Podcasts about Faustus

These martyrs gave glorious witness to Christ during the persecutions of Diocletian. St Januarius, Bishop of Benevento in Italy, was arrested and cast into a burning furnace, but he stood in the midst of the flames, singing praises to God, and emerged unharmed. After other cruel tortures, he was bound and cast in prison in Pozzuoli, along with his deacon Faustus and his reader Desiderius. With them in prison were two deacons from Pozzuoli, Proclus and Sossus, and two laymen, Eutychius and Acutius. All seven were cast to wild beasts; but when the animals came near the Saints, they fell affectionately at their feet and refused to harm them. Finally, all seven Christians were beheaded. Some Christians from Naples secretly took the body of Januarius and buried it in their church. Countless wonders have been worked at his grave, including the restoration of a dead man to life.

Grant, JB, and I celebrate Johns' birthday by talking about the recent Commiesfest 2025 get together with friends from all over the US and even Canada! JB and Jensen, along with guest host Jackson Stanton also interview Faustus about his 3D printing design work and also his work with RT Dioramics.If you would like to become a Posse Outrider, and make a recurring monthly donation of $ 1 and up, visit us at www.patreon.com/plasticpossepodcast .Plastic Posse Podcast on Facebook: https://www.facebook.com/PlasticPossePlastic Posse Group on Facebook: https://www.facebook.com/groups/302255047706269Plastic Posse Podcast MERCH! : https://plastic-posse-podcast.creator-spring.com/Plastic Posse Podcast on YouTube:https://www.youtube.com/channel/UCP7O9C8b-rQx8JvxFKfG-KwOrion Paintworks (TJ): https://www.facebook.com/orionpaintworksJB-Closet Modeler (JB): https://www.facebook.com/closetmodelerThree Tens' Modelworks (Jensen): https://www.facebook.com/ThreeTensModelWorksSPONSORS:Tankraft: https://tankraft.com/AK Interactive: https://ak-interactive.com/Tamiya USA: https://www.tamiyausa.com/Support the showSupport the show

The History of the Damnable Life and Deserved Death of Doctor John Faustus, is the book that is the source for Christopher Marlowe's play. Chapter by chapter we will wander through the twists and turns of this story. This month, we begin part 2 of the narrative... Performed by Robert Crighton Chapter Seventeen: Here followeth the second part of Doctor Faustus his life, and practises until his end.   Our patrons also get an exploring session looking in detail at the text - join our chat here. Thunder sfx thanks to zapsplat.com Our patrons received this episode in March 2024 - approx. 13 months early. The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.

In West Britain, King Loarn of the Silures tribe leads a rebellion against their weakened Roman occupiers. Caught in the middle is Faustus, a Roman soldier with maternal ties to the Silures, trappe... Uitgegeven door SAGA Egmont Spreker: Sam Stafford

Professor Suzannah Lipscomb steps into the electrifying world of Elizabethan theatre to unravel the dark allure of Christopher Marlowe's Dr. Faustus, a work that would forever change English drama. Together with Professor Emma Smith, she decodes the Renaissance masterpiece that dared to humanize the devil and challenge religious orthodoxy. How did Dr. Faustus become a cultural phenomenon that still echoes through history via Mary Shelley, John Grisham and James Bond?Presented by Professor Suzannah Lipscomb. The researcher is Alice Smith, audio editor is Amy Haddow and the producer is Rob Weinberg. The senior producer is Anne-Marie Luff.All music courtesy of Epidemic Sounds.Not Just the Tudors is a History Hit podcast.Sign up to History Hit for hundreds of hours of original documentaries, with a new release every week and ad-free podcasts. Sign up at https://www.historyhit.com/subscribe. You can take part in our listener survey here: https://uk.surveymonkey.com/r/6FFT7MK

On Thursday, we featured a conversation with Red Scare author Clay Risen about Joe McCarthy, Donald Trump and the Paranoid Style of American History. Today our subject is one of the best known victims of McCarthyism - the German writer Thomas Mann. In His Liberties essay “Mannhood: The Coming Revival of Democracy,” Morten Hoi Jensen writes about how Mann, as an exile from Nazi Germany, toured the United States in the spring of 1938 lecturing in support of New Deal democracy. Thomas Mann's brave defense of American democracy might now appear as a model for dissenting intellectuals in Trump's America. Especially since Mann himself became a victim of the anti communist witch hunt after the War. Here are the five KEEN ON takeways in our conversation with Morten Hoi Jensen about Thomas Mann:* Thomas Mann was initially a conservative artist who became an advocate for democracy as he witnessed the rise of fascism in Germany. His political views evolved significantly from his earlier "apolitical" stance to becoming an outspoken critic of Nazism.* Mann's 1938 book and lecture tour "The Coming Victory of Democracy" warned Americans that democracy was vulnerable even in the United States. He saw parallels between pre-Nazi Germany and aspects of American society, which later contributed to his decision to leave the US during the McCarthy era.* Mann became a victim of McCarthyism in the 1950s. He was labeled as a "premature anti-fascist" by American reactionaries despite his prominence as a Nobel Prize-winning author who had been welcomed to America and had even visited the White House during the Roosevelt administration.* Throughout his life and work, Mann engaged in intense self-criticism and introspection about Germany's descent into fascism. Unlike many other political commentators, he looked inward and questioned his own early nationalistic writings, wondering if he had inadvertently contributed to Nazi ideology.* Mann's approach to politics was always that of an artist rather than a political analyst. His views were complex and often contradictory, yet his willingness to engage with difficult political questions through both his fiction (particularly in "Doctor Faustus") and his public speaking made him an important moral voice during a tumultuous period in history.Morten Hoi Jensen is the author of A Difficult Death: The Life and Work of Jens Peter Jacobsen, which was published by Yale University Press in 2017 with a foreword by James Wood. His writing has appeared in The Washington Post, The New York Review of Books, Liberties: A Journal of Culture and Politics, The Literary Review, The Los Angeles Review of Books, The Point, The New Republic, The Wall Street Journal, and Commonweal, among other publications. He is represented by Max Moorhead at Massie & McQuilkin.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting the daily KEEN ON show, he is the host of the long-running How To Fix Democracy interview series. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On America is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

