Podcast appearances and mentions of Phyllida Lloyd

The Lady has landed, and it's causing a stir... Jane and Fi also chat sufferable men, bonny babies, Lucozade, and 80085. Plus, Phyllida Lloyd — director of The Iron Lady, Mamma Mia!, and Tina: The Tina Turner Musical — joins them (with some minor tech issues). The next book club episode is coming this Friday. The book is 'Eight Months on Ghazzah Street' by Hilary Mantel. If you want to contact the show to ask a question and get involved in the conversation then please email us: janeandfi@times.radio Follow us on Instagram! @janeandfiPodcast Producer: Eve SalusburyExecutive Producer: Rosie Cutler Hosted on Acast. See acast.com/privacy for more information.

Mamma Mia! (promoted as Mamma Mia! The Movie) is a 2008 jukebox musical romantic comedy film directed by Phyllida Lloyd and written by Catherine Johnson, based on her book from the 1999 musical of the same name. The film is based on the songs of pop group ABBA, with additional music composed by ABBA member Benny Andersson. The film features an ensemble cast, including Christine Baranski, Pierce Brosnan, Dominic Cooper, Colin Firth, Amanda Seyfried, Stellan Skarsgård, Meryl Streep, and Julie Walters. The plot follows a young bride-to-be who invites three men to her upcoming wedding, with the possibility that any of them could be her father. The film was an international co-production between Germany, the United Kingdom and the United States, and was co-produced by Playtone and Littlestar Productions.

For our month of musicals we certainly had some choices for the sub-sub genre of song movies known as “Jukebox Musicals”. These are musicals in which the music is based on pre-existing material. Maybe it's cheat mode when you're mining from something that was already popular but remember how not cool it was in that “A Knight's Tale” movie with Heath Ledger in it? Remember that shit? I guess that last Joker movie is technically a jukebox musical too, eh? Well we picked a bonafide moneymaker when it comes to jukebox musicals and you definitely gotta credit the songs because this plot is totally batshit. Maybe the most musically familiar to both hosts because they consider ABBA do be one of the most enjoyable pop groups of all time. You probably went to see this movie with your eccentric Aunt with the dangliest earrings, twice divorced, lived in Barcelona for three years and then Sarasota ever since, has a boyfriend from Morocco who is half her age. No shit we're talking about “MAMMA MIA!” From 2008 directed by Phyllida Lloyd and starring Meryl Streep, Amanda Seyfried, Pierce Brosnan, Colin Firth & Stellan Skarsgård. Hit that zinfandel and then hit that play button. We're getting cheesy like a bachelorette party in downtown Nashville. Subscribe to us on YOUTUBE: https://www.youtube.com/channel/UCuJf3lkRI-BLUTsLI_ehOsg Contact us here: MOVIEHUMPERS@gmail.com Check our past & current film ratings here: https://moviehumpers.wordpress.com Hear us on podcast: https://open.spotify.com/show/6o6PSNJFGXJeENgqtPY4h7 Our OG podcast “Documenteers”: https://podcasts.apple.com/us/podcast/documenteers-the-documentary-podcast/id1321652249 Soundcloud feed: https://soundcloud.com/documenteers Twitch: https://www.twitch.tv/culturewrought

Aujourdʹhui en écoutant Travelling, cʹest certain, vous allez chanter et danser, vous ne pourrez pas vous en empêcher. Car cʹest Abba que nous vous proposons : leur vie, leur œuvre, leurs chansons, et un film : Mamma Mia ! de Phyllida Lloyd sorti en 2008. Film à succès au box-office, boudé néanmoins par la critique, récoltant plus de 615 millions de dollars à travers le monde, cette comédie musicale romantique est un véritable phénomène de société. Cʹest bien simple, une fois quʹon y a goûté, on y revient, et on le regarde en famille, entre amis et amies, et on se le repasse quand on a un petit coup de mou. Des plus vieux au plus jeunes, le rythme, les chorégraphies, et la musique dʹAbba emportent joyeusement tout le monde. Et ce nʹest pas grave si cʹest kitch ou si lʹintrigue est vraiment téléphonée. Porté par Meryl Streep principalement, une actrice qui a toujours su chanter et danser, lʹhistoire reprend la trame de la comédie musicale de Catherine Johnson, mise en scène au théâtre par Phyllida Lloyd. Tout se passe sur une île grecque idyllique, où vivent Donna Sheridan et sa fille Sophie. Cette dernière va se marier et a secrètement invité trois hommes dont elle soupçonne que lʹun dʹeux est son père. Imbroglio, révélation de secrets, histoires dʹamour à tiroir, amitié, décor de rêve, et chansons dʹAbba, tout est réuni pour que ça cartonne. Le casting est royal : Meryl Streep on vous lʹa dit, Amanda Seyfried, Pierce Brosnan, Colin Firth, Stellan Skarsgård et jʹen passe. Il y a même Benny Andersson et Björn Ulvaeus, les deux messieurs dʹAbba, qui font une apparition. Mais je ne vais pas vous faire languir plus longtemps. Nous avons pour parler de Mamma Mia ! des documentaires, des archives, des interviews, des extraits et bien entendu la musique, celle dʹAbba, chantée par le groupe, mais également la musique du film chantée par les actrices et les acteurs. Préparez-vous : Donna vient de se rendre compte que ses trois anciens amants sont cachés dans lʹétable qui jouxte son hôtel. Mamma Mia ! Les retrouvailles et les explications qui vont avec vont être au cœur du film. REFERENCES ABBA, les coulisses derrière la légende https://www.rts.ch/play/tv/doc-a-la-une/video/abba-les-coulisses-derriere-la-legende?urn=urn:rts:video:14881268 Behind the Scenes https://www.youtube.com/watch?v=F3qnTPlDgsE BBC 1: Mamma Mia Interview with Pierce Brosnan & Amanda Seyfried (2008) https://www.youtube.com/watch?v=3t-RnqGXDrM Le casting sʹexerce au chant https://www.youtube.com/watch?v=6bE-FazgJk8 Bjorn Ulvaeus of ABBA - Interview about Mamma Mia! Here We Go Again https://www.youtube.com/watch?v=kjN3OMG0AU4

In the twenty-first episode of Season 10: Dealer's Choice, Kyle is joined for a one-on-one conversation with musician Nick Earl to discuss the jubilant bubblegum pop songs of Abba and how they infused a sense of female autonomy, camaraderie, and choice in Phyllida Lloyd's jukebox musical adaptation of Mamma Mia! (2008).

