Podcast appearances and mentions of Shirley Jackson

393 - A dark, unsettling tale? Nope! Not this time! Tuck in for Shirley Jackson as she charms us with her wonderfully funny account of her own family's chaotic night. And here's hoping YOU can solve the 74-year-old mystery!

393 - A dark, unsettling tale? Nope! Not this time! Tuck in for Shirley Jackson as she charms us with her wonderfully funny account of her own family's chaotic night. And here's hoping YOU can solve the 74-year-old mystery!

After getting lost in the back corner of the editing bay, we finally arrive at the final part of Caleb's look at the books he read in 2025. This one includes the last few books he read, as well as some of the stand out short stories.   Included in this episode: 1. Alien vs Predator: Hunter's Planet (1994) [David Bischoff] 2. The Haunting of Hill House (1959) [Shirley Jackson] 3. The Haar [2022] [David Sodergren] 4. Raptor Red (1995) [Robert T. Bakker] 5. Hangsaman (1951) [Shirley Jackson] 6. Dune (1965) [Frank Herbert] *Shorts Mentioned: 7. I Have No Mouth and I must Scream (1967) [Harlen Ellison] 8. A Matter of Traces (1958) [Frank Herbert] 9. The Tactful Saboteur (1964) [Frank Herbert] 10. Conan Collection [Robert E Howard] 11. Nightfall [1941] [Isaac Asimov]

Hey ma c'è una nuova puntata di NAP!Questa volta niente gente scomparsa! Marica ci porta a Bald Head Island, in North Carolina, dove c'è un faro che si chiama ovviamente “Old Baldy” e che è stato teatro nel 1999 di una misteriosa morte. Parliamo della storia di Davina “Dee” Buff Jones, agente di polizia dell'isola che esce per un giro di pattuglia… e viene trovata morta. Suicido? Omicidio? Oppure omicidio mascherato da suicidio? Nel blocco centrale torna la storia paranormale, questa volta raccontata dalla nostra super ascoltatrice Delia. A completare il caos, oltre ai disturbi di Radio Maria, avremo pure una fastidiosa intrusione di Marica con il suo TG NAP edizione speciale.Stefano ci racconta la biografia della regina dell'horror psicologico, Shirley Jackson. Una vita intensa, durata troppo poco e forse parecchio triste, quindi preparatevi.Per riprenderci dalla tristezza, poi, chiudiamo rovinando un ricordo dell'infanzia: il cartone animato Dolce Remì. Una storia di sfruttamento minorile, jella cosmica e gente che muore. Insomma di Dolce non c'è niente, che fregatura!Tutti gli episodi, info, contatti e il libri per supportare il podcast:divanooscuro.it/nap

Send us Fan MailWhat do you get when Stephen Spielberg wants to produce a blockbuster-style horror movie with Jan de Bont directing? You get 1999's The Haunting!Based on the famous Shirley Jackson novel, The Haunting of Hill House, this incredibly 90's film follows a troubled woman invited to a sleep study at a spooky old haunted house in western Massachusetts. The reality, however, is that the doctor conducting the study is really writing a book on fear, and trying to get his guests to give in to the creepiness of the location. When the ghosts turn out to be real, no one is safe and no one can escape!Join us as we discuss how this was almost a Stephen King written project (and what he did instead), the intricacies of fireplace engineering, and how the marketing department completely disrespected the star of the film, Lili Taylor.So grab a nice warm blanket, start counting some sheep, and as always: don't get too scared!

Los Cuentos de la Casa de la Bruja es un podcast semanal de audio-relatos de misterio, ciencia ficción y terror. Cada viernes, a las 10 de la noche, traemos un nuevo programa. Alternamos entre episodios gratuitos para todos nuestros oyentes y episodios exclusivos para nuestros fans. ¡Si te gusta nuestro contenido suscríbete! Y si te encanta considera hacerte fan desde el botón azul APOYAR y accede a todo el contenido exclusivo. Tu aporte es de mucha ayuda para el mantenimiento de este podcast. ¡Gracias por ello! Mi nombre es Juan Carlos. Dirijo este podcast y también soy locutor y narrador de audiolibros, con estudio propio. Si crees que mi voz encajaría con tu proyecto o negocio contacta conmigo y hablamos. :) Contacto profesional: info@locucioneshablandoclaro.com www.locucioneshablandoclaro.com También estoy en X y en Bluesky: @VengadorT Y en Instagram: juancarlos_locutor ----- Contrata tu IVOOX PREMIUM anual desde este enlace y además de obtener un suculento 50% de descuento y de poder escuchar TODOS los programas de esta plataforma sin publicidad, estarás ayudando a sostener Los Cuentos de la Casa de la Bruja: https://www.ivoox.vip/premium?affiliate-code=27e5799d254c8a29ecdab3d8d5bfa96f Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Uma autora premiada (e, acrescento, original) fala sobre o seu livro e alguns que a marcaram enquanto leitora, aluna e professora. Falamos de horror, ficção, literatura e humor.Os livros que escolheu: A Maldição de Hill House (Haunting of Hill House), Shirley Jackson;O Hidroavião em Aproximação Final (The Seaplane on Final Approach), Rebecca Rukeyser;White Dialogues, Bennett Sims;Beasts and Children, Amy Parker.Os livros que tem em Portugal:O Corpo dela e outras partes (contos);O mais recente: A Casa dos Sonhos.Recomendei:Um Bom Homem É Difícil de Encontrar (A Good Man Is Hard to Find), Flannery O'Connor.O que ofereci:The Heart's Invisible Furies, John Boyne.Os livros aqui:www.wook.pt

Hey — let's talk Gothic. If you loved the Wuthering Heights episode but aren't sure what “Gothic” means, here's a friendly, no‑pressure rundown: it's a literary vibe that exploded in the late 1700s and early 1800s (part of Romanticism) and stuck around because people couldn't get enough of spooky mystery, big feelings, and weird houses. At its core Gothic mixes suspense and the supernatural with secrets from the past: ghosts (or things that feel like ghosts), hidden diaries or cursed heirlooms, murmured scandals, and the sense that history is still very much alive — and maybe angry. Stories often leave the door open between a rational explanation and the uncanny, so you're always wondering what's real. The setting matters: remote, isolated places—windy moors, stormy cliffs, spooky woods, and usually a grand but slightly crumbling manor. That atmosphere of beauty plus decay is basically Gothic's aesthetic fingerprint. Protagonists are frequently women, which made these books especially thrilling for female readers back when options for adventurous stories were limited. Other common threads: intense emotion over reason, troubled or doomed romances, the ever‑present shadow of death, and objects that carry memory or menace. Short stories work great as an intro (hello, Poe), and novellas are perfect if you want a quick, delicious chill. Gothic isn't one thing — it splinters into cool subgenres. Southern Gothic, for example, folds in religious hypocrisy, the legacy of violence, and heavy landscape feeling. Contemporary takes like Mexican Gothic (Silvia Moreno‑Garcia) remix classic Gothic tropes—isolated mansions, family secrets—with new cultures, histories, and anxieties. Other great touchstones: Jane Eyre, Wuthering Heights, Rebecca, The Turn of the Screw (Bly Manor), Shirley Jackson's Hill House, Daphne du Maurier, Edgar Allan Poe, and even films like Crimson Peak that lean into the look and mood. Gothic also shows up in real cultural practices and local histories: think of rituals that try to heal a place's memory or reckon with past violence. Those real world echoes are part of what keeps the genre alive and relevant — it's not just spooky houses, it's how communities remember and reckon with what happened there. If you want to dive in, try a Poe short story, a classic like Jane Eyre, or a modern pick like Mexican Gothic or a T. Kingfisher novella. And hey — if you've got favorites, tell us. I want to know what weird, moody books give you chills.