The History of the Damnable Life and Deserved Death of Doctor John Faustus, is the book that is the source for Christopher Marlowe's play. Chapter by chapter we will wander through the twists and turns of this story. Performed by Robert Crighton Chapter Sixteen: Another question put forth by Doctor Faustus to his Spirit Mephostophiles of his own estate.   Our patrons also get an exploring session looking in detail at the text - join our chat here. Thunder sfx thanks to zapsplat.com Our patrons received this episode in Februay 2024 - approx. 13 months early. The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

Magus: The Art of Magic from Faustus to Agrippa (Harvard UP, 2023) is a revelatory new account of the magus―the learned magician―and his place in the intellectual, social, and cultural world of Renaissance Europe. In literary legend, Faustus is the quintessential occult personality of early modern Europe. The historical Faustus, however, was something quite different: a magus―a learned magician fully embedded in the scholarly currents and public life of the Renaissance. And he was hardly the only one. Anthony Grafton argues that the magus in sixteenth-century Europe was a distinctive intellectual type, both different from and indebted to medieval counterparts as well as contemporaries like the engineer, the artist, the Christian humanist, and the religious reformer. Alongside these better-known figures, the magus had a transformative impact on his social world. Magus details the arts and experiences of learned magicians including Marsilio Ficino, Pico della Mirandola, Johannes Trithemius, and Heinrich Cornelius Agrippa. Grafton explores their methods, the knowledge they produced, the services they provided, and the overlapping political and social milieus to which they aspired―often, the circles of kings and princes. During the late fifteenth and early sixteenth centuries, these erudite men anchored debates about licit and illicit magic, the divine and the diabolical, and the nature of “good” and “bad” magicians. Over time, they turned magic into a complex art, which drew on contemporary engineering as well as classical astrology, probed the limits of what was acceptable in a changing society, and promised new ways to explore the self and exploit the cosmos. Resituating the magus in the social, cultural, and intellectual order of Renaissance Europe, Grafton sheds new light on both the recesses of the learned magician's mind and the many worlds he inhabited. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/van-leer-institute

With NAPLES 1925: Adorno, Benjamin, and the Summer That Made Critical Theory (Yale University Press, tr. Shelley Frisch), Martin Mittelmeier traces the roots of the Frankfurt School in southern Italy. We talk about the epiphany on the lip of a volcano in Lanzerote that brought this book to life, the years he spent poring over Theodor Adorno's writing (and the temptation to mimic Adorno's style), how Walter Benjamin's principle of porosity arose from both the tuff stone & the way of living of Naples, and the challenge of evoking the Naples of a century ago and how it led to a theory of society. We get into Critical Theory's attempts at understanding populism and oligarchic takeovers and why Adorno is having A Moment in Germany, the fun of speculating about meetings among great thinkers — yeah, I get into George Orwell, Henry Miller, and Inside the Whale —, the utopian aspect of local life in Naples and Capri, the complexities of reputation and destiny, and whether Critical Theory can hold up during the hyper-internet era. We also discuss the difficulties of translation with critical theory's associative language, why I need to read Hernán Diaz' Trust, his new work about Thomas Mann working with Adorno on Doctor Faustus in Pacific Palisades (a.k.a. Weimar Under The Palm Trees), how he's changed in the decade-plus since writing the book, and more. • More info at our site • Support The Virtual Memories Show via Stripe, Patreon, or Paypal, and subscribe to our e-newsletter

The History of the Damnable Life and Deserved Death of Doctor John Faustus, is the book that is the source for Christopher Marlowe's play. Chapter by chapter we will wander through the twists and turns of this story. Performed by Robert Crighton Chapter Fifteen: How Doctor Faustus desired again of his Spirit, to know the secrets and pains of hell: and whether those damned devils and their company might ever come into the favour and love of God again.   Our patrons also get an exploring session looking in detail at the text - join our chat here. Thunder sfx thanks to zapsplat.com Our patrons received this episode in January 2024 - approx. 13 months early. The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.

How did early modern England understand race and how has that influenced our thinking? Race is often considered a recent construct, but Shakespeare's works—both his plays and poetry—reveal a diverse world already aware of race, identity, and difference. In this episode, Patricia Akhimie, editor of The Oxford Handbook of Shakespeare and Race, discusses the growing field of study and what we can learn from it. She is joined by two of the scholars contributing essays to the guide, Dennis Britton and Kirsten Mendoza, who are exploring the ways race, gender, and power intersect in Shakespeare's long narrative poems. Britton examines Venus and Adonis, investigating how Shakespeare's portrayal of beauty, fairness, and desire upends traditional thinking about sexuality and race. Mendoza focuses on human rights in The Rape of Lucrece, revealing how Shakespeare's use of color symbolism exposes early modern ideas about race, gender, and bodily autonomy. Both scholars illuminate how Shakespeare's works have encoded ideas about race, which continue to resonate today. The Oxford Handbook of Shakespeare and Race is an essential resource for scholars, teachers, students, and readers interested in this important area of Shakespeare research. Patricia Akhimie is Director of the Folger Institute at the Folger Shakespeare Library, Director of the RaceB4Race Mentorship Network, and Associate Professor of English at Rutgers University-Newark. She is editor of the Arden Othello (4th series), author of Shakespeare and the Cultivation of Difference: Race and Conduct in the Early Modern World and, with Bernadette Andrea, co-editor of Travel and Travail: Early Modern Women, English Drama, and the Wider World. Dennis Austin Britton is an Associate Professor of English at the University of British Columbia. His research interests include early modern English literature, Protestant theology, premodern critical race studies, and the history of emotion. He is the author of Becoming Christian: Race, Reformation, and Early Modern English Romance (2014), coeditor with Melissa Walter of Rethinking Shakespeare Source Study: Audiences, Authors, and Digital Technologies (2018), and co-editor with Kimberly Anne Coles of ‘Spenser and Race', a special issue of Spenser Studies (2021). He is currently working on a new edition of Othello for Cambridge University Press and a monograph, ‘Shakespeare and Pity: A Literary History of Race and Feeling.' Kirsten N. Mendoza is an Associate Professor of English and Human Rights at the University of Dayton. Her first book project, ‘A Politics of Touch: The Racialization of Consent in Early Modern English Literature', examines the conceptual ties that link shifting sixteenth- and seventeenth-century discourses on self-possession and sexual consent with England's colonial endeavors, involvement in the slave trade, and global mercantile pursuits. Her work has appeared or is forthcoming in Renaissance Drama, Shakespeare Bulletin, The Norton Critical Edition of Doctor Faustus, Race and Affect in Early Modern English Literature, and Teaching Social Justice Through Shakespeare: Why Renaissance Literature Matters Now. From the Shakespeare Unlimited podcast. Published February 10, 2025. © Folger Shakespeare Library. All rights reserved. This episode was produced by Matt Frassica. Garland Scott is the executive producer. It was edited by Gail Kern Paster. We had help with web production from Paola García Acuña. Leonor Fernandez edits our transcripts. Final mixing services are provided by Clean Cuts at Three Seas, Inc.

