Podcasts about Eadweard Muybridge

Holly talks about an opera based on the life of Eadweard Muybridge. Tracy and Holly talk about how they learned about periods as kids.See omnystudio.com/listener for privacy information.

The invention Eadweard Muybridge is known for is his zoopraxiscope, an early movie technology. But he also innovated in photography, had some other inventions, and was the defendant in a murder trial. Research: Ball, Edward. “The Inventor and the Tycoon: A Gilded Age Murder and the Birth of Moving Pictures.” Doubleday. 2013. Cohen, Paula Marantz. “Flickering Like Photography.” Times Literary Supplement. https://www.the-tls.com/lives/biography/scoundrel-harry-larkyns-pitiless-killing-photographer-eadweard-muybridge-rebecca-gowers-review “A Fast Trotter Caught by a Skillful Artist on the Fly.” The Lamar Republican. May 29, 1873. https://www.newspapers.com/image/666936878/?match=1&terms=occident%20Muybridge%20 “Madness and Murder.” Whidbey Island Center for the Arts. https://www.wicaonline.org/blog/2020/2/2/1rmzzg46joal5ajvy4tesnui7v314p “A Startling Tragedy.” Los Angeles Herald. October 22, 1874. https://cdnc.ucr.edu/?a=d&d=LAH18741022.2.15&e=-------en--20--1--txt-txIN-------- The Editors of Encyclopaedia Britannica. "Eadweard Muybridge". Encyclopedia Britannica, 23 Jun. 2025, https://www.britannica.com/biography/Eadweard-Muybridge The Editors of Encyclopaedia Britannica. "Leland Stanford". Encyclopedia Britannica, 17 Jun. 2025, https://www.britannica.com/biography/Leland-Stanford Higgins, Charlotte. “Eadweard Muybridge's motion towards Tate Britain.” The Guardian. April 27, 2010. https://www.theguardian.com/artanddesign/2010/apr/27/eadweard-muybridge-tate-britain-motion-studies “The Last Call.” San Francisco Examiner. Jul 19, 1875. https://www.newspapers.com/image/457599375/?match=1&terms=Harry%20Larkyns Shimamura, Arthur P. “Muybridge in Motion: Travels in Art, Psychology and Neurology.” History of Photography. 2002. https://doi.org/10.1080/03087298.2002.10443307 Muybridge, Eadweard. “Animal Locomotion. An Electro-Photographic Investigation of Consecutive Phases of Animal Movements. Commenced 1872 - Completed 1885. Volume XI, Wild Animals and Birds.” Met Museum. https://www.metmuseum.org/art/collection/search/266431 Manjila, S., Singh, G., Alkhachroum, A. M., & Ramos-Estebanez, C. (2015). Understanding Edward Muybridge: historical review of behavioral alterations after a 19th-century head injury and their multifactorial influence on human life and culture. Neurosurgical Focus FOC, 39(1), E4. https://doi.org/10.3171/2015.4.FOCUS15121 Prodger, Phillip and Tom Gunning. “Time Stands Still: Muybridge and the Instantaneous Photography Movement.” Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, 2003 Solnit, Rebecca. “River of Shadows: Eadweard Muybridge and the Technological Wild West.” Viking, 2003. Wolf, Byron. “Eadweard Muybridge’s Secret Cloud Collection.” Places Journal. September 2017. https://placesjournal.org/article/eadweard-muybridges-secret-cloud-collection/?cn-reloaded=1 See omnystudio.com/listener for privacy information.

PLUS: What 'Crypto Week' means for Canada's financial system; why Clueless endures 30 years after its release; Guy Delisle delivers a comic about pioneering photographer Eadweard Muybridge; From Ground Zero, a collection of short films made by Gazans; and Riffed from the Headlines, our weekly musical news quiz.

In this monthly conversation series Grant Scott speaks with art director, lecturer and creative director Fiona Hayes. In an informal conversation each month Grant and Fiona comment on the photographic environment as they see it through the exhibitions, magazines, talks and events that Fiona has seen over the previous weeks. Fiona Hayes Fiona Hayes is an art director, designer, consultant and lecturer with over 30 years' experience in publishing, fashion and the art world. She has been a magazine art director ten times: on Punch, Company, Eve, the British and Russian editions of Cosmopolitan, House & Garden,GQ India (based in Mumbai), MyselfGermany (in Munich), and Russian Vogue (twice). Between 2013 and 2019, as Art Director of New Markets and Brand Development for Condé Nast International, based in London and Paris, she oversaw all the company's launches – 14 magazines, including seven editions of Vogue. She still consults as Design Director at Large for Vogue Hong Kong. In 2002 she founded independent photography magazine DayFour, publishing it continuously until 2012. She is Co-Author and Art Director of The Fashion Yearbook, and creative director of books for South African media consultancy Legacy Creates. Outside the publishing world, she has been Art Director of contemporary art auction house Phillips de Pury in London and New York, and Consultant Art Director of Russian luxury retail group Mercury/TSUM. (Fiona would like to point out she is not Russian: she is proudly Irish and studied Visual Communication and History of Art and Design at NCAD Dublin.) She currently divides her time between design consultancy for commercial clients, and lecturing at Oxford Brookes University, the Condé Nast College of Fashion and Design, London, Nottingham Trent University, Ravensbourne University, and Leeds University. She lives in West London. @theartdictator Dr.Grant Scott After fifteen years art directing photography books and magazines such as Elle and Tatler, Scott began to work zas a photographer for a number of advertising and editorial clients in 2000. Alongside his photographic career Scott has art directed numerous advertising campaigns, worked as a creative director at Sotheby's, art directed foto8magazine, founded his own photographic gallery, edited Professional Photographer magazine and launched his own title for photographers and filmmakers Hungry Eye. He founded the United Nations of Photography in 2012, and is now a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, and a BBC Radio contributor. Scott is the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019), and What Does Photography Mean To You? (Bluecoat Press 2020). His photography has been published in At Home With The Makers of Style (Thames & Hudson 2006) and Crash Happy: A Night at The Bangers (Cafe Royal Books 2012). His film Do Not Bend: The Photographic Life of Bill Jay was premiered in 2018. Scott's next book is Inside Vogue House: One building, seven magazines, sixty years of stories, Orphans Publishing, is on sale February 2024. Image: André Coelho, EFE RJ - Río de Janeiro/World Press Photo 2025 Mentioned in this episode: https://www.worldpressphoto.org/calendar/2025/london-uk https://www.rmg.co.uk/whats-on/astronomy-photographer-year/exhibition https://www.eadweardmuybridge.co.uk © Grant Scott 2025

Few artists aim to make sense of the subjectivity and complexity of time and space quite like the Polish-born, Berlin-based artist Alicja Kwade. In each of her works, ranging from sculptures and large-scale public installations to films, photographs, and works on paper, Kwade displays an astute sense of temporality and the ticking hands of the clock. Her practice, in a literal and figurative sense, is a quest to understand time as a ruler and shaper of our lives and of our world. For her latest exhibition, “Telos Tales,” on view at Pace Gallery in New York's Chelsea neighborhood through August 15, Kwade has created three monumental steel-frame sculptures with treelike limbs alongside new mixed-media works in an effort to engage the intangible nature of time. As with all her work, “Telos Tales” is philosophical, illusionistic, and inspires wonder: Long after a viewer has seen it, it will leave them questioning.On the episode, Kwade considers the unfathomability of all things, finds humor in being human, and explains what a relief it is to know that some questions have no clear answers—and never will. Special thanks to our Season 11 presenting sponsor, Van Cleef & Arpels.Show notes:Alicja Kwade[13:19] “Alicja Kwade: Telos Tales” at Pace Gallery[16:56] “Hiroshi Sugimoto on Photography as a Form of Timekeeping”[18:41] “Alicja Kwade: Pretopia” (2025)[24:42] On Kawara's Date Paintings[25:04] “Alicja Kwade & Agnes Martin: Rhythm, Equilibrium, and Time” (2024)[25:04] “Gegen den Lauf” (2012-2014)[29:48] “Stellar Day” (2013)[31:44] “Against the Run” (2015)[31:44] “Against the Run” (2019)[31:44] Pinacoteca Agnelli Art Center[35:04] “88 Seconds”  (2017)[35:04] Eadweard Muybridge[39:24] Hiroshi Sugimoto[49:00] Salvador Dalí[49:00] Harry Houdini[49:00] Kazimir Malevich[59:27] “iPhone” (2017)[59:27] “Computer (PowerMac)” (2017)[01:04:47] “LinienLand” (2018)[01:04:47] “Alicja Kwade: Parapivot” (2019)[01:04:47] “Alicja Kwade: Viva Arte Viva” (2017)[01:08:30] “L'ordre des Mondes (Totem)” (2024)[01:13:50] Jason Farago[01:13:50] “Celestial Visions on the Met Roof”