La Bruja, de la talentosa escritora norteamericana Shirley Jackson, es un peculiar y aterrador cuento que data de 1949 y está incluido en una antología llamada  “La lotería y otros cuentos”.  Toma el control de tu tiempo y estudia tu universidad en línea avalada por la SEP en Hybridge:https://hybridge.education/universidad-en-linea-sptf/ ________________________________________________________________________________________________ Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Heads up, listeners. The ghosts of Hill House invaded this recording, so you might hear some audio glitches.    In Shirley Jackson's The Haunting of Hill House, Eleanor Vance has just buried her ailing elderly mother when she is invited to be part of a psychic investigation at a notoriously haunted house. The plan is to rent the home out for the summer and see what evidence of ghosts they can collect. What could possibly go wrong?    Recommended in this episode: Silver Nitrate by Silvia Moreno-Garcia and We Love You, Bunny by Mona Awad   NEWS: We have a Bookshop.org shop now! Find all of our favorite books at our shop–and help out small businesses.    UP NEXT: The God of the Woods by Liz Moore   Buy our books here, including Monster, She Wrote and our newest Toil and Trouble.   

Host Meg Wolitzer presents three works about scaling the outsized real world down to manageable proportions.  A couple brings the Papal seat home in Ben Loory's “The Vatican,” read by Santino Fontana; In “I Love Betty,” by Kaitlyn Greenidge, communication problems invite interesting solutions, in a story read by Nathan Hinton. And in Shirley Jackson's “The Beautiful Stranger” a wife and mother wonders if she's in the right life, but tries to fit into it.It's read by Maggie Siff.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Los Cuentos de la Casa de la Bruja es un podcast semanal de audio-relatos de misterio, ciencia ficción y terror. Cada viernes, a las 10 de la noche, traemos un nuevo programa. Alternamos entre episodios gratuitos para todos nuestros oyentes y episodios exclusivos para nuestros fans. ¡Si te gusta nuestro contenido suscríbete! Y si te encanta considera hacerte fan desde el botón azul APOYAR y accede a todo el contenido exclusivo. Tu aporte es de mucha ayuda para el mantenimiento de este podcast. ¡Gracias por ello! Mi nombre es Juan Carlos. Dirijo este podcast y también soy locutor y narrador de audiolibros, con estudio propio. Si crees que mi voz encajaría con tu proyecto o negocio contacta conmigo y hablamos. :) Contacto profesional: info@locucioneshablandoclaro.com www.locucioneshablandoclaro.com También estoy en X y en Bluesky: @VengadorT Y en Instagram: juancarlos_locutor Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

We're kicking off a month of Shirley Jackson stories with All She Said Was Yes, a suburban take on the Cassandra complex from her collection Dark Tales. Boats, bad neighbors and psychics - IT'S AMAZING!

Høyr tre Jackson-superfans diskutere det gotiske meisterverket «Vi har alltid budd på slottet» – no endeleg i nynorsk språkdrakt!

In our 151st episode, The Cru dives into the unsettling world of Shirley Jackson, author of the infamous short story The Lottery.We explore what makes Jackson's writing so enduringly disturbing, from her use of the uncanny and the “horror of the mundane” to her razor-sharp final lines. Along the way, we discuss why The Lottery remains a staple of high school reading lists even as many readers find her lesser-known stories far more powerful.We also touch on Jackson's life, her dual career writing both domestic magazine pieces and psychological horror, and the lasting influence she's had on modern writers.Stories begin at the 21:30 mark.Like this weeks episode and wish you could read as well as listen? Subscribe to our Substack for a summary of our opening discussion, a story from the episode, and a writing prompt!  Be sure to follow us on Instagram (if that's your sort of thing). Please do send us an email with your story if you write along, which we hope you will do. Episodes of Radio FreeWrite are protected by a Creative Commons Attribution-NoDerivatives 4.0 International (CC BY-ND 4.0) license. All Stories remain the property of their respective authors.

Los Cuentos de la Casa de la Bruja es un podcast semanal de audio-relatos de misterio, ciencia ficción y terror. Cada viernes, a las 10 de la noche, traemos un nuevo programa. Alternamos entre episodios gratuitos para todos nuestros oyentes y episodios exclusivos para nuestros fans. ¡Si te gusta nuestro contenido suscríbete! Y si te encanta considera hacerte fan desde el botón azul APOYAR y accede a todo el contenido exclusivo. Tu aporte es de mucha ayuda para el mantenimiento de este podcast. ¡Gracias por ello! Mi nombre es Juan Carlos. Dirijo este podcast y también soy locutor y narrador de audiolibros, con estudio propio. Si crees que mi voz encajaría con tu proyecto o negocio contacta conmigo y hablamos. :) Contacto profesional: info@locucioneshablandoclaro.com www.locucioneshablandoclaro.com También estoy en X y en Bluesky: @VengadorT Y en Instagram: juancarlos_locutor Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

L.A. six-piece the Sophs are true chameleons. Whether they’re throwing in some twang on a college party bop, going full pop-punk nostalgia, or, in the case, of “House,” painting a Shirley Jackson-like story of a man living in a hovel built from and on bones, surrounded by ethereal remnants of past occupants and adding more […] The post The Sophs: “House” appeared first on KUT & KUTX Studios -- Podcasts.

