Podcast appearances and mentions of Nicholas Hytner

We're talking all about the dance classic Center Stage, including; bad turnout, dance movie cliches, stage motorcycles, magical costume changes,& more! I Love This You Should Too is hosted by Samantha and Indy Randhawa Center Stage is a 2000 American teen drama film directed by Nicholas Hytner about a group of young ballet dancers from various backgrounds who enroll at the fictitious American Ballet Academy in New York City. The film explores the issues and difficulties in the world of professional dance, and how each individual copes with the stresses. It also served as the film debut for actresses Zoe Saldaña and Amanda Schull. 

Drew Barr has directed productions of new, modern, and classical plays and musicals for theaters across the United States and around the world. He directed the Dutch-language premiere of the National Theatre of London's War Horse, which opened at Amsterdam's Royal Carré Theatre before a year-long tour of the Netherlands and Belgium. For the National Theatre, he also directed the Australian premiere of War Horse, which ran in Melbourne, Sydney and Brisbane. He was the Resident Director for War Horse on Broadway at Lincoln Center Theater. Also on Broadway, Drew served as associate director for Nicholas Hytner's productions of Sweet Smell of Success, starring John Lithgow, Kelli O'Hara and Brian D'Arcy James and Twelfth Night, starring Helen Hunt, Paul Rudd and Kyra Sedgwick, as well as for Simon McBurney's acclaimed revival of All My Sons by Arthur Miller, starring John Lithgow, Dianne Wiest, Patrick Wilson and Katie Holmes. Drew was associate director and dramaturg for Simon McBurney's production of The Kid Stays in the Picture at the Royal Court Theatre in London.Drew has directed and guest taught for many of the country's leading actor training programs, including the Juilliard School, NYU's Graduate Acting Program, USC's School of Dramatic Arts, SUNY Purchase, the University of Delaware's PTTP, the University of Washington's School of Drama and the Department of Dramatic Art at the University of North Carolina Chapel Hill. He is on the acting faculty of AMDA College of the Performing Arts in Los Angeles. As an actor, Drew appeared on Broadway in Wendy Wasserstein's An American Daughter. He was a founding member of East Coast Artists, a performance collective under the leadership of Richard Schechner, with whom Drew devised and performed in Faust/gastronome, The Three Sisters and Amerika. He toured the country as a member of Maurice Sendak's national children's theater, The Night Kitchen, playing the role of Alligator in the Sendak/Carol King musical, Really Rosie. Drew moved to Lexington with his filmmaker husband, Tim Kirkman, in June of 2024Drew is directing ANGELS IN AMERICA, a play written by Tony Kushner debuted in 1991, that will be presented by ACT OUT THEATRE GROUP and open at the Black Box Theatre in the Pam Miller Downtown Arts Center on 6th June and play the 7th, 13th, 14th and 15th June.A complex and at times metaphorical examination of AIDS and its social impact - this play, that won 3 Tony Awards and a Pulitzer, has been called "a turning point in the history of gay drama."For more and to connect with us, visit https://www.artsconnectlex.org/art-throb-podcast.html

This week Samantha recommends Karin Slaughter's novel The Good Daughter, Indy talks about Asian women in Hip-Hop like; Ruby Ibarra, XG, & Wild Wild Women, and we preview the dance classic Center Stage. I Love This You Should Too is hosted by Samantha and Indy Randhawa Ruby Ibarra Us video: https://www.youtube.com/watch?v=AUfNeCozJBw&ab_channel=RubyIbarra XG Howling video: https://www.youtube.com/watch?v=rGqEuk8Om-4&ab_channel=XG Wild Wild Women video: https://www.youtube.com/watch?v=HlqIzxi2UHQ&ab_channel=WildWildWomen   Center Stage is a 2000 American teen drama film directed by Nicholas Hytner about a group of young ballet dancers from various backgrounds who enroll at the fictitious American Ballet Academy in New York City. The film explores the issues and difficulties in the world of professional dance, and how each individual copes with the stresses. It also served as the film debut for actresses Zoe Saldaña and Amanda Schull. The film was released theatrically in the United States on May 12, 2000.

On this episode, we were joined by the legendary British actor, Sir Simon Russell Beale CBE, to discuss his first memoir from a life on the stage, A Piece of Work: Playing Shakespeare & Other Stories. Often described as the "best stage actor of his generation," Simon shares insights into the whopping 18 Shakespeare characters he has played throughout his career with the RSC and the National Theatre. He generously invites us into his process as an actor and explains why the personal and working relationships he has formed with collaborators like Sam Mendes and Nicholas Hytner are essential to his extraordinary success. Lastly, we discuss encounters with performing legends such as Stephen Sondheim and Lauren Bacall and an example of what it means to recieve a "bad note" from a director. 

Diane and Sean discuss...a ballet movie. That's it. It's ballet. Center Stage, the Nicholas Hytner ballet movie. Episode music is, "Canned Heat" by Jamiroquai, from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  IG: @whydoweownthisdvd- Tumblr: WhyDoWeOwnThisDVD-  Follow Sean's Plants on IG: @lookitmahplants- Watch Sean be bad at video games on TwitchSupport the Show.

Timmika Ramsay has taken over as Miss Adelaide in Nicholas Hytner's revival of Guys & Dolls at the Bridge Theatre.After auditioning for the role four weeks after giving birth, Timmika is receiving rave reviews for her performance. Most recently Timmika played La Chocolat as part of the original West End cast of Moulin Rouge (Piccadilly Theatre). Some of her other stage credits include Madagascar on tour and the title role in Cinderella at the Lyric Hammersmith.On screen Timmika has appeared in The Other One for Tiger Aspect and BBC1 and The Larkins for ITV. She featured in eight episodes of BBC's Horrible Histories, played Sabelle in Adult Material for Channel 4 and Leila in series 2 of Ghosts for BBC1.Guys & Dolls is booking at the Bridge Theatre until 31st August 2024. Visit www.bridgetheatre.co.uk for info and tickets. Hosted by Andrew Tomlins  @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  

For this Musicals Magazine Podcast, Sarah Kirkup meets Timmika Ramsay, who's currently starring as Miss Adelaide in Nicholas Hytner's immersive production of Guys & Dolls at the Bridge Theatre. Ramsay, who previously starred as La Chocolat in Moulin Rouge in the West End, talks about the challenges of following in the footsteps of Marisha Wallace, how she juggles eight shows a week with a small baby, and her determination to make the role her own.   The musical excerpts of Guys and Dolls are taken from the 2023 London Cast Recording on Broadway Records, starring Marisha Wallace, Daniel Mays, Andrew Richardson, Celinde Schoenmaker and Cedric Neal; the opening and closing musical excerpts featured in this podcast are from the Overture to Gypsy (film version), taken from Jule Styne's ‘Overtures Vol 2', courtesy of JAY Records.  

