Podcasts about Nadar

PRE-SAVE: Preguarda mi próximo disco mediante este enlace: https://ffm.to/elultimojardin ¡Tercera entrega de episodios especiales! En ellos lanzo un concurso para que uno de vosotros proponga tres discos prestados, pirateo mi propio disco, y charlo sobre música con invitados «históricos» del programa. ¡Os lo explico! El disco: 'El último jardín' es un disco conceptual sobre la relación entre el ser humano y la tecnología. No lo publicaré hasta el 6 de febrero de 2026, pero en cada uno de estos episodios os avanzaré una canción entera. El concurso: Consistirá en encontrar dos diferencias entre la versión de las canciones que avanzaré en el pódcast y la que llegará a las plataformas el 6 de febrero. El ganador se decidirá por sorteo entre las cien primeras personas que escriban a discoprestado@proton.me acertando las dos diferencias. Para participar: Pre-save: Preguarda 'El último jardín' en tu plataforma de música mediante este enlace: https://ffm.to/elultimojardin -- y deja tu correo electrónico. Ve escuchando las canciones que avanzaré en esta serie de episodios. A partir del 6 de febrero, escucha 'El último jardín' directamente en tu plataforma de música. Cuando hayas encontrado las dos diferencias escribe a discoprestado@proton.me y, si estás entre los cien primeros en acertar, entrarás en el concurso ;) Tras el sorteo, el ganador podrá proponer tres discos y la audiencia votará por su favorito. Un invitado y yo dedicaremos varios episodios a comentar el disco más votado. Los discos propuestos deberán pertenecer al mundo del rock o la música alternativa, así como ser de artistas internacionalmente conocidos. En el episodio de hoy... Me acompaña Álvaro Méndez, viejo amigo, discoprestamista original y corresponsable de la web de fotografía Photolari. A propósito del aspecto futurista de mi nuevo disco, le propongo a Álvaro varias predicciones para el año 2036 y nos charlamos sobre si es posible que se cumplan. También os avanzo las canciones «Singularidad» y «Soma». Aquí tenéis las letras: Singularidad: Hoy es un día para celebrar / Nadar en los cielos de la singularidad / Soltar los problemas y peregrinar / al templo de la diversión / Es una experiencia no secuencial / por las autopistas del espacio temporal / Colores que estallan desde otro lugar / Vibrando con la pulsación Soma: Que empiece la fiesta en el último jardín / Hemos reservado una entrada para ti / Tenemos soma para no dejar de sonreír jamás / Ya empieza la fiesta en el último jardín / Hemos reservado un enchufe para ti / Tenemos soma para no dejar de sonreír / Que siga la fiesta en el último jardín / Hemos reservado un enchufe para ti / Tenemos soma para no dejar de sonreír / Termina la fiesta en el último jardín / Hemos simulado el paraíso para ti / Tenemos soma para no dejar de sonreír jamás Espero que os gusten estos episodios, a mí me hacen muchísima ilusión :) ¡Salud y buena música! Marc Aliana marcaliana.com

NADAR'S BALLOON AND THE BIRTH OF PHOTOGRAPHY Colleague Anika Burgess, Flashes of Brilliance. In 1863, the photographer Nadar undertook a perilous ascent in a giant balloon to fund experiments for heavier-than-air flight, illustrating the adventurous spirit required of early photographers. This era began with Daguerre's 1839 introduction of the daguerreotype, a process involving highly dangerous chemicals like mercury and iodine to create unique, mirror-like images on copper plates. Pioneers risked their lives using explosive materials to capture reality with unprecedented clarity and permanence. NUMBER 1 1870 siege of the Paris Commune.

SHOW 12-2-2026 THE SHOW BEGIJS WITH DOUBTS ABOUT AI --  a useful invetion that can match the excitement of the first decades of Photography. November 1955 NADAR'S BALLOON AND THE BIRTH OF PHOTOGRAPHY Colleague Anika Burgess, Flashes of Brilliance. In 1863, the photographer Nadar undertook a perilous ascent in a giant balloon to fund experiments for heavier-than-air flight, illustrating the adventurous spirit required of early photographers. This era began with Daguerre's 1839 introduction of the daguerreotype, a process involving highly dangerous chemicals like mercury and iodine to create unique, mirror-like images on copper plates. Pioneers risked their lives using explosive materials to capture reality with unprecedented clarity and permanence. NUMBER 1 PHOTOGRAPHING THE MOON AND SEA Colleague Anika Burgess, Flashes of Brilliance. Early photography expanded scientific understanding, allowing humanity to visualize the inaccessible. James Nasmyth produced realistic images of the moon by photographing plaster models based on telescope observations, aiming to prove its volcanic nature. Simultaneously, Louis Boutan spent a decade perfecting underwater photography, capturing divers in hard-hat helmets. These efforts demonstrated that photography could be a tool for scientific analysis and discovery, revealing details of the natural world previously hidden from the human eye. NUMBER 2 SOCIAL JUSTICE AND NATURE CONSERVATION Colleague Anika Burgess, Flashes of Brilliance. Photography became a powerful agent for social and environmental change. Jacob Riis utilized dangerous flash powder to document the squalid conditions of Manhattan tenements, exposing poverty to the public in How the Other Half Lives. While his methods raised consent issues, they illuminated grim realities. Conversely, Carleton Watkins hauled massive equipment into the wilderness to photograph Yosemite; his majestic images influenced legislation signed by Lincoln to protect the land, proving photography's political impact. NUMBER 3 X-RAYS, SURVEILLANCE, AND MOTION Colleague Anika Burgess, Flashes of Brilliance. The discovery of X-rays in 1895 sparked a "new photography" craze, though the radiation caused severe injuries to early practitioners and subjects. Photography also entered the realm of surveillance; British authorities used hidden cameras to photograph suffragettes, while doctors documented asylum patients without consent. Finally, Eadweard Muybridge's experiments captured horses in motion, settling debates about locomotion and laying the technical groundwork for the future development of motion pictures. NUMBER 4 THE AWAKENING OF CHINA'S ECONOMY Colleague Anne Stevenson-Yang, Wild Ride. Returning to China in 1994, the author witnessed a transformation from the destitute, Maoist uniformity of 1985 to a budding export economy. In the earlier era, workers slept on desks and lacked basic goods, but Deng Xiaoping's realization that the state needed hard currency prompted reforms. Deng established Special Economic Zones like Shenzhen to generate foreign capital while attempting to isolate the population from foreign influence, marking the start of China's export boom. NUMBER 5 RED CAPITALISTS AND SMUGGLERS Colleague Anne Stevenson-Yang, Wild Ride. Following the 1989 Tiananmen crackdown, China reopened to investment in 1992, giving rise to "red capitalists"—often the children of party officials who traded political access for equity. As the central government lost control over local corruption and smuggling rings, it launched "Golden Projects" to digitize and centralize authority over customs and taxes. To avert a banking collapse in 1998, the state created asset management companies to absorb bad loans, effectively rolling over massive debt. NUMBER 6 GHOST CITIES AND THE STIMULUS TRAP Colleague Anne Stevenson-Yang, Wild Ride. China's growth model shifted toward massive infrastructure spending, resulting in "ghost cities" and replica Western towns built to inflate GDP rather than house people. This "Potemkin culture" peaked during the 2008 Olympics, where facades were painted to impress foreigners. To counter the global financial crisis, Beijing flooded the economy with loans, fueling a real estate bubble that consumed more cement in three years than the US did in a century, creating unsustainable debt. NUMBER 7 STAGNATION UNDER SURVEILLANCE Colleague Anne Stevenson-Yang, Wild Ride. The severe lockdowns of the COVID-19 pandemic shattered consumer confidence, leaving citizens insecure and unwilling to spend, which stalled economic recovery. Local governments, cut off from credit and burdened by debt, struggle to provide basic services. Faced with economic stagnation, Xi Jinping has rejected market liberalization in favor of increased surveillance and control, prioritizing regime security over resolving the structural debt crisis or restoring the dynamism of previous decades. NUMBER 8 FAMINE AND FLIGHT TO FREEDOM Colleague Mark Clifford, The Troublemaker. Jimmy Lai was born into a wealthy family that lost everything to the Communist revolution, forcing his father to flee to Hong Kong while his mother endured labor camps. Left behind, Lai survived as a child laborer during a devastating famine where he was perpetually hungry. A chance encounter with a traveler who gave him a chocolate bar inspired him to escape to Hong Kong, the "land of chocolate," stowing away on a boat at age twelve. NUMBER 9 THE FACTORY GUY Colleague Mark Clifford, The Troublemaker. By 1975, Jimmy Lai had risen from a child laborer to a factory owner, purchasing a bankrupt garment facility using stock market profits. Despite being a primary school dropout who learned English from a dictionary, Lai succeeded through relentless work and charm. He capitalized on the boom in American retail sourcing, winning orders from Kmart by producing samples overnight and eventually building Comitex into a leading sweater manufacturer, embodying the Hong Kong dream. NUMBER 10 CONSCIENCE AND CONVERSION Colleague Mark Clifford, The Troublemaker. The 1989 Tiananmen Squaremassacre radicalized Lai, who transitioned from textiles to media, founding Next magazine and Apple Daily to champion democracy. Realizing the brutality of the Chinese Communist Party, he used his wealth to support the student movement and expose regime corruption. As the 1997 handover approached, Lai converted to Catholicism, influenced by his wife and pro-democracy peers, seeking spiritual protection and a moral anchor against the coming political storm. NUMBER 11 PRISON AND LAWFARE Colleague Mark Clifford, The Troublemaker. Following the 2020 National Security Law, authorities raided Apple Daily, froze its assets, and arrested Lai, forcing the newspaper to close. Despite having the means to flee, Lai chose to stay and face imprisonment as a testament to his principles. Now held in solitary confinement, he is subjected to "lawfare"—sham legal proceedings designed to silence him—while he spends his time sketching religious images, remaining a symbol of resistance against Beijing's tyranny. NUMBER 12 FOUNDING OPENAI Colleague Keach Hagey, The Optimist. In 2016, Sam Altman, Greg Brockman, and Ilya Sutskever founded OpenAI as a nonprofit research lab to develop safe artificial general intelligence (AGI). Backed by investors like Elon Musk and Peter Thiel, the organization aimed to be a counterweight to Google's DeepMind, which was driven by profit. The team relied on massive computing power provided by GPUs—originally designed for video games—to train neural networks, recruiting top talent like Sutskever to lead their scientific efforts. NUMBER 13 THE ROOTS OF AMBITION Colleague Keach Hagey, The Optimist. Sam Altman grew up in St. Louis, the son of an idealistic developer and a driven dermatologist mother who instilled ambition and resilience in her children. Altmanattended the progressive John Burroughs School, where his intellect and charisma flourished, allowing him to connect with people on any topic. Though he was a tech enthusiast, his ability to charm others defined him early on, foreshadowing his future as a master persuader in Silicon Valley. NUMBER 14 SILICON VALLEY KINGMAKER Colleague Keach Hagey, The Optimist. At Stanford, Altman co-founded Loopt, a location-sharing app that won him a meeting with Steve Jobs and a spot in the App Store launch. While Loopt was not a commercial success, the experience taught Altman that his true talent lay in investing and spotting future trends rather than coding. He eventually succeeded Paul Graham as president of Y Combinator, becoming a powerful figure in Silicon Valley who could convince skeptics like Peter Thiel to back his visions. NUMBER 15 THE BLIP AND THE FUTURE Colleague Keach Hagey, The Optimist. The viral success of ChatGPT shifted OpenAI's focus from safety to commercialization, despite early internal warnings about the existential risks of AGI. Tensions over safety and Altman's management style led to a "blip" where the nonprofit board fired him, only for him to be quickly reinstated due to employee loyalty. Elon Musk, having lost a power struggle for control of the organization, severed ties, leaving Altman to lead the race toward AGI. NUMBER 16

