Podcast appearances and mentions of jill soloway

Inspiration is on tap as Teresa Au speaks to graphic designer, entrepreneur, and author Aaron Draplin. Known as much for his warm and direct personality as for his signature thick lines design style and ample use of Pantone Orange 21, Aaron is beloved by designers everywhere. Aaron shares lessons gleaned from his midwestern upbringing, nearly 20 years in business on his own, and creating his Field Notes and DDC branded merchandise.What you'll hear in this episode:What Aaron wishes he knew when he went out on his ownBe professional on your way out of a role or projectWhy a job transition should be an overlap, not a hard stopGetting financially prepared for going into business for yourselfWhy you should take every job that comes your wayA note on taxesLessons learned from challenging jobs and peopleThe difficulties of the corporate environmentHow to control your own timeThe value of keeping your wordWhat you can learn from your clients that can help you in your own businessUse merchandise to make your business look as big–or as small–as you wishHow Aaron started the Field Notes brandFinding inspiration in your collectionsWhen it's time to bring in a teamIs passive income actually passive?Taking on big jobs allows Aaron to do little things to help his friend and familyCorporate clients don't have to mean endless meetings and emailsA big client can also be a passion jobWhy Aaron is sometimes the invisible designerGive clients what they need, not necessarily what they think they wantAaron's book tourNo one has to know which jobs have big paychecks and which ones you do for nothingWhich design students make the best audiencesThe people you meet when you travel, for better and worseWhat's special about driving through AmericaWhat Aaron learned from his DadThe importance of appreciating the people who help you get your work doneHow to celebrate someone you've lostAaron's dream gigPlanning a follow-up book to Pretty Much EverythingAaron's list of words for 2024Aaron Draplin is founder of the Draplin Design Co. a shop specializing in Print, Identity and Illustration. His clients include Coal Headwear, Union Binding Co., Richmond Fontaine, Esquire, Nike, Wired, Dinosaur Jr, Timberline, Chunklet, Eaux Claires Music Festival, Poler, Incase, Sub Pop Records, Fender, Marc Maron, Cobra Dogs, Jill Soloway, Thing Festival, Jack White, Old 97s, Jason Isbell, Nixon Watches, Bernie Sanders, Patagonia, Target, Chris Stapleton, NASA/JPL, John Hodgman, Timex, Ford Motor Company, Woolrich and even the Obama Administration. He co-created Field Notes brand with Jim Coudal, and their memo books are sold the world over, with limited-edition special editions shipped quarterly to a booming subscriber list. He is the author of eight Skillshare classes, and his first book, Pretty Much Everything is in its twelfth printing. His DDC Merch line is a cult favorite, featuring 300+ products. You'll find Aaron in his backyard studio in Portland, Oregon, or crossing the US in his orange van, putting on “speaking fiascos” for audiences ranging from Adobe MAX to vocational school students.Teresa Au (@tautastic) is an executive for community engagement and driving customer empathy at Adobe. Her career spans diverse creative fields, primarily in New York's fashion industry, as well as architecture firms, and now Silicon Valley tech companies. She has always prized working with distinctive design and the interesting people behind it–from designer Elie Tahari to start-up CEOs. We want to hear from YOU, our listeners, so we put together a brief survey as we look ahead to season two: https://adobe.ly/podcastsurvey To thank you for your feedback, we're giving away two 12-month memberships to Creative Cloud (valued at $659.88 each). Enter for your chance to win one of the two Creative Cloud licenses by completing the survey form from November 7 at 9pm PT to November 30 at 5pm PT. Winners will be drawn at random and notified at December 1 at noon PT. Valid one license per winner. No purchase necessary. You must be 18 years or older to enter. Please see Terms and Conditions on our website for full details. https://adobe.ly/podcastsurveyLearn more about this podcast, and find transcripts and links, at adobe.ly/inthemaking. In the Making is brought you by Adobe Express and Adobe Creative Cloud. Past episodes of Wireframe can still be found in the show archive within this feed, or online on Behance. Design flyers, TikToks, resumes, and Reels with the new, all-in-one Adobe Express. Create video, marketing, and social content. Edit photos and PDFs. Make it all in one app, including generative AI tools from Adobe Firefly and easy, one-click tasks like removing backgrounds.Adobe Creative Cloud provides apps, web services, and resources for all your creative projects — photography, graphic design, video editing, UX design, drawing and painting, social media, and more. Learn more about the apps in Creative Cloud

Crystal and Emily discuss books by Oliver Sacks, Margaret Atwood, Ursula K. Leguin, Jeanette Winterson, Jill Soloway, Paul Auster, the Dalai Lama, Solzhenitsyn, and The Milky Way Smells of Rum and Raspberries by Jillian Scudder. Also, recent movies and streaming series.

Jen Dwyer grew up on the West Coast, in the Bay Area, California and currently lives and works on the East Coast, between Connecticut and New York. Her playful ceramic sculptures, paintings and otherworldly installations evoke dreams, fantasy, and the desire to escape to a world of one's own creation. Through her artwork, Dwyer creates a uniquely powerful, caring, and intimate feminine world, underscored by the artist's study of Paleolithic talismans, the decadent Rococo aesthetic, and contemporary girlhood culture and ecofeminism. Dwyer received a BFA in Ceramics, BA in Environmental Studies and a minor in Art History from University of Washington. She finished her MFA in the Spring of 2019 from University of Notre Dame where she received a Full Fellowship in Ceramics with a Gender Studies Minor. Dwyer has partaken in many residencies and fellowships, including the Pottery Center in Jingdezhen, China; fellowship at Wassaic Projects and the Museum of Art and Design Studio Residency. Recent exhibitions include the Spring/Break Art Fair in New York City, Maxon Mills Gallery in Wassaic, the Snite Museum, at Notre Dame, a solo exhibition in Manhattan, NY at Dinner Gallery as well as recent and upcoming group exhibition at Hashimoto Contemporary Gallery, Gaa Gallery and Jeff Marfa Gallery. "The Female Gaze is an alternative way of seeing that represents everyone as a subject and acknowledges that people have their own complicated narratives. With this idea in mind Jen Dwyer constructs fanciful, porcelain vessels and sculptures that merge iconography from prehistoric imagery, (such as the Venus of Willendorf, which was thought to be a self portrait of the artist), with the Rococo Aesthetic, infused with contemporary feminist themes. Dwyer create an amalgamation of ceramic sculpture and oil paintings to examine contemporary socially constructed notions of identity by invoking the female gaze. The Female Gaze, coined by Jill Soloway, was created in response to Laura Mulvey's theorization of “the Male Gaze,” which is when cinematic depictions of women are seen as objects of male pleasure. The Female Gaze is an alternative way of seeing; a way of looking/representing that seeks to give everyone agency and make everyone a subject. Rococo art was created in reaction to boredom with the serious baroque style, and instead opted to depict humor, wit, emotion, and whimsy. Characterized by its light-heartedness, the Rococo presents itself at a more intimate scale, often in private spaces. I aim to create other worldly Installations, filled with my ceramic sculptures, to blur the barriers between the private and public, subject and object and self and others." Links: www.jen-dwyer.co   Instagram: @jen_dwyer_   Artist Shoutout:   Gracelee Lawrence Leah Guadagnoli Will Hutnick   I Like Your Work Links: https://www.ilikeyourworkpodcast.com/retreat Notions of Beauty Exhibition Join The Works Membership waitlist! https://theworksmembership.com/ Submit Your Work Check out our Catalogs! Exhibitions Studio Visit Artist Interviews I Like Your Work Podcast Say “hi” on Instagram

On today's episode, Randi chats with Producer/Writer/Comedian Nick Morton. Nick lets us in on the process of creating and shopping two independent pilots, while also maintaining a career as a comedian and podcaster.Nick Morton is a writer, producer and stand-up comedian. He wrote the recent pilot “Cooper's Bar” which stars Rhea Seehorn (Better Call Saul) and Lou Mustillo (Mike and Molly) which premiered at SXSW and SeriesFest: Season 6 in 2020 and was picked up by AMC Networks this spring. He also wrote the Sundance pilot, "Halfway There," that stars Matthew Lillard and Blythe Danner that went on to win best pilot at SeriesFest: Season 4. He has produced many movies including Ray starring Jamie Foxx, Afternoon Delight directed by Jill Soloway, Fat Kid Rules The World, Band of Robbers and many more. He has written for many online magazines including Mr. Porter and The Scoop. He hosts the popular podcast The Drunkalogues.

A Career Retrospective with Kathryn Hahn on April 21, 2017. Moderated by Stacey Wilson Hunt, New York Magazine. Kathryn Hahn’s versatility in both comedy and drama has made her one of Hollywood’s most sought after actresses and has shaped a career full of memorable roles. Hahn was seen in Jill Soloway’s new comedy pilot “I Love Dick” set to premiere on May 12. She plays the role of a wife (Chris) who’s relationship is put to the test when they both fall for the same professor. Hahn also recently has completed production starring in the Max Wrinkler indie coming-of-age film, “Flower,” opposite Adam Scott, Zoey Deutch and Tim Heidecker, set to premiere at the Tribeca Film Festival. Hahn was most recently seen on Season 3 of the Emmy Nominated Amazon original series “Transparent” created by Jill Soloway. The show received a 2016 Emmy nomination for ‘Best Comedy’ as well as won the 2015 Golden Globe award for ‘Best Comedy.’ Hahn was also recently cast in the Netflix drama “Private Life”. The story follows the writer/director Tamara Jenkins (Hahn) who wrote and directed 2007’s Savages starring Laura Linney and Philip Seymour Hoffman and the semi-autobiographical Slums Of Beverly Hills before that. The film will be produced by Anthony Bregman and Stefanie Azpiazu. She recently starred in the Jon Lucas comedy “Bad Moms,” opposite Mila Kunis and Kirstin Bell. She played an over-worked, over committed and exhausted mom who joins forces with two other over-stressed moms who all go on a quest to liberate themselves from conventional responsibilities. The film won a People’s Choice Award for “Favorite Comedic Movie.” Upcoming, she will star in the STX holiday-themed "Bad Moms Christmas" sequel as their own mothers visit for the holidays. The film is set to release on November 3, 2017. Hahn was also recently seen in Matt Ross’ “Captain Fantastic” opposite Viggo Mortensen, which follows a father living in the forests of the Pacific Northwest with his six young kids trying to assimilate back into society. She was also recently seen in the Netflix film, “The Do-Over” starring alongside Adam Sandler and David Spade. Recent past films include Peter Bogdanovich’s “She’s Funny That Way,” alongside Imogen Poots, Owen Wilson and Jennifer Aniston. Additionally, she starred in M. Night Shyamalan’s horror comedy “The Visit,” as well as IFC’s “The D Train” and Brad Bird’s sci-fi mystery “Tomorrowland” opposite George Clooney. Hahn also starred in the WarnerBros. family dramedy “This is Where I Leave You,” directed by Shawn Levy and based on the novel by Jonathan Tropper. Hahn made her Broadway debut in the Tony-winning play “Boeing-Boeing,” alongside Bradley Whitford, Gina Gershon, Mary McCormack, Christine Baranski and Mark Rylance. “Boeing-Boeing” won the 2008 Tony in the category of Best Revival of a Play. No stranger to the stage, her theatre credits also include “Dead End,” at the Ahmanson Theater and Huntington Theater Company; “Ten Unknowns,” at Huntington Theater Company; “A Midsummer Night’s Dream,” “Chaucer in Rome” and “Camino Real,” at Williamstown Mainstage; and “Hedda Gabler,” at Williamstown/Baystreet. Hahn received her Bachelor’s degree from Northwestern University and her Masters in Fine Arts from the Yale School of Drama, where she appeared on stage in “Othello” and “The Birds.”

