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Around 2016, buoyed by so-called data kranti ("data revolution"), an aspirational neo-middle class of users in India accessed internet for the first time on their mobile phones. Unlimited: Aspirational Politics and Mobile Media Distribution (MIT Press, 2026) tells the story of digital infrastructures that are being created by state-corporations for content and money to move and reach such users. It interrogates how their design impact the forms of inclusions and exclusions enacted as well as the horizon of social behaviors and expectations in "Digital India." The book contends that to understand the possibilities and limits of India's aspirational politics, media studies scholars should attend to infrastructures of aspiration: the distributional logistics of streaming content and mobile money are the infrastructural backbone that recalibrate thresholds of aspirational goals. Digital content media distribution is also shaped by how user practices get entangled with particular affordances of platforms, and hence the need to study both participatory cultures of circulation and logistics of distribution together. Drawing on in-depth interviews, ethnographic fieldwork, critical discourse analysis and participant observation, the book traces the supply chains of content delivery networks enabling streaming video-on-demand services and informal ways of circulating "vernacular" music videos through memory cards. Unlimited does not restrict itself to formal media infrastructures, but also researches online phishing and lending scam assemblages to understand how such scams perform critical boundary work to reveal the cracks in and workings of financial distribution networks. This book offers a systematic examination of distribution considerations—including localization strategies—required for imagining mobile phone users across the varied regional geographies of "Digital India." Rahul Mukherjee is Associate Professor of TV & New Media and graduate chair in the Department of Cinema & Media Studies at University of Pennsylvania. His teaching and research focus on the logistical and environmental dimensions of digital infrastructures and platforms. Rahul is the author of the monograph Radiant Infrastructures, and his work has been published in Critical Inquiry, SM+S, New Media & Society, and Science, Technology & Human Values. He has co-edited a special issue on "Media Power in Digital Asia" for Media, Culture & Society journal. Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body, and her work has been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at the New Books Network and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website and you can follow her on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Around 2016, buoyed by so-called data kranti ("data revolution"), an aspirational neo-middle class of users in India accessed internet for the first time on their mobile phones. Unlimited: Aspirational Politics and Mobile Media Distribution (MIT Press, 2026) tells the story of digital infrastructures that are being created by state-corporations for content and money to move and reach such users. It interrogates how their design impact the forms of inclusions and exclusions enacted as well as the horizon of social behaviors and expectations in "Digital India." The book contends that to understand the possibilities and limits of India's aspirational politics, media studies scholars should attend to infrastructures of aspiration: the distributional logistics of streaming content and mobile money are the infrastructural backbone that recalibrate thresholds of aspirational goals. Digital content media distribution is also shaped by how user practices get entangled with particular affordances of platforms, and hence the need to study both participatory cultures of circulation and logistics of distribution together. Drawing on in-depth interviews, ethnographic fieldwork, critical discourse analysis and participant observation, the book traces the supply chains of content delivery networks enabling streaming video-on-demand services and informal ways of circulating "vernacular" music videos through memory cards. Unlimited does not restrict itself to formal media infrastructures, but also researches online phishing and lending scam assemblages to understand how such scams perform critical boundary work to reveal the cracks in and workings of financial distribution networks. This book offers a systematic examination of distribution considerations—including localization strategies—required for imagining mobile phone users across the varied regional geographies of "Digital India." Rahul Mukherjee is Associate Professor of TV & New Media and graduate chair in the Department of Cinema & Media Studies at University of Pennsylvania. His teaching and research focus on the logistical and environmental dimensions of digital infrastructures and platforms. Rahul is the author of the monograph Radiant Infrastructures, and his work has been published in Critical Inquiry, SM+S, New Media & Society, and Science, Technology & Human Values. He has co-edited a special issue on "Media Power in Digital Asia" for Media, Culture & Society journal. Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body, and her work has been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at the New Books Network and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website and you can follow her on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies
Around 2016, buoyed by so-called data kranti ("data revolution"), an aspirational neo-middle class of users in India accessed internet for the first time on their mobile phones. Unlimited: Aspirational Politics and Mobile Media Distribution (MIT Press, 2026) tells the story of digital infrastructures that are being created by state-corporations for content and money to move and reach such users. It interrogates how their design impact the forms of inclusions and exclusions enacted as well as the horizon of social behaviors and expectations in "Digital India." The book contends that to understand the possibilities and limits of India's aspirational politics, media studies scholars should attend to infrastructures of aspiration: the distributional logistics of streaming content and mobile money are the infrastructural backbone that recalibrate thresholds of aspirational goals. Digital content media distribution is also shaped by how user practices get entangled with particular affordances of platforms, and hence the need to study both participatory cultures of circulation and logistics of distribution together. Drawing on in-depth interviews, ethnographic fieldwork, critical discourse analysis and participant observation, the book traces the supply chains of content delivery networks enabling streaming video-on-demand services and informal ways of circulating "vernacular" music videos through memory cards. Unlimited does not restrict itself to formal media infrastructures, but also researches online phishing and lending scam assemblages to understand how such scams perform critical boundary work to reveal the cracks in and workings of financial distribution networks. This book offers a systematic examination of distribution considerations—including localization strategies—required for imagining mobile phone users across the varied regional geographies of "Digital India." Rahul Mukherjee is Associate Professor of TV & New Media and graduate chair in the Department of Cinema & Media Studies at University of Pennsylvania. His teaching and research focus on the logistical and environmental dimensions of digital infrastructures and platforms. Rahul is the author of the monograph Radiant Infrastructures, and his work has been published in Critical Inquiry, SM+S, New Media & Society, and Science, Technology & Human Values. He has co-edited a special issue on "Media Power in Digital Asia" for Media, Culture & Society journal. Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body, and her work has been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at the New Books Network and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website and you can follow her on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
Around 2016, buoyed by so-called data kranti ("data revolution"), an aspirational neo-middle class of users in India accessed internet for the first time on their mobile phones. Unlimited: Aspirational Politics and Mobile Media Distribution (MIT Press, 2026) tells the story of digital infrastructures that are being created by state-corporations for content and money to move and reach such users. It interrogates how their design impact the forms of inclusions and exclusions enacted as well as the horizon of social behaviors and expectations in "Digital India." The book contends that to understand the possibilities and limits of India's aspirational politics, media studies scholars should attend to infrastructures of aspiration: the distributional logistics of streaming content and mobile money are the infrastructural backbone that recalibrate thresholds of aspirational goals. Digital content media distribution is also shaped by how user practices get entangled with particular affordances of platforms, and hence the need to study both participatory cultures of circulation and logistics of distribution together. Drawing on in-depth interviews, ethnographic fieldwork, critical discourse analysis and participant observation, the book traces the supply chains of content delivery networks enabling streaming video-on-demand services and informal ways of circulating "vernacular" music videos through memory cards. Unlimited does not restrict itself to formal media infrastructures, but also researches online phishing and lending scam assemblages to understand how such scams perform critical boundary work to reveal the cracks in and workings of financial distribution networks. This book offers a systematic examination of distribution considerations—including localization strategies—required for imagining mobile phone users across the varied regional geographies of "Digital India." Rahul Mukherjee is Associate Professor of TV & New Media and graduate chair in the Department of Cinema & Media Studies at University of Pennsylvania. His teaching and research focus on the logistical and environmental dimensions of digital infrastructures and platforms. Rahul is the author of the monograph Radiant Infrastructures, and his work has been published in Critical Inquiry, SM+S, New Media & Society, and Science, Technology & Human Values. He has co-edited a special issue on "Media Power in Digital Asia" for Media, Culture & Society journal. Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body, and her work has been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at the New Books Network and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website and you can follow her on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-technology-and-society
Around 2016, buoyed by so-called data kranti ("data revolution"), an aspirational neo-middle class of users in India accessed internet for the first time on their mobile phones. Unlimited: Aspirational Politics and Mobile Media Distribution (MIT Press, 2026) tells the story of digital infrastructures that are being created by state-corporations for content and money to move and reach such users. It interrogates how their design impact the forms of inclusions and exclusions enacted as well as the horizon of social behaviors and expectations in "Digital India." The book contends that to understand the possibilities and limits of India's aspirational politics, media studies scholars should attend to infrastructures of aspiration: the distributional logistics of streaming content and mobile money are the infrastructural backbone that recalibrate thresholds of aspirational goals. Digital content media distribution is also shaped by how user practices get entangled with particular affordances of platforms, and hence the need to study both participatory cultures of circulation and logistics of distribution together. Drawing on in-depth interviews, ethnographic fieldwork, critical discourse analysis and participant observation, the book traces the supply chains of content delivery networks enabling streaming video-on-demand services and informal ways of circulating "vernacular" music videos through memory cards. Unlimited does not restrict itself to formal media infrastructures, but also researches online phishing and lending scam assemblages to understand how such scams perform critical boundary work to reveal the cracks in and workings of financial distribution networks. This book offers a systematic examination of distribution considerations—including localization strategies—required for imagining mobile phone users across the varied regional geographies of "Digital India." Rahul Mukherjee is Associate Professor of TV & New Media and graduate chair in the Department of Cinema & Media Studies at University of Pennsylvania. His teaching and research focus on the logistical and environmental dimensions of digital infrastructures and platforms. Rahul is the author of the monograph Radiant Infrastructures, and his work has been published in Critical Inquiry, SM+S, New Media & Society, and Science, Technology & Human Values. He has co-edited a special issue on "Media Power in Digital Asia" for Media, Culture & Society journal. Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body, and her work has been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at the New Books Network and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website and you can follow her on X. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/technology
