Filmmaking industry in India
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Hi everyone, thanks for listening. Drop a line or two about the episode! Showrunner Sudip Sharma joins us for a probing discussion on the excellent second season of Amazon's hit crime thriller, Paatal Lok. And yes, I also got a chance to ask him about Kohrra 2 and why Balbir won't be returning this season.If you enjoy the podcast, do consider supporting the show: https://www.buzzsprout.com/257788/supportFeedback/comments/questions: loveofcinemasf@gmail.comCredits:Produced and hosted by: Himanshu Joglekar (@loveofcinemasf8)Editor: Devika JoglekarMusic: Nakul AbhyankarCopyrights © Love of Cinema 2025Support the showIf you liked the episode and found value, please considering supporting the show. Your support will help me continue making good content for fans of Indian cinema everywhere across the world: https://www.buzzsprout.com/257788/support
In this engaging conversation, Anuj Radia, a British film journalist and broadcaster, shares his journey in promoting South Asian cinema through his platform, Filme Shilmy. He discusses the evolving trends in Indian cinema, the impact of OTT platforms, and the lessons Bollywood can learn from regional cinema. Anuj also reflects on the significance of the #MeToo movement and its implications in the film industry, providing a thoughtful perspective on the current landscape of cinema. Anuj and Mohua later delve into the complexities of the film industry, the representation of LGBTQ individuals in Bollywood, and the importance of preserving the legacy of Indian cinema. They explore the challenges faced by survivors of abuse, the need for authentic storytelling, and the role of ‘cancel' culture in shaping public discourse around films. Anuj emphasizes the importance of hope and integrity in narratives, advocating for a balanced approach to storytelling that honors both tradition and contemporary issues.Chapters00:00 Highlights00:59 Introduction 01:54 The Journey of Filmi Shilmy06:04 What's the Inspiration Start Platform In London? 09:01 The Underdog Spirit12:06 Surprising Insights from Celebrities14:56 Upcoming Trends In Bollywood Films20:07 The Shift to OTT Platforms24:00 What Do Bollywood can Learn Form The Success of Regional Cinema?26:50 The Impact of the Me Too Movement33:15 LGBTQ Representation in Bollywood37:12 Underrated Talents in BollywoodConnect with UsMohua Chinappa: https://www.linkedin.com/in/mohua-chinappa/The Mohua Show: https://www.themohuashow.com/Connect with the GuestAnuj Radia: https://www.instagram.com/ianujradia/?hl=enFilme Shilmy: https://www.instagram.com/filmeshilmy/?hl=enFollow UsInstagram: https://www.instagram.com/themohuashow/Instagram:https://www.instagram.com/litlounge_pod/ YouTube: https://www.youtube.com/@TheMohuaShowLinkedIn: https://www.linkedin.com/company/themohuashow/Facebook: https://www.facebook.com/themohuashowFor any other queries EMAILhello@themohuashow.comDisclaimerThe views expressed by our guests are their own. We do not endorse and are not responsible for any views expressed by our guests on our podcast and its associated platforms.#TheMohuaShow #MohuaChinappa #Films #Bollywood #IndianCinema #Media #Journalism #LGBTQ #RegionalFilms #SouthAsianCinema #OTTPlatforms #Storytelling #CancelCulture #MeTooThanks for Listening!
In this conversation, Mohua engages with filmmakers Sridhar Rangayan And Saagar Gupta, who are at the forefront of LGBTQ+ storytelling in Indian cinema. They discuss their latest film 'Kuch Sapne Apne', the challenges of queer representation, the impact of censorship, and the evolving landscape of LGBTQ+ narratives in Bollywood. In this engaging conversation, Sridhar Rangayan and Saagar Gupta discuss the representation of LGBTQ narratives in Bollywood, the importance of marriage equality, and the need for authentic portrayals of queer characters in cinema. They explore the silence surrounding same-sex marriage in the industry, the potential for LGBTQ themes in children's content, and the creative differences that arise in their filmmaking process. The discussion highlights the significance of realistic storytelling and the impact of societal change on LGBTQ representation in India.Connect with UsMohua Chinappa: https://www.linkedin.com/in/mohua-chinappa/The Mohua Show: https://www.themohuashow.com/Follow UsYouTube: https://www.youtube.com/@TheMohuaShowLinkedIn: https://www.linkedin.com/company/themohuashow/Facebook: https://www.facebook.com/themohuashowInstagram: https://www.instagram.com/themohuashow/For any other queries EMAILhello@themohuashow.comChapters:00:00 - Highlights01:09 - Introduction to LGBTQ+ Cinema in India01:27 - Exploring Themes in 'Kuch Sapne Apne'03:19 - Getting a UA certificate for a queer love story05:02 - Evolving LGBTQ+ Representation in Cinema06:40 - Challenges & Themes in Kuch Sapney Apne08:41 - Is Censorship in India inherently homophobic?11:50 - Coming Out: Why We Share Our Identities12:03 - Balance Writing and Producing 14: 20 - Challenges in Bringing Queer Story16:52 - Equal Opportunities for Queer Filmmakers & Bollywood20:38 - Better Opportunities for Trans actors in Mainstream Cinema23:06 - Bollywood Hesitant in Talking ABout LGBTQ+ Narratives24:53 - Queer Narratives in Bollywood Remakes27:29 - Bollywood's Silence on Same-Sex Marriage30:23 - The Importance of Marriage Equality33:52 - Introducing LGBTQ+ Themes to Children's Content37:34 - Vision for the LGBTQ representation41:09 - Memorable Scenes from 'Kuch Sapne Apne'DisclaimerThe views expressed by our guests are their own. We do not endorse and are not responsible for any views expressed by our guests on our podcast and its associated platforms.#TheMohuaShow #MohuaChinappa #LGBTQ+, #Indiancinema, #Queerstorytelling, #KuchSapneApne, #SridharRangayan, #SaagarGupta, #EveningShadows, #Film industry, #LGBTQ representation, #Bollywood, #Queer cinema, #Marriage equality, #LGBTQ rights, Indian cinema #Podcast #PodcastEpisode Thanks for Listening!