durée : 00:58:55 - Toute une vie - par : Laetitia Le Guay - Connu dans tout Paris pour sa silhouette aux longues jambes, sa chevelure rouge et son incroyable énergie, Félix Tournachon, dit Nadar, reste dans l'histoire de la photographie, celui qui inventa un nouvel art du portrait. - réalisation : Nathalie Salles

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THE 1874 EXHIBITION AND THE BIRTH OF IMPRESSIONISM Colleague Sebastian Smee. In the spring of 1874, a group of painters including Degas, Monet, Pissarro, and Renoir gathered at the studio of the photographer Nadar to exhibit their work outside the established "Salon" system. This group, organizing themselves as the "Société Anonyme," had grown tired of the Salon's hierarchical preference for large-scale history and religious paintings over landscapes and contemporary life. The movement received its name from a critic who wrote a parody of the exhibition, seizing upon the title of Claude Monet's painting, Impression, Sunrise, to mock the work as unfinished sketches lacking structure or deep meaning. While photography existed, these painters sought to tell the story of their times through a revolutionary style that defied convention. Notably absent from this founding exhibition was Édouard Manet, the group's "blood brother" and inspiration, who still believed success required acceptance within the official Salon. NUMBER 1 1849 MONET

“La photographie à tout prix” Une année de prix photographiques à la BnF – 5e éditionà la BnF François Mitterrand, Parisdu 16 décembre 2025 au 29 mars 2026Entretien avecHéloïse Conésa,cheffe du service de la photographie, chargée de la photographie contemporaine au département des Estampes et de la photographie, BnF, et commissaire de l'exposition,par Anne-Frédérique Fer, à Paris, le 15 décembre 2025, durée 16'31,© FranceFineArt.https://francefineart.com/2025/12/22/3679_photographie-a-tout-prix_bnf-francois-mitterrand/Communiqué de presseCommissariat : Héloïse Conésa, cheffe du service de la photographie, chargée de la photographie contemporaine au département des Estampes et de la photographie, BnFLa Bibliothèque nationale de France marque son implication auprès des photographes, des tireurs et des éditeurs à travers son soutien aux grands prix photographiques qui structurent par leur action une part importante de la création dans ce champ artistique : le prix Niépce, le prix Nadar, la Bourse du Talent et le prix Camera Clara.Pour la cinquième année consécutive, la Bibliothèque présente, en collaboration avec Gens d'images, la Fondation Grésigny et Picto Foundation, une sélection des tirages des lauréats de ces prix partenaires, dans l'exposition « La photographie à tout prix » qui s'inscrit comme un rendez-vous annuel des amateurs de photographie, offrant ainsi l'occasion de s'immerger dans l'effervescence de la création photographique contemporaine. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Pasear entre grandes árboles de todo el mundo o bucear en compañía de ballenas. Esa es la propuesta que hoy os hacemos, y para ello nos trasladamos a dos escenarios: el Real Jardín Botánico, en Madrid, y el Oceanografic, en Valencia. Ambos muestran grandes patrimonios de la biodiversidad terrestre y marina, y ambos tienen novedades.Cumplir años es una de ellas: 270 son los que celebra el jardín, que vio nacer sus primeros brotes en 1755. Su directora, María Paz Martín, desde nuestro estudio de Radio 5, nos cuenta un poco de ese pasado y mucho del presente de este emblemático espacio de la arteria más cultural y verde de la capital. De explicarnos cómo nadar entre grandes cetáceos se encarga Marta Calabuig, del Oceanografic. Escuchar audio

À Paris, le musée Marmottan-Monet présente jusqu'au 1ᵉʳ mars 2026 l'exposition « L'empire du sommeil », qui regroupe 130 œuvres venues de Florence, de Montréal ou de Dublin : dessins, peintures, de l'Antiquité au XXᵉ siècle qui racontent la fascination des artistes pour cet état mystérieux qu'est le sommeil. « On a encore pas vraiment compris pourquoi on dort. Et pourquoi pas seulement les Hommes dorment, mais pourquoi tous les êtres vivants doués d'un cerveau dorment ? », fait remarquer Laura Bossi, commissaire de l'exposition L'empire du sommeil mais aussi neurologue et historienne des sciences. « Même les méduses, les poissons, on pensait qu'ils ne dormaient pas, mais en fait, apparemment, ils dorment aussi. Les oiseaux dorment parfois avec une partie du cerveau. On a beaucoup, beaucoup d'écrits. Mais le sommeil reste un mystère », poursuit-elle. C'est ce mystère que les visiteurs tentent de percer. Un état de conscience modifié dans lequel nous sommes plongés un tiers de notre vie. Un sujet qui a toujours fasciné les artistes, comme le montre la très riche exposition du musée Marmottan-Monet. « On a voulu montrer que c'est compliqué. Le sommeil est souvent aussi ambigu, parce qu'il y a le sommeil qui peut rappeler la mort ou bien l'amour, comme c'est d'ailleurs très bien dit dans les mythes grecs où le dieu du sommeil, Hypnos, est en même temps le plus doux des dieux. Mais en même temps, c'est le frère de la mort, et les deux sont les enfants de la nuit en même temps. L'Empire, c'est aussi l'empire sur nous-même. Nous n'avons pas le pouvoir de nous soustraire au sommeil. Et d'ailleurs, la privation de sommeil est une véritable torture. Il y a des rares maladies génétiques où les personnes qui ne peuvent pas dormir meurent », développe la commissaire de l'exposition. « On peint le lit de mort » Toutes les facettes du sommeil, du doux rêve à l'hallucination cauchemardesque, de l'endormi à l'insomniaque, sont évoquées dans l'exposition. Peindre le sommeil, c'est aussi peindre l'intime. « Dès qu'on sait tenir un crayon, qu'on dessine, on a envie de peindre le sommeil des modèles. On peint ses bébés, on peint ses maîtresses et ses amants. On peint le lit de mort. Il y a eu énormément d'artistes qui ont voulu, pour la mémoire d'abord, souvent pour eux-mêmes, peindre les dernières images de leur amour. Et ici, on montre deux tableaux de Monet, très peu connus et très intimes, qui sont son fils Jean, bébé, avec sa poupée endormie dans le berceau. Et on montre sa femme, Camille, morte sur son lit de mort, qui est un tableau que moi, je trouve parmi les plus émouvants de l'exposition où elle est, comme on faisait à l'époque, habillée avec sa robe de mariée et son voile de mariée », expose Laura Bossi. Victor Hugo, photographié par Nadar sur son lit de mort en 1885, côtoie le masque mortuaire qu'en fit Aimé-Jules Dalou. Dans la section consacrée aux troubles du sommeil, un tableau du Tchécoslovaque Maximilian Pirner, une somnambule en équilibre sur une corniche, nous donne le vertige. Ou un autoportrait plutôt angoissant d'Edvard Munch, les yeux caverneux, intitulé « Le Noctambule ». Et après la mort, le désir, avec beaucoup de belles endormies : l'exposition consacre une belle salle, entièrement couverte de rouge, à l'érotisme que convie parfois le sommeil. Pour aller plus loin : Exposition L'empire du sommeil

