Podcasts about sciamma

The 2025 Cannes Film Festival kicks off today...and the question on everyone's mind is: what will be the great movies? Mostly, people look to the Cannes Competition (the films that compete for the Palme d'Or) to find the best films. But it's a lesser-known fact that many amazing films screen in the festival's sidebars. And many of the best films in cinema history have screened in the festival's sidebars. In fact, Chantal Akerman's Jeanne Dielman, which was named the greatest film of all time in the 2022 Sight & Sound poll did not screen in competition! It screened in the Directors' Fortnight. So on today's episode, Alex peels back the curtain on how all the different parts of the Cannes Film Festival work together. And she talks about the amazing films you've heard of (and some you probably haven't) that have screened outside the festival's competition. And she talks about some of the films she's excited for this year. Finally, Alex talks about some of the films she's excited for in this year's competition, and how they were already making fantastic films years ago that were hiding out in the festival's sidebars. *** Become a Seventh Row Insider to stay updated on the best films at Cannes this year and in past years that you might not otherwise stumble upon *** Interested in picking up Seventh Row's ebooks on Lynne Ramsay, Joachim Trier, Joanna Hogg, Debra Granik, or Céline Sciamma? They're available exclusively on Seventh Row. Peruse the collection here: http://seventh-row.com/ebooks Listen to the Women at Cannes Podcast Season Listen to the Women at Cannes episode on Kelly Reichardt For detailed show notes, visit https://seventh-row.com/2025/05/13/ep-171-navigating-cannes-beyond-the-competition/

Alex reviews Andrew Ahn's 2025 adaptation of the 1993 film The Wedding Banquet, starring Lily Gladstone, Youn Yuh-jung, and Joan Chen (and many more). The film is about two queer couples who end up conspiring to marry one half of each couple in exchange for a green card and money for IVF treatments. Alex discusses the film's unexpected delights — including the wonderful, tender sound design and lovely blocking — and how the film thoughtfully updates (and even queers some more) Ang Lee's classic queer rom-com. **Stay updated on the best under-the-radar films that just might shift your perspective by joining the Seventh Row Newsletter: http://email.seventh-row.com **Want to join Alex and a group of movie lovers to watch and discuss a Queer African film in May 2025? Join the waitlist for Reel Ruminators: http://seventh-row.com/reel-ruminators **Want Seventh Row's ebook on Céline Sciamma's Portrait of a Lady on Fire? It's available at http://sciammabook.com  

Frédéric Taddeï reçoit Cyrille Sciama, directeur du musée des impressionnismes de Giverny, pour présenter l'exposition de la collection Namad. David Namad, collectionneur et marchand d'art libanais, prête 57 œuvres de 17 artistes, dont Monet et Picasso. Sciamma dévoile les trésors de cette collection, notamment les premières représentations des nénuphars de Monet et des œuvres rares de Gustave Moreau. L'exposition montre l'influence des impressionnistes sur les artistes modernes comme Matisse, Modigliani et Picasso.Notre équipe a utilisé un outil d'Intelligence artificielle via les technologies d'Audiomeans© pour accompagner la création de ce contenu écrit.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

This week, Cozi tells Bri about Céline Sciamma's incredibly sweet and incredibly French indie film Petite Maman (2021). Will she want to see it for its wonderful concept that Cozi avoids talking about? Has she already seen it since this recording? Who knows, who could even knowRecommendations:Bri – Get a personal pie and eat it!Cozi – The film Universal Language (2024)

Send us a textAllô, bonjour, it is a very good day to be egregiously French with the MOST lesbian period drama ever to lesbian period drama. This may well be Céline Sciamma's masterpiece, but will it stand up to 4 sapphic disasters' shenanigans?Portrait of a Lady on Fire contains depictions of sex, abortion, and drug use, and discussions of suicide. Please proceed according to your needs and comfort level.Feminist Media Tests: https://youtu.be/2GLdPodFS80Ellie: @elessar42 on Bluesky, Letterboxd, and Medium; @football-in-tuxedos on Tumblr, Podcasting's Biggest Night available wherever Pods are Cast.Jas: @FaeRiviera on all socials, host of In Each Retelling.Charley: Host of Mystery Shack Lookback at PipeDream PodcastsMutual Aid Spotlight: The Women's Centers' Abortion Access Fundhttps://www.gofundme.com/f/dmac44-twc-abortion-access-fund?qid=310ef9340f6176cdd5e1a1b508c76fb1Support the showSam: @DemiSemme on YouTube, Tumblr, BlueSky, and most other social media platforms (NOT eX-Twitter). Visit our Tumblrs at sixdegreesofstarwars.tumblr.com and ier-6d.tumblr.comTheme Music provided by Refractory Period: @RefractoryPeriodTheBand on Instagram, linktr.ee/RefractoryPeriodForever Mutual Aid LinksE-Sims for Gaza: https://gazaesims.com/Click to Help: https://arab.org/click-to-help/Anti-Imperialism support for people across the world, organized by Kandakat_alhaqq: https://linktr.ee/kandakat_alhaqqCampus Bail Funds: https://campusbailfunds.com/6DOSW is a Pro-Union podcast. Please support artists by contributing to the Entertainment Community Fund if you can: https://entertainmentcommunity.org/how-get-help-and-give-help-during-work-stoppageThe views and opinions expressed in this podcast are those of the speakers and do not necessarily reflect the views or positions of any entities they represent.