The acclaimed Irish actor Andrew Scott tackles his most challenging stage role yet in a one-man retelling of Anton Chekhov's Uncle Vanya. The production, Vanya, was commissioned and directed by Sam Yates, a young British director who was mentored by the likes of Trevor Nunn, Nicholas Hytner and Phyllida Lloyd. Also, opening nights can be stressful under any circumstances, but what do you do when a zombie apocalypse threatens curtain time? We're joined by the team behind Zombie! The Musical. And an updated version of Patrick Hamilton's 1938 play Gaslight is now touring Australia. We meet the director and writers.

INTERVIEW: DAVID SABEL. Fifteen years ago the National Theatre had its first live cinema broadcast, Nicholas Hytner’s production of Racine’s Phedre starring Helen Mirren and Dominic Cooper. The driving force behind NT Live, now a global phenomenon, is David Sabel. He went on to help found the Bridge Theatre and now runs Sabel Productions, working […]

Our second film of the season may, for the second year in a row, be starting an unintentional theme month of van movies with the 2015 dramedy The Lady in the Van. Directed by Nicholas Hytner, the film is based on the memoir of the same name created by Alan Bennett which tells the story of Miss Shepherd, a woman of uncertain origins who 'temporarily' parks her van in Bennett's London driveway and proceeds to live there for 15 years. The film stars Maggie Smith, Alex Jennings, Jim Broadbent and Francesca de la Tour. Come join us!!! Website : http://tortelliniatnoon.com/ Instagram: https://www.instagram.com/tortelliniatnoonpodcast/ Facebook: https://www.facebook.com/TortelliniAtNoon Twitter: https://twitter.com/PastaMoviePod

Welcome back to the 148th episode of The Cup which is our a weekly (give or take, TBD, these are unprecedented times) performing arts talk show presented by Cup of Hemlock Theatre. With the theatres on a come back we offer a mix of both reviews of live shows we've seen and continued reviews of prophet productions! For our 152 episode we go on a witch hunt and bring you a new instalment of our series 'Screened Plays'. This time we have a spooky episode all about The Crucible (1996), directed by Nicholas Hytner, based on the play by Arthur Miller, starring Daniel Day-Lewis as John Proctor and Winona Ryder Abigail Williams! Join Co-Artistic Producers @mackenzie_horner and Ryan Borochovitz, along side Associate Producer @jillian.robinson96 and returning guest panelist Sarah Hime (@hime.sarah) as they debate the performance given by Paul Scofield as Judge Danforth and they explore why this film had a lacklustre performance during its initial cinematic release. On the subject of feminist reworkings of The Crucible (as discussed in the episode), check out the Master's Thesis, “Bewitching the Blame: The Crucible's Legacy of Appropriation and Sexual Shame in Popular Culture” by Hope Morris (Illinois State University, 2021, https://ir.library.illinoisstate.edu/etd/1395/), as well as the three contemporary re-visionings that serve as her principal case studies: John Proctor is the Villain, by Kimberly Belflower; Abigail, by Sarah Tuft; and Becky Nurse of Salem by Sarah Ruhl. Follow our panelists:  Mackenzie Horner (Before the Downbeat: A Musical Podcast) – Instagram/Facebook: BeforetheDownbeat  Apple Podcasts: https://apple.co/3aYbBeN  Spotify: https://spoti.fi/3sAbjAu Sarah Hime – Instagram: @hime.Sarah // Twitter: @SarahHime1 // Watch Pink is In: https://tv1.bell.ca/fibetv1/shows/pink-is-in / https://www.primevideo.com/detail/Pink-Is-In/0FWMKIC23RN784WD60FC5UQ950#:~:text=Prime%20Video%3A%20Pink%20Is%20In / https://tubitv.com/series/300001076/pink-is-in Jillian Robinson – Instagram: @jillian.robinson96 Ryan Borochovitz – [Just send all that love to CoH instead; he won't mind!] Follow Cup of Hemlock Theatre on Instagram/Facebook/Twitter: @cohtheatre  If you'd like us to review your upcoming show in Toronto, please send press invites/inquiries to coh.theatre.MM@gmail.com --- Support this podcast: https://podcasters.spotify.com/pod/show/cup-of-hemlock-theatre/support

Renowned for tackling big themes on stage, Lucy Prebble made her name as a playwright in her mid-twenties when she wrote the hugely successful Enron. The play, which premiered in 2009 and explored the collapse of the American energy corporation eight years earlier, transferred to the West End and also played on Broadway. In 2019 she premiered A Very Expensive Poison which dramatized the assassination in London of former Russian spy Alexander Litvinenko. Lucy Prebble has also written for television, she devised and wrote the black comedy series I Hate Suzie with its star Billie Piper. She was also one of the writers of the Emmy, Golden Globes and BAFTA winning Succession, about the ageing media mogul deciding if and how to hand control of his corporate empire to his children. In conversation with John Wilson, Lucy recalls how an early job as an assistant to Nicholas Hytner in his first year as Director of the National Theatre helped her to begin her career as a writer. She reveals how Billy Bragg's song Waiting For The Great Leap Forwards is a continued inspiration in her work as a playwright and the influence that Bob Fosse's 1979 film All That Jazz had on her TV series I Hate Suzie. She also discusses being part of the team that wrote the hit TV series Succession and what effect the experience has had on her and her work. Producer: Edwina Pitman

Owain Arthur recently took over as Nathan Detroit in the London revival of Guys and Dolls.Nicholas Hytner's semi-immersive production opened earlier this year at the Bridge Theatre to huge acclaim. Owain's theatre credits include The History Boys (National Theatre / West End) and starring as Francis Henshall in One Man, Two Guvnors (West End / International Tour). He has also appeared in Romeo and Juliet (Royal Shakespeare Company), The Comedy of Errors (Manchester Royal Exchange) and Birdsong (West End). Owain has worked extensively on screen, with his credits including The Lord of the Rings: The Rings of Power, A Confession, Hard Sun, 35 Diwrnod (35 Days), Death in Paradise, Hinterland, Babylon, Rownd a Rownd, The Palace, The Friday Night Club, London Kills, New Tricks, Cei Bach,  Ddoe Am Deg, The One and Only Ivan, Coffee Wars, White Island, Willkommen im Krieg, Eldra, Mr Nice and The Patrol.Guys and Dolls is booking at the Bridge Theatre until 24th February 2024. Visit www.bridgetheatre.co.uk for info and tickets. Hosted by Andrew Tomlins  @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  