Mario Cesar Vilhena e Vivian Avelino-Silva conversam sobre "Pessoas LGBTQIA+ nos Esportes", com Leonardo Braga Nobre, jornalista, pesquisador, mestrando em Comunicação e estuda a cena de times LGBT no Brasil; Leonardo Peçanha, educador físico, mestre em Ciências da Atividade Física e especialista em gênero e sexualidade; Maurício Rodrigues, bacharel em História pela Universidade de São Paulo (USP), especialista em sociopsicologia, mestre pela USP e atualmente doutorando em Antropologia Social. Indicações Cultura Transviada: "Ética Bixa: Proclamações libertárias para uma militância LGBTQ", livro de Paco Vidarte; "Esa mujer corre como un hombre", documentário dirigido por Pete McCormack; "Forbidden Games - The Justin Fashanu Story", documentário dirigido por Jon Carey e Adam Darke; "Viagem Solitária - Memórias de um transexual trinta anos depois", livro de João W. Nery; "Pose", série de Ryan Murphy, Janet Mock, Brad Falchuk, Our Lady J, Steven Canals e Todd Kubrak; "Moonlight: Sob a Luz do Luar", filme dirigido por Barry Jenkins; "Homens Invisíveis", dirigido por Luis Carlos de Alencar; "Raça", filme dirigido por Stephen Hopkins; "Oboró - Masculinidades Negras", peça dirigida por Rodrigo França; "Bicha: Homofobia Estrutural no Futebol", livro de João Abel; "Changing the Game", documentário dirigido por Michael Barnett; "Transparent", série de autoria de Jill Soloway.

This week, we chat with Jessie Kahnweiler about her short film He's The One. Jessie first became known for writing, directing and starring in a short film called ‘Meet My Rapist' that imagines Jessie bumping into her rapist at the farmer's market, and then dating him. Jessie then wrote, directed, and starred in ‘The Skinny', a dark comedic series based on her 10-year relationship with bulimia. ‘The Skinny' was produced by Jill Soloway, Paul Young, and Refinery29, and premiered at Sundance. Jessie also developed ‘Viagra Diaries' for CW, ‘Bump' for ABC Digital, and staffed on ‘Skam AUSTIN' for Facebook Watch. Jessie's short film, ‘He's The One,' premiered at Sundance this year. She is currently writing a series for Sharon Horgan at the new streaming service, Topic, based on that short. Check out Jessie's latest horror short, RETREAT, that she directed for Hulu.

Who is my character? Why does she say this line? What’s my motivation? These are valid, if not typical, Acting 101 probings. But as a certain actor so simply puts it, “Sometimes, you just need to walk in the door.” That actor is Kathryn Hahn, who is a great example of someone who does just that; she steps into frame and before she utters a line, you’re watching, just waiting for what she’s going to say or do. That takes a rare kind of presence, one that for too long seemed to be hiding in plain sight. Hahn got her first real TV break when Crossing Jordan producer Tim Kring created the role of Lily Lebowski for her in 2001. A string of small but brilliant supporting appearances in comedy features like How to Lose a Guy in 10 Days, Win a Date with Tad Hamilton!, Anchorman: The Legend of Ron Burgundy, and Step Brothers followed. Luckily, a few sharp-eyed observers spied a keg of talent going largely untapped. In 2008, Marcia Shulman, then Fox’s head of casting, signed Hahn to a rare talent-holding deal. “She was doing the kind of comedy that reminded me of Lucille Ball,” Shulman said. “She is very approachable, she has a very positive, happy presence. She is a great physical comedian, and I think that is missing on TV.” Shulman was right, but if anyone deserves credit for recognizing what others didn’t, it’s writer and director Jill Soloway, who gave Hahn her first lead role in the acclaimed 2013 film Afternoon Delight. As an over- achieving mom and housewife who finds a— let’s call it creative—way to deal with a midlife crisis, Hahn was able to show there were layers to the laughs. “...She has an incredible way into the kind of authentic realness that made the careers of women like Diane Keaton back in the 1970s,” Soloway told The New York Times. “The industry has never really known how to handle a woman like that—a woman whose beauty is so intrinsically linked to her unique character.” Perhaps not fitting into a cinematic pigeonhole isn’t all bad. Hahn is one of the most game actors in the business, the personification of the acting ideal: free, open. She seems equipped to invest any character with warmth, sarcasm, humanity or a bit of ball-busting on an as-needed basis. While “free” could be an understatement for some of her roles in movies like We’re The Millers, Tomorrowland, Bad Words, and the upcoming Bad Moms, she’s just as good, if not even better, at caustic (Boeing-Boeing, her Broadway debut), grounded (Transparent) and...male (her role as Jennifer Barkley on Parks and Recreation was originally written for a man). If you’ve seen her in any of these roles, you’d have a tough time buying that an artist so willing to “go there” with such complete abandon and utter lack of vanity was ever self conscious or timid. But growing up, Hahn was the girl who was always apologizing, saying anything but what she truly meant in order to keep people (mostly her family) happy. She’s said that being able to stand up straight, look people in the eye and command her own space remain a bit of a challenge, even today. But it does get easier once you realize that your gift is who you are, and who you are is pretty much all you need. If Hollywood didn’t know what to do with Hahn in the beginning, she’s shown them now—just about anything.

A dope conversation by a dope black women writer about her journey with caretaking for family with dementia, how it changed her life, and how she's creating and healing through this experience. She has a captiviting series on youtube series called Crescendo. Listen in and get to know Jacquelyn. Since then she is now in a TV Writing Fellowship my Jill Soloway and working on her pilot about a woman who stutters getting produced. Her excellent series Crescendo https://www.youtube.com/playlist?list=PL1HeaEGDHateeGTtbJh2PiVdXu1ypS_LI --- Send in a voice message: https://anchor.fm/lyszflo/message Support this podcast: https://anchor.fm/lyszflo/support

As a map of our interior world, the Enneagram is meant to bring about or enable spiritual transformation. But what does it look like when we are far enough down our path to see a difference? Our guest, actor/musician and Enneagram three Josh Radnor illustrates that vision today. Josh talks to Ian about growing in his compassion for himself and others, transforming from an unevolved three to an evolved three, recognizing the tension that plays out as a three with a four wing, and what spirituality looks like for him right now. JOSH RADNOR, most famous for his role on the long-running hit sitcom HOW I MET YOUR MOTHER, also has an impressive body of dramatic work. Josh wrote, directed, and starred in Sundance feature hits LIBERAL ARTS and HAPPYTHANKYOUMOREPLEASE, and co-starred alongside Katheryn Hahn in Jill Soloway’s AFTERNOON DELIGHT, which also premiered at Sundance. Josh has also starred in numerous plays on Broadway. On television, he starred for two seasons on PBS's MERCY STREET and on NBC’s one-hour drama RISE. He is in a band with musician Ben Lee, called Radnor & Lee, and they just released their second album GOLDEN STATE. You can also see him alongside Al Pacino as the Nazi hunter Lonny Flash in Amazon's HUNTERS.

