Podcast appearances and mentions of sarah gubbins

Elizabeth and Julia talk about their journey with brain injury as guests of the Brain Tumour Charity's podcast, Let's talk about Brain Tumours. In the episode, they open up about their experiences as partners of brain injury survivors, detailing some of the challenges they have faced along the way and the progress made. Co-host of Let's Talk About Brain Tumours, Andy Tudor, talks about his life following his brain tumour aged 52 and some of the strategies he uses in his everyday life as well as the difficult conversations he's had with his family. It's also hosted by Sarah Gubbins who works as a support worker for young adults at the brain tumour charity. Listen and subscribe to its podcast Let's talk About Brain Tumours and visit the Brain Tumour Charity website. On A Good Day Thank you for listening to On A Good Day! Please go back and catch up on any missed episodes. For a full recap of Elizabeth and Julia's stories, listen to episode #1: How Brain Injury Came Into Our Lives - And Changed Them Forever. Please share this podcast with others it will benefit and subscribe, rate and review to help make it more visible! We'd be so grateful! Connect with Us On Instagram @onagood.day and X (formally Twitter) @onagood_day And you can join our Facebook community too! Learn more about your ad choices. Visit megaphone.fm/adchoices

We preview Carthage College's production of Sarah Gubbins' play "fml: How Carson McCullers Saved My Life," an engrossing play about a young person's search for identity and a sense of belonging. We speak with Herschel Kruger, chair of the theater faculty at Carthage, and Samantha Martinson, who has been brought in as guest director for the production.

O episódio de hoje marca a estréia do nosso grande amigo Felipe Sobreiro como integrante definitivo do Sala de Projeção Podcast. Artista, ilustrador, colorista e cinéfilo, Felipão vai estar sempre aqui com a gente daqui em diante. Bem-vindo, veião! Nada mais apropriado do que falarmos hoje de um filme escolhido pelo Felipe Sobreiro. "Shirley", filme norte-americano de 2020, conta uma história fictícia sobre a real e maravilhosa escritora Shirley Jackson, interpretada pela espetacular Elizabeth Moss, uma das atrizes favoritas entre nós aqui do Sala de Projeção. O filme foi dirigido com maestria por Josephine Decker; o roteiro foi escrito por Sarah Gubbins, que, por sua vez, se baseou na obra homônima de Susan Scarf Merrell. Uma curiosidade sobre o filme é que Elizabeth Moss também atuou como produtora e Martin Scorsese foi produtor executivo. Não deixe de acompanhar a nossa discussão sobre amor e parasitismo, processo criativo e rituais do escritor, papéis sociais e gênero, o significado da carta de Tarô "O Enforcado" no filme, e, especialmente, sobre uma interessante relação entre duas mulheres, distanciada da ótica masculina e das normas e expectativas sociais da época. Quer fazer um comentário, uma crítica ou uma sugestão? Envie um email a saladeprojecaopodcast@gmail.com e responderemos em breve. Ficha do Filme: Shirley, 2020. Direção: Josephine Decker. Roteiro: Sarah Gubbins. Elenco: Elizabeth Moss, Odessa Young, Michael Stuhlbarg e Logan Lerman. 107 min. EUA. Créditos: Ilustração: Felipe Sobreiro – sobreiro@gmail.com Edição e Identidade Visual: Thiago Vergara - thiagoverg@gmail.com Música de Introdução: https://www.bensound.com Músicas do filme: I'm in Town (Frantic Fay Thomas) House Carpenter (Tom Ashley & Tex Isley) The Gallows Pole (Leadbelly) Chicken Leg Chick (Joe Swift w/ Red Callendar's Quintet) Pretty Papa Blues (Paula Watson) Luz de Luna (Juan Sanchez) Ghost Piano (Music from Uppbeat (free for Creators!): https://uppbeat.io/t/yeti-music/ghost-piano License code: SP4LCJYW7FCW4TZU) Raw Meat (Music from Uppbeat (free for Creators!): https://uppbeat.io/t/weary-pines/raw-meat License code: 9TIDBV7ZWBI4VPEA) Música de Crédito ao Editor Runaway Blues (Gertrude "Ma Rainey")

This week, AWM Program Director Allison Sansone chats with playwright and screenwriter Sarah Gubbins, who most recently adapted the screenplay for the film Shirley starring Elisabeth Moss as Shirley Jackson. This program originally took place July 6th, 2020 and was recorded live via Zoom. We hope you enjoy entering the mind of a writer. AWM [...]

