Podcasts about Birdy

In this episode of the ZenRUN Podcast, I chat with the wonderful Astrid Volzke — runner, photographer, professional stickybeak, and the official photographer behind so many of the iconic images from Delirious West. If you've ever run Delirious, followed the event online, or changed your Facebook profile photo to one of those stunning trail-running shots, chances are Astrid was behind the camera. But this chat isn't just about photography. Astrid shares her story of growing up in Singapore, moving to Western Australia, camping adventures with her family, finding her way into photography, and eventually becoming part of the trail running world. Her journey includes early morning boats with fishermen, newspaper photojournalism, community storytelling, trail running, Birdy's Backyard, and of course, many long days and nights capturing the raw emotion of Delirious West. We talk about how photographing a 200-mile event is an endurance event in itself — the planning, the mental focus, the sleep deprivation, the gear, the editing, the sandy night drives, and the constant decision-making that happens behind the scenes. Astrid says she's either shooting or editing for most of the week, often chasing sunrise, sunset, emotional moments, funny poses, and the gritty reality of what runners go through. Astrid also shares what running means to her personally. She started trail running through a team at Margaret River Ultra, found herself hooked by the people and adventure, and has since become part of the wider ultra-running community in a very unique way — sometimes as a runner, often as the photographer, and always as someone deeply immersed in the story. One of my favourite parts of this conversation is Astrid's reflection on motivation. Her advice is simple and very ZenRUN: You don't have to feel motivated first. You just have to start. Whether it's running, photography, or any creative project, Astrid says momentum often comes after you begin — not before. Tie the shoelaces. Step outside. Pick up the camera. Start with the first step, and the rest often follows. This is a relaxed, funny, behind-the-scenes chat with someone who has seen Delirious West from a perspective most of us never will — behind the lens, in the dark, on the beach, in the dust, at the finish line, and sometimes crying behind the camera. In this episode, we chat about: Growing up in Singapore and moving to Perth as a child How Astrid found photography after realising agribusiness wasn't quite her thing Life as a photojournalist and freelance photographer Why photography is really about storytelling How trail running entered her life The origins of Birdy's Backyard Why photographing Delirious West is its own kind of endurance event The mental load of capturing a multi-day ultra The hilarious runner poses Astrid has captured over the years Why runners don't have to run when they see the photographer The emotion, grit, joy and humanity of 200-mile events Why Astrid would love to run a point-to-point adventure event one day Her simple motivation tip: just start Astrid's Tip for Runners Don't wait until you feel motivated. Just start. Go outside. Take the first step. Begin slowly. Often the motivation comes once you're already moving. And if you're out on course and see Astrid with her camera? You don't have to run. But apparently, most of us do anyway

Our story tonight is called A Concert in the Park, and it's a story about a warm evening spent enjoying live music. It's also about tiger lilies and elephant ears, stone benches and sneakers, and the memories that melodies can bring to the surface. Subscribe to our ⁠Premium channel⁠. The first month is on us.

In this episode, author N. West Moss takes us behind the scenes of her debut middle grade novel BIRDYSubscribe to Sharp Read on SubstackJoin thousands of children's lit supporters reading Colby's weekly dispatches from the classroom.Subscribe to 100 Scope Notes on SubstackA bi-weekly deep dive into the world of picture books, delivered to your inbox.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.

Why does the rough mix always feel like the real song - and how the hell do you get that magic back without ruining it?In this episode, Pat Sansone and I go deep into the lifelong puzzle of mixing: why the first tracking rough has all the energy, how chasing it can make you crazy, and why mixing is really more like photography than engineering. Pat walks through how his visual art - Polaroids, slide film, CMYK vs RGB, Lambda printing - has taught him to trust instinct, appreciate imperfections, and approach mixes like developing a print rather than fixing a file. We talk about turning the screen off while playing a mix, the weird phenomenon of hearing a song differently once another person walks into the room, and why limitations make better records.We also dive into Pat's history with The Autumn Defense, Wilco, and the Big Star universe. Pat shares memories of making The Green Hour and Circles at my house - dragging the JH-16 up the stairs, tracking G-Whiz in the basement, and writing “The Answer” face-to-face with John Stirratt twenty feet from where we sat for this interview. He explains how the new Autumn Defense record Here and Nowhere came together after an eleven-year break, why Creative Workshop became the perfect studio for it, how Teddy Morgan helped capture tones, and why he still records acoustic and vocal together whenever possible. We get into gear, mic choices (KM84s, SM58s, Sony lavs), the struggle of acoustic/vocal bleed, and the random chaos of synths, plugins, and sessions that don't open right years later.Pat also talks about his photography book Noticing, his Infinity Mirrors ambient synth album, and how wandering with a camera unlocked the same creative freedom he felt as a teenager with a Korg Poly-6. He explains how Nashville re-energized his creative life - from running into Robyn Hitchcock in the cereal aisle at Turnip Truck to singing ooohs at Brendan Benson's studio the next day. We share memories of New Orleans, Chicago, analog tape, Pro Tools Mix+, transferring Birdy on the Moon tracks, losing Josh Shapera, and the role Creative Workshop played in Pat's “Nashville phase two.”By the end, we're talking Big Star, Eggleston photographs, orchestral arrangements, radio DJing, and why slide film and tube mics scratch the same itch. It's a wide-open conversation about creativity, sound, light, limitations, mistakes, rough mixes, and how to stay inspired for a lifetime.Get access to FREE mixing mini-course: https://MixMasterBundle.comTHANKS TO OUR SPONSORS!http://UltimateMixingMasterclass.comhttps://usa.sae.edu/ https://www.izotope.com Use code ROCK10 to get 10% off!https://www.native-instruments.com Use code ROCK10 to get 10% off!https://www.spectra1964.comhttps://gracedesign.com/https://pickrmusic.com https://RecordingStudioRockstars.com/Academyhttps://www.thetoyboxstudio.com/Listen to the podcast theme song “Skadoosh!” https://solo.to/lijshawmusicListen to this guest's discography on Spotify:https://open.spotify.com/playlist/0ZJrYkHqfDba4iL2InbLk9?si=HndgYrlWRzGusV2yOwzVagIf you love the podcast, then please leave a review: https://RSRockstars.com/ReviewCLICK HERE FOR COMPLETE SHOW NOTES AT: https://RSRockstars.com/559

For his fifth studio album, Peter Gabriel teamed up with Canadian Daniel Lanois to create the most successful album of his career. It went to number 1 here in Canada, and reached number 2 in the U.S. where it also earned numerous Grammy nominations, including for Album of the Year. It is now considered one of the defining albums of the 80's. Randy Renaud marks its 40th anniversary on the Chronicles of Rock.

80-я часть своими словами: 1.Романтичный, акустический Santino Le Saint, как воспоминания о чём-то былом и приятном. 2. Катя Галпер и атмосферный, свежайший Hamsin. Флейта решает. Уверен в успехе этой композиции. 3.Атмосферное продолжение, глубоким битом, воздушными падами от BlauDiss. Что-то на ангельском языке. 4.Shine On-так нежно и так мелодично. 5.Classic chill трек, Paul Van Dyk, чистейший вокал, фортепиано, и тот самый трансовый ритм. 6. 1998 год дата релиза этого трека, Николя Хичкок, проект Mandalay-Beautiful, сексуальный lounge... 7. Погружающий в свои мысли ремикс Soty, вокал Натали Натюн, милый звук стекла где-то далеко. 8.Вспомнился ещё один классический, беззаботный, лёгкий трек. Отдельный мёд по ушам Birdy. 9. Ассоциации с проведённым, совместном времени с любимым человеком. 10. Когда душу беспокоит что-то грустное. 11. Пусть ваши домашние животные никогда не болеют, живут и проживают свою лучшую жизнь. Берегите своих "зайчиков". Глубоко цепляющий звук от Yusuke Tsutsumi. 12. Старенькие синт машины, кусочки воисов, ретро-ambient вайб. Вкусно. 13. Красивый гитарный кавер. 14.Wake Me Up -дающее надежду. 15. Как нежная капля слезы, Liberty. 1.Santino Le Saint - Flawed By Design (Acoustic Version) 2.Katya Galper-Hamsin 3.BlauDisS - Patterns in the Clouds 4.Aurosonic, Denis Karpinskiy, Marie Mauri - Shine On 5.Paul Van Dyk-Guardian (Escape Mix) 6.Mandalay - Beautiful (7 Canny Mix) 7.R.I.B. feat Natune - I Feel So Cold (Soty Remix) 8.Birdy - Shelter (Owsey Remix) 9.Stumbleine - Smoke Yourself Thin 10.Airshade - tied to you 11.Yusuke Tsutsumi - The Wrongful Life of Michel Bollinger 12.Bedrock,John Digweed,Nick Muir- Beautiful Strange (ambient mix) 13.Pop Goes Ambient - Running Up That Hill (A Deal With God) 14.Tommee Profitt, Fleurie - Wake Me Up 15.Anette Askvik - Liberty

Our story tonight is called April Showers, and it's a story about a cloudy day spent window shopping in the village. It's also about the lovely sound the point of an umbrella makes against cobblestones, a bicycle ride taken just before the rain falls, and the perfect place to settle in to watch once it does. Subscribe to our Premium channel. The first month is on us.