“Pas ce soir, chéri, j’ai la migraine”. Ce grand classique de l’excuse pour éviter d’avoir une relation sexuelle attribué aux femmes, c’est toute une représentation condensée du désir sexuel féminin : apparemment complexe, plus faible et moins mécanique que chez les hommes. Entre inégalité de représentation, culpabilisation et désintérêt, la baisse ou la disparition de la libido chez les femmes ne suscite pas la même inquiétude que chez les hommes. Ils ont facilement recours à des médicaments comme le Viagra. Pourtant qu’en est-il des traitements pour améliorer le désir féminin et que signifie la baisse de la libido pour les femmes ? Comment représenter le désir féminin et ses aléas ? À travers la science, la littérature et la pop culture, Clémentine et Pauline vous répondent aujourd’hui pour déconstruire l’inquiétude liée à la baisse de la libido féminine et remettre le choix sur le devant de la scène. Références entendues dans l’épisode : Sarah Barmak, Jouir : En quête de l’orgasme féminin (Éditions La Découverte, 2019) Un article sur l’infirmière violemment interpellée à Paris et qui porte plainte, France Bleu, 19 juin 2020. Iris Brey, Le regard féminin : une révolution à l’écran (Éditions de l’Olivier, 2020) va donner prochainement lieu à un documentaire produit par Totem Films.Un article sur la salve de tweets haineux sur Aya Nakamura à propos de sa coupe courte, LD People, 23 juin 2020. J.D.T. de Bienville, La Nymphomanie, ou Traité de la fureur utérine, Amsterdam, Marc-Michel Rey, 1886. Saartjie Baartman, de son vrai nom Sawtche est une une femme koïsan née en Afrique du Sud, emmenée en Angleterre en 1810, réduite en esclavage et exhibée dans les cirques en Europe à cause de son postérieur. Elle sera surnommée la Venus Hottentote. Le mythe de Jézabel est issu de l’Ancien Testament et fait référence au personnage de Jézabel, princesse présentée comme une étrangère vicieuse et malfaisante qui incite le roi et le peuple à se détourner du Dieu unique. Elle subit une mort violente et tragique. La figure du “Mulâtre tragique” est apparue dans la littérature américaine depuis le XIXème siècle. Le “mulâtre” (une personne née de parents mulâtres ou d’un métissage) représente l’impossibilité de vivre dans une société divisée par la race, où il n'y a pas de place pour celui qui est ni complètement « noir » , ni « blanc ». Clémentine Gallot et Caroline Michel, La Charge Sexuelle (Éditions First, 2020) Sigmund Freud, La vie sexuelle (PUF, 1997). Institut Ifop, “État des lieux de la vie sexuelle et affective des français”, 5 mai 2020. Dietrich Klusmann, “Sexual Motivation and the Duration of Partnership”, Département de psychologie clinique, Université de Hambourg-Eppendorf, Archives of Sexual Behaviour, 2002. Lori Brotto, psychologue à l’Université de Colombie Britanniqu a dirigé une initiative de l’Association des Psychiatres Américains cherchant à définir plus précisément les troubles du désir sexuel dans le Manuel de Diagnostic et de Statistique des Désordres Mentaux, elle préfère l’appellation « désordre de l’intérêt et de l’excitation sexuels ». Tracey Cox, Great Sex Starts At 50, Chapitre 6 : “Women don't have a low libido, we're bored!” (Murdoch, 2020).Maïa Mazaurette, “Le désir des femmes, entre flamme et flemme”, Le Monde, 13 juin 2020. Jean-Claude Kaufman, Pas envie ce soir. Le Consentement dans le couple (Éditions Les Liens qui libèrent, 2020). Entretien avec Jean-Claude Kaufman, “31% des viols ont lieu dans le contexte conjugal et ce chiffre est sans doute sous-évalué”,Yahoo Style Fr, 3 juin 2020. The Bold Type (De celles qui osent) est une série créée par Sarah Watson et diffusée sur Freeform depuis 2017. Florence Cour, Mireille Bonierbale, Rapport de l'Association Française d’Urologie sur les Troubles du Désir Sexuel (TDS) Féminin et les modalités thérapeutiques proposées dans la littérature, juillet 2013. Un article sur la Flibansérine, ce “viagra féminin”, Rédaction d’Allo Docteur, juin 2015. François Kraus, “Les vingt ans du viagra en France : de l’impuissance à la performance”, Conclusion de l’enquête de l’IFOP, novembre 2018. Cynthia A. Pearson, “The National Women Health Network’s Statement on the FDA’s approval of Vyleesi”, 2020. Le reportage de Vice, “Apero Testo - La testostérone contre l’endométriose”, décembre 2019. Fanny Godebarge est une activiste menstruelle atteinte de l’endométriose et membre du collectif Cyclique, plateforme queer et inclusive dédiée aux cycles menstruels et à la santé gynécologique. Juliet Drouar, “À quand une pilule de testostérone micro-dosée pour les femmes ?”, Cheek Magazine, décembre 2018. Patrick Meyer, “Place de la testostérone dans le trouble du désir sexuel hypoactif chez la femme”, Revue Médicale Suisse, 2016. Beatriz Preciado, Testo Junkie : sexe drogue et politique (Grasset, 2008). Cécile Daumas, “Tête à queue”, Portrait de Paul B. Preciado, Libération, 2008. Revue Prescrire, "Insatisfaction sexuelle des femmes", juin 2007. Emily Nagoski, Come as you are : The Surprising New Science that Will Transform Your Sex Life, (Simon & Schuster N.Y., 2015). Emmanuelle Richard, Les Corps abstinents (Flammarion, 2020). Jüne Plã, Jouissance Club, (Éditions Marabout, 2020). Maia Mazaurette, Sortir du trou. Lever la tête (Éditions Anne Carrière, 2020). Élisa Brune, Labo Sexo : Bonnes Nouvelles du Plaisir Féminin (Éditions Odile Jacob, 2016). Sangeeta Singh-Kurtz, “What Happened to my Sex Drive ?” The Cut, 28 mai 2020. Le podcast Voxx créé par Olympe de G. & Lélé O, mis en son par Antoine Bertin & Mélia Roger, 2018. Le podcast Le Son du Désir. Le Ted Talk de Sarah Bermak, octobre 2016. Une fille facile est un film réalisé par Rebecca Zlotowski avec Zahia Dehar et Mina Farid dans les rôles principaux en 2019. La collectionneuse est un film réalisé par Eric Rohmer en 1967. Bande de filles est un film réalisé par Céline Sciamma en 2014. I love Dick est une série créé par Jill Soloway et diffusé sur Amazon Prime Video depuis 2016. Wanderlust est une série de Luke Snellin avec Toni Collette et diffusée sur Netflix depuis 2018. Une dernière fois est le long-métrage porno érotique d’Olympe de G. avec Brigitte Lahaie dans le rôle-titre diffusé sur Canal+ le 6 juin 2020. Bigmouth est une série de Nick Kroll et Mark Levin diffusée sur Netflix depuis 2017. Pen15 est une série de Anna Konkle et Maya Erskine diffusée sur Hulu depuis 2019. Judd Appatow est un réalisateur, scénariste et producteur de cinéma américainMon nom est clitoris est un documentaire belge de Daphné Leblond et Lisa Billuart Monet qui est sorti en France le 22 juin. Florence Dupré Latour est une autrice de bande-dessinée ayant publié Cruelle (Dargaud, 2016) et Pucelle t.1 Débutante (Dargaud, 2020). Mélanie Wanga est journaliste co-créatrice de la Newsletter Quoi de Meuf avec Clémentine Gallot en 2016.Quoi de Meuf est une émission de Nouvelles Écoutes, cet épisode est conçue et présenté par Clémentine Gallot et Pauline Verduzier, mixé par Laurie Galligani. Générique réalisé par Aurore Meyer Mahieu. Montage et coordination Ashley Tola.

The hit series “Transparent” has taken its final bow. Series creator Joey Soloway and star Judith Light speak with host Tim Kash about saying goodbye to the Pfefferman family through song and dance. In this episode, Judith and Joey share their takes on the state of the world, teach Tim an important lesson about pronouns and discuss how they fostered a safe and inclusive environment on set.Note to listeners: The creator of Transparent, formerly known as Jill Soloway, will now be referred to as Joey Soloway. They will continue to use the they/them/their pronouns. This interview was completed prior to that change and so Joey is referred to as Jill throughout the episode. 

In anticipation of Sam's upcoming blockbuster commentary track for Hannah Gadsby's newest special Douglas, we are re-releasing segments we did in Episodes 30 and 39. In these back episodes, we respectively discussed Nanette with Rachey and Gadsby's romantic partner Jill Soloway's book She Wants It: Desire, Power, and Toppling the Patriarchy. It is crucial to note that our critiques of Gadsby's special Nanette are not intended to minimize the trauma Gadsby recounts within it, nor are they intended to diminish the brutality of homophobia. These are sensitive and serious topics that we do not want to dismiss flippantly, so we zeroed in on its relation to comedy and the discourse around it. We also do not fault anyone who connected with Gadsby's work on a personal level, and our criticisms of the special should not be interpreted as any kind of attack on anyone on that level. Art, especially when it is released on Netflix, is created for public consumption, and it should inspire constructive intellectual discussion and debate, which is why we chose to cover it. But we do not want any of our critiques to be taken as an attack against or rejection of the ongoing struggle for equity and fairness with regards to women, victims of sexual assault and the LGBTQ community. We proudly support the following organizations doing crucial work to advance the cause of equity for marginalized people, and we want to shout them out and encourage donations here: https://www.thetrevorproject.org/ https://www.paypal.me/TransReliefFund https://www.nctsn.org/ https://www.rainn.org/ http://www.nacvcb.org/ https://www.safehorizon.org/ - for New York City https://transequality.org/covid19/mutual-aid-and-emergency-funds --- Send in a voice message: https://anchor.fm/hog-planet/message

[REBROADCAST FROM OCTOBER 6, 2018]Jill Soloway, creator of “Transparent” and “I Love Dick,” joins us to discuss their new book, She Wants It: Desire, Power, and Toppling the Patriarchy. In this memoir, Soloway tells the story of their parent coming out as transgender, as well as how they pushed through the male-dominated landscape of Hollywood to create the groundbreaking and award-winning Amazon TV series “Transparent.” The book charts Soloway’s evolution from straight, married mother of two to identifying as queer and nonbinary.

Kathryn Hahn is having a sustained ongoing moment and it's arguably been happening since 2013. That year, she starred in Jill Soloway's "Afternoon Delight," and while the response to that Sundance indie was muted, it arguably transformed her career, taking her out of supporting "crazy lady" comedic roles and into the place of lead in complex comedic dramas about female identity, desire and the yearning for much more. Hahn has become something of a muse for many female filmmakers and "Afternoon Delight" lead to terrific turns in Soloway's "Transparent," the overlooked, but short-lived series, "I Love Dick," and lead roles in Tamara Jenkins' "Private Life," and HBO's "Mrs. Fletcher" series from director Nicole Holofcener and author Tom Perrota (known for writing the novels of "Election" and "Little Children"). Hahn's latest two projects couldn't be more different. One is HBO's "I Know This Much Is True" from director Derek Cianfrance alongside Mark Ruffalo. The other is "Central Park," an animated AppleTV+ show from the makers of "Bob's Burgers." In our hour-long chat, we parsed all these topics, most of Hahn's entire career, and even touched a little upon "Wandavision," the upcoming Disney+ Marvel series that she has a role in. --- Send in a voice message: https://anchor.fm/theplaylist/message

Dustin O’Halloran is a composer based in Berlin and Los Angeles.He founded indie rock band Devics with singer Sara Lov, who he met while studying art at Santa Monica College.In 2004, he released his first record as a solo artist, Piano Solos. He has since released three more solo records, the latest of which is Lumiere (2011), which featured contributions by Peter Broderick and Adam Wiltzie (Stars of the Lid), and was mixed by the late Jóhann Jóhannsson.With A Winged Victory for the Sullen, his project with Adam Wiltzie, Dustin O’Halloran has released two albums, A Winged Victory for the Sullen (2011) and Atomos (2014).He has gone on to score a number of films and TV shows, including Sofia Coppola’s Marie Antoinette (2006), Drake Doremus’ Like Crazy (2011) and Jill Soloway’s Transparent (2014–). He was awarded a Primetime Emmy Award for his original Transparent theme.Dustin O’Halloran collaborated with Hauschka (Volker Bertelmann) to score Lion (2017), and they won an AACTA Award for their score and were nominated for an Academy Award, Golden Globe and BAFTA.The two collaborated again to score The Current War (2017), and soon after Dustin O’Halloran collaborated with Bryan Senti to score the TV show Save Me (2018–). His most recent score was for Marc Turtletaub’s Puzzle, which premiered at the Sundance Film Festival in 2018. dustinohalloran.com Join the newsletter and be part of the East Forest Council Community. Listen to East Forest guided meditations on Spotify & Apple. Check out the East Forest x Ram Dass album on (Spotify & Apple) + East Forest's Music For Mushrooms: A Soundtrack For The Psychedelic Practitioner 5hr album (Spotify & Apple). *****Please rate Ten Laws w/East Forest on iTunes.  It helps us get the guests you want to hear.  Stay in the East Forest flow:Mothership:  http://eastforest.org/IG:  https://www.instagram.com/eastforest/FB:  https://www.facebook.com/EastForestMusic/TW:  https://twitter.com/eastforestmusic 

