Podcasts about Female gaze

On est aux trois quarts du festival, l'occasion de refaire le point sur nos coups de coeur et coups de gueule de ces derniers jours !Au programme : Garance de Jeanne Herry, L'Inconnue de Arthur Harari, Her Private Hell de Nicolas Winding Refn, Ben'Imana de Marie-Clémentine Dusabejambo, Ton animal maternel de Valentina Maurel, Carmen l'Oiseau Rebelle de Sébastien Laudenbach, Jim Queen de Marco Nguyen et Nicolas Athané, et Eva de Maria Plyta.Animation, réalisation, montage, son : Mariana AgierParticipantes : Enora Abry, Noémie Attia, Alicia Arpaïa, Margaux Baralon, Esther Brejon, Diane LestageGénérique : © SorocinéMusique : Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Après 6 jours de festival, on fait le point sur Cannes à mi-parcours en vous partageant nos coups de coeur, coups de gueules et découvertes en direct !Au programme : Gentle Monster de Marie Kreutzer, L'Être Aimé de Rodrigo Sorogoyen, Soudain de Ryusuke Hamaguchi, Mémoire de fille de Judith Godrèche, La Gradiva de Marine Atlan, Tangles de Leah Nelson et Sanguine de Marion Le Coroller.Animation, réalisation, montage, son : Mariana AgierParticipantes : Enora Abry, Noémie Attia, Alicia Arpaïa, Margaux Baralon, Victoria FabyGénérique : © SorocinéMusique : Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

What does it really mean to see women's lives through the female gaze? In the final guest episode of our miniseries, we speak with filmmaker Paromita Vohra about representation, women's lived realities, and the many forms of labour that often go unseen, are stigmatised, or are judged morally. Drawing from her documentary, The Working Girls, this episode examines women's experiences in all their complexity, including their labour, joy, exhaustion, survival, and everyday lives, while exploring what it means to truly centre women's perspectives in storytelling, society, and the law. For further readings, please visit Vidhi's website: https://vidhilegalpolicy.in/podcasts/legally-hers/episode-6-roll-sound-lights-camera-female-gaze/ Credits: Host: Prathiksha Ullal Content Consultant: Gayathri N. Edited, mixed and mastered by : Ankit Thakur Intro and Outro Music: Artlist Thumbnail Art by : Kunal Agnihotri #Podcast #FemaleGaze #FeministConversations #WomenStories #Documentary #GenderAndSociety

Pour ce premier épisode spécial dédié au 79e festival de Cannes, on vous embarque avec nous sur la Croisette en vous partageant nos coups de coeur, coups de gueules et découvertes en direct !Au programme : La Vénue Electrique de Pierre Salvadori, La vie d'une femme de Charline Bourgeois-Tacquet, Histoires Parallèles d'Asghar Farhadi, Butterfly Jam de Kantemir Balagov, In Waves de Phuong Mai Nguen, Viva de Aina Clotet... Et Fast & Furious de Rob Cohen.Animation, réalisation, montage, son : Mariana AgierParticipantes : Enora Abry, Noémie Attia, Alicia Arpaïa, Margaux Baralon, Diane Lestage, Victoria FabyGénérique : © SorocinéMusique : Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

