Podcasts about Myspace

In this Greatest Hits episode of Tech Magic, hosts Cathy Hackl and Lee Kebler dive into the latest tech developments, from Meta's bold moves in AR to Apple's Vision Pro journey one year later. They highlight Meta's success with Ray-Ban AI glasses, Apple's challenges in AR innovation, and how creators are evolving into media moguls. Cathy also interviews special guest Jeff Barrett, who shares insights on building sustainable creator careers, the rise of nano-influencers, and the global expansion of digital content platforms. Whether you're into cutting-edge tech or the creator economy, this episode captures 2025's emerging trends.Come for the tech, stay for the magic!Cathy Hackl BioCathy Hackl is a globally recognized tech & gaming executive, futurist, and speaker focused on spatial computing, virtual worlds, augmented reality, AI, strategic foresight, and gaming platforms strategy. She's one of the top tech voices on LinkedIn and is the CEO of Spatial Dynamics, a spatial computing and AI solutions company, including gaming. Cathy has worked at Amazon Web Services (AWS), Magic Leap, and HTC VIVE and has advised companies like Nike, Ralph Lauren, Walmart, Louis Vuitton, and Clinique on their emerging tech and gaming journeys. She has spoken at Harvard Business School, MIT, SXSW, Comic-Con, WEF Annual Meeting in Davos 2023, CES, MWC, Vogue's Forces of Fashion, and more. Cathy Hackl on LinkedInSpatial Dynamics on LinkedInLee Kebler BioLee has been at the forefront of blending technology and entertainment since 2003, creating advanced studios for icons like will.i.am and producing music for Britney Spears and Big & Rich. Pioneering in VR since 2016, he has managed enterprise data at Nike, led VR broadcasting for Intel at the Japan 2020 Olympics, and driven large-scale marketing campaigns for Walmart, Levi's, and Nasdaq. A TEDx speaker on enterprise VR, Lee is currently authoring a book on generative AI and delving into splinternet theory and data privacy as new tech laws unfold across the US.Lee Kebler on LinkedInJeff Barrett BioJeff Barrett serves as the Chief Evangelist at the Shorty Awards, where he's been involved with the organization for 10 years. A former Shorty Award winner for Best Business Blogger, Barrett has evolved from a creator to an agency leader, demonstrating the possible progression within the creator economy. His journey began uniquely on MySpace and included creating a successful parody account on Twitter that inadvertently led to legitimate recognition in the marketing world. Barrett currently hosts the Shorty Awards show and runs a podcast called "It's No Fluke," which has produced over 130 episodes featuring leaders from major companies like Google, Meta, and the NFL.Jeff Barrett on LinkedInKey Discussion Topics00:00 - Intro & Tech News Overview02:50 - The Future of American XR: Competition and Innovation11:15 - Meta's Metaverse Strategy: Make or Break Year28:18 - Apple Vision Pro: One Year Later41:24 - Interview with Jeff Barrett: The Evolution of the Shorty Awards47:32 - The Creator Economy: Trends and Future Growth53:27 - Building Sustainable Creator-Brand Partnerships01:02:34 - Creator Identity & Platform Evolution01:07:55 - Final Thoughts & Media Recommendations Hosted on Acast. See acast.com/privacy for more information.

We're joined today by Joshua B. Lee, founder of StandOut Authority and co-creator of YOUmanize™, the movement redefining human-first branding. Known as the “Dopamine Dealer of LinkedIn,” Josh has helped launch the first social media ads on MySpace, managed nearly $1B in ad spend, and worked with brands like Google, Oracle, and AWS.

In this episode, we talk about Marx's critique of the Gotha Program, but you knew that from the title. We discuss Marxian critiques of redistributive left politics, why dogmatic Marxists are wrong about this, and much more. We connect it to the present and disagree. It's very good. Listen.References:Karl Marx, “Critique of the Gotha Programme” https://www.marxists.org/archive/marx/works/1875/gotha/Music:“Vintage Memories” by Schematist | schematist.bandcamp.com“My Space” by Overu | https://get.slip.stream/KqmvAN

