English footballer
POPULARITY
INTERVIEW & TRACKLIST > https://inverted-audio.com/mix/black-light-smoke American producer @black-light-smoke steps up to deliver the 374th edition of the IA MIX Series, interweaving a subterranean masterclass of deep club sonorities, bolstered with his own edits of classic tracks from Maurizio and Chip E. Originally from Chicago, Jordan Lieb studied in Massachusetts before relocating to New York in 2001 to pursue a career in music. He met Francis Harris (circa 2010), whilst Harris was looking for a studio to mix down his debut album ‘Leland‘. This initial friendship blossomed into a mutual kinship that resulted in Jordan releasing the first two vinyl releases on @scissorandthread. Jordan's second studio album ‘Ghosts‘ is a woozy deep house LP packing 15 chugging grooves, analogue synth melodies and sultry vocals that will appeal to the deepest of house heads. In the interview below, we find out more about the makings of the album, its cryptic artwork, collaborations with vocalist Léah Lazonick and his long-standing admiration for all things Terre Thaemlitz, alongside studio gear and his approach to using social media.
A 90min ambient mix of beatless and minimal beats tracks, building in energy throughout Tracks from Burial, Seti, FSOL, Maiya Hershey, Vril, Isnaj Dui, Dasha Rush, Francis Harris, By Lotus, Ocoeur, Hand Berg, Reeko, nthng, Pye Corner Audio, Kush Jones, Birds ov Paradise, Coaril, Priori, Patrice Scott, Lone, Rival Consoles and Luke Slater
True House Stories Podcast with special guests by Lenny Fontana
TRUE HOUSE STORIES W/ MR.C # 098 - PART 2 In December 1995 Richard West aka Mr C opened the night club The End in London with Partner Layo Paskin[ (of Layo & Bushwacka) and AKA bar three years later, which had its 23rd anniversary in December 2018. West is founder and owner of Plink Plonk records, co-founder of End Recordings and co-founder and owner of the Superfreq label. He has recorded under the names Myster-E, Unity 2, Nu Jacks, Bass Bureau, Mantrac, Somnambulist, Animus Amour, Killer Loop, Mr. C and Tom Parris, Mr. C and 16B and the Sycophant Slags. West is best known as frontman of The Shamen with whom he achieved a string of top 10 hits including “Move Any Mountain" and the UK number 1 hit “Ebeenezer Goode”. In 1995 he created the mix album Fantazia DJ Collection 3 – Back to the Old Skool.He has also released mix albums Psycotrance vol 1, X-Mix 6 on Studio K7, Sunterrain 100% Unreleased on his End recordings imprint and most recently Superfreq Express on his Superfreq label. West now records solo as Mr. C and collaborates as the Sycophant Slags with Francis Harris aka Adultnapper, as the Indigo Kidz with Affie Yusuf, with Apendics Shuffle and with Omid 16b. Mr C has released on Poker Flat, Wagon Repair Records, Get Physical Music and Adjunct Audio. He has released a solo EP titled "I'm Gonna Give You Some" and the albums Smell The Coffee and Incidents. He has collaborated with Affie Yusuf, Omid 16b and Apendics Shuffle.[He has remixed for Mikael Stavöstrand and David Scuba, Francis Harris, Xo Chic, Joint Custody & Affie Yusuf. His "Soulfuric" track was released on Alola and his "Liquid Acid" track was released on DJ Pierre's Acid 88 album on Afro Acid.