Kathryn Hahn On Hollywood Insecurities, Typecasting & 'How To Lose A Guy In 10 Days' More than a month into coronavirus quarantine, Kathryn Hahn has learned how to make things a family affair. Before hopping on Zoom to chat about her new projects, Apple TV+'s Central Park, premiering May 29, and the HBO miniseries This Much I Know Is True, she got ready for the accompanying photoshoot with her 10-year-old daughter, who also acted as a photographer’s assistant. Her kids — Hahn also has a 13-year-old son with her husband, Ethan Sandler — have taught her a lot in the past month or so, including how to use Zoom. “I still have my AOL, still have my Filofax,” she explains. “I really do live basically under a rock.” Like many of us searching for new routines in quarantine, Hahn is learning to adapt to a new normal. “I've been trying to find little glimmers of joy in what is such an awful — I mean awful, awful, awful — mismanaged, horrible situation,” she says. This includes participating in Ryan Heffington's Instagram Live dance classes, which she highly recommends; hanging out with her dogs, Jerry and Banjo; and watching “wildly inappropriate movies” with her kids. (They recently watched There Will Be Blood. Her daughter “loved it.”) They’ve even dipped into her own filmography, with Hahn showing her daughter her very first film, How to Lose a Guy in 10 Days. The experience was an odd one for the actor, who can't help but be critical of her performance. “It took a while until I realized that I am an actor,” she says, thinking back to her early days in Hollywood. “And I should bring all of myself, whenever I can do a job, that I love it with all of me.” To watch Hahn now is to watch a performer fully in her element. She’s made a career of scene-stealing comedic appearances in movies like Step Brothers and Bad Moms, and in shows like Girls. But more recently, she’s found a niche playing 40-something women exploring their sexuality thanks to the trio of Jill Soloway projects Afternoon Delight, Transparent, and I Love Dick; HBO’s Mrs. Fletcher further cemented Hahn as the go-to for daring, sometimes funny sex scenes. “I just feel lucky enough to say I’ve had the juiciest time,” Hahn says. “In my life, I didn’t find the juicy stuff creatively until I became a mom, which society, the planet, everyone, had told me it was going to be the exact opposite as a woman.” Below, Hahn reflects on what she wishes she could have told her younger self, being typecast, and aging in Hollywood. I never could imagine myself on a screen of any kind. I went to school for theater. I always somehow imagined acting — I just never could place myself in the same category as those titans I saw on those screens. … It's almost like I was pretending to be an actor when I first came out [to L.A.]. I finally was able to show it to my daughter for the first time, who got a huge kick out of it. She loved it. It was very surreal to watch with her and to see that younger version of myself who hadn't quite owned herself as an actor or as a performer. … I was tap dancing as hard as I could, honey. Tap dancing for my life! I still just wish I could go back to that young actor and be like, “Just breathe... You deserve to be here. You don't have to make jokes all of the time. You don't have to minimize yourself... You don't have to be an *sshole. You can just stand in your power. You don't have to give yourself away. Just take what's yours, and don't go home at the end of the night thinking you did anything wrong because you didn't.” It wasn't even about the movie — the movies I'm so proud of, and they're awesome, and fun. It's sweet to think back about that time of my life, and hanging out with those people. That was such a thrill. It was just more of a feeling of not feeling like I deserved to be there. It's funny because I feel like all the best friends that I've played have told the heroines what they've wanted to hear, and I'm trying to think if there is one [that] really said the hard truth to someone. ... The best friends were just there to talk about the phone calls with the guys — if you should call them back. When you should call him back? How many days should you wait? Is that the dress to wear on the date? Now, looking back at some of those movies, an amazing friend [would] be like, “Hey, I'm sorry. I think we're talking about guys too much. I would rather not just play dress-up in fancy clothes. I kind of want to stay in my pajamas and just get takeout and just watch something fun with you because I love you and you're my friend.” In [my] 20s, I had so much debt, I was so happy to be typecast as anything. I was just so happy to be working. Listen, the fact that there was even the word typecast next to me, I was thrilled. [But] there was a summer that I had a teeny part in Step Brothers and then also in Revolutionary Road, and they were so wildly different. That felt like a dreamy summer to me just because it was two completely different projects. I think the older I get, the more chapters are revealing themselves to me that I'm walking through, that you realize as you're walking through them how many, many, many stories are there to be told that we haven't. And not just at this age, but just even looking down the barrel, there's so many. And what I'm hoping is that motherhood and womanhood, that the stigma of age, that ageism, will just lessen and lessen and lessen, and that we don't have to look at it with fear at all anymore. This interview has been edited and condensed for clarity. Kathryn Hahn shot virtually by Tory Rust at home, assisted by Mae Sandler

Cet épisode de Quoi de Meuf est disponible à l’écoute dans une version doublée en français. Cliquez ici pour l’écouter.Dix années après la publication des mémoires de Deborah Feldman, Netflix en réalise une adaptation, “Unorthodox” en 2020. La jeune Esty vit à Williamsburg (New-York) et décide de sortir de sa communauté juive hassidique ultra-orthodoxe où son corps et son avenir sont sous contrôle. Du mariage arrangé à la course poursuite, la série donne à voir la discipline à laquelle sont soumises les femmes sans être un réquisitoire religieux. A cette occasion, Clémentine reçoit Deborah Feldman. Elles reviennent ensemble sur l’histoire qui a donné naissance à la série et sur le parcours exceptionnel de l’autrice américaine. Références entendues dans l’épisode : Deborah Feldman est une autrice américaine vivant à Berlin. Elle publie son premier livre Unorthodox : The Scandalous Rejection of My Hasidic Roots (Simon and Schuster, New York) en 2012. La communauté hassidique Satmar ou dynastie rabbinique de Teitelbaum est un mouvement hassidique d'origine transylvaine fondée au XVIIIème siècle et très présent dans l’État de New York. Le bain de la Mikveh est un rituel d’ablution synonyme de pureté. Il fait partie du processus de conversion dans le judaïsme. Les femmes juives doivent attendre sept jours après leurs règles pour se baigner et avoir des relations sexuelles avec leurs maris. La série Unorthodox a été créée par Anna Winger et Alexa Karolinski et diffusée le 26 mars 2020 sur Netflix. Le blog Hassidic Feminist de Deborah Feldman. L’article de The Independent sur Unorthodox. Désobéissance (Disobedience) est un film britannico-américano-irlandais réalisé par Sebastián Lelio, sorti en 2017.Transparent est une série télévisée américaine créée par Jill Soloway, diffusée sur Amazon Video en 2014 et 2019. Uncut Gems est un film américain réalisé par Joshua et Ben Safdie, sorti en 2019 sur Netflix. Mme Maisel, femme fabuleuse (The Marvelous Mrs Maisel) est une série télévisée américaine créée par Amy Sherman-Palladino diffusée sur Prime Video en 2017. Grace et Frankie (Grace and Frankie) est une série télévisée américaine créée par Marta Kauffman et Howard J. Morris et diffusée Netflix en 2015. Broad city, est une série télévisée américaine écrite et incarnée par Ilana Glazer et Abbi Jacobson, et diffusée en 2014 sur Comedy Central.Better things, est une série télévisée américaine créée par Pamela Adlon et Louis C.K. et diffusée en 2018 sur Canal Plus Series. Le documentaire M de Yolande Zauberman est tourné en yiddish à Bnei Brak et traite de la pédophilie dans les milieux orthodoxes juifs en Israël, il a remporté le César du meilleur documentaire en 2020. Le film Kadosh d’Amos Gitaï se déroule en Israël dans le quartier de Mea Shearim à Jerusalem. Il faisait partie de la sélection officielle de Cannes en 1999. Quoi de Meuf est une émission de Nouvelles Écoutes, cet épisode est conçu et présenté par Clémentine Gallot, mixé par Charles de Cillia. Générique réalisé par Aurore Meyer Mahieu, monté, traduit et coordonné par Ashley Tola.

Cet épisode de Quoi de Meuf est disponible à l’écoute dans sa version originale. Cliquez ici pour l’écouter.Dix années après la publication des mémoires de Deborah Feldman, Netflix en réalise une adaptation, “Unorthodox” en 2020. La jeune Esty vit à Williamsburg (New-York) et décide de sortir de sa communauté juive hassidique ultra-orthodoxe où son corps et son avenir sont sous contrôle. Du mariage arrangé à la course poursuite, la série donne à voir la discipline à laquelle sont soumises les femmes sans être un réquisitoire religieux. A cette occasion, Clémentine reçoit Deborah Feldman. Elles reviennent ensemble sur l’histoire qui a donné naissance à la série et sur le parcours exceptionnel de l’autrice américaine. Références entendues dans l’épisode : Deborah Feldman est une autrice américaine vivant à Berlin. Elle publie son premier livre Unorthodox : The Scandalous Rejection of My Hasidic Roots (Simon and Schuster, New York) en 2012. La communauté hassidique Satmar ou dynastie rabbinique de Teitelbaum est un mouvement hassidique d'origine transylvaine fondée au XVIIIème siècle et très présent dans l’État de New York. Le bain de la Mikveh est un rituel d’ablution synonyme de pureté. Il fait partie du processus de conversion dans le judaïsme. Les femmes juives doivent attendre sept jours après leurs règles pour se baigner et avoir des relations sexuelles avec leurs maris. La série Unorthodox a été créée par Anna Winger et Alexa Karolinski et diffusée le 26 mars 2020 sur Netflix. Le blog Hassidic Feminist de Deborah Feldman. L’article de The Independent sur Unorthodox. Désobéissance (Disobedience) est un film britannico-américano-irlandais réalisé par Sebastián Lelio, sorti en 2017.Transparent est une série télévisée américaine créée par Jill Soloway, diffusée sur Amazon Video en 2014 et 2019. Uncut Gems est un film américain réalisé par Joshua et Ben Safdie, sorti en 2019 sur Netflix. Mme Maisel, femme fabuleuse (The Marvelous Mrs Maisel) est une série télévisée américaine créée par Amy Sherman-Palladino diffusée sur Prime Video en 2017. Grace et Frankie (Grace and Frankie) est une série télévisée américaine créée par Marta Kauffman et Howard J. Morris et diffusée Netflix en 2015. Broad city, est une série télévisée américaine écrite et incarnée par Ilana Glazer et Abbi Jacobson, et diffusée en 2014 sur Comedy Central.Better things, est une série télévisée américaine créée par Pamela Adlon et Louis C.K. et diffusée en 2018 sur Canal Plus Series. Le documentaire M de Yolande Zauberman est tourné en yiddish à Bnei Brak et traite de la pédophilie dans les milieux orthodoxes juifs en Israël, il a remporté le César du meilleur documentaire en 2020. Le film Kadosh d’Amos Gitaï se déroule en Israël dans le quartier de Mea Shearim à Jerusalem. Il faisait partie de la sélection officielle de Cannes en 1999. Quoi de Meuf est une émission de Nouvelles Écoutes, cet épisode est conçu et présenté par Clémentine Gallot, mixé par Charles de Cillia. Générique réalisé par Aurore Meyer Mahieu, monté, traduit et coordonné par Ashley Tola.