[TW//Drug use, drug dealing] At 16, actor Jennifer Joseph was coerced into a life of drug dealing. Quickly she rose to the very top and was known as The General, travelling the world as a generator and importer of narcotics - with connections to all the major players including "The Cocaine Godmother" Griselda Blanco. Jen thought she was invincible, whilst also battling a daily crack addiction and, eventually, was caught at Gatwick airport with hundreds of thousands of pounds of marijuana and was sent to prison at aged 39. This rock bottom proved to be the moment she completely changed her life. You absolutely will not believe how much Jennifer's life has changed in the past 16 years! Join the conversation RIGHT NOW you absolutely do not want to miss this!! A huge thank you to Jen for being so brutally honest - her story will inspire and fill you with hope and joy & her journey is bullet proof evidence that you can turn any sutuation into a positive one - I am proud to know you Jen and to call you a friend ❤️ More on Jen - Jennifer has been a Clean Break Theatre Company member since 2010 - recently performing Hear by Deborah Bruce at The House of Lords. Other stage credits include Phyllida Lloyd's Shakespeare Trilogy for the Donmar Warehouse, Paradise at the National Theatre & Inside Bitch at The Royal Court. TV & Film include Topboy, My Mad Fat Diary, Honey Trap, Riches & You Used To Be Famous. As a potent advocate for Arts in Prisons, she takes part in outreach programmes about penal issues and is an Ambassador for Women In Prison. Jen is currently working on developing her new theatre company call Nubian CoHearts and is working towards its first complete showing sometime this year. Topics - 0:00 Intro 3:05 Jen's rock bottom 3:50 How Jen went from being an accountant to selling drugs 7:30 Jen's connections to Griselda Blanco 8:20 Why Jen chose drug dealing at 16 13:30 Can you just "leave" drug dealing? 15:55 Jen's recovery from using crack 21:12 Can you be a functioning drug addict? 23:28 Stopping using crack whilst also selling it 24:30 Jen using a higher power and acting to trimph over crack addiction 32:10 "My acting career took off because I went to jail!" 33:20 How does the crack buzz & acting buzz compare for Jen? 35:10 How does the drug dealing world compare to the entertainment industry? 37:20 Getting support from acting agency 39:20 The sensitive/actor side to Jen vs being a drug boss 44:00 Working on Topboy 48:00 Working in women's prisons as an ambassador 52:20 Can Jen forgive herself? This Podcast is not for profit but my goal is to break even. To help me make more please donate here. Thank you! https://bit.ly/3kSucAs Follow Jen Instagram - https://www.instagram.com/gemzgirl Follow Nubian Co-heARTs https://instagram.com/nubiancohearts Follow Oliver Instagram - https://bit.ly/3IemHLY Facebook - http://bit.ly/3w8S1Gx TikTok - https://bit.ly/3YGLsYm LinkedIn - http://bit.ly/3kp4ymC Threads - https://bit.ly/3svw7yL X - http://bit.ly/3GQYj2l Listen or watch on: (please subscribe/follow & rate/review) Spotify - https://bit.ly/3wCI3R3 YouTube - https://bit.ly/49UqvOM Apple - https://apple.co/3PajZvQ

The acclaimed Irish actor Andrew Scott tackles his most challenging stage role yet in a one-man retelling of Anton Chekhov's Uncle Vanya. The production, Vanya, was commissioned and directed by Sam Yates, a young British director who was mentored by the likes of Trevor Nunn, Nicholas Hytner and Phyllida Lloyd. Also, opening nights can be stressful under any circumstances, but what do you do when a zombie apocalypse threatens curtain time? We're joined by the team behind Zombie! The Musical. And an updated version of Patrick Hamilton's 1938 play Gaslight is now touring Australia. We meet the director and writers.

True Tales of Sex, Success and Sex and the City:Get ready to meet the real Carrie Bradshaw! Candace Bushnell, the international best-selling novelist and creator of TV's iconic Sex and the City, is taking the stage with her acclaimed one-woman show, True Tales of Sex, Success and SEX AND THE CITY. This whirlwind tour of New York City is a journey through fashion, literature, and, of course, sex. From her arrival in the city with $20 in her pocket to features in Time Magazine and interviews with Oprah Winfrey, Candace Bushnell's incredible life story is a blend of inspiration and entertainment. Whether you're a Carrie, a Miranda, a Charlotte, or a Samantha, grab a seat, pour yourself a Cosmopolitan, and toast to the saucy memoirs of a cultural icon.TINA – The Tina Turner Musical:From humble beginnings in Nutbush, Tennessee, to becoming the global Queen of Rock ‘n' Roll, Tina Turner's story is one of breaking rules and rewriting them. TINA – The Tina Turner Musical reveals the untold story of a woman who defied age, gender, and race boundaries. With 12 Grammy Awards and record-breaking live shows, Tina Turner's life is a testament to resilience and talent. Featuring her beloved songs, this stage musical is written by Olivier Award-winning playwright Katori Hall and directed by the internationally acclaimed Phyllida Lloyd.Just For One Day:Relive the day music brought the world together in Just For One Day. Featuring the songs of iconic artists like Bob Dylan, David Bowie, Queen, U2, and more, this musical tells the story of Live Aid and the people united by it. In a decade of political unrest and social revolution, Live Aid brought 1.5 billion people together. This world premiere musical, written by John O'Farrell and directed by Luke Sheppard, captures the spirit of that moment when rock 'n' roll changed the world. Plus, 10% of all ticket sales will be donated directly to The Band Aid Charitable Trust.

In the first Act of this week's conversation Jonny talks to the pride of Nempnett Thrubwell, the internationally renowned director of Mamma Mia on stage and screen, Phyllida Lloyd. Phyllida directed Meryl Streep to an Oscar for playing Margaret Thatcher in The Iron Lady but her visionary work in the theatre long preceded that. Phyllida's remembers Jonny in a pond, talks about her most recent stage production at the National Theatre in 2023- a verbatim play based on the testimony of the survivors of the Grenfell fire-and how theatre can play a part in bringing a public outrage to account. They also discuss how Mamma Mia was a cultural disrupter, Phyllida's problem with spreadsheets, the power of art in prison and what it takes for an actor to endure through a lifetime. Hosted on Acast. See acast.com/privacy for more information.

Welcome to Act 2 of Jonny's chat with Phyllida Lloyd (unless you left at the interval, like Phyllida sometimes does…). Phyllida discusses her dreams of a Rusisian theatre commune, her relationship with Harriet Walter, and whether it's always easy to direct a friend, chasing the artistic utopia of her schooldays with her famous trilogy of all-female Shakespeares, the one woman show that changed her and why there's no excuse for making dull theatre. Not to mention how she wouldn't direct the Tina Turner musical now and why it's over for blokes like Jonny. Hosted on Acast. See acast.com/privacy for more information.

In the first Act of this week's conversation Jonny talks to the pride of Nempnett Thrubwell, the internationally renowned director of Mamma Mia on stage and screen, Phyllida Lloyd. Phyllida directed Meryl Streep to an Oscar for playing Margaret Thatcher in The Iron Lady but her visionary work in the theatre long preceded that. Phyllida's remembers Jonny in a pond, talks about her most recent stage production at the National Theatre in 2023- a verbatim play based on the testimony of the survivors of the Grenfell fire-and how theatre can play a part in bringing a public outrage to account. They also discuss how Mamma Mia was a cultural disrupter, Phyllida's problem with spreadsheets, the power of art in prison and what it takes for an actor to endure through a lifetime. Hosted on Acast. See acast.com/privacy for more information.

Step into a world of impactful theatre as we unpack the latest podcast episode. We kick things off with Grenfell: in the words of survivors at the National Theatre. This powerful verbatim play draws directly from the testimonies of the residents at the heart of the Grenfell Tower tragedy. With six years passed since the devastating event, the interviews with survivors and bereaved individuals lay bare the shocking impact of the failures that led to this national disaster. Gillian Slovo masterfully weaves these voices into a narrative that raises urgent questions about prevention and justice. Co-directed by Phyllida Lloyd and Anthony Simpson-Pike, the play delves into the resilience of a community fighting for justice, forming part of the National Theatre's ongoing creative engagement with North Kensington.Switching gears, we dive into the sensational world of Horrible Histories: Terrible Tudors. Back by popular demand for a second year, this West End hit brings history to life in a hilariously gruesome manner. From the notorious Henries to the treacherous reign of Elizabeth, audiences are treated to legends, lies, and the nastiest bits of the torturous Tudors. Prepare for headless wives, punch-ups with the Pope, Bloody Mary, and even surviving the Spanish Armada. It's a history lesson with a twist that's sure to keep you entertained and educated.Lastly, we delve into the world premiere of Brokeback Mountain, a poignant new play with music based on Annie Proulx's acclaimed short story. Under the direction of Jonathan Butterell, the production stars Broadway and silver screen names Mike Faist and Lucas Hedges, both making their West End debuts. The narrative unfolds against the backdrop of 1963 Wyoming, where Ennis and Jack's lives are forever altered by their time working on Brokeback Mountain. Dan Gillespie Sells' emotionally charged Country and Western songs beautifully underscore this tale of forbidden love and its heartrending consequences over two decades. The production also features the remarkable Eddi Reader and her onstage Country and Western band, adding an additional layer of musical depth.Get ready to immerse yourself in these thought-provoking and captivating theatrical experiences in the latest episode.