Spreng, Eberhard www.deutschlandfunk.de, Kultur heute

The History of the Damnable Life and Deserved Death of Doctor John Faustus, is the book that is the source for Christopher Marlowe's play. Chapter by chapter we will wander through the twists and turns of this story. Performed by Robert Crighton Chapter Fourteen: Another disputation betwixt Doctor Faustus and his Spirit, of the power of the Devil, and his envy to mankind.   Our patrons also get an exploring session looking in detail at the text - join our chat here. Thunder sfx thanks to zapsplat.com Our patrons received this episode in December 2023 - approx. 13 months early. The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.

Psalm 106 Reading 1: Isaiah 66 Reading 2: From a sermon by Faustus of Riez, bishop sthelenaministries.com Presentation of the Liturgy of the Hours (Divine Office) from The Liturgy of the Hours (Four Volumes) © 1975, International Commission on English in the Liturgy Corporation. The texts of Biblical readings are reproduced from the New American Bible © 1975

Check out Cam's latest novel / audio drama here! In this episode, we're chasing one burning question: why didn't Robert Eggers' Nosferatu work for us? The answer takes us on a long journey through editing, cross-cutting, overstuffed ensembles, mechanical villains, and the many challenges of the source material. We also consider the lineage of the original Nosferatu and celebrate this new version's homage to color washing. Cam takes a moment to break down the film's remarkably deft Faustus fake-out, and we work through a cascade of (loaded) echoes from across Robert Eggers' filmography, before closing with some reflections about this month-long retrospective. LINKS: Patreon, YouTube, Spotify, Instagram Feedback & Theories: secondbreakfastpod@gmail.com

Check out Cam's latest novel / audio drama here! Our Robert Eggers Retrospective series concludes with The Northman. Revisiting this film after two years, Cam discovers that instead of just being 'Viking Hamlet,' the film is actually a freeform hybrid of Julius Caesar, Macbeth, Hamlet, and Doctor Faustus. Maggie tracks the strands of fate that connect these doomed characters, and the stylistic departures of Eggers' third film. Together, we chart echoes from across every project in his filmography and close with a deep discussion of The Northman as a revenge story. LINKS: Patreon, YouTube, Spotify, Instagram Feedback & Theories: secondbreakfastpod@gmail.com

The History of the Damnable Life and Deserved Death of Doctor John Faustus, is the book that is the source for Christopher Marlowe's play. Chapter by chapter we will wander through the twists and turns of this story. Performed by Robert Crighton Chapter Thirteen: Another question put forth by Doctor Faustus to his spirit concerning his Lord Lucifer, with the sorrow that Faustus fell afterwards into.   Our patrons also get an exploring session looking in detail at the text - join our chat here. Thunder sfx thanks to zapsplat.com Our patrons received this episode in December 2023 - approx. 12 months early. The Beyond Shakespeare Podcast is supported by its patrons – become a patron and you get to choose the plays we work on next. Go to www.patreon.com/beyondshakespeare - or if you'd like to buy us a coffee at ko-fi https://ko-fi.com/beyondshakespeare - or if you want to give us some feedback, email us at admin@beyondshakespeare.org, follow us on Twitter, Facebook & Instagram @BeyondShakes or go to our website: https://beyondshakespeare.org You can also subscribe to our YouTube channel where (most of) our exploring sessions live - https://www.youtube.com/channel/UCLa4pXxGZFwTX4QSaB5XNdQ The Beyond Shakespeare Podcast is hosted and produced by Robert Crighton.

Check out Cam's latest novel / audio drama here! This is the episode we've been waiting to do since the very beginning of Second Breakfast. The Witch is our favorite film of all time, and today we're going to dig deep and find out why. Spoiler alert: it's a magical medley of the power of suggestion, curveball slasher structure, mutually assured destruction, and a beautifully binary / reversible theology. Come for the cavalcade of theological grindstones, fresh observations, and echoes from throughout Robert Eggers' legendary filmography, stay for Maggie's absolutely blockbuster theory about the shattering of the ten commandments. And yes, there's a little Doctor Faustus thrown in for good measure, alongside some rumination on The Godfather and The Exorcist. LINKS: Patreon, YouTube, Spotify, Instagram Feedback & Theories: secondbreakfastpod@gmail.com

