Podcasts about seb chan

Ceri explores the future of cultural spaces with Seb Chan, the director & CEO of ACMI, where he is redefining how museums connect with their audiences. Seb talks about his evolution from experimental music producer to museum innovator and reveals how his background in creating immersive musical experiences has shaped his approach to museum design. Seb’s unique experiences and professional knowledge give a unique perspective on how museums can shape the future. KEY TAKEAWAYS Drawing from his experimental music background, Seb discovered that museums should move beyond traditional education to spark curiosity. His experience in underground music scenes taught him how to create environments where people feel empowered to explore the unfamiliar. Going from tech consultant to museum CEO, Seb developed a future focused philosophy. He now insists cultural institutions must be designed for the future, considering not just technology but also the skills future generations will need. Leading multiple international institutions taught Seb the importance of acknowledging diverse cultural contexts. His experiences across New Zealand, Australia, and America shaped his understanding of how museums can create inclusive spaces that transcend shared assumptions. Physical tools can enhance digital experiences. Seb’s work with these technologies revealed solutions for maintaining visitor focus in our distraction prone lives. Through years of visitor research and practical application, Seb developed strategic principles for creating memorable museum experiences. His approach integrates multisensory engagement with thoughtful space utilisation. Witnessing the erosion of societal trust, Seb recognises why cultural institutions are vital spaces for rebuilding connections. His leadership philosophy emphasises fostering genuine dialogue and understanding across communities. Despite facing resource constraints and pandemic exhaustion, Seb maintains his commitment to experimentation; continuous innovation is crucial for addressing complex societal challenges. Based on his transformative work at ACMI, Seb changed how they measure success. He shifted focus from traditional visitor counts to deeper engagement indicators, fundamentally changing how museums evaluate their impact. BEST MOMENTS "For me, music has a particular ability to transcend cultures and time and space too, it gives you a different sense of time. Going to a gig or going out to an event, that sort of sense of time shifts and time stretches and makes me think about things in other ways." "In the world we live in, where all our social relations and communities are run through media, museums have a vital role in helping people make sense of that complexity." "You can design spaces to change behaviour and to change people's openness and when you design them well, they work. I know a lot of artists are sort of thinking about this sort of stuff too." "Niche interests and the platforms that media is distributed on, and the way those platforms monetise attention as well is based on fragmentation and driving difference amongst that. And that can be very interesting and positive and also politically, it can be very destructive as well as we're seeing play out in various parts of the world." "Focus is hard now. I think people find there's lots of things vying for their focus. But again, using those design principles, I think you can design for focus." "We need to find ways to disagree about things... there was an ability to disagree without it becoming, your house getting swatted." "It's very easy to get someone interested in music that they didn't think they liked and it's probably the easiest art form to get someone interested in because it's so multisensory." "People are interested in lots and lots of different things and they're very up for things they're not familiar with if you don't make them feel like idiots." EPISODE RESOURCES GUEST LINKS: www.acmi.net.au IG: @acmionline PODCAST HOST BIO With over 30 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ **** Build Relationships The Easy WayOur self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/**** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative.

Power of Ten is a podcast hosted by Andy Polaine about design operating at many levels, zooming out from thoughtful detail through to organisational transformation and on to changes in society and the world. My guest in this episode is Seb Chan, Chief Experience Officer at ACMI - the Australian Centre for the Moving Image in Melbourne - championing human centred design approaches across the museum. Prior to ACMI, Seb led the digital renewal and transformation of the Cooper Hewitt Smithsonian Design Museum in New York (2011–15) and the Powerhouse Museum's pioneering work in open access, mass collaboration and digital experience during the 2000s. He's also Adjunct Professor, School of Media and Communications, in the College of Design and Social Context at RMIT. In this episode we talk about Seb's work, but also some of the history of interactive media that informs our views and understanding of where the state of the art is today. Show Links This show's web page Seb Seb on Medium Seb's site, Fresh and New Most of which is now a newsletter Seb on LinkedIn Seb on Twitter ACMI The Robin Sloan piece Seb mentions The backstory on the Cooper Hewitt interactivity Andy Subscribe to Power of Ten Subscribe to Andy's newsletter Doctor's Note Andy's online courses Andy on Twitter Andy on LinkedIn Polaine.com Suggestions? Feedback? Get in touch!

