Podcast appearances and mentions of carleton watkins

Episode No. 705 features curators Dalila Scruggs and Catherine Morris, and artist Beatriz Cortez. With Mary Lee Corlett, Scruggs and Morris are the co-curators of "Elizabeth Catlett: A Black Revolutionary Artist" at the National Gallery of Art, Washington. The exhibition surveys Catlett's career across over 150 sculptures, prints, paintings, and drawings. The exhibition is on view through July 6. An exceptional exhibition catalogue, titled Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies was published by the The University of Chicago Press, the NGA and the Brooklyn Museum, which originated the exhibition. It is available from Amazon and Bookshop for $56-60. Catlett was a feminist, activist, and radical who helped join the Black Left in the US to influences from the Mexican Revolution. Her work continued the practice of earlier US artists such as Thomas Cole, Frederic Church, and Carleton Watkins by using cultural production to advance ideas and ideologies. Cortez is featured in "Seeds: Containers of a World to Come" at the Kemper Art Museum, Washington University in St. Louis. The exhibition features work by ten artists whose research-driven practices are informed by inquiry into plant-human-land relations. "Seeds" was curated by Meredith Malone and Svea Braeunert, and remains on view through July 28. The exhibition brochure is available here. "Beatriz Cortez x rafa esparza: Earth and Cosmos" is at the Americas Society, New York through May 17. The show considers the idea of ancient objects traveling across space and time. Cortez's work explores simultaneity, life in different temporalities, and imaginaries of the future. She has been featured in solo exhibitions at Storm King Art Center, New Windsor, NY,; the Williams College Museum of Art; Clockshop, Los Angeles; and more. Instagram: Catherine Janet Morris, Beatriz Cortez, Tyler Green.

Annemieke Bosman in gesprek met Mattie Boom. Samen met Hans Rooseboom stelde Boom de tentoonstelling American Photography samen voor het Rijksmuseum in Amsterdam. Amerika is met voorsprong het belangrijkste en invloedrijkste land in de fotografie. Sinds de uitvinding van de fotografie in 1839 is deze kunst doorgedrongen tot in de haarvaten van de Amerikaanse samenleving. In geen enkel land wordt het medium zo breed, zichtbaar en invloedrijk gedragen.  De tentoonstelling American Photography viert deze verbintenis in meer dan 280 beelden die het Amerikaanse leven tonen door de lens van fotografen als Robert Frank, Andres Serrano, Nan Goldin, Andy Warhol, Diane Arbus, Dawoud Bey, Carleton Watkins en Paul Strand. 

Peter Essick is a photographer, teacher, and editor with 30 years of experience working with National Geographic Magazine. He specializes in nature and environmental themes. Named one of the forty most influential nature photographers in the world by Outdoor Photography Magazine UK, Essick has been influenced by many noted American landscape photographers from Carleton Watkins … Continue reading "Episode 123 Peter Essick (Nature Photographer)" The post Episode 123 Peter Essick (Nature Photographer) first appeared on A Photojournalism Podcast for Everyone.

Episode No. 672 features curators Kimberly A. Jones and Mary Morton; and curators Sant Khalsa and Juniper Harrower. Along with Sylvie Patry and Anne Robbins, Jones and Morton are the curators of "1874: The Impressionist Moment" at the National Gallery of Art. The exhibition examines the condition of Parisian art in 1874, both official standards exhibited at and effectively promoted via the official salon, and the renegade works exhibited at the first impressionist exhibition. Included are impressionist stalwarts such as Claude Monet and Camille Pissarro, and also salon lions such as William Bouguereau and Jean-Léon Gérôme. The smart, delightful catalogue was published by the Musee d'Orsay and the NGA. Amazon and Bookshop offer it for about $46-60. "1874" is on view through January 19, 2025. Khalsa and Harrower are the curators of "Desert Forest: Life with Joshua Trees" at the Lancaster (Calif.) Museum of Art and History. Part of this year's sprawling Getty PST ART initiative, it's on view through December 29. "Desert Forest" examines how artists from Carleton Watkins to Cara Romero to Nancy Baker Cahill have presented Joshua trees and the fragile Mojave Desert ecosystem in their work. A fine catalogue was published by Inlandia Institute. It's available from MOAH. Instagram: Mary Morton, Kimberly Jones, Sant Khalsa, Juniper Harrower, Tyler Green.

