Podcasts about Sound Museum

Say hello to Leo: https://www.facebook.com/leostubbing

It's just a big sloppy serving of unadulterated pop in this episode. And we want you to meet our #timetotalkaustralia guests. Amber Claire: https://www.facebook.com/amberclaireofficial Leo from the Sound Museum: https://www.facebook.com/leostubbingmedia Pete the Gaga Fan: https://www.facebook.com/peter.hooper.9406 Donate to the show: www.patreon.com/timetotalkaustralia  

Jazz88's Peter Solomon spoke with drummer and guitarist Jellybean Johnson and his partner, Martha Bragg about a fundraising event called "Minneapolis Sound Museum presents Tales from the Northside: Stories of Flyt Tyme," taking place at the Capri Theatre on June 5th.

Jazz88's Peter Solomon spoke with drummer and guitarist Jellybean Johnson and his partner, Martha Bragg about a fundraising event called "Minneapolis Sound Museum presents Tales from the Northside: Stories of Flyt Tyme," taking place at the Capri Theatre on June 5th.

This week for What Where When-sday, we discuss Black History in Music: Work, Worship, and Celebration at Jefferson Street Sound Museum with Lorenzo Washington, founder and curator, and Karen Lynn Coffee, vice president. Taking place every Saturday during the month of February, the event features an exclusive art exhibit that aims to celebrate businesses and entrepreneurs that made Jefferson Street a musician haven. Washington and Coffee discussed the event and the museum's mission to keep the memory of thriving times on the historic street. 

Join poet, editor, and translator Poupeh Missaghi as well as Ad Aster hosts Emma and Celina to reflect on her work. We discuss Missaghi's book trans(re)lating house one, what it means to be a writer and reporter during times of violence and crisis, and how to subvert traditional narratives of backwardness and victimhood with aesthetics, form, and emphasis of questions over answers. ad as•ter ep•i•sode 23/ˌad ˈa-str ep ˌ-sōd 'twen-ty /ˈθri / /n. / What is the role of the writer or artist in times of turmoil and crisis? What does it mean to translate(re)late? What should we keep in mind when joining together stories? What is lost in creating content for the “other”? How does one subvert expectations of “traumaporn” and victimhood in marginalized literature through questions, aesthetics, and form? What is the relationship between searching for the truth and searching for how to tell the truth? In what ways can fragmentation reveal a more accurate truth? What is the strength in revisiting questions and open ended text, in intentional form and style? How do we ask questions when we know there isn't an answer? Is reporting/writing/exploration just a labyrinth of stories? How can young writers and artists explore and create for positive social change? Poupeh Missaghi is a writer, translator, and editor. Her debut book trans(re)lating house one (Coffee House Press, 2020) is a hybrid investigation of the role of the witness through the frame of the 2009 protests in Iran. her second book Sound Museum, forthcoming from Coffee House Press in 2024, investigates the history of global torture enterprise. her translation of Nasim Marashi's I'll be Strong for You was published in 2021 (Astra House), and she has two other translation books forthcoming in 2023 and 2024. An assistant professor of literary arts and studies at the University of Denver and a faculty mentor at Pacific Northwest College of Art MFA, she is currently based in Denver, Colorado. links ⁠trans(re)lating house one Poupeh Missaghi - Words Without Borders Mapping Tehran Visual Spotlight: Some Artists on Developing a New Visual Language of Protest The Many Voices of the Displaced Nowruz Journal 

A group of prominent music North Side Minneapolis music people are creating a Minneapolis Sound Museum. Sure there is Paisley Park which documents Prince, they say, but what about the other talented players who created the famed Minneapolis Sound. On June 7 at 6PM, the Capri Theater on West Broadway hosts a fund raiser for Museum with a featured panel who'll discuss the Minneapolis Sound. Drummer and producer Jellybean Johnson is on the panel will on hand, and when he talked to Phil Nusbaum, he told of forming a hit group with some of his north side pals.