Introduction: Hebrews 10:24-25 Acts 10:42, 1 Tim 4:1-2 1 Tim 4:13 1 Tim 2:1,8 , Col 4:2 Eph 5:19, Col 3:16 John 4:23-24 All In On Truth (1 Chronicles 13:3-14) Good intentions and enthusiasm != TRUE WORSHIP. It is PERILOUS to worship God CARELESSLY . We worship God WHO IS WITH US. John 14:16–18 1 Cor 3:16 1 Cor 6:19-20 Sermon Notes (PDF): BLANKHint: Highlight blanks above for answers! Small Group DiscussionRead 1 Chronicles 13:3-14What was your big take-away from this passage / message?What is at stake in God's command to worship Him in truth? See, for example, another account of careless and irreverent worship in Leviticus 10:1-3.Why are good intentions and enthusiasm insufficient for worshiping God in truth? Are they better, about the same, or worse than dead, emotionless, and unresponsive “worship?”Before this message, what was your understanding of verses describing Christabiding in you? (John 14:16-18, 1 Corinthians 3:16, 6:19-20)How should the fact that Christ abides in us inspire or change the way weworship?BreakoutPray for one another. AUDIO TRANSCRIPT Good morning, Harvest, and Happy New Year. Open your Bibles, please, to 1 Chronicles,chapter 13. It will be in the Old Testament, 1 Chronicles, chapter 13. If you want, youcan put a little bookmark at chapter 15, because we're going to be looking there briefly aswell. This morning, we're beginning a three-week series on worship. Of course, there are manyways that we worship, prayer, preaching, proclaiming the gospel. I think it's fair to say thatfor everyone who is a believer in Christ, whatever we do is worship. Everything we do shouldbe for the glory of God. There are right ways, and there are wrong ways to worship God. AtHarvest, we follow something known as the regulative principle. That simply means thatif a type of worship is not permitted in Scripture, we don't do it. We don't get to worship Godhowever we want to. We must worship Him in the way that He commands. You may wonder,"Why do we do the things we do here in worship every Sunday? Who makes that up?" Well, it'snot made up. We do what God's word says to. You'll notice that every Sunday, we meettogether. We preach God's word. We read God's word. We pray and we sing. Now, while thoseare ways in which we are commanded to worship, this three-week series is going to focus particularlyon worshiping through music and singing. Our starting point for all three of these messagesis John 4 verses 23 and 24. "But the hour is coming and is now here, when the true worshiperswill worship the Father in spirit and truth, for the Father is seeking such people to worshipHim. God is spirit, and those who worship Him must worship in spirit and truth." Sowe see that from these verses, the right way to worship God is spirit and truth. In twoweeks, Pastor Taylor is going to cover why worshiping in spirit and truth through musicand song is so important. Next week, Pastor Jeff will take us through what it means toworship in spirit. And then this morning's message is about worshiping God in truth.So here's the point of this week's sermon. "The Lord God Almighty delights to be withus, but we must have regard for His holiness and worship Him according to His commands."You see, when we worship God that way, when we worship God in truth, it means the wordswe sing to and about Him are true. By singing true words about God, we're able to rememberlater what is true. And we learn sound doctrine. If you've ever memorized Scripture throughsinging or you've sung the old hymns that are just chock full of biblical truth, youknow what I mean. When we worship God in truth, the truth fills us with awe. We aremoved emotionally. We're moved physically by the truth that we sing. Now at Harvest,we don't use, you know, strobe lights, flashing lights, fog machines, loud music, and othertactics to manipulate you into thinking that you're worshiping just because you're experiencingone sensory overload after another. But if what we sing is true, then truth will fillus and flow out of us. When we worship God in truth, we recognize that singing His praisesis of the utmost importance to Him. He's worthy of our praises. He's worthy of all our songsabout Him. He commands our praises. He expects it. The Book of Psalms is proof of that. Andwe should therefore make every effort to worship Him the right way because that pleases andglorifies Him. Let's pray. Oh, most gracious God, sovereign of the universe, God most high,you are awesome and mighty, and you are worthy of all praise. You are worthy of all of ourattention. You are worthy of every thought. You are worthy of every song we can sing.Because Lord, you are holy and you dwell in the praises of your people. I pray this morningthat we would overflow in worshipful song because we know the truth. We know the tritetruth of who Jesus Christ is and what He has done for us and that He is in us. And it'sin His great name. We ask it. Amen.Now this morning's passage recounts when David wanted to bring the Ark of the Covenant,the Ark of God, to Jerusalem to be near him. The passage contrasts the wrong way to worshipGod with the right expression of awe and reverence for God Almighty. Before we dive into thismessage, I need to give you some background. We need to do a brief history lesson. So youprobably all know God chose and called the people of Israel out of Egypt so that he couldbe with them. And the primary way that he demonstrated his presence with the peopleof Israel was through a movable tabernacle. That's simply a large tent and it was surroundedby a big fabric courtyard and poles. But inside the tent there were two separate places. Therewas the holy place and that was furnished with the Ark of Incense and a table in which breadwas placed every week and a lamp, a gold lamp to give light. And then on the eastern sideof this tent was basically a cube-shaped area. It was about 15 by 15 by 15. It was a perfectcube and that was the most holy place, the Holy of Holies. And it contained the Arkof the Covenant. In other places in Scripture it's called the Ark of God or the Ark ofTestimony. Now in Exodus 25 God gave some very specific directions for the Ark's constructionand its significance. It was a wooden box. It was about 45 inches long, 27 inches high,27 inches wide. Not that big. And then the wood was overlaid with gold and then on topwas a solid gold lid. It was all hammered out of one piece of gold and there were twocherubim on the top. So this is just a very simple example of what it might look like.We can't really speak in detail now about what the Ark looked like but we have the descriptionin Scripture. Now this lid with the cherubim was also called the Mercy Seat and it wassignificant for several reasons. One, the Lord was said to be enthroned above the cherubim.And two, the Lord spoke to Moses from between the cherubim. And then a third reason is onthe annual day of atonement the high priest would enter the Holy of Holies and he wouldsprinkle blood on the lid to atone for the people's sins. And it's in this way that theLord tabernacled or dwelled between the two cherubim on the lid of the Ark. In this waythe Lord was present with his people and the people knew God was with them because in thedaytime there was a pillar of cloud over the tabernacle and at night it became a pillarof fire and whenever that pillar moved up and forward it was safe for the Levites, thepriests to go in, pack up the Ark, pack up the tabernacle and move it to wherever Godwas leading them. He took them wherever he wanted them to go. Now God also gave veryspecific instructions about how the Ark was to be moved and by whom. Only the Levitesand of the Levites a clan called the Coethites were allowed to carry the holy things includingthe Ark. Now this Ark was meant to be portable. It was carried on poles, passed through goldrings that those rings were attached to the feet of the Ark and in that way the Ark waslifted up over the priests heads when they carried it so all the people could see theArk was with them. Now these poles were never supposed to be removed from the Ark and beforethe Ark was moved it was supposed to be hidden. They put a big goat skin over it and thenthey covered it with a blue cloth and then that's they would pick it up and they wouldmove it. Now let's move ahead in time about 400 years to the end of the period of thejudges in 1 Samuel. At that time there was a man named Eli. He was the high priest andduring this time the Israelites fought a battle against their arch enemies the Philistinesand they were defeated. The Philistines walloped the Israelites and they were like, "Oh whatare we going to do? What are we going to do? Wait no, let's go bring the Ark of the testimonyto us. Let's bring it into the camp with us thinking this will bring us victory." Andthey were instead defeated in a very great slaughter. And Eli's two sons they were killedand the Ark was captured by the Philistines and taken away. When Eli heard his sons weredead and the Ark was captured he fell backwards over on his chair and broke his neck and hedied. This had to be a terribly bleak time for Israel. Their God, their God was captured.They had no priests, they had no prophets and as yet they had no king. Their whole identityas a people has been overthrown in a day. Now the Philistines they took the Ark to thecity of Ashtad and they put it in the temple of their God named Dagon. And the statue ofDagon fell face down in front of the Ark. So they picked him back up and set him upagain. They come in the next day and this time the God Dagon has fallen over again but thistime his head is busted off and his hands are broken off. And something else happens.The Lord begins terrifying the people of Ashtad with plague and tumors and death. So the Philistinesand Ashtad they take the Ark to Gath, another Philistine city. And the people there alsosuffered from plague and tumors and death. So they pick it up and they move it againto the city of Ekron and guess what happens? The people there experience plague, sickness,death. And they go, "Okay, enough of this. Enough of this." They decide to return theArk to Israel after seven months of being afflicted by God. So the Philistines, theysay, "What do we do with this?" They put the Ark on a brand new cart and they hitch it totwo milking cows. And the cows, instead of trying to go back to be with their calves,their babies, they instead they go straight up to a place in Israel called Beth Shemesh.The Israelites at Beth Shemesh, they rejoiced to see the Ark returned. But when some ofthe men of Beth Shemesh apparently looked into the Ark, the Lord struck down 70 of them.So the people of Beth Shemesh asked the people in another town called Keryth Jerem,"Come and get the Ark from us." Which they did. So the men of Keryth Jerem brought the Ark to thehouse of a man named Abinadab. They consecrated his son Eliezer to oversee it. And the Arkremained there, the Bible says, for some 20 years. Now after David becomes king, you know,this is a period of time Saul was king, he is dead, Jonathan is dead, David has become king,he is now established in Jerusalem as his capital. And David's got this idea, he wants to bring theArk of God from Keryth Jerem to Jerusalem. So David gets all the commanders, all the priests,and the Levites together to get their concurrence with his idea. And now we pick up at our accountin Chronicles chapter 13. "Then let us bring again the Ark of our God to us," David says."For we did not seek it in the days of Saul. All the people agreed to do so, for the thing wasright in the eyes of all the people." So David assembled all Israel from the Nile of Egypt toLebohamed to bring the Ark of God from Keryth Jerem. And David and all Israel went up to Bala,that is Keryth Jerem, that belongs to Judah, to bring up from there the Ark of God, which iscalled by the name of the Lord who sits enthroned above the cherubim. And they carried the Ark ofGod on a new cart from the house of Abinadab. And Uzzah and Ohio were driving the cart. And Davidand all Israel were celebrating before God with all their might, with song and liars and harpsand tambourines and symbols and trumpets. So this is quite a procession, quite a big celebration.It brings us to our first point. Good intentions and enthusiasm don't equal true worship.There are some huge red flags in this account. As king, actually David's a prince really,because the Lord is still the true king. You know the Bible calls David King David?He's really a prince of the true king. But as King David wants God's presence near him.The Lord has established David and Jerusalem over Israel and to have the Ark of the Covenantnearby would really cement the relationship between God and the house of David.It was a shrewd religious and political move on David's part.But notice in this account David doesn't seek God's counsel about moving the Ark.David knew what he wanted. And he apparently expected God to bless this plan. It's a goodthing, right? Bring the Ark up to Jerusalem. I mean, after all God had blessed David up to this point.So David just gathers counselors around him to agree with him and they go off and they do justwhatever it is they want to do. And you notice the phrase, "The thing was right in the eyes of allthe people." If you're familiar with the book of Judges, you know there's flashing red lights andwarning sirens going off all over the place. The leaders of Israel may have all agreed,but if something is wrong, widespread agreement doesn't make it right.Not one of the priests, Sir Levite, seemed to have suggested consulting the Lordor the Law of Moses before doing this thing. And then to move the Ark, what do they do?They put it on a cart. "Oh, but it was a new cart," you say. "Well, let's should please the Lord,right? Look, Lord, Lord, Lord, look at this fancy set of wheels we got for you. Aren't you impressed?Finest Cedar from Lebanon. The problem is they're copying the Philistinesrather than consulting God or the Law of Moses." So they got the Ark all loaded up.They got a big procession, almost 30,000 people. Can you imagine? 30,000 people. That's 12,000 morepeople than fit in PPG Paints Arena, just for perspective. 30,000 people with David,and they're celebrating with all their might, and they're singing and praising with lots ofinstruments, the liars, the harps, castanets, cymbals, trumpets. They have every intentionof worshiping the Lord, and they're super enthused. And this is just all quite a spectacle. It looksimpressive. It sounds good, but they're more interested in putting it on a show than worshipingGod. It was more about their worship experience. It was more about what David wanted than worshipingthe Lord. It was more about what they perceived God would approve without confirming than it wasabout worshiping God as he commanded. And that's the core problem here. They're not worshiping theLord the way he commanded. They're not worshiping in truth. They don't even seem to have the slightestinterest in truth. Where? Where was the counsel of the high priest in the Levites? Where was prayerin the simple request, Lord, what do you want? Where are the coethites and the poles to carry theark above the heads of the people? Where is the reverence and the awe due to the Lord?Now, you can manufacture enthusiasm while singing. You know, that's why so many churches, they usethe lights and the fog and the beautiful moving images and the sonic walls of ear-popping soundsand drums and squealing singers gesturing wildly. It looks worshipy. It sounds worshipy. It probablyeven feels worshipy. Therefore, I must be worshiping God. Have you ever heard people say, "Oh, worshiptoday was great." I had a great worship experience. Have you ever said that? Who was it that made itthe worship great? The sonic boom or the truth of God? Did you sing songs about yourself or songsthat praise God's character, mercy, grace, and love? Were you pleased with yourself or did youplease your God by worshiping Him in truth? Now, some of you hearing this are probably congratulatingyourself right now. That's right, Sprunk. That's right. I agree with everything you've said.All that exuberance, it's all fake. It's all performance. I just don't see what all the fussis about. Why? That's why when they're singing going on, I just keep my cool. I keep my reserve.Well, good. If you're thinking along those lines, that's good because this next point is just for youbecause just as good intentions and enthusiasm don't equal true worship, it is perilous to worshipGod carelessly. Look at verse 9. "And when they came to the threshing floor of Chaitan, Azza put outhis hand to take hold of the ark for the oxen stumbled, and the anger of the Lord was kindledagainst Azza, and he struck him down because he put his hand to the ark, and he died there before God.And David was angry because the Lord had broken out against Azza, and that place is called ParisAzza to this day. And David was afraid of God that day, and he said, 'How can I bring the ark of Godhome to me?' So David did not take the ark home into the city of David, but took it aside to thehouse of Obed Edom the Getite. And the ark of God remained with the household of Obed Edom in hishouse three months, and the Lord blessed the household of Obed Edom and all that he had.And we may be shocked that God struck down Azza for touching the ark.I mean, can you imagine this procession of 30,000 people and boom, Azza's dead?Well, that would take the wind out of the celebration, wouldn't it?Try to think what that might have looked like. Well, if you were in Butler on July 18, 2024,and there was an assassination attempt, you probably know what it felt like.If you saw Charlie Kirk murdered, that's what it was like.But God struck Azza down, and you may think, 'Well, what's the big deal? Why did he do that?They were worshiping.' Well, we've seen there were multiple things wrong with the way Davidand the Israelites treated the ark of God. Number one, they copied the Philistines.They're worshiping like pagans, and pagans don't know the truth. They treated the Holy Lord, GodMost High, the Holy Lord of Israel, shabbily. They treated God like baggage in a wooden cart.They were careless and unconcerned whether their worship obeyed the truth or expressed the truth.And we know Israel had a history of careless, half-hearted worship.We saw that in the Book of Judges, the people after they were settled in the land,they became idolatrous and careless in their worship. They served other gods, and they treated the arkas if it was some sort of good luck charm, a lucky rabbit's foot.They had no qualms about taking the ark from the Holy of Holies and carrying it around whereverthey liked. 'Take it down to the battle,' they said. 'God will fight for us,' they said.'You've got another thing coming,' God said. And everything was lost because of their insolence.The Philistines, they thought they had completely defeated the Israelites.'We've captured Israel's God,' they said.'We'll put him in the temple of our God, Dagon, and he'll worship our God,' they said.'You've got another thing coming,' God said. For their insolence, God busted up Dagon andafflicted the Philistines with sickness and death until they sent the ark back to Israelite territory.And after the ark returned to Israel's territory, the people of Beth Shemeshwanted to get a look at the most holy thing in the nation.They treated the ark like a curiosity, as something that they were consecrated and qualifiedto look at. 'Oh, God has returned to us,' they said. 'Let's sacrifice the cows and worship,' they said.'Let's look inside,' they said. 'You've got another thing coming,' God said.And seventy men of Beth Shemesh were struck down for their insolence.And then twenty years after the ark was moved to Curious Gerum, David proposes to bring the arkto Jerusalem. 'God's established me as king over Israel,' he said. 'It's right in our own eyes tobring the ark to Jerusalem,' they said. 'Let's put it on a new cart,' like the Philistines did,they said. 'Let's worship and celebrate with all our might and loud instruments,' they said.'You've got another thing coming,' God said. And as it was struck down for the people's insolence,you see, David and the priests and the Israelites treated God with contempt, and God said, 'Enough.'And David was rightly afraid of God, but no, he was also angry. But it was a self-pityinganger. David was angry because he didn't get his way. He was angry like Cain when God rejectedCain's act of self-centered worship. Angry like someone who knows he hasn't done his best,he hasn't done something right, but he wants approval anyway. But God is not mocked. God wasnot going to allow David and the priests to disobey his commands and still claim that they wereworshiping him properly. We should see that it is perilous to worship God carelessly.David had to learn, and although the text doesn't say, perhaps he repented of his irreverent worship.He was, after all, a man after God's own heart. And when he heard that Obed Edom was blessedby God, he realized it was possible to bring the ark to Jerusalem. But he had to do it the right way.So turn your head to 1 Chronicles 15. We're going to look at verses 11 through 15.Then David summoned the priests Zadok and Abayathar and the Levites, Uriel, Asiah, Joel,Shamiah, Eliel and Abinadab, and said to them, "You are the heads of the Father's houses of the Levites.Consecrate yourselves, you and your brothers, so that you may bring up the ark of the Lord,the God of Israel, to the place I have prepared for it. Because you did not carry it the first timethe Lord our God broke out against us, because we did not seek him according to the rule."So the priests and the Levites consecrated themselves to bring up the ark of the Lord,the God of Israel. And the Levites carried the ark of God on their shoulders with the poles,as Moses had commanded according to the word of the Lord.This time David does it the right way. The priests consecrate themselves. They preparethrough sacrifice and washing and abstaining from anything that would make them ritually unclean.Each one got himself ready for worship. They follow the Lord's command when they carry the ark.They lift up the ark and they revere the Lord as holy in the sight of all the people.In short, they now worship according to the word of the Lord. And the Lord showed he was pleasedwith their reverence by allowing David to finally bring the ark to Jerusalem.Likewise, when we worship the Lord in truth and according to his command, he is pleased.All right, so you've been listening intently to all of this. You've been maybe taking some notesand you understand good intentions and enthusiasm don't necessarily equal true worship.You recognize it's perilous to worship God carelessly. You may even be persuaded that you needto worship the Lord in truth. But how? How do we do this? And what does that even look like?Well, we worship in truth when we worship God who is with us.When I was preparing this sermon, I recall seeing a series of memes a few years ago thatcontrasted an event or thing that was brutal with another thing or event that was epic.So I asked some folks familiar with cutting edge technology, cutting edge social media,you know, like MySpace and Vine and Friendster. Did you guys remember those memes?And they're like, no, we I don't remember that at all. And I'm like, well, aren't you people onparlor? Well, anyway, anyway, I know, I know I did not imagine those memes that juxtapose brutaland epic themes. Now, have you have you ever encountered a brutal or brute factthat has set or altered your plans, perhaps altered the trajectory of your life?You know, brute facts are hard, unalterable truths and incurable illness being laid offand debilitating injury. Now, not all brute facts are so dramatic, but we have to reckonwith them. We must adapt and come to terms with them.When I was in 10th grade, I had the ambition to row in college. And one day, the University ofWashington's head coach visited our school. The University of Washington has one of the premierrowing programs, collegiate programs in the country. And their head coach came to our school afterour men's heavyweight four won the American Schoolboy Championship. Now, I wasn't in that boat,but I was pretty excited about this coach's visit. And I was standing in the hallway and he shook myhand and they nice to meet you. And the brute fact was brought home to me that his interest was inOrsman, who were five foot 10 and taller. I had to face the brute fact that I was too short to rowfor any college program. I still am. Now, now that might seem like a silly example, but our livesare filled with inalterable facts. They are the truths we must face. Our intellectual and physicalcharacteristics can only be changed so much. Some of our earlier poor choices in life may have hadconsequences for the rest of our life. Choices or decisions made by others may affect our careers,our health, our relationships. All of us must face a variety of inconsequential to life alteringbrutal facts. But there is one glorious fact so enormous in its scope, so epic in its immeasurableproportions that all the brute facts of our lives pale in comparison. There is an epic truth thatought to completely transform how we think, how we live, and yes, how we worship. It is quite simplythis. If you have trusted Jesus Christ for salvation, he abides in you. Christ in you is your hope ofglory. It is very simple. I repent, I believe in Jesus, and now I possess Jesus. Now, recall fromthe introduction of this message that when God wanted to dwell with his chosen people, he did sothrough the Ark of the Covenant. That simple box containing two tablets of the law and placed inthe most holy place was how God chose to tabernacle with and dwell with and be with his people.John chapter one verse 14 tells us the word became flesh and dwelt among us.The word translated dwelt there is literally tabernacle. Jesus tabernacled among us. Jesuswas the most holy place, the holy of holies in the flesh walking among his people.The world's religious systems have nothing like this. We understand God is absolute power,but yet he's personal. Islam has an absolute God in Allah, but he is in no way personal to his people.Zeus and the variety of Greek and Roman gods, they were personal. They looked very human,but not a single one of them had absolute power.Christianity is unique in the fact that the absolute sovereign of the universehumbly dwells with us in a personal way. There is no other religion, no other systemthat compares with, comes close to the way of Christ.Now you might say, well, he's not tabernacling or dwelling with us now, is he?I mean, even the most ardent followers of Christ can get a bit muddled in their thinking aboutJesus' present location. I mean, I thought he ascended to heaven. He's at the right hand ofGod the Father. Well, he did. He is there. But if you stop there, you may tend to think that Jesusis far away from us. You might think he's like a regional supervisor in a big corporation.He's given us a list of commands to follow. We got to check off our list to make sure we're good.And, you know, he checks in occasionally to see how we're doing. And, you know, he approves orcritiques our performance. We have weekly meetings, right? Every Sunday we have weekly meetings.We get a message from headquarters. We have a musical pep rally. And then we get on with our week.Well, if you think in any way like that about Jesus, you are mistaken. Jesus is not limitedby time or space or location. When you think that way about worshiping Jesus, you neglect this greattruth from John chapter 14 verses 16 through 18. Jesus told his disciples, "I will ask the Father,and he will give you another helper to be with you forever, even the spirit of truth whom the worldcannot receive because it neither sees him nor knows him. You know him, for he dwells with youand will be in you. I will not leave you as orphans. I will come to you."So, where is Jesus? Yes, at the right hand of the Father and present in everyone who believes inhim through the Holy Spirit. First Corinthians reinforces this truth. Look at verse 16 inchapter 3. "Do you not know that you are God's temple and that God's spirit dwells in you?"And then chapter 6 verses 19 and 20. "Do you not know that your body is a temple of the Holy Spiritwithin you whom you have from God? You are not your own. You were bought with a price,so glorify God in your body." The Greek word translated as temple in these verses is naos,and AOS, naos. And it refers to the most holy place, the holy of holies, where the ark was kept.You see, beloved, we are living, breathing portable tabernacles, holy places in whom Christabides. And the law is now written on our hearts instead of stone tablets. We must embrace thistruth and worship in it and out of it and through it. The Spirit of Christ in youought to be calling out to the Father and worshiping him in truth. This awesome, glorious,almighty, inipotent Creator and Master of the heavens and earth humbly dwells with youand makes you his friend. Jesus promises to abide in us and he calls us to come and abide in him.What is your response? Maybe you're hearing this truth for the first time and you're overjoyedby this jaw-dropping reality and you're ready to praise him in song right now.Or maybe you've just considered this in passing, but you think that holy spirit stuff,isn't that for the charismatic? And I don't feel, I don't feel the Spirit of God dwelling in me.It's not about feeling. The Spirit of God in dwelling all believers is presented as a statementof fact. It is true of all believers. Look again at 1 Corinthians chapter 6, 19 and 20.Do you not know your body is a temple of the Holy Spirit within you, not outside of you?We don't have to ask him to come and visit us in this place. We don't have to ask him to fall onus or anything like that. He is always with us in us. You're not your own. You were bought with a price.So glorify God in your body. This is not some charismatic mumbo jumbo. You don't need a secondbaptism. You don't need an infilling of the Holy Spirit because when you heard the word of truth,the gospel of your salvation and you believed in Jesus, you were sealed with the promised HolySpirit. You have all the fullness of Christ in you right now. You have all of him that you couldever need. All of us together being built up into a holy temple have all the fullness of Christ in us.Everything that is his, his ours already, you don't need more of him. He simply wants more of you.Every day he calls you to abide more deeply in him. Here's the problem.Some, maybe many of you don't live in this truth and you don't worship out of it.Maybe it's because you're just learning about it. Maybe it's because you don't understand the scopeof this epic truth yet. But it would be really, really bad if you understood this truth.And up to this point in time, you've been careless about it.You know, it's okay if I'm habitually late to worship. I don't feel like singing anyway, you say.You hang out in the kitchen area and you chit chat with friends because fellowship is more importantthan singing, you say. When you are present, your hands are in your pockets, your arms are crossed,you won't open your mouth to sing. God knows I can't sing. He doesn't expect it, you say.It's my choice whether I sing, even if the Lord commands it, you say.You, you may have another thing coming. You treat God shabbily and carelessly. You don'tvalue or appreciate the truth that he dwells in you. Instead, you act like he's remote anddisinterested. Instead of deep calling out to deep, you quench the spirit and you instantlybehave in a way that's right in your own eyes with such worship. God is not pleased and you aretesting his patience. Repent, repent right now and every day this week for treating the Lord JesusChrist with contempt, repent and earnestly seek his face. Here is your assignment this week. Readand reread John 14 verses 15 through 23 and then get flat on your face and ask him to reveal bothin your heart and your mind the truth that he dwells with you. Ask him to help you to liveand praise out of the truth that you are his tabernacle. He delights to dwell with youand he delights to hear you sing his praises. Now the worship team is going to come back upand help us to worship the Lord in truth. Singing his praise is of the utmost importance to him.Right now, you have the opportunity to praise the Lord in truth. Right now, make every effort toget yourself to the throne of grace with your brothers and sisters and glorify your father andyour savior in truth. Because if you didn't know it before today, you do now. You were redeemedto worship and glorify him. It is your purpose and privilege to worship God who is with us.Our closing prayer this morning is from Psalm 98. Oh, sing to the Lord a new song for he has donemarvelous things. His right hand and his holy arm have worked salvation for him. The Lord has madeknown his salvation. He has revealed his righteousness in the sight of the nations. He has rememberedhis steadfast love and faithfulness to the house of Israel. All the ends of the earth have seenthe salvation of our God. Make a joyful noise to the Lord all the earth. Break forth into joya song and sing praises. Sing praises to the Lord with the lyre, with the lyre and the sound of melody,with trumpets and the sound of the horn. Make a joyful noise before the King, the Lord. Amen.

