Podcast appearances and mentions of paul rucker

"Leaving out information can be just as detrimental as a lie,” says multidisciplinary artist Paul Rucker. In a talk bookended by two cello performances, he shares photographs of the history we often omit — and introduces Cary Forward, his new museum aimed at spotlighting histories of exclusion and perseverance.

This podcast is a commentary and does not contain any copyrighted material of the reference source. We strongly recommend accessing/buying the reference source at the same time. ■Reference Source https://www.ted.com/talks/paul_rucker_how_my_mom_inspired_my_approach_to_the_cello ■Post on this topic (You can get FREE learning materials!) https://englist.me/11-academic-words-reference-from-paul-rucker-how-my-mom-inspired-my-approach-to-the-cello-ted-talk/ ■Youtube Video https://youtu.be/xB2oFN7kyzY (All Words) https://youtu.be/G8cG9ZpUIL8 (Advanced Words) https://youtu.be/4lboaExSxN0 (Quick Look) ■Top Page for Further Materials https://englist.me/ ■SNS (Please follow!)

This podcast is a commentary and does not contain any copyrighted material of the reference source. We strongly recommend accessing/buying the reference source at the same time. ■Reference Source https://www.ted.com/talks/paul_rucker_the_symbols_of_systemic_racism_and_how_to_take_away_their_power ■Post on this topic (You can get FREE learning materials!) https://englist.me/74-academic-words-reference-from-paul-rucker-the-symbols-of-systemic-racism-and-how-to-take-away-their-power-ted-talk/ ■Youtube Video https://youtu.be/YXn6lFWwK60 (All Words) https://youtu.be/tYTAG0jFrNE (Advanced Words) https://youtu.be/sd8NPrP5L5M (Quick Look) ■Top Page for Further Materials https://englist.me/ ■SNS (Please follow!)

Writer and cultural critic William Deresiewicz, author of The Death of the Artist, talks about: His motivations in writing the book, largely motivated by dispelling the myth that this (our current internet/social media era) was the greatest time ever to be an artist, as well as trying to understand how artists (not just visual, artists across all fields- writing, music, film & television) were adapting to making art and surviving in an this world; why he strongly believes that not everyone can be an artist; how and why the monopoly on taste has been broken through a more middle-brow level of connoisseurship; how we can't dispense with the gatekeeper, whether it's the curator of artists or our listening playlists; artists' relative comfort (or discomfort) with using social media, which isn't as tied to age as you would think; the wide variety of day jobs that artists do (including a list of 50 jobs/gigs that Deresiewicz compiled), and the degrees of poverty artists live with; the delicate and complex dynamic of artists walking away from being artists (which is of course very hard to document); the artist Paul Rucker (perhaps the only artist profiled in the book whom I should have heard of) who's had a wide-ranging and remarkable career; the challenge of finding and working with the ‘typical' working artist- artists whose careers were coming up but not yet well known; and what a solid work-lifestyle balance looks like for one of the artists in the book, as well as for Deresiewicz himself.

Recalling the work of Paul Rucker, from 2018 in Richmond. Years go by and structural racism keeps on haunting society, pretty much everywhere on the Planet. One question; When white people keep passively inhabiting a world of white privileges, without actively engaging in anti-racism actions, isn’t this a form of racism? His social media profiles are on cosmic show page www.cosmic.show Music track: The Last Chieftain, by Christian Scott Cosmic Dynamics is also available on Spotify & on podcast apps. Thank you for tuning in. Camille

Paul Rucker is an artist who uses his work to shed light on the truth, creating pieces that explore mass incarceration, police brutality and the continuing legacy of slavery in the United States. His career path was highly influenced by the 1992 Los Angeles riots. Rucker shares his Brief But Spectacular take on power, repeating history and the normalizing of systemic racism in America. PBS NewsHour is supported by - https://www.pbs.org/newshour/about/funders

다방면의 아티스트이자 TED 회원인 폴 루커(Paul Rucker)는 그만의 첼로 스타일을 개발하였습니다. 그는 젓가락을 줄 사이에 집어넣고, 악기를 드럼으로 사용하며, 전자기기로 반복되는 소리를 만듭니다. 매번 똑같은 바흐를 연주하는 것이 아니라, 자신의 이야기와 연주를 오가며 루커는 그가 받은 영감에 대해 얘기합니다.

O artista multidisciplinar e Bolsista TED Paul Rucker desenvolveu seu próprio estilo de violoncelo; ele coloca os pauzinhos entre suas cordas, usa o instrumento como um tambor e experimenta com eletrônicos como pedais de loop. Movendo-se entre narrativa reflexiva e performance, Rucker compartilha sua inspiração - e definitivamente não toca o mesmo velho Bach.

