Podcasts about empire ballroom

In this edition of Crypto and Blockchain Talk, we join the host, Aviva Ounap, as she talks to the co-founder of E11EVEN Residences, Gino LoPinto. Gino was responsible for introducing the EDM scene to the Las Vegas strip in the early '90s with world-renowned DJ's Tiesto, Erick Morillo, David Guetta, Kaskade, and many others before moving to Miami to open the famous nightclub E11EVEN as well as Utopia, Metropolis, and Empire Ballroom. E11EVEN and E11EVEN Residences take crypto for payments and they are also getting into many other crypto and blockchain spaces, so join us for this awesome episode as Gino tells us what's in the future for the E11EVEN stable of brands.  In addition, all interviews are streamed on Crypto24Radio.com, bringing you the latest news on all things blockchain and crypto-related all day, every day - plus music! So stay tuned and enjoy. We LOVE having you as our listener, and friend! __________________________ Do you want us to talk about your project or company? Email us: education@saviidigital.com Disclaimer: NO FINANCIAL ADVICE The information on this channel/website is provided for education and informational purposes only, without any express or implied warranty of any kind, including warranties of accuracy, completeness, or fitness for any particular purpose. The information contained in or provided from or through this channel is not intended to be and does not constitute financial advice, investment advice, trading advice, or any other advice. The information on this channel/website and provided from or through this channel/website is general in nature and is not specific to you, the user, or anyone else. This channel/website is not a substitute for financial advice from a professional who is aware of the factual circumstances of your individual situation. You should not make any decision, financial, investment, trading, or otherwise, based on any of the information presented on this channel/website without undertaking independent due diligence and consultation with a professional broker or financial advisor.

Gino LoPinto is an operating partner of E11EVEN Partners & co-developer of E11EVEN Residences Beyond. Gino was a New York native residing in Las Vegas for 38 years, he then moved to Miami to build and operate E11EVEN MIAMI. As the owner, creator, developer, and/or operator of the famous nightclub brands E11EVEN, Utopia, Metropolis, and Empire Ballroom, Gino is a true “BRAND ARCHITECT.” He was responsible for introducing the EDM scene to the Las Vegas strip in the early '90s with world-renowned DJ's Tiesto, Erick Morillo, David Guetta, Kaskade, and many others. As the owner of Vegas Alliance, his company operated as the primary independent marketing arm for many of the nightlife groups and Casinos still thriving today.In this conversation, we discuss:- Gino's baseball stories- Building the E11EVEN brand- Turning Spearmint Rhino into a world-class gentlemen's club- Losing everything in the 2008 financial collapse- Going crypto - Drake Stories - Bored Apes becoming a fashion statement- E11EVEN purchasing a BAYC- 11crypto.ioE11EVEN MiamiWebsite: 11miami.comInstagram: @11miamiFacebook: @11MiamiE11EVEN CryptoWebsite: 11captainsclub.ioTwitter: @11CaptainsClubInstagram: @11captainsclub_Gino LoPintoTwitter: @Gino_LoPintoInstagram: @gino_lopintoLinkedIn: Gino LoPinto  ---------------------------------------------------------------------------------  This episode is brought to you by PrimeXBT.  PrimeXBT offers a robust trading system for both beginners and professional traders that demand highly reliable market data and performance. Traders of all experience levels can easily design and customize layouts and widgets to best fit their trading style. PrimeXBT is always offering innovative products and professional trading conditions to all customers.  PrimeXBT is running an exclusive promotion for listeners of the podcast. After making your first deposit, 50% of that first deposit will be credited to your account as a bonus that can be used as additional collateral to open positions.  Code: CRYPTONEWS50  This promotion is available for a month after activation. Click the link below:  PrimeXBT x CRYPTONEWS50