Mamma Mia! Is a 2008 jukebox musical romantic comedy directed by Phyllida Lloyd based off the 1999 musical of the same name, this film is based on the songs of pop group ABBA. Mamma Mia is the story of Sophie Sheridan played by Amanda Seyfried. Sophie lives on the FICTIONAL Greek island of Kalokairi with her mother Donna played by Meryl Streep and her soon to be husband Sky played by Dominic Cooper. Sky and Sophie are set to be married in just a few days, the catch is that Sophie has no idea who her father is, however Sophie found her mother Donna's journal from right around when she was conceived. In sleuthing through this journal Sophie has discovered there are 3 possible men who could be her father… and so, naturally, she invites all three of them to her wedding on this Greek island. Bill Anderson played by Stellan Skarsgard, Sam Carmichael played by Pierce Brosnan and Harry Bright played by Colin Firth.See omnystudio.com/listener for privacy information.

THIS IS A PREVIEW PODCAST. NOT THE FULL REVIEW. Please check out the full podcast review on our Patreon Page by subscribing over at - https://www.patreon.com/NextBestPicture Our 2011 retrospective continues with Meryl Streep's third Oscar-winning role in Phyllida Lloyd's "The Iron Lady" starring Meryl Streep, Jim Broadbent, Olivia Colman, Alexandra Roach & Harry Lloyd. A biopic on one of Britain's most controversial politicians, the film gave Lauren LaMagna, Meredith Loftus, Isaiah Washington, and me a chance to revisit or, in some cases, watch for the first time a film that has garnered just as mixed of a reputation as the infamous British Prime Minister it's based on. Tune in to hear what we thought of the story, Streep's performance, the makeup, editing, its awards run, and more. Thank you for all your support, and enjoy! Also, be sure to check out our other 2011 retrospective reviews for "War Horse" and "The Help." Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture Learn more about your ad choices. Visit megaphone.fm/adchoices

What do, a mystery involving the identity of one girls Father, set to the music of ABBA, and a love story about 2 misfits from Skid Row and a carnivorous plant, have in common? This week on THE MOVIE CONNECTION: Jacob Watched: "MAMMA MIA!" (6:15) (Directed by, Phyllida Lloyd. Starring, Amanda Seyfried, Meryl Streep, Pierce Brosnan...) KC Watched: "LITTLE SHOP OF HORRORS" (44:15) (Directed by, Frank Oz. Starring, Rick Moranis, Ellen Greene, Levi Stubbs...) Talking points include: Mother/Daughter movies The British version of "When Harry Met Sally..." Are aliens out there...? and more!! Send us an email to let us know how we're doing: movieconnectionpodcast@gmail.com Follow us on Instagram Rate and Review on Apple Podcasts Check out more reviews from Jacob on Letterboxd Cover art by Austin Hillebrecht, Letters by KC Schwartz

Benvenuti nella raccolta in formato Podcast delle puntate di #CloseUp, a cura di Matteo Righi, aka Houssy. #CloseUp è la rubrica di recensioni cinematografiche in onda su Radio Italia Anni 60 Emilia-Romagna.

It's time again for a visit with Midday's peripatetic theater critic, J. Wynn Rousuck, who joins Tom each week with her reviews of Maryland's regional stage. Today, she tells us about the North American touring company production of Pulitzer-Prize winning playwright Katori Hall's 2019 Broadway hit, Tina: the Tina Turner Musical, currently in the middle of a 6-day run at Baltimore's Hippodrome Theatre. The show, co-written by Frank Ketelaar and Kees Prins, is filled with Tina Turner's greatest hits, and portrays the singer's many challenges on her journey to becoming the Queen of Rock n Roll. Acclaimed director Phyllida Lloyd leads the show's 30-member cast, with Zurin Villanueva and Naomi Rodgers sharing the title role. Music direction is by Alvin Hough, Jr. Tina: The Tina Turner Musical continues at the Hippodrome Theatre through Sunday, November 20. Follow the show link for more information.See omnystudio.com/listener for privacy information.

Phierce Phoenix is our latest guest on "A Conversation With." She's a rising television and broadway star, and her voice is amazing! We sat down with her and her momager and discussed what it takes to be successful at such a young age and the dedication it takes to make it as a child actor. Watch the Interview: https://www.youtube.com/watch?v=25c1H092QZ8 Phierco Phoenix BIO: Phierce Phoenix is a child actress, singer, voiceover artist, comedian, dancer, and model who has a mission to inspire the world to live life to the fullest. At age 6, she started modeling. At age 7, she booked her first acting audition without any training, landing the role of Lead Munchkin in “The Wiz” at The Spotlighters Theatre in Maryland and received rave reviews for her performance. At age 9, Phierce started acting training and committed to her Actor's Journey. In 2020, she played Taye Diggs' Sister in “Celebrity Ghost Stories”. In 2021, Phierce was cast in five major projects, including making her New York Broadway debut as Young Alline in the 12 Tony Award nominated musical “Tina: The Tina Turner Musical” directed by Phyllida Lloyd that starred Tony Award winner Adrienne Warren. On October 2, 2022, she will be attending the 43rd Young Artist Academy Awards Show in Hollywood related to her two nominations for her recurring role in “ABC Mouse” and guest role in “PAW Patrol”. Phierce is a series regular as The Mole on “Skully & The Mole Crack the Case” by Peacock Kids. In 2022 alone, she has had eight bookings that includes three recurring roles. In April 2022, she performed on stage in MisCast22 for a live audience as a Lead Finale Performer that aired worldwide. This event included stars such as Uzo Aduba, Audrea McDonald, Kelli O'Hara, Aaron Tveit, Andrea Martin, Lea Michele and Myles Frost. She is agency represented by DDO Kids in Los Angeles, New York and Chicago, and management represented by Kreativ Artists. This Young Artist Academy member is an All-Star soccer player and straight A student, who enjoys quality time with family and friends, cooking, and humanitarian work. Submit Your Film to Our Film Collective: ifapfilmcollective.com Connect With Floyd Marshall Jr: instagram.com/floydmarshalljr tiktok.com/@floydmarshalljr0 Youtube: FlodyMarshallJr --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/aconversationwithfm/message Support this podcast: https://anchor.fm/aconversationwithfm/support

