Podcast appearances and mentions of Cooper Hewitt

The second part of the discussion of embroidery history covers blackwork and Opus Anglicanum, then embroidery samplers and beetle-wing embroidery. Research: Абильда, Айжан. “Scythians are creators of embroidery art.” Qazaqstan Tarihy. May 24, 2019. https://e-history.kz/en/news/show/7178#:~:text=Embroidery%20is%20a%20traditional%20East,a%20wedding%20or%20a%20party. Angus, Jennifer. “Nature’s Sequins.” Cooper Hewitt. Sept. 14, 2018. https://www.cooperhewitt.org/2018/09/14/natures-sequins/ “The art of printing textile.” Musee de L’Impression sur Etoffes. https://www.musee-impression.com/en/the-collection/ Badshah, Nadeem. “Bayeux tapestry to be insured for £800m for British Museum exhibition.” The Guardian. Dec. 27. 2025. https://www.theguardian.com/world/2025/dec/27/bayeux-tapestry-to-be-insured-for-800m-for-british-museum-exhibition “Bayeux Tapestry.” UNESCO. https://www.unesco.org/en/memory-world/bayeux-tapestry “The Bayeux Tapestry.” La Tapisserie de Bayeux. Bayeux Museum. https://www.bayeuxmuseum.com/en/the-bayeux-tapestry/ Binswanger, Julia. “These Delicate Needles Made From Animal Bones May Have Helped Prehistoric Humans Sew Warm Winter Clothing.” Smithsonian. Dec. 11, 2024. https://www.smithsonianmag.com/smart-news/these-delicate-needles-made-from-animal-bones-may-have-helped-prehistoric-humans-sew-warm-winter-clothing-180985601/ Britannica Editors. "Scythian art". Encyclopedia Britannica, 27 May. 2018, https://www.britannica.com/art/Scythian-art “Chasuble (Opus Anglicanum).” The Met. https://www.metmuseum.org/art/collection/search/466660 Chung, Young Yang. “Silken Threads: A History of Embroidery in China, Korea, Japan, and Vietnam.” Abrams. 2005. Daniels, Margaret Harrington. “Early Pattern Books for Lace and Embroidery.” Bulletin of the Needle and Bobbin Club. https://www2.cs.arizona.edu/patterns/weaving/articles/nb33_lac.pdf “DMC.” Textile Research Center Leiden. https://trc-leiden.nl/trc-needles/organisations-and-movements/companies/dmc “Dragon Robe Decoded.” Sotheby’s. May 23, 2019. https://www.sothebys.com/en/articles/dragon-robe-decoded Embroiderers’ Guild. https://embroiderersguild.com/ Embroiderers’ Guild of America. https://egausa.org/ “Embroidery Techniques from Around the World: Crewel.” Embroiderer’ Guild of America. Oct. 28, 2024. https://egausa.org/embroidery-techniques-from-around-the-world-crewel/ Francfort, H.-P., 2020, “Scythians, Persians, Greeks and Horses: Reflections on Art, Culture Power and Empires in the Light of Frozen Burials and other Excavations”, in: , Londres, British Museum, p. 134-155. https://www.academia.edu/44417916/Francfort_H_P_2020_Scythians_Persians_Greeks_and_Horses_Reflections_on_Art_Culture_Power_and_Empires_in_the_Light_of_Frozen_Burials_and_other_Excavations_in_Londres_British_Museum_p_134_155 “Girlhood Embroidery.” Pilgrim Hall Museum. https://www.pilgrimhall.org/girlhood_embroidery.htm Gower, John G., and G.C. Macaulay, ed. “The Complete Works of John Gower.” Clarendon Press. 1901. https://www.gutenberg.org/files/71162/71162-h/71162-h.htm#Page_1 “Introducing Opus Anglicanum.” Victoria and Albert Museum. https://www.vam.ac.uk/articles/about-opus-anglicanum?srsltid=AfmBOor2pOTddjxaPC9AXHvvQuGXD4Tyx9N3zBeISzMSDHX1KnaUnfnL “Introducing the Scythians.” British Museum. May 30, 2017. https://www.britishmuseum.org/blog/introducing-scythians Nazarova, Yevhenia. “Ukraine's Ancient 'River Guardians.'” Radio Free Europe. Oct. 17, 2021. https://www.rferl.org/a/scythian-dig-ukraine-river-guardians-discovery/31507187.html "Ancient Peruvian Textiles." The Museum Journal XI, no. 3 (September, 1920): 140-147. Accessed December 22, 2025. https://www.penn.museum/sites/journal/843/ “Embroidery – a history of needlework samplers.” Victoria & Albery Museum. https://www.vam.ac.uk/articles/embroidery-a-history-of-needlework-samplers “History of The Broderers.” The Worshipful Company of Broderers. https://broderers.co.uk/history-broderers “The History of Britain's Bayeux Tapestry.” Reading Museum. https://www.readingmuseum.org.uk/collections/britains-bayeux-tapestry/history-britains-bayeux-tapestry Kennedy, Maev. “British Museum to go more than skin deep with Scythian exhibition.” The Guardian. May 30, 2017. https://www.theguardian.com/culture/2017/may/30/british-museum-skin-scythian-exhibition-tattoo-empire Lattanzio, Giaga. “Byzantine.” Fashion History Timeline. FITNYC. https://fashionhistory.fitnyc.edu/byzantine/ Leslie, Catherine Amoroso. “Needlework Through History: An Encyclopedia.” Greenwood Press. 2007. Libes, Kenna. “Beetle-Wing Embroidery in Nineteenth-Century Fashion.” Fashion History Timeline. FITNYC. https://fashionhistory.fitnyc.edu/beetle-wing-19thcentury/ Liu Y, Li Y, Li X, Qin L. The origin and dispersal of the domesticated Chinese oak silkworm, Antheraea pernyi, in China: a reconstruction based on ancient texts. J Insect Sci. 2010;10:180. doi: 10.1673/031.010.14140 “Mrs. Jacob Wendell (Mary Barrett, 1832–1912).” The New York Historical. https://emuseum.nyhistory.org/objects/68658/mrs-jacob-wendell-mary-barrett-18321912 Muntz, Eugene and Louisa J. Davis. “A short history of tapestry. From the earliest times to the end of the 18th century.” London. Cassel & Co. 1885. Accessed online: https://archive.org/details/shorthistoryofta00mntz/page/n3/mode/2up Pohl, Benjamin. “Chewing over the Norman Conquest: the Bayeux Tapestryas monastic mealtime reading.” Historical Research. 2025. https://academic.oup.com/histres/advance-article/doi/10.1093/hisres/htaf029/8377922 Puiu, Tibi. “Pristine 2,300-year-old Scythian woman’s boot found in frozen Altai mountains.” ZME Science. Dec. 29, 2021. https://www.zmescience.com/science/scythian-boots-0532/ Razzall, Katie. “Bayeux Tapestry to return to UK on loan after 900 years.” BBC. July 8, 2025. https://www.bbc.com/news/articles/c14ev1z6d5go Royal School of Needlework. https://royal-needlework.org.uk/ Salmony, Alfred. “The Archaeological Background of textile Production in Soviet Russia Territory.” The Bulletin of the Needle and Bobbin Club. Volume 26. No. 2. 1942. https://www2.cs.arizona.edu/patterns/weaving/periodicals/nb_42_2.pdf “Sampler.” Victoria & Albert Museum. https://collections.vam.ac.uk/item/O46183/sampler-jane-bostocke/ Schӧnsperger, Johann. “Ein ney Furmbüchlein. 1525-1528. Met Museum Collection. https://www.metmuseum.org/art/collection/search/354716 Schӧnsperger, Johann. “Ein new Modelbuch … “ 1524. https://www.metmuseum.org/art/collection/search/354660 Shrader, Dustin. “Embroidery Through the Ages.” Impressions. July 28, 2023. https://impressionsmagazine.com/process-technique/embroidery-through-the-ages/39234/#:~:text=The%20Age%2DOld%20Beginning&text=We%20tend%20to%20typically%20think,to%20generation%20across%20the%20millennia. “Silk Roads Programme.” UNESCO. https://en.unesco.org/silkroad/silkroad-interactive-map Sons of Norway's Cultural Skills Program. “Unit 8: Hardanger Embroidery.” 2018. https://www.sofn.com/wp-content/uploads/2018/11/unit8hardanger_rev8.11.pdf “Suzhou Embroidery.” Smithsonian National Museum of Asian Art.” https://asia-archive.si.edu/learn/for-educators/teaching-china-with-the-smithsonian/videos/suzhou-embroidery/ Teall, John L., Nicol, Donald MacGillivray. "Byzantine Empire". Encyclopedia Britannica, 5 Dec. 2025, https://www.britannica.com/place/Byzantine-Empire Warner, Pamela. “Embroidery: A History.” B.T. Bedford, Ltd. 1991. Watt, James C. Y., and Anne E. Wardwell. “When Silk Was Gold: Central Asian and Chinese Textiles.” Metropolitan Museum of Art. Harry N. Abrams. New York. 1997. https://cdn.sanity.io/files/cctd4ker/production/d781d44d3048d49257072d610034400182246d3e.pdf Watt, Melinda. “Textile Production in Europe: Embroidery, 1600–1800.” The Met. Oct. 1, 2003. https://www.metmuseum.org/essays/textile-production-in-europe-embroidery-1600-1800 See omnystudio.com/listener for privacy information.

