Podcasts about street sounds

Play List 1. Greg Henderson - Dreamin 2. Roz Ryan – Boy Where Have You Been 3. Colors – Pay Me Back My Love 4. Carlton Smith – Excite Me 5. Caprice – 100% 6. BB&Q Band – Dreamer 7. Cheryl Lynn – Its Gonna Be Right 8. Rose Royce – Magic Touch 9. Dayton – The Sound Of Music 10. The Three Degrees – Heaven I Need 11. Mtume – Juicy Fruit 12. Sunfire – Young Free & Single 13. Stanley Clarke – Heaven Sent You 14. Steve Arrington – Dancing In The Key Of Life 15. Colonel Abrams – Trapped 16. Gwen McCrae – Keep The Fire Burning 17. Evelyn Champagne King – Your Personal Touch 18. Barbara Mason – Another Man 19. Funk Delux – Tender Lovin 20. Paul Hardcastle – Rain Forest

Breathe | (Vocal Part One) 01. Magic Number - All I Ever Wanted (Atjazz Astro Remix) [Atjazz Record Company] 02. China Charmeleon & Sio - Little Me (Rose Ryot Remix) [Stay True Sounds] 03. June Jazzin & Rona Ray - First Step [Are You House? Records] 04. Fred Everything feat. James Alexander Bright - Breathe (Lazy Vox) [Lazy Days Recordings] 05. Detroit Rising - Rocket Love (Jimpster Remix) [Down Jazz Records] 06. Marc Brauner & Tender Games - Love Keeper [Happiness Therapy] 07. Ron Boss feat. Street Sound & Marcus Raute - Never Give Up [Nothing But] 08. Franck Roger feat. Shawn Chappelle - Enchanted (Fred Everything Remix) [Vibe Me To The Moon] 09. Cody Currie, Eliza Rose - Danger [Toy Tonics] 10. Sudden Moves - Last Dance [True Romance Records] 11. Cody Currie - Cash (Dan Shake Remix) [Toy Tonics] 12. King Of Clubs - Summertime [Ltd, W/Lbl] 13. Philippa & Jimpster feat. Caré - Dreaming [Freerange] 14. Moonee - Summer Of Lava [Omena Records]

Matt of Piper Street Sound talks about his new EP, Small Plate / Rid Them Remixes. PLUS the importance of an artist knowing the roots of reggae, integrating non-traditional reggae instruments into his music, and how technology can help an artist realize their vision Small Plate / Rid Them Remixes is out everywhere now! Check out Piper Street Sound at https://www.piperstreetsound.com/ For more info on Streetlevel Uprising:streetleveluprising.com⁠ ⁠facebook.com/streetleveluprising⁠instagram.com/streetleveljay⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/talkinreggae/support

Estas Escuchando Street Sound (Version 2) Mixtape Estas escuchando los mixes de NewMusic507. suscríbete para no perderte ningún mix.recuerda seguirnos en YouTube como: ||New Music 507 y en las redes sociales como: ⁠⁠@NewMusic507⁠⁠ & ⁠⁠@Franger507⁠⁠.

Estas escuchando los mixes de NewMusic507. suscríbete para no perderte ningún mix.recuerda seguirnos en YouTube como: ||New Music 507 y en las redes sociales como: @NewMusic507 & @Franger507

“What we're gonna do right here is go back, way back!”If you were really down with the cool kids in 1984, you would have most definitely have been passing around the school prized C90 cassettes featuring much copied Streetsounds compilations. And somewhere in there was Kurtis Blow's AJ Scratch track with those immortal sampled words from the Jimmy Castor Bunch in 1972. Straight out onto The BMXs and down to throw some funky worm shapes on that strip of lino!Or, in this writer's case, 1984 was mainly spent in a bedroom hovering over the play and pause button to catch a clean edit (without Simon Bates) of Two Tribes, still at number one after 5 weeks! But which mix would we get this week? Now, THIS was anticipation, pop kids!1984. A pop year of decadence, contradictions, conflict, controversy and coming of age. A year that authors (and the BBC) told us would feature impending, inevitable Armageddon. Annihilation, it turned out, came in the shape of a plethora of 12” mixes, plastic smiles, snoods, 808 drum machines, hairspray, neon and (red) balloons. How was it for you?In the third decade of the 21st century, a time surely we wouldn't (a) remember 1984 or (b) still be around to remember 1984, the team at NOW Music HQ presented the second in a (now) glorious series of curated Yearbooks. And what an album (and accompanying extra volume!) we have to rediscover. The sun is most definitely shining brighter than Doris Day!So for this special episode we're joined by two poptastic friends of the show to take a deep dive into 1984. Journalist, DJ and author Ian Wade and journalist, author and broadcaster Jude Rogers.Jude can be found contributing musings and writing about music, culture and much more in The Guardian, Observer and The Quietus amongst many others. Her first (best selling!) book, The Sound of Being Human: How Music Shapes Our Lives is available through White Rabbit books.Ian has written for Classic Pop, Record Collector, The Quietus, Official Charts, Sunday Times Culture as well as doing time at such titles as Smash Hits and The Face many years ago. He has worked as a PR on BBC's Later… with Jools Holland and occasionally DJs at Spiritland and Duckie. And his debut book 1984: The Year Pop went Queer is published by NineEight Books in July 2024.And whilst we don't take a forensic look at every one of the 80 tracks on the 1984 Yearbook (and the further 60 on the extra volume) we instead provide you with an opportunity to explore the sights, sounds, culture, music, genres, tribes and (school!) fashion that makes this year so thoroughly iconic for so many reasons.Join us then, as we turn up the neon and dance through mutually agreed destruction in celebration of 1984! Hosted on Acast. See acast.com/privacy for more information.

0:00- Intro, Street Sounds, Call Your Mom, Despicable Me talk8:55- Altared States discussion begins34:30- Ties That Bind discussion begins1:08:30- Chatzums segment Magellan's Substack newsletterTwitter/XTwitchChatzumsEmail: chatzpod@gmail.comOur main podcast feed art was done by Camilla Franklin, whose work can be found at https://camillafranklin.myportfolio.com/

Jefferson Street in Nashville was a nexus of African American culture, education, and entrepreneurship. The music that emanated from that space from 1950-1970 forever changed American music. Join Tom and Jo Ann as they speak to the curator of the Jefferson Street Sound Museum, Lorenzo Washington.

This week for What Where When-sday, we discuss Black History in Music: Work, Worship, and Celebration at Jefferson Street Sound Museum with Lorenzo Washington, founder and curator, and Karen Lynn Coffee, vice president. Taking place every Saturday during the month of February, the event features an exclusive art exhibit that aims to celebrate businesses and entrepreneurs that made Jefferson Street a musician haven. Washington and Coffee discussed the event and the museum's mission to keep the memory of thriving times on the historic street. 

Experience the relaxation of a rainy street from the comfort of your home! This gentle pitter patter of rain creates a peaceful ambiance that will lull you into a deep and restful sleep in no time. Simply close your eyes and let the soothing sounds of raindrops wash away the stress of your day and find yourself waking up feeling recharged and ready to take on the day

Hey Beautiful people!!! This weeks rewind in Full HD . Hey Beautiful people!!! Back once again like a renegade master. Yes I'm back from summer break so try to contain yourselves. I hope you can join me this Sunday at the new time of 10 am UK on Cruise FM. Yes that's right now 3 hours of Paradise. This week's feature hour back by popular demand is a Street Sounds Edition Special Part 3, another DJ Wild_R Electro super mix and we have another DJ Allan's Awesome 3 . As per usual l I'll be bringing a taste of Paradise to the weekend. The vinyl frontier with cuts from my recent Vinyl excursions plus new music From Disco Soul Gold, Camera Soul in a new feature of hot Slow Jams and the awesome Steve Ripley , and a few cheeky bootlegs. I hope you can join me on this special weekly journey .. Here are the listen links on the award winning Cruise FM. , Now Live between 10am and 1pm

