Podcasts about American Cinematheque

In honor of Pride Month, we're taking a look back at an important title from queer cinema history. Our guest, Caden Mark Gardner, is the co-author (with Willow Maclay) of Corpses, Fools and Monsters: The History and Future of Transness in Cinema – he picked this Vincente Minnelli classic for us to watch! Then, we choose which flawed movies we'd edit (and how we'd amend them) to make them work for us.You can stream Tea and Sympathy across lots of platforms, or check your local library. What's GoodAlonso - Nine Perfect Strangers Season 2 (sort of)Drea - Katya in the Criterion ClosetCaden - dog ownership (and traveling to LA for event)Kevin - first hot dog in a while, best everITIDICSummer of 1956 will be a big movie season (Erskine Johnson)“Robert Rich” (secret alias of a blacklisted Dalton Trumbo) is Nominated for Best Screenwriter for The Brave OneStaff PicksAlonso - The CobwebDrea - The Power of the DogCaden - VulcanizadorKevin - Blazing SaddlesLA Folks, Check out Alonso and Caden's series “Taking Pride” with American Cinematheque! See and learn about some great films, and get your books signed.   Follow us on BlueSky, Facebook, or InstagramWithKevin AveryDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher

From a secret location somewhere in America (actually a rooftop high atop the historic village neighborhood where Phil resides): Dean and Phil got together IN PERSON, and Phil's better half, Lily Holleman, joined them, first to see an experimental film from 1990 (All the Vermeers in New York) at the American Cinematheque, and then to […]

Original Release Date: Monday 16 June 2025    Description:   From a secret location somewhere in America (actually a rooftop high atop the historic village neighborhood where Phil resides): Dean and Phil got together IN PERSON, and Phil's better half, Lily Holleman, joined them, first to see an experimental film from 1990 (All the Vermeers in New York) at the American Cinematheque, and then to discuss it (over cocktails). You have probably NOT seen the movie, but the discussion is both interesting AND sets up many later conversation strands that prove hilarious! In fact, if this is not the funniest episode of YOUR Chillpak Hollywood Hour, it will do until the funniest episode gets here! Partway through, Steve the Turk (who last joined the festivities at a bar in Helsingør, Denmark, when Year 18 Episode 45 was recorded during Dean's bachelor party) joins the trio. Steve regales with information about Turkey, Denmark and Hamburg, Germany. Personalized license plates, the “No Kings” protests and who Steve the Turk's “best friend” might be are just some of the hard-hitting topics the team delve into before opening the Chillpak morgue and getting down to the brass tacks of a VERY competitive round of “Celebrity Deaths”!

Dave and Alonso cover a wide swatch of the current cinema. Subscribe (and review us) at Apple Podcasts, follow us @linoleumcast on Bluesky, Instagram, and Twitter, what's your price for flight. Join our club, won't you? Alonso's American CInematheque screening series, June 14, 21, and 28. Alonso on the Pride! Live authors' panel, June 19. (Tickets are free but reservations are encouraged.) Alonso on TCM, June 23, starting at 8pm EDT.

Dave and Alonso don't summon the prince of lies for episode 666, but they do review that movie from The Weeknd, so call it even. Subscribe (and review us) at Apple Podcasts, follow us @linoleumcast on Bluesky, Instagram, and Facebook, wouldn't ya, barracuda? Don't miss Dave's Q&A after The Secret Lives of Bill Bartell on May 30, and check out Alonso's "Taking Pride" series at American Cinematheque in June. Join our club, won't you?

Feature: Bleak Week returns for Year 4, we talk to programmers behind the festival This year marks the 4th year of the American Cinematheque’s Bleak Week: Cinema of Despair, a weeklong festival dedicated to screening films with dark and bleak themes. In this year’s lineup, you’ll find screenings of Michael Haneke’s English adaptation of Funny Games, the Soviet anti-war film Come and See, and Studio Ghibli co-founder Isao Takahata’s Grave of the Fireflies. You’ll also find that the Year 4 lineup includes introductions/Q&As with the likes of Bill Hader, Elliot Gould, and Brady Corbet. Outside of the usual festival screenings here in Los Angeles, the American Cinematheque has partnered with other arthouse theaters across the country, and even The Prince Charles Cinema in London. Joining us to discuss this year’s iteration of the festival is Chris LeMaire, lead programmer on the American Cinematheque’s Bleak Week, and Grant Moninger, American Cinematheque’s Artistic Director. We also have our critics, Charles Solomon, Claudia Puig and Peter Rainer, commenting on what about the festival has allowed it to garner interest. Bleak Week runs from June 1-7. You can find this year’s Bleak Week lineup by clicking here or on bleakweek.com

Today on AirTalk, we talk about what drives moviegoers to the theaters, particularly on long weekends like Memorial Day; memories from Prom night; FilmWeek and American Cinematheque's annual Bleak Week kicks off its 4th year. Today on AirTalk What drives you to the theaters this Memorial Day weekend? (0:15) Reminiscing Prom. For better or worse. (15:37) Harry's Oklahoma Style Smoked BBQ (35:15) FilmWeek (1:07:04) American Cinematheque's Bleak Week film festival (1:23:54) Visit www.preppi.com/LAist to receive a FREE Preppi Emergency Kit (with any purchase over $100) and be prepared for the next wildfire, earthquake or emergency!

Karina Dandashi is a Syrian-American Muslim filmmaker born and raised in Pittsburgh, PA. Her work has been featured in numerous Oscar-Qualifying festivals around the U.S. and programs at The Museum of Modern Art and The American Cinematheque. Karina was a 2020 Creative Culture Fellow at The Jacob Burns Film Center and a 2021 Sundance Ignite Fellow. She was featured in Marie Claire's inaugural Creators Issue as one of the “Top 21 Creators to Watch” in 2022. Her feature script OUT OF WATER was selected by Film Independent for their 2023 Screenwriting Lab and was awarded three grants from MPAC, The Heinz Endowments, and The Jerome Foundation. Her short film COUSINS is available on The New Yorker and is a Vimeo Staff Pick.Connect with Karina:➡️ Instagram: @KarinaDandashiwww.karinadandashi.comAbout The Lot1 Podcast ✨The Lot1 Podcast is designed for anyone who is interested in or working in filmmaking. Whether you're just starting out or a seasoned veteran, we hope you gain the knowledge you need to improve your craft, achieve your filmmaking goals, or simply get an understanding and appreciation for the roles and duties of your peers and colleagues.☕Tourist Hat Coffee Companyhttps://touristhatcoffeecompany.com/

In the season 6 premiere of Sista Brunch, hosts Fanshen Cox and Shawn Pipkin-West celebrate the stories of Black women and gender expansive people in entertainment and media. They highlight community partners like the American Cinematheque and Post in Black podcast. The episode spotlights Alyson Fouse and Morenike Joela Evans, creator and director of the Netflix show 'Act Your Age,' and explores their inspiring journeys from early career challenges to notable successes. Topics include their industry experiences, the importance of representation, financial challenges in the industry, and practical advice for aspiring creatives. 00:00 Welcome to Season Six! 00:11 Shoutouts to Community Partners 01:56 Introducing Today's Guests 02:18 Behind the Scenes of 'Act Your Age' 04:40 Alyson Fouse's Journey 08:04 Morenike Joela Evans' Path to Directing 15:59 Multicam vs. Single Cam: A Director's Perspective 18:16 Financial Realities in the Industry 24:01 Navigating the Strike and Career Challenges 25:36 Directing and Producing During the Pandemic 26:48 The Evolution of Television and Technology 28:46 Tools and Techniques for Directors 32:27 Collaborative Work Environment 39:03 Advice to Younger Selves 43:56 Closing Remarks and Future Plans

It's finally here! Behold our Season 5 finale episode, which, in true Watch With Jen form is a group chat extravaganza celebrating the best new physical media releases in recent months. In this feature-length compilation, you'll hear thoughtful, articulate, occasionally personally revealing, funny, & fresh spins on NO COUNTRY FOR OLD MEN (with novelist S.A. Cosby), Scarface - 1932 (with critic Sean Burns), THE LONG GOOD FRIDAY & GALAXY QUEST (with novelist Jed Ayres), myself on PAPER MOON, PULP FICTION, & THE SHAPE OF WATER, & A SIMPLE PLAN & PARIS, TEXAS (with novelist William Boyle). Afterward, I've included a special bonus section featuring the official Watch With Jen introduction to the film WHITE PALACE that was recorded live at the American Cinematheque in August of '24 with myself, Kate Hagen, & words by Amy Robinson. I'd dub it an Easter Egg but given the date, let's call it a Holiday Present instead. I want to thank you from the bottom of my heart for your listenership & support this season. 2024 was our biggest year yet & I have a lot of exciting plans for 2025 in store so I hope you'll stay tuned. You'll find more writing & film recommendation videos on our Patreon soon & then the podcast should return in February of '25.Originally Posted on Patreon (12/28/24) here: https://www.patreon.com/posts/118848959Listen to the Watch With Jen™ Podcast on RSS, Spotify, Google, Stitcher, Apple, Pandora, and More Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive Shop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless Shop (+ Direct Link to the Mug) Donate to the Pod via Ko-fi