In which the Mister joins me in reviewing PETITE MAMAN (2021), from writer/director Céline Sciamma.  After the death of her beloved grandmother, young Nelly (Joséphine Sanz) is taken by her parents to clear out her grandmother's home. While exploring the nearby woods, she meets and befriends a young girl named Marion (Gabrielle Sanz).  What follows is a lovely tale that explains through mysterious circumstances, the true bond of their friendship and how they learn to cope with grief through their shared support for each other.  The film clocks in at 1 h and 13 m, is rated PG and is currently streaming on Hulu and to buy/rent on Prime Video.  Please note there are SPOILERS in this review.#PetiteMaman  # CélineSciamma  #JoséphineSanz  #Nelly  #GabrielleSanz  #Marion  #NinaMeurisse  #LaMère  #TheMother  #StéphaneVarupenne  #LePère  #TheFather  #MargotAbascal  #LaGrandMère  #TheGrandMother  #ComingOfAge  #FamilyDrama  #Drama  #Death  #Grief  @Hulu  ⁠@PrimeVideo⁠  ⁠⁠⁠#FemaleFilmmakerFriday  #FemaleDirectors  #WomensHistoryMonth  #FridayFamilyFilmNightOpening intro music: GOAT by Wayne Jones, courtesy of YouTube Audio Library

We rush towards Céline Sciamma’s “Portrait of a Lady on Fire” and discuss: Cinematography, broad lighting and portraits; Story & Writing, layers, freezing time, power of groups, Celine’s writing process; and other such stuff and things and stuff. “Women have served all these centuries as looking glasses possessing the magic and delicious power of reflecting […] The post Ep 312: “Portrait of a Lady on Fire” appeared first on The Pestle.

A l'occasion de la Saint-Valentin, découvrez ces couples de fiction qui ont crevé l'écran. Ils nous ont fait rêver ou simplement réfléchir à notre conception de l'amour. Pour en parler, Alice Deroide est accompagnée de Mélanie de la chaîne “La manie du cinéma”. Mélanie est une youtubeuse, une monteuse et surtout, c'est une immense cinéphile. Après "Naissance des pieuvres", "Tomboy" et "Bande de filles", la réalisatrice Céline Sciamma signe son 4ème long métrage en 2019 : "Portrait de la jeune fille en feu" avec Adèle Haenel et Noémie Merlant. Un "film très important pour le cinéma français et pour le féminisme" selon notre experte qui nous explique pourquoi dans cet épisode. Un podcast Bababam Originals Première diffusion : 10 juillet 2020 Learn more about your ad choices. Visit megaphone.fm/adchoices

We're discussing a monumental film this week: Céline Sciamma's PORTRAIT OF A LADY ON FIRE (2019). Yes, it's romantic and poignant and emotionally and intellectually rich, but it also features really direct communication between its two lovers—and that might be the hottest thing of all. We discuss myth-making, companionship as the bedrock for romance (also hot, Marin argues), the Green World Archetype, and, most importantly, which scenes make Maggie want to puke because they're so good.    This episode's Juvenalia Encore is a poem written and performed by Rachel Anne! Follow them on Instagram: @cairnradesign   Email your own musings and questions to tellmeimsorry@gmail.com Follow us: The podcast's Instagram: @tellmeimsorry Maggie's Instagram: @_saint_margaret_ Join our book club: See the Linktree in our Instagram bio (@tellmeimsorry) or copy this link to your browser: https://bookclubs.com/clubs/6062997/join/e74d1c Secondary texts referenced: The World to Come (2019) dir. Mona Fastvold In Secret (2013) dir. Charlie Stratton “Portrait of a Lady on Fire director Céline Sciamma on her ravishing romantic masterpiece” by Emily St. James (published in Vox)

This is the first of two episodes in which host Dr Pasquale Iannone and guests discuss Film Phenomenologies, a ground-breaking collection of essays from Edinburgh University Press which explores work by filmmakers such as Céline Sciamma, Agnès Varda, Bill Viola, Alex Garland and Barry Jenkins through a phenomenological lens.In this first episode, Pasquale is joined by the collection's editor Dr Kelli Fuery (Professor of Creative and Cultural Industries at Chapman University, California). Kelli discusses her interest in feminist film-phenomenology, provides an overview of all 13 chapters and then takes a closer look at her own piece - on Agnès Varda's feminist musical One Sings, The Other Doesn't (1977).The next episode of Edinburgh Film Podcast (EFP 50) includes conversations with Professor Lucy Bolton and Dr David Sorfa, who discuss their respective chapters.

En este episodio de Reinas del grito, Desirée de Fez conversa con la prestigiosa guionista Isabel Peña. Colaboradora habitual del director Rodrigo Sorogoyen, con el que ha escrito, entre otras, las películas "El reino" (2018) y "As bestas" (2022), ambas ganadoras del Goya al mejor guion original, Isabel Peña también es cocreadora junto a Sorogoyen de la serie "Antidisturbios" (Movistar+; 2020). Su paso por Reinas del grito coincide con el estreno en salas de su nuevo trabajo como guionista, "El llanto" (2024), debut en el largo de Pedro Martín-Calero. En ella, Isabel Peña (que firma el guion junto a Martín-Calero) se adentra de lleno en el cine de terror en una propuesta que va al hueso de los miedos femeninos. Isabel charla con Desirée sobre el trabajo de guionista como terapia, de la coescritura como una manera de compartir los miedos, de la necesidad de luchar por los subtextos en el cine y de la naturaleza humana como lo que realmente quita el sueño. Quedó tiempo para hablar de Kathryn Bigelow, Céline Sciamma, el primer acto de "Midsommar" (2019) y el recuerdo de Isabel de la primera vez que vio "Mulholland Drive" (2020).