How does timestamping shape the preservation and curation of literary sound? This roundtable episode brings together four SpokenWeb researchers––Jason Camlot, Tanya Clement, and Mike O'Driscoll in conversation with moderator Michael MacKenzie––to explore this deceptively simple yet profoundly complex question. What emerges is a layered, multidisciplinary view of timestamping, not just as a technical task, but as an archival, aesthetic, and philosophical practice.In Part One, the conversation begins by situating timestamping in broader historical and intellectual contexts. Panelists reflect on the epistemology of time, from ancient timekeeping and annalistic history to modern digital temporality. What does it mean to mark time, and how does a timestamp compare to a page number, an index, or a narrative structure?Part Two asks what it means to think critically about timestamping. Here, the guests draw on their scholarly practices to examine the subjectivity of timestamps, the tension between precision and ambiguity, and the role of annotation. The discussion turns to digital media's microtemporalities and how timestamps carry expressive, affective weight beyond their data function.In Part Three, the panel listens to an experimental performance by Jackson Mac Low and considers the challenge of timestamping layered or deliberately disorienting sound. What responsibilities do timestampers have in maintaining a balance between accessibility and artistic intention? Can timestamping illuminate without flattening?Part Four focuses on vocabulary. Why does it matter if we tag something as a “reading” versus a “performance”? How do controlled vocabularies shape what we can learn from large-scale literary audio corpora? This final section explores how even the smallest metadata decisions reflect theoretical commitments and institutional values.Ultimately, this episode makes one thing clear: timestamping is never neutral. It is an interpretive act, grounded in choices about meaning, representation, and access. From poetic performance to archival platforms, timestamping remains central to how we listen to—and understand—literary sound. Show Notes and Resources:Abel, Jordan. Nishga. McClelland & Stewart, 2021. pp.243-73Bernstein, Charles. “‘1–100' (1969) .” Jacket2, jacket2.org/commentary/1%E2%80%93100-1969. Accessed 17 Apr. 2025.Though cut from the episode, this appeared as an example from O'Driscoll during the uncut roundtable and stands alone as a fascinating example of marking time. You can access a full performance of the short poem by Bernstein hosted at the above link, at Jacket2. O'Driscoll: “The numerological is itself potentially … not a neutral medium. It is potentially an expressive medium … so that timestamps can have an aesthetic, they carry value and meaning, they can shape the way that we think about things and that they're subject to a level of performance as well too.”“Charles Bernstein (Poet).” Wikipedia, Wikimedia Foundation, 15 Feb. 2025, en.wikipedia.org/wiki/Charles_Bernstein_(poet).Bolter, Jay David, and Richard Grusin. Remediation. MIT Press, 2000.One central point of departure for our research, though we had to cut our remediation questions due to time. “Eadweard Muybridge.” Wikipedia, Wikimedia Foundation, 10 Apr. 2025, en.wikipedia.org/wiki/Eadweard_Muybridge.Eliot, T. S. “‘Burnt Norton' from Four Quartets.” Four Quartets - 1 Burnt Norton, www.davidgorman.com/4quartets/1-norton.htm. Accessed 17 Apr. 2025.“Gertrude Stein.” Wikipedia, Wikimedia Foundation, 28 Mar. 2025, en.wikipedia.org/wiki/Gertrude_Stein.“Hayden White.” Wikipedia, Wikimedia Foundation, 5 Mar. 2025, en.wikipedia.org/wiki/Hayden_White.“Jackson Mac Low at SGWU, 1971.” Edited by Jason Camlot and Max Stein, SpokenWeb Montréal, 17 Aug. 2015, montreal.spokenweb.ca/sgw-poetry-readings/jackson-mac-low-at-sgwu-1971/#1.The full version of the recording shown during the episode can be found here. The portion shown during the episode begins at 1:09:35.“Jackson Mac Low.” Wikipedia, Wikimedia Foundation, 30 Mar. 2025, en.wikipedia.org/wiki/Jackson_Mac_Low.“Susan Stewart (Poet).” Wikipedia, Wikimedia Foundation, 14 Sept. 2024, en.wikipedia.org/wiki/Susan_Stewart_(poet).Though cut from the episode, Stewart's work on the “souvenir” appeared as an example from Camlot during the uncut roundtable helping bridge the gap between timestamp and annotation. Camlot: “I would probably want to think of it as a dialectical relation between the timestamp, sort of the demarcated moment and times unfolding, and then the larger narrative account within which the timestamp has significance … like Susan Stewart's work on the souvenir … this sort of partial representation of a whole that can only be supplemented by narrative.”“Wolfgang Ernst (Media Theorist).” Wikipedia, Wikimedia Foundation, 12 Apr. 2024, en.wikipedia.org/wiki/Wolfgang_Ernst_(media_theorist).More information about our participants can be found at: “Jason Camlot.” Concordia University, www.concordia.ca/faculty/jason-camlot.html. Accessed 17 Apr. 2025.“Michael O'Driscoll.” English and Film Studies, University of Alberta, apps.ualberta.ca/directory/person/mo. Accessed 17 Apr. 2025.“Tanya Clement.” College of Liberal Arts at UTexas, liberalarts.utexas.edu/english/faculty/tc24933. Accessed 17 Apr. 2025.Music Credits:This podcast uses music from www.sessions.blue: For post-question pauses, we used Jemeneye by Blue Dot Sessions (www.sessions.blue).For framing the podcast itself, we used the song The Griffiths by Blue Dot Sessions (www.sessions.blue).For framing the roundtable and preceding questions, we used portions of the song “Town Market” by Blue Dot Sessions (www.sessions.blue).This podcast also uses these sounds from freesound.org:"Mechanical Keyboard Typing (Bass Version)" by stu556 ( https://freesound.org/people/stu556/sounds/450281/? ) licensed under Creative Commons 0"Monitor hotler", by iluminati_2705 ( https://freesound.org/people/iluminati_2705/sounds/536706/ ) licensed under Creative Commons 0"Monitor hotler", by tobbler ( https://freesound.org/people/tobbler/sounds/795373/ ) licensed under Attribution 4.0“aluminum can foley-020.wav”, by CVLTIV8R ( https://freesound.org/people/CVLTIV8R/sounds/800102/ ) licensed under Creative Commons 0“whoosh_fx”, by ScythicBlade ( https://freesound.org/people/CVLTIV8R/sounds/800102/ ) licensed under Creative Commons 0“ignite_dry_02”, by DaUik ( https://freesound.org/people/DaUik/sounds/798712/ ) licensed under Creative Commons 0“Dewalt 12 inch Chop Saw foley-049.wav”, by CVLTIV8R ( https://freesound.org/people/CVLTIV8R/sounds/802856/ ) licensed under Creative Commons 0“Electronic Soap Dispenser 5”, by Geoff-Bremner-Audio ( https://freesound.org/people/Geoff-Bremner-Audio/sounds/802734/ ) licensed under Creative Commons 0 Acknowledgments:We thank Jason Camlot, Tanya Clement, and Michael O'Driscoll for their contributions to the roundtable. Additional thanks to Michael O'Driscoll, Sean Luyk, and the SpokenWeb Podcast team for production support. Technical support was provided by the Digital Scholarship Centre, University of Alberta.