We are holed up in quarantine but we are still Great Depression content creators. This week we have compiled a brand new clip show featuring: us warming up Sakina Jaffrey (House of Cards), Mary Kay Place (Diane), and Sepideh Moafi (The L Word: Generation Q); Melanie Hutsell (SNL) talking about her connection to the queer community; Mandy Ingber (Teen Witch) dishing on that time Helen Hunt shouted her out on the Oscar red carpet; Kimberly Elise talking about her time on the nightime soap, Hit the Floor; and Lori Petty (A League of Their Own) giving us the most ‘90s Hollywood story ever about Whitney Houston! We hope you’re safe and we miss you. DM us!  Follow us on social media: @damianbellino || @rodemanne  Discussed this week: Sakina Jaffrey episode 25 Mary Kay Place, episode 22 Harry’s Law Sepideh Moafi, episode 33 Pelvic floor PT “BareNaked”  Jennifer Love Hewitt was not revealed on The Masked Singer  The L Word: Generation Q Gigi for Gigi Melanie Hutsell, episode 37 Drew Droege, Jill Soloway, and Faith Soloway Mandy Ingber, episode 26 Helen Hunt & Matthew Broderick dated Mandy’s current & former clients: Jennifer Aniston, Helen Hunt, Jennifer Lawrence, Kevin Bacon Jason Patric was her abusive boyfriend in Detective in the House (1985) Sarah Jessica Parker married Girls Just Want to Have Fun co-star Helen Hunt’s former boyfriend, Matthew Broderick “Top That” in Teen Witch (1989) Yogalosophy by Mandy Ingber Kimberly Elise, episode 32 Hit the Floor (creator: James LaRosa) Taylour Paige Julia Roberts used a body double for the Pretty Woman poster Shelley Michelle was Julia’s body double  Melora Hardin star of Dirty Dancing (the series) w/ Mandy and also The Bold Type RIP Dennis Farina  Dennis Franz showed his real butt on NYPD Blue Book Club photoshopping Voice double/dubbing in A League of Their Own and First Wives Club Now and Then --- if only we could’ve heard Rosie’s voice coming out of Christina Ricci Ashleigh Aston Moore, the actress who played young Rita Wilson tragically died in 2007 Kiefer Sutherland jumping into a Christmas tree Lori Petty, episode 27 Michael Jordan 45 Barney’s Beanery Lori Petty and bff Karyn Parsons hung out with Whitney Houston & Robyn Crawford in the Hotel Bel-Air

In the secluded canyons of Hollywood, Sands Hall—a young woman from a literary family striving to forge her own way as an artist—finds herself increasingly drawn toward the certainty that Scientology appears to offer. Her time in the Church, the 1980s, includes the secretive illness and death of its founder, L. Ron Hubbard, and the ascension of David Miscavige. In Reclaiming My Decade Lost in Scientology, Hall compellingly reveals what drew her into the religion—what she found intriguing and useful—and how she came to confront its darker sides and escape. Hall is in conversation with Maggie Rowe, who has performed in and produced the Com­edy Central stage show sitnspin, Los Angeles’s longest running spoken-word show, having taken the reins from creator Jill Soloway in 2002.

Between Lavarne Cox, Jill Soloway and, um, Ryan Seacrest, trans exposure has made remarkable jumps in the past 5 years. But if trans gender is just as genetic as cis gender, why are most Americans only now seeing it? Trans therapist and educator Billie Beard joins us in the studio to fill in some of the gaps in our memory by discussing trans heroes from American history and to help us understand why these stories are so rarely told. Jackie Shane - Walking The Dog - 1965 R&B- https://youtu.be/yUYW2iwimBwJackie Shane "Any Other Way" (official audio)- https://youtu.be/wiDVfi5dVp0 See pics from the episode or dive deeper at www.vcatx.com/media/transhx Learn more about Billie at https://www.luminarycounseling.com/clinical-interns/billie-beard-lpc-intern/Check out our new Secular Sexuality Merch at https://teespring.com/stores/secularsexualityJoin Secular Sexuality on Twitter @SecularSex And find Christy and Vi on Facebook @ValenceCounseling and @ViRoseLaBianca

Between Lavarne Cox, Jill Soloway and, um, Ryan Seacrest, trans exposure has made remarkable jumps in the past 5 years. But if trans gender is just as genetic as cis gender, why are most Americans only now seeing it? Trans therapist and educator Billie Beard joins us in the studio to fill in some of the gaps in our memory by discussing trans heroes from American history and to help us understand why these stories are so rarely told. Jackie Shane - Walking The Dog - 1965 R&B- https://youtu.be/yUYW2iwimBwJackie Shane "Any Other Way" (official audio)- https://youtu.be/wiDVfi5dVp0 See pics from the episode or dive deeper at www.vcatx.com/media/transhx Learn more about Billie at https://www.luminarycounseling.com/clinical-interns/billie-beard-lpc-intern/Check out our new Secular Sexuality Merch at https://teespring.com/stores/secularsexualityJoin Secular Sexuality on Twitter @SecularSex And find Christy and Vi on Facebook @ValenceCounseling and @ViRoseLaBianca

In addition to our normal episodes, we will also have a segment called In The Room. We both realised that we are incredibly fortunate that our jobs often have us on the road traveling and attending some epic conferences with some incredible speakers. Realising that we are very fortunate to be able to be in these rooms, we wanted to share with you, our audience, what we hear and learn from these speakers.  

Dans la suite de cet entretien, Iris Brey expose le coeur de sa thèse sur le regard féminin à l’écran : à quoi peut-on le reconnaître ? Qu’est-ce que cela change à notre expérience de spectateurice ? Pourquoi est-ce qu’il ne s’agit pas d’une censure, mais au contraire d’une chance pour l’art cinématographique ? Le female gaze n’est pas l’inverse du male gaze, il peut être produit quel que soit le genre du réalisateur ou de la réalisatrice. Il ne s’agit pas d’objectifier les hommes comme on objectifie les femmes, mais bien de tout réinventer : la manière de filmer, de raconter des histoires, de les évaluer en terme critique… et d’enseigner le cinéma ! LES OEUVRES DONT IL EST QUESTION DANS L’ÉPISODE« Titanic »de James Cameron (1997), « Portrait de la jeune fille en feu » de Céline Sciamma (2019), la série « La servante écarlate » par Bruce Miller (2017) pour Hulu, tirée du roman de Margaret Atwood, la série « I Love Dick » par Jill Soloway et Sarah Gubbins pour Amazon Video (2017), tirée d’un livre de Chris Kraus paru en 1997 et traduit en français en 2016 (éditions Flammarion), le film « Madame a des envies » d’Alice Guy (1906), qu’on peut visionner ici : https://www.youtube.com/watch?v=arIMC0qSyHw, « Cléo de 5 à 7 » d’Agnès Varda (1962), « Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles » de Chantal Akerman (1975), « A bout de souffle » de Jean-Luc Godard (1960)OEUVRES RECOMMANDÉESIris Brey recommande « Wanda » de Barbara Loden (1970) et « Simone Barbès ou la Vertu » de Marie-Claude Treilhou (1980)Victoire Tuaillon recommande l’écoute du podcast Mansplaining, du journaliste Thomas Messias et la fréquentation du site Le Genre et l’écran, qui se propose de faire une critique féministe des productions audiovisuelles.OEUVRES DE L’INVITÉE« Sex and the series » 2016 (éd. L’Olivier)« Le regard féminin : une révolution à l’écran » 2020 (éd. L’Olivier)LE TEST DU FEMALE GAZE, selon Iris Brey1 / Il faut que le personnage principal s’identifie en tant que femme.2/ Que l’histoire soit racontée de son point de vue.3/ Que son histoire remette en question l’ordre patriarcal.4/ Que grâce à la mise en scène, le spectateur ou la spectatrice ressente l’expérience féminine.5/ Si les corps sont érotisés, le geste doit être conscientisé.6/ Le plaisir des spectateurs ne découle pas d’une pulsion scopique.CRÉDITSLes couilles sur la table est un podcast de Victoire Tuaillon produit par Binge Audio. Cet entretien a été enregistré dans le studio Surya Bonaly de Binge Audio (Paris 19e). Prise de son et réalisation : Quentin Bresson. Réalisation : Quentin Bresson Générique : Théo Boulenger. Chargée d’édition : Camille Regache. Direction des programmes : Joël Ronez. Direction de la rédaction : David Carzon. Direction générale : Gabrielle Boeri-Charles. See acast.com/privacy for privacy and opt-out information.

Dustin O’Halloran is a composer based in Los Angeles. He founded indie rock band Devics with singer Sara Lov, who he met while studying art at Santa Monica College. In 2004, he released his first record as a solo artist, Piano Solos. He has since released three more solo records, the latest of which is Lumiere (2011), which featured contributions by Peter Broderick and Adam Wiltzie (Stars of the Lid), and was mixed by the late Jóhann Jóhannsson. With A Winged Victory for the Sullen, his project with Adam Wiltzie, Dustin O’Halloran has released two albums, A Winged Victory for the Sullen (2011) and Atomos (2014). He has gone on to score a number of films and TV shows, including Sofia Coppola’s Marie Antoinette (2006), Drake Doremus’ Like Crazy (2011) and Jill Soloway’s Transparent (2014–). He was awarded a Primetime Emmy Award for his original Transparent theme. Dustin O’Halloran collaborated with Hauschka (Volker Bertelmann) to score Lion (2017), and they won an AACTA Award for their score and were nominated for an Academy Award, Golden Globe and BAFTA. Dustin has also composed music used in Nike commercials and worked with Katy Perry. Welcome the immensely talented, Dustin O'Halloran.  