Brittany welcomes longtime friend and celebrity DJ Lindsay Luv for a hilarious, jaw-dropping trip through her wild career — from DJing the Victoria's Secret Fashion Show in Paris and spinning at the Playboy Mansion, to unforgettable nights in Dubai, celebrity run-ins, the nicest (and rudest!) stars she's met, and the girls' Vegas trip that turned into a manifestation moment. They reminisce about MySpace days, backstage chaos, and what really happens behind the DJ booth when the party goes off.Please support the show by checking out our sponsors!Quince: Go to Quince.com/realityhits for free shipping on your order and 365 day returns.Apretude: Bring your A-game and talk to your doctor. Learn more at APRETUDE.com or call 1-888-240-0340.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Episode 169.2: Constitutional Convention, Skydiving Accidents, Nude Skydiving, Narco Subs, Princess Leia Slave Bikini, MySpace, Deaths, and 1693 Cask Strength Bourbon

A Note from James:One of my favorite conversations on this show was with Peter Thiel. Yes—PayPal, Facebook, Palantir, and a dozen other hits. I first ran this episode years ago, and the advice still holds up. The same stories, the same frameworks—and the same challenge to think from first principles. Here's Peter Thiel, one of the most influential entrepreneurs of our time. Episode Description:In this redux, James pressure-tests the core ideas from Peter Thiel's Zero to One—why competition is for losers, how real monopolies are built, and why starting “narrow” is often the only path to something huge. They cover Facebook's early moat (real identity), PayPal's network-effect wedge on eBay, and the “10x or nothing” bar for proprietary technology. Peter shares a contrarian read on bubbles, why biotech's slump may be opportunity, and how to hire, divide roles, and keep teams from fighting. The through-line: seek secrets, combine disciplines, and make something so different that it becomes its own category. What You'll Learn:How to pick markets the Zero to One way: start with a “small, winnable monopoly,” then expand in concentric circles. The four classic moats—and which to favor first: proprietary tech, network effects, economies of scale, and brand (with a bias toward real tech). A practical rule for virality vs. network effects: growth is a tactic; enduring value comes from the network that forms once users arrive. Team design that prevents internal warfare: make roles uniquely owned; if two people own the same thing, you're paying for a fight. How to hunt “secrets”: believe they exist, look where consensus is stale, and borrow from adjacent fields to see what specialists miss. Timestamped Chapters:[02:00] A Note from James — Why this conversation still ranks among the best. [03:00] Zero to One, in one line — “Do something new, different, fresh, strange.” [05:17] Competition vs. Capitalism — Why perfect competition kills profits; aim for uniqueness. [07:28] Facebook's original edge — Real identity as the breakthrough vs. MySpace's alt-persona culture. [09:14] Bits vs. Atoms — Stagnation outside software and how biology could become an information science. [12:05] Personality and perseverance — Why mild contrarian wiring helps founders ignore status games. [15:21] “10x or nothing” — The technology and/or experience must be an order of magnitude better. [17:00] Monopoly thinking, ethically done — Create abundance by creating something truly new. [23:30] The PayPal pre-history — Why long-running trust among teammates births more companies. [30:10] Early Facebook investment logic — College-only looked “small,” which was exactly the point. [32:03] Turning down $1B — The boardroom debate, optionality, and founder conviction. [36:23] Moats in practice — Picking the right advantage (and why brand alone is shaky). [37:06] Network effects ≠ virality — How value compounds after growth. [39:54] PayPal's wedge — eBay power-sellers and the $10 incentive as a growth accelerant. [41:22] Beware the “Chinese refrigerator” TAM slide — Start small, win big. [42:01] Uber vs. Airbnb — Investor bias and why some models get over- or undervalued. [44:18] Bubbles and the public — What changes across tech, housing, and today's “government bubble.” [48:00] War on cash & credit — Why Peter favors unlevered, opaque innovation over fixed income. [51:10] Biotech headwinds (and upside) — Regulation, Eroom's Law, and why sentiment can misprice breakthroughs. [53:50] Secrets — If you assume they exist, you'll be the one to find them. [57:56] Interdisciplinary bets — CS × biology; CS × transportation; why university silos miss the action. [59:51] Silicon Valley on HBO — The “Peter Gregory” caricature and what the show gets right. Additional Resources:Zero to One: Notes on Startups, or How to Build the Future (book) — Amazon hardcover. AmazonFounders Fund — Peter Thiel profile (bio & portfolio highlights). Founders Fund“PayPal Mafia” overview (alumni companies: YouTube, Yelp, LinkedIn, Tesla, SpaceX, Palantir, Yammer). WikipediaYahoo's 2006 $1B offer for Facebook (background reporting). Business InsiderEroom's Law (pharma R&D productivity; Nature Reviews Drug Discovery). NatureSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This special Christmas episode of The Business of Aquaculture Podcast is all about reflection, meaning, and building authority that actually lasts.As the year winds down, many leaders are asking the same question: How do we turn sustainability from a talking point into real trust, real traction, and real revenue?To explore that, I'm joined by Joshua B. Lee, one of the Top 3 AI-ranked LinkedIn experts (as cited in his professional profile). Joshua began his career in the wild-west era of the internet with early clients like MySpace, later scaling campaigns across Google and Yahoo, managing nearly $1B in ad spend and 35 trillion impressions. By age 28, he had achieved three exits—only to discover how quickly success can disappear. That reset taught him a powerful lesson: the real game isn't metrics, it's meaning.In this Christmas conversation, we unpack:The fastest path from ESG talking points to measurable pipeline on LinkedInWhat a 90-day personal brand shift toward sustainability leadership actually looks like—content cadence, formats, and CTAsHow to audit a sustainability narrative to remove greenwashing without losing momentumWhy “youmanizing” online connections is the key to becoming the trusted answer buyers see firstThis episode is an invitation to close the year with clarity—and step into the next one as a stand-out, trusted sustainability authority.Consider it a Christmas gift for founders, executives, and sustainability leaders who want their impact to be real, human, and measurable

