Podcast appearances and mentions of Lee Friedlander

Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril. In Play It Again, Sam: Repetition in the Arts (MIT Press, 2025), Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris, Andy Warhol's Campbell's Soup Cans, and Jackson Pollock's drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia—Giglia's Girls in the Windows is one of the highest-grossing photographs in history—are all shown to be built on repetition in the form of visual rhyme.The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril. In Play It Again, Sam: Repetition in the Arts (MIT Press, 2025), Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris, Andy Warhol's Campbell's Soup Cans, and Jackson Pollock's drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia—Giglia's Girls in the Windows is one of the highest-grossing photographs in history—are all shown to be built on repetition in the form of visual rhyme.The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril. In Play It Again, Sam: Repetition in the Arts (MIT Press, 2025), Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris, Andy Warhol's Campbell's Soup Cans, and Jackson Pollock's drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia—Giglia's Girls in the Windows is one of the highest-grossing photographs in history—are all shown to be built on repetition in the form of visual rhyme.The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril. In Play It Again, Sam: Repetition in the Arts (MIT Press, 2025), Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris, Andy Warhol's Campbell's Soup Cans, and Jackson Pollock's drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia—Giglia's Girls in the Windows is one of the highest-grossing photographs in history—are all shown to be built on repetition in the form of visual rhyme.The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/music

Leonard Bernstein, in his famous Norton Lectures, extolled repetition, saying that it gave poetry its musical qualities and that music theorists' refusal to take it seriously did so at their peril. In Play It Again, Sam: Repetition in the Arts (MIT Press, 2025), Samuel Jay Keyser explores in detail the way repetition works in poetry, music, and painting. He argues, for example, that the same cognitive function underlies both how poets write rhyme in metrical verse and the way songwriters like Duke Ellington and Billy Strayhorn (“Satin Doll”) and Richard Rodgers and Lorenz Hart (“My Funny Valentine”) construct their iconic melodies. Furthermore, the repetition found in these tunes can also be found in such classical compositions as Mozart's Rondo alla Turca and his German Dances, as well as in galant music in general.The author also looks at repetition in paintings like Gustave Caillebotte's Rainy Day in Paris, Andy Warhol's Campbell's Soup Cans, and Jackson Pollock's drip paintings. Finally, the photography of Lee Friedlander, Roni Horn, and Osmond Giglia—Giglia's Girls in the Windows is one of the highest-grossing photographs in history—are all shown to be built on repetition in the form of visual rhyme.The book ends with a cognitive conjecture on why repetition has been so prominent in the arts from the Homeric epics through Duke Ellington and beyond. Artists have exploited repetition throughout the ages. The reason why is straightforward: the brain finds the detection of repetition innately pleasurable. Play It Again, Sam offers experimental evidence to support this claim. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Vielhaber, Christiane www.deutschlandfunk.de, Kultur heute

Today we have the pleasure of hosting Eric Rutin, co-host of Hallmark Mysteries and More, as we discuss fan-favorite movie: "Love, of Course". Starring Cameron Mathison and Kelly Rutherford, this heartwarming film is sure to capture the hearts of Hallmark fans everywhere. So, dive in to the Girls Gone Hallmark review with Eric to hear his thoughts on the movie! Your feedback means a lot to us and helps us reach more listeners. Please consider leaving a review and 5-STAR rating to let others know why you love Girls Gone Hallmark! Apple Podcast listeners: Use your phone's podcast app -> find the Girls Gone Hallmark show -> scroll all the way down to the review section -> tap 5 stars and tell listeners why Girls Gone Hallmark is your favorite Hallmark podcast. About Guest Eric Rutin Eric Rutin is an avid Hallmark movies enthusiast. Currently, he co-hosts the remarkable podcast, Hallmark Mysteries and More, together with Sydney Rowland. This podcast is exclusively dedicated to unraveling the captivating mysteries that unfold in the world of Hallmark Movies and Mysteries. Eric can be found on Instagram at both @HallmarkMovieReviewer and @HallmarkMysteriesandMore. View this post on Instagram A post shared by Girls Gone Hallmark (@girlsgonehallmark) //www.instagram.com/embed.js About "Love, of Course" "Love, of Course" is the story of Amy (Rutherford) who moves her daughter to college and ends up securing a position to support the school's yearly Autumn Harvest Celebration. Through her encounter with Noah (Mathison), a charming and widely-traveled educator, Amy gains insight into her own character and embarks on a fresh and exciting path. This movie originally premiered on October 20, 2018. Kelly Rutherford stars as Amy. Rutherford has 63 acting credits, including a 121 episode run as Lily van der Woodsen on "Gossip Girl" and 90 episodes on the original "Melrose Place." This movie appears to be her one and only Hallmark movie. Cameron Mathison plays Noah. Mathison is well known to Hallmark fans with roles in the "Hannah Swensen" mystery series, "General Hospital," as well as over 1,100 episodes of "All My Children." We last saw Mathison in "Carrot Cake Murder: A Hannah Swensen Mystery." Related: Hear what Girls Gone Hallmark thought of the return of "A Hannah Swensen Mystery." "Love, of Course" was written by Tracy Andreen, Lee Friedlander, and Janna King. This film was directed by Lee Friedlander. The movie is shown to be based in Oregon, however, it was filmed in Winnipeg. Fan Favorite Fall Hallmark Movie Reviews Get ready to welcome the fall season with your favorite Hallmark movies and Girls Gone Hallmark! This season, we are bringing plethora of fan favorites that you wouldn't want to miss. Stay tuned as we release brand new movie reviews every Tuesday. Make sure to subscribe to our podcast, so you never miss out on any of our exciting reviews.

My guest for this episode is writer Giancarlo Roma. Not only is he the son of noted photographer Thomas Roma, and the grandson of Lee Friedlander, he also manages the photo book imprint Haywire Press. A fun conversation about growing up surrounded by photography!Links:Haywire PressFriedlander First Fifty book (written / compiled by Giancarlo Roma)Thomas Roma website

Buy the book: https://repeaterbooks.com/product/narcissus-in-bloom/Narcissism is the defining pathology of the twenty-first century, but what if it is not self-obsession that defines us but a need for self-transformation?Narcissus in Bloom is a short history of the self-portrait, beginning with Renaissance painters like Albrecht Dürer, Rembrandt and Caravaggio, through to photographers and celebrities like Paris Hilton and Kim Kardashian, Lee Friedlander and Hervé Guibert.Analysing the ways that so many artists have regarded their own image, how might the age of the selfie be considered as a time of transformation rather than stasis? By returning to the original tale of Narcissus, and the flower from which he takes his name, this book offers an alternative reading of narcissism from within the midst of a moralising subgenre of books that argue our self-obsession will be the death of us. That may be so. But what will we become after we have taken the watery track, and rid ourselves of the cloistered self-image given to us by late capitalism?Support the podcast:Linktree: https://linktr.ee/acidhorizonOrder 'Anti-Oculus: A Philosophy of Escape' (10.10.23): https://repeaterbooks.com/product/anti-oculus-a-philosophy-of-escape/Acid Horizon on Patreon: https://www.patreon.com/acidhorizonpodcastZer0 Books and Repeater Media Patreon: https://www.patreon.com/zer0repeaterMerch: http://www.crit-drip.comOrder 'The Philosopher's Tarot': https://repeaterbooks.com/product/the-philosophers-tarot/Subscribe to us on Apple Podcasts: https://tinyurl.com/169wvvhiHappy Hour at Hippel's (Adam's blog): https://happyhourathippels.wordpress.com​Revolting Bodies (Will's Blog): https://revoltingbodies.com​Split Infinities (Craig's Substack): https://splitinfinities.substack.com/​Music: https://sereptie.bandcamp.com/ and https://thecominginsurrection.bandcamp.com/Support the show

