Podcasts about scribe video center

This episode features a conversation in early July 2024 with Mohegan tribal members Sharon Maynard and Rachel Sayet about traditional Mohegan food.  Sharon Maynard is a Mohegan elder and a Tribal Nonner. Retired after serving 12 years on the Council of Elders, Sharon's interests include food sovereignty, seed saving, and decolonizing our diets. She has a BA in anthropology and an AS in food service management.  Rachel Sayet (Akitusut) is a Mohegan writer, teacher, and indigenous food specialist. Rachel has a BS in restaurant management and an MA in anthropology. She has spent her adult life trying to cultivate awareness of Native New England. She worked for the Mohegan tribe for 8 years in their cultural department spearheading grassroots efforts in revitalizing traditional foods and diabetes prevention. FOOD AND MEDICINE MENTIONED IN THIS EPISODE: Maple, Birch Blueberries, Strawberries, Fiddlehead Ferns Milkweed, Sassafras, Elder, Boneset Corn, Beans, Squash, Sunflowers, Tobacco Succotash (Corn, Beans, Salt Pork, Salt and Pepper) Johnny Cakes (Journey Cakes) Yokaeg (traveling food made of dried, parched corn which has been ground finely with a mortar and pestle). Clams, Quahogs, Scallops, Shad, Salmon Fry Bread, Indian Tacos, Buffalo and Alligator Burgers Rachel's Johnny Cake Turkey Sandwich on America the Bountiful, PBS LINKS: Mohegan Tribe Rachel Beth Sayet, Indigenous Educator, Lightworker, Chef, Herbalist Wikôtamuwôk Wuci Ki tà Kihtahan (A Celebration of Land and Sea): Modern Indigenous Cuisine in New England by Rachel Sayet in Dawnland Voices 2.0 Tantaquidgeon Museum Gladys Tantaquidgeon - in Memorium Makiawisug, or the Little People at Mohegan Hill Eastern Woodlands Rematriation Sherry Pocknett, Mashpee Wampanoag chef, Sly Fox Den Restaurant The Man Who Weeps, story by Dale Carson, Abenaki cookbook author, in Dawnland Voices 2.0 Strawberry Thanksgiving, by Paula Dove Jennings, Narragansett  Sioux Chef, Sean Sherman, Oglala Lakota Sioux Yazzie the Chef, Brian Yazzie, Diné Rowen White, Mohawk/Kanienkeha:ka, seed keeper THIS EPISODE SUPPORTED BY: YOU! Please become a Patron for $1 or more a month at Patreon.com/trueloveseeds The No-Till Market Growers Podcast Network (which includes our friends at the Seed Farmer Podcast) Scribe Video Center and WPEB, West Philly Community Radio   ABOUT: Seeds And Their People is a radio show where we feature seed stories told by the people who truly love them. Hosted by Owen Taylor of Truelove Seeds and Chris Bolden-Newsome of Sankofa Community Farm at Bartram's Garden. trueloveseeds.com/blogs/satpradio   FIND OWEN HERE: Truelove Seeds Facebook  |  Instagram  |  Twitter   FIND CHRIS HERE: Sankofa Community Farm at Bartram's Garden   THANKS TO: Rachel Sayet and Sharon Maynard Elissa Fredeen of Scribe Video Center

This Encore episode of the podcast - first released as Episode 35 in our Season One - goes on a journey to the Paul Robeson House and Museum in Philadelphia.Included is an interview with Janice Sykes-Ross of the West Philadelphia Cultural Alliance, and a recording of a live tour of the Paul Robeson House with docent Terry Fimiano Guerin.For a blog post on our website with additional information, images, and links, go to:https://www.aithpodcast.com/blog/the-house-i-live-in/The website for the Paul Robeson House and Museum, where you can learn more about its history and the story of Paul Robeson, and how to arrange your own tour, is here.A beautiful video on YouTube, that we mention in the episode, tells the story of Paul Robeson, the West Philadelphia Cultural Alliance and its founder Frances P. Aulston, and the house where he spent the last 10 years of his life. It was created in conjunction with Scribe Video Center's "Precious Places Community History Project" in Philadelphia.https://www.youtube.com/watch?v=V9TDPvXHeeYThe WCPA is a 501c3 non-profit organization, information about how to make donations to their important work can be found here.If you enjoyed the show, PLEASE LEAVE US A REVIEW! You can do it easily, right here:https://www.aithpodcast.com/reviews/If you have any questions, inquiries or additional comments, you can write us at our email address: AITHpodcast@gmail.comOr, follow on Facebook: https://www.facebook.com/AITHpodcastSend us a Text Message.Support the Show.© Podcast text copyright, Peter Schmitz. All rights reserved. ℗ All voice recordings copyright Peter Schmitz. ℗ All original music and compositions within the episodes copyright Christopher Mark Colucci. Used by permission.