The Gilded Age was a time of unparalleled wealth and prosperity in America—but it was also a time of staggering inequality, corruption, and unchecked power. Among its richest figures was Andrew Carnegie, the steel magnate who built his fortune on the backs of low-paid workers, only to give it away—earning him the nickname the Godfather of American Philanthropy. He didn't just fund libraries and universities, he championed a philosophy: that it was the duty of the ultra-wealthy to serve the public good.But, as it turns out, even philanthropy is a form of power. So, what exactly have wealthy philanthropists done with their power? We explore that question at the Cooper Hewitt, Smithsonian Design Museum, inside Carnegie's former mansion. There, a board game called Philanthropy invites players to reimagine the connection between money and power—not by amassing wealth, but by giving it away.Produced by The Smithsonian's Podcast — Sidedoor.  With host and Senior Producer Lizzie Peabody. Featuring:  Christina de León, Associate Curator of Latino Design at the Cooper Hewitt, Smithsonian Design Museum Tommy Mishima, artist and co-creator (with Liam Lee) of the installation Game Room in Cooper Hewitt's triennial Making Home David Nasaw, author of the biography Andrew Carnegie The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. Part of the Radiotopia network from PRX. 

The first installment of this two-parter covers ancient embroidery around the world, and then focuses on European embroidery, Chinese dragon robes, and the Bayeux Tapestry. Research: Абильда, Айжан. “Scythians are creators of embroidery art.” Qazaqstan Tarihy. May 24, 2019. https://e-history.kz/en/news/show/7178#:~:text=Embroidery%20is%20a%20traditional%20East,a%20wedding%20or%20a%20party. Angus, Jennifer. “Nature’s Sequins.” Cooper Hewitt. Sept. 14, 2018. https://www.cooperhewitt.org/2018/09/14/natures-sequins/ “The art of printing textile.” Musee de L’Impression sur Etoffes. https://www.musee-impression.com/en/the-collection/ Badshah, Nadeem. “Bayeux tapestry to be insured for £800m for British Museum exhibition.” The Guardian. Dec. 27. 2025. https://www.theguardian.com/world/2025/dec/27/bayeux-tapestry-to-be-insured-for-800m-for-british-museum-exhibition “Bayeux Tapestry.” UNESCO. https://www.unesco.org/en/memory-world/bayeux-tapestry “The Bayeux Tapestry.” La Tapisserie de Bayeux. Bayeux Museum. https://www.bayeuxmuseum.com/en/the-bayeux-tapestry/ Binswanger, Julia. “These Delicate Needles Made From Animal Bones May Have Helped Prehistoric Humans Sew Warm Winter Clothing.” Smithsonian. Dec. 11, 2024. https://www.smithsonianmag.com/smart-news/these-delicate-needles-made-from-animal-bones-may-have-helped-prehistoric-humans-sew-warm-winter-clothing-180985601/ Britannica Editors. "Scythian art". Encyclopedia Britannica, 27 May. 2018, https://www.britannica.com/art/Scythian-art “Chasuble (Opus Anglicanum).” The Met. https://www.metmuseum.org/art/collection/search/466660 Chung, Young Yang. “Silken Threads: A History of Embroidery in China, Korea, Japan, and Vietnam.” Abrams. 2005. Daniels, Margaret Harrington. “Early Pattern Books for Lace and Embroidery.” Bulletin of the Needle and Bobbin Club. https://www2.cs.arizona.edu/patterns/weaving/articles/nb33_lac.pdf “DMC.” Textile Research Center Leiden. https://trc-leiden.nl/trc-needles/organisations-and-movements/companies/dmc “Dragon Robe Decoded.” Sotheby’s. May 23, 2019. https://www.sothebys.com/en/articles/dragon-robe-decoded Embroiderers’ Guild. https://embroiderersguild.com/ Embroiderers’ Guild of America. https://egausa.org/ “Embroidery Techniques from Around the World: Crewel.” Embroiderer’ Guild of America. Oct. 28, 2024. https://egausa.org/embroidery-techniques-from-around-the-world-crewel/ Francfort, H.-P., 2020, “Scythians, Persians, Greeks and Horses: Reflections on Art, Culture Power and Empires in the Light of Frozen Burials and other Excavations”, in: , Londres, British Museum, p. 134-155. https://www.academia.edu/44417916/Francfort_H_P_2020_Scythians_Persians_Greeks_and_Horses_Reflections_on_Art_Culture_Power_and_Empires_in_the_Light_of_Frozen_Burials_and_other_Excavations_in_Londres_British_Museum_p_134_155 “Girlhood Embroidery.” Pilgrim Hall Museum. https://www.pilgrimhall.org/girlhood_embroidery.htm Gower, John G., and G.C. Macaulay, ed. “The Complete Works of John Gower.” Clarendon Press. 1901. https://www.gutenberg.org/files/71162/71162-h/71162-h.htm#Page_1 “Introducing Opus Anglicanum.” Victoria and Albert Museum. https://www.vam.ac.uk/articles/about-opus-anglicanum?srsltid=AfmBOor2pOTddjxaPC9AXHvvQuGXD4Tyx9N3zBeISzMSDHX1KnaUnfnL “Introducing the Scythians.” British Museum. May 30, 2017. https://www.britishmuseum.org/blog/introducing-scythians Nazarova, Yevhenia. “Ukraine's Ancient 'River Guardians.'” Radio Free Europe. Oct. 17, 2021. https://www.rferl.org/a/scythian-dig-ukraine-river-guardians-discovery/31507187.html "Ancient Peruvian Textiles." The Museum Journal XI, no. 3 (September, 1920): 140-147. Accessed December 22, 2025. https://www.penn.museum/sites/journal/843/ “Embroidery – a history of needlework samplers.” Victoria & Albery Museum. https://www.vam.ac.uk/articles/embroidery-a-history-of-needlework-samplers “History of The Broderers.” The Worshipful Company of Broderers. https://broderers.co.uk/history-broderers “The History of Britain's Bayeux Tapestry.” Reading Museum. https://www.readingmuseum.org.uk/collections/britains-bayeux-tapestry/history-britains-bayeux-tapestry Kennedy, Maev. “British Museum to go more than skin deep with Scythian exhibition.” The Guardian. May 30, 2017. https://www.theguardian.com/culture/2017/may/30/british-museum-skin-scythian-exhibition-tattoo-empire Lattanzio, Giaga. “Byzantine.” Fashion History Timeline. FITNYC. https://fashionhistory.fitnyc.edu/byzantine/ Leslie, Catherine Amoroso. “Needlework Through History: An Encyclopedia.” Greenwood Press. 2007. Libes, Kenna. “Beetle-Wing Embroidery in Nineteenth-Century Fashion.” Fashion History Timeline. FITNYC. https://fashionhistory.fitnyc.edu/beetle-wing-19thcentury/ Liu Y, Li Y, Li X, Qin L. The origin and dispersal of the domesticated Chinese oak silkworm, Antheraea pernyi, in China: a reconstruction based on ancient texts. J Insect Sci. 2010;10:180. doi: 10.1673/031.010.14140 “Mrs. Jacob Wendell (Mary Barrett, 1832–1912).” The New York Historical. https://emuseum.nyhistory.org/objects/68658/mrs-jacob-wendell-mary-barrett-18321912 Muntz, Eugene and Louisa J. Davis. “A short history of tapestry. From the earliest times to the end of the 18th century.” London. Cassel & Co. 1885. Accessed online: https://archive.org/details/shorthistoryofta00mntz/page/n3/mode/2up Pohl, Benjamin. “Chewing over the Norman Conquest: the Bayeux Tapestryas monastic mealtime reading.” Historical Research. 2025. https://academic.oup.com/histres/advance-article/doi/10.1093/hisres/htaf029/8377922 Puiu, Tibi. “Pristine 2,300-year-old Scythian woman’s boot found in frozen Altai mountains.” ZME Science. Dec. 29, 2021. https://www.zmescience.com/science/scythian-boots-0532/ Razzall, Katie. “Bayeux Tapestry to return to UK on loan after 900 years.” BBC. July 8, 2025. https://www.bbc.com/news/articles/c14ev1z6d5go Royal School of Needlework. https://royal-needlework.org.uk/ Salmony, Alfred. “The Archaeological Background of textile Production in Soviet Russia Territory.” The Bulletin of the Needle and Bobbin Club. Volume 26. No. 2. 1942. https://www2.cs.arizona.edu/patterns/weaving/periodicals/nb_42_2.pdf “Sampler.” Victoria & Albert Museum. https://collections.vam.ac.uk/item/O46183/sampler-jane-bostocke/ Schӧnsperger, Johann. “Ein ney Furmbüchlein. 1525-1528. Met Museum Collection. https://www.metmuseum.org/art/collection/search/354716 Schӧnsperger, Johann. “Ein new Modelbuch … “ 1524. https://www.metmuseum.org/art/collection/search/354660 Shrader, Dustin. “Embroidery Through the Ages.” Impressions. July 28, 2023. https://impressionsmagazine.com/process-technique/embroidery-through-the-ages/39234/#:~:text=The%20Age%2DOld%20Beginning&text=We%20tend%20to%20typically%20think,to%20generation%20across%20the%20millennia. “Silk Roads Programme.” UNESCO. https://en.unesco.org/silkroad/silkroad-interactive-map Sons of Norway's Cultural Skills Program. “Unit 8: Hardanger Embroidery.” 2018. https://www.sofn.com/wp-content/uploads/2018/11/unit8hardanger_rev8.11.pdf “Suzhou Embroidery.” Smithsonian National Museum of Asian Art.” https://asia-archive.si.edu/learn/for-educators/teaching-china-with-the-smithsonian/videos/suzhou-embroidery/ Teall, John L., Nicol, Donald MacGillivray. "Byzantine Empire". Encyclopedia Britannica, 5 Dec. 2025, https://www.britannica.com/place/Byzantine-Empire Warner, Pamela. “Embroidery: A History.” B.T. Bedford, Ltd. 1991. Watt, James C. Y., and Anne E. Wardwell. “When Silk Was Gold: Central Asian and Chinese Textiles.” Metropolitan Museum of Art. Harry N. Abrams. New York. 1997. https://cdn.sanity.io/files/cctd4ker/production/d781d44d3048d49257072d610034400182246d3e.pdf Watt, Melinda. “Textile Production in Europe: Embroidery, 1600–1800.” The Met. Oct. 1, 2003. https://www.metmuseum.org/essays/textile-production-in-europe-embroidery-1600-1800 See omnystudio.com/listener for privacy information.

