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4 episodes with trinh t
- Nhằm mang đến cho trẻ em một kỳ nghỉ hè ý nghĩa và bổ ích, nhiều bậc phụ huynh đã gửi gắm con mình tại Câu lạc bộ nghệ thuật Art Star của Báo Thiếu niên Tiền phong và Nhi đồng, do nhà báo, nhà thơ, họa sĩ Lê Tiến Vượng làm chủ nhiệm. Tại đây, các con có thể thỏa sức sáng tạo và phát triển bản thân cùng đa dạng các bộ môn nghệ thuật. Ghi nhận của CTV Hà Trang, Tuyết Trinh: Tác giả : CTV Hà Trang, Tuyết Trinh Chủ đề : CLB Art Star, Họa sĩ Lê Tiến Vượng --- Support this podcast: https://podcasters.spotify.com/pod/show/vov1sukien/support
Nesse podcast conversamos sobre Reassemblage (1982), dirigido pela cineasta, teórica e etnomusicóloga vietnamita Trinh T. Minh-ha. O filme, considerado um marco para o cinema experimental, para o cinema feminista e para o filme etnográfico, mostra o cotidiano da vida social de mulheres no Senegal. Abordamos a questão da inserção no campo durante a filmagem de um documentário, o processo de montagem e a negociação do olhar da câmera e do olhar da realizadora. O programa é apresentado por Isabel Wittmann e Camila Vieira Feedback: contato@feitoporelas.com.br Mais informações: https://feitoporelas.com.br/feito-por-elas-197-reassemblage Pesquisa, pauta, roteiro e apresentação: Isabel Wittmann e Camila Vieira Produção do programa e arte da capa: Isabel Wittmann Edição: Domenica Mendes Vinheta: Felipe Ayres Locução da vinheta: Deborah Garcia (deh.gbf@gmail.com) Música de encerramento: Bad Ideas - Silent Film Dark de Kevin MacLeod está licenciada sob uma licença Creative Commons Attribution (https://creativecommons.org/licenses/by/4.0/) Origem: http://incompetech.com/music/royalty-free/index.html?isrc=USUAN1100489 Artista: http://incompetech.com/ Agradecimento: Carolina Ronconi, Leticia Santinon, Lorena Luz, Isadora Oliveira Prata, Helga Dornelas, Larissa Lisboa, Tiago Maia e Pedro dal Bó Assine nosso financiamento coletivo: https://orelo.cc/feitoporelas/apoios Links patrocinados (Como associado da Amazon, recebemos por compras qualificadas): [LIVRO] Cinema Soviético de Mulheres https://amzn.to/3lnC37b [LIVRO] Mulheres Atrás das Câmeras- As cineastas brasileiras de 1930 a 2018 https://amzn.to/3AC6wnl [LIVRO] O Que Vemos, o Que Nos Olha, de Georges Didi-Hubermann https://amzn.to/45zNGvT [LIVRO] Sexo e Temperamento, de Margaret Mead https://amzn.to/3qPojY8 [LIVRO] O Gênero da Dádiva, de Marilyn Strathern https://amzn.to/3R42v5t Mencionados: [FILME] Nanook, o Esquimó (Nanook of the North, 1922) dir. Robert Flaherty [FILME] San Francisco (1980), dir. Trinh T. Minh-ra [FILME] Calligraphy (1981), dir. Trinh T. Minh-ra [FILME] The Wedding (1982), dir. Trinh T. Minh-ra [FILME] Reassemblage (1982), dir. Trinh T. Minh-ra [FILME] Naked Spaces (1985), dir. Trinh T. Minh-ra [FILME] Shoot for the Contents (1991), dir. Trinh T. Minh-ra [FILME] Retrato de Uma Jovem em Chamas (Portrait de la jeune fille en feu, 2019), dir. Céline Sciamma [LIVRO] Sexo e Temperamento, de Margaret Mead [LIVRO] O Gênero da Dádiva, de Marilyn Strathern [LIVRO] O Que Vemos, o Que Nos Olha, de Georges Didi-Hubermann [LISTA] Sexta Etnográfica https://letterboxd.com/iwittmann/list/sexta-etnografica/detail/ Relacionados: [PODCAST] Feito por Elas #16 Chantal Akerman https://feitoporelas.com.br/feito-por-elas-16-chantal-akerman/ [PODCAST] Feito por Elas #91 Retrato de uma Jovem em Chamas https://feitoporelas.com.br/feito-por-elas-91-retrato-de-uma-jovem-em-chamas/
You may know Trinh T. Minh-ha from her groundbreaking films, like Reassemblage (1982) and Sur Name Viet Given Name Nam (1989); from her foundational books, like Woman, Native, Other: Writing Postcoloniality on Feminism (1989) and When the Moon Waxes Red: Representation, Gender and Cultural Politics (1991); or her wide-ranging scholarship and multimedia projects, which have been presented at museums and institutions worldwide. In a body of work spanning decades, the multi-hyphenate theorist and artist has challenged and reshaped how we think of documentary, visual culture, feminism, nationalism, and race. A new artist book by Minh-ha, titled The Twofold Commitment, traces all of these threads in her film Forgetting Vietnam, which was released in 2015, 40 years after the end of the Vietnam War. Published by Primary Information, the book features the film's script, paired with creatively arranged stills, as well as conversations between Minh-ha and various scholars. To mark the launch of The Twofold Commitment in May, Minh-ha joined us on the podcast for a rich discussion about the genesis of the book; the different functions of voice, text, and image in her practice; how she turns familiarity and alienness into productive ways of looking at the world; and more.
