Podcasts about Thomas Cole

In Episode 2 of Season 2, Host Mark Gustavson is joined by co-host Sylvia Hasenkopf on a visit to the Thomas Cole National Historic Site in Catskill, NY.Maura O'Shea (Executive Director of the site) and Jennifer Greim (Director for Advancement) host Best Kept Secrets of Greene County, NY in Thomas Cole's 1839 original studio to discuss the multitude of programs and exhibits at the campus, and all things Hudson River School of Art.Thank you to the the Thomas Cole National Historic Site!The Cole Fellows ProgramUpcoming EventsMore About Greene County

The Thomas Cole National Historic Site is a National Historic Landmark that includes the former home, also known as Cedar Grove, and the studio of painter Thomas Cole, founder of the Hudson River School of American painting. Located in the village of Catskill, NY, Thomas Cole lived and worked there between 1833 until his death in 1848. In 1965, the property was declared a National Historic Landmark and designated a National Historic Site in 1999. It is also considered an affiliated area of the National Park Service. Cedar Grove, a Federal Era house, was restored and opened to the public in 2001. Aided by historical photographs, sketches, and a painting, Cole's 'New Studio', originally built in 1846 and demolished in 1973, was reconstructed and reopened to the public in 2016. It currently is used for traveling exhibitions that change periodically. The house and the studio are open for tours, events and workshops throughout the year. Three years later, in partnership with the Olana State Historic Site and the New York State Bridge Authority, the Hudson River Skywalk was opened, creating a pedestrian walkway across the Rip Van Winkle Bridge connecting Olana with the Thomas Cole Historic Site. There is also the Mawignack Preserve, a park along the Catskill Creek that is operated by the Greene Land Trust, which contains signage about Thomas Cole as it was one of his favorite places to paint. This was all possible through a dedicated team of volunteers led by Elizabeth Jacks, an Executive director of the site for over two decades. She joins the Nature Calls: Conversations from the Hudson Valley to talk about how the site's history and how it has evolved thanks to the many partnerships that have been formed over time. During her tenure, Betsy expanded the campus from one building to six and grew the organization's operating budget tenfold. She emphasizes that historic sites are actually for the living, to help us all better understand the past and how history has helped to shape how we see the world today. Hosts: Annie Scibienski and Taly Hahn Guest: Elizabeth Jacks Photo by: Teresa Golden Production Support: Linda Aydlett, Deven Connelly, Teresa Golden, Taly Hahn, Tim Kennelty, Amy Meadow, Xandra Powers, Annie Scibienski, Robin Smith, Jean Thomas Resources

Episode No. 705 features curators Dalila Scruggs and Catherine Morris, and artist Beatriz Cortez. With Mary Lee Corlett, Scruggs and Morris are the co-curators of "Elizabeth Catlett: A Black Revolutionary Artist" at the National Gallery of Art, Washington. The exhibition surveys Catlett's career across over 150 sculptures, prints, paintings, and drawings. The exhibition is on view through July 6. An exceptional exhibition catalogue, titled Elizabeth Catlett: A Black Revolutionary Artist and All That It Implies was published by the The University of Chicago Press, the NGA and the Brooklyn Museum, which originated the exhibition. It is available from Amazon and Bookshop for $56-60. Catlett was a feminist, activist, and radical who helped join the Black Left in the US to influences from the Mexican Revolution. Her work continued the practice of earlier US artists such as Thomas Cole, Frederic Church, and Carleton Watkins by using cultural production to advance ideas and ideologies. Cortez is featured in "Seeds: Containers of a World to Come" at the Kemper Art Museum, Washington University in St. Louis. The exhibition features work by ten artists whose research-driven practices are informed by inquiry into plant-human-land relations. "Seeds" was curated by Meredith Malone and Svea Braeunert, and remains on view through July 28. The exhibition brochure is available here. "Beatriz Cortez x rafa esparza: Earth and Cosmos" is at the Americas Society, New York through May 17. The show considers the idea of ancient objects traveling across space and time. Cortez's work explores simultaneity, life in different temporalities, and imaginaries of the future. She has been featured in solo exhibitions at Storm King Art Center, New Windsor, NY,; the Williams College Museum of Art; Clockshop, Los Angeles; and more. Instagram: Catherine Janet Morris, Beatriz Cortez, Tyler Green.

Betsy Jacks served as the Executive Director of The Thomas Cole Historic Site for 21 years. Now, she has a solo art show at Café Joust in Catskill, New York.“Embodiment," is a series of large-scale renderings depicting trees and tree-like beings that capture the essence of personal life experiences and hidden meanings.The collection reflects her observations of trees, inspired by their portrayal in Thomas Cole's paintings and poetry. The paintings have been on display all month and you can still see them through April 28th.

THIS EPISODE BROUGHT TO YOU BY: You'll notice that there's no sponsor in this episode.  We'd love it if you'd consider supporting on Patreon.   PATREON - patreon.com/nodumbquestions  NDQ EMAIL LIST - https://www.nodumbquestions.fm/email-list    STUFF IN THIS EPISODE: Inklings Book Club Lester Del Rey The Runaway Robot by Lester Del Rey Trap Door Spiders book club Van Gogh Has a Broken Heart by Russ Ramsey Vincent Van Gogh The Art Thieves by Rooktown Salvador Dalí - The Persistence of Memory Dalí Museum The Banjo Lesson by Henry Ossawa Tanner John J. Audubon's Birds of America Haystacks by Claude Monet The Voyage of Life by Thomas Cole Nighthawks by Edward Hopper The Return of the Prodigal Son by Rembrandt Andy Goldsworthy M.C. Escher CONNECT WITH NO DUMB QUESTIONS: Support No Dumb Questions on Patreon if that sounds good to you Discuss this episode here NDQ Subreddit Our podcast YouTube channel Our website is nodumbquestions.fm No Dumb Questions Twitter Matt's Twitter Destin's Twitter SUBSCRIBE LINKS: Subscribe on iTunes Subscribe on Android OUR YOUTUBE CHANNELS ARE ALSO FUN: Matt's YouTube Channel (The Ten Minute Bible Hour) Destin's YouTube Channel (Smarter Every Day)

3/24/25: Jonathan Moldover: “The Oxbow Since Thomas Cole: The Story of a Landscape, a Painting, and a Community.” Megan Zinn w/ Emma Donoghue: "The Paris Express." UMass Prof. Amilcar Shabazz: Trump's attack on Black Studies. Amherst Town Mgr Paul Bockelman: the school budget & construction, rewilding Hickory Ridge & amphibious crossings.

Romerska rikets nedgång och fall i Västeuropa har ända sedan renässansens dagar varit föremål för ändlösa diskussioner mellan lärda européer. Fler än 170 orsaksmodeller har konstruerats, av vitt skilda slag. Frågan om vad som fick det gigantiska imperiet vid Medelhavet att erodera och kollapsa är en av världshistoriens största gåtor.Var det så enkelt att ”barbarerna” på andra sidan gränsen – germanerna, hunnerna och de andra – helt enkelt var bättre soldater, att de mördade imperiet genom hänsynslösa plundringståg? Eller bör vi söka efter ekonomiska förklaringar, till exempel i dålig penningpolitik, alltför dyra slavar och misskötta lantegendomar? Eller ligger gåtans lösning snarare i obarmhärtiga externa faktorer, som pandemier och klimatförändringar? På 1700-talet menade upplysningsfilosofer att imperiet fick en dolkstöt i ryggen av kristendomen, och i 1900-talets kommunistländer skyllde man på klasskamp. Nazisterna menade att det var judarnas fel. Och så vidare, i oändlighet. Nya förslag presenteras ständigt. Vad tror forskningen idag? Vad tror vi själva?I detta avsnitt av podden Harrisons dramatiska historia samtalar Dick Harrison, professor i historia vid Lunds universitet, och fackboksförfattaren Katarina Harrison Lindbergh om romerska rikets undergång, den händelseutveckling som utmynnade i att antiken gled över i medeltiden.Bild: Förstörelse av Thomas Cole (1836), Wikipedia, Public Domain.Klippare: Aron SchuurmanProducent: Urban LindstedtRepris Hosted on Acast. See acast.com/privacy for more information.

Episode No. 682 is a holiday clips episode featuring artist Leslie Martinez. Martinez is included within "Shifting Landscapes," which is at the the Whitney Museum of American Art in New York until January 2026. The exhibition considers how evolving political, ecological, and social issues motivate artists as they address the world around them (which is to say US artists are addressing land and landscape as they have since the days of Ralph Waldo Emerson and Thomas Cole.) The show was curated by Jennie Goldstein, Marcela Guerrero, and Roxanne Smith, with Angelica Arbelaez. Seven previous MAN Podcast guests are in the exhibition, including Robert Adams (Episode No. 41,  227, 555), Teresita Fernández, LaToya Ruby Frazier, An-My Lê, Patrick Martinez, Amalia Mesa-Bains, and Alison Saar. Martinez was previously featured in solo shows at MoMA PS1 in Queens, and the Blaffer Art Museum, University of Houston. Their work is in the collection of museums such as the Dallas Museum of Art, the Pérez Art Museum Miami, and the High Museum of Art, Atlanta. For images, see Episode No. 635. Instagram: Leslie Martinez, Tyler Green.

