Podcast appearances and mentions of chad mills

As we approach the end of another year of podcasting, Linda and Chad reflect on the diverse list of guests and their favorite topics from the past year. This episode is more casual than our typical episodes, offering a blend of real estate insights, humor, and personal anecdotes.Throughout 2023, the podcast has invited experts from many different fields including wildlife management, archaeology, real estate law, and much more. Linda and Chad's candid reflections on the past year, along with their appreciation for the guests, provide a nice hour of entertainment for the audience.Learn more at SVNsaunders.com.

In this episode of New Ideal Live, Ben Bayer and Mike Mazza are joined by software engineer Chad Mills to discuss recent developments in AI and the ethics of AI development. Among the topics covered: What artificial intelligence is, vs. the way AI is perceived by the public; The most impressive uses of AI technology that bring value to human life; How AI is rapidly heading towards greater user accessibility; How “artificial intelligence” differs from human intelligence; The real problems facing AI development today, vs. the doomsday scenarios; The ways we can protect ourselves against malicious people and states aiming to use AI for destructive purposes; Why the difference in kind between AI and human conceptual understanding makes an artificial intelligence “singularity” unlikely; The irrationality of the recent push to pause AI development and how it will hold back human progress; Why arbitrary fears about AI doomsday scenarios belong to science-fiction and are philosophically invalid. This episode was recorded on May 8, 2023. Listen to the discussion below. Listen and subscribe from your mobile device on Apple Podcasts, Google Podcasts, Spotify or Stitcher. Watch archived podcasts here. https://www.youtube.com/watch?v=U0qeF1zdYo0 Podcast audio:

Our 2022 episodes have officially come to an end. The podcast hosted in-house by Linda Schultz, and Chad Mills has covered several hot topics in commercial real estate, from property management to trends within the land market.During this episode, Linda and Chad reminisce on some of their favorite moments from the almost 1,000 minutes of content we've recorded over the year. And we finally all learn what Michael Huntley does at SVN | SRD. Be sure to check out our past episodes; we're confident you will find something you'll enjoy.Learn more at SVNsaunders.com.

Ohio AFL-CIO President Tim Burga joined the America's Work Force Union Podcast and discussed a recent federal court decision to use Ohio redistricting maps for an upcoming primary that were declared unconstitutional by the Ohio Supreme Court.   Chad Mills, State Director of the Kentucky State Building and Construction Trades Council and Business Manager of Plumbers and Pipefitters Local 633, appeared on the AWF Union Podcast and explained how union construction workers will build the $5.8 billion Ford battery plant campus in Kentucky.  

Moonshine and Music is a weekly web series and podcast produced by Notlehs Entertainment Hosted by Joe Shelton Our Host can be found at: http://mrjoeshelton.com Our Guest: Chad Mills Find him at: http://www.chadmillslive.com   Produced by: Notlehs Entertainment http://notlehs.net Producer: Joe Shelton Visit: http://www.moonshineandmusic.com for upcoming show info and events. facebook: http://facebook.com/moonshineandmusic twitter: http://twitter.com/moonshine3music instagram: http://instagram.com/moonshine_and_music

In this episode(29) of Winning Strategies Playbook, our host and real estate expert Jeremy Spann interviews Chad Mills, owner of 375 Restoration Services.  Chad knows general contracting like the back of his hand. In this episode, he speaks on why he never undercuts himself on bids, which leads to maximizing his time much more efficiently. Being an expert with your time and treating it like money, will always make you a better business owner! Listen in on some of Chad's wisdom! Here is the link to Chad's LinkedIn if you are interested in connecting with him! https://www.linkedin.com/in/chad-w-mills-56748396/ (https://www.linkedin.com/in/chad-w-mills-56748396/) If you are a new listener to Winning Strategies Playbook, we would love to hear from you. Please visit our site http://myexperiencedrealtor.com/ (myexperiencedrealtor.com) and let us know how we can help you today!

An accused child rapist and violent predator in Louisville is on the cusp of being let out of jail once again thanks to a loophole in Kentucky law: one that allows a person to be both mentally incompetent to face criminal prosecution and too mentally ill to be kept in psychiatric treatment. Now, Louisville-area lawmakers are trying to make up for lost time, mounting a last-minute push to close the loophole before the end of the legislative session this month. WDRB reporter Chad Mills explains.

Each spring, Oklahoma State hosts veterans from around the country for the Veterans Entrepreneurship Program (VEP). The program is designed to kickstart the business ventures of our military veterans. In the episode of the Inside OSU Podcast, OStateTV’s Meghan Robinson speaks with Chad Mills from the Spears School of Business. Mills has been involved with VEP since 2014 and shares personal stories of his time with the program and also how they are making this year’s virtual event special for the delegates.

