Podcasts about Female gaze

Kimberly Rockwell and Dawn "Sam" Alden discuss the Female Gaze - is there such a thing? How does a film camera typically "look" at a woman vs how it "looks" at a man? We've been discussing movies a lot this season, so we thought we'd zoom out (pun intended) and think about how filmmaking controls the way we perceive characters in the movies we watch.

Pour ce focus du mois d'avril, on s'intéresse au nouveau documentaire de Léa Clermont-Dion, "La peur au ventre", en salles le 30 avril 2025, qui s'intéresse au backlash anti-avortement suite à l'abrogation de l'arrêt Roe v. Wade aux Etats-Unis qui inscrivait l'avortement dans la Constitution. Comment le film raconte-t-il ce retour en arrière sur les droits des femmes, et comment s'intéresse-t-il aux discours anti-avortement ?Animation : Léon CattanParticipantes : Enora Abry, Hélyette Arnault, Léon CattanSon : Hélyette ArnaultRéalisation, montage : Mariana AgierGénérique : © SorocinéMusique : © Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Le 16 janvier dernier, David Lynch nous quittait, emporté par un arrêt cardiaque. Alors, nous nous sommes penchées sur les femmes de son cinéma, à travers la figure emblématique de Laura Palmer.Chapitrage :08:04 : Laura Palmer, archétype de la femme lynchienne15:13 : La figure du double chez David Lynch21:42 : La femme fatale35:32 : Le thème des violences sexuelles55:54 : Le rapport de Lynch à ses actricesAnimation : Léon CattanParticipantes : Mariana Agier, Léon Cattan, Diane LestageRéalisation, montage, son : Mariana AgierGénérique : © SorocinéMusique : © Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Ce vendredi 4 avril s'ouvre la 47e édition du Festival International du Film de Femmes de Créteil, qui met en lumière tous les ans le travail des femmes dans les corps de métier du cinéma : réalisatrices, actrices, techniciennes... Nous nous sommes réunies avec Jackie Buet, cofondatrice et directrice du festival, et Rose Hirgorom, programmatrice du festival.Cette interview a été enregistrée à distance, et présente donc un son légèrement altéré. Nous espérons tout de même qu'il vous plaira, et nous vous encourageons à donner beaucoup de force au festival !Animation, réalisation, montage, son : Mariana AgierParticipantes : Mariana Agier, Jackie Buet, Rose HirgoromGénérique : © SorocinéMusique : © Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Welcome to the greatest month of the year...April! This kicks off our month of fantasy. What better way to start than with the 1986 classic film Legend starring a very young Tom Cruise, Mia Sara, and THE Lord of Darkness himself?  We get carried away with horns, how much is too much glitter, and when hyperfixation plays in our favor. Enjoy!Send us a textSupport the showConnect with usInstagram: https://bit.ly/ourIGpageTikTok: https://bit.ly/ourTiktokpageIntro and Outro music, Sexy Fashion Beat from Coma-Media

Dans cet épisode, @jins_podcast plonge au cœur d'un potentiel Brown Female Gaze avec deux réalisatrices majeures qui ont redéfini les représentations des femmes arabes et maghrébines à l'écran : Laïla Marrakchi et Leyla Bouzid.✨ Laïla Marrakchi, autrice du film culte Marock, chronique avec audace les contradictions d'une jeunesse marocaine tiraillée entre liberté et traditions, amour et interdits, plaisir et culpabilité. À travers son cinéma, elle questionne la manière dont les femmes s'approprient leur corps et leur désir dans un monde où elles doivent toujours négocier leur place.

Pour ce focus du mois, on revient sur la dernière adaptation en live action des studios Disney : Blanche-Neige, sorti en salles le 19 mars, avec Rachel Zegler et Gal Gadot, réalisé par Marc Web... Et précédé de nombreuses polémiques.Animation : Léon Cattan Participantes : Hélyette Arnault, Alicia Arpaïa, Léon Cattan, Lisa DurandRéalisation, montage : Mariana AgierSon : Antoine BrunetGénérique : © SorocinéMusique : © Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

"If you are going to forgive, don't make it easy."-author Shannen DureyThis week we get to chat with Shannen Durey, author of Nights of Iron and Ink and Nights of Steel and Shadow.  This is a series unlike any we have read. Shannen writes characters that have you melting, willing to do anything for Ronan. Then, in the next moment, weeping alongside Vera, her torment transcending the page and pulling every heartstring. She breaks away from conventional beauty, even that which we traditionally find in romance fiction, and shows that beauty comes in many forms.Everyone needs to read this series. Today. Send us a textSupport the showConnect with usInstagram: https://bit.ly/ourIGpageTikTok: https://bit.ly/ourTiktokpageIntro and Outro music, Sexy Fashion Beat from Coma-Media

Dem männlichen Blick entsprechen wollen, ist das eine bewusste oder auch unterbewusste Entscheidung in einer patriarchal geprägten Gesellschaft? Kann man sich vom männlichen Blick (Male Gaze) lösen und wie sieht sein Gegenpart, also der Female Gaze aus? Es gibt für Steffi kaum eine bessere Person, um über den weiblichen Blick zu sprechen, als mit Freundin und Fotografin [Stephie Braun](https://www.instagram.com/stephie.braun/?hl=de). Wie hat sie ihren eigenen Blick und Stil gefunden, wie ist es für sie als Frau in einem männerdominierten Business und auch für Steffi, mit dem männlichen und weiblichen Blick, zu arbeiten und zu experimentieren.