  Please hit Subscribe/Follow and leave a 5-star positive review. Click here to go to our Patreon Page. https://www.patreon.com/c/222ParanormalPodcast Click here to go to Jens Poashmark Closet. https://poshmark.com/closet/happie22 Click here to go to Our website. https://www.222paranormal.com/   In this episode of the 222 Paranormal Podcast, hosts Joe and Jennifer delve deep into the chilling and eerie history of the Black Forest of Colorado. Known for its dense woods and ominous atmosphere, the Black Forest has long been a site of unsettling occurrences and unexplained phenomena. The hosts take listeners on a journey through the forest's dark past, exploring stories of paranormal sightings, ghostly apparitions, and strange happenings that have baffled locals for decades. OE and Jennifer discuss numerous accounts of encounters with shadowy figures, unexplained voices, and the sense of being watched that many visitors have reported while hiking or camping in the area. As they investigate the forest's eerie reputation, they touch on the region's historical significance, including Native American legends and early settler tales that suggest the forest has been a hotspot for the supernatural for centuries. The hosts also explore the idea that the energy of the land might be connected to the area's tumultuous history, with conflicts between indigenous tribes and settlers leaving behind a lingering spiritual presence. Throughout the episode, OE and Jennifer engage with listeners by inviting them to consider the Black Forest's mysterious aura, while also encouraging them to share their own experiences with paranormal activity. They delve into the psychology behind why places like the Black Forest have such a magnetic pull on the curious and adventurous, drawing people in despite the unsettling stories that surround it. By the end of the episode, listeners are left with an eerie sense of wonder, pondering whether the Black Forest is truly haunted, or if its reputation is the product of a centuries-old mystery that refuses to be solved. The Legend of the flying dog, know as Aralez. The aralez are most prominently associated with the story of the legendary Armenian king Ara the Handsome. According to this legend, the Assyrian queen Semiramis (Shamiram) called on the aralez to lick the wounds of and revive Ara the Handsome after he was killed in battle. By popular interpretation, this was the origin of the word aralez, from the name "Ara" and lez, the root of the word lizel 'to lick'. According to the Armenian history attributed to Faustus of Byzantium, after Mushegh Mamikonian was killed, his relatives placed his corpse on a tower, hoping that the aralezes would revive him.This indicates that belief in the aralez was still current in fourth- and fifth-century Armenia, following the Christianization of the country. Welcome to the 222 Paranormal Podcast, your gateway to the captivating world of the supernatural. Immerse yourself in our expertly crafted episodes, where we delve deep into a wide range of paranormal phenomena, including ghostly hauntings, cryptid sightings, and unexplained mysteries that defy logic. Each episode is meticulously researched and features engaging discussions with leading experts, seasoned ghost hunters, and renowned paranormal investigators. We cover the latest advancements in ghost hunting technology, offer practical tips for both amateur and experienced investigators, and review essential equipment for your paranormal adventures. Our podcast also explores the rich history of haunted locations, sharing true stories and firsthand accounts that will send chills down your spine. Whether you're a die-hard fan of the paranormal or just curious about the unknown, our content is designed to entertain, inform, and ignite your imagination. Stay tuned as we uncover secrets from the most haunted places around the world and analyze the most intriguing supernatural events. We also provide in-depth interviews with notable figures in the field and explore theories that challenge conventional understanding of reality. By subscribing to our Paranormal Podcast, you'll stay updated with the latest episodes, allowing you to join a community of like-minded individuals who share your fascination with the unexplained. Don't miss out on our exclusive content and special features, which bring you closer to the mysteries that lie beyond our everyday experiences. Dive into the world of the unknown with our Paranormal Podcast and experience the thrill of discovering what lies just beyond the veil of reality.  

It's the holiday season, y'all, which means it's time for Holly Jolly Jingle Jangle Extravaganza! We kick things off with Dear Santa. It's about a boy who writes a letter to Santa except it's received by Satan, played by Jack Black. It's Aladdin meets It's a Wonderful Life meets Dr. Faustus wrapped with a Post Malone bow. Is it merry and bright or should it return from the hellish pits from whence it came? Hit play and find out! Leave us a voice message by going to https://anchor.fm/moonstreet Questions or Comments? Email us at grownmenwks@gmail.com Instagram: @grown-men-watch-kid-shit Facebook: https://www.facebook.com/GMWKS/

In the sixteenth century wealthy men and women began to collect books. With these they began to furnish a new room in the house which they called the studiolo. In the “little study” one could read in happiness and contentment, safe from an external world beset by wars and plague. They could conduct conversations with their contemporaries by letter, and with the dead of past ages through their reading. The studiolo became an extension of their intellect, and of their personality. But the studiolo was also a place from which those religious and political conflicts were conducted. And the studiolo was, in the contemporary imagination, a place of potential madness. After all, it was reading in solitude that infected the brain of that noble gentleman Don Quixote de la Mancha;  obsessive reading that undermined the power of Duke Prospero of Milan, and resulted in his exile on a far off island with his daughter Miranda; and reading that turned Dr. Faustus to seek power through a diabolical bargain.  With me to discuss the studiolo in history and literature is Andrew Hui, Associate Professor of the Humanities at Yale-NUS College in Singapore. His most recent book is The Study: The Inner Life of Renaissance Libraries, which is the focus of our conversation today.  

Get bonus episodes on Patreon! The Shining is a Doctor Faustus retelling, but that's not the headline here. In this brand new theory, Cam argues that The Shining is a wholly unique restaging of Marlowe's original that expands the spotlight to not just focus on Jack Torrance as the current Faustus-analogue, but the legion of 'caretakers' that have come before him. In this framing, Mephisopheles stops being a singular character and instead expands to become the Overlook Hotel itself, a place for him to horde all of his ill-gotten souls. LINKS: Patreon, YouTube, Spotify, Instagram, Cam's stories Feedback & Theories: secondbreakfastpod@gmail.com