As a kid, Malcolm Dell wanted to be a roboticist. As a grownup, his career choices are anything but robotic. As Katie's guest, he's a delight. You might have fun learning the reason he joined her for this edition of Doing What Works.Here are your show notes…What does a roboticist do?Adaptability is a superpower, as Suzy Welch points out in Becoming You.If you're a design enthusiast, you'll probably love Cooper Hewitt.

Learn more at TheCityLife.org

Learn more at TheCityLife.org

August 24, 1914. A train pulls up to the lumber town of White River, Ontario, carrying a regiment of Canadian troops on board. On the tracks where they disembark is a small black bear cub. An army veterinarian decides to buy the bear and name her Winnipeg—Winnie for short—after the town where he's been living.  When the soldiers are deployed to the European front, Winnie is left at the London Zoo, where a child named Christopher Robin Milne will meet her. He'll later rename his own teddy bear after her: Winnie-the-Pooh.  How did a real-life boy and a real-life bear inspire some of the world's most famous literary characters? And what impact did these stories ultimately have on the people who helped bring them to life? Special thanks to Ann Thwaite, whose book about Milne and Winnie-the-Pooh is titled Goodbye Christopher Robin: A.A. Milne and the Making of Winnie-the-Pooh. Artwork: From "Christopher Robin Leads an Expedition to the North Pole" by A.A. Milne, 1926. Illustration by E.H. Shepard. (Cooper Hewitt, Smithsonian Design Museum) ** This episode originally aired August 23, 2021. -- Get in touch: historythisweekpodcast@history.com  Follow on Instagram: @historythisweek Follow on Facebook: HISTORY This Week Podcast To stay updated: http://historythisweekpodcast.com To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Our guest for this week is a follow on to our guest from last week. Dr. Alexandra Daisy Ginsberg is an artist based in the UK who has a piece in the “More Than Human” exhibition at the Design Museum that our guest last week Justin McGuirk curated. That exhibition opens July 11, but if you're watching this episode on YouTube or Spotify, you'll get a sneak peek of her piece in this episode. Daisy's art is multidisciplinary and examines our fraught human relationships with nature and technology. In addition to her work in the upcoming Design Museum exhibition, her Pollinator Pathmaker piece, which uses an algorithm to design art in the form of what we think of as gardens but for the benefit of pollinators rather than humans, has been created for the Serpentine at Kensington Gardens and The Natural History Museum in Berlin. Other work of Daisy's has been exhibited at the Venice Biennale of Architecture, the Centre Pompidou in Paris, the Natural History Museum in London, the Cooper Hewitt in New York and the Science Gallery in Dublin among many other prestigious institutions around the world. She's also received several awards including the Changemaker Award from Dezeen and The Rapoport Award for Women in Art & Technology from The Lumen Prize. In this episode, we talk about the overarching themes of Daisy's work, her obsession with exploring how we think about the idea of better, her Pollinator Pathmaker project and a couple of her other projects including one in which she created a digital version of a severely endangered rhino and resurrected the smell of a lost flower. We also talk a bit about non-human animal consciousness and the potential for creativity and making art, at least from the perspective of how we understand those terms. LinksAlexandra Daisy Ginsberg website Alexandra Daisy Ginsberg Instagram Pollinator Pathmaker tool “More Than Human” Exhibition at The Design Museum

Learn more at TheCityLife.org

The Gilded Age was a time of unparalleled wealth and prosperity in America — but it was also a time of staggering inequality, corruption, and unchecked power. Among its richest figures was Andrew Carnegie, the steel magnate who built his fortune on the backs of low-paid workers, only to give it away — earning him the nickname the Godfather of American Philanthropy. He didn't just fund libraries and universities — he championed a philosophy: that it was the duty of the ultra-wealthy to serve the public good.But, as it turns out, even philanthropy is a form of power. So, what exactly have wealthy philanthropists done with their power? We explore that question at the Cooper Hewitt, Smithsonian Design Museum, inside Carnegie's former mansion. There, a board game called Philanthropy invites players to reimagine the connection between money and power — not by amassing wealth, but by giving it away.Guests: Christina de León, Associate Curator of Latino Design at the Cooper Hewitt, Smithsonian Design Museum Tommy Mishima, artist and co-creator (with Liam Lee) of the installation “Game Room” in Cooper Hewitt's triennial Making Home David Nasaw, author of the biography Andrew Carnegie 

Spring art week just wrapped in New York City. Known for its extravagant floral displays and signature oysters and champagne, TEFAF is the fair with a vibe. This year, 91 exhibitors from 13 countries presented everything from antiquities to modern and contemporary art and design at the stately Park Avenue Armory. There's a real sense of passion here— dealers are eager to share the stories behind their works. Which brings us to today's episode, recorded live at the Thrill of the Chase panel with three very different cultural omnivores who personify Tefaf's ethos which span centuries and styles. Jeanne Greenberg Rohatyn‘s gallery Salon 94, has long blurred the lines between art and design. Housed in a Beaux-Arts townhouse on the Upper East Side she has presented everything from Rick Owens furniture to the recent Kennedy Yanko solo exhibitions. Adam Charlap Hyman, co-founder of Charlap Hyman & Herrero, brings a sweeping vision to interiors, furniture, architecture, and opera sets. He also curates, most recently Glass Subjects at R & Company which is currently on view. Alexandra Cunningham Cameron, Curator of Contemporary Design at the Cooper Hewitt, began her career in literature before turning to storytelling through objects. Her work explores symbolism, inclusion, and cultural memory. Together, they explore what makes an object irresistible. Is it beauty, rarity—or the story it tells? In this conversation, Artnet Studio's William Van Meter dig into the thrill of discovery, the elusive “X factor,” and how great objects help shape layered narratives.

Spring art week just wrapped in New York City. Known for its extravagant floral displays and signature oysters and champagne, TEFAF is the fair with a vibe. This year, 91 exhibitors from 13 countries presented everything from antiquities to modern and contemporary art and design at the stately Park Avenue Armory. There's a real sense of passion here— dealers are eager to share the stories behind their works. Which brings us to today's episode, recorded live at the Thrill of the Chase panel with three very different cultural omnivores who personify Tefaf's ethos which span centuries and styles. Jeanne Greenberg Rohatyn‘s gallery Salon 94, has long blurred the lines between art and design. Housed in a Beaux-Arts townhouse on the Upper East Side she has presented everything from Rick Owens furniture to the recent Kennedy Yanko solo exhibitions. Adam Charlap Hyman, co-founder of Charlap Hyman & Herrero, brings a sweeping vision to interiors, furniture, architecture, and opera sets. He also curates, most recently Glass Subjects at R & Company which is currently on view. Alexandra Cunningham Cameron, Curator of Contemporary Design at the Cooper Hewitt, began her career in literature before turning to storytelling through objects. Her work explores symbolism, inclusion, and cultural memory. Together, they explore what makes an object irresistible. Is it beauty, rarity—or the story it tells? In this conversation, Artnet Studio's William Van Meter dig into the thrill of discovery, the elusive “X factor,” and how great objects help shape layered narratives.

Steve Heller is arguably the world's best-known design educator, with over 200 books on graphic design, illustration, and political art. I interviewed him for my 2025 book Learning to See. His books include Design Literacy: Understanding Graphic Design; Teaching Graphic Design; and The Education of an Illustrator (with Marshall Arisman). He's spent most of his career at the School of Visual Arts in New York City, where he's now the Special Assistant to the President and the Co-Founder and Co-Chair Emeritus of the MFA Design Department. He's won numerous awards including Cooper-Hewitt's National Design Mind Award; Smithsonian Design Museum; National Endowment for the Arts; AIGA Medal for Lifetime Achievement; and many others. For 33 years, he was an art director at the New York Times and the New York Times Book Review. In this interview, he gives amazing insights about how to teach graphic design and illustration. For more information:  Steve Heller's web site Book: Teaching Graphic Design Book: The Education of an Illustrator Sawyer's book Learning to See Music by license from SoundStripe: "Uptown Lovers Instrumental" by AFTERNOONZ "Miss Missy" by AFTERNOONZ "What's the Big Deal" by Ryan Saranich Copyright (c) 2025 Keith Sawyer

Claudy Jongstra is a Dutch artist and designer who has become globally renowned for her, often monumental, textile installations and tapestries made from wool. After establishing her studio in Friesland in the Dutch countryside during 2001, she started an ecological venture, which involved maintaining a herd of indigenous sheep and creating a biodynamic farm near her studio to grow plants used for natural dyes – effectively combining her art with ecological stewardship. Her work is in the permanent collections of a number of museums such the Museum of Modern Art and the Cooper-Hewitt in New York and the V&A in London. And she has won a slew of awards, including the 2022 Interior Design Hall of Fame Award. Not only that, she designed costumes for the Star Wars movies.In this episode she discusses: the ‘intelligence' of wool; leaving her job and taking two years to understand the material; setting up her own farm; the organic nature of her career path; being an activist; the process behind her extraordinary pieces; the special qualities of the Drenthe Heath sheep; why we burn so much wool; the secrets of Burgundian Black; making really big pieces; her love of cooking; issues with the vintage clothing industry; working with her son; oh and creating costumes for the Jedi…Support the show