One of our favourite global fashion icons is making headlines for her "robotic" morning habits, and we need to discuss whether her 6am espresso-and-emails vibe is aspirational or just plain exhausting.We’re also spiralling over a major security breach on a North Carolina film set that has led to "privacy please" being literally written in the sand.Finally, if you're looking for a guilty new pleasure we luxuriate in the rise of a new "sexy stories" platform that is completely flipping the business model for romance and adult entertainment.Love binge-watching TV? The Spill has launched a new podcast called Watch Party where we deep dive into the shows everyone’s talking about. Follow the feed on Apple or Spotify now. Plus remember The Spill drops the tea twice a day in this feed so follow us for all the latest entertainment news… OR you can WATCH our show in full length video on the Apple Podcast app - make sure your phone is up to date and enjoy the watch! Link here. THE END BITS Find and follow us on socials: Instagram: https://www.instagram.com/thespillpodcast/ TikTok: https://www.tiktok.com/@thespillpod Facebook: https://www.facebook.com/thespillpodcast/ Read all the latest entertainment news on Mamamia: https://mamamia.com.au/entertainment/ Support Independent Women’s Media: https://www.mamamia.com.au/subscribe/ Your subscription helps us continue to tell the stories that matter to women. Want to join the conversation? Have feedback or a topic you want us to discuss? Send us a voice message or email us at thespill@mamamia.com.au and we’ll get back to you ASAP! Executive Producer: Monisha Iswaran Audio & Video Producer: Michael Kean Mamamia acknowledges the traditional owners of the land on which we have recorded this podcast. From Mom and Mia. 00:02Speaker 2 Welcome to the Spill your daily pop culture fix. 00:05Speaker 1 I'm m Vernon and. 00:06Speaker 3 I'm Brief Player, executive producer of MoMA MIA's interview podcast No Filter, and former magazine editor. 00:12Speaker 1 We had a full intro. That's that's my intro. That's what I'm told to say. I love that. Well. I know yours is just your name, but you. 00:20Speaker 2 Know what that's because I don't know what's going on for me. 00:23Speaker 3 That is, it's because you are a name. It's because your talented girl too. Oh okay, well player. 00:28Speaker 1 Does stand out. 00:29Speaker 4 Well. 00:29Speaker 2 A name that is missing is LB Laura Brodney. It is she is having some fun with her family and we are holding down the fort LB. 00:38Speaker 1 If you're listening, no you're not. It's fun. We've got this. 00:42Speaker 2 Today on the show, we are going to be talking about a very firm statement a production company has put out towards its fan base of a very cult favorite show and what this means, I guess, for the future of film sets. We're also talking about how a lot of hot men doing a bit of. 01:00Speaker 1 A career turn. We're not complaining, we are, no, we are quite the opposite. 01:06Speaker 2 Really, But first I need to talk about our friend Victoria Beckham, so friend of the show, friend of the show, show of the podcast. So she recently went on Emma Gred's podcast. It's like over an hour long interview. Emma Greed, if you don't know, has developed so many of the Kardashian brands. She's like CEO of Chloe's Jean's brand, she was co founder of Skims. She's very very well known in the girl boss industry. 01:32Speaker 3 The girl is actually such an apt description. 01:36Speaker 1 I love it. 01:37Speaker 2 So Vibi did this interview with her, and there's so many juicy things in it. If you haven't watched her documentary on Netflix, you now don't need to. You just need to listen to this interview because she pretty much covers everything she says in the documentary. 01:51Speaker 1 She talks about her kids. 01:54Speaker 2 You know, when you're watching a YouTube interview and it like has the most replay, it shows you the most replayed moments literally about her talking about her kids and the differences between parenting children versus parenting adults. We've talked about bestie Brooklyn Beckham and everything that's going on between him and his mom. Best friend of the show, best friend of the show. She also talked about the alleged affair. She talked about her company making money, losing money, making money again. 02:20Speaker 3 It's super unusual for Victoria to give a like a big deep dive interview as well, so I think. 02:26Speaker 2 Like girl Boss to girl Boss, felt like it was environment Yeah, but like to be fair, a lot of the stuff she talks about with her company and her both her fashion brand and beauty brand is like really really interesting where she talks about She covered it in the documentary as well, but I guess emm agreed asks those really like kind of personal business se questions where she mixes business questions with lifestyle questions. There is one part of the podcast so that I really want to discuss, yes, and it's the part that no one's really talking about. It's her day in the live. 03:01Speaker 1 It's the highlight of the podcast for me. I just love to know. 03:05Speaker 2 What celebrity millionaires and billionaires are doing every day so I can try to replicate it in my sad little life. 03:12Speaker 3 On weekends, because we have jobs. 03:16Speaker 1 Because we have real jobs, real jobs. Should I take you through it? Yes? Oh please please? Okay, she's almost the weekend. I need to know, we need to. 03:23Speaker 2 Know okay, So she says, we get up every morning, thank God, off to a strong style. 03:31Speaker 1 We get up every single morning. That's crazy. 03:34Speaker 2 We get up every morning and we make Harper breakfast. What I've noticed in this day in the live, she doesn't mention about her own eating habits, because we all know she eats steamed fish and veggies every single day. And I don't think she wants to keep marketing that because I don't think she really wants a fish dealer. 03:49Speaker 1 She doesn't need it, doesn't need, she doesn't need, doesn't need a fish finger. 03:53Speaker 2 So they both make Harper breakfast. She says, if he's not traveling, David does the school run, she goes down to the gym. When she says down to the gym, I'm assuming downstairs. 04:03Speaker 3 And the like, Yeah, I don't think she's like popping going down the road, you know, the local like fitness first, no, non equivalent. 04:09Speaker 2 She's going down to the gym, and she does. Wait for forty five minutes. Then David comes back home, joins her, and then they work out together for another hour. 04:21Speaker 1 Oh, I know they're that couple. 04:23Speaker 2 An hour and forty five minutes every single morning in the gym that's a lot, girl, it's a lot. But she loves doing things with him. 04:29Speaker 1 Yeah, but like there are other things to do. Okay. 04:32Speaker 2 Then she says she goes to the office, which is ten minutes away from where she lives. 04:36Speaker 1 So I'm assuming the same time stamped this, Like, do we know, like when is she rolling into the now? 04:41Speaker 3 She kind of like, so it could be midday because if she's got up, we don't know when she gets up, made Harper breakfast or you know, being present for the breakfast making. 04:51Speaker 1 I can't see. I feel like it's David hands on not. 04:53Speaker 2 I feel like she'll make Harper like a juice and David makes the breakfast. 04:57Speaker 1 We know he cooks. He loves to cook. 04:58Speaker 3 And then like she's an arrow and forty five in the gym, has to shower, get I'm sure like that, you. 05:04Speaker 1 Know, becoming becoming BB. 05:06Speaker 3 Yeah, the day is not a quick time office mid day probably yeah, probably. 05:12Speaker 2 So she says it's only ten minutes away, so I'm assuming, like the same estate. 05:17Speaker 1 I'm assuming it's. 05:18Speaker 2 Like it's just next door, next door, a second home. Yeah, she says she goes in five days a week. Oh, what do we feel about that? Well, she says, I have to be there. It's where like all the ideas get made. There's something about going in every day, and I'm like, this sounds like a CEO who had hybrid working conditions and I told everyone. 05:40Speaker 1 To come here, to come back. 05:41Speaker 3 It's like, yeah, VB at the front line of pushing people back in the office's like, I. 05:45Speaker 1 Love being here all the time. Don't shut up, Phoebe. It's because you get to roll in a mid day. 05:50Speaker 2 Yes, And she says she doesn't travel that much. She only ever goes to New York because beauty. Her beauty brands in New York and her fashion brands in between London and Paris must be nice. 06:00Speaker 3 She has a lot of social engagements too, Like, I don't what she's doing this interview. 06:06Speaker 1 Yeah, on the weekend, probably. 06:09Speaker 2 Probably she's in the office five days with family time, Okay, I guess. 06:13Speaker 1 So. 06:13Speaker 2 She also says at six pm, they are all at home and they all have dinner together, no phones, they just talk about their days. 06:22Speaker 1 I love that. 06:22Speaker 2 Yeah, And she says that we are quite a traditional family. Most people won't believe that, but they are. 06:28Speaker 1 I believe that, but I think that it's ordained, like. 06:34Speaker 3 I don't know if it's well, we actually know for a fact it's not every child's choice to be part of that environment. But I can imagine they have strict rules about dinner together and no phones and yeah, well. 06:46Speaker 2 After everything that happened with like Brooklyn Beckham, I'm sure they are like quite strict parents. She also talked about how her daughter Harper is launching a skincare brand because she says that like her daughter used all of these like different skin cares and ruined her skin, and she wanted to create a really nice collection of like clean skin care for young girls to use, like sure, And I was like sure. I mean, like I'm kids meant to get acne. 07:17Speaker 1 Yeah, it's inevitable. Yeah, but it's good for them. 07:19Speaker 2 It's good for them. But as you know, I didn't really listen to any of that stuff. I was just like, let me know the day in the life. Yea other day in the life, and now we got it. So if you want to know what to do for to be Victoria Beckham, an hour and forty five minutes in the gym every morning. 07:31Speaker 1 That is in your house. Yeah, that's in your house. You have to have the gym in your house, and if. 07:35Speaker 3 You do go to work, it's down the road ten minutes. Yeah, and you're not really doing a commute. You're certainly not on the train. 07:40Speaker 1 You're fine, you'll do it. It's probably in you. I would say it's pretty easy to be VB. 07:44Speaker 3 But I don't know about an hour and forty five minutes in the gym every morning. 07:47Speaker 1 I'll give it a go tomorrow, I'm definitely not. No, I stop at waking up every day. We've got that down. I've got it down. Only five more steps to go. 07:58Speaker 2 So the summer turned pretty You might have heard of it. Yeah, she'll have a little old show. They're currently in the production of making the movie, which is meant to act as like the actual actual series finale. 08:11Speaker 1 Yes, this is it. 08:12Speaker 2 Yes, and they're currently filming. Recently, the production company that's doing so, on my Return, Pretty Amazon. 08:19Speaker 1 Tweeted this. 08:20Speaker 2 They said, we love the excitement, but sharing locations and visiting sets disrupts filming and creates real safety concerns for our cast and crew. We're working hard to create a protective bubble to make the best movie possible. Please help us protect the magic of Cousins. That's the place where it's set, not cousins in general, until it's ready to be shared after that. Jenny Hahn, who wrote the book and is also a big writer of the movie and the show, she also posted when people come to set, film and share videos, it disrupts the work and makes it harder for actors to get into character and causes unnecessary anxiety for them. 08:57Speaker 1 We often have to stop. 08:58Speaker 2 Production to clear crowds from the show, which breaks the crew's focus. This story means a lot to me, and I know it means a lot to you too. I want to give you the best version of this movie. Please help protect our process, right. 09:11Speaker 3 Oh, Look, like fervent fandoms are a double edged sword because like they need that. That's why they have had a successful series. It's why they've got this movie coming out. They wouldn't have that without the fans. And the fans are so so so passionate, and like in my heart, I'm a fangirl, I always will be, and I have so much love for fangirls and boys. 09:32Speaker 1 Yeah, and I just think like. 09:34Speaker 3 The reason why, like they're showing up because they love it so much. They want to be part of that world. And it's like it's super endearing, but I do understand why. You know, it's not necessarily conducive to a good set. 09:47Speaker 2 I think they've also like this set and crew in particular, I've had such like bad luck when it comes to like fans being so intense about the show. Because when I first read this, I was kind of like, I was a bit like boohoo. 09:59Speaker 1 Like, yeah, everyone loves the show. Nice, just be nice. 10:03Speaker 2 But then I remembered when they were filming the series finale of the last season of the summer I turned pretty where Belly goes to Paris, and a lot of it was filmed in Paris. They had to fly Gavin over also who played Jeremiah, even though Jeremiah had no scenes in Paris, because everyone was just so intense and guessing who she would choose, Conrad or Jeremiah. And then around the same time, they were putting out Statesmen saying please stop bullying our cast. 10:29Speaker 1 They're not their characters. 10:31Speaker 2 So they've really been through a lot with their fan base. But it's the same exactly what you said. I feel like if I was like walking around the US or in Europe and I saw that they were filming close to me, I wouldn't want to go. 10:45Speaker 1 Of course, I would want to have a look see. Of course I would take a couple of picks. 10:48Speaker 3 I don't know if I would necessarily share them on social media because that's just not my bag. 10:52Speaker 1 But I would show my friends. Yeah, I'd sit here and talk about it. I would literally talk about it like. 11:00Speaker 3 Yeah, like it's it's even if it's not your absolute favorite show. Like obviously there are people that are going, oh my god, I want to see them up close. Let's plan a trip, and like, you know that is happening. I know that happened a bit on the set of people we meet on vacation. 11:14Speaker 1 Yeah, but the. 11:15Speaker 3 Interactions were actually all really lovely and all the reports were fine, and there wasn't kind of a messaging sent out that I'm aware of that was like, don't do this. 11:23Speaker 1 But you know, fandoms are why a. 11:26Speaker 3 Lot of these projects get off the ground in the first place, especially if they're you know, they're based on a book or whatever, so they come with an inbuilt fan base, and so with that comes like this experience. 11:38Speaker 2 And I do think it's changed a lot as technology has changed. Very true to it, Jenny Hahn said, in her statement that it really disrupts the cast and the crew. Like imagine thinking you're filming a show and now you have like a live studio audience who're just like reacting to everything. Plus with the fans filming stuff and posting it online, it just creates like this bigger, bigger thing where was before It used to be like, oh my god, I was in the background of parks and recreation, did you see me? 12:06Speaker 3 I think, like, I find it frustrating when there's too many clips shared on my like for you page. For you that's it where you're like, I don't want to see it, and it's like, oh, like the way I was tapping interested on stuff when The Devil Wears Prata, like stuff was all coming. 12:22Speaker 2 That literally happened to me when I watched the second movie because I watched it in cinemas after you guys went to the big premiere and I was seeing scenes that I'd already seen on my TikTok. It's annoying, right because everyone was just filming them, yeah. 12:34Speaker 1 Filming the way, walking on the streets and everything. 12:36Speaker 3 But then it's also funny as well because we saw so many stills and footage from that film of Anne Hathaway and Patrick Brammel on the Street. It was so gorgeous and so romantic, and then like that was totally missing from the film. So that's a funny experience as well, because we've all been primed and it's almost like part of the promo. And that's actually really interesting because some productions, yeah, are like if you can't beat them, join them, and they're using it as an opportunity for promo. So we've seen that a lot with like they've been filming and they've wrapped filming now on Sunrise on the Reaping, which is like the next installment of the Hunger Games franchise. It's like the cast were encouraged to show stuff on their own like social media, like let's do it first. Yeah, yeah, so they're like McKenna grace was like all over it, and you know, she's so great on social media anyway. But we got a lot of behind the scenes stuff from that production and the movie doesn't come out till November, but they like really leaned into it and like knew that they had this really really really passionate fan base and so they were like feeding people from the start. 13:41Speaker 1 That's really smart. 13:42Speaker 2 I have a feeling Marvel kind of did the same for the New Spider Man movie because Tom Holland does a lot of his own stunts where they got like fans filming him, like jumping over cars and stuff in New York, and they were sharing those own videos on their own socials. It also really interesting, like can work way that kind of helps the production company or give them ideas. Do you remember when the first stills of It Ends with Us came out? Oh, and we were seeing lively in like those costs, like the most horrendous wardrobe choices, the most mirandous wardrobe choices. 14:19Speaker 3 And then it was just like mass trolling of like this she wearing? 14:25Speaker 1 What is this? 14:25Speaker 2 And then we still saw some quiet questionable efforts in that movie, but like the ones that we saw on des Moir were like not in the movie at all, very similarly love story. What they had as like the dress for Carolyne Bassett, the first. 14:39Speaker 3 First glimpse at both of them, both of them, it was like, that's not how they looked like they were wearing like h and M pieces like it just it wasn't reflective. 14:48Speaker 1 And that's so important, particularly for that story. 14:50Speaker 3 Because they're like, firstly, yeah, he had a lot of money, he dressed really well. He was like stylish and gorgeous and you know, but she was known FIRS style. That was a trademark, so to miss that and even like it was right down to the hair, like that's not what Carolyn's hair looked like, and then they started to change. When the show dropped, it was like it had been absolutely coarse corrected and then they nailed it. 15:14Speaker 1 So it is interesting to see and it must be helpful for them. 15:17Speaker 2 They're getting that live feedback as a film versus when a trailer goes out and then they see all the. 15:22Speaker 3 Feed test audience at the end, so like you can't then go await the wardrobe sucks, Like you can't go and reshoot the entire thing. So that's really yeah, that's been really beneficial for them. I've noticed as well. The next series of AHS has been like teasing so much from behind the scenes they've been doing. So they've got the core cast of Coven back, which is really exciting because like in my be in many people's opinion, Coven was the best season three, right, it was season three, that's like the Witch season that was set in Your Orleans absolutely incredible and like the cast so so stellar. Now, if you remember Jessica Lang, who was in the first maybe I think. 16:04Speaker 1 Five seasons, yes, I think. 16:06Speaker 3 So Dan left and when I said no, I'm done, I'm never going back, right, she was like adamant, like no, no, no, no. 16:14Speaker 1 No, guess who's back? 16:15Speaker 5 Shut up? 16:16Speaker 3 Yes, And it was announced on set like they had her in costume and they were like playing into it and they've been dropping in on st same. 16:24Speaker 1 As Emma Roberts is back. And of course her famous line is, hey, bitch, I bet you thought you saw the last of me. 16:30Speaker 3 So that's how she promo that she was back, which was so cool. 16:34Speaker 1 Oh my god, I love so. 16:36Speaker 3 Fun and like, as a fan of that series, I was so excited to like, it's like playing along from home from the start. 16:42Speaker 1 It also extends their run. It gets people excited from the start. That's so true. 16:46Speaker 2 I was thinking of massive cult shows where everyone's been obsessed with and movies where they had to like go through extra lengths just to make sure nothing's link. And I found this really interesting. Fun facts, fun facts for the girls in Sex and the City. The last episode, Sarah Jessica Parker said, they filmed. 17:05Speaker 1 Three this is traditional tragicity not and just like that. Yeah, okay, great, I'm a purist. I'm glad that we're talking about it. 17:12Speaker 2 So three different ending. So the first ending that we all saw on our screens is she ends up with Big. The second fake ending that they filmed was her coming back to New York alone, and the third one can guess, oh, her ending up with Alexander Petrov's no. No, And she was like, yeah, it was so obvious because they were such bad end. 17:38Speaker 3 Look, the one of her coming back to New York alone would have been nice, would have been like it would proper. Yes, I actually think maybe if the show was set today that she re that's so true. Back then everyone wanted a happy ending and we weren't. You know, the show was already revolutionary enough. 17:54Speaker 1 The people weren't. Back then, everyone was like, what would you do with that? And then yes, we don't understand. I don't understand, but now we know, we now we know. 18:03Speaker 2 Kit Harrington on Game of Throw Yeah said that because all of their scenes were filmed in like rural areas, like in forests and like snowy mountains. 18:12Speaker 1 You're a fan and you tricked out that you know what you deserved exactly? Do you take that video? You tell us what's going on. 18:19Speaker 2 But they said they had paparazzi were coming camouflage with these big with these big lenses, filming them like walking up like because everything in Game of Thrones would have been a leak, because even just seeing two characters together and Game of Thrones would have been a huge league, even seeing a character still alive, a character still alive, like a character who's like never met another character together. So everything was like really high stakes. So he said that they all had to film a certain number of fake scenes, like proper fake scenes that they knew would never I. 18:51Speaker 1 Just think of the money that's being spent, so much. 18:53Speaker 2 Money on production on actors with Game of Thrones. 