Ein großartiger Liebesfilm aus dem Jahr 2019: Noémie Merlant spielt darin eine Malerin, die 1770 auf eine Insel in der Bretagne reist, um Héloïse (Adèle Haenel), die Tochter einer Gräfin, zu porträtieren, damit das Bild an den zukünftigen Ehemann geschickt werden werden kann. Die junge Frau will sich jedoch den Blicken der Malerin entziehen. Nach und nach kommen die beiden Frauen sich näher. Irgendwann werden sie von ihren Gefühlen überwältigt. Céline Sciamma gelingt ein bildgewaltiger Film über die Macht des Blickes. Mehr dazu von Wolfgang M. Schmitt im Filmkompass!   Werbung: Unser Kinderbuch „Die kleinen Holzdiebe und das Rätsel des Juggernaut“ ist erschienen! Affiliate-Link: https://amzn.to/47h1LQI Die Anthologie SELBST SCHULD! ist jetzt erschienen. Affiliate-Link: https://amzn.to/47qau3a Sie können DIE FILMANALYSE finanziell unterstützen – vielen Dank! Wolfgang M. Schmitt Betreff: DIE FILMANALYSE IBAN: DE29 5745 0120 0130 7858 43 BIC: MALADE51NWD PayPal: http://www.paypal.me/filmanalyse Patreon: https://www.patreon.com/wolfgangmschmitt Wolfgang M. Schmitt auf Twitter: https://twitter.com/SchmittJunior Wolfgang M. Schmitt auf Facebook: https://www.facebook.com/wolfgangm.schmittjun/ Wolfgang M. Schmitt auf Instagram: https://www.instagram.com/wolfgangmschmitt/ Produziert von FatboyFilm: https://www.fatboyfilm.de/ https://www.facebook.com/fatboyfilm/ https://www.instagram.com/fatboyfilm/

Parce que le grand film romantique existe encore au XXIème siècle Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Em A Criada, Park Chan-wook nos mostra que o trambique é uma instituição mundial respeitadíssima e que maior que ele, talvez, só o amor

Tous les week-end, découvrez de courtes histoires d'amours, tendres ou percutantes, pour engager de vraies réflexions sur l'amour. Avant tout, un film d'amour En voyant la bande-annonce de "Portrait de la jeune fille en feu", difficile de catégoriser le film avant de l'avoir vu. S'agit-il d'un film d'époque, d'un film d'auteur, d'un conte contemporain ? Pour Céline Sciamma, il s'agit avant tout d'une histoire d'amour. Une histoire d'amour et de désir, tout en subtilité. Mais alors qu'est-ce qui la rend si particulière ?   Un podcast Bababam Originals. Date de première diffusion : 10 juillet 2020 Learn more about your ad choices. Visit megaphone.fm/adchoices

Caitlyn and Tyler discuss a female director for the first time in this horrible podcast's 10 year history, thus ending misogyny. The films are Tomboy, Portrait of a Lady on Fire and Petite Maman.

durée : 00:39:16 - Affaires culturelles - par : Arnaud Laporte - Avec les séries “Cœurs noirs” et “BRI”, Nina Meurisse a montré deux facettes très opposées de son jeu. Sur grand écran, après Céline Sciamma, Stéphane Brizé ou Agnès Jaoui, c'est dans le premier film d'Iris Kaltenbach, "Le Ravissement", que la comédienne a dévoilé toute l'étendue de son talent. - invités : Nina Meurisse Actrice

On this episode, host Dr Pasquale Iannone is joined by Dr Sarah Artt (Lecturer in English and Film at Edinburgh Napier University) to discuss her new book Quiet Pictures: Women and Silence in Contemporary British and French Cinema (Bloomsbury, 2024).In the book, Sarah draws on the work of Lynne Ramsay, Joanna Hogg, Lucile Hadžihalilović and Céline Sciamma to explore the different uses of silence which, according to Sarah, leads to new ways of looking, staring, and gazing.  Sarah and Pasquale discuss the use of silence in film more broadly as well as the idea of silence as a ‘feminist aesthetic'.

Pride Month continues with Céline Sciamma's Portrait of a Lady on Fire! Ben, Greg, Lindsey, Marshall, and Ray discuss the instant classic, which ranked 30th on the 2022 edition of Sight and Sound's critics' list of the greatest films of all time. Written and directed by Céline Sciamma, starring Noémie Merlant and Adèle Haenel.

The Balconettes at Cannes 77, second feature by actress Noémie Merlant and written with Céline Sciamma, is an act of women liberation The post “The Balconettes”, interview with director Noémie Merlant appeared first on Fred Film Radio.

Original Release Date: Monday 3 June 2024    Description:   This week's show begins with a correction about the great Death Race 2000 (discussed two episodes back) and about the talented filmmakers behind it. Then, in “What We're Reading”, Dean discusses the Beatrice Hyde-Clare Mysteries and Phil reveals his thoughts inspired by Brian Greene's The Hidden Reality. These thoughts, in turn, lead to stories about UCLA great Bill Walton, who died this past week, and the Integratron, which Phil visited before last week's show. After discussions of Multiverse theory, sound baths, and the wit and wisdom of John Wooden, focus shifts to a staggering array of movies and television shows. The movies include Marvel's Shang-Chi and the Legend of the Ten Rings, the Egyptian comedy Voy Voy Voy, the Canadian vampire film Humanist Vampire Seeking Consenting Suicidal Person, and the great Céline Sciamma's Petite Maman. The television shows are “The Mandalorian”, (followed by a deep dive into the entire Star Wars small screen universe), “Star Trek: Discovery”, (followed by an examination of a fatal flaw that has doomed “Star Trek” at various points in its history), and the genre mash-up Colin Farrell vehicle “Sugar” (for Apple TV +). After that, a question from a loyal listener like you (yes, YOU!) leads to a discussion about the large screen format ScreenX. Finally, in “Celebrity Deaths”, Phil quizzes Dean about a convicted felon-turned-actor and a two-time Oscar Winner for Best Picture!

This week we're joined by Adrianna Gober (@EADxBB) to talk about the sapphic worlds of French auteur Céline Sciamma. You can find Adrianna on her latest podcast “Bartel Me Something Good” over on the Cinema Smorgasbord feed at the Cinepunx network: https://www.cinemasmorgasbord.com/the-podcasts/bartel-me-something-good/ Films: Water Lilies(2007, d. Céline Sciamma) This film is out of print in English-subbed form, however you can stream it on Criterion: https://www.criterionchannel.com/water-lilies Tomboy (2011, d. Céline Sciamma This film is out of print in English-subbed form, however you can stream it on Criterion: https://www.criterionchannel.com/tomboy Portrait of a Lady on Fire (2019, d. Céline Sciamma) US Blu-ray: https://www.amazon.com/Portrait-of-a-Lady-on-Fire-Blu-ray/dp/B0863THLBJ UK Blu-Ray: https://www.amazon.co.uk/Portrait-of-a-Lady-on-Fire-Blu-ray/dp/B0859R3D74 Two friends discuss the theory behind classic, arthouse, and independent cinema, and go on a journey together to learn about under-appreciated works. Each episode will establish a common thread between three films and engage in discussion about them. This podcast is produced by Brave Voice Films. You can reach out to us at framesofreference@bravevoicefilms.com Tweet us: @podcastfor Our episodes will run bi-weekly. Please email us your suggestions!