Want to listen to this episode ad-free? Visit our Patreon! Welcome true believers to X-Men Horoscopes where each week our host Lodro Rinzler is in conversation with a special guest to discuss the X-Men issue that aligns with a significant month and year from their life and what that issue reveals about their future. This week we have the extremely talented comic writer Alyssa Wong on the show to talk about their Psylocke, Deadpool and many, many other series. Lodro blows their mind by revealing that they have created over 97 characters for Marvel. We talk about their writing process, Shinobi Shaw hanging out in bathtubs, and a bonkers Shadow King issue that came out during their birth month and year, Uncanny X-Men 278. Also in this episode: - The Shadow King is big - Shinobi Shaw is a sh*tty f*ckboy with daddy issues - Don't bend your enemies to your will; it never goes well for you - Thieves should always dress in bright gold armor...so as to be inconspicuous - Rogue makes out with the Shadow King - Gambit versus Multiple Man = a great fight - Nightcrawler‘s sister girlfriend is back All this plus we ask a question of you, dear listener: What did Moira do in the bedroom that made Banshee turn into a prude? And what does any of this mean for Alyssa's future? Tune in to find out! Alyssa Wong writes award-winning fiction, comics, and games. Their work has won the Nebula, World Fantasy, Alfie, and Locus Awards, and been shortlisted for the Hugo, Bram Stoker, Shirley Jackson, and Campbell Awards. They are a story architect of Star Wars: The High Republic and co-authored the middle-grade novel Escape From Valo (2024).   Alyssa's comics include Marvel's Psylocke, Deadpool, Alligator Loki, Captain Marvel, Iron Fist, and the GLAAD Award-winning Doctor Aphra Vol 2; Spirit World and Batman: Urban Legends; and titles for Dark Horse and IDW. Previously, Alyssa was a writer at Blizzard Entertainment, where they worked on Overwatch and Overwatch 2. They live in North Carolina and are online as @crashwong. More of Lodro Rinzler's work can be found here and here and you can follow the podcast on Instagram at xmenpanelsdaily where we post X-Men comic panels...daily. His BRAND NEW BOOK is coming out next month - You Are Good, You are Enough. Have a question or comment for a future episode? Reach out at xmenhoroscopes.com Want to listen to these episodes early/ad-free and get your own X-Men Horoscope read/an awesome t-shirt? Check out our brand-new patreon! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Haunted Houses! Musicals! Creepy Dolls! This week Katie and Brit are joined by horror author and filmmaker Eric Miller to talk about one of his favorite scary movies, THE HAUNTING (1963).While you may know the name as the movie that inspired the Mike Flanagan miniseries, the story started as a novel by Shirley Jackson who with it re-defined the genre. It truly was ahead of it's time as a female-centered film that tackled mental health issues made by already accomplished director Robert Wise in between making Oscar-winning musicals WEST SIDE STORY and THE SOUND OF MUSIC.In addition to the film discussion, we talk all things horror as Eric shares with us his extensive knowledge of filmmaking and writing.Special thanks to our guest Eric Miller and Angela at Pitch Perfect Media. Check out Eric's website at our research links below!Next time we're watching Coralie Fargeaut's REVENGE.Thanks for listening and stay spoopy ya'll!Timestamps:00:00:27 Intro00:02:06 Guest Introduction and Interview00:05:32 The Book and Shirley Jackson's Influence00:24:07 SPOILERS00:27:42 How We Discovered the Film00:33:03 Haunted Houses and Travel Tales00:54:50 Back to THE HAUNTING01:45:47 Ratings01:54:44 Next Time: REVENGE (MUBI, AMC+, Roku)02:11:48 Goodbyes/Where to Find Eric MillerThe Grindhouse Girls Podcast is created by Katie Dale and Brit Ray. This week's episode is edited by Katie Dale.Part of the Redacted Entertainment Network.Royalty free music used: Ready Set Go and Outro White SmokeCopyright 2020 Grindhouse Girls PodcastThis podcast uses the following third-party services for analysis: Podcorn - https://podcorn.com/privacy

379- Unsettling and very layered, but not nightmare fuel... you've found TWO tales from the brilliant mind of Shirley Jackson. Known for haunting eeriness, this episode shows her (mostly) humorous side.

379 - Unsettling and very layered, but not nightmare fuel... you've found TWO tales from the brilliant mind of Shirley Jackson. Known for haunting eeriness, this episode shows her (mostly) humorous side.

With only five weeks left in this year-long journey, I can feel the end approaching—less like a high-wire act and more like gathering momentum toward something unknown. Week 47 of Ted Gioia's Immersive Humanities course explores twentieth-century American fiction through short stories and novel excerpts, revealing a distinctly American voice: sharp dialogue, vivid settings, and an experimental edge.O. Henry, “The Gift of the Magi” (1906): A charming story of love and sacrifice.F. Scott Fitzgerald, “A Diamond as Big as the Ritz” (1922): Wealth, excess, and a surprising twist.Ernest Hemingway, “The Killers” (1927): Sparse, tension-filled dialogue.William Faulkner, The Sound and the Fury (1929, excerpt): Challenging, with shifting time and perspective.Ralph Ellison, Invisible Man (1947, excerpt): A powerful sense of invisibility and identity.Shirley Jackson, “The Lottery” (1948): Disturbing and unforgettable.Flannery O'Connor, “A Good Man is Hard to Find” (1955): A Southern Gothic tale with shocking turns.Together, these works feel spacious, restless, and distinctly American—and they remind me how much more willing I am now to embrace difficult, even strange, books.This is a year-long challenge! Join me next week for a little Magical Realism.LINKTed Gioia/The Honest Broker's 12-Month ImmersiveHumanities Course (paywalled!)My Amazon Book List (NOT an affiliate link)CONNECTThe complete list of Crack the Book Episodes: https://cheryldrury.substack.com/p/crack-the-book-start-here?r=u3t2rTo read more of my writing, visit my Substack - https://www.cheryldrury.substack.com.Follow me on Instagram - https://www.instagram.com/cldrury/LISTENSpotify - https://open.spotify.com/show/5GpySInw1e8IqNQvXow7Lv?si=9ebd5508daa245bdApple Podcasts - https://podcasts.apple.com/us/podcast/crack-the-book/id1749793321Captivate - https://crackthebook.captivate.fm

In this episode of Quick Book Reviews, Philippa is joined by bestselling author Will Dean to discuss his haunting psychological thriller Adrift — a novel that explores control, isolation, and the quiet terror of living with someone who manipulates from the shadows.Will talks candidly about his off-grid life in the Swedish woods, why he writes his first drafts in intense six-week bursts, and how emotional stories like Adrift can take years to fully realise.Together, they discuss:Writing while living off grid and why isolation fuels creativityWhy Will avoids the publishing “noise” and trendsHow Adrift took five years to complete, despite a fast first draftWriting claustrophobic tension without exhausting the readerThe psychology of control, gaslighting, and quiet manipulationWriting from a child's point of view and the emotional toll it takesWhy Will leaves much of the violence off the pageThe fear and excitement of starting a new novelHow rereading favourite books shapes his writingThe current reading crisis and why encouraging children to read matters more than everWill also shares what he's currently reading, why he rereads authors like Shirley Jackson and Sarah Waters, and answers the most important question of all: what powered the writing of Adrift (spoiler: frozen dates, not biscuits).A thoughtful, intense, and revealing conversation about storytelling, fear, and the importance of noticing unheard people in unseen places.Follow Quick Book Reviews for book recommendations, author interviews, and weekly podcast episodes.