This episode features a conversation with urban geographer, Malini Ranganathan, and historian, Juned Shaikh, on the centrality of caste to urbanization in India. Through a focus on 20th century Bombay (now Mumbai) and 21st century Bangalore (now Bengaluru), we explored the symbiotic relationship between caste and capitalism manifest in the political economy of urbanization from the heyday of industrial capitalism to contemporary neoliberalism. We also delved into the continuities between rural and urban caste relations as seen, for instance, in caste networks that remain key to the movement of capital from rural land to real estate. In addition to the centrality of caste in shaping urbanization, we also considered changes to caste wrought by its role within urban processes. The final part of the episode shifted to a discussion of oppositional mobilization among the urban poor, from the upsurge of literary and political activity among Dalits in Bombay and Bangalore in the 1950s-70s to the ongoing pushback against the threat of dispossession and displacement by real estate and finance capital. Guest bios Malini Ranganathan, Associate Professor, School of International Service, American University Juned Shaikh, Associate Professor of History, University of California, Santa Cruz References Khumbarwada: a historic potters' colony now located within Dharavi, Mumbai (Bombay). OBC: shorthand for Other Backward Classes, a Government of India classification for socially and educationally disadvantaged castes who are beneficiaries of affirmative action. OBCs are distinct from and considered to be relatively more advantaged than the Scheduled Castes, or Dalits, and Scheduled Tribes, or Adivasis, who also benefit from affirmative action. SC/ST: shorthand for Scheduled Castes and Scheduled Tribes (see above). Malini Ranganathan, David Pike, and Sapna Doshi, Corruption Plots: Stories, Ethics, and Publics of the Late Capitalist City (2024) Malini Ranganathan, “Towards a Political Ecology of Caste and the City” (2022) Malini Ranganathan, “Caste, racialization and the making of environmental unfreedoms in urban India” (2022) Juned Shaikh, Outcaste Bombay: City Making and the Politics of the Poor (2021) Juned Shaikh, “Imaging Caste: Photography, the Housing Question, and the Making of Sociology in Colonial Bombay, 1900-1939 (2014) Frank Conlon, A Caste in a Changing World: The Chitrapur Saraswat Brahmans, 1700-1935 (1977) Nikhil Rao, House, but No Garden: Apartment Living in Bombay's Suburbs, 1898-1964 (2012) C. J. Fuller and Haripriya Narasimhan, Tamil Brahmans: The Making of a Middle-Class Caste (2014) Ajantha Subramanian, The Caste of Merit: Engineering Education in India (2019) K. Balagopal, Probings in the Political Economy of Agrarian Classes and Conflicts (2020) Sushmita Pati, Properties of Rent: Community, Capital, and Politics in Globalizing Delhi, Cambridge University Press (2022). Rajnarayan Chandavarkar, The Origins of Industrial Capitalism in India: Business Strategies and the Working Classes in Bombay, 1900-1940 (1994) Priyanka Srivastava, The Well-Being of the Labor Force in Colonial Bombay: Discourses and Practices (2018) Dana Kornberg, “From Balmikis to Bengalis: The 'Casteification' of Muslims in Delhi's Informal Garbage Economy,” Economic and Political Weekly (2019) Amita Baviskar, Uncivil City: Ecology,. Equity, and the Commons in Delhi (2020) Mukul Sharma, Dalit Ecologies: Caste and Environmental Justice (2024) Liza Weinstein, The Durable Slum: Dharavi and the Right to Stay Put in Globalizing Mumbai (2014) Siddalingaiah, A Word With You, World: The Autobiography of a Poet (2013) Dharavi: a residential area in Mumbai (Bombay) considered one of the world's largest slums. Chico Mendes: a Brazilian rubber tapper, trade union leader, and environmentalist who fought to preserve the Amazon rainforest and advocated for the human rights of Brazilian peasants and Indigenous people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
This episode features a conversation with urban geographer, Malini Ranganathan, and historian, Juned Shaikh, on the centrality of caste to urbanization in India. Through a focus on 20th century Bombay (now Mumbai) and 21st century Bangalore (now Bengaluru), we explored the symbiotic relationship between caste and capitalism manifest in the political economy of urbanization from the heyday of industrial capitalism to contemporary neoliberalism. We also delved into the continuities between rural and urban caste relations as seen, for instance, in caste networks that remain key to the movement of capital from rural land to real estate. In addition to the centrality of caste in shaping urbanization, we also considered changes to caste wrought by its role within urban processes. The final part of the episode shifted to a discussion of oppositional mobilization among the urban poor, from the upsurge of literary and political activity among Dalits in Bombay and Bangalore in the 1950s-70s to the ongoing pushback against the threat of dispossession and displacement by real estate and finance capital. Guest bios Malini Ranganathan, Associate Professor, School of International Service, American University Juned Shaikh, Associate Professor of History, University of California, Santa Cruz References Khumbarwada: a historic potters' colony now located within Dharavi, Mumbai (Bombay). OBC: shorthand for Other Backward Classes, a Government of India classification for socially and educationally disadvantaged castes who are beneficiaries of affirmative action. OBCs are distinct from and considered to be relatively more advantaged than the Scheduled Castes, or Dalits, and Scheduled Tribes, or Adivasis, who also benefit from affirmative action. SC/ST: shorthand for Scheduled Castes and Scheduled Tribes (see above). Malini Ranganathan, David Pike, and Sapna Doshi, Corruption Plots: Stories, Ethics, and Publics of the Late Capitalist City (2024) Malini Ranganathan, “Towards a Political Ecology of Caste and the City” (2022) Malini Ranganathan, “Caste, racialization and the making of environmental unfreedoms in urban India” (2022) Juned Shaikh, Outcaste Bombay: City Making and the Politics of the Poor (2021) Juned Shaikh, “Imaging Caste: Photography, the Housing Question, and the Making of Sociology in Colonial Bombay, 1900-1939 (2014) Frank Conlon, A Caste in a Changing World: The Chitrapur Saraswat Brahmans, 1700-1935 (1977) Nikhil Rao, House, but No Garden: Apartment Living in Bombay's Suburbs, 1898-1964 (2012) C. J. Fuller and Haripriya Narasimhan, Tamil Brahmans: The Making of a Middle-Class Caste (2014) Ajantha Subramanian, The Caste of Merit: Engineering Education in India (2019) K. Balagopal, Probings in the Political Economy of Agrarian Classes and Conflicts (2020) Sushmita Pati, Properties of Rent: Community, Capital, and Politics in Globalizing Delhi, Cambridge University Press (2022). Rajnarayan Chandavarkar, The Origins of Industrial Capitalism in India: Business Strategies and the Working Classes in Bombay, 1900-1940 (1994) Priyanka Srivastava, The Well-Being of the Labor Force in Colonial Bombay: Discourses and Practices (2018) Dana Kornberg, “From Balmikis to Bengalis: The 'Casteification' of Muslims in Delhi's Informal Garbage Economy,” Economic and Political Weekly (2019) Amita Baviskar, Uncivil City: Ecology,. Equity, and the Commons in Delhi (2020) Mukul Sharma, Dalit Ecologies: Caste and Environmental Justice (2024) Liza Weinstein, The Durable Slum: Dharavi and the Right to Stay Put in Globalizing Mumbai (2014) Siddalingaiah, A Word With You, World: The Autobiography of a Poet (2013) Dharavi: a residential area in Mumbai (Bombay) considered one of the world's largest slums. Chico Mendes: a Brazilian rubber tapper, trade union leader, and environmentalist who fought to preserve the Amazon rainforest and advocated for the human rights of Brazilian peasants and Indigenous people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/anthropology
This episode features a conversation with urban geographer, Malini Ranganathan, and historian, Juned Shaikh, on the centrality of caste to urbanization in India. Through a focus on 20th century Bombay (now Mumbai) and 21st century Bangalore (now Bengaluru), we explored the symbiotic relationship between caste and capitalism manifest in the political economy of urbanization from the heyday of industrial capitalism to contemporary neoliberalism. We also delved into the continuities between rural and urban caste relations as seen, for instance, in caste networks that remain key to the movement of capital from rural land to real estate. In addition to the centrality of caste in shaping urbanization, we also considered changes to caste wrought by its role within urban processes. The final part of the episode shifted to a discussion of oppositional mobilization among the urban poor, from the upsurge of literary and political activity among Dalits in Bombay and Bangalore in the 1950s-70s to the ongoing pushback against the threat of dispossession and displacement by real estate and finance capital. Guest bios Malini Ranganathan, Associate Professor, School of International Service, American University Juned Shaikh, Associate Professor of History, University of California, Santa Cruz References Khumbarwada: a historic potters' colony now located within Dharavi, Mumbai (Bombay). OBC: shorthand for Other Backward Classes, a Government of India classification for socially and educationally disadvantaged castes who are beneficiaries of affirmative action. OBCs are distinct from and considered to be relatively more advantaged than the Scheduled Castes, or Dalits, and Scheduled Tribes, or Adivasis, who also benefit from affirmative action. SC/ST: shorthand for Scheduled Castes and Scheduled Tribes (see above). Malini Ranganathan, David Pike, and Sapna Doshi, Corruption Plots: Stories, Ethics, and Publics of the Late Capitalist City (2024) Malini Ranganathan, “Towards a Political Ecology of Caste and the City” (2022) Malini Ranganathan, “Caste, racialization and the making of environmental unfreedoms in urban India” (2022) Juned Shaikh, Outcaste Bombay: City Making and the Politics of the Poor (2021) Juned Shaikh, “Imaging Caste: Photography, the Housing Question, and the Making of Sociology in Colonial Bombay, 1900-1939 (2014) Frank Conlon, A Caste in a Changing World: The Chitrapur Saraswat Brahmans, 1700-1935 (1977) Nikhil Rao, House, but No Garden: Apartment Living in Bombay's Suburbs, 1898-1964 (2012) C. J. Fuller and Haripriya Narasimhan, Tamil Brahmans: The Making of a Middle-Class Caste (2014) Ajantha Subramanian, The Caste of Merit: Engineering Education in India (2019) K. Balagopal, Probings in the Political Economy of Agrarian Classes and Conflicts (2020) Sushmita Pati, Properties of Rent: Community, Capital, and Politics in Globalizing Delhi, Cambridge University Press (2022). Rajnarayan Chandavarkar, The Origins of Industrial Capitalism in India: Business Strategies and the Working Classes in Bombay, 1900-1940 (1994) Priyanka Srivastava, The Well-Being of the Labor Force in Colonial Bombay: Discourses and Practices (2018) Dana Kornberg, “From Balmikis to Bengalis: The 'Casteification' of Muslims in Delhi's Informal Garbage Economy,” Economic and Political Weekly (2019) Amita Baviskar, Uncivil City: Ecology,. Equity, and the Commons in Delhi (2020) Mukul Sharma, Dalit Ecologies: Caste and Environmental Justice (2024) Liza Weinstein, The Durable Slum: Dharavi and the Right to Stay Put in Globalizing Mumbai (2014) Siddalingaiah, A Word With You, World: The Autobiography of a Poet (2013) Dharavi: a residential area in Mumbai (Bombay) considered one of the world's largest slums. Chico Mendes: a Brazilian rubber tapper, trade union leader, and environmentalist who fought to preserve the Amazon rainforest and advocated for the human rights of Brazilian peasants and Indigenous people. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies
This episode features a conversation with urban geographer, Malini Ranganathan, and historian, Juned Shaikh, on the centrality of caste to urbanization in India. Through a focus on 20th century Bombay (now Mumbai) and 21st century Bangalore (now Bengaluru), we explored the symbiotic relationship between caste and capitalism manifest in the political economy of urbanization from the heyday of industrial capitalism to contemporary neoliberalism. We also delved into the continuities between rural and urban caste relations as seen, for instance, in caste networks that remain key to the movement of capital from rural land to real estate. In addition to the centrality of caste in shaping urbanization, we also considered changes to caste wrought by its role within urban processes. The final part of the episode shifted to a discussion of oppositional mobilization among the urban poor, from the upsurge of literary and political activity among Dalits in Bombay and Bangalore in the 1950s-70s to the ongoing pushback against the threat of dispossession and displacement by real estate and finance capital. Guest bios Malini Ranganathan, Associate Professor, School of International Service, American University Juned Shaikh, Associate Professor of History, University of California, Santa Cruz References Khumbarwada: a historic potters' colony now located within Dharavi, Mumbai (Bombay). OBC: shorthand for Other Backward Classes, a Government of India classification for socially and educationally disadvantaged castes who are beneficiaries of affirmative action. OBCs are distinct from and considered to be relatively more advantaged than the Scheduled Castes, or Dalits, and Scheduled Tribes, or Adivasis, who also benefit from affirmative action. SC/ST: shorthand for Scheduled Castes and Scheduled Tribes (see above). Malini Ranganathan, David Pike, and Sapna Doshi, Corruption Plots: Stories, Ethics, and Publics of the Late Capitalist City (2024) Malini Ranganathan, “Towards a Political Ecology of Caste and the City” (2022) Malini Ranganathan, “Caste, racialization and the making of environmental unfreedoms in urban India” (2022) Juned Shaikh, Outcaste Bombay: City Making and the Politics of the Poor (2021) Juned Shaikh, “Imaging Caste: Photography, the Housing Question, and the Making of Sociology in Colonial Bombay, 1900-1939 (2014) Frank Conlon, A Caste in a Changing World: The Chitrapur Saraswat Brahmans, 1700-1935 (1977) Nikhil Rao, House, but No Garden: Apartment Living in Bombay's Suburbs, 1898-1964 (2012) C. J. Fuller and Haripriya Narasimhan, Tamil Brahmans: The Making of a Middle-Class Caste (2014) Ajantha Subramanian, The Caste of Merit: Engineering Education in India (2019) K. Balagopal, Probings in the Political Economy of Agrarian Classes and Conflicts (2020) Sushmita Pati, Properties of Rent: Community, Capital, and Politics in Globalizing Delhi, Cambridge University Press (2022). Rajnarayan Chandavarkar, The Origins of Industrial Capitalism in India: Business Strategies and the Working Classes in Bombay, 1900-1940 (1994) Priyanka Srivastava, The Well-Being of the Labor Force in Colonial Bombay: Discourses and Practices (2018) Dana Kornberg, “From Balmikis to Bengalis: The 'Casteification' of Muslims in Delhi's Informal Garbage Economy,” Economic and Political Weekly (2019) Amita Baviskar, Uncivil City: Ecology,. Equity, and the Commons in Delhi (2020) Mukul Sharma, Dalit Ecologies: Caste and Environmental Justice (2024) Liza Weinstein, The Durable Slum: Dharavi and the Right to Stay Put in Globalizing Mumbai (2014) Siddalingaiah, A Word With You, World: The Autobiography of a Poet (2013) Dharavi: a residential area in Mumbai (Bombay) considered one of the world's largest slums. Chico Mendes: a Brazilian rubber tapper, trade union leader, and environmentalist who fought to preserve the Amazon rainforest and advocated for the human rights of Brazilian peasants and Indigenous people. Learn more about your ad choices. Visit megaphone.fm/adchoices