In this special episode, we talk to two artistic directors about the current funding crisis ravaging our sector. Back in May, when the Greenwich Dance team was having funding applications repeatedly rejected, we were relieved to see renowned theatre director Nicholas Hytner's Guardian article "The arts in Britain are teetering on the brink. Here's my plan to save them". Here at last someone was talking about the dire situation the arts are in and, just as importantly, offering up with ideas about how to do something about it. And it turns out someone else had also been thinking constructively about arts funding models. Way back in 2020, Tarek Iskander, Artistic Director of Battersea Arts Centre, proposed a National Arts Service, using his experience of working in the NHS as a starting point. As we begin to see a general election on the horizon and the possibility of a new government starts to feel possible, we invited them both to talk us through their intriguing provocations. We ask at this time, when we are emerging from a pandemic, suffering the effects of a cost of living crisis and dealing with the repercussions of Brexit, how do we inject more funding into the cracks appearing in the arts? And as we navigate our own precarious funding situation, we ask if not now – when? Talking Moves is a Greenwich Dance production Presented by Melanie Precious Production by Carmel Smith, Lucy White and Melanie Precious   Recording date: Wednesday 19 July 2023

We could listen to Adrian Lester talk about acting all day… but he's a busy man, so we'll settle for this 37 minute episode. The actor joins us to discuss some of his most famous performances, including Rosalind in Cheek by Jowl's acclaimed 1991 all-male As You Like It, Hamlet with Peter Brook, and Henry V and Othello with Nicholas Hytner. Plus, Lester takes us back to his childhood in Birmingham and tells us about his patronage of the Everything to Everybody project and the Birmingham Shakespeare Library. Lester is interviewed by Barbara Bogaev. Visit our website, folger.edu/unlimited, to learn more about Everything to Everybody and see video of Lester's performance in "As You Like It." From our Shakespeare Unlimited podcast. Published July 4, 2023. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the associate producer. It was edited by Gail Kern Paster. Ben Lauer is the web producer. Leonor Fernandez edits our transcripts. We had technical help from Voice Trax West in Studio City, California. Final mixing services provided by Clean Cuts at Three Seas, Inc.

Week 6: Saving the Arts and Starting Off, with Penelope Skinner This week we discuss arts funding, and how to start your play – with a guest appearance from playwright Penelope Skinner. Show notes: Send us your updates and questions: info@oldfirestation.org.uk “The arts in Britain are teetering on the brink. Here is my plan to save them.” - Nicholas Hytner in the Guardian: https://www.theguardian.com/commentisfree/2023/may/17/arts-council-britain-plan-save-new-body “Divided opinion: why Nicholas Hytner is wrong about splitting arts funding.” - Lyn Gardner in The Stage: https://www.thestage.co.uk/opinion/divided-opinion-why-nicholas-hytner-is-wrong-about-splitting-arts-funding Penelope Skinner: https://en.wikipedia.org/wiki/Penelope_Skinner Support the Old Fire Station: https://oldfirestation.org.uk/support-us/ Transcript available here: https://oldfirestation.org.uk/our-work/how-to-write-a-play/ Hosted on Acast. See acast.com/privacy for more information.

Welcome to the first episode of our regular Musicals Magazine Podcast hosted by Edward Seckerson. In this episode, our guest is Celinde Schoenmaker, currently starring as Sarah Brown in Nicholas Hytner's immersive production of Guys & Dolls at London's Bridge Theatre. The musical excerpts featured in this podcast are from the Overture of Gypsy (film version), taken from Jule Styne's Overtures Vol 2 courtesy of JAY Records. For more details on Musicals magazine, please visit MusicalsMagazine.com

Over the last decade, Celinde Schoenmaker has cemented herself as the West End's favourite soprano taking on roles like Christine in The Phantom of the Opera, Fantine in Les Miserables and Franca in The Light in the Piazza. Now, Celinde is taking on the role of Sarah Brown in the Bridge Theatre's new immersive production of Guys & Dolls. Since the show premiered on Broadway, the show has experienced numerous revivals, a film adaptation and this latest production has received rave reviews from critics and audiences alike. Celinde will also soon be returning to the role of Lara in Doctor Zhivago at the London Palladium following 2 sold out concerts at Cadogan Hall in 2019. On top of her work in musical theatre, Celinde was also seen in the Golden Globe winning film Rocketman starring opposite Taron Edgerton and Richard Madden and was also recently in Hong Kong Love Story. More recently, she also got engaged to fellow actor Richard Fleeshman who is currently starring in Marjorie Prime and we get to hear her express her excitement at being able to work at the same time as her partner.In this special interview, Celinde looks back over the last ten years of her luminating career.  Throughout the conversation, she seemed genuinely humbled by her experience of being able to play in some of the world's biggest shows as well as being given the opportunity to recreate one of the most iconic roles in the musical theatre canon.  Musical theatre fans will be familiar with her crystal clear soprano and be delighted with her unique portrayal of the passionate and loveable Sarah Brown. Celinde also praises Nicholas Hytner's vision for creating such a brilliant experience for Bridge Theatre's audiences and encourages other theatre creatives to be more innovative with their productions as immersive shows become more popular. It's a fascinating discussion and we get to really feel the warmth of Celinde's character as she reflects over her life and career as she optimistically looks forward to new opportunities ahead.Guys & Dolls is playing at the Bridge Theatre until 2nd September and Doctor Zhivago plays at the London Palladium on 7th May.

Lighting designer Jessica Hung Han Yun won a Knight of Illumination Award for Equus at Stratford East when she was just 24.  She's since worked at the National Theatre, Donmar Warehouse, Rambert2, The Royal Court, and she has also designed lights for the revered theatre company Complicité and director Nicholas Hytner. Her upcoming work on RSC's My Neighbour Totoro can be seen at the Barbican from Oct 2022.She and host Emma Lister talk about creativity under pressure, how lighting is like editing, why she struggles with Shakespeare and trying to live up to the beloved animated classic My Neighbour Totoro.www.jessicahhy.comThe 3 Questions...Was there a piece of art that changed everything for you? Artist Rei Naito and architect Ryue Nishizawa's, Teshima Art Museum Was there a piece of art that you think has value but don't necessarily like?Shakespeare What/who should we check out that we may not know about?... Christopher Bauder's work for Dark Matter  and ABBA Voyage  

Before anyone asks, no, not that Hannah Brown. This week Zach and Sloane are joined by International ingenue, actor and IPA girlie Hannah A. Brown to discuss the iconic 2000 dance film: Center Stage. The trio discuss everything from the rampant eating disorders of the 90s and 2000s to Jody Sawyer's gorgeous red braided dreadlock ribbon dance hair looks. This week we also discover why Zach doesn't have a significant other and no surprise here, it involves photos of Tory Burch shoes. All that and so much more on this week's Mummy Dearest!And please remember to rate, review, and subscribe!Follow Hannah on Instagram and LTK! Support the show