Buy the book: https://repeaterbooks.com/product/narcissus-in-bloom/Narcissism is the defining pathology of the twenty-first century, but what if it is not self-obsession that defines us but a need for self-transformation?Narcissus in Bloom is a short history of the self-portrait, beginning with Renaissance painters like Albrecht Dürer, Rembrandt and Caravaggio, through to photographers and celebrities like Paris Hilton and Kim Kardashian, Lee Friedlander and Hervé Guibert.Analysing the ways that so many artists have regarded their own image, how might the age of the selfie be considered as a time of transformation rather than stasis? By returning to the original tale of Narcissus, and the flower from which he takes his name, this book offers an alternative reading of narcissism from within the midst of a moralising subgenre of books that argue our self-obsession will be the death of us. That may be so. But what will we become after we have taken the watery track, and rid ourselves of the cloistered self-image given to us by late capitalism?Support Zer0 Books  and Repeater Media on Patreon: https://www.patreon.com/zerobooksSubscribe: http://bit.ly/SubZeroBooksFacebook: https://www.facebook.com/ZeroBooks/Twitter: https://twitter.com/zer0books-----Other links:Check out the projects of some of the new contributors to Zer0 Books:Acid HorizonPatreon: https://www.patreon.com/acidhorizonpodcastYouTube: https://www.youtube.com/c/acidhorizonMerch: crit-drip.comThe Philosopher's Tarot from Repeater Books: https://repeaterbooks.com/product/the-philosophers-tarot/The Horror VanguardApple Podcasts: https://podcasts.apple.com/us/podcast/horror-vanguard/id1445594437Patreon: https://www.patreon.com/horrorvanguardBuddies Without OrgansApple Podcasts: https://podcasts.apple.com/gb/podcast/buddies-without-organs/id1543289939Website: https://buddieswithout.org/Xenogothic: https://xenogothic.com/

In this episode, Antonio and Ward discuss recent updates, with Antonio revealing that he recently came down with COVID. He also shares his newfound love for creating photo zines using Blurb. Ward speaks about his latest book purchase, "The Workers" by Lee Friedlander from Steidl Publishing. Intrigued by Ward's choice, Antonio decides to be a copycat and orders the same book, along with another one by Evelyn Hofer.  Ward plans to create a spontaneous and loose zine during a trip to visit his mother in Saskatchewan, capturing everything he encounters along the way. He also shares that he's been invited by a camera store in Calgary to give a talk about his process of creating a photo book, which came about after meeting with Ted Forbes and Evelyn Drake. Antonio and Ward then delve into the intriguing world of composition in photography. Antonio, as a photography instructor, talks about his desire to instill a deeper understanding of composition in his students. They discuss the difference in their own paths of learning, with Antonio having a formal education in photography and Ward learning through exploration. They emphasize the importance of composition as the linchpin for a captivating photograph. They stress the need to move beyond the "snapshot" approach and encourage budding photographers to take their time, observe, and envision the image they want to create. While acknowledging the value of rules like the rule of thirds, they emphasize that composition is a lifelong learning process that requires time and dedication. The discussion touches on the impact of Instagram and square format, but overall, they express the need to focus on composition to create impactful and resonant images.   Show Links: Help out the show by buying us a coffee! Send us a voice message, comment or question. Join our new Substack!   Evelyn Hofer - Encounters Lee Friedlander - Workers - The Human Clay Ward's Talk at the Camera Store - Coffee Talk: The Process of Photobook Making - Sat. Aug. 12   Antonio M. Rosario's Website, Vero, Twitter and Facebook page Ward Rosin's Website, Vero, Instagram feed and Facebook page. Ornis Photo Website  The Unusual Collective Street Shots Facebook Page Street Shots Instagram     Subscribe to us on: Apple Podcasts Google Podcasts Spotify Amazon Music iHeart Radio  

In this 'Photobook Special' episode UNP founder and curator Grant Scott is in his she connecting with Mary V Swanson in Arizona and Darius Himes in New York to discuss their book Publish Your Photography Book and all things 'photobook' related. You can find out more about the book mentioned in this episode here www.publishyourphotographybook.com and here on Instagram @publishyourphotographybook Mary V Swanson is an educator, author, entrepreneur and a respected advisor to artists and arts organisations. She received her MFA in Photography from Arizona State University in 1979 and throughout graduate school she served as a research assistant for the Curator of Photography at the Minneapolis Institute of Art. She began her career at The Friends of Photography in Carmel, California, managing the education offerings including the Ansel Adams Workshop and then moved to New York to head Special Projects at Magnum Photos, before relocating to Tucson, Arizona in 1990 to launch Swanstock, an agency managing licensing rights for fine art photographers. She currently works independently, offering consulting services to artists and arts organisations, and offering her own classes and educational seminars, serving as an advisor for multiple not-for-profit industry organisations, and other community-minded activities. Swanson coauthored with Darius Himes Publish Your Photography Book: Revised & Updated in 2014. Among the recent awards she has received are the 2015 Honoured Educator from the Society for Photographic Education, the 2014 Susan Carr Award for Education from the American Society for Media Photographers (ASMP) and the FOCUS Award for Lifetime Achievement in Photography from the Griffin Museum. She frequently serves as a judge on contemporary photography and photobook competitions, as a portfolio reviewer for industry events, and she presents group learning through interactive lectures, workshops and Master Class Retreats. Swanson is based in Tucson, Arizona. @maryvirginiaswanson. Darius Himes completed his Master of Arts in Liberal Arts at St. John's College in 2000, and received a BFA in Photography from Arizona State University, having studied under William Jenkins and Bill Jay. Based in New York City, Himes has overseen a global team producing auctions and exhibition as the International Head of Photographs for the auction house Christie's since 2014. Prior to joining Christie's, Himes was the director of the Fraenkel Gallery, San Francisco from 2011–2014. In 2007 he co-founded Radius Books, a non-profit publisher of books on photography and the visual arts, where he continues to serve on the Board. While working with artists such as John McCracken and Lee Friedlander, he has published first monographs for over a dozen emerging artists, including Renate Aller, Colleen Plumb, Aaron Huey, Janelle Lynch, Michael Lundgren, Alison Rossiter, and Meghan Riepenhoff. Himes was also the founding editor of the photo-eye Booklist, a quarterly journal devoted to photography books, which was published from 2002–2007. A lecturer and writer, he has contributed to Aperture, The Photobook Review, Blind Spot, Bookforum, FOAM and BOMB. @dariushimes Dr. Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, documentary filmmaker, BBC Radio contributor and the author of Professional Photography: The New Global Landscape Explained (Routledge 2014), The Essential Student Guide to Professional Photography (Routledge 2015), New Ways of Seeing: The Democratic Language of Photography (Routledge 2019). His film Do Not Bend: The Photographic Life of Bill Jay was first screened in 2018 www.donotbendfilm.com. He is the presenter of the A Photographic Life and In Search of Bill Jay podcasts. © Grant Scott 2023

A look at an important body of work from Lee Friedlander. Created in the 1970s, "The American Monument" is still relevant to today's viewers. We'll also take a "Worth A Thousand Words" look at one specific photograph from this series.Links:"Father Duffy" photograph"The American Monument" bookCCP / "The Archive" American Monuments issue

Cryptic Creatures, Chimeras, Contactees, and the Cleverly Coded Coincidences of the Collective Unconscious - In the 1960s, on a West Virginia backroad, Andy Colvin and his family and friends had encounters with the entity popularly known as "Mothman." Following those encounters, Colvin found that he could draw, sing, and take photographs, and that he had a photographic memory. Colvin was recognized as a prodigy, and was eventually offered a National Merit scholarship to Harvard University. While attending graduate school at the Univ. of Texas at Austin, Colvin helped found U.T.'s celebrated Transmedia Dept. as well as the Austin Film Society, an organization now credited with bringing commercial filmmaking to Texas. In 1985, Colvin used his tuition grant money to purchase the only 8mm camcorder then available, becoming the first filmmaker in Austin to shoot in the new format. His ensuing documentation of the lives of Austin "slackers" influenced the seminal cult hit that defined Generation X, "Slacker" - a project for which Colvin helped raise funds and equipment. Colvin's band, Ed Hall, appeared in the film and on the soundtrack. Following graduate school, Colvin worked on Hollywood films, toured with his experimental band, The Interdimensional Vortex League (once named America's "most underground band" by Europe's hip arts magazine, "Blitz"), and began making small, ethnographic documentaries about unusual tribes, subcultures, and personalities. His 25-year study of modern Texans, "Multislack," is due out in 2012. Colvin's work has been seen or heard in all 50 states, and in several foreign countries. His writing has been featured in various magazines, including Paranoia, The Stranger, and "D'Art," the arts journal for the Church of the Subgenius. Colvin's unique career has been studded with various mind-blowing, synchronistic events, some of which allowed him to study with, or work with, some of the greatest creative minds of the 20th Century, including Nam June Paik, Lee Friedlander, Keith Haring, Dennis Hopper, David Lynch, Robert Anton Wilson, Laurie Anderson, Daniel Johnston, Vito Acconci, Bruce Bickford, and the Butthole Surfers. - www.forteanswest.com******************************************************************To listen to all our XZBN shows, with our compliments go to: https://www.spreaker.com/user/xzoneradiotv*** AND NOW ***The ‘X' Zone TV Channel on SimulTV - www.simultv.comThe ‘X' Chronicles Newspaper - www.xchroniclesnewspaper.com ******************************************************************