In this Delirious WEST 2026 wrap-up episode, I catch up with Kylie Bell after her 100-mile adventure - and as always, Kylie brings such a calm, honest and experienced perspective to the conversation. Kylie has done plenty of big ultras before, but this year surprised her in one very specific way: she got properly tired. Not just “ultra tired” but weaving-on-the-trail, seeing-smiley-faces-in-rocks, cupboards-and-benches-in-the-bushes tired.

This episode is from the SLPS archive. As a little bonus for our couple of Patreon followers, Michael & Amanda were doing a show called Cage is the Rage, where they try to work through the entire filmography of Nicolas Cage. It was (and still is) a tall order, and life got in the way, and this episode was just sitting on Patreon. We had decided to get back into the swing, and before we do so, we wanted to unearth Cage is the Rage #3. On this episode of Cage is the Rage, we continue Nic Cage's career with a discussion on The Cotton Club (1984) and Birdy (1984). We also decided to get a little contemporary and talk about Renfield (2023).Edited by: Michael ViersProduced by: Michael ViersTheme Music by: The DirectionalsOpening Narration by: Zach McLainCredits Music by: Ten-SpeedLogo Design by: Amanda Viers

Age Of Cage: Das Format wo jeder, wirklich jeder Film mit Nicolas Cage besprochen wird. Chronologisch, von den 80ern bis heute. Jeweils drei Filme pro Folge, am Ende werden auch die nächsten Drei genannt, damit ihr euch entsprechend vorbereiten und den Cage so huldigen könnt, wie nur er es verdient hat (dasselbe gilt für Schlangenlederhosen). In Nic We Trust.Kommentare, Feedback oder eure Ideen für weitere Episoden könnt ihr uns gerne über die sozialen Netzwerke oder per Mail an info@cine-swiss.ch zukommen lassen, folgt uns damit ihr nichts verpasst, abonniert uns und empfiehlt uns gerne weiter! Dangge! Merch (wenn du noch geiler ausschauen willst: https://www.seedshirt.de/shop/cineswissSupporte uns unter:https://podcasters.spotify.com/pod/show/cineswiss/subscribe Für exklusive Folgen oder einfach so hier: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.buymeacoffee.com/cineswiss⁠⁠⁠⁠⁠⁠⁠⁠ https://www.brugggore.ch  ⁠⁠⁠⁠⁠⁠⁠⁠https://www.excelsior-brugg.ch/de/home⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠https://odeon-brugg.ch/⁠⁠⁠⁠⁠⁠⁠⁠ https://www.facebook.com/cineswiss                   https://instagram.com/cineswiss?igshid=1cjo0dgnqvsrd                   https://boxd.it/10TmB                   https://www.cine-swiss.ch

Originally aired April 15, 2024 (Season 13, Episode 31) Our story tonight is called Piano Lessons, and it's a story about a well-loved upright piano and the boy who plays it. It's also about a little cottage where ivy grows up the bricks, middle C, lesson books, and metronomes, and finding the things that feel like they were always meant for you. Subscribe to our ⁠⁠⁠Premium channel.⁠⁠⁠ The first month is on us. 

Originally aired April 5, 2021 (Season 7, Episode 7) Our story tonight is called Toast and Marmalade, and it's a story about the first few months of a lifelong friendship. It's also about a collar with a bell on it, letting go of what-ifs, and the joy of watching someone discover a year of firsts. Subscribe to our Premium channel. The first month is on us. 

Our story tonight is called Soap Bubbles and Sidewalks, and it's a story about some spring cleaning done in the fresh air. It's also about a curtain shifting near an open window, a hose and bucket, old CDs in the glovebox, clean that goes all the way into the corners, and the energy that returns when the spring does. Subscribe to our Premium channel. The first month is on us.

OpenCameron Young tied on 18. Longest drive on 18. 365. Full pause. Birdy on 17, the hardest hole. CAl FTB: SucksFacts of life: Your Thoughts define youMiamiBeautiful and no state tax. Everyone moving there. Mansions and yachts, but lots of normal people too.  Ken Griffin.  Meta CEO Mark Zuckerberg and Priscilla Chan have purchased a $170 million, 30,000-square-foot mansion on Miami'sMarketsLong over-due correction. AI FearI've listened to a few podcasts featuring Marc Benioff in the last year. He is 100% all-in on AI. The idea that SAAS will be completed disrupted by AI is over-hyped. Jensen Huang put it well: AI will not invent a new hammer or screwdriver; they'll just use what exists. Analogy is to SaaS companies in general. Large Corporations (think Fortune 1000) are not goint to ditch big SaaS companies, like ERP (Workday, Oracle, SAP), Security, CRM, Analytics, Microsoft Office, etc... Long story, short: The AI replacement fear is over-hyped. NetflixNetflix Loses Bidding War to Paramount! Tesla & SpaceX Interview with Elon.Play at 0.28. Stop 2.00.Tesla has most advanced Real-world AI. Starting scale production of CyberCab in April.Tesla Semi coming this yearMerger SpaceX acquired XaISpaceX will go public.  SpaceX will merge with Tesla. Love this take from Travis on Autonomous driving. XAi XaI will be a financial behemothAndrej Karpathy on Elon's management styleAI OpenAI Anthropic ClaudeGovernmentNewYork CityFareed ZakariaCA FraudNick Shirley Doing his Thing again in CAWealth Taxhttps://x.com/stevenfiorillo/status/2033352518802026741According to IRS migration data, New York has lost $111 billion in net adjusted gross income over the last decade from residents moving to other states.WSJ on Billionaires leaving. Google co-founder Larry Page recently made headlines by spending $188 million on three Miami mansions.Washington State passes 9.9% tax on income over $1m. Howard Schultz leaving. Bezos already gone. Recommendations:Hims and Hers! Bill Gurley: Running down a DreamMichael Lewis: Lyar's Poker. The Rip. Was ok. The Running Man. great airplane movie. Glen Powel

Our stories tonight speak to the magic of the Inn on the lake, a secret space behind a hidden door, coffee cake and cat companions, getting to redo a formative moment with your present day heart and mind, music and glimpses of mid-winter sun, and the hope that comes from bravely wearing your heart on your sleeve. We give to a different charity each week and this week we are giving to ⁠The Southwest Detroit Immigrant and Refugee Center⁠. They are the largest provider of free- and low-cost legal services to Michigan's vulnerable communities. They are working for a Michigan where justice does not depend on how much money you have, and where immigrants are welcomed into our communities. It's time to turn those “What Ifs” into “cha ching” with Shopify today. Sign up for your one-dollar-per-month trial today at ⁠⁠shopify.com/nothingmuch Go to AquaTru.com now for 20% off (your purifier) using promo code NOTHINGMUCH. AquaTru even comes with a 30-day best-tasting water guarantee. Subscribe to our ⁠⁠⁠⁠⁠Premium channel.⁠⁠⁠⁠⁠ The first month is on us. 

Hazel Mills is a incredibly versatile keyboard player, vocalist, and songwriter whose impressive resume includes touring the globe with artists like Kylie Minogue, Florence + The Machine, Goldfrapp, Birdy, and The Will Gregory Moog Ensemble. We delve into everything from Hazel’s early classical roots and passion for 1960s minimalism, to her transition into the pop genre and her deep love for analogue synthesis. Hazel provides some great insights into her creative process, including recreating studio sounds for massive live pop tours, her go-to gear, and lots more. To listen / watch: Audio-only: click on the play button in the audio player above, or: Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel Discussion topics covered during the show (links will open in new tab):   Hazel’s past 12 months The differences in energy / stamina for a large versus more intimate gig Steve Anderson Joining Kylie Minogue’s band Hazel in action with Kylie Minogue 2025 Eventide H90 UDO Super 6 Hazel’s own look at the Super 6 Mainstage and side-chain setup Hazel in action with Christine and the Queens in 2023 Hannah Peel and Hazel Mills at King’s Place Working with Dave Rowntree Joining the Will Gregory Moog Ensemble Hazel’s solo creative output Hazel’s Patreon channel A discussion on musique concrete Joining Florence + The Machine as a touring member  Auditioning process for Florence Hazel performing with Florence + The Machine, 2018 Working with Birdy Hazel performing live with Birdy 2016 Joining Goldfrapp Hazel performing with The Paper Cinema Joining Goldfrapp  Hazel performing live with Alison Goldfrapp, 2022 The intricacies of playing a Goldfrapp show Hazel in action with Goldfrapp at Glastonbury 2014 Adding Machine – Ships to Sink Desert Island Discs: Thriller – Michael Jackson, Self-Titled – Crosby, Stills & Nash, DEACON – serpentwithfeet, Diviner – Hayden Thorpe, Ambient 1: Music for Airports – Brian Eno. For those watching on video: apologies for the gridlines, it was a glitch not picked up by us at time of recording. Key links: Become a member of our YouTube channel and receive extra content Buy some keyboard related merchandise Drop us a line via the website, Facebook, Instagram, Reddit, Threads, BlueSky, TikTok or LinkedIn Complete our audience survey to help us improve! Check out our podcast guest playlist on Spotify to get a taste of each guest’s creations.The post Hazel Mills, Kylie Minogue / Florence + The Machine / Goldfrapp appeared first on The Keyboard Chronicles.