On this week's episode we're honoured that our guest is Sir David Hare, not just one of Britain's leading playwrights, but also a screenwriter and theatre and film director. He's written over 40 full length plays, 19 staged at the National, including Plenty (which went on to be a star-studded movie), Skylight and many more. He talks to us about his new play Straight Line Crazy, directed by Nicholas Hytner and showing at The Bridge Theatre in London. It opened to many reviewers saying this was David's most dramatically play for decades and stars Ralph Fiennes as Robert Moses, the man who set out to build parks and expressways across Manhattan in the 1950's. It's extraordinarily relevant to the way London is being developed at such a hectic pace, often with little or no concern for its residents. Moses wanted to extend the lower Manhattan expressway through the residential district of Washington Square where he was met by fierce opposition who managed to block the plans. One of his opponents Jane Jacobs, played by Helen Schlesinger, went on to write The Death and Life of American Great Cities about the ongoing battle between communities and the planners who oppose them. David also talks about his frequent collaborations with Ralph Fiennes, who starred last year in David's one-man play about battling Covid, Beat the Devil. He talks about the influence of America on his work and his period of self-imposed exile there after the critics panned Plenty. He laments the passing of an age in which theatre producers from Peter Hall to Richard Eyre took risks and stood by avant garde writers to be replaced by our ‘box office crazy'. He's also full of sage advice for anyone wanting to write a screenplay and explains the differences between the two. Finally, he and Ed settle down to bury the hatchet and iron out their political differences. This is David Hare at the pinnacle of his game, reflecting on a life spent in theatre, television and film – not to be missed.

We return to our Daniel Day-Lewis Acteurist Oeuvre-view with 1996's The Crucible (directed by Nicholas Hytner with a screenplay by Arthur Miller, based on his 1953 play) and 1997's The Boxer, reuniting Day-Lewis with writer-director Jim Sheridan and writer Terry George from In the Name of the Father and returning to the subject of Northern Ireland and the Troubles. We discuss the ways in which The Crucible serves as a liberal allegory for McCarthyism and its depiction of the jouissance of hysteria and accusation, and then turn to The Boxer's examination of an impossible personal/political situation, which leads us to consider Day-Lewis's rare but memorable turns as a romantic hero. Time Codes: 0h 01m 00s:    THE CRUCIBLE (1996) [dir. Nicholas Hytner] 0h 43m 01s:    THE BOXER (1997) [dir. Jim Sheridan] +++ * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's latest film piece on Preston Sturges, Unfaithfully Yours, and the Narrative role of comedic scapegoating. * Check out Dave's new Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

The thespians discuss the body as art, Nicholas Hytner's CENTER STAGE (2000), Stephen Daldry's BILLY ELLIOT (2000), and the drive to move. 

Julie Kent became the Artistic Director of The Washington Ballet in July 2016. She is the longest-serving ballerina in American Ballet Theatre's 79-year history. She began her dance training with Hortensia Fonseca at the Academy of the Maryland Youth Ballet in Bethesda, MD and attended summer sessions at American Ballet Theatre II and the School of American Ballet before joining American Ballet Theatre as an apprentice in 1985. In that same year, Kent won first place in the regional finals of the National Society of Arts and Letters at the Kennedy Center. In 1986, she was the only American to win a medal at the Prix de Lausanne International Ballet Competition, and she became a member of ABT's corps de ballet.Kent starred in the Herbert Ross film “Dancers” in 1987 opposite Mikhail Baryshnikov. She was appointed a Soloist with ABT in 1990 and a Principal Dancer in 1993, the year in which she became the first American to win the Erik Bruhn Prize in Toronto and was named one of People Magazine's “50 Most Beautiful People.” In April 2000, Kent achieved another triumph, becoming the first American to win the “Prix Benois de la Danse.” Later that year, Kent starred in the motion picture “Center Stage” directed by Nicholas Hytner. In 2012, she was awarded an Honorary Doctorate of Performing Arts from the University of North Carolina School of the Arts as well as a “Lifetime Achievement Award” from Dance Magazine. Since 2014, she has been the Brand Ambassador for HANIA New York, a luxury line of hand-knit cashmere in NYC.During Kent's long performing career, she has acquired a vast repertoire dancing over 100 ballets, including all of the major classical, dramatic and neo-classical roles in works by Marius Petipa, George Balanchine, Jerome Robbins, Frederick Ashton, Kenneth MacMillan, John Cranko, Anthony Tudor, Michel Fokine, Agnes DeMille, Merce Cunningham, Jose Limon, Jiri Kylian, Ronald Hynd, Ben Stevenson and Christopher Wheeldon. As well, she has had roles created on her by John Neumeier, Lar Lubovitch, Mark Morris, Twyla Tharp, Alexei Ratmansky, Nacho Duato, Stanton Welch, James Kudelka, Jorma Elo, David Parsons, Jessica Lang, and Natalie Weir. Her appearances as a guest include invitations from the Mariinsky Theatre, Teatro alla Scala, New York City Ballet, Stuttgart Ballet, Berlin Staatsballett, Australian Ballet, Bayerisches Staatsballett, Teatro Colon, Ballet de Santiago, and others. In August of 2015, after a 30-year performing career, Kent was named Artistic Director of ABT's Summer Intensive, a comprehensive summer dance program for 1,400 students at five campuses across the US.Since Kent arrived at The Washington Ballet, she has brought important classical and contemporary masterworks into the repertoire, including her and Victor Barbee's own critically acclaimed staging of The Sleeping Beauty, described by New York Times former chief dance critic Alastair Macaulay as “one of the world's finer Sleeping Beauties.” Kent's steadfast commitment to the development of artists, rising choreographers, and the creation of arts education initiatives that benefit the community of our Nation's Capital, showcase her dedication to creativity, expression, and to propelling ballet forward into the 21st century.Kent is married to The Washington Ballet's Associate Artistic Director Victor Barbee, and, as a mother of two children, she has helped redefine the image of the American Ballerina.

Peter Gallagher has delivered critically-acclaimed performances in such films as  Sex, Lies and Videotape, American Beauty (SAG Award), The Player, Short Cuts (Golden Globe), The Idolmaker, While You Were Sleeping, and Center Stage. Selected television credits include: “Grace and Frankie”, “Zoey's Extraordinary Playlist,” “The OC,” “Covert Affairs," “Rescue Me,” and "Californication." Gallagher has worked with some of the industry's most respected directors including Mike Nichols, Robert Altman, Steven Soderbergh, Sam Mendes, Nicholas Hytner, Jonathan Miller and Hal Prince. His Broadway credits include award- winning Broadway productions of Guys and Dolls (receiving a Drama Desk nomination), Long Day's Journey Into Night (with Jack Lemmon, receiving a Tony Award nomination), The Real Thing (Clarence Derwent Award), The Corn Is Green (Theatre World Award), Noises Off, and The Country Girl. -edited from bio posted on broadwayworld.com