À Paris, le musée Marmottan-Monet présente jusqu'au 1ᵉʳ mars 2026 l'exposition « L'empire du sommeil », qui regroupe 130 œuvres venues de Florence, de Montréal ou de Dublin : dessins, peintures, de l'Antiquité au XXᵉ siècle qui racontent la fascination des artistes pour cet état mystérieux qu'est le sommeil. « On a encore pas vraiment compris pourquoi on dort. Et pourquoi pas seulement les Hommes dorment, mais pourquoi tous les êtres vivants doués d'un cerveau dorment ? », fait remarquer Laura Bossi, commissaire de l'exposition L'empire du sommeil mais aussi neurologue et historienne des sciences. « Même les méduses, les poissons, on pensait qu'ils ne dormaient pas, mais en fait, apparemment, ils dorment aussi. Les oiseaux dorment parfois avec une partie du cerveau. On a beaucoup, beaucoup d'écrits. Mais le sommeil reste un mystère », poursuit-elle. C'est ce mystère que les visiteurs tentent de percer. Un état de conscience modifié dans lequel nous sommes plongés un tiers de notre vie. Un sujet qui a toujours fasciné les artistes, comme le montre la très riche exposition du musée Marmottan-Monet. « On a voulu montrer que c'est compliqué. Le sommeil est souvent aussi ambigu, parce qu'il y a le sommeil qui peut rappeler la mort ou bien l'amour, comme c'est d'ailleurs très bien dit dans les mythes grecs où le dieu du sommeil, Hypnos, est en même temps le plus doux des dieux. Mais en même temps, c'est le frère de la mort, et les deux sont les enfants de la nuit en même temps. L'Empire, c'est aussi l'empire sur nous-même. Nous n'avons pas le pouvoir de nous soustraire au sommeil. Et d'ailleurs, la privation de sommeil est une véritable torture. Il y a des rares maladies génétiques où les personnes qui ne peuvent pas dormir meurent », développe la commissaire de l'exposition. « On peint le lit de mort » Toutes les facettes du sommeil, du doux rêve à l'hallucination cauchemardesque, de l'endormi à l'insomniaque, sont évoquées dans l'exposition. Peindre le sommeil, c'est aussi peindre l'intime. « Dès qu'on sait tenir un crayon, qu'on dessine, on a envie de peindre le sommeil des modèles. On peint ses bébés, on peint ses maîtresses et ses amants. On peint le lit de mort. Il y a eu énormément d'artistes qui ont voulu, pour la mémoire d'abord, souvent pour eux-mêmes, peindre les dernières images de leur amour. Et ici, on montre deux tableaux de Monet, très peu connus et très intimes, qui sont son fils Jean, bébé, avec sa poupée endormie dans le berceau. Et on montre sa femme, Camille, morte sur son lit de mort, qui est un tableau que moi, je trouve parmi les plus émouvants de l'exposition où elle est, comme on faisait à l'époque, habillée avec sa robe de mariée et son voile de mariée », expose Laura Bossi. Victor Hugo, photographié par Nadar sur son lit de mort en 1885, côtoie le masque mortuaire qu'en fit Aimé-Jules Dalou. Dans la section consacrée aux troubles du sommeil, un tableau du Tchécoslovaque Maximilian Pirner, une somnambule en équilibre sur une corniche, nous donne le vertige. Ou un autoportrait plutôt angoissant d'Edvard Munch, les yeux caverneux, intitulé « Le Noctambule ». Et après la mort, le désir, avec beaucoup de belles endormies : l'exposition consacre une belle salle, entièrement couverte de rouge, à l'érotisme que convie parfois le sommeil. Pour aller plus loin : Exposition L'empire du sommeil

SHOW 11-28-25 CBS EYE ON THE WORLD WITH JOHN BATCHELOR 1963   The Genius of Early Photography: Nadar, Daguerre, and Dangerous Chemistry — Anika Burgess — Burgess details the risky and adventurous origins of photography as a practical medium. She examines Nadar, a visionary figure who deployed a giant balloon named Léon to fund experiments in heavier-than-air flight, having previously conducted innovative photographic expeditions into Paris's catacombs. Burgess also recounts Daguerre's 1839 presentation of the daguerreotype—a remarkably realistic, singular image created using hazardous chemicals including iodine and mercury, which posed significant occupational and health risks to early practitioners. Early Photography's Scientific Reach: Lunar and Underwater Photography — Anika Burgess — Burgessexplores early photography's critical scientific applications, noting that François Arago predicted the daguerreotype would enable detailed mapping of the lunar surface. Early astrophotographers encountered formidable technical challenges involving distance calculations, celestial motion, and insufficient ambient light. James Nasmyth controversially photographed plaster casts and molds of the lunar surface, which contemporary observers praised as scientifically truthful. Burgess also highlights Louis Boutan, who persistently developed practical underwater photography using pressurized hard-hat diving equipment, establishing a new scientific capability. Photography and Social Justice: Riis, Watkins, and the Question of Truth — Anika Burgess — Burgessdemonstrates how photography became a transformative tool for social advocacy and reform. Jacob Riis, a newspaper journalist documenting Manhattan's tenement poverty, employed flash powder ignited in cast-iron frying pans to photograph the grim, overcrowded interior conditions of slums for his landmark book How the Other Half Lives, frequently without obtaining subject consent. Burgess also discusses Carleton Watkins, who transported over 2,000 pounds of large-format photographic equipment to Yosemite Valley, producing images that proved instrumental in securing federal preservation and protection of the landscape. From X-Rays to Motion Pictures: Expanding the Photographic Medium — Anika Burgess — Burgess traces the expansion of photographic technology beyond conventional image capture. She examines Alice Austin'sintimate and playful photographs documenting her social circle with candid authenticity. The discovery of X-raysby Wilhelm Röntgen was rapidly branded as "the new photography" or "shadow photography," adopted swiftly for both entertainment and medical diagnostic applications despite practitioners possessing no understanding of severe radiation hazards. Burgess concludes with Paul Martin's candid street photography using concealed cameras hidden within top hats and Eadweard Muybridge's sequential motion studies, which directly enabled the invention of motion pictures. Angelica Schuyler: Albany, Elopement, and the Start of the Revolution — Molly Beer — Beer discusses her book Angelica, focusing on Angelica Schuyler Church, daughter of General Philip Schuyler. Her mother, Katherine, oversaw construction of their Albany residence, The Pastures, a substantial estate reflecting family prominence. Angelica received a rigorous education consistent with Dutch cultural traditions emphasizing women's financial and business literacy for family management. In 1777, during Burgoyne's invasion of New York, Angelica profoundly disappointed her mother by eloping with John Carter, an Englishman she found intellectually engaging and cosmopolitan. Angelica and the Founders: The Revolution and the Hamilton Connection — Molly Beer — Beer examines Angelica's pivotal role during the American Revolution, including her service alongside Rochambeau's army, traveling to Yorktown shortly after delivering her third child. Her sister Elizabeth ("Betsy") married Alexander Hamilton, who deliberately married into the prominent Schuyler family to elevate his social standing and political prospects. Following the war, Angelica's eldest son, Philip, founded the town of Angelica in western New York, the community where Beer herself was subsequently raised. Angelica in Europe: John Church, London Society, and Diplomacy — Molly Beer — Following ratification of the peace treaty, Angelica and her husband sailed to Paris to collect outstanding payments owed by the Frenchgovernment. John Carter leveraged the wartime amnesty to settle accumulated debts, reconcile with his estranged family, and legally adopt the name John Barker Church. Angelica relocated to London's elegant Mayfairneighborhood, where she established herself as a prominent American patriot. She strategically positioned herself at the intersection of cultural and diplomatic negotiations, entertaining influential figures including Lafayette and the Adamses, while exerting subtle influence over American diplomatic representatives toward negotiated peace. Angelica's Later Life: Return, Tragedy, and Founding Angelica, NY — Molly Beer — Angelica visited the United States for President Washington's 1789 inauguration but quickly returned to London, disappointed that the nascent republic fell short o Woke Capitalism: Origins, ESG, DEI, and the Power of BlackRock — Charles Gasparino — Gasparinotraces the origins of "woke capitalism," detailing how corporate America shareholder returns toward stakeholder capitalism models. L The Flashpoints of Woke Capitalism: Occupy Wall Street and the SEC — Charles Gasparino — Gasparinoidentifies the 2008 financial crisis and the ensuing progressive populist backlash, including the Occupy Wall Streetencampment at Zuccotti Park, as pivotal flashpoints accelerating corporate woke adoption.... Disney and ESPN: Running a Blue Company in a Red State — Charles Gasparino — Gasparino analyzes the radicalization of the Walt Disney Company, noting that CEO Bob Iger brought progressive cultural affinities while the company.... Go Woke, Go Broke: The Financial Backlash and Corporate Retreat — Charles Gasparino — Gasparinoreports that woke capitalism is experiencing significant financial retrenchment as corporations suffer bottom-line consequences... Freedom's Forge: FDR, WWII Mobilization, and Bill Knudsen — Arthur Herman — Herman discusses his book Freedom's Forge, detailing the extraordinary challenge FDR confronted in May 1940 to prepare America for modern industrial warfare. The preeminent industrialist summoned for this task was Bill Knudsen, CEO of General Motors. Knudsen, a Danish immigrant and former Ford executive, possessed unparalleled expertise in flexible mass production—the capacity to modify production line processes continuously while maintaining output. Knudsen applied these revolutionary manufacturing techniques to transform the American automobile industry into an "Arsenal of Democracy," producing critical war materiel including military trucks and armored tanks. Henry Kaiser: The Builder of Liberty Ships — Arthur Herman — Herman profiles Henry Kaiser, the second transformative figure in Freedom's Forge. Kaiser, a road construction entrepreneur who had previously coordinated monumental infrastructure projects including the Boulder Dam, demonstrated relentless commitment to ambitious thinking and delivery ahead of schedule and under budget constraints. In late 1940, Kaiser persuaded both Britishand American governments to contract him to construct "throwaway freighters"—Liberty ships—despite possessing no prior shipbuilding experience. Between 1941 and 1945, Kaiser successfully built 2,710 Liberty ships, fundamentally enabling Allied logistics and supply operations. The B-29 Superfortress and the Battle of Omaha — Arthur Herman — Herman recounts the genesis of the B-29 Superfortress bomber, conceived after General Hap Arnold consulted with Charles Lindbergh in 1939. The B-29 represented the ultimate expression of air supremacy doctrine, demanding revolutionary technologies including pressurized crew cabins and remote-controlled gun turrets that did not yet exist. Bill Knudsen directed the program, overcoming severe delays and persistent technical deficiencies. Knudsen won the "Battle of Omaha" by insisting that aircraft be extensively modified after assembly to achieve operational flight status, thereby integrating a massive female industrial workforce into B-29 production processes. Lessons from WWII: Unleashing Private Enterprise — Arthur Herman — Herman explores the strategic tension during WWII between New Deal administrators favoring centralized government command and industrialists prioritizing private sector innovation and operational flexibility. FDR and Knudsen learned from the disastrous centralized economic control failures of WWI, choosing instead to permit American private enterprise to "determine production methodologies and develop solutions for urgent national requirements." The fundamental secret to Allied victory was unleashing private sector dynamism, entrepreneurial expertise, and competitive energy. Herman draws contemporary parallels, arguing that modern defense strategy must replicate this model, contrasting bureaucratic NASA operations with innovative private enterprises including SpaceX.