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There is power in speaking your deepest fantasy aloud. Sharing something that is uniquely yours while keeping your identity hidden. Today we discuss the book Want. Compiled and shared by Gillian Anderson. We are fortunate to be joined by author Victoria Wilder. After all, she does write women's fantasies for a living. There was so much to unearth that we could not make it fit in one episode. Part One Begins now. Send us a textSupport the showConnect with usInstagram: https://bit.ly/ourIGpageTikTok: https://bit.ly/ourTiktokpageIntro and Outro music, Sexy Fashion Beat from Coma-Media

Le 1er janvier 2025 sortait Bird, le dernier film de la réalisatrice britannique Andrea Arnold. Un film qui poursuit sa veine de réalisme social, tout en s'aventurant du côté de l'onirisme. Alors, la sortie de Bird nous a donné envie de nous réunir pour parler de la carrière d'Andrea Arnold, figure de proue du cinéma indépendant britannique, héritière du naturalisme de Ken Loach, et aussi grande passionnée des images de la nature.Chapitrage :05:37 : Red Road (2006)17:55 : Fish Tank (2009)37:39 : Les Hauts de Hurlevent (2011)56:31 : Bird (2025)Animation, réalisation, montage, son : Mariana AgierParticipantes : Alicia Arpaïa, Mariana Agier, Léon Cattan, Lisa DurandGénérique : © SorocinéMusique : © Antonin Agier et Hugo CardonaPhoto : © RankinHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

IntroductionDefining Erotic Art: History, Purpose, and Cultural SignificanceErotic art has existed for as long as humans have been creating images, serving as an expression of desire, intimacy, power, and identity. Unlike simple depictions of nudity, which can be neutral or even clinical, erotic art is inherently charged with sensuality, intent, and a connection to human sexuality. From prehistoric fertility figures to contemporary digital provocations, erotic art has been a mirror reflecting cultural attitudes toward sex, gender, pleasure, and morality.The Boundaries of EroticismThe distinction between erotic art and pornography has been debated for centuries, often shaped by societal values, religious doctrine, and political agendas. While both deal with representations of sexuality, erotic art is typically seen as an exploration of sensuality through an artistic lens—concerned with beauty, intimacy, and human experience—rather than explicit gratification. However, these boundaries blur, and what one era considers high art, another may deem obscene.Erotic Art Across CulturesErotic art is not confined to any single culture or tradition. From the sensual sculptures of ancient India's Khajuraho temples to the delicate shunga prints of Japan's Edo period, societies around the world have expressed sexuality in ways that reflect their unique beliefs, taboos, and freedoms. While some civilizations have embraced erotic imagery as sacred or educational, others have sought to suppress and control it. These shifting attitudes reveal much about the intersection of art, power, and morality throughout history.The Role of the Female Gaze and Feminist PerspectivesFor centuries, much of erotic art was created through the male gaze—depicting women as objects of desire rather than autonomous agents of pleasure. However, female and non-male artists have long challenged these norms, creating works that reclaim the narrative of sexuality on their own terms. The feminist perspective in erotic art not only questions traditional depictions but also expands the conversation to include issues of consent, agency, and representation.Queer Erotic Art: Visibility and IdentityErotic art has also played a crucial role in the visibility and expression of LGBTQ+ identities. Queer artists have used their work to explore desire, identity, and relationships outside of heteronormative expectations. While often marginalized or censored, queer erotic art has been instrumental in shaping discussions on sexuality and representation, particularly in the modern era.Censorship and the Power of Erotic ArtFew artistic genres have been as frequently censored as erotic art. Throughout history, religious institutions, governments, and social movements have sought to control depictions of sex and nudity—often as a means of enforcing moral or political authority. From the destruction of ancient erotic murals to modern-day digital censorship, these efforts reveal the power of erotic art to challenge norms, provoke discourse, and redefine the boundaries of artistic freedom.Why This Book?This book traces the evolution of erotic art from its earliest forms to contemporary expressions, examining how artists have shaped and been shaped by cultural attitudes toward sexuality. By exploring different historical periods, artistic movements, and media, this work seeks to offer a deeper understanding of erotic art's role in society—not just as a form of aesthetic pleasure, but as a powerful reflection of human experience.

