Podcasts about Faustus

The Time Riders: Part 7 Becoming A Slave Owner. Based on a post by BiscuitHammer, in 16 parts. Listen to the Podcast at Explicit Novels. Cast of Characters: Mark Simmons: 18 year old High School grad, enamored with Miss Becky Fischer. He finds the time machine and builds a new life. Uses various aliases in traveling. Rebecca 'Becky' Fischer: Mark's Physics teacher. Very intelligent, in her later twenties, Shapely Tall Blonde, lusty bisexual, D Cup tits. Martial arts expert, Uses various aliases in traveling. Henri: Claims to be a French physician and Apothicary. Chester Edgerton: Time traveling mentor, living in 17th Century French village. Cardinal Richelieu: ‘The Red Duke'. Statesman and Roman Catholic Cardinal. Dispises Queen Anne. Alexandra D'Assaut ('Alexa', or 'Lexi': Lady in waiting (and trusted advisor) to Queen Anne of France, Lusty bisexual, Very Tall, Busty DD tits, long golden blonde hair, Blue eyed. Lisette: servant (and lover) of Lady Alexandra, young, bespeckled brown eyes. Short, shapely, with wavy dark hair, bisexual. Dhallyla: Mark's mother. Roxy: Mark's sister. Nanu: An Egyptian slave of Pompeneia Flavius, purchased by Becky, dark complexion. Pompeneia: Roman hostess of Orgies. Lusty wife of Flavius, Mother of Domitia, bisexual, tall and shapely. Flavius: Roman aristocrat, husband of Pompeneia, protective father of Dometia, Domitia: Lusty young daughter of Pompeneia and Flavius. A pledged Vestal Virgin, Escapes to Sumeria when sentenced to death by starvation by Roman court. Pompeneia looked at Nanu and spoke to her somewhat tersely. "You are now owned by the Lady Aurora Horatia, who has purchased you at a fair price from me. Such belongings as you might have, girl, will be leaving with you when the Lady departs. Understood?" Nanu's eyes widened and she felt her heart suddenly pounding in her chest in shock and delight. Unable to contain her smile, she nodded eagerly. Pompeneia looked back at her guest and smiled. "She is all yours, my lady." Becky looked at Nanu and smirked, making a shooing motion with her hand. "Well, what are you waiting for, girl? Go find that lazybones Bonosus and tell him." Nanu was gone in a flash. Becky turned to look at Pompeneia and smiled wickedly as she leaned her back down on the couch and wiggled her way between Pompeneia's hips, so that her mouth was at her hostess' cunt. "Now, how about I find another way to thank you for your generosity?" she purred as she began sliding her tongue along those sticky lips; Mark was wandering through the darkened rooms of the parts of the house not currently being used by the orgy, still looking for a damn lavatory. Why the Hell did the Romans have such fucked-up house layouts? He'd passed about ten servants' bedrooms already; was he just supposed to piss on one of them? He paused as he heard a quiet noise, one he recognized quickly as sighing. It had been coming from a room nearby, and it was definitely a girl's sigh. Or a really femmy boy slave. You couldn't guess in ancient Rome. Either way, he decided to investigate. He tiptoed forward, looking into various dark rooms he'd passed. He heard another sigh, and then something more akin to a moan. He smiled slyly, identifying the room it had finally come from. He crept up and peered around the open wooden doors to look inside; She had her back to him, but inside the dark chamber, which was obviously a bedroom, was a young woman, with her face seemingly pressed to the far wall, and squirming her hips beneath her expensive clothing and beginning to pant. She had voluminous brown hair worn up on her head, exposing a shapely neck, and her stola dress had ridden up high enough to expose her lush ass cheeks, which were quivering and squeezing while she fingered herself. Grinning, Mark leaned against the door frame and just watched quietly. He wasn't beyond a good show. A tiny point of light near her head finally showed Mark what she was doing; there was a small hole in the wall, big enough for her to see through, and she was clearly watching the orgy happening on the other side. She was also clearly having a great time getting off to it. He liked the sight of her, at least, what he could readily see; she had a great ass, a slender back and shapely legs. Her dark brown hair, worn in several braids, was just begging to be pulled on. He couldn't see her cunt from here, but he could definitely hear how wet she was. He quietly entered the room and glided up behind her. She smelled of iris and roses, a perfume he found thrilling, especially here in this dark room, both of them unseen by the scores of others in the villa. His cock, still hard and throbbing, couldn't wait to be buried deep inside her. He moved in close and pressed up against her, his rigid shaft sliding between her legs. She shuddered in shock and drew in a breath, as if she was about to scream; but he quickly and gently clamped his hand over her mouth and wrapped his other hand around her waist. Her moved his head next to her ear. "You don't need to scream or be frightened," he whispered, feeling her still shaking. "I am the Lady Aurora's servant Bonosus, and I just want to be with you this day;” She turned her head, her eyes wide, as she tried to see him, his hand still loosely over her mouth. Her body was still stiff in possible panic, but she hadn't cried out yet. He smiled at her, trying to assure her he meant no harm. "If I let go of your mouth, will you scream?" he asked. The girl shook her head. For whatever reason, Mark believed her, and removed his hand from her mouth, and his arm from around her waist. She didn't run, but she threw herself against the wall she was standing next to, almost clutching at it as she turned around to face him. Her eyes were still wide, and he could see she was breathing heavily. "See? I'm not gonna hurt you," Mark said, smiling cheerfully. Staying pressed against the wall for safety, she looked him up and down slowly, noticing now that he was quite naked. Her eyes lingered on his erect cock for several seconds, as if captivated by it. He could now see her from the front, and what he was looking at pleased him; she had a pretty face, certainly. Not exotic, like Nanu, nor was she as striking and just plain gorgeous as Becky, but it was a pretty face nonetheless. Her eyes were brown, her cheekbones high, and her mouth sensual and full. The face; he knew it. Lady Pompeneia and Master Flavius! This must be their daughter. He continued looking at her body, noting now that her entire outfit was askew; not only had her dress been pushed up around her hips in front, to allow her to finger herself, but the top of her dress was pulled down, no doubt so that she could play with her pert tits. They were not large, but looked perfectly full on her slender frame, capped with brown aureoles and nipples, which were still hard. She had a tiny waist and womanly hips. He was going to enjoy fucking her. "My name is Bonosus, like I said," he repeated, moving in a tiny bit closer to her. She didn't try to escape, but perhaps flattened herself a little more against the wall. He tried not to seem so forceful. And odd thing, since he was at an orgy, and was already used to just fucking whomever he liked. "Would you tell me your name?" She finally spoke, her voice low and quiet. "My name is Domitia. I am the daughter of your hosts, the Master and Mistress Flavius." "I am very happy to meet you, Domitia," he said, smiling and nodding. In his ear, he could hear the implant translate her name as 'she who is tamed'. He suddenly had a very good feeling about this encounter. "In the name of my mistress' goddess, Feronia, I would ask you to join me in making love." "You; you are kind, Bonosus," she stammered, her face pale, but a flush in her cheeks. Her eyes were no longer wide, but turning glassy. "But I must; I shouldn't;” "I thought today was a day where all people cast aside their inhibitions, and did exactly as they pleased," he reasoned, stepping a little closer, noticing that she did not attempt to move away from him. "I already saw you looking through that hole there;” Now Domitia blushed furiously, turning her head to look at the ground. "I am ashamed; I should not; I shouldn't have been;” "What were you looking at, anyway?" he queried, pressing himself against her, his cock now flat against her belly, separated from her skin only by the fine material of her stola. She shivered as she felt his cock press to her, and her hands reached up and flexed, without touching him. Leaning over her shoulder, her wondrous scent in his nostrils, he closed one eye and peered through the tiny hole in the ochre-painted wall. He smiled slyly as he could see that the hole looked out on the palaestra, the courtyard in which he and Becky (and several others) had been fucking earlier. Even now, he could see a man bending a slave girl over in the shallow pool and fucking her from behind, while two women beyond the pool were lying opposite each other, legs scissored and slithering their pussies together. One of them was sucking on the cock of a slave who leaned over her, moaning and fondling her tits. "Well, you were enjoying yourself, clearly," Mark mused, turning and smirking at her. She looked at him, trying to smile back, but then just blushing and looking at the ground again. At least she wasn't trying to leave anymore. "Would you like to watch through the hole again while I fuck you from behind?" Something in his suggestion made her tense very suddenly, and she looked at him again, her eyes now wide. "I; shouldn't; no, my parents must not know I'm here, they; I should return to my domicile." "Are you married?" he asked, thinking that even if she was, she had showed up at her parents' orgy and was making herself cum, even if she'd been hiding. Marriage didn't seem to be a barrier during an orgy, near as he could tell. By his count, he'd already fucked at least four married patrician women and three plebeian women today. "Yes! No! I;” she stammered, blushing again and closing her eyes. Against her will, she inhaled deeply, taking in his raw, animal scent. Gods, he smelled divinely of sexuality, of carnality, of; heated fucking. It made her instantly wet, and her body trembled in need. "I cannot;” He smiled slyly and could tell that she wanted to stay. Even though she was protesting, he could already feel her hips pressing forward, squirming against him, desperate to finish what she was started when she was alone. She wanted to cum with him. "Then don't say anything," he whispered to her, his hands on her hips now. She shuddered again, her eyes wide and glassy as she gazed up at him. "Let me take care of this for you, Domitia;” He couldn't be sure, but the thought she nodded almost imperceptibly. Her felt her tits press forward against him. Her name means 'She who is tamed'; He took both her wrists in one hand and lifted them, pinning them against the wall over her head. She gasped and shivered, seemingly cowed by his superior strength. Her hips squirmed against him again, her tits heaving as she almost began to pant. Her eyes were flashing now, and he could see lust in them, almost as if it was forbidden and impure. He would give her what she wanted, that was certain. Domitia sucked in her breath as he put his free hand on her tit and fondled her, the soft skin yielding before his touch, his palm brushing over the hard nipple. Domitia bit her lip as she tried to remain quiet, her whole body trembling with a need for release. Mark caressed her other tit as well, pinching the nipple and pulling on it gently, making the brown-haired girl whimper and squeeze her eyes shut. "No; uh;” she gasped. His hand now found her waist and undid the cotton strip that belted the stola, letting it fall away. Domitia was breathing heavily now, especially when he began to pull her dress down, revealing more and more of her body. She gasped loudly as she felt his hard cock pressed against her belly now. She pushed her tits against his chest, squirming with urgency. Her protests made less and less sense by the moment, although he surmised it was just for show. Girls did that sometimes. At least, that's what Becky and other girls he'd fucked had told him. Domitia seemed to be no exception. Her stola now pooled around her ankles, revealing her body. The one flickering brazier in the corner of the room revealed that he had seen correctly; she had a lovely body. Not an erotic fantasy like Becky's, which was the product of the modern era of vitamins, yogurt, quinoa, hemp seeds and CrossFit, but still lush and attractive, and currently given to a deep-seated lust he wanted to fulfill. Her eyes were flashing as they stared up into his, her tits heaving. She bared her teeth as he reached down and cupped her cunt, which was now dripping wet. His finger slid up and down her length, finding her clit and eliciting a gasp. Her hands, still pinned above her head, flexed compulsively. She was breathing heavily now. "Keep your arms above your head," Mark said firmly as he released them and brought his hand down, both of them reaching behind her and taking hold of her ass cheeks. Domitia almost hissed as he lifted her up, her legs instinctively wrapping around his waist. She had readily obeyed, and kept her arms over her head, as if they were still pinned there. Her submission to him seemed very real and complete. Looking into her eyes, he held her steady, leaning her back against the wall while one of his hands guided his cock to her wet entrance. One he felt the engorged tip nestle against her lips, he placed his hand back on her ass cheek and began to push; Domitia breathed deeply as he penetrated, but then shook and whimpered as he encountered a barrier. Mark paused, but then felt her push her hips against him, and proceeded to lean forward against the wall. She shook and cried out, and Mark suddenly slipped deep inside her warmth easily. Holy shit, she'd been a virgin; awesome! She wrapped her arms around his shoulders and buried her face against his neck, trembling almost uncontrollably. Seconds later, she lifted her face and look up at him, her eyes glassy. Whatever pain she'd been feeling was clearly gone, now. He could, on the other hand, feel a single, warm trickle of a fluid down the underside of his cock, and the air smelled slightly of pennies now. "You have made me a woman," she murmured, still staring at him. "Let us finish this wondrous coupling now. Fuck me, Bonosus, servant of Lady Horatia;” She put her arms back above her head again, her wrists crossed, as a sign of his power over her. Mark nodded and began pumping slowly, sliding his cock in and out of her. Domitia trembled again, at the feel of him inside her, hard and throbbing, her cunt squeezing around him. She sighed loudly, eyes still locked with his. "A girl could die this way, and happily;” she breathed, squirming her tits against his chest. It was a bit of a strange thing to say, he thought, maybe a little morbid, but teen girls were like that sometimes, with the weird, poetic drama. He'd fucked a goth chick once, and she was; Domitia grunted and began pumping back against him lustily, all her fears of their fucking obviously gone. She was hissing through her teeth, grinding her hips against him as he made a sawing motion with his, pushing deep inside her wanton cunt. He could feel her cunt tightening around him as she found their rhythm, slippery and getting wetter by the moment. She jammed her lips against his and kissed him feverishly, their tongues wrestling between their mouths. He held her tighter, thumping her against the wall each time he thrust his cock deep inside her. She moaned into his mouth, and her warm skin was getting damp with sweat as he took her. She might have been a virgin mere moments ago, but her carnal desires would not be denied anymore. Domitia pushed back for all she was worth, her arms finally coming down and gripping his back. They were still kissing in a frenzy, and Mark was breathing through his nose, his hips smacking against hers. Domitia panted and moaned into his mouth with each thrust, her fingernails raking his back as she fought to get him ever deeper inside her. Her need almost baffled him, because he could feel the head of his cock battering her cervix each time he drove home. The wet sucking sounds her cunt made filled the room, even over the sounds of their groans. Mark was growing warm now, and he could feel that the sex tabs he'd used had already replenished his cum, deep inside his balls. When he did bust, this girl's first experience would see her overflowing with cum, his cum, and it would be glorious. He wanted to bring her out of hiding and over to the orgy. He wanted to fuck her at the same time as he fucked Becky and Nanu. Domitia seized up suddenly, shaking around him and screaming into his mouth while her cunt clenched him ferociously. He kissed her hard, making sure she didn't alert the whole house, and fucked her harder than ever, making her wail into his mouth again. He could feel his own body heating up rapidly, the distinct, tingling boiling in his balls letting him now that orgasm was now unstoppable. Mark pulled her hard against him, pressing into her as far as he could, straining and arching his back. The floodgates burst and he began filling Domitia with his pearly cum, and she panted and almost growled at the release. She churned and writhed on his cock, her frothy essence smearing his entire groin. He felt the peristaltic motions of his inner muscles, spurting his cum up his cock and deep inside his lover, a glorious, blessed release. Best. Orgy. Ever. He sagged against her, breathing heavily, while Domitia went limp in his grip, sighing in deep pleasure. She was no longer raking her fingernails over his back but caressing it gently, almost reverently. It was kind of backwards, since he was supposedly a slave and she was a patrician's daughter, but what the hey, she was a total subbie, right? She purred as she kissed his damp skin, still undulating her hips against him and squeezing his cock gently with her gooey cunt. He held her close, his forehead against her neck while he tried to regain his breath. This orgy was barely half over. There was so much to; The screech from behind them froze his blood instantly. He went rigid for several moments, before his head snapped around and he looked to see who was in the doorway. Gazing at the entwined pair in astonishment, bordering on horror, was Nanu. Still quite naked, her face was frozen in shock, her mouth working soundlessly. Confusion engulfed him, wondering what had caused the slave-girl to have such a caustic reaction to what she'd seen. Was it jealousy? It couldn't be that; she'd watched him fuck plenty of other women today. He looked back at Domitia, and saw that she had frozen as well, pale with what could only be described as terror about their discovery. That confused him too. What the Hell was happening here? Endless feet seemed to come stampeding toward them, and cries of shock now echoed through the house. Master Flavius surged through the door and stopped dead, his eyes wide as dinner plates. "Domitia!" he said in a quavering voice, pointing a trembling finger at the duo. "What are you;" Lady Pompeneia, accompanied by Becky, now bustled into the room. The matron stopped dead upon seeing them, her body shaking. Becky's eyes went wide. "Oh, shit;” she muttered in English. "Father!" Domitia called out, still impaled on Mark's cock, but looking over his shoulder at her parents. "Mother, I;” She made to move, but Mark's tool shifted inside her, and she gasped in pleasure and began wriggling furiously, fucking him again despite their ever-growing audience. People cried out in shock, and Lady Pompeneia's eyes rolled into her head before she fell to the floor in a dead faint. The cacophony grew, with Mark staring in confusion and Domitia grunting like an animal as she fucked her way to ecstasy again, seemingly unable to stop. A patrician woman entered and shrieked, scandalized by what she saw. "The slave!" she called out, aghast. "He has defiled one of Vesta's Virgins!" As if in response, Domitia shook and arched her back, wailing loudly as she came. "Seize that man!" shouted Flavius, his face purple with fury. Free men and slaves both surged forward, grappling onto Mark and trying to yank him away. But Domitia would not be pried off him, howling in protest and still grinding herself madly on his cock, squealing through another orgasm, even as they led the pair away. Most of the crowd followed them out, still clamoring loudly. Some women helped the swooning Pompeneia to her feet, and led her out of the room. Soon, the only people left were Becky and Nanu, who stood in the doorway. The slave-girl stared at her new mistress, who shrugged rather helplessly. Nanu turned and followed the crowd, leaving Becky alone in the room. It was eerily quiet now, the noise of the crazed crowd getting increasingly distant; people yelling in outrage, punctuated by the distinct sounds of Domitia cumming yet again, loudly. Becky finally hung her head for a moment, shaking it and smiling. "Oh, I can't wait to see how this turns out;” she said to herself as she walked out the door. The Wrath of Rome The mightiest city in the world, lord of Europa, teeming with untold citizens, slaves and foreigners. Blessed by Jupiter, greatest of the gods, and fed by the ancient Tiber River, Rome stood glorious and invincible, crowned with seven hills like jewels. Not that Mark could see any of that from his tiny, stinky little prison cell. He sat on the dirty floor, sighing despondently as he looked through the iron bars that separated him from the rest of the world. He'd found a corner that was not sticky with the effluences of previous inhabitants of the cell, crouching up with his knees to his chest. He suspected that the tab he was wearing would protect him from disease and sickness, but he'd be damned if he was taking any chances. He heard grunting and groaning from the cells behind him, then an absolutely disgusting series of splattering noises as someone began crapping themselves messily. He wrinkled his nose in revulsion and stared along the bottom of the wall, making sure nothing was likely to seep through. He turned his head and stared blankly across the small hallway at the cell opposite. Out of the darkness, a deranged, naked man appeared, his wild, scraggly beard greying and caked with God-knows-what. He cackled at Mark and helicoptered his cock at the new prisoner, all the while trying to shake the bars of his cell. Mark shook his head and looked away, finding a spot on the wall to stare at. He noted some graffiti, in Latin, brown with age; it was either dried blood or shit, but he decided he didn't care enough about what it said to get closer. He'd taken off the ratty tunic they'd given him, because it stank and had things crawling in it. Since he'd been arrested and dragged off naked from the Flavius villa, with Domitia still impaled on him, they'd eventually attempted to cover him up; somewhat difficult, since he was suffering from what was essentially medically induced priapism. Even now, he gazed down between his legs, noticing that his cock was still rock-hard. Had the tab malfunctioned? Was he supposed to stay erect this long? What the Hell kind of sex were they having in the twenty-eighth century that a guy needed to stay hard for a day and a night? He closed his eyes and pressed his head against his forearms, trying to figure out how it had all gone wrong; how the Hell was he supposed to know that there was a Vestal Virgin hiding in the damn house and masturbating? He'd heard of Vestal Virgins, of course, but he knew nothing about them. He'd paid attention in History class only moderately more than he had in Physics. Seemingly, he'd done an incredibly bad thing. Like 'fucking a pastor's blind virgin daughter on the altar' kind of bad. As decadent as Rome might have been, you didn't mess with their Vestals. He wished Becky was here. He hadn't seen her since he'd been dragged away from the villa, and he hoped she was okay. He had no idea if she was going to be in trouble or not, since she was supposed to be his owner. He groaned and shook his head, wishing he'd just wake up and this was all a dream; “Damn!” "Shut up in there!" said one guard harshly as he walked by. "Gonna make me, tough guy?" Mark grumbled, once the chip in his head had translated what the guard said, even though he could've probably figured it out on his own. The guard whirled around and stuck his arm through the bars, trying to hit Mark with the cudgel he was carrying. Mark hurriedly dodged out of the way and grabbed the club from the man's hand; the guard's eyes widened as Mark glared down at him, much taller than his would-be assailant. Mark was just over six feet, while the Roman was maybe five-three. The man's gaze dropped to Mark's erection, which pointed at him angrily. "Listen, pal," Mark growled, beyond caring about his hard-on at this point. "Try that again, and I'll shove this club of yours so far up your ass that you'll have splinters in your tongue for a month. Got it?" The man nodded hastily, his face pale. "Good," Mark grunted, shoving the cudgel bac through the bars at him. "Now fuck off and leave me alone." The guard hurried away while the crazy guy across from Mark cackled again and babbled incoherently at his retreating form. Mark slumped back down and continued moping. He'd been in this little crap-hole for the best part of a day now, without food or a chance to relieve himself, unless he chose to piss on the floor. He felt rather justified in sulking. Several minutes passed before he was interrupted once again. "Well, you look pretty grumpy for someone who spent most of yesterday getting laid;” chimed a sweet voice. Mark's eyes flicked open and he stood up hastily, gawking at his Physics teacher, who stood outside his cell, smiling at him in amusement. "Becks!" he said hastily, wiping at himself as if he had clothes on, forgetting that he was naked. "Hi! Uh; I'm glad you're okay!" "It's good to see you too, handsome," she replied, her eyes trailing down to his erection. She was wearing the elegant stola and accoutrements of a patrician woman now, much more modest than her attire just the day before. "Guess