Podcast appearances and mentions of Ry Cooder

On this episode of Songs of Our Lives, it's Ben Seretan! What a joy this episode was to record. Ben's the best. His new album, “Sunbeam of No Illusion,” with John Thayer is one of my early favorites so far this year. After talking about that, we get into all kinds of whimsy and fun with Arthur Russell, Sinai Vessel, Wham!, Clarence Carter, Celine Dion, Prince, Pet Shop Boys, and plenty more!Listen to all of Ben's picks HERESunbeam of No IllusionBen's WebsiteBen on IGSongs of Our Lives is a podcast series hosted by Brad Rose of Foxy Digitalis that explores the music that's made us and left a certain mark. Whether it's a song we associate with our most important moments, something that makes us cry, the things we love that nobody else does, or our favorite lyrics, we all have our own personal soundtrack. Join Foxy Digitalis on Patreon for extra questions and conversation in each episode (+ a whole lot more!)Follow Foxy Digitalis:WebsitePatreonInstagramTwitterBlueskyThe Jewel GardenSong ListFrank Luther “The Travels of Babar”Prince “The Beautiful Ones”Celine Dion “It's All Coming Back to Me Now” (Classic Paradise Mix)Clarence Carter “Strokin'”Black Flag “Nervous Breakdown”Audioslave “Cochise”Fiona Apple “The First Taste”Lea Thomas “We Must Be In Love”Sinai Vessel “Where Did You Go?Ry Cooder & V.M. Bhatt “A Meeting By the River”Wham! “Everything She Wants” (Todd Terry Club Mix)Arthur Russell “Our Last Night Together”Pet Shop Boys “Always On My Mind”

Blues From The Ouse is a weekly UK blues podcast and blues radio show featuring classic blues, modern blues and British blues.Each episode includes new blues releases, blues legends and the best of the British blues scene.This week we feature new releases from The Stumble, Lil' Ed & The Blues Imperials, and Bywater Call, alongside classic blues legends like Robert Johnson, Elmore James, J.B. Lenoir, and Freddie King. Explore our Mentor to Protégé segment tracing blues lineage, the Blues Shuffle Through the Decades, and all your listener requests — Ry Cooder, Otis Spann, R.L. Burnside, Sonny Landreth, and more.Hosted by Paul Winn, Ben Darwin, and Angie Howe, the show blends UK blues, British blues, Chicago blues, and modern blues, with deep musical commentary and live radio energy.Gig Round-Up & Blues Scene Updates: Your guide to the latest live blues events across the UK.Originally broadcast live. New episodes weekly. Sarcasm included at no extra charge. Blues From The Ouse #313 Playlist: The Stumble - Hellfire - 00:02:09Lil' Ed & The Blues Imperials - Bad All By Myself - 00:09:00Joe Bonamassa - When Love Comes To Town - 00:12:41Slim Jim blues - No Place To Go (Wreck My Life) - 00:19:09Bywater Call - Only - 00:22:05Robert Johnson - Ramblin' On My Mind - 00:26:26Robert Lockwood Jr. - Take A Little Walk With Me - 00:30:43Elmore James - Talk To Me Baby - 00:33:33J.B. Lenoir - Mama, Talk To Your Daughter - 00:37:21Big Joe Turner - Flip, Flop & Fly - 00:39:51T-Bone Walker - T-Bone Shuffle - 00:42:47Jimmie Rogers - Rock This House - 00:45:41 Freddie King - Tore Down - 00:48:29The Fabulous Thunderbirds - Extra Jimmies - 00:51:01Ry Cooder - One Meat Ball - 00:54:59Paul Lamb & The Kingsnakes - Whoop and Holler - 00:57:46Otis Spann - I Need Some Air - 01:02:25R.L. Burnside - Miss Maybelle - 01:07:39Anders Damås & The Acres of Corn - Strugglin' - 01:11:00Bison Hip - Chemicals - 01:15:15Sonny Landreth - Blue Tarp Blues - 01:21:32Walter Trout - Gonna Hurt Like Hell - 01:26:07Larkin Poe / Joe Bonamassa - Don't You Want A Man Like Me - 01:31:25Keb' Mo' - City Boy - 01:34:36Watermelon Slim and the Workers - Archetypal Blues No. 2 - 01:39:15Justin Johnson - Come On In My Kitchen - 01:43:42UK Blues, British Blues, Modern Blues, Classic Blues, Chicago Blues, Listener Requests, Blues HistoryBlues From The Ouse is a weekly UK blues podcast and blues radio show featuring classic blues, modern blues, British blues and blues rock.Discover blues legends, new blues releases and the best emerging British blues artists — available worldwide.Links

Discograffiti is the deep-dive podcast for music obsessives. In this episode (Part 4 of a 4-part series edited down from a 5 1/2 hour interview), Lenny Waronker takes a deep-dive stroll along with host Dave Gebroe through his entire career, with priceless commentary and stories peeled off along the way. Legendary producer and Warner Brothers studio head Lenny Waronker is a record producer and music industry executive. As the president of Warner Brothers Records, and later, as the co-founder and co-chair of DreamWorks Records, Waronker was noted for his commitment to artists and his belief that "music, not money, was still number one." In 2025, Waronker was inducted into the Rock and Roll Hall of Fame in the Ahmet Ertegun Award category for non-performing industry professionals.  Part 4 focuses on the first album Lenny ever produced, Side 2 of Van Dyke Parks' legendary debut LP Song Cycle. Lenny once said: “To be associated with Song Cycle, even now, is more important to me than 99% of the hit records I've been involved with.” Parts 2 & 4 are an absolute dream come true for fans of this record. Here are just a few of the many things that Lenny discusses with Discograffiti in this podcast: The track on the LP that Van Dyke referred to as “like stepping from one kind of music into something else”; How Randy Newman feels about Nilsson Sings Newman, according to Lenny; A wildly divergent digression during which I discover the very direct link between The Beau Brummels and Rickie Lee Jones; An overview of Song Cycle's ad campaign, one of the most memorable and least conventional music industry experiments of all time; An in-depth deep dive on every song off Side Two of Song Cycle; The early days of getting Ry Cooder & Randy Newman's careers off the ground at Warner Brothers; Whether or not Van Dyke invented MTV a decade before its time; And an in-the-moment eulogy for Brian Wilson, who had died only days before the taping of this episode. The Free Teaser: linktr.ee/discograffiti For the full, ad-free, 84-minute podcast, either subscribe to Discograffiti's Patreon at the Private Tier or higher, or just grab the episode as a one-off at the same link. The Full Podcast: Patreon.com/Discograffiti Dave's Show Notes are available at a separate link for Majors & up.