Hi everyone, thanks for listening. Drop a line or two about the episode! Deewaar (1975) turns 50 this year. The Bachchan Coolies (Alok Sharma, Diptakirti Chaudhuri and Shiva Krishnamurthy) are back to celebrate the film that proved to be a landmark film not just for Bachchan, Salim-Javed and Yash Chopra but Hindi cinema itself. We discussed how Deewaar is a goldmine of quotable as well as throwaway lines, how Bachchan sensed very early on during the making that this film could be his golden ticket, how the film has loomed large over many films and shows right upto Scam 1992 and Pushpa, where the film sits in top 5 Bachchan, and much more! If you enjoy the podcast, do consider supporting the show: https://www.buzzsprout.com/257788/supportFeedback/comments/questions: loveofcinemasf@gmail.comCredits:Produced and hosted by: Himanshu Joglekar (@loveofcinemasf8)Editor: Devika JoglekarMusic: Nakul AbhyankarCopyrights © Love of Cinema 2025Support the showIf you liked the episode and found value, please considering supporting the show. Your support will help me continue making good content for fans of Indian cinema everywhere across the world: https://www.buzzsprout.com/257788/support
Tell us what you though of the episodeIt's an absolute honor to welcome the legendary director and producer Rakesh Roshan, a true icon of Indian Cinema, to the podcast. We'll be discussing his produced Netflix series, The Roshans, where he also makes an appearance.Rakesh Roshan (born 6 September 1949) is an Indian film producer, director, screenwriter and actor who works in Hindi films. He had appeared in 84 films throughout the 1970s and 1980s. As an actor, he was mostly known for his supporting roles in big-budget films. Later, his prominence increased, and he achieved fame for directing films with titles beginning with the letter "K" since 1987.As a filmmaker, his work includes the action drama Khudgarz (1987), the revenge drama thriller Khoon Bhari Maang (1988), the action comedy Kishen Kanhaiya (1990), the melodramatic thriller Karan Arjun (1995), the musical romantic thriller Kaho Naa... Pyaar Hai (2000), the science fiction film Koi... Mil Gaya (2003) and its sequels, the superhero Krrish film series (2006–13). All of the films he has directed have been commercially successful. He also won the Filmfare Award for Best Film and Best Director for Kaho Naa... Pyaar Hai and Koi... Mil Gaya. #krrish4 #bollywoodmovies #kahonaapyaarhai #rakeshroshan #oldhindisongs http://twitter.com/dreamingkingdomhttp://instagram.com/kingdomofdreamspodcasthttp://facebook.com/kingdomofdreamspodcast Watch the feature films that I have directedCitizen of Moria - https://rb.gy/azpsuIn Search of My Sister - https://rb.gy/1ke21Official Website - www.jawadmir.com
Send us a textBEST OF 2024! Malayalam | Tamil | Hindi | Kannada | Telugu! With Kathy and Melanie @PardesiReviews ! Kathy and Melanie @PardesiReviews recap a great year for Indian films! You can also watch this video on Melanie's channel!#bestmovies #bestindianmovies #bestof2024 #bestmovies2024 #moviereviewsCinemondo is excited to announce that co-host, Burk Sauls, book, One Hundred Movies: Burk's Favorite Movies Volume 1, is available on Amazon! https://www.amazon.com/dp/B0DML5K363?ref_=pe_93986420_774957520Get early access to these reviews by joining Patreon or our YouTube channel! YouTube Membershiphttps://www.youtube.com/channel/UCvt8UhKoTahIIRGIwxzUVVA/joinPatreonhttps://www.patreon.com/CinemondoPodcastJoin this channel to get access to fun perks like exclusive content and private Discord channel!:https://www.youtube.com/channel/UCvt8UhKoTahIIRGIwxzUVVA/joinOfficial Swag https://shop.spreadshirt.com/cinemondoNew videos daily!!Subscribe for the latest movie reviewshttps://www.youtube.com/channel/UCvt8UhKoTahIIRGIwxzUVVA?sub_confirmation=1
Hi everyone, thanks for listening. Drop a line or two about the episode! Mithun is among the actors who have become an integral part of Indian pop culture. Author Avijit Ghosh joins me as we look back on Mithun's career in the 80s, when he broke through as a star, not just in India but across the globe, including countries as far as Russia and Egypt. Amazon link for all the books authored by Avijit: https://www.amazon.com/stores/author/B09HSKZH5X/allbooks?ingress=0&visitId=35a473f4-6be9-44d9-a050-40c485f30ffc&ref_=sr_ntt_srch_lnk_3If you enjoy the podcast, do consider supporting the show: https://www.buzzsprout.com/257788/supportFeedback/comments/questions: loveofcinemasf@gmail.comCredits:Produced and hosted by: Himanshu Joglekar (@loveofcinemasf8)Editor: Devika JoglekarMusic: Nakul AbhyankarCopyrights © Love of Cinema 2024Support the showIf you liked the episode and found value, please considering supporting the show. Your support will help me continue making good content for fans of Indian cinema everywhere across the world: https://www.buzzsprout.com/257788/support
Mumbai-based director Subhadra Mahajan discusses her debut feature film ‘Second Chance' which just had its Hollywood premiere at AFI, following a World premiere at Karlovy Vary earlier this year. Past inspirations include her love for the Iranian New Wave and Andrea Arnold's ‘Fish Tank'.She speaks on her filmmaking journey, influenced by classic Hollywood films, and reflects on her storytelling process, character development, and the collaborative nature of filmmaking. The discussion also delves into the themes of healing, nature, and the unlikely friendships made while making films. Subhadra emphasizes the importance of breaking traditional filmmaking rules to foster creativity, the challenges of working with a low budget, and the significance of community in film festivals. What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature
The Mohua Show is a weekly podcast about everything from business, technology to art and lifestyle, But done and spoken ईमानदारी सेConnect with UsMohua Chinappa: https://www.linkedin.com/in/mohua-chinappa/The Mohua Show: https://www.themohuashow.com/Connect with the GuestSMM Ausaja: https://www.linkedin.com/in/smm-ausaja-193a6a3/Follow UsYouTube: https://www.youtube.com/@TheMohuaShowInstagram: https://www.instagram.com/themohuashow/LinkedIn: https://www.linkedin.com/company/themohuashow/Facebook: https://www.facebook.com/themohuashowFor any other queries EMAILhello@themohuashow.comEpisode Summary: In this insightful conversation, SMM Ausaja, a passionate archivist and film historian, takes us through his remarkable journey of preserving Indian cinema's rich legacy. From humble beginnings in Kanpur, collecting Amitabh Bachchan postcards, to spearheading the preservation of cinema at Osians, Ausaja discusses the challenges of archiving and the passion driving his work. He shares fascinating anecdotes, including Bachchan's lesser-known early struggles and his admiration for icons like Harivansh Rai Bachchan. Ausaja delves into the artistry behind film posters and the importance of preserving this "dead art." His collaborations with Bengali cinema and his efforts to raise awareness about forgotten cinematic legends highlight his dedication to the cause.Chapters:00:00 - Highlights01:39 - Introduction03:14 - From Postcards to Preservation: The Early Days of a Film Collector04:00 - Expanding Horizons in Mumbai05:36 - The Magic of Amitabh Bachchan: A Fan's Journey07:03 - Entering the World of Cinema: A Career in Archiving08:48 - Bachchan: The Saga of Excellence – 14 Years in the Making09:43 - Dr. Harivansh Rai Bachchan: Poetry, Politics, and Pandit Nehru's Influence12:41 - BTS Stories About Amitabh Bachchan14:50 - The Lost Art: Hand-Designed Posters and Their Legacy17:49 - Relationship with The Film Fraternity19:00 - Lesser Known Personalities From Films21:22 - Preserving India's Film Heritage: Challenges and Hopes for the Future23:39 - Bengali Cinema: Satyajit Ray, Suchitra Sen, and a Collector's TributeDisclaimerThe views expressed by our guests are their own. We do not endorse and are not responsible for any views expressed by our guests on our podcast and its associated platforms. #TheMohuaShow #MohuaChinappa #Podcast #IndianCinema #Amitabh Bachchan #BachchanFamily #Aishwarya Rai Bachchan #JayaBachchan #HarivanshRaiBachchan #CinemaHeritage #FilmPreservation #BollywoodHistory #AmitabhBachchanLegacy #IndianFilmArchive #PosterArt#BengaliCinema #SatyajitRay #FilmCollecting #CinemaCulture #FilmMemorabilia #BollywoodPoster #HarivanshRaiBachchan #PreserveThePast #CinemaIcons #Arts #PodcastEpisode Thanks for Listening!