(0:21) Einstein pasou de esguello por Galicia hai 100 anos. (4:39) Wicho deixa en evidencia os bulos sobre astronautas abandonados na Estación Espacial Internacional. (13:37) Alejandro Gómez Pazo, xeógrafo e profesor axudante doutor na Universidade de León, estuda a dinámica das pedras costeiras. (24:24) Dramatizamos o relato "Pedra, area, balea" de Noelia Rodríguez que gañou a XIII edición do concurso Inspiraciencia, convocado pola delegación do CSIC en Cataluña, na categoría de textos en galego. (39:47) Eferméride do 13 de marzo do Calendario da Historia da Ciencia de Moncho Núñez (40:58) Na sección "Cambio de Fase" de Daniel Pizarro coñecemos a banda deseñada "Unha fracción de segundo" (Asitbierri) de Guy Delisle sobre a azarosa vida de Eadweard Muybridge

1) Medio oriente, solo Netanyahu e il suo governo vogliono la guerra. Altri 250 militari si aggiungono all'appello firmato da riservisti e militari per porre fine ai bombardamenti su Gaza e riportare a casa gli ostaggi. 2) “Dobbiamo unirci contro il bullismo di Trump”. Il presidente cinese invita l'Unione Europea a collaborare durante una visita a Pechino del premier spagnolo Sanchez. (Giulio Maria Piantadosi) 3) Mondialità. Dazi, politica e il rischio per la democrazia. (Alfredo Somoza) 4) Gli "indesiderabili" secondo Trump. Come l'amministrazione Usa identifica e deporta le persone migranti (Marco Schiaffino) 5) Ecuador, domenica il secondo turno delle elezioni. La sicurezza ancora al centro della campagna, ma la popolazione è sempre più sfiduciata. (Stefania Famlonga - Fundacion Sembrar) 6) Tunisia, il maxi processo contro gli oppositori del presidente Saied che mostra la costante erosione dello stato di diritto. (Matteo Garavoglia) 7) Romanzo a fumetti. “Per una frazione di secondo. L'incredibile vita di Eadweard Muybridge” di Guy Delisle. (Luisa Nannipieri)

Unless you're a student of photography or heavily interested in animation, chances are your only exposure to the name Eadweard Muybridge in recent pop-culture has been the brief mentions he gets in Jordan Peele's 2022 release Nope, where Keke Palmer's character describes a two-second clip of a galloping horse being shown as the first example of a ‘motion picture'. It's actually from a later effort, "Plate Number 626", in which the horse, Annie, is named while the jockey riding her is not.

Greeting to all you Shatters! Can you believe it, Stanky "Jon" Jankowitz and Nucky "Keith" C. are back in the saddle again. The band is back together for our first reunion tour. And today we are coming to you live from the Shat International Film Studio and Equestrian Center with a brand new episode about the creative hooligan, technological guru, and murderer, Eadweard Muybridge. This guy was a seminal figure in early motion picture technology. He was a renowned photographer who worked with railroad magnate Leland Stanford to answer the question; is a horse ever completely aloft as it gallops. In the process, he invented the zoopraxiscope and helped set pictures in motion! Oh... and he also happened to murder his 21yo wife's lover! So hop on this wild, galloping podcast with us; we hope you enjoy the ride.

Adriaan en Simon spreken over: wederom verkouden en een koud huis / schrikachtigheid bij vreesaanjagende films / in gesprek met de Noordzee / J.C. Bloem auf Deutsch / over de Schoolmeester & Engelse hoeren / de invloed van fotografie op de schilderkunst / luisteraarspost / aankondiging boekenweekspecial met gast Paulien Cornelisse Schrijvers van dienst: Arita Baaijens / J.C. Bloem / Marita Mathijsen / De Schoolmeester / George Orwell / Guy Delisle Het boek In gesprek met de Noordzee is hier te bestellen: https://www.boekenwereld.com/arita-baaijens-in-gesprek-met-de-noordzee-9789045048857 De blog van Marita Mathijsen over De Schoolmeester: https://maritamathijsen.wordpress.com/2025/01/27/het-graf-van-de-schoolmeester/ Het boek over Eadweard Muybridge is hier te bestellen: https://www.boekenwereld.com/guy-delisle-een-fractie-van-een-seconde-9789493383005 Orwell over thee: https://www.orwellfoundation.com/the-orwell-foundation/orwell/essays-and-other-works/a-nice-cup-of-tea/ Je kunt de boeken van Adriaan natuurlijk in de boekwinkel bestellen, maar veel van zijn boeken zijn ook als audioboek te beluisteren, ingesproken door Adriaan zelf. Neem nou bijvoorbeeld Ik kom terug bij Spotify: https://open.spotify.com/show/6ns45PTEOXWBkNy9sLwO8D?si=pBhBrJ-MQF2SMKVQiSu0FQ Volg het instagram account van de podcast: @vandis.ongefilterd. Wil je een vraag stellen of reageren? Mail het aan: vandis@atlascontact.nl Van Dis Ongefilterd wordt gemaakt door Adriaan van Dis, Simon Dikker Hupkes en Bart Jeroen Kiers. Montage: Sten Govers (van Thinium Audioboekproducties). © 2025 Atlas Contact | Adriaan van DisSee omnystudio.com/listener for privacy information.

Portrait d'Eadweard Muybridge, photographe anglais né en 1830, connu notamment pour ses séries de photos décomposant le mouvement du cheval au galop. Ses expériences photographiques ont été une étape importante dans la compréhension du mouvement et ont contribué au développement du cinéma. Ses travaux ont influencé de nombreux artistes et scientifiques de son époque. Pour en parler, Jean-Marc Panis a rencontré Guy Delisle, auteur de la BD « Pour une fraction de seconde » parue chez Delcourt. Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Emery O'Leary is a Producer, Director and Screenwriter. Emery's projects include a short about the Modoc War that occurred during the 1870's in California. Also known as the Lava Bed War, the US military closed on Indians and began a conflict that quickly became a problem. Eadweard Muybridge photographed much of the conflict. The experiences of the Modoc and Military were captured in a screenplay written by Emery. Emery is from Lovely Benicia. He's a graduate of Benicia High School. That means Pete A Turner is going to work to lift up O'Leary's work. Further, Emery and Pete are efforting some of Pete's favorite projects. Watch This is Their Land a documentary short on YouTube at https://youtu.be/iJb91SDqNUQ?si=sYOWEaPx9WrPomQt

durée : 01:02:24 - La Conversation littéraire - par : Mathias Énard - L'auteur Guy Delisle retrace le destin du pionnier de la photographie Eadweard Muybridge dans le roman graphique "Pour une fraction de seconde" paru aux éditions Delcourt. L'historien Michel Poivert détaille l'invention de cette séquence de photographie par étape par le génie Muybridge. - réalisation : Laure-Hélène Planchet, Camille Mati - invités : Michel Poivert Professeur d'histoire de la photographie à l'université Paris 1 Panthéon-Sorbonne, commissaire d'exposition.; Guy Delisle Auteur de bandes dessinées et de films d'animation

Imaginez pouvoir utiliser l'ADN, le support fondamental de l'information génétique de tous les êtres vivants, pour stocker des données numériques. C'est exactement ce que des scientifiques ont réalisé, et c'est fascinant ! Le 12 juillet 2017, une étude publiée dans Nature a révélé que des chercheurs ont réussi à encoder et stocker un GIF — une série d'images animées — dans l'ADN de Escherichia coli, une bactérie intestinale commune. D'abord, rappelons que l'ADN est un polymère constitué de quatre bases azotées : adénine (A), thymine (T), cytosine (C) et guanine (G). Ces quatre "lettres" forment un code très dense qui peut contenir des quantités massives d'informations. Si l'on pense à l'ADN comme à un langage, les chercheurs ont trouvé un moyen de convertir des données numériques, comme les pixels d'une image ou les images d'un GIF, en ce langage biologique. Pour ce faire, ils ont utilisé la technologie CRISPR-Cas9, connue pour ses capacités d'édition génomique de haute précision. CRISPR agit comme des "ciseaux moléculaires" capables d'insérer des séquences d'ADN de manière spécifique dans le génome d'une cellule. Dans cette expérience, les scientifiques ont traduit chaque pixel du GIF en une séquence de bases A, T, C, et G, qu'ils ont ensuite insérée dans l'ADN de la bactérie. CRISPR a permis d'encoder ces données image par image, de manière séquentielle, dans le génome des cellules de E. coli. Le GIF choisi pour cette expérience était un extrait historique d'une série d'images d'un cheval au galop, créé par Eadweard Muybridge, une référence aux débuts du cinéma. Une fois le GIF encodé dans l'ADN des bactéries, celles-ci se sont reproduites, transmettant ces informations génétiques à leurs descendants. Pour vérifier si le stockage avait fonctionné, les chercheurs ont séquencé l'ADN des bactéries, récupéré les données, et reconstitué l'image animée. Résultat : le GIF a pu être reconstitué, montrant que l'ADN avait fidèlement stocké et protégé ces données. Ce travail est révolutionnaire parce qu'il démontre le potentiel de l'ADN comme support de stockage de données extrêmement dense et stable. Un gramme d'ADN peut théoriquement contenir 215 millions de gigaoctets d'information ! L'ADN ne se dégrade que très lentement dans des conditions favorables, ce qui en fait un moyen prometteur pour l'archivage de données à long terme. Ce type de recherche ouvre des perspectives passionnantes pour l'avenir, où la biologie pourrait s'entremêler avec la technologie de l'information de manière encore plus impressionnante. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