Falls euch cogitamus gefällt, lasst bitte ein Abo da und/oder empfehlt uns weiter. YouTube: https://www.youtube.com/@cogitamus Instagram: https://www.instagram.com/cogitamus.podcast/ Finanziell unterstützen könnt ihr uns ebenfalls: paypal.me/cogitamus oder cogitamus@posteo.de. Schaut auch mal auf UNCUT vorbei: https://www.uncut.at/. Im Welt-Mädchenbericht 2019 von Plan International, einem NGO für Entwicklungshilfe, wurde zu Frauenrollen in Kinofilmen geforscht mit einem deutlichen Ergebnis: Frauen übertrumpfen Männer im Kino zahlenmäßig nur im Nacktsein. Die Untersuchungen haben ergeben, dass Frauen in Filmen etwa viermal so oft nackt sind wie Männer. Beispiele von den Bond-Girls, über Transformers bis zu „The Wolf of Wall Street“ kennen wir alle. Auf diesen Frauen klebt der Male Gaze, der männliche Blick, der diese Frauen als Sexobjekt deklariert. Wer hat den Begriff geprägt? Wie wurde er hergeleitet? Was haben Sigmund Freud und Jaques Lacan damit zu tun? Gibt es einen Female Gaze? Wie sieht die Zukunft aus? #lauramulvey #lacan #sigmundfreud #spiegelstadium #kastrationsangst #narzissmus #voyeurismus #skopophilie #femalegaze #filmkritik #filmanalyse #cinephile #cogitamuspodcast #feminismus #filmtheorie #bondgirl #malegaze #meganfox #bellhooks #lindawilliams Kapitel 00:00 Intro 03:37 Biographie & Filmgeschichte 09:33 Mulveys Essay & Freud-Lacans Vokabular 32:11 Kritik, Aspekte & weitere Gaze-Konzepte 42:56 Fazit Literatur/Links/Quellen Williams, Linda. „When the Woman Looks“. In The Dread of Difference. Gender and the Horror Film, 15–34. Austin: University of Texas Press, 1996a. https://www.plan-international.at/presse/rewrite-her-story.html?sc=IAQ25100 https://www.medienradar.de/hintergrundwissen/artikel/wie-der-male-gaze-in-die-filme-kam Shelly Stamp - Women and the Silent Screen Laura Mulvey - Visual Pleasure and Narrative Cinema Bildnachweise: https://1.bp.blogspot.com/-u2mrHNceeMw/TwUyQFJLgnI/AAAAAAAAD2g/pQEXr0zRquY/s1600/Rear+Window+1.jpg; https://medienwissenschaften.net/wp-content/uploads/2021/06/Unbenanntes_Projekt-1920x1920.png, https://image.jimcdn.com/app/cms/image/transf/dimension=701x10000:format=png/path/s9cc2e064b426c90a/image/i1a19a895bac8984c/version/1688629522/image.png

"Emmanuelle" de Audrey Diwan, "Baby-girl" de Halina Reijn... les réalisatrices qui s'emparent de films "érotiques" réinventent-elles le genre ? Ces films sont-ils féministes ? Un podcast Bababam Originals Ecrit par Hélène Vézier Retrouvez tous les épisodes de Madame Meuf ici. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pour ce focus du mois, retour sur le film Maria de Pablo Larrain, un biopic sur les derniers jours de la cantatrice Maria Callas incarnée par Angelina Jolie. L'équipe s'est réunie pour débattre sur le film et sur les deux autres biopics féminins du réalisateur, Jackie (2017) et Spencer (2021).Animation : Mariana AgierParticipantes : Diane Lestage, Léon Cattan, Hélyette Arnaut, Mariana AgierRéalisation, montage, son : Mariana AgierGénérique : © SorocinéMusique : © Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

After an unexpected hiatus (sorry!! Loth-flu is catching!!) we're just in time for “Sanctuary,” (The Mandalorian, Chapter 4)...and the introduction of the tough and tender Carasynthia Dune. This week, we dive behind the camera to explore the female gaze in The Mandalorian and how it stems from the first female directors of a live-action Star Wars project. We dig into Cara Dune's backstory, the classic Star Wars village story, the comparisons between “Sanctuary” and the Clone Wars' “Bounty Hunters,” and the state of our main characters' moral codes.  We also discuss separating artists from their art, and relish in how live-action shows continue to make the Empire scarier than in the movies—a pressing and relevant reminder of fascism's deep roots in the galaxy.  We are well along on our Mandalorian coverage, and now is a fantastic time to join us! Want more Growing Up Skywalker? This is a great time to sign up for our Patreon for bonus audio content!  Timestamps: 00:00:00 Who Are We? 00:03:27 Plot Overview 00:13:24 Cara Dune and Separating Art From the Artist 00:33:11 Seven Samurai / Bounty Hunters Callbacks 00:48:22 The Female Gaze in Sanctuary 00:53:21 Bae Watch 01:02:21 Closing Thoughts

Pour honorer ce début d'année, on revient sur un film très attendu à la rédaction : Babygirl, de Halina Reijn, avec l'actrice Nicole Kidman qui incarne une PDG qui entame une liaison torride avec son stagiaire pour réaliser ses fantasmes.Animation : Margaux BaralonParticipantes : Alicia Arpaïa, Margaux Baralon, Léon Cattan, Oykü SofuogluRéalisation, montage : Mariana AgierSon : Alicia ArpaïaGénérique : © SorocinéMusique : © Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Our guest today is author Molly Tullis, Goddess of mythology. Some of you may know her as Ferrell Dawson. Whether its Greek mythology, fridge boys, or werewolves...Molly will always leave you satisfied. Enjoy!Send us a textSupport the showConnect with usInstagram: https://bit.ly/ourIGpageTikTok: https://bit.ly/ourTiktokpageIntro and Outro music, Sexy Fashion Beat from Coma-Media

Anne, cette française qui est tombée amoureuse de “Brad Pitt”. La rencontre Martineau-Dutrizac avec Richard Martineau et Benoit Dutrizac Pour de l'information concernant l'utilisation de vos données personnelles - https://omnystudio.com/policies/listener/fr