This week, AWM Program Director Allison Sansone chats with playwright and screenwriter Sarah Gubbins, who most recently adapted the screenplay for the film Shirley starring Elisabeth Moss as Shirley Jackson. This program originally took place July 6th, 2020 and was recorded live via Zoom. We hope you enjoy entering the mind of a writer. AWM [...]

Podcast sobre o filme Shirley, com um argumento assinado por Sarah Gubbins e realização de Josephine Decker.

We zijn terug van onze zomervakantie, we hebben een nieuwe podcasttune (!) en het filmseizoen is weer begonnen. En dus duiken Maan, Fien, Lauren en special guest Elias direct een filmisch doolhof in. In Josephine Deckers 'anti-biopic' Shirley - over horrorschrijver en feministisch icoon Shirley Jackson (1916 - 1965) - lopen waarheid en fictie, droom en fantasie door elkaar. Een uitgelezen kans om het te hebben over wat wíj onder een 'biopic' verstaan, hoe ver je mag gaan met iemands levensverhaal en of de waarheid er eigenlijk toe doet.Daarnaast praten over de weinig ergonomische keuzes van Elisabeth Moss, de meest ranzige eet-geluiden in film (sorry, luisteraars met misofonie!), De Dood van de Auteur en waarom een laagje siliconen niet genoeg is om iemand eer aan te doen. Ook schuift componist/producer/DJ en filmfan Elias Mazian aan om te praten over waarom hij zo van bloed houdt en over de nieuwe podcastjingle die hij voor ons maakte.Deze films kwamen langs:Shirley (2020) - Josephine Decker Komt een vrouw bij de dokter (2009) - Reinout Oerlemans Malcolm X (1992) - Spike LeeCadillac Records (2008) - Darnell MartinLady Sings the Blues (1972) - Sidney J. FurieThe Haunting of Hill House (2018) - Mike FlanaganMidsommar (2019) - Ari AsterFifty Shades of Grey (2015) - Sam Taylor-JohnsonTwilight (2008) - Catherine HardwickeMadeline’s Madeline (2018) - Josephine DeckerI Love Dick (2016 - 2017) - Sarah Gubbins The Handmaids Tale (2017 - now) - Bruce Miller Mad Men (2007 - 2015) - Matthew WeinerTop of the Lake (2013 - 2017) - Jane Campion, Gerard LeeThe Square (2017) - Ruben ÖstlundDrama Girl (2020) - Vincent Boy Kars The Kingmaker, Imelda Marcos (2019) - Lauren GreenfieldI, Tonya (2017) - Craig GillespieThe Iron Lady (2011) - Phyllida LloydOnce upon a time... in Hollywood (2019) - Quentin TarantinoHollywood (2020) - Ian Brennan, Ryan MurphyVice (2018) - Adam McKayCapote (2005) - Bennett MillerRay (2004) - Taylor HackfordCall me By Your Name (2017) - Luca GuadagninoA Serious Man (2009) - Joel & Ethan CoenOldboy (2003) - Park Chan-wookOldboy (2013) - Spike Lee Sympathy for Mr. Vengeance (2002) - Park Chan-WookSympathy for Lady Vengeance (2005) - Park Chan-WookThe Lobster (2015) - Yorgos Lanthimos The Lighthouse (2019) - Robert Eggers The Hours (2002) - Stephen DaldryLittle Women (2019) - Greta GerwigJulie and Julia (2009) - Nora EphronSynecdoche, New York (2008) - Charlie KaufmanLost in Translation (2003) - Sofia Coppola Stop Making Sense (1984) - Jonathan Demme Waves (2019) - Trey Edward ShultsBabyteeth (2019) - Shannon Murphy Girlhood (2014) - Céline SciammaSubmarine (2010) - Richard Ayoade Candyman (2020?) - Nia DaCostaBuladó (2020) - Eché JangaWat verder nog voorbij kwam:Shirley: A Novel (2014) - Susan Scarf MerrellThe Lottery (1948) - Shirley JacksonShirley Jackson: a Rather Haunted Life (2017) - Ruth FranklinZoom call tussen Elisabet Moss, Josephine Decker, Sarah Gubbins en Susan Scarf MerrellSamuel Beckett en het verbod op vrouwvertolkingenDe Michelle Obama PodcastWerner Herzog over ‘ecstatic truth’The Girls van Emma Cline - wel of niet over The Manson FamilyDroom weg bij het debuutalbum van Elias Mazian Vrij van Dromen (2020) De Schemerzone (2018 - 2019), de podcast van Elias Mazian en Emma van MeyerenNaar het Nederlands Film Festival met je Cinevillepas!Host: Maan MeelkerAan tafel: Fien Veldman, Lauren Murphy en Elias MazianTechniek: Dag & Nacht MediaMeepraten? Mail naar podcast@cineville.nl of @CinevillePod See acast.com/privacy for privacy and opt-out information.

