Podcasts about Myspace

Thank you for tuning into this incredibly chaotic episode of Hot Goss, here on the New Hope Underground feed!This week, we discuss A Greater Movement, Spring Courses and Groups, and our Youth Summer Trips — all of which you can find over on New Hope Now! We also share our Snap Scores, discuss MySpace, sing some Hamilton, and draft our Mount Rushmores of things that begin with the letter G.Support the show by visiting volleycoffee.co and using code HOTGOSS at checkout for 20% off your purchase!––––Quick Links:— Visit our website: http://newhopechurch.cc— Fill out the Connect Card: http://newhopenow.cc— Join a Serve Team: http://newhopenow.cc— See what's happening now: http://newhopenow.cc––––The New Hope Podcast Network:— New Hope Podcast: https://newhopechurch.cc/newhopepod— New Hope Underground: https://newhopechurch.cc/underground— SOMA Bible Study Podcast: https://newhopechurch.cc/somapodcast— The Parent Podcast: https://newhopechurch.cc/parentpodcast––––Like us on Facebook (http://facebook.com/newhopechurchcc) and follow us on Instagram (http://instagram.com/newhopechurchcc) for the most up to date information on all New Hope ministries and events!––––Thank you for giving generously at New Hope. It's because of your giving that we are able to share Jesus with our community and further our vision of seeing a greater movement of Jesus in each new generation! If you'd like to give this week, you can do so at https://newhopechurch.cc/give, by mail to PO Box 57 Effingham, IL 62401, or through the Church Center App. Hosted on Acast. See acast.com/privacy for more information.

Episode 139 – Metal Maniacs PodcastHosted by Jay Ingersoll & ModdWelcome back, maniacs