 Discover the mesmerizing natural wonders of Yosemite through the eyes of 19th-century photographer Carleton Watkins. Travel back to the time when photography was in its infancy, and learn about Watkins' grueling journey with almost a ton of photographic equipment to capture the untamed splendor of Yosemite. Witness how Watkins' stunning images influenced pivotal figures, including President Abraham Lincoln, leading to the establishment of the Yosemite Grant Act of 1864. Despite the grandeur he captured, Watkins' personal life was marked by tragic decline, culminating in an unmarked grave.   Hosted By Jason Epperson Written by Jonathan Shipley   Use code PARKS30 for $30 off of a $500 or more booking at www.rvshare.com.        

Episode No. 654 features curator Karen Hellman and artist Myra Greene. With Carolyn Peter, Hellman is the curator of "Nineteenth-Century Photography Now" at the J. Paul Getty Museum, Los Angeles. The exhibition examines how many of the conventions and processes established in photography's early years remain of interest to artists working today. Historical artists within the exhibition include Anna Atkins, Gustave Le Gray, Nadar, Julia Margaret Cameron, Roger Fenton, and Carleton Watkins. The exhibition is on view through July 7. Claire L'Heureux and Antares Wells assisted the co-curators. Greene is among the 21 contemporary artists on view. Her work uses photography and textiles to explore representations of the body and race. Core to her practice is an understanding that color is materially and culturally dependent on context, and historically has been. She has had solo exhibitions at museums such as the Museum of Contemporary Art Georgia, Atlanta, the Kentucky Museum of Art and Craft, Louisville, and has been included in group exhibitions at the Spelman College Museum of Fine Art, Atlanta, the Block Museum of Art, Northwestern University, the Rose Art Museum, Brandeis University, the National Gallery of Art, Washington, and more. Ten artists in the exhibition previously have been guests on The Modern Art Notes Podcast: Andrea Chung; Liz Deschenes; Ken Gonzales-Day; An-My Lê; Lisa Oppenheim; Wendy Red Star; Mark Ruwedel; Paul Mpagi Sepuya (second visit); Stephanie Syjuco (second visit); and Carrie Mae Weems. Instagram: Myra Greene, Tyler Green.

After having his photo taken by John Coffer during a Civil War reenactment event, my next guest decided that being a vintage photographer may be more exciting, or at least less strenuous, than being a participant. Having some background in wedding photography in the 1980s, Bob Szabo decided a change in his photographic practices was due. While his Civil War styled images are easily mistaken for originals, he's also had the chance to photograph landscapes in a manner inspired by another historical photographer, Carleton Watkins.

Carleton Watkins was a well-known American photographer of the mid to late 1800s. Carleton is most famous for his use of mammoth plate photography in photographing Yosemite, as well as the giant sequoia trees of California. Let's learn more about this talented man and the interesting and innovative photographic technique that he is best known for using. Podcast Notes: https://ancestralfindings.com/carleton-watkins-and-mammoth-plate-photography    

Cartleton Watkins is considered by many to be the foremost 19th century photographer of the American West. His ‘mammoth plate' prints can sell for six figures at auction. How do we rate Watkins prints when they come through the Sotheby's Photographs department? How do we judge what is a “good” and “bad” print, and what are the metrics that we use to decide? I'll give you all of the details in this episode, alongside Watkins' heartbreaking personal story.