Tania is Black (you probably already know that). Mia is not. In this episode Tania and Mia talk about topics that range from what it means to be an accomplice, interrupting bias, friendship (theirs in particular), the use of pronouns, losing their mothers, the grief process, family secrets, the writing process and more. Find out what part of the brain can help you challenge your bias (18:53). Mia shares what she believes White people don't think about enough. (22:37) Tania talks about a great conversation between Stephen Colbert and Jill Soloway that pinpoints the ease in using they/them pronouns. (37:03) And Tania checks in with Mia on their mutual membership in the "Dead Moms Club" (46:12) And more. Listen for a dose of intersectional feminism in action. More about Mia McCullough @tdreaud on Instagram Like us on Facebook Also on iTunes

First Draft Episode #223: Amanda Montell Amanda Montell, debut author of Wordslut: A Feminist Guide to Taking Back the English Language, joins Sarah to talk about socio-linguistics, and her upcoming book Mindfuck: The Secret Language of Cults (Spoiler: You’re Already Using It). Links and Topics Mentioned In This Episode Amanda loved reading memoirs growing up, including David Sedaris (author of Calypso, Me Talk Pretty One Day, and Dress Your Family in Corduroy and Denim), Angela’s Ashes by Frank McCourt, Dry: A Memoir and Running with Scissors: A Memoir by Augusten Burroughs, and Tiny Ladies in Shiny Pants: Based on a True Story by Jill Soloway, writer on Six Feet Under and creator of Transparent. When she was very young, she read the Chicken Soup for the Soul books, including Chicken Soup for the Teenaged Soul Stiff: The Curious Lives of Human Cadavers and Gulp: Adventures Down the Elementary Canal, both by Mary Roach, whom Amanda admires greatly Joan Didion (author of The Year of Magical Thinking and Slouching Toward Bethlehem: Essays) and Nora Ephron (author of Heartburn and I Feel Bad About My Neck, and writer and director of Sleepless in Seattle and You’ve Got Mail) She took a few classes at Writing Pad in Los Angeles to keep up her nonfiction writing chops Amanda desperately wanted to be published in The Rumpus, like one of her role models, Julie Buntin, who wrote Marlena: A Novel. Julie also wrote “How Queen Became the Ultimate Compliment” for Cosmopolitan. And she was! Read her article, “Baltimore, Offline.” With Rebecca Odes, creator of Wifey.tv with co-founder Jill Soloway, Amanda developed the web series The Dirty Word Amanda was edited by Karen Rinaldi, publisher of HarperWave, an imprint of HarperCollins Rose Wong illustrated pieces of art for the book The New York Times wrote a glowing review of Wordslut, though it did take issue with the number of times Amanda used the word “dude” There are lots of stories of men super geniuses --  like House, Psych, The Mentalist, Mr. Robot. But Amanda is writing a female language genius for FX, with whom she struck a deal for the TV rights to Wordslut. Pamela Adlon, creator of Better Things, is working with Amanda on her proposed TV show If you’re interested in Scientology, definitely check out Going Clear: Scientology, Hollywood, and the Prison of Belief by Lawrence Wright, or Wright’s New Yorker piece, Apostate: Paul Haggis vs. The Church of Scientology which the book was based on, or the HBO documentary, Going Clear: Scientology and the Prison of Belief. Amanda has a personal connection to cults through her father’s experience of being forced to live in the Synanon cult in the Bay Area. Learn more about Synanon in, “The Story of This Drug Rehab-Turned Violent Cult is Wild, Wild Country-level Bizarre,” by Hillel Aron for Los Angeles Magazine The Daily podcast episode that featured WeWork made me insane Lindy West’s The Witches are Coming discusses how utterly unconvincing these cult leader men can be Elizabeth Holmes and Theranos is another fascination of mine - I recommend listening to The Dropout podcast series about her, and Bad Blood: Secrets and Lies in Silicon Valley by John Carreyrou is amazing 30 For 30’s podcast series about Bikram Yoga I refer to “The President’s Speech,” one of the many case studies included in Oliver Sack’s The Man Who Mistook His Wife For a Hat   I want to hear from you! Have a question about writing or creativity for Sarah Enni or her guests to answer? To leave a voicemail, call (818) 533-1998. Subscribe To First Draft with Sarah Enni Every Tuesday, I speak to storytellers like Veronica Roth, author of Divergent; Linda Holmes, author and host of NPR’s Pop Culture Happy Hour podcast; Jonny Sun, internet superstar, illustrator of Lin-Manuel Miranda’s Gmorning, Gnight! and author and illustrator of Everyone’s an Aliebn When Ur a Aliebn Too;  Michael Dante  DiMartino, co-creator of Avatar: The Last Airbender; John August, screenwriter of Big Fish, Charlie’s Angels, and Charlie and the Chocolate Factory; or Rhett Miller, musician and frontman for The Old 97s. Together, we take deep dives on their careers and creative works. Don’t miss an episode! Subscribe in Apple Podcasts, Spotify, Stitcher, or wherever you get your podcasts. It’s free! Rate, Review, and Recommend How do you like the show? Please take a moment to rate and review First Draft with Sarah Enni in Apple Podcasts, Google Play, or wherever you listen to podcasts. Your honest and positive review helps others discover the show -- so thank you! Is there someone you think would love this podcast as much as you do? Please share this episode on Facebook, Twitter, Pinterest, or via carrier pigeon (maybe try a text or e-mail, come to think of it). Just click the Share button at the bottom of this post! Thanks again!

Join us as we dig in the archives and revisit our conversation with Kathryn Hahn. You've seen her in comedy films like Step Brothers, the Anchorman movies, and many more. These days you can catch her on HBO's Mrs. Fletcher. But when Hahn joined us a couple years ago she starred in Amazon's I Love Dick, based on the Chris Klaus book by the same name. Hahn and Jesse talk about the inherently feminist space that I Love Dick inhabits, and the deeply complex character that Kathryn plays on the show. She talks about working with Jill Soloway, and the special and deeply creative environment that Soloway creates on set.

Nannette Mickle’s work life is a surprising and diverse series of next-things. She’s been a candy and cigarette girl, she’s worked in social services providing housing opportunities for unhoused folks. Back in the 90s, she once understudied as Bobby Brady in a notorious live show directed by Jill Soloway. And these days, she sits bedside...

Jill Soloway sat down with HFPA journalist Henry Arnnaud to talk about their life as a filmmaker, artist, activist and a co-founder of 50/50 by 2020, a movement seeking equity and gender balance in Hollywood as part of the #TimesUp movement. Soloway also talks about their hit Golden Globe-winning Amazon series Transparent, the decision to end with a musical. the learning curve they had with allegations of misconduct against Jeffrey Tambor, and the progress made by the LGBTQ+ movement.

A Groundlings and Saturday Night Live alum who has evolved beyond her improvisational prowess, Michaela Watkins continues to surprise us. “The Unicorn,” “Search Party,” “Transparent” and “Casual” are some of her television highlights. And I loved her in movies like “Afternoon Delight,” “Person to Person,” and the important and inspirational “Brittany Runs A Marathon.” We talk about the vital role she plays in that film, and what, if anything, has changed in regards to meaty roles for woman. Plus she talks about being Jill Soloway’s muse, and the importance of embodying a WHOLE person.

New Trailer for Amazon's Undone, Lord of the Rings picks creative team, Jill Soloway reveals more about the Red Sonja Film, Amazon's Carnival Row Renewed for second season before premiere. See acast.com/privacy for privacy and opt-out information.

Il mondo delle serie tv è dominato dallo sguardo maschile, così come lo battezzò la critica femminista Laura Mulvey. Ma un altro sguardo è possibile, come ci insegna l'autrice di Transparent e I love dick Jill Soloway. Il "female gaze" è il punto di vista di chi è sempre stato guardato e che, nella serialità contemporanea, decide di diventare protagonista.

Welcome to the place where I get to let my geek flag fly and talk about all things geek. Basically a fuzzy guide to life, the universe, and everything but mostly geek stuff. This is where I look into the world of geekdom and some geek news, comics, The Simpsons, Star Wars, and whatever randomness finds its way onto the recording. This level of the podcast includes non-spoler reviews for Spider-Man: Far From Home, Jessica Jones Season 3, and Agents of SHIELD Season 6 Episodes 1 to 7. Geeky news includes Batman getting a star on the Hollywood Walk of Fame, the end of DC Vertigo, the Wizards Unite game, JJ Abrams and his son Henry team up to do a Spider-Man comic book miniseries, Avengers: Endgame in theaters with new footage, thoughts on the Endgame vs Avatar box offices, Umbrella Academy Season 2 is in production, Robert Kirkman’s Oblivion Song is getting a movie with Universal, new director and writer for The Flash movie, Walking Dead comic to end with issue 193, Gremlins: Secrets of the Mogwai animated series, first look images for Netflix’s The Witcher series, all-star cast announced for The Stand 10 episode miniseries, Paul Rudd to join 2020 Ghostbusters movie, James Wan to adapt Salem’s Lot, The Simpsons panel at D23, Marvel announces one act play for high school performances, Harry Potter shoes at Vans, Elizabeth Hurley joins Runaways Season 3 as Morgan le Fay, Michael B Jordan & the Wachowski siblings in Matrix reboot, Taika Waititi doing Flash Gordon animated for Sony, Game of Thrones at SDCC, Chloe Grace Moretz being eyed as Catwoman, Kevin Feige reminds fans that Spider-man: Far From Home is the end of phase 3, Black Widow news: Ray Winstone / Taskmaster / Yelena Belova, Red Sonja has a lady director.. Jill Soloway, Amy Pascal says Into the Spider-verse sequel will tie into tv shows in development, Joker movie might be hitting the festival circuit, Keri Russell said she cried the first time she read the Episode IX script, Mark Hamill’s playful comments that he is only coming back as a force ghost, Daisy Ridley confirming that she will not be in the next trilogy of Star Wars films, The Rise of Skywalker translations around the world, Gina Carano says that Jon Favreau is incredibly inspiring, excitement about Snoke stand-alone comic, rumor of Dave Bautista as Darth Bane in Star Wars series, anger at fans stealing things from Galaxy’s Edge plus the creatures you can “eat”, and Jedi Fallen Order makes record for pre-orders for EA. Enjoy! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/laugh-it-up-fuzzball/message Support this podcast: https://anchor.fm/laugh-it-up-fuzzball/support

This week we are joined by film and TV critic Yolanda Machado to discuss the newest Pixar movie, Toy Story 4. The gang argues over the position of the film in their overall Pixar rankings. Plus, they deliberate on what makes a really good summer film. And, as always, staff picks. In news, Jill Soloway replaces Bryan Singer on the Red Sonja remake, Lena Waithe calls out black movie financiers, and Danny Boyle is concerned about feeling like an imposter for directing a movie with a female lead. Staff Picks: Alonso - Yellow Submarine Drea - Plus One Yolanda - Annabelle Comes Home and Kissing Jessica Stein With Alonso Duralde, Drea Clark, and Yolanda Machado. You can let us know what you think of Who Shot Ya? on Twitter or Facebook. Or email us atwhoshotya@maximumfun.org Call us on the "Who Shotline" - WSY-803-1664 Produced by Casey O'Brien and Laura Swisher for MaximumFun.org.