your hormones haven't worn off yet, hmm?" "Oh, he's got a mind of his own," Mark muttered, blushing slightly. "Trust me, the lynch mob was quite a libidoectomy. Where've you been?" "Well, once you got carted off, I thought I'd better take a look into what was likely to happen to everyone involved," she stated, seemingly not that concerned. "Roman litigation is a weird thing. They have trials, and you'll have a lawyer appointed to you, but the court of public opinion really counts as well, it seems." "So, I really screwed up when I fucked one of their Vestal Virgins?" Mark asked, trying not to sweat. Becky smiled. "Mark, you had no way of knowing, because she never should have been there to begin with. Vestal Virgins don't, in theory, belong to their parents any more, after they're selected for the honor. For her to be hiding in a room in her parents' house, jilling off, is a huge breach of her vows already, never mind getting caught with you bruising her brainstem." Mark thought about that for a moment. "So; Domitia's in trouble too?" "She's in even more trouble than you, to be honest," replied the teacher, shrugging. "You, you're some shmuck slave who got lucky. Her, she broke Rome's most sacred vows. She might as well have squatted over and peed on the Sacred Flame they protect, to extinguish it. Everyone associates the Vestals with the spiritual well-being of Rome itself. If one of the Virgins is impure, it's bad for Rome." "Damn;” he said under his breath, frowning at the floor. "Well, what about you? Are you in shit at all, because you're my owner?" "Well, not so far," Becky mused. "I'm sure that can change at a moment's notice, if anything goes really wrong." "Really wrong?" Mark exclaimed, gesturing to the cell around him in exasperation. "If this is only moderately wrong, I'd hate to see what's really wrong you're going on about!" "Oh, don't be such a drama llama," she cooed, waving dismissively. "We'll figure this out." "Are you okay, Becks?" he asked, making a wry face as he looked at her. "Last time we were in trouble like this, you kinda She-Hulked out on everyone, remember? You kicked at least five people in the crotch, one of whom was Cardinal Richelieu." "Yeah," she said almost wistfully. "I think my system is flooded with hormones from those tabs, and they're making me pretty mellow. I'm still in love with you right now, for instance." "Well, not to exploit your chemical imbalance here, but what are the chances of you doing something to make sure the man you're in love with doesn't die in this cell?" Mark said rather insistently. "Oh, you won't die in this cell," Becky pointed out. "The Romans weren't big on imprisonment at this point in their history. They're probably either gonna behead you or crucify you." "Becks!" Mark said loudly, going pale and beginning to panic. "You can't let them behead me, I like my head where it is!" "Yes, you are rather attached to it," she giggled. "And don't worry about getting crucified, only I'm allowed to nail you, after all. And speaking of;” She slinked forward, smiling saucily at him, lifting the hem of her long stola, revealing her wet cunt beneath. She turned around, presenting her shapely ass to him and swaying it back and forth while looking over her shoulder at him. "How about you put that stout nail of yours in my tool box?" she purred. "Now?" he exclaimed. "Not like you have anything else to do at the moment, Mark," she pointed out, still wiggling at him. "Move up to the bars and stick it out here;” Ignoring his exasperation, Mark sighed and pressed himself up against the bards, his rigid cock sticking out the other side. Becky lined up her sticky cunt with the head and pushed herself back on it, sighing in bliss as she did. Mark trembled as he penetrated her, having to admit to himself that it felt good to be inside his teacher. Becky closed her eyes as began squirming back against him, sliding his hardness in and out of her cunt. Eighteen hours without sex had felt like eighteen years, no doubt due to the hormones from the tabs. She guessed that their bodies, new to these stimulants from the far future, were not acclimated to the effects just yet; not that she was complaining, mind. She groped and massaged her tits as they spilled out of the top of her stola, reveling in the feel of Mark's lovely cock splitting her wide and touching deep inside. She stood up and pressed back against the bars, keeping his manhood firmly locked inside herself, wiggling and swaying, but also bringing his hands around to her tits, which he now squeezed and massaged in circles, making her groan loudly. The bars kept them apart somewhat, but he was still deep inside her, and that was what counted. Until she opened her eyes and saw the crazy guy in the cell across from them, looking at her with wild eyes, his tongue lolling out of his head, and jerking his filthy cock madly. "I miss seeing your face, Mark," she decided, turning around suddenly and pressing close to him again. She made him hold the bars, steadying his throbbing cock while she sidled forward, taking him inside her cunt again, sucking in her breath. She held onto the bars as well, squirming her hips. The bars were too closely spaced together to fit her legs through and wrap them around his hips, but he was still deep enough inside her to fuck her properly. "Hmm, baby;” If any guards knew what was happening, they chose to not interfere or even be nearby. They left the wealthy patrician woman alone. Of all the places Mark had expected to fuck Becky during their temporal travels, this would have been one of the last, he had to admit. Becky pushed her lips against his, kissing him deeply and lovingly. Their tongues tangled as she fucked him, exhilarating in the feel of his hard shaft in her and knowing she was going to cum quickly, and hard. She broke the kiss and stared into his eyes, her own flashing with lust. "You gonna cum in me, Mark?" she breathed, grinding on him hard, biting her bottom lip. "I want your cum in me, baby." He nodded, breathing heavily. He'd practically forgotten about his predicament, lost in the delirium of fucking his teacher. He pumped his hips back and forth in time with her movements, her cunt tightening around him and getting wetter with every second. He felt his cock throbbing and swelling inside her. "Yes, baby," she gasped, her skin flushed pink, her body trembling as she fought to hold on a few moments longer. "Cum deep inside me, Mark; oh God;” Becky clenched her teeth and arched her back as she pushed forward with her hips, straining hard; she felt Mark push against her as hard as he could, touching her cervix, and she shuddered and moaned loudly. The dam burst and he began cumming inside her, flooding her cunt with his desire. Becky shivered in pleasure, squeezing around him. They both sighed as the orgasm finally passed, leaning forward and pressing their foreheads together. Her fingers knotted with his and she gave him a peck on the lips before smiling. "Feel better?" she asked. "Oddly enough, yeah," he admitted, nodding. "So what do we do now? I don't wanna die here, Becks." "I know, don't worry, we'll figure it out," she replied, caressing his face with one hand while lowering the skirt of her stola with the other. "I've just gotta find out some things." "Can't we just bust me outta here and get out of Dodge?" he asked, not sure what the delay was. She gave him a quirky look. "Are we just supposed to leave Domitia to her fate? It's your fault she's doomed to death, you know. And there's also the matter of Nanu and what to do with her. We can't just prance around the timeline and mess up things with peoples' lives, Mark. I know you do it because you want to get laid, but there's still real consequences. You're living one of them." He sighed: "Yeah, you're right. I'm just worried." "I know you are, my love," she said gently, smiling warmly. "Just let me see what I can find out. Hang tight and stay out of trouble, okay?" She kissed him again lovingly and whispered something in his ear before sauntering out. He watched her leave and then sat back down, trying to ignore the fact that his hard-on was now sticky, on top of everything else. Getting shot by Richelieu may be have been ultimately worse, but this predicament was certainly less convenient. Some hours passed, and his mood decidedly did not improve. "Hello, my name is Faustus, and I am your legal representation during your trial," said a dull voice from beyond his cell. Mark's eyes drifted over to lay on a short, pudgy, balding man draped in a rather worn toga. He had some scrolls in a satchel he wore over his shoulder. He assessed Mark somewhat disinterestedly. "You are the slave Bonosus, yes?" Mark nodded. "And you are aware of the charges against you?" "Yup, I unknowingly boned a Vestal Virgin," Mark sighed, standing up, figuring he probably shouldn't be showing anyone any disrespect at this point. "What can I do for you, sir?" "Well, ignorance of the law is not likely to work as a defense in this particular instance, given the charge," Faustus said, tapping his satchel with his fingers. "Normally it might mitigate charges, but not where the Virgins are involved. At this point, I'm trying to spare you a cruel and painful death." "Swell," Mark said, his voice laden with apathy. "So, like, beheading instead of crucifixion sort of thing?" "Unless crucifixion is your preference, for some strange reason," replied the lawyer. "There is also the matter of your fee for my services in defending you?" Mark frowned: "I'm a slave, what am I supposed to be able to give you? Shouldn't you be talking to my owner, the Lady Aurora?" "The lady is proving difficult to contact, what with the entire city being in an uproar about you and all," Faustus reasoned, shrugging. "It may be up to you to see that my fees are met." "I don't have anything!" Mark protested somewhat angrily. Faustus trailed his gaze down Mark's well-built body, finally fixating on his erect cock and smiling lewdly. "Oh, I wouldn't say that;” Mark groaned and thunked his head against the iron bar that prevented his escape. He was wrong. This was worse than getting killed by Richelieu's men. Trial of Mark. Mark now found himself going through downtown Rome, but once again spending little time looking at the city; he was being hauled inside a cage on wheels along the Via Aurelia, with untold thousands of people lining the road, shouting, screaming and hissing at him. Rotten vegetables and rock-hard bread pelted his mobile prison, most of the projectiles not getting through to touch him. Mark didn't care. He stared out dully at the cacophony and churning masses of humanity, fully aware that his erect cock was pointing at them. He looked at the famed Palatine Hill and saw a large, rotund temple there, along with a vast manor. Outside the manor, standing on those distant steps, he saw many women dressed as Domitia had been, with their hair worn in the same style, staring down at him impassively. He almost laughed bitterly, knowing exactly who they are. No young person, ever, understood better than Mark now how important it was to pay attention to your studies. After all, it was about to cost him his head. His eyes widened when he saw Domitia dragged out the front doors of the manor by several servants and forced to look down at him. She seemed none the worse for wear, except for looking rather distraught and haggard. He saw, but could not hear her cry out at the sight of him, before being yanked back inside roughly, resisting the whole way. His lawyer, Faustus, had informed him that he'd be tried in a public court, his sentence determined there as well. If all went well, he wouldn't be made to wait long before his sentence was carried out. The waiting was the worst part, the lawyer assured him. The procession took forever, at least in his estimation. He was covered in tomato pulp and seeds, and bits of lettuce and other debris were sticking to him. "Will they at least allow me to bathe or clean up before my trial?" he'd complained to Faustus. He stank and he didn't like it. The lawyer said he'd see what he could do. On and on, his mobile prison rumbled slowly. They entered a crowded forum, surrounded by the white buildings Rome was renowned for. He saw several landmarks, but barely noted them. The presence of soldiers became heavier now, guarding against disturbances from the famously fickle and moody population of the city. They arrived at the courthouse, and he was hauled out of his cage by the chains his wrists were bound in. He ignored the cries and vitriol of the crowd, who had stopped throwing things, for fear of hitting a soldier or important person. At least there was that. He was brought into a small anteroom, where a pool sat in the center. He was unchained and shoved into it, allowed to bathe. Several Roman legionaries stood over him, one holding a whip in case Mark dawdled for any reason. Careful not to anger them, Mark cleaned himself diligently, but also as quickly as possible. When he got out of the pool, they dressed him in a plain but fresh tunic made of low-grade linen. There was one rather prominent problem, however, and the commander of the squad guarding him looked at Mark's crotch and scowled. "Does that thing ever go down?" he snapped. "Look, you're not as unhappy as I am about it," Mark shot back, exasperated about his condition. "Believe me! I had too many oysters at the orgy and now it won't go away." The commander thought about the predicament for a moment. He couldn't bring his prisoner into the courtroom sporting an erection. He finally ordered one of his men to tie a strap of linen around Mark's hips, keeping the obscene erection fixed flat against his belly. The legionaries chuckled as he was trussed, but then became serious as they prepared to lead him into the courtroom. Mark took a deep breath as he was led into the chamber that would determine his doom. Becky was squatting in a hallway, humming quietly as she sucked on the cock of a young lad who was running documents back and forth within the courthouse. He was pressed back against the wall, his eyes closed and moaning in pleasure as he let her work her magic. He didn't know exactly who this patrician woman was, but he wasn't about to stop her, either. Becky bobbed back and forth, swirling her tongue around his hardness and gently caressing his balls. She couldn't believe how horny she was! It had been more than twenty-four hours since the orgy and these sex stimulants were still wreaking havoc with her libido. If this kid lasted, maybe she could fuck him? She needed a good orgasm. A horn sounded outside the courthouse, and Becky paused mid-suck, opening her eyes and turning her head slightly to look in the direction of the noise, her cheek bulging comically as his cockhead pushed into it. The young man was still trembling and almost whimpering, even though she was distracted. "Damn, is it time for the trial already?" she exclaimed to herself before she stood up, straightened out her elegant stola and hurried down the hallway. The young paralegal gaped at her retreating form, his body trembling and his cock throbbing. "But I; I;” he protested, even though she was gone. He couldn't stop it. He whimpered and danced about on his toes, cum spurting from his aching cock. He grabbed his crotch and sighed deeply, doubling over at the release. Too late, he opened his eyes and noticed he'd spattered his jizz all over the documents he'd been bringing for the trial; "The accused is named Bonosus, a slave owned by Lady Aurora Horatia," announced one of the scribes in the room, a rotund chamber that had benches lining most of the walls, allowing for spectators. Today it was crowded, because the charges were so extraordinary. "Prior to this trial, the lady Horatia has been determined free of all guilt, with no investigation or charges needing to be brought forward." Becky, sitting near the trial stand, smiled and winked at the presiding praetor judge, an older, distinguished man, who subtly winked back at her before turning his attention back to Mark, staring sternly. Mark stood alone in the center of the rotunda, his hands and feet manacled, a single beam of wan light shining down on him from a hole in the center of the domed ceiling. He looked back at the judge blankly. "The accused is charged with disgracing a sacred virgin of the goddess, potentially putting great Rome in her disfavor, and such charges warrant only the ultimate of punishments, your honor!" declared a man in a well-embroidered toga made of exquisite fabric and trimmed in yellow. Mark assumed this was the lawyer meant to prosecute him. "For this heinous crime, Rome must be cleansed, to appear cleansed in the eyes of Vesta! We demand this Bonosus be burned at the stake!" Mark swallowed and looked at Faustus, who was sweating and wiping at his collarbone, trying not to fidget. People around the room were talking and whispering to one another. The judge looked down at the pudgy lawyer. "What say you on behalf of the accused, man?" "I;” he began, already faltering. "Your Honor, we feel that the defendant, being a mere slave ignorant of all law and education, had no way of knowing that he was indeed in contact with one of Rome's sacred girls. In that light, while we do not protest his guilt, we ask for clemency; lashes, if possible, or exile beyond the Empire's borders; but if he must die for this crime, let Great Rome show its much-famed mercy and give my client a swift beheading." People in the gallery began shouting angrily in protest at his words, while many of the advocates and adjudicates involved in the case began laughing derisively. Nobody seemed to be in Faustus' corner about this. Mark flicked his eyes up at Becky, and she was simply looking in impassively. A sinking feeling in his stomach took over his senses. Despite his fear, his cock throbbed in yearning at the sight of her. "Faustus, Faustus," chided the lawyer representing the city of Rome, shaking his head almost ruefully. "My dear Faustus, you are so good-hearted, but this defendant of yours did not simply assault one of the Sacred Virgins, he did not merely violate her chaste body, he sublimated her. He changed her! He has corrupted her! Bring in the girl!" Mark's eyes widened as Domitia was dragged into the chamber, clad in her sacred robes, but with strips of red fabric bound to her arms and around her forehead. She looked terrified, but then she saw Mark and her eyes widened. Before anyone could stop her, she broke free of the servants holding her and dashed forward, howling loudly and falling to her knees at his feet. Everyone gaped in astonishment as she lifted his tunic, releasing his cock from its confinement against his stomach, kissing and then sucking on it hungrily, plunging it all the way down her throat in crazed need. People howled in shock and outrage at the scene. Mark, who hadn't had any sex in over twenty-four hours and was in horny agony, groaned loudly despite himself and gripped her head, pumping his hips against her face desperately as people rushed toward him and tried to pull them apart. Someone finally managed to pry Domitia's mouth away from his cock, but when spectators tried to drag her away, she wildly latched her legs around his waist, grinding and humping at him in a desperate frenzy of lust, the skirt of her stola giving way and allowing her to spike herself onto him. The judge and other officials watched in bewilderment as the fracas stumbled around the rotunda, with people trying desperately to pull them apart. They were yanking at Domitia, who was panting and crying out in ecstasy, while Mark groaned in relief and need, despite the people clawing at him and punching him. One enterprising and rather stout legionary knelt beside the fornicators and grabbed hold of them, straining to separate them. Domitia's yelps and Mark's moans became desperate grunts to hold one to one another for several seconds. Eventually, though, Domitia's legs gave out and she was dragged back from him. Mark roared in protest as he shivered and came a split-second after she had been pulled off him. His cock, now released from its warm, wet confines, smacked the legionary across his nose and spat ropes of cum in his eye and across his face. He wailed at the sting and fell on the floor, kicking in panic and trying to wipe the spume out of his eyes. Domitia was finally restrained, and her mouth gagged to stop her howling. She continued to struggle, but it was no use. At last she sagged, seemingly exhausted. Mark looked around, finally noticing Lord Flavius and Lady Pompeneia in the crowd, looking on in horror and mortification. He glanced up at Becky, but she was looking at the ceiling and covering her mouth, trying not to laugh. "This!" said the prosecutor angrily, jabbing his finger first toward Mark and then at Domitia. "This is what the accused has done to one of the sacred Virgins! Turned her into an uncontrollable harlot! She is so completely undone that she cannot think of anything except quenching the fire between her wanton loins!" Many women gasped or cried out at his unprecedented words, while men muttered to one another. Lady Pompeneia looked like she was ready to faint again. "This is an outrage!" Lord Flavius shouted furiously. "We gave our daughter to the state willingly, to fulfill her destiny as a priestess of the goddess, and now we see ourselves unfairly shamed! And this; this; slave; endangers the safety of us all, calling our favor with Vesta into question!" "Do you call charges against the Lady Horatia to ruin your good name?" asked the prosecutor coolly. "Oh, no, no, of course not," Lord Flavius said hastily, shaking his head and looking over at Lady Aurora. "She remains blameless in all of this, assuredly." Becky winked at Lord Flavius, and then subtly at the prosecutor, who smiled and winked back. "Jesus, Becks;” Mark muttered, scowling at the ground. "You've been around the pool more times than Katie Ledecky since we got here;” "Silence!" boomed the judge angrily, his face still rather purple from witnessing the lewd chaos wreaked in his court. "Centurion, strike that man if he won't show respect!" Mark grunted and staggered as the centurion standing close to him cuffed him across the ear. He stayed upright, but glowered at the man. "Wanna try that while my hands aren't cuffed, asshole?" "Silence!" roared the judge, turning purple again as other guards kept Mark from jumping on his assailant. "You are a creature of vile sin!" shouted Lord Flavius from the benches, pointing a trembling finger at Mark. "Yeah? Who cares?" Mark shot back, glaring at his host. "Your wife wasn't complaining yesterday when she rode my hog to the Promised Land, was she? No complaints from your daughter, either!" Lord Flavius howled in fury as he tried to rush the floor but was restrained. Lady Pompeneia fainted again. Another guard cuffed Mark on the back of the head, staggering him again, but this time he didn't have a snappy comeback. He looked angry, but his face had a tic suddenly. People were shouting and crying out in horror at the chaos the proceedings had become. "What manner of devil are you, boy?" the judge hissed at Mark. "Oh, I'm here to fuck every woman in Rome," Mark said sarcastically, tired of this bullshit. "I meant for a Vestal Virgin to be last, ya' know, sort of the proverbial cum icing on the titty cake. But the opportunity came up, and wham, bam, thank you, Vesta;” People shrieked in outrage, and Faustus pissed himself, staring at Mark in dumbfounded horror. "That's right, gents, line 'em up!" Mark said angrily, his face still twitching. Why was he saying these things? Was the chip in his head giving him Tourette's? He wiggled his erection before the entire room, since his tunic had got caught on it when he was separated from Domitia and it was still in plain view, glistening with her spittle and cunt juice. "Bring your uppity wives and daughters to me, I'll make 'em behave!" Faustus just threw his legal scrolls in the air and stormed off. Another legionary tried to punch Mark, but he dodged the punch and rammed his forehead into the man's nose, just avoiding his helmet. The man fell backwards, holding his face. Mark might have tried to kick him, but there were suddenly ten legionaries surrounding him, their swords pointed at his throat. Mark held very still, glowering. The judged barked for the legal scrolls he was meant to consult during this trial, but they were not to be found. He yelled for them again, and a young man barged in hastily from the back door to the rotunda, and the chamber beyond, carrying armfuls of scrolls. He dumped them on the judge's stone table and scurried off without another word. The judge made to pick up one of the documents, but paused; it was sticking to another scroll. He frowned and pulled them apart, noticing that a pearly residue was the source of the problem. Worse, the scroll pages became slippery as he tried to pry them apart. The sticky substance was all over them. And his fingers now. He quietly put the parchments down and shoved them aside. Once the judge had composed himself, clearly livid about the circus his courtroom had become, and once Mark was facing him again, he leaned in and asked a question. "Do you have anything to say before your sentence is pronounced?" "Don't you think this is enough of a sham that we should just get it over with?" Mark grumbled. "What?" the judge asked, confused. "I said, how about you get this show on the road, because thousands of my potential children have a date with your mom's face tonight!" Mark snapped, jerking slightly. What the absolute fuck was happening? He wasn't speaking Latin anymore, he was speaking Greek! "You mock us by speaking Greek?" demanded the judge, rising from his chair. "Do you seek to invalidate this court?" "This court is full of invalids already!" Mark raged, the chip inside his head sputtering. Apparently one of the blows to his head had made it misfire. "Get your mother out here already! And your daughter too!" The judge slumped back on his stone chair, as if stunned by what Mark was saying. Everyone in the court was silent, waiting to see what happened next. He turned to Domitia, who was restrained nearby. "Domitia, former daughter of the Flavian household