Longtime friends and Meryl Streep fans Zachary Scot Johnson ( http://www.youtube.com/user/thesongadayproject/about ) and Maryl McNally discuss Meryl Streep's 2011's Academy Award winning performance in "The Iron Lady". Discussion of the film begins around the 40:30 mark."The Iron Lady" co-stars Jim Broadbent, Olivia Colman, Richard E. Grant, Alexandra Roach, Anthony Head & Phoebe Waller-Bridge. It is directed by Phyllida Lloyd and has a screenplay by Abi MorganEmail the hosts at MerylStreepPodcast@gmail.com and remember to rate, review and subscribe to the podcast if you enjoy!Zach's ranking of Meryl's performances1. sophie's choice2. silkwood3. postcards from the edge4. the post5. iron lady6. big little lies season 27. julie and julia8. the hours9. devil wears prada10. a cry in the dark11. don't look up12. adaptation13. the bridges of madison county14. kramer vs kramer15. the french lieutenant's woman16. manchurian candidate17. into the woods18. let them all talk19. the laundromat20. the river wild21. doubt22. music of the heart23. it's complicated24. ricki and the flash25. mamma mia 226. florence foster jenkins27. out of africa28. death becomes her29. the prom30. prime31. a prairie home companion32. ironweed33. deer hunter34. mamma mia 35. falling in love36. plenty37. dancing at lughnasa38. little women39. defending your life40. heartburn41. first do no harm42. still of the night43. before and after44. she-devil45. suffragette46. mary poppins returns47. evening48. house of the spirits49. the homesman50. manhattan51. juliaZach's ranking of Meryl's films1. the post2. the hours3. silkwood4. don't look up5. little women6. kramer vs kramer7. adaptation8. sophie's choice9. out of africa10. the deer hunter11. doubt 12. big little lies season 213. into the woods14. the bridges of madison county15. a cry in the dark16. let them all talk17. the laundromat18. postcards from the edge19. the french lieutenant's woman20. iron lady21. julie and julia22. the devil wears prada23. it's complicated24. mary poppins returns25. the prom26. the river wild27. manchurian candidate28. music of the heart29. death becomes her30. suffragette31. a prairie home companion32. prime33. falling in love34. ironweed35. ricki and the flash36. florence foster jenkins37. defending your life38. dancing at lughnasa39. plenty40. manhattan41. mamma mia42. evening43. heartburn44. still of the night45. mamma mia 246. first do no harm47. she-devil48. julia49. the homesman50. house of the spirits51. before and afterMaryl's ranking of Meryl's performances1. sophie's choice2. the post3. julie and julia4. a cry in the dark5. devil wears prada6. bridges of madison county7. the iron lady8. postcards from the edge9. adaptation10. big little lies season 211. out of africa12. kramer vs kramer13. the hours14. doubt15. french lieutenant's woman16. manchurian candidate17. river wild18. mamma mia 219. plenty20. florence foster jenkins21. mamma mia22. silkwood23. let them all talk24. prime25. music of the heart26. into the woods27. it's complicated28. little women29. heartburn30. deer hunter31. death becomes her32. falling in love33. a prairie home companion34. ricki & the flash35. dancing at lughnasa36. suffragette37. first do no harm38. she-devil39. evening 40. the prom41. the laundromat42. ironweed43. house of the spirits44. mary poppins returns45. defending your life46. manhattan47. before and after48. still of the night49. julia50. don't look up51. the homesmanMaryl's ranking of Meryl's films1. the hours2. little women3. sophie's choice4. bridges of madison county5. postcards from the edge6. kramer vs kramer7. the post8. adaptation9. a cry in the dark10. florence foster jenkins11. doubt12. silkwood13. out of africa14. the deer hunter15. big little lies season 216. devil wears prada17. mamma mia 18. french lieutenant's woman19. the iron lady20. mary poppins returns21. into the woods22. julie & julia23. mamma mia 224. river wild25. prime26. evening 27. falling in love28. manchurian candidate29. it's complicated30. death becomes her31. music of the heart32. defending your life33. ironweed34. let them all talk35. dancing at lughanasa36. suffragette37. the laundromat38. house of the spirits39. heartburn40. first do no harm41. ricki & the flash42. prairie home companion43. julia44. she-devil45. the prom46. plenty47. don't look up48. still of the night49. before and after50. the homesman51. manhattan

MAMMA MIA COMPOSER: Benny Andersson, Bjorn Ulvaeus LYRICIST: Benny Andersson, Bjorn Ulvaeus BOOK: Catherine Johnson DIRECTOR: Phyllida Lloyd CHOREOGRAPHER: Anthony Van Laast PRINCIPLE CAST: Judy Kaye (Rosie), Karen Mason (Tanya), Louise Pitre (Donna) OPENING DATE: Oct 18, 2001 CLOSING DATE: Sep 12, 2015 PERFORMANCES: 5,758 SYNOPSIS: Sophie is about to be married and wants her father at the wedding except she doesn't know who that might be. Limiting it to three men that her mother knew intimately, she invites them all to her wedding to see if she can figure out which one is her real dad.  Using the hits of Swedish pop group ABBA to tell a fictional story, Mamma Mia! was heralded as Broadway's first mega-hit jukebox musical. After the rocky reception of their first Broadway endeavor, Chess, band members Benny Andersson and Björn Alvaeus gave complete freedom to book writer Catherine Johnson, believing the plot of the musical was the key to its success, not the music. Upon opening, though the show was mocked by critics and ultimately overlooked by awards shows, the musical was a major commercial success. Malcolm Womack explores how its financial successes encouraged producers to mine the discographies of successful artists to guarantee Broadway hits with such musicals as All Shook Up, Lennon, Come Fly Away, and Movin' Out.  Malcolm Womack is an Assistant Teaching Professor at the Penn State School of Theatre. He has been published in the academic journals Film & Theatre and the Journal of Popular Culture, and has contributed several entries to the African American National Biography. Malcolm has written about Mamma Mia! previously twice, providing an article for the journal Studies in Musical Theatre and a chapter for the edited collection Mamma Mia! The Movie: Exploring a Cultural Phenomenon. He received his doctorate from the University of Washington with a dissertation on Harlem's Cotton Club. SOURCES Mamma Mia, Original Cast Recording, Decca Records (1999) Mamma Mia! How Can I Resist You: The Inside Story of Mamma Mia And The Songs Of ABBA by Judy Craymer, Benny Anderson, and Bjorn Ulvaeus, published by WN (2006) Mamma Mia starring Pierce Brosnan and Meryl Streep, directed by Phyllida Lloyd, NBC Universal (2008) Learn more about your ad choices. Visit megaphone.fm/adchoices

Listeners, this episode was recorded several months ago, before the Will Smith slap and the Roe v Wade leaked decision. Who would have known the world would move at such a pace to make so many of our conversations sound like they are missing essential context? Enjoy our attempts to make meaning out of a meaningless musical and surprising failure to avoid cancellation in the process. "Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse. Instagram / Twitter and share your thoughts with us about the movie! Email us any thoughts and takes and we may read it on the next episode! #MadeonZencastr References “Club, ‘nother club” reference Christine Baranski, Class President Barry Walters, The Surprising Story of How ABBA Became Beloved Gay Icons

The boys watch "Mamma Mia!" (2008), a musical romantic comedy film directed by Phyllida Lloyd and written by Catherine Johnson

Herself.On this episode we are joined by Phyllida Lloyd. Phyllida Lloyd, CBE is an English film director and producer, best known for Mamma Mia! and The Iron Lady. Her theatre work includes directing productions at the Royal Court Theatre and Royal National Theatre, and opera director for Opera North and the Royal Opera House Covent Garden.Please support the Mark and Me Podcast via Patreon here: https://www.patreon.com/Markandme or you can buy me a coffee here: https://ko-fi.com/markandme or you can even treat yourself to a sticker over at my store here: https://www.etsy.com/uk/shop/MarkandMeStore

Benvenuti nella raccolta in formato Podcast delle puntate di #CloseUp, a cura di Matteo Righi, aka Houssy. #CloseUp è la rubrica di recensioni cinematografiche in onda su Radio Italia Anni 60 Emilia-Romagna.

EPISODE 158 - HARIS ZAMBARLOUKOS - Cinematographer Team Deakins has a great conversation with cinematographer Haris Zambarloukos (MAMMA MIA!, SLEUTH, MR IN-BETWEEN, ARTEMIS FOWL) in this episode. Haris shares his experiences working with director Kenneth Branagh, Paul Sarossy, and Phyllida Lloyd. Haris talks about learning the steps of observation, contemplation, and action during his time in film school at St. Martins and about learning how to contribute to the feeling of a film while studying at AFI. We share many stories about our dear friend Conrad Hall and Haris beaks down how he shot Steven Knight's LOCKE in eight days. We discuss the idea of choosing a DP with whom a director could grow with or someone who could hold his hands and guide him as well as having trust in a director's ability to have an impact and to follow them every step along the way. Don't miss it! RECOMMENDED EPISODE VIEWING: Locke

I afsnit #009 af Den Lille Filmklub snakker vi om ABBA-musical-filmen “Mamma Mia” af Phyllida Lloyd med Meryl Streep og Amanda Seyfried i hovedrollerne. Lyt med og hør en eksperts bud på hvordan man skal se en musical, hvordan filmen udfordrer klassiske kønsroller i film og hvad for nogle papirer, det er, alle grækerne giver til Meryl Streep i “Money Money Money” 00:00 - Indledning 00:58 - Hvordan går det? 05:00 - Mamma Mia (Spoiler Alert) 1:06:34 - Hvad skal vi se til næste gang? Værter: Andreas Hebo, Nicolai Kvistgaard og Søren Berthelsen Gæst: Matilde Zeuner Efter idé af: Nicolai Kvistgaard Produktion, Musik og Digitalt indhold af: Andreas Hebo Social Media Ansvarlig: Simon Bro Speaker: Rikke Stächer Christensen

