Podcast appearances and mentions of James Bernard

D'abord synonyme d'exploitation à petit budget, le cinéma de la Hammer a redéfini l'horreur sur grand écran, modernisant les mythes classiques et ouvrant la porte à un érotisme et à une violence plus explicites. Influence majeure pour toute une génération de cinéastes, le studio a également créé une approche musicale aussi inéluctable que les morsures du comte Dracula. Entrez maintenant dans l'antre de la Hammer…Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Playlist: Kiasmos - SistertonTwinsleep, John Hayes, Maxy Dutcher - OutlierMartin Herzberg, Felix Rauber - The PassageNick Vereshchak - a safe placeWilson Trouve - Moving SlowlyLara Somogyi, Jean-Michel Blais - auraMax Richter - PerihelionJim Perkins, Keith Kenniff - Last Letters - Goldmund ReworkOlivia Belli, Chris Worsley - AnemosKEYNVOR - MarazionPeter Gregson - RitualAutonomy - Black DogAutonomy - CellophaneHenrik Meierkord, Sole Gipp Ossler - BallongenHenrik Meierkord, Sole Gipp Ossler - SlaapSheku Kanneh-Mason - Star if the County DownJóhann Jóhannsson - Flight from the City - Vikingur Olafsson reworkSlow Meadow - Upstream DreamBen Seretan - a surreal hour of normalcyErland Cooper - Music for Growing Flowers - Pt 7Cephas Azariah - Recompose - In NatureSaapto, James Bernard, marine eyes - Highway at NightLoscil - ArrhythmiaTim Hecker - Sunset Key MeltJesse Marcella - AirAbstract Aprils - Lense

(Kevin)Playlist: Wayne Patrick Garrett - Marine LifeBruce Kaphan - Homage (Pour La Grande Fromage)From Overseas, James Bernard, zakè - FintChristopher Haddow - Rosy Pinks & Golden NudesADRA - Untitled (Baritone Guitar)Guy Blakeslee - EXTRAVISIONBill Orcutt - SanctuaryDANIAILYAS - The World Spinszakè & Angela Winter - GaleWil Bolton - FirAndrea Belfi & Jules Reidy - upAlan Licht - Frank Sinatra DriveBlendreed - Eolian CalmEtelin - Electrical SailingBroken Chip - Visible SpectrumOsmanthus - When Winds Blow

Novelist Jacinda Townsend and writer James Bernard Short join co-hosts Whitney Terrell and V.V. Ganeshananthan to talk about the movie American Fiction, which is based on the novel Erasure by Percival Everett. Townsend and Short discuss how the film addresses race in the publishing industry via its central character, Black author Thelonious “Monk” Ellison, who tries to make an ironic point by writing a book exploiting Black stereotypes and finds, to his dismay, that it's received in earnest and a bestseller. Townsend and Short analyze director Cord Jefferson's approach and the film's themes of family dysfunction, freedom in storytelling, and the importance of portraying the complexity of Black lives.  To hear the full episode, subscribe through iTunes, Google Play, Stitcher, Spotify, or your favorite podcast app (include the forward slashes when searching). You can also listen by streaming from the player below. Check out video versions of our interviews on the Fiction/Non/Fiction Instagram account, the Fiction/Non/Fiction YouTube Channel, and our show website: https://www.fnfpodcast.net/ This episode of the podcast was produced by Anne Kniggendorf. Jacinda Townsend Mother Country Saint Monkey James Bernard Short “Aqua Boogie” | Blood Orange Review “Rootwork” | Blood Orange Review “Flash, Back: Langston Hughes' The Simple Shorts” | SmokeLong Quarterly Others: American Fiction (movie) | Official Trailer Erasure by Percival Everett An American Marriage by Tayari Jones Harlem Shuffle by Colson Whitehead Sag Harbor by Colson Whitehead Salvage the Bones by Jesmyn Ward The Color Purple by Alice Walker Thelonious Monk Ralph Ellison Invisible Man by Ralph Ellison “The Little Man at Chehaw Station” by Ralph Ellison | The American Scholar, 1978 The Tuskegee Institute White Negroes by Lauren Michele Jackson “The White Negro” by Norman Mailer | Dissent, 1957 “Dragon Slayers” by Jerald Walker | The Iowa Review, 2006 “The Hidden Lesson of ‘American Fiction'” by John McWhorter | The New York Times Origin (movie) | Official Trailer Fiction/Non/Fiction Season 1, Episode 11, “Annihilation, Adaptation: What's It Really Like to Have Your Book Made Into a Movie” Fiction/Non/Fiction Season 2, Episode 11, “Brit Bennett and Emily Halpern on Screenwriting's Tips for Fiction” Fiction/Non/Fiction Season 6, Episode 33, “The Stakes of the Writers' Strike: Benjamin Percy on the WGA Walkout, Streaming, and the Survival of Screenwriting” Fiction/Non/Fiction Season 6, Episode 38, “Jacinda Townsend on Why Democrats Are Skeptical of President Biden—and How He Can Win Them Back” Learn more about your ad choices. Visit megaphone.fm/adchoices

CITR's 24 Hours of Radio Art in a snack-sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something. This evening's broadcast features CEL, KOKUM, FROM OVERSEAS / JAMES BERNARD / ZAKE, NITECHORD, and MATTHIAS ENGELKE.

Welcome to a special Halloween edition of THE ARCHIVE on the CINEMATIC SOUND RADIO PODCAST Today's show focuses on the music of the house of horror, HAMMER FILMS. Yes, all of the music comes from the studio best known for a series of Gothic horror and fantasy films made between the mid-1950s and the 1970s. Many of these feature classic horror characters like Baron Victor Frankenstein, Count Dracula, and the Mummy, whom Hammer reintroduced to audiences by filming them in vibrant colour for the first time. Composers featured include David Whittaker, Harry Robinson, Laurie Johnson, Franz Reizenstein and the great James Bernard. The show is scripted by acclaimed film music journalist Jon Mansell, who, with the help of your host Jason Drury, will take you on a journey through the best music this renowned studio has ever produced. Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

CITR's 24 Hours of Radio Art in a snack sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something. This morning's broadcast features LOUIE.LOU, MOSKITOO, ANGEL LIN, vAaristyma, JAMES BERNARD, and SAMUEL REINHARD.

Marigrace Dineen, Bosco Michne and James Bernard join Heart of The East End Gianna Volpe on WLIW-FM and perform “Prayer” from MGD's AVES ABCD record live in the WLIW-FM studio ahead of their Oct. 20 performance at Jason's Vineyard.Listen to the playlist on Apple Music

‍♂️ ¡Esto es INICIATIVA VAMPIROS de @IniciativasPod! Disfruta de 30 podcasts tratando la figura del vampiro en el cine y otras plasmaciones. #️⃣ Apóyanos siguiendo el hashtag #IniciativaVampiros en X e Instagram. ✅ https://linktr.ee/IniciativaVampiros A través de los ventanales del castillo la luz se hace cada vez más tenue. La efigie del no muerto de pronto abre los ojos ensangrentados, las tres notas del compositor James Bernard invocan las tres sílabas del conde Drácula. Un hito en el cine vampírico, el primer Drácula que se nos viene a la mente es el Christopher Lee de la Hammer, sus ojos y colmillos inyectados en sangre, atormentado, elegante, sus movimientos animalescos congelarían el aliento al público en los cines en Technicolor. La sangre es roja, no en blanco y negro, y el erotismo mucho más marcado que en los films de la Universal. Estas vampiras duermen de día en camisón, por la noche esperan ávidas al príncipe de las tinieblas. Bastantes críticos de la época (1958) tildaron el film de pornográfico, los colmillos abyectos desvirgaban los cuellos pálidos de las doncellas, y las estacas penetraban el pecho a martillazo limpio. Terence Fisher y su guionista Jimmy Sangster transforman al negociante Jonathan Harker de la novela original de Stoker en un cazavampiros. El invitado repara en algo extraño, en los alrededores del castillo no se escucha el canto de los pájaros. Fisher nos encierra en la alcoba entre elipsis y saltos vertiginosos. Nos dejamos llevar por un montaje sincopado y dinámico, saltando los escalones de tres en tres. Peter Cushing parece un galgo, se arroja contra las cortinas del castillo, para que entre el sol y el monstruo se desmorone. Las fuerzas del bien y del mal en eterno conflicto continuarán la saga del conde en la británica Hammer, la casa de la sangre, secuelas como “Las novias de Drácula” “Drácula, príncipe de las tinieblas” o “Las cicatrices de Drácula”. Esta noche adornamos con ajo las ventanas de Lucy… Salvador Limón, Raúl Gallego y Zacarías Cotán Blog: cinemalagranevasion.blogspot.com Instagram: la_gran_evasion1_ https://www.instagram.com/la_gran_evasion1_/ En INICIATIVA VAMPIROS participan: Bibliocracia, Café Con Podcast, CronoCine, Doble Sesión, El Café De Rick, El Calabozo Del Reverendo Wilson, El Secreto Del Pentagrama, El Terror No Tiene Podcast, Estación Caladan, Familia Asimétrica, Just Live It, La Camarilla, La Gran Evasión, La Nevera De La Sra. Baker, La Taberna Del Irlandés, Los Archivos Secretos Del Dr. Orloff, Maniatic Podcast, +QCine, No Apaguen El Proyector, Pinkerton Podcast, Planeta Bob, Planeta Terror, Podcastwood, Policías Pelis, Puro Vicio, Rancho Drácula, Recamera Horror Podcast Show, Saco De Dados, The Majestic Podcast y Universo Enmascarado. ‍ El apartado visual y las miniaturas son obra de Rediseña (The Majestic Podcast). INICIATIVA VAMPIROS ha sido coordinada por Rafa Gambín (Doble Sesión) y Fran Maestra (Podcastwood) con la colaboración de Gonzalo Cuélliga (Podcastwood) y Luis Millán (Just Live It). ✅ https://linktr.ee/IniciativaVampiros

Tune in Friday afternoon for new music by Janek Krukowski, Andrew Spackman, Ostrofti, Alphaxone / Onasander's ‘Futuristic Dereliction‘ collaboration, Estelle Schorpp, Allmanna Town, Alessandro Cortini, plus a trio of reissues from three legacy artists you may very well be hearing for the first time – Onions (‘Layers: 1975-2004‘), James Bernard (‘Atmospherics [30th Anniversary Edition]‘, and vAaristyma (‘2014 – 2024‘).

