author of poetry collections like The Crown Ain't Worth Much and A Fortune for Your Disaster as well as essay collections like They Can't Kill Us Until They Kill Us and books like Go Ahead In The Rain: Notes To A Tribe Called Quest, is on the pod today, and folks, class is in session! Hanif talks about dating in the Columbus punk scene, being "the mural guy", musical obsessions and romance, long-distance dating soundscapes and of course, why High Fidelity sucks! (And SO MUCH MORE!) PLUS, obvi, we answer YOUR advice questions! If you'd like to ask your own advice questions, call 323-524-7839 and leave a VM or just DM us on IG or Twitter!*Donate to displaced black families of the LA fires here*ALSO BUY A BRAND NEW CUTE AF "Open Your Hearts, Loosen Your Butts" mug! And:Support the show on Patreon (two extra exclusive episodes a month!) or gift someone a Patreon subscription! Or get yourself a t-shirt or a discounted Quarantine Crew shirt! And why not leave a 5-star review on Apple Podcasts? Or Spotify? It takes less than a minute! Follow the show on Instagram! Check out CT clips on YouTube!Plus some other stuff! Watch Naomi's Netflix half hour or Mythic Quest! Check out Andy's old casiopop band's lost album or his other podcast Beginnings!Theme song by the great Sammus! Hosted on Acast. See acast.com/privacy for more information.
Edward Hirsch joins Kevin Young to read, “96 Vandam,” by Gerald Stern, and his own poem “Man on a Fire Escape.” Hirsch's honors include a MacArthur Fellowship, a National Book Critics Circle Award, the Pablo Neruda International Presidential Medal of Honor, and a National Jewish Book Award. Learn about your ad choices: dovetail.prx.org/ad-choices
Why This Episode Is a Must-Watch In a world where financial decisions can be deeply influenced by emotions and biases, understanding how these factors play a role in investment strategy is crucial. This episode of “Inspired Money” dives deep into behavioral finance to uncover the predictable irrationality in our investment choices. Are you letting fear and greed drive your financial decisions? Discover strategies to navigate biases and invest more rationally by tuning in. Meet the Expert Panelists Colin Camerer is a pioneering behavioral economist and neuroeconomist known for integrating psychology and neuroscience into economic decision-making. As the Robert Kirby Professor of Behavioral Finance and Economics at Caltech, he researches neuroeconomics, behavioral game theory, decision science, and the neuroscience of economic choices, earning him a MacArthur Fellowship in 2013 and an honorary doctorate from the Stockholm School of Economics in 2019. Tom Howard is a pioneer in behavioral finance, best known for founding AthenaInvest and authoring the influential book Behavioral Portfolio Management. With over 35 years in academia and finance, he developed a groundbreaking approach that challenges traditional investment theory by focusing on how investors actually behave, revolutionizing portfolio management through a behavioral data-driven strategy. Annika Echarti, CFP® is a financial coach specializing in behavioral finance and financial psychology. With a background in accounting, law, and economics, she helps self-employed individuals and small business owners align their financial decisions with their goals and values, focusing on both practical strategies and the psychology behind money habits. Megan McCoy, Ph.D., LMFT, AFC®, CFT™ is an Assistant Professor at Kansas State University's Department of Personal Financial Planning, where she specializes in financial therapy, financial well-being, and the dynamics of couples' financial interactions, and has published extensively on these topics while also contributing as a board member of the Financial Therapy Association and co-editor of the Financial Planning Review. Key Highlights: Cognitive Biases Unveiled: According to Colin Camerer, “Fear and greed are real and are actually in the brain.” He explains how these emotions manifest during market bubbles, revealing deep insights into investor behavior. Recognizing these mental states can help investors maintain discipline amidst market fluctuations. The Power of Planning: Tom Howard highlights that “myopic loss aversion is the most important mistake that investors make,” emphasizing the role of structured investment plans and predefined sell rules. By anchoring decisions to clear guidelines, investors can mitigate the biases that lead to costly errors. Aligning Financial Decisions with Values: Annika Echarti stresses the significance of aligning financial choices with personal values to overcome emotional biases. This strategic alignment helps investors make decisions that not only benefit their portfolios but also align with their life goals. The Role of Emotional Intelligence: Megan McCoy advocates for the development of emotional intelligence to recognize financial biases. Through self-awareness and exercises like the money egg, investors can unpack early money-related experiences to better understand their current biases. Call-to-Action Here's what I want you to do: the next time you're about to make an investment decision—pause. Ask yourself: Is this decision based on a solid strategy, or is it driven by emotion? Write down your reasoning before taking action. Even just becoming aware of your thought process can help you make smarter choices. Let's start investing more intentionally and less emotionally. Let me know in the comments—what's one bias you've noticed in your own financial decisions? Find the Inspired Money channel on YouTube or listen to Inspired Money in your favorite podcast player. Andy Wang, Host/Producer of Inspired Money