From My Left Foot to Harry Potter, Fleabag to Killing Eve, Fiona Shaw is an integral presence in the Irish and British screen drama of the last three decades; and in collaboration with the foremost directors of our time – from Deborah Warner to Nicholas Hytner – is universally renowned as one of the most outstanding and distinguished stage actors of her generation.  Whether in her ground-breaking performance as Shakespeare's Richard II or her unforgettable turn as Brecht's Mother Courage, as Euripides' Medea or Ibsen's Hedda Gabler, her work is experimental, provocative, and risk-taking, daring audiences to reassess what they thought they knew about theatre and the human condition. In this episode of the How To Academy Podcast, she explores her life and work with writer and broadcaster Matthew Stadlen. Learn more about your ad choices. Visit megaphone.fm/adchoices

We're taking a break for the summer but have compiled this 'best of' episode from some of our favourite interviews from the last year. Featuring Andrew Lloyd Webber, Nicholas Hytner, Gyles Brandreth, Hugh Bonneville, Paul Greengrass, Kevin McDonald, Nicole Farhi, Gilbert & George, Andrew Marr, Russell Tovey and Rob Diament, Misan Harriman, Gered Mankowitz, Sathnam Sanghera, Peter York, Elif Shafak, Charles Spencer, Loyd Grossman, Edmund de Waal, Matthew Parris, Joh Preston, Ben England, Akram Khan and Julia Samuel. We'll be back on Sunday 19th September Subscribe to our Newsletters Follow Country & Town House on Twitter Follow Country & Town House on Instagram Edited and Produced by Audio Coast

Step, touch, step touch, pas de bourree, double pirouette! Mally's dance movie nerdiness is on full display in this episode, introducing Jonah to the cult classic, Center Stage. From Zoe Saldana's bitch-tastic dialogue to Jonah's disappointment that Mandy Moore wasn't actually in the movie, this one is entertaining to say the least. Directed by Nicholas Hytner. Starring Amanda Schull, Ethan Stiefel, Sascha Radetsky, Zoe Saldana, Susan May Pratt, Peter Gallagher, Donna Murphy. Thanks for listening — please remember to rate, review and subscribe!Hang out with us on:FacebookInstagramTwitterThis is a Mally Creative podcast.Intro music composed by Jonah Weingarten.Buzzsprout - Let's get your podcast launched! Start for FREEDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show (https://www.buymeacoffee.com/movieloverspod)

When Mio first saw The History Boys in high school, he might've been too young to unpack what was going on. But fifteen years after the film adaptation's release, he and Mandy are ready to revisit it in the second episode of The Req Room's Summer Semester. How does one make sense of its problematic depictions of teachers and students? Is The History Boys the antithesis to inspirational teacher movies like Dead Poets Society? And how do the differences between the Alan Bennett stageplay and the Nicholas Hytner adaptation affect the script's tones and themes? Find out in this episode! Also, Mio asks Mandy a question about Georges St-Pierre. cw: spoilers; plot heavily involves power abuse and inappropriate relations between students and teachers DISCLAIMER: We encountered some technical issues in recovering the audio track from our usual recording platform, so some of our early episodes this summer may feature less-than-average sound quality. We apologize for the issue and hope to fix it soon! Show notes: - The History Boys (2006, dir. Nicholas Hytner) - National Theatre Live 50th Anniversary, which featured the French scene from The History Boys - Dead Poets Society (1989, dir. Peter Weir) Follow us on Instagram and Twitter @thereqroompod for more updates! You can also support us on Ko-fi by leaving us a tip on https://ko-fi.com/thereqroompod. Our theme music: 64 Sundays by Twin Musicom is licensed under a Creative Commons Attribution license (https://creativecommons.org/licenses/by/4.0/) Artist: http://www.twinmusicom.org/

Chop, chop, the King, the King! King George III is largely known as "The Mad King who lost the United States". In actuality, his story is much, MUCH more interesting.  This is NOT your physician's podcast. Hosts Shane Garrettson and Cal Vandergrift dive into the pharmacy world with fun, interesting, and downright weird topics! Tune in for NEW episodes, available on Spotify, Apple, Anchor, and more! Check out our Facebook, Twitter, and Instagram pages at Let's Pharmonize to view videos and images relevant to every episode! If you have any questions, comments, or even corrections, e-mail us at pharmonization@gmail.com. PLEASE READ: Shane and Cal are NOT medical professionals. DO NOT USE the information presented in this podcast to aid in your own personal health or medicinal benefit. This is a light-hearted podcast that should not be taken with the same seriousness as your own personal health. Movie Clips used in episode come from: The Madness of King George (1994), directed by Nicholas Hytner, adapted from 1991 play of the same name by Alan Bennett.  A special thanks to Kelly Kerr for creating the music used in the intro and outro. See omnystudio.com/listener for privacy information. Learn more about your ad choices. Visit megaphone.fm/adchoices

Chop, chop, the King, the King! King George III is largely known as "The Mad King who lost the United States". In actuality, his story is much, MUCH more interesting.  This is NOT your physician's podcast. Hosts Shane Garrettson and Cal Vandergrift dive into the pharmacy world with fun, interesting, and downright weird topics! Tune in for NEW episodes, available on Spotify, Apple, Anchor, and more! Check out our Facebook, Twitter, and Instagram pages at Let's Pharmonize to view videos and images relevant to every episode! If you have any questions, comments, or even corrections, e-mail us at pharmonization@gmail.com. PLEASE READ: Shane and Cal are NOT medical professionals. DO NOT USE the information presented in this podcast to aid in your own personal health or medicinal benefit. This is a light-hearted podcast that should not be taken with the same seriousness as your own personal health. Movie Clips used in episode come from: The Madness of King George (1994), directed by Nicholas Hytner, adapted from 1991 play of the same name by Alan Bennett.  A special thanks to Kelly Kerr for creating the music used in the intro and outro. See omnystudio.com/listener for privacy information.