paypal.me/LibroTobias ko-fi.com/asier24969 "La gente del verano" o "Los veraneantes" es un relato corto bastante inquietante y misterioso de la autora Shirley Jackson. Una pareja de Nueva York se topa con una siniestra resistencia cuando deciden quedarse en su casa de verano después del Día del Trabajo. Este es el quinto relato que os leo de Shirley Jackson, el referente absoluto de Stephen King, Neil Gaiman y Richard Matheson .ntre much@s otr@s, Canciones: • “You Can't Have My Heart” de James Newton Howard • “Sanctuary” de James Newton Howard Narración: Asier Menéndez Marín Diseño logo Podcast: albacanodesigns (Alba Cano) Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Puntata a cura di Jacopo Bulgarini d'Elci e Livio Pacella.Ispirata all'omonimo romanzo di Shirley Jackson del 1959, la miniserie The Haunting of Hill House nel 2018 è stata un'apparizione folgorante. Che ha riportato in auge, in modo intelligente e profondo, l'horror televisivo. Rinverdendo i fasti di un genere, il romanzo gotico, che mescolava “eccitazione e mistero, orrore e rovina”.E aprendo la strada a diversi altri progetti seriali del suo autore, l'ottimo Mike Flanagan. Dal secondo capitolo del progetto antologico, The Haunting of Bly Manor (2020). Alla splendida Midnight Mass. Fino a La caduta della casa degli Usher, altra straordinaria miniserie basata su diversi lavori di Edgar Allan Poe.“Nuovi classici”: il podcast a due voci di Mondoserie su show che diventano fenomeni immediati.Scopri il nostro speciale su Mike Flanagan: https://www.mondoserie.it/speciale-mike-flanagan/ Parte del progetto: https://www.mondoserie.it/  Iscriviti al podcast sulla tua piattaforma preferita o su: https://www.spreaker.com/show/mondoserie-podcast  Collegati a MONDOSERIE sui social:https://www.facebook.com/mondoserie https://www.instagram.com/mondoserie.it/   https://www.youtube.com/channel/UCwXpMjWOcPbFwdit0QJNnXQ  https://www.linkedin.com/in/mondoserie/ 

En nuestro episodio octogésimo sexto, el de los pescadores con gripe en Amalfi, Fernando nos cuenta no una ni dos, sino cuatro desnoticias, entre ellas una sobre Dragones y Mazmorras en que los libros salvan al juego y otra sobre un barquito que se creyó la Atlántida de Hemingway.Nos contamos Una noche en Amalfi, de Begoña Huertas, una novela corta y trepidante en un entorno de ensueño en la que todo sale regulinchi y que no nos ha terminado de convencer.Comentamos el cuento de Shirley Jackson "La noche en que todos tuvimos gripe", muy divertido e intrigante, pero no conseguimos encontrar la manta azul. Alfredo tampoco.Y tenemos nueva sección, Pescado en la red, que abrimos con Fernando del Soto y que si quieres saber en qué consiste tendrás que escucharnos o puede que un día te pesquemos a ti.Nuestra próxima lectura será "No hemos venido a divertirnos" de Nina Lykke y, como nos gusta mentirnos y desmentirnos, el cuento a leer este mes no será el que decimos en el episodio, sino Fruto de la inercia, de Andrés Ortiz Tafur.Recuerda comprar libros en librerías de barrio o de tu pueblo. Escúchanos, compártenos y ¡Cierra el libro al salir!

Actually, probably, I'd never read it because I was scarred by "The Lottery" in grade school. I should NOT have been afraid. Hangsaman is incredible! It also has some verrrrry confusing elements that deserve the deepest of analysis. Listen in for exactly that. What a masterpiece!

Winter is a vibe—and so is the way we read during it.  In this episode, Joe is joined by Cece and Meara to talk all things winter reading vibes, from how mood reading works for us to whether TBRs ever stand a chance. We get honest about DNFing books (when we quit, why we quit, and how we make peace with it) and then wrap things up with book recommendations that feel just right for the colder months—think cozy, atmospheric, emotional, and immersive reads.  If your winter reading life looks nothing like your reading goals… you're in good company.  Looking for the video version of our show? Check out the Libby App YouTube channel!  Book recommendations:  Cece's Picks:  The Boys in the Valley – Philip Fracassi  Adrift in Currents Clean and Clear (Wayward Children series – Book 1 Every Heart a Doorway) – Seanan McGuire  The Forgotten Girl – India Hill Brown  Echo After Echo – A.R. Capetta   Meara's Picks:  The Hush – Sara Foster  These Immortal Truths - R. Raeta  These Godly Lies – R. Raeta  Cold - Drew Hayden Taylor  One Dark Window - Rachel Gillig   Joe's Picks:   Strange Pictures - Uketsu  Strange Houses - Uketsu   Bad Dolls – Rachel Harrison   The Writing Retreat – Julia Bartz   Breathe In, Bleed Out – Brian McAuley   The Staircase in the Woods – Chuck Wendig   Idle Grounds - Krystelle Bamford   Old Country by Matt & Harrison Query  The Haunting of Hill House – Shirley Jackson   Bochica – Carolina Florez-Cerchiaro   Play Nice – Rachel Harrison   The Apartment Across the Hall – Jack Dane   The Most – Jessica Anthony   The Three of Us – Ore Agbaje-Williams   Who's in this episode:   Cece – Links  Meara - Links  Time stamps:  00:00:00 Title  00:00:23 Intro  00:01:13 Diving into winter vibes & mood reading with Cece & Meara!  00:16:05 Meara's tracker spreadsheet & fixing a reading slump  00:20:33 Do TBRs exist anymore?   00:35:10 How do your reading habits change with the season?  00:38:41 DNF'ing books  00:48:41 Some recommended reads for the vibe  01:05:03 Wrap up and outro  Readers can sample and borrow the titles mentioned in today's episode in Libby. Library friends can add these titles to their digital collections for free in OverDrive Marketplace and Kanopy. Check out our Cumulative List for the whole season, or this list for today's episode!  Looking for more bookish content? Check out the Libby Life Blog!  We hope you enjoy this episode of Book Lounge by Libby. Be sure to rate, review and subscribe on Apple Podcasts, Spotify, or wherever you listen! You can watch the video version of our show on the Libby App YouTube channel. Keep up with us on social media by following the Libby App on Instagram!   Want to reach out? Send an email to bookloungebylibby@overdrive.com. Want some cool bookish swag? Check out our merch store at: http://plotthreadsshop.com/booklounge!  Learn more about your ad choices. Visit megaphone.fm/adchoices

Jacqueline Mitchard is the New York Times bestselling author of 23 novels for adults and teenagers, and the recipient of Great Britain's Talkabout prize, The Bram Stoker and Shirley Jackson awards, and named to the short list for the Women's Prize for Fiction. Her first novel, The Deep End of the Ocean, was the inaugural selection of the Oprah Winfrey Book Club, with more than 3 million copies in print in 34 languages. Mitchard's essays also have been published in magazines worldwide, widely anthologized, and incorporated into school curricula. Her latest novel is The Bird Watcher. Learn more at: JacquelineMitchard.comIntro reel, Writing Table Podcast 2024 Outro RecordingFollow the Writing Table: @writingtablepodcastEmail questions or tell us who you'd like us to invite to the Writing Table: writingtablepodcast@gmail.com.