Listen to Legendary photographer Joel Meyerowitz talk about his life and career, friends Gary Winogrand, Tony Ray Jones and Lee Friedlander, looking at the street, the importance of the Bronx, his Robert Frank epiphany, how baseball trained him for street photography, getting away with murder on the streets, the importance of scale, his promise to his audience, it's not too late for fashion, the mystery of his 8x10 Deardorf, the best part of his days in Tuscany and more. 

“Ich wollte immer Fotograf werden. Mich haben die Materialien fasziniert! Aber ich hätte nie zu träumen gewagt, dass ich so viel Spaß dabei haben würde!“ - sagt der bekannte US-amerikanische Fotograf Lee Friedlander. Schon mit 14 Jahren hat er mit dem Fotografieren angefangen, heute ist er 87 und hat den Spaß am Fotografieren offenbar noch immer nicht verloren.

“John Coplans“ La vie des formesà la Fondation Henri Cartier-Bresson, Parisdu 5 octobre 2021 au 16 janvier 2022Interview de Jean-François Chevrier et Élia Pijollet, commissaires de l'exposition,par Anne-Frédérique Fer, à Paris, le 4 octobre 2021, durée 24'22.© FranceFineArt.Communiqué de presse Commissariat :Jean-François Chevrier et Élia PijolletLa Fondation HCB présente une exposition exceptionnelle de l'oeuvre de John Coplansí(1920-2003), en collaboration avec Le Point du Jour, centre d'art éditeur à Cherbourgen-Cotentin. Les oeuvres exposées, issues de collections françaises, témoignent de l'audace de l'artiste britannique, célèbre pour la représentation, sans concession, de son propre corps.Émigrant aux États-Unis au début des années 1960, John Coplans a d'abord été peintre, critique d'art, directeur de musées et commissaire d'expositions, avant de se consacrer pleinement à la photographie au début des années 1980. C'est à l'âge de soixante ans, après s'être employé pendant vingt ans à promouvoir l'oeuvre d'autres artistes, qu'il se retire pour renouer avec l'expérience de la création. Il développe alors une pratique photographique où il représente son corps nu, en noir et blanc, souvent fragmenté, la tête toujours hors-champ. Il désigne toutes ces images réalisées entre 1984 et 2002 par l'intitulé générique Self Portrait ; titres et sous-titres descriptifs spécifient la partie du corps représentée ou la posture.Objet premier, singulier et impersonnel, le corps est le support d'une exploration jubilatoire, sans cesse renouvelée, de la vie des formes. Souvent réduite à la représentation du corps vieilli, l'oeuvre de Coplans répond à une visée plus ludique et universelle, inscrite dans une histoire longue des formes artistiques par le jeu de relations métaphoriques à la nature ou à la sculpture. Elle redéfinit le sens même de l'âge – non comme une progression vers la fin de vie, mais plutôt comme l'occasion d'une inscription dans la longue durée de l'espèce humaine et d'une entreprise de remémoration des formes primitives.L'absence du visage et le choix du fragment comme élément plastique ont libéré un flux d'inventions et d'analogies formelles qui semblait inépuisable et n'a cessé qu'avec la disparition de l'artiste. Les images de Coplans sont tour à tour contenues et explosives, drôles, provocantes, toujours soigneusement méditées. Elles répondent à une exigence de clarté qui transfigure le pathos expressionniste.L'exposition La vie des formes s'articule autour de trois ensembles. Aux petits tirages réalisés au début de la carrière photographique de Coplans (Torses, Dos, Mains, Pieds…) succèdent, en 1988, les grands formats et les montages combinant plusieurs fragments de corps pour constituer une image unique mais disjointe. Fin connaisseur de l'histoire des arts, Coplans a intégré à sa propre expérience les recherches d'artistes qu'il a étudiés, exposés ou côtoyés, tels que Carleton Watkins, Constantin Brancusi, Walker Evans, Lee Friedlander, Jan Groover, Philip Guston ou Weegee ; une sélection d'oeuvres est présentée dans l'exposition.Coproduction : L'exposition est coproduite avec Le Point du Jour à Cherbourg-en-Cotentin. Elle y sera présentée du 29 janvier au 15 mai 2022.Publication : L'exposition est accompagnée d'un livre publié par Le Point du Jour : John Coplans. Un corps, sous la direction de Jean-François Chevrier. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Cryptic Creatures, Chimeras, Contactees, and the Cleverly Coded Coincidences of the Collective Unconscious - In the 1960s, on a West Virginia backroad, Andy Colvin and his family and friends had encounters with the entity popularly known as "Mothman." Following those encounters, Colvin found that he could draw, sing, and take photographs, and that he had a photographic memory. Colvin was recognized as a prodigy, and was eventually offered a National Merit scholarship to Harvard University. While attending graduate school at the Univ. of Texas at Austin, Colvin helped found U.T.'s celebrated Transmedia Dept. as well as the Austin Film Society, an organization now credited with bringing commercial filmmaking to Texas. In 1985, Colvin used his tuition grant money to purchase the only 8mm camcorder then available, becoming the first filmmaker in Austin to shoot in the new format. His ensuing documentation of the lives of Austin "slackers" influenced the seminal cult hit that defined Generation X, "Slacker" - a project for which Colvin helped raise funds and equipment. Colvin's band, Ed Hall, appeared in the film and on the soundtrack. Following graduate school, Colvin worked on Hollywood films, toured with his experimental band, The Interdimensional Vortex League (once named America's "most underground band" by Europe's hip arts magazine, "Blitz"), and began making small, ethnographic documentaries about unusual tribes, subcultures, and personalities. His 25-year study of modern Texans, "Multislack," is due out in 2012. Colvin's work has been seen or heard in all 50 states, and in several foreign countries. His writing has been featured in various magazines, including Paranoia, The Stranger, and "D'Art," the arts journal for the Church of the Subgenius. Colvin's unique career has been studded with various mind-blowing, synchronistic events, some of which allowed him to study with, or work with, some of the greatest creative minds of the 20th Century, including Nam June Paik, Lee Friedlander, Keith Haring, Dennis Hopper, David Lynch, Robert Anton Wilson, Laurie Anderson, Daniel Johnston, Vito Acconci, Bruce Bickford, and the Butthole Surfers. - www.forteanswest.com******************************************************************To listen to all our XZBN shows, with our compliments go to: https://www.spreaker.com/user/xzoneradiotv*** AND NOW ***The ‘X' Zone TV Channel on SimulTV - www.simultv.comThe ‘X' Chronicles Newspaper - www.xchroniclesnewspaper.com ******************************************************************