The Genius of Early Photography: Nadar, Daguerre, and Dangerous Chemistry — Anika Burgess — Burgessdetails the risky and adventurous origins of photography as a practical medium. She examines Nadar, a visionary figure who deployed a giant balloon named Léon to fund experiments in heavier-than-air flight, having previously conducted innovative photographic expeditions into Paris's catacombs. Burgess also recounts Daguerre's 1839 presentation of the daguerreotype—a remarkably realistic, singular image created using hazardous chemicals including iodine and mercury, which posed significant occupational and health risks to early practitioners. PARIS

The Early Days of Photography: Insights from Anika Burgess Discover the fascinating stories behind early photography, from Anna Atkins' cyanotypes to the Daguerre‑Talbot rivalry, women's hidden studios, and the first surveillance photos of suffragettes—highlights from Anika Burgess' interview on the “10 Frames Per Second” podcast.  The “10 Frames Per Second” podcast is a go‑to resource for anyone interested in photojournalism history, yet this particular episode dives deep into the origins of photography itself. If you're a photographer, educator, historian, or simply a curious visual storyteller, the episode offers insights and details from technical to social, on the rise of photography Meet Anika Burgess – Photo Historian & Author Title: Photo editor, writer, and author of Flashes of Brilliance: The Genius of Early Photography and How It Transformed Art, Science, and History (W.W. Norton). Background: History & Law degrees, early career at Penguin Books (Modern Classics), later freelance photo‑researcher. Passion: Uncovering hidden stories—especially of women, scientists, and “oddball” characters—in the birth of photography. From Law School to Photo Editing Anika's journey is a reminder that career pivots can lead to groundbreaking work: Law → Photo Editing: A short course in photo research opened the door to a role at Penguin's Modern Classics series. On‑the‑Job Learning: She describes freelance work as an “accelerated masterclass” in assigning, commissioning, and archival research. Teaching Lens: As a photo‑history instructor, Anika emphasizes the value of primary sources—old photo journals, newspapers, and diaries. Pioneers of Early Photography Anna Atkins & the First Photo Book Who: English botanist & cyanotype pioneer. Milestone: Created Photographs of British Algae: Cyanotype Impressions (1843), the first photographic book—and made by a woman. Rediscovery: Mis‑attributed as “AA” until the 1970s when Larry Scharf revived her story. Women Photographers in the 1840s‑1850s Studio Advertisements: Journals show Miss Wigley and others openly marketing portrait studios. Color Tinting: Una Howard promoted women's employment in hand‑tinting photographs, even establishing a school for the craft. Editorial Debates: Early photo‑journals featured heated arguments about photography's purpose—art vs. science—with women actively contributing. Surprising Finds in the Archives Skin & Nail Prints: Some 19th‑century journals reported people printing photographs onto their own skin or fingernails. Psychic Photography: Experiments aimed to capture thoughts, dreams, or “effluvia”—the supposed visual aura of a soul. X‑Ray Curiosities: Early images of snakes, crayfish, and snowflakes (thanks to Wilson Bentley) showed how photography became a tool for scientific discovery. Early Photography: The Daguerre vs. Talbot Rivalry Aspect Louis Daguerre William Henry Fox Talbot Process Daguerreotype (metal‑silver plate) Calotype (paper negative → positive) Business Model Government‑funded French pension → free public release Aggressive patent enforcement, licensing fees Impact Dominated the first decade, especially in France and England Laid groundwork for modern negative/positive workflow, but hindered by patents Anika notes that Talbot's patents slowed adoption, while Daguerre's state‑backed release accelerated his method's popularity—an early example of how capitalism shapes technology diffusion. Early Photography Chemical Hazards & “You‑Tube‑Free” Learning Deadly Substances: Cyanide, mercury, and strong acids were common in darkrooms. No Antidotes: For cyanide, there was no effective remedy, underscoring the danger. Community Knowledge: Early photo clubs circulated “antidote tables”—precautions rather than cures. “There were no textbooks, no YouTube tutorials—just trial, error, and sometimes tragedy.” – Anika Science Meets Art: X‑Rays, Snowflakes & Psychic Photography X‑Ray Explorations (1890s): Photographs of snakes and crayfish revealed anatomy unseen by the naked eye. Wilson Bentley (Vermont): Captured over 5,000 snowflake images using a microscope—blending meteorology and artistry. Effluvia Photography: Early attempts to photograph the “spirit” of a person, predating modern AI‑generated ethereality. Early Surveillance: The Suffragette Photo‑Ops Arthur Barrett's Top‑Hat Camera (1908): Secretly photographed suffragists inside a London courtroom. He even coughed to mask the shutter sound. Government Commission: The British Home Office later hired Barrett to take long‑lens photographs of suffragists in Holloway Prison. Legacy: This marks one of the first documented uses of photography for covert surveillance—a precursor to today's CCTV debates. Lessons for Modern Photojournalists Transparency Matters: Early manipulators like Oskar Rieslander openly disclosed composite techniques—mirroring today's call for AI‑generated image labeling. Innovation Stems from Limits: Nadar's underground catacomb portraits show how technical constraints spark creative solutions. Community Sharing Wins: Photo clubs of the 19th century were the original knowledge‑exchange platforms—modern equivalents are online forums, workshops, and open‑source libraries. What's Next for Anika? After a seven‑year labor of love, Anika hints at a potential sequel covering 1910‑present—a period that includes modernist photography, wartime photojournalism, and the digital revolution. She's also considering shorter books focused on women pioneers and photographic chemistry. Quick Takeaways Anna Atkins wrote the first photographic book, and women have been key players since the 1840s. Daguerre's free release vs. Talbot's patents illustrates how policy shapes tech adoption. Early photographers faced real chemical dangers—no antidotes for cyanide, mercury, or acids. Surveillance photography began with suffragist courtroom shots, foreshadowing modern privacy concerns. Transparency in image manipulation is a historic constant, now relevant in the age of AI. Frequently Asked Questions Question Answer Where can I find Anna Atkins' cyanotype collection? The New York Public Library hosts a fully digitized archive online. Is the “top‑hat camera” video still available? Yes—search “suffragist reunion British Pathé” on YouTube. What was the first photo‑journalistic use of a hidden camera? Arthur Barrett's 1908 courtroom photos of suffragists. How did early photographers tint images? Women like Una Howard hand‑colored prints using water‑based pigments; later, labs introduced mechanical tinting. Can I listen to the full podcast episode? New episodes drop every Tuesday on 10fps.net and all major podcast platforms. Final Thoughts Anika Burgess' conversation on “10 Frames Per Second” proves that the early history of photography is far from a static timeline—it's a vibrant tapestry woven by inventors, women entrepreneurs, scientists, and activists. Understanding this past not only enriches our appreciation of current visual culture but also equips today's photojournalists with perspective on ethics, innovation, and the ever‑present tension between art and science. Ready to dive deeper? Grab a copy of Flashes of Brilliance, explore the NYPL digital collections, and let the stories of Anna Atkins, Una Howard, and Arthur Barrett inspire your next visual project. For more on “ghost” photography and William Mumler, check out our past episode with Peter Manseau, author of a book The Apparitionists, exploring Mumler’s creations. Keywords: early photography, history of photography, women photographers, Anna Atkins, Daguerre vs Talbot, photojournalism history, photographic chemistry hazards, X‑ray photography, suffragette surveillance, photo manipulation early, 10 Frames Per Second podcast ________ photojournalism, early photography, Anna Atkins, cyanotype, women photographers, Julia Margaret Cameron, Nadar, Daguerre, William Henry Fox Talbot, X‑ray photography, Wilson Bentley (snowflake photography), spirit photography, psychic photography/effluviography, photo manipulation, suffragette surveillance photography, top‑hat hidden camera, dry‑plate process, wet collodion process, chemical hazards in photography (cyanide, mercury), 1840s women‑run photo studios, hand‑tinting (colorizing photographs), archival research (NYPL, Met), Penguin Modern Classics photo editing, photographic patents and licensing, darkroom safety, early photo journals and newspapers, mechanical vs artistic classification in exhibitions, scientific photography, photography‑and‑art debate, early photographic portrait experience.The post Episode 167: Anika Burgess (Early Photography) first appeared on 10FPS A Photojournalism Podcast for Everyone.