I recently had the honor of moderating a panel during the annual PROOF film festival in LA. Powered by the American Cinematheque, PROOF is dedicated solely to the presentation of proof-of-concept short films, looking to be expanded into feature-length productions or series, and empowering the next generation of cinematic storytellers. I saw down with actor/producers Margaret Cho, Michael Oloyede, and Darrell Britt-Gibson to discuss the complexities of their multi-hyphenate career paths. Together we talked about everything from indie filmmaking to the importance of collaboration, and, of course, the current state of the industry. Enjoy! xx Check out the panelists: @michaeloloyede_ @margaret_cho @chipsheridan

Streaming—and a pandemic—have radically transformed cinema consumption, but there is a growing number of mostly younger people contributing to a renaissance of LA's independent theater scene. The city's enduring, if diminished, role as a mecca of the film industry still shapes its residents and their entertainment preferences, often with renewed appreciation after the pandemic. Part of what makes the city unique is its abundance of historic theaters, salvaged amid looming closures or resurrected in recent years by those with ties to the film industry. Experts see a pattern of success for a certain kind of theater experience in Los Angeles. Kate Markham, the managing director at Art House Convergence, a coalition of independent cinema exhibitors, said a key factor is the people who run these theaters. “They know their audiences or their potential audiences, and they are curating programs and an environment for them to have an exceptional experience,” she wrote in an email. American filmmaker Quentin Tarantino pioneered the trend when he purchased the New Beverly in 2007. After Netflix bought and restored the nearby Egyptian Theater, which first opened in 1922 as a silent movie house, the company reopened it to the public in November in partnership with the nonprofit American Cinematheque. It's now a bustling hub, regularly welcoming A-list celebrities premiering their projects as well as film buffs willing to stick around for hours-long marathons, like a recent screening of four Paul Thomas Anderson movies. What draws people to independent theaters can vary, from older programming to elevated food-and-drink offerings to lower prices. But many agree, above all, there is a communal aspect chains can't match. “The bigger places obviously have premium formats and stuff like that. But I think there's a lot less communal connection,” said Dr. Michael Hook, who attended a matinee of “Seven Samurai” at Vidiots with a Children's Hospital Los Angeles co-worker. “You're not just milling around with people who also have selected to go to a three-hour-long 1950s Japanese movie.” This article was provided by The Associated Press.

Today on Toolkit, something special: for the 30th anniversary of the action classic "Speed," IndieWire's Jim Hemphill interviewed the director and stars live on stage at the American Cinematheque for their recent Beyond Fest screening of the movie. Learn more about your ad choices. Visit megaphone.fm/adchoices

Imani Davis is a writer, producer, and a film programmer at the American Cinematheque in Los Angeles. A recent LA transplant from Chicago, she is deeply committed to elevating women directors, as well as providing opportunities for emerging talent to break into the film industry. At the American Cinematheque, a 501c3 nonprofit boasting over 1,500 film screenings a year, Imani curates, plans, and executes unique and engaging film events. She has worked to put on events with A-list filmmakers and talent such as Sofia Coppola, Jordan Peele, Daniels (Daniel Kwan and Daniel Scheinert), Damien Chazelle, Christopher Nolan, and many more.Within her work at the American Cinematheque, Imani founded and put on the inaugural PROOF Film Festival in October of 2023. PROOF is one of the first ever short film festivals completely dedicated to proof-of-concept short films. Imani thought of the festival concept and put on the first edition to rousing success within a year of starting her position at the AC. The first year of PROOF included screenings of over 40 hand-picked short films from emerging talent, industry mixers and panels, and film industry decision makers in attendance such as representatives from Sony, Lionsgate, Gersh Agency, MACRO, Hartbeat Productions, ColorCreative, and more.Outside of her role as a film programmer, Imani co-founded Film Girlz Brunch, a monthly casual meetup of women in film in Los Angeles which has formed a number of partnerships and hosted many events in just over a year of starting. She also co-hosts “Players: A Film Industry Podcast” with fellow filmmaker and producer Demma Strausbaugh which is dedicated to demystifying various industry topics in an accessible and fun way.Connect with Imani:➡️ Instagram: @imanimdavis➡️ TikTok: @imanidavishttps://www.americancinematheque.com/series/proof-proof-of-concept-film-festival-2024/About The Lot1 Podcast ✨The Lot1 Podcast is designed for anyone who is interested in or working in filmmaking. Whether you're just starting out or a seasoned veteran, we hope you gain the knowledge you need to improve your craft, achieve your filmmaking goals, or simply get an understanding and appreciation for the roles and duties of your peers and colleagues.

Send Kevin a Text MessageIn this episode of "Don't Kill the Messenger," host Kevin Goetz sits down with Hollywood power couple Paula Wagner and Rick Nicita. Wagner has worked in the top ranks of the entertainment industry as a talent agent, studio executive, and producer. She co-founded Cruise/Wagner Productions with Tom Cruise, producing blockbuster hits like the "Mission: Impossible" franchise. Nicita worked as a successful talent agent for 5 decades before turning to production and consultation. He is currently Chairman of the American Cinematheque. Together, Wagner and Nicita offer insight into cultivating some of the most successful careers in Hollywood.Early Careers and Transition to Becoming Agents (02:21)Paula Wagner shares her journey from actress to agent while Rick Nicita recounts his path from law school dropout to William Morris. The couple then talk about how they met.Hollywood Speed Round and the Art of Being an Agent (14:45)Rick talks about some famous clients including Kevin Costner and Nicole Kidman in a celebrity speed round, and the trio discuss negotiating deals, choosing the right projects, and the importance of building long-term relationships.Memorable Career Moments (28:04)Paula talks about her involvement with Tom Cruise in Rain Man and Born on the 4th of July, and Rick discusses shares his experiences with high profile clients.Cruise/Wagner Productions and United Artists (32:57)Paula discusses her partnership with Tom Cruise, and the pair share the challenges of reviving United Artists while navigating industry changes and economic crises.The Changing Landscape of Hollywood (40:00)The trio discuss stardom, and how it has changed over the years, delving into the challenges of creating new movie stars and the future of audience engagement and storytelling.Broadway and Beyond (48:00)Paula shares about her transition to Broadway producing and her upcoming projects High Noon, and The Others. The couple reflects on the art of balancing film and theater productions.Paula Wagner and Rick Nicita's careers offer a unique, insider perspective on the genesis of some of Hollywood's biggest names. Wagner's journey from actress to top agent, then to successful film producer and now Broadway impresario, demonstrates her versatility and understanding of the creative process. Nicita's legacy as an agent and his transition to production and consulting highlight his expertise in talent management. Together, their experiences provide for a fascinating and inside look at how stars become stars.Host: Kevin GoetzGuest: Paula Wagner and Rick NicitaProducer: Kari CampanoWriters: Kevin Goetz, Darlene Hayman, and Kari CampanoAudio Engineer: Gary Forbes (DG Entertainment)For more information about Paula Wagner:Wikipedia: https://en.wikipedia.org/wiki/Paula_WagnerX (Formerly Twitter): https://x.com/producerpwagnerIMDB: https://www.imdb.com/name/nm0906048/For more information about Rick Nicita:Wikipedia: https://en.wikipedia.org/wiki/Rick_NicitaX (Formerly Twitter): https://x.com/ricknicita?lang=enIMDB: https://www.imdb.com/name/nm1131362/For more information about Kevin Goetz:Website: www.KevinGoetz360.comAudienceology Book:

Hi. Curious what I look like? Well, I am trying to do a video podcast for the first time. This might never happen again. I need positive encouragement. Also, I need to fix that eye-line when I read the teleprompter. (Oh - and if you're listening on a podcast platform, you can watch on raisingcinephiles.com) So, this episode is inspired by the screening of Modern Times I hosted for American Cinematheque's Friend of the Fest. It was such a fun matinee, and there were A LOT of kids in the audience, including my son. He could not sit still. I thought I made a grave mistake choosing this film. My podcast guests had led me astray. Then, a week later, something AMAZING happened. We were playing, and he said I was being brought to jail. But it was a really nice jail. And I realized it was the jail Little Tramp enjoyed. It was better than living in the Great Depression. So he took in the story, even though he also wanted to watch his seat slam back into an upright position and make a loud, distracting noise. A good lesson is that just because he isn't watching the way society deems respectable, it doesn't mean he isn't paying attention. Watching the movie also brought back a flood of memories—it was like Proust's Madeline. The memories consisted of scenes from films that have permeated culture through time, which is what I outline in this short episode. I hope you enjoy the watch! (Oh - and if you're listening on a podcast platform, you can watch on raisingcinephiles.com) This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.raisingcinephiles.com/subscribe