Seb Chan, Chief Experience Officer at the Australian Centre for the Moving Image (ACMI) discusses the evolution of how we think about visitor experience in experiential spaces, going beyond traditional engagement to cross creative and infrastructural elements. Seb covers ACMI's redevelopment, a unique approach to staff restructure, establishing the museum as a platform and its technologies including the Experience Operating System (xOS) and the Lens: the ingredients which set the ACMI team to make the most of a terrible opportunity in coping with the pandemic. Show notes: For more on the Lens, visit https://www.acmi.net.au/lens/ A pavlova recipe courtesy of Seb's Mum https://www.sebchan.com/never-fail-new-zealand-pavlova-recipe/

Electronic: Modelling the digital present and tools for the future Speakers: Seb Chan and Sahej Rahal Seb Chan is the Chief Experience Officer (CXO) at the Australian Centre for the Moving Image where he is responsible for a holistic, multi-channel, visitor-centred design strategy for the institution. Until August 2015, he was Director of Digital & Emerging Media, at Cooper Hewitt Smithsonian Design Museum in New York. There he led the museum's digital renewal and its transformation into an interactive, playful new museum reopened after a 3-year rebuilding and reimagining. His team's work won awards from the American Association of Museums and Museums and the Web, One Club, D&AD, Fast Company Innovation by Design, Core77 Design Awards, and has been featured in Slate, The Verge, Fast Company and elsewhere. A sculptor, coder, painter and performer, Sahej Rahal is a graduate of the Rachana Sansad Academy of Fine Art, Mumbai. He has been a recipient of a number of residencies including Bar1, Bangalore, 2011; FUTUR foundation, Zurich, 2011; INLAKS Shivdasani Foundation sponsored residency at KHOJ international artists' association, New Delhi, 2013. Rahal has presentd work in major solo and group projects, including recently at Akademie Schloss Solitude & ZKM Center for Art and Media, Stuttgart, Germany in 2018, at the Vancouver Biennale and Australian Centre for Contemporary Art in 2019, in the 2020 Gwangju Biennale, and as part of Transmediale.

In this episode we are returning to a conversation held during Melbourne Design Week in March 2020 about the multiplicity of place arising from urban play. It begins with how First Peoples connection to place creates ways of being that enable reimagination, reconnection and reconfiguration of the world. Boon Wurrung elder, N'arweet Carolyn Briggs speaks with RMIT academic Dr Olivia Guntarik, ACMI's Seb Chan and Dr Troy Innocent about her knowledge and experience of place, navigating two knowledge systems in her daily life in Melbourne - the city that is now and the patterns that lie beneath that city. In the second part of this episode, we talk to Lee Shang Lun about play as a methodology for anti-disciplinary art - returning to the role of The Situationists in reshaping cities and urban life.

How does a museum exhibition become a special space: separate from the world outside? And can that connection remain after you've left the building? Seb Chan talks about his role as the Chief Experience Officer at ACMI and why he believes the story is an essential part of curation.

How does a museum exhibition become a special space: separate from the world outside? And can that connection remain after you've left the building? Seb Chan talks about his role as the Chief Experience Officer at ACMI and why he believes the story is an essential part of curation.

What should a fascinating museum experience feel like? And how should it look?

How are artists coping with coronavirus? We talk to comedian Josh Earl about keeping performance alive with his podcast, getting audiences to pay for digital content and how Zoom won’t ever replace live gigs. Writer Donna Ward reflects on embracing solitude, finding your isolation project and panic-buying before it was even a thing. ACMI’s Seb Chan opens up about moving his team to working from home, what a post-COVID-19 future could look like and the exhausting intensity of videoconferencing. Plus Dr Jane Miskovic-Wheatley from the Arts Wellness Collective talks about how we can maintain our mental health and take the pressure off while we stay at home. Our theme music is ‘Chasing Waterfalls’ by Tim Shiel. Also featuring music by The Other Stars.

This week the Sensilab CreativeAI podcast goes live at the Monash School of Film, Media and Journalism's Creative Directions festival! Hosted by SensiLab Engagement coordinator, Lizzie Crouch, join podcast regulars Jon and Nina in conversation with Seb Chan, CXO at the Australian Centre for the Moving Image (ACMI) in Melbourne. The panel discuss the impact and implications of AI for the cultural and museum sector.

The musical landscape in Sydney shifted significantly in the 1990s and 2000s – and in a word, it got freaky. Here Freaky Loops co-founder Luke ‘Snarl’ Dearnley talks about the beginnings and the subsequent six legendary shows. With partner in crime Seb Chan, the two built a mini empire of tunes, innovation and incredible vibes. In addition to the live shows Luke and Seb also broadcast on 2SER on The Paradigm Shift, also championing the best of EDM and the rest, from 1995 to 2010.