Clare Dunne is an Irish actress, born in Dublin. She has appeared in stage roles with the Abbey Theatre and the National Theatre. She co-wrote and starred as Sandra in "Herself" (2020), which reunited her with director Phyllida Lloyd who appeared on this podcast previously.The music for the podcast is Twiggy's version of "Waterloo Sunset" by the Kinks and can be found on Apple Music at this link https://music.apple.com/gb/album/romantically-yours/693460953If you've enjoyed listening to “Tea With Twiggy” please give take a moment to give us a lovely 5 STAR rating on Apple Podcasts. It really helps other people to find the show. If you haven't done so already please subscribe to this podcast so you auto-magically get the next episodes for free and do tell all your friends and family about it too. If you want to connect with me I'd love to hear from you.You can find me on Twitter @TwiggyOr you can find me on Instagram @TwiggyLawsonMy thanks go to all the people that have helped this podcast happen:● Thanks to all the team at Stripped Media including Ben Williams, who edits the show, my producer Kobi Omenaka and Executive Producers Tom Whalley and Dave CorkeryIf you want to know more about this podcast and others produced by Stripped Media please visit www.Stripped.media or email Producers@Stripped.Media to find out! See acast.com/privacy for privacy and opt-out information.

Helen O'Hara is joined by Phyllida Lloyd, Tina Gharavi, Amy Adrion, Sarah Grant and Cathy Brady to discuss their experiences as female directors. We'll hear about their struggles, their triumphs, and their hopes for the future. You can find our host, Helen O'Hara (she/her), on Twitter @HelenLOHara.You can also find Helen on The Empire Film Podcast.Comments? Questions? Talk about the show on your social media platform of choice using #WomenVsHollywood.Our Guests This Week Were:Phyllida Lloyd (she/her): @PhyllidaLloyd on TwitterFind out more about her work at https://www.herself.film/home/ Tina Gharavi (she/her): @Gharavi on Twitter Find out more about her work at https://bridgeandtunnelproductions.com/ Amy Adrion (she/her): @amyadrion on TwitterFind out more about her work at https://www.halfthepicture.com/ Sarah Grant (she/her): @SGrantCreative on TwitterFind out more about her work at https://www.sarahgrantcreative.com/ Cathy Brady (she/her): @Cathy_Brady on TwitterFind out more about her work at https://www.bafta.org/supporting-talent/elevate/cathy-brady This week's recommended films were:Valley Girl (1983), directed by Martha Coolidge, recommended by Amy AdrionThe Decline of Western Civilization (1981), directed by Penelope Spheeris, recommended by Amy AdrionAlexandra (2007), directed by Alexander Sokurov, recommended by Phyllida LloydThe House is Black (1963), directed by Forugh Farrokhzad, recommended by Tina GharaviDiary of a Teenage Girl (2015), directed by Marielle Heller, recommended by Sarah GrantYou can purchase Women vs Hollywood in the UK, here: https://uk.bookshop.org/books/women-vs-hollywood-the-fall-and-rise-of-women-in-film/ You can purchase the audiobook of Women vs Hollywood on Audible in the UK, here: https://www.audible.co.uk/pd/Women-vs-Hollywood-Audiobook/ You can purchase the audiobook of Women vs Hollywood on Audible in the US, here: https://www.audible.com/pd/Women-vs-Hollywood-Audiobook/ You can pre-order Women vs Hollywood in the US, here: http://bookshop.org/books/women-vs-hollywood-the-fall-and-rise-of-women-in-film/ Host: Helen O'Hara (she/her)Producer: Maddy Searle (she/her)Executive Producers: Kobi Omenaka (he/him) and Ella Watts (she/her)Artwork: Steve Leard (he/him) Music: Jazz Apricot – Joey Pecoraro; Jazz Mango – Joey Pecoraro; Walk Through The Park – TrackTribe; On Hold For You by Kevin MacLeod - Link: https://incompetech.filmmusic.io/song/6928-on-hold-for-you - License: https://filmmusic.io/standard-license; Members Only – Track TribeSFX: stefan021 via freesound.org Find out more about Stripped Media and our other shows on our website, here: https://stripped.media/our-podcasts/ If you enjoyed this episode, please consider giving us a five star review on iTunes or your Podcatcher of choice, and telling your friends and family about the show. Word of mouth is still the best way to market any podcast, and every little helps! From the whole team at Women vs Hollywood: thank you. See acast.com/privacy for privacy and opt-out information.

Mamma Mia! was a 2008 movie adaptation of the musical of the same name directed by Phyllida Lloyd. Utilizing the works of Swedish pop group ABBA as a soundtrack, Mamma Mia! tells a comedic story of infidelity and misunderstanding as a young girl invites three men suspected of being her father to come see her on the eve of her wedding night. The film adaptation featured Amanda Seyfried, Meryl Streep, Pierce Brosnan, Colin Firth, and Stellan Skarsgård in starring roles, and was a major box office success, albeit one with mixed critical reception.On this episode of Hell Is A Musical, Scott welcomes back return guest David Allen Prescott to review Mamma Mia!, while Lilz finds herself trapped in an impenetrable prison of negativity and mediocrity. Join Scott and David as they discuss the finer points of jukebox musicals, while Lilz slowly descends into the maw of the abyss....with Lilz and Scott!

James Cameron-Wilson looks at Aretha Franklin biopic Respect with Jennifer Hudson (#3 in the chart), Cop Shop with Gerard Butler (#7) and, at #12, Herself, a British drama with Clare Dunne (also co-writer) and directed by Mamma Mia director Phyllida Lloyd, which James recommends highly. He also looks at the recent revelations of the paydays for the top Hollywood stars, with news that Bond star Daniel Craig is to get $100m from Netflix for making 2 sequels to Knives Out. Learn more about your ad choices. Visit megaphone.fm/adchoices

Phyllida Lloyd, is an English theatre and film director and producer, best known for Mamma Mia! (2008) and The Iron Lady (2011). Her theatre work includes directing productions at the Royal Court Theatre and Royal National Theatre, and opera director for Opera North and the Royal Opera House Covent Garden. As this episode goes out Phyllida's third theatrically released film, Herself, will be available in cinemas across the UK.The music for the podcast is Twiggy's version of "Waterloo Sunset" by the Kinks and can be found on Apple Music at this link https://music.apple.com/gb/album/romantically-yours/693460953If you've enjoyed listening to “Tea With Twiggy” please give take a moment to give us a lovely 5 STAR rating on Apple Podcasts. It really helps other people to find the show. If you haven't done so already please subscribe to this podcast so you auto-magically get the next episodes for free and do tell all your friends and family about it too. If you want to connect with me I'd love to hear from you.You can find me on Twitter @TwiggyOr you can find me on Instagram @TwiggyLawsonMy thanks go to all the people that have helped this podcast happen:● Thanks to all the team at Stripped Media including Ben Williams, who edits the show, my producer Kobi Omenaka and Executive Producers Tom Whalley and Dave CorkeryIf you want to know more about this podcast and others produced by Stripped Media please visit www.Stripped.media or email Producers@Stripped.Media to find out! See acast.com/privacy for privacy and opt-out information.

Our latest guest on Soundtracking is a producer and director who has worked extensively in theatre and film, most famously (in cinematic terms, at least) on Mamma Mia and The Iron Lady, which saw Meryl Streep win an Oscar for best actress. Phyllida Lloyd's latest offering is Herself. Written by and starring Clare Dunne, Herself tells the story of Sandra - a struggling single mum who decides to build her own home when the housing authority refuses to offer her one. In doing so, she rediscovers herself with the help of a kindly community, only for her abusive ex-husband to return to haunt her ... The film is scored by former guest on this show Natalie Holt, and we must say thank you to her for sending us her unreleased music from the film.