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This episode is sponsored by SIPA  (Structural Insulated Panel Association)  https://www.sips.org/This episode is part of a series on the Wildfire Rebuild in the Los Angeles and Altadena and EnvironsLink to the Blog for more Images and Resources:  https://inmawomanarchitect.blogspot.com/2025/04/interview-with-david-hertz-faia-of.htmlDavid Hertz, FAIA of SEA Studio of Environmental Architecture https://davidhertzfaia.com/David Hertz, FAIA, Architect founded Syndesis in 1983 and S.E.A. TheStudio of Environmental Architecture, a practice focus on regenerativedesign in an age of resilience. David won the 2022 Smithsonian CooperHewitt National Design Award for Climate Action. in 2018 Hertz won theWater Abundance XPRIZE a 1.5 M prize to make over 2,000 liters of waterfrom air.In 2006 David was awarded the Distinguished Alumni Award fromSCI-Arc and in 2008 he was elected to the prestigious American Institute ofArchitects College of Fellows, as one of its youngest members in its over155-year history. David's award-winning work has been published widelyand exhibited internationally. Some highlights include exhibitions in theMuseum of Modern Art (MOMA), Smithsonian National Museum of NaturalHistory, the National Building Museum, and the Cooper Hewitt,Smithsonian Design Museum. David has taught studios and lectured atYale,USC, UCLA and Art Center.Link to MGHarchitect: MIchele Grace Hottel, Architect website for scheduling and podcast sponsorship opportunities:https://www.mgharchitect.com/

In this episode of WLEI Podcast, we welcome Cynthia E. Smith, Curator of Socially Responsible Design at Cooper Hewitt, Smithsonian Design Museum and author of Design for the Other 90%. Cynthia speaks about design as a catalyst for change and what it means, as she says, to be in “the collective work of building capacity and agency in communities across the world.”

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Explore the life and legacy of graphic design pioneer Jacqueline Casey, whose bold, modernist posters defined MIT's visual identity for decades — with insights from designer Michael Bierut, we uncover how Casey infused Swiss design principles with American ingenuity, led campus-wide design efforts, and created work that remains timeless and influential._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay_______Sources:Article: Eye Magazine Feature "Jacqueline Casey. Science and design"Article on Thérèse MollAbout Jacqueline (Jackie)Jacqueline Casey was a pioneering graphic designer whose work defined the visual identity of MIT for over three decades. Born in 1927 in Quincy, Massachusetts, she studied fashion design and illustration at MassArt before finding her way into graphic design. In 1955, her lifelong friend Muriel Cooper recruited her to the MIT Office of Publications, where Casey absorbed the principles of Swiss modernism and gave them her own twist—infusing wit, visual metaphors, and bold typography into her work.As Director of MIT's Design Services Office, she led campus-wide design efforts, creating posters and materials for scientific conferences, exhibitions, and cultural events. Her ability to simplify complex ideas with elegance and playfulness made her work timeless and celebrated globally. Today, her posters are held in the collections of MoMA, the Cooper Hewitt, and the MIT Museum, solidifying her as a quiet yet powerful force in modernist design history. About MichaelMichael Bierut is one of the most influential graphic designers of our time. A partner at Pentagram since 1990, his work spans iconic logos, brand identities, and campaigns for clients like The New York Times, Mastercard, and Saks Fifth Avenue. Bierut has been a longtime educator at Yale, co-founded Design Observer, and authored celebrated books, including How to Use Graphic Design to Sell Things. His work is held in the permanent collections of MoMA and the Cooper Hewitt, and his thought leadership continues to shape the design world.Follow Michael:Instagram: @mbierutWebsite: Pentragram.comThreads: @mbierut ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

I'm so excited to welcome Ellen Lupton to the PolicyViz Podcast! Ellen Lupton is a designer, writer, and educator. The all-new edition of her bestselling book Thinking with Type launched in March 2024. Other books include Design Is Storytelling, Graphic Design Thinking, Health Design Thinking, and Extra Bold: A Feminist, Inclusive, Anti-Racist, Nonbinary Field Guide for Graphic Designers. She teaches in the Graphic Design MFA program at Maryland Institute College of Art in Baltimore (MICA), where she serves as the Betty Cooke and William O. Steinmetz Design Chair. She is Curator Emerita at Cooper Hewitt, Smithsonian Design Museum in New York City, where her exhibitions included Herbert Bayer: Bauhaus Master and The Senses: Design Beyond Vision.Keywords: #EllenLupton, #Typography, #Design, #PolicyVizPodcast, #InclusiveDesign, #TypefaceVsFont, #DataVisualization, #ExtraBoldBook, #GraphicDesign, #Underrepresentation, #FintechDesign, #SocioeconomicImpact, #EducationalApproaches, #QualitativeResearch, #UserEngagement, #HumanCenteredDesign, #MICADesign, #BilingualProjects, #InstagramDesign, #TwitterDiscourse, #AIDesignConcerns, #BiasInAI, #AITypefaces, #UnderservedLanguages, #NewRailAlphabet, #FunctionalTypefaces, #WomenInDesign, #CalibriCritique, #TimesNewRoman, #ThinkingWithType, #DesignConceptsSubscribe to the PolicyViz Podcast wherever you get your podcasts.Become a patron of the PolicyViz Podcast for as little as a buck a monthFollow Ellen on Instagram and her website, and find her latest book, thinking with type on AmazonFollow me on Instagram, LinkedIn, Substack, Twitter, Website, YouTubeEmail: jon@policyviz.com

Taylor Levy and Che-Wei Wang are the founders of the art and design studio CW&T. Founded in 2009, CW&T has produced human-scaled objects like pens, clocks, and tape dispensers engineered to last multiple generations as well interactive software, art installations, and more. In 2022, they were the recipients of the 2022 National Design Award for product design from Cooper Hewitt. In this conversation, Jarrett talks with Taylor and Che-Wei about the role of experimentation in their design process, the overlap of physical and digital design, and the challenges with staying independent. Links from this episode can be found at scratchingthesurface.fm/256-taylor-levy-che-wei-wang. 
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Discover how self-taught designer Elaine Lustig Cohen became a defining force in modernist graphic design and fine art, with insights from design author and historian, Steven Heller, on her legacy and the importance of re-writing design history to include more women._______Support this podcast with a small donation: Buy Me A CoffeeThis show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasay Sources:elainelustigcohen.comThe Daily Heller: Elaine Lustig Cohen's New Website by Steven HellerThe New York Times Article by Anita Gates About ElaineElaine Lustig Cohen (1927–2016) was a pioneering modernist designer and artist, known for her bold, abstract book covers and museum catalogs that helped shape mid-century American graphic design.After the sudden passing of her husband, renowned designer Alvin Lustig, Elaine—without any formal training—took over his studio in the 1950s, working with high-profile clients like Philip Johnson, Richard Meier, General Motors, and the Jewish Museum.What set her design style apart was her ability to merge avant-garde European influences, like Constructivism and Bauhaus principles, with the clean, functionalist aesthetics of American modernism. She brought typography to the forefront, often treating it as a visual and emotional narrative element, while incorporating geometric abstraction to create a sense of movement and rhythm. Her work is now part of the permanent collections at MoMA, LACMA, and Cooper Hewitt. About StevenSteven Heller is one of the most prolific design historians and writers in the field, having authored, co-authored, or edited over 200 books on design, illustration, and popular culture. He is best known for his long-running column, The Daily Heller, published by Print magazine, which offers daily insights on visual culture, design history, and current events. In addition to his writing, Heller is the co-chair of the School of Visual Arts MFA Design/Designer as Author + Entrepreneur program, where he continues to shape future generations of designers.Throughout his career, Heller has been a steadfast advocate for women in design. His work has consistently featured and celebrated the contributions of women who have been overlooked in design history. He has worked to bring attention to underrepresented figures in the industry, often calling for a rewriting of design history to include more women. As early as the 1990s, Heller began amplifying the work of female designers, championing their influence on design movements across modernism, typography, and visual communication. He has been vocal about the importance of gender equality in the design industry and has pushed for more inclusive recognition of the women whose innovations have shaped the field.In 2011, Heller was awarded the AIGA Medal for his outstanding contributions to design journalism, education, and history. His ongoing commitment to uncovering the stories of women in design has made him not only a key figure in documenting design history but also an advocate for equity in the industry. Through his work, he has inspired a more inclusive and accurate portrayal of the design world, one that reflects the achievements of all its contributors. ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

Discover How Recycled Materials Are Transforming Modern Architecture with David Hertz In this episode of Conscious Design, renowned architect David Hertz shows us how recycled materials are changing the way we build today. David talks about his journey from environmental activism in Malibu to his work with SkySource and XPRIZE. Learn how he uses materials like recycled concrete and airplane wings in innovative projects like the 747 Wing House and the Sail House. David explains how using green technologies and materials you might not expect can make architecture more sustainable. He also discusses the bigger picture, including the need for better environmental practices and the limits of current economic models. Watch to find out how David's ideas are helping create a greener future for building design. Notable moments: 0:53 - David Hertz's Background and Environmental Work 03:57 - Using Recycled Materials in Building Design 08:20- The 747 Wing House and Sail House 17:58 - Green Technologies and Local materials 23:34 - Challenges and Future of Green Architecture 48:30 - David Hertz's Resilience Foundation and Global projects About David Hertz David Hertz is an Architect, inventor, and educator. He is known for his work in sustainable architecture and as an early innovator in developing recycled building materials. David has been working at the edge of sustainability and the forefront of regenerative architecture for 40 years. As a systems thinker, he engages in various fields through design and believes in expanding the conceptual limits of architecture. David taught sustainable design and mentored students at his alma mater, SCI-Arc, as well as Art Center College of Design, Yale, and USC. In 2016, David founded Skysource to democratize water, and his efforts culminated in winning the Water Abundance XPRIZE in 2018 and the Cooper Hewitt, Smithsonian Design Museum's National Design Award for Climate Action in 2022. Learn more about David Hertz and David Hertz Architects and Skysource https://www.linkedin.com/in/david-hertz-faia https://www.facebook.com/davidhertzarchitects/ https://www.instagram.com/davidhertz_studioea/ https://davidhertzfaia.com We created this content so creative entrepreneurs like you can integrate social and environmental responsibility into your brand's DNA through Conscious Design. Ian Peterman, the leading expert in Conscious Design, hosts the Conscious Design podcast and is the co-author of the book Conscious Design.