Movies, Movies, Movies goes nocturnal in a deeply PM conversation for sleepwalkers. One film about the day (The Taste of Things), against a film about the night (The Strangers: Chapter 1) with eating in common. The night-talkers play 'what's the definition of mise-en-scene', discuss objects of optimism, André is afraid to bring up Sciamma, and the 2 agree on 2 films that 'nobody is craving at the moment' until they're saved by the wise words of Oregon filmmaker Theda Hammel. Spoiler alert: there's talk about Martin + Thelma and how carriages are movies and organising disordered thoughts. We live in a time of cruel art. See omnystudio.com/listener for privacy information.

/! ANNONCE /! : Soirée Tierlist de la starship tromperie le 5 juin 2024 à 20H sur notre Discord ! Vingt-huitième épisode de Vanishing Point, le podcast itinérant qui vous invite à voyager sur les routes imaginaires du Cinéma, sans gps ni direction assistée, avec comme seule boussole : notre passion, nos échanges et nos envies. Piloté par Mad, Ben et Franck. Les films abordés dans cet épisode : 00:01:24 : Skip générique (on juge pas promis) 00:07:09 : Bruegel, le moulin et la croix, Lech Majewski (2011) 01:28:13 : Portrait de la jeune fille en feu, Céline Sciamma (2019) 03:11:46 : BLINDTEST - Farewell Mona Lisa, The Dillinger Escape Plan 03:19:31 : Children of men, Alfonso Cuaron (2011) Les réponses au blindtest précédent (Épisode 27 Let it snow) sur Snow in summer, The Cure : Au service secret de sa Majesté, Eternal sunshine of the spotless mind, Gremlins, Batman 2, Anatomie d'une chute, Runaway Train, Rasta Rocket, Bons baisers de Bruges, The Grand Budapest Hotel Rejoignez-nous sur les réseaux sociaux : TWITTER : https://twitter.com/vpoint_podcast DISCORD : https://discord.gg/mDgZZd6Czj FACEBOOK : https://www.facebook.com/podcast.vanishingpoint INSTAGRAM : https://www.instagram.com/vanishingpoint_podcast/ BLUESKY : https://bsky.app/profile/vpointpodcast.bsky.social Et sur votre plateforme de podcasts préférée ! Abonnez-vous

On this week's episode, Morgan is joined by Deborah Kerr historian and writer Eoin Daly to discuss Céline Sciamma's 2019 film, "Portrait of a Lady on Fire."You can follow EoinTwitterYou can follow Female Gaze: The Film ClubInstagram

Bei filmfriend gibt es den Film „Mädchenbande“ der französischen Regisseurin Céline Sciamma. Auf WOW sind drei neu Dokumentationen des Abenteurers Levinson Wood am Start, in denen er Orang-Utans, Löwen und Eisbären besucht. Und auf Prime Video startet der koreanische Actionstreifen „A Man of Reason“. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/was-laeuft-heute >> Artikel zum Nachlesen: https://detektor.fm/kultur/was-laeuft-heute-maedchenbande-levinson-wood-meine-reise-zu-a-man-of-reason

Bei filmfriend gibt es den Film „Mädchenbande“ der französischen Regisseurin Céline Sciamma. Auf WOW sind drei neu Dokumentationen des Abenteurers Levinson Wood am Start, in denen er Orang-Utans, Löwen und Eisbären besucht. Und auf Prime Video startet der koreanische Actionstreifen „A Man of Reason“. Hier entlang geht's zu den Links unserer Werbepartner: https://detektor.fm/werbepartner/was-laeuft-heute >> Artikel zum Nachlesen: https://detektor.fm/kultur/was-laeuft-heute-maedchenbande-levinson-wood-meine-reise-zu-a-man-of-reason

Sam Clements is curating a fictional film festival. He'll accept almost anything, but the movie must not be longer than 90 minutes. This is the 90 Minutes Or Less Film Fest podcast. In episode 119 Sam is joined by film critic and journalist Lillian Crawford.  Lillian has chosen Céline Sciamma's debut feature Water Lilies (85 mins). First shown at the Cannes Film Festival in 2007, the film stars Pauline Acquart, Louise Blachère, and Adèle Haenel.  Sam and Lillian discuss Céline Sciamma's outstanding debut, her unique outlook on adolescent relationships, and the remarkable performances from the young leads. Thank you for downloading. We'll be back in a couple of weeks! Rate and subscribe on Apple Podcasts: https://tinyurl.com/90minfilm If you enjoy the show, please subscribe, rate, review and share with your friends. We're an independent podcast and every recommendation helps - thank you!  You can also show your support for the podcast by leaving us a top at our Ko-fi page: https://ko-fi.com/90minfilmfest Website: 90minfilmfest.com Tweet: @90MinFilmFest  Instagram: @90MinFilmFest  We are a proud member of the Stripped Media Network. Hosted and produced by @sam_clements. Edited and produced by Louise Owen. Guest star @lillcrawf. Additional editing and sound mixing by @lukemakestweets. Music by @martinaustwick. Artwork by @samgilbey. 