In this episode, we had the immense delight of chatting with the Fall 2022 Host Publications Chapbook Prize Winner, Sophia Stid! We discuss her prize-winning chapbook, But For I Am a Woman a gorgeous collection of poetry which explores the intersection of personal autonomy and deep spiritual connection through the writings and life of Julian of Norwich (ca. 1342 – 1416), a mystic who was the first woman known to write a book in the English language. Sophia illuminates for us what drew her to this communion with Julian of Norwich, where she draws inspiration from (spoiler alert: the writings of Christian mystics + classic mystery novels are both involved!), how she approached writing the poems in But For I Am a Woman, and so much more. Here are some of the books and other media discussed in this episode: Revelations of Divine Love by Julian of Norwich Reassemblage (documentary film) by Trinh T. Minh-ha The Works of Dorothy Sayers A Ghost in the Throat by Doireann Ní Ghríofa Sensational Books Exhibit at Bodliean Libraries We hope you enjoy this conversation among friends, and as always, thanks for listening.
Erika Balsom and Hila Peleg's edited volume Feminist Worldmaking and the Moving Image (MIT Press, 2022) offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle--a way of not only picturing the world but remaking it. The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women's liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term "feminism"; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like. The book, generously illustrated with film stills and other images, many in color, offers ten original texts, two conversations, and eight short essays composed in response to historical texts written by filmmakers. The historical texts, half of which are published in English for the first time, appear alongside the essays. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Erika Balsom and Hila Peleg's edited volume Feminist Worldmaking and the Moving Image (MIT Press, 2022) offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle--a way of not only picturing the world but remaking it. The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women's liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term "feminism"; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like. The book, generously illustrated with film stills and other images, many in color, offers ten original texts, two conversations, and eight short essays composed in response to historical texts written by filmmakers. The historical texts, half of which are published in English for the first time, appear alongside the essays. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
Erika Balsom and Hila Peleg's edited volume Feminist Worldmaking and the Moving Image (MIT Press, 2022) offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle--a way of not only picturing the world but remaking it. The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women's liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term "feminism"; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like. The book, generously illustrated with film stills and other images, many in color, offers ten original texts, two conversations, and eight short essays composed in response to historical texts written by filmmakers. The historical texts, half of which are published in English for the first time, appear alongside the essays. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
Erika Balsom and Hila Peleg's edited volume Feminist Worldmaking and the Moving Image (MIT Press, 2022) offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle--a way of not only picturing the world but remaking it. The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women's liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term "feminism"; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like. The book, generously illustrated with film stills and other images, many in color, offers ten original texts, two conversations, and eight short essays composed in response to historical texts written by filmmakers. The historical texts, half of which are published in English for the first time, appear alongside the essays. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