Kitchen tables, windows, televisions and vases. On the surface, these may not sound like worthy artistic subjects, but many photographers have achieved success making images of these objects in the confines of their own home. This episode is about artists who have created great work in limited environments. Whether you're still in isolation, or have become accustomed to the solitude of being at home or working alone, the images discussed here hopefully serve as a reminder our vision isn't limited by location. The following artists are mentioned in this episode: Lee Friedlander, "Stems": https://www.moma.org/collection/works/106191 Nicéphore Niépce, "Still Life" and "View from a Window": https://blog.samys.com/nicephore-niepce-inventor-photography/ Laura Letinsky: https://lauraletinsky.com/ Lucas Samaras: http://www.craigstarr.com/exhibitions/lucas-samaras2 Carrie Mae Weems, "KItchen Table Series": https://carriemaeweems.net/galleries/kitchen-table.html Hayahisa Tomiyasu: https://www.itsnicethat.com/articles/tomiyasu-hayahisa-ttp-photography-250119 Jan Groover: http://janetbordeninc.com/artist/jan-groover/ Cindy Sherman: https://www.moma.org/artists/5392 Abe Morell: https://www.abelardomorell.net/ Chrissy LaMaster: https://www.chrissylamaster.com/ Nina Katchadourian, "Lavatory Self-Portraits in the Flemish Style": http://www.ninakatchadourian.com/photography/sa-flemish.php John Pfahl, "Picture Windows": https://www.josephbellows.com/exhibitions/john-pfahl Gregory Crewdson: https://gagosian.com/artists/gregory-crewdson/ Support the show: https://www.buymeacoffee.com/photo365 Need a portfolio site to showcase your work? We love Format.com! (Affiliate link: https://format.grsm.io/andrewhaworth8239)

The Mothman Speaks: Candid Conversations Concerning Cosmic Conundrums - Cryptic Creatures, Chimeras, Contactees, and the Cleverly Coded Coincidences of the Collective Unconscious - In the 1960s, on a West Virginia backroad, Andy Colvin and his family and friends had encounters with the entity popularly known as "Mothman." Following those encounters, Colvin found that he could draw, sing, and take photographs, and that he had a photographic memory. Colvin was recognized as a prodigy, and was eventually offered a National Merit scholarship to Harvard University. While attending graduate school at the Univ. of Texas at Austin, Colvin helped found U.T.'s celebrated Transmedia Dept. as well as the Austin Film Society, an organization now credited with bringing commercial filmmaking to Texas. In 1985, Colvin used his tuition grant money to purchase the only 8mm camcorder then available, becoming the first filmmaker in Austin to shoot in the new format. His ensuing documentation of the lives of Austin "slackers" influenced the seminal cult hit that defined Generation X, "Slacker" - a project for which Colvin helped raise funds and equipment. Colvin's band, Ed Hall, appeared in the film and on the soundtrack. Following graduate school, Colvin worked on Hollywood films, toured with his experimental band, The Interdimensional Vortex League (once named America's "most underground band" by Europe's hip arts magazine, "Blitz"), and began making small, ethnographic documentaries about unusual tribes, subcultures, and personalities. His 25-year study of modern Texans, "Multislack," is due out in 2012. Colvin's work has been seen or heard in all 50 states, and in several foreign countries. His writing has been featured in various magazines, including Paranoia, The Stranger, and "D'Art," the arts journal for the Church of the Subgenius. Colvin's unique career has been studded with various mind-blowing, synchronistic events, some of which allowed him to study with, or work with, some of the greatest creative minds of the 20th Century, including Nam June Paik, Lee Friedlander, Keith Haring, Dennis Hopper, David Lynch, Robert Anton Wilson, Laurie Anderson, Daniel Johnston, Vito Acconci, Bruce Bickford, and the Butthole Surfers.For Your Listening Pleasure for these Lockdown / Stay-At-Home COVID and Variants Times - For all the radio shows available on The 'X' Zone Broadcast Network visit - https://www.spreaker.com/user/xzoneradiotv.Our radio shows archives and programming include: A Different Perspective with Kevin Randle; Alien Cosmic Expo Lecture Series; Alien Worlds Radio Show; America's Soul Doctor with Ken Unger; Back in Control Radio Show with Dr. David Hanscom, MD; Connecting with Coincidence with Dr. Bernard Beitman, MD; Dick Tracy; Dimension X; Exploring Tomorrow Radio Show; Flash Gordon; Imagine More Success Radio Show with Syndee Hendricks and Thomas Hydes; Jet Jungle Radio Show; Journey Into Space; Know the Name with Sharon Lynn Wyeth; Lux Radio Theatre - Classic Old Time Radio; Mission Evolution with Gwilda Wiyaka; Paranormal StakeOut with Larry Lawson; Ray Bradbury - Tales Of The Bizarre; Sci Fi Radio Show; Seek Reality with Roberta Grimes; Space Patrol; Stairway to Heaven with Gwilda Wiyaka; The 'X' Zone Radio Show with Rob McConnell; Two Good To Be True with Justina Marsh and Peter Marsh; and many other!That's The ‘X' Zone Broadcast Network Shows and Archives - https://www.spreaker.com/user/xzoneradiotv

BAMPFA Adjunct Senior Curator for Photography Sandra Phillips closely observes Lee Friedlander's photograph New Mexico (2000), whose stunning composition she sees as “miraculously conceived in the moment,” finding levels of meaning in the evocatively empty street scene. Phillips is also curator emerita of photography at the San Francisco Museum of Modern Art, where she presented countless exhibitions, including the first complete showing of the photographs and writings of Diane Arbus and the first museum exhibition to survey the work of postwar Japanese photographer Daido Moriyama. In 2019 she organized UNLIMITED: RECENT GIFTS FROM THE WILLIAM GOODMAN AND VICTORIA BELCO PHOTOGRAPHY COLLECTION for BAMPFA. Lee Friedlander, New Mexico, 2000; gelatin silver print; 15 x 14 1/2 in. University of California, Berkeley Art Museum and Pacific Film Archive; gift of Victoria Belco and William Goodman in memory of Teresa Goodman, courtesy Fraenkel Gallery, San Francisco. Copyright by artist: © Lee Friedlander, Courtesy Fraenkel Gallery, San Francisco.

La obra de Lee Friedlander (Aberdeen, 1934) protagoniza nuestro programa número 100. Friedlander, uno de los fotógrafos más influyentes de las últimas décadas, centra una exposición de la Fundación Mapfre comisariada por Carlos Gollonet, jefe de Fotografía de Mapfre. Con Gollonet abordamos las claves esenciales de la larga y abultada carrera del gran fotógrafo del paisaje social americano autor de series legendarias como The Little Screens o America by Car. Además, Gollonet nos explica el proyecto, tanto expositivo como pedagógico, de BKr, el nuevo centro de fotografía de Mapfre en Barcelona. Por último, debatimos sobre las diferencias entre Cartier-Bresson y Robert Frank, estandartes de dos modos antagónicos, pero complementarios, de entender la fotografía durante el siglo XX. Dirige y presenta: Juan María Rodríguez Con Leire Etxazarra y Miguel Solís (música) Emisión: 27 / 10 / 20 (El debate en torno a Cartier-Bresson y Frank, se puede ampliar aquí: http://www.juanmariarodriguez.com/cartier-bresson-vs-robert-frank/

La obra de Lee Friedlander (Aberdeen, 1934) protagoniza nuestro programa número 100. Friedlander, uno de los fotógrafos más influyentes de las últimas décadas, centra una exposición de la Fundación Mapfre comisariada por Carlos Gollonet, jefe de Fotografía de Mapfre. Con Gollonet abordamos las claves esenciales de la larga y abultada carrera del gran fotógrafo del paisaje social americano autor de series legendarias como The Little Screens o America by Car. Además, Gollonet nos explica el proyecto, tanto expositivo como pedagógico, de BKr, el nuevo centro de fotografía de Mapfre en Barcelona. Por último, debatimos sobre las diferencias entre Cartier-Bresson y Robert Frank, estandartes de dos modos antagónicos, pero complementarios, de entender la fotografía durante el siglo XX. Dirige y presenta: Juan María Rodríguez Con Leire Etxazarra y Miguel Solís (música) Emisión: 27 / 10 / 20 (El debate en torno a Cartier-Bresson y Frank, se puede ampliar aquí: http://www.juanmariarodriguez.com/cartier-bresson-vs-robert-frank/