Director Céline Sciamma decided upon two key omissions early in production of Portrait of a Lady on Fire (2019). First, that there would be few smiles from the all-female cast in what became the first 70 minutes of runtime. Second, that there would be no music, save two scenes where it crystallizes with the power and emotion of a thunderstorm. “…you will have to find the musicality of the film elsewhere,” Sciamma said in an interview with IndieWire. “In the rhythm of the scenes, in the bodies of the actors.”The film follows Marianne, a french painter commisioned to secretly make a portrait of Héloïse, the daughter of an aristocrat who resides in a castle on the island where the film takes place. The painting must be created secretly because Héloïse refused to pose for the previous painter in protest of her upcoming arranged marriage. She is quite literally trapped, her anger an everpresent flame beneath a steely expression.Over the course of the film, desire between Marianne and Héloïse swells like the tumultuous ocean which they gaze upon while stealing longing glances at each other, until the swells coalesce into a grand wave of passionate hunger, a necessity for each other's touch. Portrait portrays the yearning and desperate lust of an early relationship better than any film I've seen, all upon the tragic backdrop of the lovers' knowledge that what they've captured cannot last. For Héloïse is betrothed to another, a Milanese aristocrat who she barely knows.The lack of music in most of Portrait is jarring, and requires magnificent performances from the actors who play Héloïse (Adèle Haenel) and Marianne (Noémie Merlant) to provide rhythm to the love that we experience through them. Sciamma pulls off her unconventional approach, which she describes as purposeful, “to put the viewer in the same physical condition and frustration” as the forbidden lovers. Sciamma meticulously establishes the two characters, draws out their building desire through furtive glances and suppressed smiles. Indeed, we don't see them kiss until nearly 80 minutes into the film. That's not to say there is no intimacy, but rather points to the mastery of the craft that Sciamma exhibits in showing such intimacy outside of traditional means. The tender framing, the lush sound design, the warm cinematography, the careful dialogue. All of it adds to a tension which grows so tight that by the time they finally embrace and commit to their love, emotion pours out like a gushing river in which the viewer cannot help but be swept away. Hosted on Acast. See acast.com/privacy for more information.

Kelsi and Trey discuss for almost 4 HOURS how 'Portrait of a Lady on Fire' is Céline Sciamma's highly successful attempt at subverting conventions across cinema, storytelling, and history at large. Noémie Merlant and Adèle Haenel invent this echo of a romance to give us one of the great masterpieces of the 21st century. Become a member of The Extra Credits+ on Patreon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Patreon link: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://patreon.com/TheExtraCredits?utm_medium=clipboard_copy&utm_source=copyLink&utm_campaign=creatorshare_creator&utm_content=join_link⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Send requests, questions, and thoughts to our email: extracreditspod@gmail.com ⁠⁠Letterboxd: ⁠The Extra Credits⁠⁠ Instagram: ⁠@theextracredits⁠⁠⁠ Twitter: ⁠@theextracredits⁠⁠⁠ Tik Tok: ⁠The Extra Credits

Felicia is joined once again by Ms. Sinclair (listen to our first episode on Billy Wilder's Sunset Boulevard) to discuss Jane Campion's take on women's liberation in The Piano (1993) We chat about the character dynamics that Campion likes to explore in her stories, especially between women who seek liberation and the emotionally stunted men who surround them. Send us your thoughts on the episode - what are your thoughts on the significance of pianos throughout Campion's body of work? Let us know by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Follow Ms. Sinclair here: TALK MOVIE TO ME (talkmovietomepodcast.com) IG: @talkmovietome LB: @mssinclair Sources: The Piano: Gothic Gone South | Current | The Criterion Collection Jane Campion's ‘The Piano': An Inquisitive Study of Eroticism Disguised as a Victorian Love Story • Cinephilia & Beyond (cinephiliabeyond.org) The Piano review – Jane Campion's drama still hits all the right notes | The Piano | The Guardian OUTRO SONG: The Feast by Katie Kim FILMS MENTIONED: Sunset Boulevard (Billy Wilder 1950) Anatomy of a Fall (Justine Triet 2023) The Zone of Interest (Jonathan Glazer Poor Things (Yorgos Lanthimos 2023) Altered States (Ken Russell 1980) The Devils (Ken Russell 1971) Fly Away Home (Carroll Ballard 1996) Holy Smoke (Jane Campion 1999) Sweetie (Jane Campion 1989) The Irishman (Martin Scorsese 2019) The Portrait of a Lady (Jane Campion 1996) Power of the Dog (Jane Campion 2021) Portrait of a Lady on Fire (Céline Sciamma 2020) The Worst Person in the World (Joachim Trier 2021) Pan's Labyrinth (Guillermo del Toro 2006) Bright Star (Jane Campion 2009) The Piano Teacher (Michael Haneke 2001) Breaking the Waves (Lars Von Trier 1996) Phantom Thread (Paul Thomas Anderson 2018) Martha (Rainer Werner Fassbinder 1974) Take this Waltz (Sarah Polley 2011)

Felicia is joined once again by Jamila Brown (listen to our first episode on Ingmar Bergman's Fanny and Alexander) to discuss Jane Campion's adaptation of The Portrait of a Lady (1996). We chat about Campion's feminist take on the Henry James novel, and how she plays with time and women of different eras and their life experiences to bring Isabel Archer to life. This is the first episode of the Jane Campion series and I think it's a great example of some of her most underrated work. Send us your thoughts on the episode - have you read the novel ? Let us know by sending us a message on any of our social platforms or by email: seeingfacesinmovies@gmail.com Follow Jamila here: Twitter: @ReadItPeep IG: @ReadItAndPeep Sources: Henry James, Not Too Literally - The New York Times (nytimes.com) The Portrait of a Lady (variety.com) https://lwlies.com/articles/the-portrait-of-a-lady-jane-campion/ https://www.sensesofcinema.com/2001/film-and-the-other-arts/lady_frame/ https://bostonphoenix.com/alt1/archive/movies/reviews/01-16-97/LADY_BAR.html OUTRO SONG: Miss World by Hole FILMS MENTIONED: Fanny and Alexander (Ingmar Bergman 1982) Heat (Michael Mann 1995) The Iron Claw (Sean Durkin 2023) Godzilla Minus One (Takashi Yamazaki 2023) Charade (Stanley Donen 1963) Breakfast at Tiffany's (Blake Edwards 1961) Half Past Autumn: The Life and Works of GordonParks (Craig Laurence Rice 2000) Portrait of a Lady on Fire (Céline Sciamma 2020) The Piano (Jane Campion 1993) Dangerous Liaisons (Stephen Frears 1989) Sweet Smell of Success (Alexander Mackendrick 1957) Bright Star (Jane Campion 2009) A Room with a View (James Ivory 1985) The Age of Innocence (Martin Scorsese 1993) The Earrings of Madame De… (Max Ophuls 1953) The Heiress (William Wyler 1949) Gaslight (George Cukor 1944) My Brilliant Career (Gillian Armstrong 1979)