CITR's 24 Hours of Radio Art in a snack-sized format. Dark Ambient. Drone. Field Recordings. Noise. Sound Art. Or something. Tune in Friday night for more music from Yui Onodera, Olivier Cong, and the Anthology of Experimental Music From Canada, plus new WHALT THISNEY, zake / Angela Winter, James Bernard, Veryan, Robert Rich / Luca Formentini, Fletina, and Jettenbach / Disorganism's “DisJettenism“.

James Bernard Liedtka was a 28 year old from Menomonie, WI. He was an engineering student and a military veteran. In the early morning of Nov. 4, 2018, James was presumably walking from downtown Eau Claire to a home he owned nearby. He never arrived. He was never seen again. Facebook: https://www.facebook.com/BringJamesLiedtkaHome Charley Project: https://charleyproject.org/case/james-bernard-liedtka NAMUS: https://www.namus.gov/MissingPersons/Case#/53343?nav Map Analysis: https://youtu.be/rCKtoIg9vDw Article: https://www.wqow.com/news/four-years-later-james-liedtka-still-missing/article_ff426cfc-5c72-11ed-beb6-dff5925a6b02.html If you have any information concerning the disappearance of James Liedtka, please contact Eau Claire Police Department at (715) 839-4972. Learn more about your ad choices. Visit megaphone.fm/adchoices

Novelist Jacinda Townsend and writer James Bernard Short join co-hosts Whitney Terrell and V.V. Ganeshananthan to talk about the movie American Fiction, which is based on the novel Erasure by Percival Everett. Townsend and Short discuss how the film addresses race in the publishing industry via its central character, Black author Thelonious “Monk” Ellison, who tries to make an ironic point by writing a book exploiting Black stereotypes and finds, to his dismay, that it's received in earnest and a bestseller. Townsend and Short analyze director Cord Jefferson's approach and the film's themes of family dysfunction, freedom in storytelling, and the importance of portraying the complexity of Black lives.  To hear the full episode, subscribe through iTunes, Google Play, Stitcher, Spotify, or your favorite podcast app (include the forward slashes when searching). You can also listen by streaming from the player below. Check out video versions of our interviews on the Fiction/Non/Fiction Instagram account, the Fiction/Non/Fiction YouTube Channel, and our show website: https://www.fnfpodcast.net/ This episode of the podcast was produced by Anne Kniggendorf. Jacinda Townsend Mother Country Saint Monkey James Bernard Short “Aqua Boogie” | Blood Orange Review “Rootwork” | Blood Orange Review “Flash, Back: Langston Hughes' The Simple Shorts” | SmokeLong Quarterly Others: American Fiction (movie) | Official Trailer Erasure by Percival Everett An American Marriage by Tayari Jones Harlem Shuffle by Colson Whitehead Sag Harbor by Colson Whitehead Salvage the Bones by Jesmyn Ward The Color Purple by Alice Walker Thelonious Monk Ralph Ellison Invisible Man by Ralph Ellison “The Little Man at Chehaw Station” by Ralph Ellison | The American Scholar, 1978 The Tuskegee Institute White Negroes by Lauren Michele Jackson “The White Negro” by Norman Mailer | Dissent, 1957 “Dragon Slayers” by Jerald Walker | The Iowa Review, 2006 “The Hidden Lesson of ‘American Fiction'” by John McWhorter | The New York Times Origin (movie) | Official Trailer Fiction/Non/Fiction Season 1, Episode 11, “Annihilation, Adaptation: What's It Really Like to Have Your Book Made Into a Movie” Fiction/Non/Fiction Season 2, Episode 11, “Brit Bennett and Emily Halpern on Screenwriting's Tips for Fiction” Fiction/Non/Fiction Season 6, Episode 33, “The Stakes of the Writers' Strike: Benjamin Percy on the WGA Walkout, Streaming, and the Survival of Screenwriting” Fiction/Non/Fiction Season 6, Episode 38, “Jacinda Townsend on Why Democrats Are Skeptical of President Biden—and How He Can Win Them Back” Learn more about your ad choices. Visit megaphone.fm/adchoices

As with all past ‘Reflection' year-end mixes, I start with a collection of albums, EPs, and compilations I have enjoyed over the past year. Through the process of compiling a mix, tracks are selected from this extensive collection. This ultimately means many of my favorite tracks and albums are often omitted in this process, due to the organic process of compiling a mix, things don't fit, or fall by the wayside. There are many albums I had on high rotation missing from this mix, but I have to stop somewhere. As I say every year, this isn't a definitive ‘best-of' list, but a selection of *some* of my favorite music from the year in one listenable format. It's the most enjoyable way for me to boil down the music I've loved from the year using these self-imposed restrictions, for you to enjoy and hopefully discover more, and for me to reflect on time and time again - like a photograph that captures the year in music. I encourage you to use the mix to explore each artist, listen to the album in full, and explore each label (and check the Buy Music Club list at the bottom). If you want to see the majority of music I've been supporting this year, head over to my Bandcamp collection. For the ASIP year-end label compilation, see the feature and mix here.~Yikes, I crossed the 3-hour mark! Well, that speaks volumes to the amount of great music that was released this year, and I'm already feeling guilty about omissions from this mix. But alas, it needs to stop somewhere, the Holiday's are coming… This edition marks the tenth year in succession (2010 was the first mix but I skipped doing this for two years for some reason) and it is an extremely enjoyable exercise I look forward to every year. Revisiting many of the albums I've purchased throughout the year, and records from my shelf, then taking the time to absorb more recent releases - the process is cathartic (after the slight anxiety that builds knowing I have a beast of a mix to tackle, and hard decisions to be made). Looking back at previous Reflection mixes, I am evidently a creature of habit and seem to gravitate to certain artists more than most over the years (we all have our faves), but I also take a lot of time to dig for new artists and approaches to music in this realm, and this year's edition is probably the most varied in music styles since the Reflection series began. Ambient, field recordings, drone (Power-ambient, even), big saxophones (the flute revival didn't make it ;-), Japanese left-field pop, deep techno, chugging techno, modern classical, experimental, jungle, breaks, dub and more… as you might imagine, this is a 3hr mix that feels more like a showcase than a DJ mix in the traditional sense, as I'm focusing on creating chapters of different styles, but I hope makes for an attentive listen if you've got 3hrs to spare. Am I going to write about all 42 tracks? Not this time, as I don't think there's much I can illustrate other than ‘go listen to that entire album!' but I will make a few observations on themes that emerged as I was going through this process. Firstly, the far corners of Bandcamp are very much alive, so for anyone looking for alternatives given all the talk with Bandcamp this year, please don't hit the escape button and continue to support us- I continued to find so many new labels and artists, some of which are included here such as Liis Ring, Etüüd, ǝɯǝɐ, Azu Tiwaline and not to forget a kick-ass Jungle community throwing out some lovely 90's infused comps. Bandcamp keeps small labels and artists alive right now (only two of these tracks were physical releases and not on Bandcamp - #19 & #42). I spent a lot of time listening to music that would work for the two shows I played in Japan earlier this year, and for those who listened back to one of the sets I posted, you may notice a few similar tracks/artists appearing here again which I've held in high regard since their release, such as Jo Johnson, Field Lines Cartographer and Endurance. On reflection, there was a lot of deepness for me this year that came from preparing for and inspired by those sets, sitting on the edges of techno with lots of synthesizer/Berlin school projects (as well as a couple of artists I got to see in person whilst over there such as Yolabmi and Endurance).There were a couple of glaring omissions from this mix (*checks Bandcamp app most played*) which I had on rotation so much this year that I still wanted to mention, such as Imaginary Softwoods, who was behind one of my favorite tracks of the year, ‘Diagrams of the Universe'. Along with Johnny Nash's Point of Entry - a tranquil guitar-laden affair, both of which never left my turntable for long.The ever-expanding ASIP roster of artists, both alumni and current, had an extremely busy year evidently (I try to restrict their inclusions in this mix where I can otherwise it could be an entire ASIP promo show… hey that's an idea…). bvdub released about ~10 masterpieces, as only he can, flaunting all possible peripherals in his deep arsenal (along with rounding out the Earth House Hold project with us of course). ASC was crazy busy with his quality retro Spatial DnB releases (one of them made it in here). For those who enjoyed Alex Albrecht's debut with us, don't miss his earlier 2023 release. Deepchild released another great textured follow-up to his ASIP debut for those wanting more. 36 continued some rave-esque ambient no doubt inspired by his 9128 recording a few years back. Markus Guentner began an exciting collab project with Joachim Spieth (and also appeared in several other collaborations). RAI kept things relatively reflective with a few Bandcamp specials and recordings from his live tour. Benoit Pîoulard made a beautiful return to Morr Music, and Christian Kleine rounded out the year with a limited vinyl press. Those needing more from our 2023 new signing Mikkel Rev, can check out his earlier album released in January this year. James Bernard had a busy year alongside his wife as Awakened Souls, and found more 90's DAT goodness among many other projects. Mick Chillage released a superb sleeper IDM album in the form of Initial Programs. Dr Atmo's throwback to his early sounds saw a rebirth of one of his most enjoyed albums alongside new remixes. Wanderwelle made their second full-length odyssey for Important Records and Yagya continued to explore uncharted new takes on his sound through his new label imprint. Scanner's innovative repertoire continued to expand and one of my faves of his came in the form of this collab. Hior Chronik published a couple of unreleased gems. And lastly, Ludvig Cimbrelius aka Purl/Illuvia and Arovane managed to sneak onto this mix with a couple of their releases… Two labels who hit home runs for me this year with the majority of their releases. Illian Tape had some extremely great (and varied) electronic releases. And while Mysteries of the Deep's output was relatively choice (quality over quantity), 3 out of the 4 releases made it onto the mix! There are a couple of tracks in the mix from albums that align with what seems to be, the common consensus on some of the ‘best' electronic releases from the year (one of the advantages of my waiting until mid-December to finish this mix is I see what other people are rating highly or what I might've missed) such as James Holden's psychedelic return, and Purelink's amphibious dub LP. But other than those two, I think everyone should find something new among the twists and turns across the 3 hours and 42 tracks.For the mix artwork this year, and after last year's terribly basic AI take (it's come a long way in a year!), I toyed with creating another AI attempt on a “A Strangely Isolated Place” prompt, but you have to spend time to get quality back out of these lil' work gnomes. Every image I created from that prompt ended up being a stereotypical lonely hiker (with 4 fingers I'm sure) strolling through a highly conceptual colorful future universe. Either that or a decrepit shed…So instead, I opted for an image that means much more to me… a wall. Not just any wall though, it's the wall outside of Spread nightclub in Tokyo where I had the pleasure of playing an ambient set this year, meeting new friends, and making some amazing memories.Thanks to all of the artists and labels included here who have soundtracked my year in more ways than one, and the many more I didn't manage to include this time around. Be sure to check the previous year's Reflection mixes for more of the same. Hope you enjoy the listen back at a great year of music. astrangelyisolatedplace · ASIP - Reflection on 2023 Listen on Soundcloud the ASIP Podcast or the 9128.live iOS and Android appDownload MP3Tracklist:01. Sleep D - Hector (Dreaming) (Butter Sessions) 02. Liis Ring - after-image IV: abborresjön (Breton Cassette) 03. William Selman - Leaky Paradise (Mysteries of the Deep) 04. Etüüd - Õhtute kollane tolm (Self released) 05. TU M' - Monochrome #26 (Line Imprint) 06. Arovane - ypaal (Quiet Details) 07. Field Lines Cartographer - Mountain Icicles (Castles in Space) 08. Dream Dolphin - Gaia (Ethereal Fantasy) (Music from Memory) 09. Salamanda - Nostalgia (Wisdom Teeth) 10. Endurance - Crest v2 (Muzan Editions) 11. Suzanne Ciani & Jonathan Fitoussi - Coral Reef (Transversales) 12. Alex Israel - Vacua (Somnambulant Drift) 13. The Black Dog - The Mundane (Dust Science) 14. Locust - Miriam (Mysteries of the Deep) 15. Niko Tzoukmanis - Way Home (Libreville Records) 16. Jo Johnson - Transience (Mysteries of the Deep) 17. Dasha Rush - Dubby Doo (Raster Noton) 18. ǝɯǝɐ - Andrei Rublev (Secuencias Temporales) 19. Gigi Masin & Rod Modell - Red Hair Girl At The Boat Shop (13) 20. Toki Fuko - Part Two (Astral Industries) 21. shedir - Deer Fluent in the Wind (n5MD) 22. Ayaavaaki & Purl - Distant Lights (Ovum III) (LILA) 23. Bana Haffar - Sit Still (Touch) 24. Mike Lazarev - Tonality Number Two (PITP) 25. Claire Deak - In Defiance of Time (Lost Tribe Sound) 26. Lord of the Isles feat. Ellen Renton - Don't You Ache (AD93) 27. nthng - Unlimited (I) (Self released) 28. Donato Dozzy & Sabla - Flusso III (Gang of Ducks) 29. Sindh - Spyres (Sindh) 30. James Holden - In The End You'll Know (Border Community) 31. Andrea - Audieze (Ilian Tape) 32. ASC & Aural Imbalance - Overcast Skies (Auxiliary) 33. Accelio - The Garden (Sawteeth) 34. Yolabmi - Liquidity (29 Speedway) 35. MPU101 - nurMKS30 (Ilian Tape) 36. Ylia - Ame Agari (Balmat) 37. Azu Tiwaline - Antenna Opening (I.O.T Records) 38. Purelink - We Should Keep Going (Peak Oil) 39. Priori - Top Soil (Rhythm Büro) 40. Hysterical Love Project - Ionian Sea (Motion Ward) 41. Om Unit + TM404 - Microdose Mondays (Acid Test) 42. David - Daybreak (Simpler Times)Buy Music Club List (all tracks available digitally on Bandcamp other than #19 (here) + # 42 (here)