Evacuee Cinema: Bombay and Lahore in Partition Transit, 1940–1960 (Cambridge UP, 2022) offers a new history of the partition. Based on previously unexamined archives and rare films, it investigates key questions around film production, partition and the provenance of the nation in South Asia: How did partition transform the dynamic and transcultural film industry of undivided India? What has been the relationship between Pakistani and Indian Cinema? Could the cinematic rendition of Pakistan have preceded its territorial realisation? Focussing on the unravelling of artistic and economic ties between two formerly intimate film cities of colonial India, Bombay and Lahore, this book follows their transition into the nationally discrete production centres of independent India and Pakistan. Pursuing inflections, migrations and shifts across national lines, Evacuee Cinema explains how filmmaking interpreted national danger and examines the expulsion and rehabilitation that went into the making of ‘Indian' and ‘Pakistani' cinema. Dr Salma Siddique is research faculty at Humboldt Universität zu Berlin, specializing in South Asian popular cinema, Islamicate screen cultures and immigrant media. Her research has been published in Feminist Media Histories, Third Text, and Comparative Studies of South Asia, Africa and the Middle East. She is a core editor at BioScope: South Asian Screen Studies, published by Sage. Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of social media and internet studies, platforms and film studies, disability studies, production cultures, affect studies, creative media industries and cultural studies. She can be reached at here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Evacuee Cinema: Bombay and Lahore in Partition Transit, 1940–1960 (Cambridge UP, 2022) offers a new history of the partition. Based on previously unexamined archives and rare films, it investigates key questions around film production, partition and the provenance of the nation in South Asia: How did partition transform the dynamic and transcultural film industry of undivided India? What has been the relationship between Pakistani and Indian Cinema? Could the cinematic rendition of Pakistan have preceded its territorial realisation? Focussing on the unravelling of artistic and economic ties between two formerly intimate film cities of colonial India, Bombay and Lahore, this book follows their transition into the nationally discrete production centres of independent India and Pakistan. Pursuing inflections, migrations and shifts across national lines, Evacuee Cinema explains how filmmaking interpreted national danger and examines the expulsion and rehabilitation that went into the making of ‘Indian' and ‘Pakistani' cinema. Dr Salma Siddique is research faculty at Humboldt Universität zu Berlin, specializing in South Asian popular cinema, Islamicate screen cultures and immigrant media. Her research has been published in Feminist Media Histories, Third Text, and Comparative Studies of South Asia, Africa and the Middle East. She is a core editor at BioScope: South Asian Screen Studies, published by Sage. Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of social media and internet studies, platforms and film studies, disability studies, production cultures, affect studies, creative media industries and cultural studies. She can be reached at here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Evacuee Cinema: Bombay and Lahore in Partition Transit, 1940–1960 (Cambridge UP, 2022) offers a new history of the partition. Based on previously unexamined archives and rare films, it investigates key questions around film production, partition and the provenance of the nation in South Asia: How did partition transform the dynamic and transcultural film industry of undivided India? What has been the relationship between Pakistani and Indian Cinema? Could the cinematic rendition of Pakistan have preceded its territorial realisation? Focussing on the unravelling of artistic and economic ties between two formerly intimate film cities of colonial India, Bombay and Lahore, this book follows their transition into the nationally discrete production centres of independent India and Pakistan. Pursuing inflections, migrations and shifts across national lines, Evacuee Cinema explains how filmmaking interpreted national danger and examines the expulsion and rehabilitation that went into the making of ‘Indian' and ‘Pakistani' cinema. Dr Salma Siddique is research faculty at Humboldt Universität zu Berlin, specializing in South Asian popular cinema, Islamicate screen cultures and immigrant media. Her research has been published in Feminist Media Histories, Third Text, and Comparative Studies of South Asia, Africa and the Middle East. She is a core editor at BioScope: South Asian Screen Studies, published by Sage. Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of social media and internet studies, platforms and film studies, disability studies, production cultures, affect studies, creative media industries and cultural studies. She can be reached at here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
Evacuee Cinema: Bombay and Lahore in Partition Transit, 1940–1960 (Cambridge UP, 2022) offers a new history of the partition. Based on previously unexamined archives and rare films, it investigates key questions around film production, partition and the provenance of the nation in South Asia: How did partition transform the dynamic and transcultural film industry of undivided India? What has been the relationship between Pakistani and Indian Cinema? Could the cinematic rendition of Pakistan have preceded its territorial realisation? Focussing on the unravelling of artistic and economic ties between two formerly intimate film cities of colonial India, Bombay and Lahore, this book follows their transition into the nationally discrete production centres of independent India and Pakistan. Pursuing inflections, migrations and shifts across national lines, Evacuee Cinema explains how filmmaking interpreted national danger and examines the expulsion and rehabilitation that went into the making of ‘Indian' and ‘Pakistani' cinema. Dr Salma Siddique is research faculty at Humboldt Universität zu Berlin, specializing in South Asian popular cinema, Islamicate screen cultures and immigrant media. Her research has been published in Feminist Media Histories, Third Text, and Comparative Studies of South Asia, Africa and the Middle East. She is a core editor at BioScope: South Asian Screen Studies, published by Sage. Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of social media and internet studies, platforms and film studies, disability studies, production cultures, affect studies, creative media industries and cultural studies. She can be reached at here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts
Evacuee Cinema: Bombay and Lahore in Partition Transit, 1940–1960 (Cambridge UP, 2022) offers a new history of the partition. Based on previously unexamined archives and rare films, it investigates key questions around film production, partition and the provenance of the nation in South Asia: How did partition transform the dynamic and transcultural film industry of undivided India? What has been the relationship between Pakistani and Indian Cinema? Could the cinematic rendition of Pakistan have preceded its territorial realisation? Focussing on the unravelling of artistic and economic ties between two formerly intimate film cities of colonial India, Bombay and Lahore, this book follows their transition into the nationally discrete production centres of independent India and Pakistan. Pursuing inflections, migrations and shifts across national lines, Evacuee Cinema explains how filmmaking interpreted national danger and examines the expulsion and rehabilitation that went into the making of ‘Indian' and ‘Pakistani' cinema. Dr Salma Siddique is research faculty at Humboldt Universität zu Berlin, specializing in South Asian popular cinema, Islamicate screen cultures and immigrant media. Her research has been published in Feminist Media Histories, Third Text, and Comparative Studies of South Asia, Africa and the Middle East. She is a core editor at BioScope: South Asian Screen Studies, published by Sage. Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of social media and internet studies, platforms and film studies, disability studies, production cultures, affect studies, creative media industries and cultural studies. She can be reached at here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies
Evacuee Cinema: Bombay and Lahore in Partition Transit, 1940–1960 (Cambridge UP, 2022) offers a new history of the partition. Based on previously unexamined archives and rare films, it investigates key questions around film production, partition and the provenance of the nation in South Asia: How did partition transform the dynamic and transcultural film industry of undivided India? What has been the relationship between Pakistani and Indian Cinema? Could the cinematic rendition of Pakistan have preceded its territorial realisation? Focussing on the unravelling of artistic and economic ties between two formerly intimate film cities of colonial India, Bombay and Lahore, this book follows their transition into the nationally discrete production centres of independent India and Pakistan. Pursuing inflections, migrations and shifts across national lines, Evacuee Cinema explains how filmmaking interpreted national danger and examines the expulsion and rehabilitation that went into the making of ‘Indian' and ‘Pakistani' cinema. Dr Salma Siddique is research faculty at Humboldt Universität zu Berlin, specializing in South Asian popular cinema, Islamicate screen cultures and immigrant media. Her research has been published in Feminist Media Histories, Third Text, and Comparative Studies of South Asia, Africa and the Middle East. She is a core editor at BioScope: South Asian Screen Studies, published by Sage. Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of social media and internet studies, platforms and film studies, disability studies, production cultures, affect studies, creative media industries and cultural studies. She can be reached at here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
Evacuee Cinema: Bombay and Lahore in Partition Transit, 1940–1960 (Cambridge UP, 2022) offers a new history of the partition. Based on previously unexamined archives and rare films, it investigates key questions around film production, partition and the provenance of the nation in South Asia: How did partition transform the dynamic and transcultural film industry of undivided India? What has been the relationship between Pakistani and Indian Cinema? Could the cinematic rendition of Pakistan have preceded its territorial realisation? Focussing on the unravelling of artistic and economic ties between two formerly intimate film cities of colonial India, Bombay and Lahore, this book follows their transition into the nationally discrete production centres of independent India and Pakistan. Pursuing inflections, migrations and shifts across national lines, Evacuee Cinema explains how filmmaking interpreted national danger and examines the expulsion and rehabilitation that went into the making of ‘Indian' and ‘Pakistani' cinema. Dr Salma Siddique is research faculty at Humboldt Universität zu Berlin, specializing in South Asian popular cinema, Islamicate screen cultures and immigrant media. Her research has been published in Feminist Media Histories, Third Text, and Comparative Studies of South Asia, Africa and the Middle East. She is a core editor at BioScope: South Asian Screen Studies, published by Sage. Priyam Sinha recently graduated with a PhD from the South Asian Studies Programme at the National University of Singapore. Her interdisciplinary academic interests lie at the intersection of social media and internet studies, platforms and film studies, disability studies, production cultures, affect studies, creative media industries and cultural studies. She can be reached at here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
We sit down with director Shuchi Talati to discuss her film "Girls Will Be Girls" (Winner of the Sundance Audience Award!)--Premiering the weekend of 9/13/24 in NYC--the movie is great and this episode is hilarious as she didn't expect Pranav and Usama to enjoy such a sensitive, artful film! We did! You should go see it on the weekend of 9/13!!! Follow @girlswillbegirls_themovie on Instagram!