18:58Speaker 1 What a waste of money because any name, you know what. 19:07Speaker 3 Us, choose your own adventure, release them all and the people can decide how it should have ended. 19:12Speaker 1 Agree. 19:12Speaker 2 Okay, And this is my favorite one in Avengers end Game. So if you haven't watched Endgame, this is going to be a spoiler. 19:20Speaker 1 But come on, it's been years and years. I haven't watched it. I probably never will. 19:24Speaker 2 Okay, well this is not going to be a huge, huge spoiler, but there's a scene where there's a funeral. So, like one of the characters dies and they all go to a funeral. They told Tom Holland and Mark Ruffalo, who are the two cast members known for accidentally leaking stuff. 19:39Speaker 1 Yeah, Tom Holland. 19:41Speaker 2 Tom Holland has given everyone Avenger plots. Yeah, his whole life, that's all he does, Avengers plots. They told the two of them that it was a wedding scene, and then they came dressed thinking they were filming a wedding scene and didn't realize. 19:54Speaker 1 Until they were there that it was a funeral. 19:56Speaker 2 And they still didn't tell them until the movie was released. Oh it was so only Robert Downey Jr. Was the only actor in that whole franchise to get the full script? 20:08Speaker 3 Is that because he was dead, because he whispered into a microphone. 20:13Speaker 1 Because he was dead, because he was don't tell anyone. 20:15Speaker 2 Yeah, so he was the only one. No one else everyone knew like bits and pieces. But Tom Holland literally thought the funeral scene he was filming for did. 20:23Speaker 1 The rest of the cart not realized when he was not there Robert because he also came there. He had to come. 20:32Speaker 3 That's so funny because that's not so much keeping it a secret from the fans. 20:38Speaker 2 Secret from the car so they don't accidentally. So Tom Holland couldn't actually like leak anything because he didn't know. 20:44Speaker 3 I want to know what film or TV set you would cross international date lines to go on stalk if it. 20:51Speaker 2 Was still filming, or if they did like another season or like brought it back to our screens. The Mindy Project, Oh I would, Oh my god, I would honestly get because like her whole thing was like she was a gynocologist, and I would literally get a doctorate and pretend that I'm a guyano and just to get on that set and be like I'm here to advise. I'm here to like, yeah, I'm here to see Mindy Kayling, here for miss Kayling. 21:19Speaker 1 Here for miss Kayling. 21:20Speaker 2 I'm here to advise as the doctor on set. Oh my god, I'd love that. 21:24Speaker 1 What would be yours? 21:25Speaker 6 Oh? 21:25Speaker 1 Look, if I'm looking backwards, it would be fleaback. That's such a good one. I feel like it would be fairly easy as well. 21:32Speaker 3 Yeah, I think so too. That would be pretty easy. Also, I feel like you're like. 21:36Speaker 1 Phoebe bit chill. 21:37Speaker 2 You know, she'd be so be excited to see you, would be I think she'dn't brite you on As a writer, I think so too. 21:42Speaker 1 Yeah, oh my god. And like looking forwards, I reckon that they'll have a bit of travel with the Hated Rivalry set next time. Oh yeah, they are going to have trouble. 21:52Speaker 3 Because if the summer I turned pretty is pulling out the fans for those two boys, imagine. 21:57Speaker 1 Taking it up a notch the Heated rivalry. 21:59Speaker 2 Will you give them so many points? Just film fake scenes, but make sure you release those ones to that. 22:04Speaker 1 Secluded cabin is suddenly going to look like it's got. 22:07Speaker 2 A great It's like, can you just remove the Airbnb signed from the lawn? 22:11Speaker 1 That'd be great. 22:13Speaker 3 Okay, And we have to talk about something that is joked around the Spill team that I have a doctrine in which she's Quinn. 22:20Speaker 1 Are you across Quinn? The app Quinn? 22:23Speaker 4 Oh? 22:23Speaker 1 When you say. 22:24Speaker 2 App Quinn, I am across it. When you just say Quinn general, I'm like, I don't think I met her. 22:30Speaker 1 The app quick Quinn. Yes. It is like audio erotica It is an app. 22:35Speaker 3 I came across it back at my last job when I was at Murray Claire and I was interviewing Thomas Dougherty. So Thomas Doherty you might remember from the reboot of Gossip Girls, and he's more recently and tell me lies. 22:48Speaker 1 Yes, he has a very chiseled jaw. He has a very chiseled jaw. 22:52Speaker 3 And despite the accent that he often sports in his shows, he's not American. 22:57Speaker 1 He's Scottish. So he's got a beautiful, beauty Scottish face. I couldn't get any better. He's got it. 23:03Speaker 3 And so Quinn is an app like you subscribe to. There's audio erotica on there, done by contributors, creators like normal guys out there. 23:13Speaker 1 It's like a sexy, calm app. It is, Yes, it's calm, but instead of falling asleep, you're getting horny. You're getting horned. Yeah, yeah, I like it because I. 23:22Speaker 2 Heard that women are more likely to get off on like audible sound versus visual. 23:30Speaker 3 Well it would seem so, and like I think, you know, that's the problem. A lot of like visual porn is not made for women, it's made for men. So this app, which was actually created by Caroline Spiegel, And if that name sounds familiar, it's because she's the sister of Snapchat creator Evan. 23:45Speaker 1 Oh my gosh, she's like and they're both sibling. 23:49Speaker 3 Yeah, yeah, Nepo's sibling. But she's like cooler chica and has created something that's like way better for the. 23:54Speaker 1 Girlies and fun sibling duo. Yeah, which also means that she's sister in law. 24:01Speaker 2 They should do a collab time Snapchat. 24:06Speaker 7 They made share a video. 24:07Speaker 6 I don't know. 24:09Speaker 1 So she's created this space where it is like about women's pleasure, much needed, much needed space where it's the focus. It's like female run, female staffed business. Predominantly most of the background creators on it are female. The voices are predominantly male. There are some female voices on it too, because it's like male for female and female for female. Correct. 24:31Speaker 3 Something that they started doing, as I mentioned with Thomas Doherty, was doing these things they call quinn originals with famous men narrating audio erotica. 24:42Speaker 1 I love that. 24:43Speaker 3 So Thomas Doherty came first, so we have to like thank him because he. 24:52Speaker 1 Led the way. 24:53Speaker 3 And what has followed has been like the most astounding lineup of top tier a War winning, and I'm like, when I say award winning, I mean like, like, these are guys that are like Emmy Golden Globe like nominade winners. So I'm going to run you through the stuff, right, Okay. So there's been Jesse Williams, who, of course like, oh my god, those eyes plays Jackson Avery in Ray's Anatomy speaking of Flea Bag, which we just did Andrew. 25:21Speaker 1 The actors at which is like normal accent, yeah, with his Irish accent. Tom blythe tom blythe Beautiful tom Bly God, so many that we already talked about today. There is is like promo for Sunrise on the Things. 25:36Speaker 3 Yeah, well he's not in that unfortunately, no, because it's set so yeah, so Ray Fines actually plays Snow in that one. Okay, Yeah, so it's it's a bit less sexy because tom blythe isn't in it, but Beautiful tom blythe Chris Brinney from the Summer Return pretty again another thing, yes, so okay, but also not only are they getting these men to do it, they're really explicit like they're not tame, right, They're not. So they're getting them to say yes to it. They're getting them to do it. There's sound effects and everything, and they're. 26:09Speaker 1 Getting them to do it at the exact. 26:11Speaker 3 Time that like their major project is. So when the summertime Pretty season three came out, that's when. 26:18Speaker 1 Chris's episode dropped. Wow, same as like okay, that's smart dropped. Like They're so amazing the way they're able to get them. 26:26Speaker 3 And as someone who like books talent, right, that's my job here, that's what I do for No Filter, I book the talent and when I worked in magazines, I booked the cover star talent. 26:36Speaker 1 Right. 26:36Speaker 3 It is hard, like there is like they have not much time to spare. It is hard to get someone like everyone's chasing them, especially when they're on for like those projects. So it is amazing to me how they've managed to get these guys to do this, which is like quite a hard sell I would imagine at the start. But I think that because of the lineup they've had, it's getting easier and easier because when you look at that roster, if you're like a talent manager and you look and you go, oh Andrew Scott, like wow, he's done this, like you know all of these like amazing actors, then you get more likely to show it and say hey, like. 27:11Speaker 1 Yeah, that's chat you. 27:12Speaker 2 And I also wonder because like Romanticy is like killing it in the genre game right now. 27:19Speaker 3 Funny you mention that because Jesse Williams, yeah, his one is themed around Romanticy still like a. 27:25Speaker 1 Very porn vie. I like that. 27:28Speaker 3 The other guys that have done it who we also just talked about was Connor Story and Hudson Williams stuff. 27:33Speaker 1 They did a series together. Of course they did. Of course they did, because that's. 27:36Speaker 3 What they can't do anything and they can yeah, they can never not do anything together. And there's plays into that same vibe as well. 27:42Speaker 2 Yeah, because it's like every like I mean, I'm a huge Romanticy reader, and like I know that a lot of production companies are thinking about taking these like books that everyone loves to the big screen. Like we know Michael B. Jordan's bought rights of a series that was like the whole room of him, like talking to Yarnha on the red carpet, everyone thinking she's going to be starring in one of his upcoming productions. 28:04Speaker 1 And I think this. 28:05Speaker 2 Is such a good opportunity for these men to like jump on this platform because you're obviously, if you're gonna listen, you're gonna visualize them. 28:13Speaker 1 Absolutely. It's not like an anonymous no, exactly what they like. And they all have like massive fan. 28:19Speaker 3 Bases and girls and the way that the Queen Girls tease the next celebrity on their TikTok and Instagram. You'll see like an arm or you'll. 28:26Speaker 1 See like I know that arm, well you do, because you're like I recognize those tattoos, I recognize those backsteps. 28:33Speaker 3 Well indeed, because the latest one to drop, the latest series was narrated by Sean Hattersey of The Pit. 28:42Speaker 1 Oh, he is such a good looking guy. He is such but everyone on the Pit is very good looking. Yeah, but especially those two sad, sad, sexy old doctors. 28:53Speaker 2 Right, oh my god, Okay, I'm really really you know now. 28:57Speaker 3 Okay, So when I hadn't watched The Pit because like, I don't. 29:00Speaker 1 Want to get around a medical drama. You know, you're very much like LB, like it's too real. 29:05Speaker 3 Yes, But then when I started seeing Sean hat to see on the Quinn's feed, I was like, he's really hot. And I've since watched The Pit now I love it, which is so I love that so they're very good, like Quinn seem very good at picking men who aren't just like super attractive and are doing really well in that. 29:21Speaker 1 Space, but also very like Zygeist. Yeah, like everyone's already talking about that. They absolutely nail it. 29:26Speaker 3 I'm going to give a shout out to the two girls at Quinn that run the social media, Brooke and Michayla. 29:32Speaker 1 You're doing guard's work. Girls. 29:33Speaker 3 Absolutely, they're like world class girls, girls what we want. They are both gorgeous, they're always on there, they're primoing, they're so funny. Yeah, you've got to get around on this great and they have really good taste in men because I can see like who they're tapping, you can you can see who that they picked. 29:52Speaker 1 But do you want to hear some? I definitely want to hear some? Okay, how do we want to do that? Shall I play you some and you can kind of guess who you think it is? Okay? 30:00Speaker 7 Yeah? 30:00Speaker 1 I like that, you like that? Okay, I'm nervous. Spillers. 30:05Speaker 2 If you're watching this on Apple podcasts or YouTube, close your eyes, don't look at me. 30:08Speaker 1 Do this. 30:11Speaker 5 I would take your clothes off until you were nothing, but you're underwear. I will get that sound out of you again, the one you made when you press your body into mind. 30:25Speaker 6 Oh, the pushing noises, breathless, desperate for some relief, and the pressure building inside you. 30:38Speaker 1 Oh my god, who do you think that is? Was that Chris Briny? No? Older? Older, much older? 30:47Speaker 3 Ah, I'm gonna read you the tags that were under the audio for that older man. 30:55Speaker 1 Forbidden romance, forbidden romance, mutual pining, sexting, nude picture, jealousy, personal backstory, consent, very important, it is important. M dom oh male dominant watching instructing you. Oh, it's my pit man. Sean had to see it is he sounds so young in. 31:18Speaker 3 That well they make so much feel like the breathy voice must be the breathiness. 31:22Speaker 1 I don't know. Maybe he just feels young because he's very exciting. 31:27Speaker 7 You like that? 31:28Speaker 1 All right, Let's try another one and say if you can guess who this is. 31:34Speaker 7 And you never even said a word about any of it to me. I thought you trusted me and we trusted each other, but you betrayed. 31:48Speaker 4 Me and no, no, I am Oh you're sorry. 32:01Speaker 7 Now you're sorry. Here, we've been sorry. We all that's your chance, prove it to me. 32:19Speaker 4 Beg. You heard me. 32:28Speaker 7 Beg. 32:33Speaker 4 Sorry isn't good enough? 32:36Speaker 7 Not for the anguish I should when you left me? 32:38Speaker 2 Oh my god, this could easily be Flee Back season three, Andrew, You're so right. 32:44Speaker 1 Yeah, So what's really funny is that not only do they like get these guys, and they get them when they're doing a major project. The story kind of weaves in a little instead of like Neil, he's saying, beg, beg, and he says it so well, and he says it so so well. 33:04Speaker 2 I wish I had like a transcript to reply to what are you saying? Because I was like, Oh, I didn't say sorry, but maybe I should have. 33:10Speaker 1 Maybe I should have. 33:11Speaker 3 Okay, and I'm going to play you one more Okay, this one I've chosen to show you just how explicit it can go. 33:20Speaker 1 Oh god, we're gonna have to beat that so much. 33:24Speaker 8 Do you want me to fill you up? 33:26Speaker 4 Darling? 33:28Speaker 1 And I will, but first the bed moving. 33:33Speaker 8 I need you to get me ready for you come here and Niel, whoa that? 33:41Speaker 1 And your leg's still working after that? 33:42Speaker 4 Darling? 33:44Speaker 8 Yeah, let me help you. You're so pretty like this so hazy from Climax on your knees for me. Do you see how hard do you make me? How much I love making you feel good? I need you to spit on it. 34:05Speaker 1 For me, please, my god. Someone British, right, someone British is a tom BLI. No, I don't know any British men. Okay, that one was Jamie Campbell Bauer. Oh my god, stranger things, Stranger things. That's guys, Oh my god. Just if you're like imagining, he is really hot in real life. He's really really beautiful in realize. 34:36Speaker 2 And this is actually a good strategy for him because a lot of people he played Bena's so good. 34:41Speaker 3 Yeah, he's very good at being scary that a lot of people just hated him. But he really just came out and this was actually he's done two series on Quicks. 34:49Speaker 1 He loves it, he loves it. 34:51Speaker 3 He's come back for more, and whenever he's asked about it in the interviews, he can't speak highly enough of it. He's like, my god, I love that it's a female led company. I love that it prioritizes women's pleasure. He's all over it, like dream man. I can talk about other days like he's love of my life. Right, So he's done two series of it, which is great news for all the fans of like ones that have been in the past thing like we want more, we want more. Jamie has like come back and done another one, so you never know what could happen. But the reason why I wanted to talk about this today is because this morning I woke up and did my morning scroll. I don't do it an hour and forty five minutes. 35:34Speaker 1 It's getting I scroll instare in TikTok instead. 35:37Speaker 3 And they're also very healthy habits, very healthy habits. They have started teasing their next Quinn original with a famous person. 35:49Speaker 1 Who is it. It would appear to be Sam Hewan from Outlander. 35:55Speaker 7 Stop. 35:56Speaker 1 They are so smart, good, are so blad, They so know what the girls want. 36:03Speaker 9 Oh, it's always hot men as well. They're always the hottest I know. And they also do you know what, they're all really good guys too. Yeah, there's no one on their rostar that you're like, oh, he's like there's complaints about him or there's something weird, Like they just they're good guys. 36:18Speaker 1 They do their background racent. 36:20Speaker 2 And it's also like this new wave of famous men and it's like I feel like it's a generational thing. Where like all the Hollywood men are kind of like aicked out by the like girl fan base because they. 36:30Speaker 1 Don't want to make movies for girls. 36:31Speaker 2 Yeshe was like, these men are leaning right in because we're the ones who are spending money to watch them exactly in our movies. Yeah, and they're like doing how I don't know, I feel like their career path, we're doing this is the absolute correct choice for them as well as like the Quinn girls, like I feel like it would have been so hard to develop like pretty much a pawn app for women, but also wanting it to be as like socially out there, like I feel like for women, firstly, no porn is ever made for women, and then for women. 37:02Speaker 1 To watch porn, we have to pretend we don't. 37:04Speaker 2 Yeah, and like with Quinn, it's like giving us a safe space to like share these videos with friends, to show them off and be like, yes, this is exactly what we want. 37:13Speaker 1 Well, that is so that it's so true. 37:15Speaker 3 And you know where one of the best places on the internet is the comments section, Yeah, Quinn's TikTok and Instagram, particularly TikTok because people are just funnier on there anyway. 37:25Speaker 1 But like I have this. 37:26Speaker 3 Theory that I know where all the hardcore directioners have grown up and gone, because no fan base was funnier, hornier, smarter the directions. 37:38Speaker 1 Now they're all Quin listeners. 37:40Speaker 2 They're all Queen listeners and probably Quinn writers. Yeah, Quinn, they're writing them scripts. 37:44Speaker 3 Yeah, but you know what they do tap really great writers to write these stories. 37:48Speaker 1 Well, it's like a proper like story. It's not like you're suddenly in the middle of it. No, no, no, It's it's like a beginning middle story. 37:58Speaker 3 So Jamie's story is like kind of a bit Draco Hermione coded. 38:02Speaker 1 It's one of those like Drake really good at. 38:04Speaker 3 Finding like the zeitgeisty things that the girlies are reading that's on platforms like AO three, which is like where all the. 38:10Speaker 1 Fan fit goes. 38:11Speaker 3 Speaking of I discovered on x there is so much AO three smart stories about the Pit. 38:19Speaker 1 It hasn't ever been going that long. 38:21Speaker 3 But the girls are at home like girls away, right, So I created the most like full on stories about the Pit. Okay, I need to know who you want to see next on Quinn. 38:31Speaker 1 Let me think who would be great? Can I tell you mine? 38:34Speaker 5 Yeah? 38:34Speaker 1 Can you tell me you tell me yours. 38:35Speaker 2 Well, I think I was thinking of this while we were just listening to those Donald Glover as childish Gambino. He was meant to come to send me to do a concert in like I think, I want to say, twenty eighteen nineteen, and he broke his foot and he couldn't perform, and I had bought VIP tickets for me and my sister and I wasn't even working then, and I sent him along Instagram message. I was disappointed that he didn't come. 39:02Speaker 1 And he didn't make it up to you by doing a Quinn. Yeah, he can make it up to me doing Quinn. 39:06Speaker 2 But I think, like I want my story to be him replying to me and going, okay, I'll do a private concept for you at my house. 39:13Speaker 1 Oh my god, I love this and that can be our whole queen story. 39:16Speaker 6 But actually went. 39:17Speaker 1 Out because you've put yourself in the narrative. I don't know what. 39:20Speaker 3 You're not wrong to do it, because that is actually the way that the stories are written. Like when you listen to them in the story, they're the partner in the story. 39:29Speaker 1 I like that. 39:30Speaker 3 Yeah, okay, I do have mine. Okay, it's Joseph Morgan. 39:35Speaker 1 It's Joseph. 39:36Speaker 3 He played Klaus in The Vampire Diaries and the Originals. 39:40Speaker 1 I need to look this up. I need to look this he makes look it up. He was like the really bad one. 39:45Speaker 3 He was like a really bad He's so sexy. He also has not aged, so I think he might. 39:50Speaker 1 Actually he's an English actor. He is an English actor. 39:54Speaker 3 He was so sexy as Klaus. I'd love him to just like can he as a vampire? 40:00Speaker 1 Yeah? Well a vampire. 40:01Speaker 3 He was a vampire werewolf highbrid because he was like way too powerful. 40:05Speaker 1 Oh, the most powerful and the bad guy. 40:07Speaker 3 Yeah, the most powerful and the bad guy. And I think he'd nail it, but I want him to do it as Klaus. 40:13Speaker 1 Yes, he would nail it. Yeah, canail You amen to that. Thank you so much for listening to the Spill today. 40:22Speaker 3 If you enjoyed this episode, the best way you can support it is to give us a five star rating wherever you listen. It goes a long way in helping us continue to bring you the very best content. And don't forget weekend watch drops at six tomorrow. The Spill is produced by Manisha it Is Warren, with video production by Michael Keene, Bye, bye,Become a Mamamia subscriber: https://www.mamamia.com.au/subscribeSee omnystudio.com/listener for privacy information.