On this day in legal history, November 9, 1970, the Supreme Court of the United States voted 6-3 in Massachusetts v. Laird not to hear the case of Massachusetts' anti-draft law. Massachusetts v. Laird was a landmark legal case that reached the United States Court of Appeals for the First Circuit and was not taken up by the Supreme Court, on this day in legal history. The case centered on the constitutionality of U.S. involvement in Cambodia during the Vietnam War without an official declaration of war from Congress. The Commonwealth of Massachusetts, along with other plaintiffs, including citizens and members of the military, challenged the executive authority, questioning whether President Nixon and his Secretary of Defense, Melvin Laird, had overstepped constitutional limits by ordering military operations in neutral Cambodia.This legal challenge was rooted in the broader context of the anti-war movement of the late 1960s and early 1970s, which had gained momentum following the widespread draft for the Vietnam War and the subsequent expansion of the conflict into neighboring countries. The plaintiffs contended that such military actions without congressional approval violated the War Powers Clause of the U.S. Constitution.The Nixon administration defended its actions by invoking the President's role as Commander in Chief, asserting the necessity of the Cambodian campaign to protect American troops and support the overall objectives in Vietnam. They argued that executive discretion in military affairs was essential for the conduct of foreign policy and national security.The case was significant for its implications regarding the separation of powers and the checks and balances system. The central issue was whether the President had the unilateral power to commit American forces to combat in foreign nations without a formal declaration of war by Congress.Ultimately, the First Circuit court decided in favor of Secretary Laird, upholding the administration's action. The court's ruling underscored the President's broad powers in foreign affairs and military operations, which became a subject of ongoing debate and eventually led to the passage of the War Powers Resolution in 1973. This legislation aimed to set boundaries on the President's authority to deploy U.S. forces without congressional consent.Massachusetts v. Laird remains a pivotal case in American legal and political history, reflecting the tensions between executive power and congressional authority, as well as the limitations on state power as against federal, and the efforts to define jurisdictional limits in times of war.Hogan Lovells has confirmed the acquisition of 28 partners from the recently dissolved law firm Stroock & Stroock & Lavan, including several former heads of practice groups. The announcement comes after Hogan Lovells indicated last month their intention to hire over 30 partners from Stroock, a move which preceded Stroock's decision to wind up operations after nearly a century and a half. Among the notable hires is Jeff Keitelman, Stroock's former co-managing partner and co-leader of its real estate practice. Other ex-Stroock leaders making the transition are Brian Diamond, Joseph Giminaro, Michael Kosmas, Christopher Doyle, Richard Madris, Jeffrey Uffner, and James Bernard, each a former head of various key practice areas ranging from real estate to tax certiorari, hospitality, corporate, infrastructure funds, tax, and general litigation. The majority of these partners, 23 in total, will bolster Hogan's corporate and finance practice, while the remaining five will enhance its disputes practice. Hogan Lovells CEO Miguel Zaldivar emphasized the strategic nature of this acquisition, aiming to strengthen their presence in key markets such as New York and attracting high-performing talent to the firm.Hogan Lovells Confirms 28 Partners Joining From Failed StroockDuring the civil fraud trial of the Trump Organization, evidence was presented showing Ivanka Trump's concerns about Donald Trump's wealth during a 2011 Florida golf course deal. She distanced herself from the company's valuation methods, stating she did not recall specific details about the financial statements. The New York Attorney General, Letitia James, is seeking over $250 million in penalties and potential control over Trump's properties, accusing the Trump family business of inflating asset values to mislead lenders and insurers. While Ivanka is not a defendant, her involvement in profitable deals, like the redevelopment of the Doral golf course and the Old Post Office, was highlighted. Contrastingly, her brothers and father are defendants, with her father admitting to inaccuracies in property valuations but denying their relevance to financial institutions. The trial featured Ivanka's composed testimony, differing from the defensive stance of her father and brother Eric. The judge's previous ruling found fraudulent practices within the organization, affecting Trump's property control, currently on appeal. This lawsuit is among four other criminal cases against Trump, who remains a strong contender for the 2024 Republican presidential nomination despite these legal challenges.Trump's daughter worried he was not wealthy enough, emails in NY fraud trial show | ReutersThe U.S. House Oversight Committee, under Republican leadership, has escalated its impeachment inquiry into President Joe Biden by subpoenaing his son, Hunter Biden, and brother, James Biden, for depositions. This move follows allegations that the Biden family profited from policy decisions made during Biden's vice presidency. Hunter Biden's lawyer has dismissed the subpoena as a political maneuver but stated Hunter is willing to address the matters with the Committee. A former associate, Devon Archer, claimed Hunter Biden sought to create an impression of access to his father, citing multiple instances of putting Biden on calls with foreign associates. The White House has branded the investigation a smear campaign, with press secretary Karine Jean-Pierre stating it has found no evidence against the president after a year. The inquiry has been backed by former President Donald Trump, who is also facing his own legal challenges. The Oversight Committee, which has previously obtained financial records of the Biden family, has conducted a public hearing and plans to issue more subpoenas and interview requests. Hunter Biden has acknowledged his past struggles with substance abuse and has not held a White House or campaign position. The possibility of the House impeaching President Biden remains uncertain, despite the narrow Republican majority and the support of Speaker Mike Johnson for the inquiry.US House Republicans subpoena Biden's son, brother to appear | ReutersA recent study has shown that while artificial intelligence, specifically GPT-4, can speed up legal writing tasks for law students, it does not necessarily improve the quality of their work. The study, conducted by law professors from the University of Minnesota and the University of Southern California, observed that law students with lower initial grades benefited more significantly from using AI than their higher-achieving peers. The study titled "Lawyering in The Age of Artificial Intelligence" suggests AI could become an essential tool for lawyers, akin to legal research databases. Sixty law students participated in the study, receiving training on GPT-4 before completing writing tasks with and without the technology. The only task that showed a statistical improvement with AI was contract drafting. However, the use of AI notably reduced the time taken to complete these tasks, with tasks like drafting a complaint being completed 32% faster. The study recommends that law schools prohibit AI in foundational courses and exams, as it disproportionately aids lower-performing students, but also advises the development of advanced courses to teach effective AI usage.AI improves legal writing speed, not quality - study | Reuters Get full access to Minimum Competence - Daily Legal News Podcast at www.minimumcomp.com/subscribe

Las primeras joyas de la sci-fi en la Historia del Cine son títulos fundacionales del género y del séptimo arte, que carecen de color, pero no de interés. ¿Quieres conocer nuestras 10 favoritas? Escúchanos y te hablaremos de ellas con detalle Más información sobre Quatermass en: https://www.ivoox.com/marcianos-232-el-ciclo-quatermass-nigel-kneale-audios-mp3_rf_69955494_1.html Con Jose Ceballos, Eusebio Arias y Sergio Valencia Edición: Jose Ceballos Música: Bernard Herrmann, Jamez Dahl, Akira Ifukube, James Bernard, Carmen Dragon, Hans J. Salter, Paul Misraki, Ubaldo de Lío, Aníbal Troilo, Astor Piazzolla y Eglo Records Únete a nosotros en Telegram: t.me/redmarciana ¿Quieres anunciarte en este podcast? Hazlo con advoices.com/podcast/ivoox/311035 Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