After an “oceanic rapture,” a lone survivor adapts to his new reality in ways both mental and physical. Written by Akhim Alexis, voiced by Bethany Harris, sound design by Gabe Castro, produced by Dusky Projects. Special thanks to: Scribe Video Center, WPEB, Support Our Creatives, Bitches on Comics, The Last Girls Club Magazine, Kathryn Hoist, and The Office of Arts, Culture and the Creative Economy in Philadelphia. 

After an “oceanic rapture,” a lone survivor adapts to his new reality in ways both mental and physical. Written by Akhim Alexis, voiced by Bethany Harris, sound design by Gabe Castro, produced by Dusky Projects. Special thanks to: Scribe Video Center, WPEB, Support Our Creatives, Bitches on Comics, The Last Girls Club Magazine, Kathryn Hoist, and The Office of Arts, Culture and the Creative Economy in Philadelphia. 

A young woman finds herself called back to her home, to help protect a river that nourished her and her community. Written by Ebele Mogo, performed by Nancy Marie, sound design by Gabe Castro, and produced by Dusky Projects. Special thanks to: Scribe Video Center, WPEB, Support Our Creatives, Bitches on Comics, The Last Girls Club Magazine, Kathryn Hoist, and The Office of Arts, Culture and the Creative Economy in Philadelphia.

A Jamaican woman takes more than she gives, until the sea teaches her a valuable lesson with implications for everyone around her. Written by Nadine Tomlinson, performed by Bethany Harris, sound design by Gabe Castro, and produced by Dusky Projects. Special thanks to: Scribe Video Center, WPEB, Support Our Creatives, Bitches on Comics, The Last Girls Club Magazine, Kathryn Hoist, and The Office of Arts, Culture and the Creative Economy in Philadelphia.

When the human colony Mars reaches a point of no return, a father must reveal a life changing secret to his son that will transform their family for generations to come. Written by Taiyo Fujii Translated by by Toshiya Kamei Performed by Kilusan Bautista Sound design by Gabe Castro Black Women Are Scary is now also airing Fridays @ 10pm on WPEB 88.1 FM Special thanks to: Scribe Video Center, WPEB, Support Our Creatives, Bitches on Comics, The Last Girls Club Magazine, Kathryn Hoist, and The Office of Arts, Culture and the Creative Economy in Philadelphia.

Diamond can't seem to die. No matter how hard she tries her dead best friend, Aida, won't let her rest until she destroys the monster that ruined their lives. But Diamond is no hero, just a survivor who wants nothing more than to pay her debt to the dead. No matter what it costs her. Written by Wi-Moto Nyoka Performed by Makeba Dixon-Hill Sound design by Gabe Castro Black Women Are Scary is now also airing Fridays @ 10pm on WPEB 88.1 FM Special thanks to: Scribe Video Center, WPEB, Support Our Creatives, Bitches on Comics, The Last Girls Club Magazine, Kathryn Hoist, and The Office of Arts, Culture and the Creative Economy in Philadelphia.

In a near future where all the toddlers are called by the ocean, mothers all over the globe must come together to understand what's happening to their children or risk losing them forever. Written by Shweta Taneja Performed by Joylyn Miller Additional voices by Gabe Castro and Wi-Moto Nyoka Sound design by Gabe Castro Black Women Are Scary is now also airing Fridays @ 10pm on WPEB 88.1 FM Special thanks to: Scribe Video Center, WPEB, Support Our Creatives, Bitches on Comics, The Last Girls Club Magazine, Kathryn Hoist, and The Office of Arts, Culture and the Creative Economy in Philadelphia.