Episodio en Inglés, si deseas verlo con subtítulos, te invito a ir a nuestro canal de YouTube. Julie Kent ha estado al frente del Washington Ballet desde julio de 2016 y fue la primera bailarina con mayor carrera en los 80 años de historia del American Ballet Theatre. Comenzó su formación en danza con Hortensia Fonseca en la Academy of the Maryland Youth Ballet en Bethesda, MD y asistió a sesiones de verano en American Ballet Theatre II y en la School of American Ballet antes de unirse a American Ballet Theatre como aprendiz en 1985. Ese mismo año , Kent ganó el primer lugar en las finales regionales de la Sociedad Nacional de Artes y Letras en el Kennedy Center. En 1986, fue la única estadounidense en ganar una medalla en el Concurso Internacional de Ballet Prix de Lausanne y se convirtió en miembro del cuerpo de ballet de ABT. Kent protagonizó la película de Herbert Ross "Dancers" en 1987 junto a Mikhail Baryshnikov. Fue nombrada solista con ABT en 1990 y bailarina principal en 1993, año en el que ganó el premio Erik Bruhn, en Toronto, y fue nombrada una de las "50 personas más bellas" de la revista People. En abril de 2000, Kent ganó el "Prix Benois de la Danse" siendo la primera estadounidense en ganar este premio. Más tarde ese año, Kent protagonizó la película "Center Stage" dirigida por Nicholas Hytner. En 2012, recibió un Doctorado Honoris Causa en Artes Escénicas de la Escuela de Artes de la Universidad de Carolina del Norte, así como un "Premio a la Trayectoria" de la Dance Magazine. Desde 2014, ha sido la embajadora de la marca de HANIA New York, por Anya Cole, una línea de suéteres tejidos a mano. Durante su carrera interpretativa, Julie Kent adquirió un vasto repertorio de más de 100 ballets, incluídos los principales papeles clásicos, dramáticos y neoclásicos en obras de Marius Petipa, George Balanchine, Jerome Robbins, Frederick Ashton, Kenneth MacMillan, John Cranko, Anthony Tudor, Michel Fokine, Agnes de Mille, Merce Cunningham, José Limón, Jiří Kylián, Ronald Hynd, Ben Stevenson y Christopher Wheeldon. Además, ha tenido papeles creados para ella por coreógrafos como John Neumeier, Lar Lubovitch, Mark Morris, Twyla Tharp, Alexei Ratmansky, Nacho Duato, Stanton Welch, James Kudelka, Jorma Elo, David Parsons, Jessica Lang y Natalie Weir. Sus apariciones como invitada incluyen invitaciones del Teatro Mariinsky, Teatro alla Scala, New York City Ballet, Stuttgart Ballet, Berlin Staatsballett, Australian Ballet, Bayerisches Staatsballett, Teatro Colón, Ballet de Santiago y otros. Antes de unirse al Washington Ballet, en agosto de 2015, después de una carrera de 30 años, Julie fue nombrada Directora Artística del Summer Intensive de ABT, un programa integral de verano para 1,400 estudiantes que se lleva a cabo en cinco localidades en los Estados Unidos. Julie Kent está casada Victor Barbee, director artístico asociado del Washington Ballet, desde 1996 y tiene dos hijos. Es una de las pocas mujeres líderes en todo el mundo en el papel de directora artística, Kent está redefiniendo la imagen y el impacto de la bailarina estadounidense.

Welcome to The B-Side, from The Film Stage. Here we usually talk about movie stars and not the movies that made them famous or kept them famous, but the ones they made in between. Today, however, we talk about Oscar movies (!) that time has relegated to B-Side status. To tackle such a task, Dan and Conor welcome the incredible Chris Feil of the This Had Oscar Buzz podcast. In their discussions, our guest and his co-host Joe Reid dive into myriad films that were released to significant awards buzz, only to earn zero Academy Award nominations. In today's episode, we each choose one film to focus on. Conor's pick is the 1976 Woody Guthrie biopic Bound For Glory. The film earned six Oscar nominations, including wins for Cinematography and Best Music, Adapted. Chris' pick is Ironweed from 1987, starring Jack Nicholson and Meryl Streep, adapted from William Kennedy's Pulitzer Prize-winning novel of the same name. Both stars earned lead acting nominations at the 1988 Oscars, though neither won. As for Dan, he chose 1994's The Madness of King George, directed by theater legend Nicholas Hytner and starring Nigel Hawthorne. This adaptation of the Alan Bennett earned four Academy Award nominations, including a win for Art Direction. For those keeping score, this was the “infamous” Oscar ceremony that David Letterman hosted. Spoiler alert: it's pretty funny! UMA...OPRAH! There's also a bit of chatter about Chariots of Fire, a Best Picture winner that we argue now sadly lives in B-Side seclusion. Most reading will know the film for its score alone. As Chris beautifully puts it: “It's the first score to win Best Picture.” Much is made of each Oscar year, from the surprises to the snubs. Oh, and also, we talk about Center Stage, also directed by Hytner! Be sure to give us a follow on Twitter at @TFSBSide. Also enter our giveaways, get access to our private Slack channel, and support new episodes by becoming a Patreon contributor. We are also now on Spotify and Stitcher. Enjoy!

2020 has been disastrous for the arts in Britain and many people have lost their jobs as Covid-19 has swept through the country. Sir Nicholas Hytner has been working in the theatre for nearly four decades and he tells Andrew Marr about the unprecedented challenges that now face his industry. Hytner made his name and fortune in the 1990s with the musical Miss Saigon. Further successes came with theatre and film productions of The Madness of King George and The History Boys, and the sell-out One Man, Two Guvnors. He ran the National Theatre for twelve years before setting up his own commercial venture – with his business partner Nick Starr – the Bridge Theatre. During the year of the pandemic Hytner has sought to keep the theatre afloat with performances of Alan Bennett’s Talking Heads, and a specially adapted, socially distanced, but joyful, version of A Christmas Carol. Producer: Katy Hickman Photographer: Helen Maybanks

We exclusively reveal and analyse the 2020 Costa Book Prize shortlists. Critics Alex Clark and Jade Cuttle discuss the books chosen in the five categories: Novel, First Novel, Poetry, Biography and Children's fiction. Category winners will appear on the programme in January and Front Row will announce the overall prize-winner on 26 January 2021. Guy Garvey from Elbow reports on what he said to MPs earlier today during the DCMS inquiry into the rise of music streaming services and the effect on musicians themselves. Are artists being fairly re-numerated or does the business model of streaming need an urgent overhaul? Simon Russell Beale, always a busy actor, gives his voice to Scrooge in a new dance-film version of A Christmas Carol directed by Jacqui and David Morris and will be giving his voice, and the rest of him, playing the epitome of meanness in Nicholas Hytner’s new production – with just three actors – at the Bridge Theatre. He talks to Irenosen about performing the role in the film and in the theatre, navigating the arc from misanthropy to philanthropy – and how to say ‘Bah, humbug’ as if no one has ever said that before. Presenter: Irenosen Okojie Producer: Jerome Weatherald