Learn about the minimalist jewelry designer, Betty Cooke, from another legend, Ellen Lupton, graphic designer, educator, and author of dozens of books including "Thinking With Type"This show is powered by Nice PeopleJoin this podcast and the Patreon community: patreon.com/womendesignersyoushouldknowHave a 1:1 mentor call with Amber Asay: intro.co/amberasayLinks:Thinking with Type, book by Ellen LuptonExtra Bold, book co-authored by Ellen LuptonBetty Cooke's Store_________About Betty Cooke:We recently lost another design legend, Betty Cooke, whose passing marks the end of an era in modernist jewelry design. Born in 1924 in Baltimore, Maryland, Betty Cooke was a trailblazing designer celebrated for her minimalist and sculptural jewelry. Her work is defined by clean lines, geometric forms, and a timeless elegance that resonated across generations. After studying at the Maryland Institute College of Art (MICA), where she later became a beloved faculty member, Betty opened her own studio and eventually co-founded The Store Ltd., a Baltimore institution that showcased her work for over five decades. Her jewelry, often handcrafted in silver and gold with touches of wood or acrylic, is iconic for its simplicity and boldness—pieces that remain instantly recognizable as “Betty Cooke.” Cooke's influence is immortalized in museums, galleries, and in the collections of those fortunate enough to own her designs. Her legacy is one of innovation, elegance, and unwavering dedication to her craft.About Ellen Lupton:Ellen Lupton is one of the most influential voices in contemporary graphic design. Born in 1963, she is a celebrated designer, writer, curator, and educator whose work has profoundly shaped design education and practice. After graduating from Cooper Union in 1985, she became a curator at the Cooper Hewitt, Smithsonian Design Museum, where she curated groundbreaking exhibitions that connected design to culture and society. Ellen is perhaps best known for her book Thinking with Type, first published in 2004, which has become an essential guide for designers and is used in classrooms worldwide. Beyond her writing, she has played a pivotal role in shaping the Graphic Design MFA program at MICA, inspiring generations of designers with her innovative teaching methods. Her body of work extends to over 20 books, exploring topics from typography to storytelling in design. Ellen's contributions continue to influence how designers think, create, and communicate in today's visual world.Keep up with what Ellen Lupton's up to:Instagram  |  Website ____View all the visually rich 1-min reels of each woman on IG below:Instagram: Amber AsayInstagram: Women Designers Pod

[REBROADCAST FROM July 5, 2023] An exhibit at Cooper Hewitt explores the histories behind symbols that are ubiquitous to our daily lives. 'Give Me A Sign: The Language of Symbols' demonstrates how symbol design is a collaborative effort that has evolved and transformed over time. Emily Orr, associate curator, gives an overview of the exhibition, which is on view through August 11.

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We're taking the summer off and will be republishing some of our favorite episodes from the archives through August. This episode originally aired October 28, 2020. — Alicia Cheng is a founding partner of the New York design studio MGMT and the author of the book This Is What Democracy Looked Like: A Visual History of the Printed Ballot. She previously worked as a designer for Method, was a co-design director at the Cooper Hewitt, and is currently an external critic for the MFA program at RISD. In this episode, Jarrett and Alicia talk about how the design of ballots can teach us about the United States's uneasy relationship with voting, mixing design history with American history, and how research feeds her design practice. Alicia is currently the design director at The Metropolitan Museum of Art in New York City. — Links from this episode can be found at scratchingthesurface.fm/165-alicia-cheng. 
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For decades, graphic designers have been introduced to typography by Ellen Lupton's book, Thinking With Type. It was certainly a staple in Aarron's courses when he taught graphic design. It's now in its third edition, with loads of new content. It's worth noting, the layout of each page of this book is beautiful and entirely designed by Ellen herself.  We chat with Ellen about what's new in this edition of her book, and how people other than designers can use it. We also go through some rapid-fire questions about the fundamentals of typography, and origins of some of the terminology like points, leading, kerning, italics, and more. Whether you're new to typography, or a seasoned pro, you'll learn something from this conversation. Bio Ellen Lupton is a graphic designer, curator, writer, critic, and educator. Known for her love of typography, Lupton is the Betty Cooke and William O. Steinmetz Design Chair at Maryland Institute College of Art. Previously she was the Senior Curator of Contemporary Design at Cooper Hewitt, Smithsonian Design Museum in New York City and was named Curator Emerita after 30 years of service. *** Visiting the links below is one of the best ways to support our show: Methodical Coffee: Roasted, blended, brewed, served and perfected by verified coffee nerds

In s3e52 of Platemark, hosts Ann Shafer and Tru Ludwig talk with Carol Wax, artist and author of The Mezzotint: History and Technique. Carol recently published the second edition of The Mezzotint, expanding greatly in every area from the 1990 first edition. As she tells us, there is a better break down of rocking the copper plates, and of inking and printing them, plus there are new chapters about printing papers and the history of the medium and how it fits in the greater history of prints. They talk about the early history of mezzotint, whether one can over rock a plate, what happens when you do, and about Carol's dislike of perspectival composition, all the machines and their personalities, and her dogs Cecil, the Weimaraner, and Delia, the new dog in her life. The conversation ran long, so the episode is split into two parts. [Top] Carol Wax (American, born 1953). Eleven Shells, 1982. Mezzotint. 2 ¾ x 5 inches. Courtesy of the artist. First mezzotint I felt comfortable signing and which shows the influence of Hamaguchi. {Bottom] Yozo Hamaguchi (Japanese, 1909–2000). Shells. Mezzotint. John Raphael Smith (British, 1751–1812), after Henry Fuseli (Swiss, 1741–1825). The Weird Sisters (Shakespeare, MacBeth, Act 1, Scene 3), 1785. Mezzotint. Sheet: 18 1/16 x 21 7/8 in. (45.8 x 55.5 cm.). Metropolitan Museum of Art, New York. [Left] John Raphael Smith (British, 1751–1812), after Sir Joshua Reynolds (British, 1723–1792). The Infant Jupiter, 1775. Mezzotint. Plate: 20 x 14 in. New York Public Library, New York. [Right] Valentine Green (British, 1739–1813), after Sir Anthony Van Dyck (Flemish, 1599–1641). The Earl of Danby, 1775. Mezzotint. Sheet: 20 7/8 x 13 7/8 in. Chazen Museum of Art, University of Wisconsin, Madison. Carol Wax. The Mezzotint: History and Technique (2nd Edition). Atglen, PA: Schiffer Publishing, 2023. Hendrick Goltzius (Dutch, 1558–1617). After Cornelis Cornelisz van Haarlem (Netherlandish, 1562–1638). Icarus, from the series The Four Disgracers, 1588. Engraving. Sheet: 13 7/16 x 13 1/4 in. (34.2 x 33.7 cm.). Metropolitan Museum of Art, New York. Ludwig von Siegen (German, 1609–after 1676). Amelia Elizabeth Landgravure of Hesse-Kassel, 1642. Mezzotint. Sheet: 16 7/16 x 11 15/16 in. (41.8 x 30.3 cm.). Metropolitan Museum of Art, New York. Prince Rupert (German, 1619–1682). Head of the Executioner, 1662. Mezzotint. Cooper Hewitt, Smithsonian Institution, New York. Theodor Caspar von Fürstenburg (German, 1615–1675). Salomé, 1656–75. Mezzotint. 191 x 149 mm. British Museum, London. David Lucas (British, 1802–1881), after John Constable (British, 1776–1837). The Rainbow, Salisbury Cathedral, 1855. Mezzotint. Sheet: 24 ¼ x 28 ¼ in. (61.5 x 71.7 cm.). Christie's. Thomas Frye (British, 1710/11–1762). Head of a Man Wearing a Turban, 1760. Mezzotint. Plate: 19 7/8 × 13 15/16 in. (50.5 × 35.4 cm.); sheet: 23 3/8 × 16 15/16 in. (59.4 × 43 cm.). Metropolitan Museum of Art, New York. Valentine Green (British, 1739–1813), after Joseph Wright of Derby (British, 1734–1797). A Philosopher Shewing an Experiment on the Air Pump, 1769. Mezzotint. Plate: 19 × 23 in. (48.3 × 58.4 cm.). Sheet: 19 7/8 × 25 5/8 in. (50.5 × 65.1 cm.). Metropolitan Museum of Art, New York. Joseph Pennell (American, 1857–1926). Hail America, 1908. Mezzotint. Plate: 8 7/16 × 14 11/16 in. (21.5 × 37.3 cm.); sheet: 9 7/8 × 15 3/4 in. (25.1 × 40 cm.). Metropolitan Museum of Art, New York. Reynold Weidenaar (American, 1915–1985). The Bridge and the Storm, Mackinac Straits, 1957. Mezzotint. Sheet: 19 5/8 x 15 ½ in. Richard and Jane Manoogian Mackinac Art Museum, Mackinac. Mario Avati (French, 1921–2009). Le Goût acide du jaune citron, 1982. Mezzotint. 29 x 37.7 cm. Fitch Febvrel Gallery. Yozo Hamaguchi (Japanese, 1909–2000). The Three Lemons, 1956. Color mezzotint. Cleveland Museum of Art, Cleveland. Art Werger (American, born 1955). Clarity, 2021. Mezzotint. 24 x 36 in. Courtesy of the artist. Craig McPherson (American, born 1948). Memento Mori, 2013. Mezzotint. 13 5/8 x 16 ½ in. Courtesy of the artist. Judith Rothchild (American, born 1950). Le nid, 2005. Mezzotint. 7 13/16 x 11 5/8 in. Annex Galleries, Santa Rosa. Jacob Crook (American, born 1985). Nightrise II, 2019. Mezzotint. 8 ½ x 11 in. Courtesy of the artist. Julie Niskanen (American, born 1983). Sanctuary, 2007. Mezzotint. Courtesy of the artist. Charles Ritchie (American, born 1954). House II, 2012–19. Mezzotint. Plate: 6 x 3 7/8 in.; sheet: 13 ½ x 10 in. Courtesy of the artist. J.M.W. Turner (British, 1775–1851) and Charles Turner (British, 1774–1857). Norham Castle on the Tweed (Liber Studiorum, part XII, plate 57), 1816. Etching and mezzotint. Plate: 7 x 10 5/16 in. (17.8 x 26.2 cm.); sheet: 8 1/4 x 11 1/2 in. (21 x 29.2 cm.). Metropolitan Museum of Art, New York. Frank Short (British, 1857–1945), after J.M.W. Turner (British, 1775–1851). Liber Studiorum—Frontispiece, 1885. Etching and mezzotint. Plate: 124 x 185 mm. Tate, London.   EXTRA IMAGES Carol Wax (American, born 1953). Type Face, 2002. Mezzotint. 9 ¼ x 9 ¼ inches. Courtesy of the artist. An example of (perhaps more than any other) anthropomorphizing subjects and the use of modulating, repeating patterns to suggest animation, as well as the humor and humanity I see in manufactured objects. Carol Wax (American, born 1953). Sew What, 2022. Mezzotint. 20 x 12 inches. Courtesy of the artist. This was printed from two plates: a black-and-white key plate rocked with an 85-gauge rocker and a color plate ground selectively with roulettes and wiped selectively. These images demonstrate the dialogue between my current work in painting and mezzotint. [Left] Carol Wax (American, born 1953). Pipe Dream, 2003. Mezzotint and engraving. Plate: 2 ½ x 1 ½ in. Courtesy of the artist. [Right] Carol Wax (American, born 1953). Serpentdipity, 2003. Mezzotint. Plate: 2 ½ x 1 ½ in. Courtesy of the artist. These two show burin engraving through a mezzotint ground.   Carol Wax (American, born 1953). Binder Spiral, 2023. Graphite. 127 x 23 in. Courtesy of the artist.   USEFUL LINKS Carol's website https://www.carolwax.com/ Jennifer Melby's link https://www.jennifermelby.com/ Conrad Graeber's link https://conradgraeber.com/