Le 27 novembre dernier sortait Les Reines du drame, d'Alexis Langlois, un ode à l'esthétique camp, à l'excès et au mauvais goût. Alors nous nous sommes interrogées : c'est quoi, le camp, et comment se représente-t-il au cinéma ?Chapitrage :Définition du camp : 02:33Mommy Dearest : 13:26Showgirls : 29:13Jawbreaker : 49:11Animation : Léon CattanParticipantes : Alicia Arpaïa, Mariana Agier, Léon CattanRéalisation, montage : Alicia Arpaïa, Mariana AgierSon : Hugo CardonaGénérique : © SorocinéMusique : © Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Pour ce focus du mois, on revient sur l'événement Les Femmes au Balcon de Noémie Merlant, une "farce punk" avec Sanda Codreanu, Souheila Yacoub et Noémie Merlant, en salles depuis le 11 décembre 2024.Animation : Léon CattanParticipantes : Margaux Baralon, Léon Cattan, Victoria FabyRéalisation, montage : Mariana AgierSon : Hugo CardonaGénérique : © SorocinéMusique : © Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Pour ce focus du mois, on revient sur l'événement The Substance de Coralie Fargeat, une fable gore sur le culte des corps parfaits avec Demi Moore et Margaret Qualley, auréolé du prix du scénario au dernier festival de Cannes.Animation, réalisation, montage, son : Mariana AgierParticipantes : Mariana Agier, Lisa Durand, Victoria FabyGénérique : © SorocinéMusique : © Antonin Agier et Hugo CardonaHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Pour ce focus du mois, on revient sur la Palme d'Or de cette année, Anora, le 8e film du réalisateur américain Sean Baker, qui raconte l'histoire d'amour contrariée entre une strip-teaseuse de Brooklyn et le fils d'un oligarque russe.Animation : Léon CattanParticipantes : Mariana Agier, Léon Cattan, Victoria FabyRéalisation, montage, son : Mariana AgierGénérique : © SorocinéMusique : © Antonin AgierHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

So yeah...it's been a minute. After the drop in from Mr Cajun Dan himself, the ladies took some time off! We're so sorry but we're back babies! So sorry in fact that we did a much anticpated extended episode where we talk about all the things. No spoliers in this summary, guess you'll have to listen and find out

We have a very special guest who was kind enough to help Natalie determine her definition for “the female gaze” once and for all. Morgan is the host of the podcast, Female Gaze: The Film Club, where she and her guests discuss films directed by female filmmakers. Natalie and Morgan will discuss the nuances and differences they see when female filmmakers are the ones capturing women's experiences. Directors of note will be Greta Gerwig, Sophia Coppola, Natalie Morales, Chloe Zhao, and more! Are you able to sit in a movie theater and determine if a movie is directed by a woman just by the tone and choices made?Make sure you have subscribed to us on Patreon! Every tier has a 7-day free trial and it is the only place to find our free blog posts, Tolerator Check-In episodes, and The Misogyny Meltdown. Follow us at @menivetoleratedpod on Instagram! All ways to support the show can be found at https://linktr.ee/menivetoleratedpod. Join the newsletter so you never miss any update we have on Team Tolerator!Support Our Guest:Natalie's Episode of Female Gaze: The Film Club: Plan BInstagram: @femalegazethefilmclub

Depuis le mois de septembre, la cinéaste belge Chantal Akerman est mise à l'honneur à travers une rétrospective en salles et une exposition au Jeu de Paume, à Paris. L'occasion pour nous de revenir sur l'oeuvre multiple de cette cinéaste fascinante, pétrie d'idées révolutionnaires et d'une liberté permanente.Chapitrage :02:50 : Saute ma ville07:17 : News from home19:32 : Golden EightiesAnimation : Léon CattanParticipantes : Noémie Attia, Léon Cattan, Diane LestageRéalisation, montage, son : Mariana AgierGénérique : © SorocinéMusique : © Antonin AgierHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Pour ce premier focus de la rentrée, on revient sur Emmanuelle, le nouveau film d'Audrey Diwan, qui revisite le film érotique culte des années 1970 avec Noémie Merlant, Naomi Watts et Will Sharpe.Animation : Alicia ArpaïaParticipantes : Alicia Arpaïa, Mariana Agier, Léon CattanMontage : Mariana Agier, Alicia ArpaïaRéalisation, son : Mariana AgierGénérique : © SorocinéMusique : © Antonin AgierHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Often times the female gaze and the male gaze are used to discuss differences in how things are presented in traditional media such as movies/books/TV shows, today we wanted to chat about the the topic and how it bleeds into the concept of "men written by a woman". Keep the conversation going on our Instagram @accordingtwo. Follow us on Instagram: According Two: @accordingtwo Megan Stitz: @megan_marie32 Ciera Stitz: @ciera_jo --- Support this podcast: https://podcasters.spotify.com/pod/show/according-two/support

Pour cet épisode de rentrée, l'équipe de Sorociné est revenue sur la définition de la critique féministe, dans une époque où les questionnements féministes ont imprégné la création cinématographique. Comment aborder le female gaze, les représentations de la sexualité, les intentions féministes d'un film, par le biais de la critique ?Participantes : Léon Cattan, Mariana Agier, Margaux BaralonAnimation : Léon CattanRéalisation, montage : Mariana Agier Son : Hugo CardonaGénérique : (c) SorocinéMusique : (c) Antonin AgierRetrouvez toute l'actualité de Sorociné sur nos réseaux sociaux, Twitter, Facebook et Instagram : @Sorociné Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

For this first episode of the new season I've got a conversation with Kat, the woman who makes Moan, a magazine of sensuality and eroticism that prioritises the female gaze. It has a lot of explicit imagery, but it's definitely not pornographic, and in fact there's something about the risograph print and production that makes it feel like more of an art book than anything else. Hear what she has learned from publishing the magazine for the last five years, and how she's planning on taking it to the next level.

