Podcasts about Highland

Coach Guzman and KB are BACK and kick things off breaking down the tough 20-17 loss to Highland and going into deeper analysis since there was no formal broadcast of the game. The duo breakdown some key points in the game and why certain decisions were made. KB awards the week's Homegrown Players and then they dive into a preview of the upcoming Homecoming matchup against Cherry Hill West, KB lobs an idea for throwback uniforms, and gear up for the pomp and circumstance of Homecoming! Support our partners! Allen Associates: Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠allenassoc.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to learn more and access their services or call 856-692-2250! The City of Vineland: Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.vinelandcity.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and stay connected with the community and learn about important announcements, programs, and services offered by the city! Vineland, New Jersey... Where It's Always Growing Season! Family Medical Equipment: As a full home medical equipment company, Family Medical Equipment offers specialty equipment for Pediatrics through Geriatrics. Since 2001, Family Medical Equipment has been a trusted service throughout New Jersey, Pennsylvania, and Delaware for essential healthcare needs. Visit their Vineland retail shop at 106 W Landis Ave Unit 10 or visit their website, ⁠⁠⁠⁠⁠⁠⁠https://www.familymedicalequipment.net/⁠⁠⁠⁠⁠⁠⁠ and experience the difference that a family business provides. Follow us! Twitter: Vineland Football: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@VinelandFB⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Underground Sports Philadelphia: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UndergroundPHI⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: Vineland Football: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@vineland_football⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Underground Sports Philadelphia: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@undergroundphi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@UndergroundSportsPhiladelphia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Intro Music: Arkells "⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Relentless⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠" Outro Music: Arkells "⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Relentless⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠" #subscribe #football #Vineland #HighSchoolFootball #fyp #Week8 #CherryHillWest #GuzmansGridiron #podcastcharts

What an episode we have for you this week! Former Elgin, Leicester, Everton, Besiktas and Scotland midfielder Ian Wilson talked to us this week about his fantastic career in the game which culminated in playing for his country against the likes of Brazil and England. The former Leicester captain recalled some great memories from his time in the game which featured early days in Scotland and eventually led to playing the game at the highest level! Beating a Liverpool side who were unbeaten at home for 3 years, winning league titles in Türkiye and cutting his cloth in the Highland league are some of the fantastic stories from this episode, this isn't an episode you want to miss!

This week, our Groups Minister Josh Duinker continued our Desert Rose sermon series with a message from Psalm 25. Through this passage, we're reminded that loneliness is real, but Jesus has the final word. Even in the desert places, God calls us to depend on Him, to wait on Him, and to trust that He can bring life and light where there once was darkness.

This week the guys sit down with good friend Cane Sampson. Johnny and his wife have known Cane for several years. He and his wife own a very successful photography business and that's how we met. Being friends with Cane for so long and the stories we shared I knew he had a helluva back story that people would love. After realizing that cane had reached out to me on my old fakebook account I contacted him immediately and here we are! We had an absolute blast with this Podcast, Cane Talks his early memories traveling from Jersey to Virginia and how he ended up taking residence in beautiful Highland county Va. and meeting his wife Lauren. Cane talks about doing his homework on his deer and his own invention The Sure Shot Grip! we hope you all enjoy the episode as much as we did recording it! As always Thanks for tuning in!