Caitlin Malcuit sits down with Sarah Gubbins and Josephine Decker, writer and director of "Shirley," which features the reimagined life of horror author Shirley Jackson. Caitlin also reads an excerpt from the late Congressman John Lewis' final letter. You can follow Sarah Gubbins on Twitter and learn more about Josephine Decker by visiting her official website and following her on Twitter and Instagram. Also watch the trailer for "Shirley." Today’s Friday Morning Coffee is sponsored by Libro.fm and OneRoom.

July, 25, 2020 My guests this month on Live Culture will be Film Director Josephine Decker and Film Editor David Barker to discuss their new film Shirley, which won the 2020 Sundance Film Festival Special Jury Prize for Auteur Filmmaking. In the Film, renowned horror writer Shirley Jackson is on the precipice of writing her masterpiece when the arrival of newlyweds upends her meticulous routine and heightens tensions in her already tempestuous relationship with her philandering husband. The middle-aged couple, prone to ruthless barbs and copious afternoon cocktails, begins to toy mercilessly with the naïve young couple at their door. Shirley, which Opened Digitally on June 5th, Stars Elizabeth Moss in the title role, and was written by Sarah Gubbins, based on the book of the same name, written by Susan Scarf Merrell. Josephine Decker has said about Shirley Jackson: "I remember reading some critic or biographer noting that Shirley wasn’t a political writer. But I believe that Shirley grounded the political in the personal and that this is why her work continues to resonate today. Her stories are so deeply human that they are also timeless. She battled racism, classism and sexism through the unusual, the psychological, the manipulative rhythms of the subconscious.” Join Josephine, David and I for a conversation about the mechanics behind making the film, with its distinctive coloring, camera style, and wonderfully detailed sets and costumes. As the film came out during the pandemic we discuss the logistics of that, and how Jackson herself is memorialized in this deeply creative blending of her life and her fiction, creating a new reality that very much speaks to the now. A feast for the eyes and ears, the film also has a remarkable soundtrack including original music by Tamar-kali and tracks by Huddie Ledbetter, The Bell Sisters and Clarence Ashley. watch the trailer here for more about the film see here Shirley DIRECTED BY Josephine Decker WRITTEN BY by Sarah Gubbins ORIGINAL SOUNDTRACK by Tamar-kali STARRING Elisabeth Moss Odessa Young Michael Stuhlbarg Logan Lerman Distributed by NEON

Directed by Josephine DeckerWritten by Sarah Gubbins, based on the novel by Susan Scarf MerrellStars Elizabeth Moss, Odessa Young, Michael Stuhlbarg and Logan LermanRated RRuntime of 1hr 47minSynopsis: In this period drama, young marrieds Fred and Rose move in with real life literary couple Stanley Hyman and Shirley Jackson after the publication of Jackson's iconic short story “The Lottery.” In addition to finding herself as Jackson's de facto personal assistant/housekeeper, Rose also becomes Jackson's window into a new story she's working on.Theme music: "Secret of Tiki Island" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 3.0 Licensehttp://creativecommons.org/licenses/by/3.0/