Today's episode is all about relaxing, taking a little break after a long year and before the holidays hit. So I offer you a quiet beach at the Jersey Shore in this serene painting by William Trost Richards.  We'll find out how this Philadelphia-born artist embraced the idea of nature and art as keys to a better life and his connection to the Corcoran Gallery in Washington D.C. Thomas Cole and the Corcoran are key parts of the story, so here are previous episodes about them:  “A Pastoral Visit” tells the story of the founding of this influential museum and “The Voyage of Life: Childhood” is one of Cole's dramatic allegorical paintings. SHOW NOTES “A Long Look” themes are "Easy" by Ron Gelinas https://youtu.be/2QGe6skVzSs and “At the Cafe with You” by Onion All Stars https://pixabay.com/users/onion_all_stars-33331904/ Episode Music "Morning" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License https://creativecommons.org/licenses/by/4.0 “Database Of Problems, Rolodex Of Lies” by Doctor Turtle https://doctorturtle.bandcamp.com/album/free-turtle-archive-everything-cc-by-by-turtle Artwork information  https://www.nga.gov/collection/art-object-page.195170.html William Trost Richards information https://chrysler.org/exhibition/seascapes-by-william-trost-richards/ https://www.nga.gov/collection/artist-info.2710.html New York Times article on Richards https://www.nytimes.com/2013/08/16/arts/design/william-trost-richards-at-national-academy-museum.html?smid=nytcore-ios-share&referringSource=articleShare “William Trost Richards: American Landscape & Marine Painter” by Linda S. Ferber https://archive.org/embed/williamtrostrich0000ferb (archive.org) “Niagara” by Frederic Edwin Church https://www.nga.gov/collection/art-object-page.166436.html Episode on the Corcoran Gallery  “A Pastoral Visit” Episode on Thomas Cole “The Voyage of Life: Childhood” Transcript is available at https://alonglookpodcast.com/coast-new-jersey

George Bory, chief investment strategist for fixed income at Allspring Global Investments, says that 'the soft landing was earlier this year,' and now the Federal Reserve is trying to "prevent a recession in an otherwise fairly healthy but unevenly distributed economy." Bory notes that central bankers typically cut interest rates to stimulate a slowing economy, but that's not the case currently in the United States, where he says the Fed is trying to bring rates down more in line with inflation, and that has changed the shape of the yield curve, dropping short-term rates but making it that long-term rates — including mortgage rates — aren't likely to fall by much even with additional rate cuts. Todd Rosenbluth, head of research at VettaFi picks a market-index fund with an options overlay — an ETF that's delivering yields of roughly 9 percent — as his "ETF of the Week." Thomas Cole, co-founder of Distillate Capital — a firm that makes "stability" a prime factor in its investment methodology — brings his numbers-oriented value-investing approach to the Money Life Market Call.

This week on The Broski Report, Fearless Leader Brittany Broski starts a Book Club, shares some etymology, and interprets The Course of Empire paintings by Thomas Cole. 

Las pinturas de paisajes decoran habitaciones, oficinas o salas de espera porque suelen ser agradables y evocadora. Nos llevan a un lugar tranquilo y seguro, a un sitio de paz. Pero si algo hemos aprendido con nuestro 'Artesano' es que cualquier cuadro es mucho más de lo que parece. Pablo Ortiz de Zárate nos ha contado que mensaje esconde un paisaje aparentemente tranquilo con 'El meandro' de Thomas Cole (1836)

Arrancamos la semana con Bob Pop contestando a todas las consultas de los oyentes. Nuestra dupla nos cuenta cómo fueron sus primeras veces futboleras y en la vida en general. El arte-sano, Pablo Ortiz de Zárate, nos enseña a mirar un poco más allá de los paisajes con "El meandro" de Thomas Cole. Cerramos el lunes con un Mitos 2.0. dedicado a todos esos amigos que desaparecen cuando se emparejan. Para ello, nos acompaña la psicóloga Andrea Vicente que nos explica qué pasa, si tiene solución y que nos convierte en los candidatos perfecto para tener una relación así.

Valley Girl Jenny visited ⁠The Thomas Cole National Historic Site⁠ in Catskill, joined by special guest co-host ⁠Brett Barry⁠ of ⁠Kaatscast: The Catskills Podcast⁠ and ⁠Silver Hollow Audio⁠, and production intern Olivia Sippel, for our very first episode recorded on location! They talked to - and walked the site with - Executive Director ⁠Betsy Jacks⁠. The ⁠⁠Thomas Cole National Historic Site⁠⁠ covers more than 6 acres in ⁠⁠Catskill, NY⁠⁠, with stunning views, meticulously preserved or restored buildings, interactive exhibits, and of course iconic paintings from the ⁠⁠Hudson River School⁠⁠. Betsy gave us in-depth access on what might just have been the most perfect autumn day the Hudson Valley has ever seen. To experience more of the site and the art, check out our video on YouTube, as well as ⁠thomascole.org⁠ and ⁠explorethomascole.org⁠. Also check out Brett's ⁠very first episode of Kaatscast from January 7, 2020⁠⁠, where he chatted with Betsy as part of his audio driving tour of the Northern Catskills' Mountain Cloves Scenic Byway. Thanks for listening! To help support the Valley Girls, please follow our podcast from our show page, leave a rating and review, and please spread the word and share our podcast with others. We really appreciate your support! To stay up to date and for more content you can find us at ⁠valleygirlspodcast.com⁠, at ⁠instagram.com/ValleyGirlsPodNY⁠, at ⁠YouTube.com/@ValleyGirlsPodcast⁠, and starting this season check out the Newsletter and Pod Squad tab on our website to sign up for our e-mail newsletter and join our new Facebook Group so you never miss a thing! All links can also be found in our Instagram bio. Episode music by Robert Burke Warren entitled Painting a Vast Blue Sky can be found at ⁠robertburkewarren.bandcamp.com/track/painting-a-vast-blue-sky⁠.

Before he and his wife Lucinda began rewilding work on the Pitchfork Ranch 20 years ago, A Thomas Cole spent thirty-two years as a small-town lawyer in Casa Grande, Arizona, successfully defended two death-penalty murder cases, a dozen homicide cases, co-counseled the largest jury verdict in Arizona history, Chaired the Casa Grande Town Hall, Arizona […] Read full article: Episode 134: Rewilding Pitchfork Ranch – On The Ground With AT Cole

True Colours - Episode 5 - Thomas Cole by Clare FM

Morning Focus was broadcasting live from Carey Corbett Financial Solutions in Ennis, to celebrate the 20th anniversary of the business. Firstly, Alan Morrissey was joined by Shannon resident, Niamh O'Callaghan and Cratloe resident, Padraig Collins to discuss road safety and pedestrian crossings. After that, Alan was joined by Tommy Corbett, of Carey Corbett Financial Solutions to find out more about the business and the work that they do. We then had our weekly Duchas is Dochas segment with Therese McInerney. Next, Alan was joined by Donal Carey, of Carey Corbett Financial Solutions to tell us more about the services they offer. Later, Alan was joined by Michael Guerin, Addiction Counsellor at Cuan Mhuire to discuss funding granted to community drug addiction organisations in HSE MidWest. Alan was then joined by two members of staff who work at Carey Corbett, Mortgage Advisor, Ruth Sheehan and Life Insurance Advisor, Dearbhla Reddan to talk about the success of the business. We then had episode 5 of our True Colours segment where we heard from Thomas Cole. After that, Alan was joined by Tommy Corbett of Carey Corbett financial solutions, Mike Taylor, Director of Policy and Public Affairs FASD and Sallyann Marron, of Sallyann's Handbags for our weekly Friday panel. Next, we had our Atlantic Tales segment with Pat Flynn. To close the show, Alan was joined by Clare FM Sports Editor, Derrick Lynch to preview the upcoming weekend in sport.