We are shaped by the people we let into our lives -- and sometimes only realise this in hindsight. Ramachandra Guha joins Amit Varma in episode 440 of The Seen and the Unseen to talk about some of the friends who changed his life. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Ramachandra Guha on Amazon, Twitter and his own website. 2. Ram Guha Writes a Letter to a Friend -- Episode 371 of The Seen and the Unseen. 3. Ram Guha Reflects on His Life — Episode 266 of The Seen and the Unseen. 4. A Cricket Tragic Celebrates the Game — Episode 201 of The Seen and the Unseen (w Ram Guha). 5. Taking Stock of Our Republic — Episode 157 of The Seen and the Unseen (w Ram Guha). 6. Understanding Gandhi. Part 1: Mohandas — Episode 104 of The Seen and the Unseen (w Ram Guha). 7. Understanding Gandhi. Part 2: Mahatma — Episode 105 of The Seen and the Unseen (w Ram Guha). 8. The Last Liberal and Other Essays -- Ramachandra Guha's collection, which includes his essay on Dharma Kumar. 9. Patriots and Partisans -- Ramachandra Guha's collection, which includes his essay on Krishna Raj. 10. 'The real Chipko': How Shekhar Pathak wrote the first exhaustive, people's history of the movement -- Ramachandra Guha. 11. An Anthropologist among the Marxists and other Essays -- Ramachandra Guha's collection, which includes his essay on DR Nagaraj. 12. The Ecumenical Marxist -- Ramachandra Guha on Anjan Ghosh. 13. Land and Caste in South India -- Dharma Kumar. 14. Colonialism, Property and the State -- Dharma Kumar. 15. The Chipko Movement: A People's History -- Shekhar Pathak. 16. The Flaming Feet and Other Essays -- DR Nagaraj. 17. Ramachandra Guha's 2024 tribute to Andre Béteille. 18. Penelope Fitzgerald, Barbara Pym and Shirley Hazzard on Amazon. 19. Original Spin: Misadventures in Cricket -- Vic Marks. 20. Late Cuts: Musings on cricket -- Vic Marks. 21. The Gate of Angels -- Penelope Fitzgerald. 22. The Light in Winter -- Episode 97 of Everything is Everything. 23. Beyond A Boundary -- CLR James. 24. India After Gandhi -- Ramachandra Guha. 25. Time Out of Mind -- Bob Dylan. 26. From Strength to Strength — Arthur Brooks. 27. The Good Boatman: A Portrait of Gandhi -- Rajmohan Gandhi. 28. The Age of the Partial Outsider — Janan Ganesh. 29. The Book of Indian Essays -- Edited by Arvind Krishna Mehrotra. 30. Ranjit Hoskote is Dancing in Chains -- Episode 363 of The Seen and the Unseen. 31. The Life and Times of Gurcharan Das — Episode 425 of The Seen and the Unseen. 32. Salman Rushdie interviewed by Mishal Husain. 33. Joseph Anton: A Memoir -- Salman Rushdie. 34. Economic and Political Weekly. 35. The India Forum. 36. The Mantle of the Prophet -- Roy Mottahadeh. 37. ChatGPT's investigative work on unnamed Calcutta Marxist. 38. The Role of Rumour in History Writing -- Anjan Ghosh. 39. Who are the Guilty? -- Report on the 1984 riots by PUDR and PUCL. 40. Sharafat Hussain Khan, Latafat Hussain Khan, Shrikrishna Narayan Ratanjankar, Dinkar Kaikini, Malini Rajurkar, Radhika Mohan Maitra and Buddhadev Das Gupta. 41. The Call of Music -- Priya Purushothaman. 42. The Secret Master: Arun Kashalkar and a Journey to the Edge of Music -- Sumana Ramanan. Amit Varma runs a course called Life Lessons, which aims to be a launchpad towards learning essential life skills all of you need. For more details, and to sign up, click here. And have you read Amit's newsletter? Subscribe right away to The India Uncut Newsletter! It's free! Also check out Amit's online course, The Art of Clear Writing. Episode art: 'Koshy's' by Simahina.
The #MeToo revelations put a twenty-first-century stamp on the age-old story of women's mistreatment in Hollywood. In Women in Hollywood's Dream Factory: Tales of Inequality, Abuse, and Resistance (U Illinois Press, 2026) Karen McNally edits a collection focused on examining and revising film history in the aftermath of the women's stories, past and present, that have come to light.The collection begins with essays on the interplay between reality and imagination in narratives and representations of women's experiences of unequal treatment. In Part 2, contributors discuss how the gendered attitudes of the media's stories enable inequality in Hollywood and look at the forces that arise whenever women resist these media assaults. The next section addresses the structures that built the inequalities and mistreatment while Part 4 revisits established narratives to challenge, renew, and expand upon our understanding of film history through women's stories. Essays in the final section address the combination of inequality and resistance that defines women's experiences in Hollywood. Editor of book: Karen McNally is Professor of American Film, Television and Cultural History at London Metropolitan University. Her research focuses on issues of stardom, gender, race, and American identity as they relate to Hollywood, American television, and US history, culture, and politics. She has published widely in volumes and journals including Journal of American Studies and European Journal of American Culture, and she is the author, editor, or co-editor of five books, including, most recently, The Stardom Film (2020) and American Television during a Television Presidency (2022). Professor McNally was awarded a Leverhulme Major Research Fellowship in 2023 for the three-year interdisciplinary research project “Lana Turner, a Historical Biography.” Bio note of host Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on X here Learn more about your ad choices. Visit megaphone.fm/adchoices
The #MeToo revelations put a twenty-first-century stamp on the age-old story of women's mistreatment in Hollywood. In Women in Hollywood's Dream Factory: Tales of Inequality, Abuse, and Resistance (U Illinois Press, 2026) Karen McNally edits a collection focused on examining and revising film history in the aftermath of the women's stories, past and present, that have come to light.The collection begins with essays on the interplay between reality and imagination in narratives and representations of women's experiences of unequal treatment. In Part 2, contributors discuss how the gendered attitudes of the media's stories enable inequality in Hollywood and look at the forces that arise whenever women resist these media assaults. The next section addresses the structures that built the inequalities and mistreatment while Part 4 revisits established narratives to challenge, renew, and expand upon our understanding of film history through women's stories. Essays in the final section address the combination of inequality and resistance that defines women's experiences in Hollywood. Editor of book: Karen McNally is Professor of American Film, Television and Cultural History at London Metropolitan University. Her research focuses on issues of stardom, gender, race, and American identity as they relate to Hollywood, American television, and US history, culture, and politics. She has published widely in volumes and journals including Journal of American Studies and European Journal of American Culture, and she is the author, editor, or co-editor of five books, including, most recently, The Stardom Film (2020) and American Television during a Television Presidency (2022). Professor McNally was awarded a Leverhulme Major Research Fellowship in 2023 for the three-year interdisciplinary research project “Lana Turner, a Historical Biography.” Bio note of host Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on X here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The #MeToo revelations put a twenty-first-century stamp on the age-old story of women's mistreatment in Hollywood. In Women in Hollywood's Dream Factory: Tales of Inequality, Abuse, and Resistance (U Illinois Press, 2026) Karen McNally edits a collection focused on examining and revising film history in the aftermath of the women's stories, past and present, that have come to light.The collection begins with essays on the interplay between reality and imagination in narratives and representations of women's experiences of unequal treatment. In Part 2, contributors discuss how the gendered attitudes of the media's stories enable inequality in Hollywood and look at the forces that arise whenever women resist these media assaults. The next section addresses the structures that built the inequalities and mistreatment while Part 4 revisits established narratives to challenge, renew, and expand upon our understanding of film history through women's stories. Essays in the final section address the combination of inequality and resistance that defines women's experiences in Hollywood. Editor of book: Karen McNally is Professor of American Film, Television and Cultural History at London Metropolitan University. Her research focuses on issues of stardom, gender, race, and American identity as they relate to Hollywood, American television, and US history, culture, and politics. She has published widely in volumes and journals including Journal of American Studies and European Journal of American Culture, and she is the author, editor, or co-editor of five books, including, most recently, The Stardom Film (2020) and American Television during a Television Presidency (2022). Professor McNally was awarded a Leverhulme Major Research Fellowship in 2023 for the three-year interdisciplinary research project “Lana Turner, a Historical Biography.” Bio note of host Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on X here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/gender-studies
The #MeToo revelations put a twenty-first-century stamp on the age-old story of women's mistreatment in Hollywood. In Women in Hollywood's Dream Factory: Tales of Inequality, Abuse, and Resistance (U Illinois Press, 2026) Karen McNally edits a collection focused on examining and revising film history in the aftermath of the women's stories, past and present, that have come to light.The collection begins with essays on the interplay between reality and imagination in narratives and representations of women's experiences of unequal treatment. In Part 2, contributors discuss how the gendered attitudes of the media's stories enable inequality in Hollywood and look at the forces that arise whenever women resist these media assaults. The next section addresses the structures that built the inequalities and mistreatment while Part 4 revisits established narratives to challenge, renew, and expand upon our understanding of film history through women's stories. Essays in the final section address the combination of inequality and resistance that defines women's experiences in Hollywood. Editor of book: Karen McNally is Professor of American Film, Television and Cultural History at London Metropolitan University. Her research focuses on issues of stardom, gender, race, and American identity as they relate to Hollywood, American television, and US history, culture, and politics. She has published widely in volumes and journals including Journal of American Studies and European Journal of American Culture, and she is the author, editor, or co-editor of five books, including, most recently, The Stardom Film (2020) and American Television during a Television Presidency (2022). Professor McNally was awarded a Leverhulme Major Research Fellowship in 2023 for the three-year interdisciplinary research project “Lana Turner, a Historical Biography.” Bio note of host Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on X here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
The #MeToo revelations put a twenty-first-century stamp on the age-old story of women's mistreatment in Hollywood. In Women in Hollywood's Dream Factory: Tales of Inequality, Abuse, and Resistance (U Illinois Press, 2026) Karen McNally edits a collection focused on examining and revising film history in the aftermath of the women's stories, past and present, that have come to light.The collection begins with essays on the interplay between reality and imagination in narratives and representations of women's experiences of unequal treatment. In Part 2, contributors discuss how the gendered attitudes of the media's stories enable inequality in Hollywood and look at the forces that arise whenever women resist these media assaults. The next section addresses the structures that built the inequalities and mistreatment while Part 4 revisits established narratives to challenge, renew, and expand upon our understanding of film history through women's stories. Essays in the final section address the combination of inequality and resistance that defines women's experiences in Hollywood. Editor of book: Karen McNally is Professor of American Film, Television and Cultural History at London Metropolitan University. Her research focuses on issues of stardom, gender, race, and American identity as they relate to Hollywood, American television, and US history, culture, and politics. She has published widely in volumes and journals including Journal of American Studies and European Journal of American Culture, and she is the author, editor, or co-editor of five books, including, most recently, The Stardom Film (2020) and American Television during a Television Presidency (2022). Professor McNally was awarded a Leverhulme Major Research Fellowship in 2023 for the three-year interdisciplinary research project “Lana Turner, a Historical Biography.” Bio note of host Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on X here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/american-west