How do you juggle multiple book projects, a university teaching role, Kickstarter campaigns, and rock albums—all without burning out? What does it take to build a writing career that spans decades, through industry upheavals and personal setbacks? Kevin J. Anderson shares hard-won lessons from his 40+ year career writing over 190 books. In the intro, Draft2Digital partners with Bookshop.org for ebooks; Spotify announces PageMatch and print partnership with Bookshop.org; Eleven Audiobooks; Indie author non-fiction books Kickstarter; Bones of the Deep – J.F. Penn This podcast is sponsored by Kobo Writing Life, which helps authors self-publish and reach readers in global markets through the Kobo eco-system. You can also subscribe to the Kobo Writing Life podcast for interviews with successful indie authors. This show is also supported by my Patrons. Join my Community at Patreon.com/thecreativepenn Kevin J. Anderson is the multi-award-winning and internationally bestselling author of over 190 books across different genres, with over 24 million copies in print across 34 languages. He's also the director of publishing at Western Colorado University, as well as a publisher at WordFire Press, an editor and rock album lyricist, and he's co-written Dune books and worked on the recent Dune movies and TV show. You can listen above or on your favorite podcast app or read the notes and links below. Here are the highlights, and the full transcript is below. Show Notes Managing multiple projects at different stages to maximise productivity without burning out Building financial buffers and multiple income streams for a sustainable long-term career Adapting when life disrupts your creative process, from illness to injury Lessons learned from transitioning between traditional publishing, indie, and Kickstarter Why realistic expectations and continuously reinventing yourself are essential for longevity The hands-on publishing master's program at Western Colorado University You can find Kevin at WordFire.com and buy his books direct at WordFireShop.com. Transcript of Interview with Kevin J. Anderson Jo: Kevin J. Anderson is the multi award-winning and internationally bestselling author of over 190 books across different genres, with over 24 million copies in print across 34 languages. He's also the Director of Publishing at Western Colorado University, as well as a publisher at WordFire Press, an editor, a rock album lyricist, and he's co-written Dune books and worked on the recent Dune movies and TV show. Welcome back to the show, Kevin. Kevin: Well, thanks, Joanna. I always love being on the show. Jo: And we're probably on like 200 books and like 50 million copies in print. I mean, how hard is it to keep up with all that? Kevin: Well, it was one of those where we actually did have to do a list because my wife was like, we really should know the exact number. And I said, well, who can keep track because that one went out of print and that's an omnibus. So does it count as something else? Well, she counted them. But that was a while ago and I didn't keep track, so… Jo: Right. Kevin: I'm busy and I like to write. That's how I've had a long-term career. It's because I don't hate what I'm doing. I've got the best job in the world. I love it. Jo: So that is where I wanted to start. You've been on the show multiple times. People can go back and have a listen to some of the other things we've talked about. I did want to talk to you today about managing multiple priorities. You are a director of publishing at Western Colorado University. I am currently doing a full-time master's degree as well as writing a novel, doing this podcast, my Patreon, all the admin of running a business, and I feel like I'm busy. Then I look at what you do and I'm like, this is crazy. People listening are also busy. We're all busy, right. But I feel like it can't just be writing and one job—you do so much. So how do you manage your time, juggle priorities, your calendar, and all that? Kevin: I do it brilliantly. Is that the answer you want? I do it brilliantly. It is all different things. If I were just working on one project at a time, like, okay, I'm going to start a new novel today and I've got nothing else on my plate. Well, that would take me however long to do the research and the plot. I'm a full-on plotter outliner, so it would take me all the while to do—say it's a medieval fantasy set during the Crusades. Well, then I'd have to spend months reading about the Crusades and researching them and maybe doing some travel. Then get to the point where I know the characters enough that I can outline the book and then I start writing the book, and then I start editing the book, which is a part that I hate. I love doing the writing, I hate doing the editing. Then you edit a whole bunch. To me, there are parts of that that are like going to the dentist—I don't like it—and other parts of it are fun. So by having numerous different projects at different stages, all of which require different skill sets or different levels of intensity— I can be constantly switching from one thing to another and basically be working at a hundred percent capacity on everything all the time. And I love doing this. So I'll be maybe writing a presentation, which is what I was doing before we got on this call this morning, because I'm giving a new keynote presentation at Superstars, which is in a couple of weeks. That's another thing that was on our list—I helped run Superstars. I founded that 15 years ago and it's been going on. So I'll be giving that talk. Then we just started classes for my publishing grad students last week. So I'm running those classes, which meant I had to write all of the classes before they started, and I did that. I've got a Kickstarter that will launch in about a month. I'm getting the cover art for that new book and I've got to write up the Kickstarter campaign. And I have to write the book. I like to have the book at least drafted before I run a Kickstarter for it. So I'm working on that. A Kickstarter pre-launch page should be up a month before the Kickstarter launches, and the Kickstarter has to launch in early March, so that means early February I have to get the pre-launch page up. So there's all these dominoes. One thing has to go before the next thing can go. During the semester break between fall semester—we had about a month off—I had a book for Blackstone Publishing and Weird Tales Presents that I had to write, and I had plotted it and I thought if I don't get this written during the break, I'm going to get distracted and I won't finish it. So I just buckled down and I wrote the 80,000-word book during the month of break. This is like Little House on the Prairie with dinosaurs. It's an Amish community that wants to go to simpler times. So they go back to the Pleistocene era where they're setting up farms and the brontosaurus gets into the cornfield all the time. Jo: That sounds like a lot of fun. Kevin: That's fun. So with the grad students that I have every week, we do all kinds of lectures. Just to reassure people, I am not at all an academic. I could not stand my English classes where you had to write papers analysing this and that. My grad program is all hands-on, pragmatic. You actually learn how to be a publisher when you go through it. You learn how to design covers, you learn how to lay things out, you learn how to edit, you learn how to do fonts. One of the things that I do among the lectures every week or every other week, I just give them something that I call the real world updates. Like, okay, this is the stuff that I, Kevin, am working on in my real world career because the academic career isn't like the real world. So I just go listing about, oh, I designed these covers this week, and I wrote the draft of this dinosaur homestead book, and then I did two comic scripts, and then I had to edit two comic scripts. We just released my third rock album that's based on my fantasy trilogy. And I have to write a keynote speech for Superstars. And I was on Joanna Penn's podcast. And here's what I'm doing. Sometimes it's a little scary because I read it and I go, holy crap, I did a lot of stuff this week. Jo: So I manage everything on Google Calendar. Do you have systems for managing all this? Because you also have external publishers, you have actual dates when things actually have to happen. Do you manage that yourself or does Rebecca, your wife and business partner, do that? How do you manage your calendar? Kevin: Well, Rebecca does most of the business stuff, like right now we have to do a bunch of taxes stuff because it's the new year and things. She does that and I do the social interaction and the creating and the writing and stuff. My assistant Marie Whittaker, she's a big project management person and she's got all these apps on how to do project managing and all these sorts of things. She tried to teach me how to use these apps, but it takes so much time and organisation to fill the damn things out. So it's all in my head. I just sort of know what I have to do. I just put it together and work on it and just sort of know this thing happens next and this thing happens next. I guess one of the ways is when I was in college, I put myself through the university by being a waiter and a bartender. As a waiter and a bartender, you have to juggle a million different things at once. This guy wants a beer and that lady wants a martini, and that person needs to pay, and this person's dinner is up on the hot shelf so you've got to deliver it before it gets cold. It's like I learned how to do millions of things and keep them all organised, and that's the way it worked. And I've kept that as a skill all the way through and it has done me good, I think. Jo: I think that there is a difference between people's brains, right? So I'm pretty chaotic in terms of my creative process. I'm not a plotter like you. I'm pretty chaotic, basically. But I come across— Kevin: I've met you. Yes. Jo: I know. But I'm also extremely organised and I plan everything. That's part of, I think, being an introvert and part of dealing with the anxiety of the world is having a plan or a schedule. So I think the first thing to say to people listening is they don't have to be like you, and they don't have to be like me. It's kind of a personal thing. I guess one thing that goes beyond both of us is, earlier you said you basically work at a hundred percent capacity. So let's say there's somebody listening and they're like, well, I'm at a hundred percent capacity too, and it might be kids, it might be a day job, as well as writing and all that. And then something happens, right? You mentioned the real world. I seem to remember that you broke your leg or something. Kevin: Yes. Jo: And the world comes crashing down through all your plans, whether they're written or in your head. So how do you deal with a buffer of something happening, or you're sick, or Rebecca's sick, or the cat needs to go to the vet? Real life—how do you deal with that? Kevin: Well, that really does cause problems. We had, in fact, just recently—so I'm always working at, well, let's be realistic, like 95% of Kevin capacity. Well, my wife, who does some of the stuff here around the house and she does the business things, she just went through 15 days of the worst crippling migraine string that she's had in 30 years. So she was curled up in a foetal position on the bed for 15 days and she couldn't do any of her normal things. I mean, even unloading the dishwasher and stuff like that. So if I'm at 95% capacity and suddenly I have to pick up an extra 50%, that causes real problems. So I drink lots of coffee, and I get less sleep, and you try to bring in some help. I mean, we have Rebecca's assistant and the assistant has a 20-year-old daughter who came in to help us do some of the dishes and laundry and housework stuff. You mentioned before, it was a year ago. I always go out hiking and mountain climbing and that's where I write. I dictate. I have a digital recorder that I go off of, and that's how I'm so productive. I go out, I walk in the forest and I come home with 5,000 words done in a couple of hours, and I always do that. That's how I write. Well, I was out on a mountain and I fell off the mountain and I broke my ankle and had to limp a mile back to my car. So that sort of put a damper on me hiking. I had a book that I had to write and I couldn't go walking while I was dictating it. It has been a very long time since I had to sit at a keyboard and create chapters that way. Jo: Mm-hmm. Kevin: And my brain doesn't really work like that. It works in an audio—I speak this stuff instead. So I ended up training myself because I had a big boot on my foot. I would sit on the back porch and I would look out at the mountains here in Colorado and I would put my foot up on another chair and I'd sit in the lawn chair and I'd kind of close my eyes and I would dictate my chapters that way. It was not as effective, but it was plan B. So that's how I got it done. I did want to mention something. When I'm telling the students this every week—this is what I did and here's the million different things—one of the students just yesterday made a comment that she summarised what I'm doing and it kind of crystallised things for me. She said that to get so much done requires, and I'm quoting now, “a balance of planning, sprinting, and being flexible, while also making incremental forward progress to keep everything moving together.” So there's short-term projects like fires and emergencies that have to be done. You've got to keep moving forward on the novel, which is a long-term project, but that short story is due in a week. So I've got to spend some time doing that one. Like I said, this Kickstarter's coming up, so I have to put in the order for the cover art, because the cover art needs to be done so I can put it on the pre-launch page for the Kickstarter. It is a balance of the long-term projects and the short-term projects. And I'm a workaholic, I guess, and you are too. Jo: Yes. Kevin: You totally are. Yes. Jo: I get that you're a workaholic, but as you said before, you enjoy it too. So you enjoy doing all these things. It's just sometimes life just gets in the way, as you said. One of the other things that I think is interesting—so sometimes physical stuff gets in the way, but in your many decades now of the successful author business, there's also the business side. You've had massive success with some of your books, and I'm sure that some of them have just kind of shrivelled into nothing. There have been good years and bad years. So how do we, as people who want a long-term career, think about making sure we have a buffer in the business for bad years and then making the most of good years? Kevin: Well, that's one thing—to realise that if you're having a great year, you might not always have a great year. That's kind of like the rockstar mentality—I've got a big hit now, so I'm always going to have a big hit. So I buy mansions and jets, and then of course the next album flops. So when you do have a good year, you plan for the long term. You set money aside. You build up plan B and you do other things. I have long been a big advocate for making sure that you have multiple income streams. You don't just write romantic epic fantasies and that's all you do. That might be what makes your money now, but the reading taste could change next year. They might want something entirely different. So while one thing is really riding high, make sure that you're planting a bunch of other stuff, because that might be the thing that goes really, really well the next year. I made my big stuff back in the early nineties—that was when I started writing for Star Wars and X-Files, and that's when I had my New York Times bestselling run. I had 11 New York Times bestsellers in one year, and I was selling like millions of copies. Now, to be honest, when you have a Star Wars bestseller, George Lucas keeps almost all of that. You don't keep that much of it. But little bits add up when you're selling millions of copies. So it opened a lot of doors for me. So I kept writing my own books and I built up my own fans who liked the Star Wars books and they read some of my other things. If you were a bestselling trad author, you could keep writing the same kind of book and they would keep throwing big advances at you. It was great. And then that whole world changed and they stopped paying those big advances, and paperback, mass market paperback books just kind of went away. A lot of people probably remember that there was a time for almost every movie that came out, every big movie that came out, you could go into the store and buy a paperback book of it—whether it was an Avengers movie or a Star Trek movie or whatever, there was a paperback book. I did a bunch of those and that was really good work. They would pay me like $15,000 to take the script and turn it into a book, and it was done in three weeks. They don't do that anymore. I remember I was on a panel at some point, like, what would you tell your younger self? What advice would you give your younger self? I remember when I was in the nineties, I was turning down all kinds of stuff because I had too many book projects and I was never going to quit writing. I was a bestselling author, so I had it made. Well, never, ever assume you have it made because the world changes under you. They might not like what you're doing or publishing goes in a completely different direction. So I always try to keep my radar up and look at new things coming up. I still write some novels for trad publishers. This dinosaur homestead one is for Blackstone and Weird Tales. They're a trad publisher. I still publish all kinds of stuff as an indie for WordFire Press. I'm reissuing a bunch of my trad books that I got the rights back and now they're getting brand new life as I run Kickstarters. One of my favourite series is “Dan Shamble, Zombie P.I.” It's like the Addams Family meets The Naked Gun. It's very funny. It's a private detective who solves crimes with monsters and mummies and werewolves and things. I sold the first one to a trad publisher, and actually, they bought three. I said, okay, these are fast, they're fun, they're like 65,000 words. You laugh all the way through it, and you want the next one right away. So let's get these out like every six months, which is like lightning speed for trad publishing. They just didn't think that was a good idea. They brought them out a year and a half apart. It was impossible to build up momentum that way. They wanted to drop the series after the third book, and I just begged them—please give it one more chance. So they bought one more book for half as much money and they brought it out again a year and a half later. And also, it was a trad paperback at $15. And the ebook was—Joanna, can you guess what their ebook was priced at? Jo: $15. Kevin: $15. And they said, gee, your ebook sales are disappointing. I said, well, no, duh. I mean, I am jumping around—I'm going like, but you should have brought these out six months apart. You should have had the ebook, like the first one at $4. Jo: But you're still working with traditional publishers, Kevin? Kevin: I'm still working with them on some, and I'm a hybrid. There are some projects that I feel are better served as trad books, like the big Dune books and stuff. I want those all over the place and they can cash in on the movie momentum and stuff. But I got the rights back to the Dan Shamble stuff. The fans kept wanting me to do more, and so I published a couple of story collections and they did fine. But I was making way more money writing Dune books and things. Then they wanted a new novel. So I went, oh, okay. I did a new novel, which I just published at WordFire. But again, it did okay, but it wasn't great. I thought, well, I better just focus on writing these big ticket things. But I really liked writing Dan Shamble. Somebody suggested, well, if the fans want it so much, why don't you run a Kickstarter? I had never run a Kickstarter before, and I kind of had this wrong attitude. I thought Kickstarters were for, “I'm a starving author, please give me money.” And that's not it at all. It's like, hey, if you're a fan, why don't you join the VIP club and you get the books faster than anybody else? So I ran a Kickstarter for my first Dan Shamble book, and it made three times what the trad publisher was paying me. And I went, oh, I kind of like this model. So I have since done like four other Dan Shamble novels through Kickstarters, made way more money that way. And we just sold—we can't give any details yet—but we have just sold it. It will be a TV show. There's a European studio that is developing it as a TV show, and I'm writing the pilot and I will be the executive producer. Jo: Fantastic. Kevin: So I kept that zombie detective alive because I loved it so much. Jo: And it's going to be all over the place years later, I guess. Just in terms of—given I've been in this now, I guess 2008 really was when I got into indie—and over the time I've been doing this, I've seen people rise and then disappear. A lot of people have disappeared. There are reasons, burnout or maybe they were just done. Kevin: Yes. Jo: But in terms of the people that you've seen, the characteristics, I guess, of people who don't make it versus people who do make it for years. And we are not saying that everyone should be a writer for decades at all. Some people do just have maybe one or two books. What do you think are the characteristics of those people who do make it long-term? Kevin: Well, I think it's realistic expectations. Like, again, this was trad, but my first book I sold for $4,000, and I thought, well, that's just $4,000, but we're going to sell book club rights, and we're goingn to sell foreign rights, and it's going to be optioned for movies. And the $4,000 will be like, that's just the start. I was planning out all this extra money coming from it, and it didn't even earn its $4,000 advance back and nothing else happened with it. Well, it has since, because I've since reissued it myself, pushed it and I made more money that way. But it's a slow burn. You build your career. You start building your fan base and then your next one will sell maybe better than the first one did. Then you keep writing it, and then you make connections, and then you get more readers and you learn how to expand your stuff better. You've got to prepare for the long haul. I would suggest that if you publish your very first book on KU, don't quit your day job the next day. Not everybody can or should be a full-time writer. We here in America need to have something that pays our health insurance. That is one of the big reasons why I am running this graduate program at Western Colorado University—because as a university professor, I get wonderful healthcare. I'm teaching something that I love, and I'm frankly doing a very good job at it because our graduates—something like 60% of them are now working as writers or publishers or working in the publishing world. So that's another thing. I guess what I do when I'm working on it is I kind of always say yes to the stuff that's coming in. If an opportunity comes—hey, would you like a graphic novel on this?—and I go, yes, I'd love to do that. Could you write a short story for this anthology? Sure, I'd love to do that. I always say yes, and I get overloaded sometimes. But I learned my lesson. It was quite a few years ago where I was really busy. I had all kinds of book deadlines and I was turning down books that they were offering me. Again, this was trad—book contracts that had big advances on them. And anthology editors were asking me. I was really busy and everybody was nagging me—Kevin, you work too hard. And my wife Rebecca was saying, Kevin, you work too hard. So I thought, I had it made. I had all these bestsellers, everything was going on. So I thought, alright, I've got a lot of books under contract. I'll just take a sabbatical. I'll say no for a year. I'll just catch up. I'll finish all these things that I've got. I'll just take a breather and finish things. So for that year, anybody who asked me—hey, do you want to do this book project?—well, I'd love to, but I'm just saying no. And would you do this short story for an anthology? Well, I'd love to, but not right now. Thanks. And I just kind of put them off. So I had a year where I could catch up and catch my breath and finish the stuff. And after that, I went, okay, I am back in the game again. Let's start taking these book offers. And nothing. Just crickets. And I went, well, okay. Well, you were always asking before—where are all these book deals that you kept offering me? Oh, we gave them to somebody else. Jo: This is really difficult though, because on the one hand—well, first of all, it's difficult because I wanted to take a bit of a break. So I'm doing this full-time master's and you are also teaching people in a master's program, right. So I have had to say no to a lot of things in order to do this course. And I imagine the people on your course would have to do the same thing. There's a lot of rewards, but they're different rewards and it kind of represents almost a midlife pivot for many of us. So how do we balance that then—the stepping away with what might lead us into something new? I mean, obviously this is a big deal. I presume most of the people on your course, they're older like me. People have to give stuff up to do this kind of thing. So how do we manage saying yes and saying no? Kevin: Well, I hate to say this, but you just have to drink more coffee and work harder for that time. Yes, you can say no to some things. My thing was I kind of shut the door and I just said, I'm just going to take a break and I'm going to relax. I could have pushed my capacity and taken some things so that I wasn't completely off the game board. One of the things I talk about is to avoid burnout. If you want a long-term career, and if you're working at 120% of your capacity, then you're going to burn out. I actually want to mention something. Johnny B. Truant just has a new book out called The Artisan Author. I think you've had him on the show, have you? Jo: Yes, absolutely. Kevin: He says a whole bunch of the stuff in there that I've been saying for a long time. He's analysing these rapid release authors that are a book every three weeks. And they're writing every three weeks, every four weeks, and that's their business model. I'm just like, you can't do that for any length of time. I mean, I'm a prolific writer. I can't write that fast. That's a recipe for burnout, I think. I love everything that I'm doing, and even with this graduate program that I'm teaching, I love teaching it. I mean, I'm talking about subjects that I love, because I love publishing. I love writing. I love cover design. I love marketing. I love setting up your newsletters. I mean, this isn't like taking an engineering course for me. This is something that I really, really love doing. And quite honestly, it comes across with the students. They're all fired up too because they see how much I love doing it and they love doing it. One of the projects that they do—we get a grant from Draft2Digital every year for $5,000 so that we do an anthology, an original anthology that we pay professional rates for. So they put out their call for submissions. This year it was Into the Deep Dark Woods. And we commissioned a couple stories for it, but otherwise it was open to submissions. And because we're paying professional rates, they get a lot of submissions. I have 12 students in the program right now. They got 998 stories in that they had to read. Jo: Wow. Kevin: They were broken up into teams so they could go through it, but that's just overwhelming. They had to read, whatever that turns out to be, 50 stories a week that come in. Then they write the rejections, and then they argue over which ones they're going to accept, and then they send the contracts, and then they edit them. And they really love it. I guess that's the most important thing about a career—you've got to have an attitude that you love what you're doing. If you don't love this, please find a more stable career, because this is not something you would recommend for the faint of heart. Jo: Yes, indeed. I guess one of the other considerations, even if we love it, the industry can shift. Obviously you mentioned the nineties there—things were very different in the nineties in many, many ways. Especially, let's say, pre-internet times, and when trad pub was really the only way forward. But you mentioned the rapid release, the sort of book every month. Let's say we are now entering a time where AI is bringing positives and negatives in the same way that the internet brought positives and negatives. We're not going to talk about using it, but what is definitely happening is a change. Industry-wise—for example, people can do a book a day if they want to generate books. That is now possible. There are translations, you know. Our KDP dashboard in America, you have a button now to translate everything into Spanish if you want. You can do another button that makes it an audiobook. So we are definitely entering a time of challenge, but if you look back over your career, there have been many times of challenge. So is this time different? Or do you face the same challenges every time things shift? Kevin: It's always different. I've always had to take a breath and step back and then reinvent myself and come back as something else. One of the things with a long-term career is you can't have a long-term career being the hot new thing. You can start out that way—like, this is the brand new author and he gets a big boost as the best first novel or something like that—but that doesn't work for 20 years. I mean, you've got to do something else. If you're the sexy young actress, well, you don't have a 50-year career as the sexy young actress. One of the ones I'm loving right now is Linda Hamilton, who was the sexy young actress in Terminator, and then a little more mature in the TV show Beauty and the Beast, where she was this huge star. Then she's just come back now. I think she's in her mid-fifties. She's in Stranger Things and she was in Resident Alien and she's now this tough military lady who's getting parts all over the place. She's reinvented herself. So I like to say that for my career, I've crashed and burned and resurrected myself. You might as well call me the Doctor because I've just come back in so many different ways. You can't teach an old dog new tricks, but— If you want to stay around, no matter how old of a dog you are, you've got to learn new tricks. And you've got to keep learning, and you've got to keep trying new things. I started doing indie publishing probably around the time you did—2009, something like that. I was in one of these great positions where I was a trad author and I had a dozen books that I wrote that were all out of print. I got the rights back to them because back then they let books go out of print and they gave the rights back without a fight. So I suddenly found myself with like 12 titles that I could just put up. I went, oh, okay, let's try this. I was kind of blown away that that first novel that they paid me $4,000 for that never even earned it back—well, I just put it up on Kindle and within one year I made more than $4,000. I went, I like this, I've got to figure this out. That's how I launched WordFire Press. Then I learned how to do everything. I mean, back in those days, you could do a pretty clunky job and people would still buy it. Then I learned how to do it better. Jo: That time is gone. Kevin: Yes. I learned how to do it better, and then I learned how to market it. Then I learned how to do print on demand books. Then I learned how to do box sets and different kinds of marketing. I dove headfirst into my newsletter to build my fan base because I had all the Star Wars stuff and X-Files stuff and later it was the Dune stuff. I had this huge fan base, but I wanted that fan base to read the Kevin Anderson books, the Dan Shamble books and everything. The only way to get that is if you give them a personal touch to say, hey buddy, if you liked that one, try this one. And the way to do that is you have to have access to them. So I started doing social media stuff before most people were doing social media stuff. I killed it on MySpace. I can tell you that. I had a newsletter that we literally printed on paper and we stuck mailing labels on. It went out to 1,200 people that we put in the mailbox. Jo: Now you're doing that again with Kickstarter, I guess. But I guess for people listening, what are you learning now? How are you reinventing yourself now in this new phase we are entering? Kevin: Well, I guess the new thing that I'm doing now is expanding my Kickstarters into more. So last year, the biggest Kickstarter that I've ever had, I ran last year. It was this epic fantasy trilogy that I had trad published and I got the rights back. They had only published it in trade paperback. So, yes, I reissued the books in nice new hardcovers, but I also upped the game to do these fancy bespoke editions with leather embossed covers and end papers and tipped in ribbons and slip cases and all kinds of stuff and building that. I did three rock albums as companions to it, and just building that kind of fan base that will support that. Then I started a Patreon last year, which isn't as big as yours. I wish my Patreon would get bigger, but I'm pushing it and I'm still working on that. So it's trying new things. Because if I had really devoted myself and continued to keep my MySpace page up to date, I would be wasting my time. You have to figure out new things. Part of me is disappointed because I really liked in the nineties where they just kept throwing book contracts at me with big advances. And I wrote the book and sent it in and they did all the work. But that went away and I didn't want to go away. So I had to learn how to do it different. After a good extended career, one of the things you do is you pay it forward. I mentor a lot of writers and that evolved into me creating this master's program in publishing. I can gush about it because to my knowledge, it is the only master's degree that really focuses on indie publishing and new model publishing instead of just teaching you how to get a job as an assistant editor in Manhattan for one of the Big Five publishers. Jo: It's certainly a lot more practical than my master's in death. Kevin: Well, that's an acquired taste, I think. When they hired me to do this—and as I said earlier, I'm not an academic—and I said if I'm going to teach this, it's a one year program. They get done with it in one year. It's all online except for one week in person in the summer. They're going to learn how to do things. They're not going to get esoteric, analysing this poem for something. When they graduate from this program, they walk out with this anthology that they edited, that their name is on. The other project that they do is they reissue a really fancy, fine edition of some classic work, whether it's H.G. Wells or Jules Verne or something. They choose a book that they want to bring back and they do it all from start to finish. They come out of it—rather than just theoretical learning—they know how to do things. Surprise, I've been around in the business a long time, so I know everybody who works in the business. So the heads of publishing houses and the head of Draft2Digital or Audible—and we've got Blackstone Audio coming on in a couple weeks. We've got the head of Kickstarter coming on as guest speakers. I have all kinds of guest speakers. Joanna, I think you're coming on— Jo: I'm coming on as well, I think. Kevin: You're coming on as a guest speaker. It's just like they really get plugged in. I'm in my seventh cohort now and I just love doing it. The students love it and we've got a pretty high success rate. So there's your plug. We are open for applications now. It starts in July. And my own website is WordFire.com, and there's a section on there on the graduate program if anybody wants to take a look at it. Again, not everybody needs to have a master's degree to be an indie publisher, but there is something to be said for having all of this stuff put into an organised fashion so that you learn how to do all the things. It also gives you a resource and a support system so that they come out of it knowing a whole lot of people. Jo: Brilliant. Well, thanks so much for your time, Kevin. That was great. Kevin: Thanks. It's a great show. The post Managing Multiple Projects And The Art of the Long-Term Author Career with Kevin J. Anderson first appeared on The Creative Penn.

