Podcasts about musee

"One Day in Paris: How to See the Best of the City in 24 Hours"—ever wondered if you could really experience Paris in just one day? In this action-packed episode of Join Us in France, host Annie Sargent sits down with Rick McGuirk, a seasoned Paris visitor who turned a quick layover into an unforgettable adventure. Whether you're squeezing in a solo day, showing a first-timer the highlights, or just love efficient travel, this episode is your ultimate guide to maximizing every minute in the City of Light. Listen to this episode ad-free Rick shares his real-time, fast-paced itinerary, starting with a sunset stroll through Luxembourg Gardens and Saint-Sulpice Church—a hidden gem with stunning art and history. The next morning, he kicks off at Trocadéro with a croissant, soaking in Eiffel Tower views before diving into a walking marathon that includes the Louvre Courtyard, Notre-Dame, and a riverside picnic at Square du Vert-Galant. No stuffy museums or endless lines here—just smart choices, like visiting the Musée de Rodin (no crowds!) and ending with Monet's Water Lilies at the Musée de l'Orangerie after dark. Annie adds her signature tips: where to skip the queues, how to navigate like a local, and why comfortable shoes are your best friend. You'll hear how Rick logged 32,000 steps, dodged Paris traffic (Olympic prep chaos!), and still found time for ice cream at Berthillon, a Seine River cruise with wine, and a late-night crêpe. Spoiler: His secret weapon? A mix of walking, strategic Ubers, and knowing which attractions stay open late. Annie also reveals her favorite off-the-beaten-path spots, like the Courre de Commerce alleyway, and why the Batobus river taxi might just save your tired feet. Perfect for travelers with tight schedules, this episode proves you don't need a week to fall in love with Paris—just a well-planned day, a charged phone, and a sense of adventure. Rick's story is packed with practical advice, from ordering food in French (even badly!) to avoiding taxi scams at the airport. Plus, Annie's magazine segment dishes on what French presidents actually eat—hint: it's not all foie gras! Subscribe now to Join Us in France for more insider tips, hidden gems, and stories that make you feel like you're exploring France with a friend. Whether you're planning a trip or just dreaming of Paris, this episode will inspire you to see more, stress less, and savor every moment. Hit follow on Apple Podcasts, Spotify, or wherever you listen—and get ready to turn your next short trip into a memorable French escape!

The second part of the discussion of embroidery history covers blackwork and Opus Anglicanum, then embroidery samplers and beetle-wing embroidery. Research: Абильда, Айжан. “Scythians are creators of embroidery art.” Qazaqstan Tarihy. May 24, 2019. https://e-history.kz/en/news/show/7178#:~:text=Embroidery%20is%20a%20traditional%20East,a%20wedding%20or%20a%20party. Angus, Jennifer. “Nature’s Sequins.” Cooper Hewitt. Sept. 14, 2018. https://www.cooperhewitt.org/2018/09/14/natures-sequins/ “The art of printing textile.” Musee de L’Impression sur Etoffes. https://www.musee-impression.com/en/the-collection/ Badshah, Nadeem. “Bayeux tapestry to be insured for £800m for British Museum exhibition.” The Guardian. Dec. 27. 2025. https://www.theguardian.com/world/2025/dec/27/bayeux-tapestry-to-be-insured-for-800m-for-british-museum-exhibition “Bayeux Tapestry.” UNESCO. https://www.unesco.org/en/memory-world/bayeux-tapestry “The Bayeux Tapestry.” La Tapisserie de Bayeux. Bayeux Museum. https://www.bayeuxmuseum.com/en/the-bayeux-tapestry/ Binswanger, Julia. “These Delicate Needles Made From Animal Bones May Have Helped Prehistoric Humans Sew Warm Winter Clothing.” Smithsonian. Dec. 11, 2024. https://www.smithsonianmag.com/smart-news/these-delicate-needles-made-from-animal-bones-may-have-helped-prehistoric-humans-sew-warm-winter-clothing-180985601/ Britannica Editors. "Scythian art". Encyclopedia Britannica, 27 May. 2018, https://www.britannica.com/art/Scythian-art “Chasuble (Opus Anglicanum).” The Met. https://www.metmuseum.org/art/collection/search/466660 Chung, Young Yang. “Silken Threads: A History of Embroidery in China, Korea, Japan, and Vietnam.” Abrams. 2005. Daniels, Margaret Harrington. “Early Pattern Books for Lace and Embroidery.” Bulletin of the Needle and Bobbin Club. https://www2.cs.arizona.edu/patterns/weaving/articles/nb33_lac.pdf “DMC.” Textile Research Center Leiden. https://trc-leiden.nl/trc-needles/organisations-and-movements/companies/dmc “Dragon Robe Decoded.” Sotheby’s. May 23, 2019. https://www.sothebys.com/en/articles/dragon-robe-decoded Embroiderers’ Guild. https://embroiderersguild.com/ Embroiderers’ Guild of America. https://egausa.org/ “Embroidery Techniques from Around the World: Crewel.” Embroiderer’ Guild of America. Oct. 28, 2024. https://egausa.org/embroidery-techniques-from-around-the-world-crewel/ Francfort, H.-P., 2020, “Scythians, Persians, Greeks and Horses: Reflections on Art, Culture Power and Empires in the Light of Frozen Burials and other Excavations”, in: , Londres, British Museum, p. 134-155. https://www.academia.edu/44417916/Francfort_H_P_2020_Scythians_Persians_Greeks_and_Horses_Reflections_on_Art_Culture_Power_and_Empires_in_the_Light_of_Frozen_Burials_and_other_Excavations_in_Londres_British_Museum_p_134_155 “Girlhood Embroidery.” Pilgrim Hall Museum. https://www.pilgrimhall.org/girlhood_embroidery.htm Gower, John G., and G.C. Macaulay, ed. “The Complete Works of John Gower.” Clarendon Press. 1901. https://www.gutenberg.org/files/71162/71162-h/71162-h.htm#Page_1 “Introducing Opus Anglicanum.” Victoria and Albert Museum. https://www.vam.ac.uk/articles/about-opus-anglicanum?srsltid=AfmBOor2pOTddjxaPC9AXHvvQuGXD4Tyx9N3zBeISzMSDHX1KnaUnfnL “Introducing the Scythians.” British Museum. May 30, 2017. https://www.britishmuseum.org/blog/introducing-scythians Nazarova, Yevhenia. “Ukraine's Ancient 'River Guardians.'” Radio Free Europe. Oct. 17, 2021. https://www.rferl.org/a/scythian-dig-ukraine-river-guardians-discovery/31507187.html "Ancient Peruvian Textiles." The Museum Journal XI, no. 3 (September, 1920): 140-147. Accessed December 22, 2025. https://www.penn.museum/sites/journal/843/ “Embroidery – a history of needlework samplers.” Victoria & Albery Museum. https://www.vam.ac.uk/articles/embroidery-a-history-of-needlework-samplers “History of The Broderers.” The Worshipful Company of Broderers. https://broderers.co.uk/history-broderers “The History of Britain's Bayeux Tapestry.” Reading Museum. https://www.readingmuseum.org.uk/collections/britains-bayeux-tapestry/history-britains-bayeux-tapestry Kennedy, Maev. “British Museum to go more than skin deep with Scythian exhibition.” The Guardian. May 30, 2017. https://www.theguardian.com/culture/2017/may/30/british-museum-skin-scythian-exhibition-tattoo-empire Lattanzio, Giaga. “Byzantine.” Fashion History Timeline. FITNYC. https://fashionhistory.fitnyc.edu/byzantine/ Leslie, Catherine Amoroso. “Needlework Through History: An Encyclopedia.” Greenwood Press. 2007. Libes, Kenna. “Beetle-Wing Embroidery in Nineteenth-Century Fashion.” Fashion History Timeline. FITNYC. https://fashionhistory.fitnyc.edu/beetle-wing-19thcentury/ Liu Y, Li Y, Li X, Qin L. The origin and dispersal of the domesticated Chinese oak silkworm, Antheraea pernyi, in China: a reconstruction based on ancient texts. J Insect Sci. 2010;10:180. doi: 10.1673/031.010.14140 “Mrs. Jacob Wendell (Mary Barrett, 1832–1912).” The New York Historical. https://emuseum.nyhistory.org/objects/68658/mrs-jacob-wendell-mary-barrett-18321912 Muntz, Eugene and Louisa J. Davis. “A short history of tapestry. From the earliest times to the end of the 18th century.” London. Cassel & Co. 1885. Accessed online: https://archive.org/details/shorthistoryofta00mntz/page/n3/mode/2up Pohl, Benjamin. “Chewing over the Norman Conquest: the Bayeux Tapestryas monastic mealtime reading.” Historical Research. 2025. https://academic.oup.com/histres/advance-article/doi/10.1093/hisres/htaf029/8377922 Puiu, Tibi. “Pristine 2,300-year-old Scythian woman’s boot found in frozen Altai mountains.” ZME Science. Dec. 29, 2021. https://www.zmescience.com/science/scythian-boots-0532/ Razzall, Katie. “Bayeux Tapestry to return to UK on loan after 900 years.” BBC. July 8, 2025. https://www.bbc.com/news/articles/c14ev1z6d5go Royal School of Needlework. https://royal-needlework.org.uk/ Salmony, Alfred. “The Archaeological Background of textile Production in Soviet Russia Territory.” The Bulletin of the Needle and Bobbin Club. Volume 26. No. 2. 1942. https://www2.cs.arizona.edu/patterns/weaving/periodicals/nb_42_2.pdf “Sampler.” Victoria & Albert Museum. https://collections.vam.ac.uk/item/O46183/sampler-jane-bostocke/ Schӧnsperger, Johann. “Ein ney Furmbüchlein. 1525-1528. Met Museum Collection. https://www.metmuseum.org/art/collection/search/354716 Schӧnsperger, Johann. “Ein new Modelbuch … “ 1524. https://www.metmuseum.org/art/collection/search/354660 Shrader, Dustin. “Embroidery Through the Ages.” Impressions. July 28, 2023. https://impressionsmagazine.com/process-technique/embroidery-through-the-ages/39234/#:~:text=The%20Age%2DOld%20Beginning&text=We%20tend%20to%20typically%20think,to%20generation%20across%20the%20millennia. “Silk Roads Programme.” UNESCO. https://en.unesco.org/silkroad/silkroad-interactive-map Sons of Norway's Cultural Skills Program. “Unit 8: Hardanger Embroidery.” 2018. https://www.sofn.com/wp-content/uploads/2018/11/unit8hardanger_rev8.11.pdf “Suzhou Embroidery.” Smithsonian National Museum of Asian Art.” https://asia-archive.si.edu/learn/for-educators/teaching-china-with-the-smithsonian/videos/suzhou-embroidery/ Teall, John L., Nicol, Donald MacGillivray. "Byzantine Empire". Encyclopedia Britannica, 5 Dec. 2025, https://www.britannica.com/place/Byzantine-Empire Warner, Pamela. “Embroidery: A History.” B.T. Bedford, Ltd. 1991. Watt, James C. Y., and Anne E. Wardwell. “When Silk Was Gold: Central Asian and Chinese Textiles.” Metropolitan Museum of Art. Harry N. Abrams. New York. 1997. https://cdn.sanity.io/files/cctd4ker/production/d781d44d3048d49257072d610034400182246d3e.pdf Watt, Melinda. “Textile Production in Europe: Embroidery, 1600–1800.” The Met. Oct. 1, 2003. https://www.metmuseum.org/essays/textile-production-in-europe-embroidery-1600-1800 See omnystudio.com/listener for privacy information.