Join your horror hosts as they take a ride they won't survive. Chapters00:00 Introduction and Film Background07:12 The Female Gaze and LGBTQ+ Representation09:04 The Plot and Characters11:46 The Knife-Wielding Bandits16:22 Honest Reactions and Emotional Depth19:18 Quirky Dialogue and Campy Moments22:30 The Style and Editing26:49 Embracing the 90s Action Movie Aesthetic28:31 The Absence of Sexual Violence33:23 Dramatic Death Scene36:29 Lessons and Revenge41:45 Haunted Train Cars44:24 Cultural Differences in StorytellingKeywordsIndian horror film, gore, violence, romance, action, train, cultural elements, sound design, editing, Monkey Man, 90s action movies, music, violence, sexual violence, practical effects, strong female characters, fashion --- Support this podcast: https://podcasters.spotify.com/pod/show/bloody-broads/support

Reverse Age gap. Chef. What else do you need to know? On this episode we discuss Nikki Castle's book about a woman exploring life after divorce when she catches the eye of a man 10 years her junior. Join the conversation and tell us would you date someone younger?Send us a textSupport the Show.Connect with usInstagram: https://bit.ly/ourIGpageTikTok: https://bit.ly/ourTiktokpageIntro and Outro music, Sexy Fashion Beat from Coma-Media

This week, I talk with Emma Bamford about her thriller Eye of the Beholder, a feminist retelling of Hitchcock's Vertigo.  We dive into what inspired her to write a Vertigo-inspired thriller, and how well the story of controlling image still fits modern times.Eye of the Beholder SynopsisWhen Maddy Wight is hired to ghostwrite the memoir of world-renowned cosmetic surgeon Dr. Angela Reynolds, she thinks it might just be her chance to get her career back on track. She travels to Angela's remote estate in the Scottish Highlands to hunker down and learn everything she can. But the deeper she digs, the more elusive the doctor becomes. Is there more hidden beneath the surface of the kaleidoscopic beauty industry than Angela wants to reveal?Sharing the estate is Angela's enigmatic business partner, Scott, whose mercurial moods change as quickly as the conditions on the darkening moors outside. Confined to the glass-walled house, Maddy can't shake the feeling of being watched. As objects go missing, handprints appear on the windows, and a stranger lurks in the grounds, she finds herself drawn ever closer to Scott. Returning to London once the book is finished, Maddy is excited for their future together. But her dreams are shattered at the book launch when Angela learns that Scott has leapt to his death from the Scottish cliffs.Which is why, months later and lost in a fog of grief, Maddy is completely blindsided when she sees Scott entering the Tube station just in front of her. It can't be him, can it? After all, Scott is dead...or is he?In exploring the differences between looking and seeing, surface and depth, and the power of the female gaze, this tribute to Hitchcock's 1958 film masterpiece asks: If beauty is in the eye of the beholder, how much can you trust what you see?Follow Emma on InstagramFollow Kate on Instagram 

A l'occasion du festival Avant-Premières organisé par les Cinémas Indépendants Parisiens, nous avons rencontré la réalisatrice tunisienne Kaouther Ben Hania, qui présentait son dernier film Les Filles d'Olfa, un documentaire poignant sur le déchirement familial et sur l'usage du cinéma pour ressusciter les fantômes. Rencontre avec la réalisatrice.Participantes : Kaouther Ben Hania, Alicia Arpaïa, Mariana AgierAnimation : Alicia ArpaïaRéalisation, montage : Alicia Arpaïa, Mariana Agier Son : Mariana AgierGénérique : (c) SorocinéMusique : (c) Antonin AgierRetrouvez toute l'actualité de Sorociné sur nos réseaux sociaux, Twitter, Facebook et Instagram : @Sorociné Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Join your horror hosts as they paint their face, put on a smile, and make those motherfuckers pay. Chapters 00:00 Introduction and Overview of 'Maxine' 13:15 Exploring the 80s Portrayal and Cultural References 23:02 Discussion on the Female Gaze in 'Maxine' 31:56 The Profitability of the Brutalization of Women 36:27 The Power of Imagination 42:33 Examining the Concept of 'Saving Our Children' 53:53 The Ownership of Female Bodies 01:02:52 Overall Impressions 01:06:04 Nostalgic Homage to 80s Horror 01:09:13 The Importance of Representation and Diverse Storytelling 01:17:36 Critiquing the Objectification of Women in Media 01:26:20 Desire for a Deeper Exploration of the Story Keywords Maxxxine, Ti West, horror movie, female gaze, social commentary, 80s portrayal, revenge porn, home video, violence against women, brutalization of women, horror, true crime, imagination, storytelling, erotica, pornography, 80s, saving our children, ownership of female bodies, 'My Heart Can't Beat Unless You Tell It To', Lamborghini, Fever Dreams trilogy, female sexuality, revenge, CPTSD, objectification of women, homage to 80s horror, practical effects, representation, diverse storytelling --- Support this podcast: https://podcasters.spotify.com/pod/show/bloody-broads/support