Our Patreon Selects episodes continue this week with a pick from Audrey: the beloved 2019 lesbian romance Portrait of a Lady on Fire. The film launched at the Cannes Film Festival, winning the Best Screenplay prize and skyrocketing director Céline Sciamma to the names of most beloved contemporary directors. However, when the Oscar race began, France … Continue reading "271 – Portrait of a Lady on Fire (Patreon Selects)"

País Francia Dirección Jacques Audiard Guion Jacques Audiard, Léa Mysius, Céline Sciamma, Nicolas Livecchi. Historias: Adrian Tomine Reparto Lucie Zhang, Makita Samba, Noémie Merlant Música Rone Fotografía Paul Guilhaume Sinopsis París, distrito 13, barrio de Les Olympiades. Émilie conoce a Camille, que se siente atraído por Nora, que, a vez, se cruza en el camino de Amber. Tres chicas y un chico. Son amigos, a veces amantes, y a menudo las dos cosas.

L'écrivaine et historienne âgée de 56 ans nous reçoit, à l'occasion de la sortie de son dernier livre Proust, roman familial, au sein de la Bibliothèque nationale de France, rue de Richelieu, dans le deuxième arrondissement à Paris. Laure Murat évoque son enfance très privilégiée dans un triplex du seizième arrondissement à Paris qui s'apparentait à un musée d'Empire. Elle a grandi dans une famille aristocrate auprès d'un père attiré par la modernité qui a soutenu financièrement le poète Henri Michaux et produit des films de Louis Malle et d'une mère passionnée d'histoire et d'opéra. Elle dépeint un milieu, à rebours de ses parents, rempli de gens ordinaires peu portés sur la culture. Plus jeune, elle se prend de passion pour l'équitation puis la photographie tout en s'intéressant à la littérature et aux arts. Elle en vient graduellement à publier des livres après un début de carrière comme journaliste, travaillant notamment autour de l'archive. Elle loue le travail de Violette Leduc, Céline Minard ou Céline Sciamma, décrypte son coup de cœur pour Los Angeles, « ville antiphallique », et reconnaît son amour pour l'oblique.Elle revient aussi longuement sur son rapport à Marcel Proust qui s'est inspiré de membres de sa famille pour créer certains de ses personnages, des patronymes familiaux peuplent d'ailleurs A la recherche du temps perdu. Elle voit dans son œuvre un mélange de fiction et de réalité troublant. Et célèbre celui qui a fait de l'homosexuel un peu « sujet universel ». « A la recherche du temps perdu est pour moi un grand objet de consolation. »Depuis cinq saisons, la journaliste et productrice Géraldine Sarratia interroge la construction et les méandres du goût d'une personnalité. Qu'ils ou elles soient créateurs, artistes, cuisiniers ou intellectuels, tous convoquent leurs souvenirs d'enfance, tous évoquent la dimension sociale et culturelle de la construction d'un corpus de goûts, d'un ensemble de valeurs.Un podcast produit et présenté par Géraldine Sarratia (Genre idéal) préparé avec l'aide de Diane Lisarelli et Johanna SebanRéalisation : Guillaume GiraultMusique : Gotan Project

Accompagné de la cinéaste Céline Sciamma et de sa tante, notre reporter pénètre enfin dans le lieu où les deux tueurs se sont rencontrés en 1984 : le mythique Paradis Latin. CERNO est un podcast créé par Julien Cernobori Reportage, montage, réalisation et mixage : Julien Cernobori Assistant : Pierre Mouchel Musique originale : Théo Boulenger

durée : 00:57:31 - Affaires culturelles - par : Arnaud Laporte - Avec les séries “Cœurs noirs” et “BRI”, Nina Meurisse a montré deux facettes très opposées de son talent. Sur grand écran, après Céline Sciamma, Stéphane Brizé ou Agnès Jaoui, c'est dans le premier film d'Iris Kaltenbach, "Le Ravissement", que la comédienne nous impressionne une nouvelle fois. - invités : Nina Meurisse Actrice

En 1989, à l'âge de 16 ans, Sadie Benning s'empare de sa caméra-jouet pour enregistrer sa propre réalité. À la manière d'un fanzine filmé, iel évoque ses rêves, son homosexualité, et la « règle stupide » qui l'empêche de se marier. Dans cet épisode, Céline Sciamma, cinéaste, et Manon Labry, autrice de Riot Grrrls, reviennent sur la construction adolescente des identités queer et l'épopée musicale de Sadie Benning à l'aube des années 1990. CréditsÉcriture et réalisation : Camille Regache Éditorialisation et production : Clara GouraudMixage : Ivan GarielHabillage musical : Nawel Ben Kraïem et Nassim KoutiAvec la participation d'Elisa Hervelin, Céline Sciamma et Manon LabryExtraits musicaux : Kaki King, Kewpie Station, Doing the Wrong Thing, Second Brain ; Bikini Kill, Rebel Girl ; Judy Ruin, Aerobicide ; Le Tigre, Deceptacon, Slideshow Art Free University, Eau d'Bedroom Dancing. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Julien Cernobori se rend au mystérieux rendez-vous que lui a donné la cinéaste Céline Sciamma. Une nouvelle piste s'ouvre à lui... CERNO est un podcast créé par Julien Cernobori Reportage, montage, réalisation et mixage : Julien Cernobori Assistant : Pierre Mouchel Musique originale : Théo Boulenger