Description: Jen first met Tressie McMillan Cottom the way most normal people meet – under the bright lights on the set of an Oprah special, invited by Ms. Winfrey to speak on a panel, along with other influential voices including Rebel Wilson, Amber Riley, Katie Sturino, Jamie Kern Lima, Busy Philipps and others to talk about diet culture, the harmful narratives we have surrounding our weight and our bodies, and how we can begin reframing the conversation away from one centered in shame to one focused on body acceptance. The entire studio was gobsmacked by Tressie which is fitting given that she is a prominent cultural commentator and Professor at UNC Chapel Hill. Her work explores the loaded and nuanced ideas like racial capitalism, beauty standards, the exploitation of higher education systems, but in a way that we ordinary Joe's can understand. We knew immediately that she was destined to be a guest on our show and today is the day. Segments: Bless & Release: The News Cycle *** Thought-provoking Quotes: I think every life has a trauma so there's nothing really special about mine. But whatever your trauma is, you are usually faced with a decision, which is, do I want to be who I was before this or am I going to be something different? – Tressie McMillan Cottom I love really hard questions. I am my happiest, most connected, most joyful, when I am trying to disentangle a really hard social problem that I think everybody has got wrong. I'm really attracted to those things where our beliefs are totally counter-intuitive, where our gut is telling us something is there but the picture is fuzzy, and I think I'm attracted to that because my path was so abnormal and so unique and I know that I wouldn't have existed if people had just gone along with what was supposed to be. – Tressie McMillan Cottom I thought my grandmothers sounded as intelligent as my professors and so I really struggled with the idea that there was something counterfeit or illegitimate about them and their stories and the things that I had learned from them. - Tressie McMillan Cottom History is weirdly comforting when we can look at our worst impulses and know this isn't the first time we've faced this level of chaos and inequality and systemic injustice. It's just our generation's turn. – Jen Hatmaker Resources Mentioned in This Episode: Leave us a voicemail- https://jenhatmaker.com/podcast/ Click the “Send Voicemail” tab on the right side of the page Pantsuit Politics - https://www.pantsuitpoliticsshow.com/ Allison Gill - https://allisongill.com/ The Daily Beans | News with Swearing - https://www.dailybeanspod.com/ Lower Ed: The Troubling Rise of For-Profit Colleges in the New Economy by Tressie McMillan Cottom - https://amzn.to/4hv6dPF Thick: And Other Essays by Tressie McMillan Cottom - https://amzn.to/3Co8gWX Dr. Tressie McMillan Cottom's New York Times newsletter - https://www.nytimes.com/by/tressie-mcmillan-cottom Tressie's MacArthur Fellowship - https://www.macfound.org/fellows/class-of-2020/tressie-mcmillan-cottom Oprah + Weight Watchers: Making the Shift special - https://www.weightwatchers.com/makingtheshift/?srsltid=AfmBOortVultNvf8Oy7KWezSW1X6uVsvMm9ziScOvAzxUg3XsWQ_2H44 Guest's Links: Dr. Cottom's website - https://tressiemc.com/ Dr. Cottom's Instagram - https://www.instagram.com/tressiemcphd/ Dr. Cottom's Twitter - https://x.com/tressiemcphd Dr. Cottom's Facebook - https://www.facebook.com/tressiemcmillancottom/ Dr. Cottom's podcast - https://tressiemc.com/podcast/ Connect with Jen! Jen's website - https://jenhatmaker.com/ Jen's Instagram - https://instagram.com/jenhatmaker Jen's Twitter - https://twitter.com/jenHatmaker/ Jen's Facebook - https://facebook.com/jenhatmaker Jen's YouTube - https://www.youtube.com/user/JenHatmaker The For the Love Podcast is presented by Audacy. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices
Trevor and Christiana speak with professor, sociologist, and MacArthur Fellowship winner Ruha Benjamin about some of the pressing political and social issues of the day. The three discuss whether DEI initiatives are in fact valuable and how the world will look without them, why universities honor people whose voices they've previously tried to silence, and how best to navigate a world that was not built for us. Can the three collectively imagine a better world order? Learn more about your ad choices. Visit podcastchoices.com/adchoices
The New Yorker: The Writer's Voice - New Fiction from The New Yorker
Han Ong reads his story “Ming,” from the January 20, 2025, issue of the magazine. The recipient of a MacArthur Fellowship and the Berlin Prize, Ong is the author of more than a dozen plays and two novels, “Fixer Chao” and “The Disinherited.” Learn about your ad choices: dovetail.prx.org/ad-choices
Aleksandar Hemon joins Deborah Treisman to read and discuss “Drinking Coffee Elsewhere,” by ZZ Packer, which was published in The New Yorker in 2000. Hemon, a winner of a MacArthur Fellowship and a PEN/W. G. Sebald Award, among others, is the author of eight books, including the novels “The Lazarus Project” and “The World and All It Holds,” the story collection “Love and Obstacles,” and two nonfiction works, “The Book of My Lives” and “My Parents: an Introduction.”Share your thoughts on The New Yorker's Fiction Podcast. As a token of our appreciation, you will be eligible to enter a prize drawing up to $1,000 after you complete the survey.https://selfserve.decipherinc.com/survey/selfserve/222b/76152?pin=1&uBRANDLINK=4&uCHANNELLINK=2
© 2020-2026 Ivy Podcast Discovery LLC