El artista multidisciplinar y compañero de TED Paul Rucker ha desarrollado su propio estilo de cello. Pone palillos entre sus cuerdas, usa el instrumento como un tambor y experimenta con componentes electrónicos como pedales de bucle. Moviéndose entre la narrativa reflexiva y el rendimiento, Rucker comparte su inspiración y definitivamente no toca como el antiguo Bach.

Paul Rucker, artiste pluridisciplinaire et TED Fellow, a développé son propre style de violoncelle ; il met des baguettes entre ses cordes, utilise l'instrument comme un tambour et expérimente avec l'électronique, par exemple avec sa pédale de boucle musicale (live looping). Rucker partage son inspiration en alternant la narration réfléchie et la performance... et il ne joue certainement pas ce bon vieux Bach.

Der multidisziplinäre Künstler und TED Fellow Paul Rucker hat seinen eigenen Cellostil entwickelt; er legt Essstäbchen zwischen die Saiten, nutzt das Instrument als eine Trommel und experimentiert mit Elektronik, wie dem Loop Pedal. Rucker erzählt uns von seiner Inspiration durch eine Mischung aus reflexivem Geschichtenerzählen und Performance -- und spielt definitiv nicht den üblichen Bach.

Multidisciplinary artist and TED Fellow Paul Rucker has developed his own style of cello; he puts chopsticks between his strings, uses the instrument as a drum and experiments with electronics like loop pedals. Moving between reflective storytelling and performance, Rucker shares his inspiration -- and definitely doesn't play the same old Bach.

Paul Rucker enrages some, engages others.  His tremendous art and performances are provocative and one-of-a-kind.  His recent TED Talks can be found online, he performs his ever changing shows around the world.  He is also a professor at VCUArts at Virginia Commonwealth University.  Hear this conversation with the talented musician and visual artist.  Follow Ethan Sharrett to send direct message questions.. Photos at www.instagram.com/ethansharrettofficial  FB at https://www.facebook.com/ethansharrettofficial Longer videos and more videos on YouTube, ethansharrettofficial

Multidisciplinary artist and TED Fellow Paul Rucker is unstitching the legacy of systemic racism in the United States. A collector of artifacts connected to the history of slavery -- from branding irons and shackles to postcards depicting lynchings -- Rucker couldn't find an undamaged Ku Klux Klan robe for his collection, so he began making his own. The result: striking garments in non-traditional fabrics like kente cloth, camouflage and silk that confront the normalization of systemic racism in the US. "If we as a people collectively look at these objects and realize that they are part of our history, we can find a way to where they have no more power over us," Rucker says. (This talk contains graphic images.)

O artista multidisciplinar e bolsista TED Paul Rucker está descosturando o legado de racismo sistêmico nos Estados Unidos. Colecionador de artefatos relacionados à história da escravidão - de ferros de marcar e grilhões a cartões postais retratando linchamentos - Rucker não conseguiu encontrar um robe intacto do Ku Klux Klan para a coleção dele. Então, ele começou a fabricar seu próprio robe. O resultado: peças de roupa chamativas em tecidos não tradicionais como o tecido colorido de Gana, camuflagem e seda que confrontam a normalização do racismo sistêmico nos EUA. "Se nós, enquanto sociedade, analisarmos esses objetos e percebermos que eles fazem parte de nossa história, poderemos encontrar uma maneira de não terem mais poder sobre nós", diz Rucker. (Esta palestra contém cenas fortes.)

L'artiste multidisciplinaire et TED Fellow Paul Rucker découd l'héritage du racisme systémique aux États-Unis. Collectionneur d'artefacts liés à l'histoire de l'esclavage -- des fers à marquer aux menottes en passant par les cartes postales représentant des lynchages -- Rucker n'a pas pu trouver de robe intacte du Ku Klux Klan pour sa collection, alors il a fait la sienne. Le résultat : des vêtements remarquables dans des tissus non traditionnels tels que du kente, du camouflage et de la soie qui confrontent la normalisation du racisme systémique aux États-Unis. « Si nous, en tant que peuple, collectivement, regardons ces objets et réalisons qu'ils font partie de notre histoire, nous pouvons trouver comment faire pour qu'ils n'aient plus d'emprise sur nous », dit Rucker. (Cette présentation contient des images choquantes)

Der interdisziplinäre Künstler und TED-Fellow Paul Rucker entblößt das Vermächtnis des systemischen Rassismus der USA. Als Sammler von Gegenständen aus der Geschichte der Sklaverei -- von Brandeisen und Handschellen bis hin zu Postkarten, die Lynchmorde zeigen -- konnte Rucker jedoch keine unbeschädigte Ku-Klux-Klan-Robe für seine Sammlung finden und begann daher, sie selbst herzustellen. Das Resultat: auffällige Gewänder aus sonst unüblichen Stoffen wie Kente, Tarnstoff oder Seide, die das Normalwerden des systemischen Rassismus in den USA kritisch anmahnen. "Wenn wir gemeinsam als Nation diese Objekte betrachten und sie als Teil unserer Geschichte verstehen, finden wir einen Weg, wie sie ihre Macht über uns verlieren", so Rucker. (Hinweis: Dieser Vortrag enthält verstörendes Bildmaterial.)