At a sold-out* screening at the American Cinematheque's Friends of the Fest podcast film festival of Miami Vice on 24 August 2024 at Hollywood's Egyptian Theatre, hosts Katie Walsh and Blake Howard surprised the audience with a Q&A with the icon Michael Mann. The conversation traverses Mann's inspirations for the film, his favourite scenes, the editorial philosophy, immersive actor preparation, and the fantastic supporting cast. Finally, the cherry on top was an update on the development of HEAT 2. * our second sell-out screening in two yearsJoin our Patreon for as little as $1 a month for an exclusive weekly podcast + access to the OHM discord here.ONE HEAT MINUTE PRODUCTIONSWEBSITE: ONEHEATMINUTE.COMPATREON: ONE HEAT MINUTE PRODUCTIONS PATREONTWITTER: @ONEBLAKEMINUTE & @KATIEWALSHSTX & @OHMPODSSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

#309: In honor of the American Cinematheque's "Friend of the Fest" program, we're rerunning their feature from our mini-series, Revival House! Victoria Alejandro is one of the podcasters invited to present a film this year. This Sunday, 8/25 at the Egyptian Theater, she'll be introducing the 80s classic "To Live and Die in L.A." You can find tickets here: https://www.americancinematheque.com/now-showing/laist-presents-to-live-and-die-in-l-a-8-25-24/ Celebrating their 40th anniversary this year, screening 1500 movies a year in three iconic theaters across Los Angeles, the American Cinematheque has a movie for everybody, every night of the week. In this episode, How To LA producer Victoria Alejandro jumps into the history of these movie theaters and this programming group to shine a light on a little L.A. moviegoing history and spotlight the future of the American Cinematheque in this city. Check out our deep dive into the Egyptian Theatre's history and reopening here:  https://omny.fm/shows/howtola/revival-house-the-egyptian-theater-redux Guests: Professor and historian Ross Melnick, American Cinematheque artistic director Grant Moninger, Programmers Imani Davis and Cindy Flores, Senior Film Programmer Chris Lemaire

The Better Than the Movie boys are hosting a screening of TANK GIRL (1995) on August 24, 2024, as part of American Cinematheque's Friend of the Fest 2024 podcast film festival. So here is a free-floating (read: CHAOTIC) chat about this underground comic-turned-quirky Hollywood movie, including another of Allan's absurd trivia competitions. If you're in LA, pick up a ticket for more of this insanity: SKYLIGHT BOOKS PRESENTS TANK GIRL   Whether you're attending or not, this episode is an adrenaline jolt of snappy silliness about an absurd and crazy flick.   Hosted by Allan Traylor, Tyler Austin, and Justin Remer.  Produced by Justin Remer.  Recorded at the LAPL Octavia Lab.  Opening music and game show bed music taken from Duck the Piano Wire's ISOLATION QUARTET  Closing music: "Rule of 3s (Solemnity Child)" by Elastic No-No Band 

Hosts Katie Walsh and Blake Howard discuss the announcement of the ‘Friend of the Fest 2024' MIAMI NICE PRESENTS MIAMI VICE screening at the American Cinematheque on Saturday August 24 (7:00pm) at the Egyptian Theatre. TICKETS: MIAMI NICE PRESENTS MIAMI VICEJoin our Patreon for as little as $1 a month for an exclusive weekly podcast + access to the OHM discord here.ONE HEAT MINUTE PRODUCTIONSWEBSITE: ONEHEATMINUTE.COMPATREON:ONE HEAT MINUTE PRODUCTIONS PATREONTWITTER: @ONEBLAKEMINUTE & @KATIEWALSHSTX & @OHMPODSSupport this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Who's the Bossk? - Episode 200: 2001: A Space Odyssey with Sam Rodriguez and David Murto Date: July 23rd, 2024 (recorded July 7th) Listen Topics First-time guest Sam Rodriguez (projectionist for the American Cinematheque in Los Angeles) joins regular guest David Murto and "Who's the Bossk?" host Mike Celestino for a discussion of director Stanley Kubrick's 1968 science-fiction masterpiece 2001: A Space Odyssey, as the 10th installment of the "Mike and David Movie Club." Subscribe iTunes Google Spotify

Who's the Bossk? – Episode 200: 2001: A Space Odyssey with Sam Rodriguez and David Murto Date: July 23rd, 2024 (recorded July 7th) Listen Topics First-time guest Sam Rodriguez (projectionist for the American Cinematheque in Los Angeles) joins regular guest David Murto and “Who's the Bossk?” host Mike Celestino for a discussion of director Stanley […] The post Who's the Bossk? – Episode 200: 2001: A Space Odyssey with Sam Rodriguez and David Murto appeared first on LaughingPlace.com.

Ep. 258: Amy Taubin on Tribeca Picks, Agnieszka Holland, Bleak Week, Mireia Sallarès's Little Deaths Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. Why go through the summer without a return visit from the inimitable Amy Taubin? On this episode we discuss a few films cherry-picked from this year's Tribeca Festival; Agnieszka Holland and her incisive latest film Green Border; the intriguing repertory series known as Bleak Week, held annually at L.A.'s American Cinematheque and recently exported to New York's Paris Theater; and two works by Mireia Sallarès, Little Deaths and The Potential History of Francesc Tosquelles, Catalonia and Fear. Plus: I share a remarkable documentary about police investigations called Roubaix, Police Department, Ordinary Business, a discovery on the OVID streaming service. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Revival House says goodbye for now with a look at one of the biggest programming groups in town, the American Cinematheque.    Celebrating their 40th anniversary this year, screening 1500 movies a year in three iconic theaters across Los Angeles, the American Cinematheque has a movie for everybody, every night of the week. In this episode, How To LA producer Victoria Alejandro jumps into the history of these movie theaters and this programming group to shine a light on a little L.A. moviegoing history and spotlight the future of the American Cinematheque in this city.   Check out our deep dive into the Egyptian Theatre's history and reopening here:  https://omny.fm/shows/howtola/revival-house-the-egyptian-theater-redux   Guests: Professor and historian Ross Melnick, American Cinematheque artistic director Grant Moninger, Programmers Imani Davis and Cindy Flores, Senior Film Programmer Chris Lemaire

Revival House says goodbye for now with a look at one of the biggest programming groups in town, the American Cinematheque.    Celebrating their 40th anniversary this year, screening 1500 movies a year in three iconic theaters across Los Angeles, the American Cinematheque has a movie for everybody, every night of the week. In this episode, How To LA producer Victoria Alejandro jumps into the history of these movie theaters and this programming group to shine a light on a little L.A. moviegoing history and spotlight the future of the American Cinematheque in this city.   Check out our deep dive into the Egyptian Theatre's history and reopening here:  https://omny.fm/shows/howtola/revival-house-the-egyptian-theater-redux   Guests: Professor and historian Ross Melnick, American Cinematheque artistic director Grant Moninger, Programmers Imani Davis and Cindy Flores, Senior Film Programmer Chris Lemaire

Revival House says goodbye for now with a look at one of the biggest programming groups in town, the American Cinematheque.    Celebrating their 40th anniversary this year, screening 1500 movies a year in three iconic theaters across Los Angeles, the American Cinematheque has a movie for everybody, every night of the week. In this episode, How To LA producer Victoria Alejandro jumps into the history of these movie theaters and this programming group to shine a light on a little L.A. moviegoing history and spotlight the future of the American Cinematheque in this city.   Check out our deep dive into the Egyptian Theatre's history and reopening here:  https://omny.fm/shows/howtola/revival-house-the-egyptian-theater-redux   Guests: Professor and historian Ross Melnick, American Cinematheque artistic director Grant Moninger, Programmers Imani Davis and Cindy Flores, Senior Film Programmer Chris Lemaire

Revival House says goodbye for now with a look at one of the biggest programming groups in town, the American Cinematheque.    Celebrating their 40th anniversary this year, screening 1500 movies a year in three iconic theaters across Los Angeles, the American Cinematheque has a movie for everybody, every night of the week. In this episode, How To LA producer Victoria Alejandro jumps into the history of these movie theaters and this programming group to shine a light on a little L.A. moviegoing history and spotlight the future of the American Cinematheque in this city.   Check out our deep dive into the Egyptian Theatre's history and reopening here:  https://omny.fm/shows/howtola/revival-house-the-egyptian-theater-redux   Guests: Professor and historian Ross Melnick, American Cinematheque artistic director Grant Moninger, Programmers Imani Davis and Cindy Flores, Senior Film Programmer Chris Lemaire