It is just a few days before Lisa takes to the stage at Mighty Hoopla for her first solo performance in over a DECADE, so we are officially calling this LISA SCOTT-LEE week and bringing you this BONUS episode to help celebrate.With the BIGGEST thank you to friend of the pod Leo Stubbing at Sound Museum for providing us with the interview, it was first broadcast on Joy 94.9 in 2006 and conducted by Damian Nicholas. Leo worked at Joy throughout the late 00's and early 10's and dug this out of his archives for us. We are so happy this forgotten interview has resurfaced and we are able to share it with you all.Note: This interview was conducted 17 years ago and transferred from tape to digital, so the sound quality does mirror this in places.Follow ‘Glitter & Gold: The Original Steps Podcast':Instagram, TikTok & X: @glitterstepspodEmail: glitterstepspod@gmail.com Logo & Brand Design: BvrlyCreative Hosted on Acast. See acast.com/privacy for more information.

It's time to release the Kraken! And by release, we mean listen to Penny interview the Kraken about what it's like to be a legendary beast from the depths, the varying tastes of different ships, and the assholery of geese and dolphins.The Kraken sounds quite a bit like Lee Tomanelli, creator of the upcoming audio drama THE SOUND MUSEUM on the Faustian Nonsense network! Check out the homepage and trailer for THE SOUND MUSEUM here: https://www.faustiannonsense.com/sound-museumPenny Cephalonia sounds a lot like Rebecca Hicks, on Twitter at @RHicks.Sibyl Corvin's voice bears an uncanny resemblance to that of Jaci Seelagy, who twitters at @jekyllyn.Music is by TJ, the empathic vampire! Learn more or get your own awesome music at https://linktr.ee/afkai. Editing by Sir Cai, formerly of the round table, who can be found on Twitter at @mynameisnotcai.Check out the art of Penny's vocal doppelganger at lunaseastudios.storenvy.com!Former guest of the pod Cerberus handles social media for THE GORGON SHOW! One of the heads looks suspiciously like Brenden Southerland...Follow THE GORGON SHOW on Twitter at @GorgonShow, or email us at gorgonshow@faustiannonsense.com. See transcripts at faustiannonsense.com/gorgon-show.THE GORGON SHOW is a proud member of the Faustian Nonsense network. Check out other projects by FN at faustiannonsense.com. If you'd like to support the show, and the independent creators of FN, you can become a patron at patreon.com/faustiannonsense and earn our boundless and eternal gratitude! Sign up for the crossroads tier to get early access to new episodes of originals like THE GORGON SHOW!Mentioned in this episode:Finding Monster Right is a hilarious podcast in which Adam and Allie answer questions you've never asked about monsters from folklore, pop culture, and our own world. Find them wherever you get your podcasts, and on twitter at @MonsterRightPod!

Sound Museum Boston is closing, where will local musicians rehearse? Mike Crawford interviews two longtime local artists, Dave Tree and Scott Matalon about the city of Boston's shady dealings related to the closure of Boston's cultural institution, The Sound Museum. https://www.wbur.org/news/2023/01/10/sound-museum-owners-cry-foul-as-their-tenants-likely-secure-new-spaces-without-them?fbclid=IwAR31RGmFvNNBOTk1nDwVtvNeQo-0IwLcOxOspqR-MjTpa_HPKWM56DJ7JLk The Desmonds believe The Record Co. was a beneficiary of favoritism, alleging that MASSCreative had a conflict of interest because the city's chief of arts and culture, Kara Elliott-Ortega, chairs its board. Elliott-Ortega is in a relationship with The Record Co.'s executive director, Matt McArthur. “[Elliott-Ortega] wanted to get my tenants away from me for her boyfriend's business,” Katherine Desmond said. “It's unethical. It's unmoral. And I'm hoping to prove that it's illegal, and litigate against it.” --- Support this podcast: https://anchor.fm/theyoungjurks/support

A cultural institution, the Sound Museum calls out the city of Boston, Mayor Wu, and the Mayors Office for Arts and Culture (MOAC) for stealing their business. Audio from Katherine Desmond's recent testimony before the Boston City Council, where she says the city empowered a competing group "to steal our life's work". https://www.boston.com/news/business/2023/01/17/brighton-sound-museum-bands-relocated/ --- Support this podcast: https://anchor.fm/theyoungjurks/support

The Sound Museum has been a fixture of the Allston-Brighton music scene for three decades, serving as a practice space for Boston musicians. At the end of January, these artists will be forced to find a new place to meet.  WBUR Arts Reporter and Critic, Amelia Mason joins The Common with the latest on the Sound Museum's fight to survive. Greater Boston's daily podcast where news and culture meet.