Nadar Kare Ta Simaria Jai, ਨਦਰਿ ਕਰੇ ਤਾ ਸਿਮਰਿਆ ਜਾਇ (Sri Guru Granth Sahib Ang 661 Sabad 1740)

Esperamos sua visita: Avenida Rio Doce, 217 - Ilha dos Araújos - Governador Valadares/MG - Telefone:(33) 3275-3289 Nossa Programação: Quarta-feira: 20h Culto da Vitória Sábado: 19h Espaço Jovem Domingo: 09h Escola Bíblica Dominical 18h Culto dos Adolescentes 19h30 Culto de Adoração Reuniões de Oração Segunda-feira: 19h Terça-feira: 15h Quinta-feira: 07h Domingo: 18h30 Visite nosso site: http://www.moriagv.com.br Visite nossas Redes Sociais: http://www.facebook.com/moriagv http://www.youtube.com/moriagv http://www.instagram.com/moriagv http://www.soundcloud.com/moriagv

Bem-vindo à Rádio Minghui. As transmissões incluem assuntos relativos à perseguição ao Falun Gong na China, entendimentos e experiências dos praticantes adquiridas no curso de seus cultivos, interesses e música composta e executada pelos praticantes do Dafa. Programa 1458: Experiência de cultivo da categoria Jornadas de cultivo, intitulada: “O Mestre me guia a nadar contra a corrente”, escrita por uma praticante do Falun Dafa na China.

Buenos días, soy Yoani Sánchez y en el "cafecito informativo" de este jueves 9 de octubre de 2025 abordo estos temas: - El Estado impulsa las farmacias en dólares - Recomiendan "soluciones tropicales" para reparar viviendas - Del servicio militar al campo: entregan tierras en usufructo - Nadar en Seco: Poesía cubana en NY Gracias por compartir este podcast y te espero para el programa de mañana. Suscríbete a este canal de YouTube para no perderte ni un solo programa: https://www.youtube.com/@YoaniSanchezPeriodista

Buenos días, soy Yoani Sánchez y en el "cafecito informativo" de este lunes 6 de octubre de 2025 abordo estos temas: - Nueve tomos de obras de Raúl Castro en medio de una profunda crisis editorial - Cárdenas, epicentro de los virus en Cuba - A falta de petróleo, desechos de moringa para hornear el pan - "Nadar en Seco": poesía cubana en NY Gracias por compartir este podcast y te espero para el programa de mañana. Suscríbete a este canal de YouTube para no perderte ni un solo programa: https://www.youtube.com/@YoaniSanchezPeriodista

Por primera vez en casi 100 años, cientos de personas saltaron al río Chicago para nadar. Unos 300 nadadores

Vivez un spectacle vivant hors du commun25 COMÉDIENS 25 comédiens incarnent Jules Verne et ses plus grands héros : Phileas Fogg, le capitaine Némo, Passepartout mais aussi George Sand, Thomas Edison, Nellie Bly, Nadar. Avec eux, rêvez, vibrez et voyagez dans le temps ! Un spectacle extraordinaire qui enchante toutes les générations.8 DÉCORS ÉPOUSTOUFLANTSPar petits groupes, vous voyagez de pièce en pièce et progressez ainsi dans l'histoire. Le Nautilus, la fusée, la montgolfière, l'imprimerie : nos décors monumentaux vous plongent dans l'univers extraordinaire de Jules Verne.1H DE SPECTACLEJusqu'au 3 Novembre 2025, départ toutes les 10 min.Les vendredis et samedis de 14h à 21h - Les dimanches de 10h40 à 17h40Le créateur et metteur en scène, Charles Mollet, est notre invitée en studio pour nous faire voyager dans le monde fantastique de Jules Vernehttps://www.legrandhoteldesreves.frHébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Presas del país reportan un 50% de llenado: Conagua  Alerta en Yucatán por Marea Roja se prohíbe pesca y meterse al mar  Papa León XIV pide oraciones por la paz en el mundo  Más información en nuestro podcast

Há um mês que é possível nadar nas águas do Sena dentro de zonas delimitadas. Um "sonho" para muitos parisienses que vem com algumas reticências em relação à qualidade da água. A RFI foi a um dos pontos em que os benhos são autorizados e falou com turistas e parisienses sobre esta experiência. Há um mês que os parisienses podem oficialmente mergulhar no rio Sena. Para isso, foram criadas zonas específicas para que os banhistas possam mergulhar em segurança no Sena. Uma junto à Biblioteca Nacional François Mitterrand, outra perto da Câmara Municipal de Paris e uma outra junto à Torre Eiffel. A RFI veio até junto da Torre Eiffel para perceber como é mergulhar no rio Sena. Desde logo, antes de vir, é indicado aos banhistas que verifiquem se a zona aprovada para nadar está aberta ou não. A cidade de Paris tem um site onde actualiza todos os dias se é ou não possível tomar banho tendo em conta as condições meteorológicas. Caso seja possível nadar, como no dia em que viemos até ao rio, o acolhimento é caloroso em francês e inglês, já que muitos turistas estão a aproveitar as visitas estivais à cidade para dar um mergulho num dos rios mais famosos do Mundo como Ivan e Diana que vieram da Rússia para passar uma semana na capital francesa. "É um pouco inesperado poder tomar banho no Sena, mas a vista é incrível. Eu e a minha namorada não hesitámos em vir, mas claro que tentámos não engolir água do rio, temos um bocadinho de medo devido à poluição. Conhecemos a possibilidade de nadar no rio através das redes sociais e incluímos o mergulho no nosso itenerário de viagem", explicou Ivan. À porta destas três zonas estão sempre os avisos importantes: há correntes fortes no rio e há plantas que podem impedir os banhistas de voltar à superfície em caso de mergulhos demasiado profundos. Tal como numa praia normal, também há bandeiras verde, amarela e vermelha e estas zonas são vigiadas para segurança dos banhistas. Para além disso, quem vai à água é obrigado a andar com uma bóia amarela dentro da zona restrita do rio destinada aos banhistas. Algo que agradou e muito a Danielle, uma parisiense que apreciou tudo nesta estreia nas águas do Sena. "Hoje foi a primeira vez que vim a banhos e foi uma optima experiência. A água estava a 23 graus e eu adorei. Há alguma corrente, mas a bóia ajuda muito a nadar e eu gosto de qualquer adereço que me ajude a fazer o menos de esforço possível na água e achei divertido estar no rio com aqiela bóia amarela. Eu e o meu marido acabámos por ficar muito tempo na água, talvez 45 minutos. Claro que é preciso ser mesmo assim um bom nadador, sei que há outros sítios no rio mais adaptados às crianças, mas há muita vigilância e isso deu-me muita confiança", detalhou Danielle. Actualmente e após mais de 1,2 mil milhões de euros de investimento municipais, a água do rio Sena permite ir a banhos. No entanto, em caso de chuvas fortes, algo recorrente mesmo durante os meses de Verão a Paris, a água é constantemente analisada já que as chuvas podem trazer à surperfície águas contaminadas com a e.coli, uma bactéria que pode causar graves infecções no trato digestivo, urinário ou outras partes do corpo.  Desde o dia 05 de Julho, altura em que foi permitido nadar no Sena, os banhos foram proibidos em 18 dias devido ao resultado das análises. No entanto, Anatole, um jovem ucraniano que vive em Paris, não se deixou intimidar e diz que já veio nadar junto da Torre Eiffel pelo menos seis vezes em dias diferentes. “Eu trabalho em casa então posso vir algumas vezes, já vim cinco ou seis vezes e correu tudo bem. Posso dizer a todos para vir pelo menos uma vez, vale a pena. Eu não tenho medo de tomar banho aqui. Sabe, eu venho da Ucrânia, portanto não tenho medo de bactérias. Conheço pessoas que trabalham na Câmara Municipal de Paris e eles explicaram-me que tudo foi bem preparado. Veremos se alguém fica doente, mas acho que, em geral, é algo positivo para a cidade”, declarou Anatole. Mesmo se havia apreensões devido a possíveis consequências negativas, Olivier, que vive no Val de Loire e veio até à capital para visitar o filho que estuda em Paris, arriscou e diz não se arrepender de ter nadado no Sena. "Era o momento perfeito para vir e contando com os Jogos Olímpico é a segunda vez que há pessoas a mergulhar. Estamos num quadro privilegiado porque até temos vista para a Torre Eiffel. E estamos em pleno mês de Agosto. Nadar no Sena foi agradável, a temperatura da água estava muito boa. Eu estava um pouco ceptico, pensava que a água não estava limpa, mas cinceramente está razoável, correu tudo muito bem. E, ainda por cima, é gratuito", descreveu Olivier. Até agora já 35 mil pessoas nadaram no rio que banha Paris, com o dia 13 de Julho, quando as temperaturas ultrapassaram os 30 graus, a ter registado mais de 5.000 banhistas.  Devido à poluição e ao aquecimento global, e sendo uma das cidades mais densas do Mundo, as temperaturas em Paris têm vindo a subir com episódios cada vez mais frequentes de canícula que podem fazer com que os termómetros cheguem aos 40 graus. Assim, para Danielle e milhares de parisienses, após anos de promessas poder nadar no Sena é um sonho. "Para mim, poder nadar no rio Sena é um sonho concretizado. Desde que Jacques Chirac foi autarca que nos prometiam isto e acho que uma parte dos parisienses está muito feliz com esta possibilidade", concluiu Danielle.