There's something about the idea of a ‘genius' that has always captivated us. Whether it's the artist painting their masterpiece or the entrepreneur betting on the future, we're captivated by people who seem to see the world differently – and stake everything on that vision. While Elon Musk and Jeff Bezos might be household names, there's one figure who I'd argue is even more fascinating: the maverick billionaire investor and founder of SoftBank, Masayoshi Son. Equal parts visionary and gambler, Masa as he's more commonly known has built an empire on being an early investor in companies like Alibaba, Yahoo and Uber. My guest today is Lionel Barber. Lionel is an acclaimed journalist and author, best known for his 15-year tenure as Editor-in-Chief at the Financial Times. A veteran reporter, over the course of his career he has conducted interviews with a real ‘who's who' of the international stage, including Vladimir Putin, Angela Merkel, Barack Obama, Donald Trump. His recent book, Gambling Man: The Wild Ride of Japan's Masayoshi Son, takes readers on a journey through the life and business ventures of one of the tech world's most thrilling figures. The book is a great read, and I strongly recommend it for anyone who's interested in business, tech, or international affairs. It was such a pleasure to have the opportunity to sit down with Lionel and pick his brains, and I'm very pleased to be able to share our conversation with you. Lit with Charles loves reviews. If you enjoyed this episode, I'd be so grateful if you could leave a review of your own, and follow me on Instagram at @litwithcharles. Let's get more people listening – and reading! Lionel Barber's four books were: Doctor Faustus, Thomas Mann (1947) The Maltese Falcon, Dashiell Hammett (1930) Present At The Creation, Dean Acheson (1969) Pachinko, Min Jin Lee (2017)

With the advent of print in the fifteenth century, Europe's cultural elite assembled personal libraries as refuges from persecutions and pandemics. Andrew Hui tells the remarkable story of the Renaissance studiolo--a "little studio"--and reveals how these spaces dedicated to self-cultivation became both a remedy and a poison for the soul. Blending fresh, insightful readings of literary and visual works with engaging accounts of his life as an insatiable bookworm, Hui traces how humanists from Petrarch to Machiavelli to Montaigne created their own intimate studies. He looks at imaginary libraries in Rabelais, Cervantes, Shakespeare, and Marlowe, and discusses how Renaissance painters depicted the Virgin Mary and St. Jerome as saintly bibliophiles. Yet writers of the period also saw a dark side to solitary reading. It drove Don Quixote to madness, Prospero to exile, and Faustus to perdition. Hui draws parallels with our own age of information surplus and charts the studiolo's influence on bibliographic fabulists like Jorge Luis Borges and Umberto Eco. Beautifully illustrated, The Study: The Inner Life of Renaissance Libraries (Princeton UP, 2024) is at once a celebration of bibliophilia and a critique of bibliomania. Incorporating perspectives on Islamic, Mughal, and Chinese book cultures, it offers a timely and eloquent meditation on the ways we read and misread today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

With the advent of print in the fifteenth century, Europe's cultural elite assembled personal libraries as refuges from persecutions and pandemics. Andrew Hui tells the remarkable story of the Renaissance studiolo--a "little studio"--and reveals how these spaces dedicated to self-cultivation became both a remedy and a poison for the soul. Blending fresh, insightful readings of literary and visual works with engaging accounts of his life as an insatiable bookworm, Hui traces how humanists from Petrarch to Machiavelli to Montaigne created their own intimate studies. He looks at imaginary libraries in Rabelais, Cervantes, Shakespeare, and Marlowe, and discusses how Renaissance painters depicted the Virgin Mary and St. Jerome as saintly bibliophiles. Yet writers of the period also saw a dark side to solitary reading. It drove Don Quixote to madness, Prospero to exile, and Faustus to perdition. Hui draws parallels with our own age of information surplus and charts the studiolo's influence on bibliographic fabulists like Jorge Luis Borges and Umberto Eco. Beautifully illustrated, The Study: The Inner Life of Renaissance Libraries (Princeton UP, 2024) is at once a celebration of bibliophilia and a critique of bibliomania. Incorporating perspectives on Islamic, Mughal, and Chinese book cultures, it offers a timely and eloquent meditation on the ways we read and misread today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

With the advent of print in the fifteenth century, Europe's cultural elite assembled personal libraries as refuges from persecutions and pandemics. Andrew Hui tells the remarkable story of the Renaissance studiolo--a "little studio"--and reveals how these spaces dedicated to self-cultivation became both a remedy and a poison for the soul. Blending fresh, insightful readings of literary and visual works with engaging accounts of his life as an insatiable bookworm, Hui traces how humanists from Petrarch to Machiavelli to Montaigne created their own intimate studies. He looks at imaginary libraries in Rabelais, Cervantes, Shakespeare, and Marlowe, and discusses how Renaissance painters depicted the Virgin Mary and St. Jerome as saintly bibliophiles. Yet writers of the period also saw a dark side to solitary reading. It drove Don Quixote to madness, Prospero to exile, and Faustus to perdition. Hui draws parallels with our own age of information surplus and charts the studiolo's influence on bibliographic fabulists like Jorge Luis Borges and Umberto Eco. Beautifully illustrated, The Study: The Inner Life of Renaissance Libraries (Princeton UP, 2024) is at once a celebration of bibliophilia and a critique of bibliomania. Incorporating perspectives on Islamic, Mughal, and Chinese book cultures, it offers a timely and eloquent meditation on the ways we read and misread today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

With the advent of print in the fifteenth century, Europe's cultural elite assembled personal libraries as refuges from persecutions and pandemics. Andrew Hui tells the remarkable story of the Renaissance studiolo--a "little studio"--and reveals how these spaces dedicated to self-cultivation became both a remedy and a poison for the soul. Blending fresh, insightful readings of literary and visual works with engaging accounts of his life as an insatiable bookworm, Hui traces how humanists from Petrarch to Machiavelli to Montaigne created their own intimate studies. He looks at imaginary libraries in Rabelais, Cervantes, Shakespeare, and Marlowe, and discusses how Renaissance painters depicted the Virgin Mary and St. Jerome as saintly bibliophiles. Yet writers of the period also saw a dark side to solitary reading. It drove Don Quixote to madness, Prospero to exile, and Faustus to perdition. Hui draws parallels with our own age of information surplus and charts the studiolo's influence on bibliographic fabulists like Jorge Luis Borges and Umberto Eco. Beautifully illustrated, The Study: The Inner Life of Renaissance Libraries (Princeton UP, 2024) is at once a celebration of bibliophilia and a critique of bibliomania. Incorporating perspectives on Islamic, Mughal, and Chinese book cultures, it offers a timely and eloquent meditation on the ways we read and misread today. Learn more about your ad choices. Visit megaphone.fm/adchoices