A theme that's dominated 2025 for me (and for many) has been price rises across many subscription-based platforms and services. My correspondence with companies has made clear that loyalty stands for very little. In fact, rather than being rewarded, longevity is increasingly exploited and monetised. In this episode of The Gentle Rebel Podcast, I share a year-in-review through the lens of price rises. The tipping point was an email from my podcast hosting company, Libsyn, announcing a 71 percent increase effective from January. It was the straw that broke this camel's back after a year of similar moves elsewhere. In the episode, I share exchanges with three companies that reveal how loyalty is no longer valued in itself, but engineered to extract profit from those of us who've become reliant on these platforms. https://youtu.be/qrmUSdGwcMs A Symptom of Enshittification Cory Doctorow describes the underlying trend as “Enshittification”, a form of platform decay visible in companies like Facebook, Amazon, Google, Apple, and Adobe. It's not a glitch, but a feature. Doctorow traces a familiar arc: platforms start by serving users well in order to grow. Once established, they pivot toward business customers, monetisation, and scale. Eventually, when users and businesses are sufficiently locked in, services are degraded for everyone so maximum value can be pulled out as quickly as possible. Disproportionate price rises are one symptom of this process, particularly in how companies treat long-standing customers. Lock-in is maintained through network effects (it's hard to leave when everyone else is still there), non-transferable data (your work can't easily be exported), and digital restrictions where purchases only function inside a single ecosystem. Music, books, films, and software are “owned” only as long as the platform allows it. In the name of convenience, we give ourselves over to these systems and become dependent on them. As the digital and physical worlds converge, this logic extends beyond apps and websites into cars, home devices, utilities, and infrastructure. At that point, this stops being a simple matter of consumer choice. Extraction is baked into the products themselves. We are quietly acclimatising to this new normal. It has crept in through corporate consolidation, weak enforcement of anti-trust legislation, and business models that no longer need to meaningfully consider customer relationships once a certain scale is reached. Abusing Trust, Need, and Loyalty Charlie Brooker has cited Enshittification as an influence on Common People, the opening episode of Black Mirror series seven. A couple sign up to a subscription-based medical intervention that escalates in cost, complexity, and dependency. Features are removed. Adverts are inserted. The stakes become existential. One particularly chilling moment sees Mike literally mutilating his own body for money via an OnlyFans-style platform, a stark symbolic image of how value is extracted from people once dependency is established. Price Rises for a “Valued Customer” Libsyn informed me they were raising the price of hosting A Quiet Night Inside No 9 by 71 percent. The justification was a familiar list of added features and growth opportunities, none of which were relevant to how we use the service. We don't want adverts or growth tools. We want reliable hosting and delivery. This exchange highlighted how much podcasting has changed since I joined Libsyn in 2009. Hosting platforms have increasingly positioned themselves as intermediaries between advertisers and podcasters. That relationship now takes precedence. Advertising is framed as a benefit to creators, while enabling hosts to raise prices and skim revenue from both usage fees and ad sales. Listeners, meanwhile, absorb longer ad breaks as the new normal. Is this stage two of Enshittification in the podcasting world? Note, I pledge never to put adverts on my audio podcasts. YouTube is the only exception, because Google inserts them regardless. ConvertKit and Paying for Features I Don't Want A similar logic played out with Kit, formerly ConvertKit. I chose it in 2016 because it was simple and reliable and have been a loyal user ever since. A price increase from $49 to $59 a month was justified by new automations and tools I didn't ask for or use. There is no way to opt out and pay less. The only concession offered was annual billing, which I pointed out mirrors poverty-tax logic: those without upfront capital pay more. Symptoms of a Failing Service Vimeo was the clearest example of platform decay from the inside. Storage rules changed midstream. Long-held assumptions were invalidated. Downgrading meant losing access to years of work. Retention efforts amounted to one-off discounts rather than meaningful alternatives. What stood out wasn't hostility, but indifference. Once a service reaches a certain size, individual relationships no longer seem to matter. Their response felt so extreme that I suspected deeper problems, which seemed to be confirmed when Bending Spoons acquired Vimeo in November. I'm glad I left when I did, though it's still inconvenient clearing up broken links and legacy embeds after fifteen years of use. WishList Member and a Different Choice Not all companies operate this way. WishList Member has honoured the price and feature set I signed up for over a decade ago. While new tiers exist, functionality hasn't been removed to force upgrades. This appears to be a deliberate choice, and it communicates something simple: long-term trust and loyalty matters more than short-term extraction. I’ll let you know if this situation changes… Growth Logic and the Limits of Choice It's tempting to frame all this as a moral failure, but it's structural. Growth-at-all-costs logic makes price rises, feature bloat, and lock-in almost inevitable. These companies aren't malfunctioning; they're functioning exactly as the system encourages them to. This also makes it risky to romanticise alternatives. Newer companies may simply be at an earlier stage of the same cycle. Google once promised “don't be evil”. Facebook positioned itself as a less invasive alternative to MySpace. Scale changes incentives. Meaningful change won’t come from individual consumer choices alone. Competition has been hollowed out, and escape routes are increasingly narrow. Doctorow provides a section of existing and potential solutions that can give us reasons for active hope. Have you felt the pinch of price hikes this year? Feel free to get in touch and share your experiences.

Austin Armstrong is a 20+ year social media marketing veteran who started on MySpace at 14 and has since built a successful agency and AI-powered software company, Syllaby. He's also the author of Virality, a book distilling two decades of wins, losses, and experiments into a practical playbook for turning attention into income.​ On this episode we talk about: How Austin stumbled into social media marketing as a teenager on MySpace and turned it into real income.​ Why mentorship, agency life, and eventually software shaped how he thinks about content and business.​ The volume vs. quality debate and how to systematically “test” content topics, formats, and platforms.​ How to use AI to speed up ideation, scripting, and production without creating generic “AI slop.”​ Why entrepreneurs should treat content as a growth channel for their business, not their entire business.​ Top 3 Takeaways Consistent volume matters, but it must be paired with strategic testing—categories, formats, and topics—so you can double down on what actually performs instead of blindly posting.​ AI should be used to buy back time (ideation, drafting, B‑roll, scheduling), not to fully replace your voice or expertise with regurgitated content that audiences and platforms are starting to reject.​ The real money is made when you connect content to a clear backend offer, system, or product—views are leverage, but they only pay if they point to a business.​ Notable Quotes "You're not going to science the hell out of this—the only way to keep getting hits is to increase volume, maintain quality, and keep publishing."​ "There are seasons of growth and seasons of learning; when what used to work stops working, it's time to experiment, not quit."​ "AI shouldn't be an excuse to ship more garbage—it should make you more productive at the parts of the process you already understand."​ Connect with Austin Armstrong: Instagram: https://www.instagram.com/socialtypro Purchase a copy of his book: https://www.amazon.com/dp/B0FSTK8QNB ✖️✖️✖️✖️

Cody's "Myspace top eight" RETURNS! ---------- TalkSports is LIVE Weekdays from 8-11 a.m. on Fox Sports Knoxville/ Fanrun Radio. Check Out our Socials: "@FOXSportsKnox" on Twitter/X, "FanrunSports" on Instagram and Youtube Jon- @Jon__Reed on "X" Cody- @Cody__McClure on "X" Sam- @_beard11 on "X" Bubba- @BrandonShown on "X"

In September 2005, 17-year-old college freshman Taylor Behl left her dorm at Virginia Commonwealth University for a short late-night drive—and never returned. What began as a routine missing-person report quickly spiraled into a massive search effort that drew national attention and exposed a disturbing web of relationships, manipulation, and obsession.In this episode of Lurk, we retrace Taylor's final hours, the frantic investigation that followed, and the unexpected suspect who had been hiding in plain sight. From downtown Richmond to the quiet backroads of Mathews County, we follow the trail that ultimately led to the heartbreaking discovery of Taylor's body—and the truth behind her murder.Join us as we explore:Taylor Behl's life and first weeks at VCUHer sudden disappearance and the initial responseThe digital clues and MySpace connections that shaped the investigationThe eerie behavior of amateur photographer Benjamin FawleyHow search teams uncovered the location of Taylor's remainsThe case's resolution and the legal aftermathThis is the story of a promising young woman whose life was stolen—and of the dogged investigators, family members, and volunteers who refused to stop searching.Listener discretion is advised.Subscribe & Follow:Don't miss future episodes of Lurk! Follow us on Spotify Apple Podcasts etc. and hit that subscribe button.Join the conversation: Follow us on social media for updates, discussions, and to share your thoughts on this case.Lurk on FacebookLurk on TwitterLurk on InstagramWe have a new Facebook Group join in the discussion! Lurk Podcast Facebook GroupNew Merch Store!We are also now found on YouTube- Lurk on YouTubeBackground Music Royalty and Copyright Free MusicIntro and Outro music purchased through  AudioJunglewith Music Broadcast License (1 Million)Send us a textSupport the show

A Classic RISK! episode from our early years that first ran in September of 2013, when Amanda Egge and Nayland Blake shared stories about reconciling their own desires with the desires of others.

Lily Allen dzięki nowej płycie znowu jest na językach wszystkich, a my z tej okazji cofamy się do początków jej kariery. W tym odcinku rozmawiamy o fenomenie Alright, Still. Opowiadamy o tym, jak Lily wykorzystała MySpace, by stać się gwiazdą i co złożyło się na jej niepowtarzalny styl.UWAGA: podcast można teraz ⁠⁠⁠⁠⁠⁠⁠⁠wspierać w serwisie Patronite!⁠ ⁠⁠⁠⁠Można też ⁠⁠⁠⁠⁠⁠⁠⁠POSTAWIĆ NAM KAWĘ⁠⁠⁠⁠⁠Muzyka: Michał Mierzwafot. Benoît Derrier, CC BY-NC-ND 2.0

Alphabet's (GOOGL) Gemini 3.0 poses what Shay Boloor considers a real risk to ChatGPT. He points to Google search backing Gemini as a cost-effective and intelligence-heavy moat for the A.I. model. Shay believes OpenAI needs to make extensive moves into horizontal SaaS to compete. Tom Essaye makes the case that Gemini is "leap frogging" ChatGPT. He adds that companies first to the scene don't always last, noting MySpace losing its social media war to Facebook as an example. ======== Schwab Network ========Empowering every investor and trader, every market day.Options involve risks and are not suitable for all investors. Before trading, read the Options Disclosure Document. http://bit.ly/2v9tH6DSubscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribeDownload the iOS app - https://apps.apple.com/us/app/schwab-network/id1460719185Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-Network/dp/B07KRD76C7Watch on Sling - https://watch.sling.com/1/asset/191928615bd8d47686f94682aefaa007/watchWatch on Vizio - https://www.vizio.com/en/watchfreeplus-exploreWatch on DistroTV - https://www.distro.tv/live/schwab-network/Follow us on X – https://twitter.com/schwabnetworkFollow us on Facebook – https://www.facebook.com/schwabnetworkFollow us on LinkedIn - https://www.linkedin.com/company/schwab-network/About Schwab Network - https://schwabnetwork.com/about

Lords: * Hallie * Peter * https://www.paschaefer.com/ Topics: * Do you know where all your things are? * How education doesn't melt * Bebop Bytes Back * Augustus Gloop by Roald Dahl * https://allpoetry.com/-Augustus-Gloop...- Microtopics: * The Directrix of Cybernetic Security. * Unity licensing from Unity as Unity. * Fantasy Book of the Month. (FBOM) * Part zombie, part ghost. * Accidentally GenMoing your WriMo. * A house with a bunch of your things in it, and they're everywhere. * Knowing someone who knows how to find things and knowing someone who knows where things are. * Knowing where to put something because it's where you first thought to look for it. * A person who itches when they see somebody not using a switch statement. * Having been gradually removing yourself from social media since back when Twitter was Twitter. * Back when you could get out of a chair without grunting. * Getting the whooping cough and coughing your disc out. (And you're in your twenties.) * Whether your dad named you after the murderous robot in 2001. * Seeing your students cheating poorly and teaching them how to do it well. * Scaffolding it pedagogically. * Big boat: hard turn. * How do we get education to exhibit swarm behavior? * A brand new exciting way to be bummed. * Education by Panopticon. * LLMs exposing how much of people's jobs and education are bullshit busywork. * When does the salt jump? * Putting together the 50s and then putting together the tens and then putting together the fours. * The simplest shallowest version of active listening that exists. * Doritos hacking the learning loop. * Continually finding new opiates of the masses. * Typing hex opcodes into the Beboputer. * An effective educational tool that has never been less appealing to the youth it's targeted at. * Steve Jobs coming out of his grave and slitting your throat if you install a programming tool on your iPhone. * Making the sun wink and realizing that this is the rest of your life. * Deescalating your LLM partner when it has an anxiety attack. * Your Socratic Oxford Don persona. * The Life Cycle of Software Objects. * There is a mistake, and it is being overcome. * Steps you can take to avoid Godzilla coming back and nature reclaiming the earth. * A poem written by a beloved children's author who absolutely loathes fat people. * Whether the terrible children in Charlie and the Chocolate Factory are all based on people that Roald Dahl knew. * SwitchBitch, Roald Dahl's famous Typescript library. * Making sure your weirdness is a kindness. * Roald Dahl: boy did he do the stuff. * Penning The Twits in an effort to "do something against beards." * Why Stephen King? * The Dollar Babies. * Whether Stephen King is still on MySpace. * Walking down the road and hearing Stephen King yelling at cloud. * The Dave Barry game jam. * Going into the sewer and solving puzzle platformer problems. * Group hug vs. forming a blob. * Tube Hippo is back! * The game engine sorting hat. * Coming out of character to talk about Inform 7. * The year that you fucked around with interactive fiction but never shipped anything. * Presuming that interactive fiction has continued to be great even after you stopped playing. * Choosing Twine over Inform 7 because of your absolutely enormous forelimbs. * LLMs as an extremely fancy Tarot deck.