The Morgan Khan Interviews (Part Two) - The Rebirth of Street Sounds The Black Spy Podcast Season 11 Episode 0006 This week's and next week's Black Spy Podcast features the rise, fall and rebirth of Morgan Khan, the legendary music mogul and entrepreneur who played a pivotal role in introducing various genres of black and urban music to the UK and Europe. Morgan was the founder of Street Sounds, a record label that launched in 1982 and became the market leader of compilation albums, featuring the best of electro, hip-hop, house, and other styles of street music. Morgan was ahead of his time, licensing tracks from the US that were otherwise unavailable or expensive for UK consumers. He also discovered and developed many successful artists, such as Imagination, Jamiroquai, Dina Carroll, and Humanoid. We hear how Morgan worked with most of the major record companies and music publishers and hear how the anti Black racism of the industry executives, 99% White, failed to support Black artists to anything like the same degree as they did White artists. In addition to his Street Sounds label Morgan had success in producing and promoting events and concerts. He is credited as pioneering electro/hip-hop, house, hip house and acid music in Europe. Morgan's contribution to the music industry is exceptional and his influence is still felt today. Once again the Black Spy Podcast brings you a major contributor to the global cultural scene and hence the geo-political nuances of our time. Don't forget to subscribe to The Black Spy Podcast to never miss an episode. Contact Firgas via her Linkedin at Firgas Esack Daps To contact the Black Spy or donate to The Black Spy Podcast utilise the following: To donate - Patreon.com/TheBlackSpyPodcast Email: carltonking2003@gmail.com Facebook: The Black Spy Podcast Facebook: Carlton King Author Twitter@Carlton_King Instagram@carltonkingauthor To read Carlton's Autobiography: “Black Ops – The incredible true story of a British secret agent” Click the link below: https://www.amazon.co.uk/dp/BO1MTV2GDF/ref=cm_sw_r_cp_awdb_WNZ5MT89T9C14CB53651   Carlton and Firgas are available for speaking events. For this purpose use the contact details above  

Hey Beautiful people!!! This weeks rewind in Full HD . Hey Beautiful people!!! Back once again like a renegade master. Yes I'm back from summer break so try to contain yourselves. I hope you can join me this Sunday at the new time of 10 am UK on Cruise FM. Yes that's right now 3 hours of Paradise. This weeks feature hour back by popular demand is a Street Sounds Edition Special Part 2 , another DJ Wild_R Electro super mix and we have another DJ Allan's Awesome 3 . As per usual l I'll be bringing a taste of Paradise to the e weekend. The vinyl frontier with cuts from my recent Vinyl excursions plus new music and a few cheeky bootlegs. I hope you can join me on this special weekly journey .. Here are the listen links on the award winning Cruise FM. , Now Live between 10am and 1pm TRACKLIST Track Title Artist Simply Red ~ Sunrise (Ben Liebrand Remix) Simply Red Serious Donna Allen Boogie Down (Bronx) Man Parrish I Got My Mind Made Up Instant Funk Play That Beat Mr. DJ (12" Full Length Version) G.L.O.B.E. & Whiz Kid Happy [Feat. Gwen McCrae] (Dr Packer Remix) Ferry Ultra, Gwen McCrae, Dr Packer In My Arms (Extended Mix) Purple Disco Machine Turn It Up Conway Brothers Get Down Friday Night (Michael Gray Remix) The Fantastic Aleems (Ft Leroy Burges) Everyman (Joey Negro's Salsoul Strut) Double Exposure Spread Love (Dr Packers Live Sessions Mix) Lenny Fontana Always There (Scott Diaz Funk Excursion) Reel People I Believe (Extended Mix) Happy Clappers I.O.U Freeez Can t Get Enough Of You Long Version Wickett Just in Time Raw Silk I Want You (All Tonight) - Curtis Hairston The Sound of Music Dayton Hi, How Ya Doin'? Kenny G I Wanted Your Love Luther Vandross Crucial Electro 3 Mixed By DJ_Wildr Someday : The Gap Band ( feat) Stevie Wonder HQ GODIVOR This Time Funk Deluxe Change of Heart Change I Found Lovin' Fatback Band Genie (Michael Gray Extended Remix) B. B. & Q. Band, Michael Gray Holding Back (Moplen Remix) Jackie Moore, Moplen Be Yourself (Michael Gray Dub) Sam Karlson & Barbara Tucker Make Up Your Mind (Extended Mix) Peter Brown I Have Something For You (Odyssey Inc. Feat Jon Cox Remix) Federal Hill, Odyssey Inc., Jon Cox, Gary Tutalo, Victor Simonelli, Tommy Musto Wanting You (Richard Earnshaw Extended Sugarsoul Mix) Mannix, Pete Simpson, Richard Earnshaw Alkemy (Original Mix) Luis Radio Set Me Free Yam Who?, Rikky Disco My Feelings Can't Explain (Jay Vegas Classic House Mix) Mattei & Omich, Fatimah Provillon, Jay Vegas Give Me Your Love (Dave Lee Edit) Luke Delite & Michelle Weeks Unstoppable (Birdee Remix) Kris King, Mishell Ivon, Birdee We Got Music (Dr Packer Extended Disco Mix) Clio, Dr Packer

The rise and fall of Morgan Khan's Street Sounds (Part 1) The Black Spy Podcast Season 11 Episode 0005 This week's and next week's Black Spy Podcast features the rise, fall and rebirth of Morgan Khan, the legendary music mogul and entrepreneur who played a pivotal role in introducing various genres of black and urban music to the UK and Europe. Morgan was the founder of Street Sounds, a record label that launched in 1982 and became the market leader of compilation albums, featuring the best of electro, hip-hop, house, and other styles of street music. Morgan was ahead of his time, licensing tracks from the US that were otherwise unavailable or expensive for UK consumers. He also discovered and developed many successful artists, such as Imagination, Jamiroquai, Dina Carroll, and Humanoid. We hear how Morgan worked with most of the major record companies and music publishers and hear how the anti Black racism of the industry executives, 99% White, failed to support Black artists to anything like the same degree as they did White artists. In addition to his Street Sounds label Morgan had success in producing and promoting events and concerts. He is credited as pioneering electro/hip-hop, house, hip house and acid music in Europe. Morgan's contribution to the music industry is exceptional and his influence is still felt today. Once again the Black Spy Podcast brings you a major contributor to the global cultural scene and hence the geo-political nuances of our time. Don't forget to subscribe to The Black Spy Podcast to never miss an episode. Contact Firgas via her Linkedin at Firgas Esack Daps To contact the Black Spy or donate to The Black Spy Podcast utilise the following: To donate - Patreon.com/TheBlackSpyPodcast Email: carltonking2003@gmail.com Facebook: The Black Spy Podcast Facebook: Carlton King Author Twitter@Carlton_King Instagram@carltonkingauthor To read Carlton's Autobiography: “Black Ops – The incredible true story of a British secret agent” Click the link below: https://www.amazon.co.uk/dp/BO1MTV2GDF/ref=cm_sw_r_cp_awdb_WNZ5MT89T9C14CB53651 Carlton and Firgas are available for speaking events. For this purpose use the contact details above      

I wasn't even going to do an episode.  I was going to record the street sounds outside this hotel in downtown Cleveland, OH and use them in an episode, but then I figured why bother?  Just use it now.  I might record some more though.  There's some guy revving his car engine in a real obnoxious way.  That might be useful somewhere...down the line.  I'm so bored.Support the showhunchbunny.com

Hey Beautiful people!!! Back once again like a renegade master. Yes I'm back once again so try to contain yourselves. I hope you can join me this Sunday at the new time of 10 am UK on Cruise FM. Yes that's right now 3 hours of Paradise. This weeks feature hour back by popular demand is a Street Sounds Edition Special and we have a Rich Ando Fab 5 Rare Disco jams feature too. As per usual l I'll be bringing a taste of Paradise to the e weekend. The vinyl frontier with cuts from my recent Vinyl excursions plus new music from the Stables of Steve Ripley and a few cheeky bootlegs. I hope you can join me on this special weekly journey .. Here are the listen links on the award winning Cruise FM. , Now Live between 10am and 1pm