It’s a loosey goosey Toosedy day as Devon Stewart joins us later in the show! Steve “Frosty” Weintraub will also come onto the show to make a SPECIAL ANNOUNCEMENT?! Was he the one who changed the studio look? Will he iron the curtains? Stay tuned. Host Kristian Harloff, Roxy Striar, Mark Reilly, John Rocha, Josh Macuga, Cody Hall, and Alex Marzoña are here to talk Spider-Man; Far From Home, Taika Waititi’s animated #FlashGordon, and more! Follow Devon Stewart: https://twitter.com/DevonDStewart Watch ‘Breathe’ on Amazon Prime Video: https://amzn.to/2FwiiVo Follow Steve “Frosty” Weintraub: https://twitter.com/colliderfrosty 00:00 Roxy struggled getting here again; we also never finish topics EXCEPT THIS ONE 06:45 Kristian is tired of the Aladdin soundtrack 09:09 thoughts on Yesterday 21:40 we’re doing a screening of THE THING at Arclight? 26:55 Joel Silver leaving Silver Pictures; should The Matrix 4 be made? 38:52 new CEO of Warner Bros. is Ann Sarnoff 41:02 Jill Soloway replaces Bryan Singer on Red Sonja 43:25 Spider-Man: Far From Home closes out MCU Phase 3 49:08 Taika Waititi to direct an animated Flash Gordon  53:55 The Prom movie casts Meryl Streep, Ariana Grande, and more directed by Ryan Murphy 1:04:00 Frosty joins to talk about our potential next screening, Macuga getting scared, and make a Comic-Con announcement 1:08:24 Frosty will host a Hall H panel with the Russo brothers! 1:21:45 thoughts on the re-release of Avengers: Endgame 1:35:00 Devon Stewart joins to talk about his movie #Breathe, mustard, Final Draft, getting his movie on Amazon, working on a small budget, what’s next in his career, being a class clown and nerd, and more!

In this week's episode of the Geeks OUT Podcast, Kevin (@Gilligan_McJew) is joined by Andrew Fafoutakis (@2Fafou) as they discuss the newest trailers for Stranger Things and G.L.O.W. and celebrate Jill Soloway signing on to write/direct the Red Sonja remake in This Week in Queer.  This Week's Topics Include: BIG OPENING: KEVIN: New trailer for season 3 of Stranger Things ANDREW: Pose renewed for season 3   DOWN & NERDY:   KEVIN: Toy Story 4, Euphoria, Agents of SHIELD, Bravest Knight ANDREW: Chambers, Aggretsuko, Los Espookys, Alternatino     STRONG FEMALE CHARACTER: New trailer for season 3 of GLOW   THIS WEEK IN QUEER: Red Sonja finds new director in Jill Soloway   CLIP OF THE WEEK: New trailer for The Terror: Infamy   THE WEEK IN GEEK: MOVIES Prequel to Hunger Games coming Avengers: Endgame extended edition coming to theatres Pixar announces new movie Soul A new Paranormal Activity movie in the works New trailer for Ready or Not   TV Big names circling The Stand remake miniseries Queer Eye renewed for two more seasons Angel's 20th reunion happening at NYCC New trailer for The Boys New trailer for new animated series Scooby-Doo and Guess Who?   COMIC BOOKS J.J. Abrams writing Spider-Man miniseries with his son DC's restructuring effectively ends Vertigo and expands YA slate   SHILF KEVIN: Bash ANDREW: The Boys

"Half The Picture" Director Amy Adrion stops by the podcast to talk about her amazing, insightful film. HALF THE PICTURE consists of interviews with high profile women directors including Ava DuVernay, Jill Soloway, Lena Dunham, Catherine Hardwicke and Miranda July, among many others, who discuss their early careers, how they transitioned to studio films or television, how they balance having a demanding directing career with family, as well as challenges and joys along the way. Buy/rent/watch everywhere, click the title for the iTunes link. thanks, Jordan this is 90 minutes of joy. Commercial Directing Bootcamp is August 25th in LA with a few spots left.

Heather Denton has worked with Jill Soloway, Quentin Tarantino, and many other filmmakers. She gives me the skinny on how she has managed motherhood with her career behind the camera. Here's her amazing resume: http://www.imdb.com/name/nm0219831/?ref_=nv_sr_1 Christy Lamb is a producer and the Director Of Strategy & Development for http://momsinfilm.org. MIF was responsible for the Wee Wagon day care for attendees of the SXSW Film Festival. They also started the #MakeThemMoms campaign - https://www.buzzfeed.com/momsinfilm/what-if-there-were-more-movies-about-moms-2t0n1?utm_term=.qcwGLLO0K#.gxRKYYLm6. Check out this clip of Tiffany Haddish that Christy and I discuss: https://www.youtube.com/watch?v=C2PneBztZ3g Subscribe to the show on your favorite podcast platform, and find me on social media: Twitter/IG: @katiefward https://www.facebook.com/TheEnthusiasmEnthusiast/ http://www.theenthusiasmenthusiast.com

"I Love Dick" is Jill Soloway's second TV series for Amazon, after "Transparent." It's based on Chris Kraus's seminal feminist novel from the 1990s and stars Kevin Bacon as the titular character. Rolling Stone has called the show "the high-lit cowboy-lust TV show you need." The Nose weighs in.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

The actor opens up about money, sex at 58, and working on Jill Soloway's newest TV series, I Love Dick.  Become a monthly sustaining member of Death, Sex & Money. Sign up now. Sign up for our weekly newsletter! deathsexmoney.org/newsletter. Follow the show on Twitter @deathsexmoney and Facebook at facebook.com/deathsexmoney. Email us any time at deathsexmoney@wnyc.org.

MALE FANTASIES, MALE FANTASIES is everything run by male fantasies? If you believe Margaret Atwood the male gaze is inescapable. If a man isn't looking at you (but tbh when is he not?) then you are your own voyeur, always seeing yourself as male culture (“entertainment”) has taught you to -- whether you know it or not. “Protagonism is propaganda that protects and perpetuates privilege,” Jill Soloway announced at TIFF this fall. Gina Young put it another way: “The people with all the power control the stories that get told.” And the stories they're telling are often narratives that reduce women to objects and false dichotomies, narratives that are designed to teach us how to behave, how to be in service of a male agenda, how to be. This episode is about taking control of the ways we're seen -- the ways we're looked at, in what context, on whose terms, and for what purposes. This episode is about two women and two ideas in conversation: What would media look like if we told our own stories? And how could those stories give us permission to really be ourselves? THE FEMALE GAZE is how we see the world, ourselves, & each other. In this episode WE DISSECT DIRECTOR JILL SOLOWAY'S MASTER CLASS: Jill Soloway perfectly articulates our rage, suggestions for what cis-males should do in the feminist utopia, and why Zack Morris is the epitome of white dude fragility. WE VISIT GINA YOUNG'S FEMINIST ACTING CLASS: The tragedies of Hollywood typecasting, queer casting calls and feminist sororities, and how to maintain your sanity when your body is a commodity. This episode features music by DEATH VALLEY GIRLS and INTI WAWA. Hosting by NICOLE KELLY & PHOEBE ÜNTER. Produced by Phoebe and mastered by audiobruja ELYSSA DUDLEY. 1. Send this to a friend who fucks the patriarchy. 2. CALL 406-28-BITCH & say whatever you want.

Actress Michaela Watkins is not only very funny, she can make you cry without warning, as Marc found out in the garage. Through laughter and tears, the two of them talk about the power of mime, very long engagements, stage acting, the Groundlings, Jill Soloway, and Michaela's year at SNL that did not go as planned. See acast.com/privacy for privacy and opt-out information. Sign up here for WTF+ to get the full show archives and weekly bonus material! https://plus.acast.com/s/wtf-with-marc-maron-podcast.

Take My Spouse, Please (Trumpeter Books) In love as in comedy, timing is everything. One bad night doesn't mean it's time to quit. Have patience: great marriages, like a successful comedy career, take time. Turns out the cardinal rules of comedy have an uncanny resemblance to the “rules” of building a strong marriage. With humor and grace, writer and comedian Dani Klein Modisett shares a map for navigating your marriage through rough patches, bad jokes, and even nights when you bomb. Take My Spouse, Please shows how thirteen tried-and-true rules of comedy, when applied to marriage, keep you and your spouse connected, enjoying each other, and getting through those inevitable tough times. Bottom line: there is (almost) always room to laugh at a trying situation and, more important, with each other. Along with anecdotes from well-known comedians, comedy writers, marriage counselors, and long-term spouses, Dani delivers the core premise: humor matters. Praise for Take My Spouse, Please “This book makes you realize how valuable laughter is in a marriage. Buy it for your spouse and add years to your relationship.”—Ben Stiller “A wonderful, humorous read for anyone in a marriage or thinking of being in one. My wife, Estelle, and I had the good fortune of being married for sixty-five years. When anyone asked her about making a marriage last, she always replied, ‘Marry someone who can stand being with you.'”—Carl Reiner “My wife and I are either killing or bombing in our marriage, and Dani Modisett's book explains how that's actually a good thing. Finally, some validation that a marriage between two insane people can be a beautiful thing.”—Jim Gaffigan, comedian “Having been married for twenty-seven years and writing about relationships for thirty-five years, I can see that Dani Modisett has captured the straight truth in this book. If you aren't laughing through the years, you aren't sticking together through the years. Sustaining a marriage is tough stuff, and this book, crammed with stories of resilience and humor, is proof that it is possible.”—Iris Krasnow, best-selling author of The Secret Lives of Wives “In her quest to get more humor into her family life, Modisett has written a book with great passion and huge heart. A delight for anyone who is, was, or might ever be married.”—Ayelet Waldman, author of Love and Treasure “Filled with humor, aspirational stories, and practical tips, Take My Spouse, Please helped me reflect on my most cherished relationship: my marriage. It made me feel hopeful about what it takes to stay connected, to grow, and most important, to keep laughing together—always.”—Mallika Chopra, author of Living with Intent “A welcome relief from typical how-to marriage manuals. Highly recommended for everyone who wants more joy and more love in their relationship.”—Ken Page, author of Deeper Dating “Other than having sex, I can't think of anything better for two people who love each to do than to laugh together. Modisett knows this and delivers a book with inspiring stories of happy marriages and highly doable advice to help couples of all kinds.”—Jill Soloway, writer and comedian “For many Irish Catholics, the idea of leaving a marriage after vowing to stay is an idea that if acted upon will lead to eternal damnation. In Dani Modisett's funny, insightful book, she provides wonderful examples of many marriages that last because of shared happiness and understanding rather than fear of a forever spent in hell.”—Mike O'Malley, producer, writer, and actor “My life's work is all about comedy, love, and laughter. Dani manages to look at the most important love relationship we have—our marriage—and see it through the lens of a comedian, coming up with meaningful ideas that can't help but provide results. What a book!”—Yakov Smirnoff, stand-up comedian and actor “I got married six months to the day after I met my now-husband. Best and most irrational thing I have ever done. People laughed at me. Now I know why my marriage works so well—it's because we were two physicians inadvertently following the rules of comedy. Dani nails it, prescribing strategies to keep relationships healthy, honest, and fun. Doctor's orders: read this book!”—Dr. Cara Natterson, New York Times best-selling author of the American Girl advice book The Care and Keeping of You  Dani Klein Modisett is a comedian and writer who has been working in the comedy world for the past twenty years. She created and produced several live shows, most notably “Afterbirth . . . Stories You Won't Read in a Parenting Magazine,” which ran for ten years in Los Angeles and several major U.S. cities. In addition, Dani has written and produced a variety of online video content, including a series for Deepak Chopra, and a short video that is also titled “Take My Spouse, Please,” which was featured in the New York Times. Dani is the editor of the anthology Afterbirth: Stories You Won't Read in a Parenting Magazine. Her writing has been featured in the New York Times, the Los Angeles Times, Parents Magazine, LA Parent Magazine, Mom.me and the Huffington Post. Dani lives in Los Angeles with her husband and her two sons.  Johanna Stein is a writer/director/author/forward/slash/abuser whose work has been on Comedy Central, CBS, HBO, The Disney Channel, and recently in the viral video, "MomHead". Her comedic essays can be seen in The New York Times, The Huffington Post, Parents Magazine and in her book, How Not to Calm a Child on a Plane (and Other Lessons in Parenting from a Highly Questionable Source). For more info: www.johannastein.com.