John is joined in this episode by Sabeeha Bhatti, a teacher in her second year working in a school in West London. Sabeeha talks about how she got into geography teaching and how her personal passions and identity contribute to her teaching style.  They discuss the impact of inspirational teachers, the benefits of using art in the classroom to exemplify change and how working in a diverse area with a changing population can foster empathy in students.   Resources In the episode they look at a number of artworks, including:  The Seven Rages of Man which appeared as part of Outside Narration, curated by Keith Piper, at the Graves Art Gallery in Sheffield from September 2021 to December 2023. Works by L.S. Lowry including Coming from the Mill and Going to the Match. Frida Kahlo's Self Portrait Along the Border Line Between Mexico and the United States. Thomas Cole's The Oxbow. Find Sabeeha on X: @MissSBhatti   Series 13 of GeogPod is kindly sponsored by Rayburn Tours. For over 60 years, Rayburn Tours have been creating tailor-made school geography trips to destinations in the UK, Europe and beyond that inspire, motivate and enhance student understanding. Their expert team craft incredible itineraries of excursions and activities, with the added option of a geographical Field Study Tutor and on-tour resources. The best way to learn is through adventure!

From panoramic paintings to the wider environment, we cover it all on this episode of the OSPod. Plus, what meal we are, dangerous hobbies, special secret talents, and more!Our podcast, like our videos, sometimes touches on the violence, assaults, and murders your English required reading list loves (also we curse sometimes). Treat us like a TV-14 show.Pins!https://overlysarcastic.shop/OSP has new videos every Friday:https://www.youtube.com/c/OverlySarcasticProductionsChannelQuestion for the Podcast? Head to the #ask-ospod discord channel:https://discord.gg/OSPMerch:https://overlysarcastic.shopFollow Us:Patreon.com/OSPTwitter.com/OSPyoutubeTwitter.com/sophie_kay_Music By OSP Magenta ★ Support this podcast on Patreon ★

The Thomas Cole National Historic Site has a new visitors center that transforms how people experience the national historic landmark. The building – named the Cole Center – has been designed by Stephen Shadley, the renowned New York City-based architectural designer who is a member of the Board of Trustees of the Thomas Cole Site.

Rocks are any naturally occurring solid mass or aggregate of minerals. There are three major types of rock: igneous which are formed through the cooling of lava sedimentary which are formed by the accumulation or deposition or mineral or organic particles metamorphic which result from the transformation of existing rock to new types of rock as a result of extreme temperatures or pressure Studying rocks provides us with a primary record of much of the geological history of the Earth. Geology describes the structure of the earth and the processes that have shaped that structure. By studying the earth's structure, geologists determine the relative ages of rocks found at a given location. They use a wide variety of methods to understand this, including fieldwork, rock description, geophysical techniques, chemical analysis, and more. The Hudson River School was a mid-19th-century American art movement embodied by a group of landscape painters who created a realistic, detailed, and sometimes idealized portrayal of nature, often juxtaposing peaceful agriculture and wilderness, which was fast disappearing from the Hudson Valley just as it was coming to be appreciated The study of art along with geology can provide insights into the past culture, especially when you combine the Hudson River School paintings with our local geologists, Robert and Johanna Titus. By studying the paintings of Thomas Cole, Frederic Church and others, the Tituses help to provide additional insights into some popular tourist and cultural locations in the Catskills and the Hudson Valley. Robert Titus, PhD, is a paleontologist by training, and a retired professor at Hartwick College in the Geology Department, who has don considerable professional research on the fossils of New York. Johanna Titus, MS, has a degree in molecular biology, also a retired professor from SUNY Dutchess. Together, they have authored multiple books (The Hudson Valley in the Ice Age; The Catskills in the Ice Age; The Catskills: A Geological Guide; and The Hudson River Schools of Art and Their Ice Age Origins). They are also regular columnists for The Mountain Eagle newspaper. They joined the Nature Calls: Conversations from the Hudson Valley team in a delightful conversation about the Art of Rocks. Hosts: Jean Thomas and Teresa Golden Guests: Robert and Johanna Titus Photo by: Jean Thomas Production Support: Linda Aydlett, Deven Connelly, Teresa Golden, Xandra Powers, Annie Scibienski, Robin Smith Resources

In this episode, we chat with Twin Dad Thomas about his journey raising two-year-old twins. Thomas shares the excitement and challenges of moving back to the city after four years in Long Island and offers unique insights into urban parenting. He and his partner navigate the joys and hurdles of being gay dads, from the intricacies of traveling with young twins to the trials of finding a supportive community of parent friends. Plus, Thomas makes a special announcement: their family is growing! Tune in to hear about their journey living life in the Fab Lane as Twins Dads. Find more of Thomas here:Instagram @iamthomascole_show YouTube - https://youtube.com/@iamthomascole_show?si=ELIjenQ7S4xenlRD Subscribe to the Twiniversity Email Newsletter! Expecting twins? Twiniversity has you COVERED with online classes on:Breastfeeding TwinsTwins After SingletonsBaby Safety (CPR, First Aid, Car Seat Safety, Childproofing)Click here to sign up for a class!Follow us on:YouTubeTwitterInstagramPinterestFacebook

Olana, located in Hudson, New York, is the greatest masterwork of Frederic Edwin Church (1826-1900), the most famous American landscape artist of the mid-19th century and the most important artist's home, studio, and designed landscape in the United States. Church designed Olana as a holistic environment integrating his ideas about art, architecture, landscape design, and environmental conservation. Olana's 250-acre artist-designed landscape with five miles of carriage roads and a Persian-inspired house at its summit embraces beautiful panoramic views of the Hudson Valley and Catskill Mountains. Frederic Church is well-known as a painter, but he was also a world traveler, a family man, and a self-taught architect, farmer and landscape designer. Born in Hartford, CT, Frederic Church was the son of a silversmith with interests in milling, insurance, real estate and railroads. Showing early artistic talent, Church's parents arranged for him to study with Thomas Cole in Catskill, New York. Cole had already established himself as an important landscape painter, and Church studied with him between 1844 and 1846. The following year, Church moved to New York to begin his independent career. He was very well-traveled in New England, including Vermont, Maine, and Connecticut. He went to South America, in 1853 and 1857, along the cordilleras of the Andes, to see equatorial volcanoes. Church achieved success in his twenties and attracted important patrons. Even after Olana became his primary residence, he maintained an active presence in New York City, where he was a part of the art community. In 1860, he married Isabel Mortimer Carnes. Church purchased 126 acres of hardscrabble farmland on a south facing hillside a few miles south of the town of Hudson, a sketching spot he had visited twenty years earlier in the company of Thomas Cole, his teacher. Although Cole had died in 1848, his family still lived just across the river, in Catskill. Frederic and Isabel boarded with the Cole family while working with architect Richard Morris Hunt to design a small house. They called it “Cosy Cottage” and the couple moved in by the early summer of 1861. Acting as both a farmer and a landscape artist, Frederic improved the land. He planted crops, established a dairy herd, transformed a swampy area into a lake, and planted thousands of trees. He built a studio on the highest point of land he then owned, and there he made sketches of the views and worked on larger compositions. After spending 18 months visiting Europe and the Middle East, the Churches returned to New York in 1866 and purchased an additional 18 acres at the top of their hill, where the house, eventually named ‘Olana' is sited. They eventually moved into their new home in 1872 and raised four children there. Although they were frequent visitors to New York City, Olana was their primary home. The Olana State Historic Site, administered by the New York State Office of Parks, Recreation and Historic Preservation, is a designated National Historic Landmark. It is one of the most visited landmarks in New York State, consisting of breath-taking views, informative tours and educational programs. On this episode of Nature Calls: Conversations from the Hudson Valley, Carolyn Keough joins us to talk all that Olana offers including some of the programs that are available. Carolyn is the Director of Education and Public Programs at The Olana Partnership and an experienced museum educator and administrator working with school, youth and family audiences. A graduate of New York University, she also has a Masters degree in Art History at City College. She came to Olana from the Solomon R. Guggenheim Museum, where she was the Manager of School, Youth, and Teen Programs, overseeing gallery and studio programs, coordinating professional development for educators and assisting with teaching and curriculum development. Hosts: Jean Thomas and Teresa Golden Guest: Carolyn Keough Photo by: Teresa Golden Production Support: Linda Aydlett, Teresa Golden, Timothy Kennelty, Xandra Powers, Annie Scibienski, Robin Smith Resources

The Thomas Cole National Historic Site in Catskill, New York has opened a new exhibition titled “Native Prospects: Indigeneity and Landscape.” It juxtaposes an Indigenous approach to the articulation of their homelands and the environment with the American landscape paintings of Thomas Cole, which are rooted in European tradition.

