Podcast appearances and mentions of Howard Barker

Dans ce huitième épisode nous avons le plaisir de recevoir Julie Bertin et Jade Herbulot. Un épisode sur leurs différentes créations depuis bientôt 10 ans au sein de la troupe Le Birgit Ensemble qu'elles ont co-crée.Nous découvrons leur parcours de metteuses en scène, pas prévu dans leur plan initial, mais qui se révèle être une évidence, de leur tétralogie “Europe mon amour” au Birgit Kabarett.Un entretien où l'on sent la complicité de ce duo avec un temps de parole parfaitement réparti, que les candidat.e.s à la présidence en prennent de la graine !Bonne écouteOù nous retrouver :Pour suivre toutes nos actualités retrouvez nous sur instagram :@romain_francisco_@camillebizien@ julie bertin@jade_herbu@lebirgitensembleRecommandations :Jade : Théâtre “King Lear Syndrome” de Elsa GranatThéâtre “Les Forteresses” de Gurshad ShahemanChanteuse Colette Magny dont la chanson “Melocoton” et non “Pineapple Princess” de Annette Funicello comme le chante si bien Camille !Julie :Théâtre “Un sacre” de Guillaume Poix mise en scène Lorraine de SagazanLivre “Dora Bruder” de Patrick Modiano.Camille : Film “Le formidable envol de Motti Wolkenbruch” de Michael Steiner sur Netflix.Romain Théatre “Oublie - moi” de Marie-Julie Baup et Thierry LopezInfos :Episode enregistré le 14 avril 2023 Merci aux studios de la SACD et Sylvain Teissier pour le mixage.Vous avez aimé ce podcast, pour nous soutenir n'hésitez pas à mettre 5 étoiles sur votre application de podcast préférée et en parler autour de vous.#17H17lepodcastCité dans le podcast :Théâtre “Roman(s) National” du Birgit Ensemble.Théâtre “Douce France” du Birgit Ensemble.James Brandily et Auriane Lespagnol.Salomé Ayache.Théâtre “Berliner Mauer : Vestiges” du Birgit Ensemble.Adaptation de l'éveil du printemps de Julie Bertin.Daniel Mesguich.Théâtre “la trilogie de la villégiature” de Goldoni.Scène de Howard Barker avec Antoine Reinartz et Morgane Nairaud.Caroline Marcadé.Film “Le Dictateur” de Charlie Chaplin.Le Birgit Kabarett avec Anna Fournier, Morgane Nairaud, Eléonore Arnaud, Marie Sambourg, Pauline Deshons, Grégoire Letouvet, Alexandre Perrot, Romain Maron.Tétralogie “Europe mon amour” du Birgit Ensemble : ”Berliner Mauer”, “Memories of Sarajevo” et “Dans les ruines d'Athènes”.Théâtre : “Les Oubliés : Alger Paris” du Birgit Ensemble.Théâtre “Macbeth” de Shakespeare.Série “Succession” de Jesse ArmstrongBisousR&C Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Au Galpon de Genève, le théâtre renait de ses cendres avec un goût dʹaprès-catastrophe. Jusquʹau 28 juin 2020, une pièce pour deux comédiennes de lʹauteur anglais Howard Barker jongle avec les fantasmes dans un monde où les hommes semblent avoir disparu. Le metteur en scène Gabriel Alvarez ouvre le rideau au micro de Thierry Sartoretti.

Basel Shadfan is the program director at a Clear Recovery Center, an addiction rehab facility. Howard Barker is the director of community relations at New Life House, a sober living community. We talk about how these facilities work together in the treatment process as well as some of the obstacles they face. Basel and Howard get honest about their own past struggles and Cody and Sam learn that you do not have to hit the proverbial Rock Bottom in order for treatment to be effective. Learn more about the two facilities below:https://clearrecoverycenter.com/https://newlifehouse.com/

Host Dr. Ann Schiebert and her guest, Shannon Rathbun, PA, discusses breast cancer and plastic surgery.

Join host Dr. Ann Schiebert and her guest Marta Vanegas, Esq. as the discuss - How to Start a Business

Join host Dr. Ann Schiebert and her guest is Dr. Tom Rohrer who is going to be talking about the amazing benefits of brain spotting as a therapeutic technique

Join host Dr. Ann Schiebert and her guest Dr. Jessica Bergstrom, as they discuss Chronic Pain.

Join host Dr. Ann Schiebert and her guest, Jodi Montgomery from Heart and Mind Consulting, as they discuss Parenting Techniques for Parents of Teenagers.