The first installment of this two-parter covers ancient embroidery around the world, and then focuses on European embroidery, Chinese dragon robes, and the Bayeux Tapestry. Research: Абильда, Айжан. “Scythians are creators of embroidery art.” Qazaqstan Tarihy. May 24, 2019. https://e-history.kz/en/news/show/7178#:~:text=Embroidery%20is%20a%20traditional%20East,a%20wedding%20or%20a%20party. Angus, Jennifer. “Nature’s Sequins.” Cooper Hewitt. Sept. 14, 2018. https://www.cooperhewitt.org/2018/09/14/natures-sequins/ “The art of printing textile.” Musee de L’Impression sur Etoffes. https://www.musee-impression.com/en/the-collection/ Badshah, Nadeem. “Bayeux tapestry to be insured for £800m for British Museum exhibition.” The Guardian. Dec. 27. 2025. https://www.theguardian.com/world/2025/dec/27/bayeux-tapestry-to-be-insured-for-800m-for-british-museum-exhibition “Bayeux Tapestry.” UNESCO. https://www.unesco.org/en/memory-world/bayeux-tapestry “The Bayeux Tapestry.” La Tapisserie de Bayeux. Bayeux Museum. https://www.bayeuxmuseum.com/en/the-bayeux-tapestry/ Binswanger, Julia. “These Delicate Needles Made From Animal Bones May Have Helped Prehistoric Humans Sew Warm Winter Clothing.” Smithsonian. Dec. 11, 2024. https://www.smithsonianmag.com/smart-news/these-delicate-needles-made-from-animal-bones-may-have-helped-prehistoric-humans-sew-warm-winter-clothing-180985601/ Britannica Editors. "Scythian art". Encyclopedia Britannica, 27 May. 2018, https://www.britannica.com/art/Scythian-art “Chasuble (Opus Anglicanum).” The Met. https://www.metmuseum.org/art/collection/search/466660 Chung, Young Yang. “Silken Threads: A History of Embroidery in China, Korea, Japan, and Vietnam.” Abrams. 2005. Daniels, Margaret Harrington. “Early Pattern Books for Lace and Embroidery.” Bulletin of the Needle and Bobbin Club. https://www2.cs.arizona.edu/patterns/weaving/articles/nb33_lac.pdf “DMC.” Textile Research Center Leiden. https://trc-leiden.nl/trc-needles/organisations-and-movements/companies/dmc “Dragon Robe Decoded.” Sotheby’s. May 23, 2019. https://www.sothebys.com/en/articles/dragon-robe-decoded Embroiderers’ Guild. https://embroiderersguild.com/ Embroiderers’ Guild of America. https://egausa.org/ “Embroidery Techniques from Around the World: Crewel.” Embroiderer’ Guild of America. Oct. 28, 2024. https://egausa.org/embroidery-techniques-from-around-the-world-crewel/ Francfort, H.-P., 2020, “Scythians, Persians, Greeks and Horses: Reflections on Art, Culture Power and Empires in the Light of Frozen Burials and other Excavations”, in: , Londres, British Museum, p. 134-155. https://www.academia.edu/44417916/Francfort_H_P_2020_Scythians_Persians_Greeks_and_Horses_Reflections_on_Art_Culture_Power_and_Empires_in_the_Light_of_Frozen_Burials_and_other_Excavations_in_Londres_British_Museum_p_134_155 “Girlhood Embroidery.” Pilgrim Hall Museum. https://www.pilgrimhall.org/girlhood_embroidery.htm Gower, John G., and G.C. Macaulay, ed. “The Complete Works of John Gower.” Clarendon Press. 1901. https://www.gutenberg.org/files/71162/71162-h/71162-h.htm#Page_1 “Introducing Opus Anglicanum.” Victoria and Albert Museum. https://www.vam.ac.uk/articles/about-opus-anglicanum?srsltid=AfmBOor2pOTddjxaPC9AXHvvQuGXD4Tyx9N3zBeISzMSDHX1KnaUnfnL “Introducing the Scythians.” British Museum. May 30, 2017. https://www.britishmuseum.org/blog/introducing-scythians Nazarova, Yevhenia. “Ukraine's Ancient 'River Guardians.'” Radio Free Europe. Oct. 17, 2021. https://www.rferl.org/a/scythian-dig-ukraine-river-guardians-discovery/31507187.html "Ancient Peruvian Textiles." The Museum Journal XI, no. 3 (September, 1920): 140-147. Accessed December 22, 2025. https://www.penn.museum/sites/journal/843/ “Embroidery – a history of needlework samplers.” Victoria & Albery Museum. https://www.vam.ac.uk/articles/embroidery-a-history-of-needlework-samplers “History of The Broderers.” The Worshipful Company of Broderers. https://broderers.co.uk/history-broderers “The History of Britain's Bayeux Tapestry.” Reading Museum. https://www.readingmuseum.org.uk/collections/britains-bayeux-tapestry/history-britains-bayeux-tapestry Kennedy, Maev. “British Museum to go more than skin deep with Scythian exhibition.” The Guardian. May 30, 2017. https://www.theguardian.com/culture/2017/may/30/british-museum-skin-scythian-exhibition-tattoo-empire Lattanzio, Giaga. “Byzantine.” Fashion History Timeline. FITNYC. https://fashionhistory.fitnyc.edu/byzantine/ Leslie, Catherine Amoroso. “Needlework Through History: An Encyclopedia.” Greenwood Press. 2007. Libes, Kenna. “Beetle-Wing Embroidery in Nineteenth-Century Fashion.” Fashion History Timeline. FITNYC. https://fashionhistory.fitnyc.edu/beetle-wing-19thcentury/ Liu Y, Li Y, Li X, Qin L. The origin and dispersal of the domesticated Chinese oak silkworm, Antheraea pernyi, in China: a reconstruction based on ancient texts. J Insect Sci. 2010;10:180. doi: 10.1673/031.010.14140 “Mrs. Jacob Wendell (Mary Barrett, 1832–1912).” The New York Historical. https://emuseum.nyhistory.org/objects/68658/mrs-jacob-wendell-mary-barrett-18321912 Muntz, Eugene and Louisa J. Davis. “A short history of tapestry. From the earliest times to the end of the 18th century.” London. Cassel & Co. 1885. Accessed online: https://archive.org/details/shorthistoryofta00mntz/page/n3/mode/2up Pohl, Benjamin. “Chewing over the Norman Conquest: the Bayeux Tapestryas monastic mealtime reading.” Historical Research. 2025. https://academic.oup.com/histres/advance-article/doi/10.1093/hisres/htaf029/8377922 Puiu, Tibi. “Pristine 2,300-year-old Scythian woman’s boot found in frozen Altai mountains.” ZME Science. Dec. 29, 2021. https://www.zmescience.com/science/scythian-boots-0532/ Razzall, Katie. “Bayeux Tapestry to return to UK on loan after 900 years.” BBC. July 8, 2025. https://www.bbc.com/news/articles/c14ev1z6d5go Royal School of Needlework. https://royal-needlework.org.uk/ Salmony, Alfred. “The Archaeological Background of textile Production in Soviet Russia Territory.” The Bulletin of the Needle and Bobbin Club. Volume 26. No. 2. 1942. https://www2.cs.arizona.edu/patterns/weaving/periodicals/nb_42_2.pdf “Sampler.” Victoria & Albert Museum. https://collections.vam.ac.uk/item/O46183/sampler-jane-bostocke/ Schӧnsperger, Johann. “Ein ney Furmbüchlein. 1525-1528. Met Museum Collection. https://www.metmuseum.org/art/collection/search/354716 Schӧnsperger, Johann. “Ein new Modelbuch … “ 1524. https://www.metmuseum.org/art/collection/search/354660 Shrader, Dustin. “Embroidery Through the Ages.” Impressions. July 28, 2023. https://impressionsmagazine.com/process-technique/embroidery-through-the-ages/39234/#:~:text=The%20Age%2DOld%20Beginning&text=We%20tend%20to%20typically%20think,to%20generation%20across%20the%20millennia. “Silk Roads Programme.” UNESCO. https://en.unesco.org/silkroad/silkroad-interactive-map Sons of Norway's Cultural Skills Program. “Unit 8: Hardanger Embroidery.” 2018. https://www.sofn.com/wp-content/uploads/2018/11/unit8hardanger_rev8.11.pdf “Suzhou Embroidery.” Smithsonian National Museum of Asian Art.” https://asia-archive.si.edu/learn/for-educators/teaching-china-with-the-smithsonian/videos/suzhou-embroidery/ Teall, John L., Nicol, Donald MacGillivray. "Byzantine Empire". Encyclopedia Britannica, 5 Dec. 2025, https://www.britannica.com/place/Byzantine-Empire Warner, Pamela. “Embroidery: A History.” B.T. Bedford, Ltd. 1991. Watt, James C. Y., and Anne E. Wardwell. “When Silk Was Gold: Central Asian and Chinese Textiles.” Metropolitan Museum of Art. Harry N. Abrams. New York. 1997. https://cdn.sanity.io/files/cctd4ker/production/d781d44d3048d49257072d610034400182246d3e.pdf Watt, Melinda. “Textile Production in Europe: Embroidery, 1600–1800.” The Met. Oct. 1, 2003. https://www.metmuseum.org/essays/textile-production-in-europe-embroidery-1600-1800 See omnystudio.com/listener for privacy information.

Lʹouverture du Grand musée égyptien (GEM) a été lʹun des événements majeurs de lʹautomne 2025 avec plus de 200 médias internationaux qui ont couvert la cérémonie dʹouverture. Le nouveau bâtiment ne rivalise pas avec les pyramides toutes proches mais sʹinscrit dans la continuité. Comment est bâti ce nouvel édifice ? Quelle est son histoire et quelles collections y sont présentées ? Pour répondre à ces questions, Johanne Dussez , notre partenaire de la Première à la Suisse Romande sʹentretient avec Florence Quentin, égyptologue, autrice des livres " Les grandes souveraines dʹEgypte " et " LʹEgypte ancienne. Vérités et légendes " éditions Perrin. Sujets traités : Musée, égyptien, pyramides, collections, souverains, Egypte ancienne Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Den Déifstall am Louvre de leschte Weekend huet international fir Schlagzeile gesuergt. Matten am Dag sinn d'Täter mat Hëllef vun engem Miwwellift an de renomméierte Musée agebrach an hu bannent e puer Minutten historesch Bijouxen am Wäert vun 88 Milliounen Euro geklaut. Dee scho bal filmräifen Tëschefall wäert Froe ronderëm d'Sécherheet an de franséische Museeën op .... a wéi gesäit et eigentlech bei eis am Land aus? D'Paule Rodesch war dofir an den Nationalmusée, an huet d'Direktesch Tania Brugnoni gefrot, op ee bei esou enger Nouvelle als Muséesdirektesch selwer nervös gëtt.