Matthew Sweet with music for films inspired by the world beneath the surface including James Horner's music for 'The 33' and Bernard Herrmann's music for the classic 1959 version of 'Journey To The Center Of the Earth'. This week's featured new release is the First World War drama, 'The War Below' about the miners of Messsines who dug tunnels to employ high explosives deep beneath the Belgium trenches. The new sore is by the Finnish composer Anne Kulonen. The programme also includes music from Escape From The Dark, The Molly McGuires, Germinal, 10 Cloverfield Lane, The Descent, Beneath The Planet Of The Apes, and Beneath Hill 60. Matthew also meets compsoer Natalie Holt who talks about her score for the new Phyllida Lloyd film, 'Herself'.

Mark and Simon's guest is Jennifer Hudson, who talks to us about her role as Aretha Franklin in Respect, which tells the story of the icon's career from a child singing in her father's church's choir, to her international superstardom. Plus we have reviews of Herself, Phyllida Lloyd's film about a young mother who escapes her abusive husband and fights back against a broken housing system; First World War drama The War Below about a group of British miners who are recruited to tunnel underneath no man's land in the hope of breaking a deadly stalemate; The Collini Case, about a young lawyer who stumbles upon a vast conspiracy while investigating a brutal murder case; Copshop, about a cunning con artist on the run from a lethal assassin; The Voyeurs, starring Sydney Sweeney; Sweet Thing, about two siblings and their struggle to find solid ground in the homes of their alcoholic father and negligent mother. And classic drama The Servant is reissued. Plus we'll be attempting to solve those maddening movies you half-remember from years ago in WTF - What's That Film. Send us your sub 20 second instant reaction to any film attached to an email to mayo@bbc.co.uk for our feature ‘Lobby Correspondents'. Download our podcast from the Baby Sea Clowns app. We welcome your contributions: Email: mayo@bbc.co.uk Twitter: @wittertainment 00:22:13 Box Office Top 10 00:46:11 The Collini Case Review 00:49:32 Respect Clip / Jennifer Hudson Interview 01:02:48 Respect Review 01:18:49 Herself Review 01:24:30 TV Movie of the Week 01:29:20 The Voyeurs Review 01:32:53 Ninjababy Review 01:35:38 The War Below Review 01:44:54 Copshop Review 01:55:08 The Servant Review

Paul Anthony Nelson is joined this week by guest film critics Fi Wright and Will Cox to review three new releases: LITTLE JOE dir. Jessica Hausner (2019), WEREWOLVES WITHIN dir. Josh Ruben (2021) and HERSELF dir. Phyllida Lloyd (2020). Facebook: https://www.facebook.com/primalscreenshow/Instagram: https://www.instagram.com/primal_screen_show/Twitter: https://twitter.com/primal_screen

British director Phyllida Lloyd (Mamma Mia, The Iron Lady) on her new film Herself, a Dublin set drama about a mother escaping a toxic marriage. Phyllida also speak about working with Meryl Streep. Plus, an informative chat about the behind the scenes workings at the Cannes Film Festival.

British director Phyllida Lloyd (Mamma Mia, The Iron Lady) on her new film Herself, a Dublin set drama about a mother escaping a toxic marriage. Phyllida also speak about working with Meryl Streep. Plus, an informative chat about the behind the scenes workings at the Cannes Film Festival.

Here we go again. Special thank you to SUPER YAKI for sponsoring today's episode of Zillennial Canon, use code SUPERZILLENNIAL for 10% off! Follow us on Twitter @zillennialcanon and Instagram @thezillennialcanon for memes and updates. Adam: @adam_notsandler Kyra: @garlicemoji Leave us a movie memory at ‪(631) 319-0112‬ or at zillennialcanon@gmail.com. ---Check out some more friends of the canon at https://linktr.ee/zillennialcanon--- Thinking Music by Kevin MacLeod Link: https://incompetech.filmmusic.io/song/4522-thinking-music License: http://creativecommons.org/licenses/by/4.0/ --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

"Herself" premiered earlier this year at the Sundance Film Festival to critical acclaim for Clare Dunn's lead performance and her screenplay. However, there have been other notable elements which have flown under the radar since its premiere, including the direction by Phyllida Lloyd and the performances from the rest of the ensemble. One of those actors is Tony and Emmy nominated Harriet Walter. The British actress was kind enough to sit down with us to talk about her experience making the film, what she feels it means for survivors of domestic violence and more. "Herself" is currently streaming on Amazon Prime Video. Enjoy! Check out more on NextBestPicture.com Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast iTunes Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

Pensez aux films que vous aimez. Aux actrices et acteurs que vous admirez. N'avez-vous par remarqué, que dans la plupart des cas les hommes sont majoritairement plus âgés que les femmes ? Ce constat, si il peut être fait, c'est parce qu'il n'est pas le résultat d'un cas isolé. En mai 2018, alors que la 71ème édition du Festival battait son plein, que 82 femmes montaient symboliquement les marches du tapis rouge, une pétition rassemblait des milliers de signature. Mise en place par l'AAFA ( l'association des actrices et acteurs de France), et crée par l'actrice Marina Tomé, un manifeste a été mis en ligne suggérant une théorie ou plutôt un réel problème de société celui du « tunnel des 50 ans ». « Une commission de l'AAFA a fait le calcul, les femmes de plus de 50 ans représentent 1/4 de la population française. Pourtant dans les films sortis en 2016, on ne leur a attribué que 6% des rôles. Le sujet reste tabou. » comme le relève France Inter.  Mais pourquoi ce sujet est-il tabou ? Pourquoi les femmes de plus 50 ans se font-elles rares au point parfois de complètement disparaitre de nos écrans ?  Participantes : Pauline - @paulinemallet_ / Amandine @MotherOfSighs_ / Laura @CookieTime_LE / Manon @MnFrankenstein Invitées : Taïna Allen @miladytay / Jeanne Le Bozec  Création, animation, réalisation, montage et mixage son : Pauline Mallet Extrait ouverture de l'épisode : Mamma Mia! - Phyllida Lloyd (2008) Musique de fin d'épisode : Run the world - Beyoncé (2011) Références mentionnées et/ou conseillées (par ordre chronologique de sortie) Films  Ève - Joseph L. Mankiewicz (1950) Qu'est-il arrivé à Baby Jane ? - Robert Aldrich (1962) Shining - Stanley Kubrick (1980) Titanic - James Cameron (1997) Lost in Translation - Sofia Coppola (2004) Mamma Mia! - Phyllida Lloyd (2008) Summer Wars - Mamoru Hosoda (2009) Pas si simple - Nancy Meyers (2009) Expendables - Sylvester Stallone (2010) Potiche - François Ozon (2010) Happiness Therapy - David O. Russell (2012) Still Alice - Richard Glatzer et Wash Westmoreland (2014) It Follows - David Robert Mitchell (2014) Maps to the Stars - David Cronenberg (2014) Into the Woods - Rob Marshall (2014) 45 ans - Andrew Haigh (2015) Les Délices de Tokyo - Naomi Kawase (2015) The Visit - M. Night Shyamalan (2015) Gloria Bell - Sebastián Lelio (2018) Le Grand Bain - Gilles Lellouche (2018) The Old Man and the Gun - David Lowery (2018) Dans un jardin qu'on dirait éternel - Omori Tatsushi (2018) La Mule - Clint Eastwood (2018) Ça : chapitre 2 - Andrés Muschietti (2019) Once upon a time in Hollywood - Quentin Tarantino (2019) Queens - Lorene Scafaria (2019) Relic - Natalie Erika James (2020) Drunk - Thomas Vinterberg (2020) Sacrées Sorcières - Robert Zemeckis (2020) Séries  Grace and Frankie - Marta Kauffman et Howard J. Morris (Netflix) Hollywood - Ryan Murphy (Netflix) Dix pour cent - Fanny Herrero / Saison 4 épisode 5 (France 2) Livres / Articles de presses / expositions / vidéos / podcast  Charles-Antoine Courcoux , Gwénaëlle Le Gras et Raphaëlle Moine, L'âge des stars : Des images à l'épreuve du vieillissement, Éditions L'Âge d'Homme (2017) → https://www.u-bordeaux-montaigne.fr/fr/actualites/nouvelles-publications/l-age-des-stars-des-images-a-l-epreuve-du-vieillissement.html?fbclid=IwAR2dFX2xhGuTavh5YawVzBtNNBShZT9MET9kylcfDAPWaoiZL3DPu1aa9mQ Mona Chollet, Sorcières - La puissance invaincue des femmes, Ville d'édition, Éditions La Découverte (2019) → https://www.editionsladecouverte.fr/catalogue/index-Sorci__res-9782355221224.html Le site de Taïna Allen  → https://critiquepopculture.com Son article sur le film Eiffel  → https://critiquepopculture.com/2020/06/27/eiffel-illustration-du-male-gaze-au-service-du-patriarcat/ Notre épisode en deux parties sur les Studios Ghibli  → https://podcast.ausha.co/sorocine/episode-27-les-studios-ghibli-partie-1 → https://podcast.ausha.co/sorocine/episode-27-les-studios-ghibli-partie-2 Articles sur les différences d'âges : Sexisme : pourquoi les actrices sont toujours plus jeunes que leurs partenaires ?  → https://www.terrafemina.com/article/sexisme-pourquoi-les-actrices-sont-toujours-plus-jeunes-que-leurs-partenaires_a352204/1 Article sur les différences d'âges au sein des « love interests » dans les films de fiction → https://www.vulture.com/2013/04/leading-men-age-but-their-love-interests-dont.html Article du Monde sur les différences d'âges entre les acteurs et les actrices  → https://www.lemonde.fr/les-decodeurs/article/2018/05/19/au-cinema-les-acteurs-vieillissent-mais-pas-leurs-conquetes_5301536_4355770.html Article concernant les actrices de plus de 50 ans  Tunnel de la comédienne de 50 ans  → https://aafa-asso.info/tunnel-de-la-comedienne-de-50-ans/?fbclid=IwAR1bE-zuyZZErtZ0eL_kuD3UeGFtgTDgBohsuOuHIqyxp9hbAMh9bdQhs1o Absence des actrices de plus de 50 ans  → https://www.franceinter.fr/culture/cinema-le-tabou-de-l-absence-de-role-pour-les-actrices-de-plus-de-50-ans?fbclid=IwAR0MvaJ1LngDIRfYNaplvCrrOphaAv3s_KiKooWjr9DQ09lWy734KUtfJTw L'interview de Maggie Gyllenhaal  → https://www.independent.co.uk/arts-entertainment/films/features/maggie-gyllenhaal-interview-kindergarten-teacher-metoo-hollywood-deuce-a8808421.html Articles sur le Hagsploitation  → https://mubi.com/fr/lists/the-hagsploitation-grand-dame-guignol-the-psycho-biddy-horror-subgenre?fbclid=IwAR2sKDRC5H1JfGv05e78d4--OeFCWugVXyRI_ZN2ejsQ3ERbzSInHagZ4Js → https://www.theguardian.com/film/2018/jan/18/hagsploitation-horrors-obsession-with-older-women-returns?fbclid=IwAR1UvDGziPTv-gKyVeA-eUFQm9ye2drrWlqhlktv0jvb1m2U40JBGL_C7Kc