Erika Balsom and Hila Peleg's edited volume Feminist Worldmaking and the Moving Image (MIT Press, 2022) offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle--a way of not only picturing the world but remaking it. The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women's liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term "feminism"; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like. The book, generously illustrated with film stills and other images, many in color, offers ten original texts, two conversations, and eight short essays composed in response to historical texts written by filmmakers. The historical texts, half of which are published in English for the first time, appear alongside the essays. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Erika Balsom and Hila Peleg's edited volume Feminist Worldmaking and the Moving Image (MIT Press, 2022) offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle--a way of not only picturing the world but remaking it. The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women's liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term "feminism"; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like. The book, generously illustrated with film stills and other images, many in color, offers ten original texts, two conversations, and eight short essays composed in response to historical texts written by filmmakers. The historical texts, half of which are published in English for the first time, appear alongside the essays. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices
Erika Balsom and Hila Peleg's edited volume Feminist Worldmaking and the Moving Image (MIT Press, 2022) offers intersectional, intergenerational, and international perspectives on nonfiction film- and videomaking by and about women, examining practices that range from activist documentaries to avant-garde experiments. Concentrating primarily on the period between the 1970s and 1990s, the contributions revisit major figures, contexts, and debates across a polycentric, global geography. They explore how the moving image has been a crucial terrain of feminist struggle--a way of not only picturing the world but remaking it. The contributors consider key decolonial filmmakers, including Trinh T. Minh-ha and Sarah Maldoror; explore collectively produced films with ties to women's liberation movements in different countries; and investigate the cinematic expressions of tensions and alliances between feminism and anti-imperialist struggles. They grapple with the need for a broader more inclusive definition of the term "feminism"; meditate on the figure of the grandmother; reflect on realist aesthetics; and ask what a feminist film historiography might look like. The book, generously illustrated with film stills and other images, many in color, offers ten original texts, two conversations, and eight short essays composed in response to historical texts written by filmmakers. The historical texts, half of which are published in English for the first time, appear alongside the essays. Galina Limorenko is a doctoral candidate in Neuroscience with a focus on biochemistry and molecular biology of neurodegenerative diseases at EPFL in Switzerland. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/politics-and-polemics
What forms of resistance can cinema offer? What relations exist between documentary film and activism? How does feminist film deal with sexually explicit images? These questions and more are addressed in a podcast series accompanying the exhibition “No Master Territories: Feminist Worldmaking and the Moving Image,” curated by Erika Balsom and Hila Peleg. In her 1982 film “Reassemblage,” Trinh T. Minh-ha influentially reformulated the terms of the ethnographic encounter: she would not “speak about,” but “speak nearby.” In this conversation with artist-filmmaker Laura Huertas Millán, the two discuss this concept and others pertaining to both their practices. More about the exhibition: www.hkw.de/en/NoMaster Sound excerpts from Trinh T. Minh-ha, What About China? (2022), copyright Moongift Films