I love cinema. I love photography. Why not talk about the commonalities and differences between these two camera-based mediums? My guest David Campany has literally written the book on "Photography and Cinema." A wide-ranging conversation with my first return guest to the podcast.David Campany's Photography and Cinema bookFinal scene of Truffaut's "400 Blows"Eadweard Muybridge motion studies (text by David Campany)

“Wait a minute, wait a minute, you ain't heard nothing yet!” This is the story of the silver screen.  In the late nineteenth century, technology is advancing rapidly. Eadweard Muybridge's trip-wire camera work, made famous by a “motion study” of a galloping horse, is giving way to smoother and longer projections. Some see these short films simply as a curiosity, an “invention without a future” as early filmmaker Louis Lumière famously says, but Thomas Edison knows there is serious money to be had. He's quick to patent his inventions (and to sue anyone trying to circumvent his Motion Picture Patents Company), but even he can't keep motion pictures under wraps forever.  Independent filmmakers like Carl Laemmle and William Fox turn their actors into stars and move out to sunny Hollywood to operate far from Edison's watchful eye. LA explodes in the 1910s and 20s as moviemakers and actors flock to the area, and though their decadent lives and debatable morals worry the public, audiences keep consuming the studio's silent productions. That is, until synchronized sound enters the scene.  ____ Connect with us on HTDSpodcast.com and go deep into episode bibliographies and book recommendations join discussions in our Facebook community get news and discounts from The HTDS Gazette  come see a live show get HTDS merch or become an HTDS premium member for bonus episodes and other perks. HTDS is part of the Airwave Media Network.  Interested in advertising on the History That Doesn't Suck? Email us at advertising@airwavemedia.com Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1874, the father of motion pictures stood trial for murder. Most people know Eadweard Muybridge as a pioneering photographer and inventor whose work sparked the birth of movies. But Muybridge had a dark side: he was once accused on murdering his wife's lover. Would a Western jury, comfortable with the idea of taking justice into one's own hands, let Muybridge get away with it?See omnystudio.com/listener for privacy information.

Kan en hest virkelig svæve? Det spørgsmål optager både kunstnere, hestemennesker og videnskabsfolk midt i 1800-tallet - og ikke mindst den rige og magtfulde Leland Stanford. Men det er umuligt for det menneskelige øje at opfange detaljerne i de lynhurtige bevægelser, og tidens fotografiapparater kræver en eksponering på flere sekunder. Det er ikke godt nok for Stanford, så han kaster en bunke penge efter den excentriske fotograf Eadweard Muybridge. Ordren er klar: tag et billede af Occident, en af landets hurtigste travheste, i fuld fart - og med alle fire ben over jorden på samme tid. Du kan læse mere om Eadweard Muybridge og hans fotografier i f.eks. Marta Braun's ‘Eadweard Muybridge' (2012) eller ‘Time Stands Still: Eadweard Muybridge and the Instantaneous Photography Movement' af Philip Prodger (2003). Du kan se en video af fotografering med vådpladeprocessen fra Victoria & Albert Museum her: https://www.youtube.com/watch?v=pNyQ0nfMsxo&ab_channel=VictoriaandAlbertMuseum Periodisk - en RAKKERPAK original produceret af Rakkerpak Productions. Historierne du hører bygger på journalistisk research og fakta. De kan indeholde fiktive elementer som for eksempel dialog. Hvis du kan lide min fortælling, så husk at gå ind og abonnér, giv en anmeldelse og fortæl dine venner om Periodisk. Podcasten er blevet til med støtte fra Novo Nordisk Fonden. Hvis du vil vide mere, kan du besøge vores website periodisk.dk Afsnittet er skrevet og tilrettelagt af Maya Zachariassen. Tor Arnbjørn og Dorte Palle er producere. René Slott står for lyddesign og mix. Simon Bennebjerg er vært.

Are they zombies? Here in the 22nd Edition of DEAD MAN STILL WALKING, your intrepid host, Dr. Walking Dead Kyle Bishop, answers that question as he discusses the four films of the “Blind Dead” Series, by filmmaker Amando de Ossorio! That's right! You get four film reviews in one episode! Dr. Bishop explores the social, cultural, historical relevance of Tombs of the Blind Dead (1972), as well as its sequels: Return of the Evil Dead (1973), The Ghost Galleon (1974) and Night of the Seagulls (1975)! So, saddle up your slow-motion horse, and take a ride with Dr. Bishop and his usual droll charm, making Eadweard Muybridge jokes and all, no less. Check it out! Note: To view ALL of Dr. Bishop's Dead Man Still Walking solocast episodes can USE THIS LINK. And to view ALL of Dr. Bishop's episode-by-episode commentaries on The Last of Us – Season 1, with Jay of the Dead, then USE THIS LINK. Dead Man Still Walking is a biweekly, short-form solocast hosted by Dr. Walking Dead Kyle Bishop, author of American Zombie Gothic and How Zombies Conquered Popular Culture. Dr. Walking Dead also presents a popular segment called The Dead Zone on regular episodes of this podcast. For his Dead Man Still Walking solocast episodes, Dr. Bishop will focus exclusively on zombie films, with the occasional exploration of zombie-related themes, zombie television, and other zombie media (e.g., comics, literature, etc.). Dr. Bishop is an academic and professional scholar of zombie films and other zombie narratives. He has been teaching for 22 years. Dr. Bishop serves as an English professor, Film Studies professor, and he's currently the English Department Chair at Southern Utah University. You are welcome to reach out to Dr. Bishop with comments or questions via email: bishopk@suu.edu, Twitter: @DrWalkingDead, or by leaving him a voicemail: (801) 899-9798. You can also watch the documentary, Doc of the Dead (2014), which features Dr. Walking Dead. Find more links below for Dr. Bishop. Be sure to subscribe to Jay of the Dead's new Horror movie podcast on: Apple PodcastsSpotifyGoogle PodcastsDeezerStitcher   You are welcome to email our show at HauntingYourHeadphones@gmail.com, or call and leave us a voicemail at (801) 899-9798. You can also follow Jay of the Dead's New Horror Movies on Twitter: @HorrorAvengers Dead Man Still Walking with Dr. Kyle Bishop is brought to you by Jay of the Dead's New Horror Movies, an audio Horror movie podcast. It features nine experienced Horror hosts review new Horror movies and deliver specialty Horror segments. Your hosts are Jay of the Dead, Dr. Shock, Gillman Joel, Mister Watson, Dr. Walking Dead, GregaMortis, Mackula, Ron Martin and Dave Zee! Due to the large number and busy schedule of its nine Horror hosts, Jay of the Dead's New Horror Movies will be recorded in segments, piecemeal, at various times and recording sessions. Therefore, as you listen to our episodes, you will notice a variety of revolving door hosts and segments, all sewn together and reanimated like the powerful Monster of Dr. Frankenstein!

This week Alissa and Britt dive into the wonderful world of ASS, aka Acquired Savant Syndrome.This fascinating syndrome appears in individuals who have had some kind of brain trauma and suddenly, without explanation, acquire incredible talents.Alissa talks about one of the very first documented cases from the late 1800's of Eadweard Muybridge. A tragic stagecoach accident left him with such awful brain trauma he was bleeding from the ears. From that he became a world famous photographer, inventor...and murderer. We fast forward in time where Britt tells the story of Jason Padgett, a karaoke loving beefcake who was tragically mugged in the streets of Tacoma, WA. The brain trauma caused from this encounter left Jason with the ability to visually see mathematics in intricate fractal forms. Britt then shares a little about the Sudden Savant where these gifts appear in individuals instantaneously without any prior brain trauma. A woman can suddenly create amazing art overnight, a man can instantly speak a foreign language fluently and also the piano flawlessly.Alissa wraps up the episode with the horrific and delightful tale of Phineas Gage, a handsome foreman from 1849 who had a three foot tamping iron shoot through his skull and not only survived but lived to tell the tale!These stories make us wonder, do we all have this untapped talent inside us? Can we hone in on these abilities without having major brain trauma?We'll keep you posted if we find out.Support the showRemember to share the podcast with friends and we want to hear your stories! Please e-mail them to us at Skeletalespodcast@gmail.com or leave a message at 302-689-DEAD (3323).Subscribe to our YouTube here: www.youtube.com/@skeletalespod Join our SkeleTeam over at Patreon here: www.patreon.com/Skeletalespodcast Buy some haunted shit over at www.skeletalespodcast.etsy.comAs always thanks for listening and Haunt Y'all Later!