Michael and Ethan discuss Doctor Faustus: The Life of the German Composer Adrian Leverkuhn as Told by a Friend, by Thomas Mann, while drinking Jura 10yo single malt.In this episode:REALLY REALLY REALLY helpful: A Reader's Guide to Thomas Mann's Doctor Faustus, by Tobias BoesLots of baffling passages in this one, sorryMusical forms in 1930s Germany were political (a thing that never happens today, obvs)Conservatives vs conservatives, another thing with absolutely no echoes nowAmbiguity that goes both waysThe Courage to be, by Paul TillichVampire? “Explicit” -Michael VAMPIRE“De Profundis”/Psalm 130Icarus is symbloic of FaustNext time Michael and Ethan will continue to discuss Doctor Faustus, by Thomas Mann! Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Join us on GoodReads!Get on our Substack!Donate to our Patreon! MUSIC & SFX: “Fools that Will Laugh on Earth,” by Benji Inniger, from the Original Soundtrack to The Spiritual Tragedy of Doctor Faustus"Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.(Links to books & products are affiliate links.)

Faustus reads the Bible partially, and badly! He can't bring himself to recall God's mercy to repentant sinners.Wednesday • 11/12/2025 •Wednesday of the Twenty-second Week After Pentecost (Proper 27) This morning's Scriptures are: Psalm 119:97–120; Nehemiah 7:73b-8:18; Revelation 18:21–24; Matthew 15:29-39 This morning's Canticles are: following the OT reading, Canticle 11 (“The Third Song of Isaiah,” Isaiah 60:1-3,11a,14c,18-19, BCP, p. 87); following the Epistle reading, Canticle 16 (“The Song of Zechariah,” Luke 1:68-79, BCP, p. 92)

Steve Dowden is a Professor of German language and literature in the Department of German, Russian, and Asian Languages and Literatures. He graduated in 1984 from the University of California with a Ph.D in German literature. After a decade teaching at Yale and a year as a Humboldt Fellow at the University of Konstanz he joined the Brandeis faculty in 1994. Dowden has published on German literature, art, music, and intellectual history from the eighteenth to the twenty-first century. John Burt is the Paul Prosswimmer Professor of American Literature at Brandeis University and the author of the novel A MOMENT'S SURRENDER (Hollywood Books International, forthcoming), three volumes of poetry: THE WAY DOWN (Princeton University Press, 1988), WORK WITHOUT HOPE (Johns Hopkins University Press, 1996), and VICTORY (Turning Point Press, 2007). His non-fiction book LINCOLN'S TRAGIC PRAGMATISM (Harvard University Press, 2013) was positively reviewed on the front page of the NEW YORK TIMES BOOK REVIEW. He is the literary executor of the poet and novelist Robert Penn Warren, whose collected poems he edited.In this episode we discuss Thomas Mann's novel Doctor Faustus.--- Become part of the Hermitix community: Hermitix Twitter - ⁠⁠⁠https://twitter.com/Hermitixpodcast⁠⁠⁠ Support Hermitix: Patreon - ⁠⁠⁠https://www.patreon.com/hermitix⁠⁠⁠ Donations: - ⁠⁠⁠https://www.paypal.me/hermitixpod⁠⁠⁠ Hermitix Merchandise - ⁠⁠⁠http://teespring.com/stores/hermitix-2⁠⁠⁠ Bitcoin Donation Address: 3LAGEKBXEuE2pgc4oubExGTWtrKPuXDDLK Ethereum Donation Address: 0x31e2a4a31B8563B8d238eC086daE9B75a00D9E74

In this week's episode of Book Talk for BookTok, Jac and Amy sit down with Natasha Siegel, author of As Many Souls as Stars, a hauntingly beautiful sapphic romantasy inspired by the Faustus legend. Together, they explore how Natasha's background in historical fiction, romance, and Jewish-Danish heritage shaped her richly imagined world of love, loss, and the meaning of the soul. Through the lenses of literary analysis and character psychology, we unpack: How Natasha's research for Solomon's Crown and The Faithless informed her fantasy world-building The subversion of the Faustian Bargain trope and why Cybil's resistance makes the story unforgettable Why sapphic romance was essential—not optional—for the emotional truth of Miriam and Cybil's journey The book's exploration of humanity, identity, and transformation Which side characters Natasha wishes she could have written more of (and what might come next) If you love sapphic fantasy, queer romance, and emotionally charged romantasy with literary depth, this conversation is for you. As Many Souls as Stars combines feminine power, moral complexity, and lush romantic tension, making it a must-read for fans of T. Kingfisher, Samantha Shannon, and Alix E. Harrow. About the Guest: Natasha Siegel is a London-based author of historical fiction, fantasy, and romance. Her debut, Solomon's Crown, was a New York Times Book Review Editor's Choice. Her latest, As Many Souls as Stars, reimagines the Faustus myth through a sapphic lens, blending moral temptation with tender humanity. The Subtext Society Journal: ⁠⁠⁠⁠⁠⁠⁠https://thesubtextsocietyjournal.substack.com/⁠⁠⁠⁠⁠⁠⁠  We're thrilled to announce our newest venture: The Subtext Society Journal—the first of its kind, dedicated to Romance, Romantasy, and fandom with an academic yet accessible voice. We're publishing original essays and thought pieces, and we encourage listeners to submit their own articles for a chance to be featured. Sponsor: Vionic Use code BOOKTALK at checkout for 15% off your entire order at www.vionicshoes.com when you log into your account. 1 time use only. Sponsor: HelloFresh Go to HelloFresh.com/BOOKTALK10FM now to Get 10 Free Meals + a Free breakfast for Life! One per box with active subscription. Free meals applied as discount on first box, new subscribers only, varies by plan. Share your thoughts for a chance to be featured! Submit them at ⁠⁠⁠⁠⁠⁠⁠⁠⁠booktalkforbooktok.com⁠⁠⁠⁠⁠⁠⁠⁠⁠ for a future mini-episode or exclusive Patreon discussion. Support the Show:  Patreon: ⁠⁠⁠⁠⁠⁠⁠⁠⁠patreon.com/booktalkforbooktok⁠⁠⁠⁠⁠⁠⁠⁠⁠  Merch: ⁠⁠⁠⁠⁠⁠⁠⁠⁠Etsy Store⁠⁠⁠⁠⁠⁠⁠⁠⁠ Follow Us on Social: Instagram: @BookTalkForBookTok TikTok: @BookTalkForBookTok YouTube: @BookTalkForBookTok SEO keyword bank (already woven above; keep here if helpful): Heir of Fire analysis, Sarah J. Maas podcast, Throne of Glass podcast, Aelin Galathynius, Rowan Whitethorn, Chaol Westfall, Dorian Havilliard, Manon Blackbeak, Aedion Ashryver, Wendlyn, Rifthold, Ironteeth witches, feminist literary analysis, Marxist literary analysis, romantasy podcast, BookTok book analysis, imagery and symbolism, character arcs. Learn more about your ad choices. Visit megaphone.fm/adchoices

Michael and Ethan discuss Doctor Faustus: The Life of the German Composer Adrian Leverkuhn as Told by a Friend, by Thomas Mann, while drinking Jura 10yo single malt.In this episode:All digressions and fallings-apart are intentionally reflective of the novel under discussion and are not us doing a bad jobTalking about books by talking about other books (aka, this is actually us reading Tristram Shandy for at least the third time)The narrator that gets in his own wayOne or more frame stories AND several meta-layersLots about time, WWII, Germany, time, Germans, Nazis, and time (but not a lot that's fun to make sassy bullet points about)In Marlowe, Faust is damned; in Goethe, Faust is saved; in Mann, Faust is(.)Next time Michael and Ethan will continue to discuss Doctor Faustus, by Thomas Mann! Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Join us on GoodReads!Get on our Substack!Donate to our Patreon! MUSIC & SFX: “Fools that Will Laugh on Earth,” by Benji Inniger, from the Original Soundtrack to The Spiritual Tragedy of Doctor Faustus"Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.(Links to books & products are affiliate links.)

Check out Cam's latest novel / audio drama here! For die-hard fans of horror and fantasy like us, Guillermo Del Toro's Frankenstein might just be the perfect film — and it's also almost certainly the best adaptation of Mary Shelley's novel ever made. In this episode, Cam leads us on a whirlwind tour through the source material's intimate relationship with Doctor Faustus and some of this rendition's most thrilling and thoughtful additions to that proud lineage. We also explore the film's kaleidoscopic structure within the frame of a familiar favorite, analyze Del Toro's sumptuous directorial style, and take a closer look at his (pun intended) Creature design. LINKS: Patreon, YouTube, Spotify, Instagram Feedback & Theories: secondbreakfastpod@gmail.com

Episode 191:For today's guest episode it is a welcome return to Ricky Dukes, artistic director of Lazarus Theatre Company. Following on from our conversation about ‘Henry V' Ricky and I went on to discuss ‘Julius Caesar'. Not surprisingly our conversation pulled out some alternative points to those I raised in my episode on the play, especially when it came to talking about aspects of staging the play and the impact of the female roles in the play, which I did not mention in any detail previously. So, please see these two episodes as complimenting each other, but as long as you are familiar with the play you don't need to have listened to my episode first, or, for that matter, our earlier discussion of ‘Heny V', to enjoy this one. Ricky Dukes is an award-winning Director, Practitioner and Teacher based in the West Midlands and London. In 2007 he founded Lazarus Theatre Company and is the company's current Artistic Director for which he won Best Artistic Director in the 2012 Fringe Report Awards. His work is ensemble led with actor detail at its heart creating large scale visual, visceral, and vibrant theatrical experiences. Ricky has gone on to direct over 40 productions for Lazarus Theatre Company including: The Changeling, Hamlet, Doctor Faustus, Oscar Wilde's Salomé, Macbeth, Marlowe's Edward II, The Caucasian Chalk Circle, Tis Pity She's A Whore, and Dido, Queen of Carthage. Ricky also runs workshops for actors under the ‘Lazarus Gym' banner, and I have put links in the show notes to his activities so you can follow that up further if you wish.Check out Lazarus Theatre here: https://www.lazarustheatrecompany.co.ukSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

No segundo episódio da série Dia de Julgamento, Henrique Boaventura recebe Oscar Freitas (presidente da Acerva Brasil) e Faustus para avaliar duas cervejas produzidas pelo próprio convidado: uma Belgian Pale Ale e uma Mixed Style Beer com base em German Pils e lúpulo Comet brasileiro.A conversa mergulha no universo das avaliações BJCP — com notas, percepções sensoriais, discussão de receitas e o desafio de enquadrar estilos híbridos. Um episódio imperdível pra quem quer entender como funciona um julgamento técnico de cerveja na prática!

Check out Cam's latest novel / audio drama here! Him is the most underrated and misunderstood horror movie of the year. In this episode, we're exploring the film's boundless thematic depth and striking visuals to uncover a fascinating inverse Faust theory and an unexpected but bone-deep Kubrick homage. Comparison titles include: Whiplash, Fight Club, Doctor Faustus, Midsommar, and 2001: A Space Odyssey. LINKS: Patreon, YouTube, Spotify, Instagram Feedback & Theories: secondbreakfastpod@gmail.com

Michael and Ethan discuss Faust, by Goethe, both part 1 and 2, while drinking Balvenie Doublewood 12yo single malt.In this episode:Dynamic in a pastoral wayBaffling talk of forms, mothers, material, and reality (and keys?)The Apocalypse has been happening since 1789This is roughly what Ethan is talking about regarding courtly loveIn case the references to “Walpurgis Night” are confusing, this probably won't help at allGoethe as both Enlightenment poet and Romantic poetSince when has this podcast gone in straight lines?Mendelssohn's Die Erste WalpurgisnachtThere is no striving in Elysium after drinking the waters of LetheThe GK Chesterton quote that Ethan mangles: “The riddles of God are more satisfying than the solutions of man.”Next time Michael and Ethan will discuss Doctor Faustus, by Thomas Mann! Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Join us on GoodReads!Get on our Substack!Donate to our Patreon! MUSIC & SFX: “Fools that Will Laugh on Earth,” by Benji Inniger, from the Original Soundtrack to The Spiritual Tragedy of Doctor Faustus"Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.(Links to books & products are affiliate links.)

Hello! Just a quick update to remind you of our upcoming Wyrd Revels, a few guest announcements, and the possibility of some live streaming! Beyond Wyrd Revels 2025 Tuesday 21st October at 7.30pm – The Witch of Edmonton by Dekker, Ford & Rowley Wednesday 22nd October at 7.30pm – The Wise-woman of Hogston by Thomas Heywood Thursday 23rd October at 7.30pm – Thyestes by Seneca, translated by Jasper Heywood, includes post-show discussion Friday 24th October at 7.30pm – Doctor Faustus (1604 text) by Christopher Marlowe and Thomas Nashe* (*other collaborators are available) Saturday 25th October at 3pm – Doctor Faustus (1616 text) by Christopher Marlowe and Collaborators Tickets £16 / £12 concessions – except Saturday which is £18/14 for the extended show. Weekdays shows start at 7.30pm, with pre-show start at 7.20pm – Saturday show from 3pm Performing at The White Bear Theatre, Kennington - 138 Kennington Park Rd, London SE11 4DJ Discounts automatically applied for multiple show bookings, or you can purchase a full week season ticket for £55. Tickets available at https://www.ticketsource.co.uk/beyondshakespeare More info at our Revels page. Support our work on our patreon.  The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton. 

Check out Cam's latest novel / audio drama here! Ask and you shall receive! Here's our analysis of The Long Walk through the evergreen lens of Christopher Marlowe's Doctor Faustus. This one's got some fascinating remixes: dozens of Faustuses, a rare foregrounding of the lesser demons, and possibly the most unfair Faustian deal we've ever seen put to screen. LINKS: Patreon, YouTube, Spotify, Instagram Feedback & Theories: secondbreakfastpod@gmail.com

Episode 187:This episode is both an ending and a beginning. An ending because it is the last of the recent run of consecutive guest episodes – next time we will be returning to Shakespeare, Jonson and their plays – but it is also the first of what I hope will be a series of guest episodes attached to each of the very significant Shakespeare plays that are coming up soon. With the very well-known and arguably greatest of Shakespeare's plays the task of providing some meaningful commentary is, I have found, very daunting, so I thought it would be a good idea to have another view on these plays to bring another perspective to them besides my own. I am also keen for those views to be born from the practical experience of producing the plays and understanding them from an actor's perspective and therefore as a result of close exploration of the text. Ricky Dukes is an award-winning Director, Practitioner and Teacher based in the West Midlands and London. In 2007 he founded Lazarus Theatre Company and is the company's current Artistic Director for which he won Best Artistic Director in the 2012 Fringe Report Awards. His work is ensemble led with actor detail at its heart creating large scale visual, visceral, and vibrant theatrical experiences. Ricky has gone on to direct over 40 productions for Lazarus Theatre Company including: The Changeling, Hamlet, Doctor Faustus, Oscar Wilde's Salomé, Macbeth, Marlowe's Edward II, The Caucasian Chalk Circle, Tis Pity She's A Whore, and Dido, Queen of Carthage. Ricky also runs workshops for actors under the ‘Lazarus Gym' banner, and I have put links in the show notes to his activities so you can follow that up further if you wish.The photos used on social media posts for this episode are from the 2015 production of 'Henry V' with Colette O'Rourke as the king at the Union Theatre. Photo credit: Adam Trigg.Check out Lazarus Theatre here: https://www.lazarustheatrecompany.co.ukSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Bookwaves/Artwaves is produced and hosted by Richard Wolinsky. Links to assorted local theater & book venues   Prof. Stephen Greenblatt:  Christopher Marlowe, Shakespeare's Greatest Rival Stephen Greenblatt, in conversation with Richard Wolinsky about his book Dark Renaissance: The Dangerous Times and Fatal Genius o Shakespeare's Greatest Rival, recorded September 11, 2025. Stephen Greenblatt is a literary historian and an expert on Shakespeare and the Elizabethan era. Among his other books are  Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England, Hamlet in Purgatory, Shakespeare's Freedom, and most recently Tyrant: Shakespeare in Politics. He is Cogan University Professor of the Humanities at Harvard University. In this interview, recorded the day after Charlie Kirk's assassination and the day before the capture of his murderer, when the American right wing had declared war on Democrats and “the left,” Stephen Greenblatt discusses political violence in Elizabethan times and today, along with his op-ed in the New York Times, “We Are Watching a Scientific Superpower Destroy Itself.” Guest Link The focus of the interview, though, is on the life and work of Christopher Marlowe (1564-1593), the playwright (Doctor Faustus, The Jew of Malta, Edward II), intellectual and spy, whose work influenced William Shakespeare and who could be called the Bard's “rival.”   Review of the national touring production of  “Shucked”  at the Curran Theatre through October 5, 2025. . The post September 18, 2025: Stephen Greenblatt: “Dark Renaissance,” the life and times of Christopher Marlowe appeared first on KPFA.