For the ninth episode of Tales From A Disappearing City I am joined by Ben McCusker, member of the Dead Silence Syndicate and co founder of  Audio Illusion Recordings. We first met in the 90's at an illegal warehouse party  and have been good friends ever since. In this episode we discuss Ben's early music influences including attending with his brother and his mum, the legendary UK Fresh event at Wembley Arena in 1986. This was a showcase for all the underground Electro and rap music that was being played from the Streetsounds compilations by the UK's youth at the time and was an inspiring breakdance Woodstock for the emerging UK hip hop generation. We also delve into Ben listening to Mike Allen's rap show on Capital as well as early Pirate Radio from stations such as Smart Boys FM and Green Apple. We finish this first part of our chat with Ben discovering the local renegade party crew, The Fear Teachers and getting the first taste of rave with all night parties featuring strobes and weird bleeps and tones in the Surrey countryside.Support the showhttps://www.youtube.com/@ControlledWeirdnesshttps://open.spotify.com/artist/20nC7cQni8ZrvRC2REZjOIhttps://www.instagram.com/controlledweirdness/https://controlledweirdness.bandcamp.com/Theme song is Controlled Weirdness - Drifting in the Streetshttps://open.spotify.com/track/7GJfmYy4RjMyLIg9nffuktHosted from a South London tower block by Neil Keating aka Controlled Weirdness. Tales from a Disappearing City is a chance for Neil to tell some untold subcultural stories from past and present, joined by friends from his lifelong journey through subterranean London. Neil is a veteran producer and DJ and has been at the front line of all aspects of club and sound system culture since the mid 80's when he first began to go to nightclubs, gigs, and illegal parties. His musical CV includes playing everywhere from plush clubs to dirty warehouses as well as mixing tunes on a variety of iconic London pirate radio stations. He has released music on numerous underground record labels and was responsible for promoting and playing at a series of legendary early raves in the USA at the start of the 90's. He still DJ's in the UK and throu...

So whilst Trix and Mrs Trix are away on a rather fabulous holiday in the sunshine, I have been blessed with the keys to the Box of Trix show for a 2nd week. Regular listeners will know that this is a popular and long running show of many many years here on jfsr.co.uk so I have some big shoes to fill ! Thank you Glenn Rix The regular Box of Trix features will all be there, all from my #vinyl collection

So whilst Trix and Mrs Trix are away on a rather fabulous holiday in the sunshine, I have been blessed with the keys to the Box of Trix show for the next 2 weeks. Regular listeners will know that this is a popular and long running show of many many years here on www.jfsr.co.uk so I have some big shoes to fill ! Thank you Glenn Rix The regular Box of Trix features will all be there, all from my #vinyl collection

Welcome to the latest edition of the Soul Explosion, broadcasting worldwide on www.icrfm.com and in Ipswich, UK on 105.7FM, every Saturday morning 8am-10am UK Time. Street Sounds compilations were the soundtrack of the 80's boogie era in the UK, it was a great way to buy all the latest tunes in an affordable way, as many were only available on US import. Here's 2 hours of some of the beat from those LP's. Your feedback is always very welcome, here's how you can get involved: Facebook facebook.com/soulexplosionPH5 Twitter twitter.com/ph5soul Mixcloud mixcloud.com/ph5ph5 HearThis hearthis.at/soulexplosionph5/ Thanks for listening, and if you like what you hear, feel free to share the show on mixcloud and social media.

Stas THEE Boss is no stranger to KEXP. The former host of our station's beloved weekly hip-hop show, Street Sounds, Stas has been a fixture of Seattle since she emerged as part of the duo THEE Satisfaction. Though Stas has since moved away, her sound, influence, and ingenuity can still be felt reverberating in Seattle. The rapper and producer has been busy dropping singles the past couple of years following 2020's immaculate On the Quarner. “Don't Crash” finds Stas steeped in deep house, capturing the feeling of blurry, 4 a.m. euphoria on the dancefloor. As always, Stas' voice is the smooth tether holding you down. It's an exciting new dimension to her ever-expanding sounds and ideas in her catalog.  Get to know more about Stas KEXP's Fresh off the Spaceship podcast. Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Fall asleep to the sound of the steady pitter patter of rain drops falling on the tree tops and walk way on an urban street. A great soundtrack to send you on your way to sleep, or for relaxation and meditation. Follow us where ever you listen to podcasts.

Seoul is the capital of South Korea. The audio was taken in Winter at a busy street. You can hear the sound of buses, snowfall and people chatting excitedly. Every sound you heard was recorded live. Listen to the recording and imagine you are walking along the street in Seoul. Everything is peaceful and calm. Destress yourself, let go of the bad feelings and feel alive. Life is good. The temperature dropped to -17 degree and it was freezing cold. I hope you like this recording. Do share with your friends and family. Subscribe to the channel for more audio recordings. Thanks!

Topic RundownDid you know?Experience thisDress MeMakes Me CringeMusic Credit; Street Sound by 99instruments

Jefferson Street in Nashville was a nexus of African American culture, education, and entrepreneurship. The music that emanated from that space from 1950-1970 forever changed American music. Join Tom and Jo Ann as they speak to the curator of the Jefferson Street Sound Museum, Lorenzo Washington.

Hi All, Hope you all had a fab Christmas.. Here is my 'In The Groove' show on Starpoint Radio on Boxing Day, Sunday 26th December, and as tradition i delve back and play 2 hours of personal favourites, classics and underplayed gems fom the 60s thru to 2020, plus theres '3 in a row' of my favourite soul tracks of 2021 and a double helping of 'A Touch Of Jazz'.. I hope you enjoy the show!! Wishing you all a very Happy New Year and enjoy Hogmanay x Paul Stuart 'In The Groove' Starpoint Radio - Sunday 26th December 202101. The Main Ingredient - Happiness Is Just Around The Bend (Euphrates River LP - RCA 1974)02. Teena Marie - You Baby (Congo Square LP - Stax 2009)03. Loose Ends - Gonna Make You Mine (Virgin 12" 1986)04. Jean Carn - Bet Your Lucky Star (Sweet And Wonderful LP - 1981)05. The Dells - It's All Up To You (Cadet 1972)06. Tashan - All I Ever Do (For The Sake Of Love LP - Columbia 1993)07. Bennie Braxton - Come To Me (Phanelson 12" 1983)08. Lonnie Liston-Smith - Expansions (Expansions LP - RCA 1975)09. The Jacksons - That's What You Get (For Being Polite)(Destiny LP - Epic 1978)10. Ozone - Our Hearts (Will Always Shine) (Glasses LP - Motown 1983)11. Rance Allen Group - Peace Of Mind (Say My Friend LP - Capitol 1977)12. Mystic Merlin - Just Can't Give You Up (Capitol 12" 1980)13. Candace Woodson - Midas Touch (Ooh Ooh) (Candace Woodson 2021)14. David A Tobin - Magic in Love (Rob Hardt Mix) (Sedsoul 2021)15. Carmichael Musiclover - Know You Better (Slow Motion LP - Carmichael Musiclover 2021)16. Aretha Franklin - (It's Just) Your Love (Jump To It LP - Arista 1983)17. Earth Wind & Fire - On Your Face (Spirit LP - CBS 1976)18. Terry Callier - Look At Me Now (Cadet 1968)19. Mellaa - Free (LARC 7" 1983)20. Dave Brubeck & Carmen McCrae - Take Five (Jazz Juice 2 - Streetsounds 1962/1985)21. Michael Henderson - Everybody Wants To Know Why (Do It All LP - Buddah 1979)22. Edwin Starr - Running Back and Forth (War And Peace LP - Motown / Gordy 1970)23. Tower Of Power - Addicted to You (Step Up LP - Mack Avenue 2020)24. Gang's Back - Love (Gang's Back LP - Handshake 1981)25. Teddy Pendergrass - When Somebody Loves You Back (Life Is A Song Worth Singing LP - Philly Int 1978)26. PhutureSole Project Ft Kenny Bobien -Goin' Up In Smoke (Revisited 2016 master)(PhutureSole Recordings Unreleased 2016)27. Keni Burke - Let Somebody Love You (You're The Best LP - RCA 1981)

Lorenzo Washington is the owner of The Jefferson Street Sound Museum in Nashville, Tennessee. He was front and center when Jefferson Street was one of the epicenters of live blues music before I-40 changed the neighborhood forever.