Claudia Pfeiffer is the Deputy Director & Head Curator of the National Sporting Library & Museum in Middleburg, Virginia. We begin on their recent exhibition about the art of the dog collar: a haunting cast from the eruption of Vesuvius; an ancient "Beware of Dog" mosaic; spiked collars & regal collars. Claudia describes some of the most striking paintings from the exhibition: a theatrical Amsterdam dog market; a mastiff baying a poacher; a lion hunt; & an allegory about the father of cynicism.  From there we switch from dogs to horses and hear about their anatomy & movement as captured by art, including Muybridge's famous horse photographs. To wrap up this dog-lover & art history-lover episode, Claudia tells the lore of Barry the St. Bernard and his iconic barrel flask.  Plan a visit to The National Sporting Library & Museum Music provided by Ars Lyrica Houston"Les Indes Galantes - Entrée les Sauvages"Written by Jean-Philippe Rameau Performed by Ars Lyrica Houston"Fandango from Quintet No. 4, G 448"Written by Luigi BoccheriniPerformed by Ars Lyrica Houston"Propiñán de Melyor and Si habrá en este Baldrés"Written by anonymous Performed by The Crumhorn CollectiveCourtesy of Ars Lyrica HoustonReference Images:Cast of Pompeii watch dog"Beware the Dog" Pompeii mosaic The Amsterdam Dog Market  by Abraham Hondius [c. 1671-1672]Steer & Mastiff Pulling a Cart by Sid Franckett [1910]The Poacher at Bay by Richard Ansdell [1865]The Lion Hunt attributed to Paul de Vos [1590-1678]Alexander and Diogenes by Sir Edwin Landseer [1860's]The Anatomy of the Horse by George Stubbs [1766]The Horse in Motion by Eadweard Muybridge [1878]Example of improper horse gallop by George StubbsSalmon and Trout on a Riverbank by John Bucknell Russell [1874] Alpine Mastiffs Reanimating a Distressed Traveler by Sir Edwin Landseer [1820]Support&a

Eadweard Muybridge zählt zu den einflussreichsten und bekanntesten Fotografen seiner Zeit, der neue technische und ästhetische Maßstäbe gesetzt hat. Im Jahr 1878 gelingt es ihm, die Zeit anzuhalten: Er macht sensationelle Bilder von galoppierenden Pferden und beweist damit, dass es einen Moment gibt, in dem die Tiere vollständig in der Luft sind. Kurz zuvor wird er allerdings wegen Mordes angeklagt und es droht ihm die Todesstrafe. Wir sprechen in dieser Folge über das wendungsreiche Leben von Muybridge, einen schweren Unfall, wie er überhaupt zur Fotografie gekommen ist und warum er nicht als verurteilter Mörder hingerichtet wurde, sondern des Gerichtsgebäude trotz Geständnis als freier Mann verlassen hat. Literatur: Marta Braun: Eadweard Muybridge (Critical Lives), 2010. //Aus unserer Werbung Du möchtest mehr über unsere Werbepartner erfahren? Hier findest du alle Infos & Rabatte: https://linktr.ee/GeschichtenausderGeschichte NEU: Wer unsere Folgen lieber ohne Werbung anhören will, kann das über eine kleine Unterstützung auf Steady oder ein Abo des GeschichteFM-Plus Kanals auf Apple Podcasts tun. Wir freuen uns, wenn ihr den Podcast bei Apple Podcasts oder wo auch immer dies möglich ist rezensiert oder bewertet. Wir freuen uns auch immer, wenn ihr euren Freundinnen und Freunden, Kolleginnen und Kollegen oder sogar Nachbarinnen und Nachbarn von uns erzählt!

Writer Malcolm Harris has a new book out called Palo Alto: A History of California, Capitalism, and the World. It's as sweeping as the title suggests: a lively biography of the author's hometown that covers nearly two centuries. In the book, Harris traces the connections between the settling of California and the advent of the railroad, the establishment of Stanford University, the technological boom of the long 20th century, and own data-driven present.  What you may not expect is that the book is also, in many ways, a history of the cinema: as Malcolm details, Eadweard Muybridge developed his pioneering equine motion studies under the patronage of railroad baron Leland Stanford, who wanted to figure out how to raise better race horses. So on today's episode, Film Comment Editors Devika Girish and Clinton Krute invited Malcolm to join them for a conversation about his new book and California's decades-spanning nexus of technology, capital, and the moving image. From Muybridge, they moved to several other movies that Malcolm cites in the book, including Justin Lin's Better Luck Tomorrow, Wayne Wang's Chan Is Missing, the dot-com era thriller Antitrust, and more.

A GREAT SHOT! Hello, horse fans and mystery fans, this week on Horse Mysteries, Lezah is surprised by another installment of Horse Bits and then things get artistic, scientific and murderous as Lezah looks at the life and achievements of Eadweard Muybridge. You may have seen his photographs, but you probably haven't heard the whole […]

The hosts of a long-running podcast bear witness to an uncanny and chilling discovery… that people actually listen to them. On Episode 528 of Trick or Treat Radio we discuss Nope, the latest film from director Jordan Peele! We also discuss the many subgenres of horror and whether or not they're even necessary, Viggo Mortensen's infatuation with being a DSO, and penetrating the zeitgeist. So grab your trusty camera to grab the impossible shot, make sure not to make eye contact, and strap on for the world's most dangerous podcast!Stuff we talk about: AEW drama, Star Wars copies everyone, Spaceballs, Disney+ Day, marinara sauce with a side of mozzarella sticks, black olives on pizza, Cobra Kai, Thor: Love and Thunder, Andor, Stargirl, Sandman, Netflix's marketing tactics, penetrating the zeitgeist, Jupiter's Legacy, old fucks being superheroes, Top 10 80s Villains, Machete, Viggo Mortensen, what is a DSO?, Lord of the Rings: The Rings of Power, praising full frontal, Eastern Promises, Captain Fantastic, one D to rule them all, can't find Casablanca, the conversations in Ravenshadow's head, vaxx dat ass up, Jordan Peele, Get Out, Us, Nope, Eadweard Muybridge, the first moving picture, should horror have clear subgenres?, elevated horror, social thriller, Cattle Decapitation, the subgenres of metal, Keith David, fictionalized history, Steven Yeun, Fry's Electronics, Michael Wincott, The Crow, Top Dollar, “app-en-den-dix”, Charla Nash, chimps, Akira, Steven Spielberg, Close Encounters of the Third Kind, Keke Palmer, Daniel Kaluuya, Dashcam, Sleepaway Camp, writing sympathetic characters, important movies, Barbarian, Glorious, Pussycake, the Coca-Cola Crusaders, Saloum, Shudder, The Masslighter, There's a Conan in the Closet, and Jordan Peele's next film Guess What?Support us on Patreon: https://www.patreon.com/trickortreatradioJoin our Discord Community: discord.trickortreatradio.comSend Email/Voicemail: mailto:podcast@trickortreatradio.comVisit our website: http://trickortreatradio.comStart your own podcast: https://www.buzzsprout.com/?referrer_id=386Use our Amazon link: http://amzn.to/2CTdZzKFB Group: http://www.facebook.com/groups/trickortreatradioTwitter: http://twitter.com/TrickTreatRadioFacebook: http://facebook.com/TrickOrTreatRadioYouTube: http://youtube.com/TrickOrTreatRadioInstagram: http://instagram.com/TrickorTreatRadioSupport the show