durée : 00:27:28 - Les Midis de Culture - par : Marie Labory - Au programme du débat critique, du théâtre, avec "Que sera sera" de la compagnie belge tg STAN & "FAUSTUS IN AFRICA!" par William Kentridge et la Handspring Puppet Company - réalisation : Laurence Malonda - invités : Philippe Chevilley Chef du service culture des Echos; Victor Inisan Dramaturge et metteur en scène français

durée : 00:11:39 - Les Midis de Culture - par : Marie Labory - Trente ans après sa création, le plasticien sud-africain William Kentridge et la Handspring Puppet Company réactivent leur "Faustus in Africa !" - réalisation : Laurence Malonda - invités : Victor Inisan Dramaturge et metteur en scène français; Philippe Chevilley Chef du service culture des Echos; Marie Labory Journaliste, productrice des "Midis de Culture" sur France Culture

Stephen Greenblatt, in conversation with Richard Wolinsky about his book Dark Renaissance: The Dangerous Times and Fatal Genius o Shakespeare's Greatest Rival, recorded September 11, 2025. Stephen Greenblatt is a literary historian and an expert on Shakespeare and the Elizabethan era. Among his other books are  Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England, Hamlet in Purgatory, Shakespeare's Freedom, and most recently Tyrant: Shakespeare in Politics. He is Cogan University Professor of the Humanities at Harvard University. In this interview, recorded the day after Charlie Kirk's assassination and the day before the capture of his murderer, when the American right wing had declared war on Democrats and “the left,” Stephen Greenblatt discusses political violence in Elizabethan times and today, along with his op-ed in the New York Times, “We Are Watching a Scientific Superpower Destroy Itself.” Guest Link The focus of the interview, though, is on the life and work of Christopher Marlowe (1564-1593), the playwright (Doctor Faustus, The Jew of Malta, Edward II), intellectual and spy, whose work influenced William Shakespeare and who could be called the Bard's “rival.” The post Stephen Greenblatt: “Dark Renaissance,” the life and times of Christopher Marlowe appeared first on KPFA.

¡Pero qué tremendo librazo!El Mati nos trae un librazo. Entre Thomas Mann y Theodore Adorno. Musica, ensayo, literatura y pactos con el innombrable.Enjoy!

Check out Cam's latest novel / audio drama here! Rachel Cain's ‘Somnium' is a triumph of indie horror filmmaking and sheer creative willpower, but it's also the most provocative and fascinating exploration of dreams that we've ever seen from the genre. In this episode, we're deep diving into metaphorical dreams, literal dreams, and all the nightmarish ways in which they interact. We're talking symbolic monsters, ambiguous endings, and class consciousness — with just a touch of Faustus thrown in for good measure. LINKS: Patreon, YouTube, Spotify, Instagram Feedback & Theories: secondbreakfastpod@gmail.com

 The History of the Damnable Life and Deserved Death of Doctor John Faustus, is the book that is the source for Christopher Marlowe's play. Chapter by chapter we will wander through the twists and turns of this story. Chapter Twenty-One: How Doctor Faustus was carried through the air up to the heavens to see the whole world, and how the Sky and Planets ruled, after the which he wrote a letter to his friend of the same to Leipzig, and how he went about the world in eight days.   Our patrons also get an exploring session looking in detail at the text - join our chat here. Thunder sfx thanks to zapsplat.com Our patrons received this episode in August 2024 - approx. 13 months early. They have also received the next 14 chapters and exploring sessions! The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton. 