Screening Precarity integrates a cultural analysis of film texts and history, industry transformations, and the violence and crises of political economy infrastructures, to study post-liberalization shifts in the Hindi film industry in India. The book investigates Bollywood as a media system that has moved away from the glee and gusto of liberalization in the 1990s to an industry contending with the failures and inadequacies of neoliberalism's promises, and the ascendency of the material-affective redressals offered by religious ethnonationalism. The monograph examines 19 Hindi-language films released post-2010 to study contemporary India's precarious public sphere which has been characterized by a pervasive sense of professional-personal insecurity experienced by the vast majority. This is a book about the role of cinema, or cultural texts more generally, in a period marked by incredible insecurity, violence, and the absence of collective political alternatives. Screening Precarity is an intervention in the politics of representation, particularly, of how marginal identities are shaped, scripted, and screened in precarious times. It is also a cultural analysis of how the biggest film industry in the world is embedded in global media networks, and marshals state power and star power, national histories and transnational fantasies, structural impossibilities and individual agency. Megha Anwer is a theorist of literature and visual culture. Her research areas include contemporary postcolonial literature, global cinema, Victorian literature and visual culture. Anupama Arora is a professor of English and Communication, and Women's and Gender Studies, at the University of Massachusetts, Dartmouth. Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on https://x.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
Screening Precarity integrates a cultural analysis of film texts and history, industry transformations, and the violence and crises of political economy infrastructures, to study post-liberalization shifts in the Hindi film industry in India. The book investigates Bollywood as a media system that has moved away from the glee and gusto of liberalization in the 1990s to an industry contending with the failures and inadequacies of neoliberalism's promises, and the ascendency of the material-affective redressals offered by religious ethnonationalism. The monograph examines 19 Hindi-language films released post-2010 to study contemporary India's precarious public sphere which has been characterized by a pervasive sense of professional-personal insecurity experienced by the vast majority. This is a book about the role of cinema, or cultural texts more generally, in a period marked by incredible insecurity, violence, and the absence of collective political alternatives. Screening Precarity is an intervention in the politics of representation, particularly, of how marginal identities are shaped, scripted, and screened in precarious times. It is also a cultural analysis of how the biggest film industry in the world is embedded in global media networks, and marshals state power and star power, national histories and transnational fantasies, structural impossibilities and individual agency. Megha Anwer is a theorist of literature and visual culture. Her research areas include contemporary postcolonial literature, global cinema, Victorian literature and visual culture. Anupama Arora is a professor of English and Communication, and Women's and Gender Studies, at the University of Massachusetts, Dartmouth. Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on https://x.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
Screening Precarity integrates a cultural analysis of film texts and history, industry transformations, and the violence and crises of political economy infrastructures, to study post-liberalization shifts in the Hindi film industry in India. The book investigates Bollywood as a media system that has moved away from the glee and gusto of liberalization in the 1990s to an industry contending with the failures and inadequacies of neoliberalism's promises, and the ascendency of the material-affective redressals offered by religious ethnonationalism. The monograph examines 19 Hindi-language films released post-2010 to study contemporary India's precarious public sphere which has been characterized by a pervasive sense of professional-personal insecurity experienced by the vast majority. This is a book about the role of cinema, or cultural texts more generally, in a period marked by incredible insecurity, violence, and the absence of collective political alternatives. Screening Precarity is an intervention in the politics of representation, particularly, of how marginal identities are shaped, scripted, and screened in precarious times. It is also a cultural analysis of how the biggest film industry in the world is embedded in global media networks, and marshals state power and star power, national histories and transnational fantasies, structural impossibilities and individual agency. Megha Anwer is a theorist of literature and visual culture. Her research areas include contemporary postcolonial literature, global cinema, Victorian literature and visual culture. Anupama Arora is a professor of English and Communication, and Women's and Gender Studies, at the University of Massachusetts, Dartmouth. Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on https://x.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Screening Precarity integrates a cultural analysis of film texts and history, industry transformations, and the violence and crises of political economy infrastructures, to study post-liberalization shifts in the Hindi film industry in India. The book investigates Bollywood as a media system that has moved away from the glee and gusto of liberalization in the 1990s to an industry contending with the failures and inadequacies of neoliberalism's promises, and the ascendency of the material-affective redressals offered by religious ethnonationalism. The monograph examines 19 Hindi-language films released post-2010 to study contemporary India's precarious public sphere which has been characterized by a pervasive sense of professional-personal insecurity experienced by the vast majority. This is a book about the role of cinema, or cultural texts more generally, in a period marked by incredible insecurity, violence, and the absence of collective political alternatives. Screening Precarity is an intervention in the politics of representation, particularly, of how marginal identities are shaped, scripted, and screened in precarious times. It is also a cultural analysis of how the biggest film industry in the world is embedded in global media networks, and marshals state power and star power, national histories and transnational fantasies, structural impossibilities and individual agency. Megha Anwer is a theorist of literature and visual culture. Her research areas include contemporary postcolonial literature, global cinema, Victorian literature and visual culture. Anupama Arora is a professor of English and Communication, and Women's and Gender Studies, at the University of Massachusetts, Dartmouth. Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on https://x.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
Screening Precarity integrates a cultural analysis of film texts and history, industry transformations, and the violence and crises of political economy infrastructures, to study post-liberalization shifts in the Hindi film industry in India. The book investigates Bollywood as a media system that has moved away from the glee and gusto of liberalization in the 1990s to an industry contending with the failures and inadequacies of neoliberalism's promises, and the ascendency of the material-affective redressals offered by religious ethnonationalism. The monograph examines 19 Hindi-language films released post-2010 to study contemporary India's precarious public sphere which has been characterized by a pervasive sense of professional-personal insecurity experienced by the vast majority. This is a book about the role of cinema, or cultural texts more generally, in a period marked by incredible insecurity, violence, and the absence of collective political alternatives. Screening Precarity is an intervention in the politics of representation, particularly, of how marginal identities are shaped, scripted, and screened in precarious times. It is also a cultural analysis of how the biggest film industry in the world is embedded in global media networks, and marshals state power and star power, national histories and transnational fantasies, structural impossibilities and individual agency. Megha Anwer is a theorist of literature and visual culture. Her research areas include contemporary postcolonial literature, global cinema, Victorian literature and visual culture. Anupama Arora is a professor of English and Communication, and Women's and Gender Studies, at the University of Massachusetts, Dartmouth. Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in the European Journal of Cultural Studies, Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website www.priyamsinha.com and you can follow her on https://x.com/PriyamSinha Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies
Bihar has once again delivered a political drama worthy of its reputation—record turnout, sharp debates over the voter rolls, a decisive victory for the National Democratic Alliance (NDA), and a fresh round of questions about whether the opposition has what it takes to displace Modi and the BJP. The NDA—anchored by Nitish Kumar and his Janata Dal (United), together with the BJP and other allies—secured a landslide victory by winning 202 out of 243 seats in the state assembly. The opposition, for its part, saw little change in its vote share from 2020, but could only muster 35 seats. To work through the elections—and their larger meaning for India's political economy—Milan is joined on the show today by the Hindustan Times data and political economy editor Roshan Kishore. Over the past several months, Roshan and his team have consistently put out the most thoughtful data and analysis on the trends in Bihar. Milan and Roshan discuss the resilience of the JD(U)–BJP alliance, the polarization in the electorate, and the dissonance within the opposition alliance's campaign. Plus, the two discuss the Election Commission of India (ECI)'s controversial review of electoral rolls, the impact of upstart Prashant Kishor and his Jan Suraaj Party, and what the elections portend for India's political economy beyond November.Watch the episode here.Episode notes:1. Roshan Kishore and Abhishek Jha, “Not conspiracy, political economy explains Bihar results,” Hindustan Times, November 18, 2025.2. Nishant Ranjan and Roshan Kishore, “The resurrection of ‘coalition of extremes' in Bihar,” Hindustan Times, November 15, 2025.3. Abhishek Jha and Roshan Kishore, “How did Bihar go from a 2020 cliff-hanger to a 2025 landslide?” Hindustan Times, November 15, 2025.4. Roshan Kishore, Abhishek Jha, and Nishant Ranjan, “Three key takeaways from Bihar results,” Hindustan Times, November 15, 2025.5. Roshan Kishore, “Bihar election results: Twelve Ds that explain the Bihar results,” Hindustan Times, November 14, 2025.6. “A Sixth of Humanity and the Dreams of a Nation (with Devesh Kapur and Arvind Subramanian),” Grand Tamasha, October 22, 2025. 7. Neelanjan Sircar, “The Welfarist Prime Minister: Explaining the National-State Election Gap,” Economic and Political Weekly 56, no. 10 (March 2021).
This MBM conversation is with Nadira Khatun, author of the book ‘Postcolonial Bollywood and Muslim Identity: Production, Representation, and Reception'. Through this book, Nadira traces the representation of Muslim characters within Hindi cinema in post-partition India, and how the socio-political and economic factors have contributed to varied representations across decades.We discuss the influence of Bollywood on our own personal upbringings, how cinematic representations contributed to the majoritarian perceptions of the Muslim identity and its interactions with us. From films like Mughal-e-Azam and Mammo to Gully Boy and Superboys of Malegaon, we talk about the evolution of Muslim characters and what would it take to make a movie with a truly effortless Muslim representation that does not fulfil any expectation or stereotype.We also discuss the many failings of Hindi film-makers in representing Muslim women - who were either exoticised or oppressed, leaving us with the hope that there is a whole world to cover when it comes to exciting possibilities in the space of truly bebaak representations.About Nadira KhatunNadira Khatun is associate professor at School of Communications, XIM University, Bhubaneswar, Odisha. She was visiting assistant professor at McMaster University, Hamilton from January 2021 to January 2022. She has contributed to academic journals and edited volumes on social media, Bollywood and Muslim identity. Her book tilted, Postcolonial Bollywood and Muslim Identity: Production, Representation, and Reception was released in August 2024 with Oxford University Press, UK. Email address of corresponding author: nadira.khatun@gmail.comEpisode notes:* ‘Exoticised, alienised, villainised': A book looks at how Muslims have been portrayed in Hindi films (Nandini Ramnath, Scroll, June 2025)* Ghettoisation, Crime and Punishment in Mumbai (Abdul Shaban, Economic and Political Weekly, 2008)* Jain, Ranu, and Shaban, Abdul (1999). Socio Economic and Educational Status of Muslims in Mumbai. A Research Report, Submitted to the Maharashtra State Minorities Commission. Mumbai: Government of Maharashtra.* Bombay Cinema's Islamicate Histories (Edited by Ira Bhaskar and Richard Allen, The University of Chicago Press, 2021)* To Be Seen Whole: Blackness, Muslimness, and the Politics of Art (Topibechwa's Substack, May 2025)* Links to certain films discussed in the conversation:* Mammo (1994)* Garm Hava (1974)* Mughal-e-Azam (1960)* Umrao Jaan (1981)* Pakeezah (1972)* Bebaak (2018)* Dhadak 2 (2025)* Salim Langde Pe Mat Ro (1989)* Gully Boy (2019)* Darlings (2022)* Superboys of Malegaon (2024)* Supermen of Malegaon (2008)* Jawan (2023)* Zindagi Na Milegi Dobara (2011)* Coolie (1983)MBM visual identity design by Shazia Salam || Music by Jupneet Singh This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.mainbhimuslim.com