Join host Dr. Ann Schiebert and her guest, Howard Barker, from New Life House, as they discuss: Teen Recovery and Addiction.

Playwright Mark Ravenhill challenges our adulation of the Bard and asks: Is Shakespeare's genius beyond question? Casting a sceptical eye over centuries of bardolatry, Ravenhill calls for a new approach to the plays. Exploring the intellectual tradition that has seen important figures from Voltaire to Tolstoy to Wittgenstein challenge Shakespeare's supremacy, Ravenhill searches for today's dissenting voices. Tracing the transformation of a working playwright into a national poet, global brand and secular god, Ravenhill asks if it's still possible to enjoy Shakespeare without being overwhelmed by the cultural and commercial baggage of 'brand Shakespeare'. Meeting Royal Shakespeare Company Artistic Director Gregory Doran, theatre director Phyllida Lloyd and actors Simon Russell Beale and Fiona Shaw, Ravenhill explores what Shakespeare's plays mean to theatre-makers today and asks if Shakespeare is a problem for a contemporary theatre which seeks to give an equal representation of women's experience of the world. Joining RSC actors in a primary school for a performance of Taming Of The Shrew, Ravenhill wonders if a play of such dark and complex sexual politics is really suitable material for ten-year-olds. Scholar Ania Loomba describes India's changing relationship with Shakespeare, while Professor Gary Taylor talks about the ambivalence of large parts of America toward the Bard. Other interviewees include: playwrights Edward Bond and Howard Barker, RSC Deputy Artistic Director Erica Whyman, Shakespeare academics Ewan Fernie, Dr Martin Wiggins, Michael Dobson and Dr Erin Sullivan of the University of Birmingham Shakespeare Institute. With readings by Amanda Drew and Paul Ritter. Producer: Matt Willis

After a brief hiatus, I return this week with a great chat to my friend and fellow actor, John Sears. John spent the first part of his adult life in teaching which he loved. However, the itch to 'tread the boards' was ready to be scratched. At 58 he started his full time acting career. John's story is a fascinating one which takes us through university in the 60's to time spent in Africa, his teacher training then finally to going into acting full time. He talks candidly about the difference in how one might have dealt with being gay and coming out in a time before homosexuality was legalised. John's story is an inspirational one and it shows how it is never too late to follow a dream and change life's narrative. John is currently appearing in 'The Castle' by Howard Barker at https://space.org.uk/event/the-castle/ Please enjoy and share! https://www.facebook.com/john.sears.90

2:03 - Origin story of Runcible Theatre. http://www.runcibletheatre.org 2:55 - Sweet Phoebe was their first show (a two person cast). http://www.runcibletheatre.org/sweet-phoebe-2014.html 6:01 - After that, Andrew decided to do shows with bigger casts. http://www.runcibletheatre.org/scenes-from-an-execution-2015.html http://www.runcibletheatre.org/a-number-2016.html 7:15 - Wounds to the Face. http://www.runcibletheatre.org/wounds-to-the-face.html 9:12 - Howard Barker, one of Andrew's favorite playwrights. http://www.doollee.com/PlaywrightsB/barker-howard.html 16:39 - Proscenium vs. Traverse/Alley stages. 21:48 - Someone walked out on Scenes from an Execution. 30:54 - Sarah Kane. http://www.inyerfacetheatre.com/archive7.html 31:53 - After the Dance. http://www.runcibletheatre.org/after-the-dance-2016.html 41:30 - Some scenes need to be blocked. 48:41 - Owen's roles at Runcible. 54:59 - A Number. http://www.runcibletheatre.org/a-number-2016.html 58:18 - Jake gets "crass" and asks about money. 1:14:37 - Promotional time: Wounds to the Face. http://www.runcibletheatre.org/wounds-to-the-face.html Follow us on Twitter or Facebook Intro Music: "Are You Famous, Yet?" - Laura Scruggs. Outro Music: "The Devil Is In The Beats" - The Chemical Brothers