Hi all! In honor of Thanksgiving, we decided to share what we're doing to get MORE of what we're grateful for in our writing lives—as in, try not just to give a nod to gratitude but actually increase the things we do to feel it. Enjoy! Are you staring down a holiday shopping list with a haunted look in your eyes? My great big guide to holiday under-the-radar book-giving perfection can help. Maybe you think not everyone in your life wants a book, but honestly, they are just wrong. I've got a book on my list for the therapy-speak-loving teen who's glued to TikTok, a book for your mom whose book club just forced her to read Emily Henry and just wants a protagonist with a little seasoning. One for your dad, who thinks TV hasn't been the same since The X-Files. And a few for your book-loving bestie, who's read everything already, and all you have to do to get the list to drop right into your phone for your shopping pleasure is join my newsletter, Hashtag AmReading, at kjda.substack.com—link in the show notes and pretty much anywhere where you can find me, which is easy.EPISODE TRANSCRIPTMultiple SpeakersIs it recording? Now it's recording, yay. Go ahead. This is the part where I stare blankly at the microphone. I don't remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay, now—one, two, three.KJ Dell'AntoniaHey kids, it's KJ, and this is the Hashtag AmWriting Podcast, the place where we help you play big in your writing life, love the process, and finish what matters.Jess LaheyI'm Jess Lahey. I am the author of The Gift of Failure and The Addiction Inoculation, and you can find my work at The New York Times and The Washington Post and The Atlantic.Sarina BowenAnd I'm Sarina Bowen. My newest novel is called Thrown for a Loop, and you can find it at bookstores everywhere.Jennie NashAnd I'm Jennie Nash. I'm the founder and CEO of Author Accelerator, a company on a mission to lead the emerging book coaching industry. And I'm the author of the Blueprint books that help you get your book out of your head and onto your page. And today, the four of us have gathered to talk about gratitude. It's the week of Thanksgiving, and we've been thinking about the things that we're grateful for in our writing life, and how we want to celebrate that and amplify that. So we thought we'd share that all with you today. KJ, do you want to start by talking about what you're grateful for?KJ Dell'AntoniaYeah, I actually managed to give this some thoughts. Since we did, we did talk about it. And I should say we kind of got the idea from Laura Vanderkam's newsletter, which is really great, and you should subscribe. She was just talking about how, you know, it's one thing to be grateful for things like, “Whoo, I'm grateful that I live in such a beautiful place,” but it's another thing to say, “And because I'm grateful that I live in such a beautiful place, this week I will make a point of going for a walk, you know, tonight with my dog, in a place that I love,” or something along that. Her point was: come up with something and then actually do something to amplify that for yourself. So you're not just sitting around, you know, writing a gratitude journal. You're actually trying to do something about it. So having announced that I am totally prepared for this—I'm not really, but I kind of am. Okay. So one of the things that I am grateful for this year, a little weirdly, is AI, and it is not for the reasons anyone might think. I'm primarily grateful—I'm grateful that the spurt of AI in everything that I read, from Goodreads book reviews to things in my inbox to, I'm sorry, actual articles in actual newspapers… it's become so recognizable. The stuff that is written, the pattern, the three examples, the particular words that are invariably used. Oh, somebody threw one out the other night—oh, in the real estate world, if it says something is “nestled between two things,” that's AI. Anyway, that made me realize that the last thing I want is something else to do any of this for me. I just don't. I just, you know, sometimes you sit around going, “Oh, somebody just write this book for me—” you know what? No. No. Because I don't want my book to be nestled between a rock and a hard place or whatever. So, so no. So what I'm doing to sort of bring that home for myself is I'm actually trying to be more present, in particular within the AmWriting—the AmWriting universe. So I've been doing something that I'm calling Hashtag AmWriting ‘Almost' Every Day. It's really nowhere close to every day. Don't worry about getting your inbox full. But I am—you know, that's actually me. If I have time and something to say, or something to whine, or some write-alongs to share, or an idea, then I'm going to put that out there for y'all. And hopefully you're going to comment back, and you probably won't bother to use AI to do that, because that would be really silly. So that's a thing I'm doing, and a thing that I'm grateful that I've suddenly come to the realization of.Jess LaheyWhat's funny, KJ, is that I can absolutely tell when you're really enjoying writing, because it—it just comes through, as it does with most people. But it's been… your newsletters have been really fun, and you're really in it. And I love reading them. I absolutely love reading them.Jennie NashIt gets a little sassy.KJ Dell'AntoniaThanks!Jess LaheyShe does. She does get a little sassy.Jennie NashI love it.Jess LaheyYep, the Shirley Jackson comes out in her, and it's really fun. I like that a lot.Jennie NashJess, do you want to go next?Jess LaheyYeah. Sure. So newsletters have come to mean a lot to me. I have a lot of drafts sitting there, some of which I don't think—I may never publish. But I'm really, really grateful that writing has, for my entire life, been the way that I process what I'm thinking about. I do it a lot by talking, but when I'm alone in the woods, like I am right now in Vermont, writing is how I figure things out, and I'm so grateful for that, because, you know, as I wrote about in my newsletter, I'm dealing with breast cancer, and I'm about to have surgery, and some of that stuff is really, really scary. And how I think about it, and how I manage it, is through writing about it. And I'm just—I've never been so grateful to have, even if it never goes out into the world, a place to write about that stuff. And, and, yeah, I'm so grateful for the words. Absolutely.Jennie NashThat's so beautiful, that in the scariest, most difficult time, it's the most natural thing that you turn to.Jess LaheyYeah, I think there are some people who pour themselves out in watercolors, or some people—whatever. The words, man, they're the best.Jennie NashVery cool. Sarina, what about you?Sarina BowenYeah, well, as always, my gratitude runs toward the granular and the practical. I guess I can't ever get away from that. So I am grateful to deadlines. Last month, I had a really difficult deadline. I had to scramble and set everything else aside and keep myself from panicking. And I did it. I actually—I turned it in, and then I immediately went on a book tour for a different book. So that was a difficult experience and a difficult month, and I'm not used to quite so much deadline pressure. But the wonderful thing is, is that I have these deadlines because of the work that I have placed with publishers, and I wouldn't want to change a single thing about that. So even if I need to get a little better about my timing, I recognize that—even in the darkest day—that it's a gift to have this problem. And then I'm also grateful for coffee shops, because that has been a place for me to work this year. And I never did this before. I was one of those people who had to be at home, in a room all by myself, in the quiet, writing. And suddenly that became really difficult for me. The quiet was too much quiet. There was too much doom scroll, there was too much self-reflection. And it really started the day after the election, actually. Like, I sort of ordered KJ to meet me out at a coffee shop because I needed to be where other people were. And it was really grounding—like, there we were, and the barista is a familiar face, and everything was fine inside that shop, you know, which was, in itself, a little bubble of privilege. But, but just being out in the world, seeing the rest of the world keep chugging, has really focused me. And I've spent a lot of time in a lot of different coffee shop and library settings in the intervening couple of months—and, well, almost a year now—and it's felt fantastic. So I am excited that there are places where I'm allowed to go pay way too much for a cup of coffee and then sit there for two hours, and I will continue to do it.Jess LaheyCan I add a layer to the Sarina—to the Sarina stuff? Because I got to go to, as some of the other people talking today did, got to go to one of Sarina's events. And, you know, we love Sarina, and we just rave about Sarina, and I think she's a genius, and I think her writing is wonderful. But I was in a room of people who knew her work. Like, at one point, someone asked about whether or not she was going to be writing more in, like, The Company Series, which is one of the series she started to write. And there are a couple books—in that one. And then when she's like, “Oh, I don't—I think the time for that is over,” and people were like, “Awww,” and they were sad, and they knew characters really well. There was a die-hard fan of one of her books—I think it was Stay. And I just—I'm so grateful to be able to go to those events and see that other people love Sarina as much and respect Sarina's work as much as I do. And my whole family was there. So my kid, who's been hearing about, you know, my friend who wrote—writes “kiss me” books, he was like, “Man, people are into her books.” And I'm like, “Yeah, I told you. I've been trying to tell you.” And it was great. It was really fun to see people that into it.Sarina BowenWell, the thing is that romance readers really are special. I'm not saying there aren't—there aren't fandoms in other genres as well. But it's something about a romance novel involves characters that aren't afraid to say how they feel, and that is how romance readers are about the books. They are not afraid to say what they feel, and they are there for all the feelings in the first place. And it is really a great spot to be. So for every writer who ever looked down at the romance section of the bookstore, I got news for you. It's really nice over there.Jess LaheyIt's great. The people were so great.Jennie NashAnd we have gratitude for the romance—the romance readers too.Jess LaheyYeah.Jennie NashI love all of your—your gratitude's. Mine is—I guess I would say that I am grateful for having the identity of a writer as a thing that I take with me wherever I go. And what I mean by that is I have been traveling to see family, and there were airplane troubles, lots of different airplane troubles, actually, on this particular trip, and lots of delays, overnight delays, sitting in airports for long periods of time, all of that, and I am never sad about those things. I'm almost never at a total loss. Like, you tell me that I have to spend six hours at the San Francisco airport, and I'm fine, because I can fill the time—not just, not just fill it like, “Oh, I can get through this,” but I can actually have really productive, useful, awesome time for six hours in the San Francisco airport. And if I have to spend a night at a terrible airport hotel, and, you know, just all the things—and I was so grateful when I thought about it in that way, that here's a thing that I can take with me wherever I go, that all I need is something to write on. Could be my phone. It could be a piece of airport hotel notepad and paper. It could even be a torn-out page of a magazine that I bought at the airport. And I—I can be somebody. I can be somebody doing something that I find interesting and good and useful. And I just am so grateful for that. What an amazing thing to be. And obviously holiday travel is a special kind of thing, but just the thought that—that that comes with me, no matter where I go or what I do or what happens in my life—I have that, and I'm very grateful for that. So I don't know, KJ, in terms of how am I going to bring that forward or exercise it or do it? I guess—I guess I've got to hope for smoother travels.KJ Dell'AntoniaYou should just get stuck in more airports, but you don't want to get stuck in more airports? I feel like that should be your goal now.Jennie NashI guess if you take it to a very granular, practical level, like Sarina does—always have a notebook with you, man. That's what I got to say, and a working writing implement. It saves the day.Jess LaheyAnd then you text the word “sticker” to the rest of us, and we know, “Oh, man, those travel stickers—those are worth double stickers.” We always say that travel stickers are double stickers.Jennie NashIt's so true. It's so true. Well, we just wanted to pop in here today to share this gratitude episode with you all and to give you some things to think about, about your writing life and your writing practice. And we hope that everyone is having a day filled with gratitude. KJ, do you want to say other things?KJ Dell'AntoniaI wanted to say that I think we're all grateful for the way this community is slowly but steadily growing. I've been doing Write-Alongs with a bunch of people lately. We've been seeing people in the actual Substack chat, which, if you…Jess LaheyThe chat is fun.KJ Dell'AntoniaUse Substack chat, that's great. And you know—you know what it is, and if you don't, that's fine. You can totally hit the same results by talking to us in the comments, which is the same as comments on anything. I just—I just really like sort of seeing the same people and faces pop up over and over again, and feeling the same kind of “less alone” about this that I used to feel back in the early days of blogging. I don't know about the rest of you, but I have pretty much, you know—I'll put a thing on Instagram, and then I'm out of there because, again, it's—there's, there's so much slop now. I'm not really doing a lot of other things. But I am here, and there are other people here, and I think that's so fun.Jennie NashIt's really fun. And we will continue to be here with—with lots of offerings, from Nerd Corner episodes to Write Big episodes to KJ Writing Along episodes, and we're in the chat to help and answer questions, and we have other things up our sleeves too. So keep tuning in.KJ Dell'AntoniaYeah. All right.Jess LaheyAll right, everyone until next time around, keep your butt in the chair and your head in the game.NarratorThe Hashtag AmWriting Podcast is produced by Andrew Perrella. Our intro music, aptly titled Unemployed Monday was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