This special episode of the podcast goes on a journey to the Paul Robeson House and Museum in Philadelphia. Included is an interview with Janice Sykes-Ross of the West Philadelphia Cultural Alliance, and a recording of a live tour of the Paul Robeson House with docent Terry Fimiano Guerin.For a blog post on our website with additional information, images, and links, go to:https://www.aithpodcast.com/blog/the-house-i-live-in/The website for the Paul Robeson House and Museum, where you can learn more about its history and the story of Paul Robeson, and how to arrange your own tour, is here.A beautiful video on YouTube, that we mention in the episode, tells the story of Paul Robeson, the West Philadelphia Cultural Alliance and its founder Frances P. Aulston, and the house where he spent the last 10 years of his life. It was created in conjunction with Scribe Video Center's "Precious Places Community History Project" in Philadelphia. https://www.youtube.com/watch?v=V9TDPvXHeeYBy the way, there are some mysteries about the Paul Robeson House! Check here for some small problems the staff has encountered recently identifying the provenance or location of certain items.The WCPA is a 501c3 non-profit organization, information about how to make donations to their important work can be found here.If you enjoyed the show, PLEASE LEAVE US A REVIEW! You can do it easily, right here:https://www.aithpodcast.com/reviews/If you have any questions, inquiries or additional comments, you can write us at our email address: AITHpodcast@gmail.comOr, follow us on Twitter: https://twitter.com/schmeterpitzFacebook: https://www.facebook.com/AITHpodcastTo become a Patron of the podcast: https://www.patreon.com/AITHpodcast

Rani's pregnancy, though unwanted, seemed normal until a visit from a terrifying woman changed her future forever. Written by Kim M. Munsamy Performed by Alexa Gold Directed by Kennedy Allen Sound Design by Gabe Castro And your humble host, Wi-Moto Nyoka Project support by: The Velocity Fund administered by Philadelphia Contemporary with generous funding from The Andy Warhol Foundation for the Visual Arts, and the Philadelphia Independent Media Fund administered by Scribe Video Center with funds provided by the Independence Public Media Foundation and the Wyncote Foundation.

When Ava decides to embrace a family tradition to level up her love life, she ends up discovering just how terrifying getting what you want can be. Written by Tracy Cross Directed by Kennedy Allen Sound design by Gabe Castro And your humble host, Wi-Moto Nyoka Project support by: The Velocity Fund administered by Philadelphia Contemporary with generous funding from The Andy Warhol Foundation for the Visual Arts, and the Philadelphia Independent Media Fund administered by Scribe Video Center with funds provided by the Independence Public Media Foundation and the Wyncote Foundation.

A story of gaming, resistance, and motherhood. Written by Alicia McCalla Directed by Kennedy Allen Performed by Tiyana Smith Sound design by Gabe Castro And your humble host, Wi-Moto Nyoka Project support by: The Velocity Fund administered by Philadelphia Contemporary with generous funding from The Andy Warhol Foundation for the Visual Arts, and the Philadelphia Independent Media Fund administered by Scribe Video Center with funds provided by the Independence Public Media Foundation and the Wyncote Foundation.

A Steamfunk story of liberation, magic, and love. Written by Valjeanne Jeffers Performed by Tiyana Smith Directed by Kennedy Allen Sound design by Gabe Castro And your humble host, Wi-Moto Nyoka Project support by: The Velocity Fund administered by Philadelphia Contemporary with generous funding from The Andy Warhol Foundation for the Visual Arts, and the Philadelphia Independent Media Fund administered by Scribe Video Center with funds provided by the Independence Public Media Foundation and the Wyncote Foundation.