Photos and more here: www.allthroughalens.com Welcome back!   And on this episode - our first of the 22-23 season, we'll be hearing from a few near and dear friends about what they've been up to since we last talked. There's  Kate Miller-Wilson (@katemillerwilson), Jess Hobbs (@jesshobbsphoto), Kat Swansey (@katswanseyphoto), Nick Gaylord (@countsnackula), and  Ariela (@arielaaaaaaaa).   We'll also chat about the movie Nope in some photographically historical ways. Eric will regale you with a hiking story that almost doesn't involve him dying (sort of). And we've got zine reviews, the answering machine, and so much more!   Opening Banter   Vania got a literal bucket of cameras and she walks us through a bunch of them. There's point & shoots and some more point & shoots and basically cameras you'd expect to find in a bucket of cameras.   Meanwhile, Eric talked about pairing down and shooting with only two cameras for the entire summer. Is it possible to survive such an ordeal? Find out!       Answering Machine   For our first question back, we asked folks to tell us what their most meaningful or moving thing they've photographed this summer. We got a bunch of answers!       Nope and That Little Horse Movie         One of the main themes of the film (without going into spoilers) is the lengths we'll go to get the shot - what the film calls “the impossible shot.”    The film is established upon what they see as the first impossible shot - the series of photographs that are generally accepted to be the first motion picture.   In the movie, the main characters run a ranch that raises horses for use in the film industry. Their great-great-great grandfather was the black jockey riding the horse in the moving photos.   Let's learn about a photographer known as Eadweard Muybridge who also went by the name “Helios.” What could possibly go wrong?         Summer Friends   Rather than a regular interview, we talk to a few old friends about what they've been up to this summer.       The Story of Chimney Rock: A Cautionary Tale.   All through July, Eric kept a journal of his travels - his highs and lows, his photography antics and his photographic failures. It's all there. Basically.    And so here is a selection from the journals. Day Nine: The Story of Chimney Rock: A Cautionary Tale.   "I never meant to fall in love with the Terry Badlands of Montana. Before discovering the photography of Evelyn Cameron, I had never even heard of them.    "The plan was to drive north to the upper right corner of the state, turn east and then finally move into North Dakota. But the draw of the Badlands was too much. And in the end, the Bandlands were almost too much for me."           Zine Reviews   Black Sky Vol. 1 by Josh (@noisefights)   Web: https://noisefights.bigcartel.com/product/black-sky-vol-1   Burn By Bike; Bikepacking Tillamook Burn Country, Oregon by Steven Mortinson   @negative.nevets       PATREON   Thank you to everyone who supports us!   Check out our Patreon for bonus episodes, extended interviews, early drops. Tons of stuff!   patreon.com/allthroughalens   THE CREDITS OF ENDING   Music by Last Regiment of Syncopated Drummers   Vania: IG, Flickr, Zines Eric: IG, Flickr, Zines, ECN-2 Kit       All Through a Lens: IG, Website, Patreon, Spotify Playlists        

Director Marc Shaffer discusses his documentary Exposing Muybridge, which sheds light on the life and impact of photographer Eadweard Muybridge, a pioneer of early motion pictures. Muybridge is most famously known for capturing consecutive images of a galloping horse, which proved that all four hooves leave the ground mid-stride. Shaffer details the importance of this photographic experiment in the development of cinema, as well as the other strange and captivating details of Muybridge's life. He also elaborates on the interview subjects of the film, including the involvement of actor Gary Oldman. He talks through the process of recreating and reimagining Muybridge's famous multi-camera shoot and explains the importance of Muybridge in photographic and cinematic history, as well as the lasting influence of his work. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38155]

Director Marc Shaffer discusses his documentary Exposing Muybridge, which sheds light on the life and impact of photographer Eadweard Muybridge, a pioneer of early motion pictures. Muybridge is most famously known for capturing consecutive images of a galloping horse, which proved that all four hooves leave the ground mid-stride. Shaffer details the importance of this photographic experiment in the development of cinema, as well as the other strange and captivating details of Muybridge's life. He also elaborates on the interview subjects of the film, including the involvement of actor Gary Oldman. He talks through the process of recreating and reimagining Muybridge's famous multi-camera shoot and explains the importance of Muybridge in photographic and cinematic history, as well as the lasting influence of his work. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38155]

Director Marc Shaffer discusses his documentary Exposing Muybridge, which sheds light on the life and impact of photographer Eadweard Muybridge, a pioneer of early motion pictures. Muybridge is most famously known for capturing consecutive images of a galloping horse, which proved that all four hooves leave the ground mid-stride. Shaffer details the importance of this photographic experiment in the development of cinema, as well as the other strange and captivating details of Muybridge's life. He also elaborates on the interview subjects of the film, including the involvement of actor Gary Oldman. He talks through the process of recreating and reimagining Muybridge's famous multi-camera shoot and explains the importance of Muybridge in photographic and cinematic history, as well as the lasting influence of his work. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38155]

Director Marc Shaffer discusses his documentary Exposing Muybridge, which sheds light on the life and impact of photographer Eadweard Muybridge, a pioneer of early motion pictures. Muybridge is most famously known for capturing consecutive images of a galloping horse, which proved that all four hooves leave the ground mid-stride. Shaffer details the importance of this photographic experiment in the development of cinema, as well as the other strange and captivating details of Muybridge's life. He also elaborates on the interview subjects of the film, including the involvement of actor Gary Oldman. He talks through the process of recreating and reimagining Muybridge's famous multi-camera shoot and explains the importance of Muybridge in photographic and cinematic history, as well as the lasting influence of his work. Series: "Carsey-Wolf Center" [Humanities] [Show ID: 38155]

Imagine surviving a freak accident and coming out the other side unrecognizable – not on the exterior, but inside. Where do our personalities live, and how can they shift drastically? In season one, we covered miraculous talents resulting from traumatic brain injury. On this episode, we'll head to the dark side of personality change with the stories of Phineas Gage, Eadweard Muybridge and someone whose identity became the personae of whoever they were nearest. This week's sponsors: Hungryroot - Go to Hungryroot.com/STRANGE to get 30% off your first delivery and free veggies. Lumi Labs - To learn more about microdosing THC go to Microdose.com and use code STRANGE to get free shipping and 30% off your first order.

In episode 25, we take a different angle by TIM interviewing JAY about his Korean-themed mid-length film drama, "REPARATION" and what it was like for the film to have been Officially Selected by the inaugural Kingston International Film Festival (KIFF), as well as what is next for this film, including its Korean Premiere coming up in South Korea.Jay also discusses how he assisted in getting the Korean language film by director Jules Suo, "SESANG" into KIFF 2022 as part of its Far East Asian Film strand.Other subjects include Jay's imminent trip to Korea, Eadweard Muybridge and the moving image and Jay's affinity with Kingston and of course Korea - The latter is elaborated on a recent episode of Jason Verney's other podcast series, "F.L.I.C.K.S." (also available on all good podcast and music platforms, as well as YouTube - here is a link to that episode on YT: https://youtu.be/YAynNN2777IFURTHER INFO:Details about subjects covered in this episode can be found below.Jason Verney's "Reparation:http://www.Instagram.com/Reparation_Film (@Reparation_Film)https://www.imdb.com/name/nm6732314/https://youtu.be/UHr9fpvr7M4 (TRAILER)https://youtu.be/QOEy-VMs7nsKingston International Film Festival:http://www.Instagram.com/KIFFEST.UK (@KIFFEST.UK)http://www.kiffest.ukhttp://www.Twitter.com/KiffestUKhttps://www.facebook.com/KIFFESTUKhttps://www.youtube.com/channel/UCnAJFoMihTxL_KAbKBueWYQhttps://rosetheatre.org[JASON and TIMOTHY's podcast episodes can ALSO be found in this PLAYLIST: https://youtube.com/playlist?list=PLi-ZZE-1zF1M50lsEie0d_oqMm2Tq3i-J]#NewMalden#KoreaTownMain interview recorded on 17th June 2022 and therefore just one week before KIFF began.The music featured in this show is by the wonderful Kaya:http://www.kaya-music.co.ukSHOW INFO: The Not So Korean Podcast with Jay & Tim is recorded live from New Malden, the UK and Europe's largest Koreatown. We bring you news, topics of conversation, and interviews related to the Korean community and K-Culture.LINKS:http://www.Instagram.com/NotSoKoreanPodcasthttp://www.Facebook.com/NotSoKoreanPodcastPODCAST:YouTube: https://YouTube.com/JasonVerneySpotify: https://open.spotify.com/show/011IZHc3G4yl39Ep2BF6OXiTunes / Apple Podcasts: https://podcasts.apple.com/gb/podcast/the-not-so-korean-podcast/id1576936240Amazon Music/Podcasts AudibleGoogle PodcastsSpreaker: https://www.spreaker.com/show/the-not-so-korean-podcast[and all good Podcast platforms]VIDEO / SOUND:Edited & Engineered by Jason VerneyARTWORK:Designed [but not Drawn] by Jason VerneySOCIAL MEDIA:Timothy Holm (& Jason Verney)