Marc Mitchell holds a M.F.A from Boston University. His work has been included in exhibitions at the Schneider Museum of Art, Southern Oregon University; University of Wisconsin, Madison; University of Alabama, Tuscaloosa; Florida Atlantic University Galleries, Boca Raton; TOPS Gallery, Memphis, TN; GRIN Gallery, Providence, RI; Laconia Gallery, Boston, MA; and others. Mitchell has been featured in publications such as the Boston Globe, Burnaway, and Number Inc; and was selected for New American Paintings in 2014, 2017, 2018, and 2020. Mitchell has been an Artist-in-Residence at the Banff Center for Arts & Creativity, Ucross Foundation, Vermont Studio Center, Hambidge Center for the Arts, Jentel Foundation, and Tides Institute/StudioWorks. In 2021, Mitchell was a Fellow at The American Academy in Rome. In addition to his studio practice, Mitchell has curated exhibitions that feature artists such as Tauba Auerbach (Diagonal Press), Mel Bochner, Matt Bollinger, Mark Bradford, Tara Donovan, Chie Fueki, Daniel Gordon, Sara Greenberger-Rafferty, Philip Guston, Josephine Halvorson, Trenton Doyle Hancock, Jenny Holzer, Rashid Johnson, Mary Reid Kelley, Ellsworth Kelly, Arnold Kemp, Allan McCollum, Kay Rosen, Erin Shirreff, Lorna Simpson, Jered Sprecher, Jessica Stockholder, Jason Stopa, Hank Willis Thomas, Carrie Mae Weems, Lawrence Weiner, Wendy White, Molly Zuckerman-Hartung, and many others. "I am influenced by many things—1980's guitars, VHS tapes, World War I battleships, sunrise/sunset gradients, moiré patterns, and more. Over the past 3 years, ‘notions of cycle' have played an increased role in the development of my paintings; and I'm curious how the avant-garde succeeds and fails within popular culture. Currently, I'm interested in how the landscape has been depicted throughout American culture. Whether it's Thomas Cole and Albert Bierstadt of the Hudson River School, Georgia O'Keeffe's monumental work at the Art Institute of Chicago, or an Instagram post of a sunset—each conveys a romanticized view of our world. The most recent paintings are an amalgamation of experiences that I've had within the American landscape; with each painting flowing freely between representation and abstraction." LINKS:  www.mmitchellpainting.net   www.instagram.com/methan18     Artist Shout Out:    UARK Drawing --- https://www.uarkdrawing.com/ and @uarkdrawing UARK Painting --- https://www.uarkpainting.com/ and @uarkpaintning   I Like Your Work Links: Check out our sponsor for this episode: The Sunlight Podcast: Hannah Cole, the artist/tax pro who sponsors I Like Your Work, has opened her program Money Bootcamp with a special discount for I Like Your Work listeners. Use the code LIKE  to receive $100 off your Money Bootcamp purchase by Sunlight Tax. Join Money Bootcamp now by clicking this link: https://www.sunlighttax.com/moneybootcampsales and use the code LIKE. Chautauqua Visual Arts: https://art.chq.org/school/about-the-program/two-week-artist-residency/ 2-week residency https://art.chq.org/school/about-the-program/ 6-week residency   Apply for Summer Open Call: Deadline May 15 Join the Works Membership ! https://theworksmembership.com/ Watch our Youtube channel: https://www.youtube.com/@ilikeyourworkpodcast Submit Your Work Check out our Catalogs! Exhibitions Studio Visit Artist Interviews I Like Your Work Podcast Say “hi” on Instagram

The March 5th primary election ballot lists three people vying to be the Representative of California's 24th Congressional District. The top two vote getters will proceed to the general election in November. KCSB's Ray Briare brings us remarks from the Republican candidate, Thomas Cole.

The March 5th primary election ballot lists three people vying to be the Representative of California's 24th Congressional district. The top two vote getters will proceed to the General election in November. Ray Briare brings us remarks from the Republican candidate, Thomas Cole.

This episode is a deep dive into the mountain goat of Capricorn; Looking up and ahead, mapping and planning, and strategically making our way to the new peaks of personal and cultural growth and maturity..Saturn/Cronus rules this sign and we will take another look at his mythology as he overthrows his father and then eats his own children. Astrologically the planet represents the painful process of life's great challenges but how they are ultimately in our path not just to antagonize us, but to make us flourish into who we are meant to be.The Great God Pan and his sister Amalthea, Zeus' nanny goat, are also explored. Pan as the rustic, wild, musical and wise half-goat God. And Amalthea as the nurturing caregiving energy. Both of these elements help us to expand our view of Capricorn beyond that of the serious, disciplined and controlling one..We also take a look back to ancient calendars and the importance of the festival of Saturnalia that would occur around this time of year. As well as a glimpse into the figures of Jesus and Dionysus and their shared birthday of December 25th, making them both Capricorn Suns..The image for the cover is taken from here. It's a combination of artwork from William-Adolphe Bourguereau, 1873 and Thomas Cole, c.1834.Podcast Musician: Marlia CoeurPlease consider becoming a Patron to support the show!Go to OnTheSoulsTerms.com for more.