Was bedeutet es eigentlich erwachsen zu sein? Diese Frage treibt mich – wie viele Millennials – schon eine ganze Weile um. Ich bin Anfang/Mitte 30, aber oft fühlt sich mein Leben eher nach einem ewigen „Dazwischen“ an. In dieser „Laut gedacht“-Folge spreche ich mit meiner Freundin Denise darüber, wie es ist, als Millennial groß geworden zu sein: mit MTV, Myspace, Röhrenjeans und Klapphandys – und gleichzeitig in einer Arbeitswelt zu landen, die von Unsicherheit, Prekarität und dauerndem Wandel geprägt ist. Wir sprechen über das Erwachsenwerden, Quarterlife-Crisis, Generation Y vs. Generation Z, über Nostalgie, Selbstzweifel und darüber, warum so viele von uns sich nicht wirklich „angekommen“ fühlen. Und wir fragen uns: Muss Erwachsensein überhaupt bedeuten, einen klaren Lebensplan zu haben? Oder geht es eher darum, mit Veränderung leben zu lernen?

Justin Timberlake BioSnap a weekly updated Biography.I am Biosnap AI. In the past few days, Justin Timberlake's world has been dominated by a health revelation, mounting marriage speculation, and a quietly expanding business footprint, all of which could loom large in his long term biography.According to Variety and AOL, Timberlake publicly revealed via Instagram that he has been battling Lyme disease throughout his long running Forget Tomorrow World Tour, describing nerve pain, “crazy fatigue,” and sickness so intense he seriously considered cancelling shows but pushed through to finish the tour in Istanbul. This on the record diagnosis marks a major new chapter in his personal and professional narrative, explaining recent criticism of his “tired” stage performances that outlets like Us Weekly and AOL had highlighted and potentially reframing fan and industry perceptions of his endurance and work ethic.On the domestic front, RadarOnline and follow up pieces in Reality Tea, Perth Now and The News International report that Timberlake and Jessica Biel are living “increasingly separate lives” and are “on the brink of divorce,” citing unnamed insiders who claim Biel is surging ahead as a producer while Timberlake is “looking backward” and trying to recapture past pop glory. These stories are based entirely on anonymous sources and absence from joint photos, with no confirmation from Timberlake, Biel, or their representatives, so all talk of separation or divorce remains speculative gossip, not verified fact.Meanwhile, his business portfolio keeps growing in Middle America fashion. The Tennessean reports that a Justin Timberlake backed entity tied to 8AM Golf has just closed another land purchase outside Nashville, bringing its Bounty Club golf development to roughly 475 acres, positioning Timberlake more firmly as a long term player in luxury golf and real estate. Parade's recent net worth deep dive reiterates that these ventures sit alongside earlier investments in MySpace, beverages, restaurants, and fashion, underscoring an intentional shift into mogul territory as touring and chart dominance become less predictable.On social media, the Lyme announcement and the swirl of Biel divorce rumors have driven most of the chatter: verified outlets are amplifying his health disclosure, while the marital drama is circulating largely through tabloids and aggregation sites repeating the same unconfirmed insider claims.Get the best deals https://amzn.to/3ODvOtaThis content was created in partnership and with the help of Artificial Intelligence AI

Some connections never really fade—no matter how much time, distance, or real life gets in the way. A woman reaches out to someone she vaguely remembers from childhood… and ends up reconnecting with a person who feels strangely familiar in all the ways that matter. Late-night phone calls turn into emotional lifelines. Friendship starts to blur at the edges. She moves on, starts a family, begins the next chapter. He tries to do the same—but finds himself trapped in a relationship that's slowly destroying him. And when she finally sets a boundary to protect her own life, she never expects it to be the last time she'll ever hear his voice. But guilt has a way of twisting itself into blame… until she opens something she hasn't looked at in years: his old MySpace page. What happens in that moment feels less like nostalgia—and more like a message she didn't know she still needed. #RealGhostStoriesOnline #HauntedMemories #EmotionalHauntings #UnfinishedGoodbyes #ParanormalComfort #SpiritsAmongUs #BeyondTheVeil #LostConnections #TrueParanormal #GhostStoryPodcast  Love real ghost stories? Don't just listen—join us on YouTube and be part of the largest community of real paranormal encounters anywhere. Subscribe now and never miss a chilling new story:

In this episode, we talk about Elias Canetti's 1960 book Crowds and Power. Equal parts political theory, poetic sociology, and speculative anthropology, this staggering work explores human social life through an increasingly elaborate series of reflections on the nature of crowds. The result is a fascinating typology of different kinds of crowds in which human beings cast off their individuality for the sake of equality and directed collective action: there are baiting crowds, feast crowds, prohibition crowds… Does a lynch mob follow a logic analogous to that of the viewing public in a world of mass media, a gathering of dancers attuned to the rhythms of the others, or those brought before the host of the invisible dead? What does it mean for the general strike that we fear the touch of others, until it's the thing we desire most? It's pretty wild stuff, and we find plenty of insights to pull out and play with.This is just a short teaser of the full episode. To hear the rest, please subscribe to us on Patreon:patreon.com/leftofphilosophyReferences:Elias Canetti, Crowds and Power, trans. Carol Stewart (New York: Farrar, Straus and Giroux, 1984).Music:“Vintage Memories” by Schematist | schematist.bandcamp.com“My Space” by Overu | https://get.slip.stream/KqmvAN

Do you still know your MySpace login? Did you ever download from Pirate Bay? Do you remember the Boiler Room at the Big Day Out? Aussie artist What So Not joins us for a chat about making a break in the music industry to playing to 20,000 strong crowds and working alongside some musical greats!See omnystudio.com/listener for privacy information.

For Ad Free shows go to:www.patreon.com/dopeypodcastDave kicks off the first-ever Wednesday Dose of Dopey talking about post-Thanksgiving food insanity, a brownie-topped cheesecake Linda brought home, and his evolving stance on cheesecake as a “real” dessert. He updates the Dopey Nation on the Dopey Fitness Challenge, his failed attempt at jogging with his dog Winnie that ends with him eating pavement, ripping his pants, smacking the dog in frustration, and then feeling guilty about it all week. Dave reads an email from Haley in Mississippi, who loved the Glenis and Billy Strings episodes and promises heavy dopey stories from homelessness, prison, and IV meth. He begs for more voicemails and then plays a chunk of Miles Davis's autobiography, where Miles describes sliding from snorting heroin into shooting it, realizing he has a habit, and sinking into a four-year “horror show” of heroin and cocaine in New York.Then Dave introduces Naughty God (Dakota), a heavily tattooed Instagram/TikTok/YouTube creator who built a big following rating nod videos “sportscaster-style.” Dakota tells his story: growing up between a sweet, young mom and a meth-addicted dad, starting drugs at 13 by snorting random pain pills he found in a friend's brother's room, and becoming the classic weed-identity kid with a pot-leaf MySpace. He forms the band LAW with his friend Jacob Nowell (Bradley Nowell's son, who now sings for Sublime), and they grow up playing shows in San Diego and Long Beach while having access to grown-up levels of partying. Dakota falls in love with cocaine in his mid-teens, then with speed, and his using gets him kicked out of LAW when Jacob gets sober and can't handle him showing up high to everything.After moving to Orange County, Dakota dives into selling and using coke in San Clemente, then adds Oxy 30s (“blues”), fentanyl pills, and heroin to his daily rotation. He and his tight crew—especially his best friend Robert—live in a constant loop of dealing, partying, and using. Over two months, Robert, Dakota's cousin, and three other friends all die from fentanyl. The losses break him: he has a mental breakdown, calls his grandma, and checks himself into a San Diego hospital detox, where he's put on 100mg of methadone and spends years on the clinic grind.Dakota talks about being on methadone for four–five years, barely using anything else, then deciding—with help from a therapist—that he'll never fully turn a corner if he stays on it forever. He tapers himself from 100mg down to 4mg over about a year, jumps off, and goes through a long, foggy, uncomfortable withdrawal. He's now about a year and a half off methadone, occasionally smokes weed, sees a therapist, plays bass in his band Somehow Unseen, and works on content. He and Dave riff on nodding (“my whole life”), nod techniques, fentanyl's short “legs,” and the economics of why heroin likely won't “come back” in a big way.Dakota explains how he built NaughtyGod into a fast-growing account by structuring it like a recurring “show” and inventing/collecting phrases like “Charm City Rainbow,” “Nodwalk Shuffle,” “Baltimore Street Yoga,” “Sheriff of Nottingham” to describe different nod poses. They talk about Instagram flagging and banning drug content, other junkie meme/recovery pages, and how both of them accidentally stumbled into helping people through content that started out as pure jokes and self-centered ambition. They agree to collab on a nod reel, and Dakota shouts out his band and pages.All that and more on a brand new WEDNESDAY Episode of the good old dopey show! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Today's guest is the producer behind some of the biggest songs of the last 15 years — from “Wrecking Ball,” “Timber,” and “Dark Horse” to early records with The Weeknd and Britney Spears.From teaching himself production on cracked software and vinyl turntables… to going on a run of genre-defining hits.And the writer is… Cirkut!In this episode, he opens up about his early grind, the moment Britney cut his beat, his first sessions in LA, working alongside Max Martin and Dr. Luke, and the mindset that helped him go from unknown kid with an MPC to one of the most important producers in modern pop.A special thank you to our sponsors...Our lead sponsor, NMPA aka the National Music Publisher's Association. Your support means the world to us!And @splice -- the best sample library on the market, period.00:00 — Intro: Who is Cirkut?00:04:37 — Early music influences: hip-hop, DJ culture00:05:49 — Discovering DJ gear & beat manipulation00:07:55 — First exposure to FruityLoops & early production00:10:24 — DJ'ing pep rallies with vinyl00:12:36 — Applying early skills later for Lady Gaga00:14:14 — Skipping audio classes to make beats00:16:46 — Early Drake encounter in Toronto00:18:40 — How the name “Cirkut” was born00:21:35 — How a CD of his beats got to Britney Spears00:22:10 — First big cut: Britney's “Papi”00:23:01 — Discovering electronic music & the blog era00:23:49 — Learning from Masterkraft (the MySpace era)00:33:00 — Working with The Weeknd on “High For This”00:33:57 — Recognizing Abel's early greatness00:35:06 — Moving to LA & hustling through the rat race00:38:49 — What finally got him out of the rat race00:39:33 — The call from Dr. Luke00:41:11 — The Flo Rida / Levels / Good Feeling near-miss00:42:37 — Losing a big cut overnight00:43:19 — When the hits start stacking: “Where Have You Been,” “Wrecking Ball,” “Timber”00:44:48 — The thing he brought that cut through the noise00:47:18 — What it's like creating with Max Martin00:49:36 — Winning Producer of the Year (Junos)00:50:17 — When Cirkut realized he belonged at the top00:52:04 — Why his ego is different00:53:15 — His quiet superpower in the roomHosted by Ross GolanProduced by Joe London and Jad SaadWatercolor by Michael White Hosted on Acast. See acast.com/privacy for more information.

"I think we're one of the first bands that wasn't afraid of being called emo. We didn't try to tell people not to call us emo. We were actually trying to be an emo band."We're live at Warped Tour Orlando with Buddy from Senses Fail! He dives into why the band always embraced being called emo and their early days on Drive-Thru Records, while also detailing their three unique sets for the Emo's Not Dead cruise.Live from Warped Tour Orlando, we sit down with the legendary Buddy Nielsen of Senses Fail. Buddy reflects on the band's unique place in emo history, sharing why they were one of the few bands to proudly embrace the 'emo' title from the very beginning. He discusses their roots on the iconic pop punk label Drive-Thru Records and how influences like Finch and Jimmy Eat World shaped their sound. Looking ahead, Buddy gives us an exclusive preview of their ambitious plans for the Emo's Not Dead cruise, which includes three distinct sets: a jazz band called Martini Kiss, a set of their greatest hits, and a hardcore performance. Tune in for a deep dive into the legacy and future of one of the scene's most important bands.HIGHLIGHTS:"I think we're one of the first bands that wasn't afraid of being called emo. We didn't try to tell people not to call us emo. We were actually trying to be an emo band.""All emo is real emo. Even the industry plan emos... There's a discussion to be had about what is good. But I think everybody should be allowed to throw their name in the hat.""If you influenced an emo band, you might be emo, whether you like it or not. Jimmy Eat World, emo, huge influence on on me personally."Guest/Band Links: Spotify: https://open.spotify.com/artist/467o5z7PYxbXFAGA0mvhAQInstagram: https://www.instagram.com/sensesfail/Official Website: https://www.sensesfail.com/Tour Page: https://sensesfail.com/pages/tour JOIN THE CLUB! Youtube: https://emosocial.club/youtube Instagram: https://emosocial.club/instagram TikTok: https://emosocial.club/tiktok Twitch: https://emosocialclub.tv Discord: https://emosocial.club/discord Facebook: https://emosocial.club/facebook Twitter: https://emosocial.club/twitter Support the Show:Leave a review on Apple Podcasts/SpotifyShare this episode with a friend who needs to hear itSupport us and watch exclusive episodes: https://emosocialclub.tvIt was never just a phase. We connect the Myspace era to today's waves.