En octobre 2020, la série Netflix Le Jeu de la Dame mettait en scène une joueuse d'échecs toxicomane. Dans un épisode centré sur sa descente aux enfers, il y a une scène où la jeune femme, ivre sur son canapé, ne porte qu'un débardeur moulant et un gilet, qui descend le long de ses jambes nues parfaitement épilées ; son brushing est impeccable, il n'y a qu'autour de ses yeux que son maquillage a un peu bavé. Ce qui nous a amené à nous interroger : une femme qui va mal, au cinéma et à la télé, ça ressemble à quoi ?   Pour répondre à cette question, nous nous sommes entretenues avec le psychiatre et auteur Jean-Victor Blanc, qui analyse comment les troubles psychiques traversent de part et d'autre notre imaginaire cinématographique. Participant.e.s : Léon Cattan, Mariana Agier, Jean-Victor BlancAnimation : Léon CattanRéalisation et montage : Mariana Agier Son : Hugo CardonaGénérique : (c) SorocinéMusique : (c) Antonin AgierRetrouvez toute l'actualité de Sorociné sur nos réseaux sociaux, Twitter, Facebook et Instagram : @SorocinéHébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Summer 2024 has been dominated by two dramas that are star representatives of the genre of their source IP, Nan Pin or Books of the Male Gaze and Nv Pin or Books of the Female Gaze. In today's podcast episode, I discuss these two book genres, the tropes typically found in these books, and how they have translated on screen. Joy of Life represent the Nan Pin books and dramas and the Double represent the Nv Pin books and dramas.

Coming together. In our books this is nearly always the case. The crescendo of the simultaneous climax between characters. When we return to reality, that isn't always the case. Some people never do and that is ok. Today we are discussing Emily Nagoski's latest book, Come Together. Both the science and art of creating lasting sexual connections. Sneaky links:lipid gold moisturizer https://bit.ly/4cdlamThuman dog bedhttps://bit.ly/3yT0GkVSupport the Show.Connect with usInstagram: https://bit.ly/ourIGpageTikTok: https://bit.ly/ourTiktokpageIntro and Outro music, Sexy Fashion Beat from Coma-Media

Early into this episode, Marin likens watching Baz Luhrmann's ROMEO + JULIET (1997) for the first time to “seeing God,” so, yeah, we loved this. We discuss the film's tenderness towards its characters and its refreshing portraits of girlhood and masculinity, particularly via the gaze of the camera itself. While Maggie's prowess as a high school literature teacher is on full display, Marin connects the film to not one but TWO teen dramas. Also, we introduce a new closing segment!   Email your own musings and questions to tellmeimsorry@gmail.com Follow us: The podcast's Instagram: @tellmeimsorry Maggie's Instagram: @_saint_margaret_ Marin's Letterboxd: @marinharrington  Secondary texts referenced: “Elizabethan Street Fighting” by Shakespeare Unlimited podcast, ep. 24 “The Female Gaze” by Alexis Loftis, Sartorial Magazine “Jenny Han Explains How Pop Music is Central to The Summer I Turned Pretty” by Malia Mendez,  Los Angeles Times Romeo and Juliet by William Shakespeare  The Summer I Turned Pretty, season 2, episode 2 Dawson's Creek, season 3, episode 14

Listen in as a Joe Rigney and Michael Carlino join David Schrock to discuss Joe's book Leadership and Emotional Sabotage and to apply the lessons from this book to the Southern Baptist Convention. Timestamps Intro – 00:28 Joe Rigney's Time and Interest in the SBC - 03:26 The Genesis of Joe Rigney's Book and Edwin Friedman 05:45 Rigney's Influence on Michael Carlino - 10:18 How Do We See the Sin of Empathy Being Worked Out in the SBC Today? - 13:34 Friedman's Fable Regarding Empathy - 16:35 Neutralizing the SBC and the Progressive Gaze - 21:54 Being Fractured and Frustrated - 26:14 Sensing the Steering - 27:22 How Does the Law Amendment Help the SBC to Not Be Steered? - 29:43 Feminism and Femininity -33:21 Women Should Not Be the Barometer for the Church - 36:04 The Female Gaze - 38:21 Deborah, Barak, and Jael - 39:51 The Levites Being Able to Suppress Brotherly Affection - 41:49 Closing and Outro - 45:16  Resources to Click “The SBC Isn't Drifting, It's Being Steered: A Sober-Minded Response to Emotional Sabotage” – Michael Carlino “Of Empathy and Monsters” – Joe Rigney “With One Voice” – Joe Rigney Center For Baptist Leadership Podcast Learn about the Law Amendment at SBCAmendment.org The Sin of Empathy – Doug Wilson and Joe Rigney Donate to the SBC Giveaway of Leadership and Emotional Sabotage Register for SBC at a Crossroads Theme of the Month: Great Books Throughout the Ages Give to Support the Work  Books to Read Leadership and Emotional Sabotage – Joe Rigney The Things of Earth: Treasuring God by Enjoying His Gifts – Joe Rigney A Failure of Nerve: Leadership in the Age of the Quick Fix – Edwin Friedman Friedman's Fables – Edwin Friedman