In this week's episode, I take a look back at the movies and streaming shows I watched in Summer 2025. This coupon code will get you 50% off the audiobook of Ghost in the Serpent, Book #1 in the Ghost Armor series, (as excellently narrated by Hollis McCarthy) at my Payhip store: FALLSERPENT50 The coupon code is valid through September 15, 2025 (please note the shorter expiration date). So if you need a new audiobook this fall, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 267 of The Pulp Writer Show. My name is Jonathan Moeller. Today is September 5, 2025 and today I'm doing a review roundup of the movies and streaming shows I saw in Summer 2025. Before we do that, we will have Coupon of the Week and a progress update on my current writing and audiobook projects. First up, this week's coupon code will get you 50% off the audiobook of Ghost in the Serpent, Book One in the Ghost Armor series (as excellently narrated by Hollis McCarthy) at my Payhip store. That is FALLSERPENT50. This coupon code will be valid through September 15th, 2025 (exactly one week). So if you need a new audiobook to listen to as we head into fall, we have got you covered. Now for an update on my current writing and audiobook projects. I am pleased to report that the rough draft of Blade of Flames, which will be the first book in my new Blades of Ruin epic fantasy series is finished. The rough draft came at about 90,000 words long, which was what I was aiming for. Next up, I will be writing a short story set as sort of a bonus in that plot line called Thunder Hammer and that will be the backstory of one of the characters in Blade of Flames. And when Blade of Flames comes out (which will hopefully be later this September), newsletter subscribers will get a free ebook copy of Thunder Hammer. So this is an excellent time to subscribe to my newsletter. I am also 8,000 words into Cloak of Worlds. At long last, I am coming back to the Cloak Mage series after nearly a year's absence. Longtime listeners will know the reason was that I had five unfinished series and I wanted to spend the summer of 2025 finishing the unfinished ones and focusing up so I will only have three ongoing series at any given time. I'm hoping Blade of Flames will come out before the end of September and Cloak of Worlds before the end of October, and after that I will be able to return to the Rivah series at long last. In audiobook news, recording is finished on Shield of Power. That will be excellently narrated by Brad Wills and hopefully once it gets through processing and quality assurance and everything, it should be showing up on the various audiobook stores before too much longer. Hollis McCarthy is about halfway through the recording of Ghost in the Siege, which was, as you know, the last book in the Ghost Armor series that just came out. And if all goes well, the audiobook should be coming out probably in October once everything is done with recording and quality assurance and all that. So that is where I'm at with my current writing and audiobook projects. 00:02:34 Main Topic: Summer 2025 Movie/TV Roundup So without further ado, let's head into our main topic. The end of summer is nigh, which means this time for my summer movie review roundup. As is usual for the summer, I saw a lot of movies, so this will be one of the longer episodes. For some reason I ended up watching a bunch of westerns. As always, the movies are ranked from least favorite to most favorite. The grades of course are totally subjective and based on nothing more than my own opinions, impressions, and interpretations. Now on to the movies. First up is the Austin Powers trilogy, the three movies of which came out in 1997, 1999, and 2002. The Austin Powers movies came out just as the Internet really got going in terms of mass adoption, which is likewise why so many Austin Powers and Dr. Evil memes are embedded in online culture. Despite that, I had never really seen any of them all the way through. They've been on in the background on TBS or whatever quite a bit when I visited people, but I've never seen them all. But I happened upon a DVD of the trilogy for $0.25 (USD), so I decided for 25 cents I would give it a go. I would say the movies were funny, albeit not particularly good. Obviously the Austin Powers movies are a parody of the James Bond movies. The movies kind of watch like an extended series of Saturday Night Live skits, only loosely connected, like the skit is what if Dr. Evil had a son named Scott who wasn't impressed with him or another skit was what if a British agent from the ‘60s arrives in the ‘90s and experiences culture clash? What if Dr. Evil didn't understand the concept of inflation and demanded only a million dollars from the United Nations? What if Dr. Evil was actually Austin's brother and they went to school together at Spy Academy? Michael Caine was pretty great as Austin's father. Overall, funny but fairly incoherent. Overall grade: C- Next up is Horrible Bosses, a very dark and very raunchy comedy from about 14 years ago. It came out in 2011. Interestingly, this movie reflects what I think is one of the major crises of the contemporary era, frequent failures of leadership at all levels of society. In the movie Nick, Dale, and Kurt are lifelong friends living in LA and all three of them have truly horrible bosses in their place of employment, ranging from a sociopathic finance director, the company founder's cokehead son, and a boorish dentist with a tendency to sexual harassment. At the bar, they fantasize about killing their horrible bosses and then mutually decide to do something about it. Obviously, they'd all be prime suspects in the murder of their own bosses, but if they killed each other's bosses, that would allow them to establish airtight alibis. However, since Nick, Dale and Kurt are not as bright as they think they are, it all goes hilariously wrong very quickly. Bob Hope has a hilarious cameo. If the best “crude comedies” I've seen are Anchorman, Zoolander, Tropic Thunder, and Dodgeball, and the worst one was MacGruber, I'd say Horrible Bosses lands about in the middle. Overall grade: C Next up is Cowboys and Aliens, which came out in 2011. Now I almost saw this in 2011 when it came out, but I was too busy to go to the theater in July of 2011, so I finally saw it here in 2025 and I would say this was almost a great movie, like the performances were great, the concept was great, the scenery was great, the special effects were great, and the story was packed full of really interesting ideas, but somehow they just didn't coalesce. I'm not entirely sure why. I think upon reflection, it was that the movie is just too overcrowded with too many characters and too many subplots. Anyway, Daniel Craig portrays a man who wakes up with no memory in the Old West, with a mysterious bracelet locked around his wrist. He makes his way to the town of Atonement, and promptly gets arrested because he is apparently a notorious outlaw (which he doesn't remember). While he is locked in jail, space aliens attack the town. The aliens, for unknown reasons, abduct many of the townspeople, and Daniel Craig's character, who is named Jake even if he doesn't remember it, must lead the town's effort to recover their abducted citizens. Harrison's Ford has an excellent performance as this awful cattle baron who nonetheless has virtues of courage and fortitude that you can't help but admire. An excellent performance. That said, the movie was just too packed, and I thought it would work better as a novel. After I watched the movie, it turned out that it was indeed based off a graphic novel. Novels and graphic novels allow for a far more complex story than a movie, and I don't think this movie quite managed to handle the transition from a graphic novel to a film. Overall grade: C Next up is Heads of State, which came out in 2025. This was kind of a stupid movie. However, the fundamental question of any movie, shouted to the audience by Russell Crow in Gladiator is, “are you not entertained?!?” I was thoroughly entertained watching this, so entertained I actually watched it twice. Not everything has to be Shakespeare or a profound meditation on the unresolvable conflicts inherent within human nature. Anyway, John Cena plays Will Derringer, newly elected President of the United States. Idris Elba plays Sam Clark, who has now been the UK Prime Minister for the last six years. Derringer was an action star who parleyed his celebrity into elected office (in the same way Arnold Schwarzenegger did), while Clarke is an army veteran who worked his way up through the UK's political system. Needless to say, the cheerful Derringer and the grim Clarke take an immediate dislike to each other. However, they'll have to team up when Air Force One is shot down, stranding them in eastern Europe. They'll have to make their way home while evading their enemies to unravel the conspiracy that threatens world peace. So half action thriller, half buddy road trip comedy. The premise really doesn't work if you think about it too much for more than thirty seconds, but the movie was funny and I enjoyed it. Jack Quaid really stole his scenes as a crazy but hyper-competent CIA officer. Overall grade: C+ Next up, Captain America: Brave New World, which came out in 2025 and I think this movie ended up on the good side of middling. You can definitely tell it went through a lot of reshoots and retooling, and I suspect the various film industry strikes hit it like a freight train. But we ended up with a reasonably solid superhero thriller. Sam Wilson is now Captain America. He's not superhuman the way Steve Rogers was and doesn't have magic powers or anything, so he kind of fights like the Mandalorian – a very capable fighter who relies on excellent armor. Meanwhile, in the grand American political tradition of failing upward, Thaddeus “Thunderbolt” Ross, who spent years persecuting The Hulk and whose meddling caused the Avengers to disband right before Thanos attacked, has now been elected President. To Wilson's surprise, Ross reaches out and wants him to restart the Avengers. But Ross (as we know) did a lot of shady black ops stuff for years, and one of his projects is coming back to haunt him. Wilson finds himself in the middle of a shadowy conspiracy, and it's up to him to figure out what's going on before it's too late. I was amused that lifelong government apparatchik Ross wanted to restart the Avengers, because when the Avengers had their biggest victory in Avengers: Endgame, they were essentially unsanctioned vigilantes bankrolled by a rogue tech billionaire. Overall grade: B- Next up is Ironheart, which came out in 2025. I'd say Ironheart was about 40% very weird and 60% quite good. It's sort of like the modern version of Dr. Faustus. The show got some flak on the Internet from the crossfire between the usual culture war people, but the key to understanding it is to realize that Riri Williams AKA Ironheart is in fact an antihero who's tottering on the edge of becoming a full-blown supervillain. Like Tony Stark, she's a once-in-a-generation scientific talent, but while she doesn't have Stark's alcohol problems, she's emotionally unstable, immature, ruthless, indifferent to collateral damage and consequences, and suffering from severe PTSD after her best friend and stepfather were killed in a drive-by shooting. This volatile mix gets her thrown out of MIT after her experiments cause too much destruction, and she has to go home to Chicago. To get the funds to keep working on her Iron Man armor, she turns to crime, and falls in with a gang of high-end thieves led by a mysterious figure named Hood. It turns out that Hood has actual magic powers, which both disturbs and fascinates Riri. However, Hood got his magic in a pact with a mysterious dark force. When a job goes bad, Riri gains the enmity of Hood and has to go on the run. It also turns out Hood's dark master has become very interested in Riri, which might be a lot more dangerous for everyone in the long run. Overall, I'd say this is about in the same vein as Agatha All Along, an interesting show constructed around a very morally questionable protagonist. Overall grade: B Next up is A Minecraft movie, which came out in 2024. I have to admit, I've never actually played Minecraft, so I know very little about the game and its ecosystem, only what I've generally absorbed by glancing at the news. That said, I think the movie held together quite well, and wasn't deserving of the general disdain it got in the press. (No doubt the $950 million box office compensated for any hurt feelings.) One of the many downsides of rapid technological change in the last fifty years is that the Boomers and Gen X and the Millennials and Gen Z and Gen Alpha have had such radically different formative experiences in childhood that it's harder to relate to each other. Growing up in the 1980s was a wildly different experience than growing up in the 2010s, and growing up in the 2010s was an even more wildly different experience than growing up in the 1960s. Smartphones and social media were dominant in 2020, barely starting in 2010, and implausible science fiction in 2000 and earlier, and so it was like the different generations grew up on different planets, because in some sense they actually did. (A five-year-old relative of mine just started school, and the descriptions of his school compared to what I remember of school really do sound like different planets entirely.) The Minecraft game and A Minecraft Movie might be one of those generation-locked experiences. Anyway, this has gotten very deep digression for what was essentially a portal-based LitRPG movie. A group of people experiencing various life difficulties in a rural Idaho town get sucked into the Minecraft world through a magic portal. There they must combine forces and learn to work together to master the Minecraft world to save it from an evil sorceress. As always, the fundamental question of any movie is the one that Russell Crowe's character shouted to the audience in Gladiator back in 2000. “Are you not entertained?” I admit I was entertained when watching A Minecraft Movie since it was funny and I recognized a lot of the video game mechanics, even though I've never actually played Minecraft. Like, Castlevania II had a night/day cycle the way Minecraft does, and Castlevania II was forty years ago. But that was another digression! I did enjoy A Minecraft Movie. It was kind of crazy, but it committed to the craziness and maintained a consistent creative vision, and I was entertained. Though I did think it was impressive how Jack Black's agent managed to insist that he sing several different times. Overall grade: B Next up is Back to School, which came out in 1986 and this is one of the better ‘80s comedies I've seen. Rodney Dangerfield plays Thornton Melon, who never went to college and is the wealthy owner of a chain of plus-sized clothing stores. His son Jason is attending Great Lakes University, and after Thornton's unfaithful gold-digging wife leaves him (Thornton is mostly relieved by this development), he decides to go visit his son. He quickly discovers that Jason is flailing at college, and decides to enroll to help out his son. Wacky adventures ensue! I quite enjoyed this. The fictional “Great Lakes University” was largely shot at UW-Madison in Wisconsin, which I found amusing because I spent a lot of time at UW-Madison several decades ago as a temporary IT employee. I liked seeing the characters walk past a place where I'd eat lunch outside when the day was nice, that kind of thing. Also, I'm very familiar with how the sausage gets made in higher ed. There's a scene where the dean is asking why Thornton is qualified to enter college, and then it cuts to the dean cheerfully overseeing the groundbreaking of the new Thornton Melon Hall which Thornton just donated, and I laughed so hard I almost hurt myself, because that is exactly how higher ed works. The movie had some pointless nudity, but it was only a few seconds and no doubt gets cut in network broadcasts. Overall grade: B Next up is Whiskey Galore, which came out in 1949 and this is a comedy set in Scotland during World War II. The villagers living on an isolated island have no whiskey due to wartime rationing. However, when a government ship carrying 50,000 cases of whiskey runs aground near the island, wacky hijinks ensue. I have to admit the first half of the movie was very slow and deliberate, gradually setting up all the pieces for later. Then, once the shipwreck happens, things pick up and the movie gets much funnier. Definitely worth watching both as a good comedy movie and an artifact of its time. A modicum of historical knowledge is required – if you don't know what the Home Guard is, you might have to do some Googling to understand the context of some of the scenes. Regrettably, the version I watched did not have captioning, so I had to pay really close attention to understand what the characters were saying, because some of the accents were very strong. Overall grade: B Next up is Happy Gilmore 2, which came out in 2025. This was dumb and overstuffed with celebrity cameos but thoroughly hilarious and I say this even though it uses one of my least favorite story tropes, namely “hero of previous movie is now a middle age loser.” However, the movie leads into it for comedy. When Happy Gilmore accidentally kills his wife with a line drive, he spirals into alcoholism and despair. But his five children still love him, and when his talented daughter needs tuition for school, Happy attempts to shake off his despair and go back to golf to win the money. But Happy soon stumbles onto a sinister conspiracy led by an evil CEO to transform the game of golf into his own personal profit center. Happy must team up with his old nemesis Shooter McGavin to save golf itself from the evil CEO. Amusingly, as I've said before, the best Adam Sandler movies are almost medieval. In medieval fables, it was common for a clever peasant to outwit