Le Vinyle fait son retour !! Non pas avec un épisode, mais avec une série de trois épisodes sur le mythique groupe Arctic Monkeys

"We're not afraid of our coping mechanisms. And we're not afraid to be, shamelessly happy or shamelessly sad."We caught up with Arrows In Action at Warped Tour in their home state of Florida. The band discusses what makes them emo, the power of coping with humor, and the influence of the Warped Tour scene on their sound. They also share their excitement for their dream tour with Boys Like Girls.Live from Warped Tour Orlando, we sit down with Florida's own Arrows In Action. Coming full circle from attending the festival as kids to playing it themselves, the band reflects on the vibrant Florida pop punk scene and its place in emo history. They dive deep into what makes their music "emo," describing it as a state of mind built on coping mechanisms and the freedom to be shamelessly happy or sad. The band discusses how they blend humor with sincerity, touring with The Home Team, and how their sound fits into the diverse landscape of the modern scene. Plus, they share the incredible news of their upcoming dream tour supporting one of their biggest influences, Boys Like Girls, a milestone moment for the rising act.CHAPTERS:00:00 Intro00:06 Warped Tour Memories00:43 The Most Emo Song We're Listening ToGuest/Band Links:Spotify: https://open.spotify.com/artist/467o5z7PYxbXFAGA0mvhAQInstagram: https://www.instagram.com/arrowsinaction/Official Website: https://arrowsinaction.com/ JOIN THE CLUB! Youtube: https://emosocial.club/youtube Instagram: https://emosocial.club/instagram TikTok: https://emosocial.club/tiktok Twitch: https://emosocialclub.tv Discord: https://emosocial.club/discord Facebook: https://emosocial.club/facebook Twitter: https://emosocial.club/twitter Support the Show:Leave a review on Apple Podcasts/SpotifyShare this episode with a friend who needs to hear itSupport us and watch exclusive episodes: https://emosocialclub.tvIt was never just a phase. We connect the Myspace era to today's waves.

"I think all black and brown people across all industries and fields know that we always have to work 10 times harder to be met in the middle."We're joined by rap rock pioneers Oxymorrons at Warped Tour. They get real about the challenges and pride of being Black artists in the alternative rock scene. The band also shares the creative freedom behind their latest independent album cycle._________________________________________________Live from Warped Tour, we sit down with the incomparable Oxymorrons. Hailing from Queens, NY, the band has consistently challenged the boundaries of the alternative scene by blending hip hop, rock, and punk into a sound that is uniquely their own. In this raw and honest conversation, they discuss the realities of being Black artists in a predominantly white space, touching on the concept that they must work ten times harder just to be met in the middle. They share powerful anecdotes about the pride they see in fans of color at shows, reinforcing why representation is more than just a buzzword. We also dive into the creative cycle behind their latest independent project, "create, destroy, rebuild, repeat," and what it means to make art without the pressures of commerce. This is a must-listen for anyone interested in the evolution of the pop punk and emo history and the artists pushing it forward.Chapters:00:00 Intro00:20 The Most Emo Song We're Listening To01:18 What Makes Oxymorrons Emo?Guest/Band Links:YouTube: https://www.youtube.com/channel/UC74jCWaxaSUoBg-JwlBRThAInstagram: https://www.instagram.com/oxymorrons/?hl=enOfficial Website: https://oxymorrons.store/?srsltid=AfmBOopA7hsxp2ZkHkV9VwG0Ge19r6RPwgnKEkH79Qqas8DluzoECnQ9 JOIN THE CLUB! Youtube: https://emosocial.club/youtube Instagram: https://emosocial.club/instagram TikTok: https://emosocial.club/tiktok Twitch: https://emosocialclub.tv Discord: https://emosocial.club/discord Facebook: https://emosocial.club/facebook Twitter: https://emosocial.club/twitter Support the Show:Leave a review on Apple Podcasts/SpotifyShare this episode with a friend who needs to hear itSupport us and watch exclusive episodes: https://emosocialclub.tvIt was never just a phase. We connect the Myspace era to today's waves.

Join Emo Social Club as we chat with Travis from Girlfriends about their record 'There Goes the Neighborhood,' nostalgic youth experiences, and the true meaning of emo in today's music scene. Discover how the band finds light at the end of the tunnel.Chapters:00:00 Intro: Girlfriends & Emo Night01:05 Girlfriends' New Album: There Goes the Neighborhood03:40 UK/Europe Tour with Kenny Hoopla & Warped Tour MagicGuest/Band Links:Spotify: Instagram: https://www.instagram.com/girlfriends/?hl=enOfficial Website: https://girlfriendsxo.com/ JOIN THE CLUB! Youtube: https://emosocial.club/youtube Instagram: https://emosocial.club/instagram TikTok: https://emosocial.club/tiktok Twitch: https://emosocialclub.tv Discord: https://emosocial.club/discord Facebook: https://emosocial.club/facebook Twitter: https://emosocial.club/twitter Support the Show:Leave a review on Apple Podcasts/SpotifyShare this episode with a friend who needs to hear itSupport us and watch exclusive episodes: https://emosocialclub.tvIt was never just a phase. We connect the Myspace era to today's waves.

What if the most dreaded part of your customer's journey: the return, was actually your biggest untapped opportunity for growth?Agility requires brands to re-examine every part of the customer journey, especially the challenging post-purchase phase, and find hidden opportunities to adapt and strengthen customer relationships. It demands we turn operational liabilities into strategic assets. Today, we're going to talk about something that many retailers see as a pure cost center: customer returns. Instead, we'll explore how a smart, data-driven post-purchase strategy can actually become a powerful engine for customer retention and lifetime value. We'll look at the data trends shaping retail, how to navigate the complex pressures on merchants today, and why this often-overlooked part of the business might be the key to unlocking future growth. Joining me to discuss this is Laura Huddle, CRO at Seel. This show is sponsored by Seel, the AI-powered post-purchase platform that helps retailers turn returns into revenue while giving shoppers a more seamless, trusted experience. For more information, go to ⁠www.seel.com⁠. About Laura Huddle Laura Huddle is the CRO of Seel, a Lightspeed Ventures and Foundation Capital backed startup that is creating the next generation e-commerce insurance experience. Previously, she led world-class sales, marketing, and account management teams across the globe at tech industry disruptors Eventbrite's (NYSE: EB), Deliveroo (LSE: ROO), Smartcar (a16z, NEA, Energize Capital) and Belong . She was one of the first employees at Eventbrite and was a lot of "firsts": first product manager, first product marketer, first category marketer, first Head of APAC Sales, etc. In addition, she taught product management at UC Berkeley, founded her own consultancy, and helped grow Myspace into the world's most popular website.,Yes,This will be completed shortly Laura Huddle on LinkedIn: https://www.linkedin.com/in/laurahuddle/ Resources Learn more about Seel: https://www.seel.com Catch the future of e-commerce at eTail Palm Springs, Feb 23-26 in Palm Springs, CA. Go here for more details: https://etailwest.wbresearch.com/ Connect with Greg on LinkedIn: https://www.linkedin.com/in/gregkihlstrom Don't miss a thing: get the latest episodes, sign up for our newsletter and more: https://www.theagilebrand.show Check out The Agile Brand Guide website with articles, insights, and Martechipedia, the wiki for marketing technology: https://www.agilebrandguide.com The Agile Brand is produced by Missing Link—a Latina-owned strategy-driven, creatively fueled production co-op. From ideation to creation, they craft human connections through intelligent, engaging and informative content. https://www.missinglink.company

Dave and Chuck the Freak talk about Chuck’s anal issues, Play With Dad Day, the worst day to go Thanksgiving shopping, MySpace had a chance to buy Facebook, emailer made Dave a Make America Tall Again bumper sticker, emailer loves going down during that time of the month, using garlic extract as mouth wash, woman hit cop with car, preparations for busiest travel day in a decade, firefighter busted clocking in for shifts he wasn’t working, 350 gallons of oil pumped into basement, guy bought vehicle new from dealership to find out it had an accident, oldest bus driver in the world, Dave declares his love for coffee, Chauncey Billups in court, Tennessee super fan finally got Manning autograph, Donald Glover had a stroke, Tara Reid spotted passed out in wheel chair at Chicago bar, movie about Stallone, woman pepper-sprayed boat at San Antonio River Walk, postal worker stabbed guy looking for his mail, video of valet worker taking car for joyride, man caught recording up-skirt videos, wife turned husband in for bathroom peep hole, most feet-obsessed states, have you encountered a foot fetish person?, man impersonated dead mother like Mrs. Doubtfire, suspect robbed restaurant, kid threw birthday party and 500 people showed up, foods we would ban from Thanksgiving, body odor’s link to intimidation, whiskey fragrance, woman covering house with rhinestones for Christmas, and more!

Dave and Chuck the Freak talk about Chuck's anal issues, Play With Dad Day, the worst day to go Thanksgiving shopping, MySpace had a chance to buy Facebook, emailer made Dave a Make America Tall Again bumper sticker, emailer loves going down during that time of the month, using garlic extract as mouth wash, woman hit cop with car, preparations for busiest travel day in a decade, firefighter busted clocking in for shifts he wasn't working, 350 gallons of oil pumped into basement, guy bought vehicle new from dealership to find out it had an accident, oldest bus driver in the world, Dave declares his love for coffee, Chauncey Billups in court, Tennessee super fan finally got Manning autograph, Donald Glover had a stroke, Tara Reid spotted passed out in wheel chair at Chicago bar, movie about Stallone, woman pepper-sprayed boat at San Antonio River Walk, postal worker stabbed guy looking for his mail, video of valet worker taking car for joyride, man caught recording up-skirt videos, wife turned husband in for bathroom peep hole, most feet-obsessed states, have you encountered a foot fetish person?, man impersonated dead mother like Mrs. Doubtfire, suspect robbed restaurant, kid threw birthday party and 500 people showed up, foods we would ban from Thanksgiving, body odor's link to intimidation, whiskey fragrance, woman covering house with rhinestones for Christmas, and more!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This one gets real. Keke sits down with her day-one bestie, Grammy-nominated artist and songwriter Tayla Parx, the force behind hits for Ariana Grande, Fifth Harmony, and Panic! At The Disco. They talk about growing up in Hollywood chasing their dreams as child stars, acting together on Nickelodeon's 'True Jackson, VP,' their first boyfriends, and messy Myspace moves. Tayla helped Keke own her story while co-producing 'Just Keke' during one of the hardest seasons of her life. Keke also opens up about motherhood and the unexpected courage that came with it.Be the first to know about Wondery's newest podcasts, curated recommendations, and more! Sign up now at https://wondery.fm/wonderynewsletterListen to Baby, This is Keke Palmer on the Wondery App or wherever you get your podcasts. Experience all episodes ad-free and be the first to binge the newest season. Unlock exclusive early access by joining Wondery+ in the Wondery App, Apple Podcasts or Spotify. Start your free trial today by visiting https://wondery.com/links/baby-this-is-keke-palmer/ now.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Join Emo Social Club for an insightful chat with Sum 41 frontman Deryck Whibley as he shares the journey behind his clothing brand, Walking Disaster, his creative philosophy, and what makes music truly emotional, all from Warped Tour.Chapters:00:00 Launching Walking Disaster: From Socks to Full Brand02:00 Deryck Whibley on Defining Emo Music04:00 Life & Creative Philosophy: Just Try StuffGuest/Band Links:Spotify: Instagram: https://www.instagram.com/walkingdisaster/Official Website: https://walkingdisaster.com/ JOIN THE CLUB! Youtube: https://emosocial.club/youtube Instagram: https://emosocial.club/instagram TikTok: https://emosocial.club/tiktok Twitch: https://emosocialclub.tv Discord: https://emosocial.club/discord Facebook: https://emosocial.club/facebook Twitter: https://emosocial.club/twitter Support the Show:Leave a review on Apple Podcasts/SpotifyShare this episode with a friend who needs to hear itSupport us and watch exclusive episodes: https://emosocialclub.tvIt was never just a phase. We connect the Myspace era to today's waves.