Ten years, 50,000+ copies, four languages, and about a million stories later… the second edition of Mastering Portrait Photography is here. Sarah flips the mic and grills me about why we did a new edition, what changed (spoiler: basically everything but one image), how mirrorless and AI have shifted the craft, and why a tiny chapter on staying creative might be the most important two pages I've ever written. There's a Westie called Dodi, a cover star called Dory, and a street scene in La Boca that still makes me grin. Enjoy! Links: Signed Copy of Mastering Portrait Photography, New Edition - https://masteringportraitphotography.com/resource/signed-copy-mastering-portrait-photography-new-edition/   Transcript: Sarah: So welcome back to the Mastering Portrait Photography podcast and today's a special one. Hi, I'm Sarah, and I'm the business partner of Paul at Paulwilkinsonphotography.co.uk and also his wife too. Now, you might already know him as the voice behind this podcast, but today I'm gonna get the rare pleasure of turning the microphone around and asking him the questions. So Paul, it's been 10 years since the first edition of mastering portrait photography hit the shelves, and with selling over 50,000 copies, multiple reprints and translation into four languages, it's safe to say it's had a bit of an impact, but as we all know, photography doesn't stand still and neither do you. So today we're diving into the brand new second edition. So Hello Paul. Paul: Hello. It feels weird saying hello to my wife in a way that makes it sound like we've only just met. Sarah: Mm. Maybe, maybe. Paul: The ships that pass in the night. Sarah: Yes. So I thought we'd start with talking about the, the first version. You know, how did it come about? A bit of the origin story about it. Um, and I'll leave that with you. Paul: Well, of course Confusingly, it's co-authored with another Sarah, um, another photographer. And the photographer and brilliant writer called Sarah Plater, and she approached us actually, it wasn't my instigation, it was Sarah's, and she had written another book with another photographer on the Foundations of Photography. Very popular book. But she wanted to progress and had been approached by the publisher to create Mastering Portrait Photography. This thing that we now have become used to didn't exist 10 years ago, and when she approached us, it was because she needed someone who could demonstrate photographic techniques that would live up to the title, mastering portrait photography. And we were lucky enough to be that photographer. And so that first book was really a, a sort of trial and error process of Sarah sitting and interviewing me over and over and over and over and over, and talking about the techniques that photographers use in portraiture. Some of it very sort of over the sort of cursory look, some of it in depth, deep dives, but all of it focusing on how to get the very best out of your camera, your techniques, and the people in front of you. And that's how it came about. I mean, little did I know 10 years ago we'd be sitting here where we are with Mastering Portrait Photography as a brand in and of itself.This is the Mastering Portrait Photography Podcast Yes, because the book sold so well. Sarah: And did you expect it to do as well as it Paul : Oh, I'm a typical photographer, so, no, of course I didn't, you know, I kind of shrugged and thought it'd be all right. Um, and, and in some ways, because you have to boil it down into, I think there's a 176 pictures or there, there were in the first book or somewhere around there, a couple of hundred pages. There's this sense that there's no way you can describe everything you do in that short amount of space. And so instead of, and I think this is true of all creatives, instead of looking what we achieve. We look at the things we haven't done. And I talk about this on the podcast regularly, the insecurity, you know, how to, how to think like a scientist. That's something that will come up later when we talk about the new version of the book. But no, I, I thought it would be reasonably well accepted. I thought it was a beautiful book. I thought Sarah's words were brilliant. I thought she'd captured the, the processes that I was talking about in a way that clarified them because I'm not known for my clarity of thought. You know, you know, I am who I am, I'm a creative, um, and actually what happened was the minute it was launched, the feedback we got has been amazing. And of course then it's gone on to be translated into Italian. A couple of different Italian versions for National Geographic. It's been translated into Korean, it's been translated into German, it's been translated into Chinese. Um, and of course, technically it's been translated into American English. And, and one of the reviews that made me laugh, we've got amazing reviews on Amazon, but there is one that kind of made me laugh, but also upset me slightly, is that both Sarah and myself are British authors. Using English uk, UK English, but for the international market right from the get go the book was using American spellings, Sarah: right? Paul : We didn't know that was what was gonna happen. We provided everything in UK English and of course it went out in with American English as its base language. Its originating language. Um, and that's one of the biggest criticisms we Sarah: got. Paul - Studio Rode Broadcaster V4 (new AI): And when that's the criticism you're getting that people are a bit fed up that it's in American English and apologies to my US friends, of which I have many. Um, it was the only one that really. I don't like that. So I thought, well, it must be all right. And so for 10 years it's been selling really well. book. I never knew it'd be in different languages. Um, it was in the original contract that if the publisher wanted to do that, they could. And really, I only found out it was an Italian when I started getting messages in Italian from people who'd bought the book in Italy. And then of course, we found out. So it's been a remarkable journey and. I don't think I've been as proud of something we've done as I have of the book. I mean, me and you spent hours pouring over pictures and talking about stories. Sarah had to then listen to me. Sarah: Yes. Paul: Mono, sort of giving these sort of diatribes on techniques and things we do. Um, you know, and I think, I think it's a remark. I, well, I still think it's a remarkable achievement. I'm really proud of it. Sarah: Yes. Did, did you think the second edition would, would happen or, um, or how did it come about? Paul: No, not really. Because if you remember, we did a sort of interim update, which was just off the ISBN, so the same ISBN, same book number, but we'd been asked if there was anything that needed tweaking minor word changes, those kinds of things. And I assumed not really being, you know, that time experienced with this stuff is that was. Was a second edition, it was basically a reprint. So I sort of assumed that was the end of it. And then, um, we were contacted the end of last year, um, to say that with the success of the book over the past decade, would we consider, uh, refreshing it properly refreshing it, a new updated edition because of course there's lots of things that change over time. Um. And it's, it was worth having another look at it. So no, I didn't expect it, but it was an absolute joy when the email came in It must have been. It's, it's one of those things that's so lovely when other people appreciate it and know that, um, it would be really good to have a, have another go at it and, uh, see what's changed. Sarah: So it kind of brings me onto what, what have you changed in it? What's, what are the new, the new bits that are in the second edition? Or was it even that from the first edition? You, you knew that there were things you'd love to include? Paul: Well, in a decade, so much changes. I. The equipment is the most obvious. You know, there's a chapter at the beginning on Kit, so you know, one of these dilemmas with books. I think again, we took advice from the publisher as to what do you include in a book? And the publisher were really keen and have stayed really keen that there's a chapter on the kit at the beginning. Um, and apparently that just helps a very particular part of the market sell. So that's fair enough. No problem with that. It's quite fun talking about technology. I don't mind it. Um, but of course that technology's evolved, so we had to update all of that to reflect the fact that 10 years ago we were just beginning to talk about the advent of mirrorless cameras, but they were nowhere near the quality of a digital SLR, for instance. Well, now mirrorless is the professional choice. Everything has gone mirrorless because it's got fewer moving parts. The sensors have increased in, um, sensitivity to focusing, you know, there's a million reasons why that's happened. So of course we've updated all of the technology. I think more importantly, certainly from my point of view is in those 10 intervening years, I've changed every picture. Our clients, the techniques, the. Post-production, the thought processes, um, even down to the fact that with mirrorless cameras, you can actually shoot in a slightly different way. I mean, I'm a traditionalist in many ways. I grew up with a film camera. Yes. So, you know, metering either using a meter or very careful control. Because your dynamic range is pretty limited. Um, maybe the fact that you would focus on a point and then wait for whatever it is that's moving through it, to move through it and take your, take your picture. Um, these were the kind of techniques, you know, lock your focus repose when I started, even even A-D-S-L-R, you know, I'll give you a really good example on how the technology has helped, though. It's not actually part of this book, but it's a, it's a really good illustrative point. Um, technology isn't the be all and end all of photography. What goes on in your head is what matters, but the technology is the enabler. And I work with the hearing dogs every week. We photograph running dogs all the time and with the DSLRs I was using, it would just take four goes, maybe five goes to get that perfect moment where the dog is spot perfect in focus. It's airborne, its paws are off the floor. Everything about it is absolutely right. Four or five goes, you know, because I'm shooting at maybe 10 frames a second. The focusing is more or less keeping up because of course, every time you take a picture, the mirror slaps up and the focusing then has to predict where the dog might have ended up. It's not doing, it's not tracking it at that point, and then you move to mirrorless. Um, and the Z9 that I use now, the Nikon is an unbelievable piece of kit. It locks onto the dog. I can shoot at 20 frames a second. Um, and one of those shots is invariably the shot I'm looking for. And, and that sounds like I'm cheating in some ways, but when you are a professional photographer, your job is to do the very best for your client. And so instead of spending an inordinate, inordinate amount, it's not easy for me to say a very long time. Um. You know, trying to get the right shot. Now I can do it very quickly and move on to another shot so we can provide a wider variety to our clients. And that's true with running children too. Yes. So the technology has changed and the techniques have changed with it. Um, now you're seeing on the back of your camera or through the viewfinder exactly the image. Not a facsimile of it, not a mirror. Prism view of it, you're seeing precisely what you're gonna capture. Um, and that gives you a huge amount of confidence in the shot and a huge amount of control too. You can really fine tune exactly how you want the exposure to be. For instance, you know, you don't have to worry about, is that right? Let's must check the histogram afterwards. You can check the histogram, live in the viewfinder and all these little bits, just make your job different. They, you connect with the shot in a different way. You connect with a client in a different way, and that's the tech side. But I've also, you know, I, in 10 years, I'm 10 years older. You know, in some ways I'm 10 years faster. In other ways, I'm 10 years slower. You know, the cameras are quicker, my shots are quicker, my knees are slower. Um, and it's a different perspective on life. I also teach a lot. The podcast, the book itself, the first edition of the book, led us to the podcast and the website where we run workshops and everything else. So all of this cumulative knowledge, when you look back at the old book, and while I'm still massively proud of it, the new edition was a wonderful opportunity to sit down and say, what would I like, how would I like to be represented this time? Yes, and it's a much more grown up approach, I think. I mean, I, I wasn't a kid back then, but this time around because the book was successful, instead of providing 10 pictures for every slot, I provided the picture I want, in that slot. Right? And so the book is much closer to how I would like it to be as a photographer. Every picture. Now, I could tell you a story about every single picture, every single client, and having the luxury of success on the first version gave me the luxury of being able to do more of what I wanted in this version. This is much more reflective, I think. Of me personally. Yes. And so I've, I've loved it. It's absolutely, it's such a, a lovely process to go through. Sarah: So how many pictures have been changed between the two versions? Paul: All bar one. Sarah: bar one. How intriguing. So will you tell us what the one is, or is that Paul: can, you can go and find that out for yourself. Yeah, so there's one single image that hasn't been changed. There's single image that hasn't been but every other image has has changed from the first edition. Uh, just a caveat to that, of course, some of the kit pictures, uh, 'cause they were generic, they've stayed the same. But every portrait, Wow. every single portrait except for one, has been changed. Sarah: And how did you go about choosing those pictures? 'cause I can imagine, you know, if you're starting effectively with a blank canvas for where the images have gotta go, uh, how on earth did you do that Paul: Um, slowly the publisher will tell you, uh. The thing to you have to remember though, is that this is an updated edition. Yes. And that was the contract. It was not a complete start again. So, although I had the opportunity to change every picture, every picture had to fit into an almost identical space because they weren't gonna redesign it. Right. It's updated edition and we have to be clear about that. So part of the puzzle was not just, which pictures do I want to illustrate, which point. It was, which pictures in the same shape previous do I want to illustrate? I mean, there's some wiggle room in there, but the designers did not want to do a full redesign. That was not what we were contracted for. Um, obviously the words were being updated too. And both Sarah and myself, um, I mean, since the first book I now write for magazines and online articles and things all the time, I write for all sorts of photography stuff. Um, and so actually both Sarah and myself wrote words this time round. Um, but nonetheless, we couldn't change too much. We could bring it up to date, but there, there were still bits that, you know, if I was being truly honest, there are things that I think in the past 10 years have become less relevant. And things, it would've been nice to have put some different stuff in, but that again, this is an updated edition, um, not a complete from the ground up rewrite. So actually I sat down and I looked at all of the, um, chapters and the words that we'd written in the first edition and thought about what we were trying to illustrate and went back to sort of basics really, and where I already had pictures in the portfolio. Um, we used pictures of great clients, interesting light, interesting locations, interesting techniques where there are certain things where, I'm not sure, the first time round, um, the illustrations of them were as good as I, as strong as I would've liked. I shot them again here in the studio, so things like the lighting pattern. You know, I have, I've talked about them for 10 years, these lighting patterns. So it was a really nice chance to sit Katie, who works for us in the studio, uh, to sit Katie in front of the camera and say, right, this is what we're gonna do. And I worked every lighting pattern and redrew every diagram to make that absolutely on point, which I think the first time round, while they are very, very good. They're not what I would've liked them to be this time round. So there was that side of it too. And then of course, and I'm sure you're gonna come onto it, there's a couple of, well, there's a new chapter in there which did give us a chance to explore something a little bit different. Um, so yeah, it was just a long process of finding pictures that if I'm gonna put my name to it, are the ones that I would like. Yes. And it's not always the best picture. It's not always the competition winners. they're in there. They are in there. Of course they're in there. Um, but I think this time round, um, I really enjoyed reminiscing. I think some of the pictures in there, they're all beautiful pictures, don't get me wrong. But some of the people I picked to be in them are people because actually that was a moment that I will remember for the rest of my life for all sorts of reasons. And I think the, the strongest example of that is our cover shot is Dory now. The story of Dory. That sounds really weird. The story of Dory? photo. Dory. Story of photograph. Oh yeah, my you met Dory? Or should we go with I dunno if the story of Dory that's like, sounds like a children's book. That'd be a great chance to write a children's book. So Sarah and I were having dinner. Dory was working in the restaurant that, uh, we are having dinner in. Um, I laughed to Sarah and said, I think, um, Dory would photograph beautifully. Sarah said, we'll, go and ask her. And I asked her and she said, no. She absolutely said no, categorically. And I said, okay. Then I wrote our email address, sorry, I wrote our web address. Uh, on the back of a, of a napkin and handed it to her. I said, look, you know, if you're not interested, that's fine, but have a look at my work. Um, and this was after the first edition of mastering portrait photography, and my idea was for Dorie to come to the studio and we'd film some stuff where we photographed her and use it for information, stuff for people who read the book and maybe create some YouTube videos and things. Um, anyway, at four o'clock in the morning, got an email back from Dory saying, actually, I've just looked at your work. Yes, please. And Dory has gone on to be someone we've worked with fairly regularly. Um, mostly, um, because she's just the nicest person in the world, but also she's supremely photogenic and you bring those two things together and they're the kind of people I love to work with. I love to celebrate. Photography with, so her picture, one of those pictures I shot in that session is the cover shot in the book and she features later on as well. 'cause she's come back with her husband and her kids and it's just a delight. And then there, you know, there are people from all over the world. Um, and so there's a lot of memories in there for both me and for you I Yes, Um, and it was, uh, just a pleasure to go through it. Oh, and the other thing is every single shot is shot since we published the first edition. So I did limit us to the past 10 everything is limited to what, what you've captured in the last 10 years? Yeah. Yes. Because figured that, um, if you're gonna do an updated edition, then, although there were pictures in the first version of the book, I would've loved to have had in there that never made it. Why don't we start from that point and move forwards? Other than the one Other than other than the one other than, one Sarah: so you've, you've talked a little bit about how you've changed and that's been reflected in the book. You've talked a little bit about how the technology has changed, but probably one of the biggest changes has been post-production, um, the introduction of, of ai. So is that reflected in the book, Paul: Yeah, of course it is. Um, the post-production chapter, um, I mean, the thing with post-production is that's a volume of books in and of itself. Uh, we put it into the book Sarah and myself, because I think it was important to note that an image isn't generally finished in camera. It's finished when it's finished. And this is true for film, by the way. This is not news, you know? Um, and it's for as long as film has been shot, transparency's and negatives. People have been doing a certain amount of post-production on them afterwards in their development tanks. Um, or whether they're doing hand toning or something is', this isn't new for me. I think you're about halfway there. Now, the second half might be a very short half, but it's almost certainly gonna evolve, at the very least, um, brightening controlling your tones and cropping. Okay. Maybe a bit of sharpening if that's your thing. So we put that chapter in just to make the point that there is a finishing stage. That was 10 years ago. In those 10 years, everything has changed. Yes. Yes. You know, even if I just kept it to the Photoshopping that we had in the first edition, all of that is different. I. And of course AI has now arrived. Um, I mean, it's a precocious child of a technology at the moment, but it's growing up really very fast and it's gonna affect us in every single element of us as creatives of, of us as business owners. There's, there's no part of our work. Even. Even the people that say I don't believe in AI are using cameras that have AI in them. You know, there's no way of escaping it. It's here with us and you can fight it if you want. And there are bits of it that I'm not that comfortable with. Certainly some of the training, the way they did it on images, without any acknowledgement of copywriting things, it's problematic. But in the end, it's here, it's now, and if you don't embrace it, the people who are in your market as a professional competing with you. Are embracing it so there's no getting around it. So yeah, there's a part of our post-production now talks about specifically EVOTO.AI, which is the app that we use. There's others as well re Bloom and a few others that do a very similar thing. Um, and we've put it in there. Again, not as this is what AI does, but for make, to make people aware that AI is now part of the puzzle. Use it, don't use it. And that's completely your choice. The same as it is with Photoshop. But it's a good place to just remind people. That this is the direction of travel for a good chunk of the industry. So yeah, we've changed that quite a lot. Sarah: And a section at the end. Is it Paul: my favorite section? Yes. this Sarah: a, this was a request from you to add this in. Paul: Yes, yes. Um, there's a, one of the things with doing this as a job, and it's not just a risk, it really does happen, is you find yourself. Sort of burnt out isn't the right word for it, really, or the right phrase for it. But you find yourself same old, same old, same old. You get good at stuff, you get known for stuff. People ask you to do that stuff. You do more of it. You, you're still good at it, but eventually you start to find yourself just a little bit flat. Um, and it happens all the time. And so I put a chapter and I asked the publishers if we could wiggle some stuff around and make some space to put one specific chapter in. It's not a long chapter, but to me it might be the most important chapter in there. It's about staying creative. It's just little techniques, little ideas for staying on top of your game, thinking of new things, being a creative. And, and being a creative is something you have to work at. You can't just, you don't just invent ideas. You have to be open to seeing things and thinking things and trying things, experimenting, working with different people, having mentoring. These are all the facets that I wanted to just in a very short chapter, 'cause we could only squeeze in a couple of pages. But it's the chapter that I think I am the most proud of Sarah: Yes. And knowing you as well as I do, you know, it's part of my challenge in the business is making sure that you keep motivated and keep being creative. So I, I know how important it's, and how we have to put shoots in the diary and, and do things that are just for you, for no other reason. Just than just to let you play. So I, I can see how important that is. Paul: Yeah. I'm, I'm aware of just how much cotton wool you wrap me in and I can feel it building as well. I always know when I'm not firing on all cylinders, because you start to sort of wrap cotton wool around me and start to think about putting it in other things that we need to do, or just a break to get away for a week. You know, there's those things. It's really hard. It's hard being a creative, as in it's hard to be a creative a hundred percent of the time, and b, creative a hundred percent of the time. The, the, you know, being called a creative is one thing, but actually being creative is a process of invention and experimenting and doing things that you haven't done before. That's the point of being creative. Um, and so, yeah, I'm always aware when I'm clearly starting to feel a bit frazzled because I can feel you starting to. Talk about doing other things. Sarah: So what I didn't realize is what you said earlier, that the, all the images have all been taken since the last book. Um, and they're from clients we've had all around the world as well. So I wondered if it would be. Nice to pull out a couple of our favorite images. Um, I sort of going on from your comments about staying creative. One that jumps out to me is when, um, Vivian and Dody came to the studio and, you know, this was a, a lady who came in with her West Highland tert. So Westy Westy, it's a white west. Highland, ter. And, um, we did some beautiful shots indoors, outdoors, um, having lots of fun. And then you built this, uh, amazing scene, um, which is including in the, included in the posing chapter. Do you wanna just explain and tell me a little bit about that one? Yeah. Um. Paul: Um, you know, Dodie, sorry. Vivian had emailed Dodie didn't email, obviously Doty's Do's dog, Vivian Vivian emailed to say she wanted a shoot with her dog. And I kind of, I say I distinctly remember the email. I remember what she said in the email, which is that she couldn't find another photographer who photographed the owner with their dog. Now, I dunno how hard Vivian looked. I'm not, I'm sure there's a lot of photographers listening to this that photograph dogs with their owners and I judge a lot now as a, as a judge and as a coach. So I know it to. Out there. But anyway, she landed on us and I'm thrilled that she did Vivian and, uh, Dodie turned at the studio. And Vivian is just beautiful. She's elegant. She has a real sort of gentle way about her, uh, and this beautiful little West Highland ter, which was for the first 10 minutes, I have to be honest in now. Backstory, my Nan had repeatedly West Highland Terriers. My Nan repeatedly did not train her. Westie, my Nan's dogs repeatedly bit us all of us as kids, as teenagers, as adults. Even my dad would like shut the door and run because this dog would go for him. And so when she turned up with this little Westie, I must admit I backed away. However, Dodi, just like Vivian, was gentle and calm and just followed her around and, and he would sit. In the studio just looking at her while we worked, if it was shots for her on her own. And then when she scooped him up or we tried to do something with him, he was so patient and so well behaved. So I've got this incredible client who wants to do these shots, and at the end of the shoot sometimes the greatest privilege you get is to say to someone, how long have you got? And if they've got a little bit more time. What you can do is say, would you mind just trying a few bits with us? So we cleaned the studio out. It's a white, the, the dog was a white dog. Vivian had a light colored outfit and this kind of fair, and she was just, it. It struck me that we could do something interesting with the white walls of the studio, the white floor of the studio, the white posing blocks that I've had probably for 20 years here. And so I did a couple of things and we, we shot some different combinations and then in the post-production STA stage, I built a model of our studio in 3D in blender, it with blocks exactly the same. And then I can create almost any scene I wanted around this shot that's right in the middle of Dodi looking up at Vivian. Um, and it was one of those shoots that, I mean, every shoot in here, there's a story similar to this where I could tell you it's a shoot I'll remember forever. Um, and it was, and it was just a, a real luxury and, and just, you know, I dunno if Vivian listens to the podcast, but hello. Um, and Vivian's also very kindly sourced books from China for us. Yeah. yes. It's hard to get hold of some of these things when you are not in country. So we're still in touch with her very much. He's a lovely client. Another one that, um, oh, actually there's quite a few in the book from where we work as master photographers with Crystal cruises and so, um. Sarah: We've got this lovely line where we talk about the book, where is it From Venice to Vietnam and Haddenham to Hawaii. Yeah. But, uh, one of my favorite shoots that's included is Christine, when we were in Brena Aires, and actually this is from this year when we were in South America and there's quite a few people that we borrowed on the ship to get some pictures. And also what a lovely opportunity. I think it's in locations. Um. Where there is it and where was it? It was in Le Bocca. Wasn't Itca Le Bocca with Christine? Do you Well, a little bit about that one? What's Paul: It has been a, a real luxury for us in the intervening 10 years. So a lot happened in 20 14, 20 15. And one of the things that happened around the time of the book was they were asked to work with Crystal Cruises, a company that provided the photography to them. Interviewed myself and Sarah. Sorry, us too. It's weird talking, made a third person and giving it right here. Um, interviewed us as a team and ever since then we've been traveling the world with them grading high-end portraits for these beautiful international clients. Um, and this time round the deadline. Not the instigation, but the deadline for the book came up while we were working for about seven weeks around South America on the cruise. So I already had earmarked images from previous cruises, previous visits to different places. But when I was on the ship, there were a couple of people, um, that really leapt out just. Ship. And one of the great luxuries when you have something like a book or you like you've become well known as a photographer, is you can say to people, would you mind stepping in to allow us to take some photographs? So there's a couple of people from the crew where you have to get permission to work with the crew. Um, there's, um. Uh, Barbara is one of the team on there. Uh, say Hi is one of the people on there, um, who were crew members that we just loved the way they were with us. They made our lives wonderful. And so we photographed them specifically to put them in the book. Um, and then there's a client of ours, which is the one you've alluded to, which is Christine Now. We met Christine at the end of another shoot, and this is. Um, I mean, remember this is still the Mastering Portrait Photography podcast, and so it's always worth remembering some of the things that you can do as photographers. This is not just an interview about me in a book, but here's some ideas for you that work. So on the ship, we had just done a shoot, an amazing shoot, and a lady who was in that shoot was showing her images round the bar to all of her friends on our iPad. Now we were drinking, we were sat and we were sat next to this lovely lady who was very quiet and we'd said hello and had a quick chitchat, but not majorly a long conversation. When our client handed us back the iPad, Christine, who was the lady who was sitting with us, said, do you mind if I have a look? And I said, yeah, of course. It'd be my pleasure. You know? So she had a look and she said, would you be willing to do that for me? And I said, well, of course we would, you know, this is what we're here for. Um, and so we arranged to do a couple of different bits. A couple of it is actually two different shoots, but we did a site visit to Le Baca, this area in Buenos Aires. Is that right? Yes. Bueno Aires. Was it? No. Yes. Yes, it was. Bueno Argentina. Yeah. Thank you. Are confused. So we, we did a couple of visits to this place in, uh, bueno Aires Laca to go and check it out for different locations. Uh, myself and you and Keith, who's our client, strictly speaking, who runs the, the photo. Um, company found all these locations and went the following day with Christine to go and explore this really beautiful, touristy area of leer. It's very characterful, it's very hot. Um, very intense actually. There's a lot going on and you do have to have your head on a swivel. Yes. it's quite notorious for pickpockets and thefts and so you do have to be careful. So, Sarah, I mean you, sorry, this is really weird. So I'm used those to talking on my own. So you and me, we were working as a team with Keith. Christine was not. Christine was stealing sausages from barbecue places and running them down alleyways that probably she shouldn't have been. Christine everywhere, but really where we wanted her to be, which was safe and in our site. Um, and if you remember, we kind of, um, we went round a corner. In fact, we were just heading back to the car. We, so Christina had arranged the driver and we'd gone round the corner, haven't we? And we were in this little street. And I just, I looked over the top of the cars to the street shops, the shop fronts on the other side of the road and thought that would make a great picture because the color of Christine's dress, the color of these shops, the whole scene would just be something interesting. But I'm shooting across the road through cars. Um, we've got Keith on the other side of the road with her. You are on the side of the road with me. Both of us trying to keep eyes everywhere 'cause we've now stepped out of the touristy bit. We are now in an area where, strictly speaking, you shouldn't be hanging around with a 10,000 pound camera. Yes. Um, so I dragged the shutter. I got, I got everything else. I wanted it and dragged the shutter in a gap between the cars as somebody walked past. And I have this shot of Christine killing herself, laughing, looking at the camera. Um. With somebody walking past and it has this real vibe of a street shot, a candid shot. It's not, it's been staged, but it's one of my favorite shots in the book because it's, to me, every time I look at it, and this is true of your clients too, and when you're listening, the photographers are listening to this. Remember this every picture, if you've created an experience around it, that picture. We'll hold memories for that client of yours. And it's true for me too. This experience was amazing. We're still in touch with Christine. She's desperate for us to go out and visit her in Texas. Um, but it was such a privilege, such a pleasure. So much laughter and that every time I open that page in the book, that's what it takes me it. I I'm with I love the colors, I love everything about it. And it's nice that it's such a lovely story too. crazy story. Sarah: So who do you think the book is for? Who do you think we'd pick it up and find useful? Paul: Well, I'm hoping another 50,000 people will be. I've, I don't, I don't have total control over that. Um. It's really this, I think there's something for almost any portrait interested photographer in there. Um, if you are already a pro, you're probably not gonna pay a lot of attention to the kit chapter at the beginning. That won't be your shtick. Um, but there will be stuff on posing and interactions and some of the post-production might be of interest. Um, if you are ready. You know, a supremely experienced photographer, you might like it simply 'cause the pictures are really beautiful. I still buy photo books because I will pick them up, look at the pictures and think, do you know what? I'm gonna use that idea. I'm gonna meld that into something else I'm doing because I like, I love seeing. Great photographs. If you are truly a beginner, there's enough in there to get you going. And some of the techniques are a little bit further out there, but mostly it builds on this idea that you have a camera, you have a client, you have your subject, and you're gonna create an experience. And then from that experience, great pictures. So I think it's broader than possibly the mastering portrait photography title gives it. Um, but it covers a little bit of all bases. And it certainly has enough in there to say, actually there's, there's stuff in there that if you do this, it really is quite, um, sophisticated. Yes. Do you, we don't know at this stage in terms of whether it'll be translated into other languages that that usually comes a year after, doesn't it? After the, you last time, say. It was only when I started getting emails in Italian. Yes. Um, that I noticed what happened. And we didn't know if you remember that it was in Chinese and Korean no. we started to put the marketing together for this book. Yes. And we asked the publisher AB, in absolute terms, how many copies have you sold? Yes. And they back with different language versions that we never knew about. Yeah. So, you know. Been been a, a journey of discovery, a journey. a journey. Yes. So, yeah, who knows? I, I really hope they do, uh, create some, uh, different language versions of it. 'cause there's nothing quite like seeing your work in Italian, Yes. So, And, and Chinese, I think that's the one I find the, the most intriguing. Sarah: So the book is officially launched next Tuesday, I believe. Is the 28th. The 28th. Um, so what, what's on the horizon next is what, what are you gonna be doing with the book and knows? Um, I mean, obviously the first thing we've gotta do is get through the launch of the book. Yes. Um, which is exciting. And obviously us two have been walking the studio trying to figure out how to tidy the whole place up. 'cause we haven't done a full on party probably since the last book. No. Or thereabouts. So we've we're inviting. Everybody who's featured in the book Yeah. Um, to a, a launch at the weekend. Yeah. Um, and we are refreshing all of the pictures in the studio, uh, to reflect the pictures that are in the book as well. And it's just, it'll be such a lovely thing to do and it's, I can't wait to see everything when it's up. Yeah. So that's, but next week's gonna be a bit fraught It's 'cause in the middle of all that, I think I've got five shoots to work my way through. Right. I don't sleep much. I a challenge. Yeah. I'm not, I'm I'm not being super, thankfully. Um, so there's that. And then, you know, once that gets rolling, of course I go back to our regular job. I'm judging for the British Institute. Professional photographers print competition straight after. So we've got. A big bash on the Saturday night. Yeah. Uh, for all of our, all the people in the book on the Sunday, we're inviting anybody's around to come and a studio open day, studio open day in the afternoon. And then at some point in that afternoon, I have to go all the way up to Preston Salubrious, uh, Preston, to go and begin the process of judging the print competition for the 2025 print masters. So a lot going on. And you're gonna be busy signing books as well. yeah, It's been a while since I've had to sit and do a big a book signing, but there's a load of that going on. Yeah. Uh, it's just lovely. exciting. It really is. Well, I think that just about brings us to the end of everything. So I've enjoyed being on the other side of everything. Sarah: So I'd just like to say, Paul, thank you ever so much for letting me do that and sitting on the other side of the mic today, um. We have got a limited number of copies here at the studio that Paul can sign, but they will be available at all. Good bookshops, um, with water zones. I think there's some competitions going where they will be with Graphistudio and with. Um. A professional photo. Yeah. Yep. So there's, there's lots of ways for you to get your hands on it and uh, we'd love to know what you think of it and um, especially if you've got the first version and seeing the second version, we'd love some feedback 'cause we are so proud of it. And especially with the pictures in there, and if you can tell us what's that, what's the picture in there that, that haven't been changed? That will be even better. There's no prize. So, no, thank you. Thank you very much. Well, it's a pleasure. And you know what you've gotta say now, don't you? What's that? If you've enjoyed this podcast, is it? No. If you've enjoyed this podcast, please head over to mastering portrait photography.com, which is full of articles. And as it happens, I'm doing all of the behind the scenes diagrams and stories for the images that are in this book. It'll probably take me 10 years to get there, but there's a couple of hundred of those. Uh, and of course, whatever else you do. be kind to yourself. Take care guys.  