NOTE: This Episode was recorded before Saturday's lockdown announcement. We talk to Nicholas Hytner about the The Bridge Theatre's Christmas season and hear from art dealer and TV sleuth Philip Mould about Pioneers, his exhibition celebrating 500 years of British women in art. Plus we chat to Kojo Marfo about a new pop-up on Carnaby Street to celebrate black business and creativity We're going shopping at 56B Carnaby Street… … to visit 21 Youth Street, My Runway Group's pop-up store for emerging black businesses and talent https://www.carnaby.co.uk/news-and-events/21-youth-street/ SEE WEBSITE FOR FURTHER INFORMATION ON OPENING DATES We're booking: Fake News by Osman Baig https://bridgetheatre.co.uk/whats-on/fake-news/ NEW DATES TBC Comedian Simon Amstell's Work in Progress https://bridgetheatre.co.uk/whats-on/simon-amstell-work-in-progress/ NEW DATES TBC We're booking: A Christmas Carol starring Simon Russell Beale at The Bridge Theatre https://bridgetheatre.co.uk/whats-on/a-christmas-carol/ NEW OPENING DATE TBC We're dropping into: Pioneers: Celebrating 500 Years of Women in Art at Philip Mould & Co., 18-19 Pall Mall https://philipmould.com/exhibitions/23-pioneers-500-years-of-women-in-british-art/ SEE WEBSITE FOR MORE DETAILS We're tuning into: Art in Isolation with Philip Mould https://philipmould.com/news/40-art-in-isolation-all-episodes-series-catch-up Edited and Produced by Alex Graham

A gifted, in-demand composer of film, television, theater, and dance scores, Tony-nominated and Drama Desk award-winner Grant Olding is often brought onboard projects early on to help shape the narrative as well as craft the music.Impressed with his musical contributions to the animated 2013 musical Saving Santa with Tim Conway and Tim Curry, I first met Grant on Twitter after I reviewed the film and learned that he actually started his career as a child actor and dancer in the 1980s.Cast in Jim Henson and Frank Oz's The Dark Crystal at the age of seven, which was the same year that he appeared onstage in Danton's Death at the National Theatre in London, Grant continued acting and played a number of roles in high-profile West End productions, opposite such co-stars as Daniel Day-Lewis, Brian Cox, and Judi Dench. Leaving school at sixteen, he performed in the original West End production of Stephen Sondheim's Into the Woods and went on to study acting at the Central School of Speech and Drama.Always playing, writing, and working on music in the background (whether with a band or solo as a singer-songwriter), when he performed in his now frequent collaborator Nicholas Hytner's original production of Miss Saigon, he wrote his first musical and stopped acting to concentrate on composing full time.Most famous for the smash hit One Man, Two Guvnors - for director Nicholas Hytner and starring James Corden - that ran for over three years in the West End, on Broadway, and played internationally, Grant has written dozens of scores since for The Royal Shakespeare Company, the BBC, and others.As funny and personable as he is sincere, it was a joy and a privilege to speak with Grant about all of this and more - including some of his favorite composers and film scores - in this fascinating episode.Note: As September has proven to be exceptionally busy, I've had to delay new episodes of my solo film recommendation pod Watch With Jen for a moment but with such engaging and diverse guests, I know you'll enjoy these conversations on Watch With Jen & Friends as much as I have.Originally Posted on Patreon (9/12/20) here: https://www.patreon.com/posts/41534060Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music Archive

In this episode we breakdown the 2013 National Theater Live production of Othello directed by Nicholas Hytner & Robin Lough. This was a very heavy episode for us. Othello deals with some dark themes and even darker deeds that we attempt to unpack in a truthful and entertaining way. From stellar performances, to uncomfortable questions, to no answer to the question “Is the Racist?”, we dig deep to trudge to though the emotional mud and try to make sense of this ugly tragedy.

Alan Bennett's new play Allelujah! is set in the geriatric ward of a Yorkshire hospital threatened with closure. It follows a singing, dancing choir of quick-witted elderly patients whose problem is not that they are ill so much as they have nowhere to go. Alan Bennett and director Nicholas Hytner discuss working together and how Alan manages to take on big themes - English identity, education and now the NHS - without being, he says, a "political" writer. Blenheim Palace is housing a major exhibition of the work of the radical French artist Yves Klein, famous for his ultramarine blue paintings and sculptures. Louisa Buck reviews. A new survey into ethnic diversity in children's literature has found that only 4% of all the children's books published in the UK last year featured a black, Asian or minority ethnic character. Farrah Serroukh, who led the Reflecting Realities survey, and writer Patrice Lawrence discuss the findings.Presenter: Kirsty Lang Producer: Hannah Robins.

Yanis Varoufakis discusses economics and Marxist analysis with Philip Dodd and Ruth Lea. Plus the new play from Richard Bean and Clive Coleman - the team behind One Man, Two Guvnors. which stars Rory Kinnear stars as the 32-year-old Karl Marx hiding out in Dean Street, Soho. And poet Tara Bergin on her version of Eleanor Marx. Young Marx by Richard Bean and Clive Coleman opens Nicholas Hytner's new London base The Bridge Theatre running until December 31st. It will be streamed in cinemas as National Theatre Live on December 7th. Yanis Varoufakis' new book has just published Talking to My Daughter About the Economy: A Brief History of Capitalism. Tara Bergin's collection The Tragic Death of Eleanor Marx was shortlisted for this year's Forward Poetry Prize. Producer: Zahid Warley.

Nicholas Hytner, who used to run the National Theatre, has a new project - The Bridge Theatre. Richard Bean (who wrote One Man Two Guvnors) and Clive Coleman discuss their play Young Marx, the theatre's opening production, which reveals how the man who brilliantly analysed the workings of the capitalist economy was hopeless with money. Stranger Things, the retro Netflix teen sci-fi series, was a surprise breakout TV hit last year. Can its sequel, Stranger Things 2, live up to the expectation? Boyd Hilton gives his verdict. Rosalind Porter, Deputy Editor of Granta, and essayist Francis Spufford discuss the revival of the essay - a literary form which last enjoyed a golden age in the 18th century and is finding new fans in the 21st century.And music from the Danish group Between Music, who perform their new concert AquaSonic underwater.Presenter Samira Ahmed Producer Jerome Weatherald.

Highlights from Front Row's Queer Icons project, presented by Alan Carr.With guests including Mary Portas, Olly Alexander, Christine and the Queens, Paris Lees, Maggi Hambling, Rebecca Root, A.Dot, Stella Duffy and the Oscar-winning writer of Moonlight, Tarell Alvin McCraney.Celebrating LGBTQ culture from the poetry of Sappho to the songs of Frank Ocean, we've asked guests to champion a piece of LGBTQ artwork that is special to them - one that has significance in their lives.Will Young picks the Joan Armatrading song that inspired him to come out; Christine and the Queens talks about Jean Genet's Our Lady Of The Flowers; and Sir Antony Sher reveals his regrets about not being out publicly when he starred in Harvey Fierstein's Torch Song Trilogy.For the full interviews head to Front Row's Queer Icons website, where you can hear Queer Icons from Neil MacGregor, Asifa Lahore, Colm Toibin, Tony Kushner, Emma Donoghue, Nicholas Hytner and many more.Presenter: Alan Carr Readers: Lorelei King and Simon Russell Beale Producer: Timothy Prosser.