HALLOW'S EVE Good intentions may pave the way to ruin, but when Fran - a precocious 11-year old - sets out to rescue what she fervently hopes is a kidnapped child, Halloween may never be the same! Written and produced by Julie Hoverson Cast List Fran - E. Vickery Bobbie - M. Lane Officer Hooper - S. Connor Grigg - C. Hornaday Bool - B. Poole Kidnappers - J. Harvey & Mr.  Synyster Timmy & Billy - B. Lomatewama & R. LeBoeuf Mrs. Hooper - A. Kirby Thompson - S. Hoverson Ari & News Report - J. Hoverson Music:  Kevin MacLeod (Incompetech.com) Recorded with the assistance of Ryan Hirst of Neohoodoo Studio Editing and Sound:   Julie Hoverson Cover Photo: Jeff Mackay (courtesy of Stock Xchange.com)   "What kind of a place is it? Why it's a suburban street, where else would you find...goblins?"   ***************************************** This was one of the original episodes I had ready for the 2008 Halloween season.  It's set in a sort of 1950s era of classic monster movies.  I never actually specify that, but references to bobby socks and Corliss Archer (an old time radio show) should be a bit of a clue. One silly thing I should note in here is Fred and Bob (and in other episodes June and Kathy as well) - these are my generic names for extra characters who speak but don't really have personalities, and show up in surprising numbers if you look over the cast lists for a lot of my shows.  I found that I would waste time trying to come up with interesting names for all these background characters, and lose my train of thought and it would stall my writing, so I just dub the first such characters Bob and Fred for males and June and Kathy for females, and move on.  Later, they may become more specific and get real names, but often enough they just remain half generic.  I also find it makes them slightly easier to keep track of than "man1" or "woman B" Naming characters is often half the fun.  You see me play with names in many of my shows - D. Meeks in "A Stitch in Time", where Dougie jokes about "D. Meeks inheriting de Earth," or the way so many people in the vampire world of "The Big Dark" took new "vampire names" that are some variation on the characters from Stoker's Dracula. The names of episodes are often some kind of pun or inference, as well.  Not so much Hallow's Eve, but The Big Dark is a riff on The Big Sleep (which was a euphemism for death, in the Chandler novel), and the most difficult title to explain "Crumping The Devil" - crumping being a sort of hip hop adjacent challenge dance, conflated with my vague memory of story about an old woman Mrs. Crump who was so awful the devil wouldn't even take her. ***************************************** ALL HALLOW'S EVE Cast: Olivia, host Barbara "BOBBIE" Chandler [16], babysitter TIMMY Martin, child [9] FRAN Hooper, child [10] BILLY Jones, child [8] OFFICER HOOPER [30s] HOOPER [30s] GRIGG [alien] [adult] BOOL [alien child] FRED [30s], a thug BOB [30s], a thug ARI [8], kidnapped child THOMPSON [50s] RADIO VOICE MUSIC OLIVIA     Did you have any trouble finding it?  What do you mean, what kind of a place is it?  Why, it's a suburban street, can't you tell?  Where else would you find "goblins"?  MUSIC     SOMETHING CHILDLIKE   SCENE 1.    OUTSIDE, STREET SOUND    FOOTSTEPS, COSTUMES BOBBIE    There you go, that one's got a light, now shh! SOUND    CRUNCHING OF LEAVES, THEN FOOTSTEPS ON WOOD. BILLY    [giggles] TIMMY    Shh! SOUND    DOORBELL RINGS.  DOOR CREAKS OPEN. THOMPSON [deep spooky voice] Yeeees? CHILDREN    Trick or Treat!!! THOMPSON [regular voice, pleased] Well, you kids!  Hey Martha, come and look, we've got a ghost and a clown and -- and what are you, little boy? FRAN    I'm a girl.  And I'm a Martian. THOMPSON [amused] Well, fancy that! An invasion right here on our street!  Martha...? MUSIC   SCENE 2.    INSIDE, HOUSE MRS. HOOPER    Looks like we've got more goblins coming, dear! SOUND    FOOTSTEPS RADIO VOICE    --in the five county manhunt for-- OFFICER HOOPER    Just a minute, hun.  Gotta see what they're saying-- RADIO VOICE    --involved in the Stanopopolus kidnapping-- [continues under] MRS. HOOPER    It's not your case.  And it's Halloween.  Just because Bobbie was kind enough to take Fran with her doesn't let you off for holiday spirit.  At least until you go on shift. SOUND    SNAP.  RADIO OFF. SOUND    DOORBELL. MRS. HOOPER    Well? MUSIC   SCENE 3.    OUTSIDE, STREET BOBBIE    Come on punkins, you must be getting tired by now! BILLY    [very tired] I'm not! TIMMY    I slept all day. FRAN    [raring to go] I only have half a bag.  We can't stop yet! BOBBIE    It's almost 9 o'clock!  No one will be up much longer.  CHILDREN    Please! BOBBIE    All right.  Three more houses.  That's all. FRAN    Big houses always have the best treats.  We should go to the Palmer's, the Winchell's and that big one on the corner. BILLY    On the corner?  But, that's ... that's the haunted house! TIMMY    Scaredy cat.  FRAN    Phooey!  It was just empty.  I saw someone moving in yesterday.  BOBBIE    If they just moved in, they're probably not-- TIMMY    Let's make Billy go into the haunted house! BOBBIE    No!  Timothy-- BILLY    No!  I don't wanna-- FRAN    Shut up!  It's not haunted.  Boys are dumb. BILLY    Not haunted? BOBBIE    Look, it's getting cold out here, so let's get a move on, whichever houses you plan to go to.  OK? MUSIC   SCENE 4.    ON PORCH SOUND    TENTATIVE KNOCK ON THE DOOR BILLY    [scared, but hiding it - relieved] No one home! FRAN    I hear something! SOUND    DOOR OPENS SLOWLY CHILDREN    [Gasp] BOBBI    Well, he looks normal enough. GRIGG    [weird foreignish accent] Help you may I? TIM    [giggles] He's funny. FRAN    We're here for candy.  Trick or treat. GRIGG    Please? BOBBIE    Oh, gosh, you're foreign aren't you?  They might not even DO trick or treat where he comes from. FRAN    You have to give us candy or we have to play a trick on you! BOBBIE    That's hardly fair if he doesn't know the rules.  Plus, you said it yourself, they just moved in. GRIGG    Candy?  Schweets?  I have-- BOOL    [child's voice, off mike, accented]  I want to go home!  I hate it here!  Take me home!  [Tails off into gibberish with lots of Ls and Ss] GRIGG    [agitated] My child.  He wants to go back to our old home.  He is not used to this one.  I should go to him. SOUND    DOOR SHUTS TIMMY    [beat] I don't want any foreign candy anyway. FRAN    Bobbie? BOBBIE    No arguments.  Time to go home. MUSIC   SCENE 5.    BOBBIE'S ROOM  SOUND    TAP ON WINDOW BOBBIE    Hank? SOUND    FOOTSTEPS BOBBIE    Hank, this is hardly-- SOUND    WINDOW OPENS BOBBIE    Who's that?  You're too short for Hank. FRAN    [whispered] It's me. BOBBIE    [sarcastic] So it's The Whisperer? FRAN    Me!  Fran! BOBBIE    Fran?  By Crosby, this is way too late for you to be out playing Halloween jokes, even on a Saturday night.  You need to get home - your parents will be worried sick. FRAN    Dad's on patrol. BOBBIE    Oh, great, then he'll be the one to arrest you for something. FRAN    Did you listen to the radio at all tonight? BOBBIE    Only Corliss Archer.  Gee, she has some trouble with-- FRAN    Argh!  The news? BOBBIE    Why? FRAN    The kidnapping news! BOBBIE    Look, let me get my penny loafers on and I'll walk you home. FRAN    The son of a Greek raccoon was kidnapped today.  No, that's not right.  Raccoon, typhoon-- BOBBIE    Tycoon? FRAN    A rich guy.  He was kidnapped from their hotel room. BOBBIE    Was he a tycoon, or just a millionaire? FRAN    [whispered with emphasis]  IT DOESN'T MATTER.  We heard him, and we need to go rescue him. BOBBIE    We did what? FRAN    The kid at the haunted house.  Screaming "I want to go home"?  Does that maybe put some thought into that teased-up skull of yours? BOBBIE    They did sound awfully foreign, but I'm not sure if it's Greek. FRAN    Well it ain't Spanish or Chinese.  Or French.  What else is there? BOBBIE    Don't say "ain't" - it ain't in the dictionary. FRAN    Are you coming, or am I going by myself? BOBBIE    Why me? FRAN    Who else?  Timmy?  [dismissive noise]  Besides, you're the only one tall enough to see in the windows.  MUSIC   SCENE 6.    OUTSIDE, YARD SOUND    CREEPING THROUGH BUSHES BOBBIE    OK, this is silly.  And dirty.  I'm walking‑‑ FRAN    No, we have to crawl!  They'll see us! BOBBIE    No one's looking! FRAN    But the window's open, they'll hear us.  [panic] Shh!  Did you hear that? BOBBIE    [beat, listening, then dismissively] No. FRAN    [grumpy] Ok.  Walk to the window.  Get spotted.  See if I care. SOUND    WALKING CAREFULLY ON GRAVEL.  BUSHES RUSTLE BOBBIE    Fran? FRAN    [off, loud whisper] I'm coming.  Keep your hair on. BOBBIE    Don't worry-- Shh! SOUND    LOUD RUSTLE SOUND    [FROM INSIDE] CLICK, FOOTSTEPS NOTE:  BOOL AND GRIG ARE INSIDE, HEARD THROUGH A WINDOW, WHILE BOBBIE AND FRAN ARE OUTSIDE. EAVESDROPPING BOOL    I down wanna be here.  Go home. GRIGG    "don't", not "down", child.  You need talk some good words, living here. BOOL    No talk.  No stay.  Home! GRIGG    Home is soon enough.  Soon as requirement is received. FRAN    [coming on, loud whisper] What are they saying? BOBBIE    Shh! BOOL    [speaks foreign] BOBBIE    Is that Greek? FRAN    Oh, sure, I'm the expert. GRIGG    [angry] English.  Need to hear normal! BOBBIE    [muttered] Like your English is so good, mister. GRIGG    People must not apprehend you are strange. FRAN    Shh. GRIGG    Sleep, child.  Dream of home. BOBBIE    Now that's just mean. SOUND    DOOR CLOSES FRAN    See?  We've got to rescue him! BOBBIE    But what if--? FRAN    What if he turns up dead like little Charlie Lindburgh?  