Coach Guzman and KB are BACK and rested following Vineland's Bye Week. KB leads the show off with a message to the fans, parents, and students that there will NOT be a livestream or recording of this week's Vineland Football Game on VPS Broadcasting due to a "decision from the higher ups" that was made, but KB is working on an alternative option. Then they discuss the bye week, do a mini recap of the Atlantic City game, and name the next Homegrown Player of the Week from the AC Game. Then they preview Highland and how Highland has bought into their head coach's philosophy less than two full seasons into his tenure. Then the duo call out some players they think can have big games on Friday and Coach Guzman gives his keys to success! Support our partners! Allen Associates: Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠allenassoc.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ to learn more and access their services or call 856-692-2250! The City of Vineland: Visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.vinelandcity.org⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and stay connected with the community and learn about important announcements, programs, and services offered by the city! Vineland, New Jersey... Where It's Always Growing Season! Family Medical Equipment: As a full home medical equipment company, Family Medical Equipment offers specialty equipment for Pediatrics through Geriatrics. Since 2001, Family Medical Equipment has been a trusted service throughout New Jersey, Pennsylvania, and Delaware for essential healthcare needs. Visit their Vineland retail shop at 106 W Landis Ave Unit 10 or visit their website, ⁠⁠www.familymedicalequipment.net/⁠⁠ and experience the difference that a family business provides. Follow us! Twitter: Vineland Football: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@VinelandFB⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Underground Sports Philadelphia: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@UndergroundPHI⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: Vineland Football: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@vineland_football⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Underground Sports Philadelphia: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@undergroundphi⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.youtube.com/@UndergroundSport…ia⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Intro/Outro Music:⁠⁠⁠⁠ #subscribe #football #Vineland #HighSchoolFootball #fyp #Week7 #Highland #GuzmansGridiron