Viktor Gamov talks to Jeremy Custenborder (Confluent) about his career in large-scale systems. Jeremy's first job: paper boy. His challenge: keeping MySpace running at a massive pre-cloud scale while building the tools that didn't exist yet and learning to fail fast.SEASON 2 Hosted by Tim Berglund, Adi Polak and Viktor Gamov Produced and Edited by Noelle Gallagher, Peter Furia and Nurie Mohamed Music by Coastal Kites Artwork by Phil Vo

Laura and Xhafer reminisce about Myspace and OSHA violations. Laura makes a book-burning exception. Xhafer declares his presidential platform. This episode covers Battlestar Galactica Season 3, Episode 16: Dirty Hands.Discord: https://discord.gg/MUHKDDk6TNMerch: https://www.etsy.com/shop/WhatHappenedHerePods

Likez, commentez, obéissez : bienvenue dans la dictature la plus populaire du monde ! Conçus à l'origine pour connecter l'Humanité, les réseaux sociaux ont redessiné nos comportements jusqu'à devenir des outils de contrôle et de manipulation à l'échelle planétaire. Dans la première partie de cet épisode, Gaël et Geoffroy décryptent la fabrique du consentement 2.0 et dissèquent les rouages d'un modèle économique toxique qui capte notre attention pour mieux la vendre. De Facebook à TikTok, en passant par Instagram, ils plongent à la source d'un système façonné pour créer la dépendance et transformer les utilisateurs en cobayes.FacebookInstagramXwww.toutsavoir.frContact : tousparano@gmail.com

"He's great on Myspace." JuJu gives a couple of members of the show a chance to take back some odd takes from last week before delivering his Top 5 Bad Movies of 2025. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Whattup playas? It's time for episode 468 where this week Em tells us the wild tales of the haunted Old Teller County Jail aka Cripple Creek Jail aka The Outlaws and Lawmen Jail Museum (truly a place of many names!). Then Christine covers the case of Vincent Viafore and Angelika Graswald which leaves us quite frustrated with the justice system. And don't forget to add us to your MySpace top 8! …and that's why we drink!Photo Links:Outlaws and Lawmen Jail MuseumAngelika and VincentBannerman IslandCatch our bonus Yappy Hour intermissions on Apple Podcasts: https://apple.co/3L28lDw or subscribe on Patreon: http://patreon.com/ATWWDPodcast!___________________Visit https://www.aspcapetinsurance.com/DRINK to explore coverage. The ASPCA® is not an insurer and is not engaged in the business of insurance.Help your dog live their best life with high-quality food from The Pets Table—get 55% off your first box plus 10% off your next two at https://thepetstable.com with code drink55.Visit https://quince.com/drink for free shipping and 365-day returns (now available in Canada).Join the loyalty program for renters at https://joinbilt.com/drink and use our URL so they know we sent you.Go to https://helixsleep.com/drink for up to 20% off sitewide, exclusive for listeners of ATWWD. Make sure you enter our show name after checkout so they know we sent you! Learn more about your ad choices. Visit podcastchoices.com/adchoices

On today's MJ Morning Show:Researcher's book tells us Shakespeare was really who?Myspace founder asked to bring back MyspaceMorons in the newsClassic Crotchety... caught in a trash truckDoes MJ want to buy land in GreenlandTampa Police Chief Lee Bercaw on Gasparilla safetyDinner at the Hard Rock, Pat Benatar and a fire in Hyde ParkMJ's dilemma of the daySaturday night wine eventPhones work today, but all our morning shows confronted Big Scary RonMan passed counterfeit money in Pinellas CountySAG moviesA guy tried to spring Luigi Mangioni from jailCore-gasmsSelf-driving WaymoDr. Pepper jingle sparks wave of copycats trying to create jingles for other productsTiktok uninstalls are upHillsborough County Sheriff Chad Chronister on Gasparilla safetyMJ's upcoming physicalPepsi ad spoofs Coldplay kiss cam incidentCostco is removing RAM and other components from computer floor modelsA Florida doctor's mugshotValentine's Day Sweethearts candy has some new phrases Bathroom alertGerms transmitted through handshakes outnumber those passed through a kiss on the cheekShould you get the shingles vaccine?See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Christina Ziroli-Leaman is a social media strategist who got her start in social by manipulating HTML on Myspace to make her profile pink and sparkly. Fast forward 20 years, and now she gets to do what she loves for a living, every single day, which she's eternally grateful for. Her experience spans edtech, higher education, and manufacturing - proving that great storytelling works anywhere there's a human on the other side of the screen. Christina believes that in a world that can feel heavy, social media should be a place for light and joy, where humor, empathy, and the occasional meme remind us we're all still connected. She lives in Birmingham, AL, with her husband Matt, their 7 month old daughter Naomi, their crazy dog Zelda and their sweet parrot Juju. When she's offline, you can find her reading and sipping coffee while snuggling her daughter. Her favorite pizza topping is pepperoni, her favorite thing in life is family and her fun fact? She once wrote Harry Potter fanfiction on Quizilla and honestly, the storytelling hasn't stopped since.

Join us for Round Two of the 4th Annual Cage Match where we discuss Tammy's pick of Kick-Ass against Guido's pick of Deadfall and answer questions like:Were you on Myspace?Is Tammy out of line?andWhat was the cocaine budget?Learn all about Quad Pro Quo at: https://linktr.ee/quadproquopod

In this episode, we introduce our new series on “Marxism and Religion.” At political, social, and spiritual levels, the series explores this complicated relationship for a transitioning age. We start with Dr. Martin Luther King, Jr., who is a political and spiritual beacon for many of us and a democratic socialist by another name. Our discussion explores how MLK Jr. continues to shine light on the righteous path to liberation. leftofphilosophy.com | @leftofphil | @leftofphilosophy.bsky.socialReferences:Martin Luther King, Jr., “Pilgrimage to Non-Violence”: https://www.gandhiashramsevagram.org/gandhi-articles/pilgrimage-to-nonviolence.phpMartin Luther King, Jr., “Letter From a Birmingham Jail”: https://nul.org/news/letter-birmingham-jailMartin Luther King, Jr., “Loving Your Enemies”:https://kinginstitute.stanford.edu/king-papers/documents/loving-your-enemies-sermon-delivered-dexter-avenue-baptist-churchMartin Luther King, Jr., “All Labor Has Dignity”:https://truthout.org/articles/martin-luther-king-jr-all-labor-has-dignity/Martin Luther King, Jr., “Where Do We Go From Here?”:https://kinginstitute.stanford.edu/where-do-we-go-hereMusic:“Vintage Memories” by Schematist | schematist.bandcamp.com“My Space” by Overu | https://get.slip.stream/KqmvAN

Kail and Becky are back with their energy at an all-time high, complete with Dave's Hot Chicken cravings, an outfit that has everyone spiraling, and the kind of random conversation whiplash that you've come to know and love.In this episode, they get into BookTok habits, nostalgia over digital cameras and MySpace-era chaos, and a deeper question about memory, identity, and who really knows you best. They also touch on parenting perspective shifts, friendship effort, and why 2026 is about getting more intentional-especially when it comes to creative projects and choosing what deserves your time.Plus: a Karma or Chaos submission that hits a little too close to home—when a “best friend” can't let you win without making it about them, and what it really means to outgrow someone.To submit an Is It Karma Or Is It Chaos story email us at info@karmachaospodcast.comShop merch here For full videos head to patreon.com/kaillowry Follow Becky at Hayter25 and subscribe to For The HaytersThank you for supporting the show by checking out our sponsors!Shopify: to sign up for your one dollar a month trial period head to shopify.com/karma Progressive: Try Progressive's AutoQuote Explorer® today at progressive.comRocket Money: Let Rocket Money help you reach your financial goals faster. Join at RocketMoney.com/KARMAQuince: Go to quince.com/karma for free shipping on your order and 365-day returns. Tempo: Tempo is offering our listeners 60% your first box! Go to tempomeals.com/karmaSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

In this episode, I talk about the joy of discovering artists before they blow up—specifically my early days finding Panic! at the Disco on MySpace and how A Fever You Can't Sweat Out became part of the soundtrack of the mid-2000s.

This week, Madigan brings you the first four of her Top 8 (so MySpace coded) Feminist Faves over the last eight years. This week includes Nellie Bly, Hinaleimoana Wong-Kalu, Meena (The Heroine of Afghanistan), and Nellie Griswold Francis. Original Episodes: Nellie Bly: https://podcasts.apple.com/us/podcast/your-angry-neighborhood-feminist/id1339226131?i=1000591949946 Hinaleimoana Wong-Kalu: https://podcasts.apple.com/us/podcast/your-angry-neighborhood-feminist/id1339226131?i=1000614912178 Kumu Hina Documentary: https://www.youtube.com/watch?v=7Zeond28-UA Meena: https://podcasts.apple.com/us/podcast/your-angry-neighborhood-feminist/id1339226131?i=1000670444505 Nellie Griswold Francis: https://podcasts.apple.com/us/podcast/your-angry-neighborhood-feminist/id1339226131?i=1000722416930 Do you have a topic that you want the show to take on?    Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠neighborhoodfeminist@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Social media:     Instagram: @angryneighborhoodfeminist Get YANF Merch! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://yanfpodcast.threadless.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ JOIN ME ON PATREON!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/angryneighborhoodfeminist⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

And then it's, like, the coolest thing you've ever f***ing heard.Brian and Lizzie dive into the cultural impact and musical complexity of Twenty One Pilots' 2015 masterpiece, Blurryface. They explore the album's guerrilla marketing leak, its consortium of A-list producers, and its lasting influence on the pop landscape.    Was Blurryface the biggest record to emerge from the 2010s emo scene? Brian and Lizzie investigate the monumental impact of Twenty One Pilots' 2015 genre-defying album. They discuss the duo's Ohio roots, their place in Fueled by Ramen's emo history, and the album's unique production, which brought together producers from hip hop, pop, and indie rock. The hosts explore the strategic album leak, the creation of the 'Blurryface' character to personify insecurity and mental health struggles, and how the record smuggled alternative art into the mainstream. Featuring in-depth analysis of landmark tracks like the billion-stream hit "Stressed Out," the reggae-infused "Ride," and the fan-favorite "Tear In My Heart," this episode debates whether the album's pop punk adjacency and massive success cement its place as one of the best emo albums of all time.    "This is very much a radio sounding record, although the music and the songwriting is not super radio friendly.""By wrapping a high concept album about depression and insecurity in glossy pop production, Twenty One Pilots smuggled alternative art into the mainstream.""I wasn't raised in the hood, but I know a thing or two about pain and darkness. And it's like, I don't think that you need to say that in a rap song."  Artist Website: https://www.twentyonepilots.com/Artist Instagram: https://www.instagram.com/twentyonepilots/Artist Spotify: https://open.spotify.com/artist/3YQKmKGau1PzlV9sRsech5Artist Tour Page: https://www.twentyonepilots.com/tour JOIN THE CLUB! Youtube: https://emosocial.club/youtube Instagram: https://emosocial.club/instagram TikTok: https://emosocial.club/tiktok Twitch: https://emosocialclub.tv Discord: https://emosocial.club/discord Facebook: https://emosocial.club/facebook Twitter: https://emosocial.club/twitter Support the Show:Leave a review on Apple Podcasts/SpotifyShare this episode with a friend who needs to hear itSupport us and watch exclusive episodes: https://emosocialclub.tvIt was never just a phase. We connect the Myspace era to today's waves.

In this week's episode, we dust off our iPods and XM boomboxes to travel back to the decade where many claimed that rock n' roll was dead and that there was no more good music. That's right; we are listening to obscure tracks from George W.'s Y2K! Join us on this journey back through the decade of iTunes, MySpace, autotune, and some really great rock n' punk n' metal!New to InObscuria? It's all about digging up obscure Rock n' Punk n' Metal from one of 3 categories: the Lost, the Forgotten, or the Should Have Beens. In this episode, we talk about the lost and forgotten gems of the 00s. A decade where the ideas of record companies, albums, physical product, and the old way of promoting artists were all challenged. This decade literally changed the path for how music was to be consumed going forward.Songs this week include:Black Rebel Motorcycle Club – “Six Barrel Shotgun” from Take Them On Your Own(2003)Flickerstick – “Girls & Pills” from Tarantula (2004) Totimoshi – “Milagrosa” from Milagrosa (2008)Hey Mercedes – “Everybody's Working For The Weak” from The Weekend EP (2002)Hurt – “Pandora” from Goodbye To The Machine (2009)The Soundtrack Of Our Lives – “Sister Surround” from Behind The Music (2001)The Anniversary – “Crooked Crown” from Your Majesty (2002)The Cooper Temple Clause – “Promises Promises” from Kick Up The Fire, And Let The Flames Break Loose (2003)Big Jack Pneumatic – “Mainstream” from Half-Ass Cool (EP) (2003) Please subscribe everywhere that you listen to podcasts!Buy cool stuff with our logo on it: InObscuria StoreVisit us: https://inobscuria.com/https://www.facebook.com/InObscuriahttps://x.com/inobscuriahttps://www.instagram.com/inobscuria/

Make Believe (L.O.V.E. ME). Irish emo queen, positively sad lyricist and the mayor of Severed Heart City, Steph O'Sullivan, is our guest on Episode 374 of Sappenin' Podcast! The Greywind vocalist returns with bottled up confessions on music industry trauma, sibling songwriting and transforming their narrative forever. In this conversation, Steph dissects the backstage process of waiting nine years for the opportunity to release a sophomore record, character vs outfit concepts, convincing Casey Cavaliere (The Wonder Years) on as their manager, finding a new lease of emo positivity on the world, creating their own Irish-Emo genre, viral tattoos, nostalgic roots, why MySpace made life so much easier, secret selfies, queuing to meet Taking Back Sunday as a kid, intense alien conspires, almost getting Pete Wentz on the record, what it's like writing personal lyrics with her brother, My Chemical Romance lore, hair-dye nightmares, scaring people in supermarkets and more! Turn it up and join Sean and Morgan to find out Sappenin' this week!Follow us on Social Media:Twitter: @sappeninpodInstagram: @sappeninpodSpecial thank you to our Sappenin' Podcast Patreons:Join the Sappenin' Podcast Community: Patreon.com/Sappenin.Kylie Wheeler, Janelle Caston, Paul Hirschfield, Tony Michael, Scarlet Charlton, Dilly Grimwood, Mitch Perry, Jonathan Gutierrez, Jahana, Marc Spector, Molly Molloy, James Bowerbank, Amee Louise, Kat Bessant, Amy Hogg, Chris Howard, Ian Gent, Jenni Robinson, Stuart McNaught, Jenni Munster, Keighley Mepham, Carl Pendlebury, Matt Roberts, Louis Cook, James Mcnaught, Martina McManus, Jason Heredia, Danny Eaton, Ollie Amesbury, Dan Peregreen, Emily Perry, Kalila Keane, Adam Parslow, Josh Crisp, Sofija Žuravska, Steve Howard, Connor Lewins, Kyle Smith, Em Evans Roberts, George Evans, Sinead O'Halloran, Kael braham, Jordan Harris, Georgie Hopkinson, John Wilson, Ayla Shelly, Kelly Young, David Winchurch, Justine Baddeley, Scott Evans, Andrew Simpson, Shaun Croucher, Grazyna McGroarty, Murray Grimwood, Joshua Ehrensperger-Lewis, Chris Harris, Erin Howard, Lucy Neill, Robert Fitton, Jessie Hellier, Robert Pike, Craig Harris, Anthony Matthews, Owen Davies, JessieGx, Samantha Bowen, Ruby Price, Lewis Sluman, Kieran Lewis, Samantha Neville, Evan, Andy, Michael Long, Natalie Wallace, Frances, Emma Musgrave, Ria Joy, Patrick Floyd, Sarah Maher, Ceris Clift, Hannah, Hayley Taylor, Gareth Desmond, Cheri, Loz, Jamie Snailham, Gemma Graham, Torky, Billy Parmiter, Meg, Eva B, Jack Wright, Emma Barber, Lloyd Pinder, Helen Macbeth, Katie Lyons, Dan Johnson, Mustard Mittthat, Ceri Craddock, Madeleine Inez, Robert Byrne, Christopher Goldring, Lesley Dargie-Walker. Beth Gayler, Chris Lincoln, Hannah Rachael, Kerry Beckett, Naomi Falgate, Leanne Gerrard, Ieuan Wheeler, Tom Hylands, Andrew Keech, Nuala Clark.Diolch and Thank You x Hosted on Acast. See acast.com/privacy for more information.