What forms of resistance can cinema offer? What relations exist between documentary film and activism? How does feminist film deal with sexually explicit images? These questions and more are addressed in a podcast series accompanying the exhibition “No Master Territories: Feminist Worldmaking and the Moving Image,” curated by Erika Balsom and Hila Peleg. How can film serve as a catalyst of social change? Film scholar Lakshmi Padmanabhan speaks with Deepa Dhanraj, focusing on Dhanraj's participation in the Yugantar Collective and her 1991 film Something Like a War, which examines India's family planning program and calls for reproductive justice. More about the exhibition: www.hkw.de/en/NoMaster Sound excerpts from Trinh T. Minh-ha, What About China? (2022), copyright Moongift Films
What forms of resistance can cinema offer? What relations exist between documentary film and activism? How does feminist film deal with sexually explicit images? These questions and more are addressed in a podcast series accompanying the exhibition “No Master Territories: Feminist Worldmaking and the Moving Image,” curated by Erika Balsom and Hila Peleg. Sexually explicit imagery has long been a feminist battleground. Film scholar Marc Siegel talks with two filmmakers, Angelika Levi and Claudia Schillinger, who made works in West Germany in the late 1980s committed to picturing female pleasure and fantasy. More about the exhibition: www.hkw.de/en/NoMaster Sound excerpts from Trinh T. Minh-ha, What About China? (2022), copyright Moongift Films
What forms of resistance can cinema offer? What relations exist between documentary film and activism? How does feminist film deal with sexually explicit images? These questions and more are addressed in a podcast series accompanying the exhibition “No Master Territories: Feminist Worldmaking and the Moving Image,” curated by Erika Balsom and Hila Peleg. In the 1980s and 1990s in Lima, white middle-class women made nonfiction films and videos with and about marginalized people, many of them Indigenous, who were living in slums around the city. This podcast looks back at this moment, diagnosing the questions of power, representation and positionality raised by this body of work. Isabel Seguí with Lorena Best, Mauricio Godoy, Sara Guerrero & Patricia Oliart More about the exhibition: www.hkw.de/en/NoMaster Sound excerpts from Trinh T. Minh-ha, What About China? (2022), copyright Moongift Films
In this episode I, Kamayani Sharma, am in conversation with Jyoti Nisha, filmmaker, writer and scholar. She is the director of 'BR Ambedkar: Now And Then', a widely anticipated, partially-crowdfunded documentary that is now readying for release. In her essay, ‘Indian Cinema and the Bahujan Spectatorship' [Economic & Political Weekly, May 2020], she theorised about the politics of the gaze from her perspective as a Dalit woman viewer and media researcher. Jyoti was Director's Assistant on Neeraj Ghaywan's Geeli Pucchi [Dharma Productions, 2021], a short that was part of the Netflix anthology, Ajeeb Dastaans. We discuss growing up as a young woman in UP of the 1990s and 2000s, how Jyoti came to filmmaking via journalism, screenwriting and academia, working on - of all things! - a Dharma movie and her journey, artistic and logistical, towards the completion of her upcoming documentary 'BR Ambedkar: Now and Then'. By way of Jyoti's own essay, African-American film history and the polemical theories of the documentarian Trinh T. Minh-ha, we unpack the idea of the oppositional bahujan gaze unto Indian cinema and the complicated question of how realism in Indian cinema is part of a Brahmanical aesthetic scheme. Click here to access the Image+ Guide & view the material being discussed in the podcast: https://sites.google.com/view/artalaap-podcast-resources/episode-11. Credits: Producer: Tunak Teas Design & artwork: Mohini Mukherjee Marketing: Dipalie Mehta Images: Jyoti Nisha Additional support: Kanishka Sharma, Amy Goldstone-Sharma, Raghav Sagar, Shalmoli Halder, Arunima Nair, Jayant Parashar Audio courtesy: Vernouillet by Blue Dot Sessions [CC BY-NC 4.0] References: Jyoti Nisha, 'Indian Cinema and the Bahujan Spectatorship', Economic and Political Weekly, Vol. 55, Issue No. 20, 16 May, 2020 bell hooks, 'The Oppositional Gaze: Black Female Representation', Black Looks: Race and Representation, Boston: South End Press, 1992. Trinh T. Minh-ha, 'The Totalizing Quest of Meaning', When The Moon Waxes Red: Representation, Gender and Politics, Routledge: London, New York, 1991. Yashica Dutt, Coming Out As Dalit, Aleph Book Company, 2019.