En 1996, à La Havane, de vieux musiciens à la retraite se rendent en studio à la demande, improvisée, d'un Américain, Ry Cooder, et d'un Anglais, Nick Gold. L'idée est d'enregistrer un disque de musique afro-cubaine dans le style de ce qui se faisait, il y a longtemps, avant l'arrivée de Fidel Castro, du côté de Santiago, côté est de l'île. Une musique rurale, simple, acoustique, avec des percussions légères. Une musique que presque plus personne ne joue ni n'écoute. Alors les musiciens plongent dans leur souvenir en buvant du rhum, l'un entame une chanson sur son piano, un autre au tres, une petite guitare cubaine, et tous reprennent naturellement ces mélodies surgies du passé. Et ainsi, comme par magie, s'enregistre un album qui fera date dans l'histoire de la musique : le Buena Vista Social Club. En nous plongeant dans cette histoire, Francis Dordor, auteur du livre "A la recherche du tempo perdu" paru chez GM Editions, dévoile l'histoire unique de Cuba et de sa musique, et celle de ses musicien et musiciennes fabuleuses qui ont conquis le monde. Une séquence réalisée par Jonathan Remy sujets traités : magie, le Buena Vista, Social Club, Ry Cooder, Nick Gold, Fidel Castro, Havane, rurale, percussions, Santiago Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be :https://auvio.rtbf.be/emission/5936 Intéressés par l'histoire ? Vous pourriez également aimer nos autres podcasts : L'Histoire Continue: https://audmns.com/kSbpELwL'heure H : https://audmns.com/YagLLiKEt sa version à écouter en famille : La Mini Heure H https://audmns.com/YagLLiKAinsi que nos séries historiques :Chili, le Pays de mes Histoires : https://audmns.com/XHbnevhD-Day : https://audmns.com/JWRdPYIJoséphine Baker : https://audmns.com/wCfhoEwLa folle histoire de l'aviation : https://audmns.com/xAWjyWCLes Jeux Olympiques, l'étonnant miroir de notre Histoire : https://audmns.com/ZEIihzZMarguerite, la Voix d'une Résistante : https://audmns.com/zFDehnENapoléon, le crépuscule de l'Aigle : https://audmns.com/DcdnIUnUn Jour dans le Sport : https://audmns.com/xXlkHMHSous le sable des Pyramides : https://audmns.com/rXfVppvN'oubliez pas de vous y abonner pour ne rien manquer.Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement. Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Holy hell, somebody done showed up a little late to the top-albums-of-2025 party. List week = missed week. NBD, better late than never, right? RIGHT? It's the sixth annual big episode, where Jay and Deon discuss their favorite twenty-two vinyl releases of this past year. That be eleven each, because Lickers go to eleven while these other suckaz be stuck on ten. LLR goes deep. LLR goes long. LLR wishes what you just read was code for something way cooler, but it isn't. It's just really long. The flippin' Free Bird of podcats.Dig this list? What did they miss? Let ‘em know your favorite long player releases in the year of our Lord 2025, it's never too late to share what sonically inspires you. Lightnin' Licks Radio Podcast's one big beautiful twenty twenty-five year in review episode SAMPLE SOURCES include: NPR, Beastie Boys, James Todd Smith. John Ussery, Prince Paul, Frukwan, Method Man, Brothers Johnson. Harry Shearer, Larry David, Cheryl Hines, Lynyrd Skynyrd, Kankles McTaco Tits, Elton John, The Time with Prince. Jeremy Gan, Josh Heath Scott, Jim DeRogatis, Anthony Fantano. Molly Sanborn, Matt O'Leary, Eli Enis, Ian Cohen. A Tribe Called Quest, Bon Iver, Justin Vernon, Missy "Misdemeanor” Elliot, Nicole “Lady” Wray, Tropical Fuck Storm, The Bee Gees, The sisters Haim. Calvin Harris, The Beatles… always. Kaytranada. Janet Jackson, De La Soul, Kelly Moonstone, Quelle Chris. Uncle Tupelo, Wilco, The AutumnDefense. NewDad, Aesop Rock, Blockhead. Verity Den, …And You Will Know Us by the Trail of Dead. Winter, Debby Friday. Water From Your Eyes, This Is Lorelei. Greg Freeman, Richmond Fontaine, Poison, The Darkness, KISS, Jimmy Jam and Terry Lewis, Aerosmith. Lael Neale, The Cars, Weakened Friends, Buckethead. Liquid Mike, The Rentals. Pile, Cody Maresec, YUM! The Smith Westerns, Whitney, Billy Nomates, Sleaford Mods. Fleetwood Mac, Eric Gale, Faces, Ry Cooder, Randy Weston. Pines, Greet Death, Christian Science Reading Room. Momma. Chris Keys (a lot), Amosdoll, Atlys, The Zombies. Cozy Cole, Andy Cohen, Raúl "El Gordo" De Molina, Tommy Chong, James Austin Johnson, Tim Robinson (YOU CAN'T DO THAT!), and lastly - and certainly least… Swamp Thing. Alternate links to the uninterrupted 2025 EOY mixtape will be available in short order,Have a great year!LLR's Top 22 albums of 2025 SPOTIFY PLAYLISTHear the mix via Soundcloud here!Part 1(Deon) : Intro _ Liquid Mike – AT&T _ HAIM – Everybody's Tryin' to Figure Me out! _ Pile – Bouncing in Blue _ NewDad – Entertainer _ Kelly Moonstone – Nananabooboo _ Weakened Friends – Queen of Town _ This Is Lorelei – Mouth Man _ The Autumn Defense – More Than I Can Say _ KAYTRANADA featuring TLC – DO IT! (Again) _ Debby Friday – Lipsync _ Greet Death – Love Me When You Leave Part 2(Jay) : Greg Freeman – Gulch _ Lael Neale – Down on the Freeway _ Aesop Rock – Full House Pinball _ Momma – Last Kiss _ Bon Iver – S P E Y S I D E _ Billy Nomates – Nothin' Worth Winnin' _ Lady Wray – Best of Us _ Whitney – Damage _Verity Den – Wet Glass _ Winter - The Beach _ Tropical Fuck Storm – Stepping on a Rake.Lickers drink champagne and shop at Electric Kitsch.Please act kindly to our neighbors and be patient with those who serve us. Let some light in. Good will prevail. Cheers and later.Dedication: Rob Ervin 1961 - 2025

18-time Grammy nominee and American musical legend Taj Mahal goes deep on his influences and his approach to the craft. PART ONEPaul and Scott kick off the new year with a discussion about the nominees for the upcoming Grammy Awards. And more! PART TWOOur in-depth conversation with Taj MahalABOUT TAJ MAHALSinger, songwriter, and multi-instrumentalist Taj Mahal has mastered the blues form and has further built upon it by incorporating world music influences and expanding the boundaries of the genre. Growing up in Massachusetts, he made his way to Southern California in the mid-1960s where he formed the Group Rising Sons with Ry Cooder, Jessie Lee Kincaid, and Kevin Kelley. They signed with Columbia Records but, upon disbanding, Taj joined forces with guitarist Jesse Ed Davis and remained on the label as a solo artist. After a dozen albums with Columbia, he moved to Warner Bros. Records in the mid-1970s. Following a period spent living in Hawaii and largely out of the limelight in the 1980s, he ultimately reemerged for a new era of commercial success. Taj has been nominated for 18 Grammy Awards, winning five, including Best Contemporary Blues Album in 1997, 2000, 2008, and 2018, and best Traditional Blues Album in 2022 and 2025. He has received the Lifetime Achievement Award from both the Americana Music Association and the Recording Academy. His most recent album, a duet project with Keb' Mo' called Room on the Porch, is nominated for the Best Traditional Blues Album Grammy at the upcoming Awards on February 1st.   Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Jerry Douglas - King of the Dobro- 16 Grammys, 3 CMAs, 3 AMAs, a Million Stories! 16-time Grammy Winner, three-time CMA Musician of the Year award recipient, Americana Music Association Lifetime Achievement Award recipient, National Endowment for the Arts National Heritage Fellowship award winner, Artist in Residence for the Country Music Hall of Fame, Jerry Douglas, is such an underachiever! What is a dobro? Uninformed minds wanted to know. Jerry schooled us, but as your fun favorite professor would. Why a dobro? We got that education too. From his bluegrass-playing steelworker band on the side, father, Flatt and Scruggs obsessed little kid, to professional musician at 16, playing Avery Fischer Hall with headliner David Bromberg, to winning his first Grammy at 19, to playing with James Taylor, John Prine, Steve Goodman, Mumford & Sons, Paul Simon, Elvis Costello, Alison Krauss, to Eric Clapton. We got the skinny on all of them, plus Jerry's chance meeting with Sir Paul, a seemingly scary Ry Cooder, recording in Abby Road, dinner with Clapton and Ron Wood, how he met his bride of 17 years, parenting 4, grandparenting 7, loving all of them, all of it, except the night of extreme excess that led to his sobriety. Bonus, he also played us out, as only dobro master, Jerry Douglas, could. I knew when Snuffy and I spent an evening in Nashville recently with Jerry and Jill that he'd be a great guest, as with his playing, he exceeded all expectations. Jerry Douglas Live on Game Changers with Vicki Abelson Wednesday, 1/14/26, 5 PM PT/ 8 PM ET

Tomando como punto de partida a The Crystals, comprobamos cómo la técnica del "muro del sonido" y las texturas recogidas en aquel sonido meloso y adictivo han perdurado hasta nuestros días. Y, después, surcamos atmósferas misteriosas y atractivas.THE CRYSTALS "Then he kissed me"AL DUAL "Girl"PIKE CAVALERO "Little lonley summer girl"LA PERRA BLANCO "Dream about"IRMA THOMAS "Breakaway"THE SHANGRI-LAS "Give him a great big kiss"THE EXCITERS - He's got the powerLITTLE EVA "Loco-Motion"MILLIE SMALL & JACKIE EDWARDS "Ooh ooh (aka Ooo-Ooo)"DIONNE BROMFIELD "Mama said"CHARLES BRADLEY "Changes"LAVERN BAKER "Bumble bee"ANNISTEEN ALLEN "Take a chance on me"ELENA MADERA "Pu-Chun-Ga"MARGA BENÍTEZ "Geechi goomie"THE RHYTHM TREASURES "Do the Mah-Jong"RY COODER "Chinito chinito"Escuchar audio