Hoy vamos a visitar el lugar donde Paul y Linda McCartney presentaron a su banda Wings: el Empire Ballroom.En la parte norte de la Leicester Square está el Empire Cinemas. En ese edificio funcionaba el Empire Ballroom, un salón de fiestas donde el 8 de noviembre de 1971 tuvo lugar el lanzamiento oficial de Wings, el exitosísimo grupo de Paul McCartney formado poco después de la separación de los Beatles.Fue una fiesta de disfraces organizada por el matrimonio McCartney y a la cual asistieron 800 invitados. Entre ellos, Elton John, miembros de The Who y The Faces y buena parte del periodismo especializado de la época.El primer álbum de la banda ya había sido grabado en los estudios Abbey Road en agosto de ese año, pero su lanzamiento tendría lugar recién un mes después de la fiesta, el 7 de diciembre. Ese álbum se llamó "Wild life" y fue el tercer trabajo de Paul luego de los Beatles. Recordemos que editó "McCartney" en abril de 1970 y "Ram", en mayo de 1971.Tras el lanzamiento de "Wild life", Paul, Linda y el resto de Wings encararon una gira por las universidades de Inglaterra, trasladándose en una camioneta y presentándose casi sin anunciarse.La Leicester Square es una hermosa plaza en el corazón de Londres, ubicada a pocas cuadras de Trafalgar Square, Piccadilly Circus y el Covent Garden. Es una plaza histórica, que se desarrolló allá por 1670, al lado de una también célebre mansión, la casa Leicester. Es una zona dedicada al entretenimiento desde el Siglo XIX: grandes hoteles y teatros fueron construidos a su alrededor. Se la conoce como el centro del cine, ya que, entre otros, allí está ubicado el Odeón, que tiene el mayor número de butacas del mundo (1600 asientos) y, se dice, la pantalla más grande del mundo. Las grandes superproducciones son preestrenadas ahí.El Empire fue inaugurado como teatro de variedades en 1884 y reconvertido en cine en 1927. Treinta y cinco años después fue remodelado profundamente y se inauguró el salón de baile en el subsuelo. Con la decadencia de los nightclubs se reconvirtió en discoteca y en 2007 reabrió como casino.Y hay otro hecho histórico que emparenta a Wings con la Leicester Square. En 1976, en el número 40 de Leicester Square, funcionaba el Leicester Square Theatre y allí se realizó la producción para la tapa de su exitoso quinto disco: "At the Speed of Sound".Para despedirnos, el tema que le da nombre al disco debut de Wings, una de las bandas que más discos vendió en el mundo: "Wild life".Tracks"Tomorrow""Mumbo""Love is strange""I am your singer""Bip bip""Little woman love""Give Ireland back to the irish""Some people never know""Dear friend""Wild life" See acast.com/privacy for privacy and opt-out information.

Daniel Takes a Train special with Paul Baker in conversation with David Eastaugh Daniel Takes A Train was originally formed in London in the 1980’s. The band split up in 1988 but re-emerged 30 years later as a live and recording act.     Named after a Hungarian art-house movie, Daniel Takes A Train was originally formed in London in the 1980’s by song-writing duo Paul Baker (vocals) and Dan Synge (guitar). Augmented by James Hannington (drums), Rupert Blomfield (bass) and Paul Davey (saxophone) the band were regulars on the West End club scene (Ronnie Scott’s, Le Beat Route, The Limelight, The Astoria, Empire Ballroom etc) and even gate-crashed the 1987 Brit Awards armed with demo tapes in order to get a record deal. The band split up in 1988 but re-emerged 30 years later as a live act featuring core original members, following their discovery, via an old promo video on YouTube, by Firestation Records, Germany. Over the years, they have crossed genres as diverse as synth pop, jazz/funk, jangle and indie rock but always with an eye on creating that perfect pop moment.