Revival House says goodbye for now with a look at one of the biggest programming groups in town, the American Cinematheque.    Celebrating their 40th anniversary this year, screening 1500 movies a year in three iconic theaters across Los Angeles, the American Cinematheque has a movie for everybody, every night of the week. In this episode, How To LA producer Victoria Alejandro jumps into the history of these movie theaters and this programming group to shine a light on a little L.A. moviegoing history and spotlight the future of the American Cinematheque in this city.   Check out our deep dive into the Egyptian Theatre's history and reopening here:  https://omny.fm/shows/howtola/revival-house-the-egyptian-theater-redux   Guests: Professor and historian Ross Melnick, American Cinematheque artistic director Grant Moninger, Programmers Imani Davis and Cindy Flores, Senior Film Programmer Chris Lemaire

#281: Revival House says goodbye for now with a look at one of the biggest programming groups in town, the American Cinematheque.    Celebrating their 40th anniversary this year, screening 1500 movies a year in three iconic theaters across Los Angeles, the American Cinematheque has a movie for everybody, every night of the week. In this episode, How To LA producer Victoria Alejandro jumps into the history of these movie theaters and this programming group to shine a light on a little L.A. moviegoing history and spotlight the future of the American Cinematheque in this city.   Check out our deep dive into the Egyptian Theatre's history and reopening here:  https://omny.fm/shows/howtola/revival-house-the-egyptian-theater-redux   Guests: Professor and historian Ross Melnick, American Cinematheque artistic director Grant Moninger, Programmers Imani Davis and Cindy Flores, Senior Film Programmer Chris Lemaire

Kevin Goetz, a well-known personality within the entertainment industry, is currently a leading expert in motion picture marketing and tech-enabled research. He is often the “go-to” person when filmmakers and studios need insights into how to fix or market their pictures.  His company, Screen Engine, is one of the few firms worldwide that conducts specialized research on Hollywood's movies and television content. Goetz has been at the center of the research industry for more than three decades and has worked alongside all the major film studio chiefs, network and streaming platform executives and production company decision-makers.  Kevin wrote his first book, published by Simon & Schuster, “Audience•ology: How Moviegoers Shape the Films We Love,” about an important aspect of his business — audience pre-release test screenings.  Bringing his bestselling book to life, he is the host of the successful podcast “Don't Kill the Messenger” and continues to educate up-and-coming filmmakers, deliver keynote speeches, and give talks and presentations around the world. Kevin has also produced 12 television movies, including the Emmy-winning “Wild Iris.”  Kevin Goetz is a member of the Academy of Motion Picture Arts and Sciences and several other distinguished organizations, including The Television Academy and the Producers Guild of America. Screen Engine, a global leader in entertainment research and content testing, has been honored this month with the American Cinematheque's prestigious Power of Cinema Award in conjunction with its CEO, founder, and entertainment research veteran, Kevin Goetz.  The award was presented to Goetz at a star-studded award ceremony at the Beverly Hilton Hotel this month, along with the American Cinematheque Award presented to renowned actress Dame Helen Mirren. Harrison Ford, Bryan Cranston, Vin Diesel, Alan Cumming, Stefanie Powers, Patrick Stewart, Andrea Riseborough, and Pierce Brosnan were among the celebrities in attendance to support the honorees. #BeMoreGoetz ON THE KNOWS with Randall Kenneth Jones is a podcast featuring host Randall Kenneth Jones (bestselling author, speaker & creative communications consultant) and Susan C. Bennett (the original voice of Siri). ON THE KNOWS is produced and edited by Kevin Randall Jones. KEVIN GOETZ Online: Twitter: https://twitter.com/KEVINGOETZ360  Facebook: https://www.facebook.com/KevinGoetz360/  Instagram: https://www.instagram.com/kevingoetz360/  Web: https://kevingoetz360.com/  ON THE KNOWS Online:    Join us in the Podcast Lounge on Facebook. X (Randy): https://twitter.com/randallkjones  Instagram (Randy): https://www.instagram.com/randallkennethjones/  Facebook (Randy): https://www.facebook.com/mindzoo/  Web:  RandallKennethJones.com X (Susan): https://twitter.com/SiriouslySusan Instagram (Susan): https://www.instagram.com/siriouslysusan/ Facebook (Susan): https://www.facebook.com/siriouslysusan/ Web: SusanCBennett.com LinkedIn (Kevin): https://www.linkedin.com/in/kevin-randall-jones/ Web: KevinRandallJones.com   www.OnTheKnows.com

#181: Revival House – our weekly love letter to vintage and indie theaters across LA – will be back next week. Today, we're revisiting the episode from last fall that inspired the series, profiling the recently reopened Egyptian Theater in Hollywood. Original episode description below. The historic Egyptian Theater in Hollywood officially reopened its doors after a three-year closure and extensive renovation. It's sale to Netflix in 2020 drew some criticism but moviegoers so far have been enthusiastic about it being able to sit in its seats once again to watch a film. The theater has a long history in Los Angeles. When Sid Grauman first opened it in 1922 it helped establish Hollywood as a destination and the city as a place for the movies. How to LA producer Victoria Alejandro caught a movie herself at the Egyptian and joined host Brian De Los Santos to talk about the significance of it opening back up. Additional Guests: Ross Melnick, theater historian who teaches film and media at the University of California at Santa Barbara, and Grant Moninger, Artistic Director at the American Cinematheque

At Night and From a Distance: Thom Andersen's Los Angeles Plays Itself We're starting the month of December (and ending 2023) with a dive into Los Angeles in a month of programming curated by our own Ibrahim Chavez. Our first episode of December is a look at film critic and teacher, Thom Andersen's "video essay" Los Angeles Plays Itself (2003). A legend in the world of documentary filmmaking, Andersen's film was seen sporadically in screenings set up by Andersen, showings at the American Cinematheque in Los Angeles (Hollywood), and filesharings through film lovers. In 2014 the film film was finally released on DVD through Cinema Guild and can also be seen (for free) on YouTube.  Examining the city of Los Angeles in three distinctive categories (Background/Character/Subject), Andersen's film is a love letter to the city and cinema itself. Questions are asked and Answers are forwarded. Take a listen and see if you agree with our thoughts on this wonderfully entertaining look at one of the world's great cities. You can reach us at gondoramos@yahoo.com to give us your thoughts. As always, we continue to look to you good and loyal listeners for support. If you have listened and enjoyed our bantering over these nearly eight years please feel free to support us with a monetary contribution. We're not asking for a whole lot. Whatever you can give is appreciated. The holidays are coming an we could use the help. Stop being cheap bastards and give what you can. Follow the link below to contribute.  Our Continued Thanks. https://www.buymeacoffee.com/watchrickramos 

#181: The historic Egyptian Theater in Hollywood officially reopened its doors after a three-year closure and extensive renovation. It's sale to Netflix in 2020 drew some criticism but moviegoers so far have been enthusiastic about it being able to sit in its seats once again to watch a film. The theater has a long history in Los Angeles. When Sid Grauman first opened it in 1922 it helped establish Hollywood as a destination and the city as a place for the movies. How to LA producer Victoria Alejandro caught a movie herself at the Egyptian and joined host Brian De Los Santos to talk about the significance of it opening back up. Additional Guests: Ross Melnick, theater historian who teaches film and media at the University of California at Santa Barbara, and Grant Moninger, Artistic Director at the American Cinematheque

This month we're taking you back to the theater to listen in with us on a fascinating conversation with iconoclast director Werner Herzog. Straight from the stage at this sold out, members only screening at the American Cinematheque, Herzog discusses his beautiful and rarely seen Cherry Bomb FAMILY ROMANCE LLC, shot nearly solo in Japan and out of pocket for under 20,000 dollars. He also dishes on his love life, evading the Tokyo subway police, his eclectic book club selections and the Dalai Lama's love of vampire movies!