¡Por primera vez en 100 años, ! La ciudad

En este nuevo episodio de Sport Life hablamos de natación en aguas abiertas. Nos acompañan Patricia Lledó, exnadadora de élite y nadadora máster en aguas abiertas; y Pol Gil, exnadador internacional de aguas abiertas y entrenador de la Federación Catalana.Presentado por Yolanda Vázquez Mazariego. 

Reconocer el genocidio no es un acto simbólico. Permite buscar soluciones legales para sus víctimas y supervivientes. De ello habló la Nobel de la Paz Nadia Murad, quien espera que el Congreso de los Diputados retome el reconocimiento del genocidio yazidí. The Economist Intelligence Unit publicó su Índice de ciudades más habitables en 2025. Copenhague es la primera de la lista y Damasco la última, así que hablamos de la una y la otra con los periodistas Marta Montojo y Miguel Flores.En 1923 fue la última vez que el Sena estuvo abierto al nado público. Ahora, tras las pruebas en 2024 para los Juegos Olímpicos, París albergará en su río un sitio en el que nadar, como nos contó Carlos Cuevas, estudiante que se bañó allí en su primer día abierto.La Casa Real Británica anunció que dejará de usar el Tren Real  después de más de 180 por cuestiones presupuestarias. Hablamos de ello con David Mathieson, abogado y exasesor de Robin Cook.

¡Buenas noticias para los que nadan en Europa! Un nuevo estudio muestra que la mayoría de los lugares donde la gente nada en Europa están limpios y seguros. Esto incluye playas, lagos y ríos en Europa. El grupo que cuida el medio ambiente revisó más de 22.000 lugares para nadar

Gregorio Oyaga, socio director de Welcome AM, analiza la actual divergencia entre el optimismo de los mercados y las tensiones económicas reales.

Había en cierta granja un mulo viejo que dio un paso en falso y fue a dar al fondo de un pozo. El pobre campesino, que era su dueño, oyó el desesperado y resonante rebuzno y se acercó al pozo. Sintió lástima de su mulo, pero después de pensarlo bien, decidió que no valía la pena tratar de salvar ni el mulo ni el pozo. Así que llamó a sus vecinos, les contó lo sucedido y les pidió que le ayudaran a llenar de tierra el pozo. De ese modo el pozo serviría por lo menos como tumba, y el mulo no sufriría más. Cuando comenzaron a lloverle los primeros montones de tierra, el mulo casi se muere del susto. Pero al sentir el golpe de la cuarta y la quinta palada, se le ocurrió una idea. Cayó en la cuenta de que cada vez que le caía encima un montón de tierra, debía quitársela de encima sacudiéndose, y dar un paso hacia arriba, pisoteando la tierra que caía. En efecto, eso es lo que hizo, golpe tras golpe, palada tras palada, montón tras montón. «¡Sacúdete y sube! ¡Sacúdete y sube! ¡Sacúdete y sube!», se repetía en voz alta para no perder el ánimo. Aguantó el dolor de los golpes de la tierra que caía y sofocó la angustia que sentía, y así, sacudiéndose y subiendo, venció el pánico que lo invadía. Después de mucho sacudirse y pisotear, y ante el asombro general, el viejo mulo, exhausto y maltratado, dio el último paso hacia arriba, por encima de la orilla del pozo, ¡y pisoteó triunfante la tierra firme del campo! Lo que pudo haberlo enterrado, a la postre lo desenterró. Había logrado convertir en bendición esa segura maldición, y todo porque supo enfrentarse a la adversidad. He aquí la moraleja en verso: Si al fondo llegas, y te echan tierra, en lugar de desesperarte, ¡anímate, mira hacia arriba y usa la tierra para desenterrarte! Esta simpática fábula ilustra el siguiente refrán: «Nadar río abajo no cuesta trabajo; nadar río arriba: ¡eso sí que cuesta fatiga!»1 Pensémoslo bien. Si con la sola fuerza de voluntad somos capaces de nadar contra la corriente, ¿cuánto más podremos hacer en tiempos de angustia si acudimos a Dios? Con el Señor a nuestro lado, podemos vencer los obstáculos más imponentes de la vida. Esa fue precisamente la conclusión a la que llegó David cuando el Señor lo libró del rey Saúl y de todos sus enemigos. De ahí que el salmista de Israel le dedicara al Señor los siguientes versos: Me enredaron los lazos del sepulcro,             y me encontré ante las trampas de la muerte. En mi angustia... clamé a mi Dios,             y... ¡mi clamor llegó a sus oídos!... Me sacó a un amplio espacio;             ... contigo, Dios mío, podré asaltar murallas.2 Carlos ReyUn Mensaje a la Concienciawww.conciencia.net 1 Refranero general ideológico español, compilado por Luis Martínez Kleiser (Madrid: Editorial Hernando, 1989), p. 198. 2 Sal 18:5,6,19,29

Querida comunidad hoy nos vamos a las Bahamas, un archipiélago de 700 islas con mucho más que playas y sol. Una propuesta de Daniel Pérez. (Muchas gracias)Me centro en Nassau, Exumas y Grand Bahama, y os cuento todo lo que podéis ver y hacer, desde nadar con los famosos cerdos de Pig Beach hasta explorar fuertes históricos, mercados locales o hacer snorkel en cuevas submarinas. Gracias por estar aquí escuchando este podcast —¡ya vamos por más de 1,000 episodios juntos! Somos una comunidad que no para de crecer, rozando las 900,000 escuchas al mes, y eso es pura magia, ¡gracias a ti! Esto es una locura y me encanta compartirlo contigo. Por cierto, si viajas y quieres estar conectado tengo un código de descuento de 5% para tí en tu próxima eSim de HolaFly https://holafly.sjv.io/N94mdN el código de descuento es ELTURISTA Que lo disfrutes. Todavía no he pulsado el botón de ‘monetizar' porque quiero que nada interrumpa esta aventura: ni anuncios, ni pausas, solo tú y yo explorando el mundo. Pero te necesito: ¿me echas una mano? Dame 5 estrellas y deja una reseña, son 30 segundos para ti y un empujón enorme para mí.  Tú también puedes ser parte activa: ¿tienes ideas para futuros episodios? Envíame un audio de hasta 1 minuto por Instagram o Facebook —puedes mandar varios si necesitas más tiempo—. Búscame como https://www.instagram.com/cesarsar_elturista/ , CesarSar en FB  https://www.facebook.com/CesarSar/  o suscríbete a mi canal de YouTube  https://www.youtube.com/channel/UC55ZMnqfOlSc7uWbIEM4bDw ¿Prefieres escribirme? Mándame un correo a viajes@cesarsar.com , y si quieres, incluye una nota de voz.  Si sueñas con un viaje perfecto, déjame ayudarte. Como viajero consultor, pongo a tus pies mis 135 países recorridos y tres vueltas al mundo —¡eso son muchas historias que contar! Escríbeme al mismo mail y organicemos juntos tu próximo gran viaje, para que vivas, disfrutes y sueñes a lo grande, porque un buen viaje es pura vida. Además, he vuelto a lanzar viajes en grupo, así que estate atento a mis redes: ¡podríamos explorar el mundo juntos!  Y si te mola este podcast y quieres darme un extra de apoyo con la serie de tv, deja un comentario en mi post de BuenViaje en IG: https://www.instagram.com/p/CrKqoyzubKZ/?  Un abrazo enorme, comunidad. Compartir es vivir, ¡y contigo esto cobra sentido!Aquí algunas de las plataformas donde está disponible el podcast. Apple Podcast https://podcasts.apple.com/es/podcast/c%C3%A9sar-sar-el-turista/id1592890080Spotify https://open.spotify.com/show/14Gs7rhzsYoaQe5Nh05SsI?si=HMPa8pfqSKWSSf0ZtIQGKgIVOOX https://go.ivoox.com/sq/1396585#Viajes #ViajesBarartos #Viajes #Viajessostenibles #Consejosdeviajes #Viajesfelices #Podcastdeviajes #Vueltaalmundo #Bahamas #Caribe #CerdosNadadores

En La W, la nadadora ultramaratonista Eva Buzo compartió detalles sobre su travesía de nado abierto en Colombia, que partirá desde la playa de Juanchaco hasta el Malecón Bahía de la Cruz.