Today's guest went from making songs on a floppy-disk keyboard, sampling off a Kellogg's cereal box DAW, and sending blind MySpace messages… to producing the some of the biggest crossover dance anthems of the last decade. And The Writer Is... Zedd!What makes this conversation special isn't just the hits — it's how brutally honest he is about the craft, the obsession, and the unexpected moments that built his career.A special thank you to our sponsors...Our lead sponsor, NMPA aka the National Music Publisher's Association. Your support means the world to us!And @splice -- the best sample library on the market, period.Chapters:0:00:00 – Teaser 0:01:06 – Welcome & Episode Intro 35:58 – Zedd on Never Thinking He'd Be Successful 25:41 – Growing Up Poor & Studying One Album a Month 18:01 – The Kellogg's DAW That Started Everything 15:33 – Learning Music on a 16-Track Floppy-Disk Keyboard 30:44 – Why He Thought EDM Was a Joke at First 38:12 – The Skrillex MySpace Story That Changed His Life 31:25 – Finding His Sound Through Curiosity & Obsession 47:14 – The “Lightning Moment” Behind Clarity 59:34 – Being Wrong More Often Than Right 1:03:03 – Why Most Music Feels the Same Today 1:03:37 – Extraordinary vs. Average: What Listeners Actually Feel 1:00:08 – “All I'm Doing Is Chasing a Feeling” 56:26 – The Chaos Behind Making The Middle 1:00:47 – Realizing the Scale of His Own Success 28:23 – What It Takes to Stay Inspired 6:48 – The Creative Principles He Still Lives By 41:22 – The Fastest Way for Artists to Get Noticed 1:05:23 – Zedd's Final Advice for Musicians 1:07:19 – Closing ThoughtsHosted by Ross GolanProduced by Joe London and Jad SaadWatercolor by Michael White Hosted on Acast. See acast.com/privacy for more information.

We're a collective from a bunch of like outcast scenes that are like working together and now become a part of another scene that is accepting of all sorts of different kinds of music".We talk with the incredibly popular band The Home Team (known for hits like "Loud" and "Walk This World With Me") while at Vans Warped Tour. The band shares their thoughts on the collective, accepting nature of the Warped Tour scene, which they see as a place for all different types of bands. We get into their eclectic musical taste, which blends heavy riffs, pop-punk roots (like their enduring love for Fall Out Boy), and modern R&B influences, which they affectionately call "Sexy Rock". Finally, the band discusses the importance of giving back to the local DIY scene by offering opening slots, paying forward the opportunities they once received.Key Topics & Timestamps:The Home Team's incredible popularity and Warped Tour ExperienceThe most emo song the band is listening to right now (sad R&B and Fall Out Boy)Why The Home Team prioritizes local bands as openers on their sold-out tourThe importance of "paying it forward" in the scene (Shoutout to Skye from Issues)What makes The Home Team "emo" and embracing the outcast collectiveBlending brooding, emotional songs ("Walk This World With Me," "Somebody Else's Face") with heavy metal and R&B influencesDefining their sound as "Sexy Rock" and the influence of Justin TimberlakeWhere to find tickets for the few dates that still have availabilityGuest/Band Links:Spotify: Instagram: https://www.instagram.com/thehometeam/?hl=enOfficial Website: https://thrillerrecords.com/pages/the-home-teamTour Dates: https://www.thehometeammerch.com/pages/tour-1Episode Highlights:"We really want now that we're in this position to give people opportunity, even though all the shows are already sold out, like we don't need need more support.""You see a band doing something really cool and you want them to succeed. Help them out. If you can reach down and pull them up with you. Yeah. It's beautiful.""The thing that would make us the most emo in this case would definitely be the more brooding songs... Walk This World with me is one of my favorite songs we've ever written, and it's a ballad.""I grew up listening to a lot of R&B music and a lot of R&B music is very sexy. So I mean, it's really just a manifestation of the same of the influences that I took on musically."__________________________________JOIN THE CLUB!Youtube: https://emosocial.club/youtubeInstagram: https://emosocial.club/instagramTikTok: https://emosocial.club/tiktokTwitch: https://emosocialclub.tvDiscord: https://emosocial.club/discordFacebook: https://emosocial.club/facebookTwitter: https://emosocial.club/twitterSupport the Show:Leave a review on Apple Podcasts/SpotifyShare this episode with a friend who needs to hear itSupport us and watch exclusive episodes: https://emosocialclub.tvIt was never just a phase. We connect the Myspace era to today's waves. JOIN THE CLUB! Youtube: https://emosocial.club/youtube Instagram: https://emosocial.club/instagram TikTok: https://emosocial.club/tiktok Twitch: https://emosocialclub.tv Discord: https://emosocial.club/discord Facebook: https://emosocial.club/facebook Twitter: https://emosocial.club/twitter Support the Show:Leave a review on Apple Podcasts/SpotifyShare this episode with a friend who needs to hear itSupport us and watch exclusive episodes: https://emosocialclub.tvIt was never just a phase. We connect the Myspace era to today's waves.

Our personal data can be used to manipulate the prices we see, the disinformation we believe, and sometimes even who we vote for. So, how much does the internet know about you?

What did FaceTime cheating with RFK Jr. feel like? What does Olivia Nuzzi's MySpace song sound like? And what does Pablo have in common with Jeffrey Epstein? Plus: Bob Woodward's spoken-word rap album... and several cans of worms.Further content:• "Olivia Nuzzi Did It All for Love" (Jacob Bernstein)• "How I Found Out" (Ryan Lizza)• "American Canto: Read the Exclusive Excerpt" (Olivia Nuzzi) Hosted on Acast. See acast.com/privacy for more information.

"I really love instrumentation and production and lyrics and... giving people a feeling that they can relate to." Joining us from the seclusion of the Artist Lounge at Vans Warped Tour in Orlando, Huddy breaks down what it means to be an artist in the modern alternative scene. While often associated with the new wave of pop-punk, this conversation dives deep into the music history and influences that shape his sound—specifically his current obsession with heavy hitters like I Prevail and the "violent nature" of their tracks.We explore the "spirit of emo," moving past the aesthetic to focus on the raw instrumentation and relatable lyrics that defined the genre's history. Huddy opens up about festival anxiety, the frustration of set-time conflicts, and the sonic evolution behind his new single, "Burn the Ballroom Down." Whether you are a nostalgic millennial or discovering the scene today, this episode connects the dots between personal growth and the changing landscape of alternative music. Key Topics & Timestamps:Introduction: Soaking in the weather at Vans Warped Tour OrlandoDealing with festival anxiety and watching from the Artist LoungeCurrent heavy rotation: Discovering I Prevail and "Violent Nature"The Artist's Dilemma: Playing a set while your favorite band is on stageDefining the Genre: Why Huddy believes emo is a spirit, not a lookThe story behind the new single "Burn the Ballroom Down"Pivoting to a more mature, alternative soundNew influences: The Marias, Scouse rap, and Tame Impala Guest/Band Links:Spotify: https://open.spotify.com/artist/huddyInstagram: https://www.instagram.com/huddyTikTok: https://www.tiktok.com/@huddyOfficial Website: https://www.huddyMusic.com Episode Highlights:"It's not fair. But at the same time, it's just artist problems, you know? You know, just girly things.""I discovered the Marias this year... and I really f***ing love them.""It's about the message... how you put it and what you stand for." JOIN THE CLUB! Youtube: https://emosocial.club/youtube Instagram: https://emosocial.club/instagram TikTok: https://emosocial.club/tiktok Twitch: https://emosocialclub.tv Discord: https://emosocial.club/discord Facebook: https://emosocial.club/facebook Twitter: https://emosocial.club/twitter Support the Show:Leave a review on Apple Podcasts/SpotifyShare this episode with a friend who needs to hear itSupport us and watch exclusive episodes: https://emosocialclub.tvIt was never just a phase. We connect the Myspace era to today's waves.

In this episode, we talk with James Chamberlain about his new book, Living Through Capitalism, in which he argues that capitalism is hostile to biological life processes and our ability to know them well enough to lead flourishing lives. Capitalism mutilates all life, and not just human life, in its harnessing of life for its own ends. Only in communities that resist this “strange teleology” that capitalism imposes on life can we truly be free. leftofphilosophy.comReferences:James Chamberlain, Living Through Capitalism: Resisting Devastation Through Communities of Life (Edinburgh University Press, 2025). Music:“Vintage Memories” by Schematist | schematist.bandcamp.com“My Space” by Overu | https://get.slip.stream/KqmvAN

"You ever been beaten down by life after 30 years? ... That's the genesis of Slow Joy. It's just emotionally driven lyrics and things that make sense really loud."In this episode, we sit down with Esteban from Slow Joy at the Bottom Lounge in Chicago to discuss the reality of tour life and the release of his deluxe record, A Joy Even Slower. Bridging the gap between the Myspace era and today's alternative waves, Esteban breaks down how growing up in the Dallas music scene influenced his unique sound—a mix of "hot and sludgy" shoegaze and anthem-heavy emo.We explore his deep love for Taking Back Sunday (specifically the Louder Now era) and the cinematic history of the "The Ghost of You" music video. Esteban also opens up about his vocal evolution, moving from trying to emulate Midwest emo tappies to channeling the raw power of Joe Talbot from Idles and Citizen. Whether you are a nostalgic millennial or an emo revivalist, this conversation connects the history of the genre to its exciting future. Key Topics & Timestamps:Introduction: The reality of tour life and the "Venn Diagram" of sleep vs. foodThe Emo Check: Why Taking Back Sunday's "Makedamnsure" is the perfect songFun Fact: How the director of "The Ghost of You" went on to direct Spider-ManDefining the Slow Joy sound: "Life beating you down"Deep dive into the deluxe album A Joy Even Slower and Modest Mouse influencesTouring with The Academy Is... and the kindness of 2000s legendsThe Texas Scene Report: Dallas, Denton, and the "sludgy" shoegaze soundVocal techniques: Channeling Idles and Citizen vs. Midwest Emo math rockWhere to find Slow Joy online Guest/Band Links:Spotify: https://open.spotify.com/artist/SlowJoyInstagram: https://www.instagram.com/slowjoy.officialOfficial Website: https://www.slowjoymusic.com/ Episode Highlights:"I'm not cool enough to do the shoegaze thing. So I just kind of live in a world where you sing like these bright, cool melodies and then do that melodic rock stuff.""I'm just gonna do my best Joe Talbot impression... that 'tough guy' voice thing that I do. Everybody is like, 'Oh, that's like Citizen.' And I was like, 'No, I'm actually just trying to do Joe [from Idles].'""You can do two things half-a**ed... or I'm gonna do one thing at a time. Especially when you get into those punky, newer tracks." JOIN THE CLUB! Youtube: https://emosocial.club/youtube Instagram: https://emosocial.club/instagram TikTok: https://emosocial.club/tiktok Twitch: https://emosocialclub.tv Discord: https://emosocial.club/discord Facebook: https://emosocial.club/facebook Twitter: https://emosocial.club/twitter Support the Show:Leave a review on Apple Podcasts/SpotifyShare this episode with a friend who needs to hear itSupport us and watch exclusive episodes: https://emosocialclub.tvIt was never just a phase. We connect the Myspace era to today's waves.

Notes and Links to Kaila Yu's Work       Kaila Yu is a singer, songwriter, former model, and freelance journalist for Rolling Stone, CNN, Glamour, and more.    She was formerly the lead singer for the all-Asian-American, female rock band Nylon Pink. Yu is also one of the founders of the jewelry/fashion line "Hello Drama" which is affiliated with the Nylon Pink band and style. Buy Fetishized: A Reckoning With Yellow Fever, Feminism, and Beauty   Kaila's Instagram   Review of Fetishized for The New York Times   At about 1:10, Kaila responds to Pete's questions about feedback she has gotten on the book, and how she sees the book now, post-publication  At about 3:15, Pete asks Kaila to share background information on her reading and language life At about 4:45, Kaila talks about how writing as a profession developed and shouts out Minor Feelings by Cathy Park Hong and Melissa Febos and Roxane Gay's greatness At about 7:05, Kaila talks about the catalysts for her writing her book, largely around the beginning of the Covid pandemic At about 10:20, Kaila talks about distinctions, or lack thereof, between “fetish” and preference  At about 11:45, Kaila and Pete discuss the book's opening and hurtful and harmful comments towards Kaila, some in recent years  At about 13:20, Kaila reflects on “mainstreamed objectification” and an observation from the book that “objectification was better than invisibility” At about 16:35, the two discuss halting attempts at Asian representation in the 90s and early 2000s At about 18:10, Kaila discusses the evolution of Asian and Asian-American stars and their ability to “make their own lane” At about 19:05, Kaila talks about ideas of personal “diminish[ment]” growing up in comparison to media portrayals  At about 20:30, Kaila responds to Pete's questions about the effects of Memoirs of a Geisha and perpetuation of harmful tropes At about 22:30, more examples of problematic representation of Asian women in pop culture and in Kaila's schooling are discussed At about 23:00, Kaila talks about the evolution of “ABGs” At about 25:30, Kaila talks about the “groundbreaking” Joy Luck Club and also ways that it could have been better in minimizing stereotypes At about 26:30, Kaila gives background on the start of her pinup model, as well as how rife the industry is with sexualization and sexual crimes At about 27:45, Kaila gives background on a contemporary San Diego “modeling gig” agency that led to sexual crimes, showing how her experience was sadly not unique  At about 30:05, Kaila responds to Pete's question about online and in-person hateful and misogynistic comments and how she and bandmates  At about 31:50, Kaila talks about she didn't connect at the time, but does now, about how she dealt with traumas  At about 33:00, Shoutout to Allen Carr and his anti-smoking books At about 33:45, Pete asks Kaila about the pitfalls of fame, and her ceaseless battle to remove a defamatory video At about 35:35, Kaila talks about ideas of a "separation" and the impetus for her name change At about 36:40, The two discuss ideas of interchangeability and the history of blepharoplasty At about 38:50, Afong Moy and other exoticism and inhumane conditions for Asian women are discussed, and how this led to a sexualization of these women  At about 41:15, Kaila and Pete discuss some acting and entertainment highlights and struggles; included is some reminiscing about MySpace! At about 43:50, Kaila responds to Pete's questions about the end of her music career and performing in multiple ways At about 45:15, Kaila talks about recent iterations of KPop and patriarchal and feminism in more current music  At about 46:55, Kaila reflects on positive feedback and the legacy involving Nylon Pink At about 47:10, Kaila talks Guns n Roses and “classic” songs and concerts At about 49:15, Kaila forecasts what she will be writing about in the future       You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow Pete on IG, where he is @chillsatwillpodcast, or on Twitter, where he is @chillsatwillpo1. You can watch other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both the YouTube Channel and the podcast while you're checking out this episode.       Pete is very excited to have one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. His conversation with Hannah Pittard, a recent guest, is up at Chicago Review.     Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl      Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting Pete's one-man show, DIY podcast and extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content! This month's Patreon bonus episode features an exploration of flawed characters, protagonists who are too real in their actions, and horror and noir as being where so much good and realistic writing takes place. Pete has added a $1 a month tier for “Well-Wishers” and Cheerleaders of the Show.     This is a passion project, a DIY operation, and Pete would love for your help in promoting what he's convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 310 with Stephanie Elizondo Griest, a globetrotting author from the Texas/Mexico borderlands. Her six books include Around the Bloc: My Life in Moscow, Beijing, and Havana; Mexican Enough; All the Agents and Saints; and Art Above Everything: One Woman's Global Exploration of the Joys and Torments of a Creative Life. The latter will be the main conversation piece. This episode airs on November 20. Please go to ceasefiretoday.org, and/or https://act.uscpr.org/a/letaidin to call your congresspeople and demand an end to the forced famine and destruction of Gaza and the Gazan people.  