If you are not familiar with Capricorn energy, BUCKLE UP. This week’s astrology transits are sea goat-centric and will be demanding us to take a look around and really ask ourselves what exactly are we doing? Your hosts Stevie Anderson and Kate Santos forecast your movie horoscopes for the week of June 28-July 4, 2020.  June 30th is the second time this year Jupiter (Rx) and Pluto (also Rx) will be conjunct in the sign of Capricorn. Capricorn is rooted in reputation and the messages we put out to society, and this transit is perfectly encapsulated in the dark-comedy Ingrid Goes West (2017). The film follows a mentally unstable woman named Ingrid (Aubrey Plaza) who comes into some cash after the death of her mother which fuels her fantasy of taking her online obsession with Instagram influencer Taylor (Elizabeth Olsen) from the screen to reality. The film investigates and dismantles the idea of performing one’s life for an audience. The Cap-chat continues! Saturn Retrograde reenters Capricorn and the ringed-planet has some unfinished business to take care of. Your hosts discuss the meaning behind Saturn Returns as well as one of the most quarter-life crisis movies of all time Reality Bites (1994). Capricorn culture prompts us to all think about the ways productivity, capitalism, and industrialism have been conditioned to be at the forefront of our young lives. Last and certainly not least is the Full Moon Lunar Eclipse in (you guessed it) Capricorn on July 4th. If you weren’t already questioning the meaning of life, this transit is sure to assist! We watched CherryPicks Choice Shirley (2020) directed by Josephine Decker and screenplay by Sarah Gubbins. The film is a biographical drama centered around real life horror writer Shirley Jackson, beautifully portrayed by Elisabeth Moss. In the film, Shirley leans into her self proclaimed witchy rituals as scenes of tarot, fortune telling, and the full moon give nod to the mysteries of our world that sometimes you must experience rather than rush to explain. Full moons are all about releasing and eclipses help accelerate that process. Shirley pushes the boundary on what kind of film you may expect it to be. It questions the foundation of societal norms and is a unique exploration of the artist’s process. This film and the corresponding transit are really asking ourselves to just let it be. FILMS SUGGESTED Ingrid Goes West (2017): https://www.thecherrypicks.com/films/ingrid-goes-west Reality Bites (1994): https://www.thecherrypicks.com/films/reality-bites Shirley (2020): https://www.thecherrypicks.com/films/shirley CherryPicks is the best place to see what women think about movies and more. CherryPicks highlights reviews and original stories exclusively from female and non-binary writers. www.TheCherryPicks.com Check out the fresh selections each week over at the CherryPicks Choices! Follow CherryPicks on Instagram and Twitter. Follow your host Kate Santos on Instagram and Twitter. Follow your host Stevie Anderson on Instagram and Twitter. Music composed by Honor Nezzo.

On this episode of Corpse Club, Heather Wixson is joined by director Josephine Decker and screenwriter Sarah Gubbins to discuss their new movie Shirley (based on Susan Scarf Merrell's novel of the same name), which is out now on digital platforms via NEON.    Listen as Decker and Gubbins reflect on making a movie about the legendary author Shirley Jackson ("The Lottery," The Haunting of Hill House), including their approach to depicting the turbulence of Jackson's home life in the ’50s, exploring Jackson's complex and at times dysfunctional relationship with Stanley Edgar Hyman (which rubs off on a younger couple in the film), and working with a talented cast led by Elisabeth Moss.    So, whether you've seen Shirley or you want to learn more about the film based on one of the most renowned horror writers of all time, sit back, relax, and enjoy a new episode of Daily Dead's official podcast!