After the killing of Breonna Taylor, Louisville Mayor Greg Fischer ordered a "top-to-bottom" review of the Louisville Metro Police Department. The audit is out, and it isn't flattering. WDRB reporters Chad Mills and Jason Riley break down the key findings, the reaction from the Black community and what happens next.  Background: LMPD review finds department needs 'major changes'

Each spring, Oklahoma State hosts veterans from around the country for the Veterans Entrepreneurship Program (VEP). The program is designed to kickstart the business ventures of our military veterans.  In the episode of the Inside OSU Podcast, OStateTV's Meghan Robinson speaks with Chad Mills from the Spears School of Business. Mills has been involved with VEP since 2014 and shares personal stories of his time with the program and also how they are making this year's virtual event special for the delegates.

Under fire for his handling of the Breonna Taylor investigation and the ensuing protests -- and other scandals at the police department and city bus agency -- Louisville Mayor Greg Fischer faces a symbolic 'no confidence' vote at the Metro Council on Sept. 17. Will some Democrats cross party lines to join Republicans in rebuking the mayor? How did things get to this point for Fischer, a three-term mayor who cruised to re-election in 2014 and 2018? WDRB reporter Chad Mills explains. Background: Louisville mayor apologizes for mistakes as council considers no-confidence vote

WDRB reporter Chad Mills worked nine-straight nights covering the protests over police violence and racial injustice on the streets of Louisville, and he's garnered a huge audience for his Facebook live streams of the events. Despite encountering gun shots and tear gas, Mills says the demonstrations have been largely peaceful. 

Big Chad joins the indmix podcast to talk about how he got into promotions, his growth, infusing his technological savvy into his brand, thumbjamz intiative and much more. Working multiple nights at Maxs, Surf Shack, 8 Mile, Roxy, T Town, The Horn, Carros & Many More. Recored at the Media Block Wed October 30th 2019. Directed by Quentin Guyton

Chris Otts interviews reporters Jason Riley and Chad Mills about their investigative series exposing Kentucky's lack of a system for treating violent, mentally ill people, so they are continually released back onto the streets even as they vow, as one Louisville has, to rape and kill. Background:  Kentucky grapples to close dangerous gap in mental health law Tearful father says son might kill someone because of flawed Ky. law Sex assaults highlight 'crazy loophole' freeing mentally ill defendants  

Kammy’s Kause Music Fest Part II As always, an amazing time was had at the two day music festival dedicated to one very special little girl, Kammy.  From its humble beginnings 15 years ago to the unstoppable juggernaut now hosted at the Hoosier Racing Park and Casino, Kammy’s kause has raised over $400,000 for 4p- (also known as Wolf-Hirschhorn Syndrome).   If you haven’t been, this should be a must add to your next summer’s calendar.  You get to enjoy two days of incredible live music from some of the best artists in the area, high-end silent auctions, and lots of great activities for the kids.  Tune in for Part II from Kammy’s Kause as the boys, with a little co-hosting help from the beautiful Sara Bishop, rap with Audiodacity after their kick-off, killer live performance.  Jared Hiner, the father and founder of this special annual event, explains more about 4p- and the enormous amount of love that is in the air each year during Kammy’s Kause.   And Kelly Zullo stops by after her live set and does a little impromptu picking to end another fun episode of Confessions. We hope to see you all at Kammy’s Kause next summer but remember you can donate year round.  For more information and how you can be a part of search for a cure, go to Kammyskause.org Shout outs in this week’s episode include:  The luscious and legendary Jamie Jackson of Sam Ash Music;  Ben Jarvis;  Twin Cats;  Josh Kaufman;  Jenn Cristy;  Chad Mills, and Chicago Loft Bed Be sure to check us out Sundays on Indy In-Tune. www.indyintune.com Members of the Hopped Up Network. An ever-growing group of independent beer podcasts. Dedicated to providing insight into our local craft beer communities.  www.hoppedupnetwork.com

Indianapolis based Chad Mills plays a contemplative set of original acoustic songs in this four song set. Cellist Grover Parido joins Chad for this layered and rich performance.

Indianapolis based Chad Mills plays a contemplative set of original acoustic songs in this four song set. Cellist Grover Parido joins Chad for this layered and rich performance.