Robert Johnson [00:46] "I'll Be Waiting" Close Personal Friend Infinity Records INF 9000 1978 No, not that Robert Johnson... the other Robert Johnson. The Memphis power pop one. Tom Tom Club [05:29] "Atsababy! (Life Is Great)" Close to the Bone Sire Records 1-123916 1983 The sophomore outing for this Talking Heads spin-off. This collection of new wave funk made it to number 73 on the Top 200. Featuring artwork by James Rizzi of course. Frank Sinatra [09:26] "It Could Happen to You" Close to You Capitol Records W789 1957 A pretty straight forward rendition of the Jimmy van Heusen number. Frank is accompanied by Nelson Riddle and his orchestra, of course. Recorded over the course of eight months in five sessions. Frank must've been otherwise occupied. Carpenters [12:39] "Help" Close to You A&M Records SP 4271 1970 Weird, sort of a White Shade of Help, showing off Richard's keyboard skills. But I kinda dig it. Joni Mitchell [17:02] "Chelsea Morning" Clouds Reprise RS 6341 1969 Not quite the Chelsea Morning I recall from my first apartment, but we can't all have the same bohemian experiences. Jimmy Buffett [19:34] "The Weather Is Here, Wish You Were Beautiful" Coconut Telegraph MCA Records MCA-5169 1981 I am not now, nor have I ever been a parrothead. Of course I just chose it for the title. Wokka wokka. Bonnie "Prince" Billy [23:43] "Cold & Wet" Cold & Wet Drag City DC318 2006 An EP featuring a track from his 2006 album The Letting Go, featuring Will accompanied by brother Paul on bass and Emmett Kelly guitar. Rick James [25:58] "New York Town" Cold Blooded Gordy 6043GL 1983 There is always a party in New York. Perhaps some day I'll get to go back there. Evidently Cold Blooded refers to his lady friend at the time, Linda Blair. Warren Zevon [31:06] "Werewolves of London" The Color of Money - The Original Motion Picture Soundtrack MCA Records MCA-6189 1986 I was going to go with the Willie Dixon track on this album but it was a contemporary track and the production does not hold up well. So instead, we have the song that has the character Vince showing off like an idiot and spooking his mark. John Coltrane [34:31] "Like Sonny" Coltrane Jazz Atlantic SD-1354 1961 Built on a lick that Coltrane had heard Sonny Rollins play, hence the title. Featuring Trane on tenor sax, Wynton Kelly on piano, Paul Chambers on bass and Jimmy Cobb on drums. And a great Lee Friedlander photo on the cover. Mugsy Spanier and his Huge Dixieland Band [40:26] "Chicago" Columbia - The Gem of the Ocean Äva A-12 1962 I guess big band dixieland was a thing. Duke Ellington and his Orchestra [43:31] "El Gato" Columbia Jazz Columbia JJ 1 1959 Taken from Newport 1958. Halim El-Dabh [47:36] "Leiyla and the Poet" Columbia-Princeton Electronic Music Center Columbia Masterworks ML 5966 1964 Light on the electronic sounds, the electronic drama is heavy on the tape manipulation. From a concert performed at the McMillin Theatre at Columbia in 1961. Worm Ouroboros [52:54] "Further Out" Come the Thaw Flenser Records FR21 2012 Heavy and ethereal at the same time, this is killer album from Oakland's Worm Ouroboros, released on translucent gray vinyl by The Flenser. Music behind the DJ: "Both Sides, Now" by Benny Goodman and his Orchestra.

What a wonderful family book. Comments? Send them to me at info@kennethwajdaphotographer.com and find me on IG at https://www.instagram.com/kennethwajda/ and on YouTube at HeresToGoodLight.com - We can post our photo assignment photos and connect on the Daily Photography Blog FB Group at https://www.facebook.com/groups/2151928021601330/ --- Send in a voice message: https://anchor.fm/kenneth-wajda/message Support this podcast: https://anchor.fm/kenneth-wajda/support

Marc and Dustin recap the best and worst of The Pilot Project from 2019 as well as share some of their favorite new finds in 2019. Also, the return of the Double Dead Hall of Fame.Contact Us!Email: pilotprojectshow@gmail.comInstagram: @pilotprojectpodFacebook: https://fb.me/pilotprojectpodTwitter: @pilotprojectpodVoicemail: (469) 573-2337Subscribe for Free!Apple Podcasts: http://apple.pilotprojectpod.comGoogle Play: http://googleplay.pilotprojectpod.comRSS: http://feeds.feedburner.com/pilotprojectpodSpotify: http://spotify.pilotprojectpod.comStitcher: http://stitcher.pilotprojectpod.com ★ Support this podcast on Patreon ★

If one Candace Cameron Bure isn't enough, then you're getting two! Keeping with tradition, we're tackling a cheesy Christmas movie. This time it's Hallmark's Switched at Christmas, where twins go Parent Trap on Christmas. Guest starring Javi Fuentes from Central Track!Contact Us!Email: pilotprojectshow@gmail.comInstagram: @pilotprojectpodFacebook: https://fb.me/pilotprojectpodTwitter: @pilotprojectpodVoicemail: (469) 573-2337Subscribe for Free!Apple Podcasts: http://apple.pilotprojectpod.comGoogle Play: http://googleplay.pilotprojectpod.comRSS: http://feeds.feedburner.com/pilotprojectpodSpotify: http://spotify.pilotprojectpod.comStitcher: http://stitcher.pilotprojectpod.com ★ Support this podcast on Patreon ★

In episode 86 UNP founder and curator Grant Scott is in his shed considering perceptions of creativity within photography, how the past ten years has impacted photography and the opportunities that technology has given us to tell visual stories and communicate. Plus this week photographer Homer Sykes takes on the challenge of supplying Grant with an audio file no longer than 5 minutes in length in which he answer's the question ‘What Does Photography Mean to You?' If you want to hear more about Homer's friendship with Bill Jay mentioned in this episode and find out why and how Bill Jay was one of the most important people in the evolution of British photography at the end of the 20th Century you can by watching our feature length documentary on Jay's life featuring Homer, Martin Parr, Ralph Gibson, Paul Hill, Anna Ray-Jones, David Hurn, Alex Webb, Brian Griffin and Daniel Meadows here https://www.youtube.com/watch?v=wd47549knOU www.donotbendfilm.com You can read the review of Grant's latest book by Cary Benbow here www.fstopmagazine.com/blog/2019/12/book-review-new-ways-of-seeing-the-democratic-language-of-photography-by-grant-scott/ Homer Sykes was born in 1949 and is a Canadian-born British documentary photographer. He was a keen photographer as a teenager, with a darkroom both at home and at boarding school. In 1968 he started a three-year course at the London College of Printing (LCP), and during his first year, went to New York, where he was impressed by the work of photographers - Henri Cartier-Bresson, Bruce Davidson, Lee Friedlander, Robert Frank, Burk Uzzle and Garry Winogrand — that he saw at the Museum of Modern Art. Whilst considering a new photographic project at college, Sykes came across a story on the Britannia Coconut Dancers in an issue of In Britain magazine. This led him to research other local festivals in Britain at the archives of Cecil Sharp House, London. Sykes' photography of these festivals was inspired by that of Sir Benjamin Stone, but he approached them with a modern sensibility and a small-format camera, after absorbing advice from photographer David Hurn, then a part-time lecturer at LCP, as well as other photographers that he met through Hurn, including editor and writer Bill Jay. Sykes moved on to photographing news stories for the Weekend Telegraph, Observer, Sunday Times, Newsweek, Now, Time, and New Society. He worked with various agencies including from 1989 to 2005 with the influential Network Photographers. Sykes also photographed the British landscape for various books but always found time for his own projects including Hunting with Hounds, and On the Road Again, photographs of four North American road trips taken over three decades. Sykes has taught on the Master's course in Photojournalism and Documentary Photography at the London College of Communication and in 2014, the Maison de la photographie Robert Doisneau, Paris, held a major exhibition of Sykes' work from the 1970s. He photographed the glam rock, punk, new wave and other music/fashion scenes of Britain and his work has been consistently published as a series of short narratives by Cafe Royal Books and as a major monograph My British Archive: The Way We Were 1968-1983 by Dewis Lewis in 2018. Homer continues to document the British way of life today and lives in South-West London. www.homersykes.com Grant Scott is the founder/curator of United Nations of Photography, a Senior Lecturer and Subject Co-ordinator: Photography at Oxford Brookes University, Oxford, a working photographer, and the author of Professional Photography: The New Global Landscape Explained (Focal Press 2014) and The Essential Student Guide to Professional Photography (Focal Press 2015). His next book New Ways of Seeing: The Democratic Language of Photography will be published by Bloomsbury Academic in 2019. © Grant Scott 2019

On 30 July 1969 Miles Davis released "In a Silent Way". After influencing generations of musicians, its tracks continue to sound as modern 50 years later as when they were first recorded. This week we celebrate the musical trail blazed by that seminal album by focusing on musicians that have embraced Miles' electric legacy. The playlist features Hot Club of Detroit; Médéric Collignon; Don Byron; Animation; Betty Davis; Henry Kaiser, Wadada Leo Smith; Bill Evans; Miles Davis; Jeff Ballard; Yazz Ahmed; Dave Douglas; Mat Maneri; Enrico Merlin; Mark Isham; Jon Hassell; Nicholas Payton; Erik Truffaz; Ben Neill; Nils Petter Molvær; Martux_m. Detailed playlist at https://spinitron.com/RFB/pl/9195145/Mondo-Jazz Photo credit: Lee Friedlander.