With the advent of print in the fifteenth century, Europe's cultural elite assembled personal libraries as refuges from persecutions and pandemics. Andrew Hui tells the remarkable story of the Renaissance studiolo--a "little studio"--and reveals how these spaces dedicated to self-cultivation became both a remedy and a poison for the soul. Blending fresh, insightful readings of literary and visual works with engaging accounts of his life as an insatiable bookworm, Hui traces how humanists from Petrarch to Machiavelli to Montaigne created their own intimate studies. He looks at imaginary libraries in Rabelais, Cervantes, Shakespeare, and Marlowe, and discusses how Renaissance painters depicted the Virgin Mary and St. Jerome as saintly bibliophiles. Yet writers of the period also saw a dark side to solitary reading. It drove Don Quixote to madness, Prospero to exile, and Faustus to perdition. Hui draws parallels with our own age of information surplus and charts the studiolo's influence on bibliographic fabulists like Jorge Luis Borges and Umberto Eco. Beautifully illustrated, The Study: The Inner Life of Renaissance Libraries (Princeton UP, 2024) is at once a celebration of bibliophilia and a critique of bibliomania. Incorporating perspectives on Islamic, Mughal, and Chinese book cultures, it offers a timely and eloquent meditation on the ways we read and misread today.

With the advent of print in the fifteenth century, Europe's cultural elite assembled personal libraries as refuges from persecutions and pandemics. Andrew Hui tells the remarkable story of the Renaissance studiolo--a "little studio"--and reveals how these spaces dedicated to self-cultivation became both a remedy and a poison for the soul. Blending fresh, insightful readings of literary and visual works with engaging accounts of his life as an insatiable bookworm, Hui traces how humanists from Petrarch to Machiavelli to Montaigne created their own intimate studies. He looks at imaginary libraries in Rabelais, Cervantes, Shakespeare, and Marlowe, and discusses how Renaissance painters depicted the Virgin Mary and St. Jerome as saintly bibliophiles. Yet writers of the period also saw a dark side to solitary reading. It drove Don Quixote to madness, Prospero to exile, and Faustus to perdition. Hui draws parallels with our own age of information surplus and charts the studiolo's influence on bibliographic fabulists like Jorge Luis Borges and Umberto Eco. Beautifully illustrated, The Study: The Inner Life of Renaissance Libraries (Princeton UP, 2024) is at once a celebration of bibliophilia and a critique of bibliomania. Incorporating perspectives on Islamic, Mughal, and Chinese book cultures, it offers a timely and eloquent meditation on the ways we read and misread today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

Forbes Masson is playing Caliban in Jamie Lloyd's production of The Tempest.The show is the first of two Shakespeare plays presented by The Jamie Lloyd Company at Theatre Royal Drury Lane, marking the first Shakespeare plays at the venue since Peter Brook's production of The Tempest starring John Gielgud in 1957.Forbes has worked with Jamie previously, performing in his productions of Macbeth, Richard III and The Ruling Class at Trafalgar Studios and Dr Faustus at the Duke of York's. Forbes' other theatre credits include: Farm Hall (Theatre Royal Haymarket), Laughing Boy (Jermyn Street), Jekyll and Hyde (Lyceum), The Magician's Elephant, Boy in the Dress, Macbeth, Hamlet, Comedy of Errors, Twelfth Night, The Histories, As You Like It, Romeo & Juliet and Taming of the Shrew (Royal Shakespeare Company), Summer and Smoke (Almeida), Travesties (Menier Chocolate Factory) and King Lear (Liverpool Everyman).His screen credits include The Crown (Netflix), As You Like It (CBeebies), The Road Dance, Only Child, Crime, EastEnders, Red Dwarf and The High Life (BBC), Catastrophe (Avalon Television) and Young Person's Guide to Becoming a Rock Star (Channel 4).Forbes is an Associate Artist with the Royal Shakespeare Company and National Theatre Scotland, and co-writer of Victor and Barry's Kelvinside Compendium alongside Alan Cumming (404ink).The Tempest runs at the Theatre Royal Drury Lane 7th December 2024 - 1st February 2025. Visit www.thejamielloydcompany.com for info and tickets. This podcast is hosted by Andrew Tomlins  @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  

Nomad is under the influence of Dr. Faustus, but what horrible memories from Jack's past has he unleashed? And can Cap stop Nomad before he crosses the line forever? Plus... Rick & Bob debate what is a beard... and what is Bob's new ring tone?!? Watch on YouTube: https://youtu.be/pCjdlQX92wk Connect with Rick & Bob and fellow Cap fans at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/groups/captainamericacomicbookfans⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://twitter.com/CapComicFans⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Are you enjoying this podcast series? Please help by donating at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcasters.spotify.com/pod/show/capcomicbookfans/support⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Please subscribe, rate and review! Our home page is ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://captainamericacomicbookfans.com⁠ --- Support this podcast: https://podcasters.spotify.com/pod/show/capcomicbookfans/support