pompous lords, corrupt priests, and greedy merchants. The best Adam Sandler protagonist remains an everyman who outwits the modern equivalent of pompous lords and corrupt priests, in this case an evil CEO. Overall grade: B+ Next up is Superman, which came out in 2025 and I thought this was pretty good and very funny at times. I think it caught the essential nature of Superman. Like, Superman should be a Lawful Good character. If he was a Dungeons and Dragons character, he would be a paladin. People on the Internet tend to take the characterization of superheroes seriously to perhaps an unhealthy degree, but it seems the best characterization of Superman is as an earnest, slightly dorky Boy Scout who goes around doing good deeds. The contrast of that good-hearted earnestness with his godlike abilities that would allow him to easily conquer and rule the world is what makes for an interesting character. I also appreciated how the movie dispensed with the overused trope of the Origin Story and just got down to business. In this movie, Lex Luthor is obsessed with destroying Superman and is willing to use both super-advanced technology and engineered geopolitical conflict to do it. Superman, because he's essentially a decent person, doesn't comprehend just how depraved Luthor is, and how far Luthor is willing to go out of petty spite. (Ironically, a billionaire willing to destroy the world out of petty spite is alas, quite realistic). Guy Gardener (“Jerkish Green Lantern”) and the extremely competent and the extremely exasperated Mr. Terrific definitely stole all their scenes. The director of the movie, James Gunn, was quite famously fired from Disney in 2018 for offensive jokes he had made on Twitter back when he was an edgy young filmmaker with an alcohol problem. I suppose Mr. Gunn can rest content knowing that Superman made more money than any Marvel movie released this year. Overall grade: A-   Next up is Who Framed Roger Rabbit?, which came out in 1988. This was a very strange movie, but nonetheless, one with an ambitious premise, strong performances, and a strong artistic vision. It's set in post WWII Los Angeles, and “toons” (basically cartoon characters) live and work alongside humans. Private eye Eddie Valiant hates toons since one of them killed his brother five years ago. However, he's hired by the head of a studio who's having trouble with one of his toon actors, Roger Rabbit. Roger's worried his wife Jessica is having an affair, and Valiant obtains pictures of Jessica playing patty cake (not a euphemism, they actually were playing patty cake) with another man. Roger has an emotional breakdown, and soon the other man winds up dead, and Roger insists he's innocent. Valiant and Roger find themselves sucked into a dangerous conspiracy overseen by a ruthless mastermind. This movie was such an interesting cultural artifact. It perfectly follows the structure of a ‘40s film noir movie, but with cartoons, and the dissonance between film noir and the cheerfulness of the toons was embraced and used as a frequently source of comedy. In fact, when the grim and dour Valiant uses the toons' comedy techniques as a tactical improvisation in a moment of mortal peril, it's both hilarious and awesome. Christopher Lloyd's performance as the villainous Judge Doom was amazing. (I don't think it's a spoiler to say that he's villainous, because his character is named Judge Doom and he's literally wearing a black hat.) Like, his performance perfectly captures something monstrous that is trying very hard to pretend to be human and not quite getting it right. And the amount of work it must have taken to make this movie staggers the mind. Nowadays, having live actors interact with cartoon characters is expensive, but not unduly so. It's a frequent technique. You see it all the time in commercials when a housewife is smiling at an animated roll of paper towels or something, and Marvel's essentially been doing it for years. But this was 1988! Computer animation was still a ways off. They had to shoot the movie on analog film, and then hand-draw all the animation and successfully match it to the live film. It wouldn't have worked without the performance of Bob Hoskins as Eddie Valiant, who plays everything perfectly straight in the same way Michael Caine did in A Muppet Christmas Carol. So kind of a strange movie, but definitely worth watching. And it has both Disney and Warner Brothers animated characters in the same movie, which is something we will never, ever see again. Overall grade: A Next up is K-Pop Demon Hunters, which came out in 2025. Like Who framed Roger Rabbit?, this is a very strange movie, but nonetheless with a clear and focused artistic vision. It is a cultural artifact that provides a fascinating look into a world of which I have no knowledge or interest, namely K-pop bands and their dueling fandoms. Anyway, the plot is that for millennia, female Korean musicians have used the magic of their voices to keep the demons locked away in a demon world. The current incarnation is a three-woman K-Pop group called Huntrix, and they are on the verge of sealing away the demons forever. Naturally, the Demon King doesn't like this, so one of his cleverer minions comes up with a plan. They'll start a Demon K-Pop Boy Band! Disguised as humans, the demon K-Pop group will win away Huntrix's fans, allowing them to breach the barrier and devour the world. However, one of the Huntrix musicians is half-demon, and she starts falling for the lead demon in the boy band, who is handsome and of course has a dark and troubled past. Essentially a musical K-drama follows. I have to admit I know practically nothing about K-Pop groups and their dueling fandoms, other than the fact that they exist. However, this was an interesting movie to watch. The animation was excellent, it did have a focused vision, and there were some funny bits. Overall grade: A Next up is Clarkson's Farm Season Four, which came out in 2025. A long time ago in the ‘90s, I watched the episode of Frasier where Frasier and Niles attempt to open a restaurant and it all goes horribly (yet hilariously) wrong. At the time, I had no money, but I promised myself that I would never invest in a restaurant. Nothing I have seen or learned in the subsequent thirty years has ever changed that decision. Season 4 of Clarkson's Farm is basically Jeremy Clarkson, like Frasier and Niles, attempting to open a restaurant, specifically a British pub. On paper it's a good idea, since Clarkson can provide the pub with food produced from his own farm and other local farmers. However, it's an enormous logistical nightmare, and Clarkson must deal with miles of red tape, contractors, and a ballooning budget, all while trying to keep his farm from going under. An excellent and entertaining documentary into the difficulties of both the farming life and food service. I still don't want to own a restaurant! Overall grade: A Next up is Tombstone, which came out in 1993. The Western genre of fiction is interesting because it's limited to such a very specific period of time and geographical region. Like the “Wild West” period that characterizes the Western genre really only lasted as a historical period from about 1865 to roughly 1890. The Western genre was at its most popular in movies from the 1940s and the 1960s, and I wonder if it declined because cultural and demographic changes made it unpopular to romanticize the Old West the way someone like Walt Disney did at Disneyland with “Frontierland.” Of course, the genre lives on in different forms in grittier Western movies, neo-Westerns like Yellowstone and Longmire, and a lot of the genre's conventions apply really well to science fiction. Everyone talks about Firefly being the first Space Western, but The Mandalorian was much more successful and was basically a Western in space (albeit with occasional visits from Space Wizards). Anyway! After that long-winded introduction, let's talk about Tombstone. When Val Kilmer died earlier this year, the news articles mentioned Tombstone as among his best work, so I decided to give it a watch. The plot centers around Wyatt Earp, played by Kurt Russell, who has decided to give up his career in law enforcement and move to Tombstone, Arizona, a silver mining boomtown, in hopes of making his fortune. However, Tombstone is mostly controlled by the Cowboys outlaw gang, and Earp is inevitably drawn into conflict with them. With the help of his brothers and Doc Holliday (Val Kilmer's character), Earp sets out to bring some law and order to Tombstone, whether the Cowboys like it or not. Holliday is in the process of dying from tuberculosis, which makes him a formidable fighter since he knows getting shot will be a less painful and protracted death than the one his illness will bring him. Kilmer plays him as a dissolute, scheming warrior-poet who nonetheless is a very loyal friend. Definitely a classic of the Western genre, and so worth watching. Overall grade: A Next up is Mission Impossible: The Final Reckoning, the eighth Mission Impossible movie. Of the eight movies, I think the sixth one was the best one, but this one comes in at a close second. It continues on from Dead Reckoning. Ethan Hunt now possesses the key that will unlock the source code of the Entity, the malicious AI (think ChatGPT, but even more obviously evil) that is actively maneuvering the world's nuclear powers into destroying each other so the Entity can rule the remnants of humanity. Unfortunately, the Entity's source code is sitting in a wrecked Russian nuclear sub at the bottom of the Bering Sea. Even more unfortunately, the Entity knows that Hunt has the key and is trying to stop him, even as the Entity's former minion and Hunt's bitter enemy Gabriel seeks to seize control of the Entity for himself. A sense of apocalyptic doom hangs over the movie, which works well to build tension. Once again, the world is doomed, unless Ethan Hunt and his allies can save the day. The tension works extremely well during the movie's underwater sequence, and the final airborne duel between Hunt and Gabriel. I don't know if they're going to make any more Mission Impossible movies after this (they are insanely expensive), but if this is the end, it is a satisfying conclusion for the character of Ethan Hunt and the Impossible Mission Force. Overall grade: A Next up is Deep Cover, which came out in 2025. This is described as a comedy thriller, and I didn't know what to expect when I watched it, but I really enjoyed it. Bryce Dallas Howard plays Kat, a struggling comedy improv teacher living in London. Her best students are Marlon (played by Orlando Bloom), a dedicated character actor who wants to portray gritty realism but keeps getting cast in tacky commercials, and Hugh (played by Nick Mohammed), an awkward IT worker with no social skills whatsoever. One day, the three of them are recruited by Detective Sergeant Billings (played by Sean Bean) of the Metropolitan Police. The Met wants to use improv comedians to do undercover work for minor busts with drug dealers. Since it plays 200 pounds a pop, the trio agrees. Of course, things rapidly spiral out of control, because Kat, Marlon, and Hugh are actually a lot better at improv than they think, and soon they find themselves negotiating with the chief criminals of the London underworld. What follows is a movie that is both very tense and very funny. Kat, Marlon, and Hugh are in way over their heads, and will have to do the best improv of their lives to escape a very grisly fate. Whether Sean Bean dies or not (as is tradition), you will just have to watch the movie and find out. Overall grade: A Next up is Puss in Boots: The Final Wish, which came out in 2022. I don't personally know much about the history of Disney as a corporation, and I don't much care, but I do have several relatives who are very interested in the history of the Disney corporation, and therefore I have picked up some by osmosis. Apparently Disney CEO Michael Eisner forcing out Jeffrey Katzenberg in the 1990s was a very serious mistake, because Katzenberg went on to co-found DreamWorks, which has been Disney's consistent rival for animation for the last thirty years. That's like “CIA Regime Change Blowback” levels of creating your own enemy. Anyway, historical ironies aside, Puss in Boots: The Final Wish was a funny and surprisingly thoughtful animated movie. Puss in Boots is a legendary outlaw and folk hero, but he has used up eight of his nine lives. An ominous bounty hunter who looks like a humanoid wolf begins pursuing him, and the Wolf is able to shrug off the best of Puss In Boots' attacks. Panicked, Puss hides in a retirement home for elderly cats, but then hears rumors of the magical Last Wish. Hoping to use it to get his lives back, Puss In Boots sets off on the quest. It was amusing how Little Jack Horner and Goldilocks and the Three Bears were rival criminal gangs seeking the Last Wish. Overall grade: A Next up is Chicken People, which came out in 2016. A good documentary film gives you a glimpse into an alien world that you would otherwise never visit. In this example, I have absolutely no interest in competitive chicken breeding and will only raise chickens in my backyard if society ever collapses to the level that it becomes necessary for survival. That said, this was a very interesting look into the work of competitive chicken breeding. Apparently, there is an official “American Standard of Perfection” for individual chicken breeds, and the winner of the yearly chicken competition gets the title “Super Grand Champion.” Not Grand Champion, Super Grand Champion! That looks impressive on a resume. It is interesting how chicken breeding is in some sense an elaborate Skinner Box – like you can deliberately set out to breed chickens with the desirable traits on the American Standard of Perfection, but until the chickens are hatched and grow up, you don't know how they're going to turn out, so you need to try again and again and again… Overall grade: A Next up is The Mask of Zoro, which came out in 1998. I saw this in the theatre when it came out 27 years ago, but that was 27 years ago, and I don't have much of a memory of it, save that I liked it. So when I had the chance to watch it again, I did! Anthony Hopkins plays Diego de la Vega, who has the secret identity of Zorro in the final days before Mexico breaks away from the Spanish Empire. With Mexico on the verge of getting its independence, Diego decides to hang up his sword and mask and focus on his beloved wife and daughter. Unfortunately, the military governor Don Montero realizes Diego is Zorro, so has him arrested, kills his wife, and steals his baby daughter to raise as his own. Twenty years later, a bandit named Alejandro loses his brother and best friends to a brutal cavalry commander. It turns out that Montero is returning to California from Spain, and plans to seize control of California as an independent republic (which, of course, will be ruled by him). In the chaos, Diego escapes from prison and encounters a drunken Alejandro, and stops him from a futile attack upon the cavalry commander. He then proposes a pact – Diego will train Alejandro as the next Zorro, and together they can take vengeance upon the men who wronged them. This was a good movie. It was good to see that my taste in movies 27 years ago wasn't terrible. It manages to cram an entire epic plot into only 2 hours and 20 minutes. In some ways it was like a throwback to a ‘40s movie but with modern (for the ‘90s) production values, and some very good swordfights. Overall grade: A Next up is Wick is Pain, which came out in 2025. I've seen all four John Wick movies and enjoyed them thoroughly, though I've never gotten around to any of the spinoffs. Wick is Pain is a documentary about how John Wick went from a doomed indie movie with a $6.5 million hole in its budget to one of the most popular action series of the last few decades. Apparently Keanu Reeves made an offhand joke about how “Wick is pain” and that became the mantra of the cast and crew, because making an action movie that intense really was a painful experience. Definitely worth watching if you enjoyed the John Wick movies or moviemaking in general. Overall grade: A The last movie I saw this summer was Game Night, which came out in 2016. It was a hilarious, if occasionally dark comedy action thriller. Jason Bateman and Rachel McAdams play Max and Annie Davis, a married couple who are very competitive and enjoy playing games of all kinds. Jason has an unresolved conflict with his brother Brooks, and one night Brooks invites them over for game night, which Max resents. Halfway through the evening, Brooks is kidnapped, with Max and Annie assume is part of the game. However, Brooks really is involved in something shady. Hilarity ensues, and it's up to Max and Annie to rescue Brooks and stay alive in the process. This was really funny, though a bit dark in places. That said, Max and Annie have a loving and supportive marriage, so it was nice to see something like that portrayed on the screen. Though this also leads to some hilarity, like when Annie accidentally shoots Max in the arm. No spoilers, but the punchline to that particular sequence was one of the funniest things I've ever seen. Overall grade: A So no A+ movie this time around, but I still saw a bunch of solid movies I enjoyed. One final note, I have to admit, I've really come to respect Adam Sandler as an entertainer, even if his movies and comedy are not always to my taste. He makes what he wants, makes a lot of money, ensures that his friends get paid, and then occasionally takes on a serious role in someone else's movie when he wants to flex some acting muscles. I am not surprised that nearly everyone who's in the original Happy Gilmore who was still alive wanted to come back for Happy Gilmore 2. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show enjoyable and perhaps a guide to some good movies to watch. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.  