Good Girl (Gallery Books)  Told with raw, rugged honesty, this heartrending memoir from journalist Sarah Tomlinson recounts her unconventional upbringing and coming-of-age as colored by her complicated relationship with her father.  Sarah Tomlinson was born on January 29, 1976, in a farmhouse in Freedom, Maine. After two years of attempted family life in Boston, her father's gambling addiction and broken promises led her mother to pool her resources with five other families to buy 100 acres of land in Maine and reunite with her college boyfriend. Sarah would spend the majority of her childhood on "The Land" with infrequent, but coveted, visits from her father, who--as a hitchhiking, acid-dropping, wannabe mystic turned taxi driver--was nothing short of a rock star in her eyes.  Propelled out of her bohemian upbringing to seek the big life she equated with her father, Sarah entered college at fifteen, where a school shooting further complicated her quest for a sense of safety. While establishing herself as a journalist and rock critic on both coasts, Sarah's father continued to swerve in and out of her life, building and re-breaking their relationship, and fracturing Sarah's confidence and sense of self. In this unforgettable memoir, Sarah conveys the dark comedy in her quest to repair the heart her father broke.  Bittersweet, honest, and ultimately redemptive, Good Girl takes an insightful look into what happens when the people we love unconditionally are the people who disappoint us the most, and how time, introspection, and acceptance can help us heal."" Praise for Good Girl: “A compelling, insight-laden memoir documenting the devastating impact of a father's undependable love on a daughter.  Tomlinson's lucid depiction of her DIY backwoods girlhood and punk teen years, precocious entry to college, tempestuous love life and literary ambitions, her excesses and failures and successes—portrays a young woman whose emotional life is a shimmering, shifting sea whose currents are shaped by a geologic formation a the bottom, the charming bohemian fantastist that was her father.”–Janet Fitch, New York Times bestselling author of White Oleander “Tomlinson is a clear-eyed, compassionate writer, and she brings an emotional rigor to this book that is rare and beautiful.” –Edan Lepucki, bestselling author of California “Good Girl is a father-daughter story unlike any other I've read before. Tomlinson's prose is vivid and compelling, bringing you right along with her as she travels from her rural hometown to the big city in search of fulfillment, clarity, and—hopefully—a sense of peace in her relationship with the man who made her who she is.”–Jill Soloway, creator of the 2015 Golden Globe-winning television show “Transparent” and author of Tiny Ladies in Shiny Pants “Shot from the heart, Tomlinson's memoir of her dance around her enigmatic and elusive father resonated deeply with me, as it will with anyone who has yearned for a parent's love and their own place in the world.”–Wendy Lawless, New York Times bestselling author of Chanel Bonfire “Sarah Tomlinson's Good Girl courageously explores the central journey of every woman's life: from wanting the love of Daddy -- and the men who stand in for him -- to learning how to love herself.”–Tracy McMillan, television writer and author of the soon to be released Multiple Listings;  I Love You and I'm Leaving You Anyway, and Why You're Not Married...Yet “With great poignance and vulnerability, Tomlinson turns a frank, funny, and honest gaze on one girl's struggle to redefine ‘good' on her own terms.”–Jillian Lauren, New York Times bestselling author of Some Girls: My Life in a Harem Sarah Tomlinson has more than a decade of experience as a journalist, music critic, writer, and editor. She has ghostwritten ten books (with two more in the works), including two uncredited New York Times-bestsellers.  She has turned her passion for music, literature, and pop culture trends into cutting-edge coverage and cultural criticism. Her personal essays have appeared, or are forthcoming, in publications including Marie Claire, MORE, Salon.com, The Huffington Post and The Los Angeles Review of Books. Her fiction has appeared on Vol. 1 Brooklyn. Her articles and music reviews have appeared in publications including The Los Angeles Times, The Boston Globe, Boston magazine, Spin.com,Billboard.com, Alternative Press, Swindle, Preen, Rockpile, The OC Weekly, and The Willamette Week, and she wrote a weekly local music column, “Notes,” for The Boston Phoenix.  She has written bios for bands on Virgin, Red Ink/Columbia, and MySpace Records and contributed to the electronic press kits for artists on Warner Bros. Records. Sarah currently splits her time between Los Angeles and Brooklyn. She writes journalism, novels, memoirs, screenplays, TV pilots, personal essays, short stories and online dating profiles for her friends. She has read at Los Angeles literary happenings including Sit ‘n Spin, Vermin on the Mount, Tongue and Groove and Little Birds. Her favorite band is T. Rex. 

Writer and producer Jill Soloway traces how she went from being second-in-command on cable shows to creating the most-binged series on Amazon.

Good November Day. This week features two guests: DENNY TEDESCO, who made a documentary about The Wrecking Crew, has a personal connection to that iconic troupe of '60s studio musicians because his dad, Tommy Tedesco, was one of the greatest guitarists of all time in that group. Julie chats with Denny about Cher, the Three's Company theme song, and the woman who came up with the bass line for WICHITA LINEMAN: Her name is Carol Kaye and she's a badass. Then, JILL SOLOWAY is here to chat about her various television, film and web projects, strippers and prozzies, what it's like to be a "food Jew" and to have a gay sister, and what kind of tweets make her jealous. Also: Julie is coming for Alec Baldwin's job! Charles Manson is getting married! Two ladies who love Sandra Bullock and what Julie wants from them! And Happy JFK Assassination Day to all. A heady show full of suds and studs and iconic things with which you need to grapple.

Gawky: Tales of an Extra Long Awkward Phase (Seal Press) Some tall girls grow up to have perfect posture and are later seen gracing the pages of magazines. Some are natural athletes with toned legs that mask their overlarge feet. Then there are "other" tall girls: the ones who are always tripping over themselves; who never look normal in any size of clothing; who literally don't fit in. Comedian Margot Leitman was one of these awkward giants, and "Gawky" is the painfully funny chronicle of her experiences growing up tall. Reaching five feet six inches in fourth grade--and approaching six feet in high school--Leitman realized early on that she'd always stand out from the crowd. To cope, she developed a thick skin and a sharp sense of humor, and instead of forever trying to blend in, she decided to embrace her center-of-attention status. Leitman wears funky, Ziggy Stardust-era jumpsuits (in the 90s); takes up any cause she can find (whether saving the public beaches or protesting prom); and generally makes as much use of her big presence as humanly possible. Leitman's memoir is a hilarious celebration of growing up gangly. Endearing and encouraging, "Gawky" is a cathartic release of everything awkward girls endure--and a tribute to a youth larger than life. "If Judy Blume and Chelsea Handler had a baby, and that baby was a book, it would be "Gawky.""--Rachel Dratch Margot Leitman's humorous, autobiographical writing has been published in Playgirl Magazine and The NY Press, as well as online at LifetimeTV.com, theFrisky.com, CollegeHumor.com, and 236.com (the comedy division of the Huffington Post). Her former monthly column, “From Behind the Bar,” was a reminiscence of bartending at the Upright Citizen's Brigade Theatre and was featured multiple times on Comedy Central Insider, BrooklynVegan.com, and Gawker. She is a regular monologist at Assscat (UCB Theatre's long running improv show hosted by Amy Poehler), Heeb Magazine's Storytelling, Moonwork, Jill Soloway's Sit N Spin, and Comedy Central's Crash Mansion, among others. In 2012, Margot was nominated for an ECNY Award (Excellence in Comedy, NY) for “Best Storyteller.” Margot Leitman lives in Los Angeles. Visit her online at MargotLeitman.com. THIS EVENT WAS RECORDED LIVE AT SKYLIGHT BOOKS ON MAY 9, 2013. COPIES OF THE BOOK FROM THIS EVENT CAN BE PURCHASED HERE: http://www.skylightbooks.com/book/9781580054782

New American Haggadah (Little, Brown and Company) Author Jill Soloway (Tiny Ladies in Shiny Pants) presents a discussion with Eileen Levinson and Caroline Libresco on New American Haggadah, a new translation by Nathan Englander of the story of Exodus, with additional essays and commentaries edited by Jonathan Safron Foer. Jill Soloway is a writer/director and community organizer. She recently cofounded East Side Jews, a network of Jewish artists, writers and thinkers living on the East Side of LA aiming to reinvent Jewish culture, community and ritual. Her short film, Una Hora Por Favora, premiered at the 2012 Sundance Film Festival, and she is currently in pre-production on her first feature, Afternoon Delight. Jill wrote/produced Six Feet Under for four years and was showrunner for How to Make It In America and United States of Tara. Caroline Libresco has been Senior Programmer for the Sundance Film Festival since 2001 and holds an M.A. in History of Religion from Harvard. She serves on the leadership teams for Sundance's Creative Producing Initiative and Women's Initiative. She produced the award-winning documentary, Sunset Story; the Academy Award-winning featurette, Barrier Device; associate-produced the HBO documentary Cat Dancers; and was developing producer on The Grace Lee Project. Eileen Levinson is a designer and artist living in Los Angeles. Her practice encourages collaborative rethinking of Jewish ritual and tradition. Eileen is also the creator of Haggadot.com, a website for Jews of any background to upload, exchange and personalize an original Haggadot for Passover. The site hosts over one thousand selections of user-generated haggadah content from around the world. In 2011, Jewish Daily Forward reviewed the site as "the most exciting new Haggadah" of the year.