Jesus Christ left heaven to enter this sin-cursed world as a human being to open the doorway back into the presence of God. - SERMON TRANSCRIPT - This fall I was visiting my family, the part of my family that lives up in Boston and my daughter Carolyn, and I went to the Boston Museum of Fine Arts. In one of the galleries there we saw a painting that just arrested me and seized my imagination and caused me to ponder for a long time. The painting was entitled, Expulsion from the Garden of Eden, and it was painted by Thomas Cole. It's a dramatic scene, of course, depicting the most tragic event in human history. Adam and Eve's sin in the Garden of Eden leading to God's curse on them and on the world and the judicial sentence of death descending on them. God then righteously expelled them from the Garden of Eden and put a guardian cherub with a flaming sword flashing back and forth to guard the way into the Garden lest any of them or their descendants should eat from the Tree of lLife. Thomas Cole, who painted that painting was an ardent evangelical Christian who lived in the first third of the 19th century, and he painted this masterpiece in the year 1828. Cole was a founder of the Hudson River School of Landscape Painting. He dearly loved the pristine beauty of nature all over the world, but especially in his home area of the Catskill Mountains in upstate New York. Cole's painting of the expulsion of Adam and Eve from the Garden of Eden is basically divided in half. The right half of the painting is the beautiful Garden of Eden with clear blue skies, fair weather, clouds, stunningly beautiful snow cap, mountains in the distance and alluring lake in the valley between the mountains, lush greenery, abundant with colorful flowers in the foreground, paradise lost. The left half of the painting is bleak with dark colors of volcano erupting lava in the distance, flashes of lightning coming from the ominous storm clouds, a straggly apparently dead tree dominating the foreground with apparently dead animals at the foot of that tree. Adam and Eve themselves are tiny, barely noticeable as they hurry from the Garden of Eden into the dark dying world that their sin destroyed. They hurry into that cursed world across a stone bridge that spans a deep chasm shrouded in darkness. The waters of a flood seem to be hurdling down the chasm toward them. Between the brilliantly light right side of the painting and the dark left side is a passageway, like a doorway made of stone, like the entrance it seems to a cave. In the center of that doorway, brilliant light emanates with overpowering rays. Those rays perhaps represent the glory of God chasing the two sinners from paradise, or perhaps the flaming sword in the hands of the guardian cherub ready to kill them if they should try to double back. It is of the expulsion from the presence of God and of this brilliantly lit passageway back into the presence of God that I want to speak tonight. It was in order to open this doorway back into the presence of God that Jesus Christ left heaven and entered this sin curse world as a human being. My texts tonight are Ephesians 2:13 and Hebrews 10:19-22. Hear them again, Ephesians 2:13 says, "But now in Christ Jesus, you who once were far away have been brought near through the blood of Christ." And again, Hebrews 10:19-22, "Therefore, brothers, since we have confidence to enter the most Holy place by the blood of Jesus, by a new and living way opened for us through the curtain that is his body. And since we have a great priest over the house of God, let us draw near to God with a sincere heart in full assurance of faith, having our heart sprinkled to cleanse us from a guilty conscience and having our bodies washed with pure water.” I. Expelled From Eden First expelled from Eden, Adam and Eve were created perfect by God in the image of God and placed in that perfect world in which everything had been declared very good by God. Adam was formed first from the dust of the earth and put in the Garden of Eden to serve and protect it. Adam was clearly commanded by God, you are free to eat from any tree in the garden, but you must not eat from the Tree of the Knowledge of Good and Evil for when you eat of it, you'll surely die. This freedom to eat from any tree in Eden was evidence of the lavish generosity and love of God. The fruit was varied, it was delicious, it was nourishing. The prohibition to eat from the Tree of the Knowledge of Good and Evil was evidence of the holiness of God and his absolute sovereignty, his right to put limits and boundaries to our freedoms. It is also more evidence of his love because He knew perfectly well what unleashing evil into the history of the world would do. Tragically, we all have an increasing sense of what happened. Eve was deceived by the serpent and was lured to eat from the forbidden fruit. She gave some to her silent and passive husband who was with her and who utterly failed to protect his wife, his unborn children, and the Garden of Eden, indeed the entire world from the devastating effects of the serpents lies. They both ate. Their eyes were open to their nakedness, they were stripped of the glory that they had been given by God and they began to hide from each other and from God. God confronted Adam and condemned him for his sin. They both came under instant spiritual death and would live the rest of their lives under a temporarily deferred but absolutely certain death penalty. As Thomas Cole depicted, the whole world fell into the dark curse of decay and death because of Adam's sin. Adam and Eve were expelled from the presence of God as Genesis 3, tells us. The Lord God banished him from the Garden of Eden to work the ground from which he had been taken. After He drove the man out, He placed on the east side of the garden of Eden cherubim and a flaming sword flashing back and forth to guard the way to the Tree of Life. II. Distant From God The infinite loss that day was to be driven not only from the beautiful Garden of Eden, but from the glorious presence of a loving and Holy God, distant from God. The Bible reveals that all of us are naturally distant from God because of our sin. Psalm 138:6 says, "Though the Lord is on high, he looks upon the lowly, but the proud he knows from afar." From afar. Also, Proverbs 15:29 says, “The Lord is far from the wicked.” This is relational language because we know the Bible teaches that God is omnipresent." It says in Acts 17, He is not far from each one of us, "For in him we live and move and have our being." But the Holy God is infinitely far from wickedness and evil corruption and sin from darkness itself. Habakkuk 1:13 says, "Your eyes are too pure to look on evil. You cannot tolerate wrong." Our text in Ephesians speaks of the immeasurable distance between us as unconverted people and this Holy God. Ephesians 2 says, "Remember that at that time you separate from Christ excluded from citizenship in Israel and foreigners to the covenants of the promise without hope and without God in the world." And it says in the next verse, "You who were once far away." A picture of this distance between a Holy God and a sinful people was established in the Tabernacle and then later the Temple of the Old Covenant. The lessons of the Old Covenant may be summed up in the first command that God gave to Moses at the burning bush. In Exodus 3:5 God said to him, "Do not come any closer. Do not come any closer." Then he said, "Take off your sandals for the place where you're standing is Holy ground." Again and again, the Holy God has been saying to sinful humanity, “do not come any closer.” Before He descended in fire on Mount Sinai, the Lord commanded Moses to erect a barrier, a fence line around the base of the Holy mountain so that no one could ascend that mountain because God would have to kill them. The Tabernacle represented God's desire to dwell in the midst of a sinful people, but it was made of curtains that represented barriers between a Holy God and a sinful people. We are not welcome, “this far you may come and no farther.” So as sinners, we were distant from God. "The Tabernacle represented God's desire to dwell in the midst of a sinful people, but it was made of curtains that represented barriers between a Holy God and a sinful people. We are not welcome, “this far you may come and no farther.” So as sinners, we were distant from God." III. Christ Has Drawn Near To Us Third, Christ has drawn near to us. Christ has drawn near to us. In the incarnation of Jesus Christ, this Holy God has drawn near to us. “Emanuel,” which we sang about this morning and again tonight means “God with us.” God gave his only-begotten Son a body with blood so that a doorway could be open into his presence by means of that body and that blood. The incarnation means “the Word became flesh” with a literal human body. But why? What was the reason? The reason was to bring sinners near to a Holy God by the blood and by the body of Jesus. Listen again to Ephesians 2:13, "But now in Christ Jesus, you who once were far away have been brought near through the blood of Christ." Again, Hebrews 10, "Therefore brothers, since we have confidence to enter the most Holy place by the blood of Jesus by a new and living way open for us through the curtain that is his body. And since we have a great priest over the house of God, let us draw near to God with a sincere heart and full assurance of faith, having our heart sprinkled to cleanse us from the guilty conscience and having our bodies washed with pure water." The incarnation means that God, the Son, took on a body with blood so that the death penalty we deserve for our sins could be paid in full. By the baby, wrapped in swaddling clothes and laid in the manger, we are brought near to a Holy God. IV. Christ Has Brought Us Near To God Christ, fourthly, has brought us near, so therefore, let us draw near. By faith in Christ we who were on the outside excluded, exiled, banished, cast out, evicted from the paradise of God's glorious presence by faith in the blood of Christ shed on the cross, we have been brought near. That is exactly what Ephesians 2:13 tells us. If you have trusted in Christ, you have been brought near positionally and for all eternity to God, one with Christ by faith in Christ, by faith. Speaking of nearness to God, Ephesians 2:13 tells us we have been brought near once for all into the presence of God, into the Holy of Holies, into the throne room of God, into a reconciled relationship with God. "By faith in Christ we who were on the outside excluded, exiled, banished, cast out, evicted from the paradise of God's glorious presence by faith in the blood of Christ shed on the cross, we have been brought near." But Hebrews 10, exhorts “Let us draw near to God.” So the one is positional and can never change. The other is experiential, relational by faith in Christ, drawing near to God in relational closeness, in a sense of intimacy with a loving God. So draw near brothers and sisters, let us draw near by faith. Let us have our bodies washed with the pure water of the Word. Let us have our hearts sprinkled from a guilty conscience. Sense that you are dearly loved. Draw near, draw near to a Holy God, draw near by Jesus's work, draw near by immersing your mind in Scripture as it testifies to Jesus. Draw near by prayer, confessing your sins with confidence of a perfect cleansing. Draw near by repentance and by the power of a changed life through the Holy Spirit. Draw near, the author to Hebrews tells us in full assurance of faith that God dearly loves you. He cannot love you more and will never love you less. Draw near now through the ordinance of the Lord's Supper, recognizing by faith, the body and the blood of Christ in these elements, symbolically, yes, but by faith recognizing that the incarnation came so that we who are far away might draw near. Close with me, this time of meditation in the Word with prayer, and then we'll turn to the Lord's Supper. Father, we thank you for the amazing truths of the Word of God. We can never plumb their deaths. We can never fully understand these themes. We can never fully understand what it meant to be expelled, to be exiled, to be aliens, to be distant from you and to fully understand in this world what it means now in Christ to be brought in here. Help us to understand these things by faith in your Word. And now as we have the opportunity to partake in the Lord's Supper, bless this time. In Jesus' name, Amen. We're going to partake in the Lord's Supper. We have an unusual way on Christmas Eve of celebrating it. These tables just set up and whereas ordinarily at the Lord's Supper, we send deacons out with the elements and pass them through the pews and you stay where you are. On Christmas Eve we invite you to draw near and to stand around the tables. And so what we do is we just have people come and stand and as the table is reasonably full, then we serve those people and then those folks go and sit down and the next group comes up. We would ask that only people who have testified, who have come to personal faith in Christ and testified to that by baptism, partake. If not, we ask that you refrain. But this is a time for us to enjoy the Lord's Supper. And so I'm going to read the words of institution and then we will celebrate in groups around the tables. Hear now what the Lord said, "For I receive from the Lord what I also passed on to you." The Lord Jesus on the night he was betrayed, took bread. And when he had given thanks, he broke it and said, "This is my body, which is for you, do this in remembrance of me." In the same way after supper, he took the cup saying, "This is the cup. This cup is the new covenant in my blood. Do this whenever you drink it in remembrance of me. For whenever you eat this bread and drink this cup, you proclaim the Lord's death until he comes." Now, let us pray. Father, we thank you now for the opportunity that we have to draw near through the body and blood of Christ and to partake by faith in this symbolism of your life, of your death, and also of your resurrection. We pray that you'd bless it now and add the blessing by the power of the Spirit through faith in the Word. In Jesus' name, Amen.