Welcome to a special Halloween-themed show of THE ARCHIVE on the CINEMATIC SOUND RADIO PODCAST. Your host Jason Drury has collaborated with famed soundtrack blogger, Jon Mansell, to create a show so scary, that Jason had to hide behind his chair while working on the voiceovers. The show's delights include music for THE LADY IN WHITE (Varese Sarabande Records) by composer/director Frank Laloggia, Krzysztof Komeda's unusual work for Roman Polanski's 1967 film THE FEARLESS VAMPIRE KILLERS (Power Bros Records) as well as Ennio Morricone's excellent score for the not-so-excellent EXORCIST II: THE HERETIC (Warner Bros. Records). Jason and Jon also put under the spotlight music from Bronislau Kaper's 1954 score for THEM (Monstrous Movie Music Records) and the classic Hammer horror with James Bernard's main theme from DRACULA (Silva Screen). You'll also hear a suite from DRACULA PRINCE OF DARKNESS (Silva Screen) as well as Bruno Nicolai's theme for II CONTE DRACULA (Digitmovies). The show finishes off in a lighter mood by playing a selection from LOVE AT FIRST BITE (Intrada Records) by Charles Bernstein. Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Eric Marvin, Stacy Livitsanis, Rick Laird, Carl Wonders, Michael Poteet, Nathan Blumenfeld, Daniel Herrin, Mike Kohutich, Scott Bordelon —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

And so to our third show for this year's Halloween specials. No tricks, this all treats.  The At The Flicks team talk to Paul Scott about his love for Hammer films and his friendship with main Hammer scriptwriter Anthony Hinds. Hammer films.  The makers of some of the best horror movies of the 60's and 70's.  Quintessentially British, gothic, with high production values (although cheap to make) and starring such luminaries as Christopher Lee and Peter Cushing.  And the creatures they gave life to.  Dracula, Frankenstein, The Mummy, The Werewolf, Zombies and numerous other horror creations besides. Then there is Anthony Hinds. The scriptwriter and driving force behind so many of the classics they created. Yes, this is an in depth look at Hammer horror, with personal reminiscences.  We talk to Paul about the character actors Hammer frequently employed, such as the late great Michael Ripper.  The leading ladies (of course) such as Ingrid Pitt and Veronica Carlston.  All of this spiced up with various behind the scenes making of stories.  Finally we chat about their amazing composer James Bernard.   For those of a certain age, this is a big trip down memory lane – anyone remember the late night horror double films the BBC used to put on during the Summer months?  Yes, when we were growing up Hammer films were the company that terrified us and why it has such a huge cult following today.  We hope you enjoy the show as much as we enjoyed speaking to Paul about all things Hammer. All that remains to be said is have a very happy Halloween and see you At The Flicks.

This weekend sees the relaunch of Hammer Studios and the release of a new telling of the Dr Jekyllstory, starring Eddie Izzard. Matthew looks back on Hammer's contribution to cinema and to some of the often inventive and even experimental composers who have created music for the studios since its inception in 1934. Hammer Horror - the vibrantly colourful and distinctive engagements with terror that starred the likes of Christopher Lee and Peter Cushing. Films that brought us recurring tales of The Mummy, Dracula and Frankenstein; and music from the likes of James Bernard. But there was so much more to Hammer. The programme includes cues from Doreen Carwithen for Robin Hood, Tristan Carey's early electronic experiments for Quatermass, Franz Reizenstein's parody score for The Mummy, Harry Robinson's musical evocation of Carmilla, and Mario Nascimbene's pioneering work for One Million Years BC. Plus, of course, classic Hammer moments from James Bernard. And Matthew also talks to composer Blair Mowatt about his score for the new Dr Jekyll film.

On this week's episode we delve into a mysterious cult that existed in the 1920s-1930s called The Royal Fraternity of Master Metaphysicians. The leader of this group promised people that he knew the secret to obtaining immortality.