How you gonna feel then? BOBBIE    You need to stop reading those crime books. FRAN    Argh!  Fine.  Boost me up, and you can go.  I'll figure something out! BOBBIE    No.  I-- I'll help, but only if the kid wants to come.  That's where I draw the line - if he wants to stay, then we'll just...  let your dad know and leave it at that. FRAN    Fine, but who's gonna ask him?  Better do it now, or he might fall asleep. BOBBIE    [sigh, then voice raised a bit, calling quietly] Little boy?  BOOL    [off, gasp] BOBBIE    We're here to -- FRAN    [prompting, whisper] --to take you home. BOBBIE    We're here to take you home! BOOL    [off] Home? SOUND    SCUFFLE AS HE ROLLS OUT OF BED AND RUNS TO THE WINDOW FRAN    Yes, home!  Don't you wanna go home? BOBBIE    Your parents must be worried sick about you. BOOL    What is *lala* parents?  Want home! FRAN    Come on then, we'll get you out of there.  Bobbie, give him a boost. BOBBIE    [sigh] MUSIC   SCENE 7.    OUTSIDE SOUND    NIGHT NOISES, WALKING ON SIDEWALK BOOL    [squeak] SOUND    MILD SCUFFLE FRAN    Put it on!  They won't look twice at us if we got masks on! BOBBIE    It is a little late for-- FRAN    So they'll worry, but they won't-- GRIGG    [way off, unearthly shriek] FRAN    Eep!  That sounds like-- BOOL    [squeak] BOBBIE    What if he has a car? FRAN    Then we duck into the bushes - honestly, does every girl lose her brains when she grows into angora? BOBBIE    It's Acrilon. GRIGG    [slightly closer, shriek] FRAN    Run! BOOL    [squeak, ends in gasp] SOUND    RUNNING FOOTSTEPS MUSIC   SCENE 8.    OUTSIDE, A LITTLE LATER BOBBIE    [whispered] Do you hear anything? FRAN    [listens, then whispered]  Nope. BOOL    [whispered squeak] BOBBIE    [comforting whispers]  Shh. It'll be o-k, kid.  All we have to do is get you safe and then--  [sudden thought]  Say, Fran, what is the plan?  Where are we taking this poor kid? FRAN    [whispered, sarcastic] I thought we'd just lie here under this bush until morning and hope it doesn't rain. BOOL    [a bit too loud] What is *lala* rain? BOBBIE    Rain makes-- [whispered] Rain makes you wet.  We should take him to your father.  He'll know what to do to get him home. BOOL    [plaintive wail, way too loud] Home!  FRAN    [whispered] Great.  Now you've set him off again.  We can't go to pop, cause - being a cop and all - he might just deduce I sneaked out.   BOOL    Holme! Home! BOBBIE    [whispered] Well, you did. FRAN    [exasperated noise, then] Ssh! BOOL    Home-- [cut off in mid-word as a hand is clapped over his mouth, then a squeak] FRAN    [whispered] His parents must be worried sick about him--  we need to get him h-o-m-e. BOBBIE    [whispered] To Greece?  [sarcastic]  I'm pretty sure my folks' car doesn't have that much gas.  FRAN    [whispered] See?  There's still a little smarts under all that fluff!  They're stopping at a hotel downtown. BOBBIE    [whispered] Which one? FRAN    [whispered] The news didn't say - there can't be that many, can there? BOBBIE    [exasperated] Ohhhh! BOOL    [muffled squeak] GRIGG    [distant, shriek] FRAN    [whispered] What is that weird guy doing?  He's not exactly sneaky. BOBBIE    [whispered] Someone's going to-- SOUND    CAR PULLS UP, SINGLE WHOOP OF SIREN FRAN    [normal voice, resigned] --Call my dad.  BOBBIE    It's probably for the best - this bush isn't doing my Acrilon any good. FRAN    All right, but-- GRIGG    [closer, shriek] BOOL    [squeak] BOBBIE    It's all right little boy, we won't let the scary man take you away. MUSIC   SCENE 9.    INSIDE, HOUSE SOUND    RADIO PLAYS IN BACKGROUND FRED    No way!  How could they have found us? BOB    Stay cool.  It's Halloween, it could be anything. SOUND    WINDOW SASH GOES UP BOB    [worried] Stop it. SOUND    REVOLVER HAMMER CLICKS BACK FRED    But it's parked right outside!  I'm not going down for this!  Go check on the kid. MUSIC   SCENE 10.    OUTSIDE, STREET GRIGG    [shriek] OFFICER HOOPER    Ok, that's enough. GRIGG    [caught in mid-shriek] *Haysa?*  [deep breath]  What? OFFICER HOOPER    It's much too late, even on Halloween, to be running around screaming.  Time to go home and sleep it off, pal. GRIGG    Sleep, what?  I am missing child.  Must find.  Child will listen me.  [starts to shriek] OFFICER HOOPER    [cutting off the shriek] Hey!  I'm figuring you're new around here, so you may not understand how we do things in the U-S of A, but if your kid's gone missing, you need to let the authorities - that's me - know about it, so we - I - can help you. GRIGG    Help?  Too many wordsssss.  [wail] Bool! BOOL    [slightly off, squeak] OFFICER HOOPER    Eh? FRAN    [slightly off] SHH! OFFICER HOOPER    What the--? GRIGG    Bool! OFFICER HOOPER     Fran? SOUND    GUNSHOT BOBBIE    [Scream] BOOL    [squeak, quickly muffled] GRIGG    Bool! OFFICER HOOPER    Get down! FRAN    Bobbie, get the kid out of here! OFFICER HOOPER    That you, Barbara Chandler?  Don't you move a muscle! SOUND    GUNSHOT GRIGG    [voice no longer sounds remotely human] WHAT IS THAT NOISE? OFFICER HOOPER    Stay down, sir, and let me handle this. SOUND    QUICK GRAPPLE GRIGG    [intense] YOU ME TELL - IS WEAPON?  HURT MY CHILD? BOBBIE    Heavens to Bette Davis, Fran, it's the kid's real dad! FRAN    Phooey. BOOL    [long squeak] OFFICER HOOPER    [forced calm, but furious underneath] As long as they stay behind my car there, they will be fine, now let go of me and let me stop the idiot who's been shooting up my town. GRIGG    SHOOT ARE GUN ARE DANGER?  OFFICER HOOPER    That's my job.  You stay here, and when it's clear, you can go to your kid.  [raising his voice] Bobbie!  You get those children down behind the car, you hear?  BOBBIE    Yes, sir, Officer Hooper! OFFICER HOOPER    [calling] You're still in trouble.  [to Grigg] You. Stay. MUSIC   SCENE 11.    INSIDE, HOUSE SOUND    RADIO PLAYS UNDER BOB    You idiot!  They weren't here for us! FRED    They won't take me alive!  Federal pen?  Uh-uh! BOB    Fine.  You play at O-K Corral.  I'll be out of the line of fire. FRED    [cold, commanding] Don't. BOB    What?  You gonna shoot me, now? FRED    Bring the kid out here.  We can still do this. BOB    Yeah, we give him back, and they take us alive.  I like that - the being alive part. FRED    Get him! MUSIC   SCENE 12.    OUTSIDE HOUSE OFFICER HOOPER    Throw out your guns and come out with your hands up! FRED    [calling from inside] We've got the kid.  Walk away or we kill him. OFFICER HOOPER     [calling to off]  That's not going to happen.  Let the kid go and I'll put in a good word for you. FRED     [from inside] I've got all the words I need, copper! ARI    [from inside] ow! FRAN    That must be the real Greek tyfoon's son, OFFICE HOOPER    [warning] Fran!?  I told you to-- FRAN    Pop!  I'm going to be a policeman when I grow up, so I figure I should start learning. OFFICER HOOPER    No, you're not, and you shouldn't.  This isn't a game.  Get back over there-- SOUND    GUNSHOT BOTH    [react] FRAN    He hasta run out of bullets ... eventually. OFFICER HOOPER    And how many guns does he have? FRAN    Huh?  [shrug] I dunno. [realizing] Oh. OFFICER HOOPER    See?  Now, get back-- SOUND     GUNSHOT OFFICER HOOPER    [fading out] Oh, heck.  Stay right here.  On this spot, young lady. MUSIC   SCENE 13.    INSIDE, HOUSE, BUT HEARD FROM OUTSIDE SOUND    RADIO PLAYS UNDER BOB    [fading in] You've got the kid, you've got the gun.  Let me go. FRED    Like you say, I've got the kid and the gun - what do I need you around for, ya bum? BOB    Good.  [raising his voice] I'm coming out coppers!  I'm giving myself up!  SOUND     FOOTSTEPS, DOOR OPENS   SCENE 14.    OUTSIDE, SHIFT OF PERSPECTIVE, BUT NO ACTUAL SCENE BREAK BOB    Don't shoot! SOUND     BOB TAKES THREE MORE STEPS, THEN-- SOUND    GUNSHOT BOB    Argh! SOUND    BODY FALLS SOUND     DOOR SLAMS MOMENT OF SILENCE   FRAN    Is that guy ... dead? OFFICER HOOPER    Dammit, I can't even go check.  GRIGG    [incoherent, alien tongue] OFFICER HOOPER    Oh, jeez, not you too?  [speaking slow]  Go back.  Your child is safe.  Bobbie has him, over there. GRIGG    [deep breath, then equally slowly]  This you child? FRAN    I'm Fran.  I'm really really sorry about-- OFFICER HOOPER    Yes.  Much as I may want to deny it, she has my nose. FRAN    [not getting it]  Huh? GRIGG    Much words.  You child? FRAN    He don't speak much English, do he?  OFFICER HOOPER    [sigh] Yes.  Mine. BOOL    [squeak] SOUND    SKITTERING FOOTSTEPS SOUND    GUNSHOT BOOL    [Screamy squeak] SOUND    BODY DROP FRAN    [running off] Hey! Kid! OFFICER HOOPER    Fran!  No! SOUND    [after a moment]  SCUTTLING COMING CLOSER FRAN    [breathing hard] Here.  I think he's OK. BOOL    [whimpering] GRIGG    My child! OFFICER HOOPER    Fran, dammit! FRAN    What?  He coulda got shot! MUSIC   SCENE 15.    INSIDE, HOUSE SOUND    RADIO ON IN BACKGROUND FRED    Kid, you speak English? ARI    A little. FRED    You know I'm gonna shoot you if you don't do everything I say? ARI    Yes. FRED    Good.  MUSIC   SCENE 16.    OUTSIDE GRIGG    Your child is brave heart.  OFFICER HOOPER    That's one word for it. GRIGG    She bring safe my Bool. OFFICER HOOPER    Um, yeah.  Dammit.  I can't tell where that guy is. GRIGG    Some child is hurted there? FRAN    Stolen.  Like we did, except we were only trying to help. GRIGG    [decisive] I help bring child to home. OFFICER HOOPER    At least you're an adult, even if you can't understand English.  [talking loud again] We go in.  You go left - that way - I go right.  Get to wall, up against it, then to door. GRIGG    Ahhhh. OFFICER HOOPER    Does he understand? FRAN    I guess.  