여러 분야에 걸친 예술가이자 TED 펠로우인 Paul Rucker는 미국 내 구조적 인종차별주의가 남긴 유산들을 파헤칩니다. 쇠로 된 낙인 도구, 족쇄 그리고 공개 처형 모습을 담은 그림 엽서까지 노예제도와 관련된 공예품을 수집하였지만 KKK단 활동 의상만은 제대로 된 것을 구할 수 없었던 그는 직접 의상을 제작하기로 합니다. 그 결과 켄트와 위장무늬, 실크등을 사용하여 그동안 보지 못했던 놀라운 의상들을 만들어 내고, 미국 내 만연한 구조적 인종차별주의에 정면으로 맞섭니다. "우리 모두가 한마음으로 이 물건들을 바라 보고 역사의 한 부분으로 인식한다면, 이 물건들은 힘을 잃어갈 것입니다." 라고 Paul은 말합니다. (이 강연은 노골적인 장면은 포함하고 있습니다.)

El artista multidisciplinario y miembro destacado de TED Raul Rucker deconstruye el legado del racismo sistémico en Estados Unidos. Coleccionista de objetos relacionados con la historia del racismo, desde hierros de marcar hasta grilletes y postales que muestran linchamientos, Rucker no conseguía una túnica del Ku Klux Klan en buen estado para su colección, así que decidió fabricar una. El resultado son prendas creadas con géneros poco tradicionales, como el tejido kente, telas de camuflaje y seda, que desafían la normalización del racismo sistémico en Estados Unidos. "Si nosotros como sociedad analizamos estos objetos y aceptamos que son parte de nuestra historia, entonces lograremos evitar que su poder nos afecte", nos dice Rucker. (Esta charla contiene imágenes que pueden herir la susceptibilidad del espectador)

Episode no.6 of the Doris Day Or Die Podcast, an experimental, free improvisation, noise and new music podcast.  This episode sees my jibber-jabbin' solo and playing tracks without The Owlman, who's on vacation currently somewhere in Spokane, WA. We hope he's having a good time there. Music and sounds:"Maybe It's Just Broken" - Andrew Tomasello"Live at Gallery 1412" -WRTCH"June 29th, 2016" - Greg Kelley, Wilson Shook, Andrew Scott Young"Live at Yerba Buena Center for the Arts" - Paul Rucker"Unstable Structure" - VAVABONDSubscribe, rate and review to Doris Day Or Die on iTunes!Listen on FeedburnerDoris Day Or Die on Facebook. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 14.0px; font: 12.0px Helvetica; color: #4a4f56; background-color: #f1f0f0} p.p2 {margin: 0.0px 0.0px 0.0px 0.0px; line-height: 15.0px; font: 13.0px Arial; color: #323333; -webkit-text-stroke: #323333} span.s1 {font-kerning: none} p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 12.0px Helvetica}

Musican and visual artist Paul Rucker and Jess sit down to talk about his on-going project on slavery and its relationship to current American issues about race and equality

Navigating the logistics of exhibiting artwork with a gallery or museum can be daunting. How do you choose a gallery or museum that might show your work? What’s the best way to propose your project? Once you’ve found an institutional partner, how do you talk about things like money, promotion, labor and other kinds of support? Should you even bother engaging with the market or commercial art scene? At Creative Capital's Artist Retreat in July, we convened a focus session to explore this topic. This session was an open roundtable discussion facilitated by Stuart Horodner, Artistic Director at Atlanta Contemporary Art Center, with Lisa Sigal (2012 Visual Arts grantee); Meg Malloy, a director at the contemporary art gallery Sikkema Jenkins & Co; and Paul Rucker (2012 Visual Arts grantee). We recorded the conversation so that we could share it as a podcast with our larger network. (A note about the recording: There was some ambient noise in the classroom where this conversation took place, so the quality of this podcast is not the best!)

Sunday, July 18th, 2010 8:00 PM live @ Woodland Park Zoo, Seattle | Curated by Nathan Marion, Podcast produced by Joshua Sherman and Jonas G. www.theround.org or http://www.fremontabbey.org | Not to be sold or distributed in any way.

Sunday, July 18th, 2010 8:00 PM live @ Woodland Park Zoo, Seattle | Curated by Nathan Marion, Podcast produced by Joshua Sherman and Jonas G. www.theround.org or http://www.fremontabbey.org | Not to be sold or distributed in any way.

Sunday, July 18th, 2010 8:00 PM live @ Woodland Park Zoo, Seattle | Curated by Nathan Marion, Podcast produced by Joshua Sherman and Jonas G. www.theround.org or http://www.fremontabbey.org | Not to be sold or distributed in any way.