Invité a Luigi, comediante e improvisador venezolano viviendo en Santiago de Chile, a conversar sobre la comedia, vivir en chile, crecer en Venezuela y más. Tuvimos grandes conclusiones ... o quizás no.Conoce nuestro patrocinantes y sus hermosos productos: https://www.instagram.com/ascensionorgonitesRecuerda que siempre puedes ayudar a este podcast ingresando a: https://patreon.com/lanadiamariaY Siempre puedes ayudar dejando tu comentario y calificando con 5 estrellas todos los episodios que te gusten.@lanadiamaria en: instagram, tiktok, X y facebook.

Roberto Alessandrini"Il santo educatore"Don Bosco nell'immaginario popolareBibliotheka Edizioniwww.bibliotheka.itTra la fine degli anni Venti e gli anni Quaranta del Novecento prende forma e si consolida l'immagine di Don Bosco che, tra le tante, diverrà iconica e sarà continuamente riproposta fino ad oggi.La beatificazione del sacerdote piemontese (1929) e la successiva canonizzazione (1934) mettono in moto un processo selettivo che privilegia una fotografia del santo scattata da Michele Schemboche, allievo di Nadar e tra i pionieri della fotografia in Italia.Il dipinto di Mario Caffaro Rore che rielabora la foto viene a sua volta fotografato per favorire un'ampia diffusione in immaginette e cartoline e ispira una serie di figurine Liebig alla metà degli anni Quaranta e, in parte, anche la monumentale biografia bestseller del santo, firmata, sempre nello stesso decennio, dal disegnatore belga Joseph Gillain, in arte Jijé.Roberto Alessandrini insegna Antropologia culturale all'Università Pontificia Salesiana di Roma e all'Istituto universitario Pratesi di Soverato (Catanzaro).Ha tradotto testi di René Girard, Anatole France e François Le Lionnais, curato l'edizione italiana della Bibbia contadina di Annamária Lammel e Ilona Nagy e pubblicato saggi sulle riviste Antigone, Orientamenti Pedagogici, Salesianum, Il confronto letterario, Lifelong, Lifewide Learning ed Educazione aperta.Tra i suoi libri recenti: Sagome inquiete. Ombre e silhouette dalle figurine al cinema (Franco Cosimo Panini, 2011), Bibbia e Arte (Claudiana-Emi, 2012) e, con Roberto Piumini, Antigone in Polesine (Scalpendi, 2025). IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

In this episode we revisit our conversation with Indian champion Kiran Nadar. Kiran talks about representing India at bridge tournaments around the world, and the interplay between that and her roles as a philanthropist and museum founder. Plus, she shares her top tip for developing players. But first, we kibitz!SUPPORT THE SHOW!! -Join the Sorry, Partner Posse at PATREON. Get AD-FREE episodes and other perks.BE PART OF THE FUN ...-Join our MAILING LIST. We'll email you a link to every new episode and occasional other information.-Send your bridge stories and comments to sorrypartnerpodcast@gmail.com.These links are also available on our website at sorrypartner.comFind all our recommended books HERE. Get bonus content on PatreonSupport this show http://supporter.acast.com/sorry-partner. Hosted on Acast. See acast.com/privacy for more information.

DIF CDMX atiende reportes de violencia en agravio de infancias El 16 de abril inicia el Jolgorio Acapulqueño 2025Conagua advierte sobre riesgos de nadar en presasMás información en nuestro Podcast

Imagina estar disfrutando de tus lujosas vacaciones en un crucero. Piña colada, diversión, sol y de repente entras en crisis porque el barco se queda parado. Tormentas, olas gigantes y todo el mundo asustado. Mantente al día con los últimos de 'El Bueno, la Mala y el Feo'. ¡Suscríbete para no perderte ningún episodio!Ayúdanos a crecer dejándonos un review ¡Tu opinión es muy importante para nosotros!¿Conoces a alguien que amaría este episodio? ¡Compárteselo por WhatsApp, por texto, por Facebook, y ayúdanos a correr la voz!Escúchanos en Uforia App, Apple Podcasts, Spotify, y el canal de YouTube de Uforia Podcasts, o donde sea que escuchas tus podcasts.'El Bueno, la Mala y el Feo' es un podcast de Uforia Podcasts, la plataforma de audio de TelevisaUnivision.

Elena Gijón reflexiona en Noticias mediodía sobre Sánchez y sus declaraciones ensalzando la gestión económica del Gobierno. 

Elena Gijón reflexiona en Noticias mediodía sobre Sánchez y sus declaraciones ensalzando la gestión económica del Gobierno. 

"Irán llegando los cambios y, como siempre, iremos adaptándonos. Al fin y al cabo, la existencia también consiste en eso: en afrontar los trocitos de historia que nos tocan"

"Irán llegando los cambios y, como siempre, iremos adaptándonos. Al fin y al cabo, la existencia también consiste en eso: en afrontar los trocitos de historia que nos tocan"

Colegas del departamento de parques regionales del condado de Sonoma nos visitaron para proveer información de el programa “Vamos a Nadar” y YES del rio ruso. Estos programas apoyaran para que gente aprenda a nadar y explorar nuestras comunidad. #sonomacounty #socoparks #familia #familiasana #verano #verano2025 #natación #nadar #vamosanadar

TAD SHULL QUARTET “IN THE LAND OF THE TENOR” New York, December 17, 1991Here's the kicker, Angel face, Night horseTad Shull (ts) Mike LeDonne (p) Dennis Irwin (b) Kenny Washington (d) YAKOV OKUN “NEW YORK ENCOUNTER” Brooklyn, NY, November 11, 2010Pent-up chaos, Jitterbug waltz, Eric Dolphy's tombYakov Okun (p) Ben Street (b) Billy Drummond (d) TAYLOR HASKINS “WAKE UP CALL” Paramus, N.J., August 20 & 21, 2000Equal being, Nadar, Please be quiet please, Wake-up callTaylor Haskins (tp,synt) Andrew Rathbun (ts,sop) Guillermo Klein (p) Ben Monder (g) Regina Bellantese (vln) Ben Street (b) Jeff Hirshfield (d) Yusuke Yamamoto (perc) Aubrey Smith (vcl) Continue reading Puro Jazz 03 de febrero, 2025 at PuroJazz.

En este capítulo, nos adentramos en un aspecto clave del éxito de Antonio Arguelles: su nutrición. Descubre cómo alimenta su cuerpo para enfrentar desafíos extremos y cuáles son sus estrategias esenciales para lograr sus cruces acuáticos más exigentes.

"Nadar en la ambulancia, romper una flecha, ser pájaro de paragüero, correr un estúpido velo o estar en el candelabro"... Marina Martínez Vicens ha averiguado qué expresiones, frases hechas o palabras comunes decimos mal constantemente. Aneyma León se ha fijado en el aumento de los rescates en alta montaña por culpa de senderistas imprudentes que salen al monte sin preparación y sin tener en cuenta la previsión del tiempo. Y Roger de Gràcia ha analizado los detalles románticos que tenemos los españoles.

O Tiago Valente cresceu numa família onde o tema da depressão era uma presença constante. A mãe foi várias vezes hospitalizada o que lhe marcou a infância e adolescência. A avó também passou pelo mesmo. Cresceu tornou-se um homem de sucesso, mas o fantasma da depressão voltou  para assombrar a sua própria mente, mas uma reviravolta é o que o traz ao #SomosTodosMalucos Patreon: http://www.patreon.com/antonioraminhos Somos Todos Estranhos - o meu testemunho sincero sobre a ansiedade, os medos e as obsessões com as quais me deparei ao longo da vida. Mas não é um livro para o choradinho, é uma partilha às vezes difícil, mas bem-humorada e sem drama, porque para haver comédia é preciso haver tragédia. Links diretos para encomendas: - https://www.fnac.pt/Somos-Todos-Estranhos-Ate-Percebermos-que-isso-e-Normal-Antonio-Raminhos/a9300336#ficheResume - https://www.bertrand.pt/livro/somos-todos-estranhos-antonio-raminhos/24645877 - https://www.wook.pt/livro/somos-todos-estranhos-antonio-raminhos/24645877

En este episodio, exploramos lo fácil que es dejarnos llevar por la corriente de la vida, ya sea en nuestras relaciones, trabajo o salud. A través del caso de Eli, descubrimos cómo nuestro cuerpo nos envía señales cuando algo no está bien y lo importante que es tener la valentía para tomar control y hacer los cambios necesarios. ¿Estás lista para dejar de sobrevivir y empezar a nadar hacia lo que realmente quieres? ¡Este episodio te invita a reconocer tu poder y tomar acción!