Allston Rock City won't be rocking so hard at the end of this month. WBZ's Matt Shearer explains.

Plus, we discuss ways Massachusetts can be more proactive when it comes to artist displacement.

Please enjoy our trailer for season 1 of The Sound Museum, an audiodrama that follows Paris as they collect sounds for an eclectic museum! Credit Nat Kelley DiMario as Sloan Lee Tomanelli as Paris Editing by: Lee Tomanelli Foley by:  Kaylie Groff Theme Song by: Some Kind of Omen

This pilot was produced by Shared Road Theater Company and its team of brilliant artists. The Sound Museum would not have been possible without countless dedicated hours from those incredibly talented people.  Cast:  Ivy McGurran as Tilly Nat Kelley DiMario as Sloan Lee Tomanelli as Paris Production: Produced by: Shared Road Theater Company Directed by: Daria Kent Production Management by: Nat Kelley DiMario Foley and Sound Design by: Kaylie Groff Edited by: Andrew Connelly and Lee Tomanelli Story by: Lee Tomanelli with the help of Shared Road Theater Company Theme Song by: Some Kind of Omen Sound attribution: "JBF Plywood Breaking 1.aif" by cmusoundesign, Freesound.org "rocks1.wav" by mystiscool, Freesound.org "Tuuliviiri kääntyy / Metal, rusty weathervane turning, metal squeaking and creaking, a close sound" by YleArkisto, Freesound.org "Wind_blowing_gusting_through_french_castle_tower.wav" by Christopher J Astbury (username: Astounded), Freesound.org "Wood_Creak_03.wav" by dheming, Freesound.org And a massive thank you to all the artists on Freesound.org who share their work under the Creative Commons 0 license. Special Thanks to: Eli Bridges, our brilliant harmonicist Dante DiGangi Brown, our story consultant

Meet the host of The Hollywood Sound Museum Podcast - Museum Founder & Sound Effects Wrangler Steve Lee... and his two co-hosts, Oscar-winning Sound Editor Richard Anderson ("Raiders of the Lost Ark") and Sound Effects Recordist Eric Potter. Learn more about the Museum: www.HollywoodSoundMuseum.org Email us: SoundMuseumPodcast@gmail.com Keep Listening! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Jellybean Johnson is Minneapolis music royalty. The drummer for the Time also leads the Jellybean Johnson Experience. Plus, he played with Prince, and co-produced the hit song “Black Cat” with Janet Jackson. Now, he's the co-founder of the Minneapolis Sound Museum. "The Minneapolis sound is Prince," Johnson tells The Current's Jill Riley. "But [it's] also those of us who grew up with him and played with him and pushed him and one another to be great." For more information about the Minneapolis Sound Museum, visit mplssoundmuseum.com.

The Sound Museum (Retrocast) (Originally aired 18 April September 2009 on KPSU, and 1 June 2013 – 10 September – 15 September – 16 September – 17 September – 19 September – 22 September – 10 October – 6 November – 12 November – 14 November – 2014 on blasphuphmusradio.wordpress.com) Follow me and Ken Nordine as we lead you on a wonderful trip through The … Continue reading The Sound Museum (Retrocast)