Ce mercredi 29 avril sortait Le Diable s'habille en Prada 2, une suite qu'on attendait (et craignait) avec impatience... L'occasion de nous pencher sur ce qui a fait du premier film un objet culte sur la mode, mais aussi sur la représentation des femmes au travail dans les années 2000. Alors, qu'est-ce qui fait que Le diable s'habille en Prada est devenu aussi culte, et la suite est-elle à la hauteur ?Animation, son : Mariana AgierParticipantes : Mariana Agier, Noémie Attia, Lisa Durand, Victoria FabyRéalisation, montage : Mariana AgierGénérique : © SorocinéMusique : Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

This episode, marking International Workers' Day, honours the often-overlooked contributions of women's labour through a conversation with Dr. Prabha Kotiswaran. It traces the complex and often turbulent journey of women's work, from its historical invisibility to its partial and uneven recognition today. Through a feminist lens, the episode examines how law functions not merely as text on paper, but as a force that interacts with, and sometimes deepens, economic, social, and political inequalities, shaping the lived realities of women's labour. The discussion centres on Dr. Prabha Kotiswaran's project, Laws of Social Reproduction, grounded in the Global South context of India. It explores female reproductive labour in its many forms, from unpaid domestic work within households to labour performed outside marriage and for the market, including sex work, erotic dancing, surrogacy, egg donation, and paid domestic work. By locating these forms of labour along a market–marriage continuum, the project shows how law both renders much of this work invisible and regulates each sector differently through criminal, licensing, contract, family, and tort law, exposing deep inequalities in recognition, protection, and rights. The episode places special emphasis on care work, the often unrecognised backbone of the Indian economy. It examines everything from the unpaid domestic labour of homemakers to the essential contributions of Anganwadi and ASHA workers in education and healthcare, asking what it would truly mean to recognise and value this labour as foundational to development. At the same time, it looks to the past to understand how different forms of women's labour have been controlled, marginalised, or erased through criminalisation, restrictive policies, and systemic neglect. In doing so, it shows how these forms of labour continue to exist under constant scrutiny and threat, raising urgent questions about recognition, rights, and dignity. For further readings, please visit Vidhi's website: https://vidhilegalpolicy.in/podcasts/legally-hers/female-gaze-law-labour-and-the-economy/ Host: Prathiksha Ullal Content Consultant: Gayathri N. Edited, mixed and mastered by : Ankit Thakur Intro and Outro Music: Artlist Thumbnail Art by : Kunal Agnihotri #LegallyHers #FeministCommons #WomenAndLaw #IndianConstitution #Podcast