In this episode of Navigating Major Programmes, Oxford Saïd Business School alumni Riccardo and guest host Corail, interview fellow alumnus, Jim Bernard. Jim specializes in real estate investment programme design, structured finance, risk conceptualization and strategic partnership formation. With an impressive track record spanning over 25 years, Jim has accumulated more than 4 billion dollars in real estate investment experience. Now, as a partner at consultancy and as a major programme advisor, Jim is focusing on disrupting traditional approaches to major programme management—making him an exceptional expert to share his insights on this podcast.   Key Takeaways:  Why major programme management in North America is behind the UK and what needs to improve in order to catch up.The practicality of the Galbraith Star Model™ in major programmes and why People and Rewards need earlier attention.  Considering the perception of major programmes as temporary organizations as well as their nonlinear evolution.  The power of major programmes as they relate to climate improvement initiatives.   If you enjoyed this episode, make sure and give us a five star rating and leave us a review on iTunes, Podcast Addict, Podchaser or Castbox. The conversation doesn't stop here—connect and converse with our community: Riccardo Cosentino on LinkedInJim Bernard on LinkedInCorail Bourrelier Fabiani on LinkedInTwo Roads Group website Transcript:Riccardo Cosentino 00:05 You're listening to navigate major problems, the podcast that aims to elevate the conversations happening in the infrastructure industry and inspire you to have a more efficient approach within it. I'm your host, Riccardo Cosentino I brings over 20 years of major product management experience. Most recently, I graduated from Oxford University's day business school, which shook my belief when it comes to navigating major prpgrams. Now it's time to shake yours. Join me in each episode, as I press the industry experts about the complexity of major program management, emerging digital trends and the critical leadership required to approach these multibillion dollar projects. Let's see where the conversation takes us. James Michael Barnard, commonly known as Jim is a highly accomplished professional specializing in real estate investment program design, structure finance, risk leadership, and strategic partnership formation. With an impressive track record spanning over 25 years, Jim has accumulated more than $4 billion in real estate investment experience. Currently, Jim serves as a partner at Two Roads Group, a consultancy he co founded with a focus on disrupting traditional approaches to measure program management by employing novel and empirically supported methods for risk mitigation, decision making and stakeholder engagement. He also serves as a major program management advisor for AI cumulus. Additionally, Jim is the founder of the Regal, a privately held investment company that concentrates on sustainable real estate assets. Outside of his professional pursuits, Jim actively engages in community service as a member of the town Castine Planning Board, and serves as a director on the SMU Cox School of Business alumni board. He is also an accomplished diver and a skilled jazz pianist. Hello, everyone. Welcome back to another episode of navigating major programs. I'm here today with my co host, a guest appearance from Corail with my esteemed colleague and friend Jim Barnard, who has graciously agreed to join the podcast today and talk to us about his new venture and his new approach in helping major programs. How are we doing, guys? How are you doing, Jim? Jim 02:37 Great. Thank you. Thanks for having me. Corail 02:39 Hi, Riccardo Jim 02:40 Carail. Corail 02:41 I'm doing great. Thank you for having me again. And I'm excited to hear more about Jim today. Riccardo Cosentino 02:47 And by the way, today, we were joining the podcast. I'm in Toronto. Jim is in Maine, and Correll is in London. So you got a truly international episode? Corail 02:57 Yes, very much. Riccardo Cosentino 02:59 So why don't we Why don't we jump right into it? Corail, I think you're gonna help me co host today's episode, the new format for us. But you being a guest on this show before? So I think you're you're almost almost part of the family. Why don't you take it away? Corail 03:18 Hi, Jim. I hope you're well and nice to see to see you and hear you. I wanted to ask Can you please introduce yourself to our listeners today and tell us a little bit about your career? Jim 03:32 Sure, It'd be my pleasure. My name is Jim Barnard. I'm fortunate to have been a classmate with your two esteemed hosts here at the University of Oxford and major program management program at Syed business school. How I came to the program. Let's see. I was a CFO for real estate, sustainable real estate investment development company in Austin, Texas for about five years before I applied to Oxford. My background had always been in real estate. I'd done it since I graduated from university. At the time, we were struggling with some fairly common major program themes, complexity or projects are getting more difficult, more intricate, larger, we are having challenges scaling. So interestingly, I was sitting in a conference room trying to sketch out a risk curve with my team in the finance department to try to figure out where he has some significant exposure and one of my co workers looked at the whiteboard and said, you know, there's a whole program at the University of Oxford that takes on these questions directly. So I I bet him that if he would write a recommendation I would make the application under no circumstances did neither one of us think that we would be or that I would be admitted to the program. But here we are two years later having survived it and fortunately, having had the chance to work with great people like the two of you You learn a whole lot about managing major programs. Corail 05:03 Yeah, congratulation. Jimmy did I think wonderful in the program, and he was really interesting, you know, to hear about your experience throughout and your background. I was wondering like, I think we both know Ricardo and I, that you started in entrepreneurial adventure after the program. Can you tell us a bit more about what led you to start your own business after the program? And why are you particularly interested in consulting in the fields of major programs? Jim 05:39 Well, in the interest of full disclosure, I have to admit that I haven't started this alone. In fact, you both probably know very well, some of the people that are investing in the, in the consultancy with me. And that alone is a privilege. So the opportunity to work together with like minded colleagues, who've enjoyed similar professional backgrounds, or have had similar professional backgrounds was probably one of the primary reasons why I decided to start this consulting practice. But really, the, I guess the motivation came out of, believe it or not the global financial crisis in 2008. A couple of us back in Austin, with this real estate development company that I mentioned, we basically, we'd all lost our jobs, you know, the industry was kind of in shambles. So at that point, we decided we would get together kind of start at ground zero. And I think maybe we had 200, or we had $2 million in assets at the time. And 10 years later, we were up to $250 million in assets. So to kind of get back to some of the scaling challenges I mentioned earlier. But that experience of of one having an industry job, and then losing it quickly, in rather chaotic circumstances. And then having built up the other company, over that period of time sort of gave me a sense that one, security in major companies undertaking major programs is not always as secure as you might think it is. And two, there's not necessarily as much risk in starting in your own venture, as you may think there is so the chaos of that prior period of my career gave me the confidence to start this new consulting practice with the folks I mentioned previously. So yeah, that's that's kind of where it all came from. In terms of goals for the program, I mean, the whole podcast is focused on major program risk and making major programs function more effectively. Certainly, in my career, and in the careers of the colleagues that have joined me in the group, we've seen plenty of complexity. And we've seen plenty of four major program performance. So the idea behind the group, at least for me, was to be able to use a lot of what we learned at Oxford, and try to address these issues at meaningful points of intervention. So being able to offer that to a variety of clients at a variety of different industries was appealing, and seems rewarding. Corail 08:16 Yeah, that's amazing. That sounds super interesting. Can you tell us a little bit more about what you're offering in this consultancy, then? And you know, how you feel like you're apart from other consultancy, what puts you about? Jim 08:33 Sure, broadly speaking, I think what separates our consulting practice from maybe some of the other ones out there would be our combination of gray hair and battle scars, domain expertise on the on the one hand, having worked in all of these areas professionally, as of, you know, my, my colleagues in the practice, but also the academic basis. So one of I had an MBA before going to still do MBA before going to Oxford. So I was familiar with the professional graduate school, curriculum and approach, particularly United States. Oxford is obviously very different. But one of the things within Oxford that truly distinguishes it, particularly MMPM, is the research background. So we not only had to justify our opinions professionally, but we had to support them academically as well. So when we form TRG, both of those aspects became mutually supportive and critical to the practice. So we we tried to bring a whole lot of domain expertise in a variety of different fields and circumstances and marry it with the best academic research that we can find. And then do some of our own research. So hopefully, we can keep the practice as progressive as possible and as helpful as possible. Corail 09:59 Yeah, I do. Like, the fact that you're trying to combine this academic side of the field with your practice, you know, and the kind of practical aspects of of being a major program leader everyday. So I wanted to ask with what you've learned in Oxford and what you're doing in your current consultancy. What do you think will be the main area of improvement for major programs in the future? Jim 10:32 It's an interesting question, because I think it's geographically dependent to some extent. And by that, I mean, the whole concept of program management is really not understood even conceptually, on this side of the Atlantic. In the UK, major program research is been around for quite a while, I mean, clearly, the program's been around for quite a while. But the subject itself certainly goes back a long way. And the UK Government has adopted over the years many major program management practices. So in that area in the UK, in particular, major program management is understood as a discipline, as well as its value is understood. And they've UK Government in particular, and obviously Oxford have invested a lot and refining the subject and practice. In the US, it's very different. The concept of program management really hasn't entered the collective experience, I guess, major programs are still heavily engineering based. Project management is a very familiar term. And certainly there are enough people who engage in project management, they get very frustrated by some of the program management aspects that says so much it's beyond their purview, it's just the project managers are as they should be laser focused on delivery, on time on budget, and aren't necessarily positioned to deal with the externalities that can influence that delivery schedule. So one of the bigger challenges, I think we have at least bidding projects in the US is making the case for program management being part of any large mega project, there's definitely a sense that improvements need to be made, particularly when you start talking about less quantifiable aspects like stakeholder engagement, kind of broader community outreach, communication, change management, I mean, a lot of these very established business practices that are at least familiar in the consulting world, per se, but may not have made it into the major program management world. So the big opportunity, and I guess challenge, at least again, in the US, is sharing this field and the insights that it can provide with some of the larger project constituencies, and really, you know, help the programs perform better than they have been traditionally. Riccardo Cosentino 13:09 You mentioned the United States, but I'm in Canada. And I think what you describe is really a North America phenomenon, where major program management is just not viewed as a discipline in itself. Would you ask a guest why they is in North America? How come I always say Canada is at least five to 10 years behind what the UK is. I haven't quite been able to explain why North America is behind. One of the policies I have is just the way major projects are funded, not founders centrally, like the UK, there and therefore create doesn't create a center of knowledge that the UK has with Treasury. But do you have any view on that? 13:54 That's a really good point, the centralization of a lot of the biggest projects in the UK. I think you're onto something there. I mean, that that would explain why there's been so much investment, at least in part, why there's been so much investment and trying to understand kind of the major program management phenomenon. In the US, we obviously, I guess in as in a lot of other places have a robust private sector. That very active builds a whole bunch of different things. And then we have the public sector, which is probably more focused on what you'd consider traditional infrastructure, and then your private public partnerships for for large events and stadiums and that type of thing. The US is a complex network, and pardon me for overusing complex, but I'll probably be using it a lot in this conversation. It's a rather complex overlap of jurisdictions. So for example, the federal government came out with the infrastructure plan, build back better, massive amount of money, but unlike in the UK, in the US, the federal government's role is basically to distribut and administer of money, they're not particularly involved in any of the actual construction, or conducting major programs that can happen at the state level that can happen at the local level that can happen in public private partnerships. So you definitely have a very fragmented market for pursuing any of these types of projects. So then the private side. And of course, this is financed completely differently as well. Why it hasn't made it far enough along, or as far along as in the UK? Maybe it is because there's not as much of a central actor, as there is over there. But it's an interesting research question. Maybe we can get convince some of our colleagues at Oxford to take it up. Corail 15:48 Yes, talking about research, and I know you, you are really fond of everything. Academic related, following on what you just said, Jim. I think it's really interesting for our listeners, who are leaders in major programs to get your knowledge in a bit of sense of your knowledge in the research into major program. And I know that you're fond of many frameworks that help improve major programs. And I was wondering if there was, like one framework out of your time in Oxford that you saw was particularly useful to improve the performance of major program? And could you share that with our listeners, Jim 16:32 I'm happy to share some of the conclusions I've come to and some of the frameworks I've found more useful than others. Of course, the big challenge is always empirically establishing a framework or trying to apply a framework that's been super successful in one area to another area and see, see how it goes. So there are a whole bunch out there, I think a lot of them are more applicable to certain circumstances than others. However, the framework I use for my dissertation in particular is called the Galbraith Star model. It's, it's been around forever, primarily applied to ongoing businesses, not necessarily major programs. But we had a professor at Oxford, introduce it to us, and show how it could be usefully applied to major programs in particular sort of extend its range beyond your your typical business consulting practice. So I found that one fairly useful on primarily because it's, it's sort of simple to conceptualize, it's got a are, for those who don't know, it's a five pointed star, it's got several aspects of an organization that all need to be organized in order for the organization to kind of hit its goals or realize that strategy. And in that instance, certainly applies in a major program context as well. It's also somewhat easy to understand for for people that are used to working in more traditional business environments, or sort of more traditionally practicing project management. So things like identifying a strategy or the goal of a major program, and then making sure that you've got a management structure that supports that strategy. And you'll get decision processes that help information flow among the people within the structure. The other two areas, which interestingly seem to get next to no attention are people. So the which would open up areas of psychology and and behavioral economics, and then reward structures. So how do we actually keep our people who are working on the project who are compensated in a variety of different ways, whether they're the general contractor or subcontractor, the developer, or the municipality or a government official, and everybody's sort of rewarded in different ways? So the question is, are all of those areas sort of aligned in the same direction, so you can accomplish the goals of the major program? So I guess the one of the questions is what is, you know, the perfect alignment for a major program and some of the research I did, unfortunately, was inconclusive in that area. It doesn't seem that there's a single right way to organize a major program, but provided all of those areas are aligned, I think you've certainly got a much better shot of finishing one successfully, Riccardo Cosentino 19:26 if I may jump in and follow up because that framework was a very interesting framework. I was fascinated by that class and having worked in major programs for a big chunk of my career. And I think the for me, the lightbulb moment was major program is a temporary organization. So although the Gobrecht star can be applied to major program, you have to do it through the lens that these are temporary organization. And I think that was a nuance of major program that never occurred to me So as you're designing your organization, you have to keep in mind that you have challenges and opportunities that come with a temporary organization. So, in your view, how much does that influence the way you're designing a major program organization, the fact that is a temporary one. The deal did your research touched upon that? Jim 20:23 It did. In fact, I, in some sense, one could look at the defining difference of a major program, relative to a permanent organization, is the fact that it's temporary. But when you unpack that a little bit, and you start to think about what Temporary means, offer that a lot of the permanent organizations and the permanent organization mindset is far too focused on longevity, when we actually don't see companies last as long as some of the major programs that we work on. So even though a major program may be temporary, you know, a beginning and an end, people can work on a single major program for the majority of their career. So they are so long lived, that they're, they're temporary aspects, maybe more of a perception necessarily than a mental chronological reality. And similarly, on the corporate side, where people are looking at, you know, perpetual existence of a corporation that very rarely happens. Most companies could probably benefit from thinking, and again, this is my opinion. So for all the people who own companies out there who think that I'm a fool, they're certainly welcome to that perspective. But I think companies would probably benefit more by acknowledging volatility and change and sort of the temporary lifespan of whatever a single strategy is, and maybe the major program world would would benefit a little bit from looking at their projects more organically, because they certainly do evolve over time and less from my on a sort of linear project management standpoint, where point A will never be revisited after we complete it or pass it, because we're temporary. So we're gonna do ABCDE. Whereas you're really not you're going A, B, C, D, B, C, A, D, and then kind of spiraling apps. barleys, not the right word. But hopefully your project doesn't spiral but evolving forward in a nonlinear framework. So I guess it's a long winded way of saying, yes, they're temporary, but maybe not as temporary as it's helpful to consider them being, particularly since these projects are supposed to really impact communities for generations, even if their actual construction or development is somewhat limited. And again, could be decades but somewhat limited. I think the perception behind their concepts. And what they're supposed to do for a society is far longer than even most permanent organizations. I mean, the investment we're making in any of these things is really supposed to be generational. Riccardo Cosentino 23:14 Thank you. That was interesting. Exchange, and certainly helped me revisit some of my view about major projects or temporary organization. Jim 23:25 One of the things that was glaringly obvious in my dissertation mean, there was very little that was glaringly obvious in my dissertation, it was largely failed to support the management frameworks that I had formed based on the literature. But, interestingly, of the Galbraith principles of the five points of the star, people and rewards barely showed up at all. So there was, if you think of programs, as we have discussed, having a beginning and an end, whether that's an appropriate perspective or not, they certainly do go through phases from concept of you know, what, what qualifies as completion, although I'll offer that the never really complete, but that whole aspect of people aspects and the reward aspect, explicitly tied towards stakeholders that are involved in the program, kind of a much broader perspective of who was actually involved, and then rewarding people for their involvement in the success of the program, like completely lacking. It didn't show up at all. I mean, maybe towards the later part of a project, did you start to see some considerations about people and how they were going to use the output of the of the program. But really, in the beginning, it was all strategy and structure related. I mean, it just didn't even show up. The programs are so Mayopiccally focused on, on this strategy thing that they never really, at least in my research, exhibited any consideration for people and rewards. So you got another area of research that's probably worth considering there. Riccardo Cosentino 25:16 That's interesting. So your your research show that major programs don't take the time to design a compensation structure and a reward structure to align the interests of the project with the interest of the leadership and in Jim 25:36 really, it really anybody I mean, there's there's certainly incentive based compensation mechanisms at the corporate level, you know, risk base, you come across this all the time, whether you're delivering a turnkey project, or you know, cost plus, or g max, or whatever the structure happens to be relative to the contractor. But in my experience, particularly if it's a major program within an organization, so we worked on a program, or I did with a, another friend of mine, where a company was digitalizing, their entire, basically production stream. So it was within almost exclusively within an organization, although obviously, it touched on some external partners as well. But there was no bonus incentive, there was no reward structure, there was no career path, you know, sort of advancement on to greater challenges or responsibility for implementing the program successfully. I mean, it was literally like, your job is to do it. And good luck. We'll be back in touch if things go wrong. So that to me, that, to me seems like an opportunity to to pull people in the same direction. One acknowledge more broadly, the breadth of the stakeholders that are influenced and then within the program, aligning some of those reward incentives, which may or may not need to be monetary, but aligning those reward incentives within the program to see it completed successfully. Riccardo Cosentino 27:09 Yeah, can it can resonate any makes sense? That's certainly my anecdotal experience. And when you're when you think of a major program, do you think, you know, stakeholders have a lot of influence on the success of their major programs, I've never seen in the few, one of the few major programs I've been involved with, and alignment of the project leadership to the stakeholders. So you know, you could have situation where you could have engagement with stakeholders, and measuring and getting the feedback on how the project is delivering against their needs, and aligning the compensation of the leadership to the stakeholder needs, because we know from our study that stakeholders can derail a major program. And then stakeholder management is key. So there should be a metric that should be aligned. Jim 27:59 Sure, we're in there also a tremendous asset to a program to the coordination takes a huge amount of resources. And it can be very frustrating, particularly from a project management standpoint, where there's a, there's a tendency to to go, go, go, go go. So any sort of these, these stakeholder intervention points, I think, have probably traditionally been viewed as a burden for the program. Whereas leveraging resources of a community, and this comes up a lot in my native state of Maine, particularly with some offshore wind programs, recognizing the support and resources that the local community can provide is a pretty big step. We've got these offshore wind communities obviously touch a lot of sea based industries, fishermen, marine biologists, obviously, the electricity company, but also shipping, manufacturing base quality jobs within the state of Maine. I mean, these are huge opportunities that touch so many different aspects of society. And that can be positively influenced by them. But you kind of have to start with that first perspective that there are a lot of people involved that have a lot to contribute. So engage them early and often and I you should have a better program. Riccardo Cosentino 29:24 Music to my ears. Correll, over to you again, with your series of questions. Corail 29:33 I wanted to go back to a more personal question now. What do you love most about your work and about setting up a consultancy in major in the major program industry? I think what would be interesting is to know more about you and what what does it take to be a major program leader? Jim 29:56 More about me professionally, personally, what attracts me to Do it what a, and we could go down a rabbit hole here. Corail 30:04 I'd be interested to know more about you personally, and, you know, understanding better. What do you love about your job? What drives you to this field? And yeah, what's what is your passion? Jim 30:22 So big, big question, obviously limited time in a podcast format. So I'll try to be as specific as possible. But what what drew me to the real estate industry in particular, despite my best efforts to avoid getting into what had been a family business for years, was how multifaceted is probably an overused description, but how many areas real estate touched any sort of construction project, which sort of, you know, goes back to the broader stakeholder engagement perspective, but also the number of disciplines who are are had to be involved in any successful project, from architecture, to engineering, to finance to delivery to sales, I mean, there, there's not a lot of pigeon holing within real estate, people have to be somewhat familiar with a great number of things in order to have a project delivered successfully. So, you know, personally, I like the breadth of knowledge and the breadth of engagement and the opportunity to use a whole bunch of different skills without diving maybe sufficiently deeply in any of them. My background, certainly, as I mentioned, finance, and there's that's sort of a obvious area one could focus on. But what I've discovered over my career is that any subject, such as finance, is really, again, back more to being about the constituents, stakeholders involved in the finance process. So I can run spreadsheets all day long, I can make him say whatever you want, I can regress to the mean, I can calculate internal rates of return. But what really matters is the people within the transaction, and what they what is their perspective, if I'm a lender going into a project, what Yes, I want my money paid back. Yes, I want interest to to be generated on the loan. I mean, all of these things are fairly cut and dry. But what does that actually mean for the loan officer, the person that you're working with on a day to day basis? And how does your program fit within the larger context of the organization that's lending you the money. So even within something that seems like it would be as as specific and cut and dried as finance is really a far broader and more interesting opportunity to connect with people that have a vested interest in the project? I think that is one of the things that's most appealing about being at least for me, personally, being in a consulting practice or forming a consulting practice, are, I'll say, the second most interesting thing is the breadth of engagement and the number of different subjects and aspects of major programs that you get to touch and sort of have to acknowledge at a minimum to deliver services to your clients. But hands down, the most rewarding thing is the people I get to work with. So and Oxford definitely raised that bar in terms of professionalism and capability of the people on the teams. So does that answer the question people and diversity of subjects? Maybe Riccardo Cosentino 33:28 you sold that to me? So Oh, good. Jim 33:32 No good. Should I point you to our website, because we're always looking for new clients? You Riccardo Cosentino 33:36 should you should what's, what's the website? 33:38 The company is called Two Rodes Group. Website is www.tworoadsgrp.com. As you mentioned, we've got partners in Dublin and London and here in the States. So I won't get into the story of the name. I'm not that I'm not romantic enough to do justice to it. But yeah. Riccardo Cosentino 34:03 Now you have to now. Jim 34:08 So, Robert Frost, former Poet Laureate of the United States and find New Englander wrote a poem called two roads. And the ending stanza is two roads diverged in a yellow wood and I took the one less traveled by and that has made all the difference. So when we start to think about major programs and adjusting the perspective, we tried to bring in that road less traveled, the the opportunity to make all the difference by looking at traditional forms of delivering major programs and offering some alternatives that hopefully will make a material difference. Corail 34:45 That's amazing. Thank you, Jim. Riccardo Cosentino 34:48 Very nice. And by the way, the link to your website will be in the show notes and in the episode description so the listener can can find the details if you I couldn't read it down quickly enough. Okay. I think we're coming towards the the end of the podcast currently, if you don't mind, I'll ask the final question to Jim. And so, Jim, in your mind, what would be the dream major program? What will? What would that look like? Jim 35:20 There has so the absolute dream program under sort of all circumstances, for me would be impact related, particularly related to climate change in the natural environment, having grown up in Maine and actually sitting in Maine now looking at the ocean, I think, maybe Maine culture is somewhat uniquely attuned to or dependent upon the natural world. So given all the climate related challenges that everybody acknowledges that we have now, unfortunately, any project that influences a basically preservation of the natural world is to me hugely meaningful. So whether there's delivering clean energy, whether it's considering different ways of funding, climate related initiatives, reef preservation, I'm being a little coy because we just bid on a project recently that had some of these characteristics. But since it hasn't been awarded yet, I can't get into too many details, but basically, the opportunity to use the inherent transformational aspects of a major program to to improve any of a number of situations, particularly around climate change. Riccardo Cosentino 36:32 Very nice. Okay, I think we come to the end of the podcast, Correll, any, any, any final thoughts from you? Corail 36:43 I just, I'm thinking that if every leader, were interesting in the same topics as you, Jim, we wouldn't situation we are today. So I hope you're an inspiration for all our listeners. And thank you for your time. Riccardo Cosentino 36:59 Thank you very much, Corail for CO hosting the podcast with me. Thank you, Jim, for joining us in this conversation, always stimulating conversation with you and Corail. Any final thoughts from you, Jim. Jim 37:14 It's, it's an exciting world. Major programs are definitely a topic not only were studying, but fascinating to work in. So I encourage everybody who's got the chance to consider the topic and get involved. Riccardo Cosentino 37:27 And on that, thank you very much for joining us this week, and we'll talk to you soon. Bye now. Thank you. That's it. For this episode, we'll navigate the major problems. I hope you found today's conversation as informative and thought provoking as I did. If you enjoyed this conversation, please consider subscribing and leaving a review. I would also like to personally invite you to continue the conversation by joining me on my personal LinkedIn at Riccardo Cosentino. Listening to the next episode, where we will continue to explore the latest trends and challenges in major program management. Our next in depth conversation promises to continue to dive into topics such as leadership risk management, and the impact of emerging technology in infrastructure. It's a conversation you're not going to want to miss. Thanks for listening to navigate the major programs and I look forward to keeping the conversation going Music: "A New Tomorrow" by Chordial Music. Licensed through PremiumBeat.DISCLAIMER: The opinions, beliefs, and viewpoints expressed by the hosts and guests on this podcast do not necessarily represent or reflect the official policy, opinions, beliefs, and viewpoints of Disenyo.co LLC and its employees.