This week Nathan and Eric interview the fabulous film director Lee Friedlander. Lee directs original films for both Hallmark and Lifetime Channels, including Royally Ever After, Switched for Christmas, and Babysitter's Black Book. She has also directed many independent films often dealing with LGBT themes. We chat with Lee about working in television, her movie Girl Play, her short film The Ten Rules (which spawned the Logo series Exes and Oh's), and working with Anna Nicole Smith on her film Wasabi Tuna. Thanks for listening! Enjoy, tell your friends, and subscribe to our podcast for new episodes every week! Check out Lee's newest film 'Royally Ever After' here: http://www.hallmarkchannel.com/royally-ever-after Be sure to follow This Is Happening! to stay up to date with the pod: Facebook: www.facebook.com/thisishappeningpod Soundcloud: @thisishappeningthepodcast Instagram: @thisishappeningthepodcast Twitter: @TIHthepodcast

For this week's episode we are joined by our friend Heidi to talk about the royal wedding and the new Hallmark movie Royally Ever After To listen to our interview with Lee Friedlander. https://www.youtube.com/watch?v=uOM88_b2iys To listen to our interview with Fiona Gubelmann https://www.youtube.com/watch?v=pNQ8cqRhdFk Order Hallmarkies podcast shirts! http://hallmarkiespodcast.com/ Follow us on youtube https://www.youtube.com/channel/UCUW0-On_4JM-mnbHxe-rDGw Follow us on ITunes https://itunes.apple.com/us/podcast/hallmarkies-podcast/id1296728288?mt=2 https://twitter.com/HallmarkiesPod on twitter @HallmarkiesPodcast on Instagram Check out our interview with writer Nina Weinman https://www.youtube.com/watch?v=WSn6mG68mi4 HallmarkiesPodcast.com To see our Top 12 Hallmark Christmas Movies https://youtu.be/vQuOXSJhkzs Follow Amber on twitter at https://twitter.com/amberbrainwaves Follow Rachel's blog at http://54disneyreviews.com Follow Rachel on twitter twitter.com/smilingldsgirl Follow Rachel's Reviews on youtube https://www.youtube.com/user/smilingldsgirl Follow Rachel on facebook www.facebook.com/smilingldsgirlreviews Learn more about your ad choices. Visit megaphone.fm/adchoices

We are so excited about the upcoming movie Royally Ever After and were thrilled to interview the film's director Lee Friedlander. She talks about what it is like directing for Hallmark and the behind the scenes of all her films. To follow Lee on twitter https://twitter.com/leefriedlander1?lang=en Order Hallmarkies podcast shirts! http://hallmarkiespodcast.com/ Follow us on youtube https://www.youtube.com/channel/UCUW0-On_4JM-mnbHxe-rDGw Follow us on ITunes https://itunes.apple.com/us/podcast/hallmarkies-podcast/id1296728288?mt=2 https://twitter.com/HallmarkiesPod on twitter @HallmarkiesPodcast on Instagram Check out our interview with writer Nina Weinman https://www.youtube.com/watch?v=WSn6mG68mi4 HallmarkiesPodcast.com Follow Amber on twitter at https://twitter.com/amberbrainwaves Follow Rachel's blog at http://54disneyreviews.com Follow Rachel on twitter twitter.com/smilingldsgirl Follow Rachel's Reviews on youtube Learn more about your ad choices. Visit megaphone.fm/adchoices

This interview is with Claire Howard, the Assistant Curator of Modern and Contemporary Art at the Blanton Museum of Art here in Austin. The museum is currently hosting a traveling photography exhibit called The Open Road: Photography and the American Road Trip. Claire speaks about the content and images that make up the exhibit and shares what goes on behind the scenes to plan for and integrate an exhibition into a new space. She also had the chance to add elements to the original line up that enhance the conversation and relate to our location and it’s history for the benefit of a local audience. Don’t miss this great exhibition which will be on view from November 25th, 2017 until January 7th, 2018. It was organized by the Aperture Foundation in New York and curated by David Campany and Denise Wolf, supported in part by an award from the National Endowment for the Arts. Photographs by Robert Frank, Inge Morath, Ed Ruscha, Garry Winogrand, Lee Friedlander, William Eggleston, Joel Meyerowitz, Stephen Shore, Victor Burgin, Bernard Plossu, Shinya Fujiwara, Eli Reed, Joel Sternfeld, Todd Hido, Alec Soth, Ryan McGinley, Justine Kurland, Taiyo Onorato and Nico Krebs. Blanton Museum of Art The University of Texas at Austin 200 E. Martin Luther King Jr. Blvd. Austin, TX 78712 PHONE: 512-471-5482 EMAIL: info@blantonmuseum.org Some of the subjects we discuss: The Blanton Claire’s previous work history Austin gallery spaces Prep for The Open Road Origins of the exhibition Hanging the show Photographing america Joel Sternfeld Lee Friedlander Alex Soth Inge Morath Justine Kurland Photography today Robert Frank Claire’s additions Eli Reed Road trip inspiration Walt Whitman quote Claire's Bio Claire Howard is the Assistant Curator of Modern and Contemporary Art at the Blanton Museum of Art. She was the 2016-2017 Vivian L. Smith Foundation Fellow at the Menil Collection in Houston, and from 2010 to 2013, she was a Graduate Research Assistant at the Blanton, where she worked on exhibitions including Through the Eyes of Texas: Masterworks from Alumni Collections, and curated the collection exhibition Cubism Beyond Borders (both 2013). Claire previously worked at the Philadelphia Museum of Art, where, as a Research Assistant for Modern and Contemporary Art, she helped organize special exhibitions including Marcel Duchamp: Étant donnés and Arshile Gorky: A Retrospective (both 2009). Claire has also worked and interned at the Fabric Workshop and Museum (Philadelphia), Cooper-Hewitt, Smithsonian Design Museum (New York), and Wellesley College’s Davis Museum and Cultural Center (Wellesley, MA). She is a PhD Candidate in Art History at The University of Texas at Austin, and is writing her dissertation on the Surrealist movement and its cultural context from 1950-1969. Claire earned an MA in Art History from The University of Texas at Austin and a BA in Art History and English from Wellesley College. She is a native of Philadelphia.

I visited with Mitch Epstein to talk about his days as a student making pictures in New York City, studying with Garry Winogrand, and setting out across the US in an orange Datsun his father won in a raffle.  We also discussed his time working on films in India and his projects Family Business, American Power, New York Arbor and his latest work Rocks and Clouds.  A book collecting the work is due this summer from Steidl. This episode is brought to you by Haywire Press, presenting signed, deluxe and limited-edition books from the personal archives of Lee Friedlander.

Lois Conner has been traveling the world with her 7x17 view camera for more than 30 years. Listen is as we discuss her early travels in the American West, working for the United Nations and making pictures in China. We also discuss her time with mentors like Philippe Halsman and Richard Benson as well as her recent work with the iPhone. This episode is brought to you by Haywire Press, presenting signed, deluxe and limited-edition books from the personal archives of Lee Friedlander.