This week on Sustainability Now!, your host, Justin Mog, sits down with one of Louisville's legendary sustainability advocates, Jackie Green, to discuss his new venture, Earth Home 40202 (https://www.bikecourier.org/earth-home-40202/) Get in touch at earth.home.40202@gmail.com. We also discuss Deep Ecology Louisville - Exploring what it means to 'Live Local Lightly' in a society that is diametrically opposed to the concept (https://www.facebook.com/profile.php?id=61581836699217). Earth Home 40202 is an urban* Louisville space in which to grow non-mystical deep ecologists. Building environmentally sustainable lifestyles requires community – it takes a village. Mainstream Louisville does not embrace ‘Live Local** Lightly'. Most are unaware of the term ‘deep ecology' (see addendum below). Most are unaware of the term 'embodied energy' – https://www.bikecourier.org/embodied-energy/. Few who know the term are ready to live a minimalist lifestyle. No, this is not the effort of communist luddites, not a commune, not a cult, just citizens attempting to live lightly on Earth. Earth Home 40202 is citizens striving to minimize material and energy*** consumption, to identify ‘green washing', to garden**** more, to create more environmentally sensitive communities, to joyfully live Earth-centric lives. Earth Home 40202 is a work in progress. The concept has yet to be fully defined. Earth Home 40202 will be piloted in two Highland homes. Success will result in reduplicating the effort in a larger downtown space. Continued success will result in more Earth Homes. We need people to help define and develop the concept. * ? Why ‘urban'? If nature is to endure, humanity must not encroach on natural spaces. Sprawl is destroying agricultural land and nature. Urban living also encourages walking, cycling and public transit use. The embodied energy of automobiles and all the infrastructure supporting automobiles is unsustainable. ** ? Why the ‘local' in ‘Live Local Lightly'? Travel is:… energy intensive, infrastructure demanding, deprives local community of members' focus, investment, and care; hastens the evolution of climate change to climate chaos. Our personal travel experiences are not that important. We are needed at home. *** ? What is current energy production? One house hosts 16 solar panels. We have an option on using a property near UofL with 30 solar panels (8.5kW, 11,500kWh/yr, 2025 inverter). **** ? What gardening is done now? Current gardening includes a dozen grape vines, apple, cherry, peach and fig trees, a small vegetable plot, and a 25′ x 100′ micro forest. Deep ecology is an environmental philosophy and movement, founded by Arne Naess in the 1970s, that argues for the inherent worth and intrinsic value of all living beings and ecosystems, not just their utility to humans. It promotes a holistic worldview where humans are seen as an integral part of nature and emphasizes a radical transformation of our societal structures, technologies, and lifestyles to reduce human impact and allow the richness and diversity of life to flourish. As always, our feature is followed by your community action calendar for the week, so get your calendars out and get ready to take action for sustainability NOW! Sustainability Now! is hosted by Dr. Justin Mog and airs on Forward Radio, 106.5fm, WFMP-LP Louisville, every Monday at 6pm and repeats Tuesdays at 12am and 10am. Find us at https://forwardradio.org The music in this podcast is courtesy of the local band Appalatin and is used by permission. Explore their delightful music at https://appalatin.com