The Co-production Landscape in Europe: From Eurimages to Netflix (Springer Nature, 2025) explores the evolving landscape of European film and television co-productions, from traditional models supported by Eurimages to new collaborations shaped by global streaming platforms like Netflix. It examines how European co-production policies have influenced industry practices, funding structures, and audience engagement, balancing artistic, economic, and cultural priorities. Through historical analysis, case studies, and stakeholder perspectives – including policymakers, industry professionals, and audiences – this book offers fresh insights into the challenges and opportunities facing European audiovisual production today. It is essential reading for scholars, industry professionals, and policymakers interested in transnational media, cultural policy, and the future of European cinema. Dr Petar Mitric is an Assistant Professor in Film Studies at the University of Copenhagen. His research focuses on European audiovisual policy, co-production, and audience design practices, bridging film studies and creative media industry studies. He has published extensively on European cinema and has collaborated in an advisory capacity with organizations such as Film iVäst and TorinoFilmLab. Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website here and you can follow her on X here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
The Co-production Landscape in Europe: From Eurimages to Netflix (Springer Nature, 2025) explores the evolving landscape of European film and television co-productions, from traditional models supported by Eurimages to new collaborations shaped by global streaming platforms like Netflix. It examines how European co-production policies have influenced industry practices, funding structures, and audience engagement, balancing artistic, economic, and cultural priorities. Through historical analysis, case studies, and stakeholder perspectives – including policymakers, industry professionals, and audiences – this book offers fresh insights into the challenges and opportunities facing European audiovisual production today. It is essential reading for scholars, industry professionals, and policymakers interested in transnational media, cultural policy, and the future of European cinema. Dr Petar Mitric is an Assistant Professor in Film Studies at the University of Copenhagen. His research focuses on European audiovisual policy, co-production, and audience design practices, bridging film studies and creative media industry studies. He has published extensively on European cinema and has collaborated in an advisory capacity with organizations such as Film iVäst and TorinoFilmLab. Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website here and you can follow her on X here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
The Co-production Landscape in Europe: From Eurimages to Netflix (Springer Nature, 2025) explores the evolving landscape of European film and television co-productions, from traditional models supported by Eurimages to new collaborations shaped by global streaming platforms like Netflix. It examines how European co-production policies have influenced industry practices, funding structures, and audience engagement, balancing artistic, economic, and cultural priorities. Through historical analysis, case studies, and stakeholder perspectives – including policymakers, industry professionals, and audiences – this book offers fresh insights into the challenges and opportunities facing European audiovisual production today. It is essential reading for scholars, industry professionals, and policymakers interested in transnational media, cultural policy, and the future of European cinema. Dr Petar Mitric is an Assistant Professor in Film Studies at the University of Copenhagen. His research focuses on European audiovisual policy, co-production, and audience design practices, bridging film studies and creative media industry studies. He has published extensively on European cinema and has collaborated in an advisory capacity with organizations such as Film iVäst and TorinoFilmLab. Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website here and you can follow her on X here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/public-policy
The Co-production Landscape in Europe: From Eurimages to Netflix (Springer Nature, 2025) explores the evolving landscape of European film and television co-productions, from traditional models supported by Eurimages to new collaborations shaped by global streaming platforms like Netflix. It examines how European co-production policies have influenced industry practices, funding structures, and audience engagement, balancing artistic, economic, and cultural priorities. Through historical analysis, case studies, and stakeholder perspectives – including policymakers, industry professionals, and audiences – this book offers fresh insights into the challenges and opportunities facing European audiovisual production today. It is essential reading for scholars, industry professionals, and policymakers interested in transnational media, cultural policy, and the future of European cinema. Dr Petar Mitric is an Assistant Professor in Film Studies at the University of Copenhagen. His research focuses on European audiovisual policy, co-production, and audience design practices, bridging film studies and creative media industry studies. He has published extensively on European cinema and has collaborated in an advisory capacity with organizations such as Film iVäst and TorinoFilmLab. Dr Priyam Sinha is an Alexander Von Humboldt Postdoctoral Research Fellow at the Institute for Asian and African Studies, Humboldt University in Berlin. Her research interests lie at the intersection of critical media industry studies, disability studies, gender studies, affect studies, production culture studies, and anthropology of the body. So far, her articles have been published in Media, Culture and Society; Communication, Culture and Critique; South Asian Diaspora, among others. She is also a regular podcast host at NewBooksNetwork and has been published in public writing forums like the Economic and Political Weekly, FemAsia, Asian Film Archive, among others. More information on her ongoing projects can be found on her website here and you can follow her on X here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications
When an actor opens their mouth to sing in a movie, chances are high that the voice you hear will be their own. Even in music biopics, movie stars without much singing experience regularly go to great lengths to impersonate the most beloved vocalists of our time. Why not simply play Johnny Cash or Bruce Springsteen's actual recordings, the reasons why we care about them in the first place? When the world is full of beautiful singing voices, why force Pierce Brosnan to bray his way through Mamma Mia? What you hear when an actor unhinges their jaw is a matter that Hollywood has been negotiating since the dawn of sound. So in this episode, we'll learn about the “ghost singers” of classic Hollywood musicals, find out why they went extinct, and why today's music biopics so often fudge the music. Then we leave Hollywood for Bollywood, where the rise of the celebrity “playback singer” shows what can happen when good singing is the highest priority. In this episode, you'll hear from Slate's pop music critic Jack Hamilton; musicologist Dominic Broomfield-McHugh, editor of The Oxford Handbook of the Hollywood Musical; Stephen Cole, co-author of a memoir by the ghost singer Marni Nixon; Isaac Butler, longtime Slate contributor and scholar of American acting; and Nasreen Munni Kabir, who has written several books on Hindi cinema and curates Indian films for the UK's Channel 4. If you want to listen to any of the songs you heard in this episode in full, you can find them all on this Spotify playlist. This episode was written and produced by Max Freedman. It was edited by Willa Paskin and Evan Chung, our supervising producer. Decoder Ring is also produced by Katie Shepherd. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Sources for This Episode Basinger, Jeanine. The Movie Musical! Alfred A. Knopf, 2019. Beaster-Jones, Jayson. Bollywood Sounds: The Cosmopolitan Mediations of Hindi Film Song, Oxford University Press, 2015. Butler, Isaac. The Method: How the Twentieth Century Learned to Act, Bloomsbury, 2022. Hamilton, Jack. “The Problem With Music Biopics Is Bigger Than Just the Cliches,” Slate, May 17, 2024. Kabir, Nasreen Munni. Lata Mangeshkar ...in Her Own Voice, Niyogi Books, 2009. Nixon, Marni with Stephen Cole. I Could Have Sung All Night: My Story, Billboard Books, 2006. Robbins, Allison. “‘Experimentations by Our Sound Department': Playback Stars in 1930s Hollywood.” Star Turns in Hollywood Musicals, edited by Chabrol Marguerite and Toulza Pierre-Olivier, Presses universitaires de Paris Nanterre, 2017. Srivastava, Sanjay. “Voice, Gender and Space in Time of Five-Year Plans: The Idea of Lata Mangeshkar,” Economic and Political Weekly, vol. 39, no. 20, 2004. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices
When an actor opens their mouth to sing in a movie, chances are high that the voice you hear will be their own. Even in music biopics, movie stars without much singing experience regularly go to great lengths to impersonate the most beloved vocalists of our time. Why not simply play Johnny Cash or Bruce Springsteen's actual recordings, the reasons why we care about them in the first place? When the world is full of beautiful singing voices, why force Pierce Brosnan to bray his way through Mamma Mia? What you hear when an actor unhinges their jaw is a matter that Hollywood has been negotiating since the dawn of sound. So in this episode, we'll learn about the “ghost singers” of classic Hollywood musicals, find out why they went extinct, and why today's music biopics so often fudge the music. Then we leave Hollywood for Bollywood, where the rise of the celebrity “playback singer” shows what can happen when good singing is the highest priority. In this episode, you'll hear from Slate's pop music critic Jack Hamilton; musicologist Dominic Broomfield-McHugh, editor of The Oxford Handbook of the Hollywood Musical; Stephen Cole, co-author of a memoir by the ghost singer Marni Nixon; Isaac Butler, longtime Slate contributor and scholar of American acting; and Nasreen Munni Kabir, who has written several books on Hindi cinema and curates Indian films for the UK's Channel 4. If you want to listen to any of the songs you heard in this episode in full, you can find them all on this Spotify playlist. This episode was written and produced by Max Freedman. It was edited by Willa Paskin and Evan Chung, our supervising producer. Decoder Ring is also produced by Katie Shepherd. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Sources for This Episode Basinger, Jeanine. The Movie Musical! Alfred A. Knopf, 2019. Beaster-Jones, Jayson. Bollywood Sounds: The Cosmopolitan Mediations of Hindi Film Song, Oxford University Press, 2015. Butler, Isaac. The Method: How the Twentieth Century Learned to Act, Bloomsbury, 2022. Hamilton, Jack. “The Problem With Music Biopics Is Bigger Than Just the Cliches,” Slate, May 17, 2024. Kabir, Nasreen Munni. Lata Mangeshkar ...in Her Own Voice, Niyogi Books, 2009. Nixon, Marni with Stephen Cole. I Could Have Sung All Night: My Story, Billboard Books, 2006. Robbins, Allison. “‘Experimentations by Our Sound Department': Playback Stars in 1930s Hollywood.” Star Turns in Hollywood Musicals, edited by Chabrol Marguerite and Toulza Pierre-Olivier, Presses universitaires de Paris Nanterre, 2017. Srivastava, Sanjay. “Voice, Gender and Space in Time of Five-Year Plans: The Idea of Lata Mangeshkar,” Economic and Political Weekly, vol. 39, no. 20, 2004. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices
When an actor opens their mouth to sing in a movie, chances are high that the voice you hear will be their own. Even in music biopics, movie stars without much singing experience regularly go to great lengths to impersonate the most beloved vocalists of our time. Why not simply play Johnny Cash or Bruce Springsteen's actual recordings, the reasons why we care about them in the first place? When the world is full of beautiful singing voices, why force Pierce Brosnan to bray his way through Mamma Mia? What you hear when an actor unhinges their jaw is a matter that Hollywood has been negotiating since the dawn of sound. So in this episode, we'll learn about the “ghost singers” of classic Hollywood musicals, find out why they went extinct, and why today's music biopics so often fudge the music. Then we leave Hollywood for Bollywood, where the rise of the celebrity “playback singer” shows what can happen when good singing is the highest priority. In this episode, you'll hear from Slate's pop music critic Jack Hamilton; musicologist Dominic Broomfield-McHugh, editor of The Oxford Handbook of the Hollywood Musical; Stephen Cole, co-author of a memoir by the ghost singer Marni Nixon; Isaac Butler, longtime Slate contributor and scholar of American acting; and Nasreen Munni Kabir, who has written several books on Hindi cinema and curates Indian films for the UK's Channel 4. If you want to listen to any of the songs you heard in this episode in full, you can find them all on this Spotify playlist. This episode was written and produced by Max Freedman. It was edited by Willa Paskin and Evan Chung, our supervising producer. Decoder Ring is also produced by Katie Shepherd. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Sources for This Episode Basinger, Jeanine. The Movie Musical! Alfred A. Knopf, 2019. Beaster-Jones, Jayson. Bollywood Sounds: The Cosmopolitan Mediations of Hindi Film Song, Oxford University Press, 2015. Butler, Isaac. The Method: How the Twentieth Century Learned to Act, Bloomsbury, 2022. Hamilton, Jack. “The Problem With Music Biopics Is Bigger Than Just the Cliches,” Slate, May 17, 2024. Kabir, Nasreen Munni. Lata Mangeshkar ...in Her Own Voice, Niyogi Books, 2009. Nixon, Marni with Stephen Cole. I Could Have Sung All Night: My Story, Billboard Books, 2006. Robbins, Allison. “‘Experimentations by Our Sound Department': Playback Stars in 1930s Hollywood.” Star Turns in Hollywood Musicals, edited by Chabrol Marguerite and Toulza Pierre-Olivier, Presses universitaires de Paris Nanterre, 2017. Srivastava, Sanjay. “Voice, Gender and Space in Time of Five-Year Plans: The Idea of Lata Mangeshkar,” Economic and Political Weekly, vol. 39, no. 20, 2004. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices
When an actor opens their mouth to sing in a movie, chances are high that the voice you hear will be their own. Even in music biopics, movie stars without much singing experience regularly go to great lengths to impersonate the most beloved vocalists of our time. Why not simply play Johnny Cash or Bruce Springsteen's actual recordings, the reasons why we care about them in the first place? When the world is full of beautiful singing voices, why force Pierce Brosnan to bray his way through Mamma Mia? What you hear when an actor unhinges their jaw is a matter that Hollywood has been negotiating since the dawn of sound. So in this episode, we'll learn about the “ghost singers” of classic Hollywood musicals, find out why they went extinct, and why today's music biopics so often fudge the music. Then we leave Hollywood for Bollywood, where the rise of the celebrity “playback singer” shows what can happen when good singing is the highest priority. In this episode, you'll hear from Slate's pop music critic Jack Hamilton; musicologist Dominic Broomfield-McHugh, editor of The Oxford Handbook of the Hollywood Musical; Stephen Cole, co-author of a memoir by the ghost singer Marni Nixon; Isaac Butler, longtime Slate contributor and scholar of American acting; and Nasreen Munni Kabir, who has written several books on Hindi cinema and curates Indian films for the UK's Channel 4. If you want to listen to any of the songs you heard in this episode in full, you can find them all on this Spotify playlist. This episode was written and produced by Max Freedman. It was edited by Willa Paskin and Evan Chung, our supervising producer. Decoder Ring is also produced by Katie Shepherd. Merritt Jacob is Senior Technical Director. If you have any cultural mysteries you want us to decode, email us at DecoderRing@slate.com or leave a message on our hotline at (347) 460-7281. Sources for This Episode Basinger, Jeanine. The Movie Musical! Alfred A. Knopf, 2019. Beaster-Jones, Jayson. Bollywood Sounds: The Cosmopolitan Mediations of Hindi Film Song, Oxford University Press, 2015. Butler, Isaac. The Method: How the Twentieth Century Learned to Act, Bloomsbury, 2022. Hamilton, Jack. “The Problem With Music Biopics Is Bigger Than Just the Cliches,” Slate, May 17, 2024. Kabir, Nasreen Munni. Lata Mangeshkar ...in Her Own Voice, Niyogi Books, 2009. Nixon, Marni with Stephen Cole. I Could Have Sung All Night: My Story, Billboard Books, 2006. Robbins, Allison. “‘Experimentations by Our Sound Department': Playback Stars in 1930s Hollywood.” Star Turns in Hollywood Musicals, edited by Chabrol Marguerite and Toulza Pierre-Olivier, Presses universitaires de Paris Nanterre, 2017. Srivastava, Sanjay. “Voice, Gender and Space in Time of Five-Year Plans: The Idea of Lata Mangeshkar,” Economic and Political Weekly, vol. 39, no. 20, 2004. Get more of Decoder Ring with Slate Plus! Join for exclusive bonus episodes of Decoder Ring and ad-free listening on all your favorite Slate podcasts. Subscribe from the Decoder Ring show page on Apple Podcasts or Spotify. Or, visit slate.com/decoderplus for access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices
On April 2nd, the U.S. government announced a host of sweeping tariff hikes with every single one of America's trading partners. The aim of the so-called “Liberation Day” tariffs was ostensibly to “rebalance” the global trading system, as some Trump advisors have put it.However, the drastic measure roiled markets and eventually resulted in the President imposing a 90-day pause on most tariffs, with the exception of strategic sectors and imports from China. India, for its part, was slapped with a 26% tariff even as top officials were negotiating a bilateral trade agreement with their American counterparts.While the fate of future tariffs and any side agreements are unknown, the episode raises serious questions about India's global economic strategy. To talk about where India goes from here, Milan is joined on the show this week by Shoumitro Chatterjee. Shoumitro is an Assistant Professor of International Economics at Johns Hopkins-SAIS. His research lies at the intersection of development economics, trade, and macroeconomics, but he has also done seminal work on the role of agriculture in development.Milan and Shoumitro discuss India's surprising export-led success, its underperformance in low-skilled manufacturing, and the country's inward turn post-2017. Plus, the two discuss how India can take advantage of the current global uncertainty and where the politically sensitive agricultural sector fits in.Episode notes:1. Shoumitro Chatterjee, “In Trump's tariff world, India must say: We are open for business,” Indian Express, April 4, 2025.2. Abhishek Anand, Shoumitro Chatterjee, Josh Felman, Arvind Subramanian, and Naveen Thomas, “How quality control orders are crippling India's trade competitiveness,” Business Standard, March 4, 2025.3. Shoumitro Chatterjee and Arvind Subramanian, “India's inward (re)turn: is it warranted? Will it work?” Indian Economic Review 58 (2023): 35-59.4. Shoumitro Chatterjee, Devesh Kapur, Pradyut Sekhsaria, and Arvind Subramanian, “Agricultural Federalism: New Facts, Constitutional Vision,” Economic and Political Weekly 62, no. 36 (2022): 39-48.5. Shoumitro Chatterjee and Arvind Subramanian, “India's Export-Led Growth: Exemplar and Exception,” Ashoka Center for Economic Policy Working Paper No. 01, October 2020.6. Shoumitro Chatterjee and Arvind Subramanian, “To embrace atmanirbharta is to choose to condemn Indian economy to mediocrity,” Indian Express, October 15, 2020.7. Shoumitro Chatterjee and Arvind Subramanian, “Has India Occupied the Export Space Vacated by China? 21st Century Export Performance and Policy Implications,” in Euijin Jung, Arvind Subramanian, and Steven R. Weisman, editors, A Wary Partnership: Future of US-India Economic Relations (Washington, D.C.: Peterson Institute for International Economics, 2020).8. Shoumitro Chatterjee and Devesh Kapur, “Six Puzzles in Indian Agriculture,” India Policy Forum 13, no. 1 (2017): 185-229.
Clara E. Mattei on the relation between austerity, fascism and authoritarian liberalism. Clara's book is out in German! Find it here: Die Ordnung des Kapitals: Wie Ökonomen die Austerität erfanden und dem Faschismus den Weg bereiteten. Brumaire Verlag. https://shop.jacobin.de/bestellen/clara-mattei-die-ordnung-des-kapitals Shownotes Clara E. Mattei's website: https://www.claramattei.com/ Center for Heterodox Economics (CHE) at the University of Tulsa, Oklahoma: https://sites.utulsa.edu/chetu/ CHE's YouTube channel: https://www.youtube.com/@CHE-tulsa Mattei, C. E. (2022). The Capital Order: How Economists Invented Austerity and Paved the Way to Fascism. University of Chicago Press. https://press.uchicago.edu/ucp/books/book/chicago/C/bo181707138.html the german translation: Mattei, C. E. (2025). Die Ordnung des Kapitals: Wie Ökonomen die Austerität erfanden und dem Faschismus den Weg bereiteten. Brumaire Verlag. https://shop.jacobin.de/bestellen/clara-mattei-die-ordnung-des-kapitals on „Derisking“: Amarnath, S., Brusseler, M., Gabor, D., Lala, C., Mason, JW (2023). Varieties of Derisking. Phenomenal World. https://www.phenomenalworld.org/interviews/derisking/ on “DOGE” (Department of Government Efficiency): https://en.wikipedia.org/wiki/Department_of_Government_Efficiency on the new german “Sondervermögen” to invest in rearmament and infrastructure: https://www.dw.com/en/germany-set-to-spend-big-on-army-and-infrastructure/a-71834527 on the 1920 International Financial Conference in Brussels: https://en.wikipedia.org/wiki/Brussels_International_Financial_Conference_(1920) on the 1922 Economic and Financial Conference in Genoa: https://en.wikipedia.org/wiki/Genoa_Economic_and_Financial_Conference_(1922) on Google's contract with the IDF: https://www.theverge.com/2025/1/22/24349582/google-israel-defense-forces-idf-contract-gaza Benanav, A. (2022). Socialist Investment, Dynamic Planning, and the Politics of Human Need. Rethinking Marxism, 34(2), 193–204. https://doi.org/10.1080/08935696.2022.2051375 Sirianni, C. J. (1980). Workers' Control in the Era of World War I: A Comparative Analysis of the European Experience. Theory and Society, 9(1), 29–88. https://www.jstor.org/stable/656823 on the Landless Workers Movement in Brazil: https://en.wikipedia.org/wiki/Landless_Workers%27_Movement Braun, B. (2021) Central Bank Planning for Public Purpose. In: Fassin, D. and Fourcade, M. (eds.) Pandemic Exposures: Economy and Society in the Time of Coronavirus. HAU Books, pp. 105–121. https://benjaminbraun.org/assets/pubs/braun_central-bank-planning-public-purpose.pdf on the “Phillips Curve”: https://en.wikipedia.org/wiki/Phillips_curve Arun K. Patnaik. (1988). Gramsci's Concept of Common Sense: Towards a Theory of Subaltern Consciousness in Hegemony Processes. Economic and Political Weekly, 23(5). https://www.jstor.org/stable/4378042 Thomas, P.D. (2015). Gramsci's Marxism: The ‘Philosophy of Praxis'. In: McNally, M. (eds.) Antonio Gramsci. Critical Explorations in Contemporary Political Thought. Palgrave Macmillan. https://link.springer.com/chapter/10.1057/9781137334183_6 on the US Solidarity Economy: https://neweconomy.net/solidarity-economy/ the US Solidarity Economy Network: https://ussen.org/ the US Solidarity Economy Map and Directory: https://solidarityeconomy.us/ If you are interested in democratic economic planning, these resources might be of help: Democratic planning – an information website https://www.democratic-planning.com/ Sorg, C. & Groos, J. (eds.)(2025). Rethinking Economic Planning. Competition & Change Special Issue Volume 29 Issue 1. https://journals.sagepub.com/toc/ccha/29/1 Groos, J. & Sorg, C. (2025). Creative Construction - Democratic Planning in the 21st Century and Beyond. Bristol University Press. [for a review copy, please contact: amber.lanfranchi[at]bristol.ac.uk] https://bristoluniversitypress.co.uk/creative-construction International Network for Democratic Economic Planning https://www.indep.network/ Democratic Planning Research Platform: https://www.planningresearch.net/ Future Histories Episodes on Related Topics S03E24 | Grace Blakeley on Capitalist Planning and its Alternatives https://www.futurehistories.today/episoden-blog/s03/e24-grace-blakeley-on-capitalist-planning-and-its-alternatives/ Future Histories Contact & Support If you like Future Histories, please consider supporting us on Patreon: https://www.patreon.com/join/FutureHistories Contact: office@futurehistories.today Twitter: https://twitter.com/FutureHpodcast Instagram: https://www.instagram.com/futurehpodcast/ Mastodon: https://mstdn.social/@FutureHistories English webpage: https://futurehistories-international.com Episode Keywords #ClaraEMattei, #JanGroos, #Interview, #FutureHistories, #FutureHistoriesInternational, #futurehistoriesinternational, #Austerity, #CentralBanks, #Capitalism, #Fascism, #Economics, #NeoclassicalEconomics, #HeterodoxEconomics, #PluralEconomics, #State, #CapitalistState, #Markets, #History, #SolidarityEconomy, #AntonioGramsci, #Gramsci, #Investment, #DemocraticPlanning, #DemocraticEconomicPlanning, #Derisking, #PoliticalEconomy, #EconomicHistory, #AuthoritarianLiberalism, #EconomicThought, #EconomicDemocracy
Join Kim and Alice as we travel back to India circa 1857 courtesy of epic historical legend, Mangal Pandey: The Rising. Back when companies had armies, dogs ate gunpowder and real men sang plot points whilst sitting on elephants.Sound Engineer: Keith NagleEditor: Helen Hamilton / Keith NagleProducer: Helen HamiltonSourcesMangal Pandey: Film and History; Author(s): Rochona Majumdar and Dipesh Chakrabarty; Source: Economic and Political Weekly , May 12-18, 2007, Vol. 42, No. 19 (May 12-18,2007), pp. 1771-1778Mangal Pandey: Drug-crazed Fanatic Or Canny Revolutionary?; Author: Richard Forster; University of Hawai'i at MānoaMangal Pandey: Is 'History' Important?; Author(s): Sharmistha Gooptu; Source: Economic and Political Weekly , Aug. 27 - Sep. 2, 2005, Vol. 40, No. 35 (Aug. 27 -Sep. 2, 2005), pp. 3797+3799-3800; Published by: Economic and Political Weeklyhttps://www.theguardian.com/film/2009/jan/29/reel-historyhttps://www.thecollector.com/mangal-pandey-sepoy-mutiny/https://web.archive.org/web/20160829022829/http://thevoiceofnation.com/politics/chapati-movement-mysterious-chain-british-officials-1857-mutiny-rising/ Hosted on Acast. See acast.com/privacy for more information.