Francis Harris Author of "18 Years With Out Sex" Growing up, Francis “Frank” Harris lived a comfortable middle-class life. He enjoyed going on trips with his family, playing sports, and making homemade movies with his friends. But after the divorce split his family apart, Frank began seeking comfort in other places. By ninth grade, Frank had dropped out of school, and drugs, guns, and sex had become his new lifestyle. Soon, he was not only using drugs, but he began selling them as well—and became quite successful at it. By age eighteen, he was on the cusp of entering “the big leagues," of the drug world, but then a bad mushroom trip shook Frank's life to the core. In the aftermath, God got ahold of Frank, and his heart—and then his life was radically transformed. Frank quit drugs, he made the choice to abstain from sex until marriage, he gained a new respect for women, and he went back to school and earned a degree in psychology. But most importantly, he came to know a living, loving relationship with Christ. Now, Frank is a mental health professional, guest speaker, and most recently, a writer. His greatest aspirations are to walk alongside others in life's storms and to follow in the footsteps of Christ. Frank is happily married to his wife, Katie. They welcomed their daughter, Ariel, to their family in April 2022. https://www.amazon.com/gp/product/B0B2J73RRX/ref=dbs_a_def_awm_bibl_vppi_i0 --- Support this podcast: https://anchor.fm/momentsofgrace/support
Our latest isolatedmix comes from Mark Nelson, who as Pan•American, or as part of Labradford or even Anjou, has garnered relative cult status amongst the ambient and experimental lifers and tape community. Forming a big part of the Kranky label history from its very first release, Mark recently returned with a new album after a three-year hiatus, and the mature, refined instrumentalism on The Patience Fader is a subtle reminder of the quality Mark has retained over the years - quite an achievement, given his first Pan•American record on Kranky goes back to 1997. I took the chance to send over some questions to Mark to shed some light on the new record and the music that exists in his life right now, alongside his tasteful and electic isolatedmix. The Patience Fader by Pan•AmericanHi Mark, where are you right now and what have you been listening to lately? I'm at home in Evanston IL-just north of Chicago. Drinking coffee after work and listening to the water running through the filter of our pet turtle's tank and the music of Mette Henriette. If you're not familiar with her she's a Norwegian composer and saxophone player who put out a record on ECM a couple of years ago it's so beautiful-one of those records I only let me listen to occasionally because I don't want to become too familiar with it. worried the magic might lessen-but magic never really does. Last few days I've been listening to lots of the music that made it onto the mix-Mike Cooper, African Head Charge, Ulla, my friend Robert Donne's incredible track Touch my Camera Through the Fence, Takagi Masakatsu. The most recent music that I've really liked are the 3 cd comp by Fubutsushi on Cached Media and my friend Francis Harris' beautiful new record Thresholds that I was lucky enough to contribute to. Running a label myself, and given you had the honor of being the very first release on Kranky, with Labradford, I'm interested in the details of how that very first album and relationship came about? It's hard to believe but back then you could put out a 7" single-maybe 300 copies-and be pretty confident all the key distributors, zines, record store buyers and radio stations would find out about it and boost it up if they liked it. Joel and Bruce worked at Cargo-an independent distributor based in Chicago. Our single came across Joel's desk and he felt good enough about it to set in motion the plan he'd been forming to start a label. I remember my friend Andrew who put the single out told me a guy from Cargo was going to call me and I stayed close to the (landline) phone for the next couple days. Joel called, we talked and the rest has unfolded very naturally. A blend of luck and trying to manifest something in the world around the music. “Romantic minimalism” is used in the text for your new album The Patience Fader, and it's an apt term for the delicate, perhaps even more ‘focused' approach on this one. Do you think there is a clear connection between the effects of the past year and the type of music it inspires? Was that the case here? Yes-absolutely in my case. Both from within and without. Not consciously of course, but Patience Fader was made during the summer and fall of 2020, so Covid, Trumpism, BLM/George Floyd protests were all in full flight. At the same time, my father was dying in a hospice in Virginia that we couldn't visit because of Covid. In some respects, emotions