This week on the DL Debate, Brendan Devenney is joined by Cahair O'Kane of the Irish News, Ryan Ferry – Sports Editor of the Donegal News, Highland’s Ladies Match Analyst Maureen O'Donnell and Maria Devenney to recap and preview the GAA action for the men and ladies sides from the north west. The DL Debate […] The post DL Debate – The Championship 20/10/25 appeared first on Highland Radio - Latest Donegal News and Sport.

This Sunday, Pastor John opened our new sermon series Desert Rose by reminding us that God's design for healing loneliness is found in genuine community. When God calls us to Himself, He also calls us to one another, inviting us to be a living church devoted to His Word, fellowship, prayer, and shared life together.

This episode dives into one of the world's most enduring mysteries — the legend of the Loch Ness Monster. It begins in a small school library in Summerville, Georgia, where a seven-year-old boy discovers a grainy black-and-white photo of a long-necked creature rising from dark Scottish waters.That image ignites a lifelong fascination with the unknown.We explore the geological wonder of Loch Ness — a glacier-carved chasm holding more freshwater than all the lakes in England and Wales combined. Its depths plunge over seven hundred feet into near-total darkness, creating the perfect cradle for mystery. From ancient Pictish carvings and Highland folklore to the 7th-century account of Saint Columba's “water beast,” the story traces centuries of myth and fear. When a new road opened along the loch in 1933, modern sightings erupted — transforming a quiet Scottish valley into a global phenomenon. The account of George Spicer and his wife encountering something vast on the road ignited headlines and speculation of surviving dinosaurs.At the center stands the infamous Surgeon's Photograph — the elegant, serpentine silhouette that defined a legend for decades. We revisit its publication, its global fame, and the shocking revelation of the hoax behind it — a tale of revenge, ingenuity, and humanity's craving for wonder.Across nine decades, scientists have scoured Loch Ness with sonar, cameras, and environmental DNA. From Tim Dinsdale's footage to Operation Deepscan and the most recent DNA surveys, the evidence remains elusive — yet the witnesses persist. Lawyers, sailors, police officers, and scientists describe what they saw: something real, something unknown. We break down every major hypothesis — from plesiosaurs and eels to waves, logs, and psychological perception — exploring why no explanation fully satisfies. Beyond biology and science, Nessie's legend endures as a cultural mirror, revealing our need for mystery and meaning.Ultimately, this episode isn't just about what may lurk beneath those dark waters — it's about why we look. It's about wonder, belief, and the human hunger for the unexplained. The Loch Ness Monster may or may not exist, but its legend reminds us that the world is still vast, still strange, and still capable of mystery.

Morse code transcription: vvv vvv Government publishes evidence in collapsed China spy case Warwickshire guide dog charity welcomes largest litter in years Asylum hotels dilemma The woman with a bold idea to solve it Grandfather relives eight day nightmare in Highland wilderness Patchway B and Q store closes after travellers move onto car park Titan submersible imploded due to poor engineering, say US officials Cardiff may be UKs first city to impose SUV parking premium Johnson and Johnson baby powder Thousands sue company alleging it hid talcum powder cancer risks Celebrity Traitors episode three Celia Imries fart steals the show Paddy Power to close 57 shops in UK and Republic of Ireland

Morse code transcription: vvv vvv Grandfather relives eight day nightmare in Highland wilderness Celebrity Traitors episode three Celia Imries fart steals the show Titan submersible imploded due to poor engineering, say US officials Patchway B and Q store closes after travellers move onto car park Asylum hotels dilemma The woman with a bold idea to solve it Paddy Power to close 57 shops in UK and Republic of Ireland Warwickshire guide dog charity welcomes largest litter in years Cardiff may be UKs first city to impose SUV parking premium Government publishes evidence in collapsed China spy case Johnson and Johnson baby powder Thousands sue company alleging it hid talcum powder cancer risks

Morse code transcription: vvv vvv Johnson and Johnson baby powder Thousands sue company alleging it hid talcum powder cancer risks Cardiff may be UKs first city to impose SUV parking premium Paddy Power to close 57 shops in UK and Republic of Ireland Titan submersible imploded due to poor engineering, say US officials Grandfather relives eight day nightmare in Highland wilderness Celebrity Traitors episode three Celia Imries fart steals the show Warwickshire guide dog charity welcomes largest litter in years Asylum hotels dilemma The woman with a bold idea to solve it Patchway B and Q store closes after travellers move onto car park Government publishes evidence in collapsed China spy case

Morse code transcription: vvv vvv Grandfather relives eight day nightmare in Highland wilderness Patchway B and Q store closes after travellers move onto car park Government publishes evidence in collapsed China spy case Asylum hotels dilemma The woman with a bold idea to solve it Celebrity Traitors episode three Celia Imries fart steals the show Paddy Power to close 57 shops in UK and Republic of Ireland Cardiff may be UKs first city to impose SUV parking premium Titan submersible imploded due to poor engineering, say US officials Johnson and Johnson baby powder Thousands sue company alleging it hid talcum powder cancer risks Warwickshire guide dog charity welcomes largest litter in years

This week, Pastor John uses the story of Samson to show how sin disguises itself to draw us in and how temptation patiently targets our weaknesses. While the enemy delights in our downfall, Jesus delights in our forgiveness and transforms what once bound us into a testimony of His grace and freedom.