Today I'm sitting down with the members of awakened souls, Cynthia and James Bernard to chat about the origin of awakened souls, new music, quitting alcohol, their album night songs, how they came upon their musical style, and much more! If you enjoyed this episode, please consider subscribing to the podcast and be sure to check out awakened souls music here: https://awakenedsouls.bandcamp.com/ Timestamps: 00:00 Before Awakened Souls - Cyntillas 6:05 Name Origin and meaning behind writing process 10:55 Release process and creativity boost after quitting alcohol 19:35 Writing process for multiple projects 25:00 New music and why lowercase letters? 29:47 'night songs' production and instrumental history 36:11 Gear talk and the importance of always recording 43:21 Genres to explore 49:23 Fan questions! 1:01:10 Outro/bye/the end --- Send in a voice message: https://podcasters.spotify.com/pod/show/we-all-speak-in-poems/message

I really connected with this live performance from zakè, Marc Ertel, James Bernard, and From Overseas, so I talked about it for quite a while. Bandcamp Friday tomorrow! Wednesday episodes are exclusively on Patreon. Album of the Day: zakè, Marc Ertel, James Bernard,& From Overseas “Live at the Gothic Chapel” https://pitp.bandcamp.com/album/live-at-the-gothic-chapel Additional links for the day: https://www.bonfire.com/the-jewel-garden-logo-t-shirt/ Brad Rose is the the principal writer and editor-in-chief of Foxy Digitalis, an online music magazine and has run various DIY record labels for the last 30 years. Wednesday episodes are exclusively on Patreon. foxydigitalis.zone patreon.com/foxydigitalis twitter: @foxydigitalis Instagram: @foxy.digitalis Mastodon: foxydigitalis@mastodonmusic.social

With the release this week of Chris McKay's new film Renfield, Matthew Sweet looks back at the many appearances of Dracula on our screens and at the music the count has inspired. The programme looks back to some of the earliest cinematic manifestations of Dracula, from the 1920s, including the silent classic 'Nosferatu' and brings things right up to date with scores from Wojciech Kilar, Popol Vuh, Dan Jones, Philip Glass, James Bernard, Mark Isham, John Williams and Marco Beltrami.