Today's episode is all about social skills, but from an updated lens that really speaks to the lived experiences of today's kids. My guest is writer and journalist Catherine Newman, and we're going to dive into her new book, What Can I Say? A Kids Guide to Super Useful Social Skills to Help You Get Along and Express Yourself. What Can I Say is aimed at kids ages 10 and up, and it includes practical and accessible advice to help kids and teens learn social skills, including everything from introduce themselves, express empathy, be persuasive, and apologize to compromise, ask for help, be grateful, and comfort a friend. In this conversation, Catherine and talk about why learning social and interpersonal skills are more important than ever for our kids, despite the fact that their lives are evolving to include more time spent online. We also talk about the climate for social emotional learning and ways parents and educators can to reinforce the social skills our kids are learning. About Catherine Catherine Newman is the author of the memoirs Catastrophic Happiness and Waiting for Birdy, the middle-grade novel One Mixed-Up Night, the kids' craft book Stitch Camp, the how-to books for kids How to Be a Person and What Can I Say? and the novel We All Want Impossible Things (forthcoming, Harper, November 2022). She edits the non-profit kids' cooking magazine ChopChop, writes the etiquette column for Real Simple magazine, and is a regular contributor to the New York Times, O, The Oprah Magazine, Parents magazine, Cup of Jo, and many other publications. She lives in Amherst, Massachusetts, with her family.   Key Takeaways Why it's still important to learn social skills and interpersonal skills even though our kids' lives are evolving to include more time spent online Why it's important to spend time learning social skills just as we would learn any other type of skill like algebra or singing The importance of learning interpersonal skills that focus on empathy, setting boundaries, being curious, and being supportive and inclusive of people with different identities How OT can help neurodivergent kids grow up with advanced social emotional skills What parents and educators can do to support and reinforce the social skills they are learning  Resources Mentioned Catherine Newman's website Catherine on Instagram What Can I Say? A Kids' Guide to Super Useful Social Skills to Help You Get Along and Express Yourself by Catherine Newman How to Be a Person: 65 Hugely Useful, Super-Important Skills to Learn before You're Grown Up by Catherine Newman Learn more about your ad choices. Visit podcastchoices.com/adchoices

A Bird of Paradise isn't actually a bird. It's a plant that looks like an exotic bird. Or is it?

Tune into the next episode of Talk Law Radio Show and Podcast, where property management expert, Lorena N. Jáuregui de Birdy, dives deep into the must-know strategies for navigating residential rentals—like dodging common pitfalls, mastering tenant laws, and maximizing your investment returns. ⚖️

In this episode, author N. West Moss shares her journey to becoming a children's author, the inspiration behind her debut middle grade novel Birdie, and her writing process - including working with her editor. Discover insights on writing for young readers, late-blooming careers, and the importance of perseverance and authenticity in storytelling.For bonus content and info on upcoming episodes, subscribe to the Middle Grade Matters newsletter here: Newsletter, and follow us on Instagram, Threads, and Twitter.I love audiobooks! If you do, too, consider switching to Libro.fm, a platform that supports indy bookstores.If you're enjoying this podcast, please leave a rating and review (thank you!).

This actually was just slop.Buddy Links

In this episode of the Book Faire Podcast, Anthony explores the latest in middle grade and children's literature, highlighting new book releases that delve into themes of cultural identity, grief, and historical narratives. The discussion extends to the critical issues of censorship and book bans in schools, focusing on inspiring student activism and librarian efforts to combat these challenges. Listeners will also learn about the Library of Congress's upcoming interactive learning space designed specifically for young readers. This episode is an essential listen for librarians, educators, and anyone passionate about supporting diverse children's literature and advocating against censorship in schools.New Releases:If This Were the World Stephen Barr, illus. by AG Ford (Ages 4-8)Each and Every Spark by Claire Swinarski (Ages 8-12)Goodbye, French Fry by Rin-rin Yu (Ages 8-12)Birdy by N. West Moss, with illustrations by Carrie Shyrock (Ages 10-14Postscript by Cory McCarthy (Ages 14+)

Happy Sunday!! We hope this storm doesn't do too much damage to our American listeners! Stay safe and stay warm our friends! This week we review My Husband's Wife by Alice Feeney a Mystery Thriller! We want to thank NetGalley and FlatIron books for giving us an ARC of this novel in exchange for our honest review! We hope you enjoy the episode and don't forget to follow all our socials here!   Summary:  Eden Fox, an artist on the brink of her big break, sets off for a run before her first exhibition. When she returns to the home she recently moved into, Spyglass, an enchanting old house in Hope Falls, nothing is as it should be. Her key doesn't fit. A woman, eerily similar to her, answers the door. And her husband insists that the stranger is his wife. One house. One husband. Two women. Someone is lying. Six months earlier, a reclusive Londoner called Birdy, reeling from a life-changing diagnosis, inherits Spyglass. This unexpected gift from a long-lost grandmother brings her to the pretty seaside village of Hope Falls. But then Birdy stumbles upon a shadowy London clinic that claims to be able to predict a person's date of death, including her own. Secrets start to unravel, and as the line between truth and lies blurs, Birdy feels compelled to right some old wrongs. My Husband's Wife is a tangled web of deception, obsession, and mystery that will keep you guessing until the last page. Prepare yourself for the ultimate mind-bending marriage thriller and step inside Spyglass – if you dare – to experience a story where nothing is as it seems.

Our stories tonight lean into the winter season with tales of walks in the snow, time by the fire, thick blankets and hot drinks. If you've ever wished not so much to be warm as to be chilled first and then warmed with a blanket, these are for you. Subscribe to our ⁠⁠⁠Premium channel.⁠⁠⁠ The first month is on us. 

Brenna and Joe turn their attention to writer/director Lena Dunham's 2022 adaptation of Catherine Called Birdy.Starring Bella Ramsey and Andrew Scott, there's some queer subversion embedded in the film. Plus: stunt casting Billie Piper, modernizing a classic (the music!) and a new YA BINGO board for a new year.Correction: Joe should have said David Bradley, *not* Doug Wanna connect with the show? Follow us on Instagram and BlueSky @HKHSPod or use the hashtag #HKHSPod:> Brenna: @brennacgray> Joe: @bstolemyremote (Instagram) or @joelipsett (BlueSky)Have a mail bag question? Email us at hkhspod@gmail.com Theme music: Letra “Like A Bird” Hosted on Acast. See acast.com/privacy for more information.

Brenna and Joe get a head start on the new year with a slightly tweaked weekly format.This week we're talking about Karen Cushman's award-winning novel Catherine, Called Birdy (1994) about a headstrong 14 year old Lady in the Middle Ages who refuses to marry.Plus: the pros and cons of using diary entries as a narrative structure, eel pies, and plenty of women's issuesWanna connect with the show? Follow us on Instagram and BlueSky @HKHSPod or use the hashtag #HKHSPod:> Brenna: @brennacgray> Joe: @bstolemyremote (Instagram) or @joelipsett (BlueSky)Have a mail bag question? Email us at hkhspod@gmail.com Theme music: Letra “Like A Bird” Hosted on Acast. See acast.com/privacy for more information.

Birdy joins us for a cool chat! Best of is presented by Pirtek. 