Send me a text and please visit www.livefrommydrumroom.com Wrapping up 2025 on a high note, thanks to my friends and drumming heroes Steve Gadd, Rick Marotta, Jim Keltner & Dave Mattacks! These guys have recorded some of the greatest music in history. Some hilarious and touching moments sharing stories of how they met, recording sessions and how much they love and respect each other. So come along for the ride for a truly memorable show and please subscribe. The audio podcast is available on all platforms. Live From My Drum Room T-shirts and Hoodies are now available! 100% of the proceeds go toward my PAS scholarship. Visit https://livefrommydrumroom.com for details! Live From My Drum Room With John DeChristopher! is a series of conversations with legendary drummers and Music Industry icons, hosted by drummer and music industry veteran, John DeChristopher, drawing from his five decades in the Music Industry. Created in 2020, and ranked BEST Drum Podcast, "Live From My Drum Room With John DeChristopher!" gives the audience an insider's view that only John can offer. And no drummers are harmed on any shows! Please subscribe!https://livefrommydrumroom.comwww.youtube.com/c/JohnDeChristopherLiveFromMyDrumRoom

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Chaque matin, Ombline Roche vous raconte l'histoire qui se cache derrière un artiste. Un rendez-vous incontournable pour mieux apprécier l'œuvre de son auteur.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

par Benoit Basirico Cinezik Radio sur Cinezik.fr Voici notre sélection de musiques de films nées autour des cordes pincées. De la guitare intimiste au bouzouki endiablé, en passant par la harpe cristalline et la cithare, ce troisième volet de notre série explore l'art de l'instant. Loin des grandes envolées symphoniques, la corde pincée est le son de la solitude, de la fragilité de l'existence et de l'intimité face à l'immensité du décor. Des arpèges désertiques de Ry Cooder pour “Paris, Texas” aux larsens industriels de Neil Young (“Dead Man”), de la Sibérie fantasmée de Maurice Jarre (“Docteur Jivago”) à la Sicile tragique de Nino Rota (“Le Parrain”), nous traversons les époques et les continents pour comprendre comment ces instruments (guitare, banjo, harpe, cithare, mandoline, oud...) deviennent de puissants marqueurs sémantiques et géographiques, faisant souvent vibrer ce que l'orchestre symphonique ne peut exprimer. Toutes les B.O du Panorama : Under Fire (Roger Spottiswoode, 1983) - Jerry Goldsmith The River (Mark Rydell, 1984) - John Williams Paris, Texas (Wim Wenders, 1984) - Ry Cooder Impitoyable (Clint Eastwood, 1992) - Lennie Niehaus & Clint Eastwood Dead Man (Jim Jarmusch, 1995) - Neil Young Une Histoire Vraie (David Lynch, 1999) - Angelo Badalamenti Le Secret de Brokeback Mountain (Ang Lee, 2005) - Gustavo Santaolalla Crash (David Cronenberg, 1996) - Howard Shore Délivrance (John Boorman, 1972) - Eric Weissberg & Marshall Brickman Sherlock Holmes contre Jack l'Éventreur / A Study In Terror (James Hill, 1965) - John Scott First Man (Damien Chazelle, 2018) - Justin Hurwitz Tempête sous la mer (Robert D. Webb, 1953) - Bernard Herrmann Dark Crystal (Jim Henson & Frank Oz, 1982) - Trevor Jones La Dernière Licorne (J. Bass & A. Rankin, 1982) - Jimmy Webb Le Troisième Homme (Carol Reed, 1949) - Anton Karas Zorba le Grec (Michael Cacoyannis, 1964) - Mikis Theodorakis Docteur Jivago (David Lean, 1966) - Maurice Jarre Le Parrain (Francis Ford Coppola, 1972) - Nino Rota Le Dernier Empereur (Bernardo Bertolucci, 1987) - Ryuichi Sakamoto Capitaine Corelli (John Madden, 2001) - Stephen Warbeck Babel (Alejandro G. Iñárritu, 2006) - Gustavo Santaolalla Gente di Rispetto (Luigi Zampa, 1975) - Ennio Morricone Only Lovers Left Alive (Jim Jarmusch, 2013) - Jozef Van Wissem

Un récit immersif au cœur de La Havane, là où tout a commencé : la renaissance du son cubain à travers un album et un film devenus mythiques. Le voyage peut commencer. L'auteur, le journaliste Francis Dordor est notre invité : «À Cuba, les fêtes de Noël furent longtemps ignorées, voire interdites, considérées comme relevant de ce que Marx nommait «opium du peuple» (Castro ne croyant quant à lui qu'au papa Noël soviétique). De même, la pratique des cultes syncrétiques afrocubains tels que la Santeria ou le Palo Monte, jugés contre-révolutionnaires, pouvait vous valoir d'immenses ennuis, comme se retrouver expulsés de son logement. Puis avec l'effondrement de l'Union soviétique et l'instauration de la période dite «spéciale» un certain relâchement du système permit la réintroduction progressive des célébrations religieuses. Un moment particulier dans l'histoire de cette île héroïque coïncidant avec l'accomplissement de miracles.  Comme l'histoire de cet ancien chanteur de boléro mis à la retraite, contraint de cirer des chaussures dans les rues de La Havane pour faire vivre sa famille et qui, du jour au lendemain, se retrouva tête d'affiche d'une petite gériatrie de musiciens mis au rebut comme lui, remplissant le Carnegie Hall, l'Olympia ou l'Opéra de Sidney. Cette histoire, celle d'Ibrahim Ferrer, mais aussi de Compay Segundo, de Rubén González, d'Omara Portuondo et le détail des circonstances improbables ayant conduit à leur succès planétaire, je les raconte dans un livre intitulé «Buena Vista Social Club, à la recherche du tempo perdu». C'est plein d'anecdotes, de témoignages, d'interviews, dont celles du producteur et guitariste Ry Cooder et du réalisateur Wim Wenders, de souvenirs de mes différentes rencontres avec ces merveilleux protagonistes du Buena Vista, de photos magnifiques, ou simplement émouvantes comme celle-ci prise par Nathalie Warez lors d'un voyage avec Ibrahim à Santiago de Cuba à la veille de Noël. C'est pas moins bien écrit qu'un discours de Laurent Wauquiez, et peut-être même mieux, et si vous n'aimez pas lire, il y a inclus le superbe film de Wenders édité pour la première fois en blue ray.» Francis Dordor.

Un récit immersif au cœur de La Havane, là où tout a commencé : la renaissance du son cubain à travers un album et un film devenus mythiques. Le voyage peut commencer. L'auteur, le journaliste Francis Dordor est notre invité : «À Cuba, les fêtes de Noël furent longtemps ignorées, voire interdites, considérées comme relevant de ce que Marx nommait «opium du peuple» (Castro ne croyant quant à lui qu'au papa Noël soviétique). De même, la pratique des cultes syncrétiques afrocubains tels que la Santeria ou le Palo Monte, jugés contre-révolutionnaires, pouvait vous valoir d'immenses ennuis, comme se retrouver expulsés de son logement. Puis avec l'effondrement de l'Union soviétique et l'instauration de la période dite «spéciale» un certain relâchement du système permit la réintroduction progressive des célébrations religieuses. Un moment particulier dans l'histoire de cette île héroïque coïncidant avec l'accomplissement de miracles.  Comme l'histoire de cet ancien chanteur de boléro mis à la retraite, contraint de cirer des chaussures dans les rues de La Havane pour faire vivre sa famille et qui, du jour au lendemain, se retrouva tête d'affiche d'une petite gériatrie de musiciens mis au rebut comme lui, remplissant le Carnegie Hall, l'Olympia ou l'Opéra de Sidney. Cette histoire, celle d'Ibrahim Ferrer, mais aussi de Compay Segundo, de Rubén González, d'Omara Portuondo et le détail des circonstances improbables ayant conduit à leur succès planétaire, je les raconte dans un livre intitulé «Buena Vista Social Club, à la recherche du tempo perdu». C'est plein d'anecdotes, de témoignages, d'interviews, dont celles du producteur et guitariste Ry Cooder et du réalisateur Wim Wenders, de souvenirs de mes différentes rencontres avec ces merveilleux protagonistes du Buena Vista, de photos magnifiques, ou simplement émouvantes comme celle-ci prise par Nathalie Warez lors d'un voyage avec Ibrahim à Santiago de Cuba à la veille de Noël. C'est pas moins bien écrit qu'un discours de Laurent Wauquiez, et peut-être même mieux, et si vous n'aimez pas lire, il y a inclus le superbe film de Wenders édité pour la première fois en blue ray.» Francis Dordor.