In today's episode we're looking at “Childhood” by Thomas Cole. It's the first of a series of enormous paintings he did called “The Voyage of Life.”  We'll find out how Cole used this series to push the boundaries of landscape painting from just pretty pictures to something much more meaningful. And we'll learn why the Gallery's version isn't the original!  SHOW NOTES  “A Long Look” themes are "Easy" by Ron Gelinas https://youtu.be/2QGe6skVzSs and “At the Cafe with You” by Onion All Stars https://pixabay.com/users/onion_all_stars-33331904/ Episode music:  “Scenes from Childhood,” Op. 15, Robert Schumman https://musopen.org/music/2326-scenes-from-childhood-op-15/ “His Last Share of the Stars” by Doctor Turtle https://doctorturtle.bandcamp.com/album/free-turtle-archive-everything-cc-by-by-turtle Artwork information  https://www.nga.gov/collection/art-object-page.52450.html https://www.nga.gov/collection/highlights/cole-the-voyage-of-life-childhood.html https://www.nga.gov/content/dam/ngaweb/research/publications/pdfs/american-paintings-19th-century-part-1.pdf Thomas Cole information https://thomascole.org/biography-of-thomas-cole/ https://thomascole.org/wp-content/uploads/FINAL-PDF-for-Website-2022.pdf Thomas Cole National Historic Site  https://thomascole.org/ For a transcript visit https://alonglookpodcast.com/?p=2804  

Romerska rikets nedgång och fall i Västeuropa har ända sedan renässansens dagar varit föremål för ändlösa diskussioner mellan lärda européer. Fler än 170 orsaksmodeller har konstruerats, av vitt skilda slag. Frågan om vad som fick det gigantiska imperiet vid Medelhavet att erodera och kollapsa är en av världshistoriens största gåtor.Var det så enkelt att ”barbarerna” på andra sidan gränsen – germanerna, hunnerna och de andra – helt enkelt var bättre soldater, att de mördade imperiet genom hänsynslösa plundringståg? Eller bör vi söka efter ekonomiska förklaringar, till exempel i dålig penningpolitik, alltför dyra slavar och misskötta lantegendomar? Eller ligger gåtans lösning snarare i obarmhärtiga externa faktorer, som pandemier och klimatförändringar? På 1700-talet menade upplysningsfilosofer att imperiet fick en dolkstöt i ryggen av kristendomen, och i 1900-talets kommunistländer skyllde man på klasskamp. Nazisterna menade att det var judarnas fel. Och så vidare, i oändlighet. Nya förslag presenteras ständigt. Vad tror forskningen idag? Vad tror vi själva?I detta avsnitt av podden Harrisons dramatiska historia samtalar Dick Harrison, professor i historia vid Lunds universitet, och fackboksförfattaren Katarina Harrison Lindbergh om romerska rikets undergång, den händelseutveckling som utmynnade i att antiken gled över i medeltiden.Bild: Förstörelse av Thomas Cole (1836), Wikipedia, Public Domain.Klippare: Aron SchuurmanProducent: Urban Lindstedt Hosted on Acast. See acast.com/privacy for more information.

The Thomas Cole National Historic Site will be presenting a two-part exhibition titled “Women Reframe American Landscape” – one part will be historical – “Susie Barstow & Her Circle” – which will highlight the extraordinary work of Susie Barstow, who exhibited in her day with many of the renowned Hudson River School painters but whose work, along with other women in her circle, has since been overlooked.The contemporary component – “Contemporary Practices” – will explore the cutting-edge work of internationally renowned women artists responding through art to the American landscape today. The exhibitions take place through October 29, 2023 at the Thomas Cole Site in Catskill, NY.To tell us more we welcome: co-curator of the exhibition and Chief Curator at the Thomas Cole Site Kate Menconeri, co-curator of the exhibition and Associate Curator at the Thomas Cole Site Amanda Malmstrom, and one of the acclaimed artists whose work is presented in the exhibition, Mary Mattingly.

Interview recorded - 7th of July, 2023Buy the book here - https://www.amazon.co.uk/Fourth-Turning-Here-Seasons-History/dp/1982173734/On todays WTFinance podcast I had the pleasure of speaking with Neil Howe, co-author of the ground breaking “The Fourth Turning” and author of the upcoming update to the original book “The Fourth Turning is Here: What the Seasons of History Tell Us About How and When This Crisis will End.”During our conversation we spoke about what the seasons of history are, how they influence demographics, what the current Fourth Turning could bring and the potential golden age after such crises. I hope you enjoy. 0:00 - Introduction2:00 - Overview of the seasons of history and the Fourth Turning?11:13 - Seasons and how they influence demographics?20:10 - When did the current crisis period begin?23:50 - Are these seasons inevitable?28:10 - What other crises can we expect in the next decade?33:45 - Emergence of global powers after winters39:55 - How will nuclear weapons impact future crises conflict?47:25 - What can we expect after crises?51:40 - One message to takeaway from our conversation?Neil Howe is an acclaimed historian, economist, and demographer and the bestselling author (with William Strauss) of The Fourth Turning, as well as over a dozen books on demographic and social change. The nation's leading thinker on today's generations—who they are, what motivates them, and how they will shape America's future—Howe is Managing Director of Demography at Hedgeye Risk Management, an independent financial research firm, as well as President of LifeCourse Associates, which serves hundreds of corporate, nonprofit, and government clients. He lives with his family in Great Falls, Virginia.Neil Howe - LinkedIn - https://www.linkedin.com/in/neilhowe/Twitter - https://twitter.com/HoweGenerationHedgeye - https://app.hedgeye.com/WTFinance - Instagram - https://www.instagram.com/wtfinancee/Spotify - https://open.spotify.com/show/67rpmjG92PNBW0doLyPvfniTunes - https://podcasts.apple.com/us/podcast/wtfinance/id1554934665?uo=4Twitter - https://twitter.com/AnthonyFatseasThumbnail image from - Thomas Cole, Series "The Course of Empire - Destruction"

Today we look at Nathaniel Willis' description of Lake George and the surrounding area and how it leads into the bigger conversation of the picturesque. Dives into the history, definition(s), and examples of picturesque with art work examples from the likes of Thomas Cole, John Constable, and Pietro Antoniani. ...

The Thomas Cole National Historic Site in Catskill, New York presents a two-part exhibition titled “Women Reframe American Landscape” May 6 to October 29, 2023.

Conservative activist Thomas Cole sits down with Josh Molina to discuss a possible congressional run. Cole chimes in on schools, fentanyl, guns, and a variety of topical issues. He is the founder of 805analytics.com and Coalition4Liberty.com. Cole also shares details of his upbringing and what shaped his conservative values. Joshua Molina is journalist who currently writes for Noozhawk and teaches journalism at Santa Barbara City College and Cal State University, Northridge. He formerly covered politics and land use for the San Jose Mercury News. Santa Barbara Talks is an independently owned podcast where Molina looks to bring together voices from all perspectives to discuss and provide solutions to the challenges related to housing, education, transportation and other community issues. Subscribe to this podcast and consider a contribution.

English-born artist Thomas Cole emigrated to the United States in 1818. Six years later he began what is now known as the Hudson River School, which became the first art movement of the United States.. Betsy Jacks, director of the Thomas Cole National Historic Site, tells Don how these artists captured the country's awe-inspiring natural beauty, at a time when the US was rapidly industrialising. Framing an image of America that would illustrate the spirit of the continent and the nation that sought to conquer it.Produced and mixed by Benjie Guy. Senior Producer: Charlotte Long. For more History Hit content, subscribe to our newsletters here.If you'd like to learn even more, we have hundreds of history documentaries, ad-free podcasts, and audiobooks at History Hit - subscribe today!

Thomas Cole (1801-1848) was a Christian painter and the founder of the Hudson River School of landscape painting. His work is a testament to God's sacred touch in nature..When I paint the sky, I make it blue with a yellow sun..When Thomas Cole painted the sky, he made it endless with breezy clouds melting in the distanceand dancing, sparkling, playful sun raysstreaking and warming the balmy air..When I paint the ground, I make it green with flowers here and there..When Thomas Cole painted the ground, he tickled it with brambling grassthat had giggles of earthy colorson land that dipped and soared..When I paint a mountain, I make it brown in a triangular shape..When Thomas Cole painted mountains, he made them mighty with shadows and cracks,tangled weeds and rich shades of stone and rock..When I paint water, I make it blue with wavy edges..When Thomas Cole painted water, he made it shine, glowing and shimmering, lit from within..When I paint a tree, I make a brown trunk with a puffy green top..When Thomas Cole painted trees, he made them gracefulwith sweeping branches, strong and solid mixed with dainty and twiggy. They streeeeetch toward the skyor cradle meadows and pastures..After seeing how Thomas Cole painted nature in his art, I still paint the same as I always do..But, now I see art in nature. I see God's sacred touch..I see leaves falling and sprouts rising, sacrifice and new life..I see possibilities, growth, light, and infinite love.And I feel grateful for this wonderful world. • Kelly Bakshi.• Close your eyes and listen. Can you hear the air moving or birds singing? Can you feel the sunshine... or a breeze on your skin? Deeply breathe in, then exhale. What else do you notice about the creation around you? How do those created things point to the One who made them?.• Thomas Cole used his gift to rejoice in and honor God's power. How could you use your gifts to honor Jesus, the King and Creator of the universe? (Colossians 1:15-23) .In his hand are the depths of the earth, and the mountain peaks belong to him. The sea is his, for he made it, and his hands formed the dry land. Psalm 95:4-5 (NIV)

The Variable Man by Philip K. Dick audiobook. Predictability has come a long way. The computers of the future can tell you if you're going to win a war before you fire a shot. Unfortunately they're predicting perpetual standoff between the Terran and Centaurian Empires. What they need is something unpredictable, what they get is Thomas Cole, a man from the past accidentally dragged forward in time. Will he fit their calculations, or is he the random variable that can break the stalemate?