were very simple for me in this time. Right and wrong, life and death joy and sorrow seemed very plainly mapped out. The album features some smaller ‘vignette' type tracks, which I personally love. What was your intention behind these as part of the greater album flow? Is there a hidden narrative? Not a narrative really, no. I would say there's a theme of Roots throughout the record and trying to find different ways to approach what roots and being grounded can mean. So guitar and harmonica as the instruments used speak literally to the basic grounding of American music. The field recording of a summer afternoon and slamming screen door on Baitshop is evocative to me of childhood. There's even a song called Grounded. We were all literally grounded by Covid and I was searching for a sense of Grounding amidst the unraveling. It seems like you come from the ‘instrumental first' school of ambient music (as I sometimes like to put it), integrating your instruments as source material, especially on your latest. What does the process for creating a PA album usually look like? It tends to come out of the daily practice of playing. I like practicing and trying to be "better" as a guitar player. Sometimes it can even feel like if I get an idea I need to dig into, it interrupts just simple, repetitive practice that in some ways I enjoy more. I think I've gotten pretty good at recognizing when an idea needs to be followed through and I do feel like I have an obligation to not let it go. Although in the end, most don't make it. Eventually, I tend to establish something that feels like the first song for an album and the last song, and that's when I know that something new is really emerging. The Lapsteel / Pedal steel was perhaps brought to ‘ambient fame' by the KLF's Chill Out, especially to those who run in more general ‘ambient' music terms. And I definitely get a similar vibe to that album with The Patience Fader. …“the ghost of rust belts and dust bowls looming in a horizon of deepening dusk.” as the press text puts it. As a foreigner in the US, I've always wondered about this romanticism and never really experienced it outside of trips to the desert here in the west. How does this come to life for you personally? Is it something you seek out? I'm a big fan of Chill Out-but I think Brian Eno and Daniel Lanois got there first on Apollo! Also, the Paris Texas soundtrack and Ry Cooder's slide playing cemented some of those connections that I guess now verge on cliche. Funny enough I'm a bit of an outsider here as well-my Father was a US diplomat and I didn't live in the US until I was a teenager. I've always looked for a way in I guess, and music-rock n roll, country, blues, jazz seemed like a kind of skeleton key. A key to a series of doors that open and close constantly and I seem to remain disoriented. I certainly returned to these roots (literal and figurative) in music for an explanation or comfort as Trump set fire to whatever remained of the Better Angels of what (for some reason) is referred to as the American Experiment. Mixed results. You speak of the notion of “lighthouse music,” radiance cast from a stable vantage point, sending “a signal to help others through rocks and dangerous currents.” My perception and ‘unromanticizing' of this after listening to the album, is that you have tried to create very clear, and comforting music, something that will cut through easier and not need too much thought for it to work. I love this overall sentiment - could you expand upon it in your own words? It's an effort to be uncluttered and go straight for the heart. The beauty in country music is the same effort or effect. It's ok if it's a formula to an extent that's comforting! The songs on my record share a very similar structure and palette to one another-I really wanted to create a world that would be very quickly recognized-meaning the boundaries would be clear right away-and the work could be done within those boundaries. There's certainly much to recommend pushing beyond known boundaries and limits-for me though it's where known elements within a world blur, overlap, merge, surrender and change like water that's what I'm interested in! New possibilities come from new combinations, and new layering of familiar material. Hybrid forms, mutations. I think what we're looking for is here-it's just up to us to make it visible.~ astrangelyisolatedplace · isolatedmix 118 - Pan•AmericanListen on Soundcloud, Mixcloud, or the ASIP Podcast.DownloadTracklist:01. Willie Nelson- Sad Songs and Waltzes02. Ulla - New Poem03. Michael Grigoni - Little Cliffs04. Sosena Gebre Eyesus - Seqelew Eyalu05. Maurizio - MO7A (edit)06. Mike Cooper - After Rain07. African Head Charge - Bazarre08. Takagi Masakatsu - Uter 109. Mary Lattimore - We Just Found Out She Died10. Loren Connors - Blues #511. Robert Donne - Touch My Camera Through the Fence12. Lokai - Histoire DSPan•American: Website | Bandcamp | Soundcloud | Discogs