Hoy vamos a visitar el lugar donde Paul y Linda McCartney presentaron a su banda Wings: el Empire Ballroom.En la parte norte de la Leicester Square está el Empire Cinemas. En ese edificio funcionaba el Empire Ballroom, un salón de fiestas donde el 8 de noviembre de 1971 tuvo lugar el lanzamiento oficial de Wings, el exitosísimo grupo de Paul McCartney formado poco después de la separación de los Beatles.Fue una fiesta de disfraces organizada por el matrimonio McCartney y a la cual asistieron 800 invitados. Entre ellos, Elton John, miembros de The Who y The Faces y buena parte del periodismo especializado de la época.El primer álbum de la banda ya había sido grabado en los estudios Abbey Road en agosto de ese año, pero su lanzamiento tendría lugar recién un mes después de la fiesta, el 7 de diciembre. Ese álbum se llamó "Wild life" y fue el tercer trabajo de Paul luego de los Beatles. Recordemos que editó "McCartney" en abril de 1970 y "Ram", en mayo de 1971.Tras el lanzamiento de “Wild life”, Paul, Linda y el resto de Wings encararon una gira por las universidades de Inglaterra, trasladándose en una camioneta y presentándose casi sin anunciarse.La Leicester Square es una hermosa plaza en el corazón de Londres, ubicada a pocas cuadras de Trafalgar Square, Piccadilly Circus y el Covent Garden. Es una plaza histórica, que se desarrolló allá por 1670, al lado de una también célebre mansión, la casa Leicester. Es una zona dedicada al entretenimiento desde el Siglo XIX: grandes hoteles y teatros fueron construidos a su alrededor. Se la conoce como el centro del cine, ya que, entre otros, allí está ubicado el Odeón, que tiene el mayor número de butacas del mundo (1600 asientos) y, se dice, la pantalla más grande del mundo. Las grandes superproducciones son preestrenadas ahí.El Empire fue inaugurado como teatro de variedades en 1884 y reconvertido en cine en 1927. Treinta y cinco años después fue remodelado profundamente y se inauguró el salón de baile en el subsuelo. Con la decadencia de los nightclubs se reconvirtió en discoteca y en 2007 reabrió como casino.Y hay otro hecho histórico que emparenta a Wings con la Leicester Square. En 1976, en el número 40 de Leicester Square, funcionaba el Leicester Square Theatre y allí se realizó la producción para la tapa de su exitoso quinto disco: “At the Speed of Sound”.Para despedirnos, el tema que le da nombre al disco debut de Wings, una de las bandas que más discos vendió en el mundo: “Wild life”.Tracks"Tomorrow""Mumbo""Love is strange""I am your singer""Bip bip""Little woman love""Give Ireland back to the irish""Some people never know""Dear friend""Wild life"

Jukebox musicals have become the bread and butter for a lot of community theatre groups. Minimal casts, simple sets and the built-in audience that comes with a popular singer or musical group is tough for an artistic director to resist. Around since the 1970’s, the genre really exploded onto the scene with the success of the ABBA-themed “Mamma Mia!” and continues with the recent Broadway opening of the Go-Go’s-themed “Head Over Heels”. Back in 1988, playwright Ted Swindley took 27 songs recorded by Patsy Cline and created “Always… Patsy Cline”, which is running now at Sonoma Arts Live through July 29. It’s not so much a musical biography as a snippet of Cline’s career as seen through the eyes of one of her biggest fans. It covers the six years from her appearance on Arthur Godfrey’s television program till her untimely death at age 30 in an aviation accident. Louise Seger (Karen Pinomaki) fell in love with Cline’s music the moment she heard it on a Texas radio station. When she hears that Patsy (Danielle DeBow) will be making a local appearance, she and some friends hightail it to the Empire Ballroom to discover no one’s there yet but Patsy. They strike up a conversation and become fast friends. Patsy ends up spending the night at Louise’s before heading back out on her tour. They regularly corresponded with each other after that night and it’s those letters that are the basis for the show. DeBow is a gifted vocalist who, in conjunction with her backup singers “The Jordanaires” (Sean O’Brien, F. James Raasche, Michael Scott Wells, Ted Von Pohle) and musical director Ellen Patterson and a six-piece band, delivers a quality evening of Cline’s greatest hits including “Sweet Dreams” and “Crazy”. The songs are interspersed with Louise’s musings about her life and her love for Patsy. Pinomaki is very entertaining as the bombastic, big-haired Louise, though there were moments where less would be more. Director Michael Ross, who’s directed a few female-centric musicals in his day (“Gypsy”, “Little Women”, “Sister Act” for example) shows a real mastery of the material here. Also responsible for costumes and some of the set design, he gets almost everything right. Costume work is stellar as DeBow must go through a dozen changes throughout the evening with each one colorfully evoking period and personality. The two-level set/three-sided audience design is interesting, but it leads to some awkward blocking and audience perspectives. Terrific performances, colorful design work, and classic Americana combine to make “Always… Patsy Cline” one of the better jukebox musicals I’ve seen on a North Bay Stage. “Always… Patsy Cline” plays Thursday through Sunday on the Rotary Stage of Andrews Hall in the Sonoma Community Center. Thursday through Saturday performances are at 7:30 pm; the Sunday matinee is at 2:00 pm. For more information, got to sonomartslive.org.