Digging back into the TNE Archives we pull out an episode from last year where Isaac and Caleb discuss two (then) recent releases, with Gran Turismo (2023) and Jawan. They also spiral off into a discussion of Indian Cinema in general. This episode was recorded on Nov. 11th, 2023. Email the show at thenoviceelitists@gmail.com or reach out to us on twitter @CalebAlexader
Welcome to another episode of A Century Of Stories: India presented by IDFC FIRST Bank! Join Kunal to explore an international movie phenomenon of the 1950s and 60s. Raj Kapoor, the legendary Indian filmmaker and actor, became an international icon, especially in the Soviet Union, where his films resonated deeply with audiences. Known as the 'Showman of Indian Cinema,' Raj Kapoor's blend of romance, social commentary, and universal themes of love and compassion struck a chord with Soviet viewers. His movies, such as Awara and Shree 420, were not just box office hits but cultural phenomena that transcended borders, making Kapoor a beloved figure far beyond India. Subscribe for more such captivating stories! New episodes out every Monday! #RajKapoor #Filmmaking #Bollywood #ACenturyOfStories Open IDFC FIRST Bank savings account : https://www.idfcfirstbank.com/personal-banking/accounts/savings-account?utm_source=ig&utm_medium=content&utm_campaign=June&utm_content=COS Know more about Zero Fee Banking : https://www.idfcfirstbank.com/getmorefromyourbank?utm_source=youtube&utm_medium=centuryofstories&utm_campaign=cosepi1&utm_term=Aug23 Follow ‘A Century of Stories' official Instagram handle at @acenturyofstories Subscribe to A Century of Stories YT channel Listen to A Century of Stories across Audio Platforms Apple Podcasts | Spotify | Google Podcasts | Gaana | Amazon Music | Jio Saavn Follow our host Kunal on Instagram at @kunalvijayakar And don't forget to rate us!See omnystudio.com/listener for privacy information.
Last week, Indian actor Vikrant Massey attended the premiere of 'Sector 36' at the Indian Film Festival of Melbourne 2024. In this interview, he shares his excitement about winning the IFFM 'Best Performer Critics' Choice' award, discusses his criteria for selecting film projects, and reflects on the challenges of collaborating with directors he's worked with in the past.
The Mohua Show is a weekly podcast about everything from business, technology to art and lifestyle, But done and spoken ईमानदारी सेConnect with UsMohua Chinappa: https://www.linkedin.com/in/mohua-chinappa/The Mohua Show: https://www.themohuashow.com/Connect with the GuestDilnaz Irani: https://www.instagram.com/dilnazirani/Follow UsYouTube: https://www.youtube.com/@TheMohuaShowInstagram: https://www.instagram.com/themohuashow/LinkedIn: https://www.linkedin.com/company/themohuashow/For any other queries EMAILhello@themohuashow.comEpisode Summary: In this engaging episode, we sit down with Dilnaz Irani, an accomplished Indian actress who has made her mark across film, theatre, and television. Dilnaz takes us through her Bollywood journey, where she began with impactful roles in films like “68 Pages” and “Jodhaa Akbar.” Her portrayal of Tamanna in “Heroine” (2012) and Nameeta in “Aligarh” (2015) solidified her reputation as a versatile performer.Beyond the big screen, Dilnaz has captivated audiences on the small screen, with standout performances in work like “Ragini MMS: Returns,” “Twisted,” and the critically acclaimed series “Aarya.” Her recent debut in the Tamil web series “Mathagam” further demonstrates her dedication to embracing diverse and challenging roles.Throughout our conversation, Dilnaz shares insights into her passion for storytelling, her journey from being an engineering graduate to an actor, and her analytical approach to acting that continues to captivate and resonate with audiences. To wrap up, she offers valuable advice to young aspiring actors, leaving us with a sense of inspiration and motivation.Chapters:00:00 - Highlights00:58 - Introduction02:15 - Early Life & Journey03:56 - Convincing Parents06:30 - Real Conversations in Theatre08:54 - The Struggles of Sustaining as an Actor11:09 - Challenges of Being a VJ12:40 - Jodha Akbar & Ashutosh Gowariker 14:28 - The Uncertainty of the Film Industry17:07 - Apprehensions after Ragini MMS Returns 18:49 - Overcoming Language Barriers22:50 - The Prep Work Behind Arya25:03 - Anchoring Experience26:05 - Surviving in the Industry29:04 - Upcoming Projects31:40 - Singing & Other Hobbies33:00 - Advice to Aspiring Actors34:50 - Concluding RemarksDisclaimerThe views expressed by our guests are their own. We do not endorse and are not responsible for any views expressed by our guests on our podcast and its associated platforms.#TheMohuaShow #Podcast #DilnazIrani #FilmIndustry #Films #Actor #Bollywood #BollywoodMovies #Movies #Mumbai #Fashion #BollywoodActress #Trending #Unfiltered #Cinema #IndianCinema #PressRelease #Media #FYP Thanks for Listening!
#indiancinema #tamilcinema #telugucinema Raja Sandow, born P.K. Nagalingam, was a pioneering figure in early Indian cinema, known for his exceptional contributions as an actor, director, and producer. Born in 1894 in Tamil Nadu, he began his career in silent films and quickly gained fame for his charismatic screen presence and athletic prowess. Sandow's performances in films like "Bhaktha Bhodhana" (1922) and "Anadhai Penn" (1930) established him as one of the leading stars of his time. Beyond acting, he was also a successful filmmaker, producing and directing several hits. His dedication to the craft and innovative approach helped shape the Indian film industry. Despite passing away in 1943, Raja Sandow's legacy endures, inspiring generations of actors and filmmakers. KiranPrabha narrates the life sketch of Raja Sandow in detail in this talk show
Launched by three doctors in Sydney, a new festival aims to showcase Indian arthouse films often overlooked in favour of mainstream Bollywood movies.