  I went slightly personal with this mini-pod as I am focused on writing my first ever screenplay (at the tender old age of 48!). If you’re interesting in screenwriting or a writer in general, check out my interview with Shirley screenwriter Sarah Gubbins. Also included is some audio from my interview with Jamie Kennedy […]

"Shirley" premiered at the 2020 Sundance Film Festival to great acclaim where it got picked up by NEON and was released this past weekend on Hulu for everyone to stream from home. Much praise has been given to director Josephine Decker and the film's ensemble led by the always incredible Elisabeth Moss but for this interview, we're focusing on writer Sarah Gubbins. Sarah was kind enough to take a few minutes to talk to us about Shirley Jackson, her unusual but inspired adaptation of her story for the screen and the process of working on "Shirley." Listen to find out more! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

For this week's main podcast review, I am joined by Nicole Ackman, Josh Parham, Lauren LaMagna & Dan Bayer. Together, we review the latest film from director Josephine Decker ("Madeline's Madeline") in what will surely go down as one of the more unconventional biopics of the year, "Shirley." The film features a fantastic ensemble which includes Elisabeth Moss, Odessa Young, Michael Stuhlbarg & Logan Lerman. We discuss their work, the writing from Sarah Gubbins, the bold filmmaking decisions from Decker, and more! Listen to find out our thoughts. Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

Judy & PunchIn the town of Seaside, nowhere near the sea, puppeteers Judy and Punch are trying to resurrect their marionette show. The show is a hit due to Judy's superior puppeteering but Punch's driving ambition lead to a tragedy that Judy must avenge.Director: Mirrah FoulkesProduced by: Michele Bennett, Nash Edgerton, Danny GabalCast: Mia Wasikowska, Damon Herriman, Benedict HardieScreenplay by: Mirrah FoulkesDistributor: Madman Entertainment, Samuel Goldwyn FilmsRelease Date: (theatrical and VOD release on June 5)
Runtime: 1 hour 46 minutesGenre: Drama, ComedyShirleyA famous horror writer finds inspiration for her next book after she and her husband take in a young couple.Director: Josephine DeckerProduced by: Elisabeth Moss, Simon Horsman, Sarah Gubbins, David Hinojosa, Jeffrey Soros, Sue Naegle, Christine VachonCast: Elisabeth Moss, Logan Lerman, Michael StuhlbargScreenplay by: Sarah GubbinsDistributor: NeonRelease Date: (available on Hulu, VOD, Virtual Cinemas and participating Drive-Ins June 5)Runtime: 1 hour 47 minutesGenre: Drama/Thriller See acast.com/privacy for privacy and opt-out information.

Mary Kay and Louise talk about important things like, what’s going on in the literary world right now? What was it like to adapt Shirley Jackson to film? And, what are you reading now? This episode contains a really special interview with Sarah Gubbins, screenwriter of the new release film adaptation, Shirley.  This episode is sponsored by On LightHouses, The Yield, and Shelf Addiction. Subscribe to the podcast via RSS, Apple Podcasts, Spotify, or Stitcher. BOOKS AND TEXTS DISCUSSED: #FrightGirlSummer We Are All Fluxus Artists Now: Natilee Harren on Making the Most of Mundane Tasks “The First Lines of Emails I’ve Received While Quarantining” by Jessica Salfia Trailer of Shirley, adapted from Shirley: A Novel by Sarah Scarf Merrell Mostly Dead Things by Kristen Arnett Gender Trouble by Judith Butler Hangsaman by Shirley Jackson We Have Always Lived in the Castle by Shirley Jackson Raising Demons by Shirley Jackson “The Lottery” by Shirley Jackson YOU CAN FIND YOUR HOSTS HERE: Louise @ www.didyoueverstoptothink.com and @chaletfan on Twitter. Mary Kay @ www.marykaymcbrayer.com, Twitter at @mkmcbrayer, and Instagram at @marykaymcbrayer.