Meet Amy and Joyce, owners of The Yoga House, now with three locations in the Hudson Valley — Kingston, Highland and Poughkeepsie. One grew up in the HV; one is a transplant from Queens—what a great fit for coming on Cidiot.  We talk about yoga, the different types, and poke a bit of fun (well, I do, and they're good sports about it).  They share how they got into yoga, which you won't believe has quite a bit to do with roller derby. They also share some travel advice for cidiot bodies in the car or on the train coming upstate.  They helped even helped me turn it into a blog post you'll find on Cidiot.com with photos as well. Special Offer for Cidiot® Listeners: Mention "Cidiot" and get a FREE CLASS  and receive access to a special 15% off discount on regularly priced class passes and memberships.  Notes: Limited time, one per person, first time customers only. Thanks, Joyce and Amy.Learn more at The Yoga House: https://www.theyogahouseny.com/Timestamps to segments:01:25 Mat's history with yoga02:50 Their connections to the Hudson Valley06:32 How and why they started The Yoga House07:40 Types of yoga, including for people like Mat13:37 Guide to yoga for cidiot travelers on train and car (see blog post)17:20 More on practice types and defining them22:02 Cidiot geography game, this time with stereotypes for how they practice yoga (hilarious)29:40 Favorite place in the Hudson ValleyQuotes from the episode:“Yoga House is founded on a basic principle that yoga should be accessible, enjoyable and affordable for every body”— Amy“We teach more to energies — are you looking to chill out, do you want something more energetic?” — JoyceThanks for listening to Cidiot®, the award-winning podcast about moving to the Hudson Valley. Sign up for the newsletter at Cidiot.com and please rate and review the show at the site or in the Apple Podcasts store.  Come visit.©2025 Mat Zucker Communications. Cidiot® is a Registered Trademark.

Mark Stephen meets conservationist Roy Dennis to explore an innovative project in Moray, where the introduction of Highland cows to a wooded landscape is helping to restore Scotland's capercaillie population.

In this inaugural episode from the Highland Institute for the Advancement of Humanity, co-hosted with GovDiscovery AI, hosts Kubs Lalchandani and Mike Shanley are joined by Congressman Ro Khanna (CA-17) for a powerful conversation on the future of America's economy, technology, and global leadership. Drawing on his experience representing Silicon Valley and serving on the House Armed Services Committee, Congressman Khanna outlines his vision for “New Economic Patriotism” - a plan to rebuild American industry, expand opportunity, and restore faith in democracy. Co-Hosts: Kubs Lalchandani (Highland Institute) & Mike Shanley (GovDiscovery AI)   Guest: Congressman Ro Khanna, Representative for California's 17th District   Special Feature: Leadership coach Maria Brinck, CPCC, ACC joins the conversation on the values of courage and humility in leadership. Her upcoming book, The Leadership We Need, releases October 7th — now available for pre-order at zynergyinternational.com. ABOUT: Congressman Ro Khanna represents California's 17th Congressional District, located in the heart of Silicon Valley, and is serving his fifth term. Rep. Khanna serves on the House Armed Services Committee as ranking member of the Subcommittee on Cyber, Innovative Technologies and Information Systems (CITI), a member of the Select Committee on the Strategic Competition between the United States and the Chinese Communist Party, and on the Oversight and Accountability Committee, where he previously chaired the Environmental Subcommittee. As a leading progressive in the House, Rep, Khanna is working to restore American manufacturing and technology leadership, improve the lives of working people, and advance U.S. leadership on climate, human rights, and diplomacy around the world.

In this week's sermon, Pastor John reveals how sin pulls us lower when our passions rule instead of Jesus. Through Samson's story, we see that selfishness and pride ultimately lead to destruction. Yet even in our failures, God is still at work and nothing will stop His redemptive power through Christ.

From smart ranching to vegetable greenhouses, from cold-chain logistics to cross-border trade… We take a look at Xizang's industrial transformation and see how the plateau is leaping into a new era of development.

Dr. John Engel, Foster and Adoptive Parent Pr. Scott Busacker of Hope Lutheran in Highland, IL Hope Lutheran Foster Care Support The post Foster Care Ministry in the Lutheran Congregation – Dr. Tom Engel and Pr. Scott Busacker, 10/3/25 (2762) first appeared on Issues, Etc..

What started on a Denver apartment stovetop has turned into an eight-figure clean haircare brand trusted by tastemakers and barbers alike. In this episode, Boone Whiteside and Ben Medalie share how they built Highland from DIY experiments into a business that redefines performance, health, and sustainability in haircare. From mixing pomades in a KitchenAid to landing in 150+ barbershops and salons across the country, their journey shows how staying lean, purpose-driven, and authentic can transform an industry. Make sure to check out Highland at: https://www.highland.style/   Check out my new book on Amazon: https://amzn.to/4kRKGTX Sign up for Starting Small University to join our interviews LIVE and ask questions: https://startingsmallmedia.org/startingsmalluniversity Visit Starting Small Media: https://startingsmallmedia.org/ Subscribe to exclusive Starting Small emails: https://startingsmallmedia.org/newsletter-signup   Follow Starting Small: Instagram: https://www.instagram.com/startingsmallpod/ Facebook: https://www.facebook.com/Startingsmallpod/?modal=admin_todo_tour LinkedIn: http://linkedin.com/in/cameronnagle   Thank you to this episodes mid-break sponsor, Edel Golf, customizing all scoring clubs to help get you at least one shot better, because even one shot can change everything. Makes sure to check them out at https://edelgolf.com/

Dana Tinney Wilson of Chantilly Ranch in Northern California returns to the Grazing Grass Podcast to share what's new since her first appearance in episode 50. Dana and her husband Gary raise Boer goats, Highland cattle, and Dexter cattle, direct-marketing beef to their community while also using goats for fire abatement and neighborhood grazing services. She talks about adapting her grazing management, expanding into irrigation, and the role her children now play in the family operation. Dana also introduces the infinite banking concept, a financial strategy she has adopted for building resilience and long-term security for her family and ranch.Topics covered in this episode:Dana's recent marriage and family involvement on the ranchRaising Highland and Dexter cattle, including selling direct-to-consumer beefThe role of goats for meat, fire prevention, and community grazing contractsManaging predator pressure and challenges with electric nettingShifts in grazing strategy, including irrigation and rest periodsBuilding big-picture goals for profitability, regeneration, and legacyConsidering adding pigs to meet market demandHow her daughter's horse training business fits into the ranch visionA deep dive into infinite banking and how it can provide stability and intergenerational wealthThis episode is for graziers who want inspiration on building a profitable, regenerative, family-centered ranch while exploring creative ways to finance growth. Dana's story blends practical grazing insights with long-term financial thinking that may spark new ideas for your own operation.Resources mentioned in this episode:Chantilly RanchHolistic Management by Allan SavoryNoble Research Institute's MarketSMART Ranching courseRedmond Agriculture mineralsNelson Nash's book on Infinite Banking

In 1963, director John Sturges and a star-studded cast gave the world one of the all-time great escape films, The Great Escape. In 2025, Bob and Brad revisit it for Season 10 of the Film & Whisky Podcast. Alongside the film, they continue their march through Glenmorangie's core lineup with a pour of the Lasanta, a 12-year-old Highland single malt finished in sherry casks.This episode is part of the Season 1 Re-Review series, where Bob and Brad return to the films and whiskies that kicked off the podcast nearly seven years ago. With more experience (and better microphones), they revisit old favorites to see how their thoughts have evolved.(0:00) Intro (05:13) Brad Explains, Performances, Themes (34:06) Glenmorangie Lasanta review (42:54) Two Facts and a Falsehood and Final Analysis (54:47) Let's Make it a Double and Final ScoresFilm & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Film & Whiskey ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email us⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Join our Discord server!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For more episodes and engaging content, visit Film & Whiskey's website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.filmwhiskey.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