A Recording of the Dymocks Adelaide YA SPECTACULAR Panel “Why YA is Here To Stay” on Wednesday 14th November 2025. Episode Description: We've got something a bit different and a bit special for Radelaide Reads this month: a recording from the Dymocks Adelaide YA SPECTACULAR event - on Wednesday 14th November 2025 a panel of seven (yes, SEVEN) YA authors, assembled at Dymocks Rundle Mall to discuss the topic of why “YA Is Here to Stay”. It was a phenomenal event, in front of a huge crowd, and many people who couldn't attend asked whether there was any chance it was recorded. Well lo and behold I did strategically position a microphone to capture the brilliance. Here's a list of the authors (Instagram handles and latest book titles) who made up the panel: @vikkiwakefield (moderator) This Is How We Change The Ending @allaynewebster Maisy Hayes is Not for Sale @lkclipstone Tenderly I Am Devoured @mikelucasauthor One By One They Dissappear @sharonkernot Birdy @margot.mcgovern This Stays Between Us And me @ceceadam The Locked Room With special guest appearance by Becky Lucas ( @beckybookingagent )

    I have a special treat for everyone with this new mix. It's a guest mix from friend of Low Light Mixes, Andy McNeill. Andy records as Maple Mountain Sunburst and has created two previous mixes for LLM and they are both excellent. You can find them here: http://lowlightmixes.blogspot.com/2024/10/a-moon-full-of-stars-and-astral-cars-by.html https://lowlightmixes.blogspot.com/2025/01/we-did-it-again-by-andy-mcneillmaple.html Andy has a new album out, under his own name, that is a little different from his other recordings. That new album is the inspiration for this new mix which is really something special. I'll let Andy tell you about it: "Mallets, gongs, tintinnabulations, things that go ping. Here we have a mix of percolating exotica to float away on for an hour. I've included three tracks from a recent collaboration with percussionist and fellow composer Bill Brennan. Our album Dreaming In Gamelan blends West Javanese gamelan traditions with contemporary ambient electronics. Recorded with traditional hand-forged bronze instruments, the tracks were then augmented and treated in the studio. Also joining us was the brilliant electric violinist and sonic explorer Hugh Marsh. The album was mixed for immersive Dolby Atmos by Ron Searles (Atmos version available on Apple Music, Tidal, Amazon)." https://lnk.to/dreamingingamelan https://brennanmcneill.bandcamp.com/album/dreaming-in-gamelan   Thanks to Andy for curating and mixing this great collection tracks. And thanks for the excellent new album.   LINKS TO ALL THE MUSIC USED IN THIS MIX:   Bill Brennan and Andy McNeill - Tunnels of Light https://lnk.to/dreamingingamelan another fine day - Child's Play https://anotherfineday.bandcamp.com/album/a-good-place-to-be Peter Gabriel - Slow Marimbas (from Birdy soundtrack) https://open.spotify.com/album/6ZTQcgutsPhQ50FRZk3BYl?si=Af0sn6YnTaq84N4kJPk1ug Thomas Newman - Bullet (from White Oleander soundtrack) https://open.spotify.com/album/76i4SD0LNBtIZtAumvcJsS?si=mAj14pOYTYqT8_QS-S8h1Q Genesis - The Waiting Room (excerpt) https://open.spotify.com/album/49BxISwAbZZfmlhqD6Vh88?si=91fRitQ_QPK6Uh5GHyNb7w Wanderwelle - An Offering of Gratitude https://silentseason.bandcamp.com/album/gathering-of-the-ancient-spirits Bill Brennan and Andy McNeill - Morning Beams https://lnk.to/dreamingingamelan Thomas Stronen - Confronting Silence https://open.spotify.com/album/6xEg7P0N3edYKhptbNxo5c?si=ZCwZBplZRdeT_vaWWooXnQ Michael Brook - Distant Village https://open.spotify.com/album/7t48EroHL8dzsBTdUS3pRp?si=Q7PfBPDGQxCfXI-wvtXv0w Connecta Quartet - Madeira River (P.Glass) https://open.spotify.com/album/4h0827roLiZ3IDt4UK6MfS?si=7hAx96RaQnSn-i42L3bUBA another fine day - green thought (in green shade) https://anotherfineday.bandcamp.com/album/life-before-land Bartosz Kruczyński - Dream 1 https://earthtraxonline.bandcamp.com/album/dreams-whispers Shuta Yasukochi - Sakura https://shutayasukochi.bandcamp.com/album/harmonies-of-flowers Marilyn Masur - Bell-Painting https://open.spotify.com/album/5HZk4QJRTXSQaauqz5SHAL?si=WbplnlyZRYydr9vaWBiTSw Four Tet - Lush https://fourtet.bandcamp.com/album/new-energy Jon Hassell - Time and Place https://open.spotify.com/album/6p97ys8xZeV60gh427TwMz?si=o8f6zwf7SNiDkBdp-IYnGw Boston Modern Orchestra Project - Suite for Violin with American Gamelan - III. Air (Lou Harrison) https://bmopsound.bandcamp.com/album/lou-harrison-la-koro-sutro Pierre Favre Ensemble - Frog Songs (excerpt) https://open.spotify.com/album/4i3JU3zB3PfVceKEq89mx7?si=GI0PfPDbRsG4pHCXpCdOgw Marilyn Masur - Spirit Of Air (excerpt) https://open.spotify.com/album/5HZk4QJRTXSQaauqz5SHAL?si=WbplnlyZRYydr9vaWBiTSw Four Tet - You Were There With Me (excerpt) https://open.spotify.com/album/2BKXRpAaq7jZStXo6A10qK?si=kfBOKOGwR_-uWyseYAk-kQ Bill Brennan and Andy McNeill - Reverie https://lnk.to/dreamingingamelan     Cheers!     T R A C K L I S T : 00:00   Bill Brennan and Andy McNeill - Tunnels of Light (Dreaming In Gamelan 2025) 02:35   another fine day - Child's Play (a good place to be 2015) 07:03   Peter Gabriel - Slow Marimbas (Birdy soundtrack 1985) 10:01   Thomas Newman - Bullet (White Oleander soundtrack 2002) 10:31   Genesis - The Waiting Room excerpt (The Lamb Lies Down On Broadway 1974) 11:15   Wanderwelle - Her Name is Vairumati (Gathering of the Ancient Spirits 2018) 16:13   Bill Brennan and Andy McNeill - Morning Beams (Dreaming In Gamelan 2025) 19:07   Thomas Stronen - Confronting Silence (Relations 2024) 19:23   Michael Brook - Distant Village (Hybrid 1985) 23:15   Connecta Quartet - Madeira River (P. Glass) (Pulse And Echoes 2024) 28:10   another fine day - green thought (in green shade) (life before land 1994) 34:18   Bartosz Kruczyński - Dream 1 (Dreams & Whispers 2024) 37:20   Shuta Yasukochi - Sakura (Harmonies of Flowers 2024) 39:47   Marilyn Masur - Bell-Painting (Elixir 2008) 40:19   Four Tet - Lush (New Energy 2017) 43:40   Jon Hassell - Time and Place (Last Night The Moon Came Dropping Its Clothes In The Street 2009) 47:17   Boston Modern Orchestra Project - Suite for Violin with American Gamelan - III. Air (Lou Harrison) (La Koro Sutro 2014) 50:37   Pierre Favre Ensemble - Frog Songs excerpt (Singing Drums 1984) overlayed with Marilyn Masur - Spirit Of Air excerpt (Elixir 2008) 52:02   Four Tet - You Were There With Me excerpt (Everything Ecstatic 2005) 55:22   Bill Brennan and Andy McNeill - Reverie (Dreaming in Gamelan 2025) 1:05:29   end

Visit our online store to get your birding related merchandise at great prices https://www.thebirdinglife.com/online-storeIntro and outro music by Tony ZA https://soundcloud.com/tonyofficialza

Tune into the next episode of Talk Law Radio Show and Podcast, where property management expert, Lorena N. Jáuregui de Birdy, dives deep into the must-know strategies for navigating residential rentals—like dodging common pitfalls, mastering tenant laws, and maximizing your investment returns. ⚖️

In this episode, we hear from Charlotte Hatherley who was projected onto the world stage with the band Ash at the age of 18 and toured with them for 8 years. Since then, she's released 4 studio albums as well as numerous collaborations - as well as touring with Bat For Lashes, Bryan Ferry, KT Tunstell, Birdy and more. She was also in the Synth-Pop band NZCA Lines with Michael Lovett (Metronomy) and Sarah Jones (Harry Styles/Hot Chip).  Charlotte has worked on an extensive selection of soundtracks, most notably ‘The Last Man' with Gavin Rothery in which she also starred, along with many other shows and performances. She's shot music videos with Edgar Wright, Gavin Rothery and Joe Cornish - and is currently the Programme Leader at the ICMP, where she teaches the next generation of musicians and performers. https://www.charlottehatherley.com/ Recommended Episode: David Viens of Plogue - midierror meets Series 1 Episode 28   BONUS: Get 15% off ANY device in midierror's Max4Live store using the code MIDIERRORSONICSTATE15 This is series 2, episode 9 and there are 50 previous episodes available now featuring Fatboy Slim, CJ Bolland, Andrew Huang, Tim Exile, High Contrast, Mylar Melodies, Infected Mushroom, DJ Rap, John Grant and many more. Available on Soundcloud, Spotify, Apple Music and Bandcamp.  See the full list of episodes at: sonicstate.com/midierrormeets

Our story tonight is called Outside at Night, with my Dog, and it's a story that you might have read if you have my book, but has never appeared on the podcast before. I picked it to read for you this week in tribute to my own dogs, as we are healing from loss and stories are medicine. It's a story about waking with a loved one when the moon is high. It's also about flower bulbs and a heavy quilt, the scent of the night air as winter arrives and the warmth that comes from being there with the ones you love. Subscribe to our ⁠⁠Premium channel.⁠⁠ The first month is on us. 