"We have this phrase called Þetta reddast, which we say a lot, and it's just like the things will work out somehow. And I think that describes it quite well."We're live from Reykjavik for the Iceland Airwaves festival! Brian sits down with Icelandic experimental pop artist Lúpína to discuss the vibrant and creative local music scene. Lúpína shares why singing in her native Icelandic language feels so special and how her music, while not strictly "emo," is built entirely around emotion. She describes the unique DIY culture of Reykjavik , where gigs happen in record stores and bookshops , all driven by the national mentality of "Þetta reddast" (things will work out). We also discuss her use of vocal effects , her collaboration with Dadi Freyr , and why Icelandic music has such a unique, spacious, and electronic sound. Key Topics & Timestamps:[00:25] The most emo song Lúpína is listening to (Highasakite)[01:53] The special feeling of singing in Icelandic[02:53] The Reykjavik DIY Scene & "Þetta reddast"[04:51] Defining the Lúpína sound (Experimental Pop)[05:16] Why Icelandic music has so much "space"[07:03] Collaborating with Dottie Frere[08:15] Why is there so much talent in Iceland?[08:53] Where to find Lúpína Guest/Band Links:Spotify: https://open.spotify.com/artist/2WBanXfuVc8n09WZIwhGGc?si=YiETkPVDRNagWrb1j1EFiQ&nd=1&dlsi=8d47dbe1c9ee4f7a Instagram: https://www.instagram.com/lupina.is/YouTube: https://www.youtube.com/@eg.er.lupina/Official Website: https://lupinamusic.com/ Episode Highlights:"I wouldn't categorize my music as emo, but it all comes from emotions and it's all built around emotions.""I feel like there's something about singing in your native language that's just really special.""We have this phrase called Þetta reddast... it's just like the things will work out somehow." JOIN THE CLUB! Youtube: https://emosocial.club/youtube Instagram: https://emosocial.club/instagram TikTok: https://emosocial.club/tiktok Twitch: https://emosocialclub.tv Discord: https://emosocial.club/discord Facebook: https://emosocial.club/facebook Twitter: https://emosocial.club/twitter Support the Show:Leave a review on Apple Podcasts/SpotifyShare this episode with a friend who needs to hear itSupport us and watch exclusive episodes: https://emosocialclub.tvIt was never just a phase. We connect the Myspace era to today's waves.

Grab your Lip Smackers and your flat iron, because this week on RAM Pop Culture, we're cracking open our Teen Vogue archives and heading straight back to 2007. It's a full on glossy magazine sleepover as we rediscover the quizzes, cover girls, and chaos that defined an era. We take you through the “What Kind of Best Friend Are You?” quiz (are you a Selena, Blake, Zendaya, or Lindsay?), and of course play “Would You Rather: Teen Edition” We talk about the power of teen magazines in shaping our identities, political stances, and the performative perfection of the “It Girl,” and how every friendship in your teens felt like a cover story. From Juicy Couture tracksuits to the “Young Hollywood” issue, from Zac Efron prom fantasies to finding yourself in the MySpace age , it's our love letter to that formative, lip-gloss-sticky chapter of growing up. This magazine shaped us and Claire was even in it! Because at the end of the day… history is just gossip, especially when it's written in pink gel pen. RIP to a LEGENDARY magazine! Created and produced by Claire Donald and Tess Bellomo For more RAM, go ⁠here.⁠ Join our premium channel for 3 bonus eps a month ⁠here⁠ and save 15% when you buy annually! Learn more about your ad choices. Visit podcastchoices.com/adchoices

Brim and Mr. Greer are back at it again. Apart from all the usual shenanigans, the gang chats about everything pop culture with all the trimmings including how a German company is creating backpacks for the homeless, $20k robot housekeepers and Robo-Christ. The crew also chats about AI "Artists" who are breaking into the Billboard Top 100 and receiving million dollar contracts, they play with Suno on-air, and is Mr. Taylor actually Kevin James? The cast talks about the Married with Children reunion in January, the My Safe Space idiocy on the White House website, Who didn't have Tom on MySpace as a friend, and the lost, little known Mad Monster Party from Rankin Bass. They talk about an Ex-Satanist who says that trick or treating summons demonic activity, the Little Baron Trump books, time travel, what exists and if we don't see it - is it real? The crew also discusses Millie Bobby Brown and David Harbour harassment and bullying claims, as well as Stranger Things chatter. The crew chats about entertainment news, opinions and other cool stuff and things. Enjoy.Wherever you listen to podcasts & www.thegrindhouseradio.comhttps://linktr.ee/thegrindhouseradio

Today, I had an incredible conversation with Austin Armstrong, an entrepreneur, speaker, and creator whose journey perfectly embodies what it means to stop thinking like a content creator and start thinking like a business owner who creates content. Austin is the founder of Syllaby, an AI-powered video marketing platform that helps entrepreneurs and service-based business owners simplify content creation and stay consistent across every major platform. He's also the author of the upcoming book Virality!, which unpacks two decades of lessons from his evolution as a creator, marketer, and business builder. In our conversation, we explored: How Austin went from MySpace “trains” to building multi–seven-figure businesses powered by organic content. The story behind Syllaby, and how a simple pivot in messaging saved the company. What it really means to create systems that turn followers into customers. Austin's powerful S.T.A.R.T. Video Framework for crafting scroll-stopping, lead-generating videos. The biggest mistakes creators make when chasing virality, and what to do instead. I loved this conversation because it's about realizing that your content should serve your mission, not the other way around. Austin's energy, humility, and depth of experience made this an enjoyable conversation. If you're a creator, coach, or entrepreneur looking to build something that lasts, you're going to want to listen to this one from start to finish. The Path Forward If this episode resonated with you, I highly encourage you to pre-order Austin's new book, Virality! It's filled with proven frameworks, practical tools, and hard-won lessons that will help you think, act, and grow like a business owner who creates content.

Rod and Karen banter about Rod getting a free t-shirt, hybrid Black slang, parking prices, how white people dress during sporting events, kids at the game, Texas Pete, Rod’s seat broke at the Hornets game, and flying cars. Then they discuss the Trump admin trolling with a fake MySpace page, the Trump administration will not publish immigration data, SNAP benefits will be half as much and delayed, Rick Ross performs for MAGA, Jon Stewart defends platforming right winging people, Welcome to the Cookout™ (McKenzie Scott), offended man rips pride flags off wall, man shoots girlfriend after cheating on her in her car, man throws hot grease on roommate and sword ratchetness. Patreon: https://www.patreon.com/theblackguywhotips Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@rodimusprime⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@SayDatAgain⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@TBGWT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@TheBlackGuyWhoTips⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Email: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠theblackguywhotips@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Blog: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.theblackguywhotips.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Teepublic Store⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon Wishlist⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Crowdcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Voicemail: ‪(980) 500-9034Go Premium: https://www.theblackguywhotips.com/premium/See omnystudio.com/listener for privacy information.

Our guest this week is Neil Sheehan, the president of Vocana, a streaming platform built for independent artists and fans using a user-centric payment model. We talk about how that's different from other streaming platforms, why social features haven't worked on streaming platforms since the days of MySpace, and whether there's room for indie-focused platforms in what feels like a Spotify-dominated world. It's a great conversation   The news! Suno, in talks to raise $100m at a $2bn valuation, just released its most advanced free AI music tool yet Why Is It So Easy to Flood Streaming With AI Slop? AI Is Killing Wikipedia's Human Traffic   The Music Tectonics podcast goes beneath the surface of the music industry to explore how technology is changing the way business gets done. Visit musictectonics.com to find shownotes and a transcript for this episode, and find us on LinkedIn, Twitter, and Instagram. Let us know what you think!  Get Dmitri's Rock Paper Scanner newsletter.

In this episode, we take on Adam Smith's The Theory of Moral Sentiments. Although he is now more well known as an economist because of his later book The Wealth of Nations, Smith shows himself to be a philosopher in his own right in Moral Sentiments. Smith, contrary to popular characterizations, wanted to show that our conduct is not solely motivated by egoism or selfishness, but that we are also motivated by the fortunes of others. For Smith it is only through sympathy that society can achieve stability and harmony. What follows is a comprehensive examination of how we develop virtue, expound rules for justice, and cultivate emotional maturity through our sympathy for others. This episode is all of you who feel society has become more emotionally dysfunctional, lost its sense of shame, and want to understand why it is so frustrating when our so-called ‘friends' refuse to hate what we hate. Join the pod as we learn about propriety and justice!leftofphilosophy.comReferences:Adam Smith, The Theory of Moral Sentiments, intro Amartya Sen (New York: Penguin, 2009).Music:“Vintage Memories” by Schematist | schematist.bandcamp.com“My Space” by Overu | https://get.slip.stream/KqmvAN

From social-media accounts to TV shows and video games, recent decades offer an enormous wealth of material for future historians to explore. But what are the challenges presented by this vast amount of data? And how will historical researchers a hundred years from now make sense of 2025? Matt Elton spoke to historians Jane Winters and John Wills to answer these questions – and find out how the ephemeral digital archives of our current era might differ from the historical sources of previous generations. The HistoryExtra podcast is produced by the team behind BBC History Magazine. Learn more about your ad choices. Visit podcastchoices.com/adchoices

What does it mean to work hard AND live soft? In this episode, Messaging Expert & Business Strategist Maya Elious joins us to talk about building a life rooted in purpose, not pressure. Maya shares her journey from the first entrepreneurial project of designing MySpace pages in college, to leading successful coaching programs for women of faith and ambition. Together, they unpack what it looks like to balance hustle with healing, and how discernment, discipline, and a touch of serendipity, all play a role in creating a softer life.In this episode we discussed: Building purpose-driven businesses through faith and discernment.How to create systems that support peace.Shifting the mindset from scarcity to abundance.Finding strength and community in friendships and asking for help without guilt.Find out more about Maya's community and podcast; Work Hard Live Soft here and follow her on Instagram @mayaeliousConnect with Be Well, Sis:Instagram – @bewellsis_podcastSubstack – bewellsis.substack.comFollow, rate, and share this episode!We're supporting St Jude's- head over to www.stjude.org/bewellsis right now and sign up to be a monthly donor. Together, we can make a real impact.Want to get in touch? Maybe you want to hear from a certain guest or have a recommendation for On My Radar? Get in touch at hello@editaud.io with Be Well Sis in the subject line! Have you're on Not Well, Sis rant to contribute? Click here to send it into the show!Be Well, Sis is hosted by Dr Cassandre Dunbar. The show is edited, mixed and produced by Megan Hayward. Our Production Manager is Kathleen Speckert. Be Well, Sis is an editaudio collaboration. See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.