Tourist Lyon - musee des beaux-arts

Le monument le plus célèbre du Turin est certainement la Mole Antonelliana, une structure de plus de 166m. qui accueille aujourdʹhui le musée national du cinéma. Pour parler dʹarchitecture et de 7ème art, Johanne Dussez reçoit Carlo Chatrian, directeur du musée national du cinéma. sujets traités : Mole Antonelliana, musée ,cinéma ,Turin Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Fondateur du premier établissement lithographique belge important. Nous sommes le 16 septembre 1839, de retour de Paris, où il a découvert un nouveau procédé de photographie, le daguerréo type,un homme passionné, érudit, curieux de tout, réussit la première photographie belge. C'est une vue de la place des barricades, à Bruxelles. Cet homme ingénieux et fantasque, qui fit aussi entrer les musées dans une nouvelle ère, s'intéressa à toutes les nouveautés de son temps et en imagina quelques unes, s'appelle Marcellin Jobard. Marie-Christine Claes , Docteur en histoire de l'art, Responsable de l'infothèque - Département Documentation à l'Institut royal du Patrimoine artistique. Sujets traités : Marcellin Jobard, lithographe, photographe, musée Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In Discovering the Southwest of France: Tips and Tales for Travelers, host Annie Sargent talks with Catherine McMillan about her recent road trip through some of the most beautiful and underrated parts of France. Catherine traveled by car and took her time exploring the Southwest of France. She shares her experience driving from Bordeaux to Arcachon, Cap Ferret, Bayonne, Saint-Jean-de-Luz, Espelette, Sare, Lacanau, and more. Her trip focused on slower travel, scenic drives, good food, and authentic experiences. Annie and Catherine talk about why the Southwest stands out from other parts of France. They share practical tips on navigating small towns, finding great local markets, and making the most of regional specialties. If you're curious about the Basque Country, the Dordogne, or other places tourists sometimes miss, this episode is for you. They also talk about local museums, seasonal travel advice, and why renting a car can be the best way to explore rural France. This episode is full of smart advice and personal stories to help you plan your own French road trip. Subscribe to the Join Us in France Travel Podcast for weekly episodes about travel tips, cultural insights, and unforgettable destinations in France. Whether you're planning your first visit or your tenth, Annie helps you travel smarter and deeper in France. Table of Contents for this Episode [00:00:15] Introduction [00:00:32] Today on the podcast [00:00:55] Podcast supporters [00:01:25] Magazine segment [00:02:21] Annie and Catherine [00:03:42] Planning the Trip: From Consultation to Gratitude [00:05:16] Trip Timeline and Destinations [00:05:58] Renting a Car [00:07:21] Exploring the Southwest of France [00:08:21] Walking Through History: Medieval Villages and Cathar Country [00:10:31] Discovering Plus Beaux Villages [00:17:10]  Musée du Foie Gras [00:17:36] Unique Experiences: Craftsmen and Local Artisans [00:19:39] Gloves Making Experience [00:21:20]  Weaving Basque Fabrics [00:23:31] Unusual and Lesser-Known Museums [00:23:49] Museum of the Oyster [00:24:30] Musee du Tabac [00:25:18]  The Musee de la Mer in Sete [00:26:07]  Vézuna Museum [00:27:04] La Maison Forte de Reignac: A Must-See Historical Site [00:28:43] Exploring a Historic Maison Forte [00:29:42] Discovering the Charm of Bayonne [00:30:43] The Vibrant Les Halles Markets [00:32:11] Adventures in the Basque Country [00:34:56] Aveyron [00:35:39] booking.com [00:37:03] Find Out Where You Can Park Before You Get There [00:38:16] Hiking in the Hautes-Pyrénées [00:40:25] A Visit to Notre-Dame [00:42:20] Reflections on Traveling in France [00:43:59] Mistakes to Avoid [00:45:05] Phone access [00:46:42] The trains in the area [00:50:41] Final Thoughts and Farewell [00:51:29] Thank you Patrons [00:52:36] VoiceMap Reviews [00:53:18] Podcast Listeners Discounts for VoiceMap Tours [00:54:21] Fireworks in Paris [00:54:59] The Bayeux Tapestry Going on Loan [00:55:41] Notre-Dame de Paris Is VERY Popular [00:58:22] Next Week on the Podcast [00:58:41] Copyright More Episodes about the going off the beaten track in France

"Now & again I am able to live expansively, to feel expansive, with nothing & no one to do it for. Then I am happy, or happier than otherwise" April 18, 1951 Patricia Highsmith, Her Diaries and NotebooksWelcome to Episode #111:This episode comes after a week of travelling solo in Italy reflecting on events and pivotal moments that led me to taking time in Italy to restore balance and beauty in life, to let Italy and Paris work its magic. It's not exactly a perfect introduction, there is grief and emotional baggage but life and blessed time in Italy is a guaranteed source to move me forward into writing and reading. The simple pleasures of time alone and enjoying cafe life in Paris and Italy do work their magic. The gifts of travel, to old and new places help integrate and challenge me to move forward, to honour myself and make peace with a challenging time in life.Find all Shownotes at  michellejohnston.lifeMy book:  In the Shadow of a Cypress - An Italian Adventure Book Link for  MichelleJohnston.life© 2025  A Writer In Italy - travel, books, art and lifeMusic Composed by Richard Johnston © 2025Support the showSupport the show

Impresjoniści wprowadzili niemały zamęt do świata malarstwa. Nazwa nurtu pochodzi od obrazu jednego z prekursorów kierunku Claude'a Moneta pt. „Impresja. Wschód słońca”. Aby obejrzeć to dzieło wybraliśmy się do Musee Marmottan Monet w Paryżu, muzeum malarstwa impresjonistów. Inne dzieła Moneta, a także obrazy Eduarda Maneta, Edgara Degasa i Pierre'a Auguste'a Renoira mogliśmy oglądać w Musee d'Orsay w Paryżu, Courtauld Gallery w Londynie, Nowej Pinakotece w Monachium, Art Institute of Chicago oraz Phillips Collection w Waszyngtonie. Zanim jednak doszliśmy do prac impresjonistów, przybliżyliśmy obrazy barbizończyków z Theodorem Rousseau na czele i drzeworyt japoński z kultowym dziełem – „Wielką falą w Kanagawie”, znajdującym się w Muzeum Narodowym w Krakowie. Gościem Jerzego Jopa był dr hab. Piotr Rosiński, prof. UJK w Kielcach, historyk sztuki.

On poursuit notre exploration des légendes de Charleroi, en lien étroit avec le monde des mineurs. Aujourd'hui, lumière sur Sainte-Barbe, leur patronne et figure de protection dans l'univers du charbon. Pour en parler, Jacky Druaux et Fanny Cuisset se sont retrouvés au Musée des Beaux-Arts de Charleroi. Ensemble, ils retracent la place de cette sainte dans la culture ouvrière. Une mémoire toujours vivante, qui commence par un regard sur le paysage quotidien des mineurs. Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Cap sur les Cantons rédimés, puisque nous partons à la découverte d'Eupen ! En compagnie de Louise Denef, Raphaël Charlier, et au travers des questions posées par Walid à Richard et David, on en apprend un peu plus sur l'histoire de cette ville germanophone, sur la Wallonie, la Belgique, et le monde ! Le tout dans la bonne humeur, saupoudré de défis et de musique… Et on peut compter sur la personnalité du jour pour compléter ces infos et nous conter l'histoire de la commune, ses traditions et son folklore, puisqu'il s'agit de Catherine Weisshaupt, directrice du Musée de la Ville d'Eupen https://www.stadtmuseum-eupen.be/bienvenue/ Merci pour votre écoute Salut les copions, c'est également en direct tous les jours de la semaine de 16h à 17h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Salut les copions sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/19688 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

En cette période de congé, la caravane de Ca vaut vraiment le Détour fait une petite pause pour mieux vaut divertir dès la rentrée et vous propose une série de rediffusions... Aujourd'hui : on joue les touristes à Arlon, et pour découvrir le chef-lieu de la province de Luxembourg, rien de mieux que de s'amuser avec des locales de l'étape ! Natacha et Marie-Anne, en binôme avec Madeleine Baudot et Corentin Candi, tentent de répondre sans faiblir aux questions de Walid, le tout avec le sourire et dans la bonne Humeur… Il sera question de patrimoine architectural, d'Histoire, de Jules Vernes, de bons conseils tourisme, de signes du zodiaque, de sculptures romaines et du frère de Jésus, mais également de scoutisme ! Et pas parce que la province de Luxembourg en accueille des milliers chaque année lors des fameux camps d'été, mais car notre invité du jour est Philippe Maldague, collectionneur et fondateur du Musée du scoutisme international, basé à Arlon ! https://museescout.be/ Merci pour votre écoute Salut les copions, c'est également en direct tous les jours de la semaine de 16h à 17h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Salut les copions sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/19688 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

In this episode, Katy Didden and Abram Van Engen discuss the extraordinary leaps, narrative disjunctions, and temporal frames that fill Diaz's extraordinary ekphrastic poem, a reflection on Bruegel's painting, "Landscape with the Fall of Icarus" written in conversation with W.H. Auden's poem "Musée des Beaux Arts." "Two Emergencies," appears in My Favorite Tyrants (https://a.co/d/3IUlLmp) (University of Wisconsin Press 2014), winner of the 2014 Brittingham Prize in Poetry. For more poetry of Joanne Diaz, see also The Lessons (https://a.co/d/bZOFIOp) (Silverfish Review Press 2011), winner of the Gerald Cable Book Award. For W.H. Auden's "Musee des Beaux Artes (https://www.poetryfoundation.org/poems/159364/musee-des-beaux-arts-63a1efde036cd)" see The Poetry Foundation

C'est bagarre à la Bibliothèque Jean Cernaut (un écrivain couvinois) en ce mardi, qui voit s'affronter gentiment Sandrine et Fabienne, avec l'aide (ou pas) d'Olivier Fraipont et Corentin Candi. Au milieu des rayonnages, entre un roman policier et une encyclopédie, les équipes devront démêler le vrai du faux, flairer les pièges, et tenter de briller dans un jeu mené par Walid où tout peut arriver. Dans la joie et la bonne humeur, on parle de la Wallonie, de la Belgique, du monde et peut-être de l'univers, mais on s'intéresse aussi à Couvin et à son histoire, grâce à l'invité du jour, Jean-Michel Halsberghe, Ambassadeur de Couvin, propriétaire de la Fausse porte, et gestionnaire du Musée de la Fonderie et de la Poêlerie de l'Hôtel de ville) https://tourisme-couvin.be/ Merci pour votre écoute Salut les copions, c'est également en direct tous les jours de la semaine de 16h à 17h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Salut les copions sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/19688 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Yvette's stay at the Pont Royal Hotel, a former “writer's residence” turned hotel and later expanded to its impressive destination status, was enhanced by her opportunity to interview the general manager, Frederic Legallois.    The hotel is located on the Left Bank of the Seine River, where artists and intellectuals of the early and mid-20th century held court on café terraces in Saint-Germain-des-Prés. This neighborhood is a postcard-perfect vision of Paris: a grand, boutique-filled boulevard; café terraces practically made for people-watching; former residences turned into hotels; antique shops and bookstores spilling out on cobblestoned squares.    Yvette enjoyed the hotel staff's attentiveness to quality service, the art on display and the jazz performance in the hotel's well-appointed bar and lounge. The hotel's proximity to museums and gardens allowed Yvette to enjoy the beautifully manicured Jardin du Luxembourg, which dates back 400 years, and the Musee d'Orsay.   The Musee d'Orsay, which was originally established with loans from the Louvre, now claims the largest collection of impressionist and post-impressionist art in the world. Taking over a former Beaux-Arts railway station along the Seine River, this Museum holds masterpieces, which Yvette had an opportunity to enjoy, like Vincent van Gogh's “The Starry Night” and Edouard Manet's “The Luncheon on the Grass” and a very special find for Yvette, the American artist's James McNeill Whistler's “Whistler Mother.”

For this season finale, we're on a private boat on the Seine River with Marie and Bertrand from My Private Paris. They explain how best to plan a visit to the big five, the Louvre, Notre Dame, the Musee d'Orsay, the Eiffel Tower, and the Seine.  My Private Paris is a local deluxe agency, crafting itineraries for tours in Paris and beyond. See what they offer here. They've been the sponsor for this podcast all season! Enjoying what we're doing here at The Earful Tower and keen to see more? Become a Patreon member here to support it and to discover our exciting extras. Music: Pres Maxson.