The new Hollywood film “Judas and the Black Messiah” is based on the lives of Black Panther leader Fred Hampton and the person who betrayed him, FBI informant William O'Neal. The film's director Shaka King has credited documentaries for playing a key role in his research. One of his main influences was “Eyes on the Prize II” (1990) that scored the journalistic feat of interviewing O'Neal after he had gone into a federal witness protection program. Pure Nonfiction host Thom Powers interviews four members of the “Eyes” team - directors Louis Massiah and Terry Kay Rockefeller along with researchers Noland Walker and co-director Bennett Singer. They describe how they got O'Neal to talk, why questions still linger about his reported suicide, and the legacy of the Black Panthers.Further resources:- Learn more about our guests: Louis Massiah (executive director, Scribe Video Center), Terry Kay Rockefeller, Bennett Singer (co-director, Brother Outsider: The Life of Bayard Rustin and Cured), Noland Walker (co-programmer, ITVS's Independent Lens)- Watch all 14 episodes of Eyes on the Prize on Kanopy This podcast conversation touches upon episode 9 “Power!” about the Black Panthers and especially focuses on episode 12 “A Nation of Law?” both co-directed by Louis Massiah and Terry Kay Rockefeller. Read the book Voices of Freedom, an oral history based on interviews from "Eyes on the Prize,” edited in part by Bennett Singer.- Watch the raw footage of William O'Neal's interview on Vimeo or read the transcript from the "Eyes on the Prize" archives at Washington University. Browse the full collection.- Watch The Murder of Fred Hampton (1971), directed by Howard Alk and Michael Gray, on Vimeo from the Chicago Film Archives.- Read the TruthOut article by Fred Hampton's attorney Flint Taylor on recent revelations about J. Edgar Hoover's connection to William O'Neal.- Read articles from 1990 about the death of William O'Neal in the Chicago Tribune and Chicago Reader.- Listen to the Pure Nonfiction interview with Jon Else discussing his book True South about the making of "Eyes on the Prize.”- For more on COINTELPRO, watch Sam Pollard's MLK/FBI about surveillance of Martin Luther King Jr; Johanna Hamilton's 1971 about the break-in to a FBI office that revealed the counter intelligence program.- Watch Stanley Nelson's Black Panthers: Vanguard of the Revolution.- In the podcast, Noland Walker mentions the COINTELPRO plan to disrupt the 1972 National Black Political Convention in Gary, Indiana. Watch William Greaves' recently restored film Nationtime covering that event.- For further viewing related to this era, watch Shola Lynch's Free Angela and All Political Prisoners and Sam Green and Bill Siegel's Weather Underground.- For more recent documentaries on FBI surveillance and informants, see Lyric Cabral and David Felix Sutcliffe's (T)ERROR, Assia Boundaoui's The Feeling of Being Watched, Katie Galloway and Kelly Duane de la Vega's Better This World and Jamie Meltzer's Informant.

Marcellus Armstrong of Scribe Video Center joins the Men for an appreciation of the late Diana Sands and the before-its-time direction of Hal Ashby in 1970's THE LANDLORD. Learn more about your ad choices. Visit megaphone.fm/adchoices

A monologue about a young black woman who is expelled from school for standing up to racism starts a conversation about the high expectations and double standards imposed on students of color in majority-white institutions. Featuring an interview with Angela Antoinette Bey, whose life growing up in Southwest Philadelphia looked very different than the private high school she attended, and an honest conversation with two mother/daughter duos who share the experience being de facto representatives of diversity in mostly white spaces. Click here to read a transcript of this episode. “Dear Black Girl: You’ll come to this private institution with stars in your eyes. You’ll be fooled, used, and abused, so long as you can stand it. And when you finally speak out, you’ll be disappointed.” — from "Pedestals" by Angela Bey  * * * In a perfect world every child would receive a quality education. Instead, our nation continues to face an outstanding achievement gap between white and non-white students. For decades, the children of poor minorities have been expected to attend their respective neighborhood public schools without choice. These schools are historically known to have less than their private counterparts. Less resources, less rigor, lesswhite students and less opportunity for future upward mobility. Upward mobility is the explanation for why many minority parents who have accumulated more wealth and education tend to choose private schooling for their children over public schools, often with the aid of vouchers and scholarships offered by the private institutions. Many of these families eventually discover that these allocations come with a great cost. There are current inquiries to determine the true design of opportunities for students of color to attend private schools. Were these opportunities created to benefit these students or to use them as adornments? It is hard to believe the answer not to be the latter when these institutions continue to fall short at supporting minority students both emotionally and socially. Getting faces of color to fill private school classrooms is only half the battle. Real work and genuine interest are needed in order to stop the ultimate outcome of students of colorlosing out when attending private schools. the conversation Nola Latty (left) is a senior at Friends Select School, where she is an active member of the theater program and numerous other clubs and activities. Her play "Y2K" recently won the Mary Margaret Longaker '27 Playwriting Competition. This fall, Nola will attend the Tisch School for the Arts at New York University to study acting.  Yvonne Latty is a producer and host of Mouthful. She is an award-winning journalist and documentarian. Her documentaries Sacred Poison and Home have been screened internationally. She is the author of We Were There: Voices of African American Veterans, f__rom World War II to the War in Iraq (Harper Collins/Amistad 2004) and In Conflict: Iraq War Veterans Speak Out on Duty, Loss and the Fight to Stay Alive (Polipoint Press 2006). In Conflict was developed into a successful Off-Broadway play. She was an award-winning urban reporter for the Philadelphia Daily News for 13 years.   Olivia Haynes (right) is a senior at William Penn Charter School. As a filmmaker, Olivia has worked with the Scribe Video Center, the Pulitzer Center for Crisis Reporting, and the Blackstar Film Festival. This fall, she will attend Goucher College to study art history and anthropology. Lisa Nelson-Haynes is the Executive Producer of Mouthful and Executive Director of Philadelphia Young Playwrights. Before joining Young Playwrights in 2016, Lisa was the associate director at the Painted Bride Art Center, where she ran the Center’s educational outreach and residency programs, marketing and communications departments and managed contractual relationships with artists. She is also a nationally recognized expert in digital storytelling through her work as a facilitator with Storycenter, which uses the art of first-person narrative as a tool for education, advocacy and community-building. Further reading & resources Check out this video put together by Olivia Haynes and a number of her classmates at William Penn Charter that digs into her black male classmates' experiences at school. Click here to learn more about Philadelphia Young Playwrights. "Pedestals" was performed by Nia Benjamin under the direction of Steve Gravelle Anne Hoffman helped produce and edit "Pedestals" Digital content support from Kiarah Cannady