He's nodding. OFFICER HOOPER    You don't come with us. FRAN    But I-- OFFICER HOOPER    Give me your hand. FRAN    Are you giving me a gun? OFFICER HOOPER    [heavy sigh] SOUND    HANDCUFFS SLAP ON WRIST, THEN ON DOOR HANDLE FRAN    Hey! OFFICER HOOPER    Now you'll stay put.  [sigh] I'm leaving the key here, in case. SOUND    KEY PUT DOWN ON CAR OFFICER HOOPER    Out of reach.  [loud, to Grigg] We go. SOUND    RUNNING FEET, OFF IN TWO DIRECTIONS SOUND    AFTER THEY LEAVE, JINGLE OF STRUGGLING WITH HANDCUFFS FRAN    [grunting]  Uun uun.  Darn it.  SOUND    SCRABBLING ON THE CAR HOOD, TRYING TO STRETCH FRAN    Hey, Bool? BOOL    Bool! FRAN    Yeah, [talking slow] I'm Fran.  BOOL    Flan? FRAN    Good enough.  Can you hand me that?  BOOL    [Hmm noise] FRAN    [slowly again] Give to me? BOBBIE    [coming on]  You're still here!  Let's get going. SOUND    REACTION INCLUDING RATTLE OF THE HANDCUFFS FRAN     How'd you--? BOBBIE    I went around the block.  I'm no dummy. FRAN    Brilliant!  We should-- BOBBIE    You are not talking me into any more shenanigans. FRAN    [whispered] Bool, get the key!  [Up]  Huh?  No, of course not... I -- BOBBIE    Are you -- chained to the car? BOOL    Kaaaay? FRAN    [too bright] No!  Whatever gave you that idea?  [whispered]  Bool! BOBBIE    Oh-- SOUND    SMALL METAL SCRAPE BOBBIE    --so this isn't the key? FRAN    Oh -- Drat!  BOOL    [squeak] FRAN    Boo-ul! MUSIC   SCENE 17.    OUTSIDE, AROUND HOUSE SOUND    RUSTLE IN A BUSH OFFICER HOOPER    [muttered]  Ok, mister rat bastard kidnapper, let me get a look atcha. GRIGG    [off]  Go? OFFICER HOOPER    [muttered] Oh, good, you know one word. [up, calling very quietly]  Make a noise! GRIGG    [shriek] SOUND    [OFF] CLATTER INSIDE FRED    [from inside] What the hell--?  OFFICER HOOPER    Come out of there with your hands up! FRED    [from inside] What's that noise? GRIGG    [shriek] OFFICER HOOPER    [sudden idea] Uh, what noise?  I don't hear anything. FRED    [from inside] What do you mean--?  You didn't hear that-- GRIGG    [shriek] FRED    [from inside] --that "THAT"? OFFICER HOOPER    [very pleased] Nope.  Don't hear anything. They say some people are bothered more than others by [slight chuckle] haunted houses. FRED    [a bit disturbed] Haunted--? MUSIC   SCENE 18.    OUTSIDE AT CAR BOBBIE    If I unlock it, you have to come home. FRAN    [sounding almost teary]  But- but our dads are in there. BOBBIE    That's what your dad does.  It's his job. FRAN    But it's not Bool's dad's job. BOBBIE    Bool?  Is that your name? BOOL    [sounding mournful] Chob.  FRAN    See? He's upset too. BOBBIE    Is he?  Tell you what, I'll get you home and then we'll call for more police. FRAN    [sniffing]  But I was thinking... tsch.  ohhhh. SOUND    THREE METAL TAPS - key on car BOBBIE    [thinking...]  What? FRAN    [sounding really down] Nothing.  Unlock me and we'll go home - [offhanded] even if we maybe COULD help. BOBBIE    Right. FRAN    Even if maybe our dads end up shot.  [long sniff] BOOL    [squeaky sniff] SOUND    UNLOCKING HANDCUFF BOBBIE    Come on. MUSIC   SCENE 19.    INSIDE, HOUSE SOUND    SHUFFLING FEET AS FRED PACES NERVOUSLY, DRAGGING ARI BACK AND FORTH WITH HIM SOUND    RADIO IN BACKGROUND FRED    [to self] Haunted?  Of course.  That explains so much. ARI    Maybe there is ghosts? FRED    That's what haunted means, ain't it?  And it's Halloween. OFFICER HOOPER    [from outside]  It's late, pal.  Almost the witching hour.  Let's get this sorted out. FRED    Witching--?  OFFICER HOOPER    [from outside]  You know, midnight.  Let's settle this and get that kid home safe and sound. FRED    You're going to tell me I can still get out of this, huh?  What about Bob out there? OFFICER HOOPER    Oh, your friend here? FRED    Friend.  [snort]  yeah. OFFICER HOOPER    Hmm.  Killing him on the doorway of house like that might a been a bad move. FRED    Whadda you mean?  Oh! GRIGG    [long, drawn-out shriek] FRED    Oh!! SOUND    RUSTY CREAK OF DISTANT DOOR, INSIDE FRED    What the heck? ARI    [scared]  Oh no! FRED    Shut up, kid.  I'm trying to listen, you hear me? ARI    [gasp and sniff- trying to stay quiet] FRED    [trying to convince himself] It's those cops.  They're doing this - [up, calling] You're doing this, aintcha, copper? OFFICER HOOPER    Doing what? FRED    [clinging to control] Making the damn noises! OFFICER HOOPER    [pleased with himself] What noises? MUSIC   SCENE 20.    INSIDE, HOUSE, UPSTAIRS [NOTE, THEY WHISPER THROUGHOUT SCENE] SOUND    CREAKING MOVEMENT BOBBIE    [whispered] Frannie, if any of us end up dead, it is entirely your fault.  That door was so loud. FRAN    On purpose.  C'mon, the stairs are over here. BOBBIE    How do you know?  This house-- FRAN    Sleepover two years ago, when Jennie and Sam lived here. BOBBIE    Your father is going to kill me. FRAN    We'll be upstairs - well out of the line of fire.  Now c'mon. BOOL    'mon. FRAN    See, Bool agrees with me. BOBBIE    Yeah.  Like a parrot.  [sigh] SOUND    TIPTOEING FOOTSTEPS MUSIC   SCENE 21.    INSIDE, HOUSE, DOWNSTAIRS SOUND    RADIO MUTTERS IN BACKGROUND FRED    [muttering]  They've probably got the back door covered... ARI    [small voice] You should let me go.  FRED    [about to hit him] Ahh!  SOUND    CREAKING FOOTSTEPS SOUND IN WALL AND CEILING FRED    Shh!  Hell!  What's that? ARI    [scary whisper] Evil spirits.  FRED    [gulp] Really? ARI    Maybe it is your dead friend.  He is very angry, I think. FRED    [weak] Shut up. SOUND    THEIR SCUFFLING FOOTSTEPS FRED    We'll just - Let's go check it out, eh?  I bet even ghosts don't like getting shot. MUSIC   SCENE 22.    INSIDE, HOUSE, UPSTAIRS [NOTE:  STILL WHISPERING] FRAN    OK, Bool, you see this vent? BOOL    See. BOBBIE    Great, now he's Spanish.  FRAN    Sh.  Bool, lean in and make a scary noise, like this...  [she does, and the noise echoes through the vents] BOOL    [like a laugh] Ah!  [leans in, mimics her noise, but it ends in his standard squeak - all echoey] BOBBIE    Did we ever figure out where Bool and his dad come from? FRAN    This isn't the time.  C'mon.  Now, Bobbie,  you creak this door - not too often, just from time to time.  Got it? MUSIC   SCENE 23.    OUTSIDE NEAR FRONT DOOR OFFICER HOOPER    OK, fella, time to come out.  [a beat]  Are  you in there?  [beat]  Oh, darn it all to--, they're gone.  Come on - [slow] help me break in the door. GRIGG    [yes] *Heh*. MUSIC   SCENE 24.    INSIDE, HOUSE, UPSTAIRS FRAN    I'll be right across the hall - now start. SOUND    DOOR OPENS FRAN    Eep! BOBBIE     Oh, no! BOOL     [squeak, which echoes] FRED    Ghosts, eh.  Looks like I got me a bunch more bargaining chips.  All of you move out here in the hall, real slow.  [snarls] Get over there-- ARI    [gasp] SOUND    THUD AS HE HITS THE WALL FRED    Keep your hands where I can see 'em! FRAN    [sarcastic] Of course, I might just have a gun. SOUND    SMACK FRED    Keep your mouth shut! FRAN    [gasps in real pain] BOOL    [mimics her gasp] FRED    You, too! BOOL    Flan! [squeaky growl]  Lalalala! FRED    What the hell's wrong with that kid? BOOL    [growl builds] FRED    [starting to get freaked out] Stop it.  What the hell? BOBBIE    Fran, is Bool glowing? FRAN    [sniff, then uncertain] Um, I think so. BOOL    [shriek which is a childish echo of Grigg's] FRED    [scream of terror] SOUND    GUNSHOT BOBBIE, BOOL, FRAN, ARI - scream, gasp, etc. SOUND    POUNDING FEET COMING UP THE STAIRS GRIGG    [full-on shriek, deeper and very alien] OFFICER HOOPER    Holy cow!  What the--? FRED    The light!   No!  [drawn out scream, which fades into a weird little popping noise] BOBBIE    I guess we--[gasp] might know--[gasp] where they came from, now. OFFICER HOOPER    [suspicious] Where'd he go? GRIGG    I made him nothing.  He try my child hurt.  Your child also. OFFICER HOOPER    Yeah, I, uh, noticed--  FRAN    [excited] Are you guys Martians? OFFICER HOOPER    [exasperated] --but she's clearly fine. GRIGG    I know not Marchan. BOOL    [Part muffled, satisfied] Flan! FRAN    [just as pleased]  Bool! BOBBIE    I don't know what to tell you, Mister - officer, I mean - Hooper.  OFFICER HOOPER    Don't worry, I blame my daughter.  [Back to Grigg]  So we don't have to worry about him coming back? GRIGG    Nothing.  No colme back. OFFICER HOOPER    And what exactly - well - are you? ARI    They saved us, is that not enough? FRAN    Yeah.  They're "good people," as mom would say. GRIGG    No concern, Hooper man.  We no stay now, you see us be do that.  We find more - uh - new home. BOOL    Home?  No!  [plaintive] Flan! GRIGG    [softly] No, Bool.  Go. OFFICER HOOPER    Tell me one thing, Grigg.  You planning to invade? GRIGG    *Haysa*? FRAN    He means are you gonna bring a bunch of people here and try and take over the planet - like in the movies? GRIGG    We hide - no one come with.  Bad place come away.  Alone. FRAN    There! BOBBIE    Are you thinking--? OFFICER HOOPER    [considering] I'm thinking I don't want to try writing this up.  Much easier if we just didn't see anything.  The one guy shot the other, then when he saw it was hopeless, he skedaddled. BOBBIE    But--  what--? FRAN    I didn't see anything.  You, Ari? ARI    No.  I was much too frightened.  He threw me against a wall and then ran off before my head cleared. FRAN    See, Bobbie? BOOL    Bah-bee? BOBBIE    That's kinda cute.  Good thing I-- I didn't see anything else.  Besides, anyone who would do whatever it takes to protect their kid - well, they can't be too bad. OFFICER HOOPER    You're still not babysitting for Fran ever again. BOBBIE    [truly relieved] Oh!  Thank you! FRAN    Hey! MUSIC, CLOSING OLIVIA    Now that you know how to find us, don't be a stranger - we have enough of those already...