Dans la suite de cet entretien, Iris Brey expose le coeur de sa thèse sur le regard féminin à l’écran : à quoi peut-on le reconnaître ? Qu’est-ce que cela change à notre expérience de spectateurice ? Pourquoi est-ce qu’il ne s’agit pas d’une censure, mais au contraire d’une chance pour l’art cinématographique ? Le female gaze n’est pas l’inverse du male gaze, il peut être produit quel que soit le genre du réalisateur ou de la réalisatrice. Il ne s’agit pas d’objectifier les hommes comme on objectifie les femmes, mais bien de tout réinventer : la manière de filmer, de raconter des histoires, de les évaluer en terme critique… et d’enseigner le cinéma ! LES OEUVRES DONT IL EST QUESTION DANS L’ÉPISODE« Titanic »de James Cameron (1997), « Portrait de la jeune fille en feu » de Céline Sciamma (2019), la série « La servante écarlate » par Bruce Miller (2017) pour Hulu, tirée du roman de Margaret Atwood, la série « I Love Dick » par Jill Soloway et Sarah Gubbins pour Amazon Video (2017), tirée d’un livre de Chris Kraus paru en 1997 et traduit en français en 2016 (éditions Flammarion), le film « Madame a des envies » d’Alice Guy (1906), qu’on peut visionner ici : https://www.youtube.com/watch?v=arIMC0qSyHw, « Cléo de 5 à 7 » d’Agnès Varda (1962), « Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles » de Chantal Akerman (1975), « A bout de souffle » de Jean-Luc Godard (1960)OEUVRES RECOMMANDÉESIris Brey recommande « Wanda » de Barbara Loden (1970) et « Simone Barbès ou la Vertu » de Marie-Claude Treilhou (1980)Victoire Tuaillon recommande l’écoute du podcast Mansplaining, du journaliste Thomas Messias et la fréquentation du site Le Genre et l’écran, qui se propose de faire une critique féministe des productions audiovisuelles.OEUVRES DE L’INVITÉE« Sex and the series » 2016 (éd. L’Olivier)« Le regard féminin : une révolution à l’écran » 2020 (éd. L’Olivier)LE TEST DU FEMALE GAZE, selon Iris Brey1 / Il faut que le personnage principal s’identifie en tant que femme.2/ Que l’histoire soit racontée de son point de vue.3/ Que son histoire remette en question l’ordre patriarcal.4/ Que grâce à la mise en scène, le spectateur ou la spectatrice ressente l’expérience féminine.5/ Si les corps sont érotisés, le geste doit être conscientisé.6/ Le plaisir des spectateurs ne découle pas d’une pulsion scopique.CRÉDITSLes couilles sur la table est un podcast de Victoire Tuaillon produit par Binge Audio. Cet entretien a été enregistré dans le studio Surya Bonaly de Binge Audio (Paris 19e). Prise de son et réalisation : Quentin Bresson. Réalisation : Quentin Bresson Générique : Théo Boulenger. Chargée d’édition : Camille Regache. Direction des programmes : Joël Ronez. Direction de la rédaction : David Carzon. Direction générale : Gabrielle Boeri-Charles. See acast.com/privacy for privacy and opt-out information.

This week, we’ll hear from television creator Alec Berg. Berg’s television credits include writing and executive producing Seinfeld, Curb Your Enthusiasm and Silicon Valley, which is currently in its fifth season. Later, screenwriters that have successfully adapted books and other works for the big and small screen will discuss the challenges of capturing the spirit of the source material. Alec Berg has written for some of television’s most acclaimed comedies including Seinfeld, Curb Your Enthusiasm, and Silicon Valley. He co-created the new HBO show Barry with former SNL star Bill Hader. The series follows Barry, played by Hadder, who is a depressed, low-level hit man looking for a way out. I recently spoke with Berg over the phone to discuss using research to help develop a story, avoiding clichés, and the evolution television comedies.    Clips of Barry courtesy of HBO. Sarah Gubbins co-created the Amazon series I Love Dick which was based on the 1997 novel of the same name, Marc Haimes wrote the 2016 animated film Kubo and the Two Strings and is currently working on adapting the graphic novel Nimona and the best selling novel The Girl Who Drank the Moon, and Eric Heisserer who adapted the novella The Story of Your Life into the 2016 Oscar Nominated film Arrival. Gubbins, Haimes, and Heisserer spoke with me at the 24th Austin Film Festival to discuss translating themes and literary devices, collaborating with authors, and when to take creative liberties. Clips of Arrival courtesy of Xenolinguistics, LLC. and Clips of I Love Dick courtesy of Amazon Studios and Topple Productions    