Catherine Newman's latest, Wreck, is a beautiful meditation on the act of motherhood. Revisiting the family from Sandwich as they enter a new phase of familial life. We all know that successful parents raise kids just to lose them to the world, and that this launch into independence is something we all desperately hope for and deeply dread. Funny, touching and compulsively readable this is a novel about the beauty and pain of family, who have so much to lose when they have so much to love. Find books mentioned on The Book Case: https://www.goodmorningamerica.com/shop/story/book-case-podcast-reading-list-118433302 Books mentioned in this week's episode: Wreck by Catherine Newman Sandwich by Catherine Newman We all Want Impossible Things by Catherine Newman Waiting for Birdy by Catherine Newman The Ten Year Affair by Erin Somers  Heart the Lover by Lily King Moby Dick by Herman Melville Crime and Punishment by Fyodor Dostoevsky Learn more about your ad choices. Visit podcastchoices.com/adchoices

Host Jason Blitman sits down with returning Gays Reading guest Catherine Newman (Sandwich) to talk about her new book, Wreck. Conversation highlights include:

221 In this hilarious episode, bestselling author Catherine Newman discusses the beauty and torture of parenting and perimenopause. They discuss the balance of humor and fear in Catherine's latest novels, Sandwich and Wreck, in which Catherine gets real about the complexities of everything from family vacations to "reproductive mayhem." Catherine shares her writing process and the personal experiences that've informed her novels. Ultimately. this episode is about how we hold love and terror at once. Covered in this episode:The excerpt that instantly made Nadine a fan of Catherine's writing. Nadine and Catherine's ridiculous injuries (one involved a mini-golf incident)Maternal anxiety, in all its terror and beautyCatherine's approach to writing that sellsThe unexpected symptoms of perimenopause that took both women by surpriseWhy reproductive experiences make intimacy such complicated territory How to write about our scariest thoughts without shame Join Nadine in her community or at her Revision Retreat:Writer Workout Membership (virtual): Every Monday, Doors Close Oct 31Revision Retreat: Craft Your Best Draft (In-person): Aug 2026, Madeline Island School of the Arts, WIAbout Catherine:Catherine Newman is the New York Times bestselling author of the memoirs Catastrophic Happiness and Waiting for Birdy, the middle-grade novel One Mixed-Up Night, the kids' craft book Stitch Camp, the best-selling how-to books for kids How to Be a Person and What Can I Say?, and the novels We All Want Impossible Things, Sandwich, and Wreck. Her books have been translated into fifteen languages. She has been a regular contributor to the New York Times, Real Simple, O, The Oprah Magazine, Cup of Jo, and many other publications. She writes the Crone Sandwich newsletter on Substack and lives in Amherst, Massachusetts.About Nadine:Nadine Kenney Johnstone is an award-winning author, podcast host, and writing coach. After fifteen years as a writing professor, she founded WriteWELL workshops and retreats for women writers. She interviews today's top female authors on her podcast, Heart of the Story. Her infertility memoir, Of This Much I'm Sure, was named book of the year by the Chicago Writer's Association. Her latest book, Come Home to Your Heart, is an essay collection and guided journal. She has been featured in Cosmo, Authority, MindBodyGreen, Natural Awakenings,Chicago Magazine, and more. She writes a regular column about mid-life reclamation on Substack.