Screenwriter Stuart Wright talks about the new folk horror film TO FIRE YOU COME AT LAST with the writer/director Sean Hogan and "3 Films That Have Impacted Everything In Your Adult Life"A WARNING TO THE CURIOUS (1972) THE EXORCISM (1972)BABY (1976)SAT SEP 30, 2023 - TO FIRE YOU COME AT LAST plays Beyond Fest - THE BIGGEST GENRE FILM FESTIVAL IN THE US https://www.americancinematheque.com/now-showing/to-fire-you-come-at-last-and-other-folk-tales-9-30-23/“55 movies across 15 days adds up to a true celebration of the theatrical experience - the very mission at the heart of the American Cinematheque,” said American Cinematheque Director of Programming and Creative, Grant Moninger. “It is an honor to give back to the incredible film-loving community that supports us year round and the city that was literally built by Cinema.”THURS 12 OCT, 2023 - TO FIRE YOU COME AT LAST plays Mayhem Film Festival https://www.mayhemfilmfestival.com/line-upFull Festival Passes are still available for £85, giving you access to all films and events from this year's festival. Individual tickets and Frankenstein ticket packages (where you can select four films for the price of three), are now also available. For more information, and to book tickets and passes, please visit www.mayhemfilmfestival.com. For Frankenstein ticket packages, please visit Broadway's box office or contact them on 0115 952 6611.Mayhem Film Festival takes place at Broadway, Nottingham on 12-15 October 2023."3 FILMS THAT HAVE IMPACTED EVERYTHING IN YOUR ADULT LIFE" is a podcast by screenwriter Stuart Wright that explores the transformative power of cinema. From emotional masterpieces to thought-provoking classics, each episode delves into the films that have had a profound impact on our personal growth and perspective. Through engaging storytelling, critical analysis, and cultural commentary, Stuart aims to uncover the lasting influence that movies have had on his guests. Please join him on an emotional journey through the world of film and discover how just three movies can change the direction of a life, cement memories you will never forget or sometimes change how you see the world."3 FILMS THAT IMPACTED EVERYTHING IN YOUR ADULT LIFE is about those films that made you fall in love with film. The guest selects their trio of movies and we talk for 5 minutes, against the clock. When the ALARM goes off for five minutes we move onto the next film.Please consider leaving a five-star review wherever you get your podcasts if you enjoyed this. It really helps the Britflicks Podcast grow and others to discover it.CreditsIntro/Outro music is Rocking The Stew by Tokyo Dragons (www.instagram.com/slomaxster/)Podcast for www.britflicks.com https://www.britflicks.com/britflicks-podcast/Written, produced and hosted by Stuart WrightSupport this podcast at — https://redcircle.com/britflicks-com-podcast/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week, Richard Shephard joins Jessica Kantor on Raising Cinephiles. His career has spanned 30 years of creating film, and TV of all shapes and sizes. His newest documentary, FILM GEEK, is screening in Los Angeles on September 22nd at the American Cinematheque. It's a personal film about his love of cinema and his relationship with his father. We discuss everything from story structure to sharing his passion for film with his two stepchildren.Buy Tickets HereFILM GEEK is a joyous and emotional look back at a movie-obsessed kid growing up in New York City and his relationship with his mysterious father. Crafted entirely out of film clips from over 200 movies, as well as his personal archives, Emmy and DGA award-winning director Richard Shepard (THE MATADOR with Pierce Brosnan) mines the material for clues to understand his own cinematic DNAFilms Discussed:Wizard of OzKing KongFriday the 13The GodfatherRaiders of the Lost ArkClose EncountersChoose MeHeartbreakers Ugly BettyLost in TranslationGirlsApocalypse NowHandmaid's TaleLolita New Episodes Every Wednesday!EPISODE CREDITS:Host, Producer, Editor: Jessica KantorBooker: Noelia MurphyBe sure to follow and tag Raising Cinephiles on Instagram

By the power of Grayskull, it is finally time we take a look back at the 1987 classic film, 'Masters of the Universe,' starring Dolph Lundgren and Frank Langella as He-Man and Skeletor respectively.Does this 80's camptastic film deserve its 22% Rotten rating on our Tomatometer, or are there some redeeming qualities to it?Host of "The Big Thing" podcast Kristian Harloff joins Mark and Jacqueline in discussing all of this and more all on today's show!For more information on the American Cinematheque and upcoming screenings, visit their site at https://www.americancinematheque.com/.If you'd like to give your thoughts on this movie or have another movie you feel like Rotten Tomatoes got wrong, email us at RTisWrong@RottenTomatoes.com.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Surveys show Angelenos have ambivalent opinions about the LAPD. But the local government keeps giving the department more money. Guatemala last week elected Bernardo Arévalo as president. His campaign centered on anti-corruption and political reform. What do Guatemalan Angelenos think of him? From September 2 to 23, the American Cinematheque is hosting weekly screenings of films that feature public transit in LA, including “Speed” and “The Italian Job.”

The epic political thriller "JFK" was featured last weekend at the American Cinematheque, and we had the privilege to interview writer & director Oliver Stone live on stage. Stone talks about the impact of this controversial film, and reflects on its legacy today. You'll also hear some of the filmmaker's thoughts on the state of the industry today, and why he's an even angrier, more passionate filmmaker than ever. Learn more about your ad choices. Visit megaphone.fm/adchoices

Cinephile Game Night has returned with Cinephile Summer, a brand new season featuring your favorite podcasters and filmmakers going head-to-head to see who is the ultimate cinephile. Hosted by The Film Stage's Jordan Raup, Conor O'Donnell, and Dan Mecca along with Cinephile: A Card Game creator Cory Everett, the series debuts new episodes bi-weekly on The Film Stage Show podcast feed and The Film Stage YouTube channel. For the fifth episode of Cinephile Summer, we were thrilled to face off against the epic team-up of Happy Sad Confused host Josh Horowitz, Light the Fuse hosts Drew Taylor and Charles Hood, and filmmaker and video essayist Patrick Willems. And for those of you in Los Angeles, the American Cinematheque is programming a really cool series called “Friend of the Fest” where Cory will be repping Cinephile Summer and introducing a screening of one of our favorite late summer movies, Sam Raimi's 1990 classic, Darkman this Saturday August 26th. So if you are in LA, grab tickets for that.

Kim Adelman began her producing career with the indie feature, Just Friends. She then launched the Fox Movie Channel's short film program, where the 19 shorts she produced won 30+ awards and played over 150 film festivals worldwide, including the Sundance Film Festival four years in a row.Kim Adelman currently teaches Low Budget Filmmaking at UCLA Extension and Cinema Production II at Mount Saint Mary University. In 2014, she was named UCLA Extension's Entertainment Studies Instructor of the Year. In 2016, she won its Distinguished Instructor Award.In addition to guest lecturing at UC Irvine, Cal State Fullerton, and Cal State Los Angeles, she has also taught filmmaking workshops across the US, Canada, and New Zealand. Most recently she led creative writing workshops for kids at UCLA's Hammer Museum via 826LA and filmmaking for teens at Pasadena's Norton Simon Museum.Over the past two decades, Ms. Adelman has also reported extensively on festivals and short films for Indiewire, co-programmed the American Cinematheque's annual Focus on Female Directors short film screening series for fifteen years, and co-founded FFC: the Female Filmmaking Collective. She has also been a jury member and/or a panel moderator at numerous international film festivals, including Sundance Next and the Los Angeles Film Festival during its final year.Her short film book, Making it Big in Shorts, is on its third edition and has been published internationally in Spanish and Mandarin. The three pop culture books she wrote for Penguin Random House are The Girls Guide to Elvis, The Girls Guide to Country, and The Ultimate Guide to Chick Flicks. which was also published in Japanese.She has recorded a five-part educational podcast on independent filmmaking for UCLA Extension and co-hosted the 15-episode movie adaptation podcast Book to Screen, available on iTunes. She has also appeared as cinema expert in the ARTE documentary From Weepies to Chick Flicks, E!'s Hollywood & Sex special, and the DVD extras for Love Me Tender and Ghost. She was profiled for Women Transforming Media and appeared onKim Adelman was also Director of On Air Creative Production for Style Network until that network shut down. She has worked at multiple cable networks including FX/FXM, E!, G4, PopTV, the Game Show Network, and Cinevault.This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/2881148/advertisement