Today we finish the wonderful Apu Trilogy, and focus in on parenting and the artistic struggle. Sign up for Patreon and listen to our new series MPU: The Sequel: Legacy and listen to TOP GUN: MAVERICK
Check out our first Video Essay on our YouTube Channel: "Why Amitabh Bachchan is Still Unmatched in Bollywood" Do leave a comment and subscribe, we would love to do more video essay's! Welcome to Khandaan: A Bollywood Podcast where this week we're taking a ride in the way back machine to Ketan Mehta's MAYA MEMSAAB. Loosely based on Madame Bovary, this Deepa Sahi star vehicle also stars Shahrukh Khan and is probably most notable in his filmography for the behind the scenes stories than the actual film. 01:56 Previous viewings of Maya Memsaab05:25 Overview of the film18:55 Exploring themes of Masculinity21:00 Finding meaning in the Film28:36 Shah Rukh Khan's charm and potential32:47 The detestable Raj Babbar40:24 Farooq Sheikh's charming Masculinity Follow us on Socials: Amrita, Sujoy, Asim YouTube, Facebook, Instagram, Tik Tok Sujoy's Instagram Amrita's YouTube Book Channel- Amrita By The Book You can listen to Khandaan- A Bollywood Podcast episodes on the following apps: Apple Podcast Spotify Jio Saavn Deezer Audible Amazon Music Omny iHeart TuneIn
Blurb: This week, Humhu -- who plays Krane in 'Kalki 2898 AD' -- joins us to discuss Kalki as a queer dystopia, homoerotic undertones in RRR, how 'Pushpa' reminds us of the surprising roots of wrestling, and whether the queer undertones in blockbusters can make up for their hypermasculinity. Respectfully Disagree is The Swaddle Team's very own podcast series, in which we get together to discuss and dissect the issues we passionately differ on. Credits: Featuring: Humhu Co-Producers: Vasudhaa Narayanan, Rohitha Naraharisetty Cover Art: Neha Tewari Art Director: Neha Shekhawat Executive Producer: Karla Bookman
Whether he's starring in major movies like ELEMENTAL or JURASSIC WORLD DOMINION, or sinking his teeth into roles like his his latest (in Yorgos Lanthimos' new KINDS OF KINDNESS), actor Mamoudou Athie follows his gut and ignores the algorithms. When Dev Patel's directorial debut, MONKEY MAN hit theaters earlier this year, Mamoudou found new depths of admiration for Patel as an actor and director -- and he also found a character he could deeply relate to in the determined Bobby/The Kid.Then, Jordan has one quick thing about the latest film from past guest Ariel Vida, TRIM SEASON.***With Jordan Crucchiola and Mamoudou Athie
Furiosa. Fall Guy. Madame Web. The so-called blockbusters are tanking at the box office while streaming content is on the rise. In this week's episode, Abhin and Rohit are joined by Aniket Dasgupta to discuss whether the Streaming Giants are responsible for the death of the movie theater experience and what the future of cinema will look like. CHAPTERS: - [00:00] - Streaming Impact on Cinema Releases - [05:37] - Box Office Struggles - [09:56] - Impact of Streaming - [11:49] - Making Cinema Releases Events - [13:43] - Event Cinema Strategy - [15:26] - Meme Culture's Role- [20:55] - Film Memes and Cultural Impact - [21:49] - Mainstream Appeal - [23:30] - Surprising Successes - [25:22] - Multi-Screen Viewing - [27:12] - Streaming-Designed Films - [30:15] - Diverse Access via Streaming - [31:25] - Democratization of Access to Movies - [35:01] - Access to International Cinema - [37:05] - Impact of Streaming on Film Industry Dynamics - [38:29] - Data-Driven Streaming Risks - [42:16] - Impact of Content Fatigue - [43:52] - Challenges of Sustaining Interest - [45:16] - Fragmented Viewing Experiences - [46:26] - Competing with Free Platforms - [47:53] - Competing with User-Generated Content - [49:26] - Online Personalities in Film - [51:01] - Challenges for Indian Films - [54:58] - Future of Streaming in Indian Cinema - [01:02:50] - Film Culture's Evolution - [01:05:20] - Mainstream Platform Limitations - [01:05:35] - Potential of Streaming - [01:06:31] - The Impact of Collective Cinema Experiences - [01:06:44] - Watching Interstellar with Nolan! - [01:07:57] - Restoring Faith in Filmmaking - [01:10:16] - Follow Aniket! LIKE & SHARE the Video! FOLLOW The Podcast! REVIEW US! Follow Aniket here: https://www.instagram.com/aniketd/ https://www.instagram.com/hypercurious.club/ Follow us on Instagram: https://www.instagram.com/twopleasepod/ Here's everywhere else we're currently streaming: linktr.ee/twopleasepod
Hello, Hello, Hello! In our first (of three!) episodes on Queerness in Film this month, Dhruv invites Queer Academic & SRK and KJo Fanboy Cris Patrick (@limjaeseven) to discuss the one thing he "avoided like the plague for the longest time as he himself came to terms with his identity" -- Queer REPRESENTATION in Bollywood. We emphasize the word "representation" because our focus for this episode is on films that overtly position themselves as queer narratives about queer people. This includes films that belong to, as Cris points out, the "Ayushmann Khurrana Social Messaging Industrial Complex" ("Chandigarh"), mainstream melodramas ("Ek Ladki..."), and incredible shorts buried within otherwise abhorrent Netflix anthologies ("Geeli Pucchi" in "Ajeeb Daastaans"). Listen to the full episode to hear us detail the history of Queer Representation, its aesthetics, and politics in Bollywood, especially before we tackle these three individual films -- two of which Dhruv and Cris are split on, one which they unabashedly adore. TIME CODES Introduction & Episode Overview - [00:00 - 13:31] History of Queer Representation, Aesthetics & Politics in Cinema - [13:32 - 41:39] "Ek Ladki Ko Dekha Toh Aisa Laga" (2019) - [41:39 - 01:11:39] "Chandigarh Kare Aashiqui" (2021) - [01:11:39 - 01:41:41] "Geeli Pucchi" (2021) - [01:41:41 - 02:23:21] Other Favorite Queer Films in Bwood & The Future of Bwood Queer Cinema - [02:23:21 - 02:45:43] Do hit 'Follow' on Spotify if you haven't already to help the podcast reach more people! Follow our Instagram page: https://instagram.com/queenisdead.filmpodcast YOU CAN (& SHOULD!) FOLLOW CRIS IN ALL THESE PLACES - Twitter - https://twitter.com/limjaeseven Letterboxd - https://letterboxd.com/crislim/ Instagram - https://www.instagram.com/prdscris/ Articles & Research Papers Referenced in this Episode - 1. "Gender Minority and its Changing Portrayal in Bollywood Films" (Ankita Chowdhury, 2019). 2. "Indian Cinema and the Queer Gaze: Presentation of LGBTQ+ in Bollywood" (Neha Jain, 2021). 3. What's Happening to Queer Cinema in the LGBT Boom? (Alex E. Jung, 2018). https://www.vulture.com/2018/05/queer-cinema-whats-happening-to-it.html Audio Excerpts - 1. "Ek Ladki Ko Dekhta Toh Aisa Laga" Trailer 2. "Chandigarh Kare Aashqui" Netflix Promotional Clip 3. "Geeli Pucchi" Netflix Promotional Clip 4. "Sang Rehna" - Geeli Pucchi