The new Blues is the Truth has landed and it is a beauty. Ian is back with all the familiar features and a playlist that runs from raw roots grit to smooth late night soul. This week you will hear Juke Joint Johnny, Dave Specter, Eddie Boyd, Tail Dragger, Andy Twyman, Willie J Laws Jr, Jim Allchin, Ben Rice and the PDX Hustle, The Headhunters Blues Band, Ry Cooder, Mississippi Shakedown, Buddy Guy with John Mayer, JB Lenoir, Kenny Neal, Miss Emily, Milwaukee and Friends, Jason Ellmore and Hoodoo Witch, Marcia Ball, Buddy Guy, Jimmie Vaughan, Etta James, Lachy Doley, Joe Louis Walker, Chris Duarte, Brooks Williams and Dave Thomas. It is a feast from start to finish and a perfect way to brighten your day.

Solénoïde (10.11.2025) - Cap au nord : Solénoïde embarque pour la Virée Norvégienne 02, une traversée de 55 minutes où les musiques imaginogènes prennent l'accent des fjords. On lève l'ancre à Haugesund avec le Nils Økland Band et Gjenskinn, album tissé de violon, sax, orgue, percussions et contrebasse, dont les motifs cosmopolites scintillent comme une mer d'hiver au soleil. Cap ensuite sur Oslo pour une expérience rare : Ruth Wilhelmine Meyer y sculpte l'air sans boucles ni effets, uniquement avec la plasticité de sa voix, jusqu'à brouiller la frontière entre chanteuse et instrument. La route nous ramène vers l'ouest, à Bergen, où By The Waterhole dévoile Three : électronique poétique, paysages sonores extensibles et une fièvre intemporelle signée Eva Pfitzenmaier et Stephan Meidell. Retour par Oslo avec Trond Kallevåg et Amerikabåten, road-movie musical inspiré des Norvégiens partis tenter l'Amérique, entre folk cinématographique et réminiscences à la Ry Cooder ou Bill Frisell. Atterrissage enfin à Stavanger : Kim Myhr et le Kitchen Orchestra déploient Hereafter en deux grands mouvements — matin et soir — où quinze musiciens tressent des textures lumineuses, élégiaques et étrangement réconfortantes. Casque ajusté, bonnet facultatif : la playlist détaillée vous attend juste dessous. Bonne radionavigation !

El itinerario africano y afro-mediterráneo guían el viaje de hoy, un diálogo entre griots, guitarras y desiertos, raíces saharianas y flamencas; puentes entre continentes y tiempos. Time After Time +Balada para un camino muchas veces recorrido - Emiliano Marentes, Alain Derbez, Eze Ozo Jazzea AziManden Mandinkadenou Chant de griot - Jordi Savall, Kasse Mady Diabaté, Mamani Keita, Nana Kouyaté, Tanti Kouyaté, Driss El Maloumi, Ballaké Sissoko, Rajery, The Routes of Slavery Diaraby + Bonde (with Ry Cooder) - Ali Farka Touré, Ry Cooder, Talking TimbuktuSwegh Attay - Tinariwen, Kyp Malone, Tassili Deluxe EditionAfrica - Ketama, Toumani Diabaté, Danny Thompson SonghaiDjamana Djana - Ketama, Toumani Diabaté, José Soto, Songhai Vol. 2Celasigi - Trio Da Kali, BagolaEscuchar audio

*Trigger Warning: This episode has references to self harm and sexual assault. Alan Katz, formerly a writer/showrunner for the TV show, Tales from the Crypt, joins Nicole Barlow and Ryan Pak to talk about his new career in podcasting. Alan owns Costard and Touchstone Productions, which is home to podcasts such as The How Not to Make a Movie Podcast, The Donor: A DNA Horror Story, The Hall Closet, John Kiriakou's Dead Drop: What Makes a Spy Tick, and more! Nicole and Ryan also talk to Alan about the amazing composers that worked on Tales from the Crypt. Legendary composers such as Michael Kaman, Alan Silvestri, Ry Cooder and more leant their talents to the hit horror franchise. Alan shares a great story about collaborating with Kaman. Nicole also asks about a fun needle drop in the film Bordello of Blood, and Alan explains why there will never be a Tales reboot. For more information about Alan Katz: Website Instagram Learn more about your ad choices. Visit megaphone.fm/adchoices

Ry Cooder, one of classic rock's greatest journeymen convinces Malian legend Ali Farka Touré to forget about his rice farm for a month to create one of the coolest albums ever under the 'world music' categorical tag.

En este episodio de Cierra el libro al salir, correspondiente al mes de abril de 2019, te ofrecemos los siguientes contenidos: 0:00 Presentación. 4:40 Noticias: un montón de noticias nuevas sobre libros antiguos o noticias viejas sobre libros futuros. En fin, viajes en el tiempo y, cómo no, otra lista de éxitos. También te recomendamos otro podcast literario: Habitación 101 de Sara Barbera. 26:20 Cuéntame un libro: Ana nos cuenta Crónicas de motel, de Sam Shepard. 37:00 Ana lee un fragmento de Crónicas de motel. 39:20 Libro de reclamaciones, con Carlos Frontera. El libro de Carlos reclama saber más de su autor y, después, Carlos pregunta a su magnífico libro Andar sin ruido. 58:50 Cuéntame un libro: Fernando nos cuenta Claus y Lucas, de Agota Kristof. 1:11:20 Fernando lee un capítulo de Claus y Lucas. 1:15:00 Entrevista a destiempo. Hoy hablamos de niños con Ana María Matute. 1:26:20 Reseña Borgiana. Fernando nos hablas del libro aleatorio Una historia de amor cualquiera, de Ramón Ojas. 1:37:50 Oído por ahí: literatura que nace en la calle. Hoy Ana nos habla del señor que olvida. 1:42:40 Despedida y cierre. Hoy, los enlaces de los libros apuntan a la Librería París. Si conoces una pequeña librería a la que quieras que enlacemos, por favor, dínoslo. Todas las músicas que han sonado durante el programa son de Charles Matuschewski, excepto Improv. Violin with loop, de Junichi Usui (fragmento de Claus y Lucas), Rumbo de grises, de Circus Marcus (entrevista a destiempo) y Paris, Texas, de Ry Cooder (fragmento de Crónicas de motel)

Giocare col fuoco: storie, canzoni, poesie di e con Fabrizio Coppola Letture: John Fante, Chiedi alla polvere (trad. M.G. Castagnone, Marcos y Marcos). Musica: Micah P. Hinson, Ry Cooder, Richard Anthony, Mulatu Astake, Tom Waits

‘Billy Bragg: A People's History' is just out, a new and wholly original kind of memoir written by himself, friends, collaborators and fans, and packed with old snapshots, concert bills, reviews and ephemera. It's very good indeed. He looks back here with us at … … meeting Taylor Swift – “and we both knew who the other was!” … a total of 2,700 gigs – “not counting prisons, In-Stores, Port-A-Stacks and picket lines” … old blokes trying to take selfies … finding old diaries in his archives and sensing how the memory plays tricks … songs that get you out of trouble on stage … bootlegging albums on his reel-to-reel, aged 12, complete with noises off - eg “Bridge Over Troubled Water plus a voice telling me Reach For The Sky was on telly!” … a word-perfect recitation of Mr Tambourine Man … listening to the Lonesome Death of Hattie Carroll when the rest of the school was Glam Rock … buying Ronnie Lane's amp, “like returning home with a religious relic” … “the power of music”: meeting someone who'd heard him on the radio beyond the Iron Curtain … anxiety about American border control: “I was advised to get a new phone. As if that'll make any difference. I'm Billy Bragg, political songwriter!” … lost off-grid in Salt Lake City in the days before internet … “Music can't change the world but it gives you the ability to think it can be changed” …plus Ian McLagan, Desmond Dekker, Ry Cooder, Jam b-sides and Motown Chartbusters Vol 3. Order Billy Bragg: A People's History here: https://burningshed.com/billy-bragg_a-peoples-history_book https://www.billybragg.co.uk/product/billy-bragg-a-peoples-history-an-oral-history-in-the-words-of-people-who-have-been-moved-by-his-music/Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

‘Billy Bragg: A People's History' is just out, a new and wholly original kind of memoir written by himself, friends, collaborators and fans, and packed with old snapshots, concert bills, reviews and ephemera. It's very good indeed. He looks back here with us at … … meeting Taylor Swift – “and we both knew who the other was!” … a total of 2,700 gigs – “not counting prisons, In-Stores, Port-A-Stacks and picket lines” … old blokes trying to take selfies … finding old diaries in his archives and sensing how the memory plays tricks … songs that get you out of trouble on stage … bootlegging albums on his reel-to-reel, aged 12, complete with noises off - eg “Bridge Over Troubled Water plus a voice telling me Reach For The Sky was on telly!” … a word-perfect recitation of Mr Tambourine Man … listening to the Lonesome Death of Hattie Carroll when the rest of the school was Glam Rock … buying Ronnie Lane's amp, “like returning home with a religious relic” … “the power of music”: meeting someone who'd heard him on the radio beyond the Iron Curtain … anxiety about American border control: “I was advised to get a new phone. As if that'll make any difference. I'm Billy Bragg, political songwriter!” … lost off-grid in Salt Lake City in the days before internet … “Music can't change the world but it gives you the ability to think it can be changed” …plus Ian McLagan, Desmond Dekker, Ry Cooder, Jam b-sides and Motown Chartbusters Vol 3. Order Billy Bragg: A People's History here: https://burningshed.com/billy-bragg_a-peoples-history_book https://www.billybragg.co.uk/product/billy-bragg-a-peoples-history-an-oral-history-in-the-words-of-people-who-have-been-moved-by-his-music/Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