“John Coplans“ La vie des formesà la Fondation Henri Cartier-Bresson, Parisdu 5 octobre 2021 au 16 janvier 2022Interview de Jean-François Chevrier et Élia Pijollet, commissaires de l'exposition,par Anne-Frédérique Fer, à Paris, le 4 octobre 2021, durée 24'22.© FranceFineArt.Communiqué de presse Commissariat :Jean-François Chevrier et Élia PijolletLa Fondation HCB présente une exposition exceptionnelle de l'oeuvre de John Coplansí(1920-2003), en collaboration avec Le Point du Jour, centre d'art éditeur à Cherbourgen-Cotentin. Les oeuvres exposées, issues de collections françaises, témoignent de l'audace de l'artiste britannique, célèbre pour la représentation, sans concession, de son propre corps.Émigrant aux États-Unis au début des années 1960, John Coplans a d'abord été peintre, critique d'art, directeur de musées et commissaire d'expositions, avant de se consacrer pleinement à la photographie au début des années 1980. C'est à l'âge de soixante ans, après s'être employé pendant vingt ans à promouvoir l'oeuvre d'autres artistes, qu'il se retire pour renouer avec l'expérience de la création. Il développe alors une pratique photographique où il représente son corps nu, en noir et blanc, souvent fragmenté, la tête toujours hors-champ. Il désigne toutes ces images réalisées entre 1984 et 2002 par l'intitulé générique Self Portrait ; titres et sous-titres descriptifs spécifient la partie du corps représentée ou la posture.Objet premier, singulier et impersonnel, le corps est le support d'une exploration jubilatoire, sans cesse renouvelée, de la vie des formes. Souvent réduite à la représentation du corps vieilli, l'oeuvre de Coplans répond à une visée plus ludique et universelle, inscrite dans une histoire longue des formes artistiques par le jeu de relations métaphoriques à la nature ou à la sculpture. Elle redéfinit le sens même de l'âge – non comme une progression vers la fin de vie, mais plutôt comme l'occasion d'une inscription dans la longue durée de l'espèce humaine et d'une entreprise de remémoration des formes primitives.L'absence du visage et le choix du fragment comme élément plastique ont libéré un flux d'inventions et d'analogies formelles qui semblait inépuisable et n'a cessé qu'avec la disparition de l'artiste. Les images de Coplans sont tour à tour contenues et explosives, drôles, provocantes, toujours soigneusement méditées. Elles répondent à une exigence de clarté qui transfigure le pathos expressionniste.L'exposition La vie des formes s'articule autour de trois ensembles. Aux petits tirages réalisés au début de la carrière photographique de Coplans (Torses, Dos, Mains, Pieds…) succèdent, en 1988, les grands formats et les montages combinant plusieurs fragments de corps pour constituer une image unique mais disjointe. Fin connaisseur de l'histoire des arts, Coplans a intégré à sa propre expérience les recherches d'artistes qu'il a étudiés, exposés ou côtoyés, tels que Carleton Watkins, Constantin Brancusi, Walker Evans, Lee Friedlander, Jan Groover, Philip Guston ou Weegee ; une sélection d'oeuvres est présentée dans l'exposition.Coproduction : L'exposition est coproduite avec Le Point du Jour à Cherbourg-en-Cotentin. Elle y sera présentée du 29 janvier au 15 mai 2022.Publication : L'exposition est accompagnée d'un livre publié par Le Point du Jour : John Coplans. Un corps, sous la direction de Jean-François Chevrier. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

When viewing images on OpenSFHistory.org, you may notice some of most memorable photos of early San Francisco are credited to either Carleton Watkins or Isaiah West Taber. As competitors, they photographed notable sites in the City, including the West Side, and have a surprising connection with one another.

The forgotten Carleton Watkins was arguably the greatest photographer of the American West. NPR's Steve Inskeep discusses his newest book, "Imperfect Union," and explains how Jessie and John Frémont forever changed the American West.