The Americans by Car is Karl Baden’s latest book. An homage to Robert Frank’s The Americans and Lee Friedlander’s America by Car, Baden’s book “is a personal, more specific answer to the vague question of ‘how are we influenced,'” according to the artist. The photographs in the book were taken by Baden from his car and offer a snapshot of American life. Karl Baden, a New York City native, he received his B.A. in Fine Arts at Syracuse University in 1974 and an M.F.A. in photography at University of Illinois at Chicago in 1979. Baden has taught at Boston College, Harvard, Clark University, and Rhode Island School of Design. He was Director of Photography at the Project Art Center, Cambridge, in the early 1980s, and served on the board and programming committee for the Photographic Resource Center, Boston. Baden has had numerous one person and group exhibitions and has received noteworthy fellowships. Baden’s probably best known work is called “Every Day” which, this past February, marked thirty years since its start. In “Every Day,” Baden has taken a single photograph of his face every day. According to a recent interview, he’s only missed one day in the entire 30 years, 15 October 1991, It was a dumb moment of forgetfulness,” he said. Karl currently lives in Cambridge, Massachusetts and is an Associate Professor of the Practice in the Morrissey College of Art and Science at Boston College. The Americans by Car is available through the photographer: badenk@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Americans by Car is Karl Baden’s latest book. An homage to Robert Frank’s The Americans and Lee Friedlander’s America by Car, Baden’s book “is a personal, more specific answer to the vague question of ‘how are we influenced,'” according to the artist. The photographs in the book were taken by Baden from his car and offer a snapshot of American life. Karl Baden, a New York City native, he received his B.A. in Fine Arts at Syracuse University in 1974 and an M.F.A. in photography at University of Illinois at Chicago in 1979. Baden has taught at Boston College, Harvard, Clark University, and Rhode Island School of Design. He was Director of Photography at the Project Art Center, Cambridge, in the early 1980s, and served on the board and programming committee for the Photographic Resource Center, Boston. Baden has had numerous one person and group exhibitions and has received noteworthy fellowships. Baden’s probably best known work is called “Every Day” which, this past February, marked thirty years since its start. In “Every Day,” Baden has taken a single photograph of his face every day. According to a recent interview, he’s only missed one day in the entire 30 years, 15 October 1991, It was a dumb moment of forgetfulness,” he said. Karl currently lives in Cambridge, Massachusetts and is an Associate Professor of the Practice in the Morrissey College of Art and Science at Boston College. The Americans by Car is available through the photographer: badenk@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Americans by Car is Karl Baden’s latest book. An homage to Robert Frank’s The Americans and Lee Friedlander’s America by Car, Baden’s book “is a personal, more specific answer to the vague question of ‘how are we influenced,'” according to the artist. The photographs in the book were taken by Baden from his car and offer a snapshot of American life. Karl Baden, a New York City native, he received his B.A. in Fine Arts at Syracuse University in 1974 and an M.F.A. in photography at University of Illinois at Chicago in 1979. Baden has taught at Boston College, Harvard, Clark University, and Rhode Island School of Design. He was Director of Photography at the Project Art Center, Cambridge, in the early 1980s, and served on the board and programming committee for the Photographic Resource Center, Boston. Baden has had numerous one person and group exhibitions and has received noteworthy fellowships. Baden’s probably best known work is called “Every Day” which, this past February, marked thirty years since its start. In “Every Day,” Baden has taken a single photograph of his face every day. According to a recent interview, he’s only missed one day in the entire 30 years, 15 October 1991, It was a dumb moment of forgetfulness,” he said. Karl currently lives in Cambridge, Massachusetts and is an Associate Professor of the Practice in the Morrissey College of Art and Science at Boston College. The Americans by Car is available through the photographer: badenk@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Americans by Car is Karl Baden’s latest book. An homage to Robert Frank’s The Americans and Lee Friedlander’s America by Car, Baden’s book “is a personal, more specific answer to the vague question of ‘how are we influenced,'” according to the artist. The photographs in the book were taken by Baden from his car and offer a snapshot of American life. Karl Baden, a New York City native, he received his B.A. in Fine Arts at Syracuse University in 1974 and an M.F.A. in photography at University of Illinois at Chicago in 1979. Baden has taught at Boston College, Harvard, Clark University, and Rhode Island School of Design. He was Director of Photography at the Project Art Center, Cambridge, in the early 1980s, and served on the board and programming committee for the Photographic Resource Center, Boston. Baden has had numerous one person and group exhibitions and has received noteworthy fellowships. Baden’s probably best known work is called “Every Day” which, this past February, marked thirty years since its start. In “Every Day,” Baden has taken a single photograph of his face every day. According to a recent interview, he’s only missed one day in the entire 30 years, 15 October 1991, It was a dumb moment of forgetfulness,” he said. Karl currently lives in Cambridge, Massachusetts and is an Associate Professor of the Practice in the Morrissey College of Art and Science at Boston College. The Americans by Car is available through the photographer: badenk@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Americans by Car is Karl Baden’s latest book. An homage to Robert Frank’s The Americans and Lee Friedlander’s America by Car, Baden’s book “is a personal, more specific answer to the vague question of ‘how are we influenced,'” according to the artist. The photographs in the book were taken by Baden from his car and offer a snapshot of American life. Karl Baden, a New York City native, he received his B.A. in Fine Arts at Syracuse University in 1974 and an M.F.A. in photography at University of Illinois at Chicago in 1979. Baden has taught at Boston College, Harvard, Clark University, and Rhode Island School of Design. He was Director of Photography at the Project Art Center, Cambridge, in the early 1980s, and served on the board and programming committee for the Photographic Resource Center, Boston. Baden has had numerous one person and group exhibitions and has received noteworthy fellowships. Baden’s probably best known work is called “Every Day” which, this past February, marked thirty years since its start. In “Every Day,” Baden has taken a single photograph of his face every day. According to a recent interview, he’s only missed one day in the entire 30 years, 15 October 1991, It was a dumb moment of forgetfulness,” he said. Karl currently lives in Cambridge, Massachusetts and is an Associate Professor of the Practice in the Morrissey College of Art and Science at Boston College. The Americans by Car is available through the photographer: badenk@gmail.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

My guest this week in photographer Matt Eich. We met up to talk about his work photographing the Southern United States and Appalachia, his time as a graduate student in the Hartford Art School's International Limited-Residency Program and his life as a dad and family man. Not to mention alligator hunters Rebel and Julius in Shell Island, Louisiana and welding families in Chauncey, Ohio. We also discussed his new book Carry Me, Ohio which collects pictures made in rural Appalachian towns abandoned by industry. Published by Strum and Drang, the book has sold out, but be on the look-out for a limited edition coming in 2017. To have a look at Matt's work check out his website, www.matteichphoto.com. This episode is sponsored by Haywire Press, presenting signed, deluxe and limited-edition books by photo legend Lee Friedlander. Visit www.haywirepress.com for more.

This week on the Halftone you'll hear my talk with Thomas Roma! Tune in for big discussions of photography, Wall Street, a car crash, carpentry, building cameras and Roma's new publishing imprint SPQR Editions! Not to mention his time with Lee Friedlander, Garry Winogrand, Cartier-Bresson, Brassai, Walker Evans and playing poker with Helen Levitt and John Szarkowski. To have a look at some of Roma's photographs be sure visit his website at www.thoamsroma.com. And to check out titles from his new publishing project SPQR Editions visit their website at www.spqreditions.com. If you're in New York between today and Christmas, check out Roma's show at Steven Kasher Gallery, Plato's Dogs. It's on view until December 23rd. This episode of the Halftone is sponsored by Haywire Press offering signed, deluxe and limited edition books by photo legend Lee Friedlander. Find more at www.haywirepress.com

On the show this week my guest is Sarah Greenough, senior curator and head of the photography department at the National Gallery of Art in Washington, DC. I recently visited with her at the National Gallery to talk about her early love of photography, years spent researching the photographs of Alfred Stieglitz and organizing the exhibition, Looking In: Robert Frank's The Americans. Greenough also worked on two new shows at the National Gallery which are currently on view: Photography Reinvented: The Collection of Robert E. Meyerhoff and Rheda Becker and Intersections: Photographs and Videos from the National Gallery of Art and the Corcoran Gallery of Art. This episode of the Halftone is sponsored by Haywire Press offering signed, deluxe and limited edition books by photo legend Lee Friedlander.