You kids I can't even with Catherine Newman right now because I am a Wreck and a Sandwich myself at the moment but wow, she's a good writer, so honest it's like there's no skull between her mind and the readers. We talk about what it means to use yourself and your world in your fiction and what it's meant to Catherine to play as big as she possibly can and go bigger and deeper with every book.We ALSO talk about Catherine's totally granular technique for planning and tracking and keeping her eye on the ball in every chapter while still pulling in all the other things while making sure that if it's Friday night a teacher character doesn't get up and go to teach the next morning and the blackberries never ripen in April, and let me tell you that I just went back and listened to that now and I am about to implement it because it's brilliant.Ok, time to let you listen (although links to what Catherine and I are reading and loving are below). ALSO…Truth? We wanted to tuck the transcript away behind a paywall, but it turns out we can't do that and still give you the episode… so, here it is. But we have to pay someone to make a good one, that you can read. And we still have to pay ourselves and all our people. BUT LOOK YOU GET ALL OF US. We're not just one writer, we're a whole bunch—a Groupstack, and yes we coined the term, and you get a lot of bang for your subscription. So, if you could kick in, we'd cheer.Please don't make us try to sell you Quince clothing or gambling sites to support the pod.#AmReadingCatherine: A Truce That Is Not Peace by Miriam ToewsKJ: EPISODE TRANSCRIPTKJ Dell'AntoniaIt's fall, y'all, and there's got to be a T-shirt that says that, right? So it's, you know, fresh notebooks, sharpened pencils, sharpened sense of ambition, excitement after the languid summer days, and, of course, the glory that is decorative gourd season. You can say that with all the swears that you like, but I'm not going to hear “falling leaves” and “Halloween,” which means it's time for smoky, eerie, witchy reads, and I have just the thing for you—Playing the Witch Card. Expect a woman starting over again after her marriage collapses, hampered by her magic-obsessed daughter, her flaky mother, her enchanted ex, and a powerful witch who's thrilled that she's back in town—and not for a good reason. To keep her family together, Flair has to embrace the hereditary magic that's done nothing but ruin her life in the past and make it her own. I was inspired by what I see as the real magic of tarot cards, which play a huge role in this book—and tea leaves and palm reading, and honestly, every form of oracle. They're here to help us see and understand our own stories, which is pretty much what Flair figures out. And as someone for whom stories are everything, I love that. You can buy Playing the Witch Card everywhere, and I hope you will do exactly that—and love it too.Multiple SpeakersIs it recording? Now it's recording, yay. Go ahead. This is the part where I stare blankly at the microphone. I don't remember what I'm supposed to be doing. All right, let's start over. Awkward pause. I'm going to rustle some papers. Okay, now—one, two, three.KJ Dell'AntoniaHey, kids, it's KJ, and this is the Hashtag AmWriting Podcast—the place where we help you play big in your writing life, love the process, and finish what matters. Today on the pod, I'm talking with Catherine Newman. She is the author most recently of We All Want Impossible Things and Sandwich, and also, earlier in her career, Waiting for Birdy and Catastrophic Happiness, as well as two fabulous “how to be a person in the world” books for kids that, honestly, I think we could all benefit from. I'm considering just, you know, sending out copies. They are How to Be a Person and What Can I Say?—that one's really useful. Okay, so now, just out, she has Wreck—which kind of comes after Sandwich, but you could read them separately. They're both small, intense books. Wreck, like all of Catherine's work, is inevitably about exactly what I just said—it's how to be a person in the world. Which—I didn't actually ask Catherine this; I'm recording my intro for y'all after talking to her—but she would not tell you she knows how to be a person in the world. But she is so fantastic about the part where we're all figuring it out, and being aware that we're all figuring it out. And that's what all of her books are about. In the interview, which you're going to love, she calls herself the queen of the slight plot element, which made me laugh really hard and also made me realize that I think Catherine Newman is the modern Anne Tyler. So tell me what you think in the comments on the show notes—which you'd better be getting. They are at...there's no hashtag in our name—AmWritingPodcast.com—or search anywhere they will have the books that Catherine mentions, and also all of your chances to do all of the things, like have your First Page appear in a Booklab episode. Talk to us. Get in there. Tell us what you're thinking about writing. Write along with us. Really just—just all the community stuff that we all so desperately want. Okay, here comes my interview with Catherine. I know—gosh, it was so fun to talk to you. You guys are going to love it. Catherine Newman, welcome to the Hashtag AmWriting Podcast, where you've been at least once, maybe twice—I need to go and look. It's so fun to have you back. I remember us walking in the woods before you had finished We All Want Impossible Things in 2021.Catherine NewmanI remember it too.KJ Dell'AntoniaWhich, actually, for three books, is not that long ago.Catherine NewmanHey, that's true. I know... I remember your dog.KJ Dell'AntoniaHe's here somewhere.Catherine NewmanYou had a young dog with you. It was the best. And you—you said so many things that I've thought about so much on that walk. But I don't want to derail the thing you want to talk about.KJ Dell'AntoniaBut, but same—it was a great walk. We must do it again. All right, meanwhile—okay, so I already described in the introduction all the things you've ever written in the past and raved about you, so don't—don't worry about that. You've been—sorry you don't get to hear the petting. But the question is, tell us—tell us a little bit about Wreck.Catherine NewmanYeah, so Wreck...KJ Dell'AntoniaI know, I know, it's painful. Elevator pitch or whatever you want to say, because seriously, I did just tell everyone about them in the intro.Catherine NewmanI really need an elevator pitch. I feel like We All Want Impossible Things was like a woman whose best friend was dying while she, like, slept with everybody.KJ Dell'AntoniaYeah, it was joyful.Catherine NewmanThat was easy.KJ Dell'AntoniaAlso sad.Catherine NewmanSandwich was like Cape Cod for a week, reproductive mayhem, sandwich generation. Wreck is so weird because there's these two sort of very slight plot elements. So it's, you know, a woman in her mid-50s living in a house with her husband of many years, her daughter, who's between college and grad school, and her dad, who was fairly recently widowed and in his 90s. And that's mostly what the book is, but the little plots are that she has a rash—she notices that she has a rash—and it inaugurates this kind of diagnostic tornado. A slow and quiet tornado, but a tornado nonetheless, where she has to see a billion doctors. She has to constantly check her patient portal to see if she's dying or not, and anyone who's had—who's been anything but healthy in the last 10 years will understand the patient portal.KJ Dell'AntoniaYes, I love the checker. I checked a patient portal from a hockey-rink parking lot, and that's a mistake, just FYI.Catherine NewmanJust don't...KJ Dell'AntoniaTo anyone considering it, don't do it on a Friday night. Don't do that.Catherine NewmanJust don't even look. And then the other plot point is that there's an accident—there's a collision between a car and a train—and a schoolmate of her kids, like someone they went to high school with, is killed in this accident. And she becomes kind of weirdly obsessed with the accident. She looks at it online all the time. She stalks everyone's...KJ Dell'AntoniaWhich so tracks for the character that you have created.Catherine NewmanDoesn't it? And that's it. And so the book sort of is those things unfolding in this parallel way—these uncertain things.KJ Dell'AntoniaSo when you wrote it, what—what was your intention for this? What did you want Wreck to be in your career and for your readers?Catherine NewmanWhat? It's so funny to be asked questions about my career. I don't know what I wanted it to be in my career, but maybe while I'm talking to you, I'll figure that out.KJ Dell'AntoniaOkay.Catherine NewmanOr you can tell me. But for my readers—I do think we're in this funny place where some of us are hungry to read about the experiences of other menopausal women who are taking care of aging parents, whose nests are emptying, who are in long marriages, who are, you know, doing the things of this age, including tracking weird illnesses. So I guess that—you know, I think, I feel like the thing that I love about writing—one of the things—is when people say to me, like, “Oh yeah, I feel the same way about that,” or they write me and they're like, “Oh, I read this, and I felt so relieved that I wasn't alone.” And I guess I have a lot of that hope—you know, that it speaks to someone, or someone's been in their portal rummaging around and finding out horrible things about their health and Googling them. Like, that's not a small part of the population who's probably doing that. So I guess just that—you know, the handout, the “I'm with you on this” vibe.KJ Dell'AntoniaSo what do you love most about it?Catherine Newman(Laughing) I mean, that's a funny and embarrassing question. I... you know, the father character is based very closely on my own father. Many of the things he says are verbatim lifted from conversations and texts with my dad. And I just love that character so much. I think he's so funny and has this kind of deep wisdom. I mean, Wreck plays him for laughs a little bit, but he offers so much to her. He's still this really profound caretaking force in her life, even though he himself, you know, is failing in different ways. So I guess that's what I like.KJ Dell'AntoniaHow does your dad feel about you taking his stuff?Catherine NewmanHe loved this book.KJ Dell'AntoniaI love this!Catherine NewmanHe has not felt that way always about the way I represent him. I represent him in Sandwich in similar ways, and Sandwich—there were just particular things that bugged him. He loved the book overall but didn't love his character. I think in this book, maybe because there's so much of his character, that it gets to be a very well-rounded kind of person, and also somebody whose opinion it's obvious the other characters respect. So he really loved it, which was, like, everything to me, you know?KJ Dell'AntoniaYeah, oh, wow. I'd give a lot for that. That's—that's wonderful. I would—it's... although all my dad ever says is, “Why don't you—you only write about mothers? You never write...” I'm like, well, I don't know if you read some of the mothers. You're kind of lucky. You're doing okay. I don't know why—you guys were great. You should have been better fodder for affection, and then I would... yeah. All right. So, okay, so that's what you love about it. What was the hardest about this?Catherine NewmanIt's funny—it's a little hard to talk about without spoilers, but, um, there's a difficult part of the plot that involves Rocky's son, who works for a consulting firm in New York, where she really questions his values, questions the decision to do that kind of work.KJ Dell'AntoniaThat would stun me, frankly.Catherine NewmanHowever, he knows a lot about that kind of work, and talked to me a ton about it for the book—like, went on a million walks with me and