In our final episode of the Courage My Friends podcast series, season seven, we are joined by author, professor and director of the Geopolitical Economy Research Group at the University of Manitoba, Dr. Radhika Desai, and author, professor and Chair of International Relations and Political Science at St. Thomas University, Dr. Shaun Narine. We discuss the shifting balance of power in global politics, BRICS, de-dollarization, the rise of Asia and the Global South, the challenges it poses to the rules-based international order of the Global North and Canada's place within an inevitably multipolar world. Speaking on the growth of multipolarity, Desai says: “Lenin argued that imperialism, by which he meant the stage capitalism had arrived at in the early 20th century, was the highest stage of capitalism … Beyond it, there was not much capitalism had to give to humanity… After 40 years of neoliberalism … it is quite obvious that it is suffering from senility … low growth rates, low investment rates, low innovation rates … It is far from fulfilling the needs of humanity … it is far from keeping the West powerful. Part of the emergence of multipolarity … is the decline in the vigor of Western capitalist economies.” Reflecting on Canada as a middle power in a multipolar world, Narine says: “I think in a world where multipolarity is mattering more and more and more … simply being an American vassal state, which is what I'd argue we largely are right now … doesn't encourage anybody to look at Canada as an independent actor … I think the first step for us to be a Middle Power means to demonstrate that we're actually capable of independent thinking and independent policy and capable of articulating interests that aren't being dictated by the American embassy in Ottawa.” About today's guests: Radhika Desai is professor of Political Studies and director of Geopolitical Economy Research Group at the University of Manitoba, convenor of the International Manifesto Group and past president of the Society for Socialist Studies. Her wide-ranging work covers party politics, political and geopolitical economy, political and economic theory, nationalism, fascism, British, US and Indian politics. Geopolitical economy, the approach to the international relations of the capitalist world she proposed in her 2013 work, Geopolitical Economy, combines Marx's analysis of capitalism with those of ‘late development' and the developmental state as the key to explaining the dynamic of international relations of the modern capitalist world. Currently, she is working on several books including ‘Hindutva and the Political Economy of Indian Capitalism' and ‘Marx as a Monetary Theorist'. Her numerous articles have appeared in Capital and Class, Economic and Political Weekly, International Critical Thought, New Left Review, Third World Quarterly, World Review of Political Economy and other journals and in edited collections on parties, political economy, culture and nationalism. She is regularly invited as a speaker and to conferences around the world. Shaun Narine is a professor of International Relations and Political Science at St. Thomas University in Fredericton. His research focuses on institutionalism in the Asia Pacific. He has written two books on the Association of Southeast Asian Nations (ASEAN) and published on issues related to ASEAN as well as Canadian foreign policy, Canada's relations with China, and US foreign policy. He was a Killam Postdoctoral Research Fellow (2000-2002) at the University of British Columbia and has been a Visiting Fellow at the East-West Center (2000) and the Institute of Southeast Asian Studies-Yusof Ishak Institute (2017 and 2021) in Singapore. Transcript of this episode can be accessed at georgebrown.ca/TommyDouglasInstitute. Image: Radhika Desai, Shaun Narine / Used with permission. Music: Ang Kahora. Lynne, Bjorn. Rights Purchased. Intro Voices: Ashley Booth (Podcast Announcer); Bob Luker (Tommy) Courage My Friends podcast organizing committee: Chandra Budhu, Ashley Booth, Resh Budhu. Produced by: Resh Budhu, Tommy Douglas Institute and Breanne Doyle, rabble.ca. Host: Resh Budhu.
What is neoliberalism? What is the nature of US capitalism today? How does the dollar act as a function of US imperialism? Listen in to the brilliant Radhika Desai. Dr. Radhika Desai is Professor at the Department of Political Studies, and Director, Geopolitical Economy Research Group, University of Manitoba, Winnipeg, Canada. She is the author of Geopolitical Economy: After US Hegemony, Globalization and Empire (2013), Slouching Towards Ayodhya: From Congress to Hindutva in Indian Politics (2nd rev ed, 2004) and Intellectuals and Socialism: ‘Social Democrats' and the Labour Party (1994), a New Statesman and Society Book of the Month, and editor or co-editor of Russia, Ukraine and Contemporary Imperialism, a special issue of International Critical Thought (2016), Theoretical Engagements in Geopolitical Economy (2015), Analytical Gains from Geopolitical Economy (2015), Revitalizing Marxist Theory for Today's Capitalism (2010) and Developmental and Cultural Nationalisms (2009). She is also the author of numerous articles in Economic and Political Weekly, International Critical Thought, New Left Review, Third World Quarterly, World Review of Political Economy and other journals and in edited collections on parties, political economy, culture and nationalism. With Alan Freeman, she co-edits the Geopolitical Economy book series with Manchester University Press and the Future of Capitalism book series with Pluto Press. She serves on the Editorial Boards of many journals including Canadian Political Science Review, Critique of Political Economy, E-Social Sciences, Pacific Affairs, Global Faultlines, Research in Political Economy, Revista de Economía Crítica, World Review of Political Economy and International Critical Thought I.G. @TheGambian Twitter: @MomodouTaal @CTayJ
On this episode of Research Radio we have Sreenath V S and Mini Chandran discussing their paper To Write Was to Cense: Kāvyaśāstra and Creative Freedom in Premodern India Sreenath V S teaches at the Department of Humanities and Social Sciences, IIT Madras. Mini Chandran teaches at the Department of Humanities and Social Sciences, IIT Kanpur.. For more episodes and to listen to EPW's other podcast Supplement head to https://www.epw.in/podcasts Subscribe to EPW to access all our content including the archives of The Economic and Political Weekly and The Economic Weekly dating back to 1949. https://www.epw.in/subscribe.html Sound Effect from Pixabay
Indian federalism is encountering some of its biggest challenges since the early years of the republic. Relations between the union government in Delhi and the states are rocky, to put it mildly.India's better-off states are growing increasingly agitated about a system of fiscal federalism in which richer states end up subsidizing poorer, more backward ones.The new Goods and Services Tax (GST) has attracted fresh criticism because its benefits have not been shared equally by all states.And the coming fight over how parliamentary seats will be allocated across states has only added fuel to the fire.To discuss the brewing crisis in Indian federalism, Milan is joined today on the show this week by the economist Arvind Subramanian. Arvind is a senior fellow at the Peterson Institute for International Economics. He also served as the chief economic advisor to the government of India between 2014 and 2018. He recently co-authored a new essay in Economic and Political Weekly, “GST Revenue Performance: Gainers and Losers after Seven Years.”Milan and Arvind discuss the foundations of the GST, its implications for India's federal design, and its revenue implications. Plus, the two discuss growing resentment among India's prosperous states over fiscal transfers, questions about political representation, and the prospects of a new grand federal bargain.Episode notes:1. Varun Agarwal et al., “GST Revenue Performance: Gainers and Losers after Seven Years,” Economic and Political Weekly 59, no. 37 (September 14, 2024): 35-49.2. Varun Agarwal et al., “GST revenues: The fate of the compensation cess amid Centre-state row,” Business Standard, July 3, 2024.3. Varun Agarwal et al., “GST's revenue performance: Centre's sacrifice for cooperative federalism,” Business Standard, July 3, 2024.4. Josh Felman and Arvind Subramanian, “Is India Really the Next China?” Foreign Policy, April 8, 2024.5. Arvind Subramanian et al., “Understanding GST revenue performance,” Business Standard, January 1, 2024.6. Arvind Subramanian and Josh Felman, “Why India Can't Replace China,” Foreign Affairs, December 9, 2022.
There is hardly a day that goes by when the subject of India's demographics is not front and center in the news.Whether it is India surpassing China as the world's most populous country, questions about how the Indian economy can provide enough jobs for a growing workforce, or how population should be used to allocate everything from legislative seats to fiscal transfers, demographics are at the heart of many debates surrounding India's political economy.To talk about India's demographics and its demographic transition, Milan is joined on the show this week by Poonam Muttreja, who serves as the Executive Director of the Population Foundation of India.For over 40 years, she has been a strong advocate for women's health, reproductive and sexual rights, and rural livelihoods. Before joining PFI, she served as the India Country Director of the John D. and Catherine T. MacArthur Foundation for 15 years.Poonam and Milan discuss the myths of overpopulation, India's fertility decline, and conspiracy theories around India's changing religious demographics. Plus, the two discuss male participation in family planning and what government should (and should not) do to manage India's demographics.Episode notes:1. Poonam Muttreja and Martand Kaushik, “Dispelling population myths triggered by a working paper,” Hindu, May 30, 2024.2. Sanghamitra Singh, “We're worried about population explosion. So let's talk brass tacks,” Hindustan Times, July 27, 2023.3. Zubeda Hamid, “Education remains the most effective contraceptive: experts,” Hindu, July 5, 2024.4. Poonam Muttreja, “Centering women and marginalized communities in India's population policy,” Times of India, July 17, 2024.5. Poonam Muttreja, Sanghamitra Singh, and Martand Kaushik, “Busting myths about India's population growth,” IDR, August 14, 2024.6. Nirmala Buch, “Reservation for Women in Panchayats: A Sop in Disguise?” Economic and Political Weekly 44, no. 40 (October 3, 2009): 8–10.
In episode 28 of Locust Radio, Adam Turl is joined by Anupam Roy – an artist based in Delhi and member of the Locust Collective. This episode is part of a series of interviews of current and former Locust Collective members and contributors. It is being conducted as research for a future text by Adam Turl on the conceptual and aesthetic strategies of the collective in the context of a cybernetic Anthropocene. Locust Radio hosts include Adam Turl, Laura Fair-Schulz, and Tish Turl. Producers include Alexander Billet, Omnia Sol, and Adam Turl. Related texts and topics: B.R. Ambedkar, see also B.R. Ambedkar, The Annihilation of Caste (1936) (pdf); James Baldwin (writer/author); Geroges Bataille, Visions of Excess: Selected Writings 1927-1939 (pdf); The Bengal Famine (1943); Walter Benjamin, “The Work of Art in the Age of Mechanical Reproduction” (1936); John Berger (artist and critic), see also Ways of Seeing (video) and Ways of Seeing (1972) (book); Chittaprosad Bhattacharya (artist); Pieter Bruegel the Elder (artist); Claire Bishop, Disordered Attention: How We Look at Art and Performance Today (2024); Bedatri D. Choudhury, “The Artist Who Sketched a Famine in India,” Hyperallergic (April 30, 2018); Communist Party of India (Marxist-Leninist) Liberation; Ben Davis, Art in the After-Culture: Capitalist Crisis and Cultural Strategy (2022); Mark Fisher, Capitalist Realism: Is There No Alternative? (2009); Antonio Gramsci; Institutional Critique (art); Marshall McLuhan (philosopher); Fred Morton (author); Pier Paolo Pasolini (poet and filmmaker); Platform Capitalism; Lionello Puppi, Torment in Art (1991); Kohei Saito, Capital in the Anthropocene (2020); Shulka Sawant, “Cultivating a Taste for Nature: Tagore's Landscape Paintings,” Economic and Political Weekly 52, no. 19 (2017): 57–63; Songs for Sabotage, New Museum Triennial (2018); J.W.M. Turner (artist); Adam Turl, Dead Paintings (2010-); Adam Turl interviews Anupam Roy, “We Are Broken Cogs in the Machine,” Red Wedge (May 7, 2019); Vincent Van Gogh (artist).