Find the free video version of this audio on www.relaxingtraveler.com Support this Podcast by subscribing to my YouTube Channel! I upload traveling videos there for sleep, relaxation, focus, meditations, exploration to help you sleep better and discover new places! The following link will direct you to the Relaxing Traveler YouTube channel: www.relaxingtraveler.com This podcast episode: Tel Aviv TODAY, Video Walk And Street Food in FLORENTIN

Find the free video version of this audio on www.relaxingtraveler.com Support this Podcast by subscribing to my YouTube Channel! I upload traveling videos there for sleep, relaxation, focus, meditations, exploration to help you sleep better and discover new places! The following link will direct you to the Relaxing Traveler YouTube channel: www.relaxingtraveler.com This podcast episode: Tel Aviv Israel, Walk And Street Food, Nepali Food, Sudanese Food, Eritrean Food, Philippines Food

Spinning Out (another music podcast) We talk to artists about their favorite albums and go on wild tangents. This week's guest is my new friend Phil Ward aka Lord Warddd. We chatted about the 1984 hip-hop compilation Street Sounds Electro 4. Once again, I've broken my personal rule of covering compilations, but this was too interesting to pass up. Street Sounds Electro 4 isn't available for streaming on Spotify, but you can check out the full compilation here: https://www.youtube.com/watch?v=b37WCOv3QWU Phil talks about how influential this compilation was in his musical journey, and opens my mind about early hip-hop, techno, electro, dance music, as well as Northern Soul. Phil also was in the band, Lo Fidelity Allstars, in the mid to late 90s. They are most known for their 1998 debut album, "How to Operate With a Blown Mind," which featured the song "Battle Flag", featuring Pigeonhed. That song was featured on tv shows such as ER, Sopranos, and films such as, Coyote Ugly, Very Bad Things, Drillbit Taylor and much more. Phil Ward makes music under the name Lord Warddd, which recently released an "The Virtual Bison EP," on Plastic Miracles records. Check that out here! https://lordwarddd.bandcamp.com/album/the-virtual-bison-ep