Video Essay Link: https://youtu.be/FfyVq8ar_H8Exploring the similarities between filmmaking and art curation, historical french female painters, and the queer cinematic gaze in Celine Sciamma's Portrait of a Lady on FireLinks:Website: https://solo.to/mindtheaterSupport Mind Theater on ko-fi: https://ko-fi.com/mindtheaterTwitter: https://twitter.com/mindtheaterpodInstagram: https://www.instagram.com/mindtheaterpod/TikTok: https://www.tiktok.com/@mindtheaterMusic:Blue Dot Sessions: https://sessions.blue/Etude 11 CharlesOther Music"The Lowest", Martin Gauffin"Dusk, Blue WednesdaySources/References:https://www.mdpi.com/2076-0787/10/2/73https://smarthistory.org/royal-academy-france/https://www.nationalgallery.org.uk/paintings/international-womens-day-elisabeth-louise-vigee-le-brunhttps://www.rogerebert.com/features/book-excerpt-portraits-of-resistance-the-cinema-of-c%C3%A9line-sciammahttps://www.criterion.com/current/posts/7084-the-brush-behind-the-film-how-painter-hlne-delmaire-created-our-portrait-of-a-lady-on-fire-cover#:~:text=Art%20speaks%20volumes%20in,thanks%20to%20painter%20H%C3%A9l%C3%A8ne%20Delmairehttps://www.slashfilm.com/1161765/creating-the-titular-paintings-for-portrait-of-a-lady-on-fire-was-a-massive-undertaking/http://unpolishedmagazine.com/helene-delmaire-painting-the-loss-of-the-ego/https://artsandculture.google.com/entity/%C3%89lisabeth-vig%C3%A9e-le-brun/m02q0whttps://www.theartstory.org/artist/vigee-le-brun-elisabeth-louise/https://artsandculture.google.com/story/the-scandalous-portraits-of-%C3%A9lisabeth-louise-vig%C3%A9e-le-brun/ZAICJhgvKCCoLwhttps://galaxymusicnotes.com/pages/story-behind-the-four-seasons-by-vivaldihttps://www.thrillist.com/entertainment/nation/portrait-of-a-lady-on-fire-ending-explainedhttps://www.filmcomment.com/article/interview-celine-sciamma-portrait-of-a-lady-on-fire/https://cdimatteo.com/italian/sonnets-vivaldi-four-seasons/

This week we're taking a nice fall stroll with the beautiful, heartfelt, and touching film Petite Maman. This film was an a pleasure to watch for both of us, as was talking about it. We talked about its balance of emotions, bare bones structure, performances, and more. If you haven't yet, go check this out on a nice fall day! Contact us at rollitpodcast@gmail.com or follow us!    Twitter/X - @RollItPodcast    Instagram - @rollitpodcast    Music by Ethan Rapp

“I wasn't thinking about an audience. It was a pure outpouring of just whatever came to me. I was rebelliously and  ambitiously not giving them the book they were looking for.” Adrian Tomine is an American cartoonist who we've admired** for years. Adrian is the creator and writer of the 2007 graphic novel SHORTCOMINGS, which was a New York Times Notable Book of the year. SHORTCOMINGS was also recently turned into the film of the same name*, which happens to be the directorial debut of Randall Park. Shortcomings premiered at the 2023 Sundance film festival. This is a book and film you need to see. Adrian's been creating comics since he was SIXTEEN - and since then he's become known for not just his comics, but also his infamous New Yorker covers (since 1999!). His artwork and stories have a wry, thoughtful candor about them. From comics like Optic Nerve, Sleepwalk, Killing and Dying, all published from Drawn & Quarterly. Adrian also created graphic memoirs like Scenes From an Impending Marriage, and The Loneliness of the Long-Distance Cartoonist. Adrian's comics have been anthologized in publications such as McSweeney's, Best American Comics, and Best American Nonrequired Reading.   In 2022, Adrian's short stories were adapted into the film Paris, 13th District directed by Jacques Audiard, with a screenplay by Céline Sciamma and Léa Mysius. As you'll find in this candid conversation, Adrian Tomine is many things - a cartoonist, filmmaker, husband, father, and reluctant Taylor Swift fan. More importantly, his work will make you think, wonder, and sometimes smile, smirk, wonder, and most importantly feel.  *NOTE: This conversation was booked independently through Adrian's book publisher - Drawn & Quarterly, not the film studio, out of respect for the ongoing writers' and actors' strike. Huge thanks to the team at Drawn & Quarterly for arranging this interview with a creator whose work we've loved for so long.  **Extra special thanks to Quarantined Comics co-host Ryan Joe for jumping to join Raman Sharon while she was out saving cinematic orphans from the evils of avarice and artificial intelligence. LEARN MORE ABOUT ADRIAN adrian-tomine.com instagram.com/adriantomine FILM / TRAILER: Shortcomings (2023): imdb.com/title/tt14483774 BOOK: Shortcomings (2007): drawnandquarterly.com/books/shortcomings MENTIONS BOOK: Love & Rockets - wikipedia.org/wiki/Love_and_Rockets_(comics) PERSON: Richard Sala - wikipedia.org/wiki/Richard_Sala PERSON: Daniel Clowe - wikipedia.org/wiki/Daniel_Clowes PERSON: Charles Schultz - https://en.wikipedia.org/wiki/Charles_M._Schulz SHOW: Curb Your Enthusiasm Pilot Episode - https://www.imdb.com/title/tt0218388/ Band Cut Worms - allmusic.com/artist/cut-worms-mn0003661980 PERSON: Larry David - wikipedia.org/wiki/Larry_David FILMMAKER: Céline Sciamma - imdb.com/name/nm1780037 FILM: Paris, 13th District - imdb.com/title/tt12708658 FILMMAKER: Ari Aster - imdb.com/name/nm4170048 FILM: Beau Is Afraid - imdb.com/title/tt13521006 FILMMAKERS: Coen Brothers - wikipedia.org/wiki/Coen_brothers FILMMAKER: Alexander Payne - imdb.com/name/nm0668247 FILM: Killer of Sheep (Charles Burnett) - imdb.com/title/tt0076263 Learn more about your ad choices. Visit megaphone.fm/adchoices