Dark Renaissance by Stephen Greenblatt is a riveting look into the mysterious life of the brilliant and oft-misunderstood writer, Christopher Marlowe. Stephen joins us to talk about writing for the stage, literacy in the 1500s, the freedom of the theater, living in a time of extremes and more with cohost Jenna Seery. This episode of Poured Over was hosted by Jenna Seery and mixed by Harry Liang.                     New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): Dark Renaissance by Stephen Greenblatt Tamburlaine by Christopher Marlowe Dr. Faustus by Christopher Marlowe The Jew of Malta by Christopher Marlowe Edward II by Christopher Marlowe Will in the World by Stephen Greenblatt

Michael and Ethan, along with special guests Maren Boucher and Benji Inniger, discuss The Tragical History of the Life and Death of Doctor Faustus, by Christopher Marlowe. Michael and Ethan are drinking Balvenie Doublewood 12yo single malt; Benji is drinking Oban Little Bay; Maren is drinking Lagavulin 11. What a mess.In this episode:Bethany Lutheran College Production of Doctor Faustus! (Director and assistant director = our guests!)FaustbuchFaustus: The Horror FilmPhilip Melancthon might have studied with Faust, an anecdote that's fun for maybe just the four people on this podcastFaustus: The Real Guy, or, why does he matter?Disappearing side characters (and disappearing main character???)Hell is a pyramid scheme, or, Faustus as lululemon rep, or, Cornelius and Valdez are DeadDid the devil appear on-stage, or is it Puritan propaganda?Doctor FauthtuthSympathy vs pityOrigins of the Shakespeare race, irrelevant to the episode but we're keeping itCheck out Benji's music and photography!Check out Benji's OST to Bethany's production of The Spiritual Tragedy of Doctor Faustus!Next time Michael and Ethan will discuss Goethe's Faust, Parts 1 and 2! Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Join us on GoodReads!Get on our Substack!Donate to our Patreon! MUSIC & SFX: “Fools that Will Laugh on Earth,” by Benji Inniger, from the Original Soundtrack to The Spiritual Tragedy of Doctor Faustus"Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.(Links to books & products are affiliate links.)

Check out Cam's latest novel / audio drama here! Of all the horror franchises, Hell House LLC might have the boldest and most terrifying sequels. In this episode, we're discussing them all, while tracking the unique ways in which they complicate and deepen the franchise's ten-year Faustus meditation. LINKS: Patreon, YouTube, Spotify, Instagram Feedback & Theories: secondbreakfastpod@gmail.com

Michael and Ethan, along with special guests Maren Boucher and Benji Inniger discuss The Tragical History of the Life and Death of Doctor Faustus, by Christopher Marlowe. Michael and Ethan are drinking Balvenie Doublewood 12yo single malt; Benji is drinking Oban Little Bay; Maren is drinking Lagavulin 11. What a mess.In this episode:Bethany Lutheran College Production of Doctor Faustus!Good Kronk vs Bad Kronk“I think I lost the thread”: the motto of this podcastFaust as addicted to powerDid Shakespeare invent the human… or did Christopher Marlowe???Douglas Adams quoted!ShenanigansFaustus as all 7 deadly sins at onceFaustus declines, in more ways than oneMephistopheles believes in God, but Faustus doesn't believe in MephistophelesNext time Michael and Ethan and Maren and Benji will continue discussing Doctor Faustus by Christopher Marlowe! Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Join us on GoodReads!Get on our Substack!Donate to our Patreon! MUSIC & SFX: "Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.(Links to books & products are affiliate links.)

The History of the Damnable Life and Deserved Death of Doctor John Faustus, is the book that is the source for Christopher Marlowe's play. Chapter by chapter we will wander through the twists and turns of this story. Chapter Twenty: How Doctor Faustus desired to see hell, and of the manner how he was used therein   Our patrons also get an exploring session looking in detail at the text - join our chat here. Thunder sfx thanks to zapsplat.com Our patrons received this episode in June 2024 - approx. 14 months early. They have also received the next 14 chapters and exploring sessions! The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.

Stefan Collini, FBA. Professor Emeritus of Intellectual History and English Literature, University of Cambridge.The Donald Winch Lectures in Intellectual History.University of St Andrews. 11th, 12th & 13th October 2022.In the course of the nineteenth and twentieth centuries, universities expanded to include a wide range of what came to be regarded as academic ‘disciplines'. In Britain, the study of ‘English literature' was eventually to become one of the biggest and most popular of these subjects, yet it was in some ways an awkward fit: not obviously susceptible to the ‘scientific' treatment considered the hallmark of a scholarly discipline, it aroused a kind of existential commitment in many of those who taught and studied it. These lectures explore some of the ways in which these tensions worked themselves out in the last two hundred years, drawing on a wide range of sources to understand the aspirations invested in the subject, the resistance that it constantly encountered, and the distinctive forms of enquiry that came to define it. In so doing, they raise larger questions about the changing character of universities, the peculiar cultural standing of ‘literature', and the conflicting social expectations that societies have entertained towards higher education and specialized scholarship.Handout - Lecture 3: Syllabuses1. ‘“English”, including Anglo-Saxon and Middle English along with modern English, including what we ordinarily call the “dull” periods as well as the “great” ones, is an object more or less presented to us by nature.'2. ‘In the 1880s, an exciting duel between two great publishing houses brought the price of the rival National and World Libraries (Cassell's and Routledge's, respectively) down to 3d in paper and 6d in cloth. And not only were prices cut: the selection of titles was greatly enlarged, the old standbys - Milton, Pope, Cowper, Thomson, Burns, Goldsmith, and the rest - being joined by many other authors who had seldom or ever appeared in cheap editions.'3. ‘Sir John Denham (1615-1668) is familiar from the oft-quoted couplet in his poem of Cooper's Hill, the measured and stately versification of which has been highly praised. He died an old man in the reign of Charles II, with a mind clouded by the sudden loss of his young wife, whom he had married late in life. John Cleveland (1613-1659), author of the Rebel Scot and certain vigorous attacks on the Protector, was the earliest poetical champion of royalty. Butler is said to have adopted the style of his satires in Hudibras. Colonel Richard Lovelace (1618-1658) ....'4. ‘Poetry: More advanced poems from Chaucer (e.g. The Prologue), Shakespeare, Spenser, Milton, Pope, Wordsworth, Tennyson, or from selections such as The Golden Treasury; Shakespeare, (Histories, Comedies or easier Tragedies). Prose: Plutarch's Lives, Kinglake, Eothen, Borrow, Lavengro, Ruskin, Sesame and Lilies, Frowde [sic; ?Froude], selected short studies, Modern prose Comedies (e.g. Goldsmith and Sheridan), Selections from British Essayists (e.g. Addison, Lamb, Goldsmith), Macaulay, Essays or selected chapters from The History.'5. ‘In the 1930s favourite Higher Certificate set books and authors among the various Boards include: The Faerie Queene, Marlowe's Faustus, Bacon's essays, Sidney's Apologie for Poetrie, Hakluyt, The New Atlantis, Shakespeare, Chaucer, Milton, Lamb, Carlyle, Pope, Dryden, Scott and the Romantic poets. These texts and authors changed hardly at all between 1930 and 1950 (and represent a very similar situation to that of 1900-1910).'6. ‘An Honours Degree in English Language and Literature at present entails, in every University in England, some knowledge both of Latin or Greek at the outset, and of Old English later.' This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit standrewsiih.substack.com

Time now to hear about one of the many audio described performances taking place at this year's Edinburgh International Festival. Hywel Davies has been hearing about the dark puppetry of ‘Faustus in Africa'. For more information and tickets, visit the EIF website - Faustus in Africa! | Edinburgh International Festival Learn more about the access pass here - Access Pass | Edinburgh International Festival Image shows the RNIB Connect Radio logo. On a white background ‘RNIB' written in bold black capital letters and underline with a bold pink line. Underneath the line: ‘Connect Radio' is written in black in a smaller font. 

Check out Cam's latest novel / audio drama here! We're celebrating Ozzy Osbourne by doing a close reading of the very first Black Sabbath song — which just so happens to be one of the best “Doctor Faustus” adaptations of the past 400 years. In six minutes and only three verses, Ozzy stages all of the play's essential events and even manages to capture some of Marlowe's most daring and subversive subtext. The song also happens to feature the most potent rendition of Hell in any artistic medium, and the best adaptation ever done of Marlowe's layered, knife-twisting epilogue. LINKS: Patreon, YouTube, Spotify, Instagram Feedback & Theories: secondbreakfastpod@gmail.com

One of our follow on projects from the readings of The Damnable Life and Deserved Death of Doctor John Faustus has been to try and figure out how the process of adaptation from the book to the play might have happened. Coinciding with the Marlowe Society of America's conference in 2024, we pulled together a short play looking at the writing of the opening of the play. The resulting play Faustus to Faustus - Part One: Enter a Devil by Robert Crighton, was performed at the Royal Albert Pub in Deptford on Wednesday 10th July 2024 and was recorded for the podcast for future release. And this is that release! It's not a perfect recording, as there was a lot background noise and we were pressed for time because of an imminent football match. But the audience were great and it's wonderful to archive their response. NB: The play does involve some swearing. Faustus to Faustus: A Treatise on the Procession of Text from Book to Stage, made Dialogue Wise, concerning the translated text from the German, and the play by Christopher Marlowe, compiled by Robert Crighton. With Roel Fox as Christopher Marlowe, Robert Crighton as Thomas Nashe, and Liza Graham as introduction and ballad singer. The performance was reviewed here. Part two of this ongoing series will premier on the final performance day of our Wyrd Revels, following our performance of the B-Text of Doctor Faustus by... well, you've got the idea by now. Our patrons received a rough mix of this episode in November 2024 - over eight months in advance. The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton. 

The History of the Damnable Life and Deserved Death of Doctor John Faustus, is the book that is the source for Christopher Marlowe's play. Chapter by chapter we will wander through the twists and turns of this story. Chapter Nineteen: How Doctor Faustus fell into despair with himself, for having put forth a question unto his spirit, they fell at variance, whereupon the rout of Devils appeared unto him, threatening him sharply.   Our patrons also get an exploring session looking in detail at the text - join our chat here. Thunder sfx thanks to zapsplat.com Our patrons received this episode in May 2024 - approx. 14 months early. The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.

Check out Cam's latest novel / audio drama here! Beneath the roar of the engines, F1 is hiding an intense study of human nature — a pointedly Faustian story of obsession that feels equally cautionary and aspirational. The film asks a simple question about Marlowe's classic story: how does the infamous ‘bargain' change Faustus? What does it enable and break within him? Come for the vroom vroom, stay for the rigorous examination of Elizabethan theater! LINKS: Patreon, YouTube, Spotify, Instagram Feedback & Theories: secondbreakfastpod@gmail.com

Imagine if you could be the greatest in the world at anything, but, it would come at a cost: you'd have to sell your soul to the devil. That's the story of the show “¡Que Diablos! Fausto,” a bilingual adaptation of Christopher Marlowe's play, “Doctor Faustus.” The show is part of the 10th anniversary production for Teatro en El Verano, a collaboration between Rhode Island Latino Arts and Trinity Repertory Company. The Public's Radio Morning Host Luis Hernandez talked with Jesús Valles, the playwright who created the adaptation, and Marta Martinez, community program administrator, activist and historian at Rhode Island Latino Arts.