‘Billy Bragg: A People's History' is just out, a new and wholly original kind of memoir written by himself, friends, collaborators and fans, and packed with old snapshots, concert bills, reviews and ephemera. It's very good indeed. He looks back here with us at … … meeting Taylor Swift – “and we both knew who the other was!” … a total of 2,700 gigs – “not counting prisons, In-Stores, Port-A-Stacks and picket lines” … old blokes trying to take selfies … finding old diaries in his archives and sensing how the memory plays tricks … songs that get you out of trouble on stage … bootlegging albums on his reel-to-reel, aged 12, complete with noises off - eg “Bridge Over Troubled Water plus a voice telling me Reach For The Sky was on telly!” … a word-perfect recitation of Mr Tambourine Man … listening to the Lonesome Death of Hattie Carroll when the rest of the school was Glam Rock … buying Ronnie Lane's amp, “like returning home with a religious relic” … “the power of music”: meeting someone who'd heard him on the radio beyond the Iron Curtain … anxiety about American border control: “I was advised to get a new phone. As if that'll make any difference. I'm Billy Bragg, political songwriter!” … lost off-grid in Salt Lake City in the days before internet … “Music can't change the world but it gives you the ability to think it can be changed” …plus Ian McLagan, Desmond Dekker, Ry Cooder, Jam b-sides and Motown Chartbusters Vol 3. Order Billy Bragg: A People's History here: https://burningshed.com/billy-bragg_a-peoples-history_book https://www.billybragg.co.uk/product/billy-bragg-a-peoples-history-an-oral-history-in-the-words-of-people-who-have-been-moved-by-his-music/Help us to keep The Longest Conversation In Rock going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

In this episode of Gitaarmannen, the Podcast, Joey Landreth tells the story behind Got To Be You (feat. Roland) — the track that, in his words, “fell out of the sky.” He shares how that recording came together, how unexpected success shaped The Bros. Landreth, and why moments like these keep him grounded as a musician.We also talk about Joey's roots in Winnipeg, his philosophy on making music without chasing fame, and of course his gear — from his custom Duesenberg guitar inspired by Ry Cooder, Bonnie Raitt and Lowell George, to his REVV Signature Amp, and the ongoing debate of amps versus sims.This episode is made possible by REVV Amps, Duesenberg, and Musifacts.

The Five Count recently had a chance to speak with musician A.J. Croce. Releasing music since the early '90s, A.J. has played with people like Willie Nelson, T Bone Burnett, Leon Russell, Béla Fleck and Ry Cooder. He's also the son of Jim Croce. See A.J. on Oct. 3 with the "Croce Plays Croce: Where The Songbook Ends, The Story Begins" tour at the Pantages Theatre in Minneapolis! https://youtu.be/JhUcb35DFiw?si=e6OgM0ut2mFRmnTQ

In this episode, we dive deep into Wim Wenders' haunting 1984 masterpiece Paris, Texas. We unravel its themes of loss, redemption, and the search for connection as we follow Travis Henderson's silent journey across the American desert and into the fractured memories of his past. We'll explore how the film uses stark landscapes to mirror inner emptiness, how Ry Cooder's iconic slide guitar score shapes the mood, and why Harry Dean Stanton's quiet, heartbreaking performance remains one of cinema's greatest. From the film's mythic Americana to its intimate portrayal of family, we'll break down why Paris, Texas continues to resonate as a meditation on love, absence, and healing.YouTube Video Essay mentioned this episode:https://www.youtube.com/watch?v=G2B_mRW8OOQ&ab_channel=It%E2%80%99sJustCinemaFeel free to email at silverscreenvideopodcast@gmail.com with any comments or thoughts. Also be sure to follow us on Instagram @silverscreenvideopodcast, Twitter @SilverVideo, and TikTok silver.screen.vid.

We are proud to present our brand new Cooder book! "I Sing You a True Song: The Ry Cooder Story" is now available! Listen to this short trailer to learn more, including an excerpt from the preface.I Sing You a True Song on AmazonWritten, produced and edited by Frank SchnelleTheme and background music by Chris HaugenVoices produced with text-to-speech AIFollow us on Facebook, Instagram, Tik Tok and YouTubeThe Ry Cooder Story WebsiteSupport us on Patreon Hosted on Acast. See acast.com/privacy for more information.

Este sábado estuvimos muy contentos con la presencia de Mariana de Elli Noise, quien nos contó todo sobre su aniversario 25 como banda y los 20 años del disco Aire Frío. Su concierto en el Foro Alicia. También nos acompañó nuestra amiga Ingrid del Festival Hipnosis que trae a The Horrors, Molchat Doma, Dinosaur Jr. , Pavement entre otros. Es un muy buen festival que tiene una gran curaduría musical. Hablamos de la muerte del héroe del acordeón: El Flaco Jiménez, quien tocó con Ry Cooder, Bob Dylan, The Rolling Stones, Linda Ronstadt, Willie Nelson y tuvo bandas como los Super Seven y Los Texas Tornados. Hablamos del funeral de Ozzy y del italiano al que le cantaron Imagine de John LennonSee omnystudio.com/listener for privacy information.

774 Ali Farka Touré with Ry Cooder - Talking Timbuktu

Send us a message, so we know what you're thinking!Back in Season 1, we talked at length about Warren Zevon, one of the great American songwriters and one of our idols.  So, this year Warren Zevon has been inducted into the Rock'n'Roll Hall of Fame, along with Bad Company and Cyndi Lauper, and we thought that was a perfect excuse to close the loop on our coverage of his career.  It's all here – his later career, final album, appearances on Letterman.  We loved doing it, and we know that you will love listening to this one! Our “Album You Must Listen to Before You Die” is John Lennon's 1980 hit, “Imagine”.  As usual with Lennon's solo albums, it's more (and less) than it seems on the face of it, containing some of Lennon's best work along with some filler.  But, hey, it's a strong album and gave Roxy Music their worst-ever cover (FYI - “Jealous Guy”). We also venture into the world of ChatGPT to find out the Best Albums of 1972.  Fairly strong list – Jethro Tull, Deep Purple, Lou Reed and..............................Wishbone Ash!  Who?    References – Globite Travel Bag, Warren Zevon, Rock and Roll Hall of Fame, “The Wind”, Zach Starkey, The Who, Bad Company, Paul Rodgers, Cyndi Lauper, Jordon Zevon, CHAT GPT, 1972, Letterman, alcoholism, Rolling Stone magazine, Jann Wenner, Zevon Live in Australia, The Bridge Hotel, St Mary's Band Club, The Hilton Sydney, Little River Band, Linda Ronstadt, pleural mesothelioma, Enjoy Every Sandwich, “Sentimental Hygiene”, Neil Young, “Detox Mansion”, “Splendid Isolation”, “Heartache Spoken Here”, “Searching For a Heart”, “The Indifference of Heaven”, Life'll Kill Ya, My Ride's Here, “Hit Somebody”, Tony Levin, “Basket Case”, Carl Hiassen, “Bad Monkey”, “The Wind”, Crystal Zevon, Springsteen, “Knockin' on Heaven's Door”, Dylan, Grammy Award,  “Keep Me in Your Heart", “Enjoy Every Sandwich”, Jackson Browne, Billy Bob Thornton, David Lindley and Ry Cooder, Pixies, Jorge Calderón  Playlist – Music from the episode Enjoy every sandwich The Wind 

Here is my music podcast from Thursday May 8, 2025. Included is the music of Taj Mahal, Ry Cooder, Luther Allison, Savoy Brown, The Animals and more. Just click on the link/picture and enjoy. Art by Brian Kramer. Check out his site for more wonderful music art.