Lauren Kinhan hails from Massachusetts and resides in New York City. Whether on her four highly-acclaimed solo albums, a member of the beloved New York Voices, or co-founder of two supergroups, Moss and JaLaLa, singer/songwriter Lauren Kinhan has forged her own path as a performer, composer, producer, arranger, educator and now curator. Her monthly vocal series, Vocal Mania co-produced with Janis Siegel once was land locked, but since the pandemic they have rebranded it Vocal Gumbo and taken it to the online superhighway. Forging new ways to stay connected, collaborate and keep music performance alive, this program has taken on fulfilling that need plus added a talk show format that covers a multitude of topics ranging from music, the pandemic, Black Lives Matter, politics, education, depression, activism, and of course, cooking! Downbeat gave Lauren’s 2017 A Sleepin’ Bee 4 1/2 Stars for her loving tribute to the late great Nancy Wilson. Prior solo releases include Avalon, a journey in a new mother’s brain, and Circle in a Square, a 50-year birthday present to herself highlighting all she’s learned thus far. Phil Ramone produced her debut, Hardly Blinking, calling her “a true songstress.” Other highlights include her contributions on Bobby Mcferrin’s Vocabularies and Ornette Coleman’s Sound Museum, Three Women. Lauren is on the adjunct faculty at New York University and is a graduate of Berklee College of Music. http://www.laurenkinhan.com Host: http://drdivajc.com http://wijsf.org    

海外工作是近幾年來的趨勢，年輕人期待在更廣闊的世界裡探索自己的可能 以前總認為國外的技術比較發達、思想更加開放，那現在還是嗎？ 這次邀請到聲樣創意有限公司&大型遊樂園音樂總監 黃康寧Kent 分享從在樂園擔任樂手，理解快樂是被精心設計， 之後回台尋找自己土地的聲音、開了音源取樣公司， 到又再次遠赴國外擔任音樂總監。 他想告訴台灣的孩子們，我們在國外真的一點都不遜色 想聽聽Kent的見解嗎？趕快收聽吧 客座來賓：SOUND Museum 取樣音源製作(https://www.facebook.com/soundmuseumtaiwan/) 《聽，文化：台灣取樣音源與文化保存的第一本書》：https://niusne.ws/28uh2 有職場問題嗎？填寫表單讓職女子替妳問問專家老師吧！ https://niusne.ws/v3973

In episode 11, I had the pleasure of speaking with Steve Lee. We spoke about his journey in sound from sound librarian, sound effects wrangler, recordist, to Hollywood Historian and Sound Effects Archivist. We also spoke about him creating The Hollywood Sound Museum, what it means, the importance and significance to film history, and why sounds, especially on tape, should be preserved.    Steve's IMDb: https://imdb.to/2Cu0B9Z   The Hollywood Sound Museum: http://hollywoodsoundmuseum.org/   Facebook: https://bit.ly/2WaYcbn   Ben Burtt's 5.1 mix of The War of the Worlds (1953): https://bit.ly/3272rIU   Disney + Zenimation: https://bit.ly/3iRue62   Uses of The Wilhelm Scream: http://www.hollywoodlostandfound.net/wilhelm.html   www.closingcreditspod.com  Twitter/Instagram @closingcred  Thanks for listening!

The world's largest digital arts centre has opened in a former submarine base in the southern French city of Bordeaux. Its enormous chambers and dazzling visual effects with exhibitions dedicated to Gustave Klimt and Paul Klee are exactly what we need after nearly three months in confinement. FRANCE 24's reporters have been to check out the Bassins de Lumières.

Kid Kun is a young and versatile beat maker based in Ulm, Germany. In his deep yet clean and powerfully productions Kid Kun combines elements of dark Jungle with dub infused Halftime rhythms. His recent releases on Aufect Platinum, Sound Museum, Terabyte Records, Vandal and Sublimate got him the attention and support of many of the scenes heavyweights, such as Ivy Lab, Om Unit, Moresounds and Jon1st. Tracklist: look to soundcloud --> soundcloud.com/infinitesequenc...ct-platinum-ulm Links to Kid Kun facebook.com/kidkunmusic instagram.com/kidkunmusic

Kid Kun is a young and versatile beat maker based in Ulm, Germany. In his deep yet clean and powerfully productions Kid Kun combines elements of dark Jungle with dub infused Halftime rhythms. His recent releases on Aufect Platinum, Sound Museum, Terabyte Records, Vandal and Sublimate got him the attention and support of many of the scenes heavyweights, such as Ivy Lab, Om Unit, Moresounds and Jon1st. Tracklist: look to soundcloud --> soundcloud.com/infinitesequenc...ct-platinum-ulm Links to Kid Kun facebook.com/kidkunmusic instagram.com/kidkunmusic