This week kicks off Women's History Month and March Madness with the harrowing stories of how women's bodies have been historically used against their consent to further medical progress, merely experiment, discipline and punish, or to monetarily profit. Stauney and Sadie tell the maddening stories of Rosemary Kennedy, Ann Cooper Hewitt, Henrietta Lacks, and many other unnamed women who were affected by this misogyny in the early days of human history and how that has rippled down to today. Stay tuned for another episode this week, and check out our March Madness collection at morethanamusepodcast.com/store Learn more about your ad choices. Visit megaphone.fm/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week kicks off Women's History Month and March Madness with the harrowing stories of how women's bodies have been historically used against their consent to further medical progress, merely experiment, discipline and punish, or to monetarily profit. Stauney and Sadie tell the maddening stories of Rosemary Kennedy, Ann Cooper Hewitt, Henrietta Lacks, and many other unnamed women who were affected by this misogyny in the early days of human history and how that has rippled down to today. Stay tuned for another episode this week, and check out our March Madness collection at morethanamusepodcast.com/store Learn more about your ad choices. Visit megaphone.fm/adchoices

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Clement Mok, who was just awarded a Cooper Hewitt 2023 National Design Award for Digital Design, stops by The Reflex Blue Show to talk about his path into the design field, and finding his way to Apple to work on[…]↓ Read the rest of this entry... The post Clement Mok: The Reflex Blue Show #254 appeared first on 36 Point.

Few can claim a client roster quite like artist and stage designer Es Devlin, including museums, fashion brands, theater companies, and the Olympics, to a list of rock stars like U2, Adele, and Lady Gaga. On this episode, Dan speaks with the British talent on her first monographic museum retrospective, taking place at New York's Cooper Hewitt, Smithsonian Design Museum, how she transitioned her work from stage to stadium and back again, the impact of emerging technologies on her portfolio, and most importantly . . . What is Beyoncé like? Hosted on Acast. See acast.com/privacy for more information.

Curt Schreiber, Chief Creative Officer at VSA Partners, joins us for a compelling conversation on the multifaceted nature of design systems. We explore how these intricate frameworks must cater to a diverse array of users and stakeholders, highlighting the need for design systems to personify the organization's character. Curt shares his insights on maintaining design systems that are not only comprehensive and scalable but also flexibly attuned to the global audiences they serve. Throughout the episode, we address the importance of co-creation, continuous learning, and governance in the ever-expanding world of design.Tune in to witness Curt's balanced view on the role of AI in asset creation and system management, while he weighs in on the prospect of centralizing control versus nurturing a rich ecosystem of design assets. The discussion encapsulates the pivotal role of design systems in strategic business conversations, underscoring their ability to reshape customer engagement and drive organizational change.View the transcript of this episode.Check out our upcoming events.GuestCurt Schreiber is the heart of VSA design. He currently guides VSA's creative philosophy, and is responsible for establishing the office's design standards and offerings. Throughout his 30-year tenure with the company, Curt has been essential in the agency's transition from a boutique design firm to a brand-led customer experience agency. Curt has decades of experience working with internationally-recognized global brands, and his client list includes VSA's most prominent clientele. He also serves as an influential thought leader within the creative industry. Most recently, Curt was named one of Chicago's most influential designers and included in AIGA's This is Chicago. Curt's work has been recognized by more than 100 international design and communications organizations, publications and competitions including the AIGA, Cannes Lions, Cooper Hewitt, Communication Arts, Graphis and the Society of Typographic Arts. His work is also included in the permanent collection of the U.S. Library of Congress.HostChris Strahl is co-founder and CEO of Knapsack, host of @TheDSPod, DnD DM, and occasional river guide. You can find Chris on Twitter as @chrisstrahl and on LinkedIn.SponsorSponsored by Knapsack, the design system platform that brings teams together. Learn more at knapsack.cloud.

It's the city so well-designed, they named it twice: New York, New York. On this special episode sponsored by Ann Sacks, Dan speaks with four leading figures in his hometown's design scene to explore the trends, movements, hotspots, and personalities that make Gotham the beating heart of the design world, including Alexandra Cunningham Cameron, a curator at the Cooper Hewitt, Smithsonian Design Museum; Oren and Tal Alexander, co-founders of real estate firm Official; David Alhadeff, founder of powerhouse gallery The Future Perfect; and Michael Diaz-Griffith, executive director of the Design Leadership Network. Hosted on Acast. See acast.com/privacy for more information.

Kirsten Sweeney, Accessibility & Inclusion Manager at the Cooper Hewitt, Smithsonian Design Museum, discusses the importance and growing need for accessibility coordination positions in the workplace, their career path, and future steps required to improve inclusion & equity for the disability community in the arts. Show Notes:Cooper Hewitt Smithsonian Design Museum: https://www.cooperhewitt.org/ Cooper Hewitt Verbal Description Tours: https://www.cooperhewitt.org/event-category/accessibility-programs/Cooper Hewitt Current Exhibitions: https://www.cooperhewitt.org/exhibitions/Museum of Arts, Culture, Access Consortium: https://macaccess.org/about-2/ Get Involved with MAC: https://macaccess.org/get-involved/Supporting Transitions project: https://macaccess.org/rescources/supporting-transitions-cultural-connections-for-adults-with-autism/ Support the showTo view the video of this episode with closed captioning, ASL interpretation, and/or Spanish subtitles, visit our YouTube Channel: https://www.youtube.com/playlist?list=PL0L4INYxuDLx8b8oFTpaXbe42NLmZBKDY.(The views, information, or opinions expressed during the "Empire State of Rights" podcast are solely those of the individuals involved and do not necessarily represent those of Disability Rights New York.)

On Making Peace Visible we usually focus on stories -- narratives about peace and conflict that are told in the news, on social media, and shared in our collective zeitgeist. We've seen examples of how storytelling can both stoke the fire of war and encourage peaceful dialogue. In this episode, we look at a different, but related way of creating space for peace: design. Our guest Cynthia Smith is the Curator for Socially Responsible Design at the Smithsonian Cooper Hewitt Museum in New York City. She spent five years creating the remarkable exhibition Designing Peace, which includes 40 design proposals, initiatives and interventions from 25 countries, including maps, images, textiles, video games and film.From a teeter-totter installed on the US-Mexico border fence to a crowd-sourced reimagining of war-damaged Damascus, the works in Designing Peace coupled with Smith's vision present a world of possibility. Designing Peace is on view at the Museum of Craft and Design in San Francisco through February 4, 2024. Explore the virtual exhibit here. Purchase the beautiful companion book here. RATE AND REVIEW: In Apple Podcasts on iPhone Tap on the show name (Making Peace Visible) to navigate to the main podcast pageScroll down to the "Ratings and Reviews" sectionTo leave a rating only, tap on the starsTo leave a review, tap "Write a Review"In Spotify(Note: Spotify ratings are currently only available on mobile.)Tap on the show name (Making Peace Visible) to navigate to the main podcast pageTap on the star icon under the podcast description to rate the showIn Podcast Addict(Note: you may need to sign in before leaving a review.)From the episode page: On the top left above the show description, click "Post review."From the main podcast pageTap "Reviews" on the top left.On the Reviews page,  tap the icon of a pen and paper in the top right corner of the screen.ABOUT THE SHOWMaking Peace Visible is produced by Andrea Muraskin and hosted by Jamil Simon. Faith McClure writes our newsletter and designs our website. Creative direction by Peter Agoos. Music in this episode by Xylo-Ziko, Doyeq, and Blanket Music. Sign up for our newsletter to be notified when episodes come out and learn more about our guests: warstoriespeacestories.org/contact. You can get in touch with us at jsimon@warstoriespeacestories.org, or on X @warstoriespeace. We're also on LinkedIn. 