"The Basher" himself, Nick Lowe returns to the Record Store Day Podcast to talk about his recent records with Los Straitjackets, including this year's RSD First Release live disc, (Not) Indoor Safari Vol. 1. But while we've got, we get the esteemed songwriter and record producer to go crate digging through his expansive back catalogue of recorded work to share some personal stories of working with The Pretenders, Elvis Costello, John Hiatt, The Damned, Ry Cooder, Graham Parker, and more. The Record Store Day Podcast is a weekly music chat show written, produced, engineered and hosted by Paul Myers, who also composed the theme music and selected interstitial music.  Executive Producers (for Record Store Day) Michael Kurtz and Carrie Colliton. For the most up-to-date news about all things RSD, visit RecordStoreDay.com   Please consider subscribing to our podcast wherever you get podcasts, and tell your friends, we're here every week and we love making new friends.

Another time, another place. That time? 1984. That place? The movies! Where a rock & roll fable was born, yet no one watched it at the time. In America, anyway. In Japan, someone saw it. A few someones. A few someones, that would go on to make some of the coolest anime and video games around. Now, in 2025? It's the perfect time to go back to that another time, and another place. To go back to the 1984 cinematic cult classic, that is the theatrical film Streets of Fire. Or at least we did. You should too!OSMnotesSadly right now there is no easy to way to just find a handy dandy streaming service to watch Streets of Fire, but it's around to buy digitally…or even physically!Streets of Fire, How to Watch and/or Buy:Stream on Devices that Streamon Amazon Video (Buy or Rent)on Apple TV (Buy or Rent)on Fandango At Home (Buy or Rent)Buy on Blu-Rayon Amazonon Shout! FactoryPlus, Time Cues:We start the OSMcast!ing – 00:00General Gabbing (Talking about the Switch 2 Announcements) – 00:45OSMplugs (Discord, Patreon, TeePublic) – 10:58Streets of FireStreets of Fire, Sans Spoilers (Mostly) – 12:01Streets of Fire, Full of Spoilers – 27:24OSMs Out of OSM and Final Thoughts – 1:08:36We also have YouTube Channels! Both for OSMcast proper and The Carbuncle Chronicle! Please subscribe, hit the bell, and share amongst your friends.And as always, feel free to leave us a review on Apple Podcasts! Oh, and if you still use Spotify, go ahead and get on that mobile device and throw us some five stars there too. Tell your friends! As well, just like we mentioned when we do the OSMplugs, you can also join the Discord and support us on Patreon! PS If you have ever wanted some OSMmerch, feel free to check out our TeePublic page! PPS We appreciate you.

From the first moment I heard this ditty, it became my theme song. I learned to play it - (in a far cruder fashion than Ry, of course) and worked it into my set list. Just like the character Bill in the narrative, - (my name, btw) - my reprobate ways had also been domesticated by love. And, another harmonic convergence: I had even spent a year in Louisville, Kentucky. Jack Yellen, the Jewish-Polish immigrant who wrote these Jazz-age lyrics, also penned Happy Days are Here Again, and Ain't She Sweet. If he had only created these three songs, his oeuvre would have been impressive. His art was another example, like that of Irving Berlin and the Gershwins, of the affinity young Jewish musicians expressed for black culture.  And, like the Semitic moguls of old Hollywood - they became reflectors of America's aspirational self-image.Ry Cooder's Jazz album was not exactly an anomaly - he has always been a musical archeologist, but on this collection he strove for unparalleled authenticity. Check out his jaw dropping rendition of Bix Beiderbecke's In A Mist. Sublime. He's a national treasure, and if the jaunty swing-time on this number doesn't get your feet tapping - check your pulse - you might be dead.

BMG recording artist/singer/songwriter and multi-instrumentalist A.J. Croce's new 11-track album, "Heart of the Eternal," will be released on March 7. Produced by Shooter Jennings (Brandi Carlile, Tanya Tucker), "Heart of the Eternal" will feature a selection of songs that journey from psychedelia to Philadelphia soul to Latin-infused jazz-pop. Croce, son of legendary singer/songwriter Jim Croce, has toured with/collaborated with such legends and luminaries as B.B. King, Willie Nelson, Ray Charles, Leon Russell, Allen Toussaint, Neville Brothers, Bela Fleck and Ry Cooder, to name a few, all while building up an acclaimed catalog that blurs the boundaries between blues, soul, rock & roll, Americana, and much more. In conjunction with "Heart of the Eternal," Croce's upcoming yearlong "Heart of The Eternal Tour" will kick off nationwide on February 20 at The Parker in Fort Lauderdale, Florida, through April 6 at the Opera House in Lexington, Kentucky (check A.J.'s website and local listings for additional performances to be announced in 2025). Tickets can be purchased for the "Heart of The Eternal Tour" at www.ajcrocemusic.com  "Heart of the Eternal" is the latest collection of Croce's songwriting and heart-on-sleeve emotion -- the follow up to his critically lauded cover album "By Request" -his first original body of work since 2017's "Just Like Medicine," which was hailed as "brilliant" by No Depression and a "fluid expression of sorrow and gratitude" by Pop Matters. Says Croce: "I've always felt that music is the heart of our humanity. It's the purest way to connect to one another. Every songwriter I've ever met has told me that they don't know where their greatest songs have come from. Maybe it's our dreams or subconscious that allow us to draw from that eternal well of creativity. I don't know the answer but I'm always looking for it. While stylistically diverse, this album is my search for the heart of the eternal." Recorded at the Sunset Sound in Los Angeles, California, Croce's 11th studio album features bassist David Barard (a Grammy-winner who performed with Dr. John for nearly four decades), drummer Gary Mallaber (whose credits include Van Morrison's Moondance and Tupelo Honey), and guitarist James Pennebaker (Delbert McClinton, Jimmie Dale Gilmore). The album was completed during Croce's downtime from his ongoing "Croce Plays Croce" tour-a widely celebrated run in which he performs classic songs from his late father Jim, along with his own material and a number of specially curated covers.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-unplugged-totally-uncut--994165/support.

DJ St. Paul neemt de muzikale week door met liedjes van o.a. Pale Blue Eyes, Chloe Qisha & OMD. Deze keer in de albumrubriek een uitgebreid gesprek met muzikant Jori Collignon over Chavez Ravine van Ry Cooder.Tracklist:Billy Paul - EastJeremy Bradley Earl - Let The Snow FallThe Stooges - 1969ATRIP - Rainbow (Megra Remix)OMD - Enola GayLove Unlimited Orchestra - Love's ThemePale Blue Eyes - How Long Is NowCameron Winter - Love Takes MilesThe Smashing Pumpkins - 1979Najib Alhoush - Ya Aen DaliChloe Qisha - Sex, Drugs & Existential DreadElliott Smith - TwilightRy Cooder - Poor Man's Shangri-LaInterview Cameron Winterhttps://www.thelineofbestfit.com/features/interviews/cameron-winter-not-kidding-this-timeBernie Sanders Michigan Rallyhttps://www.brooklynvegan.com/watch-the-armed-cover-the-stooges-search-and-destroy-at-bernie-sanders-event-in-detroit/Barry White, The Man And His Musichttps://www.youtube.com/watch?v=PDwjYDV4YKUCollignon in de Nijverheidxhttps://collignonmusic.com/

BMG recording artist/singer/songwriter and multi-instrumentalist A.J. Croce's new 11-track album, "Heart of the Eternal," will be released on March 7. Produced by Shooter Jennings (Brandi Carlile, Tanya Tucker), "Heart of the Eternal" will feature a selection of songs that journey from psychedelia to Philadelphia soul to Latin-infused jazz-pop. Croce, son of legendary singer/songwriter Jim Croce, has toured with/collaborated with such legends and luminaries as B.B. King, Willie Nelson, Ray Charles, Leon Russell, Allen Toussaint, Neville Brothers, Bela Fleck and Ry Cooder, to name a few, all while building up an acclaimed catalog that blurs the boundaries between blues, soul, rock & roll, Americana, and much more. In conjunction with "Heart of the Eternal," Croce's upcoming yearlong "Heart of The Eternal Tour" will kick off nationwide on February 20 at The Parker in Fort Lauderdale, Florida, through April 6 at the Opera House in Lexington, Kentucky (check A.J.'s website and local listings for additional performances to be announced in 2025). Tickets can be purchased for the "Heart of The Eternal Tour" at www.ajcrocemusic.com  "Heart of the Eternal" is the latest collection of Croce's songwriting and heart-on-sleeve emotion -- the follow up to his critically lauded cover album "By Request" -his first original body of work since 2017's "Just Like Medicine," which was hailed as "brilliant" by No Depression and a "fluid expression of sorrow and gratitude" by Pop Matters. Says Croce: "I've always felt that music is the heart of our humanity. It's the purest way to connect to one another. Every songwriter I've ever met has told me that they don't know where their greatest songs have come from. Maybe it's our dreams or subconscious that allow us to draw from that eternal well of creativity. I don't know the answer but I'm always looking for it. While stylistically diverse, this album is my search for the heart of the eternal." Recorded at the Sunset Sound in Los Angeles, California, Croce's 11th studio album features bassist David Barard (a Grammy-winner who performed with Dr. John for nearly four decades), drummer Gary Mallaber (whose credits include Van Morrison's Moondance and Tupelo Honey), and guitarist James Pennebaker (Delbert McClinton, Jimmie Dale Gilmore). The album was completed during Croce's downtime from his ongoing "Croce Plays Croce" tour-a widely celebrated run in which he performs classic songs from his late father Jim, along with his own material and a number of specially curated covers.Become a supporter of this podcast: https://www.spreaker.com/podcast/arroe-collins-like-it-s-live--4113802/support.