Kid Kun is a young and versatile beat maker based in Ulm, Germany. In his deep yet clean and powerfully productions Kid Kun combines elements of dark Jungle with dub infused Halftime rhythms. His recent releases on Aufect Platinum, Sound Museum, Terabyte Records, Vandal and Sublimate got him the attention and support of many of the scenes heavyweights, such as Ivy Lab, Om Unit, Moresounds and Jon1st. Tracklist: look to soundcloud --> soundcloud.com/infinitesequenc...ct-platinum-ulm Links to Kid Kun facebook.com/kidkunmusic instagram.com/kidkunmusic

Kid Kun is a young and versatile beat maker based in Ulm, Germany. In his deep yet clean and powerfully productions Kid Kun combines elements of dark Jungle with dub infused Halftime rhythms. His recent releases on Aufect Platinum, Sound Museum, Terabyte Records, Vandal and Sublimate got him the attention and support of many of the scenes heavyweights, such as Ivy Lab, Om Unit, Moresounds and Jon1st. Tracklist: 1. Ak:Hash - Queen Of Seeds 2. Tsuruda - War In The Jungle 3. I Kicked A Cloud Once - ICONFESS 4. Oakk - The Prodigy Remix 5. Ivy Lab x Two Fingers - Talk To Me 6. Thelem - Uno 7. MonoPoly - Teach You All A Lesson 8. Yunis - ??? 9. Tsuruda - TS 146 10. Yunis - Efeu 11. Tsuruda - Dragon Of The Darkness Flame 12. Kid Kun - ??? 13. Lordel - Bollo 14. Phazz - Caution 15. Hapa x Noer The Boy - Fire & Brimstone 16. Tsuruda - Out Here 17. Kid Kun x HP.Ritch - Hollow Slide 18. Ivy Lab - Snack Time 19. Cesco - Drones 20. Stray - LA Zoom 21. Fracture x Alix Perez - Realise 22. Bredren - Solid Surface 23. Gerra & Stone - Breach 24. Kid Kun - ??? 25. Monty x Hyroglifics x Benabu - The Glow 26. Wingz - Roller Dub 27. Skylark x DOT. - Synthetic Pursuit 28. Monty - STK 29. Skylark - Intervals 30. Hyroglifics x Signal - Make Me Feel 31. Data3 x Blake - Sorrow 32. Mefjus - Sinkhole (Skeptical Remix) 33. Was A Be - Shell 34. The Sauce x Aioli - Mr Robot 35. Sustance - Recognise 36. Kid Kun - Click Clack 37. Bredren - Undress 38. Alix Perez - Slink Link Kid Kun: https://soundcloud.com/kidkunmusic https://www.facebook.com/kidkunmusic/ https://www.instagram.com/kidkunmusic/

Goodbye, Ken Nordine. Your word Jazz was exquisite, and you were a radio maverick, starting in the early 40s. Astonishing what you can do when you try to be yourself, all the time. Here’s a show I did remixing a Ken Nordine themed show from 2009, and a bunch of other spoken word radio and … Continue reading The Sound Museum (#99)

Jokes and gender politics in the new Lego sequel. "The Lego Movie" was Josh's #1 film of 2014. Dan Gilroy's "Nightcrawler" made Adam's Top 10 of the same year. Five years later, Emmet Brickowski and the rest of the master builders return for THE LEGO MOVIE 2 - and Gilroy is back, too, with the art scene satire VELVET BUZZSAW, another darkly satirical take on a Los Angeles subculture. Also on the show: Josh's thoughts on Catherine Hardwicke's MISS BALA, Massacre Theatre and an announcement about the next Filmspotting Marathon.    0:00-1:17 - Billboard 1:17-15:19 - Review: "The Lego Movie 2" Beck, "Super Cool" (feat. Robyn and The Lonely Island) 15:46-25:13 - Next Week / Notes 25:13-35:50 - Massacre Theatre Ken Nordine, "Sound Museum" 36:32-41:00 - Donations 41:00-59:56 - Review: "Velvet Buzzsaw" 59:56-1:06:51 - Spoilers: "Velvet Buzzsaw" 1:06:51-1:09:35 - Close Learn more about your ad choices. Visit megaphone.fm/adchoices