I'm Titanium! : A woman's courage to literally build up a new life from the ashes of a violent past. The post Phyllida Lloyd – Herself – La vita che verrà #AlicenellaCittà appeared first on Fred Film Radio.

Jason & Jenn, along with Austin comedian and human embodiment of shining light Alexis Ramphul, pack their bags and head to Greece, baby!! The gang discusses the classics of Greek cinema (The Sisterhood of the Traveling Pants & The Sisterhood of the Traveling Pants 2), Venus placements, Jenn's visitations from "The Traveling Man", and, eventually, Phyllida Lloyd's 2008 blockbuster musical: Mamma Mia!Find streaming options for this week's movie here!Please support the show by subscribing, leaving a review, or astral projecting into the consciousness of a friend to let them know about it!Art by Minda Wei (@mindawei on Instagram)Produced & Edited by Jason Pollard@nightstarspod on Twitter | @nightwithstarspod on Instagram | nightstarpod@gmail.com on Electronic Mail

En este tercer podcast desde el Zinemaldia hablamos de la película más esperada de la 68 edición: 'Nomadland' de Chloé Zhao y Frances McDormand, la flamante ganadora de los festivales de Venecia y Toronto. Además, la aspirante lituana a la Concha de Oro, 'In the Dusk'; el drama social 'Herself', de Phyllida Lloyd, una de las sensaciones de Sundance; y el poderoso drama sobre el amor y la enfermedad 'Supernova', con el que Colin Firth y Stanley Tucci firman dos de las mejores interpretaciones de su carrera. La Sexta Nominada y PremiosOscar.net continúan su periplo festivalero desde el Festival de San Sebastián. Con la ayuda de Rubén Murillo Rosa y Adriana Izquierdo y con Daniel Martínez Mantilla a los mandos del programa, publicaremos varios podcast hablando de nuestra experiencia festivalera en este peculiar SanCovidstan y hablaremos de las películas que veamos en la ciudad donostiarra.

On the 89th episode of FNI Wrapchat is Actor, Playwright and Screenwriter CLARE DUNNE. You may know Clare from her recent starring role in "Kin" for Rte and Bron studios and her beautiful performance in "Herself". We had a wonderful chat about making opportunities for yourself, Sharon Horgan empowering you and how Meryl Streep popped into her dressing room. Clare also tells us about her long and ultimately fruitful Journey of her Script "Herself" which was subsequently made and will Screen at Sundance in 2020. Herself looks at a single mother in Dublin, taking the bull by the horns and creating a self build home for herself and children during one of the worst housing crisis's in Ireland's history and how people, the community and the Irish spirit... is what will get us out. Dunne's work at the Abbey Theatre includes Juno and the Paycock (a co-production between the Abbey Theatre and the National Theatre of Great Britain). Other theatre work includes The Cripple of Inishmaan, The Silver Tassie, Druid 35 and The Playboy of the Western World (Druid), Julius Caesar (Donmar Warehouse), Detroit (National Theatre), Three Sisters (Lyric Hammersmith and Filter), A Midsummer Night's Dream[3] (Filter at Latitude) and Crunch (Nabakov). Dunne wrote and performed Living With Missy (Smock Alley Theatre). Radio work includes On Her Majesty's Service and 'News From Home' (BBC Radio 4). Dunne graduated from the Royal Welsh College of Music and Drama, Cardiff in 2009. Dunne played Prince Hal in the Donmar Theatre all-female version of Shakespeare's Henry IV., directed by Phyllida Lloyd. Dunne's film work includes Nice Night For It (2017) and The Cherishing (2016). Clare portrayed Victoria in Spider-Man: Far From Home (2019) "Herself" written by Clare, Produced by Element Pictures and Directed by Phyllida Lloyd will be in Irish Cinemas later this year. #WeAreFNI Learn more about your ad choices. Visit megaphone.fm/adchoices

In this extra episode of The Curzon Film Podcast we have a change of pace and tread the boards with Phyllida Lloyd (Mamma Mia, The Iron Lady), to discuss her production of Julius Caesar, which will soon be playing in Curzon Cinema screens. Phyllida speaks about the all-female cast she has put together, as well as working with new young talent, alongside legends like Harriet Walter. She also tells us how this play has been filmed specifically for cinema, rather than a traditional 'live screening'. Conducting the interview with Phyllida is Curzon's own Irene Musumeci. Produced and edited by Jake Cunningham Music supplied by incompetech.com Hosted on Acast. See acast.com/privacy for more information.