INTERVIEW + TRACKLIST > https://inverted-audio.com/mix/francis-harris Francis Harris (@cfrancisharris) delivers a meticulously crafted and thoughtfully considered podcast contribution to the IA MIX Series, brimming with tracks that have inspired him in recent times, perfect for listeners that are after an evening of introspective listening.
On April 21, 1972 in Apsley Ontario, Francis was last seen after returning from an appointment with her husband Stanley. Listen through to hear the details of her case and my theory on who is behind this.
Subscribe on Mixcloud or become a patron to support the show and help me make my deepest creative work (and more mixes!)Listen to my songs on Bandcamp, Spotify or your favourite platform.Introduce yourself, share your track suggestions, ask me anything or just say hello : ivan@costals.net
I'm in the process of making lists of my top 5 instrumental albums for each year from 1970 to the present. Yeah, it's going take a while. So I was digging around in my music hard drive looking for music that would fit those lists and I stumbled upon the track Tulpa Ovi by Robag Wruhme. I immediately loved the feel of tune and knew I needed it in a mix. The cut has a feeling of motion similar to others I've used in train themed mixes. But it was more gentle, almost wistful. It made me think of traveling during sunset or the golden hour. Hence the title "Keeping Time in the Golden Hour." From there I collected tracks, new and old, with a similar vibe. In addition to the cut by Robag Wruhme my other favorites in this mix are "St. Catherine and the Calm" by Francis Harris and "Ankeney, Iowa" by Tiki Obmar. I like all the tracks in this mix but those two really get me. Normally I'd say this would be a perfect mix for traveling during the upcoming Thanksgiving holiday but it's 2020 so stay home. Put this mix on and do some virtual traveling. Cheers! T R A C K L I S T I N G : 00:00 Francis Harris - St. Catherine and the Calm (Trivial Occupations 2018) 08:25 Robag Wruhme - Tulpa Ovi (Thora Vukk 2011) 10:42 Night Sea - Cherry (Still 2020) 16:18 Tiki Obmar - Ankeney, Iowa (High School Confidential 2003) 28:18 Ghosting Season - Through Your Teeth ( The Very Last Of The Saints 2012) 32:43 Saphileaum - Soft Warming (In Distant Terra 2020) 37:37 Sven Laux - Grass-Covered Plain (We Were Here 2013) 46:08 Halftribe & Spinnet - Mr & Mrs Everywhere (Patterns of Sync 2020) 53:14 Robag Wruhme - Prognosen Bomm (Thora Vukk 2011) 56:25 vau - Nightfall (ways of stillness 2018) 63:43 end
Sophia Saze is an artist, performer, musician, producer, DJ and label owner of Dusk and Haze. Born in Georgia and having grown up in the US, her sonic DNA has been shaped by a range of experiences and cultures. Sophia started venturing in the field, with trip hop and house and eventually landed on planet techno, which became her artistic home. She continues to focus on crafting her production, often centred on field recordings and has been releasing music for Francis Harris’ Kingdoms and her own Dusk and Haze. In this chat, we talk about Sophia’s journey where commitment has been a constant factor throughout her studies, and jobs thereafter (we also learn about an unusual job offer by the Central Intelligence Agency!). The artist talks about the challenges of leaving a secure job to focus on music and overcoming pressure from people doubting your work. We chat about Dusk and Haze from before it became a label in 2017 to new plans, including supporting emerging producers access tools and resources. And while Sophia shares about her creative process and writing her album ‘Self’, we are reminded that music fundamentally is a work that feels amazing when it comes from the heart. If you enjoyed this chat and what we do, please consider following the guest and Home Of Sound on social media and leaving us a review or comment! -- Sophia Saze -- instagram.com/sophiasaze facebook.com/sophiasaze soundcloud.com/sophiasaze open.spotify.com/artist/68wEYbQ4kNNAGjhHwbOYTY Dusk and Haze: duskandhaze.bandcamp.com Dusk and Haze: soundcloud.com/duskandhaze Dusk and Haze: instagram.com/duskandhaze Sophia Saze - Self (Album on Kingdoms, 2019): sophiasaze.bandcamp.com/album/self-part-1 + sophiasaze.bandcamp.com/album/self-part-ii Francis Harris: instagram.com/francisscissor Ice Wide Shut soundtrack (by Various Artists): open.spotify.com/album/0gPlSAqkuQUxShbxWNXjkL Bubble soundtrack (by Robert Pollard): open.spotify.com/album/3ihX615XqTsMvHtpNw5or8 -- Home Of Sound -- Masterclasses with VSK, Scalameriya, Rommek, Lag and more: www.homeofsound.co.uk Subscribe to our newsletter: bit.ly/HoS_Newsletter Subscribe on YouTube: bit.ly/HoSYoutubeSubscribe Artists-selected playlists [Adam Heaton X Home Of Sound]: www.adam-heaton.co.uk/playlists All latest links: linktr.ee/home_of_sound