Over the past three decades, A.J. Croce has established his reputation as a piano player and vocal stylist who pulls from a host of musical traditions and anti-heroes — part New Orleans, part juke joint, part soul. From his 10 studio albums, it's clear that he holds an abiding love for all types of musical genres: Blues, Soul, Pop, Jazz, and Rock n' Roll. A virtuosic piano player, Croce toured with B.B. King and Ray Charles before reaching the age of 21, and over his career, he has performed with a wide range of musicians, from Willie Nelson to the Neville Brothers, to Béla Fleck and Ry Cooder. A.J. has also co-written songs with such formidable tunesmiths as Leon Russell, Dan Penn, Robert Earl Keen, and multi-Grammy winner Gary Nicholson. His albums have all charted on an impressive array of charts: Top 40, Blues, Americana, Jazz, College, and Radio 1. The Nashville-based singer/songwriter has landed 22 singles on a variety of Top 20 charts.  His songwriting and style has evolved from Jazz & Blues on his debut and sophomore albums, to the roots-rock of the more recent collaborative recordings like Cantos with Ben Harper, Twelve Tales with Allen Toussaint, and Just Like Medicine with Vince Gill. He recently toured with his show "Croce Plays Croce" where he paid tribute to his father, singer/songwriter Jim Croce.   

Lloyd Baggs talks about his early years building guitars and pickups for Ry Cooder, Jackson Browne, and many others. Lloyd gives us an inside look at a revolutionary new acoustic-electric guitar. Lloyd is always insightful and fun. More info on the guitar and L.R Baggs pickups here: https://www.lrbaggs.com

El amigo secreto y Máximo Pradera se atreven con los primeros acordes de una de las canciones de Jevetta Steele y Ry Cooder más recordadas. Al ritmo de "Paris, Texas y Bagdad Café" empezamos la mañana.

Frequent Fretboard Journal contributor Cameron Knowler returns to the Fretboard Journal Podcast to talk about his forthcoming new album, CRK. Inspired by classic Terry Allen and Ry Cooder records, CRK features expansive acoustic guitar playing and atmospheric touches that evoke Cameron's Southwest roots. We also go deep on good vs. bad guitars; horse trading with Norman Blake; the groundbreaking technique of Riley Puckett; drummer Jay Bellerose and more.   Pre-order CRK and listen to Cameron's new single, “Felicity,” here: https://worriedsongs.bandcamp.com/album/crk Our next Fretboard Summit takes place August 21-23, 2025 at Chicago's Old Town School of Folk Music. Register today: https://www.oldtownschool.org/concerts/2025/08-21-2025-fretboard-summit-2025/ This week's show is sponsored by: Stringjoy Strings: https://stringjoy.com (Use the code FRETBOARD to save 10% off your first order) Mike & Mike's Guitar Bar: https://mmguitarbar.com Peghead Nation: https://www.pegheadnation.com (Get your first month free or $20 off any annual subscription with the promo code FRETBOARD at checkout).

La guitare Hauts-de-France de Clément Nourry et la folk alternative de la Libanaise Mayssa Jallad. Notre 1er invité est le guitariste Clément Nourry pour la sortie de Amor.Après sept ans d'attente, Clément Nourry revient avec un nouvel album solo, Amor, véritable manifeste de liberté artistique. Il y trouve une échappatoire créative, loin des attentes esthétiques et des contraintes extérieures. À travers les huit titres de Amor, Clément Nourry tisse un lien entre la noise qu'il affectionne et les mélodies qu'il compose à la guitare électrique, son instrument de prédilection. Entre fingerpicking délicat et feedbacks électroniques, il crée un univers sonore à la fois sauvage et intime, où se rencontrent deux mondes musicaux. L'album a été enregistré en seulement deux jours à la Free House, dans une atmosphère brute et authentique. Un homme, une guitare, un ampli, une prise.Une fois les performances capturées par Ted Clark. Amor est marqué par des influences profondes, comme la bande originale de Paris, Texas de Ry Cooder et celle de Dead Man de Neil Young, qui ont laissé une empreinte indélébile sur sa jeunesse. Amor puise dans l'expérience nocturne de  Clément Nourry, qui a composé, écrit et mixé principalement la nuit. La pochette, conçue par l'artiste Margot Degert, capture cette ambiance, évoquant des dunes et des paysages désertiques, un clin d'œil à Ry Cooder et aux souvenirs du désert.Titres interprétés au grand studio- Amor Live RFI- Le Cœur Léger, Fumée du Crépuscule et Bête Aveugle, medley extrait de l'album- Serpent Live RFI.Line Up : Clément Nourry, guitare.Son : Mathias Taylor, Camille Roch.► Album Amor (Capitane Rd 2024).Youtube - Bandcamp. Puis nous recevons Mayssa Jallad pour la sortie de Marjaa : The Battle of The Hotels.«Marjaa : La bataille des hôtels» est né des deux vocations de la chanteuse/compositrice Mayssa Jallad : la musique et l'architecture. Écrit en collaboration avec le producteur Fadi Tabbal, l'album explore les étincelles de la guerre civile libanaise en 1975. Durant cinq mois, les factions opposées se disputent le quartier des hôtels du centre de Beyrouth cherchant à dominer les hauteurs architecturales de la ville. L'issue de cette bataille détermina la ligne de démarcation est-ouest qui scinda la ville pendant plus de 15 ans. Une division violente qui résonne encore aujourd'hui dans la culture libanaise.Les chansons de Mayssa s'adressent à la génération de l'après-guerre à qui l'on n'a jamais enseigné cette histoire difficile. Elles sont aussi un appel au renouvellement (plutôt qu'au recyclage par l'oubli) de la classe politique qui tient le peuple en otage de sa violence historique.Titres interprétés au grand studio- Baynana, Live RFI- Markaz Azraq, extrait de l'album- Mudun, Live RFI.Line Up : Mayssa Jallad (chant / guitare), Julia Sabra (claviers / guitare / chant), Pascal Semerdjian (batterie).Son : Mathias Taylor, Jérémie Besset, Camille Roch.► Album Marjaa : The Battle of The Hotels (Ruptured Music 2024).Site - Bandcamp - Youtube.

La guitare Hauts-de-France de Clément Nourry et la folk alternative de la Libanaise Mayssa Jallad. Notre 1er invité est le guitariste Clément Nourry pour la sortie de Amor.Après sept ans d'attente, Clément Nourry revient avec un nouvel album solo, Amor, véritable manifeste de liberté artistique. Il y trouve une échappatoire créative, loin des attentes esthétiques et des contraintes extérieures. À travers les huit titres de Amor, Clément Nourry tisse un lien entre la noise qu'il affectionne et les mélodies qu'il compose à la guitare électrique, son instrument de prédilection. Entre fingerpicking délicat et feedbacks électroniques, il crée un univers sonore à la fois sauvage et intime, où se rencontrent deux mondes musicaux. L'album a été enregistré en seulement deux jours à la Free House, dans une atmosphère brute et authentique. Un homme, une guitare, un ampli, une prise.Une fois les performances capturées par Ted Clark. Amor est marqué par des influences profondes, comme la bande originale de Paris, Texas de Ry Cooder et celle de Dead Man de Neil Young, qui ont laissé une empreinte indélébile sur sa jeunesse. Amor puise dans l'expérience nocturne de  Clément Nourry, qui a composé, écrit et mixé principalement la nuit. La pochette, conçue par l'artiste Margot Degert, capture cette ambiance, évoquant des dunes et des paysages désertiques, un clin d'œil à Ry Cooder et aux souvenirs du désert.Titres interprétés au grand studio- Amor Live RFI- Le Cœur Léger, Fumée du Crépuscule et Bête Aveugle, medley extrait de l'album- Serpent Live RFI.Line Up : Clément Nourry, guitare.Son : Mathias Taylor, Camille Roch.► Album Amor (Capitane Rd 2024).Youtube - Bandcamp. Puis nous recevons Mayssa Jallad pour la sortie de Marjaa : The Battle of The Hotels.«Marjaa : La bataille des hôtels» est né des deux vocations de la chanteuse/compositrice Mayssa Jallad : la musique et l'architecture. Écrit en collaboration avec le producteur Fadi Tabbal, l'album explore les étincelles de la guerre civile libanaise en 1975. Durant cinq mois, les factions opposées se disputent le quartier des hôtels du centre de Beyrouth cherchant à dominer les hauteurs architecturales de la ville. L'issue de cette bataille détermina la ligne de démarcation est-ouest qui scinda la ville pendant plus de 15 ans. Une division violente qui résonne encore aujourd'hui dans la culture libanaise.Les chansons de Mayssa s'adressent à la génération de l'après-guerre à qui l'on n'a jamais enseigné cette histoire difficile. Elles sont aussi un appel au renouvellement (plutôt qu'au recyclage par l'oubli) de la classe politique qui tient le peuple en otage de sa violence historique.Titres interprétés au grand studio- Baynana, Live RFI- Markaz Azraq, extrait de l'album- Mudun, Live RFI.Line Up : Mayssa Jallad (chant / guitare), Julia Sabra (claviers / guitare / chant), Pascal Semerdjian (batterie).Son : Mathias Taylor, Jérémie Besset, Camille Roch.► Album Marjaa : The Battle of The Hotels (Ruptured Music 2024).Site - Bandcamp - Youtube.