The Extraordinary (but Sad) Life of Carleton Watkins, the First Great Photographer of Yosemite In this episode of the fine art photography podcast, we talk about Carleton Watkins, accidental photographer made some the first great photographs of Yosemite. His work let to protections for Yosemite and indirectly helped the establishment of the National Parks System. But even though he experienced huge success, his story didn't have a happy ending. See examples of Carleton Watkins luminous photography at my blog here. --- Support this podcast: https://anchor.fm/keith-dotson/support

The Extraordinary (but Sad) Life of Carleton Watkins, the First Great Photographer of Yosemite In this episode of the fine art photography podcast, we talk about Carleton Watkins, accidental photographer made some the first great photographs of Yosemite. His work let to protections for Yosemite and indirectly helped the establishment of the National Parks System. But even though he experienced huge success, his story didn't have a happy ending. See examples of Carleton Watkins luminous photography at my blog here. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/keith-dotson/support

In this episode of the fine art photography podcast, we talk about Carleton Watkins, accidental photographer made some the first great photographs of Yosemite. His work let to protections for Yosemite and indirectly helped the establishment of the National Parks System. But even though he experienced huge success, his story didn't have a happy ending. #Photography #history #carletonwatkins

Nineteenth-century photographer Carleton Watkins is perhaps best known for his photographs of Yosemite, which inspired the preservation of this land and, later, the creation of the National Parks system in the United States. But his unusual life and tumultuous career is rarely examined. In this episode, art historian Tyler Green discusses Watkins and the impact … Continue reading "How Photographer Carleton Watkins Chronicled the West"

Tyler Green may be best known as the journalist and art writer behind the Modern Art Notes podcast, but for the last six years, he’s also been working on a major book about a photographer who helped establish the sublime visual record of the American West for viewers around the world. In his new book, Carleton Watkins: Making the West American, Green writes a very readable story about a figure who blended art and science, helped establish photography as an art, and whose images helped galvanize a citizenry that would eventually establish a national park system around the country. Green managed all of this despite being faced with a researchers nightmare: Watkins’s archive was destroyed in the 1906 San Francisco Earthquake. Then there's the twist, as Green discusses a very personal connection to Watkins that he discovered in the midst of his research. It’s a fascinating tale that shows us history is often more present than we know. A special thanks to Mark Pritchard of Warp Records for providing the music for this episode.

For more than 100 years now, we’ve been blessed with National Parks, beginning with Yellowstone in 1872; Pinnacles, created in 2013, is the 59th and most recent National Park to join the list. Other kinds of natural national treasures exist, though—protected monuments and seashores and recreation areas, plus an abundance of state parks and lands. This week, we’re revisiting our interview with Terry Tempest Williams, who marked the centennial of the National Park Service with The Hour of Land: A Personal Topography of America’s National Parks. From the Grand Tetons to the Gulf Islands, Alcatraz to the Arctic, each place is imbued, in Williams’s telling, with the depth of history, a sense of longing, and her indelible, close observation of the peaks and twigs around her.Go beyond the episode:Episode pageTerry Tempest Williams’s The Hour of LandGo find a park at the National Park Service website’s interactive map.Check out Ansel Adams’s historic black and white portraits of our National ParksRead “How an Obscure Photographer Saved Yosemite,” a profile of Carleton Watkins (whose photograph of El Capitan adorns Williams’s book) in Smithsonian magazineRead our Summer 2016 cover story by David Gessner about learning to love the crowds at America’s National Parks, “The Taming of the Wild”Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. See acast.com/privacy for privacy and opt-out information.

For more than 100 years now, we’ve been blessed with National Parks, beginning with Yellowstone in 1872; Pinnacles, created in 2013, is the 59th and most recent National Park to join the list. Other kinds of natural national treasures exist, though—protected monuments and seashores and recreation areas, plus an abundance of state parks and lands. This week, we’re revisiting our interview with Terry Tempest Williams, who marked the centennial of the National Park Service with The Hour of Land: A Personal Topography of America’s National Parks. From the Grand Tetons to the Gulf Islands, Alcatraz to the Arctic, each place is imbued, in Williams’s telling, with the depth of history, a sense of longing, and her indelible, close observation of the peaks and twigs around her.Go beyond the episode:Episode pageTerry Tempest Williams’s The Hour of LandGo find a park at the National Park Service website’s interactive map.Check out Ansel Adams’s historic black and white portraits of our National ParksRead “How an Obscure Photographer Saved Yosemite,” a profile of Carleton Watkins (whose photograph of El Capitan adorns Williams’s book) in Smithsonian magazineRead our Summer 2016 cover story by David Gessner about learning to love the crowds at America’s National Parks, “The Taming of the Wild”Tune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek.Subscribe: iTunes • Feedburner • Stitcher • Google Play • AcastHave suggestions for projects you’d like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman.  See acast.com/privacy for privacy and opt-out information.