Curt has worked with brands like Harley Davidson and Nike, and we discuss the lessons he's learned--such as the importance of embracing constraints, being authentic and creating user experiences that consider everything from the first time a user encounters a brand or a product all the way through to the end. We also discuss the importance of all stakeholders, from customers to employees to society at large, and how we can design across the multi-stakeholder landscape. Curt SchreiberCurt is the Chief Creative Officer at VSA Partners, a brand-led customer experience agency that works with companies like Nike, IBM, and Harley-Davidson. Throughout his career, Curt has been honored by several design and communications organizations such as AIGA, Cannes Lions, and Cooper Hewitt.Links from the Show:LinkedIn: Curt SchreiberVSA: vsapartners.comMagazine: Magazine BMore by Kyle:Follow Prodity on Twitter and TikTokFollow Kyle on Twitter and TikTokSign up for the Prodity Newsletter for more updates.Kyle's writing on MediumProdity on MediumLike our podcast, consider Buying Us a Coffee or supporting us on Patreon

Edited highlights of our full conversation. Here's a question. What makes great happen? This week's guest is Robert Brunner. He was the Director of Industrial Design for Apple, a Partner at Pentagram and the Chief Designer of Beats by Dr. Dre, before becoming the Founder of Ammunition. They describe themselves as a design studio dedicated to bringing products and services that matter to market. He was named one of Fast Company's “Most Creative People in Business,” and his work is included in the permanent collections of the Museum of Modern Art, Cooper Hewitt, Smithsonian Design Museum, and the San Francisco Museum of Modern Art. Design is the art and science of knowing what to start and when to stop. In that respect, it's very much like leadership. There are best practices but no absolute rules. Imagining and re-imagining what's possible is where it gets its fuel. Leadership is a position of staggering opportunity. And yet, I'm constantly reminded of how few people fully appreciate the potential of the position they hold. How restricted they seem in their imagination of what is possible. I've come to realize that this is not caused by a lack of ambition or interest. It is caused by a lack of awareness and understanding. Understanding of the power of leadership. Awareness of their own potential. And their impact. I'm fortunate to work in industries and with companies that are populated, almost exclusively with kind and thoughtful people. They don't all, always act that way, but when they don't it tends to be from insecurity or self doubt or personal trauma. These things can hold all of us back. I speak from deep experience. Both of others, and of myself. When you step into a leadership position, you have the power to change the world. Perhaps a small corner of it. Perhaps more than that. It is the part of your life in which you can make the biggest difference in the life of others and learn more about yourself than at any other time. Do not let that go by without self exploration. What do you want to do with this opportunity? What do you want to make of it and with it? What would great look like? And, crucially, what is stopping you from achieving all that? What do you think and feel about yourself that is going to get in the way. Imagine your future. Design it. Then go and lead it. I promise you one thing. You're already better than you know.

Edited highlights of our full conversation. Here's a question. What makes great happen? This week's guest is Robert Brunner. He was the Director of Industrial Design for Apple, a Partner at Pentagram and the Chief Designer of Beats by Dr. Dre, before becoming the Founder of Ammunition. They describe themselves as a design studio dedicated to bringing products and services that matter to market. He was named one of Fast Company's “Most Creative People in Business,” and his work is included in the permanent collections of the Museum of Modern Art, Cooper Hewitt, Smithsonian Design Museum, and the San Francisco Museum of Modern Art. Design is the art and science of knowing what to start and when to stop. In that respect, it's very much like leadership. There are best practices but no absolute rules. Imagining and re-imagining what's possible is where it gets its fuel. Leadership is a position of staggering opportunity. And yet, I'm constantly reminded of how few people fully appreciate the potential of the position they hold. How restricted they seem in their imagination of what is possible. I've come to realize that this is not caused by a lack of ambition or interest. It is caused by a lack of awareness and understanding. Understanding of the power of leadership. Awareness of their own potential. And their impact. I'm fortunate to work in industries and with companies that are populated, almost exclusively with kind and thoughtful people. They don't all, always act that way, but when they don't it tends to be from insecurity or self doubt or personal trauma. These things can hold all of us back. I speak from deep experience. Both of others, and of myself. When you step into a leadership position, you have the power to change the world. Perhaps a small corner of it. Perhaps more than that. It is the part of your life in which you can make the biggest difference in the life of others and learn more about yourself than at any other time. Do not let that go by without self exploration. What do you want to do with this opportunity? What do you want to make of it and with it? What would great look like? And, crucially, what is stopping you from achieving all that? What do you think and feel about yourself that is going to get in the way. Imagine your future. Design it. Then go and lead it. I promise you one thing. You're already better than you know.

Here's a question. What makes great happen? This week's guest is Robert Brunner. He was the Director of Industrial Design for Apple, a Partner at Pentagram and the Chief Designer of Beats by Dr. Dre, before becoming the Founder of Ammunition. They describe themselves as a design studio dedicated to bringing products and services that matter to market. He was named one of Fast Company's “Most Creative People in Business,” and his work is included in the permanent collections of the Museum of Modern Art, Cooper Hewitt, Smithsonian Design Museum, and the San Francisco Museum of Modern Art. Design is the art and science of knowing what to start and when to stop. In that respect, it's very much like leadership. There are best practices but no absolute rules. Imagining and re-imagining what's possible is where it gets its fuel. Leadership is a position of staggering opportunity. And yet, I'm constantly reminded of how few people fully appreciate the potential of the position they hold. How restricted they seem in their imagination of what is possible. I've come to realize that this is not caused by a lack of ambition or interest. It is caused by a lack of awareness and understanding. Understanding of the power of leadership. Awareness of their own potential. And their impact. I'm fortunate to work in industries and with companies that are populated, almost exclusively with kind and thoughtful people. They don't all, always act that way, but when they don't it tends to be from insecurity or self doubt or personal trauma. These things can hold all of us back. I speak from deep experience. Both of others, and of myself. When you step into a leadership position, you have the power to change the world. Perhaps a small corner of it. Perhaps more than that. It is the part of your life in which you can make the biggest difference in the life of others and learn more about yourself than at any other time. Do not let that go by without self exploration. What do you want to do with this opportunity? What do you want to make of it and with it? What would great look like? And, crucially, what is stopping you from achieving all that? What do you think and feel about yourself that is going to get in the way. Imagine your future. Design it. Then go and lead it. I promise you one thing. You're already better than you know.

Cynthia E. Smith is the curator of the exhibition "Designing peace". She is the Curator of Socially Responsible Design, Cooper-Hewitt, Smithsonian Design Museum in New York. In this interview we talk about the research done for the exhibition and how an exhibition can expand the frontiers of design. Designing Peace explores the unique role design can play in pursuing peace. Visitors will encounter a wide range of design responses from around the world that look at ways to create and sustain a more durable peace, and will be encouraged to consider their own agency in designing peace through interactive installations, quiet moments of reflection, and opportunities for practical action. This is the 4th episode of the Peace and Design series. There are 5 episodes with people who are dedicated to building peace from different angles and countries. From Colombia, El Salvador, Mexico and the US we will listen to key voices in order to understand this complex problem. We have 4 interviews and a live panel that we host online. We thought about and recorded this series with Kevin Fonseca and Santiago de Francisco Vela.

This week Maureen Taylor, The Photo Detective, is joined by fashion historian Darnell-Jamal Lisby, who is currently the Assistant Curator of Fashion at the Cleveland Museum of Art, and the first to take this role.They discuss the latest exhibition, “Egyptomania: Fashion's Conflicted Obsession,” and how the fascination with this time period has led to fashion influence throughout the centuries, as well as how it can impact your family photos. Darnell-Jamal and Maureen also delve into the history of fashion, fashion inspiration, and how something in our society and culture inspires and change trends.  Related Episodes:Episode 186: Fashion History on Twitter   Episode 155: Ancestral Handbag History Links:Egyptomania: Fashion's Conflicted Obsession Sign up for my newsletter.Watch my YouTube Channel.Like the Photo Detective Facebook Page so you get notified of my Facebook Live videos.Need help organizing your photos? Check out the Essential Photo Organizing Video Course.Need help identifying family photos? Check out the Identifying Family Photographs Online Course.Have a photo you need help identifying? Sign up for photo consultation.About My Guest:Assistant Curator of Fashion Darnell-Jamal Lisby joined the Cleveland Museum of Art in 2021. He develops fashion study projects across the museum's various curatorial departments. Before coming to Cleveland, Lisby was an education coordinator at Cooper Hewitt and the Smithsonian Design Museum, where he organized the museum's first virtual—and best-attended—symposium, “Fashion, Culture, Futures: African American Ingenuity, Activism, and Storytelling.” Lisby previously worked at the Museum at the Fashion Institute of Technology and the Costume Institute of the Metropolitan Museum of Art.  He also taught in the Fashion Institute of Technology master's program in fashion design.About Maureen Taylor:Maureen Taylor, The Photo DetectiveÒhelps clients with photo-related genealogical problems. Her pioneering work in historic photo research has earned her the title “the nation's foremost historical photo detective” by The Wall Street Journal and appearances on The View, The Today Show, Pawn Stars, and others.   Learn more at Maureentaylor.comDid you enjoy this episode? Please leave a review on Apple Podcasts. I'm thrilled to be offering something new. Photo investigations. These collaborative one-on-one sessions. Look at your family photos then you and I meet to discuss your mystery images. And find out how each clue and hint might contribute to your family history. Find out more by going to maureentaylor.com and clicking on family photo investigations. Support the show

An exhibit at the Cooper Hewitt explores the histories behind symbols that are ubiquitous to our daily lives. Give Me A Sign: The Language of Symbols demonstrates how symbol design is a collaborative effort that has evolved and transformed over time. Emily Orr, associate curator of the museum, gives an overview of the exhibition, which is on view until September 2, 2024.   