Si le commun des mortels dit à ceux qui veulent l'entendre que l'Histoire se répète, les spécialistes précisent : l'Histoire ne se répète jamais de manière exactement similaire. Entre les mouvements impressionnants de ce balancier de l'histoire, il est plus qu'essentiel de connaitre ce qui s'est passé hier, et d'avoir un œil sur ce qui est en cours actuellement. C'est le point de départ de cette séquence, une sorte de retour vers le présent. Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

On ajoute une nouvelle couleur au tableau qui dépeint Jette toute cette semaine en compagnie de Walid, Juan d'Oultremont et Raphaël Charlier. On parle de l'étymologie du nom « Jette », du blason de la commune, de tofu, de l'or détenu par l'Etat belge, fast food, licorne et poumons de fourmis, entre autres, au travers des questions posées à Patricia et Blerime, qui nous expliqueront également ce qui, selon leur cœur, fait le petit « plus » de leur commune. Commune sous le charme de laquelle était tombé René Magritte, qui y a résidé durant 24 ans dans une maison située rue Esseghem. Maison qui, grâce à la passion d'un collectionneur belge, a été transformée en double musée : celui du surréalisme de René Magritte d'un côté, et de l'art abstrait belge de l'autre. On en parle avec Chloé Thibault, assistante de conservation et médiatrice culturelle au Musée Magritte et de l'Art abstrait de Jette https://www.magrittemuseum.be/index.php/fr/ Merci pour votre écoute Salut les copions, c'est également en direct tous les jours de la semaine de 16h à 17h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Salut les copions sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/19688 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

La maison Van Buuren est aujourd'hui un musée. Elle se trouve à Uccle et date de 1928. Une maison de style Art déco. Visite guidée à l'occasion du premier épisode d'une série que nous consacrons à ce mouvement artistique dans le cadre du centenaire de l'exposition des arts décoratifs de Paris en 1925. Un reportage de Françoise Baré et Ariane Dufrane. Photo : Olivier Vin - Belga Merci pour votre écoute Transversales, c'est également en direct tous les samedis de 12h à 13h00 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Transversales sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/492 Retrouvez tous les contenus de la RTBF sur notre plateforme Auvio.beRetrouvez également notre offre info ci-dessous :Le Monde en Direct : https://audmns.com/TkxEWMELes Clés : https://audmns.com/DvbCVrHLe Tournant : https://audmns.com/moqIRoC5 Minutes pour Comprendre : https://audmns.com/dHiHssrLes couleurs de l'info : https://audmns.com/MYzowgwMatin Première : https://audmns.com/aldzXlmEt ses séquences-phares : L'Invité Politique : https://audmns.com/LNCogwP L'édito politique « Les Coulisses du Pouvoir » : https://audmns.com/vXWPcqx L'humour de Matin Première : https://audmns.com/tbdbwoQN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.Distribué par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

self-described loner, Joel Philip Myers developed his skills in relative isolation from the Studio Glass movement. With works inspired by a vast array of topics ranging from his deep love of the Danish countryside to Dr. Zharkov, the artist avoided elaborate sculpture in favor of substantial vessels that are simple yet powerful. States Myers: “In 1964, on the occasion of an exhibition titled Designed for Production: The Craftsman's Approach, I wrote in an essay in Craft Horizons magazine: ‘My approach to glass, as it is to clay, is to allow the material an expression of its own. Press the material to the utmost, and it will suggest ideas and creative avenues to the responsive artist.' The statement was sincere and enthusiastic, but decidedly naïf. I never thought when I wrote it that it would be the one statement of mine that would continue to be repeatedly quoted, throughout my 46- year-long career, as my defining philosophy. I have no defining philosophy. I am a visual artist, not a philosopher. Thoughts and ideas and opinions do not constitute a philosophy, and my thoughts and ideas and opinions have evolved and matured and changed in the time that has passed since 1964.” He continues: “As an artist I like to think of myself as a visitor in a maze, trying to find a solution to a dizzying puzzle. As in a maze, I have, through blunders and exploration, arrived at solutions, and embraced the manifold possibilities that the material offers: plasticity, transparency, opacity, translucency. I am sensitive to the wonders of the visual world and inspired by the forms and colors of the natural world. My training as a designer has enabled me to understand and exploit organization and structure, adding a rational perspective to my intuitive, emotional self.” Myers earned his degree in advertising design from Parsons School of Design in 1954. He studied in Copenhagen, Denmark, before earning a B.F.A. and M.F.A. in ceramics from the New York State College of Ceramics at Alfred University in the early 1960s. In 1963, he was hired as design director at Blenko Glass Company in Milton, West Virginia. Captivated by the drama of this thriving glass factory, he learned glassblowing through observation and practice.  In 1970, Myers established the nascent glass department at Illinois State University in Normal, Illinois, where he served as Distinguished Professor of Art for 30 years until he retired from teaching in 1997. He is an Honorary Lifetime Member, 2012 Lifetime Achievement Award Winner and past President of the Glass Art Society, a Fellow of the American Crafts Council, and the recipient of a National Endowment for the Arts Fellowship. His work is represented in prominent museum collections around the world, including The Corning Museum of Glass, Corning, NY; The Art Institute of Chicago, Chicago, IL; the National Museum of American History, Smithsonian Institution, Washington, DC; the Smithsonian American Art Museum, Washington, D.C; The Museum of Decorative Arts, Prague; Hokkaido Museum of Modern Art, Japan; Musee des Arts Decoratifs, Palais du Louvre, Paris, France; and Musee de Design et d'Arts Appliques Contemporains, Lausanne, Switzerland, amongst others. Of his sculpture, Myers states: “My work is concerned with drawing, painting, playing with color and imagery on glass. I work with simple forms and concentrate on the surface enrichment. I prefer the spherical, three-dimensional surface to a flat one, because as I paint and draw on the glass, the glass form receives the drawing, adapts to its shape, distorts and expands it as it clothes and envelops itself in my drawing. I feel a communication with the material, and a reciprocation from my subconscious, as I continually search for new insights into my unknown self.” Enjoy this enlightening conversation with Myers, who at 91 has a near photographic memory of the events and developments that spurred the Studio Glass movement forward in its early days, as well as the ideas and processes of his personal work in glass – some of the most successful and collected of its day.  

Bonne humeur, sourires, jeux, questions et réponses (bonnes et mauvaises vous aurez l'occasion de l'entendre), encore une pause de midi conviviale au programme ! C'est la ville de Binche (et plus spécifiquement l'Office du tourisme) qui accueille Walid, Raphaël Charlier et Salvatore di Bennardo, et ce sont Antoine et Jean-Paul qui s'affrontent afin de remporter des séjours en Wallonie ou des jeux de société et des goodies aux couleurs de La1ère. Avec comme chaque jour, un aspect de la cité hôte qui est développé, en ce mardi c'est, puisque nous sommes dans la ville du carnaval, le superbe Musée international du carnaval et du masque, qui fête ses 50 ans en cette année 2025 ! On parle avec sa directrice, Clémence Mathieu, de ce lieu un peu magique et qui vaut le détour. https://www.museedumasque.be/ Merci pour votre écoute Salut les copions, c'est également en direct tous les jours de la semaine de 16h à 17h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Salut les copions sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/19688 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Cette semaine, on joue les touristes à Arlon, et pour découvrir le chef-lieu de la province de Luxembourg, rien de mieux que de s'amuser avec des locales de l'étape ! Natacha et Marie-Anne, en binôme avec Madeleine Baudot et Corentin Candi, tentent de répondre sans faiblir aux questions de Walid, le tout avec le sourire et dans la bonne Humeur… Il sera question de patrimoine architectural, d'Histoire, de Jules Verne, de bons conseils tourisme, de signes du zodiaque, de sculptures romaines et du frère de Jésus, mais également de scoutisme ! Et pas parce que la province de Luxembourg en accueille des milliers chaque année lors des fameux camps d'été, mais car notre invité du jour est Philippe Maldague, collectionneur et fondateur du musée du scoutisme international, basé à Arlon ! https://museescout.be/ Merci pour votre écoute Salut les copions, c'est également en direct tous les jours de la semaine de 16h à 17h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Salut les copions sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/19688 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Michael Elmgreen and Ingar Dragset talk to Ben Luke about their influences—from writers to musicians, film-makers and, of course, other artists—and the cultural experiences that have shaped their lives and work. This is the first episode of A brush with featuring an artist duo. Over the past 30 years Elmgreen and Dragset have consistently created unexpected scenarios within and outside of the museum and gallery structure. Playful, even mischievous at times, and yet shot-through with searing critique and sincere expression, their sculptures and environments are fundamentally concerned with space, both private and public, and the people and communities that occupy it. Elmgreen was born in 1961 in Copenhagen and Dragset in 1969 in Trondheim, Norway. They now live and work in Berlin. They discuss the influence of Hannah Ryggen and Vilhelm Hammershøi, Michael's meeting with Felix Gonzalez-Torres and his effect on their work, and how they feel their work relates to Samuel Beckett's writing, and the final, moving scene of Wim Wenders' film Paris Texas. Plus, they give insight into their lives in the studio and answer our usual questions, including: what is art for?Elmgreen & Dragset: L'Addition, Musee d'Orsay, Paris, until 2 February 2025; Elmgreen & Dragset: Spaces, Amorepacific Museum of Art, Seoul, 23 February 2025; K-BAR is open now at Khao Yai Art Forest, Thailand; Nurture Gaia, Bangkok Art Biennale, Bangkok, Thailand, until 25 February 2025. Hosted on Acast. See acast.com/privacy for more information.

Ready to take your Luxembourgish to the next Level with a B1 Conversation Workout? Natural speaking and understanding native speakers takes practice! Especially if you would like to have more interesting conversations. So this episode is all about helping you to sharpen first your listening comprehension skills but also your speaking skills so to help you sound more natural.Today you will listen to a conversation between Jeannine and Anne. This will give you an idea how to have a conversation about your last trip / vacation and your next travel plans with a friend or even with someone you've just met. Talking about vacation can as well be a good way to start a conversation, so it's useful if you know what to say and have some questions to ask and some answers to possible questions. The level of this conversation is A2-B1Moien Jeannine,J: Wat hues du déi lescht Zäit gemaach? What have you been doing lately?A: Majo ech war bis gëschter zu London. Ech hunn do 4 Deeg verbruecht. Et war eng Geschäftsrees. Well I was in Londin til yesterday. I spent 4 days there. It was a business trip.J: Ech war nach ni zu London. I've never been to London.A: Rees du gär? Do you like to travel?J: Jo ech reesen immens gär. Et gëtt esou vill voll Plazen op der Welt ze entdecken. Yes I love traveling. There so many wonderful places in the world to discover.A: Wou waars du dann bis elo? Where have you been so far?J: Ech war scho a vill schéi Länner, awer meng Liblingslänner sinn Asien . Ech war a Japan, Südkorea, Thailand an Indien. I've been to many beautiful countries, but my favourite countries were in Asia, I was in Japan ….Ech léiere gär aner Kulturen kennen a sammelen och gär Erfarungen. I love getting to know different cultures and to gather experiences.A: Dat kléngt jo super. That sounds great. Wat gefält dir dann am beschten an Asien? What is your favourite thing in Asia?J. D'Iessen ass einfach wonnerbar. Sushi, Miso Zopp, asiatesch Nuddelen mat Poulet. Alles schmaacht esou lecker. The food is simple excellent. Sushi, Everything tastes so deliciousA:Ginn et nach aner Länner wou s du gär reese wëlls? Are there other countries you would like to visitJ: Natierlech Of course Ech géif gär an Sudamerika reesen an zwar a Brasilien, Argentinien, Peru . I would like to travel to South america more precisely to Brazil, Argentinia and Peru.Och an Afrika ginn et vill Länner déi ech gär gesi géif, wéi Ägypten, Marocco, Tunesien. Also in Africa there are many countries I would like to see like Morocco, Egypt.A: Ech reesen och immens gär fir nei Länner ze entdecken. I love to travel too and discover new places.Wat war deng Liblingsplaz an Europa? What was your favourite place in Europe? J: Meng Liblingsplaz war Roum. D'Stad huet esou vill Geschicht a Kultur ze bidden an d'Iessen war esou lecker. Awer Barcelona war och fantastesch, d'Stad huet eng lieweg Atmosphär.My favourite place was Rome.The city has so much history and culture to offer and the food was so delicious. But Barc was also fantastic. The city has a very lively atmosphereA: Dat héiert sech jo fantastesch un. Ech war nach ni zu Roum, awer ech hunn héieren datt et do immens schéi soll sinn.That sounds great. I've never been to Rome but I have heard that it is supposed to be very beautifulEch war eemol zu Florenz an zu Pisa. D'Konscht ass do formidabel. Et ginn esou vill Museeën, Palaisen, a flott Plazen zu Florenz. Dat war esou eng schéi Rees. Wat sinn deng nächst Reespläng? I've been once in Florence and Pisa. The art there is outstanding. There are so many museums, palaces and nice squares in Florence. That was such a beautiful trip. What are your next travel plans?J: Am Moment plangen ech eng Rees an Australien. Ech géif gär d'Plagen an d'Nationalparken gesinn an d'Land kenneléieren. At the moment I'm planning a trip to Australia. I would like to see the beaches and the national parks and to get to know the country.A:Wow dat kléngt richteg spannend. Ech hunn och Australien op menger Lëscht , awer ech mengen ech géif léiwer op Sydney a Melbourne reesen an dës Stied visitéieren. Wéi lang wëlls du dann an Australie bleiwen? Wow that sounds very exciting.I also have Australia on my list , but I think I would prefer tp go to Sy & Mel and visit these cities. How long do you plan to stay in Aust?J: Ech plangen ongeféier ee Mount do ze bleiwen.Dann hunn ech genuch Zäit déi wichtegst Schéinheeten ze gesin. I plan to stay about one month there. Then I should have enough time to see the most important sights.A: Mega. Da wënschen ech dir vill Spass an hoffen datt s du vill flott Erënnerungen sammele wäerts.Fantastic. Then I wish you lots of fun and hope that you gather a lot of great experiencesJ: Merci dat hoffen ech och. Et huet mech gefreet mat dir ze schwätzen. Bis déi nächst Kéier.Thank you I hope that too. It was nice to talk to you.Until next time.Website: https://luxembourgishwithanne.luSproochentest Oral Exam Prep Class:https://courses.luxembourgishwithanne.lu/p/oralexamFacebook: https://www.facebook.com/luxembourgishwithanne.lu/Instagram: https://www.instagram.com/luxembourgishwithanne/?hl=enLinkedIn: https://www.linkedin.com/company/80364342/admin/feed/postsYoutube: https://www.youtube.com/channel/UCh7_kWqrLaZea-IJH46KJEA