Hey, this is a new project by Joy, Sound Snack (Edit on Apr 13).I didn't realise I had long history working with sound, until we paused the podcast for almost 4 months. I recall that I've been a host in my junior high school radio station, playing music and reading announcements; in college, together with 3 friends, I started a project, Sound Museum, to evoke the awareness of environment by showing people sounds from nature in a website. Two years ago, Bo and I started this really casual podcast, Beginner's Mind. There's something charming about storytelling by sound. The sound, voices, and also, most importantly, the silence in-between, tell stories that all your imagination allows. I'm a big fan of spontaneity, co-creation, and interpretation based on each person's experiences. Hope these 5-minute sound clips bring you peace of mind even when it's noisy. Be happy :)

Towa Tei - Technova Copacabana Edit By Petko Turner Towa Tei is a third-generation Korean-Japanese. Towa began making demo tapes at the age of 16 having bought his first synthesizer, a Korg MS-10. While studying at Musashino Art University Junior College of Art and Design he sent his tape to a radio program of Ryuichi Sakamoto titled "Sound Street". In 1987, Towa moved to the US to study graphic design and joined house act Deee-Lite, a trio with Supa DJ Dimitry and Lady Miss Kier, enjoying almost instant success after debuting in 1990 with their album World Clique and the single "Groove Is In the Heart". In 1991, Towa collaborated with his idol Ryuichi Sakamoto on Sakamoto's album Heartbeat. He also appeared on Sakamoto's follow up album Sweet Revenge. In 1994, Towa returned to Japan after seven years in New York. He hinted in a 2011 interview that his time with Deee-Lite made him ill, though he didn't expand on the reasons why. Towa debuted as a solo act with Future Listening! that same year, incorporating an array of musical styles, including electronic, bossa nova, house, jazz and pop. It featured collaborations with Joi Cardwell, Bebel Gilberto, MC Kinky, Hiroshi Takano, Ryuichi Sakamoto, Haruomi Hosono, Toshihiko Mori, Satoshi Tomiie, Yuichi Oki of Tokyo Ska Paradise Orchestra and Pizzicato Five vocalist Maki Nomiya. Sound Museum followed in 1997, then Last Century Modern in 1999. 2002 brought the album Towa Tei, under the pseudonym Sweet Robots Against the Machine. Flash surfaced in 2005 by which time Towa was DJing regularly in Japan. He has admitted though, that he doesn't enjoy performing and prefers producing and using computers. Big Fun, featuring Verbal and Mademoiselle Yulia was released in 2009 and was the third album to feature the artwork of San Franciscan painter and graffiti artist Barry McGee. For the album, Towa utilized MySpace to collaborate with artists from around the world even if he didn't know them, such as with German act Taprikk Sweezee.[1] Another collaborator he worked with for Big Fun was Miho Hatori of Cibo Matto, though they also only met on MySpace. Towa has also established his own creative company, hug inc, which among other things, manufactures his trademark sunglasses.

Toni & Campbell Royston join us to tell us why smaller is better, more personal, specific and tailored when it comes to the new generation of real estate agents. They also give us invaluable tips […] http://media.rawvoice.com/joy_archives/p/joy.org.au/ourhouse/wp-content/uploads/sites/337/2016/08/21-Sound-Museum.mp3-Our-House-Ep3.mp3 Podcast: Play in new window | Download (Duration: 32:17 — 44.3MB) The post Royston Realty tells us why Smaller Agents are the Best appeared first on Our House.

The Traveling Sound Museum

The inestimable Tina Arena, the art of poetry, feminism and inclusivity in the music industry, and the 2015 LGBTI Ageing and Aged Care Conference are all explored this week! From Que(e)ries: Is Poetry Queer? This week […] http://media.rawvoice.com/joy_littlepodofjoy/p/joy.org.au/littlepodofjoy/wp-content/uploads/sites/290/2015/11/Podcast_ALPOJ-16-November-2015.mp3 Podcast: Play in new window | Download (Duration: 46:05 — 42.2MB) Subscribe or Follow Us: Apple Podcasts | Android | Google Podcasts | RSS The post Queeries, Sound Museum, Cute and Saturday Magazine appeared first on Little Pod of JOY.