With tracks from James Bernard, Lucas Croon, Daniele Baldelli & Dario Piana, Die Orangen, Alex Cortex, Eagles & Butterflies, Coobe, Dos Ritmos, Jinjé, The Pilotwings, Chloé, Julian Grefe, Ludwig A. F. Rorscheid and Francis Harris. Follow Lelüsh here: https://soundcloud.com/lelush-frai
For the 70th issue of Steyoyoke’s monthly podcast series we entitled Steyoyoke’s veteran Dahu. He chooses a minimal, almost techno driven vibe for this mix and delivers a well rounded podcast, full to the brim with his signature style and personal edge. The mix features Dahu and Nick Devon collaboration titled “Worship”, which sit along side other artist names, such as dubspeeka, Francis Harris, Ben Hoo and Lake People. http://www.steyoyoke.com/
The Expectation Of Excellence - Mother Francis Harris by West Angeles Church
This week’s episode dives in with Objekt remixing Jon Hopkins, and features a beautiful composition from Christina Vantzou’s new album, a gem from Steve Moore’s latest full length on Spectrum Spools, brand new music from Francis Harris, a delightful single from Austin Cesear that should never end, more synthful pleasures from Pye Corner Audio, a […]
Последний день весны мы отмечаем в этом выпуске нашей программы, а так же Всемирный день без табака. И я предлагаю день увеличить до недели без табака или вовсе до месяца! Глядишь кто-то из вас окончательно бросит эту надоевшую привычку. Будьте здоровы, почаще выходите на прогулки, дышите полной грудью! В этом выпуске нас трое, то есть уже банда..) Как говориться, БОЛЬШЕ ДВУХ - НЕ СОБИРАТЬСЯ! Но мы все-таки собрались. С наступившим Вас летом! Кирилл Матвеев promodj.com/KirMatveev и Со. Andrey PUSHKAREV 1) Kenneth Graham - Isis (Sentien Sound) 2) Casey Hogan - Update The System (Shva Muzik) 3) Parallel 9 – Dominus (Music Man Records) 4) Stare 5 Feat. Bryan Zentz – The Sprawl (Thoughtless Music) 5) DJ Shuffle – Artist (Vuo Records) 6) O.Deutschmann – Siem Reap (Vidab) 7) Adultnapper – Curved By A Thought (Rhythmic) 8) Francis Harris & Dave Mothersole - Causa Suis (Intrinsic Design) 9) Oliver Deutschmann - The Failure (Vidab) 10) Kris Wadsworth - Mainline (Jimmy Edgar mix) (Hype LTD) Captain Ulitka 1. Phillip Wilkerson - Hear My Untold Story 2. Phillip Wilkerson - As Lost As Youll Find 3. Noisesurfer - Glider Kirill Matveev 1. Jay Pace - Burbular_Original Mix - Bulletdodge 2. Bambook - Naya Bengi_Nicole Moudaber Remix - Global Underground 3. Danilo Cardace_Elia Perazzini - Bounce To The Groove_Plastic FM Remix - Globox 4. OnOff - Type 1_Original - Gem 5. Slam - Area 51_Original Mix - Drumcode 6. Android Cartel - Trip Through The Robot_Steve Parker Remix - Rawthentic 7. Astronivo - Mondelcarma_Original Mix - AK Tek 8. Nima Khak - Red One_Original Mix - Drumcode 9. Stryke - Perfect Love_Strykes Sexy Acid Dub - Ovum (2002) 10. Hermanez - Stomp_Original Mix - Circle Music 11. Mr G - Gladesmen_Original Mix - Defected (1997)
Последний день весны мы отмечаем в этом выпуске нашей программы, а так же Всемирный день без табака. И я предлагаю день увеличить до недели без табака или вовсе до месяца! Глядишь кто-то из вас окончательно бросит эту надоевшую привычку. Будьте здоровы, почаще выходите на прогулки, дышите полной грудью! В этом выпуске нас трое, то есть уже банда..) Как говориться, БОЛЬШЕ ДВУХ - НЕ СОБИРАТЬСЯ! Но мы все-таки собрались. С наступившим Вас летом! Кирилл Матвеев promodj.com/KirMatveev и Со. Andrey PUSHKAREV 1) Kenneth Graham - Isis (Sentien Sound) 2) Casey Hogan - Update The System (Shva Muzik) 3) Parallel 9 – Dominus (Music Man Records) 4) Stare 5 Feat. Bryan Zentz – The Sprawl (Thoughtless Music) 5) DJ Shuffle – Artist (Vuo Records) 6) O.Deutschmann – Siem Reap (Vidab) 7) Adultnapper – Curved By A Thought (Rhythmic) 8) Francis Harris & Dave Mothersole - Causa Suis (Intrinsic Design) 9) Oliver Deutschmann - The Failure (Vidab) 10) Kris Wadsworth - Mainline (Jimmy Edgar mix) (Hype LTD) Captain Ulitka 1. Phillip Wilkerson - Hear My Untold Story 2. Phillip Wilkerson - As Lost As Youll Find 3. Noisesurfer - Glider Kirill Matveev 1. Jay Pace - Burbular_Original Mix - Bulletdodge 2. Bambook - Naya Bengi_Nicole Moudaber Remix - Global Underground 3. Danilo Cardace_Elia Perazzini - Bounce To The Groove_Plastic FM Remix - Globox 4. OnOff - Type 1_Original - Gem 5. Slam - Area 51_Original Mix - Drumcode 6. Android Cartel - Trip Through The Robot_Steve Parker Remix - Rawthentic 7. Astronivo - Mondelcarma_Original Mix - AK Tek 8. Nima Khak - Red One_Original Mix - Drumcode 9. Stryke - Perfect Love_Strykes Sexy Acid Dub - Ovum (2002) 10. Hermanez - Stomp_Original Mix - Circle Music 11. Mr G - Gladesmen_Original Mix - Defected (1997)
Adultnapper, una mezcla de Mr Francis Harris, también conocido como Adultnapper. Un viaje electrónico de uno de los mejores Djs y productores de la nueva ola electrónica.