Running and securing an empire can get expensive–especially one known for its opulence, like the Mughal Empire, which conquered much of northern India before rapidly declining in the eighteenth century. But how did the Mughals get their money? Often, it was through wealthy merchants, like the Jhaveri family, who willingly—and then not-so-willingly–funded the empire's activities. Dr. Sudev Sheth writes about this relationship in Bankrolling Empire: Family Fortunes and Political Transformation in Mughal India (Cambridge University Press, 2023). Dr. Sheth is Senior Lecturer in History at the Joseph H. Lauder Institute of Management & International Studies and in the Department of History at the University of Pennsylvania where he teaches across the School of Arts & Sciences and the Wharton School. His writings have appeared in top academic journals and popular outlets, including The Conversation, Economic & Political Weekly, Mint, Knowledge at Wharton, and Harvard Business Publishing. P.S. The Jhaveri family eventually founded the Arvind Group, a major India-based textiles company. Read Sudev's interview with the MD here! You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bankrolling Empire. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network
Running and securing an empire can get expensive–especially one known for its opulence, like the Mughal Empire, which conquered much of northern India before rapidly declining in the eighteenth century. But how did the Mughals get their money? Often, it was through wealthy merchants, like the Jhaveri family, who willingly—and then not-so-willingly–funded the empire's activities. Dr. Sudev Sheth writes about this relationship in Bankrolling Empire: Family Fortunes and Political Transformation in Mughal India (Cambridge University Press, 2023). Dr. Sheth is Senior Lecturer in History at the Joseph H. Lauder Institute of Management & International Studies and in the Department of History at the University of Pennsylvania where he teaches across the School of Arts & Sciences and the Wharton School. His writings have appeared in top academic journals and popular outlets, including The Conversation, Economic & Political Weekly, Mint, Knowledge at Wharton, and Harvard Business Publishing. P.S. The Jhaveri family eventually founded the Arvind Group, a major India-based textiles company. Read Sudev's interview with the MD here! You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bankrolling Empire. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history
Running and securing an empire can get expensive–especially one known for its opulence, like the Mughal Empire, which conquered much of northern India before rapidly declining in the eighteenth century. But how did the Mughals get their money? Often, it was through wealthy merchants, like the Jhaveri family, who willingly—and then not-so-willingly–funded the empire's activities. Dr. Sudev Sheth writes about this relationship in Bankrolling Empire: Family Fortunes and Political Transformation in Mughal India (Cambridge University Press, 2023). Dr. Sheth is Senior Lecturer in History at the Joseph H. Lauder Institute of Management & International Studies and in the Department of History at the University of Pennsylvania where he teaches across the School of Arts & Sciences and the Wharton School. His writings have appeared in top academic journals and popular outlets, including The Conversation, Economic & Political Weekly, Mint, Knowledge at Wharton, and Harvard Business Publishing. P.S. The Jhaveri family eventually founded the Arvind Group, a major India-based textiles company. Read Sudev's interview with the MD here! You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bankrolling Empire. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices
Running and securing an empire can get expensive–especially one known for its opulence, like the Mughal Empire, which conquered much of northern India before rapidly declining in the eighteenth century. But how did the Mughals get their money? Often, it was through wealthy merchants, like the Jhaveri family, who willingly—and then not-so-willingly–funded the empire's activities. Dr. Sudev Sheth writes about this relationship in Bankrolling Empire: Family Fortunes and Political Transformation in Mughal India (Cambridge University Press, 2023). Dr. Sheth is Senior Lecturer in History at the Joseph H. Lauder Institute of Management & International Studies and in the Department of History at the University of Pennsylvania where he teaches across the School of Arts & Sciences and the Wharton School. His writings have appeared in top academic journals and popular outlets, including The Conversation, Economic & Political Weekly, Mint, Knowledge at Wharton, and Harvard Business Publishing. P.S. The Jhaveri family eventually founded the Arvind Group, a major India-based textiles company. Read Sudev's interview with the MD here! You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Bankrolling Empire. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies
A few weeks ago, the Indian government formally notified the rules implementing the controversial 2019 Citizenship Amendment Act, or CAA. The law provides persecuted religious minorities hailing from Afghanistan, Bangladesh, and Pakistan an expedited pathway to Indian citizenship, provided they belong to the Buddhist, Christian, Hindu, Jain, Parsi, or Sikh communities. Notably, the law does not provide such a pathway to those who belong to the Muslim faith.The notification of the CAA rules—on the eve of India's 2024 general election—has kicked off a fresh debate over the law, its implementing provisions, and the resulting implications for the future of secularism in India.To discuss all of this and more, Milan is joined on the show this week by legal scholar M. Mohsin Alam Bhat. Mohsin is a Lecturer in Law at Queen Mary University of London, where he specializes in constitutional law and human rights. Mohsin has written extensively about law and citizenship in India.Milan and Mohsin discuss the origins of the CAA, its constitutionality, and the fine print of the CAA rules. Plus, the two discuss the situation in Assam, that state's National Register of Citizens (NRC), and the prospects of an all-India NRC exercise.Episode notes:1. “What's Happening to India's Rohingya Refugees? (with Priyali Sur and Daniel Sullivan),” Grand Tamasha, May 24, 2023.2. Mohsin Alam Bhat and Aashish Yadav, “CAA will not help persecuted Hindus, Sikhs from neighbouring countries,” Indian Express, March 19, 2024.3. “The Citizenship (Amendment) Bill, 2019,” PRS Legislative Research.4. Madhav Khosla and Milan Vaishnav, “The Three Faces of the Indian State,” Journal of Democracy 32, no. 1 (2021): 111-125.5. Mohsin Alam Bhat, “The Constitutional Case Against the Citizenship Amendment Bill,” Economic and Political Weekly 54, no.3 (2019): 12-14.6. Mohsin Alam Bhat, “‘The Irregular' and the Unmaking of Minority Citizenship: The Rules of Law in Majoritarian India,” Queen Mary Law Research Paper No. 395/2022.7. Niraja Gopal Jayal, “Faith-based Citizenship,” The India Forum, October 31, 2019.
Over the last several decades, there have been monumental changes in the social, economic, and political lives of Dalits, who have historically been one of the most oppressed groups in all of South Asia.A new volume edited by three leading scholars of India—Dalits in the New Millennium—examines these changes, interrogates their impacts on Dalit lives, and traces the shift in Dalit politics from a focus on social justice—to a focus on development and socio-economic mobility.D. Shyam Babu, who along with Sudhai Pai and Rahul Verma, is one of the co-editors of this important new book joined Milan on the show this week to talk more about their findings. Shyam Babu is a Senior Fellow at the Centre for Policy Research in New Delhi. His research focuses on how economic changes in India have been shaping social change and transformation for the benefit of marginalized sections, especially Dalits.The two discuss Dalits' shift toward the Bharatiya Janata Party (BJP), the decline of the Bahujan Samaj Party (BSP) of Mayawati, and what “Ambedkarization” has done for the Dalit community. Plus, the two discuss the shortcomings Dalits experience in their “social citizenship” and the successes and challenges of Dalit capitalism.Episode notes:1. Devesh Kapur, Chandra Bhan Prasad, Lant Pritchett, and D. Shyam Babu, “Rethinking Inequality: Dalits in Uttar Pradesh in the Market Reform Era,” Economic and Political Weekly 45, no. 35 (August 28-September 3, 2010): 39-49.2. Devesh Kapur, Chandra Bhan Prasad, and D. Shyam Babu, Defying the Odds: The Rise of Dalit Entrepreneurs (New Delhi: Vintage, 2014).3. D. Shyam Babu, “From empowerment to disenfranchisement: Lower caste mobilisation appears to have run its course,” Times of India, August 28, 2019.4. Chandra Bhan Prasad, “Fellow Dalits, open your own bank: If no one else, Dalit middle class can fund Dalit capitalism to produce Dalit billionaires,” Times of India, November 25, 2019.5. Devesh Kapur, “Fraternity in the making of the Indian nation,” Seminar 701 (2017).
On this episode of Research Radio we have Chakali Chandra Sekhar discussing his paper titled “Dalit Women and Colonial Christianity: First Telugu Bible Women as Teachers of Wisdom”. Chakali Chandra Sekhar is currently working as a lecturer in English at SRR & CVR Govt Degree College, Vijayawada, in Andhra Pradesh, India. For more episodes and to listen to EPW's other podcast Supplement head to https://www.epw.in/podcasts Subscribe to EPW to access all our content including the archives of The Economic and Political Weekly and The Economic Weekly dating back to 1949. https://www.epw.in/subscribe.html
On this episode of Research Radio we have Inderjeet Parmar discussing his paper titled “Poly Crisis or Organic Crisis?: The Crisis of the United States and the US-led World Order”. Inderjeet Parmar teaches international politics at City, University of London. For more episodes and to listen to EPW's other podcast Supplement head to https://www.epw.in/podcasts Subscribe to EPW to access all our content including the archives of The Economic and Political Weekly and The Economic Weekly dating back to 1949. https://www.epw.in/subscribe.html
In March 1929, the US Coast Guard cutters Wolcott and Dexter pursued and subsequently sank the bootlegging schooner I'm Alone, touching off an international incident and legal battle that would outlast the Prohibition laws that led to it in the first place.Sources:The American Council on Addiction & Alcohol ProblemsHagen, Carrie. "The Coast Guard's Most Potent Weapon During Prohibition? Codebreaker Elizebeth Friedman." Smithsonian Magazine, 28 Jan 2015. https://www.smithsonianmag.com/history/coast-guards-most-potent-weapon-during-prohibition-codebreaker-elizebeth-friedman"Prohibition: Legislating Alcohol in America." The National WWI Museum and Memorial. https://www.theworldwar.org/learn/about-wwi/prohibitionRicci, Joseph A. "Use All Force!" Naval History Magazine, vol. 27, no. 3, May 2013Saharay, H. and A. Pal. "Hot Pursuit in Self-Defence." Economic and Political Weekly, vol. 3, no. 29, 20 July 1968, pp. 1145 - 1146Skoglund, Nancy Galey. "The I'm Alone Case: A Tale from the Days of Prohibition." University of Rochester Library Bulletin, vol. 23, no. 3, Spring 1968Check out our Patreon here!Support the show
On today's episode we speak with two of the founders of the Polis Project—Suchitra Vijayan and Francesca Recchia—about their new book, How Long Can the Moon Be Caged? Voices of Indian Political Prisoners. We are also deeply honored that the eminent Dalit intellectual, and former political prisoner Dr. Anand Teltumbde is with us as well to lend his unique insight into the political situation in India and the realities of being a political prisoner there. The Polis Project, Inc. is a New York-based hybrid research and journalism organization that works with communities in resistance. Through its Research, Reportage and Resistanceapproach, they publish and disseminate critical ideas that are excluded from mainstream media. Their work sheds light on the rise of authoritarianism especially in democracies and focuses on issues of racial, class and caste injustice, Islamophobia and State oppression around the world. In September 2019, the United States Library of Congress selected The Polis Project, Inc.'s website for inclusion in its web archives. Francesca Recchia is an independent researcher, educator and writer whose work is grounded in the values and principles of decolonial philosophy and radical pedagogy. She is interested in the geopolitical dimension of heritage and cultural processes in countries in conflict and she focuses on creative practices of collective resistance in contexts of unequal structures of power. Over the last two decades, Francesca has worked in different capacities in Palestine, Pakistan, India, Kashmir, Iraq and Afghanistan. Her latest assignment in Kabul was as Acting Director of the Afghan Institute for Arts and Architecture.She was a Postdoctoral Research Fellow at the Bartlett School of Planning, University College of London, has a PhD in Cultural Studies at the Oriental Institute in Naples and a Master in Visual Cultures at Goldsmiths College, University of London. Besides being a scholar and practitioner in his formal disciplines of Technology and Management, with a corporate career spanning four decades at top management positions, and a decade as an academic, Dr Anand Teltumbde has maintained his parallel career as a civil rights activist, writer, columnist and public intellectual right since his student days. He contributed to the civil rights movement in India as one of its founding pillars and contributed theoretical insights through his voluminous writings into most issues. He participated and led many fact finding missions and peoples' struggle. He has published more than 30 books on contemporary issues and wrote a column Margin Speak for a decade in Economic & Political Weekly before being arrested in the infamous Bhima-Koregaon case. Suchitra Vijayan is an essayist, lawyer, and photographer working across oral history, state violence, and visual storytelling. She is the award winning author of the critically acclaimed book Midnight's Borders: A People's History of Modern India (Melville House, New York) and How Long Can the Moon Be Caged? Voices of Indian Political Prisoners (Pluto Press). Her essays, photographs, and interviews have appeared in The Washington Post, Time Magazine GQ, The Nation, The Boston Review, Foreign Policy, Lit Hub, Rumpus, Electric Literature, NPR, NBC, and BBC. As an attorney, she worked for the United Nations war crimes tribunals in Yugoslavia and Rwanda before co-founding the Resettlement Legal Aid Project in Cairo, giving Iraqi refugees legal aid. She is an award-winning photographer and the founder and executive director of the Polis Project. She teaches at NYU Gallatin and Columbia University's Oral History Program.A transcript of Dr Tetumbde's remarks can be found on SpeakingOutofPlace.com
Mohandas Gandhi helped India win independence from Britain through nonviolent resistance but little know that he credits the inspiration for his tactics to his wife, Kasturba. So, who was the wife of this renowned saint?Starring Dipika Guha as Kasturba Gandhi and Samrat Chakrabarti as Mohandas Gandhi. Source List:The Woman Beside Gandhi: A Biography of Kasturba, Wife of the Mahatma, by Sita KapadiaGandhi on Women, by Madhu Kishwar, Economic and Political Weekly, vol. 20, no. 41Why Mahatma Gandhi Said Kasturba Stood Above Him, Prabhash K Dutta, New Delhi, October 2, 2018The Truth About Gandhi, The Harvard CrimsonPetty, Bad-Tempered Kasturba - What Gandhi Said While Courting Sarladevi and Esther Faerling, B.M. Bhalla, March 19, 2020The Story of My Experiments With Truth, by Mohandas Karamchad GandhiMAHATMA, In Eight Volumes, by D.G. TendulkarKasturba: A Biography, By B.M. BhallaGandhi Was a Racist Who Forced Young Girls to Sleep in Bed With Him, by Mayukh Sen, December 3, 2015, ViceKasturba Gandhi, The Feisty Woman Whose Patience Inspired Gandhi's Call For Satyagraha, by Simrin Sirur, April 11, 2019, The Print
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