Following the casting of Tilda Swinton as a character originally identified as Tibetan in the recent film Dr Strange, and the furore surrounding the casting of a new production of Howard Barker's play, In The Depths of Dead Love - Kumiko Mendl, Artistic Director of Yellow Earth Theatre, and Deborah Williams, Executive Director of Creative Diversity Network join Samira to discuss the issue of 'Yellowface' - the practice of non-Asian actors playing Asian roles. Sarah Crompton reviews the film Jackie, directed by Pablo Lorrain and starring Natalie Portman as Jackie Kennedy, which focuses on the immediate aftermath of JFK's assassination in 1963. The Transports is a ballad opera telling the true story of two convicts who fell in love in prison as they were waiting to be sent on the First Fleet to Australia. They had a child, were cruelly separated, but thanks to a kind gaoler, were eventually united. It was recorded in 1977 by giants of the folk world - June Tabor, Nic Jones, Martin Carthy, Norma Waterson. 40 years on a new generation of folk stars - Nancy Kerr, Faustus, the Young'Uns - are touring their new production. Samira meets them as they rehearse and finds The Transports has plenty to say about exile and migration today.Britain's most prestigious award for poetry, the TS Eliot Award, is announced this evening. The prize is for the best collection of poems published in 2016, and Front Row will have the first interview with the winner. Presenter: Samira Ahmed Producer: Rebecca Armstrong.

Playwright Howard Barker talks to Mark Brown about his career and the National Theatre's 2012 production of Scenes From An Execution.

This is a background pack for Tom Cairn's 2012 production of Scenes From An Execution by Howard Barker. Included in this pack is are interviews with Tom Cairn and Fiona Shaw (playing Galactia), and the rehearsal diary.

Playwright Howard Barker talks about his debut at the National Theatre after 40 years and German writer, Bernard Schlink on his new book, Summer Lies. Northern Broadsides theatre company celebrates 20 years in the business and Nicholas Hytner talks about the importance of regional theatre. John Wilson meets Mumford & Sons to discuss their eagerly awaiting third album and Kirsty Lang on the new season of The Thick of It.

With Mark Lawson. Welcome to India is a new BBC series which aims to lift the lid on the reality of life for India's 1.2 billion residents. The poet Daljit Nagra reviews the programme, and also considers previous Western documentaries about the country. The playwright Howard Barker - who coined the term 'Theatre of Catastrophe' - shares his uncompromising views on collaboration, accessibility, and art as an ordeal. And as his play Scenes from an Execution receives a new production at the National Theatre, he offers a theory as to why his works have never been staged there before. For younger audiences, opera can seem an unwelcoming art-form, and its reputation for high ticket prices can also make it seem unattractive. As the English National Opera launch a scheme designed to encourage young people to try opera, artistic director John Berry explains how Damon Albarn and Terry Gilliam are part of the plan to bring in new audiences. In the week that Channel 4 gathers a whole host of its presenting talent under one roof for its week-long Hotel GB series - including Gok Wan, Mary Portas, Gordon Ramsay and Katie Piper - David Quantick considers such celebrity supergroups, and whether they can ever be more than (or even as much as) a sum of their parts. Producer Ellie Bury.

Two-time Tony nominee Jan Maxwell talks about whether she's been influenced by Carole Lombard and Anne Bancroft, her film predecessors as the leading ladies of "To Be or Not To Be", as well as the difficulty of working in a new play when the author was on the other side of the ocean. She also relates a tale of how she managed her first visit to New York under the guise of a youth mission trip; her multiple experiences coming into shows with relatively little preparation, including "A Doll's House" and "The Dinner Party", and Neil Simon's withering assessment of her work at an early preview of the latter; literally getting lost backstage at City Center while running between the theatre's for Alan Ayckbourn's "House and Garden"; why she thinks she's being typecast as a child tormentor in such shows as "Chitty Chitty Bang Bang" and "Coram Boy"; her deep affinity for the work of playwright Howard Barker, and why we shouldn't expect to see her collaborating with her brother, noted downtown theatre artist Richard Maxwell, anytime soon. Original air date - November 7, 2008.

Two-time Tony nominee Jan Maxwell talks about whether she's been influenced by Carole Lombard and Anne Bancroft, her film predecessors as the leading ladies of "To Be or Not To Be", as well as the difficulty of working in a new play when the author was on the other side of the ocean. She also relates a tale of how she managed her first visit to New York under the guise of a youth mission trip; her multiple experiences coming into shows with relatively little preparation, including "A Doll's House" and "The Dinner Party", and Neil Simon's withering assessment of her work at an early preview of the latter; literally getting lost backstage at City Center while running between the theatre's for Alan Ayckbourn's "House and Garden"; why she thinks she's being typecast as a child tormentor in such shows as "Chitty Chitty Bang Bang" and "Coram Boy"; her deep affinity for the work of playwright Howard Barker, and why we shouldn't expect to see her collaborating with her brother, noted downtown theatre artist Richard Maxwell, anytime soon. Original air date - November 7, 2008.

Lindesay Irvine talks to Howard Barker about “The Seduction of Almighty God” and about the role of the writer in theatre. Music by Francesca Panetta, with extracts from matiasromero at www.freesound.iua.upf.edu.