► In today episode of Land of the Lost Steve discusses the bizarre disappearance of James Barnard Liedtka.⚠️ If you have any information regarding any of these cases please call:Crime Stoppers: 1-800-222-TIPS.NPS Investigates: 1-888-653-0009

► In today episode of Land of the Lost Steve discusses the bizarre disappearance of James Barnard Liedtka.⚠️ If you have any information regarding any of these cases please call:Crime Stoppers: 1-800-222-TIPS. NPS Investigates: 1-888-653-0009

On this episode of Ginger Bros we finally get to talk with our good friend James Bernard and his business partner Marc Porter. This is our first time talking with Marc and getting to know him and seeing what they have been up to lately.

Dr. Albert E. “Bo” Rivera is a licensed physician and surgeon in Alabama, board-certified diplomat of the American Osteopathic College of Dermatology, a fellowship-trained member of the American College of Mohs Surgeons as well as member of several dermatology and medical specialty organizations such as the American Society for Dermatologic Surgery, American Society for Mohs Surgery, American Academy of Dermatology, Skin Cancer Foundation and the Madison County Medical Society. He was born and grew up in nearby Haleyville, Alabama, graduating from Haleyville High School. Afterward, he completed his undergraduate education at Auburn University, earning a degree in Premedicine and Zoology while also a letter-winning member of its' nationally ranked track and field teams. Following his hometown friend and primary care doctor's footsteps, he completed his medical training at Kansas City University of Medicine and Biosciences in Kansas City, Missouri. His internship in General Surgery was done at the University of Kentucky, in Lexington, Kentucky, followed by an Internal Medicine residency at Northside Hospital and Heart Institute in Saint Petersburg, Florida. At Northeast Regional Medical Center in Kirksville, Missouri, he completed both a Dermatology residency as well as a Dermatology research and laser fellowship under the direction of Lloyd J. Cleaver, DO. Upon completion of his residency, Dr. Rivera was nationally awarded the James Bernard, D.O. Residency Leadership Award based on integrity, respect, empowerment and initiative. The final honor in his training was completing a Mohs Micrographic Surgery subspecialty fellowship under the direction of Roger I Ceilley, MD and Andrew K. Bean, MD in West Des Moines, Iowa. Over the years he has had the opportunity to publish several articles in national and international medical journals as well as authoring chapters in medical textbooks and online. Dr. Rivera serves on the editorial boad for the Jounral of Clinical and Aesthtic Dermatology and the Journal of the American Ostepathic College of Dermatolgy as well as serving on the AOCD Editorial/Public Relations Committee and as an American Academy of Dermatolgy Liason. He has also given presentations at local, national and international venues to both non-medical and medical professionals throughout his medical career.

St Paddy's Day fun with James Bernard and Jack Bucknell!   So much FUN my face hurts from laughing!!  

Live @ D59B.Belgrade on 18.12.2021. No tracklist, but including music from Ambient Warrior, Iration Steppas, Elite Beat, James Bernard, Employee, Androo, Lilizu, Mogwaa, Caravan, 33.10.3402, Coil, International Noise Orchestra, Houschyar, River Yarra, Sasa Crnobrnja, DJ Neewt, Wolf Muller, SW., Benedikt Frey, Asian Psylocibe Foundation, YL Hooi...

Tonight's edition features new music from Anders Koppel, Amparo, Carlos Ferreira + deer meadow, awakened souls + From Overseas, Robin Guthrie, Felicia Atkinson + Jefre Cantu-Ledesma, and tons more! Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Starfish Prime by Robin Guthrie on Riviera (Darla)

Welcome to Reel Britannia-a very British podcast about very British movies ...with just a hint of professionalism. The first of two classic British horror movies for you this Halloween weekend and the second in our Hammer Horror retrospective Join Scott, Steven and Mark as they chat about ‘X The Unknown' from 1956. With a script by Jimmy Sangster, a score by James Bernard and a cast featuring Dean Jagger, Edward Chapman, Leo McKern and Anthony Newley, it is a genuine classic from the early days of Hammer horror. British commandos on manoeuvres become ill with mysterious symptoms and horrific burns. Dr. Adam Royston (Dean Jagger), an atomic scientist from a nearby research station, suspects lethal radiation ... but is mystified by the cause. At a nearby hospital, the phenomenon reappears and engulfs more innocent people, including a hospital orderly whose skin melts away from his body! Dr. Royston speculates that the unknown is on a quest to absorb radiation and expand in size and range as it claims more and more victims. As time runs short, he becomes desperate to trap the entity before its power overcomes mankind! “It's on its way for the biggest meal of its life!” You can find this and all our previous episodes at: Amazon Music Apple Podcasts Libsyn Player FM Podtail Owltail ListenNotes Follow us on Twitter @rbritanniapod Join us over at our Facebook Group ….we'd love to chat with you email: reelbritannia@gmail.com #hammer #hammerhorror #britmovie #reelbritannia Thanks for listening Scott, Steven and Mark

Works CitedAdmin, M. “When 'Master Metaphysicians' Tried To Raise An Immortal Baby.” Knowledge Nuts, 5 Jan. 2015, knowledgenuts.com/2015/01/05/when-master-metaphysicians-tried-to-raise-an-immortal-baby/. Boese, Alex. “Jean Gauntt, the Immortal Baby.” Museum of Hoaxes, 2015, hoaxes.org/archive/permalink/jean_gauntt_the_immortal_baby.   Cannata, Jeff and Anthony Carboni “The Immortal Cult Hokum.” We Have Concerns, episode 406, We Have Concerns Patreon, 17 March 2017, https://wehaveconcerns.simplecast.com/episodes/ad450f3f-ad450f3f “A Double Suicide Recalls Odd Cult.” The New York Times , 27 Apr. 1955. “James Bernard Schafer.” Wikipedia, Wikimedia Foundation, 14 Jan. 2021, en.wikipedia.org/wiki/James_Bernard_Schafer. “Mansion To Slum For Immortal Baby .” The Courier-Mail, 19 Dec. 1940. “Religion: Peaceful Fraternity.” Time Magazine, 18 July 1938. “SCHAFER BACK IN PRISON; Leaves Master Metaphysicians Without a Guiding Hand.” The New York Times, The New York Times, 5 Jan. 1944, www.nytimes.com/1944/01/05/archives/schafer-back-in-prison-leaves-master-metaphysicians-without-a.html. 

Autor: Jannsen, Christina Sendung: Andruck - Das Magazin für Politische Literatur Hören bis: 19.01.2038 04:14

En el programa dedicat a 35 compositors que han fet gran bandes sonores, redescobrim James Bernard.

Huge thank you to Keep the Orange Sun for providing the guest mix this week. The trio split things up with James Bernard taking the beginning, From Overseas mixing the middle, and Marine Eyes closing out the set.  New album out this Friday on Past Inside the Present: https://pitp.bandcamp.com/album/keep-the-orange-sun From Overseas- California sound collage Squarepusher- Tommib Help Buss (0:09)  Bochum Welt- La Nuit (2:05) Jordi Savall- Prelude Pour Mr. Vauquelin (5:57) Murcof- Rostro (7:32) Radiohead- Treefingers (14:46)  Hammock-Always Before Your Eyes (18:22)  Slowdive- Rutti (21:54)  Cocteau Twins- Pearly Dewdrops' Drops (31:47)  Keep The Orange Sun- Keep The Orange Sun (35:52)  Julianna Barwick- Forever (39:50) Jonas Munk- Minimum Resistance (44:51) poemme- symphony of meadow (49:45) From Overseas- California sound collage

Synopsis The life of British composer James Bernard reads like a PBS mini-series: as a schoolboy, he meets Benjamin Britten, who encourages his interest in music; during WWII he joins the R.A.F., works with the team breaking the German Enigma code, and takes occasional breaks from this top-secret work to turn pages for Britten at London recitals during the Blitz; after postwar study at the Royal College of Music, he starts writing music for radio and stage plays. Then by chance another composer booked to score a British science-fiction movie falls ill, and Bernard is asked to step in.  The film, entitled “The Quatermass Xperiment,” is released on today's date in 1955, proves a hit, and is even shown in the U.S., retitled “The Creeping Unknown.” “The Creeping Unknown” would become James Bernard's bread and butter, since the Hammer Film studio, who made “The Quatermass Xperiment,” kept Bernard on to score their horror films starring Christopher Lee as Dracula and Peter Cushing as Baron Frankenstein. Unlike most film composers, Bernard orchestrated his own work, and helped establish the “Hammer sound,” lushly romantic or frantically hair-raising as needed.  After his death in 2001, a posthumous biography was titled: “James Bernard–Composer to Count Dracula.” Music Played in Today's Program James Bernard (1925-2001): “Opening Credits” & “Dracula's Blood,” from “Taste the Blood of Dracula” (Studio orchestra; Philip Martell, cond.) GDI GRICD-010

Old meets new in a retro-flavoured edition of Ambitronica with vintage 90's tracks by Young American Primitive, James Bernard, Deep Space Network and Mysteries of Science, alongside new sounds from ex-Tangerine Dreamer Paul Haslinger, Hibernation, Lorenzo Montana and Hibernation. Compiled & mixed by Mike G @ Rubycon Sound, July 2021. Cover art from James Bernard's "Unreleased Works 1994-1999" (A Strangely Isolated Place). The Ambitronica mix series mines the atmospheric grooves of ambient dance music at every level - newbies, classics, and the genre's pre-90's roots in early synthpop, dub, prog rock, art rock, Krautrock, lounge and Berlin-school trance. More at http://ambientmusicguide.com

Tonight's edition features tons of new music, including work from Rival Consoles, Hollie Kenniff, Electric Kif, Immersion, William Tyler, Black Brunswicker and plenty more! Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Memory Garden by William Tyler + Luke Schneider on Understand (Leaving Records)