Welcome to the 5 Deep Guest Mix, a spin-off series that invites local and international DJs, Producers, and Artists to share 5 of their favorite new tracks that are emerging in the House music scene today! No tricks, no extras, just 5 great new tracks that my guests feel that you should hear, feel, and fall in love with. Now, let’s go 5 Deep with…   Brett Rubin is well established in the hottest Las Vegas clubs and after hours, but some of my best memories of enjoying his special selection of music was as the soundtrack to the Man burning for us at Burning Man 2015, amongst many other desert and festival events! I’ve always enjoyed when he goes deep, and this mix is no exception to that! Thanks for the great mix Brett!   Tracklist:   1)  Tolstoi, Andsan, Tini Gessare - Bizz [Safe Music LTD] 2)  CASSIMM - Pulldown [Go Deeva Records] 3)  Juanma Sanchez - No Sleep [Audiometrica] 4)  David Pher - Back into my Veins [Gruuv] 5)  David San - Psicofronico [Psicodelica]   Brett Rubin  Terrace Afterhours, Las Vegas   www.soundcloud.com/brettrubin www.facebook.com/brettrubindj Bookings: Brettrubin@hotmail.com   When Carl Cox, Disclosure, Claude VonStroke or Richie Hawtin descend behind the decks in Las Vegas, it’s Brett Rubin who’s called to set the night up proper. When Burning Man needs a DJ/producer to play peak time that can channel the energy of the crowd, Brett Rubin is on board. And when venues need an afterhours aficionado to keep the dancefloor going until after sunrise, Brett Rubin is the go-to veteran to build a party from the ground up. Brett Rubin’s experience has earned him gigs from Miami to Portland as well as Los Angeles, San Francisco, Chicago and Salt Lake City, plus playing at ADE, BPM, Electric Daisy Carnival, Groove Cruise and Minus Zero. He’s also been a staple at all the best underground parties in Sin City, including a residency at the infamous Empire Ballroom, playing with greats such as Nicole Moudaber, Shiba San, Danny Tenaglia and more for Sundown at Daylight, as well as launching the currently running Artisan Afterhours, and now the Terrace Afterhours. Keep an ear out for his latest productions in his sets as the multifaceted Brett Rubin brings his sounds to a party near you.