This week, we’ll hear from television creator Alec Berg. Berg’s television credits include writing and executive producing Seinfeld, Curb Your Enthusiasm and Silicon Valley, which is currently in its fifth season. Later, we’ll hear from three screenwriters who have tackled the difficult task of adaptation. Sarah Gubbins co-created the Amazon series I Love Dick which was based on the 1997 novel of the same name, Marc Haimes wrote the 2016 animated film Kubo and the Two Strings and is currently working on adapting the graphic novel Nimona and the bestselling novel The Girl Who Drank the Moon, and Eric Heisserer who adapted the novella The Story of Your Life into the 2016 Oscar Nominated film Arrival. Alec Berg has written for some of television’s most acclaimed comedies including Seinfeld, Curb Your Enthusiasm, and Silicon Valley. He co-created the new HBO show Barry with former SNL star Bill Hader. The series follows Barry, played by Hadder, who is a depressed, low-level hit man looking for a way out. I recently spoke with Berg over the phone to discuss using research to help develop a story, avoiding clichés, and the evolution television comedies.    Clips of Barry courtesy of HBO. Next we’ll hear from three screenwriters who have tackled the difficult task of adaptation. Sarah Gubbins co-created the Amazon series I Love Dick which was based on the 1997 novel of the same name, Marc Haimes wrote the 2016 animated film Kubo and the Two Strings and is currently working on adapting the graphic novel Nimona and the best selling novel The Girl Who Drank the Moon, and Eric Heisserer who adapted the novella The Story of Your Life into the 2016 Oscar Nominated film Arrival. Gubbins, Haimes, and Heisserer spoke with me at the 24th Austin Film Festival to discuss translating themes and literary devices, collaborating with authors, and when to take creative liberties. Clips of Arrival courtesy of Xenolinguistics, LLC. and Clips of I Love Dick courtesy of Amazon Studios and Topple Productions  

In cui Alice, Andrea e Alice cavalcano la recente moda che anche le donne sono persone e affrontano una manciata di serie (perché tutte sarebbe stato impossibile) che mettono al centro questa idea rivoluzionaria di creare personaggi femminili forti, interessanti, complessi, sfaccettati -- insomma, personaggi. Anche se hanno la vagina. Pazzesco no? Abbiamo citato l'ottimo episodio di Ricciotto in cui una delle due Alici ha tenuto banco su 13 ReasonsWhy, che potete ascoltare qui: https://www.spreaker.com/user/querty/thirteen-reasons-why-ricciotto-237 E l'ottimo podcast di cinema You Must Remember This, che trovate a questo indirizzo (però è inglese): http://www.youmustrememberthispodcast.com/ Qui invece la performance di Jessie Graff ad American Ninja Warrior: https://www.youtube.com/watch?v=KiU1RN9wwPU Questa settimana abbiamo parlato di: GLOW di Liz Flahive e Carly Mensch, con Alison Bire (e tantissime altre) | Netflix | dal 23 giugno 2017 la 1° stagione Big Little Lies di David E. Kelly, con Nicole Kidman, Reese Winterspoon, Shailene Woodley e Zoe Kravitz | HBO | miniserie (2017) 13 Reasons Why di Jay Asher (libro) e Brian Yorkey (adattamento) | Netflix | 1 stagione (2017) The Handmaid's Tale di Margaret Atwood (libro) e Bruce Miller (adattamento), con Elisabeth Moss | Hulu | 1 stagione (2017-in corso) Feud di Ryan Murphy, con Jessica Lange e Susan Sarandon | FX | 1 stagione (2017-in corso) I Love Dick di Chris Kraus (libro), Sarah Gubbins e Jill Soloway (adattamento), con Kevin Bacon | Amazon | 1 stagione (2017) Sense 8 di Lana e Lilly Wachowski e J. Michael Straczynski | Netflix | 2 stagioni (2015-2017)