In this episode, Shankar Vendantam joins us to read and discuss "Musee des Beaux Arts," a poem that explores the ways in which humans become indifferent to the suffering of others. To learn more about Shankar Vendantam and the Hidden Brain podcast, visit his website (https://www.npr.org/people/137765146/shankar-vedantam). To read Auden's poem, click here (https://english.emory.edu/classes/paintings&poems/auden.html). Thanks to Curtis Brown Ltd. for granting us permission to read this poem.

Episode 83: Goodnight, Mary Magdalene first aired in June 2020 and features three poems by Vasiliki Katsarou, a poet and publisher. This time last year, Vasiliki published a new short collection of poetry Three Sea Stones with Solitude Hill Press. It's a great time to revisit Vasiliki's work. Dear Slushies, join the PBQ crew (which includes a freshly-tenured Jason Schneiderman) for a pre-pandemic recording of our discussion of 3 poems by the wonderful Vasiliki Katsarou's work. Be sure to read the poems on the page below as you listen.  They'll require your eyes and ears– and “a decoder ring.” The team has a grand old time explicating these artful poems. The muses are sprung and singing in us as we read and decide on this submission. Katsarou's poems teach us to read them without projecting too much of ourselves and our current preoccupations onto them. We're reminded to pay attention to what's happening on the page. But synchronicities abound! Before we know it we're ricocheting off of the poems' images and noting the wonderful convergences the poems trigger –  we hear traces of Wallace Stevens “Idea of Order of Key West” or Auden's Musee de Beaux Arts. (But first we check in with each other, cracking each other up in a pre-pandemic moment of serious lightness. We're heard that “Science” shows Arts & Humanities majors make major money in the long run. Kathy reports that “the data on success” shows that participation in Nativity Plays is a marker for career success. Samantha confesses she played Mary Magdalene in a Nativity Play. Marion might have been a Magi. And many of us were reindeer.. Also, Donkeys do better than sheep over time (which may or may not have been claimed on “Wait, wait… don't tell me!”).  Editing a Lit Mag shouldn't be this much fun, Slushies. Listen through to the discussion of the 3rd poem's deep magic and craft. And listen to our editors' cats chime in). Addison Davis, Jason Schneiderman, Samantha Neugebauer, Kathleen Volk Miller,  Marion Wrenn, and Joe Zang Vasiliki Katsarou grew up Greek American in Jack Kerouac's hometown of Lowell, Massachusetts. She has also lived in Paris, France, and Harvard, Mass. She is the author of a full-length poetry collection, Memento Tsunami, and co-editor of two contemporary poetry anthologies: Eating Her Wedding Dress: A Collection of Clothing Poems and Dark as a Hazel Eye: Coffee & Chocolate Poems. She holds an MFA from Boston University and an AB in comparative literature from Harvard University. She read her poetry at the 2014 Geraldine R. Dodge Poetry Festival, and is a Teaching Artist at Hunterdon Art Museum in Clinton, New Jersey. Her poems have been published widely and internationally, including in NOON: Journal of the Short Poem (Japan), Corbel Stone Press' Contemporary Poetry Series (U.K.), Regime Journal (Australia), as well as in Poetry Daily, Tiferet: A Journal of Spiritual Literature, Wild River Review, wicked alice, Literary Mama, La Vague Journal, Otoliths, and Contemporary American Voices.  She wrote and directed an award-winning 35mm short film, Fruitlands 1843, about a Transcendentalist utopian community in Massachusetts. Vasiliki's website: https://onegoldbead.com/, Twitter: https://twitter.com/cineutopia , Facebook: https://www.facebook.com/vasiliki.katsarou, and Instagram: https://www.instagram.com/cineutopia/   The Future Arrives as a Redhead They talk of mothers in law but not of outlaw daughters her sun and her moon is our son her cool paleness, reflected in an eye that looks like mine, follows her curves along the shoreline her hair like copper coils from beneath a straw hat a Maisie or Daisy, a woman of Stem for whom we stem talk of servers, thumbprint keys, on an ancient island now we are all code-changers the future arrives as a redhead green, green love lays a glove on us, we no longer count in threes, a quaver sounds, and the future all sharps and flats   *   Wedding, Key West A stitch in throat saves time Infernal cough speaks through me @ the bride and groom On sand they stand to create a sand souvenir from this empty glass vessel Sunset drips from the lips of the bride As the prey is plucked from the air between her palms In the gulf beyond the photographer's camera, a capsized sailboat, but no one's looking– The Key light bedazzles and defeats us all Mouth tightly shut clench in the solar plexus   *     Waited you waited with me as the house next door emptied of its guests, then its owners, fairy tale turned animal farm minted with ash and wishes you were my kitchen elf my second thought my echo's echo cocked ear, cracked oasis your absorbent embered orbs that morning of the supermoon setting behind the barn you were quiet, then quieter still white fog settling into the hollows and a thin coat of frost everywhere and this, the simplest death you trained me well, M. I listen for your listening

Det händer något väsentligt när den grå forntiden antar mänsklig skepnad, när individer framträder inför våra blickar – när Ramses II:s mumifierade kropp möter oss avlindad på museet i Kairo, när sargade offerlik och folk som mördats hittas i våra gamla mossar, eller när gestalter som Ötzi – ”ismannen” från Alperna – upptäcks av en slump. Vår förhistoria blir genast mer påtaglig; den får, bokstavligt talat, ansikten och kryddas med människoöden som pockar på att bli studerade och beskrivna. Under det senaste seklet, från upptäckten av Tutankhamons grav 1922, har mängder av forntida män och kvinnor grävts upp, analyserats och ställts ut till allmänt beskådande. Detta gäller även Sverige, med iögonfallande fynd som Barumkvinnan, Hallonflickan och Granhammarsmannen. Med hjälp av den allra senaste tekniken försöker vi lära oss hur de levt – vilken mat de ätit, vilka platser de har besökt – och hur de mötte döden. Det är inte ovanligt att vi införlivar dem i vår krets genom att skänka dem namn, som när ett av de äldsta upphittade exemplaren av de varelser som för tre–fyra miljoner år sedan höll på att utvecklas till människor döptes till Lucy, efter en Beatleslåt som var populär i forskningsteamet.I detta avsnitt av podden Harrisons dramatiska historia samtalar Dick Harrison, professor i historia vid Lunds universitet, med Katarina Harrison Lindbergh, historiker och författare, om individerna under forntiden – om egyptiska mumier, nordiska mosslik och andra döda män och kvinnor som idag kan beskådas och analyseras.ReprisBild: Mumien av Ramses den store, G. Elliot Smith - "Catalogue General Antiquites Egyptiennes du Musee du Caire: The Royal Mummies" Detaljer om farao Ramesses II mumifierade kropp. Kairo museum. Wikipedia, Public Domain.Klippning: Aron SchuurmanProducent: Urban Lindstedt Hosted on Acast. See acast.com/privacy for more information.

Episode No. 672 features curators Kimberly A. Jones and Mary Morton; and curators Sant Khalsa and Juniper Harrower. Along with Sylvie Patry and Anne Robbins, Jones and Morton are the curators of "1874: The Impressionist Moment" at the National Gallery of Art. The exhibition examines the condition of Parisian art in 1874, both official standards exhibited at and effectively promoted via the official salon, and the renegade works exhibited at the first impressionist exhibition. Included are impressionist stalwarts such as Claude Monet and Camille Pissarro, and also salon lions such as William Bouguereau and Jean-Léon Gérôme. The smart, delightful catalogue was published by the Musee d'Orsay and the NGA. Amazon and Bookshop offer it for about $46-60. "1874" is on view through January 19, 2025. Khalsa and Harrower are the curators of "Desert Forest: Life with Joshua Trees" at the Lancaster (Calif.) Museum of Art and History. Part of this year's sprawling Getty PST ART initiative, it's on view through December 29. "Desert Forest" examines how artists from Carleton Watkins to Cara Romero to Nancy Baker Cahill have presented Joshua trees and the fragile Mojave Desert ecosystem in their work. A fine catalogue was published by Inlandia Institute. It's available from MOAH. Instagram: Mary Morton, Kimberly Jones, Sant Khalsa, Juniper Harrower, Tyler Green.