Welcome to Khandaan: A Bollywood Podcast where we're discussing one of the greats — RANG DE BASANTI (2006). Directed by Rakeysh Omprakash Mehra, this movie stars Aamir Khan, Siddharth, Atul Kulkarni, Sharman Joshi, Kunal Kapoor, Alice Patten, Soha Ali Khan, Waheeda Rehman, and Madhavan among others. With music by AR Rahman and lyrics by Prasoon Joshi, this is also one of the great albums of the past 20 years. In this episode we discuss the impact of this movie and what has changed in the time since it released. We examine how we feel about this movie as a piece of cinema as well as a piece of politics after these many years. Chapters 00:00- Introduction and Twitter Discussions 08:04- The Role of Rang De Basanti in Indian Cinema 13:51- The Changing Political Landscape and Social Media 30:22- Transitional Politics and Co-opting of History 49:51- Cinematography and Visual Aesthetics 56:31- Cost-Cutting and Filmmaking Choices 01:07:52- Queer Coding and LGBTQ+ Representation 01:09:15- The Impact of the Music 01:22:20- Political Commentary and Contemporary Relevance Shownotes: Here are some of the other podcast we have been on recently: Hanisha's Making Things Happen Podcast Asian Network Bollywood Ultimate 90s Bollywood Asian Network News Presents: 90s Bollywood Follow us on Socials: Amrita, Sujoy, Asim YouTube, Facebook, Instagram, Tik Tok Sujoy's Instagram Amrita's YouTube Book Channel- Amrita By The Book You can listen to Khandaan- A Bollywood Podcast episodes on the following apps: Apple Podcast Spotify Jio Saavn Deezer Audible Amazon Music Omny iHeart TuneIn
Jackie and Greg discuss Satyajit Ray's PATHER PANCHALI from 1955. Topics of discussion include Ray's mastery of the medium, Ravi Shankar's glistening score, whether the film romanticizes poverty or not, and why it's one of the best films ever made.#41 on Sight & Sound's 2012 "The 100 Greatest Films of All Time" list.https://www.bfi.org.uk/sight-and-sound/polls/greatest-films-all-time-2012#35 on Sight & Sound's 2022 "The Greatest Films of All Time" list. https://www.bfi.org.uk/sight-and-sound/greatest-films-all-timeCheck us out on Instagram: https://www.instagram.com/sceneandheardpodCheck us out at our official website: https://www.sceneandheardpod.comJoin our weekly film club: https://www.instagram.com/arroyofilmclubJP Instagram/Twitter: jacpostajGK Instagram: gkleinschmidtGraphic Design: Molly PintoMusic: Andrew CoxEditing: Greg KleinschmidtGet in touch at hello@sceneandheardpod.comSend us a Text Message.Support the Show.Support the show on Patreon: patreon.com/SceneandHeardPodorSubscribe just to get access to our bonus episodes: buzzsprout.com/1905508/subscribe
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Siddhant Adlakha Talks All We Imagine as Light and moreSupport this show http://supporter.acast.com/writers-on-film. Hosted on Acast. See acast.com/privacy for more information.
Hi everyone, thanks for listening. Drop a line or two about the episode! Sharaabi (1984) turns 40 this year. Superfans Alok Sharma, Diptakirti Chaudhuri and Shiva Krishnamurthy join me as we celebrate the Prakash Mehra film that gave us one of Amitabh Bachchan's top performances, Bappi-da's ace soundtrack, and some of the most incisive and clear-eyed dialouge penned by Kader Khan. We talked about everything from the car-o-bar (bar in the car trunk) to the parallels with Animal!If you enjoy the podcast, do consider supporting the show: https://www.buzzsprout.com/257788/supportFeedback/comments/questions: loveofcinemasf@gmail.comCredits:Produced and hosted by: Himanshu Joglekar (@loveofcinemasf8)Editor: Devika JoglekarMusic: Nakul AbhyankarCopyrights © Love of Cinema 2024Support the Show.If you liked the episode and found value, please considering supporting the show. Your support will help me continue making good content for fans of Indian cinema everywhere across the world: https://www.buzzsprout.com/257788/support
In this rerun of our 50th episode we reviewed for the first time a Tollywood Indian movie- Historical Action film RRR: Rise, Roar, Revolt. We also had a special guest - TripleFQueen Bola's sister Shola aka Shawshi. Topics in Blackness was back this episode! We talked about the Black Panther: Wakanda Forever trailer and the Recast T'Challa debate. We were Blerding Out about KinnPorsche the TV Series, Netflix's The Sandman, and Belle the anime film. Join our spirited discussion and dive into Indian Cinema with us. Check out links to some mentions during the episode: Black Girl Nerds Featuring EMan Reviews Episode 308: https://9fvb.short.gy/BlackGirlNerdsEp308 Tony Weaver Post Kilmonger Trash: https://9fvb.short.gy/TonyWeaverKilmongerTrash The Sandman: https://9fvb.short.gy/TheSandman Belle: https://9fvb.short.gy/Belle Om Shanti Om - Drum reference: https://9fvb.short.gy/OmShantiOmDrum O Re Piya - Singing reference: https://9fvb.short.gy/ORePiyaSinging Director and Cast Interview: https://9fvb.short.gy/RRRDirectorCastInterview Intro and Outro music is “Twilight” by Capshun Find him on SoundCloud at https://soundcloud.com/capshun Show Notes by Bola Hanson Audio engineering by Whitney Booker Show Contact Info: Subscribe to our email newsletter: blerdtalkbw.ck.page Email: blerdtalkbw@gmail.com Instagram: https://www.instagram.com/blerdtalkbw/ Twitter: https://twitter.com/BlerdTalkBW TikTok: http://tiktok.com/@blerdtalkbw YouTube: https://YouTube.com/@blerdtalkbw Bola's contact info: Instagram: https://www.instagram.com/triplefqueenb YouTube: https://YouTube.com/@triplefqueenb Whitney's company contact info: Email: whit@lumenavi.com Twitter: https://twitter.com/lumenavistudios --- Send in a voice message: https://podcasters.spotify.com/pod/show/blerdtalk-with-bola-and-whitney/message
Dev Patel, the Oscar-nominated star of acclaimed films such as Slumdog Millionaire and Lion, has become the latest Hollywood actor to take his career in a new direction.....by directing this propulsive revenge action thriller taking place in a fictional city within India modeled on Mumbai. Patel also stars as "Kid" who is a young drifter on a mission to avenge the death of his mother at the hands of corrupt local politicians, gangsters, police, and even religious leaders. And while he's attempting to infiltrate their organization working low-level service jobs, he moonlights as a bare-knuckles fighter on the side ALWAYS wearing a monkey mask....in an attempt to emulate a legend he has known of since he was a kid of Hanuman the Monkey God. Hence the title. ;) And as the story progresses, so does his plan to exact revenge....and the violence predictably escalates as well. Also co-starring in this production are Pitobash, Vipin Sharma, Sobhita Dhulipala, and Sharlto Copley. Host & Editor: Geoff GershonProducer: Marlene Gershon https://livingforthecinema.com/Facebook:https://www.facebook.com/Living-for-the-Cinema-Podcast-101167838847578Instagram:https://www.instagram.com/livingforthecinema/Letterboxd:https://letterboxd.com/Living4Cinema/
This week, we review Dev Patel's debut as director and action star: Monkey Man. A passion project years in the making marred by delays and production troubles only to be saved last-minute by producer Jordan Peele, Patel's kinetic actioner has plenty to prove. Can it rise above its muddled storytelling to deliver its throat punches and kicks in the teeth? Tune in and find out.