Thirty years after Spike Lee introduced his bombastic, Mr. Fantastic self to the world via Nola Darling -- a free-spirited twenty-something Brooklyn graphic designer with three baes, a handsy lesbian pal, and an exasperated BFF -- there's still something about Nola Darling that we've just got to have. Decades later, it's Netflx that's gotta have it, and the prolific Lee has agreed to go back to the future and direct a 10-episode order of a 'contemporary take' on his sexy, groundbreaking indie. My guest for this episode, writer and filmmaker Nikki Harmon, is slightly terrified at the prospect, but will be watching anyway. Our guest this episode, Nikki Harmon, is a film and video professional who lives and works just outside her native Philadelphia. She has written, produced, worked on or directed on several documentaries, short narratives, educational and industrial films, music videos, feature-length films and television shows. Throughout her production career, Nikki has maintained her commitment to teach and worked for community organizations such as the Big Picture Alliance and Scribe Video Center teaching youth and adults video production. Most recently, she has taught at both Drexel and Arcadia universities as an adjunct professor. Nikki is a married mother of three who recently published her first novel, When I Was Your Girlfriend, and is working on a screenplay -- and another novel. She's Gotta Have It is her favorite Spike Lee film. Thirty years later, she still ain't mad at Nola, is fairly certain Mars Blackmon became more irritating with age, and agrees that it's just a matter of time before Bravo green lights an eye-rolling reality TV show called Basketball Lesbians. My money is on Logo or Centric though.... This episode also features a brand new No Tea for the Fever Theme Song by Loretta 'Funky LB' Brown. Want more deets -- or just to say hello? Visit NoTeaForTheFever.com, tweet us @noteafever, or send us an e-mail or voice memo via noteaforthefever@gmail.om. 

When one thinks of books and thinks of Toni, we all know who comes to mind- our Nobel laureate, Pulitzer prize winning grand dame, Toni Morrison. Yet in the world of literature, there are two 'Tonis', and today we are focusing on the equally important Toni Cade Bambara. As with last weeks episode, our featured writer was brought up in the fertile creative environment of Harlem New York. Bambara's approach to writing was shaped in this culturally rich community and later augmented with an extensive academic and professional pedigree. The result is a singular style of prose characterized by poetic streams of consciousness, non-linear plots, incredibly diverse dialogue that is unerringly tuned into the nuances of race, gender, age, and culture, as well as a commitment to connecting contemporary events to the fate of her characters. Bambara's first book, 'The Black Woman' published in 1971, was a groundbreaking anthology which featured women writers. Her collections of short fiction, 'Gorilla, My Love' and 'The Seabirds Are Still Alive', established her voice in the American Literary landscape. Her 1980 masterpiece, the novel 'The Salt Eaters', won the American Book Award. Bambara then turned her attention to filmmaking, collaborating with Louis Massiah of the Scribe Video Center in Philadelphia to create the award winning documentary 'The Bombing of Osage Avenue'. In 1995, Toni Cade Bambara joined the ancestors, but she left behind two more books; one a collection of fiction and essays entitled 'Deep Sightings and Rescue Missions', and a haunting novel about the Atlanta child murders, 'Those Bones Are Not My Child', which was editing by Toni Morrison herself. Black Books Live is presenting three excerpts today.