For our Queer Icons series, director Sir Nicholas Hytner chooses the Rodgers and Hart song Bewitched, Bothered and Bewildered, which he reveals was written by Lorenz Hart with a gay subtext. Northern Irish writer Bernard MacLaverty returns with his first novel in 16 years, Midwinter Break: the small details of a retired couple's trip to Amsterdam build into a portrait of ageing, alcoholism, faith and love.The new Postal Museum in London features the art and artefacts which have shaped the British postal service. Samira and Trainspotting Live presenter Tim Dunn ride the 100-year-old Mail Rail, the small train that runs on miles of subterranean track linking the capital's main railway stations which used to carry millions of letters and parcels across the city.The Californian company SciFuture are commissioning science fiction writers to help corporations cope with change. Scientist Susan Stepney explains the interplay between science fiction and the future.Presenter : Samira Ahmed Producer : Dymphna Flynn.

Countertenor Christopher Robson reflects on his life in music - from playing in a Salvation Army band, via the stage of the Coliseum singing Handel, to working with Damon Albarn. Christopher Robson found his voice by chance during a singing lesson as a teenager. Up to that point he had proved himself a musical child, playing cornet in a Salvation Army band and singing during services, sometimes reluctantly and often with his brother Nigel. But from the moment he discovered falsetto - the ability to soar above the usual range of the male voice - his ambitions led in a different direction. What followed resembles, at times, the life of a rock star rather than an opera singer. In this intimate portrait, recorded at the London Coliseum, Christopher looks back on his rocky route into the music business, roles in iconic productions, such as Nicholas Hytner's Xerxes, his life in Germany and collaborating with Damon Albarn on his opera Dr Dee. Produced by Alan Hall A Falling Tree production first broadcast on BBC Radio 4 in 2017.

Bryan Cranston played a hapless dad in Malcom in the Middle, a dentist to the stars in Seinfeld, and most famously a teacher-turned-drugs-lord in Breaking Bad. Now he has written an autobiography. Cranston discusses A Life in Parts which recalls the many odd parts he's played in real life - paperboy, security guard, dating consultant, murder suspect, husband, father and, of course, actor.One of the last projects David Bowie worked on was his musical Lazarus which includes new music and some of his best-known hits. The production which broke box office records when it played in New York has now transferred to a specially-built venue in London. We speak to Enda Walsh, Bowie's co-writer on the project, and the show's director Ivo van Hove about bringing Bowie's vision to life. Paul Beatty has become the first US author to win the Man Booker Prize, with his racial satire The Sellout. It marks the second win in a row for independent publisher Oneworld who also published last year's winner, A Brief History of Seven Killings by Marlon James. So what is their secret? How do they talent spot the authors who go on to win big? We will hear from one of the founders, Juliet Mabey.We remember theatre director Howard Davies whose death at the age of 71 was announced today. During his long career he won three Best Director Olivier Awards, and established and ran the Warehouse Theatre for the Royal Shakespeare Company, now the Donmar Warehouse in London. He also did much work for the Royal National Theatre, where he directed 36 productions. Former NT artistic director Nicholas Hytner recalls working with him there, and Matt Wolf, theatre critic for The International New York Times, assesses his work.Presenter: John Wilson Producer: Angie Nehring.

As the death is announced of production designer Sir Kenneth "Ken" Adam, director Nicholas Hytner remembers working with him on The Madness of King George III.Martin Parr, photographer and chronicler of British culture, gives John Wilson an early preview of the new show he has curated at the Barbican in London, Strange and Familiar: Britain as Revealed by International Photographers, as well another exhibition of his own photographs, Unseen City, in which he gives an unprecedented insight into the pomp and pageantry of the City of London.In a controversial move, Bradford's National Media Museum is transferring its collection of 400,000 photographs and exhibits to London's Victoria and Albert Museum. Colin Ford, the museum's former director, joins John in the studio.Assemble, a collective of architects and designers, won the Turner prize last year for their urban regeneration project in Liverpool. They talk to John Wilson about Art Gym - their latest Merseyside collaboration - which has just opened at Tate Liverpool.Presenter: John Wilson Producer: Rebecca Armstrong.

Josie Rourke, the Artistic Director of the Donmar Warehouse, reminds us that working in theatre isn't always plain sailing. In her essay, she looks at what happens when disaster strikes and things go wrong. It's in these situations that a director is truly tested.Josie Rourke trained with directors Peter Gill, Michael Grandage, Nicholas Hytner, Phyllida Lloyd and Sam Mendes. Before coming to the Bush she worked for five years as a freelance director and was the Associate Director of Sheffield Theatres and Trainee Associate Director at the Royal Court. At the Royal Court she directed Loyal Women by Gary Mitchell. She was the tour director of The Vagina Monologues by Eve Ensler. For the Royal Shakespeare Company she directed Believe What You Will and King John.Rourke was the Artistic Director of the Bush Theatre between 2007 and 2011, where she also directed many of its hits including Nick Payne's If There Is I Haven't Found It Yet. In 2011, Rourke directed a production of Much Ado About Nothing at Wyndham's Theatre, starring David Tennant and Catherine Tate. She became Artistic Director of the Donmar Warehouse in January 2012 and her first production as director was George Farquhar's The Recruiting Officer.The series is produced by Sasha Yevtushenko.First broadccast in February 2012.

Sir Nicholas Robert Hytner looks back at his time as the head of the National Theatre in London which celebrates its 50th anniversary this year. Professor Rosi Braidotti discusses her new book The Posthuman with Professor Joanna Bourke. And Award-winning film maker Penny Woolcock reveals her unique involvement in the attempts of two Birmingham inner city gangs to bring peace to their neighbourhoods.

Playwright Howard Barker talks about his debut at the National Theatre after 40 years and German writer, Bernard Schlink on his new book, Summer Lies. Northern Broadsides theatre company celebrates 20 years in the business and Nicholas Hytner talks about the importance of regional theatre. John Wilson meets Mumford & Sons to discuss their eagerly awaiting third album and Kirsty Lang on the new season of The Thick of It.

Sue Lawley's castaway this week is one of this country's leading character actors - Richard Griffiths. Most recently, he won three Best Actor awards for playing the English master in Alan Bennett's play 'The History Boys' but he has cross-generational appeal - perpetual adolescents revere his performance as gay Uncle Monty in the film Withnail and I while the younger generation know him as beastly Uncle Vernon from the Harry Potter films. He's had to work hard for his achievements: both his parents were profoundly deaf and, from a young age, he was their ears and their translator. He studied drama against his father's wishes - he had hoped his son would go to art college. However, he says his father was an expert in reading body language and he learned from him how people's physical behaviour reveals their inner thoughts. He is currently in the West End in Tom Stoppard's play Heroes; he's working on a film version of The History Boys, directed by Nicholas Hytner and is preparing to tour with The History Boys around the world.[Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: Träumerei by Vladimir Horowitz Book: Vanity Fair by William Makepeace Thackeray Luxury: Velasquez's Las Meninas