For this week's bonus episode, Eleanor presents the final Dying Arts episode of the series, which is a timely one all about the critically endangered traditional crafts of Clock, Watch and Orrery Making!We start by chatting through what Orrery's are, and before long we're elbow-deep in discussions of how ancient civilizations like the Greeks and Mayans set about trying to understand the universe, the movements of planetary bodies, and how those concepts manifested themselves in early calendars and shadow clocks. This takes us through some curious concepts like Flat Earth theories, geocentrism, and significant historical figures like Copernicus, Galileo, and good ol' Tycho Brahe.Then though, we're into clocks and watches, chewing through everything from candle clocks and hourglasses to amazing devices like the Antikythera Mechanism, the Ancient Chinese 'Cosmic Engine,' and the kinds of water clocks used in the Middle Ages to portion the day up for various prayers. Via verge escapements, pendulums, and the race of the Longitude Prize, we soon find ourselves at the advent of electrified 'Railway Time' and mass production.Featuring bits of clock and watch folklore, a quick nod to Doctor Faustus, and appearances by the likes of Robert Hooke and our old pal Sosigenes of Alexandria, it's a slightly mind-bending ride. So, what are you waiting for - there isn't a moment to waste!(As for how long a moment is, well, we'll let you decide...)The Three Ravens is an English Myth and Folklore podcast hosted by award-winning writers Martin Vaux and Eleanor Conlon.Released on Mondays, each weekly episode focuses on one of England's 39 historic counties, exploring the history, folklore and traditions of the area, from ghosts and mermaids to mythical monsters, half-forgotten heroes, bloody legends, and much, much more. Then, and most importantly, the pair take turns to tell a new version of an ancient story from that county - all before discussing what that tale might mean, where it might have come from, and the truths it reveals about England's hidden past...Bonus Episodes are released on Thursdays (Magic and Medicines about folk remedies and arcane spells, Three Ravens Bestiary about cryptids and mythical creatures, Dying Arts about endangered heritage crafts, and Something Wicked about folkloric true crime from across history) plus Local Legends episodes on Saturdays - interviews with acclaimed authors, folklorists, podcasters and historians with unique perspectives on that week's county.With a range of exclusive content on Patreon, too, including audio ghost tours, the Three Ravens Newsletter, and monthly Three Ravens Film Club episodes about folk horror films from across the decades, why not join us around the campfire and listen in?Learn more at www.threeravenspodcast.com, join our Patreon at www.patreon.com/threeravenspodcast, and find links to our social media channels here: https://linktr.ee/threeravenspodcast Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

In discussions about technology, and maybe especially within climatetech, the concept of the "Faustian bargain" is common. But what does it actually mean, and is it as simple as concept as it is typically considered? In today's special Halloween episode, Reversing Climate Change host, Ross Kenyon, intros the show by giving the necessary historical context to understand Johann Wolfgang von Goethe's Faust, and to contrast it against Christophe Marlowe's Doctor Faustus. Get ready for a dose of Romanticism. When the Faustian bargain is invoked, it usually means a bad deal—one with no upside except for a short-sighted one. And that may be true for Marlowe's Faust, but Goethe's Faust wins his bet with Mephistopheles and his soul is never damned. What does that mean for how we use the term, when persistent survival if not actual upside is reintroduced into the Faustian bargain? What if, at least according to Goethe, making a deal with the devil isn't always as straightforwardly bad as one might think? Today's guest is frequent podcast alumni and multihyphenate, Daniel Backer. Daniel produces virtuosic music, writes insightful novels, and creates video content about literary fiction on both his YouTube and TikTok channels. Be sure to follow his work! Daniel and Ross spend much of the show exploring what it does to one's brain to take claims of high strangeness, the paranormal, and the occult seriously, and why horror films (especially those of Ari Aster) deserve a better reputation. Happy Halloween!N.B. Reversing Climate Change is no longer a Nori podcast, but its own show. Outdated assets will be updated if and as possible. --- Support this podcast: https://podcasters.spotify.com/pod/show/reversingclimatechange/support

The archetypal roots of Transhumanism are explored. The Book of Genesis presents this in symbolic and mythical form: humans are caught in a dilemma between staying in the garden of unconsciousness or making a bid for freedom from nature and the unconscious though the awakening of self awareness and pursuit of knowledge. In doing this we become aware of death and are destined to attempt to overcome this trauma by seeking the tree of everlasting life – to become as gods. This is the metaphysical background to transhumanism which in its radical form wishes to move at least some humans to a post-biological state that overcomes ageing and death. However the history of utopias – and Transhumanism is definitely one - is that they have a dystopian underside. This can be even be presented metaphysically as a movement from the Luciferian to the Satanic. There is a Faustian pact at the origins of business civilization. The pursuit of Artificial Intelligence and the movement to Transhumanism are its consequences. The myth of Dr Faustus is explored.

There's a moment in The Fly (1986) in which Seth Brundle–well into his transformation into Brundlefly–explains that he must vomit on a donut before eating it. The camera cuts away to show Geena Davis's reaction, which is the same reaction David Cronenberg evokes in his viewers throughout the film. Grotesque yet surprisingly moving, The Fly is more than disturbing, wonderful makeup: it's a look at a brilliant man who cannot understand the limits of his own vision, like his colleagues Drs. Faustus, Jekyll, and Frankenstien. Interested in hearing what Cronenberg himself has to say about The Fly and his other films? Check out this collection of interviews. Follow us on X and Letterboxd–and let us know what you'd like us to watch! Incredible bumper music by John Deley. Also check out Dan's new Substack site, Pages and Frames, for more film-related material. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

There's a moment in The Fly (1986) in which Seth Brundle–well into his transformation into Brundlefly–explains that he must vomit on a donut before eating it. The camera cuts away to show Geena Davis's reaction, which is the same reaction David Cronenberg evokes in his viewers throughout the film. Grotesque yet surprisingly moving, The Fly is more than disturbing, wonderful makeup: it's a look at a brilliant man who cannot understand the limits of his own vision, like his colleagues Drs. Faustus, Jekyll, and Frankenstien. Interested in hearing what Cronenberg himself has to say about The Fly and his other films? Check out this collection of interviews. Follow us on X and Letterboxd–and let us know what you'd like us to watch! Incredible bumper music by John Deley. Also check out Dan's new Substack site, Pages and Frames, for more film-related material. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Get bonus episodes on Patreon! This is cause for celebration: indie darling Art the Clown has the #1 movie in America, with an unrated, unhinged, and unbelievably great Christmas slasher. After our first impressions, we break down the franchise thesis statement that is the movie's opening scene, Art's ever evolving slapstick physical comedy, the overwhelming heart and humanity of this story, and all the wry, innovative nods to classic horror along the way. Cam takes a moment to discuss the fact that Art is officially a demon and do some Faustus analysis. We close by looking ahead to the future of the franchise and theorizing about conspicuously absent characters, suspicious deaths, and Art's endgame. LINKS: Patreon, YouTube, Spotify, Instagram, Cam's stories Feedback & Theories: secondbreakfastpod@gmail.com