Pour ce nouvel épisode de Sorociné, on se concentre sur le nouveau film de la réalisatrice tunisienne Leyla Bouzid, "A voix basse", en salles ce mercredi 22 avril. On y suit l'histoire de Leïla, de retour en Tunisie pour les funérailles de son oncle, qui est déterminée à éclaircir le mystère de sa mort et se confronte aux secrets de la maison où cohabitent trois générations de sa famille.Animation, son : Mariana AgierParticipantes : Mariana Agier, Alicia Arpaïa, Diane LestageRéalisation, montage : Mariana AgierGénérique : © SorocinéMusique : Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

This episode is depicting women correctly, listener! Halie Torris is an oil painter and visual artist whose incredibly detailed work you've seen go viral on TikTok/IG, but today she's in the apartment to paint YOU like one of her French girls! We discuss the female gaze, how to define it, capturing it in your work, the artistic process in the modern attention economy, and having your gay little heart get broken over the vast and infinite sea —  It doesn't get more gay than that. Ashley is combating the manosphere. Lizzy's sex gets a little bit too wet. FOLLOW HALIE TORRIS: Buy her prints, art, and merch: https://bio.site/halietorris  Instagram: https://www.instagram.com/halietorris/  TikTok: https://www.tiktok.com/@halietorris  Twitter: https://x.com/halietorris  FOLLOW ASHLEY GAVIN @ashgavs TikTok: https://www.tiktok.com/@ashgavscomedy Instagram: https://www.instagram.com/ashgavs/ YouTube: https://www.youtube.com/@ashgavs Twitter: https://twitter.com/ashgavs Tour Dates & Newsletter: https://www.ashleygavin.com/#dates FOLLOW LIZZY CASSIDY @lizzycassidy TikTok: https://www.tiktok.com/@lizzycassidycomedy  Instagram: https://www.instagram.com/lizzycassidy/  Twitter: https://x.com/lizzaster  Tour Dates & Podcasts: https://linktr.ee/lizzycassidy  PRODUCED BY ALEX VRAHAS: Instagram: https://www.instagram.com/alvrahas/   SUPPORT OUR PODCAST: Watch this UNCUT: https://www.patreon.com/WHGS Merch: https://shop.merchcentral.com/collections/ashley-gavin Watch on this YouTube: https://youtu.be/e6Ct-Vx9yO0  ______________________________________________ SUPPORT OUR SPONSORS: HELIX: Get 20% OFF sitewide at https://helixsleep.com/gaysex  HERS: Get affordable, personalized treatment at https://www.forhers.com/gay Learn more about your ad choices. Visit podcastchoices.com/adchoices

In Episode 4 of ‘Legally Hers', host Prathiksha Ullal converses with Dr. T. Sumathy, Member of Parliament from the South Chennai constituency. Together, they step into the Parliament of India, where law and representation converge, and where the female gaze comes sharply into focus. This episode reimagines political representation as a birthright. It examines why women's presence in governance is not optional, but essential, and explores what it truly means to build genuine emotional connections with constituents. In doing so, it shows how a politics rooted in empathy can reshape representation in India. Listeners are also introduced to Vanapechi- Dr. Sumathy's powerful alter ego, an indigenous guardian deity through whom she raises critical questions about gender and society. From the Land of Karisal, the birthplace of her poetry, to the halls of Parliament, this episode traces a journey across landscapes that are both deeply personal and profoundly political. For further readings, please visit Vidhi's website: https://vidhilegalpolicy.in/podcasts/legally-hers/poetry-politics-and-the-female-gaze/ Host: Prathiksha Ullal Content Consultant: Gayathri N. Edited, mixed and mastered by : Ankit Thakur Intro and Outro Music: Artlist Thumbnail Art by : Kunal Agnihotri #LegallyHers #FeministCommons #WomenAndLaw #IndianConstitution #Podcast