Join us live in Los Angeles as Boys' Bible Study and American Cinematheque present... LET THERE BE LIGHT (2017) on Sun., Aug 27 at 10pm. Advance tickets on sale now! Every so often, God calls upon you to watch a movie that makes you reexamine the big milestones of decision-making in your life, such as, “What if… I never hosted a Christian film podcast?” WHAT IF… is a Christian romantic drama about guardian angels and alternate timelines that would feel right at home in the 1990s trend of secular/faith-based crossover media such as TOUCHED BY AN ANGEL. However, WHAT IF… was made two decades after this angelic era, and by a very consequential team of directors, writers and producers who would soon go on to achieve great success in the faith-based film genre. Director Dallas Jenkins (son of LEFT BEHIND co-creator Jerry B. Jenkins) would go on to direct THE CHOSEN, the hugely popular contemporary Christian TV series about the ministry of Jesus. Writers Chuck Konzelman and Cary Solomon would go on to create the consequential GOD'S NOT DEAD series just a few years after the release of WHAT IF…. Finally, WHAT IF… co-producer David A.R. White (already a famous name in the genre) and star Kevin Sorbo would soon be the lead actors in GOD'S NOT DEAD, cementing their respective statuses as the contemporary titans of Christian film. WHAT IF… stars Kevin Sorbo perfectly in his favorite typecast role of a ruthless, worldly atheist. In this case, his character Ben Walker leaves his relationship with his devoutly Christian high school sweetheart Wendy (Kristy Swanson) to start a new life in the big city as a rich and successful investment banker. Sounds great, but something must be missing… right? Right? Right!? Guardian angel “Mike the Angel” (John Ratzenberger) is sent by God to dispatch Ben to a more wholesome realm, where he never left Wendy and he gets to experience the richness of family life. Through Ben's eyes, we learn that love is more important than money… but money definitely helps a lot! View our full episode list and subscribe to any of our public feeds: http://boysbiblestudy.com Unlock 2+ bonus episodes per month: http://patreon.com/boysbiblestudy Subscribe to our Twitch for monthly streams: http://twitch.tv/boysbiblestudy Follow us on Instagram: http://instagram.com/boysbiblestudy Follow us on Twitter: http://twitter.com/boysbiblestudy

"MOTTO PANUKEIKU!"For the American Cinematheque's FRIEND OF THE FEST: PODCAST FESTIVAL, Travis Woods (in the flesh) and Blake Howard (over the airwaves) will be hosting a 35 mm screening of PTA's INHERENT VICE (the subject of our podcast, INCREMENT VICE at the Los Feliz 3 on Saturday 8/26 at 7PM!GET YOUR TICKETS HERE!Support this podcast at — https://redcircle.com/one-heat-minute-productions/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Buy advance tickets here: https://www.americancinematheque.com/now-showing/boys-bible-study-presents-let-there-be-light-8-27-23/ Boys' Bible Study podcast presents LET THERE BE LIGHT (2017, dir. Kevin Sorbo) with in-person introduction by Ash and Julian and remote introduction by Scott. Los Feliz 3 theater in Los Angeles. Sunday, Aug. 27 at 10pm, as a part of American Cinematheque's FRIEND OF THE FEST 2023. We're thrilled to present a very rare repertory screening of a faith-based film and LET THERE BE LIGHT will be an amazing one to watch with a crowd. We hope to see you there!

Hello listeners! In this episode, Tyler chats with Elliott Kalan, co-host of wildly successful bad movie podcast The Flop House, Emmy Award winning head writer of The Daily Show with Jon Stewart, and the creative force behind the comics MANIAC OF NEW YORK and MANIAC OF NEW YORK: THE BRONX IS BURNING.  Elliott discusses his earliest inspirations for Maniac Harry, a masked and immortal killer, whose murderous rampages become a semi-regular occurrence/nuisance to New Yorkers, his rules of satire and thoughts on storytelling as a vehicle for social messaging, plus why THE TAKING OF PELHAM 123 is his favorite film and a glorious portrait of '70s New York. Lastly, Elliott gives some insight into the ongoing writer's strike and how to support those most impacted by it.  Links to MANIAC OF NEW YORK and MANIAC OF NEW YORK: THE BRONX IS BURNING https://www.skylightbooks.com/book/9781949028713  https://www.skylightbooks.com/book/9781956731040 Link to the Entertainment Community Relief Fund:  https://entertainmentcommunity.org/ Produced by Tyler Austin, Mick Kowaleski, & Alena Saunders Opening music: "Optimism (Instrumental)" by Duck the Piano Wire Closing music: "Rule of 3s (Solemnity Child)" by Elastic No-No Band The Better Than the Movie guys will be at the American Cinematheque's FRIEND OF THE FEST! They'll be hosting a screening of Sally Potter's ORLANDO (1992) on Sunday, August 27th, at the Los Feliz 3. It's right next door to Skylight, come hang out and watch a movie with the BTTM gang!  Tickets found here: https://www.americancinematheque.com/now-showing/the-skylight-books-podcast-presents-orlando-8-27-23/

Round three! In this episode, Elric and Brian roam the shelves of the Pure Cinema Virtual Video store with yet another round of 5 more picks each from various different sections! As mentioned in the episode, we are hosting a screening of Altman's CALIFORNIA SPLIT on Friday August 25th at 7pm at the Los Feliz 3 Theater as part of the American Cinematheque's "Friend of the Fest" Series. Get tickets here: https://www.americancinematheque.com/now-showing/pure-cinema-podcast-presents-california-split-8-25-23/ Consider supporting Pure Cinema (and getting monthly bonus content) via our Patreon: https://www.patreon.com/purecinemapod This episode is sponsored by MUBI! Get 30 days of great cinema free at https://mubi.com/purecinema (and we'd love it if you would give them a try!) Follow the Show on Twitter: twitter.com/purecinemapod Instagram: www.instagram.com/purecinemapod/ and Facebook: www.facebook.com/purecinemapod/

It's Die Hard in a meta fantasy satire! Phil and Liam enter the weird and not-so-wonderful world of LAST ACTION HERO, the deconstructionist meta fantasy satire (and infamous box office flop) that has gained a growing cult following in the 30 years since its original release.  Last Action Hero wasn't just a movie, it was a pop-culture juggernaut, but ultimately it failed to deliver on the promise of its admittedly ingenious premise (at least according to Phil): thanks to a “magic ticket”, film-obsessed kid Danny (Austin O'Brien) gets sucked into the world of an action movie and has to team up with his favorite action hero Jack Slater (Arnold Schwarzenegger), using his encyclopedic knowledge of the genre to help solve the case, defeat omnipotent bad guy Benedict (Charles Dance) and save the day. The guys start by discussing their feelings and fandom for Schwarzenegger, whose legacy is currently being reappraised in light of the Netflix documentary Arnold. They recall their memories of the summer of the 1993, where Last Action Hero was crushed at the box office by the might of Jurassic Park, before finding a second, sustained life on home video. Last Action Hero famously had a revolving door of top-tier writers (some credited, some not) during its brief yet tortured production history, including some of the most prominent ‘script doctors' in Hollywood, notably William Goldman and Carrie Fisher. This leads to a discussion of the exact role of script doctors, as Phil offers his two cents on how the film might have been saved at the story stage. Alternative directors and actors are also discussed, and Liam offers a spirited defense of this much-maligned film, praising its inventiveness, imagination and influence on subsequent meta movies. The ‘Die Hard Oscars' continue to stoke controversy, and this week's ‘Double Jeopardy' trivia quiz is almost as complicated and convoluted as the film itself!  LAST ACTION HERO trailer https://www.youtube.com/watch?v=ShBw43KJoLk   At the time of release, LAST ACTION HERO is streaming on Netflix and Hulu and is available to rent or buy through Amazon Prime Video, Apple/iTunes, YouTube, RedBox, Vudu, DirectTV and all the usual platforms. If you're in LA, LAST ACTION HERO screens at the American Cinematheque on July 16, 2023. Support this podcast at — https://redcircle.com/die-hard-on-a-blank/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

My guest today is a special one. He's absolutely one of the most unsung heroes in the world of films and filmmaking, and particularly in this age when movies being shot and projected on film is a rarity. Benjamin Tucker is a film projectionist. But he also happens to be the Chief Projectionist at the American Cinematheque in Los Angeles…and is responsible for projecting some of the most memorable and important films and creating an experience that is truly the definition of movie magic. It's a fascinating talk that delves into the purest passions of why we love movies, and why seeing them projected in a theater with an audience can be a religious experience… Church is session, no heretics allowed! It's a great talk!   Please listen, enjoy, and share! Learn more about your ad choices. Visit megaphone.fm/adchoices

In 2001, writer/director Richard Kelly's genre-busting rookie feature DONNIE DARKO crashed and burned at the box office. But it almost immediately rose from the ashes to become one of the first cult hits of the 21st century...and it took the music of '80s band Tears for Fears along for the ride.Host Rico Gagliano tells this twisty tale with the help of Kelly, star Jena Malone (THE HUNGER GAMES), and the film's composer Michael Andrews—whose stripped-down cover of Tears's "Mad World" became maybe the most unlikely smash hit in UK history. To celebrate our new season of the podcast, we're partnering with the American Cinematheque to present a double feature of DONNIE DARKO and THE EVIL DEAD on Sunday April 9th at Santa Monica's Aero Theatre. Rico Gagliano and Richard Kelly will attend for an in-person discussion. For more details, check out the American Cinematheque's website here.The third season of the MUBI Podcast, titled “Needle on the Record,” dives into the unifying power of movie music and tells the stories behind some of cinema's most renowned “needle drops”—moments where filmmakers deployed pre-existing music instead of an original score. Each episode explores an iconic marriage of song and image that's become part of pop culture. It's a six-part mixtape for film lovers.To stream some of the films we've covered on the podcast, check out the collection Featured on the MUBI Podcast. Availability of films varies depending on your country.MUBI is a global streaming service, production company and film distributor dedicated to elevating great cinema. MUBI makes, acquires, curates, and champions extraordinary films, connecting them to audiences all over the world. A place to discover ambitious new films and singular voices, from iconic directors to emerging auteurs. Each carefully chosen by MUBI's curators.And with MUBI GO, members in select countries can get a hand-picked cinema ticket every single week, to see the best new films in real cinemas. To learn more, visit mubi.com/go