A Separation (2011) is an Iranian drama written and directed by Asghar Farhadi. The film depicts the martial separation between a middle-class couple, Nadar (Peyman Moaadi) and his wife Simin (Leila Hatami). Simin wants the family to leave Iran to make a better life for their 10-year-old daughter Termeh, but Nadar does not want to leave his father who is suffering from Alzheimer's disease. So Nadar refuses to go and also refuses to give permission for their daughter to leave. The film also depicts the conflict that results when Nadar allegedly pushes his father's new, lower-income caregiver, Razieh (Sareh Bayat) down the stairs during an altercation, causing her to miscarry. A Separation centers around the two legal cases: the divorce proceedings between Nadar and Simin; and the criminal proceedings against Nadar. It provides a window not only into law in Iran but also into the complex forces of politics, class, and religion that shape modern Iranian society. To discuss this universally acclaimed and award-winning film, I'm joined by Golbarg Rekabtalaei, a professor of history at Seton Hall University and expert on Iran and Iranian cinema.Timestamps:0:00    Introduction2:21      An introduction to Iranian cinema7:21      The cosmopolitanism of Iranian cinema 10:45   Navigating government restrictions on cinema in Iran14:17    The legal context for A Separation16:18    Divorce law in Iran20:09  The film's opening scene24:02   Abortion and criminal law in A Separation31:13    Diyat (or “blood money” payments in Iran)35:44   Criminal investigations and procedure in Iran 39:30   Imprisonment of debtors41:44   A social drama that uses the court to broader themes46:25   The Green Movement and the political context for the film48:46   Other recommended films about Iranian law and societyFurther reading:Becker, Ben, “‘A Separation': Exploring Class, Marriage, and Morality through Iranian Culture,” Cinemablography Burke, Jospeh, “Rediscovering Morality through Asghar Farhadi's ‘A Separation,'” Senses of Cinema (Dec. 2011)Haqshenas, Saleh, Badiei, Sediqeh & Narmani, Hamid, “Iran's Perspective: A Deconstructive Analysis of "A Separation Movie" Through Application of Binary Opposition,” International Researchers vol 2, no. 1 (Mar. 2013)Kirshner, Jonathan, “Secrets, Lies, and Censorship: The Revelation of Asghar Farhadi's Films,” Boston Review (Aug. 14, 2024)Rekabtalaei, Golbarg, Iranian Cosmopolitanism: A Cinematic History (2019)Romig, Rollo, “Blood Money: Crime and Punishment in ‘A Separation,'” New Yorker (Feb. 24, 2012) Law on Film is created and produced by Jonathan Hafetz. Jonathan is a professor at Seton Hall Law School. He has written many books and articles about the law. He has litigated important cases to protect civil liberties and human rights while working at the ACLU and other organizations. Jonathan is a huge film buff and has been watching, studying, and talking about movies for as long as he can remember. For more information about Jonathan, here's a link to his bio: https://law.shu.edu/profiles/hafetzjo.htmlYou can contact him at jonathanhafetz@gmail.comYou can follow him on X (Twitter) @jonathanhafetz You can follow the podcast on X (Twitter) @LawOnFilmYou can follow the podcast on Instagram @lawonfilmpodcast

Estudios Radio AM 750 Alejandro Dolina, Patricio Barton, Gillespi Introducción • Entrada0:09:54 • Del salón en el ángulo oscuro0:11:20 "¿Pero, eso sabe por qué es? Al final del ojo, en el último punto que es, una mezcla de que lo veo y no lo veo, hay un.. empieza una realidad distinta y reveladora que no nos ha sido dado percibir. Entonces a veces, sospechamos esa realidad y la vislumbramos y, otras veces, la confundimos o elegimos creer que se trata de un pelo, que se trata de nuestro cuñado que justo pasó, pero no(...) Señor, ponga un poco de seriedad: yo le estoy hablando de un mundo desconocido y fantasmagórico, y usted me viene con su estúpido gato que se estaba relamiendo." • A veces conseguía buen precio hablando con el dueño: ¿no tiene nada podridito?0:37:30 Segmento Inicial • El arte de hacer la compra semanal en el supermercado0:15:55 • Oyentes0:52:18 Segmento Dispositivo • Una historia que transcurre en Rusia1:00:02 • "Pa' que Bailen los Muchachos" ♫ (Versión instrumental de Aníbal Troilo & Roberto Grela, La Trampera, 1962) Aníbal Troilo/Enrique Cadícamo, 1942. Segmento Humorístico • Natación: todo lo que hay que saber1:14:04 • Nadar de noche: "yo tenía un tío que hacía éso... Iban mis dos tíos, Juan Carlos y Ricardo, y Ricardo nadaba en aguas abiertas, porque sí nomás. Entonces se tiraba en La Costanera a la noche.. se iba, ponéle, nadaba hasta la segunda boya, qué sé yo, y volvía. Y el otro, mi tío Juan Carlos, lo tenía que esperar. Y dice que se pegaba cada susto: empezaba a tardar.. a tardar, y por ahí aparecía. No.. muy peligroso... Pero bueno, así era mi tío Ricardo..."1:31:00 Sordo Gancé / Manuel Moreira • Presentación1:32:20 • "La Fulana" ♫ (Alberto Mastra, 1956) Versión del disco Itinerarios, 2013. • "(Sittin' On) The Dock of the Bay" ♫ ( Otis Redding/Steve Cropper, 1967) • "Tico-Tico no Fubá" ♫ (Choro de Zequinha de Abreu, 1917) Canta Carmen Miranda. • "El Último Café" ♫ (Cátulo Castillo/Héctor Stamponi, 1963) Canta Julio Sosa. • "Cuando Los Santos Vienen Marchando" ♫ (When the Saints Go Marching In; himno góspel estadounidense de origen desconocido) Grabado por Louis Armstrong, 1938. Here come brother Higginbottom down the aisle with his trombone ... Blow it boy...

Diana Nyad é uma nadadora que aos 28 anos de idade tentou um feito nunca antes realizado por qualquer pessoa do mundo: Nadar, sem o uso de uma gaiola protetora, os quase 200 km de mar aberto que ficam entre Cuba e os Estado Unidos. Um desafio que exigiria pelo menos umas 50 horas de braçadas e pernadas, sem comer e sem dormir, e que infelizmente foi grande demais para a jovem Nyad. No entanto, mais de 3 décadas depois, aos 60 e poucos anos de idade, a atleta, agora já aposentada, se desafiou novamente para enfim conseguir concluir o tal feito. Para saber se ela conseguiu desta vez, você vai precisar assistir ao filme “NYAD”, na Netflix… Mas para saber como você pode enfrentar seus medos, se redescobrir no desconforto e, assim como a Diana, também recomeçar na sua vida… Você precisa assistir ao episódio #195 do Sai da Média, o podcast de produtividade mais ouvido do Brasil, onde eu entrevistei a minha linha, Paty Araújo, e nós conversamos sobre: “Como criar coragem para recomeçar na vida”. Um bate-papo em que a Paty revelou pensamentos íntimos, sobre redescoberta, recomeço, coragem, medo e desconforto, e que você pode refletir junto, para aplicá-los na sua vida! Então, se você quer se aprofundar nesse assunto para se tornar uma pessoa mais forte a partir de hoje, é só dar play no vídeo… → Profissão Coach - O maior evento de Coaching do Brasil: https://igtcoaching.site/pc24-195-podcast → Eventos de Alto Impacto: A Imersão - Descubra como criar um evento ao vivo que gera alta transformação e conversão em vendas:https://links.patyaraujo.com.br/eventos-de-alto-impacto-195-podcast → No Comando: A Revolução - Ative o seu máximo potencial nas 6 áreas essenciais da sua vida: https://geronimotheml.site/ncr-perp-195-podcast → Faça parte da Comunidade No Comando para vencer a procrastinação em até 60 dias: https://geronimotheml.site/cnc-perp-195-podcast → Para mais conteúdos gratuitos sobre produtividade e desenvolvimento pessoal, se inscreve aqui no canal e me segue no Instagram: https://www.instagram.com/geronimotheml/ → Segue a Paty no Instagram se quiser descobrir os segredos de um evento ao vivo que gera alta transformação e conversão em vendas: https://www.instagram.com/patyaraujo.oficial/ #SaiDaMédia #VidaNoComando #GeronimoTheml

Episode No. 654 features curator Karen Hellman and artist Myra Greene. With Carolyn Peter, Hellman is the curator of "Nineteenth-Century Photography Now" at the J. Paul Getty Museum, Los Angeles. The exhibition examines how many of the conventions and processes established in photography's early years remain of interest to artists working today. Historical artists within the exhibition include Anna Atkins, Gustave Le Gray, Nadar, Julia Margaret Cameron, Roger Fenton, and Carleton Watkins. The exhibition is on view through July 7. Claire L'Heureux and Antares Wells assisted the co-curators. Greene is among the 21 contemporary artists on view. Her work uses photography and textiles to explore representations of the body and race. Core to her practice is an understanding that color is materially and culturally dependent on context, and historically has been. She has had solo exhibitions at museums such as the Museum of Contemporary Art Georgia, Atlanta, the Kentucky Museum of Art and Craft, Louisville, and has been included in group exhibitions at the Spelman College Museum of Fine Art, Atlanta, the Block Museum of Art, Northwestern University, the Rose Art Museum, Brandeis University, the National Gallery of Art, Washington, and more. Ten artists in the exhibition previously have been guests on The Modern Art Notes Podcast: Andrea Chung; Liz Deschenes; Ken Gonzales-Day; An-My Lê; Lisa Oppenheim; Wendy Red Star; Mark Ruwedel; Paul Mpagi Sepuya (second visit); Stephanie Syjuco (second visit); and Carrie Mae Weems. Instagram: Myra Greene, Tyler Green.