Episode 138:Over the course of speaking about English Renaissance Plays and Shakespeare I have had cause to mention the play ‘A Knack to Know a Knave' several times. Most latterly because it is thought to include references to ‘The Taming of the Shrew' and ‘Titus Andronicus' and prior to that, in the season on the Early Renaissance Theatre it had a mention as one of the plays performed at the Rose Playhouse as recorded in Henslowe's Diary. Having been reminded of it while writing about the early Shakespeare plays I thought that it deserved a little time in the spotlight on it's own as it gives us a little snapshot of the plays, and particularly comedies other than Shakespeare and Jonson, that was circulating at the time of the earliest of Shakespeare's plays. So, here is a little interlude of an episode all about ‘A Knack to Know a Knave'.A quick word on ‘Shakespeare's Borrowed Feathers' by Darren Feebury-Jones, which is published in October 2024 and on Henry Porter and his possible involvement with ‘Dr Faustus'.The performances of ‘A Knack to Know a Knave' as reported in Henslowe's DiaryThe mystery of the low takings for repeated performances in a second run of the playThe printed quarto edition of the playA summary of the plotThe (possibly) missing parts of the play, including Kempe's extemporisingHow the fools of Gotham folk tale is worked into the playThe allusions to other plays in the textThe final lines of the playIf you would like to read the text of A Knack to Know a Knave, you can find it on google books here Support the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Get bonus episodes on Patreon! The Substance is an incredible surprise, a thrilling, ruthless, unflinching body horror satire that gave us the best theatrical experience of 2024. We start things off with a spoiler-free reflection / recommendation before diving into the grotesque smoothie of influences that shape this story. These include: The Picture of Dorian Gray, Cinderella, Black Swan, Tusk, Frankenstein, and -- most notably -- Cam's beloved Doctor Faustus. After that, we dissect all the delightful, inverted Kubrick echoes, from The Shining, Eyes Wide Shut, and a full-scale mirror image of 2001: A Space Odyssey. LINKS: Patreon, YouTube, Spotify, Instagram, Cam's stories Feedback & Theories: secondbreakfastpod@gmail.com

Episode 136:Having given you my own thoughts on ‘Titus Andronicus' last time I'm pleased to say that for this special guest episode I was able to take the discussion even further with Eleanor Conlon, a fellow podcaster and a theatre professional as you will hear Eleanor has a lot to say about the play and insights that, in some cases, go in different directions from what I was able to say about the play.Eleanor Conlon is an actor, director, and award-winning writer based in Sussex.After completing her BA in English Literature at Goldsmiths, University of London, Eleanor earned her MA in Shakespeare and Early Modern Drama at Kings College and Shakespeare's Globe. While at The Globe, Eleanor worked dramaturgically on productions by Dominic Dromgoole Matthew Dunster and Jeremy Herrin, and with Jenny Tiramani on the Original Practices Costume Archive.After achieving success with her theatre company The Barefoot Players in the late 2000s and early 2010s, with which she produced plays including Tis Pity She's a Whore, Doctor Faustus and The Alchemist, the latter two of which she also directed, as well as productions of several of Shakespeare's works, plays by Ibsen, Oscar Wilde, and others, she founded her current and much acclaimed theatre company Rust & Stardust.Writing over a dozen plays rooted in English folklore, Eleanor has worked with her puppet-maker partner Katie Sommers to tour Rust & Stardust's shows all over the UK, including their plays The Wild Man of Orford, Black Shuck, The Marsh Demons of Iken, and Doctor Dee's Daughter and the Philosopher's with celebrated recorder quartet Palisander. In addition to recent adaptations of Shakespeare's plays including The Tempest and Macbeth with Trinity Theatre in Tunbridge Wells, in 2023 she launched the Three Ravens Podcast with her partner Martin Vaux – also a writer and actor – which explores history, legends, and diverse aspects of folk culture.Featuring original stories each week based on the lore of England's 39 historic counties, Three Ravens quickly rose into the Top 1% of podcasts globally. It currently sits in the Top 50 UK Fiction Podcasts, with 4.9/5 star ratings on iTunes, Apple Podcasts and Spotify and a passionate fanbase across social media.For Three Ravens contact:Website: https://www.threeravenspodcast.comInstagram: https://www.instagram.com/threeravenspodcast/Facebook: https://www.facebook.com/threeravenspodcastX: @threeravenspodFor Rust + Stardust TheatreInstagram: https://www.instagram.com/eleanorstardust/Website: https://www.rustandstardust.co.ukSupport the podcast at:www.thehistoryofeuropeantheatre.comwww.patreon.com/thoetpwww.ko-fi.com/thoetp Hosted on Acast. See acast.com/privacy for more information.

Faustus joins Bobby and Mike to talk about the Dino De Laurentiis "spoof" of James Bond films. CIA agent Kelly is stationed in Rio de Janeiro, covertly monitoring a wealthy industrialist, David Ardonian, who harbors a secret plan to sterilize the global population and repopulate the world himself, with captured women in clear cubes.

In Christopher Marlowe's “Doctor Faustus,” the titular magician trades his soul to Lucifer for power. We've been captivated by such demonic transactions ever since.

Julien Temple, director of The Great Rock n Roll Swindle, Glastonbury and Absolute Beginners, chooses Christopher Marlowe, writer of brilliant plays including Doctor Faustus and Tamburlaine the Great. "I'm excited to talk about him," he says, "because I've known him for more than 50 years." The link? An attempt as a student to summon up Marlowe in his old college cellar room.Christopher Marlowe was born in 1564 - the same year as Shakespeare. He was a spy, a writer, a counterfeiter .. and he famously died in a bar room brawl in Deptford in 1593. Was it an accident, or was he killed deliberately? Helping us negotiate the mythic moments of Marlowe's life is Professor of Shakespeare studies Emma Smith.Julien Temple's film credits include The Filth and the Fury, Pandaemonium, Earth Girls are Easy and Joe Strummer: The Futureis UnwrittenThe presenter is Matthew Parris, the producer in Bristol for BBC Studios is Miles Warde