On this episode, we not only talk about Mamma Mia, our 54% movie, we also talk about the newly released Wonder Woman (2017). Episode Breakdown: Mamma Mia! was written and directed by Catherine Johnson and Phyllida Lloyd, respectively.  It stars Meryl Streep, Pierce Brosnan, Colin Firth, Stellan Skarsgård, Julie Walters, Dominic Cooper, Amanda Seyfried, and Christine Baranski. Wonder Woman was directed by Patti Jenkins and written by Allan Heinberg. It stars Gal Gadot, Chris Pine, Robin Wright, Danny Huston, David Thewlis, Connie Nielsen, and Elena Anaya. Questions We Ask: Why was Mamma Mia! so successful? Does this movie hedge all of its bets on Abba songs? Could they make a sequel work? What were our thoughts on Wonder Woman? As always, leave us a review on your podcatching service (like Apple Podcasts) or send us an email at thecriticalbreakdownpodcast@gmail.com. 

Artes Mundi was established in 2003 as a biennial contemporary visual arts initiative - the poet, author and playwright Owen Sheers and Catherine Fletcher, historian and New Generation Thinker, report back on the exhibition opening in Cardiff this week with work by the chosen artists including Britain's John Akomfrah, Nástio Mosquito and Bedwyr Williams.Amitav Ghosh argues that fiction writers need to be bolder in tackling the big themes of today's world and why thinking about Climate Change is proving a challenge.Harriet Walter has played Brutus and the King in Phyllida Lloyd's all-female Shakespeare productions of Shakespeare's Julius Caesar and Henry IV; now she takes on Prospero in The Tempest. She talks to Anne McElvoy about giving herself permission to take on roles still normally given to men and the never-ending wonder of Shakespearian verse as the entire trilogy opens in London.Plus - ahead of the American Presidential election, New Generation Thinker and historian, Ed Richardson pops up with the mesmerising story of how Hillary Clinton is very far from being the first ever female Presidential candidate.Artes Mundi 7 runs at the National MuseumWales: Cardiff 21.10.16 – 26.02.17The Shakespeare Trilogy: The Tempest, Henry IV and Julius Caesar are at the Donmar's King's Cross Theatre in London Sept 23rd - 17th December 2016Harriet Walter's book: 'Brutus and Other Heroines: Playing Shakespeare's Roles for Women'Amitav Ghosh 'The Great Derangement: Climate Change and Thinking the Unthinkable'.Producer: Jacqueline Smith

Christopher Frayling, Guest Curator of this year's Widescreen Weekend festival at the National Media Museum, and the filmmaker Mike Figgis, famed for his technologically ground-breaking films such as Timecode, discuss the possibilities of the latest cinematic evolution - Virtual Reality. Samira hears from director Phyllida Lloyd about the final production in her trilogy of Shakespeare plays with all-female casts and set in a prison - The Tempest - with Harriet Walter playing Prospero and with Shakespeare's songs newly set by Joan Armatrading.A new exhibition of Pablo Picasso's portraits at the National Portrait Gallery in London is the first time in 20 years that so many of his representations of his family and friends have been brought together and, as the curator Prof Elizabeth Cowling explains, it reveals his wit, humour and passion as well as the extraordinary range of styles and media he employed during his life.As a child Simon Gronowski was pushed from a moving train by his mother. Her actions saved his life as the train was bound for Auschwitz, where she died along with his sister. Now his extraordinary story has been transformed into an opera by composer and librettist Howard Moody, and is being performed as part of the ROOT 1066 festival in Hastings.Presented by Samira Ahmed Produced by Ella-mai Robey.

Have you been to the theatre lately?  Perhaps you've attended a performance at the National Theatre in London, or watched a broadcast of one at your local cinema.  If so, you'll know that they do some amazing things at these live productions - performers float or even ”fly”, shows have live birds flying, and they even set things on fire.  How do these productions do these things within the confines of a theatre or arts centre, and how do they balance risk while maintaining the artistic integrity of the production? Enter, stage right, my guest on today's episode, Ms. Anna Glover.  Anna leads the Safety Risk and Fire Management team at the world renowned National Theatre here in London.  As you will soon find out, Anna does NOT do Health and Safety risk.  Rather, she and her team are a core part of these internationally acclaimed shows – full stop. The work she does embodies what great risk management is all about – taking risk with intelligence and confidence – and achieving great things in the process. We obviously cover this fascinating line of work in the episode – including her work with top directors, choreographers, designers, and actors, and on some amazing shows.  But, there is much more to Anna than this.  We have a great conversation around how Anna got into this line of work.  This is a wonderful example of how to find your path – or more precisely, how to let it find you. We move on to have a great discussion about Anna's philosophy on risk, fear, and many other things.  We also cover: •What she learned from working with Juliette Binoche •Her time in North Wales from studying to running an outdoor pursuits on a military base •Her “run in” with Sir Ranulph Fiennes •Martial arts – Anna is a second dan in the Korean art of hapkido •Finding your path •And much, much more This is an amazing episode and I am sure you will enjoy it!   Show notes: Anna Glover's website - http://annagloverconsulting.com/  On Twitter: https://twitter.com/annajglover  On Instagram: https://www.instagram.com/annagloverconsulting/  Some people Anna has worked with: •Phyllida Lloyd, CBE is a British director, best known for her work in theatre and as the director of Mamma Mia! and The Iron Lady - https://en.wikipedia.org/wiki/Phyllida_Lloyd •Paule Constable is a British lighting designer who won the 2005, 2006, 2009, and 2013 Laurence Olivier Award for Best Lighting Design. She was also a nominee for four further productions and for a 2007 Tony Award on Broadway - https://en.wikipedia.org/wiki/Paule_Constable •Catherine Mallyon - Executive Director of the Royal Shakespeare Company - https://www.rsc.org.uk/about-us/whos-who/catherine-mallyon-executive-director •Mark Dakin Technical -Director of the Royal Opera House - http://www.theatrecraft.org/leaders/mark-dakin/ •”War Horse” – http://www.warhorseonstage.com/ “The Light Princess” – https://www.amazon.co.uk/Light-Princess-Original-Cast-Recording/dp/B0131W0S4Q Book recommendation – Creativity, Inc.by Ed Catmull - https://www.goodreads.com/book/show/18077903-creativity-inc?from_search=true&search_version=service Book recommendation – The Organised Mind by Daniel Levitin - https://www.goodreads.com/book/show/18693669-the-organized-mind?ac=1&from_search=true Joint Service Mountain Training Centre - http://www.nuffieldanglesey.org.uk/ Llanfairpwllgwyngyll - https://en.wikipedia.org/wiki/Llanfairpwllgwyngyll Chang's Hapkido Academy - http://www.changshapkido.net/ Poem – “The Bright Field” by RS Thomas: http://emilyspoetryblog.com/2013/10/23/the-bright-field-by-r-s-thomas/ I have seen the sun break through to illuminate a small field for a while, and gone my way and forgotten it. But that was the pearl of great price, the one field that had treasure in it. I realise now that I must give all that I have to possess it. Life is not hurrying on to a receding future, nor hankering after an imagined past. It is the turning aside like Moses to the miracle of the lit bush, to a brightness that seemed as transitory as your youth once, but is the eternity that awaits you. __________________ Did you like this episode? Subscribe to the All Things Risk podcast, leave a rating or review, and share it on social media: Subscribe and/or leave a rating and review on iTunes: http://apple.co/1PjLmKh Subscribe on Stitcher: http://www.stitcher.com/podcast/all-things-risk/the-all-things-risk-podcast  Subscribe on Soundcloud: https://soundcloud.com/ben-cattaneo  Follow the podcast on Twitter: https://twitter.com/RiskThings   Drop us a note: allthingsrisk@gmail.com Visit: www.allthingsrisk.com

Anne McElvoy talks to Phyllida Lloyd about playing Shakespeare in a female prison in her new version of Henry IV. Tim Marlow, Karen Lang, and Daniel Johnson discuss reading history through the paintings of Kiefer and Polke ahead of next month's 25th anniversary of the fall of the Berlin wall. And the man often touted as France's greatest writer has just won this year's Nobel prize for Literature. Anne talks about the contribution of Patrick Modiano to film as well as literature with Ian Christie and Akane Kawakami.