On this week's Book Club podcast I'm joined by debut author Leon Craig to talk about her novel The Decadence – a story of millennial debauchery in a haunted house which uses a knowing patchwork of literary influences from Boccaccio and Shirley Jackson to Martin Amis and Mark Z. Danielewski to make an old form fresh. She discusses how and why it took her so long to write, how she first acquired a taste for the gothic, and why she thinks the horror novel, that seeming relic of the 1970s, is making such a dramatic comeback. Hosted on Acast. See acast.com/privacy for more information.

On this week's Book Club podcast I'm joined by debut author Leon Craig to talk about her novel The Decadence – a story of millennial debauchery in a haunted house which uses a knowing patchwork of literary influences from Boccaccio and Shirley Jackson to Martin Amis and Mark Z. Danielewski to make an old form fresh. She discusses how and why it took her so long to write, how she first acquired a taste for the gothic, and why she thinks the horror novel, that seeming relic of the 1970s, is making such a dramatic comeback.Become a Spectator subscriber today to access this podcast without adverts. Go to spectator.co.uk/adfree to find out more.For more Spectator podcasts, go to spectator.co.uk/podcastsContact us: podcast@spectator.co.uk Hosted on Acast. See acast.com/privacy for more information.

Michael, Pax, and Rob talk about lots of stuff including Silver Age Wonder Girl, Man-Wolf, Hell House by Richard Matheson, three Shirley Jackson novels, podcast apps, and Predator: Badlands.