let me pick his brain about it. And I really just found it so hard to write about this kind of painful conflict between Rocky and her son. I just found it really hard. Yeah...KJ Dell'AntoniaObviously, yeah, that's actually what you did, wasn't it?Catherine NewmanI can imagine... that's it. I imagined it. And honestly, my husband could hardly stand to read it. He found it so devastating. Just—and it's, as you know, it's not massive conflict. It's like...KJ Dell'AntoniaBut it is. It's...Catherine NewmanBut it is. YepKJ Dell'AntoniaI mean, it's, you know—Catherine NewmanYep.KJ Dell'AntoniaIt's it—goes back to Alex Keaton, right? [Unintelligible] Both of us, yeah, yeah, no, I get it. It's a really—and by writing it, even if it's not autobiographical, which it's not, it's fiction, you are saying something about some compatriots, you know, some other—you're really, you're—you're putting—you're putting a stake in the ground, which I think has always been pretty obvious for anyone who knows you or has read you, but maybe you had not verbalized even in a fictional form.Catherine NewmanHmm, maybe.KJ Dell'AntoniaCould feel judgmental because—it's judgmental (whispered). But it's values. That's what values do. A value that doesn't judge anyone isn't a value, even if you don't want to judge people. But I think it's kind of true, like...Catherine NewmanYeah, yeah.KJ Dell'AntoniaYou can also be open. But, I mean, that's—I don't know if, if you don't offer that up, then we're all just sitting here going, “Oh, it's fine. It's all...”Catherine NewmanEverything's fine.KJ Dell'AntoniaEverything's fine, it's fine. That's a joke in our house, because we had this Spanish exchange student, and he would always say, “Oh, it's fine,” when—and it—what that meant was, it wasn't.Catherine NewmanOh no, it wasn't fine.KJ Dell'AntoniaYeah, no... that's what it means when we say, “It's fine.”Catherine NewmanOh my God, KJ.KJ Dell'AntoniaAll right, so this kind of gets to, I think, my next question, which—which is, what about this was, um, bigger for you? Was a bigger leap to take in your writing?Catherine NewmanIt's like, you know, I think it's just a little more plot in a novel than I've ever managed. Even though, you know—don't laugh because there's not a ton of plot. But nonetheless, there were sort of these two vectors of significant—I thought—dramatic contention that I had to manage in the writing, and—and I was anxious about it. Like, I—I like a quiet story that's not like—is too plot-driven. But anyway, so that is—it was, you know, I definitely plotted it a little more actively before I wrote it, like I wanted to make sure that these plots were unfolding in the timeframe I wanted them to unfold in.KJ Dell'AntoniaAnd did that present some new, like, “Oops, I did this too fast, oops...” just that you hadn't really had to...?Catherine NewmanNo, because I plotted it. It actually didn't, but it just presented—before I started writing, I had the challenge of, you know, practically trying to graph these two plots to see where they would intersect, and—and the sort of ways that the two plots together create this kind of character arc for Rocky, the main character. And so I was—I just, like—I usually, I have this way that I plot stuff, and it's kind of based on that book that I use because of you, which is like, you know, Put On Your Pants—or Take Off Your Pants, or, you know, the book...KJ Dell'AntoniaOh yeah, oh yeah.Catherine NewmanAnd—and I, so I do this thing where I make a—I write down the numbers 1 to 25, and I print that. I print a piece of paper that has the numbers 1 through 25 in type font. I don't know why I don't just hand-write the whole thing. That—and I guess the thought's how many chapters it's going to be, but it's never quite right. And then I fill in what I know. So I put in everything I know, and guess where it's going to go in terms of the—what are the things? What's it called when it's like a thing...?KJ Dell'AntoniaYeah, the... the turning point or the...Catherine NewmanOr the beat...KJ Dell'AntoniaOr the moment of last resolve? Yeah, the beat!Catherine NewmanYeah.KJ Dell'AntoniaYeah.Catherine NewmanSo I fill in everything, like, I know, you know. I have a sense of how it's going to open. I have a sense of the different elements of the two plots, and I put them in this weird numbered-chapter thing. And usually—like, usually as if I've written so many books—but with the other two novels, I did that a little willy-nilly, and it was fine. Like, I sat down and wrote the books beginning to end without all of it totally sorted in terms of where everything would go, and that was fine. This book, I really had to understand where it was all going to go, so I had to just be sure that all of the most important plot points were plotted in that 1-through-25.KJ Dell'AntoniaDo you? I mean, you have a lot of moving emotional pieces too. Asking for a friend—how do you make sure that those are all resolved? Or do you? Or does it just happen?Catherine NewmanThat's a really good question. I hope they're resolved, or if they're not, that that's intentional, by the way. Yeah, I—I'm just thinking about, like, the different relationships. You know, most of what the book is, is like Rocky's relationships with the people she loves—like, that is sort of the heart of the book. And then her grappling with herself, both physically and psychologically. I think I have a sense of those. Those are kind of included in those. I have, like, a—in that 1-through-25— sorry if this is too granular.KJ Dell'AntoniaNo, I love it.Catherine NewmanIn the 1-through-25, I have the plot thing that's like, “Rocky reads her biopsy results,” or, you know, whatever the thing is. And then I have this other column that's like, the other things that need to happen in that chapter, if that's what's happening in the chapter. And that's where I keep information about stuff that's like, “Willa forgives her,” you know—whatever other thing needs to happen. So I sort of track the plot, and then I—and I also have a little other column that's just like, seasonal details. And that I don't fill out super carefully, but, like, because this book moves from essentially Labor Day to New Year's, I—I just tracked a little before I started writing, like, around when in that season things were going to be happening, you know, that's Halloween, it's Thanksgiving, it's the winter holidays, New Year's, and then it's going to be, like, the leaves are turning, the blackberries that, you know?KJ Dell'AntoniaYeah, no, it's so hard. Is it Tuesday? Like...?Catherine NewmanYeah (laughing).KJ Dell'AntoniaDang it. Oh, wait—if its four days from the first day, and the first day was a Thursday, that means its Sunday, and Sundays do have a particular rhythm on their own. And yeah, no, it's so hard.Catherine NewmanIt's really hard, although that part's my favorite part, probably—besides, I love dialogue. But I love—I keep a lot of notes that are really dull on their own about, like, the weather and the landscape, just in general. I don't even know what I'm going to use them for. I just keep a ton of notes about the seasons. And I love pilfering stuff for fiction from them because it's just like—it's going to be fairly accurate. Like, I will have dated it. I'll have a fairly strong sense of whether that will work or not.KJ Dell'AntoniaYeah, you're not going to put the blackberries in April.Catherine NewmanAnd I'm not going to put the blackberries in April, and I have that cheater feeling of chunking in something I've already kind of written down, and then your word count goes up by, like, 300 words.KJ Dell'AntoniaYou're like, hey... [Unintelligible].Catherine NewmanYeah, exactly.KJ Dell'AntoniaOh my gosh, I love this. All right, well, one last question, and that is—what have you read recently where you felt like the writer was really, you know, playing big, doing their very max?Catherine NewmanYeah, I just read—well, I just got it in the mail, although my kitten—I want to show you, she has, like...KJ Dell'AntoniaShe had some fun with it...Catherine NewmanChewed up every corner.KJ Dell'AntoniaYeah.Catherine NewmanSo this book is A Truce That Is Not Peace by Miriam Toews. And she is a very, very favorite writer of mine. She wrote the novel All My Puny Sorrows that I always press on everybody, because it's like the perfect funny, sad novel. This book I got to blurb, so I read it a while ago, and it just came—and I think it just came out maybe this week, I'm not sure. It's so incredibly good. It's really strange—someone—she's doing some conference in Mexico, and she has to write an answer to the question, “Why do I write?”KJ Dell'AntoniaOkay.Catherine NewmanAnd she keeps starting and stopping, and it's so—it's nonfiction. I mean, it's just authentically this, and she includes, like, letters to her sister. Her sister killed herself some number of years ago, and that's the event that All My Puny Sorrows—which is a novel—is based on. But this, I am under the impression that's the first time she's written about it...KJ Dell'AntoniaIn a nonfiction way—yeah.Catherine NewmanIn a nonfiction way. And it is just—I did that thing, you know, when a book is so good? I picked it up because I knew I was going to talk to you about it, and then I read it for, like, an hour.KJ Dell'AntoniaYeah, no, I get it.Catherine NewmanEven though I have, like, already read it. It's so moving and beautiful and so—like, she's just struggling in this, like, really profound way to process loss and to understand herself and what she's created in the world. And it's so good.KJ Dell'AntoniaIt sounds huge, and I would—yeah, I'm going to pick it up. I have a funny story about All My Puny Sorrows, which is that I took it to Spain while I was waiting for one of those patient-portal things. I had cancer at the time, and that's—the character of the sister who wanted to kill herself made me so angry that I had to hide—not only did I have to leave the book behind, I had to hide it in the hotel so it would not juju me. I obviously survived, because this was, I think, seven or eight years ago. But I couldn't—like, I just—it was... but that actually speaks to the power of the book.Catherine NewmanInteresting... yeah.KJ Dell'AntoniaIt's not that it wasn't an amazing book. It was that I literally couldn't handle the particular, you know, mental illness that the sister was struggling with when I, you know, did not really want to die. Did not want to die, yeah. So I...Catherine NewmanThat's amazing... yeah.KJ Dell'AntoniaShe's a really powerful writer.Catherine NewmanThat—that is a really powerful story. Wait, were you going to share with me a book? Or it doesn't work that way?KJ Dell'AntoniaWell, it doesn't...Catherine NewmanKJ looks around...KJ Dell'AntoniaBecause I did not prepare.Catherine NewmanWhat are you writing, KJ? What are you working on? What's happening?KJ Dell'AntoniaAll right, we're going to call this as an episode.Catherine Newman(Laughing)KJ Dell'AntoniaBecause it was excellent, and then I'm going to answer Catherine's question, which all of you listeners kind of vaguely know. Let's just say I'm trying to play big. All right, so this is me ending with: thank you so much, Catherine Newman, for joining me on the Hashtag AmWriting Podcast.Catherine NewmanThank you, KJ; it was a pleasure, as always.KJ Dell'AntoniaAnd for all you listeners, we're still saying it—keep your butt in the chair and your head in the game.NarratorThe Hashtag AmWriting Podcast is produced by Andrew Perrella. Our intro music, aptly titled Unemployed Monday, was written and played by Max Cohen. Andrew and Max were paid for their time and their creative output, because everyone deserves to be paid for their work.Subscribe to back the show that backs your writing life This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit amwriting.substack.com/subscribe