Episode 173:For this guest episode it is a very welcome return for Eleanor Conlon, who you will remember discussed Titus Andronicus with me in Episode 22 of this season. Having picked over the brutal actions of that play with Eleanor I was pleased to hear that she was interested in a return visit and to discuss the very different piece that is Love's Labour's Lost. As you will her Eleanor has a great love of this play and brings all the enthusiasm about it to our conversation that you as might expect. If you have not already done so I would recommend listening to my previous episode on Love's Labour's Lost before starting on this one, which adds a lot to what I said in that episode.Eleanor Conlon is an actor, director, and award-winning writer based in Sussex.After completing her BA in English Literature at Goldsmiths, University of London, Eleanor earned her MA in Shakespeare and Early Modern Drama at Kings College and Shakespeare's Globe. While at The Globe, Eleanor worked dramaturgically on productions by Dominic Dromgoole, Matthew Dunster, and Jeremy Herrin, and with Jenny Tiramani on the Original Practices Costume Archive.As an academic, her research focused on Renaissance Magic, Gender and Culture in Early Modern London, though for more than a decade her career has been less theoretical and more practical. After achieving success with her theatre company ‘The Barefoot Players' in the late 2000s and early 2010s, with which she produced plays including ‘Tis Pity She's a Whore', ‘Doctor Faustus' and ‘The Alchemist', the latter two of which she also directed, as well as productions of several of Shakespeare's works, plays by Ibsen, Oscar Wilde, and others. She founded her current theatre company ‘Rust & Stardust' where working with her puppet-maker partner Katie Sommers Eleanor has written over a dozen plays rooted in English folklore and toured these shows all over the UK.In addition to all this, and as you are about to hear, in 2023 she launched the Three Ravens Podcast with her partner Martin Vaux – also a writer and actor – which explores history, legends, and diverse aspects of folk culture.Link to Three Ravens Podcast website: www.threeravenspodcast.comFor the Three Ravens Folktales Book:Link to Amazon UK: https://www.amazon.co.uk/Three-Ravens-Folk-Tales-half-forgotten/dp/1803999683Link To Amazon US: https://www.amazon.com/Three-Ravens-Folk-Tales-half-forgotten-ebook/dp/B0CW1GB63M/ref=sr_1_1Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Send us a textScott, TJ, and Grant fly a shortened route today as Jensen and JB are engaged elsewhere.We interview Stewart Rolfe, AKA Black Hat Scale Models and what an engaging conversation. Stewart talks to his motivations, his emphasis on traditional scratch building, and our mutual support for the Annual Model Officers' Mess 48 in 48 Event benefitting Model For Heroes.We also catch up with our Favorite Uncle, tearing him away from his latest project at the bench, and talk about his new Facade kit produced in conjunction with Faustus for RT Diorama. Martin gets into a lot of detail regarding the design and manufacturing of this new product, and hints that this might not be the only kit to be released...? We also discuss what Inspires us to initiate a project, to dive into something and pick that dusty model out of the stash and get going on it, and TJ leads us into a pep talk / discussion on overcoming fear and sharing our work with our peers, even at the best model shows in the world, and why this is a great idea! If you would like to become a Posse Outrider, and make a recurring monthly donation of $ 1 and up, visit us at www.patreon.com/plasticpossepodcast .Plastic Posse Podcast on Facebook: https://www.facebook.com/PlasticPossePlastic Posse Group on Facebook: https://www.facebook.com/groups/302255047706269Plastic Posse Podcast MERCH! : https://plastic-posse-podcast.creator-spring.com/Plastic Posse Podcast on YouTube:https://www.youtube.com/channel/UCP7O9C8b-rQx8JvxFKfG-KwOrion Paintworks (TJ): https://www.facebook.com/orionpaintworksJB-Closet Modeler (JB): https://www.facebook.com/closetmodelerThree Tens' Modelworks (Jensen): https://www.facebook.com/ThreeTensModelWorksRT Diorama: https://rt-diorama.de/Black Hat Scale Models YouTube: https://www.youtube.com/@BlackHatScaleModelsSPONSORS:Tankraft: https://tankraft.com/AK Interactive: https://ak-interactive.com/Tamiya USA: https://www.tamiyausa.com/Support the showSupport the show

durée : 00:59:42 - Le Souffle de la pensée - par : Géraldine Mosna-Savoye - Le neurologue Lionel Naccache évoque une oeuvre peu connue de Thomas Mann qui reprend l'un des mythes les plus féconds pour notre époque et nos désirs de toute-puissance : le mythe de Faust, revu sous les traits du "Docteur Faustus". A quels dangers nous expose la quête de la connaissance absolue ? - réalisation : Nicolas Berger - invités : Lionel Naccache Neurologue à l'hôpital de la Pitié-Salpêtrière, chercheur en neurosciences à l'Institut du Cerveau et professeur à Sorbonne Université

Patreon backer Richard brings you this special episode all about a man who sold his soul to the devil for magical power -- and the people who would do the same.  If you're enjoying the show, why not consider supporting it on Patreon? You'll get access to lots of new bonus content, including my other podcast, Patron Deities! Thanks to Ray Otus for our thumbnail image. The intro music is a clip from "Solve the Damn Mystery" by Jesse Spillane, used under a Creative Commons Attribution License.

The History of the Damnable Life and Deserved Death of Doctor John Faustus, is the book that is the source for Christopher Marlowe's play. Chapter by chapter we will wander through the twists and turns of this story. Chapter Eighteen: A question put forth by Doctor Faustus to his Spirit, concerning Astronomy.   Our patrons also get an exploring session looking in detail at the text - join our chat here. Thunder sfx thanks to zapsplat.com Our patrons received this episode in April 2024 - approx. 13 months early. The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.

Check out Cam's latest novel / audio drama here! Revenge of the Sith is not just the most climactic and sweeping and melodramatic Star Wars film, it's also perhaps the most tragic entry — and that's where we come in. We analyze the film by tracing it's roots through three giants in the field, starting with Lord of the Rings and an avalanche of Gollum / Anakin parallels, moving on to Macbeth and the realization that the Jedi masters are the three witches, and finishing with a Doctor Faustus framing that almost redeems Anakin as a lone Faustus in an endless sea of Mephistopheles. LINKS: Patreon, YouTube, Spotify, Instagram Feedback & Theories: secondbreakfastpod@gmail.com

These martyrs gave glorious witness to Christ during the persecutions of Diocletian. St Januarius, Bishop of Benevento in Italy, was arrested and cast into a burning furnace, but he stood in the midst of the flames, singing praises to God, and emerged unharmed. After other cruel tortures, he was bound and cast in prison in Pozzuoli, along with his deacon Faustus and his reader Desiderius. With them in prison were two deacons from Pozzuoli, Proclus and Sossus, and two laymen, Eutychius and Acutius. All seven were cast to wild beasts; but when the animals came near the Saints, they fell affectionately at their feet and refused to harm them. Finally, all seven Christians were beheaded. Some Christians from Naples secretly took the body of Januarius and buried it in their church. Countless wonders have been worked at his grave, including the restoration of a dead man to life.

This week Nini & Zoy discuss having PTSD, reverse seasonal depression, and being loyal for life.Submit your questions and confessions to madgirlsconfess@gmail.com. Follow us on social media: @ZOYAVELI and @Niara_123.


Grant, JB, and I celebrate Johns' birthday by talking about the recent Commiesfest 2025 get together with friends from all over the US and even Canada! JB and Jensen, along with guest host Jackson Stanton also interview Faustus about his 3D printing design work and also his work with RT Dioramics.If you would like to become a Posse Outrider, and make a recurring monthly donation of $ 1 and up, visit us at www.patreon.com/plasticpossepodcast .Plastic Posse Podcast on Facebook: https://www.facebook.com/PlasticPossePlastic Posse Group on Facebook: https://www.facebook.com/groups/302255047706269Plastic Posse Podcast MERCH! : https://plastic-posse-podcast.creator-spring.com/Plastic Posse Podcast on YouTube:https://www.youtube.com/channel/UCP7O9C8b-rQx8JvxFKfG-KwOrion Paintworks (TJ): https://www.facebook.com/orionpaintworksJB-Closet Modeler (JB): https://www.facebook.com/closetmodelerThree Tens' Modelworks (Jensen): https://www.facebook.com/ThreeTensModelWorksSPONSORS:Tankraft: https://tankraft.com/AK Interactive: https://ak-interactive.com/Tamiya USA: https://www.tamiyausa.com/Support the showSupport the show

Professor Suzannah Lipscomb steps into the electrifying world of Elizabethan theatre to unravel the dark allure of Christopher Marlowe's Dr. Faustus, a work that would forever change English drama. Together with Professor Emma Smith, she decodes the Renaissance masterpiece that dared to humanize the devil and challenge religious orthodoxy. How did Dr. Faustus become a cultural phenomenon that still echoes through history via Mary Shelley, John Grisham and James Bond?Presented by Professor Suzannah Lipscomb. The researcher is Alice Smith, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://uk.surveymonkey.com/r/6FFT7MK

On Thursday, we featured a conversation with Red Scare author Clay Risen about Joe McCarthy, Donald Trump and the Paranoid Style of American History. Today our subject is one of the best known victims of McCarthyism - the German writer Thomas Mann. In His Liberties essay “Mannhood: The Coming Revival of Democracy,” Morten Hoi Jensen writes about how Mann, as an exile from Nazi Germany, toured the United States in the spring of 1938 lecturing in support of New Deal democracy. Thomas Mann's brave defense of American democracy might now appear as a model for dissenting intellectuals in Trump's America. Especially since Mann himself became a victim of the anti communist witch hunt after the War. Here are the five KEEN ON takeways in our conversation with Morten Hoi Jensen about Thomas Mann:* Thomas Mann was initially a conservative artist who became an advocate for democracy as he witnessed the rise of fascism in Germany. His political views evolved significantly from his earlier "apolitical" stance to becoming an outspoken critic of Nazism.* Mann's 1938 book and lecture tour "The Coming Victory of Democracy" warned Americans that democracy was vulnerable even in the United States. He saw parallels between pre-Nazi Germany and aspects of American society, which later contributed to his decision to leave the US during the McCarthy era.* Mann became a victim of McCarthyism in the 1950s. He was labeled as a "premature anti-fascist" by American reactionaries despite his prominence as a Nobel Prize-winning author who had been welcomed to America and had even visited the White House during the Roosevelt administration.* Throughout his life and work, Mann engaged in intense self-criticism and introspection about Germany's descent into fascism. Unlike many other political commentators, he looked inward and questioned his own early nationalistic writings, wondering if he had inadvertently contributed to Nazi ideology.* Mann's approach to politics was always that of an artist rather than a political analyst. His views were complex and often contradictory, yet his willingness to engage with difficult political questions through both his fiction (particularly in "Doctor Faustus") and his public speaking made him an important moral voice during a tumultuous period in history.Morten Hoi Jensen is the author of A Difficult Death: The Life and Work of Jens Peter Jacobsen, which was published by Yale University Press in 2017 with a foreword by James Wood. His writing has appeared in The Washington Post, The New York Review of Books, Liberties: A Journal of Culture and Politics, The Literary Review, The Los Angeles Review of Books, The Point, The New Republic, The Wall Street Journal, and Commonweal, among other publications. He is represented by Max Moorhead at Massie & McQuilkin.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting the daily KEEN ON show, he is the host of the long-running How To Fix Democracy interview series. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

With NAPLES 1925: Adorno, Benjamin, and the Summer That Made Critical Theory (Yale University Press, tr. Shelley Frisch), Martin Mittelmeier traces the roots of the Frankfurt School in southern Italy. We talk about the epiphany on the lip of a volcano in Lanzerote that brought this book to life, the years he spent poring over Theodor Adorno's writing (and the temptation to mimic Adorno's style), how Walter Benjamin's principle of porosity arose from both the tuff stone & the way of living of Naples, and the challenge of evoking the Naples of a century ago and how it led to a theory of society. We get into Critical Theory's attempts at understanding populism and oligarchic takeovers and why Adorno is having A Moment in Germany, the fun of speculating about meetings among great thinkers — yeah, I get into George Orwell, Henry Miller, and Inside the Whale —, the utopian aspect of local life in Naples and Capri, the complexities of reputation and destiny, and whether Critical Theory can hold up during the hyper-internet era. We also discuss the difficulties of translation with critical theory's associative language, why I need to read Hernán Diaz' Trust, his new work about Thomas Mann working with Adorno on Doctor Faustus in Pacific Palisades (a.k.a. Weimar Under The Palm Trees), how he's changed in the decade-plus since writing the book, and more. • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

How did early modern England understand race and how has that influenced our thinking? Race is often considered a recent construct, but Shakespeare's works—both his plays and poetry—reveal a diverse world already aware of race, identity, and difference. In this episode, Patricia Akhimie, editor of The Oxford Handbook of Shakespeare and Race, discusses the growing field of study and what we can learn from it. She is joined by two of the scholars contributing essays to the guide, Dennis Britton and Kirsten Mendoza, who are exploring the ways race, gender, and power intersect in Shakespeare's long narrative poems. Britton examines Venus and Adonis, investigating how Shakespeare's portrayal of beauty, fairness, and desire upends traditional thinking about sexuality and race. Mendoza focuses on human rights in The Rape of Lucrece, revealing how Shakespeare's use of color symbolism exposes early modern ideas about race, gender, and bodily autonomy. Both scholars illuminate how Shakespeare's works have encoded ideas about race, which continue to resonate today. The Oxford Handbook of Shakespeare and Race is an essential resource for scholars, teachers, students, and readers interested in this important area of Shakespeare research. Patricia Akhimie is Director of the Folger Institute at the Folger Shakespeare Library, Director of the RaceB4Race Mentorship Network, and Associate Professor of English at Rutgers University-Newark. She is editor of the Arden Othello (4th series), author of Shakespeare and the Cultivation of Difference: Race and Conduct in the Early Modern World and, with Bernadette Andrea, co-editor of Travel and Travail: Early Modern Women, English Drama, and the Wider World. Dennis Austin Britton is an Associate Professor of English at the University of British Columbia. His research interests include early modern English literature, Protestant theology, premodern critical race studies, and the history of emotion. He is the author of Becoming Christian: Race, Reformation, and Early Modern English Romance (2014), coeditor with Melissa Walter of Rethinking Shakespeare Source Study: Audiences, Authors, and Digital Technologies (2018), and co-editor with Kimberly Anne Coles of ‘Spenser and Race', a special issue of Spenser Studies (2021). He is currently working on a new edition of Othello for Cambridge University Press and a monograph, ‘Shakespeare and Pity: A Literary History of Race and Feeling.' Kirsten N. Mendoza is an Associate Professor of English and Human Rights at the University of Dayton. Her first book project, ‘A Politics of Touch: The Racialization of Consent in Early Modern English Literature', examines the conceptual ties that link shifting sixteenth- and seventeenth-century discourses on self-possession and sexual consent with England's colonial endeavors, involvement in the slave trade, and global mercantile pursuits. Her work has appeared or is forthcoming in Renaissance Drama, Shakespeare Bulletin, The Norton Critical Edition of Doctor Faustus, Race and Affect in Early Modern English Literature, and Teaching Social Justice Through Shakespeare: Why Renaissance Literature Matters Now. From the Shakespeare Unlimited podcast. Published February 10, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc.