Podcasts about moving image

PUTF Podcast — Season 4, Episode 5 featuring Jon Dieringer Jon Dieringer is the founder and editor-in-chief of Screen Slate. He has written for BOMB, TIME, n+1, and elsewhere. He has programmed many screenings and series, most notably at Spectacle (2011-2015), Anthology Film Archives, Roxy Cinema, Low Cinema, and many other venues both in NYC and abroad. His video work has shown at spaces including MoMA PS1, the Squeaky Wheel Art Center, Salon 94, and The Museum of Arts and Design. From 2012-2021 he oversaw the preservation and archiving of moving image artwork as the Technical Director of Electronic Arts Intermix (EAI).screenslate.com Jon's Film & Video Programming: https://jondotd.com/film-and-video-programming/Screen Slate's IG: https://www.instagram.com/screenslate/This episode was recorded at Public Sound Studios in NYC: https://www.publicsound.net/PUTF's interview series is dedicated to spotlighting inspiring creatives from the PUTF community and beyond. Guests share their unique career journeys, stories, and visions. Pick Up The Flow, is an online resource based in NYC striving to democratize access to opportunities. Opportunities are shared daily on this page and website, and weekly via our newsletter.Newsletter: https://putf.substack.comInstagram: https://www.instagram.com/pickuptheflownyc/Youtube: https://www.youtube.com/@pickuptheflow#jondieringer #nyc #screenslate #filmculture #repertorycinema #film #movingimage #nycculture Join the newsletter: https://putf.substack.com/and follow us on Instagram: https://www.instagram.com/pickuptheflownyc/ Hosted on Acast. See acast.com/privacy for more information.

Latest Beacon venue hosts its first shows Around 25 years ago, as gentrification creeped in, stickers and graffiti emerged in Texas urging people to "Keep Austin Weird." Going for a punk aesthetic, an early version of the poster promoting the triple bill on Saturday (May 30) at The Cafeteria, a new venue in Beacon, shows a singer with a mohawk wearing a Dead Boys shirt. Two slogans adorn the bottom quadrant: "Keep Beacon Weird" echoes the call in Austin and "Hot Lunch Lives" nods to the space's former role as a high school cafeteria. It's now occupied by Clutter Gallery, which manufactures collectible designer toys and recently moved from Main Street. The old high school is home to the KuBe Art Center, and the event is homegrown. Happy Valley Arcade Bar brings food and drink. Gavin Hecker booked the bands under the new Prophecy Lab brand that differentiates his live music arm from Prophecy Hall, the former church on the west side of town. The Cafeteria holds 150 people and will host music shows twice a month, says Clutter co-owner Josh Kimberg. On May 30, alt-rock combo Monski opens for guitarist Jeffrey Lewis, coming from New York City. A veteran of the Austin music scene, he crossed paths with Ed Hamell, who is playing at Lucky Dog in Beacon today (May 29). The troubadours convey clever lyrics with simple but emphatic chords. Lewis also hobnobbed with Daniel Johnston, an influential Austin musician who received a modicum of fame after someone photographed Kurt Cobain wearing a shirt depicting the cover of his 1983 album Hi, How Are You. It featured an abstract drawing of a frog, dubbed Jeremiah the Innocent. Johnston, who died in 2019, was a friend of Ron English, another local designer-toy artist. Kimberg is working with Johnston's estate to create works related to the figure. Also on the Saturday bill is Nick Yulman and the Bricolo Mechanical Band, housed in his basement at the foot of Mount Beacon. Active in the automated music circuit, he's played gigs at the New York Botanical Garden, the Museum of the Moving Image in Astoria and the Palais de Tokyo in Paris. Composer Angelica Negron has written several pieces that incorporate his contraptions for the Sö Percussion ensemble, which has performed twice for the Howland Chamber Music Circle. Yulman's works are heavy on thuds, chimes and disembodied vocals. Sounds emanating from a modified keyboard — along with an analog vibraphone and percussion instruments — are triggered by a computer program that operates jury-rigged solenoids (valves with plungers). One rig can play every key on his modified reed organ; other controllers manipulate drumsticks and pedals on command. At the show, Yulman will sing and play guitar to accompany the robots. The set-up includes wooden boxes that he hangs around the room, adding an element "that alters the sound depending on where you stand," he says. "You can mix your own experience by moving around." Tracks are layered so thick that he laughs when asked how many a typical composition contains. Onscreen, the MIDI keyboard's programming panel looks like the paper rolls with cutouts from player pianos of the early 1900s. "Mechanical music isn't new," he says. "But triggering weird sounds on my laptop didn't move me. This is a lot more fun." The Cafeteria is located at the Clutter Gallery, 20 Kent St., in Beacon. Tickets for the May 30 show are $20 ($25 door). See dub.sh/cafeteria-5-30.

In this episode, host Peter Bauman (Le Random's editor in chief) speaks with Regina Harsanyi (Associate Curator of Media Arts at the Museum of the Moving Image), Michael Connor, Executive Director of Rhizome, and artist Karyn Nakamura about Frieze Week in New York. In particular the discussion focuses on the week's programs on May 16th, with Rhizome's 7 on 7 at New Museum, as well as MoMI's Open Worlds: An Afternoon of Digital Art Encounters.They cover an anatomy of Frieze Week itself, (art fair, satellite fairs, Whitney Biennial, and all) before zeroing in on what each guest is bringing to the table. Connor traces the sixteen-year arc of 7x7, this year organized around the theme of "Containment." Nakamura discusses her own 7x7 project with Lucas Gelfond, which probes the geometry of meaning inside language models and the possibilities of interpretability research as artistic material. Harsanyi walks through the museum programming in depth.See our "New York Digital Art Guide"Monday's Editorial this week is an essay by Bauman on the relationship between protocol art and worldbuilding: The Cerebral SambaChapters

Ep. 390: James N. Kienitz Wilkins on The Misconceived Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. Destined to be one of my favorite movies of 2026, The Misconceived is the latest feature from James N. Kienitz Wilkins, a filmmaker who's always boldly playing with film form, ideas around authenticity and class, and how we talk about cinema. The Misconceived centers on a carpenter, Tyler, who once wanted to be a filmmaker and whom we now join renovating the country cabin of a college classmate, Tobin, who has found success as an artist. On paper it's an "indie drama" of class tensions and resentments—but it's filmed using motion capture, a computer graphics game engine, and naturalistic, scathingly funny dialogue streaked with savvy movie and critical references. I was delighted to speak with Wilkins about The Misconceived, the benefits of motion capture, the post-2016 political morass, cinephilia, and much more. The Misconceived opens the First Look 2026 at the Museum of the Moving Image (which runs April 23 to May 3) and then plays at Anthology Film Archives in May. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Matthew joins us in New York City for our first-ever episode in front of a live audience, recorded at the Museum of the Moving Image—just steps from Kaufman-Astoria Studios, where the Marxes filmed their first two movies. We kick things off with a quick dive into Horse Feathers (because The Cocoanuts or Animal Crackers felt a little too obvious), before welcoming Craig Shemin for a look at the studio's ongoing history. Next, we take questions from the audience, and are then joined by the great Cinco Paul, whose Schmigadoon! is set to premiere on Broadway. Finally, we make a special announcement about an upcoming project before Cinco serenades us with a closing song.

Zach welcomes back historian and writer Craig Shemin (Sam & Friends: The Story of Jim Henson’s First Television Show) for a trip to post-war Germany where neither East or West Berlin can contain the Madness and Mayhem of Billy Wilder’s 1961 Comedy Classic, ‘ONE TWO THREE’ Join the duo as the unpack the history surrounding the films production, take a stab at deconstructing Wilders approaches on everything from humanism to capitalism to communism, ponder over this being James Cagney’s penultimate motion picture, and settle upon the ways the film has influenced the cinema of today.   If You are in New York and want to laugh along with Craig and the Marx Brothers Council, join them April 12th at the Museum of the Moving Image for a screening of ‘Horse Feathers’ followed by a live podcast! Tickets at https://movingimage.org/event/horse-feathers/   Be sure to pick up a copy of Craig’s books on the history of Sam & Friends for a deeper look into its history. Sam and Friends: The History- https://www.bearmanormedia.com/products/sam-and-friends-the-story-of-jim-henson-s-first-television-show-hardback?pr_prod_strat=e5_desc&pr_rec_id=6d26e85f2&pr_rec_pid=7098182500386&pr_ref_pid=10048318570798&pr_seq=uniform Sam and Friends: The Script Book- https://www.bearmanormedia.com/products/the-sam-and-friends-script-book?_pos=3&_sid=c8df6b30d&_ss=r&variant=51040633487662 Visit https://www.samandfriendsbook.com for ways to purchase & how to get even more swag from your book purchase!   And be sure to follow Craig’s talents as a writer by watching his two original Jack Benny scripts as performed by NO SOAP RADIO ( https://nosoapradioplayers.com ) Watch Here- “This is Your Life, Jack Benny” : https://youtu.be/vSQAHnpTg1E?si=9lE-Q19oHwKZY_ex ” Jack Visits the Apollo 11 Launch” :  https://youtu.be/Xytm4gByVUw?si=jZV6KRk1IG4RebdF ——

Filipino Director Lav Diaz films are currently screening at Melbourne's ACMI, the Australian Centre for the Moving Image. Film and TV Curator Reese Godwin shares insights and audience reactions to the films. - Tampok sa ACMI ang ilan sa mga piling pelikula ng multi-awarded na Pilipinong direktor Lav Diaz. Ibinahagi ni Reese Godwin ang mga naging batayan sa pagpili at reaksiyon ng manonood sa mga pelikula.

This week on the Boxoffice podcast, co-hosts Daniel Loria, Rebecca Pahle, and Chad Kennerk recap the franchise record opening weekend of Scream 7 and cover all the latest in theatrical exhibition, including the news that Netflix has pulled out of its bid for Warner Bros. Then in the feature segment, Rebecca speaks with Francois Godfrey, President and COO of Moving Image Technologies (MiT), about the evolving cinema industry, including the importance of premium large formats (PLF) and immersive audio technologies. Give us your feedback on our podcast by accessing this survey: https://forms.gle/CcuvaXCEpgPLQ6d18 Filmmaking Team Radio Silence on Bringing SCREAM Back to the Big ScreenEpisode Highlights00:00 Intro01:34 Scream 7 Breaks Franchise Records 02:43 Comparing Scream 7 to Prior Installments 05:23 Analyzing the Scream Murder Mystery Formula 06:22 Paramount and Skydance to Acquire Warner Bros. 08:00 Skepticism Toward the 30-Film Annual Commitment 09:09 Establishing the 45-Day Theatrical Window 11:45 The Exhibitor Perspective on Studio Mergers 14:42 An Open Invitation to Netflix and Ted Sarandos 18:55 Why Netflix Should Embrace Theatrical Distribution 22:48 Weekend Box Office Tracking: Hoppers and The Bride 24:33 Interview: Francois Godfrey of Moving Image Technologies 26:08 The Continued Growth of Premium Large Format (PLF) 28:21 The Importance of Audio in the PLF Experience 32:10 MIT's Acquisition of DCS Cinema Loudspeakers 35:14 Technical Standards for Audience Satisfaction 39:18 Why Cinema Audio is Different from Home Use 41:38 Global Distribution and Dealer Networks 43:11 Looking Ahead to CinemaCon 2026

From Tony, to Paulie, to Junior, the characters of The Sopranos are television legend. But just as iconic are the sets of the show. A new exhibit at the Museum of the Moving Image gathers the archives of Sopranos creator David Chase, as well as sketches and designs behind some of the show's principal sets, including Dr. Melfi's office, the Soprano home, the Bada Bing strip club, and Satriale's Pork Store. Barbara Miller, museum deputy director for curatorial affairs, discusses the exhibit, 'Stories and Set Designs for The Sopranos,' on view through May 31. Photograph by Courtesy of HBO

Museum of the Moving Image holds special Sopranos exhibit ... Weather alert for snow tonight ... Portal Bridge transition leaves commuters with a headache full 201 Sun, 15 Feb 2026 20:21:32 +0000 nWtmxDVAldoVIiTTxaUwjJ4Vq1fsqU8L news 1010 WINS ALL LOCAL news Museum of the Moving Image holds special Sopranos exhibit ... Weather alert for snow tonight ... Portal Bridge transition leaves commuters with a headache The podcast is hyper-focused on local news, issues and events in the New York City area. This podcast's purpose is to give New Yorkers New York news about their neighborhoods and shine a light on the issues happening in their backyard. 2024 © 2021 Audacy, Inc. News

Ep. 376: Michael Koresky on the 2001 series at MOMI – A.I., Our Song, Mulholland Drive, Burnt Money, Atanarjuat, Fat Girl, Moulin Rouge, and more Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The year 2001 was pivotal in cinema and the world, and Museum of the Moving Image's series “2001: The Year, Not the Movie” has arrived to showcase the incredible new wok released in that year. I rang up Michael Koresky, senior curator of film at MOMI and Reverse Shot co-chief, to talk about a few selections, many of which were also formative screenings for each of us. Titles discussed include: A.I. (directed by Steven Spielberg), Our Song (Jim McKay), Mulholland Drive (Lynch), Burnt Money (Marcelo Piñeyro), Atanarjuat (Zacharias Kunuk), Fat Girl (Catherine Breillat), Moulin Rouge (Baz Luhrmann), Pulse (Kiyoshi Kurosawa), All About Lily Chou-Chou (Shunji Iwai), and In Praise of Love (Godard). The film series “2001: The Year, Not the Movie” runs February 14 through April 11 at Museum of the Moving Image. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

The creative - and highly controversial - relationship between animation and artificial intelligence provides the focus of Episode 167 of the Fantasy/Animation podcast, which features as its special guest Dr Mihaela Mihailova, an Assistant Professor in the School of Cinema at San Francisco State University. Mihaela is the editor of Coraline: A Closer Look at Studio LAIKA's Stop-Motion Witchcraft (Bloomsbury, 2021), whose work has also appeared in the Journal of Cinema and Media Studies, The Velvet Light Trap, Journal of Japanese and Korean Cinema, Convergence: The International Journal of Research into New Media Technologies, Feminist Media Studies, animation: an interdisciplinary journal, Studies in Russian and Soviet Cinema, and [in]Transition. She has contributed to Animating Film Theory (with John MacKay), The Oxford Handbook of the Disney Musical, Animated Landscapes: History, Form, and Function, The Animation Studies Reader, and Drawn from Life: Issues and Themes in Animated Documentary Cinema, and was editor of the recent “AI and the Moving Image” dossier published in the Journal of Cinema and Media Studies. She is currently co-editor of Animation Studies and serves as co-President of the Society for Animation Studies. Listen as Mihaela introduces Chris and Alex to the AI-generated short films Generation (2022), PLSTC (2022), Bruegel the Younger (2022), and Dissolution (2023) as a backdrop to thinking about the trajectory of machine learning in relation to animated imagery and creative practice; the aesthetics and implications for labour prompted by AI as both an assistive and generative tool; the discourses of technophilia and technophobia that surround contemporary synthetic media; and what impact the ‘open secret' of AI might have within the animation industry beyond some of its current applications. **Fantasy/Animation theme tune composed by Francisca Araujo** **As featured on Feedspot's 25 Best London Education Podcasts** **As featured on MillionPodcast's Best 10 UK Animation Podcasts and Best 60 Movie Podcasts in the UK**

A magyar zseni testvérpár, akik átírták az elektronikus zenét: Végtelen Zene – Koblicska Örs ep. 290   Ebben a MÓKA-epizódban valami egészen különlegeset hozunk: a Végtelen Zene című film rendezőjét, Koblicska Örsöt, aki nem egyszerűen dokumentumfilmet forgatott. Ő egy magyar zseniális testvérpár, Szalay András és Szalay Sándor életét és örökségét vitte vászonra; két olyan alkotót, akik szó szerint átírták az elektronikus zene történetét.   Szalay András a legendás pedálok és szintetizátorok feltalálója, akinek fejlesztéseit a világ legnagyobb zenekarai használják. Szalay Sándor pedig a tudomány felől érkezik, a John Hopkins Egyetem professzora, és az egyik legizgalmasabb magyar agy a világűrkutatás és mikroelektronika területén. A testvérekről a filmben elhangzó történetek tényleg filmbe illők: ZX81 számítógépből épített hangszer, világmárkák által használt pedálok, és olyan találmányok, amelyekbe még a Muse és a Neo is beleszerettek   .   A beszélgetés mélyen belemegy Örs kreatív filozófiájába • hogyan hallgatja le a valóságot • hogyan találja meg az emberi „frekvenciát" a kamerán keresztül • hogyan épít vizuális világot a történet köré • miért nehéz, mégis gyönyörű dokumentumfilmet készíteni egy magyar zseniről Amerikában   És ami igazán különleges:

⚡ Don't miss your chance to watch 'How to Capture a Prime Minister' online - Nov 11th only at howtocaptureapm.com⚡⌛ 11 November 2025, is the 50th anniversary of Governor-General Sir John Kerr's historic dismissal of Australian Prime Minister Gough Whitlam.

Today I talk to Ellen E Jones the winner of the Kraszna- Krausz  Moving Image Book Awards 2025. The event at the Barbican to celebrate Ellen's win is on 27 October - https://www.barbican.org.uk/whats-on/2025/event/imitation-of-life-12-with-introduction-reception Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today I talk to Ellen E Jones the winner of the Kraszna- Krausz  Moving Image Book Awards 2025. The event at the Barbican to celebrate Ellen's win is on 27 October - https://www.barbican.org.uk/whats-on/2025/event/imitation-of-life-12-with-introduction-reception Learn more about your ad choices. Visit megaphone.fm/adchoices

NYPD commissioner Jessica Tisch has filed disciplinary charges against two officers involved in the fatal shooting of 19-year-old Win Rozario during a mental health crisis in Queens last year. Meanwhile, a bill in Albany would require grocery stores and delivery apps to disclose whether they are marking up prices online. Also, Jim Henson fans can celebrate the late Muppet creator's birthday this weekend at the Museum of the Moving Image in Queens. Plus, in this week's transit segment: New York City's seven-year plan to move trash into curbside bins, the looming threat of a Long Island Rail Road strike, a City Council bill to limit how ride-hail apps like Uber and Lyft can deactivate drivers, the Transit Museum's annual bus festival in Brooklyn, and the question of why New York hasn't adopted automated subways like other global cities.

Poet and playwright Ariana Reines will be making a rare UK appearance to read from her new collection with Divided Books, Wave of Blood, a lyric essay she has described as an ‘experiment in ethics' reckoning with the US wars on terror and their repercussions. Reines was joined in conversation by critic and academic Alice Blackhurst, whose most recent book is Luxury, Sensation and the Moving Image. More from the Bookshop: Discover our author of the month, book of the week and more: ⁠https://lrb.me/bkshppod⁠ From the LRB: Subscribe to the LRB: ⁠⁠⁠https://lrb.me/subsbkshppod Close Readings podcast: ⁠⁠https://lrb.me/crbkshppod LRB Audiobooks: ⁠⁠https://lrb.me/audiobooksbkshppod Bags, binders and more at the LRB Store: ⁠⁠https://lrb.me/storebkshppod Get in touch: podcasts@lrb.co.uk

Craig Shemin, author and President of the Jim Henson Legacy, joins us to talk about his new book, The Sam and Friends Script Book, as well as his time working on The Jim Henson Hour, the upcoming celebration of Jim Henson's birthday in NYC, his thoughts on the movie Saturday Night and lots more! A tresure trove of an interview! You can preorder The Sam and Friends Script Book here And you can visit the Museum of the Moving Image's website to get tickets for the upcoming Henson birthday festivites! Check out http://kermitmentstuff.com/ to get your Kermitment merch! Kermitment has a Patreon! Running a podcast is deceptively expensive work, so by becoming our Patron, you help us cover those costs and allow us to do funner, cooler stuff in the future! Find out more here! Visit our website to find a link to the Kermitment Patreon and more fun stuff at http://Kermitment.com! If you can't get enough Kermitment, follow @Kermitment.com, where we'll tweet fun stuff and interact with our listeners! And you can follow each of us individually: Matt: @MatthewGaydos Sam: @im-sam-schultz

Here's the panel discussion of Socratic Dialogue on the Future of AI and Immersive Technology with Alvin Wang Graylin, Kent Bye, Louis Rosenberg, Leslie Shannon that was recorded on the main stage of Augmented World Expo on Thursday, June 12, 2025 at Augmented World Expo in Long Beach, CA. See more context in the rough transcript below, and you can watch the original video here. Here's some other relevant episodes that I've done recently in preparation for this debate on AI: #1563: Deconstructing AI Hype with “The AI Con” Authors Emily M. Bender and Alex Hanna #1568: A Process-Relational Philosophy View on AI, Intelligence, & Consciousness with Matt Segall #1585: Debating AI Project and a Curating Taiwanese LBE VR Exhibition at Museum of Moving Image #1609: Framework for Personalized, Responsive XR Stories with Narrative Futurist Joshua Rubin #1610: Scouting XR & AI Infrastructure Trends with Nokia's Leslie Shannon #1629: Niantic Spatial is Building an AI-Powered Map with Snap for AR Glasses & AI Agents #1630: Keiichi Matsuda on Metaphors for AI Agents in XR User Experience: From Omniscient Gods to Animistic Familiars #1611: Socratic Debate on Future of AI & XR from AWE 2025 Panel This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

In the first segment, a returning Michael Koresky ("Films of Endearment"), the Museum of the Moving Image's editorial director, with his latest book "Sick and Dirty: Hollywood's Gay Golden Age and the Making of Modern Queerness" (Bloomsbury, 2025). The book is an original history celebrating the persistence of queerness onscreen, behind the camera, and between the lines during the dark days of the Hollywood Production Code. From the 1930s to the 1960s, the Motion Picture Production Code severely restricted what Hollywood cinema could depict. This included 'any inference' of the lives of homosexuals. Gay activist Vito Russo famously condemned Hollywood's censorship regime, lambasting many midcentury­ films as the bigoted products of his titular “Celluloid Closet.” Koresky reexamines these scorned films to tell the story of how filmmakers, straight and queer, in-the-closet and out-in-the-open, smuggled queer themes and ideas into their work, incrementally paving the way for recognition and representation. There is more to the movies during this period of popular filmmaking than meets the eye: The Golden Age set in motion many of the ways we still talk about queerness in the twenty-first century. In this insightful, wildly entertaining book, cinema historian Michael Koresky ­finds new meaning in 'problematic”' classics of the Code era like Hitchcock's "Rope," Minnelli's "Tea and Sympathy", and—bookending the period and anchoring Koresky's narrative—William Wyler's two adaptations of "The Children's Hour," Lillian Hellman's provocative hit play about a pair of schoolteachers accused of lesbianism. Lifting up the under-appreciated queer filmmakers, writers, and actors of the era, Koresky finds artists who are long overdue for reevaluation. Through his brilliant analysis, "Sick and Dirty" reveals the 'bad seeds' of queer cinema to be surprisingly, even gleefully subversive, reminding us, in an age of book bans and gag laws, that nothing makes queerness speak louder than its opponents' bids to silence it. In the second segment, Filmwax friend Josh Karp returns once again to discuss his latest article for the online magazine, Air Mail: "The Miracle at the Truck Stop", about the long shuttered Burt Reynolds Theater in Jupiter, Florida. At the height of his fame, Burt Reynolds had a dream: to open a dinner theater in the middle of nowhere! https://www.youtube.com/watch?v=szjlaU00vKw

I spoke with Michèle Stephenson, Joe Brewster, & idris brewster about There Goes Nikki at Tribeca Immersive 2025. See more context in the rough transcript below. (Photo by Mikhail Mishin courtesy of Onassis ONX) Tribeca Immersive 2025 Selection #1567: Tribeca Immersive Curators on the 2025 Selection of Impact Projects Curated by Onassis ONX, Agog, & Tribeca #1569: Family of Storytellers Creates an AR Memorial of Black Poet Nikki Giovanni with Epic Organic Garden Installation #1570: "The Founders Pillars and The Power Loom" Uses AR to Recontextualize Wall Street History Through African Textiles and Myths #1571: "Uncharted VR" Explores the Spatialization of African Languages and Knowledge through Immersive Architecture and Adowa Dance #1572: "The Innocence of Unknowing" Uses Socratic Dialogue with AI & Video Essay to Deconstruct Root Cases of Gun Violence #1573: Muslim Futurist "New Maqam City" Invites Users to Play with Mystic Sufi Beats to Imagine States of Flourishing #1574: Part 1: Co-Creation with XR for Building Community with "A Father's Lullaby" (2023) #1575: Part 2: Co-Creation with XR for Building Community with "A Father's Lullaby" (2025) Boreal Dreams Scent Onassis ONX Summer Showcase & Other Interviews #1579: The Backstory of ONX Studios and the Onassis Foundation's Support for XR Art & Innovation #1580: "Neuro-Cinema: From Synapse to Montage" Explores Bioethics Moral Dilemmas & BCI-Controlled Editing & Robotics #1581: The Story Behind "The Orixa Project" Series of XR Experiences #1582: Shawn Taylor on Fandom for Social Change, Polychronic Time, Worldbuilding & Future Dreaming #1583: From XR Storytelling to Museum to Ice Cream to AI: Michaela Ternasky-Holland's Entry into Immersive #1584: White Paper on XR for Impact Campaign Activation for "On the Morning You Wake to the End of the World" #1585: Debating AI Project and a Curating Taiwanese LBE VR Exhibition at Museum of Moving Image #1586: Academic Research on Immersive Storytelling with Philippe Bedard, co-editor of "States of Immersion Across Media: Bodies, Techniques, Practices" book #1587: "Space-Time Adventure Tour" AR Guided Tour to NYC Central Park Monuments #1588: Excurio on Bringing their High-Throughput, XR LBE Theaters to North America #1589: Using VR to Paint Dreams for Active Imagination, Collaborative Dreamwork, and Symbolic Contemplation This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

I spoke with Michaela Ternasky Holland about her project The Gr(ai)t Debate at Onassis ONX Summer Showcase 2025 as well as the Portals of Solitude: Virtual Realities from Taiwan show she curated at the Museum of Moving Image. See more context in the rough transcript below. This is a listener-supported podcast through the Voices of VR Patreon. Music: Fatality

This interview is with Aleksandra Artamonovskaja https://www.aleksandra.art/amonovskaja, Head of Art at Trilitech of sustainable blockchain Tezos which is a R&D Hub in London. Aleksandra is a leader in the intersection of art and technology, with extensive experience in Web3 art projects. She is a prominent speaker, writer and educator on the role of decentralized technologies in the creative sector. Aleksandra holds an MA in Art Business from Sotheby's Institute of Art and co-founded Electric Artefacts in 2020, a curatorial advisory focused on digital art and blockchain projects. As the Ambassador and former Director of Partnerships at .ART, Aleksandra played a crucial role in launching the digital address for the arts in 2016, overseeing strategic partnerships to foster the embrace of technology in the art world, including collaborations with Rhizome and Ars Electronica, and spearheading the Digital Innovation in Art Award. Tell us about the blockchain Tezos and why it is the favored blockchain for artists Tezos has been favoured by artists since the launch of the first NFT platform in 2021, witnessing the influx of pioneering artists working with code, AI and other digital tools. Simultaneously artists from the global south found Tezos blockchain accessible thanks to its low minting fees and lack of gatekeeping across existing marketplaces. Thanks to Tezos Foundation supporting the arts direction - via educational programming for Museum professionals, platforms, residencies and artist programming, many artists were able to launch their careers and connect with like-minded peers to strengthen the community ties. The Tezos Foundation has been spearheading wider adoption, including being the first to present blockchain-based art at Art Basel in both Miami and Hong Kong. Through partnerships with prestigious institutions such as the Musée d'Orsay, the Serpentine Gallery, or the ArtScience Museum, internationally acclaimed cultural institutions have begun to embrace Web3 art. Notable collaborations include the Van Gogh Digital Collectibles at d'Orsay, MoMA's Postcard Project, and community programs like RGBMTL in Montreal or the Proof Of People festival in London. This institutional presence, combined with educational initiatives like the Vertical Crypto Residency and Academy by Blind Gallery, has made Tezos not just a marketplace but a cultural movement that prioritizes artists and genuine artistic innovation. Even Marina Abramovik chose Tezos for her "The Hero 25FPS" project in 2022, minting 6,500 unique frames from her 2001 film on the energy-efficient blockchain, and more recently for her 2025 "Marina Abramovik Element" project. Other high-profile initiatives include "Paintboxed - Tezos World Tour," a recent series of interactive events by ArtMeta that offered visitors the chance to experience the original Quantel Paintbox - the legendary digital art tool that created the MTV logo and David Hockney's first digital paintings. Why does Tezos Ecosystem support exhibits at Festivals, Conferences such as London Climate Action Week, Climate Week New York, United Nations Climate Change Conference (COP30)? Tezos Foundation and Trilitech Arts team focus on initiatives that can help spotlight the creators in the Tezos Ecosystem via dozens of in-real-life events throughout the year that often also coincide with Art World and Web3 events. Some examples include Ribela Festival in Spain curated by Sutan, NFC Lisbon pop-up gallery curated by Xcollabz, Second Guess exhibition during Berlin Gallery Weekend curated by Anika Meier, Museum of the Moving Image year-long artist exhibitions in New York curated by Regina Harsanyi to name a few. How is the art NFT market performing this year? The market for art on the blockchain is steadily expanding. Art curators and journalists are also moving past writing about the clickbait gamified trading NFTs that fetched speculative numbers, towards spotlighting the talented artists who have decades of ex...

Today it's about immersive filmmaking, installation storytelling and "clean" AI (00:00).Peter sits down with Michaela Tarnasky-Holland, a Peabody-nominated and Emmy winning director, to illustrate teh blueprint for starting a VR project, including the difference between immersive and interactive (01:52).Then, they explore the key aspects of the format and why the US lagging in VR adoption (16:28).Finally, Peter is joined with Daniel Mallek from Vū Technologies to unpack what are the true implications of an ethically licensed AI model like Moonvalley's Marey (36:47).You can learn more about Michaela Tarnasky-Holland and connect on LinkedIn.Find out more about Michaela's latest installation at the Museum of the Moving Image.Follow the Virtually Everything! Podcast on Instagram.If you want to send an email with feedback or show suggestions, you can reach us at virtually.everything@vustudio.com.Otherwise you can:Find Peter on LinkedIn.Bye for now!-------------The Virtually Everything! Podcast is presented by Vū Technologies. #VuStudio #ContentAtTheSpeedOfThoughtBye for now! Hosted on Acast. See acast.com/privacy for more information.

On this episode, the Humanities Center's 2024-2025 Post-Doctoral Fellow in the Humanities, film scholar Dr. Daryl Meador, sits down with Michael Borshuk to speak about her research on West Texas in American cinema. Annotating five notable films that depict the region onscreen, Dr. Meador comments on settler colonialism, silent movies, John Wayne, Paul Newman, Larry McMurtry, New Hollywood, and the Coen Brothers, among other figures and contexts.Some supplementary resources from this episode's conversation:Christopher Kelly, "No Country for Bad Movies," a Texas Monthly article on the best Texas movies ever.Charles Goodnight's 1916 silent movie Old Texas, from the Texas Archive of the Moving Image."Send us a message!"

Ep. 330: David Schwartz on A Theater Near You series at MoMA + Nitrate Picture Show 2025 Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The repertory cinemas of New York were a formative influence on me and so I was excited to see a new film series at the Museum of Modern Art that surveys their programming, called A Theater Near You. David Schwartz, the former chief curator at the Museum of the Moving Image, guest-programmed the series, and he joins the podcast to talk about how the specific films in the program capture the particular flavors of New York cinemas past, such as the Bleecker Street Cinema, the Public, and the pioneering Cinema 16, brainchild of New York Film Festival co-founder Amos Vogel. Then on the second half of our chat, Schwartz talks about the latest Nitrate Picture Show at the George Eastman Museum, the festival that shows exclusively nitrate prints, including La Ronde, The Destroyers of Our Gardens, and more. “A Theater Near You” runs through July 11 at the Museum of Modern Art. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

What are the (top) secrets of better collaboration?Is collaboration like a game of ping pong? Or more like ballroom dancing? Is there a better way to disagree? Does having constraints make design ... better? How is an exhibition like a film? And what happens when your project feels — in this case, even literally — like “Mission: Impossible”?Barbara Miller (Deputy Director for Curatorial Affairs, Museum of the Moving Image) and Danae Colomer (Director of Exhibition Management and Design, Museum of the Moving Image) discuss “Mission: Collaboration” with host Jonathan Alger (Managing Partner, C&G Partners | The Exhibition and Experience Design Studio).Along the way: zombies, skateboards, and messages that self-destruct.Talking Points:1. A Moving Experience2. What is Collaboration? 3. Is It Ping Pong ... or Ballroom Dancing? 4. Constraints Make a Stronger Design 5. Sometimes It's Mission: Impossible How to Listen:Listen on Apple Podcasts:https://podcasts.apple.com/us/podcast/making-the-museum/id1674901311  Listen on Spotify:https://open.spotify.com/show/6oP4QJR7yxv7Rs7VqIpI1G  Listen at Making the Museum, the Website:https://www.makingthemuseum.com/podcast  Links to Every Podcast Service, via Transistor:https://makingthemuseum.transistor.fm/ Guest Bios:Barbara Miller is Deputy Director for Curatorial Affairs at Museum of the Moving Image in New York, where she organizes exhibitions and directs the content of the Museum's permanent collection of material culture related to film, television and digital media. Major projects at MoMI include The Jim Henson Exhibition; Deepfake: Unstable Evidence on Screen; and Born Digital: Pathways Towards Preservation, an Andrew W. Mellon-funded initiative to institute sustainable collection and exhibition practices related to digital media. Prior to joining MoMI in 2009, Miller's wide-ranging research and storytelling projects included work on the nationally broadcast PBS documentary American Roots Music, for which she earned an Emmy nomination. She holds a Ph.D. in Cultural Anthropology from New York University.Danae Colomer is an architect and exhibition designer with over 15 years of experience across museum, architecture, and film design. She is passionate about the power of storytelling and how it can be translated into physical space to create meaningful, immersive experiences. Originally from Spain, Danae discovered her passion for exhibition design at the Centre Georges Pompidou in Paris. Since relocating to New York in 2009, she worked at Ralph Appelbaum Associates on award-winning museums worldwide. In 2021, she joined the Museum of the Moving Image as Director of Exhibition Management and Design. She holds a Master's in Architecture from the Escuela Técnica Superior de Arquitectura de Madrid and a Master's in Exhibition Design from FIT in New York. When she's not designing exhibitions, Danae explores the world through the curious eyes of her children — which currently means mastering the rules of soccer and decoding the unique language of skateboarding.About Making the Museum:Making the Museum is hosted (podcast) and written (newsletter) by Jonathan Alger. MtM is a project of C&G Partners | The Exhibition and Experience Design Studio.Learn more about the creative work of C&G Partners:https://www.cgpartnersllc.com/ Links for This Episode:Barbara by Email:bmiller@movingimage.org Barbara on LinkedIn:https://www.linkedin.com/in/barbara-miller-8b788b13b/ Danae by Email:dcolomer@movingimage.org Danae on LinkedIn:https://www.linkedin.com/in/danaecolomer/ Museum of the Moving Image (MoMI):https://movingimage.org/ “Mission: Impossible — Story and Spectacle” (Exhibition at MoMI):https://movingimage.org/event/mission-impossible-story-and-spectacle/ Links for Making the Museum, the Podcast:Contact Making the Museum:https://www.makingthemuseum.com/contact Host Jonathan Alger, Managing Partner of C&G Partners, on LinkedIn:https://www.linkedin.com/in/jonathanalger Email Jonathan Alger:alger@cgpartnersllc.com C&G Partners | The Exhibition and Experience Design Studio:https://www.cgpartnersllc.com/ Making the Museum, the Newsletter:Like the show? You might enjoy the newsletter. Making the Museum is also a free weekly professional development email for exhibition practitioners, museum leaders, and visitor experience professionals. (And newsletter subscribers are the first to hear about new episodes of this podcast.)Join hundreds of your peers with a one-minute read, three times a week. Invest in your career with a diverse, regular feed of planning and design insights, practical tips, and tested strategies — including thought-provoking approaches to technology, experience design, audience, budgeting, content, and project management.Subscribe to the newsletter:https://www.makingthemuseum.com/ 

A new book explores the perseverance of queer cinema between the 1930s and 1960s, when Hollywood was subject to the restrictive Motion Picture Production Code, otherwise known as the Hays Code. Michael Koresky, author and editorial director for the Museum of the Moving Image, joins us to discuss Sick and Dirty: Hollywood's Gay Golden Age and the Making of Modern Queerness.

Ep. 328: Michael Koresky on his new book Sick and Dirty: Hollywood's Gay Golden Age and the Making of Modern Queerness - The Children's Hour, These Three, Tea and Sympathy, Dance Girl Dance, and more Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. I was a huge fan of Michael Koresky's last book, Films of Endearment, and so I leapt into action when I heard about his latest, Sick and Dirty: Hollywood's Gay Golden Age and the Making of Modern Queerness. Koresky is now Senior Curator of Film at Museum of the Moving Image, and, as he points out, his book has roots in his column I had the privilege of editing at Film Comment, Queer and Now and Then. I spoke with him about some pivotal titles in his deeply researched chronicle of under-the-radar queer cinema from the 1930s to the 1960s, and the fascinating work that could emerge under Hollywood's censorship regime: These Three and The Children's Hour, two adaptations of Lillian Hellman's play, both directed by William Wyler; Dorothy Arzner's Dance, Girl, Dance; Vincente Minnelli's oft-maligned Tea & Sympathy; and more. “Sick and Dirty: Hollywood's Gay Golden Age and the Making of Modern Queerness” by Michael Koresky is available now, published by Bloomsbury. On June 22, Tea & Sympathy will screen with Koresky in conversation at the Museum of the Moving Image as part of a special book event. Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Legendary American scholar and critic Tom Gunning has changed the way we think about film history and the future of the medium, profoundly influencing generations of academics, artists, and cinephiles. On Sunday, April 27, Devika Girish and Clinton Krute hosted a live conversation with Gunning and curator David Schwartz at the Museum of the Moving Image, following a screening of Hal Hartley's Flirt (1995), an experimental narrative of love and loss set in three cities—New York, Berlin, and Tokyo. The event was part of a multiday series of screenings and discussions organized by Schwartz, taking place at venues including MoMI, Anthology Film Archives, and Light Industry. This special weekend marked the publication of a new collection of Gunning's writing, entitled The Attractions of the Moving Image: Essays on History, Theory, and the Avant-Garde. The conversation covered a wide range of topics, from Gunning's seminal essay “The Cinema of Attractions” (1986) to his teacher-student relationship with Hartley to some contemporary films that he's (perhaps surprisingly) enjoyed.

Video (television, film, the moving image generally) is today's most popular information medium. Two-thirds of the world's internet traffic is video. Americans get their news and information more often from screens and speakers than through any other means. The Moving Image: A User's Manual (MIT Press, 2025) is the first authoritative account of how we have arrived here, together with the first definitive manual to help writers, educators, and publishers use video more effectively.  Drawing on decades as an educator, publisher, and producer, MIT's Peter Kaufman presents new tools, best practices, and community resources for integrating film and sound into media that matters. Kaufman describes video's vital role in politics, law, education, and entertainment today, only 130 years since the birth of film. He explains how best to produce video, distribute it, clear rights to it, cite it, and, ultimately, archive and preserve it. With detailed guidance on producing and deploying video and sound for publication, finding and using archival video and sound, securing rights and permissions, developing distribution strategies, and addressing questions about citation, preservation, and storage—across the broadest spectrum of platforms, publications, disciplines, and formats—The Moving Image equips readers for the medium's continued ascendance in education, publishing, and knowledge dissemination in the decades to come. And, modeled in part on Strunk and White's classic, The Elements of Style, it's also a highly enjoyable read. Peter B. Kaufman is Senior Program Officer at MIT Open Learning. He is the author of The New Enlightenment and the Fight to Free Knowledge and founder of Intelligent Television, a video production company that works with cultural and educational institutions around the world. Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Video (television, film, the moving image generally) is today's most popular information medium. Two-thirds of the world's internet traffic is video. Americans get their news and information more often from screens and speakers than through any other means. The Moving Image: A User's Manual (MIT Press, 2025) is the first authoritative account of how we have arrived here, together with the first definitive manual to help writers, educators, and publishers use video more effectively.  Drawing on decades as an educator, publisher, and producer, MIT's Peter Kaufman presents new tools, best practices, and community resources for integrating film and sound into media that matters. Kaufman describes video's vital role in politics, law, education, and entertainment today, only 130 years since the birth of film. He explains how best to produce video, distribute it, clear rights to it, cite it, and, ultimately, archive and preserve it. With detailed guidance on producing and deploying video and sound for publication, finding and using archival video and sound, securing rights and permissions, developing distribution strategies, and addressing questions about citation, preservation, and storage—across the broadest spectrum of platforms, publications, disciplines, and formats—The Moving Image equips readers for the medium's continued ascendance in education, publishing, and knowledge dissemination in the decades to come. And, modeled in part on Strunk and White's classic, The Elements of Style, it's also a highly enjoyable read. Peter B. Kaufman is Senior Program Officer at MIT Open Learning. He is the author of The New Enlightenment and the Fight to Free Knowledge and founder of Intelligent Television, a video production company that works with cultural and educational institutions around the world. Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Video (television, film, the moving image generally) is today's most popular information medium. Two-thirds of the world's internet traffic is video. Americans get their news and information more often from screens and speakers than through any other means. The Moving Image: A User's Manual (MIT Press, 2025) is the first authoritative account of how we have arrived here, together with the first definitive manual to help writers, educators, and publishers use video more effectively.  Drawing on decades as an educator, publisher, and producer, MIT's Peter Kaufman presents new tools, best practices, and community resources for integrating film and sound into media that matters. Kaufman describes video's vital role in politics, law, education, and entertainment today, only 130 years since the birth of film. He explains how best to produce video, distribute it, clear rights to it, cite it, and, ultimately, archive and preserve it. With detailed guidance on producing and deploying video and sound for publication, finding and using archival video and sound, securing rights and permissions, developing distribution strategies, and addressing questions about citation, preservation, and storage—across the broadest spectrum of platforms, publications, disciplines, and formats—The Moving Image equips readers for the medium's continued ascendance in education, publishing, and knowledge dissemination in the decades to come. And, modeled in part on Strunk and White's classic, The Elements of Style, it's also a highly enjoyable read. Peter B. Kaufman is Senior Program Officer at MIT Open Learning. He is the author of The New Enlightenment and the Fight to Free Knowledge and founder of Intelligent Television, a video production company that works with cultural and educational institutions around the world. Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Video (television, film, the moving image generally) is today's most popular information medium. Two-thirds of the world's internet traffic is video. Americans get their news and information more often from screens and speakers than through any other means. The Moving Image: A User's Manual (MIT Press, 2025) is the first authoritative account of how we have arrived here, together with the first definitive manual to help writers, educators, and publishers use video more effectively.  Drawing on decades as an educator, publisher, and producer, MIT's Peter Kaufman presents new tools, best practices, and community resources for integrating film and sound into media that matters. Kaufman describes video's vital role in politics, law, education, and entertainment today, only 130 years since the birth of film. He explains how best to produce video, distribute it, clear rights to it, cite it, and, ultimately, archive and preserve it. With detailed guidance on producing and deploying video and sound for publication, finding and using archival video and sound, securing rights and permissions, developing distribution strategies, and addressing questions about citation, preservation, and storage—across the broadest spectrum of platforms, publications, disciplines, and formats—The Moving Image equips readers for the medium's continued ascendance in education, publishing, and knowledge dissemination in the decades to come. And, modeled in part on Strunk and White's classic, The Elements of Style, it's also a highly enjoyable read. Peter B. Kaufman is Senior Program Officer at MIT Open Learning. He is the author of The New Enlightenment and the Fight to Free Knowledge and founder of Intelligent Television, a video production company that works with cultural and educational institutions around the world. Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/education

Send us a text In this episode, Dr. Eeks is joined by neuroscientist Dr. Dwayne Godwin and cartoonist Dr. Jorge Cham, the creative duo behind Out of Your Mind, a book that makes neuroscience both fun and digestible—perfect for Nerds and Nerd Nots alike (yes, that's my podcast tagline). They kick things off with love—what it is, why we fall for some people and not others, and whether science could create a love potion that turns romance into a biochemical hostage situation. From love, they move to hate and how some people actually get addicted to hate. They'll also discuss AI—whether it could ever develop consciousness and what that might mean for humanity—before diving into addiction and the ongoing debate over how much of it is choice versus biology. They'll talk about happiness, whether money can actually buy it, and a bizarre true medical case of a man who, after a brain surgery gone wrong, was left permanently stuck in the present moment.  Finally, they'll explore what happens when we die and whether the authors ever get existentially bummed out thinking about how fragile and robotic we really are. If you like science with a side of humor and deep, slightly absurd questions, this episode is for you. Dr. Dwayne Godwin is a neuroscientist, educator, and professor in the Department of Translational Neuroscience at Wake Forest University School of Medicine. His research focuses on abnormal brain rhythms, exploring calcium channel function, epilepsy, and traumatic brain injury to develop potential treatments for neurological diseases. Beyond the lab, he is passionate about science outreach, co-creating Mind in Pictures for Scientific American Mind and contributing to blogs for the Society for Neuroscience and the Museum of the Moving Image. Dr. Jorge Cham is a Daytime Emmy-nominated, best-selling cartoonist and the creator of PHD Comics, a popular online comic strip about academia. He is the co-creator, Executive Producer, and Creative Director of Elinor Wonders Why, a top-rated PBS Kids animated series. Cham has co-authored several popular science books, including We Have No Idea: A Guide to the Unknown Universe and Frequently Asked Questions about the Universe, as well as the children's book Oliver's Great Big Universe. He also co-hosts and co-creates the hit podcast Daniel and Jorge Explain the Universe. Originally from Panama, Cham earned his Ph.D. in robotics from Stanford University and was a researcher at Caltech.You can contact Dr. Eeks at bloomingwellness.com.Follow Eeks on Instagram here.Or Facebook here.Or X.On Youtube.Or TikTok.SUBSCRIBE to her monthly newsletter here.Support the show

Mike welcomes Eric Hynes and Edo Choi, curators of First Look 2025 at the Museum of the Moving Image, running running March 12-16 in Astoria, New York. Now in its 14th year, the festival remains a vital showcase for bold, boundary-pushing cinema from around the world.This year's lineup includes 38 films—20 features and numerous shorts—spanning 21 countries, with three world premieres and 24 U.S. or North American premieres. Each evening culminates in a Showcase Screening at MoMI's Sumner Redstone Theater. The festival opens with the U.S. premiere of Durga Chew-Bose's Bonjour Tristesse, a contemporary take on the classic novel, and closes with Giovanni Tortorici's Diciannove, an intimate portrait of a young man's journey across Italy.Mike, Eric, and Edo dive into the festival's mission of discovery, its rigorous selection process, and the importance of in-person filmmaker appearances. They also highlight First Look's unique inclusion of work-in-progress screenings and discussions, offering a behind-the-scenes look at emerging cinematic voices. Whether you're attending or just love adventurous filmmaking, this episode provides an insightful preview of what makes First Look a can't-miss event for cinephiles.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Mike welcomes Eric Hynes and Edo Choi, curators of First Look 2025 at the Museum of the Moving Image, running running March 12-16 in Astoria, New York. Now in its 14th year, the festival remains a vital showcase for bold, boundary-pushing cinema from around the world.This year's lineup includes 38 films—20 features and numerous shorts—spanning 21 countries, with three world premieres and 24 U.S. or North American premieres. Each evening culminates in a Showcase Screening at MoMI's Sumner Redstone Theater. The festival opens with the U.S. premiere of Durga Chew-Bose's Bonjour Tristesse, a contemporary take on the classic novel, and closes with Giovanni Tortorici's Diciannove, an intimate portrait of a young man's journey across Italy.Mike, Eric, and Edo dive into the festival's mission of discovery, its rigorous selection process, and the importance of in-person filmmaker appearances. They also highlight First Look's unique inclusion of work-in-progress screenings and discussions, offering a behind-the-scenes look at emerging cinematic voices. Whether you're attending or just love adventurous filmmaking, this episode provides an insightful preview of what makes First Look a can't-miss event for cinephiles.Become a supporter of this podcast: https://www.spreaker.com/podcast/the-projection-booth-podcast--5513239/support.

Senior Curator of Film at the Museum of the Moving Image, Eric Hynes, is my guest in the first segment. Eric and I discuss the Museum's upcoming First Look festival to take place Wednesday, March 12th through Sunday, March 16th. First Look, MoMI's annual festival showcasing adventurous new cinema, returns for its 14th edition, offering a diverse slate of major New York premieres, work-in-progress screenings and sessions, gallery installations, and fresh perspectives on the art and process of filmmaking. This year's festival introduces New York audiences to more than three dozen works from around the world, encompassing feature and short films; fiction and nonfiction; performances and experiments. The guiding ethos of First Look is openness, curiosity, discovery, aiming to expose audiences to new art, artists to new audiences, and everyone to different methods, perspectives, interrogations, and encounters. For five consecutive days the festival takes over MoMI's two theaters, as well as other rooms and galleries throughout the Museum—with in-person appearances and dialogue integral to the experience. Each night concludes with one of five selected Showcase Screenings in MoMI's Sumner Redstone Theater.  In my segment I am joined by the film producer Jack Piatt and singer songwriter journeyman Chris Smither. They are part of the team behind a new short film, "The Singers" which premieres this weekend at SxSW. "The Singers" is a genre-bending film adaptation of a 19th-century short story written by Ivan Turgenev, in which a lowly pub full of downtrodden men connect unexpectedly through an impromptu sing-off. The film explores the complexities of masculinity and the power of vulnerability through art. Chris Smither makes his acting debut in this film directed by Sam Davis.

Ep. 304: Eric Hynes on True/False 2025: WTO/99, A Body to Live In, Resurrection, Kouté vwa, The Undergrowth Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The True/False Film Festival brings outstanding nonfiction films and filmmakers to Columbia, Missouri, each year, attracting world premieres and also curating from Sundance, IDFA, Berlin, and beyond. I sat down in Columbia with fellow True/False-goer Eric Hynes, senior curator of film at Museum of the Moving Image, to exchange some highlights from our time at the 2025 edition. Films discussed include: Resurrection (directed by Hu Sanshou), A Body to Live In (Angelo Madsen), WTO/99 (Ian Bell), The Undergrowth (Macu Machin), and Kouté vwa (Listen to the Voices) (Maxime Jean-Baptiste). Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

On this episode we take you to New York's Museum of the Moving Image for Clayography in Motion: Adam Elliot's Memoir of a Snail where the director talks about his Oscar nominated film. Then we'll take you to DCTV's Firehouse Cinema for a special screening of two documentary shorts from POV, the longest-running PBS series, Until He's Back, a documentary about the migrant crisis in Europe and A Swim Lesson, a profile of swimming instructor Bill Marsh  featuring directors Jacquelin Baylon and Will McCormack - moderated by POV shorts producer Opal Bennet. 

Ep. 293: Eric Hynes on Mad Bills to Pay, The Perfect Neighbor, Rebuilding, Seeds Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. For the latest Sundance 2025 podcast, I spoke with Eric Hynes, curator of film at the Museum of the Moving Image, with whom I kicked off this edition's podcasts. This time we talked about a mix of films, both fiction and documentary, prize-winners and not: Rebuilding (directed by Max Walker-Silverman and starring Josh O'Connor), The Perfect Neighbor (Geeta Gandbhir), Mad Bills to Pay (Joel Alfonso Vargas), and Seeds (Brittany Shyne). Stay tuned for more! Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

Ep. 289: Eric Hynes on Sundance 2025: Preview and 2000 Meters to Andriivka Welcome to The Last Thing I Saw, with your host, Nicolas Rapold. The 2025 edition of the Sundance Film Festival has begun, and I kick things off with curator Eric Hynes of the Museum of the Moving Image. We talk about where Sundance's evolving plans for the future, we trade a few titles we're anticipating in the lineup, and finally we talk about a film that premiered on the first night. That would be 2,000 Meters to Andriivka, the bold new documentary from Mstyslav Chernov, whose 20 Days in Mariupol won an Academy Award (and who has been a guest on this podcast). Much more is to come, so don't be a stranger! Please support the production of this podcast by signing up at: rapold.substack.com Photo by Steve Snodgrass

In this episode of The Filmumentaries Podcast, I sit down with cinema historian and walking tour guide, Nigel Smith. Nigel is the creator of Memory Palaces, a website project dedicated to exploring and preserving the stories of London's cinemas—both those still standing and those long forgotten. Join me and Nigel as we discuss:Nigel's early love of cinema, sparked by watching Superman II as a child.The evolution of his passion from movies to the buildings that housed them.The rich history of London's cinema culture, including iconic locations like the West End's movie palaces and quirky cinemas like the Prince Charles.Fascinating discoveries from Nigel's research, such as a Camden cinema run by a medium who let spirits dictate the programming.The enduring importance of community in cinema-going, from bustling matinees of the past to modern film clubs like Tufnell Park Film Club.Nigel also shares anecdotes from his popular walking tours, where participants bring their own memories to add to the tapestry of London's cinematic past. Whether it's the glamour of West End premieres or the humble beginnings of Victorian-era musicals, Nigel's storytelling brings the history of cinema to life in a truly unique way.For more on Nigel's work and how to join one of his walking tours, visit Memory Palaces.Links and Recommendations:Learn about Nigel's walking tours: Memory PalacesVisit the Cinema Museum in London: cinemamuseum.org.ukExplore the Kent Museum of the Moving Image: kentmomi.orgListen in for a fascinating conversation about the intersections of cinema, architecture, and community.All my links

Growing up in Northern California, Jacob Rosenberg developed his passion for video and film as a skateboarder in the early 1990s, making acclaimed videos for Plan B Skateboards under the mentorship of the late founder Mike Ternasky. Upon his graduation from Emerson College, Rosenberg began his professional career directing music videos, short films, and commercials where he has directed and produced talent names such as LeBron James, Quincy Jones, Snoop Dogg, and Latto. Rosenberg served for a decade as a partner at the independent studio Bandito Brothers, spearheading forward-thinking digital workflows as their CTO and in-house director. He contributed expertise to productions such as Avatar and Act of Valor as well as numerous documentaries including Shine A Light and S.O.P.. In 2012, Rosenberg's directorial debut, Waiting for Lightning, premiered at SXSW, going on to be released by Samuel Goldwyn Films. The documentary feature painted an intimate portrait of childhood friend and skateboard legend Danny Way, who in 2005 attempted to jump the Great Wall of China on a skateboard. With a penchant for telling deeply human stories, Rosenberg's documentaries range on subjects from land speed racing to skateboarding, photography, technology, and the world of magician Franco Pascali. His award-winning broadcast work has included campaigns for Ford, INFINITI, HUMMER, NBA, MLB, Royal Caribbean, Burger King, Beats, Advil, Intel, and countless others. Rosenberg's latest works include co-curating a first-of-its-kind museum exhibit on the emergence of skateboard videos in the 1990s at The Museum of the Moving Image in Queens, as well as his first photo book RIGHT BEFORE MY EYES, documenting a decade of Bay Area hip-hop and skate culture. The book focuses on Jacob's story, coming up as a filmmaker for Plan B and then a photographer for the rap collective Hieroglyphics—which culminated in filming, editing, and directing their first group music video “You Never Knew” in 1998. Topics Discussed In This Episode: Jacob speaks about his new book, Right Before My Eyes (00:09:32) Magic, childlike curiosity, and the film “The Red Balloon” (00:13:19) Jacob shares his experience creating “Waiting For Lightning,” a documentary about skateboarder Danny Way (00:18:51) Jacob reflects on how creative pursuits helped him navigate childhood trauma (00:22:08) Finding acceptance through skateboarding (00:29:52) Jacob opens up about childhood trauma and how it fostered his ability to empathize with others (00:38:14) Yoshino shares how teaching boxing to kids highlights their natural embrace of diversity, connecting it to skateboarding's cultural inclusivity (00:40:42) Jacob reflects on how childhood influences like Star Wars and Public Enemy shaped his creativity (00:52:09) Jacob recounts meeting his mentor, Mike Ternasky (Co-Founder of Plan B and H Street Skateboards), at a skate camp in 1988 (00:58:04) How authenticity and small acts of kindness create meaningful connections (01:04:56) The conversation explores empathy as a counter to divisiveness in politics and mass media (01:07:46) Yoshino reflects on experiencing racism while traveling (01:18:15) Jacob discusses creating Plan B's iconic skate videos: Questionable, Virtual Reality, and Secondhand Smoke (01:21:54) Jacob highlights a museum exhibit celebrating 1990s skateboarding videos as cultural and documentary art (01:32:10) Joan Scheckel and her embodied storytelling technique (01:35:36) The importance of open-hearted living and artists staying fearlessly present during turbulent times (01:41:53) Yoshino and Jacob admire the subtle storytelling in Wim Wenders' Perfect Days (01:51:07) Jacob discusses his book Right Before My Eyes, chronicling his growth as a filmmaker and skateboarding's evolution from 1988 to 1998 (01:58:28) Yoshino and Jacob explore how modern technology overwhelms and disconnects, emphasizing slowing down and finding grounding in nature and analog experiences (02:03:57) artistdecoded.com jacobrosenberg.tv/shop instagram.com/jacobrosenberg    

A fat suit is a custom-made costume with one goal: to make an actor appear fat without them actually having to be fat. It's typically a unitard filled with mattress foam and other wiggly, jiggly bits—but it's also so much more than that, an embodiment of all our cultural hang-ups about fatness. In today's episode we're going to consider the fat suit from all angles: how it's made, how it's changed, and why it continues to exist.You'll hear from Dawn Dininger, Royce Best, Amy Farrell, Hazel Cills, Mia Mask, and Matthew Mungle.This episode was written and produced by Katie Shepherd. It was edited by Willa Paskin. Decoder Ring is also produced by Evan Chung and Max Freedman. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. We had mixing help from Kevin Bendis.Special thank you to: Mike Marino, Jacqui Lucey, Gina Tonic, Kate Young, Barbara Miller and The Museum of the Moving Image.If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends.If you're a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate's website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Hosted on Acast. See acast.com/privacy for more information.

A fat suit is a custom-made costume with one goal: to make an actor appear fat without them actually having to be fat. It's typically a unitard filled with mattress foam and other wiggly, jiggly bits—but it's also so much more than that, an embodiment of all our cultural hang-ups about fatness. In today's episode we're going to consider the fat suit from all angles: how it's made, how it's changed, and why it continues to exist. You'll hear from Dawn Dininger, Royce Best, Amy Farrell, Hazel Cills, Mia Mask, and Matthew Mungle. This episode was written and produced by Katie Shepherd. It was edited by Willa Paskin. Decoder Ring is also produced by Evan Chung and Max Freedman. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. We had mixing help from Kevin Bendis. Special thank you to: Mike Marino, Jacqui Lucey, Gina Tonic, Kate Young, Barbara Miller and The Museum of the Moving Image. If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate's website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

A fat suit is a custom-made costume with one goal: to make an actor appear fat without them actually having to be fat. It's typically a unitard filled with mattress foam and other wiggly, jiggly bits—but it's also so much more than that, an embodiment of all our cultural hang-ups about fatness. In today's episode we're going to consider the fat suit from all angles: how it's made, how it's changed, and why it continues to exist.You'll hear from Dawn Dininger, Royce Best, Amy Farrell, Hazel Cills, Mia Mask, and Matthew Mungle.This episode was written and produced by Katie Shepherd. It was edited by Willa Paskin. Decoder Ring is also produced by Evan Chung and Max Freedman. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. We had mixing help from Kevin Bendis.Special thank you to: Mike Marino, Jacqui Lucey, Gina Tonic, Kate Young, Barbara Miller and The Museum of the Moving Image.If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends.If you're a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate's website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Hosted on Acast. See acast.com/privacy for more information.

A fat suit is a custom-made costume with one goal: to make an actor appear fat without them actually having to be fat. It's typically a unitard filled with mattress foam and other wiggly, jiggly bits—but it's also so much more than that, an embodiment of all our cultural hang-ups about fatness. In today's episode we're going to consider the fat suit from all angles: how it's made, how it's changed, and why it continues to exist. You'll hear from Dawn Dininger, Royce Best, Amy Farrell, Hazel Cills, Mia Mask, and Matthew Mungle. This episode was written and produced by Katie Shepherd. It was edited by Willa Paskin. Decoder Ring is also produced by Evan Chung and Max Freedman. Derek John is Executive Producer. Merritt Jacob is Senior Technical Director. We had mixing help from Kevin Bendis. Special thank you to: Mike Marino, Jacqui Lucey, Gina Tonic, Kate Young, Barbara Miller and The Museum of the Moving Image. If you haven't yet, please subscribe and rate our feed in Apple Podcasts or wherever you get your podcasts. And even better, tell your friends. If you're a fan of the show, please sign up for Slate Plus. Members get to listen to Decoder Ring and all other Slate podcasts without any ads and have total access to Slate's website. Your support is also crucial to our work. Go to Slate.com/decoderplus to join Slate Plus today. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, Payton dives into the case of Joan and John Hill, a glamorous couple at the height of Houston society, who become entangled in one of the city's most notorious murder mysteries in the 1960s. Social media and more: https://linktr.ee/intothedarkpod Case Sources: Blood and Money by Thomas Thompson ABC13 - https://abc13.com/texas-true-crime-river-oaks-murder-mystery-joan-robinson-hill-john/13235480/ Texas Archive of the Moving Image - https://texasarchive.org/2015_02478 San Antonio Express News - https://www.expressnews.com/news/article/joan-hill-poisoned-eclair-17872258.php PBS - https://www.pbs.org/wgbh/pages/frontline/shows/mexico/etc/cali.html  New York Daily News - https://www.nydailynews.com/2015/05/30/texas-doctor-who-killed-wife-with-poisoned-pastry-was-eventually-gunned-down-in-murder-for-hire-as-sordid-story-later-became-made-for-tv-movie-starring-sam-elliott-and-farrah-fawcett/ Casemine - https://www.casemine.com/judgement/us/5914c4f2add7b049347d0da0 UPI - https://www.upi.com/Archives/1980/11/24/Blood-money-and-toxic-shock/8198343890000/ Johns Hopkins Medicine - https://www.hopkinsmedicine.org/health/conditions-and-diseases/toxic-shock-syndrome-tss The National Library of Medicine - https://pubmed.ncbi.nlm.nih.gov/6306933/ Learn more about your ad choices. Visit podcastchoices.com/adchoices