We begin Part II of Radiothon 2017 at Alley's Alehouse with a pleasant interruption but always appreciated visit from Mr. Jerry Connor of The Bier Brewery.  Jerry joins the conversation with Fountain Square's Luke Nelson as we dig into craft beer, the woes of canning, and a little cans vs. bottle debate.  Next up, a few of the greats of the Indy music scene, Mr. Jeff Kelly and Eric Pedigo join to talk about how their scene has been transforming over the recent years, what they are currently up to, as well as an odd Wolf Man Jack impression from Jeff.  A not-so-sober Dougy Fresh and Pauly G. take the show out with some bizarre banter about allergies and radish aliments. Thanks again to Mr. Darrin Snider of Indy-In Tune and Benjamin Cannon of Spark Joy Music for inviting us out to participate in this great event.    Cheers! Big thanks once again to The Dead Squirrels for the use of their tune, U Gotta Lotta Nerve, from their new album to kick off tonight's episode.  Go to their FB page to find out how you can own your very own copy to hours of listening pleasure. Be sure to join us tomorrow(Saturday July 15th) at the Fountain Square Brewery Co. as we cover our 2nd all day, craft beer and music festival of this this season, Hops and Hertz, brought to you by Spark Joy Music, Studio Live Indy, Musical Family Tree, and yours truly, The Blind Pig Confessions.  Party starts at 12pm, we'll have cold brew waiting for you all! http://www.indyintune.com/ http://www.sparkjoymusic.com/ https://www.studioliveindy.com/ Shout outs in this episode:  Sun King Brewing Company;  Bigfoot Yancey;  Melody Inn;  Fleetwood Mac;  Joys House; Whoa!Tiger;  Tied; Chad Mills;  Jeff Byrd;  Four Day Ray Brewing;  Scarlet Lane Brewing Company;  Nick Wengler; and the Jeremy Vogt Band

A Chad Mills CD release party in Indianapolis has become something of a strange cross between a major music event and a religious ritual.  There are things you can always count on: Great new music from the man himself (or in this case, his renamed Upright Willies outfit), quality supporting acts, and a sold out crowd.  I was speaking with a local musician in the audience (who shall remain nameless) as Chad played who remarked, "How does he draw like this!?  I've heard his name a lot, but I never see him play around town anywhere.  Who are these people?"  Of course, he said it with a tinge of bitterness, but I also had to ask similar questions.  Granted, I follow Chad through his excellent mailing list (great reading every week, you really should subscribe), but I also see him play solo or with the Willies at LEAST once a month, and while their crowds are always respectable, it's nothing like the spectacle of a CD release party.Low Down, the debut album from the Upright Willies, is as mentioned in the interview, Chad Mills turned up to 11.  We saw bits and pieces of this on Chad's Make the Door release, which featured 75% of this outfit, but it is a huge departure from Chad's earlier, singer/songwriter releases.  The addition of Grover Parido's "lead cello" and the always moving rhythm section of William Rood and Bob Stewart bring a new energy and enthusiasm to the music that is sure to appeal to fans of country, rockabilly, bluegrass, folk, and even rock.  Definitely one of my picks of 2013, and an essential addition to any local music collection.  Check it out.Links referenced in the show: The Upright Willies can be found here:  | | Chad Mills can be found here: | | | Chad and Bob first appeared on and . The New CD can be found here: | . It was recorded at and produced/engineered by Ryan Powell We did get one photo of the Willie's assembling merch prior to the show. Turns out , murdered by . We mention , excellent cello player from Louisville, KY.

About a year and a half ago, I introduced a band to this show and used the word "honest" to define them.  That is to say, honest in the sense of "real" or "genuine."  Since then, that band, Borrow Tomorrow, has been through a lot, to say the least -- the untimely loss of a founding member, the struggles of putting together their first full length album, and the struggles of putting every ounce of energy and passion into their music as they try to move themselves to the next level of their art.  In many respects, this interview is quite similar to the last one.  They're still a tightly knit band in the upper tier of our local music scene.  They're still the same fun bunch of guys.  They're still the same self-deprecating musicians who, while they obviously believe wholeheartedly in what they do, are grounded by a sense of realism in how the music industry works.  What has changed are the little things -- things you might not notice unless you play both interviews back to back (and have access to the material that was unfortunately edited from both interviews due to time constraints).  There's a certain air of confidence you pick up on in the second interview that was not quite as pronounced in the first.  There's a bit more collaboration and willingness to trust other people's judgment in songwriting decisions.  There's a bit more of a willingness to play "from the gut," take a few risks, and make a few concessions for the good of the music rather than serve one's own vanity or personal preferences.  Most of all, there's an even greater rapport with the listener, who is no longer just being told a story, but is now invited to "find their place in it." I suppose to a (*cough* *hack*) casual listener, who puts the new album, Too Far to Feel, on as background music while they plink distractedly at their computer, could possibly make the very basic mistake of writing it off as an inconsistent and directionless mix of country, alternative, and pop.  Anything even slightly more attentive, however, will reveal that there is a definite emotional core to this album, and the journey of exploration and self discovery the album takes the listener on is not so much meandering, but instead a subtle and well-planned path, where not every turn is seen before you get to it, and none of the scenery looks the same as you walk past it. But enough with this trying to sound important by using fancy words and mixed metaphors to make a point. This is a great album put out by a great group of guys, and unless you're from another planet or something, you're sure to find something there that speaks to you personally. Links referenced in the show: Borrow Tomorrow can be found here: |  | | |   Their latest CD, Too Far to Feel, is available from the usual suspects ( | ), but you want to .   They premiered the album at a gala party at featuring the Jeremy Vogt Band ( and ) and Chad Mills and the Upright Willies ( and .  Don't you wish you were there?  Fear not.  We were, and . As with the Retrospective EP, it was produced and engineered by Kyle Ferguson.  Obviously the in-joke about being a lousy roommate, having no songwriting chops, and being part of the Indianapolis slime core revolution is a send up of . Lyricist Chris Jerles has that is a must-read for any fan of BoTo. 