Hosted by attorney Michael Komorn from Komorn Law and Chad from Birmingham CompassionContributions from Rick Thompson from The Compassion Chronicles-also providing the news, and show producer Jamie Lowell from the Third Coast Dispensary in YpsilantiTonight- Activists have persuaded the city of Ferndale to not accept money obtained by the Sheriff-funded by participating medical marijuana patients and caregivers in the state registry program- for the purposes of increasing police enforcement against cannabis users. The Michigan Township association made medical marijuana issue number one at the most recent meeting held for township officials on planning and zoning issues. Discussion: It does not appear as though cannabis will be rescheduled on the federal list of controlled substances with the blessing of the DEA- anytime soon. Would rescheduling cannabis to schedule II be better, worse or represent no significant change to existing state medical or adult personal use laws?The MCBA Diversity Summit is August 13th from 5pm - 8pm at The Empire Ballroom 2970 East Jefferson, Detroit MI 48207 Featuring Detroit City Councilman Cushingberry and Neill Franklin of LEAPJoining us tonight: Charlo Greene Nationally noted cannabis rights advocate from Alaska and host of Saturday's MCBA Diversity Summit in DetroitAlso- Hunter Holliman Regional Project Manager at 4Front Ventures, former chief of staff at Americans for Safe AccessIn studio- Debra Young MILegalize board member, Ferndale resident who helped to get the city council to refuse funds offered by Oakland County Sheriff BouchardRegular guests and friends of the show: Jim Powers Michigan Parents for Compassion co- founder and board member of MILegalize. Also- attorney Jeff Frazier, attorney David Rudoi of Rudoi Law, Eric Gunnels Thetford Twp Trustee and T-utankhamen

Guest Mix: Jordan Stevens (Marquee / Las Vegas).This months episode comes to you from the Buenos Aires hotel room of Christopher Lawrence where he is in town for Ultra Music Festival in Argentina. This months guest mix is from Jordan Stevens from Las Vegas. Jordan Stevens has a cultivated devotion to reading the dance floor every time he takes control of the tables and invigorates a crowd. For the Georgia-born, Vegas-based DJ, his unbiased approach to electronic dance music insures everyone from the critical club kid to a visitor from middle America will be dancing from when the party starts until last call."I enjoy all forms of electronic dance music," Stevens says. "There's an element in each genre that I love and incorporate into my sets." With a perceptive connection and unbiased approach to what any given room craves, Stevens first honed his skills a decade ago in the Vegas underground scene as part of duo Shawn & Stevens with fellow DJ, Kevin Shawn. He earned solo recognition amongst the afterhours set at the legendary Empire Ballroom with a two-year residency, followed by regular stints playing for Godskitchen at Body English and Vanity. Always searching to share his sound, Stevens then earned a coveted residency at The Palms Casino Resort for the launch of Paul Oakenfold's Perfecto at Rain Nightclub, as well weekly gigs at Moon and Ghostbar, earning him a nod by the "Las Vegas Weekly" as the publication's first "Rising Star DJ" in it's annual Best of the City awards. Accomplished and respected throughout the industry, the seasoned professional has mastered the art of setting up a room proper to carrying clubbers all night - exactly what dance music dominator Marquee Nightclub & Dayclub was looking for when they opened their doors and acquired Stevens as a weekly resident. But his reach goes far beyond the booth in Vegas and Stevens' previous tour stops include The Colossal Event in Phoenix, Circus in Los Angeles, The Church and Vinyl in Denver, and Tantra in Miami during the Winter Music Conference. Stevens has also captivated crowds at the annual Love Festival in addition to staying grounded with gigs at Obsession, Artisan and Drai's Afterhours. Visit the podcast episode page to find out more information, with links to artists featured in this podcast.

Special Guest: Jordan Stevens (Perfecto / Las Vegas). Jordan Stevens has been DJing since 2003. Starting off in the West Coast USA rave scene he quickly became an underground favorite. In 2005 he decided it was time to make the jump to the club scene, landing his first residency at Las Vegas's #1 afterhours, late night Empire. From there he went on to open for the likes of Christopher Lawrence, Judge Jules, and Eddie Halliwell. He was a mainstay in the club until 2008 when Empire Ballroom closed its doors for the last time. Jordan's career soon kickstarted into full force starting with openings at Godskitchen in the trance show scene with ATB, 4 Strings, and Above and Beyond to name a few. Jordan soon captured the attention of Mike Fuller at the Palms and was brought into play all the major dance music events, including Paul Oakenfold's "Perfecto" and Goodlife Sundays at Moon. Voted "Best House/ Electronica DJ" by Las Vegas's City Life in 2010, at 26 years of age, the sky is the limit for this up and coming DJ. Visit the podcast episode page to find out more information, with links to artists featured in this podcast.