Flatpack Festival and Birmingham Museum & Art Gallery are running a marvellous exhibition until 30th October 2022: Wonderland tells stories of filmgoing and cinema culture in Birmingham. It begins with the earliest days of cinematic experimentation, including a visit from Eadweard Muybridge to demonstrate his moving images, through the glory days of the picture palaces in the 1930s and 40s, the influence of Asian and Caribbean immigration, and the slump of the 1980s, to where we are today, with a combination of multiplexes and more specialised venues, including, of course, the Electric, which continues to proudly boast the title of the UK's oldest working cinema. It's a densely packed exhibition, full of elegantly and concisely organised information, focusing not only on places and eras but also people: individual attention is given to notable figures such as Iris Barry, the UK's first female film critic, Waller Jeffs, who popularised cinema in the 1900s with his annual seasons at the Curzon Hall and travelling show, and Oscar Deutsch, the Balsall Heath-born creator of the Odeon brand, the first cinema of which opened in Perry Barr in 1930. Wonderland: Birmingham's Cinema Stories is free to visit at BMAG until October 30th, and it's a must-see for anyone interested in filmgoing in Birmingham. The history it describes is cultural, technological, social and economic, and it's beautifully curated and designed to do just that. It's also got a big interactive map in the middle where you can look for your house and see the five cinemas that used to be on your road back in 1940. Don't miss it. Recorded on 30th May 2022.

“F. L. I. C. K. S.” EP 70 - EPISODE DESCRIPTION:In this episode I reflect on my connection and affinity to Kingston upon Thames, having recently had my mid-length film, "REPARATION" officially selected by the new / inaugural Kingston International Film Festival (KIFF), which runs from 24th to 26th June 2022.Subjects also covered are Asian films at this year's KIFF, the Kingston Museum and my video art which was there in 2017, the importance of Eadweard Muybridge and the moving image, my meetings with Korean actress, Kim Kkobbi and a link or two between Kingston and KoreaTown aka New Malden. Disclaimer: This podcast series is separate from the one I run with Timothy Holm, the Not So Korean Podcast - that podcast is still running and so feel free to check out that series on http://www.YouTube.com/JasonVerney, where you'll find video interviews and more. It's also available on all good music / podcast platforms. Other episodes of Jason Verney / “F. L. I. C. K. S." series can also be found on that channel - some of these episodes are in video / V-log form rather than podcast.Recorded on 8th June 2022. SERIES DESCRIPTION:"F. L. I. C. K. S." is a podcast by filmmaker and journalist Jason Verney, in collaboration with his production company, NativeNomadPictures.com (NNP), his YouTube channel (YouTube.com/JasonVerney) and his movies & music website, MiniMiniMovie.com (MMM), and stands for:FilmsLifeInterviewsCameraKoreaSoundsSelf-quoted as: "An Odd Plod, Nod & Pod to 'NO-MADe-land'..."This podcast can be seen as an apology perhaps, to those who may be awaiting the yet to be completed South Korean documentary by Mr Verney. Jason talks about various aspects of Korea, the Korean culture, movies (both Korean and international), music, life, travelling & more. Like the #KDOC14 documentary project itself, this too is a work in progress. Over time it will evolve... be this in format or from an audio to a visual podcast.Note: "F. L. I. C. K. S." is the new name for what was known as "Jason Verney's PLODCAST". Previous potential comic titles for this podcast were Prodcast*, Probcast** and Oddcast*** but the original name of "Plodcast" was used. * To represent 'still in Production'** For either 'Problematic' or 'Probably'*** Simply because it's all kind of 'Odd'PLODCAST, although probably in existent by other broadcasters, was thought most apt... Not so much due to the fact that the podcast itself is slow, plodding or boring (well, you can be the judge of that!) but indicating that the Korean documentary, and other filmic projects are slowly, but surely on their way!"F. L. I. C. K. S." was more recently thought of a more memorable and relevant name & not only indicates that it's related to movies but also spells out what else it covers: Films; Life; Interviews; Camera; Korea; Sounds. Jason Verney is an independent filmmaker and journalist, whose websites (and company/ies) include Native Nomad Pictures Limited and MiniMiniMovie.com & is also proud co-founder of the London Asian Film Society.Follow on Instagram & Twitter at:@MiniMiniMovies @_dOKumENtARy @NativeNomadPics@Reparation_Film - the short film which is coming your wayExamples of work:-JASON VERNEY:Jason Verney and Native Nomad Pictures can be found on YouTube: http://www.YouTube.com/JasonVerneyand:http://www.Vimeo.com/channels/NativeNomadPictureshttp://genero.tv/watch-video/38133 (Damon Albarn interactive music video - Note: If played on tablet or smartphone, an app download may be required) http://www.Vimeo.com/channels/JasonVerneyNATIVE NOMAD PICTURES:NativeNomadPictures@gmail.com/ NativeVerney@naver.com (Film Production)http://www.NativeNomadPictures.com/http://www.Twitter.com/NativeNomadPicshttp://www.Facebook.com/NativeNomadPicturesInstagram: @NativeNomadPicsMINI MINI MOVIE & OTHER N.N.P. Links: http://www.Twitter.com/_dOKumENtARyhttp://www.Facebook.com/SouthKoreaDocumentaryhttp://www.MiniMiniMovie.com/http://www.Twitter.com/miniminimovieshttp://www.Facebook.com/MiniMiniMovieshttp://www.Twitter.com/LondonAsianFShttp://www.Facebook.com/LondonAsianFilmSocietyNative Nomad Pictures Limited is a Registered company in England (No. 08185761).

Like Leonardo and Albrecht Dürer before him, photographer Eadweard Muybridge was a legendary pioneer in both art and science. He was also a cold-blooded murderer.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

“He's not a dusty antique from the past; he's the beginning of now”  That's how Marc Shaffer describes the subject of his film, Exposing Muybridge.  Mike and Marc explore the strange and varied career of Eadweard Muybridge (just one of the many versions of the name he gave himself over the years).  Born in Britain, he moved to New York to sell books, and then to San Francisco to become an early photographer of the American West as well as its native inhabitants.  He then had the fortune (both good and mis-) to garner Leland Stanford, rail tycoon and Californian politician, as a patron.  He started with photographs of Stanford's family, but then moved on to the series of pictures that would make him a known worldwide:  Proving the long-argued notion that at some point in full gallop, all 4 of a horse's hooves leave the ground.  Disavowed by Leland Stanford just as he was about to be honored by the Royal Society of his home country, Muybridge returned to America and supported by the likes of painter Thomas Eakins, took up residency at The University of Pennsylvania.  Here he continued his motion studies, but as Shaffer and his experts demonstrate, in a manner that revealed as much about the mores and prejudices of his day as they do about the nature of motion. Aided by the exemplary explanatory mode of none other than Muybridge fan and collector Gary Oldman, Schaffer reveals much about Muybridge's life, technique, and art.  And he demonstrates the impact on our culture from Francis Bacon, to The Matrix, to Jordan Peele. “Exposing Muybridge” screenings at the Minneapolis St. Paul International Film Festival Monday, May 9 | 4:40 PM | The Main Tuesday, May 10 | 1:45 PM | The Main Friday, May 13 | 1:50 PM | The Main For more information about the Festival, go to: https://mspfilm.org/festivals/mspiff/   Hidden Gem: Hearts of Darkness