America in the 1830s was stranger than we might think: cities were made of wood, primeval forests towered above East and West coasts alike, and the Great Dismal Swamp still swallowed more than a million acres of Virginia. Alexander Nemerov, an art historian at Stanford University, brings this unruly and uncanny world to life in his new book, The Forest: A Fable of America in the 1830s. Neither history nor fiction, the book offers dozens of gem-like stories of man's last real encounters with these ancient forests: Nat Turner's woodland hiding place, the inscription of the Cherokee language both in trail trees and on paper, Harriet Tubman's view of the Leonid meteor shower, the painter Thomas Cole's top hat of felted beaver fur. Nemerov joins us on the podcast to discuss what his unusual approach reveals about this turning point between civilization and the wild.Go beyond the episode:Alexander Nemerov's The Forest: A Fable of America in the 1830sSaidiya Hartman's Wayward Lives, Beautiful Experiments is a luminous work of historical imaginationYou can walk along Chicago's lone wooden block alley, a remnant of the world that went up in smoke in the Great Fire of 1871The Great Dismal Swamp may have shrunk, but it's still thereVisit the episode page for a selection of paintings by Thomas Cole and Sanford Robinson GiffordTune in every week to catch interviews with the liveliest voices from literature, the arts, sciences, history, and public affairs; reports on cutting-edge works in progress; long-form narratives; and compelling excerpts from new books. Hosted by Stephanie Bastek. Follow us on Twitter @TheAmScho or on Facebook.Subscribe: iTunes • Stitcher • Spotify • Google Play • AcastHave suggestions for projects you'd like us to catch up on, or writers you want to hear from? Send us a note: podcast [at] theamericanscholar [dot] org. And rate us on iTunes! Our theme music was composed by Nathan Prillaman. Hosted on Acast. See acast.com/privacy for more information.

Peter Turchin has continued the work of Ibn Khaldun, by elaborating upon Khaldun's hypotheses and testing them against the wealth of historical data that we now possess. By means of a structural demographic analysis of historical empires, Turchin has worked for years to generate mathematical models in order to explain the trends that seem to recur in every complex society. Now, with the data of 10,000 years of human activity on the group level, it may be possible to finally move beyond the preliminary, pseudo-scientific steps of the discipline of history, and proceed into a truly mathematized phase. This is the discipline that Turchin calls "Cliodynamics", after the Muse of history of Ancient Greece. His intention to leave behind the anthropological and archaeological studies that characterized history in the past, and bring mathematics into the field so that we can begin to make predictions. The reason why many have been so resistant to this development is our belief in free will, and the unpredictability of human action. Turchin thinks that this is a mistake, because while individual decisions are often unpredictable at the individual, granular level, at the level of entire populations or demographics, human beings become rather predictable. Quite in line with the cyclical view of history postulated by Plato, Thucydides, or Nietzsche, Turchin brings the math to demonstrate the truth of their ideas: that, in the realm of human history, all returns eternally. For our sources today, we're primarily using Turchin's books: War and Peace and War, Ultrasociety, and a brief dip at the end into the overall idea of Ages of Discord, as well as some references to Secular Cycles by Turchin and Nefedov. We'll also include a number of quotes from Roman historians Livy, Plutarch and others, as we examine the period of the Roman Republic, the chaos of the Late Republic and the transition to the Principate, as explained by Turchin's structural-demographic theory. This should be fun, given that we've already considered these events somewhat through the eyes of Machiavelli. Now, we can approach the subject with more rigor. In my view, Turchin is following in the traditions of these thinkers, but developing their work further. Episode art is Thomas Cole's now famous "Destruction" piece of his cycle, "The Course of Empire".

A.I. Artificial intelligence, Is it the future of art or its death nail? Also painting from photos, and insights on coaching. In This Podcast, Stefan Baumann Talks with his Patreon Students about his Upcoming book 'Ultimate Field Guide to Plein Air Painting '  Along with A. I. Artificial intelligence is the death nail to painting and drawing or is it just the new fad that will go by the way like BitCoin? Coming SOON  Ultimate Field Guide to Plein Air PaintingFree Book  If you want to get a Free Book on painting please go to www.StefanBaumann.com there you can also get information on Baumann workshops and YouTube videos, Click Here:  Free Book  Baumann Coaching ProgramEven if you are not in town to take classes in person with Stefan, it's not a problem!  Online coaching is designed to meet the needs of students who live anywhere in the world. To See Information on Baumann Coaching Program     Click Here If you are interested in coaching please give Stefan Baumann a call at 415-606-9074.About Stefan Baumann Inspiring Millions with his PBS show " The Grand View " Americas National Park Through The Eyes of An Artist".  In this unique Television series, Stefan takes his viewers on a journey deep into the magical world of our National Parks to explore these sacred natural wonders. There, Viewers of the TV series, whiteness for themselves Baumann captures vistas onto canvas En Plein Air viewers around the world to enjoy. Each and every original oil painting is a moment captured by the artist of a remote location discovered by Baumann on his countless journies deep into the American wilderness. Through his keen eye and the steady trained hand of a master painter, Baumann painstakingly recreates the moment that he himself experiences, captured on the canvas first on location, and then finished or recreated back in his studio located on his private ranch in Mt Shasta California. Baumann's plein-air paintings include amazing effects of light, shadow, color, and the natural beauty that he sees in American wilderness landscapes, wildlife, and the architectural styles of older houses and barns.  Through his work, viewers enjoy the opportunity to see spectacular places in America that are too remote and inaccessible for most to visit themselves.  Baumann's painting style has been classified by art collectors and galleries as “Romantic Realism with Luminicsm.” Pioneers of this beautiful genre of landscape painting include Frederic Church, Thomas Cole,  and Albert Bierstadt of the Hudson River School.  They were East Coast artists who journeyed to the Western United States to sketch and paint amazing views of the American wilderness, and then they returned to their home studios to paint stunning detailed versions of these vistas on room-sized canvases. Similarly,  Stefan Baumann reveals the true spirit of nature by transporting the viewer to distant lands that have gone unseen and undisturbed on his canvases. Baumann's passion for painting is fueled by his fascination with and close observation of nature's sublime beauty and mood.  Baumann's paintings speak for themselves ~ elegant and mysterious, exciting and bold, every landscape and wildlife painting captures Support the showFor more information go to www.StefanBaumann.com https://www.stefanbaumann.com/Free Book For painting, coaching call me on my phone at 415-606-9074

  On Thursday's show: A secondary containment facility for the Houston-based company Martin Energy Services leaked out approximately 3,500 gallons of used lubricant oil into an industrial canal near Lake Charles, Louisiana Monday . Some oil-soaked pelicans were reportedly rescued. We learn more about what happened, and contemplate potential economic and environmental consequences any time there is a leak or spill. Also this hour: We recall how Houston was desegregated as we replay our 2021 conversation with Thomas Cole, author of No Color Is My Kind: Eldrewey Stearns and the Desegregation of Houston. Then: The storied gospel group The Blind Boys of Alabama was founded in 1939, and has featured a changing roster of musicians over its history, the majority of whom are or were vision impaired. The group brings its Christmas tour to Jones Hall on Sunday night, and one of its members, Ricky McKinnie, joins us to talk about the history of the group and we hear some of their music. And, for nearly 50 years, Steven Spielberg has directed, produced, and influenced many of the movies we love. With his latest, The Fabelmans, now in theaters, we recall Spielberg's first feature film, shot in the Houston area: the 1974 crime drama The Sugarland Express. 