In cui Alice, Andrea e Alice cavalcano la recente moda che anche le donne sono persone e affrontano una manciata di serie (perché tutte sarebbe stato impossibile) che mettono al centro questa idea rivoluzionaria di creare personaggi femminili forti, interessanti, complessi, sfaccettati -- insomma, personaggi. Anche se hanno la vagina. Pazzesco no?Abbiamo citato l'ottimo episodio di Ricciotto in cui una delle due Alici ha tenuto banco su 13 ReasonsWhy, che potete ascoltare qui:https://www.spreaker.com/user/querty/thirteen-reasons-why-ricciotto-237E l'ottimo podcast di cinema You Must Remember This, che trovate a questo indirizzo (però è inglese):http://www.youmustrememberthispodcast.com/Qui invece la performance di Jessie Graff ad American Ninja Warrior:https://www.youtube.com/watch?v=KiU1RN9wwPUQuesta settimana abbiamo parlato di:GLOWdi Liz Flahive e Carly Mensch, con Alison Bire (e tantissime altre) | Netflix | dal 23 giugno 2017 la 1° stagioneBig Little Liesdi David E. Kelly, con Nicole Kidman, Reese Winterspoon, Shailene Woodley e Zoe Kravitz | HBO | miniserie (2017)13 Reasons Whydi Jay Asher (libro) e Brian Yorkey (adattamento) | Netflix | 1 stagione (2017)The Handmaid's Taledi Margaret Atwood (libro) e Bruce Miller (adattamento), con Elisabeth Moss | Hulu | 1 stagione (2017-in corso)Feuddi Ryan Murphy, con Jessica Lange e Susan Sarandon | FX | 1 stagione (2017-in corso)I Love Dickdi Chris Kraus (libro), Sarah Gubbins e Jill Soloway (adattamento), con Kevin Bacon | Amazon | 1 stagione (2017)Sense 8di Lana e Lilly Wachowski e J. Michael Straczynski | Netflix | 2 stagioni (2015-2017)

In cui Alice, Andrea e Alice cavalcano la recente moda che anche le donne sono persone e affrontano una manciata di serie (perché tutte sarebbe stato impossibile) che mettono al centro questa idea rivoluzionaria di creare personaggi femminili forti, interessanti, complessi, sfaccettati -- insomma, personaggi. Anche se hanno la vagina. Pazzesco no?Abbiamo citato l'ottimo episodio di Ricciotto in cui una delle due Alici ha tenuto banco su 13 ReasonsWhy, che potete ascoltare qui:https://www.spreaker.com/user/querty/thirteen-reasons-why-ricciotto-237E l'ottimo podcast di cinema You Must Remember This, che trovate a questo indirizzo (però è inglese):http://www.youmustrememberthispodcast.com/Qui invece la performance di Jessie Graff ad American Ninja Warrior:https://www.youtube.com/watch?v=KiU1RN9wwPUQuesta settimana abbiamo parlato di:GLOWdi Liz Flahive e Carly Mensch, con Alison Bire (e tantissime altre) | Netflix | dal 23 giugno 2017 la 1° stagioneBig Little Liesdi David E. Kelly, con Nicole Kidman, Reese Winterspoon, Shailene Woodley e Zoe Kravitz | HBO | miniserie (2017)13 Reasons Whydi Jay Asher (libro) e Brian Yorkey (adattamento) | Netflix | 1 stagione (2017)The Handmaid's Taledi Margaret Atwood (libro) e Bruce Miller (adattamento), con Elisabeth Moss | Hulu | 1 stagione (2017-in corso)Feuddi Ryan Murphy, con Jessica Lange e Susan Sarandon | FX | 1 stagione (2017-in corso)I Love Dickdi Chris Kraus (libro), Sarah Gubbins e Jill Soloway (adattamento), con Kevin Bacon | Amazon | 1 stagione (2017)Sense 8di Lana e Lilly Wachowski e J. Michael Straczynski | Netflix | 2 stagioni (2015-2017)