Can you BELIEVE it's been EIGHT YEARS since Your Angry Neighborhood Feminist was put out into the world? I sure can't. This week, Madigan brings you the first four of her Top 8 (so MySpace coded) Feminist Faves over the last eight years. This week includes Audre Lorde, Matilda Joslyn Gage, Shulamith Firestone and Marsha P. Johnson. Original Episodes:' YANF Throwback: Audre Lorde & Shirley Chisholm: https://podcasts.apple.com/ie/podcast/episode-6-black-feminists-audre-lorde-shirley-chisholm/id1339226131?i=1000403910311 Episode 59- Forgotten Feminist Faves: Matilda & Luisa: https://podcasts.apple.com/ie/podcast/episode-59-forgotten-feminist-faves-matilda-luisa/id1339226131?i=1000431063024 Forgotten Feminist Faves: Ophelia & Shulamith: https://podcasts.apple.com/ie/podcast/forgotten-feminist-faves-ophelia-shulamith/id1339226131?i=1000533587485 Black Feminist Faves: Madam C.J. Walker & Marsha P. Johnson: https://podcasts.apple.com/ie/podcast/black-feminist-faves-madam-c-j-walker-marsha-p-johnson/id1339226131?i=1000551034214 Do you have a topic that you want the show to take on?    Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠neighborhoodfeminist@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Social media:     Instagram: @angryneighborhoodfeminist Get YANF Merch! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://yanfpodcast.threadless.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ JOIN ME ON PATREON!! ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.patreon.com/angryneighborhoodfeminist⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

Send Mary and Kelsey a Message! In this episode, Mary and Kelsey welcome nostalgia creator Raissa, the creative powerhouse behind @nostalgiachick, to revisit pop culture highlights from 2004 including A Cinderella Story, the finales of Sex and the City and Friends, Harry Potter and the Prisoner of Azkaban, 13 Going on 30, MySpace's peak, and the debut of the Motorola Razr (you just had to be there). Raissa also shares how she built her community and her ever-growing collection of screen accurate clothing and home goods. Support the show Instagram: @whentheypoppedpodTikTok: @whentheypoppedpodEmail: whentheypoppedy2k@gmail.comWebsite: linktree.com/whentheypopped Subscribe to our Patreon: https://www.patreon.com/user?u=85610411

Welcome, Real Estate Rockstars! Join us as we dive into the dynamic world of real estate marketing and social media strategies. Recorded live at the ROGTalks in Sacramento, California, this episode features insights from industry experts like Katie Lance. They explore the intersection of real estate and social media, discussing strategies for leveraging platforms like Facebook and TikTok to build relationships and attract new business. Katie shares her journey from the early days of MySpace to becoming a social media powerhouse, offering insights and tips for real estate professionals looking to enhance their online presence. Discover how to leverage social media to build relationships, and stay ahead in the ever-evolving real estate landscape. Tune in for tips, tricks, and inspiring stories that will elevate your real estate game! Links: Check out Katie Lance's Website Follow Katie Lance on Instagram Follow Sara Denig on Instagram  Follow Christina Leavenworth on Instagram  Follow Aaron Amuchastegui on Instagram  Get Hundreds of FREE Real Estate Tools From the Toolbox  Join the 2026 Mastermind: Get your tickets HERE! 

In this episode, we discuss the work of historian Hayden White. His provocative claim is that the practice is inescapably the practice of narrative forms to give sense and significance to events of the past. It is this form that often supplements, or even outright makes, historical arguments. Is history a tragedy, a comedy, a satire, or a romance? Why did Marx describe history as tragedy and then farce? What could entitle him to that? The historian always prefigures their history with these choices. We get into whether history has a meaning on its own, what it contributes to politics, and whether there are literary styles more commensurate to Marxist history than others.  leftofphilosophy.comReferences:Hayden White, Metahistory: The Historical Imagination in Nineteenth-Century Europe (Baltimore:  Johns Hopkins University Press, 1973).Hayden White, The Content of Form: Narrative Discourse and Historical Representation (London: Johns Hopkins University Press, 1987).Music:“Vintage Memories” by Schematist | schematist.bandcamp.com“My Space” by Overu | https://get.slip.stream/KqmvAN

What if the biggest financial move you make in 2026 isn't a Roth conversion or an investment pick—but fixing your marketing?In the first episode of 2026, Certified Financial Planner™ David Chudyk sits down with marketing strategist Katie Brinkley to unpack practical, non-cringey marketing strategies that business owners can implement right now—without dancing on TikTok or posting 42 times a week.This conversation is packed with real-world marketing advice, especially for Main Street businesses, professional service firms, and business owners who want more revenue without more chaos.

Not getting rockinized, the first European tour, and happily getting duped. Jacob Rubeck (Surf Curse, Casino Hearts) "Surf Curse owes its existence to the indomitable spirit of rock and roll, or maybe it's just the enduring power of friendship. Some would argue they're the same thing. But they'll remain timeless as long as kids aren't willing to feel like outcasts in silence. In other words, forever. So it's no surprise that Surf Curse, a band that has dedicated itself to expressing the heartbreaks and alienation and small triumphs of growing up, has managed to thrive in DIY spaces, grubby clubs and wherever teenagers and lapsed teenagers can be found online—from their humble origins on Myspace to their rise through Tumblr to Bandcamp and now the 2021 equivalent of MTV—their eight-year old song is a viral smash on TikTok." Excerpt from https://www.governorsballmusicfestiva... Surf Curse: Bandcamp: https://surfcurse.bandcamp.com Instagram: @surfcurse Merch: https://surf-curse-ai.myshopify.com The Vineyard: Instagram: @thevineyardpodcast Website: https://www.thevineyardpodcast.com Youtube: https://www.youtube.com/@thevineyardpodcast

Today's guest on The Mr. Bill Podcast is Rob Talbott of Dodge & Fuski and co-founder of Disciple. Rob's been producing since the early 2000s and came up during the early UK dubstep era, back when scenes were small, MySpace was the main discovery tool, and nothing happened overnight. Dodge & Fuski was a key part of that moment, and Disciple went on to become home to a generation of artists who grew into long-term careers. We talk about when music stopped being a hobby and started feeling like a job, what it was really like coming up before modern social media, and how slow and unglamorous those early years actually were. We also get into the realities of running a label, balancing creativity with business, and the burnout that can come with doing both at once. Rob also opens up about stepping away from music for several years, what caused that disconnect, and what it has been like coming back after a long hiatus. We talk about how his relationship with music has changed and why he is enjoying it again now. This is an honest, behind-the-scenes conversation about building things, burning out, and finding your way back to the thing you cared about in the first place. Rob Talbott Links Mr. Bill's Links 

Algunos lo entienden como la enésima prueba de la tendencia de Sánchez a contradecirse. Me refiero al wasap que mandó a Ábalos antes de su detención: "te quiero como un amigo". Curiosamente, poco después dijo que era un gran desconocido. A mi juicio no hay contradicción alguna. Querer como un amigo no significa nada en un tiempo en que todos tenemos, no un millón de amigos, como pedía la canción, pero sí unos cuantos cientos o incluso miles en Facebook, que está más muerto que MySpace. El antropólogo Robin Dunbar ha establecido que nuestra mente no está diseñada para más de 150 relaciones significativas, y esto es así por razones evolutivas: 150 es el número máximo de personas que pueden cooperar para cazar y recolectar. Sobra decir que las redes sociales superan con mucho el llamado “Número Dunbar”. Por eso hay amigos que son uña y carne: la roña de la uña y la carne del pescuezo, que ni es carne ni es hueso. "Oh, amigos, no hay amigos", decía una frase muy enigmática de Aristóteles que hoy entendemos bien: si todos son amigos, ninguno lo es. Calculo que el número máximo de amigos está entre los 150 del antropólogo Dunbar y los cuatro del Peugeot. Porque la cosa no va de abundancia, sino de acumulación, y en el supermercado de la amistad los amigos van al peso. No nos sorprendamos, en consecuencia, si caducan pronto. Tengamos pocas pero buenas amistades. Mejor nos iría edificando menos rascacielos de "amigos" y más chozas robustas donde solo entren unos pocos.

What does it take to go from coding MySpace pages to building an eight-figure creative agency? In this episode, we sit down with Pete Sena, entrepreneur, futurist, and founder of Digital Surgeons—who now helps tech-forward businesses design demand through powerful brand strategy.Pete breaks down how he:Connects storytelling, systems, and strategy to drive growthUses brand DNA to simplify complex products for mass adoptionBuilt “Vulcan,” an AI-powered creative forge that scales storytellingTransforms technical founders into powerful communicatorsHelps brands go from ignored to irresistible using transformation, not featuresFrom crafting pitch decks that raised millions, to helping Freshpet define a category, Pete shares frameworks, mindset shifts, and actionable insights any founder or marketer can use.If you're stuck turning your vision into a compelling brand story, or your marketing just isn't landing, this episode is your blueprint.Perfect for: Founders, marketers, and B2B leaders scaling in tech, SaaS, or service industries.Pete's LinksWebsite / Personal Site: https://www.petesena.com/LinkedIn Profile: https://www.linkedin.com/in/petersena-----------------

"We've always had the same kind of values in why we're doing this. That alignment, I think, helps the steadiness and longevity... The music comes first. Music is about itself. It's not, at least primarily a means to make a living."    Dustin Kensrue of Thrice on the shared values that have kept the band's lineup intact for 25 years. He discusses their unique writing process using Asana and 400+ voice memos, and how re-recording a classic album influenced their new sound.    For over two decades, Thrice has been a constant—a pillar of the post-hardcore scene that has not only evolved with each album but has kept its original four members intact. We're joined by frontman Dustin Kensrue to discuss how they've managed one of the most incredible feats in rock music: staying together. Dustin details the band's practical creative process, revealing how they use project management tools like Asana to organize hundreds of voice memos into the powerful songs fans know and love. He also explains how revisiting their classic album *The Artist in the Ambulance* allowed them to reconnect with old instincts in a fresh way, directly influencing their new material. This is a conversation about legacy, integrity, and what it takes to put the music first, always."We've always had the same kind of values in why we're doing this. And that alignment, I think, helps the steadiness and longevity... The music comes first.""I have no idea how we would write a song to work on TikTok... it's just not on our minds. There's enough juice flowing... the hardest thing is narrowing down what ideas we wanna chase because there's so many.""Doing both of those [re-recordings] was a process of kind of reintegrating a lot of old instincts and ways of thinking... those instincts can be reappropriated by us in a fresh way, that feels authentic and organic and not forced." JOIN THE CLUB! Youtube: https://emosocial.club/youtube Instagram: https://emosocial.club/instagram TikTok: https://emosocial.club/tiktok Twitch: https://emosocialclub.tv Discord: https://emosocial.club/discord Facebook: https://emosocial.club/facebook Twitter: https://emosocial.club/twitter Support the Show:Leave a review on Apple Podcasts/SpotifyShare this episode with a friend who needs to hear itSupport us and watch exclusive episodes: https://emosocialclub.tvIt was never just a phase. We connect the Myspace era to today's waves.