My Christmas present to myself: the show I've been wanting to do for six years now.  When I think back on 105 episodes of this little hobby of mine, most of what I remember is from the early shows -- back before things became "routine" and it took me a lot longer to organize, set up, and edit these shows together.  Lets face it, I didn't know what I was doing for the first year of this.  Actually, many would say I still don't know, but at least now I've got a consistent system and even a quirky style going for me.  Some of the people who I now consider among my best friends came out of those shows, and many of the bands quickly became the ones that I followed closely and played most-frequently in the ol' MP3 player.  Vilafishburn is a prime example of this.  Yeah, maybe the first interview wasn't my best work, but the music was magical to me, and the guys were just cool as heck to hang out with -- drinking a couple of frosty beers at a curbside table in Broad Ripple in the stifling summer heat of 2006.  I've gone into great lengths before and during this show, to describe the elements of Vilafishburn that make them, in my oft-stated opinion, the most underrated band in Indianapolis.  Aaron Patrick's powerful voice and unique and diversely-flavored lyrics, Doug Sneddon's meticulous ear for layering and constructing sounds and moods, the always-moving foundation laid down by the not-so-quiet-when-you-get-him-off-mic Ray Ruiz, and the "holy crap that's just ONE drummer?!" rhythm work of the inimitable Amy Fishburn.  It's a formula and a lineup that is electric both live and in the studio.  If only we could get them to do more than one show a year, and one album every five.  This show was recorded on a crowded Friday night at Birdy's, when Vilafishburn was sharing a billing (and a bass player) with another of my favorite bands from those early days, The Dirty Third.   Certainly there is a lot of love between these two bands, and as an amusing aside, I watched Vilafishburn's set with "the Third's" Matt Hesser, who halfway through the first song, turned to me and said, "Man, I am in heaven right now seeing these guys play again."  Later that night, I watched the Dirty Third's set from a table next to Vilafishburn's Aaron Patrick, who leaned over to me at one point and said, "You know, hearing these guys play this is like heaven."  Who knew you could have a religious experience at Birdy's? Links referenced in the show:    Vilafishburn can be found here: / .  The first appeared on (though actually recorded as #009) Ryan Shore is the drummer for the Jeremy Vogt Band ( and ) and The Dirty Third (), formerly of Five Til Dawn (), and who will forever be known as the reason we have only one censorship rule at Indy In-Tune: Don't call a fellow band "a bunch of turd snipers," or we at least have to bleep their name.  We reference their debut CD, Indian, which came out in 2004.   You can purchase that here:  | | Their second CD, 2008's Watching over We, was also referenced.  You can purchase that here:  | | We features songs from their upcoming CD, Bare Tracks, which is due out in 2012  Ryan Shore endorses the 4-track cassette recorder.  Ray Ruiz and Matt Hesser (who play together in the Dirty Third) have a newly-formed side project called The New Guilt.  Check them out here: | | | is very common in musicians, especially the older ones.  The good news is, this type of hearing loss responds most-effectively to simple hearing aids. Ryan Shore is also a proponent ,  possibly because it requires only four microphones (see earlier comment about the Tascam DP02). Ryan can be see playing in the Jeremy Vogt Band, along side Borrow Tomorrow (), and Chad Mills ( and ) at on January 13.  Information can be found .  Tickets can be purchased . 