Henry St. Claire Fredericks, Jr., aka Taj Mahal is 82 years of age, and like that monument in Agra, he stands as an ageless edifice of blues - rock grace. On his latest recording he croons in that familiar rasp: “I'm too young to be this old,” and there's no denying the truth of that declaration. As the years have passed, it's gratifying to contemplate that, 60 years ago, Taj and Ry Cooder combined forces in the seminal, interracial rock group The Rising Sons, then went their separate ways to establish themselves as the foremost living treasures of Americana and world music.  I would venture to say that, similarly to the white British rockers who influenced a generation when they recycled the blues back to America, Taj and Ry did the same thing, on their home soil, with more humility..I have a distinct memory of being ensconced during an arduous Iowa winter, laboring to get this song down for my set at the student union: one man, one guitar,- trying to catch the funky groove of the thing. The syncopation between Al Kooper's piano, Jesse Ed Davis's guitar and Gary Gilmore's bass, propels this cut forward, moving it along a track of joy - even as the singer is bemoaning his lost love. That's the thing about Taj: his ever-present, infectious humor is fundamental to his magical appeal. And, the fact that he took his name in tribute to Gandhi, a man of peace, speaks mightily to his personal mission to make us all happy.

Among the walnut shells, wrapping paper, dried tangerine peel and broken toys beneath the Christmas Tree Of News we found a few unopened presents, among them … … Marine Homicide Unit solving murders in Scottish waters or former rock star dumping toxic waste? A crime drama Stackwaddy special. … Roy Bittan, Duke Ellington: how musical “professors” date back to ragtime. …'Suzanne' and the other three songs Leonard Cohen gave away. … Mary Martin, unsung connector and catalyst of folk-rock. … how the spare, monochrome simplicity of John Wesley Harding flew against the prevailing wind of Disraeli Gears, Forever Changes and Magical Mystery Tour. … “I'd rather be dead than wet my bed”. … the invention of the “blockbuster album”. … she's only human: what Judy Collins thought when she met Leonard Cohen. … Crowded House, John Fogerty, Ry Cooder, Ian Broudie, Patti Smith … when did having your kids in your band become almost compulsory? … producer Richard Perry's journey from Beefheart to the “surrealistic vaudeville” of Tiny Tim to the pure genius of ‘You're So Vain'. Plus a rare moment - something David Hepworth doesn't know! - and birthday guest Sandra Austin.Tickets for Word In Your Ear live here: https://www.eventbrite.co.uk/e/bowie-in-london-and-hollywood-tickets-1118845138929?aff=oddtdtcreator Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

Among the walnut shells, wrapping paper, dried tangerine peel and broken toys beneath the Christmas Tree Of News we found a few unopened presents, among them … … Marine Homicide Unit solving murders in Scottish waters or former rock star dumping toxic waste? A crime drama Stackwaddy special. … Roy Bittan, Duke Ellington: how musical “professors” date back to ragtime. …'Suzanne' and the other three songs Leonard Cohen gave away. … Mary Martin, unsung connector and catalyst of folk-rock. … how the spare, monochrome simplicity of John Wesley Harding flew against the prevailing wind of Disraeli Gears, Forever Changes and Magical Mystery Tour. … “I'd rather be dead than wet my bed”. … the invention of the “blockbuster album”. … she's only human: what Judy Collins thought when she met Leonard Cohen. … Crowded House, John Fogerty, Ry Cooder, Ian Broudie, Patti Smith … when did having your kids in your band become almost compulsory? … producer Richard Perry's journey from Beefheart to the “surrealistic vaudeville” of Tiny Tim to the pure genius of ‘You're So Vain'. Plus a rare moment - something David Hepworth doesn't know! - and birthday guest Sandra Austin.Tickets for Word In Your Ear live here: https://www.eventbrite.co.uk/e/bowie-in-london-and-hollywood-tickets-1118845138929?aff=oddtdtcreator Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

What happens when a legendary artist turns his final days into one of the most celebrated albums of all time? In this gripping oral history of Warren Zevon's Grammy-winning swan song, The Wind, we unravel the stories behind the music, the heartbreak, and the triumph. Featuring exclusive insights from Jorge Calderón, Warren's lifelong collaborator and The Wind co-producer, and Noah Scot-Snyder, the album's co-producer, engineer and mixer, this episode takes you behind the curtain of Zevon's bittersweet journey. Hear how Zevon defied the odds, transforming a terminal diagnosis into a creative explosion and how close the album came from not being completed. From emotional songwriting and recording sessions to unforgettable moments like Bruce Springsteen breaking an amplifier during his blistering guitar session. Discover how Ry Cooder, Don Henley, Joe Walsh, Jim Keltner, Emmylou Harris, and more rallied to honor Warren's legacy, creating an album that transcended time, grief, and circumstance. Jorge and Noah recount Warren's humor and vulnerability, like the night he decided to record "Knockin' on Heaven's Door" in Billy Bob Thornton's basement or Zevon's insistence on crafting "Keep Me In Your Heart," even when the pain felt insurmountable. You'll hear about the magic of “Rest of the Night,” a rowdy anthem with Tom Petty and Mike Campbell born from Zevon's last moments of levity, and the emotional toll the process took on those closest to him. This episode isn't just about music—it's about life, legacy, and the stories that make great art unforgettable. If you love music history, legendary collaborations, or just a raw, unfiltered look at the human spirit, this is a must-listen. Thank you very much to Bob Emrich and Tom Hatfield for their assistance recording this episode.

Ok, WE'RE BACK! Sorry about the delay.We (like everybody else in this country with a pulse) are having a lot of feelings (of course, Pearce is especially worked up). Join us we reconnect- Growing Up Naked style- with another pithy sit down that includes (among other things) THE ELECTION!, roach clips, broken teeth, Mo moving back to NYC, THE ELECTION!, Sandusky, Ohio, giant spiders and punching praying mantises, THE ELECTION!, a tribute to Phil Lesh, and much much more, including... THE ELECTION!!!DON'T FORGET TO VOTE!Growing Up Naked theme composed, arranged and performed by Isaac DellMusic:Cold Cold Feeling, written and performed by Ry Cooder and Joachim Cooder  (from the album Election Special)He's Gone, lyrics by Robert Hunter, music by the Grateful Dead (Jerry Garcia, Bob Weir, Phil Lesh, Keith Godchaux, Donna Jean Godchaux and Bill Kreutzmann)   live in Veneta, OR, 8/27/72 (from the album/soundtrack Long Strange Trip:      The Untold Story of the Grateful Dead)Brown Eyed Women, lyrics by Robert Hunter, music by the Grateful Dead (Jerry Garcia, Bob Weir, Phil Lesh, Ron "Pigpen" McKernan, Keith Godchaux, Donna Jean Godchaux and Bill Kreutzmann)   live in Copenhagen (from the album Europe '72)Bread Line Blues, written by Bernard Slim Smith, performed by Jorma Kaukonen,  Sam Bush, Jerry Douglas, Byron House and Bela Fleck   (from the album Blue Country Heart)   

Er brachte den Sound Malis in die Welt, wird als Nationalheld und einer der größten Gitarristen aller Zeiten gefeiert. In der Musik sah Touré seine Berufung jedoch nie. Von Thomas Mau.