In 1976, the 3,000-year-old mummy of Ramesses II was found to have a fungal infection.The embalmed body of the Egyptian pharaoh was flown from Cairo to Paris for a once-in-a-deathtime makeover.It received a royal welcome at the airport, and was guarded throughout its restoration, which took place at the Musee de l'Homme. Anne-Marie Gouden worked as a receptionist at the museum. She tells Gill Kearsley the extraordinary story of the restoration. Eye-witness accounts brought to life by archive. Witness History is for those fascinated by the past. We take you to the events that have shaped our world through the eyes of the people who were there. For nine minutes every day, we take you back in time and all over the world, to examine wars, coups, scientific discoveries, cultural moments and much more. Recent episodes explore everything from football in Brazil, the history of the ‘Indian Titanic' and the invention of air fryers, to Public Enemy's Fight The Power, subway art and the political crisis in Georgia. We look at the lives of some of the most famous leaders, artists, scientists and personalities in history, including: visionary architect Antoni Gaudi and the design of the Sagrada Familia; Michael Jordan and his bespoke Nike trainers; Princess Diana at the Taj Mahal; and Görel Hanser, manager of legendary Swedish pop band Abba on the influence they've had on the music industry. You can learn all about fascinating and surprising stories, such as the time an Iraqi journalist hurled his shoes at the President of the United States in protest of America's occupation of Iraq; the creation of the Hollywood commercial that changed advertising forever; and the ascent of the first Aboriginal MP.(Photo: The mummy of Ramesses II being examined in Paris. Credit: Tony Comiti/Sygma via Getty Images)

Using photography, testimony and archive, Diana Matar's in-depth bodies of work investigate themes of history, memory and state sponsored violence. Grounded in heavy research and often spending years on a project, Diana attempts to capture the invisible traces of human history and produces installations and books that query what role aesthetics might playin the depiction of power. A graduate of the Royal College of Art, Diana has received the Deutsche Bank Pyramid Award for Fine Art; the International Fund for Documentary Photography; a Ford Foundation Grant for artists making work on history and memory; and twice been awarded an Arts Council of England Individual Artist Grant. Her work is held in public and private collections and has been exhibited in numerous institutions including Tate Modern, London; The National Museum of Singapore; Museum Folkswang, Essen, Germany; The Institut du Monde Arabe, Paris; The Museum of Contemporary Photography, Chicago; and Musee de la Photographie a Charleroi. Her monograph Evidencewas published in 2014 by Schilt Publishing Amsterdam to critical acclaim and chosen by New York Times Photography critic Teju Cole as one of two best photography books of the year. In 2019 Matar was appointed Distinguished Artist at Barnard College Columbia University, New York. In April 2024 Diana's most recent book, My America, was published by GOST Books.  In episode 238, Diana discusses, among other things:Early experiences in Panama and Latin America.How an errand to buy a lightbulb changed everything.A brush with Manuel Noriega.How she met her Libyan husband, the writer Hisham Matar.Why she found doing her M.A. ‘really, really challenging'.Her first book project, Evidence.The inclusion of her own writing in the book.Her latest book, My America.Some of the key factors around the issue of police shootings.The complexities of the subject.How she has “intermalised a European sense of America.”Why she shot the project on her iPhone and the rules she imposed on herself.Whether photographs can ‘bear the burden of history.'What she is currently working on.Her reaction to the bonus questions. Website | Instagram“I think I internalised a European sense of America in several different ways. When I was out on the road a lot of things seemed exotic to me, things that I'd grown up with and were just part of being: the long distances; these buildings that just pop up in the middle of nowhere; the emptiness; the scale… the kind of watching of movies of what is the American west. The internalisation I think has something to do with scale. I live in London - the small streets, you're around people all the time, and then being in this openness, which i miss and i love, but I did find it unnerving and it effected how I made the work actually.” Become a full tier 1 member here to access exclusive additional subscriber-only content and the full archive of previous episodes for £5 per month.For the tier 2 archive-only membership, to access the full library of past episodes for £3 per month, go here.Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.Follow me on Instagram here.Build Yourself a Squarespace Website video course here.

Welcome to the first episode of Season Ten of the Bagley Wright Lecture Series on Poetry podcast. Season Ten is comprised of lectures written and delivered by Srikanth Reddy during his tenure as a Bagley Wright Lecturer, in 2015. Srikanth Reddy's series of lectures consider a range of questions concerning poetry and visual art, including theories of likeness, ekphrasis, and wonder. Today, we'll hear a recording of “The Unsignificant,” given October 2, 2015 at New York University.  This lecture considers W. H. Auden's poem “Musee des Beaux Arts” in relation to Peter Brueghel's painting “The Fall of Icarus,” and references a number of artworks. To view a gallery of these works, visit the Bagley Wright Lecture Series website or click here. Reddy's book based on his BWLS lectures, ⁠The Unsignificant: Three Talks on Poetry and Pictures⁠, is forthcoming from Wave Books, and is available ⁠here⁠. Visit us at our website, bagleywrightlectures.org, for more information about Bagley Wright lecturers, as well as links to supplementary materials on each lecturer's archive page, including selected writings. Music: "⁠I Recall⁠" by ⁠Blue Dot Sessions⁠ from the ⁠Free Music Archive⁠ CC BY NC

The opening ceremony of the Paris Olympics is underway, with a flotilla of boats taking the athletes down the River Seine as an accordionist plays Piaf on a bridge. The rain has for now abated, sparing the hundreds of thousands of spectators gathered on the quays and bridges. Meanwhile, the French intelligence services are hunting those who disrupted the Olympic festivities by sabotaging the high-speed rail lines into Paris -- also affecting locals setting off for the summer holidays.Hospital staff in Bangladesh say plain-clothes police have taken away three leaders of the recent student protests. They were being treated in Dhaka for injuries allegedly sustained in custody. And we will hear about the nationwide women only student organization in America, that Kamala Harris hopes will help her win the presidency.(Photo: A torchbearer runs atop the Musee d'Orsay during the opening ceremony. Credit: REUTERS/Peter Cziborra)

Alan Belcher, courtesy of Hunt Gallery Alan Belcher's concept-based work is decidedly multi-layered and object oriented. He has been recognized in the past as an originator of a tactile fusion of photography and object-making. A transparency of vision and simplicity of fabrication with a concentrated regard for materials remain hallmarks of his serial productions. A sense of humour and a reverence for both Pop and Poveric sensibilities, as well as a hands-on approach; invade much of his work. His lifelong study of the works by artists Manzoni, Fontana, Pascali, Balla, Boccioni, and Scarpitta inform much of his work history, and indeed the pieces included in this exhibition. Works by Alan Belcher are held in various public collections which include the National Gallery of Canada (Ottawa), Centre Georges Pompidou (Paris), Art Gallery of Ontario (Toronto), Le Consortium (Dijon), Musee des Beaux-Arts (Montréal), Deste Foundation (Athens), Fotomuseum Winterthur (Zurich), Walker Art Center (Minneapolis), Chase Manhattan Bank, Credit Suisse Collection, Dropbox HQ (San Francisco), The Progressive Insurance Art Collection (Ohio), MoCA San Diego, Morris & Helen Belkin Art Gallery at UBC (Vancouver), and Musée Nicéphore Niépce (Chalon-sur-Saône, France) —as well as numerous prominent private collections. Napoli, 2024, Neapolitan ice cream on canvas 10 x 16 x 3 inches 25.4 x 40.7 x 7.7 cm, courtesy of LFdocumentation Vesuvio Vesuvio, 2024 Oil on canvas, pepperoni pizza, lava from Vesuvius 22 x 22 x 5 inches 56 x 56 x 12.7 cm, courtesy of LFdocumentation Roma, 2024, Oil on canvas, 24k gold on Bulgari soap 8 x 6 x 2⅜ inches 20.3 x 15.3 x 6 cm, courtesy of LFdocumentation

Elle est la chercheuse qui a fait basculer le débat sur la restitution du patrimoine africain. L'historienne Bénédicte Savoy (professeure d'histoire de l'art à l'université technique de Berlin) nous soumet cette question : à qui appartient la beauté ? Autrement dit : à qui appartiennent ces objets que les musées européens se sont appropriés et ont élevés au rang d'art ? Aux admirateurs acquéreurs, aux dépossédés ou à l'humanité ? Et que dire de ces œuvres qui au départ étaient des objets de culte ? Comment les sortir de l'approche esthétique européenne ? Bénédicte Savoy est notre invitée, cette semaine. Son dernier essai : « A qui appartient la beauté ? » (La Découverte). Dans notre Grand dictionnaire, une définition de l'initiation par Jean-Philippe Schreiber, professeur à l'ULB et fondateur de l'Observatoire des Religions et de la Laïcité. Merci pour votre écoute Et Dieu dans tout ça ? c'est également en direct tous les dimanches de 13h à 14h sur www.rtbf.be/lapremiere Retrouvez tous les épisodes de Et Dieu dans tout ça ? sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/180 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Jessica Loughlin's work is characterized by a strict reductive sensibility and restricted use of color. Fusing kiln formed sheets of opaque and translucent glass together in flat panels or in thin, geometric compositions and vessels, she alludes to shadow, reflection and refraction. Loughlin's work is influenced by the flat landscapes and salt lakes of South Australia, and the recurring motif of the mirage appears in much of her work. Each piece makes its own poetic statement.  “My work investigates space, seeing distance and understanding how wide-open spaces, particularly of the Australian landscape, affect us. I am fascinated by the unreachable space. The view we look upon, but can never reach. In this minimal landscape, all elements are stripped back, light becomes the landscape, and I am left looking at space, the space between here.…and there. This viewed distance is a place we can never reach, never get to, for as we move towards it, it moves away from you. Is this a real place or is it a projected space of the imagination. My work does not aim to represent this landscape directly but rather induce a state of looking inward and outward simultaneously.”   Originally from Melbourne, Australia, Loughlin is a graduate of the Canberra School of Art under the tutelage of late Stephen Procter. Her work can be found in the permanent collections of the Corning Museum of Glass, the National Gallery of Australia, the Victoria and Albert Museum in London, National Museums Scotland, Edinburgh GB, and the Musee de Design et d'Arts Appliques Contemporains in Lausanne, Switzerland. A studio artist for over 20 years, Loughlin has exhibited both nationally and internationally. In 2020, she was only the second Australian to have work selected as a finalist in the Loewe Craft Prize. In 2018, she was awarded the Fuse Glass Prize, and in 2004 and 2007, the Tom Malone Art Prize. She is represented by Sabbia Gallery, Sydney, Australia, and Caterina Tognon, Venice, Italy. A committed and passionate artist who is highly regarded both in Australia and internationally, Loughlin combines her thoughtful and instinctual approach with extraordinary technical skills. With a gentle color palette of soft muted hues, her work often explores ideas of evaporation, space and distance, all inherent in the Australian landscape. Loughlin's work was on view in late 2023 in a solo exhibition near | far at Sabbia Gallery, Sydney, and her piece of light is on national tour as part of the Jamfactory Icon series, accompanied by a monograph of her art Jessica Loughlin: from here published by Wakefield Press. In 2024, Loughlin was selected for and will participate in the Adelaide Biennial of Australian Art at the Art Gallery of South Australia, March 29 through June 2.  

Amanda opens up about what it means to create a Brand like Musee and the importance of good design. Amanda Broyles is the Creative Director and Lead Designer at Musee, a nationally recognized bath and body line based in Mississippi. After becoming a proud graduate of the University of Mississippi, Amanda and her husband Drew spent four years living in the Upper West Side of New York City where she started her career working remotely with the bath company, Musee. However, her heart eventually led her back to the warmth and hospitality of the South, where she has since made a significant mark in the world of creative design. Amanda resides in the charming town of Oxford, MS, with her husband Drew, and her two-year-old son.Amanda, alongside Musee's owner, Leisha Pickering, serves as the driving force behind the brand's whimsical aesthetic. With a remarkable seven-year tenure as the lead designer, Amanda has been the mastermind behind all packaging designs and brand photography.During Amanda's time at Musee, the brand has garnered widespread acclaim, earning recognition from prestigious platforms such as The Today Show, Southern Living, Harper's Bazaar, and even securing a spot on Oprah's coveted list of favorite things three years in a row. She has been the lead designer on brand collaborations with Anthropologie, Maisonette, The Honest Company, St. Jude Children's Research Hospital, West Elm, and Alabaster Co.Her dedication to excellence and unwavering commitment to the Musee brand continues to elevate Musee's presence in the market. Outside of her creative endeavors at Musee, Amanda finds joy in the simple pleasures of life by spending time with her family and friends.ResourcesCrossroads Ministry (Musee's Partner) Exclusive Membership Group ✨ Sign Up!Freebie ➡️ 2024 Guide and PlannerSPECIAL DEAL:

PADI Club recently completed their latest club trip to Belize where they had 38 divers from around the world participate. There is another trip planned for Bonaire in September. PADI Club continues to grow their benefits. A team of divers from the Musee des Ilse de la Magdalin have discovered 7 shipwrecks believed to be from the 1800s. The shipwrecks are off the Magdalin Islands in the Gulf of St. Lawrence. REEF is holding their 14th annual REEF Florida Keys Lionfish Derby and Festival - September 7 through September 10. The hunt happens on September 8 and 9. The festival concludes on Sunday September 10 at the Postcard Inn on Islamorada. United is adding more direct flights from Newark to Bonaire starting January 2024. There will be two more flights added each week. In addition to their Saturday flight, they will also add a Sunday flight and a Wednesday flight. The flights will run through April 2024. Maui needs visitors. In the wake of the devastating wildfires, people were asked not to head out to the island, but now, the island which is so dependent on tourism, needs visitors. While West Maui is closed, there is still plenty of other locations on the island to enjoy this magical island. Commentary- In my opinion - climate change is NOT a hoax. We have seen record high temperatures, the hottest month on record and the hottest single day in recorded history. We have seen incredible wildfire destruction, storms hitting areas that are not prone to these conditions and water temperatures in Florida closing in on 100 degrees. We cannot deny the evidence. It is like ignoring a serious medical condition like cancer - it doesn't cure itself. We have the information, knowledge and expertise to battle the climate change issue but do we have the sustained leadership to meet the challenge. We cannot change our direction every four years on this one. New divers often ask about what is next after gaining their open water certification. First and foremost, my advice is to tell them to get out and go diving. That isn't always easy or practical for some. They still want the guidance of dive professionals until they gain their confidence and become better scuba divers. So here are my three steps for new scuba divers. Become a certified Enriched Air Nitrox diver. By diving with enriched air, you are not only gaining longer no decompression limits, it becomes part of your risk mitigation strategy. Less nitrogen being absorbed in your tissue is a good thing. Your advantage is extended when doing repetitive dives Get more training on buoyancy, control and propulsion. There are number of ways to do this. Training agencies have specific classes on buoyancy. This provides valuable experience. Also, some dive shops have specialized classes to give people this training. You can even get one-on-one private lessons with a dive professional. You are now ready for the rigors of Advanced Open Water certification. With Nitrox and buoyancy, you are better prepared for the task loading of navigation, and deep along with other things like search and recovery, or delayed SMB deployment. By completing steps one and two, you will get a lot more out of your advanced training.