Subscribe to DTC Newsletter - https://dtcnews.link/signupOn this episode, we speak with Boone & Ben, co‑founders of Highland Style Co., a clean‑ingredient men's grooming brand that grew from kitchen‑experiments to eight figures in revenue. We dig into their growth journey: how they built performance products, retained customers, and scaled unit economics without losing the values that launched them.What you'll learn in this episode:How to validate product performance early via professional channels (barbershops/salons) to build credibility.The importance of embedding unit economics (margins, payback period, LTV/CAC) from day one to ensure scalable growth.Three content pillars that moved the needle for Highland: founder storytelling, expert endorsements, and aspirational user content.Real tactics for retention: packaging, post‑purchase experience, SMS/email flows, and repeat products.Why staying lean in team & operations matters, and how to hire/contract strategically to keep agility.How clean beauty standards (ingredients, packaging) can coexist with performance and profitability.Timestamps00:00 The origins of Highland and solving a personal problem02:00 Early product development and validation with barbershops07:00 Bootstrapping, fundraising, and focus on profitability10:00 Building strong unit economics and targeting 80% margins12:00 Meta ads and founder-led storytelling that drove growth15:00 Evolving content strategy and leveraging industry experts18:00 Scaling to eight figures with only two SKUs21:00 Staying lean with a four-person team and efficient operations25:00 Merging marketing with finance and building a payback workbook28:00 Retention tactics and post-purchase experience31:00 Expanding to Amazon and why it was a growth unlock32:00 Scrappy press tactics and winning grooming awards35:00 Building relationships with creators and affiliate partners36:00 Future goals, brand vision, and plans for expansionHashtags#DTCpodcast #HighlandHair #EcommerceGrowth #Bootstrapping #StartupStory #UnitEconomics #FounderJourney #ContentStrategy #RetentionMarketing #AmazonGrowth #HaircareBrand #DigitalMarketing #BrandBuilding #BusinessPodcast #ScalingBrands Subscribe to DTC Newsletter - https://dtcnews.link/signupAdvertise on DTC - https://dtcnews.link/advertiseWork with Pilothouse - https://dtcnews.link/pilothouseFollow us on Instagram & Twitter - @dtcnewsletterWatch this interview on YouTube - https://dtcnews.link/video

As we continue our sermon series, Unafraid, we look at the story of Gideon one more week and what that means for us as believers.JUDGES 7:9-11    Judges 7:12-15THE SOVEREIGNTY OF GOD…1. DIRECTION2. PROTECTION3. RIGHT TIMING4. RIGHT PEOPLE5. RIGHT WORDS Charles Spurgeon The sovereignty of God is the pillow upon which a child of God rests  his head at night in peace.  Judges 7:16-22OUR SPIRITUAL weapons FOR BATTLE1.  LIGHT 16 2 Corinthians 4:6 Philippians 2:152. Proclamation vV 18b, 20B I Thessalonians 1:8 Revelation 12:113. PROMISED victory vs 2, 7, 15  1 Corinthians 15:57 I John 5:4-5 JUDGES 8:22-27A faithful ending outweighs a flawed beginning.

In this episode of Investor Connect, host Hall Martin engages with Ron Ondechek Jr., a seasoned investment executive and the founding managing director of South Highland Ventures LLC. With over 15 years of experience and a track record of leading more than 100 transactions totaling over 1 billion dollars, Ron shares insights on South Highland Ventures' investment mandate, deal sourcing, and diligence processes. He discusses the firm's strategic partnerships, including collaborations with family offices like Nova Stone Capital Advisors, to secure proprietary deal flows in the low mid-market acquisition fund sector. Ron emphasizes the importance of aligning motivations, communication, and the ability of entrepreneurs to navigate markets and work effectively as a team to ensure successful investments and growth. Drawing from his extensive experience, Ron also highlights key factors that contribute to consistent value creation and pitfalls that destroy value in venture capital and private equity spaces. The conversation delves into specific strategies for working with under-recognized markets and mid-market companies, the importance of operational improvements, and the structure of search fund acquisitions. Ron also touches on the balance necessary in structuring deals, ensuring fair compensation and alignment of interests among all parties involved. For more insights and to connect with Ron, you can reach him via email or phone as provided in the show notes.    Visit South Highland Ventures LLC at     Reach out to at     _______________________________________________________ For more episodes from Investor Connect, please visit the site at:    Check out our other podcasts here:   For Investors check out:   For Startups check out:   For eGuides check out:   For upcoming Events, check out    For Feedback please contact info@tencapital.group    Please , share, and leave a review. Music courtesy of .

Round Guy Radio's Game Day welcomes Andy Kruitzinger to recap last night's Winfield–Mount Union vs. Iowa Valley clash, discuss local roster struggles and the possibility of eight‑man games for Highland and Lone Tree, and preview Friday night's biggest matchups across Southeast Iowa. The episode highlights Iowa Valley's dominant performance and standout players, examines key upcoming games (Washington vs. Mount Pleasant, Montezuma vs. Southeast Warren, Keokuk vs. Fort Madison and more), and shares streaming and coverage details from Southeast Iowa Live.

Will & Grace star Eric McCormack tells us about his latest screen role – in the new BBC One thriller series Nine Bodies in a Mexican Morgue. McCormack plays one of nine people who survive a plane crash in the Mexican jungle, and aren't aware that a murderer might be lurking in their midst. We hear the true story of a bear who was adopted from a Highland wildlife park in the 70s and became a star of stage and screen, caddying for Bob Hope on the golf course and playing a cameo role in a Bond film. The much-loved Hercules the Bear is brought back to life in a theatre production which is touring Scotland this month. Countertenor David James and music journalist Andrew Mellor discuss the music of one of the most popular of contemporary composers, Arvo Pärt, who has just turned 90 and whose birthday celebrations include the release of a number of CDs and concerts in London and Oxford. And we pay tribute to Italian cinema legend Claudia Cardinale, who has died at the age of 87. Presenter: Kate Molleson Producer: Mark Crossan

This episode covers tough local news about New London and Highland canceling parts of their football seasons due to low roster numbers, the community impact, and the broader challenge facing small rural programs. Hosts preview the week's big games (Winfield‑Mount Union, L&M, Mount Pleasant vs. Washington, and more), discuss broadcast plans and sponsors, and reflect on supporting junior high, JV, and varsity teams across Southeast Iowa.

This episode is made possible by the generous support of our subscribers on ⁠⁠Patreon⁠⁠. Join us at ⁠⁠⁠⁠patreon.com/leviathanchronicles⁠⁠⁠⁠ to hear episodes ad free and unlock exclusive content. In the explosive season finale, a pirate takeover leaves the Invenios crew on their knees—literally. Captain Tulley claws his way back from the brink while Macallan spearheads a desperate rescue of Leviathan survivors. Oberlin devises a plan that pits speedboats, jet skis, and a creative booby trap against well-armed raiders. Just when victory seems in reach, a double-cross splits the captives-turned-refugees, hinting that the fall of Leviathan has awakened darker forces far beyond the Indian Ocean. And in Madagascar, Tulley must decide what is most important to him and what the Invenios has taught him. TO VIEW THE BLUEPRINTS OF THE INVENIOS GOTO ⁠⁠INVENIOSEXPEDITIONS.COM/BLUEPRINTS⁠ To discover more podcasts set in The Leviathan Universe go to ⁠www.leviathanaudioproductions.com⁠⁠ or follow us social on media⁠⁠ Written, Directed & Created by Christof Laputka Executive Produced by Amish Jani Produced by Robin Shore Original Music by Luke Allen and Lindsay Jones Editing by Luke Allen and Robin Shore Sound Design by Jonathon Stevens and Robin Shore Casting by Claire Dodin Starring Lex Daemon as Captain Sonny Kasho Georgina Elizabeth Okon as Axado Michael Pizzuto as Archie Paul Hikari as William Tammy Klein as Cecilia Brittany Cox as Sarina Time Winters as Sinclair Katlyn Dannes as Erica Costello Linsay Rousseau as Samantha Kell Brent Mukai as Lord Mallor Gabi Mayorga as Chrysanthemum Phone Operator David Ault as Dr. Pinzer Emily Kuroda as Cryptitan Servant Sarah Mollo as Cryptitan Helicopter Pilot The Gremlin as Himself Melissa Medina as The Narrator Additional Voices Amato D'Apolito, David Ogrodowski, Darrel Brown, Jackson Gutierrez and Oscar Camacho  Learn more about your ad choices. Visit megaphone.fm/adchoices

We continue our sermon series, Unafraid while Pastor Drew looks at Judges 7 and the story of Gideon and how that really points us to Christ.Ephesians 2:8-98 For it is by grace you have been saved, through faith—and this is not from yourselves, it is the gift of God— 9 not by works, so that no one can boastJudges 7:1-22 ESV"The resurrection of Jesus Christ is the sign to every Christian that the enemy, death, has been defeated and turned into an ally.” Three Gospel Reminders From Judges 7:Jesus Calls Us From "Come and See" to "Come and Die." The Lowly Bread Became Victory Bread.The One and Only Saving Hand. Romans 10:13 "Everyone who calls on the name of the Lord will be saved."Romans 10:9 "If you confess with your mouth that Jesus is Lord, and believe in your heart that God raised him from the dead, you will be saved."Ephesians 2:8-9  8 For it is by grace you have been saved, through faith—and this is not from yourselves, it is the gift of God— 9 not by works, so that no one can boast

Live from Highland, Iowa, this junior high matchup sees the Peacin' Panthers and Highland Huskies trade big plays, turnovers, and hard-fought touchdowns. Levi Adams powers Pekin' drives while Highland's rapid quarterback finds passing lanes, creating a back-and-forth game filled with flags, onside attempts, and standout defensive plays. Tune in for gritty tackling, explosive runs, and community-backed high school football action under the Smithburg Auto scoreboard.