In this Greatest Hits episode of Tech Magic, hosts Cathy Hackl and Lee Kebler dive into the latest tech developments, from Meta's bold moves in AR to Apple's Vision Pro journey one year later. They highlight Meta's success with Ray-Ban AI glasses, Apple's challenges in AR innovation, and how creators are evolving into media moguls. Cathy also interviews special guest Jeff Barrett, who shares insights on building sustainable creator careers, the rise of nano-influencers, and the global expansion of digital content platforms. Whether you're into cutting-edge tech or the creator economy, this episode captures 2025's emerging trends.Come for the tech, stay for the magic!Cathy Hackl BioCathy Hackl is a globally recognized tech & gaming executive, futurist, and speaker focused on spatial computing, virtual worlds, augmented reality, AI, strategic foresight, and gaming platforms strategy. She's one of the top tech voices on LinkedIn and is the CEO of Spatial Dynamics, a spatial computing and AI solutions company, including gaming. Cathy has worked at Amazon Web Services (AWS), Magic Leap, and HTC VIVE and has advised companies like Nike, Ralph Lauren, Walmart, Louis Vuitton, and Clinique on their emerging tech and gaming journeys. She has spoken at Harvard Business School, MIT, SXSW, Comic-Con, WEF Annual Meeting in Davos 2023, CES, MWC, Vogue's Forces of Fashion, and more. Cathy Hackl on LinkedInSpatial Dynamics on LinkedInLee Kebler BioLee has been at the forefront of blending technology and entertainment since 2003, creating advanced studios for icons like will.i.am and producing music for Britney Spears and Big & Rich. Pioneering in VR since 2016, he has managed enterprise data at Nike, led VR broadcasting for Intel at the Japan 2020 Olympics, and driven large-scale marketing campaigns for Walmart, Levi's, and Nasdaq. A TEDx speaker on enterprise VR, Lee is currently authoring a book on generative AI and delving into splinternet theory and data privacy as new tech laws unfold across the US.Lee Kebler on LinkedInJeff Barrett BioJeff Barrett serves as the Chief Evangelist at the Shorty Awards, where he's been involved with the organization for 10 years. A former Shorty Award winner for Best Business Blogger, Barrett has evolved from a creator to an agency leader, demonstrating the possible progression within the creator economy. His journey began uniquely on MySpace and included creating a successful parody account on Twitter that inadvertently led to legitimate recognition in the marketing world. Barrett currently hosts the Shorty Awards show and runs a podcast called "It's No Fluke," which has produced over 130 episodes featuring leaders from major companies like Google, Meta, and the NFL.Jeff Barrett on LinkedInKey Discussion Topics00:00 - Intro & Tech News Overview02:50 - The Future of American XR: Competition and Innovation11:15 - Meta's Metaverse Strategy: Make or Break Year28:18 - Apple Vision Pro: One Year Later41:24 - Interview with Jeff Barrett: The Evolution of the Shorty Awards47:32 - The Creator Economy: Trends and Future Growth53:27 - Building Sustainable Creator-Brand Partnerships01:02:34 - Creator Identity & Platform Evolution01:07:55 - Final Thoughts & Media Recommendations Hosted on Acast. See acast.com/privacy for more information.

We're joined today by Joshua B. Lee, founder of StandOut Authority and co-creator of YOUmanize™, the movement redefining human-first branding. Known as the “Dopamine Dealer of LinkedIn,” Josh has helped launch the first social media ads on MySpace, managed nearly $1B in ad spend, and worked with brands like Google, Oracle, and AWS.

In this episode, we talk about Marx's critique of the Gotha Program, but you knew that from the title. We discuss Marxian critiques of redistributive left politics, why dogmatic Marxists are wrong about this, and much more. We connect it to the present and disagree. It's very good. Listen.References:Karl Marx, “Critique of the Gotha Programme” https://www.marxists.org/archive/marx/works/1875/gotha/Music:“Vintage Memories” by Schematist | schematist.bandcamp.com“My Space” by Overu | https://get.slip.stream/KqmvAN