“There is nothing worse than a sharp image of a fuzzy concept” Ansel AdamsWelcome to the Outerfocus Podcast!Joining us this week we have British photographer Paul Rogers. During his time studying physics at university, Paul started his photography journey working for a student newspaper, we find out how this led to studying Documentary Photography in Cardiff, and working for several high profile newspapers in the UK. We also hear about his transition into shooting weddings and why, as well as his take on the industry today.Carleton Watkins is the focus of our History of Photography section. Born in 1829 in New York Watkins later moved to California where he later became involved in photography. We discuss his work on Yosemite Valley, a little about the photographic process he used and the sad demise of his career and personal life.Links:https://en.wikipedia.org/wiki/Carleton_Watkinshttps://en.wikipedia.org/wiki/StereoscopyPaul RogersWebsiteInstagramEducationHost Links:https://www.outerfocuspodcast.cominfo@outerfocuspodcast.comBradley Hansonhttps://www.bradleyhanson.comhttps://www.facebook.com/bradleyhansonphotographyhttps://www.instagram.com/bradleyhansonphotography/https://twitter.com/bradleyhansonIan Weldonhttp://ianweldon.comhttps://www.instagram.com/not_wedding_photography/https://www.facebook.com/Ian-Weldon-Photography-124854627581367/Books:

New York artist Xiomáro (SEE-oh-MAH-ro) breathes life into iconic American figures and historical events to make them relevant in the 21st century.  After recovering from cancer, he transitioned from a varied career as a musician, entertainment industry attorney and artist manager into the field of art photography.  Inspired by the example of photographers like Eadweard Muybridge, Carleton Watkins and Ansel Adams, he seeks to create artistic images that also promote the appreciation, conservation and visitation of America’s parks and historical sites. Xio is frequently commissioned by the National Park Service.  His career began as an Artist-in-Residence at Connecticut's Weir Farm National Historic Site ,where he is now a Visiting Artist.  His collections are exhibited nationally at institutions like Harvard University and have been purchased for permanent art collections such as the one at Brigham Young University in Utah.  Xio’s work has been covered by The New York Times, The Huffington Post, Fine Art Connoisseur and many other newspapers, magazines, radio programs and internet sources.   http://www.xiomaro.com/ Artist in Residence:  http://www.nps.gov/wefa/supportyourpark/artist-in-residence-program.htm Weir Farm National Historic Site:  http://www.nps.gov/wefa The New York Times:  http://www.nytimes.com/2013/04/07/nyregion/cameras-unusual-look-at-theodore-roosevelts-home.html  The Huffington Post:  http://www.huffingtonpost.com/ramon-nuez/speaking-with-photographe_b_3935017.html  Facebook:  http://www.facebook.com/xiomaro Twitter:  https://twitter.com/xiomarophoto  Short Video:  http://www.youtube.com/watch?v=_EgDlUAohZ4 Miroslav Tichy:  http://www.nytimes.com/2010/02/12/arts/design/12photos.html

Before National Geographic, before the Discovery Channel, Carleton Watkins set the standard for sweeping panoramic photographs of the American West, from vast Yosemite to booming San Francisco. Bob Sipchen, editor of Sierra magazine, leads a panel discussion based on the groundbreaking Getty Center exhibition, "Dialogue among Giants: Carleton Watkins and the Rise of Photography in California." Panelists include Getty Research Fellow Ken Gonzales-Day, UCSD historian Nayan Shah, and Matthew Garcia from Brown University. They explore the dynamic relationship between nature, immigration, and development. How does California's physical environment attract inhabitants and how has it been re-shaped by their efforts to build communities they can call home?