Seb Chan is Chief Experience Officer at the Australian Centre for the Moving Image (ACMI) in Melbourne, a museum that over 1.5M people visit every year. Seb has also led digital efforts at the Powerhouse Museum in Sydney and the Cooper Hewitt Smithsonian Design Museum in New York and is one of the world's most renowned experts on getting museums to open up - to get their collections online, to get people using the museums in new ways. And he was a well-respected DJ, radio host, zine maker, music and video game writer, and we hosted radio shows back to back for five years. We discuss: - The early years of museums getting onto the Internet - How an IT guy ends up a Digital Head - What is a museum? How have museums changed? - What is the business model of a museum? - The metrics that matter to museums - Career paths one just... falls into You can find Seb in many corners of the Internet, especially http://www.twitter.com/sebchan For more Internet: http://www.twitter.com/markpollard http://www.instagram.com/markpollard http://www.sweathead.co

This episode features the first event of the 2017 Digital Writers Festival, a live conversation about the future of storytelling with Brooke Maggs, Misha Myers, Oscar Raby and Seb Chan, moderated by the festival’s Artistic Director, Izzy Roberts-Orr. The Future of Storytelling was held at ACMI in partnership with ACMI Conversations and Monash University. You can watch the full event here: http://2017.digitalwritersfestival.com/event/dwf17-launch-the-future-of-storytelling/ Our theme music is ‘Please’ by Huntly. Brooke Maggs is a freelance narrative designer and writer for games, VR and other creative industries. Brooke presented her project ‘The Gardens Between’, a breathtaking puzzle game where best friends find themselves in a surreal world of garden islands. Find out more about Brooke here: https://brookemaggs.com/ Dr. Misha Myers is a Senior Lecture in the Centre for Theatre and Performance at Monash University, and tells stories of place through digital, interactive and located media. Misha presented her recent work ‘Nobody’s Ocean’, a transmedia performance game for smartphone that sent audience on journeys through Melbourne’s streets cast as Homer’s Odysseus. Find out more about Misha here: http://profiles.arts.monash.edu.au/misha-myers/ Oscar Raby is the Creative Director of the Melbourne-based Virtual Reality studio VRTOV. He is the Director of VR experiences ‘Assent’, ‘The Turning Forest’ and ‘Easter Rising: Voice of a Rebel’. Oscar presented ‘The Turning Forest’, a real-time CR VR experience that invites audiences into a magical space of imagination. Find out more about Oscars work for VRTOV here: http://vrtov.com/ Seb Chan is ACMI’s Chief Experience Officer. Prior to this he led the digital renewal and transformation of the Cooper Hewitt Smithsonian Design Museum in New York (2011-2015). Seb presented his digital transformation of the Cooper Hewitt Design Museum.

Dan and Warren in the studio this episode to talk about all things technology, computing, gaming and startups. Our guests this week are Seb Chan, Chief Experience Officer at ACMI, discussing their new exhibition space Future Lab and how mixed reality is being integrated into our lives.Following this we have a interview by our dedicated reporter on the scene Laura Summers, speaking with Josh Aas of Let's Encrypt.

As one of the nation's most-trusted category of institutions, museums project an enormous amount of authority over their subject matter. In this episode, Seb Chan, Director of Digital & Emerging Technologies at Cooper-Hewitt Smithsonian Design Museum, talks about the ways that museums can share that authority with museum visitors comfortable with a less top-down approach to authority. For discussions on how museum's got to amass so much authority, stay tuned to Museum Archipelago. Museum Archipelago is a tiny show guiding you through the rocky landscape of museums. Subscribe to the podcast via Apple Podcasts (https://itunes.apple.com/us/podcast/museum-archipelago/id1182755184), Google Podcasts (https://www.google.com/podcasts?feed=aHR0cHM6Ly93d3cubXVzZXVtYXJjaGlwZWxhZ28uY29tL3Jzcw==), Overcast (https://overcast.fm/itunes1182755184/museum-archipelago), Spotify (https://open.spotify.com/show/5ImpDQJqEypxGNslnImXZE), or even email (https://museum.substack.com/) to never miss an episode. Unlock Club Archipelago

The Cooper-Hewitt Smithsonian Design Museum has reopened to great acclaim and much of its success is due to technology that encourages visitors to engage thoughtfully and completely with the objects they encounter. Seb Chan, director of digital and emerging media at the Cooper-Hewitt will share some of his thoughts about the museum's reopening: what the team got right, and what they are tweaking. We'll talk about his advice for other institutions—large and small—that are grappling with the issues surrounding digital media, discuss his most influential experiences, and get his thoughts about the future of museums.