This week we're joined by Adrianna Gober (@EADxBB) to talk about the sapphic worlds of French auteur Céline Sciamma. You can find Adrianna on her latest podcast “Bartel Me Something Good” over on the Cinema Smorgasbord feed at the Cinepunx network: https://www.cinemasmorgasbord.com/the-podcasts/bartel-me-something-good/ Films: Water Lilies(2007, d. Céline Sciamma) This film is out of print in English-subbed form, however you can stream it on Criterion: https://www.criterionchannel.com/water-lilies Tomboy (2011, d. Céline Sciamma This film is out of print in English-subbed form, however you can stream it on Criterion: https://www.criterionchannel.com/tomboy Portrait of a Lady on Fire (2019, d. Céline Sciamma) US Blu-ray: https://www.amazon.com/Portrait-of-a-Lady-on-Fire-Blu-ray/dp/B0863THLBJ UK Blu-Ray: https://www.amazon.co.uk/Portrait-of-a-Lady-on-Fire-Blu-ray/dp/B0859R3D74 Two friends discuss the theory behind classic, arthouse, and independent cinema, and go on a journey together to learn about under-appreciated works. Each episode will establish a common thread between three films and engage in discussion about them. This podcast is produced by Brave Voice Films. You can reach out to us at framesofreference@bravevoicefilms.com Tweet us: @podcastfor Our episodes will run bi-weekly. Please email us your suggestions!

Carolina Alvarez and Tessa Markle of Femme Regard join Mister Red and April to talk their film "Sync".See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Adam Ganser wants to talk about an early 2000's neo-noir film where Meg Ryan is both the detective and the femme fatale. Also we see Mark Ruffalo's dick. Also, it was directed by Jane Campion (The Piano, The Power of the Dog). This film introduces the concept of the female gaze along with a unique noir story that exposes the genre's tendency for male gaze films. Features: Adam Ganser: https://twitter.com/therealganz Abe Epperson: https://twitter.com/AbeTheMighty Support Small Beans and access Additional Content: https://www.patreon.com/SmallBeans Check our store to buy Small Beans merch! https://www.teepublic.com/stores/the-small-beans-store?ref_id=22691

This week Paul and Amy are breaking down the 1991 Kathryn Bigelow film Point Break, starring Keanu Reeves and Patrick Swayze. The two dig into this elevated action movie and discuss how Kathryn Bigelow helped launch Keanu Reeves into action stardom. Then, Paul asks if this movie is shaped around the “Female Gaze," and Amy fills us all in about the stunts in this movie and which Red Hot Chili Peppers member didn't take the stunt training seriously. Vaya con dios, friends. Next week, Paul and Amy take a look at the 1976 horror Carrie, as they put a twist on Mother's Day. Check out this week's spotlight episode from the Unspooled archives, Speed, here: https://www.earwolf.com/episode/speed/  You can join the conversation on Paul's Discord at https://discord.gg/ZwtygZGTa6 and check out Paul's Substack https://substack.com/@paulscheerPaul's book Joyful Recollections of Trauma is on presale now! Find it at https://www.harpercollins.com/products/joyful-recollections-of-trauma-paul-scheer Episodic Art by Kim Troxall: https://www.unspooledart.com/Learn more about the show at Unspooledpod.com, follow us on Twitter @unspooled and on Instagram @unspooledpod, and don't forget to rate, review & subscribe to us on Apple Podcasts, Spotify or where you listen to podcasts.

SummaryIn this episode, host Jessica Kantor interviews Lucy Lawless about her career in acting and her directorial debut. They discuss Lawless' first movie memory, her love for horror films, and her journey in the entertainment industry. Lawless shares her experiences as an actress and the inspiration she finds in other actors and films. She also talks about her desire to entertain and create a somatic experience for the audience as a director. Lucy Lawless discusses her children's taste in movies and her own favorite films. She mentions that her daughter and one of her sons are cinephiles, while her other son is interested in trucks and plants. They all enjoyed movies like Alien, Tremors, and The SpongeBob Movie. Lucy also talks about her love for The Godfather and how it showcases both the male and female gaze. She recommends showing her son the Godfather movies to help him fall in love with cinema.Upcoming Projects:My Life is MurderPopular crime drama My Life Is Murder returns to Acorn TV with a two-episode premiere on Monday, June 17, co-premiering on BBC AMERICA, with two episodes premiering weekly on Mondays on both platforms.Never Look AwayXYZ has sold the documentary Never Look Away, the directorial debut of actress Lucy Lawless (Xena: Warrior Princess), to Greenwich Entertainment for all rights in North America and to Kaleidoscope for all rights in the UK. It premiered at the Sundance Film Festival in January 2024 and is coming to Sundance London in June 2024. TakeawaysLucy Lawless' first movie memory was watching 'Hi Lilly, Hi Lilly, Hi Lo' with her friend, which sparked her love for movies.Lawless was introduced to cinema by her mother and school, and she grew up watching New Zealand cinema, which she found surprisingly gratifying.Lawless discovered her desire to become an actress after seeing an ad and realizing that acting was a job.Lawless initially had no intention of directing, but she was inspired to direct a documentary about Margaret Moth, a camerawoman who was shot in the face during the Siege of Sarajevo.Lawless believes that every frame of a film should be designed with the audience's experience in mind. As a director, she aims to entertain and create a somatic experience.Lawless finds inspiration in older actresses and action movies, and she admires the work of actresses like Jessica Lange and Sigourney Weaver.Lawless advises young actors to believe in themselves and persistently pursue opportunities, even in the face of rejection.Lawless is currently working on two scripted projects and one documentary, but she acknowledges the challenges of getting projects funded and appealing to investors. Lucy Lawless' children have different tastes in movies, with one son interested in trucks and plants and her daughter and other son being cinephiles.They enjoyed movies like Alien, Tremors, and The SpongeBob Movie.Lucy recommends showing her son The Godfather movies to help him fall in love with cinema.She appreciates films exploring characters' motivations and subterranean aspects, such as The Godfather.Sound Bites"We grew up watching; my father really was a leader in vampire movies ." Lucy"My son was watching The Abyss when he was four or five years old. He was already operating the thing." Lucy"He loves being scared. He loves it. I put on Monsters, Inc. And the beginning is a little scary, but the rest is funny, right? It's gentle. And he runs in my lap and then looks over. I'm like, is it too scary? He goes, no." Jessica"He's going to have to wait a little time after Gorilla's in the Mist, or before actually, The Godfather." LucyChapters00:00 Introduction and Upcoming Projects07:03 Desire to Act and Becoming an Actress13:46 Inspiration from Older Actresses and Action Movies38:47 Introducing Children to Movies46:43 The Godfather: A Film to Fall in Love with Cinema New Episodes Every Wednesday!EPISODE CREDITS:Host, Producer, Editor: Jessica KantorBooker: Noelia MurphyBe sure to follow and tag Raising Cinephiles on Instagram