On episode 196 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Sophia Ciminello, Zach Laws, and Josh Parham to discuss their Top 5 Modern Directors. With Greta Gerwig and Christopher Nolan's films dominating the box office, having audiences racing to see Barbie and Oppenheimer over and over again, we thought that it would be a good idea to do a list inspired by two of the biggest directors working in movies today. For the Awards Watch team, directors and their filmographies are the backbone of why they are the writers and film enthusiasts they are. In do this list, Ryan, Sophia, Zach and Josh dive head first into the directors that speak to them during our modern era of filmmaking. In doing so, the gang set an age requirement of 60 or below and the director had to have at least three films to their filmography to qualify. In doing this, some of the biggest, most influential filmmakers of our time were mentioned, including Barry Jenkins, Steve McQueen, David Fincher, Sofia Coppola, Céline Sciamma, David Lowery and Wes Anderson, alongside some names that were new discoveries for the group, and many more. NOTE: The audio to this episode was damaged but that still shouldn't stop you from listening to this fantastic, fun conversation. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h13m. We will be back next week talking about our pre-fall festival 2024 Oscar predictions. Till then, let's get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

This week it's all about Indigenous films at Spoilerpiece Theatre. But before we delve into them, Evan pays tribute to his friend, teacher, and writing partner, Dr. Bryan Krull, who passed away very suddenly. He describes how they met, became friends, and decided to team up to write Your '80s Movie Guide to Better Living, as he expresses his gratitude for their friendship over the years. Moving on to the week's films, we start by reviewing Gina Gammell and Riley Keough's emotionally challenging Indigenous drama WAR PONY (3:50), which follows two young Oglala Lakota men growing up on the Pine Ridge Reservation. Next, we discuss Morrisa Maltz's tender narrative/documentary hybrid, THE UNKNOWN COUNTRY (26:36), starring co-writer Lily Gladstone as a young woman grieving her grandmother as she travels through the American Midwest and makes her way down to Texas. And in this week's Patreon exclusive audio, we talk about the winner of our directors' first film poll, Céline Sciamma's 2007 queer romance/coming-of-age drama WATER LILIES!

The girls have been off living la dolce vita, but they're BACK with a brand new episode! On this ep, Michelle and Rachel dive into all the content they've been watching over the last few weeks covering Claim to Fame and The Bachelorette on ABC, The Kardashians on HULU (and whether they are team Kim or Kourt), Miranda's shenanigans on And Just Like That... and don't forget all the movies they've caught up on. Specifically they deep dive into Wes Anderson's Asteroid City and Céline Sciamma's Portrait of a Lady on Fire! Thanks for listening!  Episode Notes: 6:43 Claim to Fame S2  20:18 The Bachelorette 36:00 The Kardashians 41:28 And Just Like That… 54:00 Letterboxd Roundup 1:08:10 Asteroid City 1:20:53 Watching Up: Portrait of a Lady on Fire 1:30:46  Assignments for next week

Episode 18 - Join us while we kick off Pride month discussing this French drama written by Céline Sciamma.

Imaginez que vous marchiez dans la rue quand soudain, une directrice de casting vous repère et vous propose un premier rôle au cinéma. Ce scénario improbable, c'est ce qui est arrivé à Karidja Touré, lycéenne, qui a découvert malgré elle ce qui est aujourd'hui son métier et sa passion. Révélée au public dans "Bande de filles" de Céline Sciamma, Karidja poursuit sa carrière d'actrice et se livre au micro d'In Power dans le cadre du festival de Cannes, où elle fait partie du prestigieux jury de la caméra d'or.  Retrouvez l'épisode intégral dès demain, sur la plateforme de votre choix ! 

In the first episode of our Creative Nonfiction Film podcast season, Alex Heeney previews what to expect in this five-episode season and discusses what is creative nonfiction film. Click here to read the episode show notes. You will also find an AI-generated transcript in the show notes. Get the tote bag with the Céline Sciamma quote "Cinema is the only art form ever where you share somebody else's lonelines" More on creative nonfiction Download a FREE excerpt from Subjective Realities here. Get your copy of the ebook Subjective Realities: The art of creative nonfiction film here. Get your copy of the ebook In their own words: Documentary Masters vol. 1 Become a Member All of our episodes that are over 6 months old are available to members only. We also regularly record members only episodes. To get full access to the podcast, including episodes from past Sundance Film Festivals and past Sundance films, become a member. As a member, you will also be supporting what we do, and helping us cover the (expensive) costs of hosting, running a website, podcast equipment, and more. This helps to ensure we can continue producing the podcast. Related Episodes on creative nonfiction Ep. 99: Creative Nonfiction with Penny Lane and Carol Nguyen Sundance 2023 Ep. 7: Best of the fest + documentaries Fantastic Machine, Is There Anybody Out There, and more Ep. 123: Sundance 2022: Creative Nonfiction Members Only Episodes Ep. 67: Frederick Wiseman's Ex Libris and City Hall  (Members only) Ep. 95: No Ordinary Man and John Ware Reclaimed: Reclaiming history in documentary (Members only) Credits Host Alex Heeney is the Editor-in-Chief of Seventh Row. Find her on Twitter @bwestcineaste. Email us at contact seventh row com. This episode was edited, produced, and recorded by Alex Heeney.

We talk with 'New Yorker' writer John Colapinto, author of This Is the Voice, about how voices work, how they evolved in our prehistoric ancestors, how babies learn to vocalize words of their parents' languages so quickly, and what makes voices sexy or authoritative. Colapinto's own vocal injury led him to explore this subject.Film critic Justin Chang reviews Petite Maman, a new film by Portrait of a Lady on Fire director Céline Sciamma.