This episode we're talking about Non-Fiction Film & TV books! We discuss media about media, self-pity book purchasing, spoilers, and more! Plus: Kakapos! You can download the podcast directly, find it on Libsyn, or get it through Apple Podcasts, Stitcher, Google Podcasts, Spotify, or your favourite podcast delivery system. In this episode Anna Ferri | Matthew Murray | RJ Edwards | Appleberry Things We Read (or tried to…) Shit, Actually: The Definitive, 100% Objective Guide to Modern Cinema by Lindy West Ayoade on Top by Richard Ayoade Movies (and Other Things) by Shea Serrano and Arturo Torres Soul Train: The Music, Dance, and Style of a Generation by Questlove Springfield Confidential: Jokes, Secrets, and Outright Lies from a Lifetime Writing for The Simpsons by Mike Reiss, Mathew Klickstein Hollywood vs. the Author edited by Stephen Jay Schwartz Talking Pictures: How to Watch Movies by Ann Hornaday The Disaster Artist: My Life Inside The Room, the Greatest Bad Movie Ever Made by Greg Sestero, Tom Bissell Richard Ayoade Presents the Grip of Film by Gordy LaSure Typeset in the Future: Typography and Design in Science Fiction Movies by Dave Addey Typeset in the Future website 101 Movies to Watch Before You Die by Ricardo Cavolo How to Watch Television, Second Edition edited by Ethan Thompson and Jason Mittell Other Media We Mentioned A Kim Jong-Il Production: The Extraordinary True Story of a Kidnapped Filmmaker, His Star Actress, and a Young Dictator's Rise to Power by Paul Fischer Monthly Girls' Nozaki-kun (Wikipedia) Cadillacs and Dinosaurs (Wikipedia) Samurai Pizza Cats (Wikipedia) My Pet Monster (Wikipedia) The A-Team (Wikipedia) Murder, She Wrote (Wikipedia) Are You Afraid of the Dark? (Wikipedia) Goosebumps (TV series) (Wikipedia) Live from New York: An Oral History of Saturday Night Live by James Andrew Miller and Tom Shales Saturday Night Live (Wikipedia) The Kids in the Hall: One Dumb Guy by Paul Myers The Kids in the Hall (TV series) (Wikipedia) As You Wish: Inconceivable Tales from the Making of The Princess Bride by Cary Elwes Adventures in the Screen Trade by William Goldman Which Lie Did I Tell? More Adventures in the Screen Trade by William Goldman The Fugitive (Wikipedia) View from the Top (Wikipedia) The Room (Wikipedia) 2001: A Space Odyssey (Wikipedia) Alien (Wikipedia) Star Trek: The Motion Picture (Wikipedia) Blade Runner (Wikipedia) Total Recall (Wikipedia) WALL-E (Wikipedia) Moon (Wikipedia) House (TV series) (Wikipedia) Battlestar Galactica (Wikipedia) The Video Game History Hour podcast Decoder Ring - The Soap Opera Machine Shrill (TV series) (Wikipedia) Love, Actually (Wikipedia) List of Hallmark Channel Original Movies (Wikipedia) 33⅓ (Wikipedia) Criminal Minds (Wikipedia) Scott Pilgrim vs. the World (Wikipedia) CSI: Crime Scene Investigation (Wikipedia) Dredd (Wikipedia) The Muppets (Wikipedia) Top Gun (Wikipedia) Kate Beaton's Top Gun comics Buffy the Vampire Slayer (Wikipedia) Star Trek: The Next Generation (Wikipedia) Armageddon Films FAQ: All That's Left to Know about Zombies, Contagions, Aliens, and the End of the World as We Know It! by Dale Sherman Links, Articles, and Things Library Punk episode 014 - Manga Episode 128 - Plucky Kid Detective Fanart! Episode 104 - Entertainment Non-Fiction Toy Galaxy (YouTube channel) Lindsay Ellis (YouTube channel) Amanda the Jedi (YouTube channel) Jenny Nicholson (YouTube channel) Every Frame a Painting (YouTube channel) Postmortem: Every Frame a Painting by co-creator Tony Zhou Welcome to the Basement Pushing Up Roses (YouTube channel) Jacob Geller (YouTube channel) Letterboxd (Wikipedia) Demi Adejuyigbe on Letterboxd Sidewalk Slam - Episode 57 - AEW Revolution 2021 (YouTube) Kakapo (Wikipedia) Lego set Diegesis (Wikipedia) The Stranger (newspaper) (Wikipedia) Chuck Klosterman (Wikipedia) Hanif Abdurraqib (Wikipedia) 24 Film/TV/Video Non-Fiction books by BIPOC (Black, Indigenous, & People of Colour) Authors Every month Book Club for Masochists: A Readers' Advisory Podcasts chooses a genre at random and we read and discuss books from that genre. We also put together book lists for each episode/genre that feature works by BIPOC (Black, Indigenous, & People of Colour) authors. All of the lists can be found here. All the Pieces Matter: The Inside Story of The Wire by Jonathan