Some people complain about them, some people love them, but for those of you who haven't figured it out yet, these "... Returns" shows should really just be called "Darrin shoots the breeze with his buddies," because -- since all of the obligatory biographical information/stock questions have been covered -- they tend to get personal, off-topic, and are really just excuses to hang around, drink beer, and play some new music. You know, the same kind of stuff we would be doing even if there weren't mics in front of us. This week's episode, featuring long-time friend of the show Chad Mills, is no exception, doubly so since it is also reinforced by the ubiquitous presence of Ms. Jenn Cristy, who just happened to be playing on stage with Chad that night -- thus activating the clause in her contract that legally binds us to give her a mic whenever she's in a five mile radius of a show taping. So, enough with the deep, philosophical stuff; to heck with the in-depth analysis of the subtle ironic and thematic elements in Chad's lyrics; forget discussions of his dreams and aspirations as a struggling independent musician. What we really want to know about are fish in beer mugs and how annoying that Alicia Keys song really is. That said, Chad Mills is really starting to piss me off. Why isn't this guy famous yet!? Hell, why isn't he at least touring the "Midwest State Fair Circuit" and getting his music heard outside of a 100-mile radius? It's not for lack of being busy, he plays around 150 shows a year. Certainly it's not because his material isn't accessible, I firmly believe Make the Door should be a hit, or at least a wildly successful novelty song in the vein of "Cover of the Rolling Stone" that is revered on college radio stations around the country. It certainly isn't because he isn't loved in Indianapolis, he commanded probably the largest crowd I've ever seen at Birdy's on the night of his CD release party -- a reported 250 in attendance, not counting the myriad special guests who joined him on stage for what turned out to be, in my humble opinion, the performance of his life. "Make the door" is one of those albums that you have no excuse for not liking, as it easily caters to the pop, folk, country, and indie fan alike. For this release, Chad showcases his whole spectrum, offering up stripped down singer/songwrater fare with tracks like "Dusk" and "Long Winter Stretch," bouncy toe-tappers like "The Line" and "600 North 600 West," introspective story songs like "Moving Manhattan," pure poetry like "Chemical Hymn," burning jams like "On my Way" and just plain fun singalongs like the aforementioned title track, and ... well, I could go on, but it's probably best that you just buy the album and hear it for yourself. What you're getting on this show is just a sampling of what's in store for you. Links referenced in the show: Chad Mills can be found here: | | | You remember him from when he was promoting his previous album, Jenn Cristy can be found here: | | | | .  She also appeared as a guest on , , , and (next week), as well as being a guest host on numerous other shows.  Consult the search feature on Indy In-Tune for her complete appearance list. Chad's new CD, Make the Door, is now available via usual suspects (, , , , ) It was recorded at and produced/engineered by Ryan Powell The legendary Charlie Krone of and formerly of Johnny Socko ( | ) and Born Again Floozies ( | | ) lends his his distinctive talents to the song Electron Cloud  The much lauded cover of the CD was designed by Chad is joined by and our very own Jenn Cristy on the song Long Winter Stretch. we elude to during the show can be found in the photo section of Chad's Facebook page. Chad and Jenn can both be seen at this year's Kammy's Kause ( | | ).  Chad kicks off Friday night; Jenn on Saturday.  We are joined late in the interview by Chad's occasional bass player, Chris Welch, also of the Wheelhouse Band ( | ) Chad's web site is designed and managed by

This is the third of seven shows recorded on September 15th at the Kammy's Kause benefit and features singer/songwriter Chad Mills and percussionist Bob Stewart. Chad is interesting in that he is, by day, an engineer -- not exactly a job that affords you very many opportunities to be creative, as certainly the laws of physics are somewhat rigid to say the least. Both Chad and Bob are talented musicians who talk at length about their musical history together, the trials and tribulations of extremely brief encounters with random females, and the pros and cons of blowing off work to write music.   As this is the first in another triple-shot of shows, please forgive the short blog and lazy show notes: The Chad Mills Band can be found here: / His latest album, 2 Places @ Once, can be purchased from his website Chad and Bob would like to plug Kent Vernon and Utility Room Recording who produced the album Our Kammy's Kause segment this show features David, Amanda, and Lauren Lortz. You can read more about Lauren on her . David is an employee of , who generously matched all contributions on the day, up to $10,000. If you are the parent of a 4P Minus child, and you are not already aware, you can . Our promo tonight is for one of my favorite podcasts and blogs that I plug quite frequently, . And as with all of these seven shows, we need to thank the following people: for putting on a great event for bringing us to the dance for all that they do for us behind the scenes for being our paparazzi and capturing images from the day for the excellent catering