Heated Rivalry erzählt die Geschichte von Shane und Ilya - zwei Eishockey-Profis, die auf dem Spielfeld Feinde, im Bett aber Liebhaber sind und ihre Beziehung vor der Öffentlichkeit verstecken. Die Serie ist gespickt mit Sexszenen. Wie gut diese gelungen sind, welche Rolle Konsens dabei spielt und was der "Female Gaze" mit dem Ganzen zu tun hat, klären Doris Priesching und Michael Steingruber gemeinsam mit der Intimitätskoordinatorin Alev Irmak

Son dernier film LE CRI DES GARDES sortait en salles ce mercredi 8 avril. Pour l'occasion, on a voulu se pencher sur la filmographie de Claire Denis, qui s'est toujours intéressée au corps et au désir masculin, dès ses débuts avec CHOCOLAT, en passant par BEAU TRAVAIL.Animation, son : Mariana AgierParticipantes : Mariana Agier, Noémie Attia, Victoria FabyRéalisation, montage : Mariana AgierGénérique : © SorocinéMusique : Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

In today's episode of Legally Hers, Prathiksha Ullal, in conversation with Dr. Kalpana Kannabiran, turns to the Constitution of India to ask: what might a feminist rendition of the Constitution truly look like? And what does it mean for women to reclaim it through collective ownership? Together, they explore how this idea comes alive in protest, memory, and collective expression, while questioning whether numerical representation alone can ensure genuine democratic participation across intersectional identities. The episode also reflects on the distinct language through which women speak, express, and protest, often rooted in lived experience, emotion, and collective memory, and contrasts it with the traditionally dominant, male-centric language of proof, documentation, and bureaucratic precepts. Tune in for a powerful conversation on law, gender, and reimagining the constitution of India as a space for feminist engagement. For further readings, please visit Vidhi's website: https://vidhilegalpolicy.in/podcasts/legally-hers/female-gaze-indian-constitution-and-politics-of-electoral-representation/ Host: Prathiksha Ullal Content Consultant: Gayathri N. Edited, mixed and mastered by : Ankit Thakur Intro and Outro Music: Artlist Thumbnail Art by : Kunal Agnihotri #LegallyHers #FeministCommons #WomenAndLaw #IndianConstitution #Podcast

Our conversation with M.M. Reeves continues because she is brilliant and we cannot get enough of her. On this episode we pitch a lot of ideas. Below Deck Book 2 release party. with Captain Jason AND Captain Sandy Emily shoots her shot to make it into a future book as a poison Tide Lord.  What the cinematic version of Death's Kiss would be like. Sexy Commodore James Norrington Tide Lord. Reeves Dad is the GOAT. "Sunday Scaries." Book 2 hints. Send us Fan MailSupport the showConnect with usInstagram: https://bit.ly/ourIGpageTikTok: https://bit.ly/ourTiktokpageIntro and Outro music, Sexy Fashion Beat from Coma-Media 

Who runs the world, girls! Your newest romantasy must read is here. We have the absolute privilege of speaking to author M.M. Reeves about her debut novel Death's Kiss. This book brought Lizzy out of a slump. Imagine if you will a meaner Viktor Krum paired with a Crescent City level love story between women. Reeves and Emily discover their shared love of phantoms. Ultimate family vacations we hope to be a part of in the future. This episode was so big it could not in fact fit in just one. Part 2 will follow next week.Spoilers for Death's Kiss ahead.Send us Fan MailSupport the showConnect with usInstagram: https://bit.ly/ourIGpageTikTok: https://bit.ly/ourTiktokpageIntro and Outro music, Sexy Fashion Beat from Coma-Media 

From Victorian morality to the enduring shadows of the “white man's burden,” the latest episode of the ‘Legally Hers' Podcast examines how histories of control persist in laws governing women's lives. In this episode, Prathiksha Ullal is in conversation with Dr. Shrimoyee Ghosh, Assistant Professor at Azim Premji University. Together, they trace the origins of law, unpacking the colonial and patriarchal gaze that shaped legal systems in the past and continues to shape legal systems today. Through a feminist lens, this discussion brings into focus the lived realities of sex workers, tawaifs, child brides, and Hindu widows whose lives remain deeply impacted by these legal frameworks but whose voices are not taken into account while drafting them. This is a conversation that challenges us to confront the continuities between past and present and to ask: whose voices does the law still exclude? For further readings, please visit Vidhi's website: https://vidhilegalpolicy.in/podcasts/legally-hers/history-law-and-the-female-gaze/ Host: Prathiksha Ullal Content Consultant: Gayathri N. Edited, mixed and mastered by : Ankit Thakur Intro and Outro Music: Artlist Thumbnail Art by : Kunal Agnihotri #LegallyHers #PodcastRelease #LawAndGender #FeministPerspectives #DecolonisingLaw

Son dernier film A PIED D'OEUVRE, sorti en février 2026, racontait l'histoire d'un photographe renonçant à sa profession pour se dédier au métier précaire d'écrivain. Pour l'occasion, on a voulu revenir sur la carrière de la réalisatrice Valérie Donzelli, dont le cinéma est traversé par la poésie, la fantaisie, et par une réinvention constante.Chapitrage :03:28 : un parcours atypique de réalisatrice09:51 : définir le style de Donzelli15:44 : l'amour chez Valérie Donzelli, entre ombre et lumière24:54 : le tournant dramatique avec "L'Amour et les Forêts"37:25 : des personnages en réinvention constante46:18 : "A Pied d'Oeuvre" et la critique du "bourgeois gaze"53:12 : des contes contemporains ?58:11 : "Marguerite et Julien" : une représentation rétrograde de l'inceste ?Animation, son : Alicia ArpaïaParticipantes : Enora Abry, Alicia Arpaïa, Victoria Faby, Diane LestageRéalisation, montage : Mariana AgierGénérique : © SorocinéMusique : Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

"Emmanuelle" de Audrey Diwan, "Baby-girl" de Halina Reijn... les réalisatrices qui s'emparent de films "érotiques" réinventent-elles le genre ? Ces films sont-ils féministes ? Un podcast Bababam Originals Ecrit par Hélène Vézier ⁠Retrouvez tous les épisodes de Madame Meuf ici. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's March and for the monster girlies, it is their time to shine. We have special guest Maggie J, our resident monster aficionado. Emily and Maggie shed light on why the monster romance genre is their favorite. Their unanimous answer might surprise you. We discuss the book Oops! I Summoned a Merdemon. Wild does not even begin to cover it. Get ready for more monsters!!!You can follow Maggie J on instagram @mjturnsthepageSend a textSupport the showConnect with usInstagram: https://bit.ly/ourIGpageTikTok: https://bit.ly/ourTiktokpageIntro and Outro music, Sexy Fashion Beat from Coma-Media

Legally Hers is a podcast miniseries that explores the law not as an abstract concept, but as something that deeply impacts women's everyday realities. In our introductory episode, we unpack the complex relationship between women and the law, examine how legislation has historically been crafted without the female gaze, and ask a bold question: What would the law look like if it were designed around women's lived experiences? This is a conversation about justice, representation, discrimination and the power of perspective and integration of women's lived experiences in lawmaking. For further readings, please visit Vidhi's website: https://vidhilegalpolicy.in/podcasts/legally-hers/introduction-to-the-female-gaze-in-law-making/ Host: Prathiksha Ullal Content Consultant: Gayathri N. Edited, mixed and mastered by : Ankit Thakur Intro and Outro Music: Artlist Thumbnail Art by : Kunal Agnihotri

What is whorebaiting? Why do people pretend to be sex workers when they're not? Edie and I discussed this, along with the "female gaze" in sex work, working through recessions, my criticisms of Kayla Jade, and starting a business as a sex worker.Edie Montana is a stripper, performer, show director, and writer. She is the co-founder and director of Slut Riot, a growing platform that combines art and activism, aimed at de-stigmatising sex work through performances and art. Born and raised in the Italian countryside, she completed a master's in Cultural Studies in New Zealand with her thesis on sex work representation, and now lives in Berlin. Her writing has been published in The New York Times and Huffpost, among other publications.Follow Edie on Socials:https://www.instagram.com/edie.montana/Check out Slut Riot:https://www.instagram.com/slvtriothttps://linktr.ee/slvtriot

What happens when you stop “capturing” a portrait and start treating it as an exchange?In this episode I sit down with Delphine Diallo, Brooklyn-based artist and photographer (French and Senegalese roots), known for a visual language that turns the women around her into something unapologetically powerful, sometimes even divine.We recorded this conversation in my tiny hotel room in New York, which feels fitting, because New York is where Delphine found something she didn't find in Europe: space to become, to shift, to lead, without being reduced to how she looks or where she comes from.We talk about the history of photography and the male gaze, about why “capturing” is a loaded word, and why Delphine sees the face as “the architecture of the soul”. We also go into her relationship with discipline (kung fu), intuition, the elements, and how her practice has expanded beyond photography into AI, where she works in collaboration with a self-named entity, Emma, as part of building a new kind of story world.This is one of those conversations that moves between art, identity, power, and the question underneath it all: what does it take to stay sovereign in your own vision?Listen now, and if this episode resonates, subscribe and leave a review, it genuinely helps the podcast travel.PS: In the middle of the episode I briefly mention my free webinar about the five patterns I consistently see in photographers who keep growing. You'll find the link here.