Abrams “Indian” Stereotypes in TV Science Fiction: First Nations' Voices Speak Out by Sierra S. Adare Ayoade on Top by Richard Ayoade Contemporary Black Women Filmmakers and the Art of Resistance by Christina N. Baker Horror Noire: Blacks in American Horror Films from the 1890s to Present by Robin R. Means Coleman The Hollywood Jim Crow: The Racial Politics of the Movie Industry by Maryann Erigha Framing Blackness: The African American Image in Film by Ed Guerrero Why Wakanda Matters: What Black Panther Reveals About Psychology, Identity, and Communication by Sheena C. Howard Something Like an Autobiography by Akira Kurosawa Our Gang: A Racial History of The Little Rascals by Julia Lee The Films of Bong Joon Ho by Nam Lee Moving the Image: Independent Asian Pacific American Media Arts edited by Russell Leong Farewell My Concubine: A Queer Film Classic by Helen Hok-Sze Leung Cinema-Interval by Trinh T. Minh-ha Get Out: The Complete Annotated Screenplay by Jordan Peele Where Do You Think We Are?: Ten Illustrated Essays About Scrubs by Shea Serrano, illustrated by Arturo Torres Arab Cinema: History and Cultural Identity by Viola Shafik Maori Television: The First Ten Years by Jo Smith Shaded Lives: African American Women and Television by Beretta E. Smith-Shomade Tribal Television: Viewing Native People in Sitcoms by Dustin Tahmahkera Soul Train: The Music, Dance, and Style of a Generation by Ahmir Questlove Thompson Sweet Sweetback's Baadasssss Song: A Guerilla Filmmaking Manifesto by Melvin Van Peebles Reel Inequality: Hollywood Actors and Racism by Nancy Wang Yuen I See Black People: The Rise and Fall of African American-Owned Television and Radio by Kristal Brent Zook Also check out the booklist from our episode on Entertainment Non-Fiction. Give us feedback! Fill out the form to ask for a recommendation or suggest a genre or title for us to read! Which zine do you most want to read? (Twitter poll) RJ's zine about Love Actually Anna's zine about Criminal Minds Matthew's zine about Dredd Check out our Tumblr, follow us on Twitter or Instagram, join our Facebook Group, or send us an email! It's almost time for our annual “We all read the same book” episode. So on Tuesday, July 20th we'll each suggest and talk about one title and you'll get to vote for which one we'll read. (And yes, it will definitely happen this time.) Then on Tuesday, August 3rd it's time to jack in and download because we'll be reading the genre of Cyberpunk!
Filmmaker Iva Radivojevic joins Hive host Farnaz Fatemi in this episode of Poetry in the World to talk about how poems—their visions, the process of making them, the poets who write them—are integral to her art. This episode is a meal full of poems, prompts, artistic vision. Sink your teeth in! Mentioned in our conversation: Woman, Native, Other by Trinh T. Minh-Ha Cecilia Vicuña (Language is Migrant) Roland Barthes "I like, I don't like" Roberto Bolaño Antwerp Bolaño quotes https://www.goodreads.com/work/quotes/7350263-amberes Nicanor Parra AntiPoems
Hosted by Robert Hass and University Librarian Thomas C. Leonard, distinguished faculty and staff from a wide range of disciplines introduce and read a favorite poem. This year's participants: Ronelle Alexander (Slavic Languages and Literatures), Executive Vice Chancellor and Provost George Breslauer, Myrtis Cochran (Reference Services), George Jaqua (Physical Plant), Trinh T. Minh-ha (Rhetoric and Gender & Women's Studies), Michael L. Palmer (Summer Sessions), Kent Puckett (English), Samuel J. Redman (Regional Oral History). Series: "Lunch Poems Reading Series" [Humanities] [Arts and Music] [Show ID: 22613]
Hosted by Robert Hass and University Librarian Thomas C. Leonard, distinguished faculty and staff from a wide range of disciplines introduce and read a favorite poem. This year's participants: Ronelle Alexander (Slavic Languages and Literatures), Executive Vice Chancellor and Provost George Breslauer, Myrtis Cochran (Reference Services), George Jaqua (Physical Plant), Trinh T. Minh-ha (Rhetoric and Gender & Women's Studies), Michael L. Palmer (Summer Sessions), Kent Puckett (English), Samuel J. Redman (Regional Oral History). Series: "Lunch Poems Reading Series" [Humanities] [Arts and Music] [Show ID: 22613]
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