Coach Cheney discusses taking over Highland junior high football as the varsity faces uncertainty, focusing on developing a 24–26 player roster and strong eighth-grade leadership. The episode previews Highland's first junior high game Monday at 4:30 PM against Pekin, live on Round Guy Radio's Facebook page, and highlights key players, special teams, and community support.

Meet the Highland Belles Lieutenants, Sadie Baker, Josie Borders, Ashley Mowan, Dylan Roy and Elizabeth Slates.

Coach Weber joins the show to recap Pekin's 52-14 win over Wapello, praising standout performances from Nolan Glick and Henry Adams and outlining key contributors on offense, defense, and special teams. The team faces an unexpected bye due to Highland's roster issues, so Pekin is using the week to refine fundamentals and rest injured players before tough upcoming games, including Van Buren.

This week, Pastor John continued our Unafraid series with a sermon from Judges 4–5, showing us through the story of Deborah and Barak how God works through surrendered hearts. In all seasons of life, God leads us step by step and invites us to trust in His sovereignty and walk faithfully in willingness.

PLUS ART, ALBUM AND BOOK! QUICK CLIP (Ringo on performing in Vegas through the years): Ringo and the All Starrs - Steve Lukather, Colin Hay, Hamish Stuart, Warren Ham, Buck Johnson and Gregg Bissonette - joined by musical director Mark Rivera - zoomed in from Riverside Theater in Milwaukee today where they are rehearsing for the Ringo & His All Starr Band Tour, which kicks off September 10 at the Chicago Theatre. Watch Full Podcast Video Fall Tour Dates for September: 10 The Chicago Theatre, Chicago, IL 12 Miller High Life Theater, Milwaukee, WI 13 Bourbon & Beyond, Louisville, KY 17 The Venetian, Las Vegas, NV 19 The Venetian, Las Vegas, NV 20 The Venetian, Las Vegas, NV 21 Ironstone, Murphys, CA 23 Yaamava' Resort & Casino, Highland, CA 24 The Venetian, Las Vegas, NV 26 The Venetian, Las Vegas, NV 27 The Venetian, Las Vegas, NV Other Ringo news: STARR ART exhibition at Animazing Art Gallery (September 5-October 15) in the Grand Canal Shoppes at the Venetian Resort Las Vegas, his first show since 2019 and his first to feature his original paintings for exhibition and sale (with all artist proceeds going to the Lotus Foundation).  Look Up, Ringo's acclaimed Country album with T Bone Burnett released in January 2025 and  garnered him his first UK #1 and saw him chart in the Top 10 on numerous Billboard Charts and make his Grand Ole Opry debut. Ringo and T Bone are currently working on the follow up.  + Ringo's last book, Beats and Threads, published by Julien's Auctions, is an unprecedented chronicle of more than 70 years of his legendary sonic and sartorial style dedicated solely to his historic drum kits and era defining garments. Features 300 images and offers for the first-time the most comprehensive look at his legendary Beatles-era drum kits containing decades of research-based information with curated and detailed photographs of these pieces of music history. Watch the full Podcast Video

In this Sunday's sermon, Pastor John shows how God uses us, even in our limitations, to reveal His power and grace. Just as He worked through Ehud's weakness, God transforms our frailties into strength for His glory, reminding us we can live unafraid when we trust Him fully.

Today we welcome David Tennant onto the R2Kast!

In this transformative episode of Dear Alice, we take you behind the scenes of one of our most ambitious projects yet — the Highland Manor Remodel. From reimagining the home's architecture to executing a full-scale interior makeover, we walk you through every design decision, challenge, and stunning reveal. Whether you're planning your own renovation or love a good before-and-after story, this episode is packed with insights on layout planning, material selection, and creating timeless beauty through thoughtful design. Tune in for a true masterclass in remodeling from the ground up. Shop Alice Lane: https://alicelanehome.com/ Sign up for our insider rewards program and get 10% off your next purchase: https://alicelanehome.com/pages/insider-program Learn more about your ad choices. Visit megaphone.fm/adchoices

How do you scale innovation in a system where critical pieces are out of your control? That is the challenge Highland Electric Fleets faced as it worked to replace diesel school buses with electric vehicles across the United States. While Highland provided financing, infrastructure, and fleet operations, success depended on external partners, including manufacturers, utilities, and districts. Delays and disruptions forced the company to stay nimble and deliver under pressure. Harvard Business School professor Rosabeth Moss Kanter and Highland Electric founder and CEO Duncan McIntyre join host Brian Kenny to discuss the HBS case “'The Wheels on the Bus' Go Electric.” They explore what it takes to scale a climate solution while sustaining momentum and coordinating across public and private sectors.

Highland cows are really having a moment. As are pickles. And if you'd listen to this week's episode you'd think that so are American Girl dolls, poop knives, and super sexy swans (AND their cloacas). You know what's not having a moment? Windi the Gas Passer. Want to learn what that is? You've come to the right place.Other discussion topics may include:- Who won the war between the Spartans and the Aztecs?- How to make your furniture smell more like delicious food- The single greatest idea for pumpkin pie this century- Avoiding lawsuits from super powerful mythical beings- Testicular ear buds

What do you do, when you want to live in the village you grew up in, but there are no houses for sale or for rent, and the only jobs available are seasonal or temporary roles?“Highlands Reimagined” is a 3-part documentary series about life in the northern Highlands presented in partnership with Anya Media and Strathnaver Museum. If you haven't listened to part 1 yet, I highly recommend you do that first before returning here for part 2.In “Home truths”, the second episode of “Highlands Reimagined”, producer Will Sadler dives into the challenges presented to young people who want to stay in or move back to their rural Highland communities.  And now, I'll let Will take it away…

We continue our sermon series, Unafraid, looking at different people in Scripture who walked in the Lord without fear of this world. This week, we start our look in Judges 2 and 3 at Othniel.Judges 2:11-13  REBELLIONJUDGES 2:14-15 and JUDGES 2:20-21  CONSEQUENCES    PEOPLE CRYJudges 2:16  GOD ANSWERS                                       JUDGES 2:17  REBELLION                                            Judges 3:7-8  In the middle of spiritual confusion and cultural chaos God looks for A COURAGEOUS VOICE. Judges 3:9  REPENTACE IS THE FIRST STEP TO VICTORY. Judges 1:10-13Matthew Henry - "Caleb is doing what older men should do, and that is inspire the younger generation to serve God." A few things about unafraid Othniel.1. Othniel had a questionable background.2. Othniel was of questionable age.  Judges 3:10-113. Othniel had unquestionable courage AND an unquestionable commitment

On this week's episode of The Rural Woman Podcast™, you'll meet Victoria Robinson.Victoria is a first generation farmer who hosts on farm events and experiences with her small herd of Highland cattle. She is a solopreneur who is on a mission to give her community access to agriculture since she understands just how hard it is to start from scratch in the industry. After a divorce and feeling stuck in her career path she accidentally created her dream job out of a love for cows, the farm and the desire to own her own business. For full show notes, including links mentioned in the show, head over to wildrosefarmer.com/230. . .THIS WEEK'S DISCUSSIONS: [00:31] - The Role of Women in Agriculture[04:40] - From Hobby to Agritourism Entrepreneur[16:52] - Transitioning to Agritourism: A New Chapter[27:21] - Starting the Farm Business[37:21] - Advice for Aspiring Agritourism Farmers. . .This week's episode is brought to you by Patreon . . .Let's get SocialFollow The Rural Woman Podcast on Social MediaInstagram | FacebookSign up to get email updatesJoin our private Facebook group, The Rural Woman Podcast Community Connect with Katelyn on Instagram | Facebook | Twitter | Pinterest. . .Support the ShowPatreon | PayPal | Become a Show SponsorLeave a Review on Apple Podcasts | Take the Listener SurveyScreenshot this episode and share it on your socials!Tag @TheRuralWomanPodcast + #TheRuralWomanPodcast. . .Meet the TeamAudio Editor | MixBär.Patreon Executive ProducersSarah R. | Happiness by The Acre. . .More with KatelynOne on One Podcast Consulting | Learn More

This episode traces the violent struggles that engulfed the Lennox in the late sixteenth and early seventeenth centuries, where the Colquhouns of Luss found themselves beset by MacFarlane raids, MacGregor incursions, and the shifting politics of Scotland's great magnates. From the burning of Bannachra Castle to the climactic Battle of Glen Fruin, we explore how raids, assassinations, and open warfare revealed the dynamics of Highland conflict — and how rivalries between Argyll, Huntly, and Lennox shaped the fates of clans on the front line.Contribute to the cause!!Clandanas and Battle Shirts!!Email me for speaking engagements, additional input, or questions: thescottishclans@gmail.comMy Sponsor: usakilts.comMy Website: www.scottishclans.info