This month we sit with our creators Rohini Ramnathan, Suchin Mehrotra and Vishal Menon, to discuss love, love, and love. We delve deep into the varied forms of companionship and care shown in Indian Cinema, and come up with stories we'd want to see pan out on screen. They talk about the unconventionality of love in films/shows such as the Vijay Sethupathi - Trisha starrer 96, the new age Netflix release - Kho Gaye Hum Kahan starring Ananya Pandey, Siddhant Chaturvedi, and Adarsh Gourav; and many more. If you like our content, tune into more episodes of FC PopCorn on any podcast platform, to listen to discussions about pop culture, cinema, entertainment and more. Follow Us Onhttp://instagram.com/filmcompanionhttps://www.twitter.com/filmcompanion https://www.facebook.com/filmcompanionFind us on YouTube:https://www.youtube.com/@FilmCompanionhttps://www.youtube.com/@FilmCompanionSouthhttps://www.youtube.com/@FilmCompanionLocalhttps://www.youtube.com/@ReviewsandMore.https://www.youtube.com/@FilmCompanionShorts
This week on ‘Has It Aged Well?', we finally managed to get our most requested guest in the studio. Yep, it's Neville Shah! And we're discussing the 1999 action cop drama ‘Sarfarosh' starring Aamir Khan, Naseeruddin Shah and Sonali Bendre, directed by John Matthew Matthan. Topics discussed include: Neville's love of Hindi cinema, the impeccable screenplay and writing of Sarfarosh, how well the politics of the film hold up, the tactile and real feel of the film, and much more.(Ab comments mein ‘Neville ko bulao' likhna bandh kar do)You can follow Neville here: https://www.instagram.com/nevilleshah/Watch ‘The Internet Said So' podcast here: https://youtube.com/playlist?list=PLQxSBNMexBQE4beiEMRJUXxrqQnzw5-Xc&si=25_1GE9PsIxbhGyGFollow Abbas here: https://www.instagram.com/abbasmomin88/Follow Urjita here: https://www.instagram.com/urjitawani/Get early access to ‘Has It Aged Well' episodes only on Amazon Music. Subscribe to our feed now: https://bit.ly/48VfMUEFollow IVM Pop on Instagram: https://www.instagram.com/ivmpop/Subscribe to IVM Pop on Youtube: https://www.youtube.com/@IVMPopSee omnystudio.com/listener for privacy information.
In this episode of our exclusive podcast FC Popcorn, our creators Anupama Chopra, Prathyush Parasuraman, and Suchin Mehrotra discuss all things January. Starting from their latest theatrical experience Fighter starring Hrithik Roshan and Deepika Padukone, to the first one this month - Merry Christmas starring Katrina Kaif and Vijay Sethupathi, they share their thoughts and anecdotes surrounding each experience. They discuss our very new segment Through The Lens, and Anupama Chopra's experience of attending the Festival Of Young Cinema Asia Europe, where 12th Fail was the closing film of the festival. Follow Us Onhttp://instagram.com/filmcompanionhttps://www.twitter.com/filmcompanion https://www.facebook.com/filmcompanionFind us on YouTube:https://www.youtube.com/@FilmCompanionhttps://www.youtube.com/@FilmCompanionSouthhttps://www.youtube.com/@FilmCompanionLocalhttps://www.youtube.com/@ReviewsandMore.https://www.youtube.com/@FilmCompanionShorts
This week on 'Has It Aged Well?' comedian and film nerd Sankalp Rastogi returned to discuss another iconic gangster drama from 1998 (he discussed 'Satya' the last time) Vikram Bhatt's 'Ghulam'. Topics discussed include: Aamir Khan's multiple mawaali turns, from 'Rangeela' to 'Ghulam', the mystery of Rani Mukerjee's dubbed voice, the absolute classic that "Aati kya Khandala?" turned out to be, and the strong moral compass of the film. This episode is part of our ‘Badass' movie series in association with our friends at Wildstone perfumes. Check out their new badass range of fragrances: Whiskey, Cigar and Ammo available right now. You use the promo code ‘IVM10' to get a 10% discount applicable on all products on www.wildstone.in. This 10% discount is over and above whatever deal you are getting on site. So check it out now. Follow Wildstone on instagram here: https://www.instagram.com/wildstoneofficial/ Watch the Satya episode here: https://youtu.be/bFj9lC1lito?si=YTxt_he9SOwLo35r Follow Sankalp here: https://www.instagram.com/srastogi84 Follow Abbas here: https://www.instagram.com/abbasmomin88/ Follow Urjita here: https://www.instagram.com/urjitawani/ Get early access to ‘Has It Aged Well' episodes only on Amazon Music. Subscribe to our feed now: https://bit.ly/48VfMUE Follow IVM Pop on Instagram: https://www.instagram.com/ivmpop/ Subscribe to IVM Pop on Youtube: https://www.youtube.com/@IVMPop See omnystudio.com/listener for privacy information.
This week on ‘Has It Aged Well?' we're all double crossing each other as Abbas and Urjita are joined by director, producer and host of ‘The Bombay Journey' Siddhaarth Aalambayan to talk about the Sriram Raghavan cult favourite ‘Johnny Gaddaar'. Topics discussed include: How Sriraam Raghavan peppers his films with references, The great performances in this film by character actors including Zakir Hussain and Vinay Pathak, Neil Nitin Mukesh's first impressions, and Siddhaath gives gives us some insight into how the Bombay Journey came about. This episode is part of our ‘Badass' movie series in association with our friends at Wildstone perfumes. Check out their new badass range of fragrances: Whiskey, Cigar and Ammo available right now. You can use the promo code ‘IVM10' to get a 10% discount applicable on all products on www.wildstone.in. This 10% discount is over and above whatever deal you are getting on site. So check it out now. Follow Wildstone on instagram here: https://www.instagram.com/wildstoneofficial/ You can follow Siddhaarth here: https://www.instagram.com/thestorytellerindia/You can watch episodes of ‘The Bombay Journey' here: https://www.youtube.com/playlist?list=PLiXN2WsxiElYkZaof0mX8o8bgN-UAzkskFollow Abbas here: https://www.instagram.com/abbasmomin88/Follow Urjita here: https://www.instagram.com/urjitawani/Get early access to ‘Has It Aged Well' episodes only on Amazon Music. Subscribe to our feed now: https://bit.ly/48VfMUE Follow IVM Pop on Instagram: https://www.instagram.com/ivmpop/ Subscribe to IVM Pop on Youtube: https://www.youtube.com/@IVMPop See omnystudio.com/listener for privacy information.
This week on ‘Has It Aged Well?' we let our hair down (sorry Abbas), and headbang to our favourite guitar riffs because the film we're discussing is Abhishek Kapoor & Farhan Akhtar's ode to rock music from 2008 ‘Rock On' starring Akhtar, Arjun Rampal, Shahana Goswami, Luke Kenny and Purab Kohli. Joining Abbas and Urjita for the discussion is comedian Mikhail Almeida. Topics discussed include: Did Rock On contribute to the rise of ‘Hindi rock'? Is “Zehreelay” the greatest metal song of all time? Why is Magik the band so colourful with the costumes? Why does Farhan keep making ‘Dil Chahta Hai?' over and over again? And a lot more. This episode is part of our ‘Badass' movie series in association with our friends at Wildstone perfumes. Check out their new badass range of fragrances: Whiskey, Cigar and Ammo available right now. You use the promo code ‘IVM10' to get a 10% discount applicable on all products on www.wildstone.in. This 10% discount is over and above whatever deal you are getting on site. So check it out now. Follow Wildstone on instagram here: https://www.instagram.com/wildstoneofficial/ Follow Mikhail here: https://www.instagram.com/mikhailalmeida/Follow Abbas here: https://www.instagram.com/abbasmomin88/Follow Urjita here: https://www.instagram.com/urjitawani/Get early access to ‘Has It Aged Well' episodes only on Amazon Music. Subscribe to our feed now: https://bit.ly/48VfMUE Follow IVM Pop on Instagram: https://www.instagram.com/ivmpop/ Subscribe to IVM Pop on Youtube: https://www.youtube.com/@IVMPop See omnystudio.com/listener for privacy information.