Original sound tourist Paris musee carnavalet --- Support this podcast: https://podcasters.spotify.com/pod/show/haiying-yang/support

In this episode of the podcast with my guest Terri Brault, we discuss Canadian WW2 Normandy sites you can visit. Canadian forces were heavily involved in the D-Day landings on June 6, 1944, which marked the beginning of the end for Nazi Germany. The Canadian 3rd Infantry Division, along with the 2nd Armoured Brigade, landed at Juno Beach, a stretch of coast located between Sword and Gold beaches. Facing heavily fortified German defenses, they experienced fierce resistance, but their courage and determination saw them overcome these formidable obstacles. By the end of the day, Canadian forces had penetrated deeper into France than any other Allied force, a testament to their discipline and valor. Canadian troops also played a significant role in the subsequent Battle of Normandy, a grueling two-month campaign to liberate the region from German occupation. They were central to Operation Totalize, an offensive designed to break through German defenses south of Caen, a strategic city that witnessed some of the war's bloodiest conflicts. Moreover, Canadian soldiers were victims of one of the war's most infamous atrocities at the Abbaye d'Ardenne, where 20 prisoners of war were executed by the 12th SS Panzer Division, a crime later prosecuted as a war crime. Today, the Canadian War Cemetery at Beny-sur-Mer, where about 2,000 soldiers are laid to rest, serves as a somber reminder of the ultimate sacrifice these brave men made in the pursuit of freedom and peace. Their bravery, tenacity, and sacrifice significantly contributed to the successful Normandy campaign, marking a pivotal turn in the course of World War II. Their legacy lives on in the form of numerous memorials, museums, and preserved historical sites in Normandy, and their heroic efforts continue to be honored and remembered by both Canadians and the international community.  Let's talk about the places in Normandy you can visit to honor their sacrifice and valor. Table of Contents for this Episode Today on the podcast Podcast supporters Bonjour Itinerary Service The Magazine part of the podcast Canadian Heroes of Normandy with Terri Brault Seeing the Water Lilies at The Musee d'Orangerie Giverny No speeding tickets Rouen Going too cheap on the hotel Bayeux D-Day Sites, Longues-sur-Mer Arronmanches Juno Beach, Courseulles-sur-Mer Canada House, Bernières-sur-Mer Beny-sur-Mer Cemetery Abbaye D'Ardenne Chateau de Cruelly Battle of Normandy museums in Bayeux, Caen, and Juno Beach Centre. Bayeux Tapestry Mont St. Michel Ducey Don't pack too much into your trip Hotel des Arènes, on Rue Monge, Walking some of Annie's VoiceMap tours What she learned about France: Do and Don't Do Warnings Why Normandy in September? Annie's itinerary review service Orange travel sim cards Travel journal before leaving Thank you, patrons Getting ready for a trip to France The Olympic Village Next week on the podcast Copyright

On this episode, Devi shares a breathing exercise, her experience traveling to Paris this summer, and insights for setting intentions on your birthday.  If you are currently in Paris or have plans to visit one day, here are a few travel and entertainment recommendations:Musee de LouvrePicasso Exhibit The Louis Vuitton FoundationFilms to watch on the journey:Before Sunrise3000 Years of LongingLiving  And a reminder! There is still time to join Devi and Queen Afua at The Woman Who Heal Retreat - August 20-25, 2023See omnystudio.com/listener for privacy information.

John 14, 1-6: 'Do not let your hearts be troubled. Trust in God still, and trust in me. There are many rooms in my Father's house; if there were not, I should have told you. I am going now to prepare a place for you, and after I have gone and prepared you a place, I shall return to take you with me; so that where I am you may be too. You know the way to the place where I am going.' Thomas said, ‘Lord, we do not know where you are going, so how can we know the way?' Jesus said: ‘I am the Way, the Truth and the Life. No one can come to the Father except through me.' The Lord Jesus understands the internal upheaval of the apostles. He sees clearly that they are troubled, that they are anxious and nervous. I may not even have shown externally, but he could read their hearts well. Now he reads our hearts and invites us to be men and women of peace. Music: Tears keep flowing by Bert Alink. Thumbnail: Mission of the Apostles. Byzantine ivory plaque. Paris, Musee du Louvre 10th century. From article by Robert Bergman, "A School of Ivory Carving in Arnalfi", Metropolitan Museum of Art Journal (v. 9 1974).

As one of the most famous and bizarre moments in papal history, we had to spend some extra time digging through the Cadaver Synod! In this special bonus episode, we are joined by Gregg of the Popeular History podcast, to explore and review many things that this event inspired. We'll discuss sources, paintings, music, musicals, and more! Images:  Jean Paul Laurens, “Pope Formosus and Stephen VI, the Cadaver Synod”, 1870 At the Musee des Beaux Arts in Nantes: https://upload.wikimedia.org/wikipedia/commons/thumb/b/bf/Jean_Paul_Laurens_Le_Pape_Formose_et_Etienne_VI_1870.jpg/1280px-Jean_Paul_Laurens_Le_Pape_Formose_et_Etienne_VI_1870.jpg  Unknown Alamy: https://upload.wikimedia.org/wikipedia/commons/5/56/Cadaver_Synod.jpg The Cadaver Synod, the posthumous ecclesiastical trial of Pope Formosus, 897, engraving from the Middle Ages, 1892, by Francesco Bertolini (1836-1909), with illustrations by Lodovico Pogliaghi (1857-1950). Biblioteca Ambrosiana: https://discovery-assets-production.s3.eu-west-1.amazonaws.com/app/uploads/2022/11/23121220/GettyImages-935422378-770x1091.jpg.webp Cadaver Synod by Hippolite Magen 1857 https://www.bridgemanimages.com/en-US/noartistknown/title/notechnique/asset/4944939 "Le pape Formose et Etienne VII". Le concile cadaverique Gravure pour illustrer Histoire des papes par Maurice Lachatre (1814-1900), librairie du progres, Paris. https://www.alamy.com/le-pape-formose-et-etienne-vii-le-concile-cadaverique-897-le-cadavre-du-pape-formose-formoso-formosus-pape-de-891-a-896-revetu-de-ses-habi-image331922551.html?imageid=6B83FC86-C1F1-4AFB-A17B-3CBB25432BED&p=1169799&pn=1&searchId=856dd054def096977f5ecc6bd8180f46&searchtype=0 Wild Ambition Brewing: https://wildambition.beer/  Cadaver Synod Musical IndieGogo: https://www.indiegogo.com/projects/the-cadaver-synod-a-pope-musical#/  Guests and Readings:  Gregg of Popeular History: https://popeularhistory.podbean.com/  Liutprand - Brendan of Tsar Power: https://open.spotify.com/show/49JyFkdWvSy0sKv37W8YX6  Platina - Ben of Wittenberg to Westphalia: https://play.acast.com/s/wittenbergtowestphalia#:~:text=by%20Benjamin%20Jacobs%20Go%20to,Modern%20Period%20of%20European%20history.  Mann - Rob of Totalus Rankium: https://totalusrankium.podbean.com/ 

Both through his own works and his activities in education, Richard Meitner has had a profoundly positive and highly visible impact on art in glass internationally. His works have been shown around the world and have been included in almost every major international museum exhibition of art in glass for the last 25 years. In spite of his considerable reknown, Meitner's work has never been mainstream. His place is always on the outer edge of what is happening, searching, challenging, discovering, taking risks, as if he were a child at play. It is this desire to discover and speak as a child does, to learn and rejoice in that learning, but also the willingness to be caught off guard, and amazed or puzzled by experience, which has always been at the heart of his activities.  Anna Venini wrote: “The best way to express what I like most about Richard and his work is perhaps this: he lives in an extraordinary world, one that is not simply the pleasing world of fairy tales but is at the same time a breeding ground for some serious (albeit elusive) philosophical thought and research. It is from this place that he creates. It is my feeling that he has not only already accomplished great things, but has, in addition, a long career in front of him as an important artist. I come from a family of glass makers. I love Richard's work most certainly not only for that reason, but also because Richard is able to approach that material and to use it with culture, with great fantasy and originality, with authority and great thoughtfulness. That combination is, in my experience, highly unusual.”  An artist with decades of experience and practice in art and art education, Meitner has lived in Amsterdam since 1972. He has lectured and conducted workshops in the U.S.A., Great Britain, the Netherlands, Germany, France, Spain, Malta, Portugal, Sweden, Denmark, the Czech Republic, Italy and Japan. He has been invited artist-in-residence in many countries and has worked as a designer for the glass industry in Italy, Germany, Austria, Switzerland, the Netherlands, and Belgium. Additionally, Meitner has served on the Dutch National Commission for Endowments for the Arts and the Dutch National Advisory Board for the Arts. Together with Mieke Groot, he was responsible from 1981 to 2000 for the glass department of the Gerrit Rietveld Academy in Amsterdam. In 2006, he was appointed to the faculty for Science and Technology of the Universidade Nova de Lisboa (New University of Lisbon), Portugal. Meitner's major exhibitions include a retrospective at the Musee des Arts Decoratifs of the Louvre in Paris, and solo shows at the National Museum for the History of Science and Medicine in Leiden, Netherlands, the National Glass Museum in Sunderland, England, the Stedelijk Museum in Amsterdam, and the Corning Museum of Glass in the U.S.A. His work is included in the permanent collections of more than 60 museums in 16 countries. In 2020, the artist received the Lifetime Achievement Award from the Glass Art Society. In 2016, Meitner earned a PhD in sculpture from the Faculty of Fine Arts of the University of Lisbon, Portugal. His doctoral thesis made the case that in education and public policy for art, the way we define, make policy for and teach art is in many respects incorrect and ineffective. He formulates his arguments citing science and many other sources that strongly suggest that we need urgently to discuss, rethink and come to much more accurate and useful understandings of what making and appreciating art are really about.  In 2023, Meitner will begin work for his upcoming solo show at Galeria Caterina Tognon in Venice during the Biennale and continue to build a working collaboration with his partner, Nataliya Vladychko, a talented Ukrainian artist. He will also carry on his work with the Vicarte Research Unit at Universidade Nova in Lisbon, i.e. working with young student artists in the Master's degree program for the Art and Science of Glass and Ceramics.  Saya Meitner: “Helping young talented artists as a teacher is something I've done for many decades, and has become quite an important aspect of both my career and my life.”  