More than 3,000 years ago a group of powerful and intricately connected Mediterranean kingdoms collapsed over the course of just a few decades. The palaces of Mycenaean Greece were destroyed, entire cities in Hittite Turkey were abandoned, and whole empires disintegrated. Some civilisations disappeared completely. But what caused the so-called Bronze Age collapse - climate change, trade breakdown, internal rebellion, or a mysterious group of invaders known as the ‘Sea Peoples'? Some historians have called the aftermath a 'dark age', but was it really as gloomy as that, and might this period of wealth, pressure, and decline offer us any lessons today? Rajan Datar is joined by İlgi Gerçek, assistant professor of ancient Near Eastern languages and history at Bilkent University, in Ankara; Eric Cline, professor of classics, history, and anthropology at The George Washington University, in Washington DC, and author of ‘1177BC: The Year Civilisation Collapsed'; and Marc van de Mieroop, professor of history at Columbia University, in New York. (Photo: The Course of Empire – Destruction, 1836, by Thomas Cole, New York Historical Society, New York. Credit: VCG Wilson/Corbis/Getty Images)

For over a generation the history of the American West has been described by scholars as one of violence, including genocide, ethnic-cleansing, and settler colonialism. While it replaced an older history which spoke of “winning the West” and the triumph of civilization, curiously enough both the old and the now aging histories of the west focused on violence. After all, in the popular imagination, every Western town hosted a gunfight in its one street on a nearly daily basis. But what if amidst the violence there were also moments of concord and overcoming difference? What if these moments of concord played out in more or less the same place and time as moments of violence? This is the argument of Stephen Aron in his new book Peace and Friendship: An Alternative History of the American West, which investigates moments where unexpectedly peaceful relationships were built in the American West. Stephen Aron is Professor Emeritus of History at UCLA, and President of the Autry Museum of the American West in Los Angeles. (The painting by Thomas Cole, done in 1826, is titled "Daniel Boone Sitting at the Door of His Cabin on the Great Osage Lake") For Further Investigation It was mentioned in the conversation, so here is Episode 149: Edges are Interesting, or, A History of Eastern Europe Two other podcasts very much connected to our brief discussion of Dodge City is Episode 101: Yippie-Ki-Yi-Yay and Episode 131: Red Meat Republic, or, the American Beef Economy of the Late 19th Century The book that began the new history of the American west was Patricia Limerick's The Legacy of Conquest: The Unbroken Past of the American West Also mentioned in the podcast was John Mack Farragher, who has written several books on these themes including a biography of Daniel Boone;  Eternity Street: Violence and Justice in Frontier Lost Angeles; and most recently California: An American History

When you think of art in the Hudson Valley, your head probably goes to the Hudson Valley School and the river, mountains and landscapes of Thomas Cole and Frederick Edwin Church. You know, dead old white men. Anne Sanger runs the Pinkwater Gallery in uptown Kingston. She's an artist and her gallery focuses on women artists of the Hudson Valley. We talk about her journey to the Hudson Valley, taking a wrong turn—or was it a right turn—and becoming an artist. We also chat about the types of artists she represents and the etiquette and advice for newbies like me shopping for art. Yes, you can sometimes borrow it! Thanks to our sponsor Sunflower Market with locations in Woodstock and Rhinebeck. Sunflower is devoted to deepening symbiotic relationships through clean and sustainably sourced food. Visit their site and follow them on Facebook and Instagram. Pinkwater Guide to Art in the Kingston Area: GALLERIES IN KINGSTON In Uptown / the Stockade: Pinkwater Gallery Headstone Gallery In Midtown: Monument In the Rondout / the Strand: Artport Kingston West Strand Gallery On Route 28 (between Kingston and Woodstock): The Lockwood Gallery FALL LEAF PEEPING + ART Art OMI in Ghent Storm King in the lower Hudson Valley near Windsor Opus 40 in Saugerties Annual Art Events in Kingston Art Walk Kingston in September O+ Festival in October Art Instruction for Adults Woodstock School of Art Kingston Ceramics Studio --- Send in a voice message: https://anchor.fm/cidiot/message Support this podcast: https://anchor.fm/cidiot/support

A new exhibition of art installations by Catskill-based artist Marc Swanson is now at the Thomas Cole National Historic Site. The exhibition -- titled “Marc Swanson: A Memorial to Ice at the Dead Deer Disco” -- is the second part of a two-part exhibition of his work that is also on display at MASS MoCA. The exhibition is inspired by the work of Thomas Cole and his warnings about environmental damage.

The book "Happy Clouds, Happy Trees: The Bob Ross Phenomenon" opened my eyes to just how many things are connected in culture, society, history, psychology, art, and life. Let's find out where Bob fits into all this.   Bob Ross Deep Dive series: Part 1: His Legacy Part 2: His Biography Part 3A: The Philosophy of Bob Ross: Ancient History and Modern Leisure (this video) Part 3B: The Philosophy of Bob Ross: Industrial to Digital Revolution Please consider buying this book if you enjoyed this video. I relied on many parts of it to illuminate Bob's impact on and continued connection to the world. Thanks so much for watching, commenting, and continually showing support for these little passion projects of mine, everyone. It means a lot and encourages me to try harder to discover more and explain more about life and what I wish I had known at a younger age. Music: Cover of Rhubarb by Aphex Twin Timestamps: 0:00 Intro 10:50 Bob Ross Inc.: Disclaimer and Discrimination 19:23 How to think about Bob in 2022 40:44 The Most Engaging Teachers are the most Effective 53:40 Permeated Traditional Class Boundaries 57:05 Lowered the Barrier to Entry 1:03:44 The “Bravery Test”: Bob's Sense of Play, Danger, Challenging Himself 1:10:32 The Psychological Tools He Used 1:27:15 LEISURE: What Does Leisure Even Mean? 1:33:10 Integrated Absence of Leisure in Prehistory, Integrated 2:02:29 Creation of Free-time 2:05:55 Areté: Leisure in Greece 2:20:30 Otium and Negotium: Leisure and Business in Ancient Rome 2:25:16 Leisure After Rome and Under Christianity 2:32:40 Rediscovery of Areté: The Renaissance 2:37:30 Leisure and Discontent in the Modern Age 2:46:30 Segway to Part 3b: Thomas Cole and the Hudson River School 2:47:30 Black screen for sleep 3:19:43 The End #BobRoss #History #Philosophy #ASMR ▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬▬ ► If you'd like to show support for the channel: ▸Patreon (monthly donations) ........ https://www.patreon.com/LetsFindOutASMR ▸PayPal (one-time donation)......... https://www.paypal.me/LetsFindOutASMR ......... ▸Or if you shop on Amazon, using this link will support the channel at no extra cost to you: ▸Or see my Amazon Wishlist if you'd like to purchase a gift for the channel: ▸

For the final episode of the second season, the brothers enlist a special guest to help them make sense of getting older. Referenced and recommended resources include: Books and Literature: Peace in the Last Third of Life (https://amzn.to/3ygJpOE) by Paul Zahl, The Happiness Curve (https://amzn.to/3PteZ2P) by Jonathan Rauch, “Crossing the Bar” (https://www.poetryfoundation.org/poems/45321/crossing-the-bar) by Alfred Lord Tennyson, Churchy (https://amzn.to/3uwYwTb) by Sarah Condon, Being Mortal (https://amzn.to/3RhG5vn) by Atul Gawande, The Genius and the Goddess (https://amzn.to/3NR19pt) by Aldous Huxley, Quatermass by Nigel Neale, "East Coker" (https://amzn.to/3InL3CT) by TS Eliot, Ecclesiastes Movies and Television: The Twilight Zone (“Spur of the Moment” and “The Trade-Ins”), Letters to Father Jacob (2009), Friday Night Lights (2006-2011), Journey to Italy (1954), The Adam Project (2022) Artwork: "The Voyage of Life" (http://www.explorethomascole.org/tour/items/73/series/) by Thomas Cole (1839-40) Songs: “Seventeen” by Sharon Van Etten, “The Boxer” by Simon and Garfunkel, “When I Grow Up to Be a Man” by The Beach Boys, “Ashes to Ashes” by David Bowie, “Tired of Waiting” by The Kinks, “When I Was a Boy” by The Who, “Regret” by New Order, “Old" by Staryflyer 59, "Everybody Wants to Be a DJ", “Sixteen Tons” by Bob Cobra, “As Far as I Can Remember” by Pasteur Lappe, “Just Ain't Easy” by The Allman Brothers, “Highlands” by Bob Dylan Click here (https://open.spotify.com/playlist/2ZEDD3kbdFeuBjrMIhWi1V?si=058bfc64dedc426d) to listen to a playlist of the available tracks on Spotify.

Two landmarks to American art history sit on either side of the Rip Van Winkle Bridge over the Hudson River -- the homes of visionary artists Thomas Cole and Frederic Edwin Church.Cole and Church were leaders of the Hudson River School, a collective of 19th century American painters captivated by natural beauty and wide-open spaces. Many of these paintings, often of a massive size, depicted fantastic views of the Hudson River Valley where many of the artists lived.In this episode, the final part of the Bowery Boys podcast mini-series Road Trip to the Hudson Valley, Greg and Tom head up to the historic towns of Catskill and Hudson to celebrate a pioneering artist and his star pupil, two men who transformed the way we look at nature and revolutionized American art. They're joined on this show by Betsy Jacks on the Thomas Cole National Historic Site and Amy Hausmann and Dan Bigler of the Olana State Historic Site.For more information on the places we visited today, head over to the websites for the Thomas Cole National Historic Site and the Olana State Historic Site. You can also discover the natural places featured in many famous paintings by hiking the Hudson River Art Trail.And for images of our trip to Catskill and Hudson, visit our website.After you've listened to this show, check out the other two parts of this Road Trip to the Hudson Valley mini-series: On the Trail of the Croton Aqueduct and Hyde Park: The Roosevelts on the Hudson