To celebrate International Women's Day, which falls on March 8th, Bababam is replaying Do You Really Know episodes which look at the struggle against inequalities between women and men. All week long, refresh your knowledge about ideas and concepts which promote female empowerment. What is the female gaze? The term “female gaze” has been used in recent years to describe art that subverts the male perspective. The concept is seen as a response to Laura Mulvey's 1975 essay about the so-called “male gaze”. Historically, this has been the dominant way of viewing art forms, with the male creator and male characters catering to male viewers. The rest of the characters often exist mainly to serve the male lead, his interests and his story. As a result, women have often been objectified or ignored, with their characters oversimplified. Why has this happened? Is it about reversing the roles and objectifying men rather than women? What are some examples of female gaze films then? ⁠In under 3 minutes, we answer your questions!⁠ To listen the last episodes, you can click here: ⁠What is white privilege?⁠ ⁠What is CrossFit?⁠ ⁠What is jiko sekinin?⁠ A podcast written and realised by Joseph Chance. First Broadcast: 10/3/2022 Learn more about your ad choices. Visit megaphone.fm/adchoices

Le 25 février dernier sortait Scream 7, dernier volet de la saga de slashers, dont la production chaotique a occasionné le retour de Neve Campbell pour incarner l'héroïne culte Sidney Prescott, après l'éviction de l'actrice Melissa Barrera. On s'est donc réunies pour discuter de l'héritage de la saga Scream, qui a révolutionné la représentation des final girls à la fin des années 1990, avant de perdre progressivement en qualité avec le renouvellement de la franchise.Animation : Léon CattanParticipantes : Mariana Agier, Léon Cattan, Lisa DurandRéalisation, montage, son : Mariana AgierGénérique : © SorocinéMusique : Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Für ihre Doku "No Mercy" hat die deutsche Regisseurin Isa Willinger verschiedene Filmemacherinnen getroffen, deren Werke feministische Perspektiven aufweisen. In Begegnungen mit Catherine Breillat, Virginie Despentes, Ana Lily Amirpour, Alice Diop, Valie Export, Nina Menkes und anderen geht es um Kunst und Patriarchat, gesellschaftliche Erfahrungen von Frauen und die Suche nach einem Female Gaze. Inspiriert von einer Beobachtung der Regisseurin Kira Muratova, dass Frauen in Wahrheit die härteren Filme machen, nähert sich Willinger auf ihrer Spurensuche auch intimen Themen wie Lust, Gewalt, Rache, Trauma. Pia Reiser und Christian Fuchs sprechen mit der Münchnerin über "No Mercy", eine alternative weibliche Filmgeschichte, wollen aber auch die spannende Titelfrage unbedingt klären. Sendungshinweis: FM4 Film Podcast, 23.02.2026, 0 Uhr

Flo und Nadine starten herrlich verplant in die Folge, bevor sie sich fragen, warum so viele heterosexuelle Frauen Game Changer und die gesamte Heated Rivalry Serie lieben. Nadine packt ein Mini-Referat über Male Gaze, Female Gaze und queere Romantik aus, während Flo live erkennt, warum ein männlicher Buchcharakter der Inbegriff des Female Gaze ist.Danach geht es ins Kapitel: Scotts und Kips erster Valentinstag, Kips verzweifelte Weinmission, ein sehr heißer Kochmoment, Blaubeersocken und Scotts verletzliche Gedanken über Nähe, Familie und Coming Out. Eine Folge voller Humor, Herz und nerdiger Analyse.Für alle, die BookTok lieben: Bei uns geht es nicht nur um Twilight und Game Changer, sondern auch andere Bücher, Serien, Games und alles, was Popkultur, Queerness und Bücherherzen höherschlagen lässt.Hier geht es zu unserem Discord-BuchclubHier könnt ihr uns über Steady unterstützen: Bei Steady unterstützenGame Changer (Band 1): https://tidd.ly/4aTNygu (Werbung/Afiiliate)Heated Rivalry (Band 2) https://tidd.ly/4ptXlxd (Werbung/Afiiliate)Report der Magd (Band 1) https://tidd.ly/49v6tvH (Werbung/Afiiliate)Die Zeuginnen (Band 2) https://tidd.ly/3Lu5Tq2 (Werbung/Afiiliate)Folge uns doch gerne auch auf instagram: @zweifreundinnen_undeinbuch Hosted on Acast. See acast.com/privacy for more information.

Le mercredi 11 février sort en salles, pour la Saint-Valentin, "Hurlevent", la nouvelle adaptation du livre d'Emily Brontë, réalisée par Emerald Fennell, déjà à l'origine de Promising Young Woman et Saltburn. On s'est réunies autour du micro pour parler de cette adaptation avec Margot Robbie et Jacob Elordi en tête d'affiche, dont l'annonce a été très controversée.Animation : Mariana AgierParticipantes : Enora Abry, Mariana Agier, Diane LestageRéalisation, montage, son : Mariana AgierGénérique : © SorocinéMusique : Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

On episode 138 of the Director Watch Podcast, co-hosts Ryan McQuade and Jay Ledbetter are joined by Morgan Roberts, host of the Female Gaze; The Film Club podcast, to discuss the next film in their Chantal Akerman series, Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975). Welcome back to Director Watch! On this AwardsWatch podcast, the boys attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. The Director Watch duo have talked about some of the most important films of all time, but none bigger than Jeanne Dielman, the film voted as the number one film of all time by Sight and Sound back in 2022. Following the everyday life of a widower preparing meals for her and her son while also performing the occasional trick to make it by, Akerman dives deep into the soul of someone on the verge of falling apart, slowing showing a three-day meltdown that leads to shocking, heartbreaking conclusions. But is it the greatest movie of all time is the real question. Ryan, Jay, and Morgan break down their thoughts on the film, the methodical pace and structure of this portrait of a modern woman, her preparation for the various meals we see her make, her uneven relationship with her son, how missing someone you love has long term effects, the film's controversial ending, and so much more that includes Ryan breaking down the entire plot of the 2011 sci-fi action picture In Time. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 1h43m. The guys will be back next week to continue their series on the films of Chantal Akerman with a review of her next film, Les rendez-vous d'Anna (1978). You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and "B-3" from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Joe Lynch and Becca Howard are the hosts of ⁩ A Couple Of Old Fashioneds, a filmed movie podcast where they surprise each other with double features and talk through their reactions and analysis of the films.They join us in the Crypt for a crossover episode about how their show started, discovering movies together, and why introducing someone to a film they've never seen is exciting. We talk film bros vs real movie fans, screenwriting, film school, fan fiction, and learning by watching movies.Joe and Becca also break down working together on Suitable Flesh, low-budget filmmaking, bad crews, editing, and staying sane in the industry. We also get into Vegas, dive bars, Joe Bob's Jamboree, pitching projects, anxiety, and how the novelty of Hollywood eventually wears off.—Subscribe: youtube.com/talksfromthecryptFollow On Social Media –Talks From The Crypt: https://instagram.com/talksfromthecrypthttps://talksfromthecrypt.com A Couple Of Old Fashioneds:youtube.com/acoupleofoldfashionedshttps://instagram.com/acofbeccajoehttps://instagram.com/thejoelynchhttps://instagram.com/oldfashionedbecca—00:00:00 – Intro00:02:20 – Introducing New Movies to People & The Genesis of A Couple of Old Fashioned's00:11:10 –Film Bros vs. Film Enthusiasts00:20:11 The Film Industry, Screenwriting, Film School, Fan Fiction, and Screenwriting Methods00:32:40 – Suitable Flesh - Bad Crew Memebers, Continuity Errors, Writing, Directing, Editing, The Female Gaze, and Feeding Your Crew Right01:05:23 – Being Grateful On Set01:17:22 – Loving the Role You're In and Separating Work from the Relationship01:31:06 – Double Down Saloon, Vegas, and Joe Bob's Jamboree01:41:40 – Unannounced Film, Writing Inspirations, and Pitching01:50:09 – The Novelty of Hollywood is Gone, Pitching, Anxiety, Debuting a New Film, and Creative Partners02:07:15 – A Couple of Old Fashioneds—Copyright Disclaimer (Fair Use Notice):Under Section 107 of the Copyright Act 1976, allowance is made for fair use for purposes such as criticism, comment, news reporting, teaching, scholarship, education, and research. Fair use is a use permitted by copyright law that might otherwise be infringing. All media used in this video are for the purpose of commentary, analysis, and education under fair use.

Never have we ever...loved a secondary as much as we love Bartholomew the gargoyle. Today we are chatting about the book The Knight and the Moth by Rachel Gillig. This is book 1 in a duology that follows Six, our Diviner and her very blunt and emotional gargoyle on a search for her fellow diviners. She is leaving Aisling for the first time to keep a promise. What she discovers along the way is equal parts endearing and heartbreaking. Our main male character Rory provides us readers with a perfect of example of what it means to show up and be committed.  We have little deaths. Sexy scenes that don't involve sex. And of course, Brienne of Tarth level of charmed.We hope you enjoy.Send us a textSupport the showConnect with usInstagram: https://bit.ly/ourIGpageTikTok: https://bit.ly/ourTiktokpageIntro and Outro music, Sexy Fashion Beat from Coma-Media

In this episode, we speak with Lucia Giacani, a Milan based fashion photographer whose work sits between fashion and fantasy. Lucia discusses her exhibition The Substance of Dreams at Xposure International Photography Festival, which brings together over 18 years of her photographic practice. We talk about surrealism, theatrical staging, and photographing women through a distinctly female gaze, as well as her creative process, from drawing and concept planning to controlled studio production. The conversation explores how fashion photography can move beyond aesthetics to become a space for identity, emotion, and narrative. Listen to #Pulse95Radio in the UAE by tuning in on your radio (95.00 FM) or online on our website: www.pulse95radio.com ************************ Follow us on Social. www.facebook.com/pulse95radio www.twitter.com/pulse95radio www.instagram.com/pulse95radio

This post contains affiliate links, which means I may earn a small commission at no extra cost to you.Some historical figures feel larger than life — until you finally meet the woman behind the myth.In this episode, I'm joined by Lynn Cullen, an acclaimed historical fiction author who has spent decades uncovering the real people behind cultural legends. We dive into her latest novel about Marilyn Monroe, focusing on Marilyn's deeply personal relationship with photographer Eve Arnold — the only woman Marilyn ever trusted to photograph her.We talk about trauma, fame, the female gaze, and what happens when a woman known entirely through images finally gets to be seen as herself. If you love feminist historical fiction, celebrity history, or stories that reclaim women's narratives from the male gaze, this conversation is for you.