¡Feliz Halloween a todos! Durante el mes de octubre hicimos un programa diario dedicado al mejor género de todos y lo terminamos con el regreso de Katy Becker al esudio de grabación. Si extraña LAS CLAVES DEL ÉXITO y/o EL PODCAST SIN NOMBRE (EPSN), este será un regalo para usted. Nos juntamos a conversar durante todo THE SHINING así que déle play cuando nosotros le decimos y vea esta fundamental película con nosotros. ¡Ojalá les guste y vayan al Patreon por los otros programas! Aquí les dejo lo que hicimos: OCTUBRE TERROROSO Día 1: KWAIDAN (1964) Día 2: UNTIL DAWN (2025) Día 3: THE UNKNOWN (1927) Día 4: THE SADNESS (KU BEI, 2021) Día 5: THE INNOCENTS (1961) Día 6: TALES FROM THE CRYPT (1972) Día 7: THE WORLD'S END (2013) Día 8: CORPSE BRIDE (2005) Dïa 9: PET SEMATARY (1989) Dïa 10: CHARLIE BROWN Y LA GRAN CALABAZA (1966) Día 11: WHAT LIES BENEATH (2000) Día 12: CORALINE (2009) Dïa 13: WAR OF THE WORLDS (2025) Día 14: THE VVITCH (2015) Día 15: HAXAN (1922) Día 16: DEAD OF NIGHT (1945) Día 17: MARROWBONE (2017) Día 18: BLACULA (1972) Día 19: THE UGLY STEPSISTER (2025) Día 20: V/H/S HALLOWEEN (2025) Dïa 21: POSSUM (2018), con la Fer. Día 22: DARK SHADOWS (2012) Día 23: SEGMENTOS FAVORITOS DE LA CASITA DEL TERROR DE LOS SIMPSONS, con la Fer. Día 24: WELCOME TO DERRY (2025) Día 25: THE LONG WALK (2025) Dïa 26: GOOD BOY (2025) Dïa 27: THE THING (1982), con Valeria. Día 28: SLAUGHTER HIGH (1985), con Alejandro. Día 29: WHATEVER HAPPENED TO BABY JANE (1962) + FEUD (2017). Dïa 30: THE LOTTERY (1948) de Shirley Jackson. Dïa 31: THE SHINING (1980), audiocomentario con Katy Becker. Si quiere escuchar el resto, lo esperamos en www.patreon.com/hermeselsabio Si no, gracias igual y ¡Feliz Halloween!

With stories like “The Lottery” and The Haunting of Hill House, Shirley Jackson was one of the great horror authors of the 20th century. In 2012, Ruth Franklin wrote a biography of the writer called Shirley Jackson: A Rather Haunted Life. In today's episode, we revisit a conversation between Franklin and NPR's Linda Wertheimer. They talk about Jackson's childhood, domestic life, and her unique ability to see "extraordinary evil” under the surface of ordinary life.To listen to Book of the Day sponsor-free and support NPR's book coverage, sign up for Book of the Day+ at plus.npr.org/bookofthedayLearn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy

With special guest Longinus, the boys drink and review Southern Tier's imperial pumpkin ale, then -- to celebrate Halloween -- review a series of scary stories from Shirley Jackson. In this episode we dive into the eerie, unsettling world of Shirley Jackson. Best known for The Lottery and The Haunting of Hill House, Jackson was a master of psychological tension, small-town menace, and the dark corners of everyday life. The boys discuss several of her short stories — how she creates unease without gore, how she uses ordinary settings to expose cruelty and conformity, and why her work still feels so disturbingly relevant today.Here are the stories we cover. * Flower Garden* The Daemon Lover * The Renegade* The Witch * The Tooth * The Lottery

Gay homosexuals Nick and Joseph review ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠The Haunting - a 1963 supernatural horror film directed and produced by Robert Wise, adapted by Nelson Gidding from Shirley Jackson's 1959 novel The Haunting of Hill House. It stars Julie Harris, Claire Bloom, Richard Johnson, and Russ Tamblyn.Additional topics include:Ozgood Perkins' thoughts on Monster: The Ed Gein StoryThe 25 biggest Halloween songs of all timeFrancis Ford Coppola's bank accountThe death of Samantha EggarJoin us on Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/FishJellyFilmReviews⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Want to send them stuff? Fish Jelly PO Box 461752 Los Angeles, CA 90046Find merch here: https://fishjellyfilmreviews.myspreadshop.com/allVenmo @fishjellyVisit their website at www.fishjellyfilms.comFind their podcast at the following: Anchor: https://anchor.fm/fish-jelly Spotify: https://open.spotify.com/show/388hcJA50qkMsrTfu04peH Apple Podcasts: https://podcasts.apple.com/us/podcast/fish-jelly/id1564138767Find them on Instagram: Nick (@ragingbells) Joseph (@joroyolo) Fish Jelly (@fishjellyfilms)Find them on Letterboxd: https://letterboxd.com/ragingbells/ https://letterboxd.com/joroyolo/Nick and Joseph are both Tomatometer-approved critics at Rotten Tomatoes: https://www.rottentomatoes.com/critics/nicholas-bell https://www.rottentomatoes.com/critics/joseph-robinson

The Sonic Stage Players present the final trilogy of live horrors from the Bicentennial Theatre. Adapted and Directed with production by Jack J. Ward. Recording by Mike Miller and starring, Jack Ward, Betty Senger, Barb Moxom, Jim Warburton, Jason Pyett, Judith Thompson, Katherine LeBlanc, Wanda Candolini, and with Julia Moxsom providing practical sound effects. And our final act of the Transcontinental Terror 2025 series comes from the NBC Short Story anthology series with Shirley Jackson's "The Lottery". Learn more about your ad choices. Visit megaphone.fm/adchoices

May October never end! As Halloween approaches, we present you with two conversations from years past with great horror authors. Joe Hill, whose latest, "King Sorrow," is out now, recommends several great spooky reads. And Victor LaValle ("Lone Women") talks about the book he has read the most in his life: Shirley Jackson's "The Haunting of Hill House." Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app.

Your hosts are finally entering Spooky Month and reading the psychological supernatural horror classic, The Haunting of Hill House, by Shirley Jackson. Sara has complaints that (for once) don't boil down to “it's horror and I don't like horror”. Lilly agrees?! They talk about unfulfilling explanations, female agency, and relationship roller coasters.Find us on Discord / Support us on PatreonThanks to the following musicians for the use of their songs:- Amarià for the use of “Sérénade à Notre Dame de Paris”- Josh Woodward for the use of “Electric Sunrise”Licensed under Creative Commons: By Attribution 4.0 License

In Elizabeth Hand's A Haunting on the Hill, Holly Sherwin is living every writer's dream. She has grant money to finish her new play, which she uses to rent a mansion in the woods so that she can work in peace. The only problem? The mansion is Hill House, a living, breathing bad place that promises to turn Holly's dream into a nightmare.   Recommended in this episode: Laura Purcell's The Silent Companions   NEWS: We have a Bookshop.org shop now! Find all of our favorite books at our shop–and help out small businesses.    UP NEXT: Interview with author Jen Julian  Buy our books here, including our newest Toil and Trouble.

Losers Jenn Adams, Rachel Reeves, and Ana Marie Cox check into Bates Motel on a rainy night to discuss Robert Bloch's Psycho, the 1959 best-selling novel that Alfred Hitchcock turned iconic the following year for Universal Pictures. Danse Macabre is a recurring feature of The Losers' Club that journeys through all the books that influenced Stephen King. (You know, as he listed in 1981's Danse Macabre. Ahem, hence the name of this series.) In the past, we've catalogued Shirley Jackson's The Haunting of Hill House, William Golding's Lord of the Flies, Ray Bradbury's Something Wicked This Way Comes, Peter Straub's Ghost Story, and Jay Anson's The Amityville Horror. Hosted by Simplecast, an AdsWizz company. See https://pcm.adswizz.com for information about our collection and use of personal data for advertising.

Send us a textWelcome to Read Before Midnight, your passage into the strange and the sinister. Season 2 continues with Episode 4 – The Forgotten Place, Part One by W.H. Maxwell. Step into the Allegheny dusk, where four friends descend into a valley hiding a village that was never meant to be found.

Bringing Down The House Stephen King invited audiences back to network television in 2002 for a three-night tour of his haunted house, Rose Red. But did the author successfully refurbish Shirley Jackson's classic Hill House tale by having an autistic girl be the one to stoke the appetite of a soul-eating Seattle mansion? Or is sitcom star Nancy Travis working from an outdated blueprint as she sends five paranormal investigators down warped hallways and rooms with bad histories to find scientific proof of the supernatural?  Listen Now to learn if the hosts flip over this property.

We are on a summer hiatus, but we will be returning with brand-new episodes soon! Please enjoy this classic episode on "The Summer People" by Shirley Jackson.   Shirley Jackson once again proves that she is the queen of creepy short stories, this time with her story “The Summer People.” The story starts idyllic, like many of Jackson's stories. The Allisons are a wealthy older couple who summer in a cabin by a lake in rural New England. Their picturesque existence quickly turns nightmarish, however, when they decide to extend their trip and stay past Labor Day.

Welcome to Dev Game Club, where this week we continue our series on indie games, by looking at Papers, Please. We talk a bit about Lucas Pope, its creator, and then turn to the game's mechanics and themes. Dev Game Club looks at classic video games and plays through them over several episodes, providing commentary. Sections played: One or two playthroughs Issues covered: tactile job simulation games, empathy and commentary, tactility and user interfaces, how it plays, the mechanics post-day, plate-spinning, all the various things you have to check, a nerve-wracking experience, stamping passports, turning the screws, paying vs not paying for things, stereotypical regimes, indie games coming up with new interesting mechanics and AAA borrowing them, justifying denial of entry, having your options limited by bureaucracy, ways that days can end, the timer pressure, dehumanizing the process, describing the board game Train, opportunities for subversion, coins, being recruited for espionage, a precedent for weapon power mechanics. Games, people, and influences mentioned or discussed: Shirley Jackson, The Lottery, Cart Life, Persuasive Games, Ian Bogost, Fez, Naughty Dog, Helsing's Fire, Return of the Obra Dinn, Moida Mansion, Playdate, Mars After Midnight, The Lives of Others, Fumito Ueda, Uncharted 2, Balance of Power, Chris Crawford, Seamus McNally, Train, Brenda Romero, Keita Takahashi, Katamari Damacy, To A T, Pidy Retsym/Mystery Dip, Quoggim Logglehoggle, NES, Cave Story, Blaster Master, Daisuke Amaya, Outer Wilds, Kirk Hamilton, Aaron Evers, Mark Garcia.  Next time: Twitch: timlongojr  Discord  DevGameClub@gmail.com  (show notes updated to attempt to force AP to update)

Merriam-Webster's Word of the Day for July 29, 2025 is: quibble • KWIB-ul • verb To quibble is to argue or complain about small, unimportant things. Quibble can also mean "to evade the point of an argument by making trivial or frivolous objections." // Why are you quibbling over such a small amount of money? // People ignored the main point of the speech and quibbled about its length. See the entry > Examples: "In 'Louisa, Please Come Home,' one of Jackson's most deeply affecting stories, a girl on the cusp of womanhood runs away from home and disappears into a new life in a new city, where she finds a room in a boarding house and a job in a stationery store. Jackson's agent, who judged it 'a powerful and brilliant horror story,' quibbled with her decision to leave the character's motive unexplained, but it's clear that Louisa doesn't need a reason to run away. She wants simply to disappear …" — Ruth Franklin, introduction to The Lottery and Other Dark Tales by Shirley Jackson, 2025 Did you know? There's not much to quibble about when it comes to the origins of the verb quibble: it followed the noun quibble, meaning "an evasion of or shift from the point" and "a minor objection or criticism," into the language in the mid-17th century. That word is likely a diminutive of a now-obsolete noun quib, also referring to an evasion of or shift from the point. Quib, in turn, likely comes from a form of Latin qui, meaning "who," that is also a distant relation of our word who.

There's new stirrings in the world of Doctor Who production, one being an official BBC search for new producers of an new animated Doctor Who series for Time Tots on CBeebies, and a much more tenuous rumour about discontent between Russell T Davies, a potential streaming suitor, and a push for a grittier, aged-up series. Join the Three Who Rule who cogitate on the possibilities of Doctor Who's future, along with Big Finish news, the improbable return of 80s laff-fest Spaceballs, and Part One of our Classic Series Commentary for The Visitation! Links: Support Radio Free Skaro on Patreon Doctor Who – The TARDIS is set to land on CBeebies Doctor Who pre-school animation: invitation to pitch Doctor Who Season 2 coming August 18 to DVD, Blu-ray and Steelbook (UK) Report: BBC and RTD at ddds with potential new Doctor Who partner Excerpt from the new Fifteenth Doctor novel ‘Shirley Jackson and the Chaos Box', available now Big Finish Fourth Doctor Adventures: The Last Queen of the Nile, due Sep 2025 What if the Classic Doctors Regenerated like Modern Day Doctors? by Rob Ritchie Spaceballs 2 announcement Pik-Sen Lim died Commentary: The Visitation Part One

Host Meg Wolitzer presents two stories about secrets that are just beneath the surface of the narratives and lives of the characters.  In Walter Dean Myers' “The Beast in the Labyrinth” children must conceal their real selves in a hostile society.  The reader is Jelani Alladin.  And the Shirley Jackson classic “The Lottery” demonstrates how the inconceivable can become the norm in a community if everyone accepts it.  The reader is Amy Ryan. 

Rose Red is the rare mini-series that Stephen King wrote directly for the screen and is essentially his stab at playing in Shirley Jackson's Hill House sandbox. With a wild cast that includes both Nancy Travis and Julian Sands and Melanie Lynskey and a story that feels like a Greatest Stephen King Hits compilation, Rose Red is a fascinating one to look back on.