We're joined by special guest host Cass Fino-Radin as we talk about time-based media: what it can be, what the challenges are, and what we can do to preserve it. From mechanical components to maintaining software, we geek out about everything that's wonderful about this type of conservation. Also tune in for a review of poetry pamphlet ‘Accessioning' by Charlotte Wetton. 00:21 A long-time spreadsheet idea 02:44 A potted history of time-based media (maybe) 05:41 Conservation of performance art 10:26 The wildest thing about time-based media 12:40 Cass' origin story 22:36 Blurry objects and things going off 27:54 More suggestions for what time-based media is 30:55 Old vs new technology 36:56 What makes a good time-based media conservator? 40:03 Review: Accessioning 44:54 Patreon appeal Show Notes: - Art and Obsolescence podcast: https://www.artandobsolescence.com/ - Cass' website: https://finoradin.info/ - Pip Laurenson: https://www.ucl.ac.uk/art-history/people/academic-staff/professor-pip-laurenson - Episode with Glenn Wharton: https://www.artandobsolescence.com/episodes/005-glenn-wharton - MoMA Media and Performance department: https://www.moma.org/about/curatorial-departments/media-performance - S05E03 Contemporary Art: https://thecword.show/2019/04/17/s05e03-contemporary-art/ - Episode with Annet Dekker: https://www.artandobsolescence.com/episodes/043-annet-dekker - Rhizome: https://rhizome.org/ - AIC 40th annual meeting in Albuquerque (2012): https://www.culturalheritage.org/docs/default-source/publications/periodicals/annual-meeting/2012-annual-meeting-abstracts.pdf?sfvrsn=1dbb1699_8 - Cass' company Small Data Industries: https://smalldata.industries/ - Cooper Hewitt: https://www.cooperhewitt.org/ - S09E05 Dynamic Objects: https://thecword.show/2021/05/19/s09e05-dynamic-objects/ - S06E03 The One with the Arduino: https://thecword.show/2019/10/16/s06e03-the-one-with-the-arduino/ - S01E09 Museum Pi: https://thecword.show/2017/06/21/s01e09-museum-pi/ - Time-based media according to Wikipedia: https://en.wikipedia.org/wiki/Conservation_and_restoration_of_time-based_media_art - Planetary app case study: https://www.cooperhewitt.org/2019/05/16/planetary-cooper-hewitts-first-ios-app/ - Accessioning poetry pamphlet: https://theemmapress.com/shop/poetry/pamphlets/accessioning/ Support us on Patreon! http://www.patreon.com/thecword Hosted by Jenny Mathiasson, Kloe Rumsey, and Cass Fino-Radin. Intro and outro music by DDmyzik, used under a Creative Commons Attribution license. Made available under a Creative Commons Attribution-NonCommercial 4.0 International license. A Wooden Dice production, 2023.

What can I say about Dr. Cheryl D. Miller that hasn't already been said? Her groundbreaking work as a designer in the 1980s and 1990s has paved the way for Black designers in this industry. Her first-hand knowledge and experience is sought after by colleges and universities all over the country. And now, in this season of her life, she is being celebrated and awarded as a pioneering figure in the field of contemporary graphic design by AIGA, The One Club, Cooper Hewitt, IBM, and many others. Honestly, I couldn't think of a better guest to have for this episode!Cheryl and I talked about her recent work as a design educator, and she shared her newfound dedication to writing and why it's so important to transition from oral tradition to scholarship. She also shared her interest in new tech, and spoke about mentoring younger designers who are blazing their own trails in the industry. Lastly, we explored what success looks like for her now, and she talked about what's coming up next as her passions for art, writing, and design intersect. Sit back and enjoy this thought-provoking conversation with a true design legend.(And thank you all for 500 episodes of the podcast!)LinksDr. Cheryl D. Miller's 2018 interviewDr. Cheryl D. Miller on InstagramDr. Cheryl D. Miller on LinkedInDr. Cheryl D. Miller's NFT Collection on FoundationFor a full transcript of this interview, visit revisionpath.com.==========Donate to Revision PathFor 10 years, Revision Path has been dedicated to showcasing Black designers and creatives from all over the world. In order to keep bringing you the content that you love, we need your support now more than ever.Click or tap here to make either a one-time or monthly donation to help keep Revision Path running strong.Thank you for your support!==========Join The Tenth CollectiveAre you a Black designer looking for your next opportunity? Then you should join The Tenth Collective, an initiative from Revision Path and State of Black Design to connect Black professionals in the design and creative industries with companies committed to hiring Black candidates for design and creative positions. And it's 100% free.Members of The Tenth Collective will receive curated introduction requests from companies vetted by us, and you'll only be contacted when a company wants to speak to you.We know that looking for a new opportunity can be tough, especially during these times. Let The Tenth Collective help you out!Click or tap here to join The Tenth Collective today!==========Follow and SubscribeLike this episode? Then subscribe to us on Apple Podcasts, Spotify, or wherever you find your favorite shows. Follow us, and leave us a 5-star rating and a review!You can also follow Revision Path on Instagram and Twitter.==========CreditsRevision Path is brought to you by Lunch, a multidisciplinary creative studio in Atlanta, GA.Executive Producer and Host: Maurice CherryEditor and Audio Engineer: RJ BasilioIntro Voiceover: Music Man DreIntro and Outro Music: Yellow SpeakerTranscripts are provided courtesy of Brevity and Wit.☎️ Call ‪626-603-0310 and leave us a message with your comments on this episode!Thank you for listening!==========Sponsored by Brevity & WitBrevity & Wit is a strategy and design firm committed to designing a more inclusive and equitable world. They are always looking to expand their roster of freelance design consultants in the U.S., particularly brand strategists, copywriters, graphic designers and Web developers.If you know how to deliver excellent creative work reliably, and enjoy the autonomy of a virtual-based, freelance life (with no non-competes), check them out at brevityandwit.com.Brevity & Wit — creative excellence without the grind.

40 million drivers can't transition to electric vehicles without an affordable and convenient EV charging infrastructure. Increasing access to affordable public charging not only encourages the adoption of EVs, but leads to cleaner air and healthier communities.Our guest, Tiya Gordon, is Co-Founder and COO of itselectric, a cleantech startup bringing EV charging to the millions of drivers who cannot charge at home as they park their cars on city streets.itselectric does this by overcoming city electrical grid limitations by using energy from buildings to power a publicly accessible curbside charger.In return, they share revenue with the property owners.It is a collaborative economic model and one that allows for EV chargers to be deployed within cities at speed and at scale.Tiya has spent over 20 years in design, leadership, and operations across a range of disciplines for some of the country's top firms and institutions. Her work has received the industry's top accolades, including The National Design Award from the Cooper Hewitt, Smithsonian Design Museum.To learn more about itselectric, please visit: https://www.itselectric.us (tap the Get Involved tab!)Follow and connect with the itselectric team via these social platforms:LinkedIn: https://www.linkedin.com/company/itselectric/Instagram: https://www.instagram.com/itselectric_co/Twitter: https://twitter.com/itselectric_coThank you for carving out time to improve your Founder Game - when you do better, your startup will do better - cheers!Ande ♥https://andelyons.com#bestyoutubechannelforstartups #startupstories #evchargingstations #cleantechJOIN STARTUP LIFE LIVE MEETUP GROUPGet an alert whenever I post a new show!https://bit.ly/StartupLifeLIVEWBENC APPLICATION SUPPORTLearn more here: https://bit.ly/GetWBENCSend me an email: ande@andelyons.comCONNECT WITH ME ONLINE: https://twitter.com/AndeLyonshttps://www.linkedin.com/in/andelyons/ https://www.instagram.com/ande_lyons/ TikTok: @andelyonsANDELICIOUS ANNOUNCEMENTSJoin Innovation Women here: https://bit.ly/AndeInnoWomenArlan's Academy: https://arlansacademy.com/Scroobious - use Ande15 discount code: https://www.scroobious.com/How to Raise a Seed Round: https://bit.ly/AAElizabethYinTune in to Mia Voss' Shit We Don't Talk About podcast here: https://shitwedonttalkaboutpodcast.com/SPONSORSHIPIf you resonate with the show's mission of amplifying diverse founder voices while serving first-time founders around the world, please reach out to me to learn more about making an impact through sponsoring the Startup Life LIVE Show! ande@andelyons.com.

It's a feminist true crime story time! In this episode Summer tells the story of Ann Cooper Hewitt, who was involuntarily sterilized by her mother in order to steal her inheritance. The ensuing court case captured the attention of a nation that was on the leading edge of eugenics—the United States. The post The Tragedy of Ann Cooper Hewitt appeared first on Sheologians.

It's a feminist true crime story time! In this episode Summer tells the story of Ann Cooper Hewitt, who was involuntarily sterilized by her mother in order to steal her inheritance. The ensuing court case captured the attention of a nation that was on the leading edge of eugenics—the United States. The post The Tragedy of Ann Cooper Hewitt appeared first on Sheologians.