Ever wondered how to become a music producer and build a sustainable career in today's music industry? In this episode, Xylo Aria sits down with acclaimed producer Tim Bran (London Grammar, Birdy, AURORA) to explore the journey from beginner to pro.We cover everything from whether you need a music production degree, to how to land your first paid work, the skills you really need to develop, and what it takes to stay relevant as technology evolves. Tim also shares his three guiding principles for building a long-term career as a producer.Get your FREE ticket to the MPW Music Production Bootcamp here: ⁠⁠https://musicproductionforwomen.com/events⁠More about Tim Bran: http://www.echobeachmanagement.com/artist/tim-bran/

Jake and his family visit a Welsh farm for there holiday.  A man with a metal detector is looking for buried treasure on the farm. But Jake's best friend Birdy and a pig called the Emperor have even better noses for treasure! 

Jake Explains how Birdy and a prize pig called The Emperor look for treasure!  Listen to the full audio episode Birdy's Treasure Hunt! 

NOTE: Due to a technical mishap, there are some issues with Jamie's audio quality in this episode. We apologize and promise the issue will be fixed in our next episode. This week we're traveling back to the Middle Ages with Catherine Called Birdy! Join us as we talk about medieval birthing practices, book ownership, citrus, farts, why "butt trumpet" should become a widely used phrase, and more! Sources: Butt trumpet marginalia in the Rothschild Canticles, c. 1300, MS 404, Beinecke Rare Book and Manuscript Library, Yale University, https://www.flickr.com/photos/beinecke_library/4382703456/in/set-72157623494993704  https://ed.ted.com/lessons/what-is-a-butt-tuba-and-why-is-it-in-medieval-art-michelle-brown  "Foreign Names and Flatulence: Dodging Censorship in the Book Trade," Untold Lives blog 26 September 2016, https://blogs.bl.uk/untoldlives/2016/09/foreign-names-and-flatulence-dodging-censorship-in-the-book-trade.html  Hunter Oatman-Stanford, "Naughty Nuns, Flatulent Monks, and Other Surprises of Sacred Medieval Manuscripts," Collectors Weekly 24 July 2014, https://www.collectorsweekly.com/articles/naughty-nuns-flatulent-monks-and-other-surprises-of-sacred-medieval-manuscripts/  Jody Enders, "The Farce of the Fart" in "The Farce of the Fart" and Other Ribaldries (University of Pennsylvania Press), https://www.jstor.org/stable/j.ctt3fhctm.9  Anatoly Liberman, "Gone with the Wind: More Thoughts on Medieval Farting," Scandinavian Studies 68, no.1 (1996): 98-104. https://www.jstor.org/stable/40919835  Variety, "Lena Dunhamand the Cast of of 'Catherine Called Birdy' at TIFF 2022| Variety Studio" https://youtu.be/kJTzy63FA-4?si=9u4oC42ZsBvelUSx  People, "Catherine Called Birdy } People + Entertainment Weekly TIFF Studio 2022," https://youtu.be/6RDVfofW6NM?si=ZGPxIH7z4ZBNcZwZ  The Hollywood Reporter, "Bella Ramsey Praises Lena Dunham's Writing in Catherine Called Birdy," https://youtu.be/7JClNeIU7kI?si=YWXRkVbWyD781YjW RT: https://www.rottentomatoes.com/m/catherine_called_birdy https://www.teenvogue.com/story/catherine-called-birdy-bella-ramsey-interview-first-look-exclusive Variety, https://variety.com/2022/film/reviews/catherine-called-birdy-review-lena-dunham-1235366493/ https://www.the-independent.com/arts-entertainment/films/reviews/catherine-called-birdy-review-lena-dunham-b2172806.html Lindsey Bahr, https://apnews.com/article/film-reviews-entertainment-mel-brooks-8b9cb0885592f58b34353cf2c39591bb  Tacuinum Sanitatis: Medieval Horticulture and Health - Scientific Figure on ResearchGate. Available from: https://www.researchgate.net/figure/Tropical-fruits-Vienna-2644-A-lemon-Citrus-limon-folio-19r-B-pomegranate_fig6_267278636 [accessed 20 Aug 2025] "The history of Citrus in the Low Countries during the Middle Ages and the Early Modern Age, available at https://books.openedition.org/pcjb/2197 Wouter van der Meer" Tudor History Q and A blog: https://queryblog.tudorhistory.org/2010/04/question-from-jacob-oranges-in-tudor.html?m=0 Susan Cavanaugh, "A Study of Books Privately Owned in England: 1300-1450," available at https://www.proquest.com/openview/cdf761684489fc60d4b2b93e0df09b04/1?pq-origsite=gscholar&cbl=18750&diss=y Isis Davis-Marks, https://www.smithsonianmag.com/smart-news/new-study-shows-medieval-women-used-birthing-belts-180977207/  Andrew Curry, https://www.science.org/content/article/medieval-birthing-girdle-contains-delivery-fluid-milk-and-honey  https://blogs.bl.uk/digitisedmanuscripts/2025/01/permission-to-practise-medicine.html Karen Smith Adams, "From 'The Help of Grave and Modest Women' to 'The Care of Men of Sense': The Transition from Female Midwifery to Male Obstetrics in Early Modern England" MA Thesis, Portland State University (1988). https://pdxscholar.library.pdx.edu/cgi/viewcontent.cgi?article=4802&context=open_access_etds  Becky Lawton, "Call the Medieval Midwife," https://blogs.bl.uk/digitisedmanuscripts/2018/03/call-the-medieval-midwife.html 

In today's Freestyle Friday episode, we give some updates, share some funny stories, and talk about what we've been watching lately, from horror movies to a sweet show for children. Support the show on Patreon Our Instagram Our Website Our Facebook Our TikTok

Check out this campground review of Chatfield State Park to find out why it's a great pick for your visit to Denver. The post Campground Review: Chatfield State Park in Denver, CO with Kerri Cox from Travels with Birdy appeared first on The RV Atlas.

Annaïg Birdy, UK, from Not All Gays speaking about the Importance of Young Women, Especially Lesbians In The Movement.Recorded at the WDI Conference in London on 27th July 2025.

My podcast is 7 years old today. I didn't know what I was building 7 years ago. I just knew I had something to say. Thank you for listening—even before the words made sense. This is for you.

In this moving episode of The Canine Paradigm, Glenn and Pat welcome back their close friend and regular guest, Birdy O'Sheedy, for a conversation that speaks to the soul of dog ownership. This time, Birdy introduces us to her new initiative, The Magic in Dogs. While it isn't a training program, it offers something equally valuable—a shift in perspective. Instead of focusing solely on control or obedience, Birdy invites us to reconnect with our dogs in a more present and intentional way. Throughout the episode, Birdy shares her experiences working with dogs and the people who love them. More importantly, she reflects on the quiet moments, the ones that often go unnoticed but ultimately shape the relationship. Rather than prescribing quick solutions, she encourages curiosity, awareness, and a deeper emotional bond. As the discussion unfolds, it becomes clear that building a strong relationship with your dog doesn't always require doing more. Sometimes, it simply requires seeing more, something Birdy explains beautifully. If you've ever felt like there was more to the bond you share with your dog, but you couldn't quite put it into words, this episode is for you. We hope it leaves you with something to reflect on and perhaps something to explore at themagicindogs.com Further Details Are you in search of top-tier dog trainers and steadfast supporters of the Canine Paradigm? Below is a comprehensive list of individuals and businesses that stand by our mission, contribute to our operational costs, and make significant contributions to the canine community. Glenn Cooke oversees a wide range of canine-related services at Canine Evolution and Pet Resorts Australia. Pat Stuart offers a full suite of coaching and dog training services through Serious dog business We invite you to support our show and access exclusive content on our Patreon page. Your contributions directly support the show's ongoing production, and we deeply appreciate the wonderful community that has formed around it. If you're unsure how to contribute, feel free to reach out to us for assistance. Explore our complete range of merchandise at our Teespring store. You can also help by spreading the word within the canine community or suggesting special guests for future interviews. For information on how to listen to our podcast, please visit this link. Subscribe to our YouTube channel for video content and updates. If you enjoyed the podcast, we would greatly appreciate your reviews on iTunes, Spotify, and other podcast directories. Details on joining the International Association of Canine Professionals (IACP) can be found here. We highly recommend membership for anyone serious about advancing in the canine industry. We also encourage you to check out Dogs Playing for Life, a transformational rescue process making a positive impact on dogs across the USA. Support Our Supporters Narelle Cooke hosts her own podcast, Natural Health for People and Pets, available on all major podcast platforms. Be sure to listen in. For the finest human-grade supplements for your dogs, visit Canine Ceuticals. Now available in the USA. SHOW SPONSOR Jason Firmin of Einzweck Dog Quip is another proud SHOW SPONSOR. The innovative motorcycle dog kennel can be found at Rowdy Hound. SHOW SPONSOR For daycare and heartfelt training services, check out From the Heart Dog Training. SHOW SPONSOR Our dear friend and frequent contributor, Birdy O'Sheedy, can be found at birdyosheedy.com. Special Thanks A huge thanks to all our contributing artists. Please take a moment to support their amazing work: Jane Stuart Avery Keller Zoie Neidy

To buy a Class B or not to buy a Class B? That is a question many RVers have probably considered at some point. After all, #vanlife literally has its own hashtag and a sea of influencers that make it look pretty epic. However, despite the many appeals of a Class B van, they do have their drawbacks. Kerri Cox of Travels with Birdy is here to tell us all about taking the leap from a 30-foot travel trailer to a Winnebago Travato---and all of the decision making that went into the process. What are the pros and cons of buying a Class B? What else do you need to know before buying a Class B? What's it like to transition from a travel trailer to a Class B van? The post Downsizing from a Family RV to a Winnebago Class B with Kerri Cox from Travels with Birdy appeared first on The RV Atlas.

This week we discuss entrepreunership with Amanda Colom, aka Bad Birdy—the tattooed bartender, CEO, and global cocktail creative shaking up Los Angeles! With a massive Instagram following, Amanda shares her vibrant work and life, proving she's a force in the industry. Dubbed by *Inked Magazine* as the ‘Tattooed bartender taking over LA,' she's redefining hospitality with bold creativity. Amanda's Bar: https://kuduowl.com/kuduowl-menu BCB: https://linktr.ee/Bartenderatlarge?fbclid=PAQ0xDSwKYNv1leHRuA2FlbQIxMAABpxQXKrMJx1fMvwrHYnk-mLVEhm-0XQ-ImKqZBqd5ZN6_w5nhWVrbLw_BejiP_aem_rDrfqHqrX2L49kNrt8ZqdA ____________________________________ Join us every Monday as acclaimed bartender, Erick Castro, interviews some of the bar industry's top talents from around the world, including bartenders, distillers & authors. If you love cocktails & spirits then this award-winning podcast is just for you. SUPPORT US ON PATREON: Get early access to episodes, exclusive bonus episodes, special content and more: https://www.patreon.com/BartenderAtLarge WATCH OUR VIDEOS ON YOUTUBE: https://www.youtube.com/bartenderatlarge FOLLOW US ON INSTAGRAM: Erick Castro: www.instagram.com/HungryBartender Bartender at Large: www.instagram.com/BartenderAtLarge FOLLOW US ON TIKTOK: Erick Castro: https://www.tiktok.com/@hungrybartender?_t=ZT-8uBekAKOGwU&_r=1 Bartender at Large: www.tiktok.com/BartenderAtLarge FOLLOW US ON TWITTER: Erick Castro: www.twitter.com/HungryBartender Bartender at Large: www.twitter.com/BartendAtLarge

Jake is going is going on a skiiing holiday. Mum is like a "swan on skiis" and Dad is like a Giraffe on stilts. What could possbily go wrong? And will Jake's best friend Birdy, the black crow, find is way out to the skii resort to help? Check out the Kaboom! Podcast too.