Listen to 2 hours of Footsteps Walking on a Road Sounds by AmbientNoise.Online. Listen to Walking in the Street Sounds for sleep, focus, relaxation. Relaxing White Noise for Better Sleep, Reduce Stress, Calm Mind, Improve Focus. Please consider supporting this podcast with a small monthly donation to help sustain future episodes. This podcast is sponsored by the Candy Music Network. Listen to Jazz Music, Sleep Music, Lofi Music, Acoustic Music, Lounge House Music, Sad Music, Lullabies, and Worship Music. --- Send in a voice message: https://anchor.fm/ambientnoise/message Support this podcast: https://anchor.fm/ambientnoise/support

Listen to 3 hours of City Street Sounds by AmbientNoise.Online. Listen to City Street Sounds for sleep, focus, relaxation. Relaxing White Noise for Better Sleep, Reduce Stress, Calm Mind, Improve Focus. Please consider supporting this podcast with a small monthly donation to help sustain future episodes. This podcast is sponsored by the Candy Music Network. Listen to Jazz Music, Sleep Music, Lofi Music, Acoustic Music, Lounge House Music, Sad Music, Lullabies, and Worship Music. --- Send in a voice message: https://anchor.fm/ambientnoise/message Support this podcast: https://anchor.fm/ambientnoise/support

Sirr interviews one of the best audio engineers in world today, Josh Daigrepont. Listen as we discuss his journey into his career, the struggles and how he plans to lead a legacy for the future! --- Support this podcast: https://anchor.fm/the2020podcastllc/support

Sharp, booming, and a hell of a lot of fun, 2KFG, Kung Foo Grip's aptly titled second album, is an early 2018 standout for Seattle hip-hop. Joining Stas THEE Boss on Street Sounds, the Seattle group perform four tracks from their Keyboard Kid-produced LP.  Recorded 03/09/2018. 4 songs - Mic Check, Blvck Hollywood, Sposed Ta B, I Quit (feat. Misunderstood)Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

So tonights program took us back to the Streetsounds years exploring 35 years of Soul, Funk Jazz, Disco and Hip Hop Electro .. Wow what a ride.. I hop you enjoy the rewind..

Hey Beautiful people here is tonights Re-Rub of the fantastic Street Sounds Edition of the Paradise Sessions. I hope you enjoy the Journey as much as i did playing the tunes. Thanks for Listening and I love you all.. MmP xx

Street Sounds host Stas THEE Boss leads you through a futuristic mix of grooves and rhythms from artists including Linafornia, Nappy Nina, and Jon Bap.   1. Nate Jack feat. Norvis Jr. - FREQ  2. 10.4 Rog - Hue Ride 3. Quelle Chris - Popeye  4. Witch Prophet - Wish I Knew 5. Cavalier - The Dirge 6. Nappy Nina feat. Bria Monet - Growth Groove 7. Linafornia - Wetttttt 8. OCNotes feat. Greg Cypher - The Kiss 9. Bubblerap  - Otherwise 10. Jon Bap - Let It Happen 11. Clark and the Community - Buddy Away12. DoNormaal - Lyf SoSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

From his beginning with a pen and paper in 2009 to the release of his 2017 full-length debut Watercolor, Porter Ray has been one of the increasingly prominent, hardest-working talents in Seattle for some time. His art has never been more fully realized than it is on Watercolor, which finds him meditating on his life in Seattle and the death of his brother with poignance and incision laid across smoky, almost-levitating beats.  In this session on Street Sounds with Stas THEE Boss, Porter Ray tells his story up to Watercolor and highlights five tracks from the album. Recorded 3/14/2017 - 5 songs: Waves, East Seattle, Sacred Geometry, Navi Truck, BeautifulSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

So tonight was the final street sounds edition of the series i've been doing and wow what a ride taking us across 5 decades of the musical timeline.. I hope you have enjoyed the journeys with us on Cruise FM.. Please feel free to leave a comment.. Once again Thank you.. I Love You All MmP xxx

Hey Beautiful People thanks for joining me in Pt 2 of the Street Sounds Edition of the Paradise Sessions and taking us back down Street Sounds Heaven and Memory Lane.. Pt 3&4 will be in a Month or so .. Thanks all again for taking part and interacting with the show.. You make this show what it is so thank you.. I Love you All . Marky MMP.. xx

Wow what a journey tonight on this Street Sounds Special Edition show starting from edition 1 and street sounds electro 1.. we had a full show and didn't get past 1985 .. Wow.. Thanks all again for the love and support.. Part 2 next week..

Representing his experience as the son of Zimbabwean musicians, a father, a soon-to-be husband, and a man from Seattle's South End, Draze poured himself into Seattle's Own, the Emerald City MC's proper debut that finds him reflecting on his changing life and his changing hometown. Joining Larry Mizell, Jr. on a special Juneteenth edition of Street Sounds, Draze shares four tracks from Seattle's Own and shares his thoughts on the changing landscape of Seattle. Recorded 06/19/2016 - 4 songs: The Hood Ain't The Same, Seattle Sweeties, Irony on 23rd, Children of the LightSupport the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Hey guys so tonights show was a journey through the music brought to us by the Street Sounds label.. Taking us all back on a journey down memory lane and helping us all to recall a time when we didn't have as many cares as we do today.. Hope you enjoy the rewind and the trip down memory lane.. Thanks to everyone that interacted and locked in live . I hope you enjoyed the journey.. Much Love MmP

Underground hip hop artist P.O.S stops by KEXP to perform on Street Sounds with Larry Mizell Jr. Recorded 02/13/2016 - 3 songs: Lock Picks, All Of It, Sleepdrone.Support the show: https://www.kexp.org/donateSee omnystudio.com/listener for privacy information.

Oh My Freakin G what a show.. The Peoples choice show Street Sounds Edition was massive. Interactions from all over the world and the Music was epic.. Thanks again to all those that interacted and got involved.. This show is about 2 things . You and the music.. I Love you all.. MMP xxxxxxx

Wow the Street Sounds Edition of the Paradise Sessions is proving once again that the love of music shines through. The interaction was off the hook tonight and wow what a ride through the musical timeline. Thanks for the interaction and don't forget to post up your favourite Street Sounds track for next weeks Peoples choice show.. I Love you all.. MmP xxxx

Wow a trip[ back in to the Paradise Vaults of history and a walk through the Street Sounds Timeline.. Featuring tracks from Street Sounds edition 1 to 10 and an exclusive DJ Phurty Electro 6 mix the air was electric.. Thanks all for locking on and interacting.. this show is all about you and the music so thanks for joining me this week.. I love you all MmP xxx