Hernan Diaz's second novel, “Trust,” is four books in one. Our reviewer, Michael Gorra, calls it “intricate, cunning and consistently surprising.” It starts with a novel inside the novel, about a man named Benjamin Rask, who builds and maintains a fortune in New York City as the 19th century gives way to the 20th. Diaz describes writing the uniquely structured book on this week's podcast, and the ideas at its core.“Although wealth and money are so essential in the American narrative about itself as a nation, and occupy this almost transcendental place in our culture, I was rather surprised to see that there are precious few novels that deal with money itself,” Diaz says. “Sure, there are many novels that deal with class — we were talking about Henry James and Edith Wharton a moment ago — or with exploitation or with excess and luxury and privilege. Many examples of that, but very few examples of novels dealing with money and the process of the accumulation of a great fortune.”Paul Fischer visits the podcast to discuss “The Man Who Invented Motion Pictures,” which is about Louis Le Prince, who made what is now widely acknowledged to be the first known moving picture, and the story of his mysterious disappearance as well.“What was fascinating about Le Prince — and what I really loved as a film nerd myself — is that he seems to have been the first one of that generation to really have a vision for what the medium could be,” Fischer says. “There were a lot of people, like Thomas Edison or the Lumière brothers, who were working on moving-image projects as a kind of novelty toy. Their idea was, this can make a little bit of money, at least for a while, and then it will fade away. And there were people, like Eadweard Muybridge or the French scientist Étienne-Jules Marey, who were scientists and really thought moving images would be a way to deconstruct the way our bodies work, the way things move, the way nature worked. And Le Prince was really the first to write in his notebooks and speak to his family about this medium as something that would change the way we related to reality.”Also on this week's episode, Gregory Cowles and Elisabeth Egan talk about what they've been reading. John Williams is the host.Here are the books discussed in this week's “What We're Reading”:“Music, Late and Soon” by Robyn Sarah“French Braid” by Anne Tyler“Poguemahone” by Patrick McCabe“The Butcher Boy” by Patrick McCabeWe would love to hear your thoughts about this episode, and about the Book Review's podcast in general. You can send them to books@nytimes.com.

We conclude the saga of Eadweard Muybridge. At the end of part 1, we left our famous photographer hero bursting in on a card game to confront his wife's lover. What happens next? Visit OpenSFHistory.org to see our collection of Muybridge images: https://bit.ly/emuybridge

The "interesting" life of early San Francisco photographer, Eadweard Muybridge, sounds like a great pitch for a movie. This is a rare, two part WNP podcast where Nicole and Arnold cover Muybridge's early years. And be sure not to miss part 2. Visit OpenSFHistory.org to see our collection of Muybridge images: https://bit.ly/emuybridge

The team sits down with Marc Shaffer, Documentary Filmmaker, Investigative Reporter, and Founder of Inside Out Media.Marc Shaffer's latest film is Exposing Muybridge, the first feature documentary on the revolutionary 19th-century photographer Eadweard Muybridge. Exactly 150 years after Muybridge made the very first photographs of Northern California winemaking in Sonoma, Exposing Muybridge has its California premiere at the Sonoma International Film Festival.Over a documentary career spanning more than two decades, Marc has traveled the world making films on many of the most pressing issues of our time, from environmental threats to corporate corruption, democratic integrity, and economic inequality to immigration and problems in the American healthcare system. Marc's films have received three national Emmy nominations, among many honors, and have been watched by millions of people on PBS, National Geographic, Netflix, Al Jazeera, online and in theaters. Notably, Exposing Muybridge, won the WGA Award for Best Documentary Screenplay in 2022.Fandor is a proud sponsor of Sonoma International Film Festival.Fandor on Social Media:Facebook: https://www.facebook.com/fandorTwitter: https://twitter.com/FandorInstagram: https://www.instagram.com/fandorfilmsTikTok: tiktok.com/@fandorfilms Hosted on Acast. See acast.com/privacy for more information.

Subscribe to our Patreon for all bonus episodes: www.patreon.com/screenslate ━━━ Guest: Cristina Cacioppo with Jon Dieringer, Caroline Golum, John Klacsmann, and engineer C. Spencer Yeh. Full runtime 22 min. ━━━ Introducing the hot take hotline. We discuss PA stories and fanfic. A caller disses Memoria. Deepfake Werner Herzog leaves a message.  Jon briefly convinces everyone Eadweard Muybridge f*cked the horse.Support the show

In the late 19th century, a man accidentally learned to create the illusion of movement by projecting a series of images onto a screen. His name was Eadweard Muybridge whose discovery began with a question about horses. This is part 1 of the history of film!

This week on The Tinsel Factory, we cover the life of inventor, photographer and… murderer?! Eadweard Muybridge's experiments paved the way to cinema, and this week we're covering his life and the experiment that changed photography forever. On two sentence movie reviews: Nightmare Alley Support This Podcast: https://anchor.fm/tinselfactorypod Merch: https://shop.spreadshirt.com/the-tinsel-factory/all Venmo: @tinselfactorypod Sources: https://www.britannica.com/biography/Eadweard-Muybridge https://www.theartstory.org/artist/muybridge-eadweard/life-and-legacy/ https://iphf.org/inductees/eadweard-muybridge/ --- Support this podcast: https://anchor.fm/tinselfactorypod/support

This week we are covering a man who definitely lived his life in two distinct phases with three different names. An Englishman who wanted to see the world, Edward Muggeridge risked it all to emigrate to America. He was living the dream until a horrific accident would change the course of his life forever.A study in the pros and cons of acquired brain injury, join us as we cover the two sides of Edward 2.0, reborn as Eadweard Muybridge!Guest Host: Jack Heathcote See acast.com/privacy for privacy and opt-out information.

This snacky episode of THE ARTISTS is on the man who made Cinema possible- Eadweard Muybridge- Find his Zoopraxiscope and other motion photography innovations on the internet. Intro Music: "Hard Boiled" by Kevin MacLeod (https://incompetech.com) License: CC BY (http://creativecommons.org/licenses/by/4.0/ Outro Music: Shades of Spring by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4342-shades-of-spring License: https://filmmusic.io/standard-license Email id: metaphysicallab@gmail.com/ whats app - 9324431451 You can follow us and leave us feedback on Facebook, Instagram, and Twitter @eplogmedia, For partnerships/queries send you can send us an email at bonjour@eplog.media.   DISCLAIMER: The views expressed on all the shows produced and distributed by Ep.Log Media are personal to the host and the guest of the shows respectively and with no intention to harm the sentiments of any individual/organization.   See omnystudio.com/listener for privacy information.

这次我们聊拳击和电影的交集。美国娱乐史上曾有很短的一段时间，在十九世纪末，还处在萌芽期的现代拳击和电影相互成就：电影帮拳击克服文化禁忌，获得了美国人的认同；拳击帮电影找到了稳定的观众，登上大雅之堂。 八卦小报如何靠拳击挣钱 蓝领拳手和绅士拳手 拍拳击电影的好处与风险 美国史上第一部电影长片，也是史上第一部卖座电影 假拳赛电影的挣钱之道 《talich 闲侃》，有闲得聊，关注美国流行文化史，网址：https://talich.fm 相关链接 主要参考文献 Streible, D. (2008). Fight pictures: a history of boxing and early cinema. Berkeley: University of California Press. Musser, C. (1994). The emergence of cinema: the American screen to 1907. Berkeley: University of California Press. Musser, C. (1991), Before the Nickelodeon: Edwin S. Porter and the Edison Manufacturing Company. Berkeley: University of California Press. Levine, L. W. (1988). [Highbrow/lowbrow: the emergence of cultural hierarchy in America](www.hup.harvard.edu/catalog.php?isbn=9780674390775). Cambridge, Mass.: Harvard University Press. Zunz, O. (2012). Philanthropy in America: a history. Princeton, N.J.: Princeton University Press. 主要影片 Eadweard Muybridge, Nude Male Athletes Boxing, plate 336, Animal Locomotion (1887), Library of Congress 爱迪生公司早期电影, Library of Congress Corbett-Fitzsimmons拳赛, Library of Congress Jeffries-Fitzsimmons拳赛复现（注意上载者没有意识到这是 Siegmund Lubin 的假拳赛电影） 登场人物 talich: 美国流行文化史爱好者，《娱乐的逻辑》作者

“La figura humana en movimiento” de Eadweard Muybridge es el primer estudio en fotografías del movimiento del cuerpo humano. Es una referencia clave para todo dibujante que quiera entender la dinámica anatómica.

This week, we talk about the temporal nature of the things we make. Should they be preserved for the future or allowed to decay to a natural end, whatever that means? We also discuss transitions and how making the decision to leap can come from a variety of sources and happen for a variety of reasons, not the least of which is fear. Plus, an interesting looking trailer has emerged for a new biopic of Eadweard Muybridge. Lorena Lohr is our Photographer of the Week.

This week, we discuss a documentary on last week's Photographer of the Week, Jane Bown, who recently passed away at 89. Can photography be “just” a job and still be important? Or do we have to approach it as art (whatever that means to you) for it to have any sort of deeper meaning? Pioneer of early motion studies, Eadweard Muybridge is our Photographer of the Week.