Aditya Bhattacharya's Raakh (1989) is a powder keg of a film. The kind of film which you can't stop thinking about for a day or two, every time you watch it. Aditya joins me for almost a 2-hour long chat on his remarkable debut film, the story behind the film, Aamir Khan, and more. Join us! If you enjoy the podcast, do consider supporting the show: https://www.buzzsprout.com/257788/supportFeedback/comments/questions: loveofcinemasf@gmail.comCredits:Produced and hosted by: Himanshu Joglekar (@loveofcinemasf8)Editor: Devika JoglekarMusic: Nakul AbhyankarCopyrights © Love of Cinema 2023Support the showIf you liked the episode and found value, please considering supporting the show. Your support will help me continue making good content for fans of Indian cinema everywhere across the world: https://www.buzzsprout.com/257788/support
Welcome to Cyrus Says!Become a member of Club Cyrus SaysThis week on Cyrus Says, Cyrus is joined by Author Nasreen Munni Kabir. Nasreen speaks to Cyrus about her books written on legends from Indian Cinema such as Guru Dutt, Waheeda Rahman, Lata Mangeshkar, AR Rahman, and many more. She also takes Cyrus & Abbas behind the scenes of how subtitling is done for Bollywood projects, highlighting how, at times, they can be extremely hilarious.Tune in for this and much more!Subscribe to the Cyrus Says YouTube Channel for video episodes!Listen to Cyrus Says across Audio PlatformsIVM Podcasts | Apple Podcasts | Spotify | Google Podcasts | Gaana | Amazon Music | Jio SaavnEmail your AMA questions to us at whatcyrussays@gmail.comDon't forget to follow Cyrus Says' official Instagram handle at @whatcyrussaysConnect with Cyrus on socials:Instagram | TwitterAnd don't forget to rate us!-x-x-xDisclaimer: The views, opinions, and statements expressed in the episodes of the shows hosted on the IVM Podcasts network are solely those of the individual participants, hosts, and guests, and do not necessarily reflect the official policy or position of IVM Podcasts or its management. IVM Podcasts does not endorse or assume responsibility for any content, claims, or representations made by the participants during the shows. This includes, but is not limited to, the accuracy, completeness, or reliability of any information provided. Any reliance you place on such information is strictly at your own risk. IVM Podcasts is not liable for any direct, indirect, consequential, or incidental damages arising out of or in connection with the use or dissemination of the content featured in the shows. Listener discretion is advised.See omnystudio.com/listener for privacy information.
This week on ‘Has It Aged Well' Abbas and Urjita are joined by actor and producer Akshay Jha to talk about the stylish 2002 smash hit ‘Kaante'. Topics discussed include: The ‘cool' quotient of the film, how Kaante compares with ‘Reservoir Dogs' and what's the Indian connection to that film, what's up with the green tinge in the film and we recount our most badass characters and moments in the new ‘real badass' segment.This episode is part of our ‘Badass' movie series in association with our friends at Wildstone perfumes. Check out their new badass range of fragrances: Whiskey, Cigar and Ammo available right now.You use the promo code ‘IVM10' to get a 10% discount applicable on all products on www.wildstone.in. This 10% discount is over and above whatever deal you are getting on site. So check it out now!Follow Wildstone on instagram here: https://www.instagram.com/wildstoneofficial/ You can follow Akshay Jha here: https://www.instagram.com/akshay_jhakaasss/Follow Abbas here: https://www.instagram.com/abbasmomin88Follow Urjita here: https://www.instagram.com/urjitawaniGet early access to ‘Has It Aged Well' episodes only on Amazon Music. Subscribe to our feed now: https://bit.ly/48VfMUEFollow IVM Pop on Instagram: https://www.instagram.com/ivmpop/ See omnystudio.com/listener for privacy information.
In this episode of Pop Talks! Snayhil and Antariksh are joined by the charismatic Darsheel Safary. Tune in to hear Darsheel's experiences working with Aamir Khan and get a sneak peek into his upcoming movie 'Hukus Bukus,' shot amidst the scenic beauty of Kashmir. Join the excitement as Darsheel recounts his memorable encounter with the cricket legend Sachin Tendulkar, sharing insights into the world of cinema and cricket. Don't miss this engaging and entertaining episode!Follow Snayhil on Instagram : Instagram (@snayhil) Follow Antariksh on Instagram: Instagram (@antariksht) Follow Darsheel on Instagram: https://www.instagram.com/dsafary/?hl=en Follow IVM Pop on Instagram: https://www.instagram.com/ivmpop/ Subscribe to IVM POP on YouTube: https://www.youtube.com/@IVMPop Listen to Pop Wrap, Has It Aged Well? and Just A Filmy Game Show on the IVM Pop feed which is available across platforms. Spotify | Apple Podcasts | JioSaavn | Gaana | Amazon Music The views, opinions, and statements expressed in the episodes of the shows hosted on the IVM Podcasts network are solely those of the individual participants, hosts, and guests, and do not necessarily reflect the official policy or position of IVM Podcasts or its management. IVM Podcasts does not endorse or assume responsibility for any content, claims, or representations made by the participants during the shows. This includes, but is not limited to, the accuracy, completeness, or reliability of any information provided. Any reliance you place on such information is strictly at your own risk. IVM Podcasts is not liable for any direct, indirect, consequential, or incidental damages arising out of or in connection with the use or dissemination of the content featured in the shows. Listener discretion is advised.See omnystudio.com/listener for privacy information.
In this episode of Pop Talks!, Snayhil and Antariksh are joined by the talented Darsheel Safary. Get an insider's perspective as Darsheel shares his experiences working with Aamir Khan, detailing his audition process and navigating the unique challenges of being a child actor. Dive into the engaging conversation as Antariksh and Darsheel exchange boarding school stories, creating a delightful blend of industry insights and personal anecdotes. Tune in! Follow Snayhil on Instagram : Instagram (@snayhil) Follow Antariksh on Instagram: Instagram (@antariksht) Follow Darsheel on Instagram: https://www.instagram.com/dsafary/?hl=en Follow IVM Pop on Instagram: https://www.instagram.com/ivmpop/ Subscribe to IVM POP on YouTube: https://www.youtube.com/@IVMPop Listen to Pop Wrap, Has It Aged Well? and Just A Filmy Game Show on the IVM Pop feed which is available across platforms. Spotify | Apple Podcasts | JioSaavn | Gaana | Amazon Music The views, opinions, and statements expressed in the episodes of the shows hosted on the IVM Podcasts network are solely those of the individual participants, hosts, and guests, and do not necessarily reflect the official policy or position of IVM Podcasts or its management. IVM Podcasts does not endorse or assume responsibility for any content, claims, or representations made by the participants during the shows. This includes, but is not limited to, the accuracy, completeness, or reliability of any information provided. Any reliance you place on such information is strictly at your own risk. IVM Podcasts is not liable for any direct, indirect, consequential, or incidental damages arising out of or in connection with the use or dissemination of the content featured in the shows. Listener discretion is advised.See omnystudio.com/listener for privacy information.