We couldn't make it fit....all in one episode. Our conversation continues and yes, we get to the females on our list. Let us know your thoughts!Sneaky LinksVaseline face lotionhttps://bit.ly/4d9ci2QNail kithttps://bit.ly/49Rp17kElf liquid blushhttps://bit.ly/3UuX5SzSupport the showConnect with usInstagram: https://bit.ly/ourIGpageTikTok: https://bit.ly/ourTiktokpageIntro and Outro music, Sexy Fashion Beat from Coma-Media

This episode, 10 out of 10. Both male and females agree. And that perhaps is where it ends. We are embarking on the topic of what draws the male gaze and what attracts the female gaze. Romance books have relatively similar descriptions of main characters. For a reason. They work. In reality, it's not so formulaic. We have a special guest joining us as we rate several males and females and discuss what, if anything, is attractive about them. Everyone is weighing in. Find us on social media and let us know if you agree. Support the showConnect with usInstagram: https://bit.ly/ourIGpageTikTok: https://bit.ly/ourTiktokpageIntro and Outro music, Sexy Fashion Beat from Coma-Media

All star guest Carl Tart returns! Topics: Cardamon Coke. Female Gaze. Panda or Grizzly, Godzilla or Kong? Tooth Whistle.Subscribe at whochartedpod.com to support the show and listen to Two Charted every week!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

We've been sitting on something for quite a long time now. It's about time we let the cat out of the bag. The ladies also talk about how annoying a certain "Clock App" has been lately and their green flags/red flags for dating. Follow Kel's new account @RafesCurtainBangz because TT is the worst and banned her #electricchair Let us know how you're liking the new format and what else you'd like us to chat about alongside our favorite Female Gaze worthy people XOXO

Dive into a vibrant discussion of The Real Undressed podcast as this episode brings you an expansive conversation with Angela Tortu—a seasoned director with illustrious TV credits from shows like Fresh Off the Boat and Atypical. In the episode, she and Deborah dissect the film Poor Things, a movie that challenges the female narrative through its unique storytelling and powerful depiction of a woman's discovery of sensuality, personal power, and sexuality. On this special episode, released on International Women's Day, we unpack the layers of female empowerment and the complexities of character development as portrayed by Emma Stone in Poor Things. Whether you've already seen the film or are contemplating giving it a watch, this episode offers a plethora of insightful reflections on women in film and beyond.   In this episode you'll discover:   ~ the significant role family and a chance encounter with movie-making played in Angela Tortu's career choice.   ~ insights into a woman director's experience working on impactful TV shows and with streaming giant Netflix.   ~ an intimate look at Poor Things' storyline and characters, exploring its Oscar-worthy performances and critical acclaim.   ~. the constant progression and transformation undergone by the lead character in Poor Things, played by Emma Stone, and how it aligns with themes of personal agency.   ~ how female directors navigate the male-dominated landscape of the film industry with their unique creative perspectives.   ~ the film's exploration of a woman's sensual awakening and its ramifications on her personal evolution.   ~ a deep dive into the film's handling of feminine sexuality, societal roles, and the female gaze.   ~ the transformative power of owning one's mind, body, and sexuality, as depicted through Bella Baxter's character arc.   ~ and much more!     Connect with Angela Tortu  Instagram | http://www.instagram.com/auhlani  IMDB | https://www.imdb.com/name/nm0869057/?ref_=ext_shr_lnk         *****     MOJO *Be in the Know * VIP LIST   There's A LOT of new mojo coming your way this year. Don't miss out. Get yourself on the *be in the know * list ASAP. It's as simple as click, fill in, mojo! Cannot wait for you to be on the insider's list.  Get on it here:  https://mojo.deborah-kagan.com/email      *****   Connect with DeboraWebsite | http://therealundressed.com/ Instagram | https://www.instagram.com/therealundressed/   https://www.instagram.com/deborahkagan/ Facebook | https://www.facebook.com/mojorecoveryspecialist/     Subscribe to The Real Undressed Podcast iTunes | https://podcasts.apple.com/us/podcast/the-real-undressed-with-deborah-kagan/id1494643770 Spotify | https://open.spotify.com/show/1eOQaw6kryBsXo7Jb6qEnv   Please remember to: è Subscribe è Rate è Review the podcast. I read every single one and your feedback is valuable.