Today, Annie Sargent brings you a conversation with Elyse Rivin of Toulouse Guided Walks about the big events coming up in Paris in 2023. We also have a recap of how Paris museums have been doing since the pandemic. And Annie gets to do her own trip report and spills the beans on the best things she enjoyed in Paris in January 2023. Table of Contents for this Episode [00:00:16] Intro [00:00:38] Today on the podcast [00:01:10] Podcast supporters [00:04:00] New patrons [00:04:55] Next week on the podcast [00:05:30] Annie and Elyse – Coming Up in Paris [00:05:45] Museums in Paris since the pandemic [00:07:26] Centre Pompidou [00:07:51] Quai Branly [00:09:54] Versailles [00:12:50] The City of Paris museums [00:13:21] The Catacombs [00:15:41] Orangerie and Orsay [00:17:13] Edvard Munch [00:19:21] The Orsay Museum wants your to buy your tickets with their App [00:22:08] What's happening at the Orsay in 2023 [00:25:11] 7 Expos not to miss in Paris in 2023 [00:27:07] 50th anniversary of the death of Picasso [00:31:02] Museums outside of Paris [00:31:43] Paris needs to stop hogging all the art! [00:33:46] Annie's visit to Paris [00:37:25] Jacquemart-André Museum [00:38:48] Costcos in France [00:40:48] Cluny Museum [00:42:16] Visiting the newly reopened BnF Richelieu [00:44:38] Musee de la Liberation [00:46:28] Rue Daguerre [00:47:47] Bringing the dog to Paris [00:49:25] Long drive [00:49:46] Charging the car on the freeway [00:52:39] Copyright  

Couch Talks is the bonus episode of You Need Therapy where Kat answers questions that listeners send to kathryn@youneedtherapypodcast.com. This week, Kat spices things up with some holiday cheer by creating a gift guide full of meaningful gifts that give back for everyone on your list!    1. Able Able's mission is to create go-to wardrobe pieces that empower both the women who wear them and the women who make them.  2. Affirmators  These affirmation cards were created by comedian Suzi Barrett and are sad to Providing the fun of a horoscope with a little less woo-woo which  3. F%^ck Meditation  For the loved one in your life is who going through some stuff and finds relief by throwing out a couple of F bombs every now and then.  4. How to Carry What Can't Be Fixed  A journal written by Megan Devine that “contains no clichés, timetables, or checklists of stages to get through; it won't help you “move on” or put your loss behind you. Instead, you'll find encouragement, self-care exercises, and daily tools to help you manage and explore your grief.” 5. ArtbySharyl Custom water color paintings! 6. Propagated Plant  7. Musee  Musee makes handcrafted, natural bath products in Madison County, Mississippi with the mission of restoring lives by providing dignified work for vulnerable people in our community. Musee partners with a local organization called Crossroads to help provide jobs for women coming out of spending time in prison, treatment centers or abusive situations AND Schools of Haiti to provide teacher salaries, new books, new desks, uniforms and one meal every day for the students. 8. Nashville Blanket Project For every blanket purchased a blanket is donated to someone in need!  9. 4 Things Gratitude Journal & I'm Fine Puzzle Perfect gift to offer someone who is going through some tough stuff and doesnt want to be so serious all of the time OR for someone you love who wants to count their blessings with a little more intention- all while helping support organizations in Haiti! 10. Cuddle And Kind  A company started by a family of 5 that's mission is to help provide meals for children in need. They sell dolls hand knit by women in Peru and Nepal that are ADORABLE and while you are giving the cutest gift to someone you are helping sustain jobs for women and supplying 10 meals to a child in need!   Follow Kat on Instagram: @Kat.Defatta Follow the podcast Instagram: @YouNeedTherapyPodcast Have a question, concern, guest idea, something else? Reach Kat at: Kathryn@youneedtherapyodcast.com Heard about Three Cords Therapy but don't know what it is? Click here!   Produced by: @HoustonTilleySee omnystudio.com/listener for privacy information.

Écoutez l'histoire du sculpteur Rodin et de sa passion pour l'Egypte racontée par l'historienne Virginie Girod, dans un récit inédit en deux épisodes, en partenariat avec le Musée Rodin à l'occasion de l'exposition "Rêve d'Egypte". En 1897, Auguste Rodin termine son Balzac, une statue commandée par Emile Zola et dans laquelle on retrouve la monumentalité égyptienne. Et comme d'autres œuvres avant elle, celle-ci va provoquer une avalanche de critiques. Dans cet épisode du podcast "Au cœur de l'Histoire" produit par Europe 1 Studio, Virginie Girod poursuit son récit sur l'histoire de l'artiste, le sculpteur évidemment mais aussi le collectionneur féru d'Egypte antique.>> En partenariat avec le Musée Rodin, à l'occasion de l'exposition "Rêve d'Egypte" "Au cœur de l'histoire" est un podcast Europe 1 Studio.Ecriture et présentation : Virginie Girod - Production : Adèle Humbert - Direction artistique : Adèle Humbert et Julien Tharaud - Réalisation : Clément Ibrahim - Musique originale : Julien Tharaud - Musiques additionnelles : Julien Tharaud et Sébastien Guidis - Communication : Kelly Decroix - Diffusion et rédaction : Eloise Bertil - Visuel : Sidonie Mangin

What Can We Learn From the Masters?   How do we deal with the pain in the world and still carry on? I know it feels like we're living during one of the most challenging times, but the truth is, there has always been chaos and pain and heartache in the world.   When you feel down, poetry may help. Listen to hear the poem Musee des Beaux Arts by W. H. Auden for a bit of inspiration.  Declare Your Identity as an Artist   Impostor syndrome. Who am I to write a book or sell my art? I've been there, and I also realized I could figure it out.    If you are struggling to call yourself an artist here's what I want you to do. Declare it to everyone! Share this from a place of connection. When you practice showing up in the world as an artist you begin to re-write your story.   Get Artist Affirmations Here (Plus the bonus from Amy Porterfield)    What Kinds of Online Classes Can You Create as an Artist  When you are starting out in the digital course world, it's overwhelming. There are so many options, so I recommend starting with these 3 concepts:   A starter course like Watercolor Secrets   A spotlight course like Spirited Sunflowers   A signature course like Watercolor Portrait Academy  This is the framework I used to grow my business. I have a great resource to help you get started: The Course Creator Starter Kit.   For even more help you can get access to a free training from expert Amy Porterfield. Join her 5 Day Bootcamp to help you claim success when it comes to teaching your online class.   Discover the 9 Tools Recommended by Top Artists to Create Stunning Art Videos  When I first started creating art video tutorials, I was overwhelmed with all the options. I asked for help to get the right set up that works for me. After 10 years, I've streamlined things and I'm sharing them with you today.   Digital Camcorder with a rotating view finder   Tripod with multi-angle rotation  Webcam for your laptop or PC   Microphone   Lighting (especially if you don't have lots of natural light)   Cyberlink software  Memory card for your camcorder   Kajabi – online course platform   Zoom   Get the list of these resources here.   Fight for Your Art Dreams   100 years ago today, the 19th amendment was signed giving women the right to vote. It's also the anniversary of Martin Luther King's “I Have a Dream Speech.”   There are numerous women artists that inspire me. I can name so many just off the top of my head so was disappointing to hear that less than 10% of the art at the MOMA were by women artists. That was in 2002, and sadly it hasn't changed much in the past 20 years.   We don't have to be a statistic. We can fight. I believe in you, in your art, and your dream.  Here's a quick recap of all the free resources we talked about today- 12 Artpreneur Affirmations schulmanArt.com/AFFIRMATIONS Course Creator Starter Kit schulmanart.com/GUIDE Art Video Tech set up list schulmanart.com/tech 

5th Arrondissement: Historic Paris   The XXth arrondissement is xxxx (oliver writes description) The Earful Tower podcast episode This podcast episode on the XXth district of Paris includes an interview with xxx and our final ranking on the district out of 100.  Video guide to the 5th arrondissement We'll share our visit, in video format, on our YouTube channel in the coming days. We'll be making one of these travel vlogs every week, so be sure to subscribe (you can do it in one click via this link).  The Earful Tower's guide to the xxth arrondissement   Oldest arrondissement in Paris (claimed Wikipedia) - first built by the Romans.  Latin Quarter, known as such because in the Middle Ages the students here were taught in Latin. Students lived here historically and now. Beat Generation, many of the greats of that movement lived in the neighborhood.    Tops things to find in the 5th arrondissement   Plan:   Breakfast at LouLou Cluny  Pantheon Bibliotheque genevieve Jardin des plantes Musee natural history Zoo (but it was shit) Mosque for tea Mouffetard  Midnight in Paris steps Le Contrescarpe Maison de Verlaine Caveau de la huchette   Natural History Museum  + Jardin des Plantes Address: 2 Rue Buffon, 75005 Tickets   Grande Mosquée de Paris Address: 2bis Pl. du Puits de l'Ermite, 75005 Lockers available, only for women, open every day 10h - 21h, variety of hamman options, book tickets here   Saint-Geneviève Library Address: 10 Pl. du Panthéon, 75005 Hours Mon - Sat 10h - 22h To enter you need to fill out this form and bring a valid form of ID. Then you complete your registration at the library.   Shakespeare and Company @shakespeareandcoparis Address: 37 Rue de la Bûcherie, 75005   Place de l'Abbé Basset Address: 1 Rue Saint-Etienne du Mont, 75005 The Midnight in Paris steps   Arab World Institute Address: 1 Rue des Fossés Saint-Bernard, 75005 Hours: Tues - Sun 10h - 19h   Panthéon Address: Pl. du Panthéon, 75005   Cluny Museum - National Museum of the Middle Ages Address: 28 Rue du Sommerard, 75005 (with a quick visit to the roman ruins of the old bath houses)   Le Caveau de la Huchette @caveaudelahuchetteofficiel Address: 5 Rue de la Huchette, 75005 Hours: Open every evening, no reservation. Fri, Sat & pubic holidays: 21h - 4h The musician: Du mercredi 29 juin au samedi 2 juillet : Matthieu Boré Blues in New Orleans   Ancient vestiges of the city: Phillipe Auguste wall, the Romann baths and the Arène de Lutèce. Perhaps an honorable mention?   Outdoor Sculpture Museum Along the banks of the Seine always such an amazing atmosphere here Address: 11 Bis Quai Saint-Bernard, 75005   Food   Resturants   La Tour D'Argent Address: 19 Quai de la Tournelle, 75005    Chinaski @chinaskiparis Address: 46 Rue Daubenton, 75005 Paris, France Cafe by day, neo bistro by night   Restaurant Flocon @restaurantfocon Address: 75 Rue Mouffetard, 75005  Great spot to visit on the vibey Rue Mouffetard   Le Bel Ordinaire @lebelordinaire Address: 5 Rue de Bazeilles, 75005   Au P'tit Grec Address: 68 Rue Mouffetard, 75005 Paris, France Great cheap crêpes on Mouffetard   Marché Maubert Address: Pl. Maubert, 75005 Good square with great bakeries, cheese shops and green grocers.    Le Loulou @loulou_restaurant Address: 90 Bd Saint-Germain, 75005 Brunch & Coffee   Drink   Place de la Contrescarpe Address: 2-2 Pl. de l'Estrapade, 75005  Hemmingway lived just around the corner ay 74 rue du Cardinal-Lemoine he came here often. James Joyce finished Ulysses just down the road at 71 rue du Cardinal Lemoine.   Rue Mouffetard Rue Mouffetard was so-named because of the mouffle, Old French for stink, that came from the river Bièvre at the foot of the hill (!! cool link) Orwell wrote about this area in Down and Out in Paris and London.   Coffee   Jozi Café @jozicafeparis Address: 3 Rue Valette, 75005