Son dernier film, Hamnet, avec Jessie Buckley et Paul Mescal, sort en salles ce mercredi 21 janvier. Pour l'occasion, on a voulu s'intéresser à la filmographie de la réalisatrice Chloé Zhao, depuis ses premiers films qui sondent les mythes américains dans les réserves amérindiennes, en passant par Nomadland et la consécration de l'Oscar du meilleur film et de la meilleure réalisation, et son passage chez Marvel.Chapitrage :05:50 : "Les chansons que mes frères m'ont apprises" et "The Rider", la mythologie du western et les réserves amérindiennes18:48 : "Nomadland" et sa charge politique32:42 : Le tournant Marvel avec "Les Eternels"43:52 : "Hamnet" et la patte de Chloé Zhao dans l'adaptation de Maggie O'FarrellAnimation : Léon CattanParticipantes : Mariana Agier, Margaux Baralon, Léon Cattan, Lisa DurandRéalisation, montage, son : Mariana AgierGénérique : © SorocinéMusique : Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Pour fêter Noël dignement, on a rouvert nos âmes d'adolescentes en nous intéressant à notre madeleine de Proust préférée : la saga Twilight, et particulièrement le premier film de Catherine Hardwicke, mal-aimé et pourtant cultissime. 20 ans après la publication du premier livre de Stephenie Meyer, et plus de 15 ans après la sortie du premier film, que peut-on encore dire sur ce film qu'une génération entière a adoré détester ?Animation : Mariana AgierParticipantes : Mariana Agier, Alicia Arpaïa, Lisa Durand, Victoria FabyRéalisation, montage, son : Mariana AgierGénérique : © SorocinéMusique : Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

When writing the watchlist for this year's 31 Days of Halloween, I put on Coralie Fargeat's REVENGE because I adore THE SUBSTANCE and wanted to see more of her work. I listed BYSTANDERS because I'd been following director Mary Beth McAndrews, then editor of Dread Central, for years and wanted to see what her debut would have to offer.But it wasn't until I began to research BYSTANDERS that I realized what serendipity had casually placed in front of me: REVENGE was not only a massive influence on McAndrews for her movie but also her entire Master's thesis on women-helmed rape-revenge cinema. It's one of her all-time favorite movies, a film she has represented under her skin with a - fucking stellar - tattoo.And while I find both movies to approach the rape-revenge subgenre in wildly different manners (I liken REVENGE to a sledgehammer whereas BYSTANDERS comes across like the slightly rusted aluminum bat lying in the corner of the room that you don't even register until it's swung upside your temple), both films register as entries in a new school of the subgenre, one informed and represented by the female gaze. Less exploitation, more examination.So today's installment deviates from the beaten path to talk to McAndrews about the impact REVENGE has had on her life and rape-revenge cinema, including its influence on BYSTANDERS. We talk patriarchy. We talk about ugly frat sweaters. We talk about the intricacies of killing peopl- I mean, boys, on film. It's a wild fuckin' ride and Mary Beth is a total mensch.Both BYSTANDERS and REVENGE are currently available to stream on Tubi.Follow Mary Beth McAndrews on Instagram and her website---Please rate & review THE MOVIES wherever you listen to podcasts!Follow THE MOVIES on Instagram, Bluesky & Letterboxd

Pour notre débat du mois, on s'intéresse au film Love Me Tender, un de nos coups de coeurs de cette fin d'année. Deuxième long-métrage de la réalisatrice Anna Cazenave Cambet, et adaptation de l'ouvrage éponyme de Constance Debré, Love Me Tender revient sur l'histoire de Clémence, qui perd la garde de son enfant le jour où elle annonce à son ex-mari qu'elle aime les femmes.Animation : Mariana AgierParticipantes : Mariana Agier, Noémie Attia, Margaux Baralon, Diane LestageRéalisation, montage, son : Mariana AgierGénérique : © SorocinéMusique : Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

If you have ever wondered, "is a much older man for me?" The answer is yes if he is like our MMC.  Could we convince if Daddy Krampus told you to "call in rich to work"?  Today we are discussing the book Krampus Kruk. This story is really about feeling safe enough to let go.  Immersion therapy via pleasure Dom. Sit back and enjoy your listening experience. Send us a textSupport the showConnect with usInstagram: https://bit.ly/ourIGpageTikTok: https://bit.ly/ourTiktokpageIntro and Outro music, Sexy Fashion Beat from Coma-Media

Ce mercredi 19 novembre, on pouvait découvrir en salles DES PREUVES D'AMOUR, le premier long-métrage d'Alice Douard, qui revient sur un couple lesbien se préparant à l'arrivée de leur premier enfant. Un coup de coeur pour beaucoup de membres de la rédaction... Mais qui a aussi créé beaucoup de débat.Animation, son : Alicia ArpaïaParticipantes : Alicia Arpaïa, Noémie Attia, Lisa Durand, Diane LestageRéalisation, montage : Mariana AgierGénérique : © SorocinéMusique : Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Romantasy im Feminismus-Check: Warum ‚Fourth Wing‘ mehr ist als Smut – über Lust, Macht & Female Gaze

Le 24 octobre dernier sortait sur Netflix sont dernier film, A HOUSE OF DYNAMITE. Pour l'occasion, nous avons voulu revenir sur la carrière de Kathryn Bigelow, première réalisatrice à recevoir l'Oscar de la meilleure réalisation en 2008 pour DEMINEURS, et dont la filmographie a oscillé entre différents genres, du film d'action à la science-fiction, en passant par le film de vampires... Mais aussi, toujours ramenée à un cinéma très masculin.Animation, son : Alicia ArpaïaParticipantes : Alicia Arpaïa, Margaux Baralon, Lisa DurandRéalisation, montage : Mariana AgierGénérique : © SorocinéMusique : Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Ce mercredi 22 octobre sortait en salles LA PETITE DERNIERE, le nouveau film d'Hafsia Herzi, adapté du roman de Fatima Daas. L'histoire de Fatima, une jeune femme musulmane, qui découvre son homosexualité.Animation : Mariana AgierParticipantes : Mariana Agier, Noémie Attia, Victoria Faby, Diane LestageRéalisation, montage, son : Mariana AgierGénérique : © SorocinéMusique : Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Ce mercredi 15 octobre sort en salles THE CHRONOLOGY OF WATER, le nouveau film de Kristen Stewart ! Forcément, on a voulu se réunir au micro pour analyser ce passage de l'actrice, devenue une icône queer et l'enfant chéri du cinéma indépendant, derrière la caméra.Animation : Mariana AgierParticipantes : Mariana Agier, Enora Abry, Margaux Baralon, Lisa DurandRéalisation, montage, son : Mariana AgierGénérique : © SorocinéMusique : Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Pour ce premier épisode focus de la rentrée, nous étions à la médiathèque Virginia Woolf pour parler du film THE HOURS de Stephen Daldry, sorti en 2002 et avec Nicole Kidman, Julianne Moore et Meryl Streep, une variation autour de Mrs Dalloway de Virginia Woolf. L'occasion de nous pencher sur la manière dont le film représente à l'écran l'univers de l'autrice, à travers trois personnages féminins et trois époques différentes.Cet épisode a été suivi d'un échange avec le public, que vous pouvez écouter en fin d'épisode !Animation : Mariana AgierParticipantes : Mariana Agier, Alicia Arpaïa, Margaux Baralon, Lisa Durand, Victoria FabyRéalisation, montage : Mariana AgierSon : Médiathèque Virginia WoolfGénérique : © SorocinéMusique : Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Cet été, la série And just like that, sequel de la série culte Sex and the city prenait fin. L'occasion pour nous de nous pencher sur l'héritage de cette série culte et très ancrée dans les années 2000.Animation : Léon CattanParticipantes : Mariana Agier, Alicia Arpaïa, Noémie Attia, Léon CattanRéalisation, montage, son : Mariana AgierGénérique : © SorocinéMusique : Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Rendez-vous le 20 septembre à la médiathèque Virginia Woolf pour assister à la projection du film THE HOURS et à l'enregistrement live de notre épisode sur le film !Le film sera projeté à 15h, et sera suivi de l'enregistrement du podcast à 17h30 et d'une rencontre avec le public.L'entrée est libre dans la limite des places disponibles.Adresse : Médiathèque Virginia Woolf, 4 rue Germaine-Krull, 75013 ParisHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

A century after a pivotal exhibition planted the flag for modern art in Jacksonville and the South, a new book examines its lasting impact.

**We have new PHYSICAL MEDIA merch! Check it out at maxfunstore.com**Everything old is freaky again, and vice verse, with this late-breaking sequel to the 2003 version of Freaky Friday. Prolific actor/comedian Mary Lynn Rajskub is our prestigious guest to take a look at Lindsay, Jamie Lee, and a whole cast of new and returning folks game to get Freakier. Then we have fun talking about best and worst sequel titles.What's GoodAlonso - personalized coupons from RalphsDrea - first female umpire in the MLBMary Lynn - a day at Mt. FujiKevin - satisfaction from household item restockITIDICCharlie Kaufman's New Movie Will Go Directly to KanopyWB Sets Wiig/Hill Comedy CUT OFF to Debut Against Nolan's THE ODYSSEYHamilton Will Screen in Cinemas Next MonthStaff PicksAlonso - The High NoteDrea - SketchMary Lynn - All of Us StrangersKevin - Weapons Follow us on BlueSky, Facebook, Instagram, or LetterboxdWithKevin AveryDrea ClarkAlonso DuraldeProduced by Marissa FlaxbartSr. Producer Laura Swisher

On this week's episode of Female Gaze: The Film Club, Morgan speaks with writer/director of “Oh, Hi!” Sophie Brooks which recently screened at the Tribeca Film Festival following its premiere at the 2025 Sundance Film Festival.“Oh, Hi!” follows Iris and Isaac, a couple going on their first away trip to Upstate New York. What starts off as an idyllic vacation soon takes a sharp turn when the pair realize they may have differing definitions of their relationships. “Oh, Hi!”blends humor, heart, and surrealism in this rom-dramedy meets thriller-esque film.You can visit the Female Gaze website to my full review of "Oh, Hi!" here. "Oh, Hi!" opens in U.S. theaters on July 25, 2025. For more information about the film, visit the Sony Pictures Classics site. You can follow Female Gaze: The Film ClubInstagramBlueSkyWebsite

Kimberly Rockwell and Dawn "Sam" Alden discuss the Female Gaze - is there such a thing? How does a film camera typically "look" at a woman vs how it "looks" at a man? We've been discussing movies a lot this season, so we thought we'd zoom out (pun intended) and think about how filmmaking controls the way we perceive characters in the movies we watch.