This week, we finish our three part episode on the 1980s distribution company Vestron Pictures. ----more---- The movies discussed on this week's episode are: The Adventures of a Gnome Named Gnorm (1990, Stan Winston) Big Man on Campus (1989, Jeremy Paul Kagan) Dream a Little Dream (1989, Marc Rocco) Earth Girls Are Easy (1989, Julien Temple) Far From Home (1989, Meiert Avis) Paperhouse (1989, Bernard Rose) Parents (1989, Bob Balaban) The Rainbow (1989, Ken Russell) Wonderland (1989, Philip Saville)   TRANSCRIPT From Los Angeles, California, the Entertainment Capital of the World, it's The 80s Movies Podcast. I am your host, Edward Havens. Thank you for listening today.   At the end of the previous episode, Vestron Pictures was starting to experience the turbulence a number of independent distributors faced when they had a successful film too soon out of the gate, and the direction of the company seemingly changes to go chasing more waterfalls instead of sticking to the rivers and the lakes they were used to.   Welcome to Part Three of our miniseries.   As we enter 1989, Vestron is seriously in trouble. More money has gone out then has come back in. It seems that they needed one more hit to keep going for a while longer. But if you were to look at their release schedule for the year, which included a pickup from the recently bankrupt DeLaurentiis Entertainment Group, there wasn't really anything that felt like it could be a Dirty Dancing-like break out, except for maybe the pickup from the recently bankrupt DeLaurentiis Entertainment Group.    But we'll get there in a moment.   Their first film from 1989 is a certifiable cult film if there ever was one, but the problem with this label is that the film tagged as so was not a success upon its initial theatrical release. Bob Balaban, the beloved character actor who had been regularly seen on screen since his memorable debut in Midnight Cowboy twenty years earlier, would make his directorial debut with the black comedy horror film Parents.   Bryan Madorsky stars as Michael Laemle, a ten year old boy living in the California suburbs in the 1950s, who starts to suspect mom and dad, played by Mary Beth Hurt and Randy Quaid, might be cannibals. It's a strange but fun little movie, and even Ken Russell would compare it favorably over David Lynch's Blue Velvet during one contemporary interview, but sadly, it would take far more time for the film to find its audience than Vestron could afford.   Opening in 94 theatres on January 27th, the $3m Parents could not overcome a series of negative reviews from critics, and it would only gross $278k in its first three days. Vestron would not strike any additional prints of the film, and would cycle the ones they did have around the country for several months, but after four months, the film could only attract $870k in box office receipts. But it would become something of a cult hit on video later in the year.   In 1992, British filmmaker Bernard Rose would make his American directing debut with an all-time banger, Candyman. But he wouldn't gotten Candyman if it wasn't for his 1989 film Paperhouse, an inventive story about a young girl whose drawings seem to manifest into reality. British actor Ben Cross from Chariots of Fire and American actress Glenne Headly from Dirty Rotten Scoundrels plays the young girl's parents.   Outside of Gene Siskel, who would give the film a thumbs down on his movie review show with Roger Ebert despite acknowledging Rose's talent as a filmmaker and being fascinated by the first two-thirds of the movie, the critical consensus was extraordinary. But it appears Siskel may have never actually written a review of the film for the Chicago Tribune, as the film still has a 100% Fresh rating on Rotten Tomatoes. But the film would only earn $6,700 from its single screen playdate at the Carnegie Hall Cinemas when it opened on February 17th, and the film would get little support from Vestron after that. More single playdates in major cities that added up to a $241k box office tally after fourteen weeks in release.   Marc Rocco's Dream a Little Dream would be the third film in The Two Coreys Cinematic Universe. Corey Feldman plays a high school student who, through one of the strangest plot twists in the whole body switching genre, finds himself switching places with two time Academy Award-winner Jason Robards, playing a professor who is looking for immortality through entering a meditative alpha state. Meredith Salinger and Piper Laurie also find themselves switching bodies as well, while Corey Haim plays the goofball best friend with not a whole lot to do. The supporting cast also includes veteran character actors Harry Dean Stanton and Alex Rocco, the latter who agreed to do the film because it was directed by his son.   When the film opened on March 3rd, it would be Vestron's second widest release, opening on more than 1,000 theatres. But just like the previous year's License to Drive, the pairing of Corey Haim and Corey Feldman did not set the box office on fire, opening in fifth place with $2.57m in ticket sales, compared to the #1 film of the week, the Morgan Freeman drama Lean on Me, which would gross twice as much as Dream a Little Dream while playing in 125 fewer theatres. In its second week, the film would lose 56 theatres and 52% of its opening weekend audience, falling all the way to 13th place with a gross of only $1.25m. By week three, the movie would move to dollar houses, and trudge along for several more months, until it closed in the middle of summer with only $5.55m in the till.   In the late 1970s and early 1980s, writer/director Jeremy Paul Kagan had directed and occasionally written several big ticket movies, including the 1977 Henry Winkler drama Heroes, which also starred Sally Field and, in his first post-Star Wars movie, Harrison Ford, and the 1985 Meredith Salinger/John Cusack adventure film The Journey of Natty Gann. Which makes his Natty Gann follow up, Big Man on Campus, such a head scratcher.   A modern adaptation of The Hunchback of Notre Dame, Big Man on Campus was written by Allan Katz, who had been working in television for nearly twenty years writing for and producing shows like All in the Family, Sanford and Son, The Mary Tyler Moore Show and MASH. Katz would also star in the movie as the titular hunchback, even though he had never once acted on any of his shows. But at least he had a good cast supporting him, including Gerrit Graham, Melora Hardin, Jessica Harper, Tom Skerritt, and Cindy Williams.   I can only find one playdate for the film ever, in Los Angeles at the American Cinematheque in March 1989, so while this mostly qualifies as a direct to video release, I feel compelled to at least give it a token mention here.   Have you ever heard of a movie called The Fruit Machine? Of course you haven't, because that's a horrible name for a movie, no matter what it's about. When Vestron acquired this British drama about young gay men who go on the run after they witness a murder, the first thing they did was change the title to Wonderland. Not that Wonderland gives you any more of an idea of what the movie is about than The Fruit Machine. But, whatever.   Today, the movie has two things going for it. One, an early role for Robbie Coltrane, playing a transvestite who operates a nightclub for gay men and transvestites called, you guessed it, The Fruit Machine. Second, the musical score was written by Hans Zimmer, in one of his earliest film jobs. Ironically, Wonderland would be the the third movie scored by Hans Zimmer to be released by Vestron in a four month period, after Burning Secret and Paperhouse.   Wonderland would open at the Quad Cinemas in New York City on April 28th, to poor reviews but a decent $11,500 opening weekend. But the film would not be able to maintain much of an audience, and after five weeks, Wonderland was out of the Quad Cinemas, never to play another theatre in America, with just $50k in the till.   Ken Russell's third and final film in his contract with Vestron was The Rainbow, an adaptation of a 1915 novel by D.H. Lawrence, whose 1920 novel Women in Love had been adapted by Russell in 1969. Glenda Jackson, who had won the Academy Award for her role in Women in Love, here plays the mother of the character she played in the other film. Here, she co-stars with Sammi Davis as Ursala, the younger sister of Jackson's Women in Love character, who finds herself attracted to Anton, a young man in town, as well as her gym teacher Winifred.   As one would expect from Ken Russell, the supporting cast is top notch, including future Eighth Doctor Paul McGann, regular Russell collaborator Christopher Gable, and Blowup star David Hemmings. The film would open at the Paris Theatre in New York City on May 5th, where it would gross a very good $22k, spurred on by great reviews from most of the city's major critics, several of which noted the film to be Russell's best in a number of years. So it would be sad that the film would end up being the lowest grossing of the three films he'd make with Vestron, only earning a total of $444k after three months in mostly single playdates in major markets.   In 1985, Geena Davis and Jeff Goldblum would work together on a forgettable horror comedy film called Transylvania 6-5000, whose name was a pun on a popular 1940 song recorded by Glenn Miller. In 1986, the pair would work together again in David Cronenberg's amazing remake of the cheesy 1950s horror film The Fly. In late 1987, shortly after the pair married, they would work together for a third time, on another comedy, and on a movie that was this time based on an actual song.    