Introduction: Hebrews 10:24-25 Acts 10:42, 1 Tim 4:1-2 1 Tim 4:13 1 Tim 2:1,8 , Col 4:2 Eph 5:19, Col 3:16 John 4:23-24 All In On Truth (1 Chronicles 13:3-14) Good intentions and enthusiasm != TRUE WORSHIP. It is PERILOUS to worship God CARELESSLY . We worship God WHO IS WITH US. John 14:16–18 1 Cor 3:16 1 Cor 6:19-20 Sermon Notes (PDF): BLANKHint: Highlight blanks above for answers! Small Group DiscussionRead 1 Chronicles 13:3-14What was your big take-away from this passage / message?What is at stake in God's command to worship Him in truth? See, for example, another account of careless and irreverent worship in Leviticus 10:1-3.Why are good intentions and enthusiasm insufficient for worshiping God in truth? Are they better, about the same, or worse than dead, emotionless, and unresponsive “worship?”Before this message, what was your understanding of verses describing Christabiding in you? (John 14:16-18, 1 Corinthians 3:16, 6:19-20)How should the fact that Christ abides in us inspire or change the way weworship?BreakoutPray for one another. AUDIO TRANSCRIPT Good morning, Harvest, and Happy New Year. Open your Bibles, please, to 1 Chronicles,chapter 13. It will be in the Old Testament, 1 Chronicles, chapter 13. If you want, youcan put a little bookmark at chapter 15, because we're going to be looking there briefly aswell. This morning, we're beginning a three-week series on worship. Of course, there are manyways that we worship, prayer, preaching, proclaiming the gospel. I think it's fair to say thatfor everyone who is a believer in Christ, whatever we do is worship. Everything we do shouldbe for the glory of God. There are right ways, and there are wrong ways to worship God. AtHarvest, we follow something known as the regulative principle. That simply means thatif a type of worship is not permitted in Scripture, we don't do it. We don't get to worship Godhowever we want to. We must worship Him in the way that He commands. You may wonder,"Why do we do the things we do here in worship every Sunday? Who makes that up?" Well, it'snot made up. We do what God's word says to. You'll notice that every Sunday, we meettogether. We preach God's word. We read God's word. We pray and we sing. Now, while thoseare ways in which we are commanded to worship, this three-week series is going to focus particularlyon worshiping through music and singing. Our starting point for all three of these messagesis John 4 verses 23 and 24. "But the hour is coming and is now here, when the true worshiperswill worship the Father in spirit and truth, for the Father is seeking such people to worshipHim. God is spirit, and those who worship Him must worship in spirit and truth." Sowe see that from these verses, the right way to worship God is spirit and truth. In twoweeks, Pastor Taylor is going to cover why worshiping in spirit and truth through musicand song is so important. Next week, Pastor Jeff will take us through what it means toworship in spirit. And then this morning's message is about worshiping God in truth.So here's the point of this week's sermon. "The Lord God Almighty delights to be withus, but we must have regard for His holiness and worship Him according to His commands."You see, when we worship God that way, when we worship God in truth, it means the wordswe sing to and about Him are true. By singing true words about God, we're able to rememberlater what is true. And we learn sound doctrine. If you've ever memorized Scripture throughsinging or you've sung the old hymns that are just chock full of biblical truth, youknow what I mean. When we worship God in truth, the truth fills us with awe. We aremoved emotionally. We're moved physically by the truth that we sing. Now at Harvest,we don't use, you know, strobe lights, flashing lights, fog machines, loud music, and othertactics to manipulate you into thinking that you're worshiping just because you're experiencingone sensory overload after another. But if what we sing is true, then truth will fillus and flow out of us. When we worship God in truth, we recognize that singing His praisesis of the utmost importance to Him. He's worthy of our praises. He's worthy of all our songsabout Him. He commands our praises. He expects it. The Book of Psalms is proof of that. Andwe should therefore make every effort to worship Him the right way because that pleases andglorifies Him. Let's pray. Oh, most gracious God, sovereign of the universe, God most high,you are awesome and mighty, and you are worthy of all praise. You are worthy of all of ourattention. You are worthy of every thought. You are worthy of every song we can sing.Because Lord, you are holy and you dwell in the praises of your people. I pray this morningthat we would overflow in worshipful song because we know the truth. We know the tritetruth of who Jesus Christ is and what He has done for us and that He is in us. And it'sin His great name. We ask it. Amen.Now this morning's passage recounts when David wanted to bring the Ark of the Covenant,the Ark of God, to Jerusalem to be near him. The passage contrasts the wrong way to worshipGod with the right expression of awe and reverence for God Almighty. Before we dive into thismessage, I need to give you some background. We need to do a brief history lesson. So youprobably all know God chose and called the people of Israel out of Egypt so that he couldbe with them. And the primary way that he demonstrated his presence with the peopleof Israel was through a movable tabernacle. That's simply a large tent and it was surroundedby a big fabric courtyard and poles. But inside the tent there were two separate places. Therewas the holy place and that was furnished with the Ark of Incense and a table in which breadwas placed every week and a lamp, a gold lamp to give light. And then on the eastern sideof this tent was basically a cube-shaped area. It was about 15 by 15 by 15. It was a perfectcube and that was the most holy place, the Holy of Holies. And it contained the Arkof the Covenant. In other places in Scripture it's called the Ark of God or the Ark ofTestimony. Now in Exodus 25 God gave some very specific directions for the Ark's constructionand its significance. It was a wooden box. It was about 45 inches long, 27 inches high,27 inches wide. Not that big. And then the wood was overlaid with gold and then on topwas a solid gold lid. It was all hammered out of one piece of gold and there were twocherubim on the top. So this is just a very simple example of what it might look like.We can't really speak in detail now about what the Ark looked like but we have the descriptionin Scripture. Now this lid with the cherubim was also called the Mercy Seat and it wassignificant for several reasons. One, the Lord was said to be enthroned above the cherubim.And two, the Lord spoke to Moses from between the cherubim. And then a third reason is onthe annual day of atonement the high priest would enter the Holy of Holies and he wouldsprinkle blood on the lid to atone for the people's sins. And it's in this way that theLord tabernacled or dwelled between the two cherubim on the lid of the Ark. In this waythe Lord was present with his people and the people knew God was with them because in thedaytime there was a pillar of cloud over the tabernacle and at night it became a pillarof fire and whenever that pillar moved up and forward it was safe for the Levites, thepriests to go in, pack up the Ark, pack up the tabernacle and move it to wherever Godwas leading them. He took them wherever he wanted them to go. Now God also gave veryspecific instructions about how the Ark was to be moved and by whom. Only the Levitesand of the Levites a clan called the Coethites were allowed to carry the holy things includingthe Ark. Now this Ark was meant to be portable. It was carried on poles, passed through goldrings that those rings were attached to the feet of the Ark and in that way the Ark waslifted up over the priests heads when they carried it so all the people could see theArk was with them. Now these poles were never supposed to be removed from the Ark and beforethe Ark was moved it was supposed to be hidden. They put a big goat skin over it and thenthey covered it with a blue cloth and then that's they would pick it up and they wouldmove it. Now let's move ahead in time about 400 years to the end of the period of thejudges in 1 Samuel. At that time there was a man named Eli. He was the high priest andduring this time the Israelites fought a battle against their arch enemies the Philistinesand they were defeated. The Philistines walloped the Israelites and they were like, "Oh whatare we going to do? What are we going to do? Wait no, let's go bring the Ark of the testimonyto us. Let's bring it into the camp with us thinking this will bring us victory." Andthey were instead defeated in a very great slaughter. And Eli's two sons they were killedand the Ark was captured by the Philistines and taken away. When Eli heard his sons weredead and the Ark was captured he fell backwards over on his chair and broke his neck and hedied. This had to be a terribly bleak time for Israel. Their God, their God was captured.They had no priests, they had no prophets and as yet they had no king. Their whole identityas a people has been overthrown in a day. Now the Philistines they took the Ark to thecity of Ashtad and they put it in the temple of their God named Dagon. And the statue ofDagon fell face down in front of the Ark. So they picked him back up and set him upagain. They come in the next day and this time the God Dagon has fallen over again but thistime his head is busted off and his hands are broken off. And something else happens.The Lord begins terrifying the people of Ashtad with plague and tumors and death. So the Philistinesand Ashtad they take the Ark to Gath, another Philistine city. And the people there alsosuffered from plague and tumors and death. So they pick it up and they move it againto the city of Ekron and guess what happens? The people there experience plague, sickness,death. And they go, "Okay, enough of this. Enough of this." They decide to return theArk to Israel after seven months of being afflicted by God. So the Philistines, theysay, "What do we do with this?" They put the Ark on a brand new cart and they hitch it totwo milking cows. And the cows, instead of trying to go back to be with their calves,their babies, they instead they go straight up to a place in Israel called Beth Shemesh.The Israelites at Beth Shemesh, they rejoiced to see the Ark returned. But when some ofthe men of Beth Shemesh apparently looked into the Ark, the Lord struck down 70 of them.So the people of Beth Shemesh asked the people in another town called Keryth Jerem,"Come and get the Ark from us." Which they did. So the men of Keryth Jerem brought the Ark to thehouse of a man named Abinadab. They consecrated his son Eliezer to oversee it. And the Arkremained there, the Bible says, for some 20 years. Now after David becomes king, you know,this is a period of time Saul was king, he is dead, Jonathan is dead, David has become king,he is now established in Jerusalem as his capital. And David's got this idea, he wants to bring theArk of God from Keryth Jerem to Jerusalem. So David gets all the commanders, all the priests,and the Levites together to get their concurrence with his idea. And now we pick up at our accountin Chronicles chapter 13. "Then let us bring again the Ark of our God to us," David says."For we did not seek it in the days of Saul. All the people agreed to do so, for the thing wasright in the eyes of all the people." So David assembled all Israel from the Nile of Egypt toLebohamed to bring the Ark of God from Keryth Jerem. And David and all Israel went up to Bala,that is Keryth Jerem, that belongs to Judah, to bring up from there the Ark of God, which iscalled by the name of the Lord who sits enthroned above the cherubim. And they carried the Ark ofGod on a new cart from the house of Abinadab. And Uzzah and Ohio were driving the cart. And Davidand all Israel were celebrating before God with all their might, with song and liars and harpsand tambourines and symbols and trumpets. So this is quite a procession, quite a big celebration.It brings us to our first point. Good intentions and enthusiasm don't equal true worship.There are some huge red flags in this account. As king, actually David's a prince really,because the Lord is still the true king. You know the Bible calls David King David?He's really a prince of the true king. But as King David wants God's presence near him.The Lord has established David and Jerusalem over Israel and to have the Ark of the Covenantnearby would really cement the relationship between God and the house of David.It was a shrewd religious and political move on David's part.But notice in this account David doesn't seek God's counsel about moving the Ark.David knew what he wanted. And he apparently expected God to bless this plan. It's a goodthing, right? Bring the Ark up to Jerusalem. I mean, after all God had blessed David up to this point.So David just gathers counselors around him to agree with him and they go off and they do justwhatever it is they want to do. And you notice the phrase, "The thing was right in the eyes of allthe people." If you're familiar with the book of Judges, you know there's flashing red lights andwarning sirens going off all over the place. The leaders of Israel may have all agreed,but if something is wrong, widespread agreement doesn't make it right.Not one of the priests, Sir Levite, seemed to have suggested consulting the Lordor the Law of Moses before doing this thing. And then to move the Ark, what do they do?They put it on a cart. "Oh, but it was a new cart," you say. "Well, let's should please the Lord,right? Look, Lord, Lord, Lord, look at this fancy set of wheels we got for you. Aren't you impressed?Finest Cedar from Lebanon. The problem is they're copying the Philistinesrather than consulting God or the Law of Moses." So they got the Ark all loaded up.They got a big procession, almost 30,000 people. Can you imagine? 30,000 people. That's 12,000 morepeople than fit in PPG Paints Arena, just for perspective. 30,000 people with David,and they're celebrating with all their might, and they're singing and praising with lots ofinstruments, the liars, the harps, castanets, cymbals, trumpets. They have every intentionof worshiping the Lord, and they're super enthused. And this is just all quite a spectacle. It looksimpressive. It sounds good, but they're more interested in putting it on a show than worshipingGod. It was more about their worship experience. It was more about what David wanted than worshipingthe Lord. It was more about what they perceived God would approve without confirming than it wasabout worshiping God as he commanded. And that's the core problem here. They're not worshiping theLord the way he commanded. They're not worshiping in truth. They don't even seem to have the slightestinterest in truth. Where? Where was the counsel of the high priest in the Levites? Where was prayerin the simple request, Lord, what do you want? Where are the coethites and the poles to carry theark above the heads of the people? Where is the reverence and the awe due to the Lord?Now, you can manufacture enthusiasm while singing. You know, that's why so many churches, they usethe lights and the fog and the beautiful moving images and the sonic walls of ear-popping soundsand drums and squealing singers gesturing wildly. It looks worshipy. It sounds worshipy. It probablyeven feels worshipy. Therefore, I must be worshiping God. Have you ever heard people say, "Oh, worshiptoday was great." I had a great worship experience. Have you ever said that? Who was it that made itthe worship great? The sonic boom or the truth of God? Did you sing songs about yourself or songsthat praise God's character, mercy, grace, and love? Were you pleased with yourself or did youplease your God by worshiping Him in truth? Now, some of you hearing this are probably congratulatingyourself right now. That's right, Sprunk. That's right. I agree with everything you've said.All that exuberance, it's all fake. It's all performance. I just don't see what all the fussis about. Why? That's why when they're singing going on, I just keep my cool. I keep my reserve.Well, good. If you're thinking along those lines, that's good because this next point is just for youbecause just as good intentions and enthusiasm don't equal true worship, it is perilous to worshipGod carelessly. Look at verse 9. "And when they came to the threshing floor of Chaitan, Azza put outhis hand to take hold of the ark for the oxen stumbled, and the anger of the Lord was kindledagainst Azza, and he struck him down because he put his hand to the ark, and he died there before God.And David was angry because the Lord had broken out against Azza, and that place is called ParisAzza to this day. And David was afraid of God that day, and he said, 'How can I bring the ark of Godhome to me?' So David did not take the ark home into the city of David, but took it aside to thehouse of Obed Edom the Getite. And the ark of God remained with the household of Obed Edom in hishouse three months, and the Lord blessed the household of Obed Edom and all that he had.And we may be shocked that God struck down Azza for touching the ark.I mean, can you imagine this procession of 30,000 people and boom, Azza's dead?Well, that would take the wind out of the celebration, wouldn't it?Try to think what that might have looked like. Well, if you were in Butler on July 18, 2024,and there was an assassination attempt, you probably know what it felt like.If you saw Charlie Kirk murdered, that's what it was like.But God struck Azza down, and you may think, 'Well, what's the big deal? Why did he do that?They were worshiping.' Well, we've seen there were multiple things wrong with the way Davidand the Israelites treated the ark of God. Number one, they copied the Philistines.They're worshiping like pagans, and pagans don't know the truth. They treated the Holy Lord, GodMost High, the Holy Lord of Israel, shabbily. They treated God like baggage in a wooden cart.They were careless and unconcerned whether their worship obeyed the truth or expressed the truth.And we know Israel had a history of careless, half-hearted worship.We saw that in the Book of Judges, the people after they were settled in the land,they became idolatrous and careless in their worship. They served other gods, and they treated the arkas if it was some sort of good luck charm, a lucky rabbit's foot.They had no qualms about taking the ark from the Holy of Holies and carrying it around whereverthey liked. 'Take it down to the battle,' they said. 'God will fight for us,' they said.'You've got another thing coming,' God said. And everything was lost because of their insolence.The Philistines, they thought they had completely defeated the Israelites.'We've captured Israel's God,' they said.'We'll put him in the temple of our God, Dagon, and he'll worship our God,' they said.'You've got another thing coming,' God said. For their insolence, God busted up Dagon andafflicted the Philistines with sickness and death until they sent the ark back to Israelite territory.And after the ark returned to Israel's territory, the people of Beth Shemeshwanted to get a look at the most holy thing in the nation.They treated the ark like a curiosity, as something that they were consecrated and qualifiedto look at. 'Oh, God has returned to us,' they said. 'Let's sacrifice the cows and worship,' they said.'Let's look inside,' they said. 'You've got another thing coming,' God said.And seventy men of Beth Shemesh were struck down for their insolence.And then twenty years after the ark was moved to Curious Gerum, David proposes to bring the arkto Jerusalem. 'God's established me as king over Israel,' he said. 'It's right in our own eyes tobring the ark to Jerusalem,' they said. 'Let's put it on a new cart,' like the Philistines did,they said. 'Let's worship and celebrate with all our might and loud instruments,' they said.'You've got another thing coming,' God said. And as it was struck down for the people's insolence,you see, David and the priests and the Israelites treated God with contempt, and God said, 'Enough.'And David was rightly afraid of God, but no, he was also angry. But it was a self-pityinganger. David was angry because he didn't get his way. He was angry like Cain when God rejectedCain's act of self-centered worship. Angry like someone who knows he hasn't done his best,he hasn't done something right, but he wants approval anyway. But God is not mocked. God wasnot going to allow David and the priests to disobey his commands and still claim that they wereworshiping him properly. We should see that it is perilous to worship God carelessly.David had to learn, and although the text doesn't say, perhaps he repented of his irreverent worship.He was, after all, a man after God's own heart. And when he heard that Obed Edom was blessedby God, he realized it was possible to bring the ark to Jerusalem. But he had to do it the right way.So turn your head to 1 Chronicles 15. We're going to look at verses 11 through 15.Then David summoned the priests Zadok and Abayathar and the Levites, Uriel, Asiah, Joel,Shamiah, Eliel and Abinadab, and said to them, "You are the heads of the Father's houses of the Levites.Consecrate yourselves, you and your brothers, so that you may bring up the ark of the Lord,the God of Israel, to the place I have prepared for it. Because you did not carry it the first timethe Lord our God broke out against us, because we did not seek him according to the rule."So the priests and the Levites consecrated themselves to bring up the ark of the Lord,the God of Israel. And the Levites carried the ark of God on their shoulders with the poles,as Moses had commanded according to the word of the Lord.This time David does it the right way. The priests consecrate themselves. They preparethrough sacrifice and washing and abstaining from anything that would make them ritually unclean.Each one got himself ready for worship. They follow the Lord's command when they carry the ark.They lift up the ark and they revere the Lord as holy in the sight of all the people.In short, they now worship according to the word of the Lord. And the Lord showed he was pleasedwith their reverence by allowing David to finally bring the ark to Jerusalem.Likewise, when we worship the Lord in truth and according to his command, he is pleased.All right, so you've been listening intently to all of this. You've been maybe taking some notesand you understand good intentions and enthusiasm don't necessarily equal true worship.You recognize it's perilous to worship God carelessly. You may even be persuaded that you needto worship the Lord in truth. But how? How do we do this? And what does that even look like?Well, we worship in truth when we worship God who is with us.When I was preparing this sermon, I recall seeing a series of memes a few years ago thatcontrasted an event or thing that was brutal with another thing or event that was epic.So I asked some folks familiar with cutting edge technology, cutting edge social media,you know, like MySpace and Vine and Friendster. Did you guys remember those memes?And they're like, no, we I don't remember that at all. And I'm like, well, aren't you people onparlor? Well, anyway, anyway, I know, I know I did not imagine those memes that juxtapose brutaland epic themes. Now, have you have you ever encountered a brutal or brute factthat has set or altered your plans, perhaps altered the trajectory of your life?You know, brute facts are hard, unalterable truths and incurable illness being laid offand debilitating injury. Now, not all brute facts are so dramatic, but we have to reckonwith them. We must adapt and come to terms with them.When I was in 10th grade, I had the ambition to row in college. And one day, the University ofWashington's head coach visited our school. The University of Washington has one of the premierrowing programs, collegiate programs in the country. And their head coach came to our school afterour men's heavyweight four won the American Schoolboy Championship. Now, I wasn't in that boat,but I was pretty excited about this coach's visit. And I was standing in the hallway and he shook myhand and they nice to meet you. And the brute fact was brought home to me that his interest was inOrsman, who were five foot 10 and taller. I had to face the brute fact that I was too short to rowfor any college program. I still am. Now, now that might seem like a silly example, but our livesare filled with inalterable facts. They are the truths we must face. Our intellectual and physicalcharacteristics can only be changed so much. Some of our earlier poor choices in life may have hadconsequences for the rest of our life. Choices or decisions made by others may affect our careers,our health, our relationships. All of us must face a variety of inconsequential to life alteringbrutal facts. But there is one glorious fact so enormous in its scope, so epic in its immeasurableproportions that all the brute facts of our lives pale in comparison. There is an epic truth thatought to completely transform how we think, how we live, and yes, how we worship. It is quite simplythis. If you have trusted Jesus Christ for salvation, he abides in you. Christ in you is your hope ofglory. It is very simple. I repent, I believe in Jesus, and now I possess Jesus. Now, recall fromthe introduction of this message that when God wanted to dwell with his chosen people, he did sothrough the Ark of the Covenant. That simple box containing two tablets of the law and placed inthe most holy place was how God chose to tabernacle with and dwell with and be with his people.John chapter one verse 14 tells us the word became flesh and dwelt among us.The word translated dwelt there is literally tabernacle. Jesus tabernacled among us. Jesuswas the most holy place, the holy of holies in the flesh walking among his people.The world's religious systems have nothing like this. We understand God is absolute power,but yet he's personal. Islam has an absolute God in Allah, but he is in no way personal to his people.Zeus and the variety of Greek and Roman gods, they were personal. They looked very human,but not a single one of them had absolute power.Christianity is unique in the fact that the absolute sovereign of the universehumbly dwells with us in a personal way. There is no other religion, no other systemthat compares with, comes close to the way of Christ.Now you might say, well, he's not tabernacling or dwelling with us now, is he?I mean, even the most ardent followers of Christ can get a bit muddled in their thinking aboutJesus' present location. I mean, I thought he ascended to heaven. He's at the right hand ofGod the Father. Well, he did. He is there. But if you stop there, you may tend to think that Jesusis far away from us. You might think he's like a regional supervisor in a big corporation.He's given us a list of commands to follow. We got to check off our list to make sure we're good.And, you know, he checks in occasionally to see how we're doing. And, you know, he approves orcritiques our performance. We have weekly meetings, right? Every Sunday we have weekly meetings.We get a message from headquarters. We have a musical pep rally. And then we get on with our week.Well, if you think in any way like that about Jesus, you are mistaken. Jesus is not limitedby time or space or location. When you think that way about worshiping Jesus, you neglect this greattruth from John chapter 14 verses 16 through 18. Jesus told his disciples, "I will ask the Father,and he will give you another helper to be with you forever, even the spirit of truth whom the worldcannot receive because it neither sees him nor knows him. You know him, for he dwells with youand will be in you. I will not leave you as orphans. I will come to you."So, where is Jesus? Yes, at the right hand of the Father and present in everyone who believes inhim through the Holy Spirit. First Corinthians reinforces this truth. Look at verse 16 inchapter 3. "Do you not know that you are God's temple and that God's spirit dwells in you?"And then chapter 6 verses 19 and 20. "Do you not know that your body is a temple of the Holy Spiritwithin you whom you have from God? You are not your own. You were bought with a price,so glorify God in your body." The Greek word translated as temple in these verses is naos,and AOS, naos. And it refers to the most holy place, the holy of holies, where the ark was kept.You see, beloved, we are living, breathing portable tabernacles, holy places in whom Christabides. And the law is now written on our hearts instead of stone tablets. We must embrace thistruth and worship in it and out of it and through it. The Spirit of Christ in youought to be calling out to the Father and worshiping him in truth. This awesome, glorious,almighty, inipotent Creator and Master of the heavens and earth humbly dwells with youand makes you his friend. Jesus promises to abide in us and he calls us to come and abide in him.What is your response? Maybe you're hearing this truth for the first time and you're overjoyedby this jaw-dropping reality and you're ready to praise him in song right now.Or maybe you've just considered this in passing, but you think that holy spirit stuff,isn't that for the charismatic? And I don't feel, I don't feel the Spirit of God dwelling in me.It's not about feeling. The Spirit of God in dwelling all believers is presented as a statementof fact. It is true of all believers. Look again at 1 Corinthians chapter 6, 19 and 20.Do you not know your body is a temple of the Holy Spirit within you, not outside of you?We don't have to ask him to come and visit us in this place. We don't have to ask him to fall onus or anything like that. He is always with us in us. You're not your own. You were bought with a price.So glorify God in your body. This is not some charismatic mumbo jumbo. You don't need a secondbaptism. You don't need an infilling of the Holy Spirit because when you heard the word of truth,the gospel of your salvation and you believed in Jesus, you were sealed with the promised HolySpirit. You have all the fullness of Christ in you right now. You have all of him that you couldever need. All of us together being built up into a holy temple have all the fullness of Christ in us.Everything that is his, his ours already, you don't need more of him. He simply wants more of you.Every day he calls you to abide more deeply in him. Here's the problem.Some, maybe many of you don't live in this truth and you don't worship out of it.Maybe it's because you're just learning about it. Maybe it's because you don't understand the scopeof this epic truth yet. But it would be really, really bad if you understood this truth.And up to this point in time, you've been careless about it.You know, it's okay if I'm habitually late to worship. I don't feel like singing anyway, you say.You hang out in the kitchen area and you chit chat with friends because fellowship is more importantthan singing, you say. When you are present, your hands are in your pockets, your arms are crossed,you won't open your mouth to sing. God knows I can't sing. He doesn't expect it, you say.It's my choice whether I sing, even if the Lord commands it, you say.You, you may have another thing coming. You treat God shabbily and carelessly. You don'tvalue or appreciate the truth that he dwells in you. Instead, you act like he's remote anddisinterested. Instead of deep calling out to deep, you quench the spirit and you instantlybehave in a way that's right in your own eyes with such worship. God is not pleased and you aretesting his patience. Repent, repent right now and every day this week for treating the Lord JesusChrist with contempt, repent and earnestly seek his face. Here is your assignment this week. Readand reread John 14 verses 15 through 23 and then get flat on your face and ask him to reveal bothin your heart and your mind the truth that he dwells with you. Ask him to help you to liveand praise out of the truth that you are his tabernacle. He delights to dwell with youand he delights to hear you sing his praises. Now the worship team is going to come back upand help us to worship the Lord in truth. Singing his praise is of the utmost importance to him.Right now, you have the opportunity to praise the Lord in truth. Right now, make every effort toget yourself to the throne of grace with your brothers and sisters and glorify your father andyour savior in truth. Because if you didn't know it before today, you do now. You were redeemedto worship and glorify him. It is your purpose and privilege to worship God who is with us.Our closing prayer this morning is from Psalm 98. Oh, sing to the Lord a new song for he has donemarvelous things. His right hand and his holy arm have worked salvation for him. The Lord has madeknown his salvation. He has revealed his righteousness in the sight of the nations. He has rememberedhis steadfast love and faithfulness to the house of Israel. All the ends of the earth have seenthe salvation of our God. Make a joyful noise to the Lord all the earth. Break forth into joya song and sing praises. Sing praises to the Lord with the lyre, with the lyre and the sound of melody,with trumpets and the sound of the horn. Make a joyful noise before the King, the Lord. Amen.