Calm Pills Ambient Radio: calmradio.uppmixes.com Podcast: calmpodcast.uppmixes.com  Instagram: instagram.com/upliftingpills There are 3 principles guiding the creation of Calm Pill mixes: song curation with variety, production value, and showcasing artists. On the last one, every Calm Pill mix features several artists whose great music deserves to be discovered and heard, but every now and then, a whole artist album inspires a mix of its own, and this is one such mix. I'd like to present to you the debut album of marine eyes: idyll (marineeyes.bandcamp.com/album/idyll). She had but one simple intention in creating idyll: "to create a peaceful, gentle place." And that she absolutely did! The album is exquisitely beautiful, combining ethereal vocals and soothing ambient chords with nature sounds she gathered from various locations like Ojai, LA hiking trails and even her bedroom window!  And if this beautiful music sounds familiar, it's because I've featured Cynthia before in an album called awakened souls, which was inspired by the music of the ambient duo of the same name made up of Cynthia and her husband James Bernard. In fact, in recognition of the beautiful music this duo has gifted us over the years, the title of this album is a play on awakened souls' album a sense of return and idyll. As always, if you enjoyed this album, please look up the artists on Bandcamp or your favorite streaming service and support their music.  Making this mix was a labor of love. If you feel like supporting Calm Pills online radio & podcast or showing your appreciation, buy me a cup of a coffee (uppmixes.com/donate). You can also share this with your friends, rate it or leave a review on Apple Podcasts or wherever you subscribed to this podcast. Thank you. Also, did you know that I have another podcast called Chill Pills. It features the same quality of craftmanship and careful curation you've come to expect from this show but focuses on more genres of music spanning chillout, lounge, jazz, instrumental, lo-fi chill hop, etc. Check it out: https://link.chtbl.com/ChillPills Tracklist 00:00 Luke Howard ― A Softer World (Excerpt) 02:29 Olan Mill ― 4 03:25 marine eyes ― idyll 08:04 Cousin Silas ― A Circle Of Trees (Shadows On The Hill) 13:42 Hollan Holmes ― Aeon 18:28 Billow Observatory ― Calumet 23:18 marine eyes ― first rain 27:29 An Imaginal Space ― Cloudscape Timelapse 16.06.15 (Sunday Afternoon) 29:29 marine eyes ― roses all alone 31:34 of the quiet stars ― wading in overflowed meadows 33:42 marine eyes ― cloud collecting 37:42 Black Brunswicker ― Austro-Hungarian Blues (Extended Version) 42:19 So I'm An Islander ― Æ Skilt Sum Paje Hjemar (The Sign That Points Home) 46:02 Halftribe ― Archipelago 50:01 Halftribe ― Pneuma 53:15 awakened souls ― a sense of return 57:18 marine eyes ― on this fresh morning The post Calm Pill 45 first appeared on Uplifting Pills.

Viajar es marcharse de casa, es dejar los amigos es intentar volar volar conociendo otras ramas recorriendo caminos es intentar cambiar. Viajar es sentirse poeta, es escribir una carta, es querer abrazar. Abrazar al llegar a una puerta añorando la calma es dejarse besar. Viajar es marcharse de casa, es vestirse de loco diciendo todo y nada con una postal, Es dormir en otra cama, sentir que el tiempo es corto, viajar es regresar. Gabriel García Márquez En La Frontera Perdida viajamos simplemente cerrando los ojos... Y abriendo los oídos. La música nos transporta allá donde queramos. Somos eternos viajeros en tránsito. The Broken Cradle, Dreeks, Robinson's Village, Endless Melancholy, BILYK, Erik Wøllo, Bel Canto, Marlen Martha Maria, Luis Paniagua, James Bernard.

If you ever need evidence that God answers prayer, think back over the years about how many times you have prayed for vocations to the priesthood. God answers those prayers, as evidenced by the men we'll be speaking with today. It's our annual priestly ordination show, where we'll talk with Deacons James Bernard, Michael Reinhardt, Josh Salonek, and William Duffert. We'll get to know them a bit as they are just about to receive the manifold graces of the sacrament of Holy Orders. They are answers to our prayers, they are gifts of God to our local Church. And, on Saturday, May 29, starting at 10 a.m., at the Cathedral of Saint Paul, they will undergo the transition to the priesthood, emerging as the men who will then act in persona Christi capitis.

Welcome to episode #090 of Future Astronauts Horizons. Today we have selections from the likes of Music For Sleep, James Bernard, Akito Misaki and patchbaydoor & more.

Jeff & Kim review the lesser known Hammer Horror film from 1964 "The Gorgon," starring Peter Cushing, Barbara Shelley, and Christopher Lee.  Directed by Terrance Fisher with music by James Bernard.   Bonus Review: The Justice League (Synder cut).  And Jeff & Kim each give their top 3 "Everybody Dies" films.   --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/attackofthe20thcentury/support

One of the defining events of the past year, in Minnesota and around the world, was the murder of George Floyd and the international protests demanding justice. In this episode, Lissa speaks with Mary Moore Easter, editor and poet, and James Bernard Short, a poet who lives near the intersection now known as George Floyd Square. The collection is titled Can't Stop Won't Stop the Rain Taxi Chapbook : Poems in response to the murder of George Floyd (copies can be found on Rain Taxi's website). For more, visit BlackMarketReads.com

In this album, I would like to invite you to sample the world of awakened souls (awakenedsouls.bandcamp.com), an ambient music project of veteran electronic music producer James Bernard and his wife Cynthia. When I stumbled on their album how we heal, I knew I had found an artist who creates music for the same reason I create these mixes: to heal. Their mission is to "help others find the sense of healing that music brings to them" and their name comes from their "hope to be in touch with the most authentic parts of ourselves." I think you will find that their music indeed lives up to this ambition and is conducive to quite reflection. As always, if you like what you hear, check out the time-stamped track list and support awakened souls and all the other great artists featured on this mix by buying and streaming their music. Making this mix was a labor of love. If you feel like showing your appreciation, buy me a cup of a coffee (uppmixes.com/donate). You can also share this with your friends, rate it or leave a review on Apple Podcasts or wherever you subscribed to this podcast. Thank you. Also, did you know that I have another podcast called Chill Pills. It features the same quality of craftmanship and careful curation you've come to expect from this show but focuses on more up-tempo genres of music spanning chillout, lounge, jazz, instrumental, lo-fi chill hop, etc. Check it out: https://link.chtbl.com/ChillPills The post Calm Pill 39 first appeared on Uplifting Pills.

Happy holidays and welcome to Cozy Corner! You are listening to THE LATE NIGHT FRIGHT, broadcasting live from WKMF Cozy Corner Public Radio. Thank you all for tuning in, be you a carbon based life form from spaceship Earth, or an astral traveler from a dimension yet to be discovered. Welcome one and all! Tonight's episode is the 196th edition of THE LATE NIGHT FRIGHT and was broadcast on December 21st, 2020. Tonight's episode continues our month long celebration of the films of two of horror's most revered names: Peter Cushing and Christopher Lee. The Hammer house of horror was built on 1957's THE CURSE OF FRANKENSTEIN, starring Cushing as Baron Frankenstein and Lee as the creature, and 1958's DRACULA (released as HORROR OF DRACULA in the United States), which featured Cushing as Dr. Van Helsing and Lee in his iconic role as Count Dracula. Peter Cushing and Christopher Lee would go on to appear in 22 films together and remained the closest of friends for the rest of their lives.  Tonight's first film is a 1964 gem from the Hammer house of horror, THE GORGON, an atmospheric creature feature that reunites Cushing and Lee with director Terence Fisher (THE CURSE OF FRANKENSTEIN, DRACULA, THE MUMMY). The film also features Barbara Shelley and an excellent score from James Bernard, who had previously provided the music for both THE CURSE OF FRANKENSTEIN and DRACULA.  The next film is HORROR EXPRESS, a British/Spanish production from 1972 that is a riff on John Campbell's classic sci-fi novella WHO GOES THERE, the story that would become the basis for THE THING FROM ANOTHER WORLD and John Carpenter's 1982 masterpiece THE THING.  Tonight's sponsors include Reverend Rieger's Old Time Religion, Cozy Corner After Dark, Junior's Hoedown, and the Church Under The Bridge (located under the bridge downtown). Be sure to tune in for all the fake news not fit to print! email us at latenightfrightpodcast@gmail.com Click here to see Christopher Lee reminisce about his friendship with Peter Cushing  Click here to see Christopher Lee and Peter Cushing on This Is Your Life Our month long celebration of Christopher Lee and Peter Cushing concludes next week with 1968's DRACULA HAS RISEN FROM THE GRAVE from the Hammer house of horror!

James Bernard is the founder of Springloaded Ltd., an indie games company with a background in free to play mobile. James shares how he founded his company, beginning as a solo developer until he was able to get a publisher to invest into one of his projects. In This episode, you will discover the story behind how James was able to raise money for his game and other advice on how to collaborate and network in the games industry. Another big topic we discussed is the recent development in the mobile free to play market, which is getting tougher for indie developers and why they are now porting games over to the premium platforms (Steam, consoles, etc.). Hope that you guys enjoy the episode and find it insightful!Follow James and Springloaded Ltd.:- Twitter: https://twitter.com/springloadeddev- Website: http://www.springloadedsoftware.com/Games.html- Steam: https://store.steampowered.com/developer/springloadedFollow Moonlight Game Devs:- Website: https://moonlightgamedevs.com/- Twitter: https://twitter.com/devs_moonlight- Discord: https://discord.gg/rfcYJJB- Reddit: https://www.reddit.com/r/MoonlightGameDevs- Facebook: https://www.facebook.com/Moonlight-Game-Devs-117297853384521- YouTube: https://www.youtube.com/channel/UCrGAw9i5HoaByeiQAV5FaLA- Instagram: https://www.instagram.com/moonlightgamedev/

Episode 9 We talk to the newest member of Southern Indiana Dent James Bernard. Listen as we talk about Canadians, being a rookie, dent shit, and rap battles.

Oh Yes! Here we are! History has been made …. SpaceX into Space with astronauts Bob and Doug on May 30th 2020, what a Milestone! The opening for today’s show presents the soundtrack we had in mind ; the brand new Ben Blackett album has this track on it that’s just perfect for illustrating this huge event! Welcome to a new edition of the Spacemusic podcast - where we play music offered by many artists around the globe. In fact: the amount of music coming in is growing exponentially! This is so COOL and good news for us all, in times where we need the distraction, the peace, the music that soothes us like no other medium can do. We’ve seen enough, heard enough, about things going on in the streets world-wide ; we are Ambient Zone, therefore we keep our eyes shut from time to time to stay away from the negative. At the same time, we enjoy the positive things the MAX! Hence the title for todays edition. Musical contributions by Ben Blackett, Venja, Nyoko Mizuki, Resilience, Fjeld, Ivan Teixeira, Thomas Lemmer, C.S. Pabst, Evadez, Off land, Laroth, 36, Zakè, James Bernard. Advise: huge a good pair of headphones / Big Speaker System / Have a wonderful listening experience and a safe flight! // ambient zone // ((( ULTRA DEEP SOUND ® Ambient Zone © 2020 )))