Earth Girls Are Easy was the name of a song that appeared on comedian Julie Brown's 1984 EP Goddess in Progress, and was originally developed as a movie at Warner Brothers Studio. The studio would get cold feet when Absolute Beginners, the big British musical directed by music video director Julien Temple, failed big time everywhere in the world except for the UK. Temple was slated to direct Earth Girls Are Easy, and Brown, as the co-writer and co-star of the film, was committed to the filmmaker, even if it meant Warners putting the film into turnaround.   Which they did, in 1986.   It would take nearly a year to get the project back on track, after being rejected by every other major studio and production company in Hollywood, until the French banking giant Credit Lyonnais agree to finance the film, provided they could cut the budget from $14m to $10m, and if the filmmakers could make a distribution deal with the bank's preferred distributor, the then newly-formed DeLaurentiis Entertainment Group.   The film, about a manicurist in Los Angeles who helps three aliens blend into human culture after they accidentally crash land their spaceship into her pool, would begin production in Los Angeles in October 1987. Davis played the manicurist, and Goldblum one of the aliens, alongside Damon Wayans and Jim Carrey, while the remaining cast would include a number of great comedic actors like MASH's Larry Linville, Michael McKean, Rick Overton, and Charles Rocket, as well as Los Angeles media personality Angelyne as basically herself.   While the film was nearing completion in early 1988, the DeLaurentiis Entertainment Group would go out of business, leaving Credit Lyonnais in need of a new distributor for their investment. But after Temple turned in his first cut of the film, Credit Lyonnais would send Temple back into his editing bay, where he and his team would spend nearly another five months  winnowing out various scenes and completely excising a big and expensive musical number based on one of the other songs on Brown's 1984 EP, I Like ‘Em Big and Stupid, because it just didn't work for the film. Additional scenes would be shot, and the budget would end up being $11m.    The film would have its premiere at the Toronto Film Festival in September 1988, and attract attention from a number of distributors including MGM/UA, New World Pictures and Twentieth Century-Fox, but Vestron would end up putting in the winning bid.   The film would originally be set for a February 1989 release, but would get delayed until May 12th. When it finally opened on 317 screens in Boston, Chicago, Los Angeles, New York, Philly, San Francisco, Toronto and Washington DC, the film would gross $893k, putting in twelfth place for the weekend, but its per screen average would be the fourth best amongst the films in the top twenty. The film would fall one place in its second week,  losing 35% of its opening weekend audience, grossing $577k. The film would slowly hemorrhage theatres and box office until the plug was pulled in mid-July with only $3.9m in tickets sold.   The sole lasting legacy of the film is that Damon Wayans enjoyed working so much with Jim Carrey that when Damon's brother Kenan Ivory Wayans was putting together a new comedy television show together thanks to the success of his movie I'm Gonna Get You Sucka, Damon would get his brother to give Carrey a chance. In Living Color would make Carrey and the Wayans Brothers stars, and would change the course of comedy. So there's that…   In late June, the Lightning Pictures imprint would release their first movie in nearly two years, Far From Home. The film starred the then-fourteen year old Drew Barrymore as a young girl traveling cross country with her father, who get stuck in a small desert town in Nevada on their way to back to Los Angeles, who must deal with some very strange characters in the trailer park they're staying in, as they slowly discover nothing is as it's supposed to be. Matt Frewer, Max Headroom himself, plays the dad, who must protect his daughter while he figures out how to get the hell out of town alive.   Truth be told, the movie sucks, and it's really creepy in how it sexualizes Barrymore, but there's one hell of a great supporting cast doing their best to keep the joint from totally stinking the place up. Richard Masur, Academy Award nominee Susan Tyrell, Anthony Rapp from Adventures in Babysitting, Jennifer Tilly, and beloved character actor Dick Miller. When Vestron opened the film in four theatres in third-tier regions on June 30th, it was little surprise the film got some very bad notices, although one unnamed reviewer for Variety felt the need to note that Barrymore, who again was only fourteen at the time, had “a baby face, dreamy eyes and a playboy model's body.” The film would gross just $3,763 in its first and only weekend in theatres.   But that wasn't even the worst news of the week for Vestron.   On the same day as they opened Far From Home, Vestron had been informed by Security Pacific Bank in Los Angeles that the $100 million line of credit the company had with them was being terminated. 140 of the approximately 300 Vestron staff members, mostly from the Los Angeles office, were let go, including the President of Production, the Senior Vice President of Marketing and Distribution, and the Vice President of Publicity and Promotion. While Vestron Video would continue for a while, in large part thanks to a $15.7m payoff during a dispute over home video ownership rights to the 1986 Best Picture winner Platoon, the theatrical distribution unit was effectively dead. Some movies, including the Fred Savage/Howie Mandel comedy Little Monsters, the Harry Dean Stanton-led comedy Twister, and the Kathryn Bigelow-directed action thriller Blue Steel with Jamie Lee Curtis, would be sold off to other companies, but the titles left behind would see their planned theatrical releases cancelled and eventually be released direct to video.   Thanks to some of the legacy titles in their video catalog, including Dirty Dancing, Vestron would be able to stave off the inevitable, but in January 1991, the company would file for bankruptcy, their final film being the Stan Winston-directed fantasy buddy comedy The Adventures of a Gnome named Gnorm. Filmed in 1988 as Upward, the film featured Anthony Michael Hall as an Los Angeles Police Detective who has to team up with a gnome, a puppet created by Winston, the effects wizard who also directed the film, to solve a murder. For Winston, it was deja vu all over again, as his previous directorial effort, Pumpkinhead, found itself in limbo for a while when its distributor, the DeLaurentiis Entertainment Group, filed for bankruptcy in 1987 before they could release that film.   In bankruptcy court, Live Entertainment, partially owned by 1990s mega movie production company Carolco Pictures, would purchase all of Vestron's assets for $24m. Live used the assets as collateral to secure a line of credit from industry friendly banks, so they could start their own production and distribution company, of which their only moment of note was helping to finance Reservoir Dogs when no one else would.   Eventually, Live Entertainment would be sold off to Bain Capital, a private investment firm co-founded by Mitt Romney, in 1997, and they would rebrand Live as Artisan Entertainment. Artisan today is best known as the little independent distributor of The Blair Witch Project, but they also would enter into an agreement with Marvel Comics to make movies for 15 of their characters, including Ant-Man, Black Panther, Deadpool, Iron Fist, Longshot, Morbius, Mort the Dead Teenager, and the Power Pack.   Artisan would produce two movies based on Marvel characters, Man-Thing and The Punisher, although neither of those films would be released by Artisan. Artisan would declare bankruptcy in 2003, and Marvel would be one of the companies to place a bid for them. Lionsgate would end up becoming the winning bidder for Artisan's assets, which is how the vast majority of Vestron titles are now owned by a company that didn't even exist when Vestron closed shop.   Today, Lionsgate is the owner of the assets of a number of the companies we've spoken about on this podcast in the past, and will be talking about in the future, including Crown International, the DeLaurentiis Entertainment Group, Embassy Pictures, and New World Pictures. And it's also a major reason why so many of the movies we discuss in these episodes looking back at past companies are completely unknown today. As big as Lionsgate is, with nearly $3.6 billion in revenue in 2022, they aren't going to be able to keep up with the chain of ownership for every movies from every company they've purchased, and they're not going to put the money in to the movies that are barely remembered today. The Film Foundation, the non-profit organization co-founded by Woody Allen, Francis Ford Coppola, Martin Scorsese and Steven Spielberg, which is dedicated to film preservation, estimates the average cost to do a photochemical restoration of a color feature with sound to between $80,000 to $450,000 dollars, not including the cost of a 2k or 4k digital scan. I'm going to have a link in the show notes on our website at The80sMoviePodcast.com to a November 2018 article from the Science History Institute about the process of restoring films. It's not a long read, but it's a fascinating read. I hope you'll check it out.   So there you have it, the end of the line for Vestron Pictures, and many of the movies they helped to make and distribute, most of which you cannot find today in any form.   Thank you for listening.   We'll talk again next week when Episode 105, on the 1985 teen comedy O.C. and Stiggs, directed by Robert Altman, will be discussed.   Remember to visit this episode's page on our website, The80sMoviePodcast.com, for extra materials about the movies we covered this episode.   The 80s Movies Podcast has been researched, written, narrated and edited by Edward Havens for Idiosyncratic Entertainment.   Thank you again.   Good night.