Brittany welcomes longtime friend and celebrity DJ Lindsay Luv for a hilarious, jaw-dropping trip through her wild career — from DJing the Victoria's Secret Fashion Show in Paris and spinning at the Playboy Mansion, to unforgettable nights in Dubai, celebrity run-ins, the nicest (and rudest!) stars she's met, and the girls' Vegas trip that turned into a manifestation moment. They reminisce about MySpace days, backstage chaos, and what really happens behind the DJ booth when the party goes off.Please support the show by checking out our sponsors!Quince: Go to Quince.com/realityhits for free shipping on your order and 365 day returns.Apretude: Bring your A-game and talk to your doctor. Learn more at APRETUDE.com or call 1-888-240-0340.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Episode 169.2: Constitutional Convention, Skydiving Accidents, Nude Skydiving, Narco Subs, Princess Leia Slave Bikini, MySpace, Deaths, and 1693 Cask Strength Bourbon

A Note from James:One of my favorite conversations on this show was with Peter Thiel. Yes—PayPal, Facebook, Palantir, and a dozen other hits. I first ran this episode years ago, and the advice still holds up. The same stories, the same frameworks—and the same challenge to think from first principles. Here's Peter Thiel, one of the most influential entrepreneurs of our time. Episode Description:In this redux, James pressure-tests the core ideas from Peter Thiel's Zero to One—why competition is for losers, how real monopolies are built, and why starting “narrow” is often the only path to something huge. They cover Facebook's early moat (real identity), PayPal's network-effect wedge on eBay, and the “10x or nothing” bar for proprietary technology. Peter shares a contrarian read on bubbles, why biotech's slump may be opportunity, and how to hire, divide roles, and keep teams from fighting. The through-line: seek secrets, combine disciplines, and make something so different that it becomes its own category. What You'll Learn:How to pick markets the Zero to One way: start with a “small, winnable monopoly,” then expand in concentric circles. The four classic moats—and which to favor first: proprietary tech, network effects, economies of scale, and brand (with a bias toward real tech). A practical rule for virality vs. network effects: growth is a tactic; enduring value comes from the network that forms once users arrive. Team design that prevents internal warfare: make roles uniquely owned; if two people own the same thing, you're paying for a fight. How to hunt “secrets”: believe they exist, look where consensus is stale, and borrow from adjacent fields to see what specialists miss. Timestamped Chapters:[02:00] A Note from James — Why this conversation still ranks among the best. [03:00] Zero to One, in one line — “Do something new, different, fresh, strange.” [05:17] Competition vs. Capitalism — Why perfect competition kills profits; aim for uniqueness. [07:28] Facebook's original edge — Real identity as the breakthrough vs. MySpace's alt-persona culture. [09:14] Bits vs. Atoms — Stagnation outside software and how biology could become an information science. [12:05] Personality and perseverance — Why mild contrarian wiring helps founders ignore status games. [15:21] “10x or nothing” — The technology and/or experience must be an order of magnitude better. [17:00] Monopoly thinking, ethically done — Create abundance by creating something truly new. [23:30] The PayPal pre-history — Why long-running trust among teammates births more companies. [30:10] Early Facebook investment logic — College-only looked “small,” which was exactly the point. [32:03] Turning down $1B — The boardroom debate, optionality, and founder conviction. [36:23] Moats in practice — Picking the right advantage (and why brand alone is shaky). [37:06] Network effects ≠ virality — How value compounds after growth. [39:54] PayPal's wedge — eBay power-sellers and the $10 incentive as a growth accelerant. [41:22] Beware the “Chinese refrigerator” TAM slide — Start small, win big. [42:01] Uber vs. Airbnb — Investor bias and why some models get over- or undervalued. [44:18] Bubbles and the public — What changes across tech, housing, and today's “government bubble.” [48:00] War on cash & credit — Why Peter favors unlevered, opaque innovation over fixed income. [51:10] Biotech headwinds (and upside) — Regulation, Eroom's Law, and why sentiment can misprice breakthroughs. [53:50] Secrets — If you assume they exist, you'll be the one to find them. [57:56] Interdisciplinary bets — CS × biology; CS × transportation; why university silos miss the action. [59:51] Silicon Valley on HBO — The “Peter Gregory” caricature and what the show gets right. Additional Resources:Zero to One: Notes on Startups, or How to Build the Future (book) — Amazon hardcover. AmazonFounders Fund — Peter Thiel profile (bio & portfolio highlights). Founders Fund“PayPal Mafia” overview (alumni companies: YouTube, Yelp, LinkedIn, Tesla, SpaceX, Palantir, Yammer). WikipediaYahoo's 2006 $1B offer for Facebook (background reporting). Business InsiderEroom's Law (pharma R&D productivity; Nature Reviews Drug Discovery). NatureSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

A theme that's dominated 2025 for me (and for many) has been price rises across many subscription-based platforms and services. My correspondence with companies has made clear that loyalty stands for very little. In fact, rather than being rewarded, longevity is increasingly exploited and monetised. In this episode of The Gentle Rebel Podcast, I share a year-in-review through the lens of price rises. The tipping point was an email from my podcast hosting company, Libsyn, announcing a 71 percent increase effective from January. It was the straw that broke this camel's back after a year of similar moves elsewhere. In the episode, I share exchanges with three companies that reveal how loyalty is no longer valued in itself, but engineered to extract profit from those of us who've become reliant on these platforms. https://youtu.be/qrmUSdGwcMs A Symptom of Enshittification Cory Doctorow describes the underlying trend as “Enshittification”, a form of platform decay visible in companies like Facebook, Amazon, Google, Apple, and Adobe. It's not a glitch, but a feature. Doctorow traces a familiar arc: platforms start by serving users well in order to grow. Once established, they pivot toward business customers, monetisation, and scale. Eventually, when users and businesses are sufficiently locked in, services are degraded for everyone so maximum value can be pulled out as quickly as possible. Disproportionate price rises are one symptom of this process, particularly in how companies treat long-standing customers. Lock-in is maintained through network effects (it's hard to leave when everyone else is still there), non-transferable data (your work can't easily be exported), and digital restrictions where purchases only function inside a single ecosystem. Music, books, films, and software are “owned” only as long as the platform allows it. In the name of convenience, we give ourselves over to these systems and become dependent on them. As the digital and physical worlds converge, this logic extends beyond apps and websites into cars, home devices, utilities, and infrastructure. At that point, this stops being a simple matter of consumer choice. Extraction is baked into the products themselves. We are quietly acclimatising to this new normal. It has crept in through corporate consolidation, weak enforcement of anti-trust legislation, and business models that no longer need to meaningfully consider customer relationships once a certain scale is reached. Abusing Trust, Need, and Loyalty Charlie Brooker has cited Enshittification as an influence on Common People, the opening episode of Black Mirror series seven. A couple sign up to a subscription-based medical intervention that escalates in cost, complexity, and dependency. Features are removed. Adverts are inserted. The stakes become existential. One particularly chilling moment sees Mike literally mutilating his own body for money via an OnlyFans-style platform, a stark symbolic image of how value is extracted from people once dependency is established. Price Rises for a “Valued Customer” Libsyn informed me they were raising the price of hosting A Quiet Night Inside No 9 by 71 percent. The justification was a familiar list of added features and growth opportunities, none of which were relevant to how we use the service. We don't want adverts or growth tools. We want reliable hosting and delivery. This exchange highlighted how much podcasting has changed since I joined Libsyn in 2009. Hosting platforms have increasingly positioned themselves as intermediaries between advertisers and podcasters. That relationship now takes precedence. Advertising is framed as a benefit to creators, while enabling hosts to raise prices and skim revenue from both usage fees and ad sales. Listeners, meanwhile, absorb longer ad breaks as the new normal. Is this stage two of Enshittification in the podcasting world? Note, I pledge never to put adverts on my audio podcasts. YouTube is the only exception, because Google inserts them regardless. ConvertKit and Paying for Features I Don't Want A similar logic played out with Kit, formerly ConvertKit. I chose it in 2016 because it was simple and reliable and have been a loyal user ever since. A price increase from $49 to $59 a month was justified by new automations and tools I didn't ask for or use. There is no way to opt out and pay less. The only concession offered was annual billing, which I pointed out mirrors poverty-tax logic: those without upfront capital pay more. Symptoms of a Failing Service Vimeo was the clearest example of platform decay from the inside. Storage rules changed midstream. Long-held assumptions were invalidated. Downgrading meant losing access to years of work. Retention efforts amounted to one-off discounts rather than meaningful alternatives. What stood out wasn't hostility, but indifference. Once a service reaches a certain size, individual relationships no longer seem to matter. Their response felt so extreme that I suspected deeper problems, which seemed to be confirmed when Bending Spoons acquired Vimeo in November. I'm glad I left when I did, though it's still inconvenient clearing up broken links and legacy embeds after fifteen years of use. WishList Member and a Different Choice Not all companies operate this way. WishList Member has honoured the price and feature set I signed up for over a decade ago. While new tiers exist, functionality hasn't been removed to force upgrades. This appears to be a deliberate choice, and it communicates something simple: long-term trust and loyalty matters more than short-term extraction. I’ll let you know if this situation changes… Growth Logic and the Limits of Choice It's tempting to frame all this as a moral failure, but it's structural. Growth-at-all-costs logic makes price rises, feature bloat, and lock-in almost inevitable. These companies aren't malfunctioning; they're functioning exactly as the system encourages them to. This also makes it risky to romanticise alternatives. Newer companies may simply be at an earlier stage of the same cycle. Google once promised “don't be evil”. Facebook positioned itself as a less invasive alternative to MySpace. Scale changes incentives. Meaningful change won’t come from individual consumer choices alone. Competition has been hollowed out, and escape routes are increasingly narrow. Doctorow provides a section of existing and potential solutions that can give us reasons for active hope. Have you felt the pinch of price hikes this year? Feel free to get in touch and share your experiences.

Austin Armstrong is a 20+ year social media marketing veteran who started on MySpace at 14 and has since built a successful agency and AI-powered software company, Syllaby. He's also the author of Virality, a book distilling two decades of wins, losses, and experiments into a practical playbook for turning attention into income.​ On this episode we talk about: How Austin stumbled into social media marketing as a teenager on MySpace and turned it into real income.​ Why mentorship, agency life, and eventually software shaped how he thinks about content and business.​ The volume vs. quality debate and how to systematically “test” content topics, formats, and platforms.​ How to use AI to speed up ideation, scripting, and production without creating generic “AI slop.”​ Why entrepreneurs should treat content as a growth channel for their business, not their entire business.​ Top 3 Takeaways Consistent volume matters, but it must be paired with strategic testing—categories, formats, and topics—so you can double down on what actually performs instead of blindly posting.​ AI should be used to buy back time (ideation, drafting, B‑roll, scheduling), not to fully replace your voice or expertise with regurgitated content that audiences and platforms are starting to reject.​ The real money is made when you connect content to a clear backend offer, system, or product—views are leverage, but they only pay if they point to a business.​ Notable Quotes "You're not going to science the hell out of this—the only way to keep getting hits is to increase volume, maintain quality, and keep publishing."​ "There are seasons of growth and seasons of learning; when what used to work stops working, it's time to experiment, not quit."​ "AI shouldn't be an excuse to ship more garbage—it should make you more productive at the parts of the process you already understand."​ Connect with Austin Armstrong: Instagram: https://www.instagram.com/socialtypro Purchase a copy of his book: https://www.amazon.com/dp/B0FSTK8QNB ✖️✖️✖️✖️

Cody's "Myspace top eight" RETURNS! ---------- TalkSports is LIVE Weekdays from 8-11 a.m. on Fox Sports Knoxville/ Fanrun Radio. Check Out our Socials: "@FOXSportsKnox" on Twitter/X, "FanrunSports" on Instagram and Youtube Jon- @Jon__Reed on "X" Cody- @Cody__McClure on "X" Sam- @_beard11 on "X" Bubba- @BrandonShown on "X"

In September 2005, 17-year-old college freshman Taylor Behl left her dorm at Virginia Commonwealth University for a short late-night drive—and never returned. What began as a routine missing-person report quickly spiraled into a massive search effort that drew national attention and exposed a disturbing web of relationships, manipulation, and obsession.In this episode of Lurk, we retrace Taylor's final hours, the frantic investigation that followed, and the unexpected suspect who had been hiding in plain sight. From downtown Richmond to the quiet backroads of Mathews County, we follow the trail that ultimately led to the heartbreaking discovery of Taylor's body—and the truth behind her murder.Join us as we explore:Taylor Behl's life and first weeks at VCUHer sudden disappearance and the initial responseThe digital clues and MySpace connections that shaped the investigationThe eerie behavior of amateur photographer Benjamin FawleyHow search teams uncovered the location of Taylor's remainsThe case's resolution and the legal aftermathThis is the story of a promising young woman whose life was stolen—and of the dogged investigators, family members, and volunteers who refused to stop searching.Listener discretion is advised.Subscribe & Follow:Don't miss future episodes of Lurk! Follow us on Spotify Apple Podcasts etc. and hit that subscribe button.Join the conversation: Follow us on social media for updates, discussions, and to share your thoughts on this case.Lurk on FacebookLurk on TwitterLurk on InstagramWe have a new Facebook Group join in the discussion! Lurk Podcast Facebook GroupNew Merch Store!We are also now found on YouTube- Lurk on YouTubeBackground Music Royalty and Copyright Free MusicIntro and Outro music purchased through  AudioJunglewith Music Broadcast License (1 Million)Send us a textSupport the show

A Classic RISK! episode from our early years that first ran in September of 2013, when Amanda Egge and Nayland Blake shared stories about reconciling their own desires with the desires of others.

Some connections never really fade—no matter how much time, distance, or real life gets in the way. A woman reaches out to someone she vaguely remembers from childhood… and ends up reconnecting with a person who feels strangely familiar in all the ways that matter. Late-night phone calls turn into emotional lifelines. Friendship starts to blur at the edges. She moves on, starts a family, begins the next chapter. He tries to do the same—but finds himself trapped in a relationship that's slowly destroying him. And when she finally sets a boundary to protect her own life, she never expects it to be the last time she'll ever hear his voice. But guilt has a way of twisting itself into blame… until she opens something she hasn't looked at in years: his old MySpace page. What happens in that moment feels less like nostalgia—and more like a message she didn't know she still needed. #RealGhostStoriesOnline #HauntedMemories #EmotionalHauntings #UnfinishedGoodbyes #ParanormalComfort #SpiritsAmongUs #BeyondTheVeil #LostConnections #TrueParanormal #GhostStoryPodcast  Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

In this episode, we talk about Elias Canetti's 1960 book Crowds and Power. Equal parts political theory, poetic sociology, and speculative anthropology, this staggering work explores human social life through an increasingly elaborate series of reflections on the nature of crowds. The result is a fascinating typology of different kinds of crowds in which human beings cast off their individuality for the sake of equality and directed collective action: there are baiting crowds, feast crowds, prohibition crowds… Does a lynch mob follow a logic analogous to that of the viewing public in a world of mass media, a gathering of dancers attuned to the rhythms of the others, or those brought before the host of the invisible dead? What does it mean for the general strike that we fear the touch of others, until it's the thing we desire most? It's pretty wild stuff, and we find plenty of insights to pull out and play with.This is just a short teaser of the full episode. To hear the rest, please subscribe to us on Patreon:patreon.com/leftofphilosophyReferences:Elias Canetti, Crowds and Power, trans. Carol Stewart (New York: Farrar, Straus and Giroux, 1984).Music:“Vintage Memories” by Schematist | schematist.bandcamp.com“My Space” by Overu | https://get.slip.stream/KqmvAN

For Ad Free shows go to:www.patreon.com/dopeypodcastDave kicks off the first-ever Wednesday Dose of Dopey talking about post-Thanksgiving food insanity, a brownie-topped cheesecake Linda brought home, and his evolving stance on cheesecake as a “real” dessert. He updates the Dopey Nation on the Dopey Fitness Challenge, his failed attempt at jogging with his dog Winnie that ends with him eating pavement, ripping his pants, smacking the dog in frustration, and then feeling guilty about it all week. Dave reads an email from Haley in Mississippi, who loved the Glenis and Billy Strings episodes and promises heavy dopey stories from homelessness, prison, and IV meth. He begs for more voicemails and then plays a chunk of Miles Davis's autobiography, where Miles describes sliding from snorting heroin into shooting it, realizing he has a habit, and sinking into a four-year “horror show” of heroin and cocaine in New York.Then Dave introduces Naughty God (Dakota), a heavily tattooed Instagram/TikTok/YouTube creator who built a big following rating nod videos “sportscaster-style.” Dakota tells his story: growing up between a sweet, young mom and a meth-addicted dad, starting drugs at 13 by snorting random pain pills he found in a friend's brother's room, and becoming the classic weed-identity kid with a pot-leaf MySpace. He forms the band LAW with his friend Jacob Nowell (Bradley Nowell's son, who now sings for Sublime), and they grow up playing shows in San Diego and Long Beach while having access to grown-up levels of partying. Dakota falls in love with cocaine in his mid-teens, then with speed, and his using gets him kicked out of LAW when Jacob gets sober and can't handle him showing up high to everything.After moving to Orange County, Dakota dives into selling and using coke in San Clemente, then adds Oxy 30s (“blues”), fentanyl pills, and heroin to his daily rotation. He and his tight crew—especially his best friend Robert—live in a constant loop of dealing, partying, and using. Over two months, Robert, Dakota's cousin, and three other friends all die from fentanyl. The losses break him: he has a mental breakdown, calls his grandma, and checks himself into a San Diego hospital detox, where he's put on 100mg of methadone and spends years on the clinic grind.Dakota talks about being on methadone for four–five years, barely using anything else, then deciding—with help from a therapist—that he'll never fully turn a corner if he stays on it forever. He tapers himself from 100mg down to 4mg over about a year, jumps off, and goes through a long, foggy, uncomfortable withdrawal. He's now about a year and a half off methadone, occasionally smokes weed, sees a therapist, plays bass in his band Somehow Unseen, and works on content. He and Dave riff on nodding (“my whole life”), nod techniques, fentanyl's short “legs,” and the economics of why heroin likely won't “come back” in a big way.Dakota explains how he built NaughtyGod into a fast-growing account by structuring it like a recurring “show” and inventing/collecting phrases like “Charm City Rainbow,” “Nodwalk Shuffle,” “Baltimore Street Yoga,” “Sheriff of Nottingham” to describe different nod poses. They talk about Instagram flagging and banning drug content, other junkie meme/recovery pages, and how both of them accidentally stumbled into helping people through content that started out as pure jokes and self-centered ambition. They agree to collab on a nod reel, and Dakota shouts out his band and pages.All that and more on a brand new WEDNESDAY Episode of the good old dopey show! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today's guest is the producer behind some of the biggest songs of the last 15 years — from “Wrecking Ball,” “Timber,” and “Dark Horse” to early records with The Weeknd and Britney Spears.From teaching himself production on cracked software and vinyl turntables… to going on a run of genre-defining hits.And the writer is… Cirkut!In this episode, he opens up about his early grind, the moment Britney cut his beat, his first sessions in LA, working alongside Max Martin and Dr. Luke, and the mindset that helped him go from unknown kid with an MPC to one of the most important producers in modern pop.A special thank you to our sponsors...Our lead sponsor, NMPA aka the National Music Publisher's Association. Your support means the world to us!And @splice -- the best sample library on the market, period.00:00 — Intro: Who is Cirkut?00:04:37 — Early music influences: hip-hop, DJ culture00:05:49 — Discovering DJ gear & beat manipulation00:07:55 — First exposure to FruityLoops & early production00:10:24 — DJ'ing pep rallies with vinyl00:12:36 — Applying early skills later for Lady Gaga00:14:14 — Skipping audio classes to make beats00:16:46 — Early Drake encounter in Toronto00:18:40 — How the name “Cirkut” was born00:21:35 — How a CD of his beats got to Britney Spears00:22:10 — First big cut: Britney's “Papi”00:23:01 — Discovering electronic music & the blog era00:23:49 — Learning from Masterkraft (the MySpace era)00:33:00 — Working with The Weeknd on “High For This”00:33:57 — Recognizing Abel's early greatness00:35:06 — Moving to LA & hustling through the rat race00:38:49 — What finally got him out of the rat race00:39:33 — The call from Dr. Luke00:41:11 — The Flo Rida / Levels / Good Feeling near-miss00:42:37 — Losing a big cut overnight00:43:19 — When the hits start stacking: “Where Have You Been,” “Wrecking Ball,” “Timber”00:44:48 — The thing he brought that cut through the noise00:47:18 — What it's like creating with Max Martin00:49:36 — Winning Producer of the Year (Junos)00:50:17 — When Cirkut realized he belonged at the top00:52:04 — Why his ego is different00:53:15 — His quiet superpower in the roomHosted by Ross GolanProduced by Joe London and Jad SaadWatercolor by Michael White Hosted on Acast. See acast.com/privacy for more information.

What if the most dreaded part of your customer's journey: the return, was actually your biggest untapped opportunity for growth?Agility requires brands to re-examine every part of the customer journey, especially the challenging post-purchase phase, and find hidden opportunities to adapt and strengthen customer relationships. It demands we turn operational liabilities into strategic assets. Today, we're going to talk about something that many retailers see as a pure cost center: customer returns. Instead, we'll explore how a smart, data-driven post-purchase strategy can actually become a powerful engine for customer retention and lifetime value. We'll look at the data trends shaping retail, how to navigate the complex pressures on merchants today, and why this often-overlooked part of the business might be the key to unlocking future growth. Joining me to discuss this is Laura Huddle, CRO at Seel. This show is sponsored by Seel, the AI-powered post-purchase platform that helps retailers turn returns into revenue while giving shoppers a more seamless, trusted experience. For more information, go to ⁠www.seel.com⁠. About Laura Huddle Laura Huddle is the CRO of Seel, a Lightspeed Ventures and Foundation Capital backed startup that is creating the next generation e-commerce insurance experience. Previously, she led world-class sales, marketing, and account management teams across the globe at tech industry disruptors Eventbrite's (NYSE: EB), Deliveroo (LSE: ROO), Smartcar (a16z, NEA, Energize Capital) and Belong . She was one of the first employees at Eventbrite and was a lot of "firsts": first product manager, first product marketer, first category marketer, first Head of APAC Sales, etc. In addition, she taught product management at UC Berkeley, founded her own consultancy, and helped grow Myspace into the world's most popular website.,Yes,This will be completed shortly Laura Huddle on LinkedIn: https://www.linkedin.com/in/laurahuddle/ Resources Learn more about Seel: https://www.seel.com Catch the future of e-commerce at eTail Palm Springs, Feb 23-26 in Palm Springs, CA. Go here for more details: https://etailwest.wbresearch.com/ Connect with Greg on LinkedIn: https://www.linkedin.com/in/gregkihlstrom Don't miss a thing: get the latest episodes, sign up for our newsletter and more: https://www.theagilebrand.show Check out The Agile Brand Guide website with articles, insights, and Martechipedia, the wiki for marketing technology: https://www.agilebrandguide.com The Agile Brand is produced by Missing Link—a Latina-owned strategy-driven, creatively fueled production co-op. From ideation to creation, they craft human connections through intelligent, engaging and informative content. https://www.missinglink.company

Dave and Chuck the Freak talk about Chuck's anal issues, Play With Dad Day, the worst day to go Thanksgiving shopping, MySpace had a chance to buy Facebook, emailer made Dave a Make America Tall Again bumper sticker, emailer loves going down during that time of the month, using garlic extract as mouth wash, woman hit cop with car, preparations for busiest travel day in a decade, firefighter busted clocking in for shifts he wasn't working, 350 gallons of oil pumped into basement, guy bought vehicle new from dealership to find out it had an accident, oldest bus driver in the world, Dave declares his love for coffee, Chauncey Billups in court, Tennessee super fan finally got Manning autograph, Donald Glover had a stroke, Tara Reid spotted passed out in wheel chair at Chicago bar, movie about Stallone, woman pepper-sprayed boat at San Antonio River Walk, postal worker stabbed guy looking for his mail, video of valet worker taking car for joyride, man caught recording up-skirt videos, wife turned husband in for bathroom peep hole, most feet-obsessed states, have you encountered a foot fetish person?, man impersonated dead mother like Mrs. Doubtfire, suspect robbed restaurant, kid threw birthday party and 500 people showed up, foods we would ban from Thanksgiving, body odor's link to intimidation, whiskey fragrance, woman covering house with rhinestones for Christmas, and more!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Dave and Chuck the Freak talk about Chuck’s anal issues, Play With Dad Day, the worst day to go Thanksgiving shopping, MySpace had a chance to buy Facebook, emailer made Dave a Make America Tall Again bumper sticker, emailer loves going down during that time of the month, using garlic extract as mouth wash, woman hit cop with car, preparations for busiest travel day in a decade, firefighter busted clocking in for shifts he wasn’t working, 350 gallons of oil pumped into basement, guy bought vehicle new from dealership to find out it had an accident, oldest bus driver in the world, Dave declares his love for coffee, Chauncey Billups in court, Tennessee super fan finally got Manning autograph, Donald Glover had a stroke, Tara Reid spotted passed out in wheel chair at Chicago bar, movie about Stallone, woman pepper-sprayed boat at San Antonio River Walk, postal worker stabbed guy looking for his mail, video of valet worker taking car for joyride, man caught recording up-skirt videos, wife turned husband in for bathroom peep hole, most feet-obsessed states, have you encountered a foot fetish person?, man impersonated dead mother like Mrs. Doubtfire, suspect robbed restaurant, kid threw birthday party and 500 people showed up, foods we would ban from Thanksgiving, body odor’s link to intimidation, whiskey fragrance, woman covering house with rhinestones for Christmas, and more!

This one gets real. Keke sits down with her day-one bestie, Grammy-nominated artist and songwriter Tayla Parx, the force behind hits for Ariana Grande, Fifth Harmony, and Panic! At The Disco. They talk about growing up in Hollywood chasing their dreams as child stars, acting together on Nickelodeon's 'True Jackson, VP,' their first boyfriends, and messy Myspace moves. Tayla helped Keke own her story while co-producing 'Just Keke' during one of the hardest seasons of her life. Keke also opens up about motherhood and the unexpected courage that came with it.Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to Baby, This is Keke Palmer on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial today by visiting https://wondery.com/links/baby-this-is-keke-palmer/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Today's guest went from making songs on a floppy-disk keyboard, sampling off a Kellogg's cereal box DAW, and sending blind MySpace messages… to producing the some of the biggest crossover dance anthems of the last decade. And The Writer Is... Zedd!What makes this conversation special isn't just the hits — it's how brutally honest he is about the craft, the obsession, and the unexpected moments that built his career.A special thank you to our sponsors...Our lead sponsor, NMPA aka the National Music Publisher's Association. Your support means the world to us!And @splice -- the best sample library on the market, period.Chapters:0:00:00 – Teaser 0:01:06 – Welcome & Episode Intro 35:58 – Zedd on Never Thinking He'd Be Successful 25:41 – Growing Up Poor & Studying One Album a Month 18:01 – The Kellogg's DAW That Started Everything 15:33 – Learning Music on a 16-Track Floppy-Disk Keyboard 30:44 – Why He Thought EDM Was a Joke at First 38:12 – The Skrillex MySpace Story That Changed His Life 31:25 – Finding His Sound Through Curiosity & Obsession 47:14 – The “Lightning Moment” Behind Clarity 59:34 – Being Wrong More Often Than Right 1:03:03 – Why Most Music Feels the Same Today 1:03:37 – Extraordinary vs. Average: What Listeners Actually Feel 1:00:08 – “All I'm Doing Is Chasing a Feeling” 56:26 – The Chaos Behind Making The Middle 1:00:47 – Realizing the Scale of His Own Success 28:23 – What It Takes to Stay Inspired 6:48 – The Creative Principles He Still Lives By 41:22 – The Fastest Way for Artists to Get Noticed 1:05:23 – Zedd's Final Advice for Musicians 1:07:19 – Closing ThoughtsHosted by Ross GolanProduced by Joe London and Jad SaadWatercolor by Michael White Hosted on Acast. See acast.com/privacy for more information.

What did FaceTime cheating with RFK Jr. feel like? What does Olivia Nuzzi's MySpace song sound like? And what does Pablo have in common with Jeffrey Epstein? Plus: Bob Woodward's spoken-word rap album... and several cans of worms.Further content:• "Olivia Nuzzi Did It All for Love" (Jacob Bernstein)• "How I Found Out" (Ryan Lizza)• "American Canto: Read the Exclusive Excerpt" (Olivia Nuzzi) Hosted on Acast. See acast.com/privacy for more information.