On the show this week my guest is photographer Christian Patterson. I recently visited his Brooklyn studio to talk about his start in photography, his time working with Winston and William Eggleston, his break-out work Redheaded Peckerwood and his latest project and show at Festival Images in Vevey, Switzerland Gong Co! This episode of the Halftone is sponsored by Haywire Press offering signed, deluxe and limited edition books by photo legend Lee Friedlander.

This week on the Halftone my guest is Darius Himes. Over the course of his career Himes has been an editor of the photo-eye booklist, a director of Fraenkel Gallery in San Francisco and co-founder of photography imprint Radius Books. With Mary Virginia Swanson he is the co-author of Publish Your Photography Book, published in 2011 by Princeton Architectural Press. He's now International Head of Photographs at the auction powerhouse Christie's. We visited to discuss his life-long love of photography, his Iowa upbringing, travels in Israel and love of photography! This episode of the Halftone is sponsored by Haywire Press offering signed, deluxe and limited edition books by photo legend Lee Friedlander.

Preston Rescigno has straddled the worlds of photojournalism and fine art photography for all of his photographic life. When I spoke to Preston he was getting ready to drive his son to college and he was recently unemployed. Preston was the New York Desk photo editor for a very large photo agency for many years. We talk about his background in the news business, his time working for Lee Friedlander, his early adoption of digital photography, going to the School of Visual Arts and Columbia University, and getting back to photography now that he had some time. Links: Website: http://www.preston-rescigno.com Instagram: https://www.instagram.com/pkfr/ Facebook: https://www.facebook.com/preston.rescigno.9 Visit www.thephotoshow.org We are realphotoshow on Twitter/IG/FB Follow us on Twitter twitter.com/realphotoshow and on Instagram instagram.com/realphotoshow/ Like us on Facebook www.facebook.com/realphotoshow Music by @pataphysics-1 on Soundcloud

For more than thirty years Thomas Palmer has been making printing separations for books. His credits include work by Lee Friedlander, Nicholas Nixon, Walker Evans, Robert Adams, Paul Strand, Edward Weston and many others. In spring of 2015 I visited Palmer at his home in Newport, Rhode Island to talk with him about his start in photography, his earliest job in printing and making books with Irving Penn and Lee Friedlander. The Newport Art Museum is currently hosting a show of Palmer's photographs titled "This Newport," on display until September 5, 2016.

In this episode, we talk to photographer, Amon Focus about successfully funding a Kickstarter campaign, travel, and more. www.AmonFocus.com Instagram.com/AmonFocus www.BryonSummers.com Instagram.com/BryonSummers Phocabulary: Street Photography Popularized by photographers such as Henri Cartier-Bresson, Lee Friedlander, and Garry Winograd, street photography looks to the terrain of the urban landscape. Defined by the energy and chaos found in urban cultures, it came into prominence in the 1930s with the emergence of small-format cameras, which allowed photographers to shoot discreetly. Source: 30-Second Photography Book: The Print and the Process: Taking Compelling Photographs from Vision to Expression David duChemin Music: KB @push-music --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/bryonsummers/support

"I'm looking at my son's grandfather's pictures and...I felt like I was trying to explain to him who his grandfather [is.] I didn't mean to do it, I've never talked about Lee's pictures in front of Lee before." Part 2 of our conversation with Thomas Roma begins with Tom continuing to speak about the time he spent with Garry Winogrand, Tod Pappageorge, Paul McDonough, and Lee Friedlander. Also, Tom had just come back from São Paulo, Brazil before this episode so I gave him a call to talk about that experience to start the show. Hosts: Michael Chovan-Dalton and Kai McBride Show opening is with Thomas Roma Some things mentioned in this episode: Thomas Roma's website: http://www.thomasroma.com In The Vale of Cashmere at Steven Kasher Gallery: http://www.stevenkasher.com/exhibitions/thomas-roma-in-the-vale-of-cashmere André Lion Exhibition curated by Tom: http://www.thomasroma.com/essays/49/ Liohn's war work: http://atwar.blogs.nytimes.com/2011/08/12/vantage-point-no-4-reading-the-rebels-in-misurata-libya/ Visit www.thephotoshow.org Follow us on Twitter twitter.com/realphotoshow and on Instagram instagram.com/realphotoshow/ Like us on Facebook www.facebook.com/realphotoshow Music by @pataphysics-1 on Soundcloud

"There's this expression, 'The Decisive Moment,' I'm sure it functioned for a while, but the question in a photograph isn't when, it's why...I want people to look at my photographs and the 'why' is there, it's how I teach photography, it's all one thing for me." Thomas Roma has been a teacher and mentor to many photographers, including me. His list of accomplishments, which includes fourteen and counting monographs, is far too long to even try to include here, but you can check them out on his website linked below. This episode went long so it will be in two parts. Some links to sites mentioned during the show: See Tom's extensive bio, media links, and published books at http://thomasroma.com Follow Tom on Twitter @ThomasRomaPhoto Check out Tom's upcoming exhibit at http://www.stevenkasher.com Here is a link to Giancarlo Roma's site that sells special editions of Lee Friedlander photo books: http://www.haywirepress.com Hosts: Michael Chovan-Dalton & Kai McBride Visit www.thephotoshow.org Follow us on Twitter twitter.com/realphotoshow and on Instagram instagram.com/realphotoshow/ Like us on Facebook www.facebook.com/realphotoshow Music by @pataphysics-1 on Soundcloud

This week, inspired by a recent NPR story, we talk about the idea of art as an experience, where the mechanics of viewing objects become almost more important than the objects themselves. We also discuss some of the opportunities that young people have today, with regard to the viewing and sharing of their experiences, that we simply didn't have when we were growing up. Plus, with so many cameras on the market, how do you recommend one to a friend who just wants to take good pictures? Lee Friedlander is our Photographer of the Week.

This week, inspired by a recent NPR story, we talk about the idea of art as an experience, where the mechanics of viewing objects become almost more important than the objects themselves. We also discuss some of the opportunities that young people have today, with regard to the viewing and sharing of their experiences, that we simply didn’t have when we were growing up. Plus, with so many cameras on the market, how do you recommend one to a friend who just wants to take good pictures? Lee Friedlander is our Photographer of the Week.

This week, we discuss authenticity - is the quest for authenticity real or just a hoax perpetuated by hipsters and organic farmers? Also, thoughts on Steven Pressfield's The War of Art - realizing what you are and getting down to business. Could this book be a good candidate for a group discussion? Plus, Lee Friedlander is our PotW.

This week, we discuss authenticity - is the quest for authenticity real or just a hoax perpetuated by hipsters and organic farmers? Also, thoughts on Steven Pressfield’s The War of Art - realizing what you are and getting down to business. Could this book be a good candidate for a group discussion? Plus, Lee Friedlander is our PotW.

Gallery Crawl interviewed LA-based photographer Shannon Ebner and Bay Area painter Robert Bechtle about their selections for They Knew What They Wanted. Both were inspired by the work of American photographer Lee Friedlander, among other artists, ideas, and themes. The exhibition was spread across four San Francisco galleries: John Berggruen, Altman Siegel, and Fraenkel Galleries in San Francisco's Union Square, and Ratio 3 in the Mission District. Artists Jordan Kantor and Katy Grannan were also featured curators.

In July 2010, Gallery Crawl interviewed LA-based photographer Shannon Ebner and Bay Area painter Robert Bechtle about their selections for They Knew What They Wanted. Both were inspired by the work of American photographer Lee Friedlander, among other artists, ideas, and themes. The exhibition was spread across four San Francisco galleries: John Berggruen, Altman Siegel, and Fraenkel Galleries in San Francisco's Union Square, and Ratio 3 in the Mission District. Artists Jordan Kantor and Katy Grannan were also featured curators.

Bob Fisher discusses how he began collecting photography and reveals the interests and ideas that have fueled his collection for nearly 30 years. FROM THE COLLECTION OF RANDI AND BOB FISHER is on view through February 2011 at Pier 24 in San Francisco.