Podcasts about English National Opera

Internationally acclaimed and award winning soprano Carolyn Sampson has had an unusually organic rise to the world stage – from her formative years in Bedfordshire's exceptional youth music programs to early encouragement from influential mentors like Geoffrey Skidmore and Harry Christophers. Equally at home on the concert and opera stages, she has appeared with the Gewundhaus, BBC Philharmonic, and Opéra de Paris amongst many others, and released more than 100 albums.In this conversation, Carolyn reflects on the transition from ensemble singing with renowned groups such as The Sixteen to major opera roles at English National Opera. She also talks about the development of her voice over time, the thrill of stagecraft, and the creative partnership behind her many recordings with pianist Joseph Middleton, including her milestone 100th album But I Like to Sing. She explores her love of music across genres and also speaks passionately about giving back through community music-making. In the 2024 New Year Honours, Carolyn was awarded an OBE for services to music. This conversation was recorded at the 2025 Australian Festival of Chamber Music, in Townsville. The next AFCM will take place in Cairns from July 24 to August 1, 2026.

Camilla is a BRIT nominated English opera singer, who was the first signing to Gary Barlow's Universal label, Future Records. She's performed in arenas and stadiums all over the world, and recently made the transition from having a hugely successful career as a classical crossover artist to opera singer, recently performing for the Royal Opera House and English National Opera as their first Associate Artist. We met at the Royal Opera House over the October half term where we discussed everything from what it was like to have a high profile career as a classical crossover artist, making the transition to opera singer, training and preparation, and juggling motherhood with performing and auditioning. And you may have seen Camilla's husband Chris Robshaw, former captain of the England rugby team, on your TV recently as he was a contestant on the latest series of Strictly Come Dancing (the British version of Dancing With The Stars). Of course, we had to talk about what that whole process was like particularly with having young children and an elderly dog!Thank you to Romany Anderson and Amelia Elgey at the Royal Opera House for setting us up with a room and allowing us to come there for the recording; Emily Ball for helping to organise the interview; Camilla for your patience and giving up your time so generously, coming in especially to do this despite having very little sleep the night before looking after a baby, the rain, and a half-hour delay starting the interview. -https://musicpartnership.co.uk/camilla-kerslakehttps://kerslakerobshawfoundation.com-Janáček's The Makropulos Case runs until 21 November 2025 at the Royal Opera House. Tickets from £10! Handel's Ariodante runs from 9-21 December 2025 at the Royal Opera House.

Today discussions to resolve the ban on fans of an Israeli football club attending a match against Aston Villa are happening “at pace, across government”, Downing Street has insisted. Sir Keir Starmer was “angered by the decision” to ban Maccabi Tel Aviv supporters from next month's Europa League game in Birmingham amid public safety fears, and linked it to antisemitism. But West Midlands Police said it supported the decision, saying it had classified the fixture as “high-risk”. Emily Hilton, International Policy Director for the Jewish led organisation Diaspora Alliance, joins us to discuss. And in part two, The Standard's Nick Kimberley is here to review the English National Opera's Albert Herring by Benjamin Britten, which is the first show to be staged since the company's new ‘twin city' existence between London and Manchester. Hosted on Acast. See acast.com/privacy for more information.

One of the most revered and prolific British classical musicians, Thomas Adès made his name with his 1995 opera Powder Her Face, written when he was just 24 years old. His orchestral composition Asyla was nominated for the Mercury Prize for album of the year in 1999. Recordings of his opera The Tempest and, more recently, his score for the ballet The Dante Project have both won Grammy Awards. His ten symphonic works, three operas and numerous chamber pieces are performed all round the world. In 2024 Adès was presented with the Royal Philharmonic Society's prestigious Gold Medal, previous recipients of which include Stravinsky, Brahms and Elgar.Thomas Adès talks to John Wilson about the influence of his family, including his art historian mother who is an expert in surrealism. Through her he was introduced to the surrealist artists, the films of Luis Buñuel and met the painter Francis Bacon. His grandmother introduced him to the work of T.S. Eliot as read by Sir Alec Guinness on a cassette recording, and it was some of these poems that he was to eventually set to music for his first ever composition. Adès also recalls getting to the semi-finals of the BBC's Young Musician of the Year in 1990, a watershed moment for him as it prompted him to pursue music as a composer rather than a pianist. He also cites going regularly to the English National Opera as a formative influence and talks about writing his own operas including Powder Her Face about the Duchess of Argyll, and The Exterminating Angel, based on the film by Luis Buñuel.Producer: Edwina Pitman

Composer jake Heggie joins Hattie Butterworth to speak about the recording release of ‘Intelligence', an opera premiered at Houston Grand Opera in 2023 and out now on the LSO Live label. They also look back on 25 years since Heggie's first opera ‘Dead Man Walking' was premiered and ahead to a new production of the work at English National Opera in November

Rodney Trudgeon's guest on People of Note this week, is the exciting and award winning young tenor Innocent Masuku. Not only was he a finalist in Britain's Got Talent, but he is enjoying a hugely successful career with English National Opera. Innocent has just been in Cape Town to sing in Cape Town Opera's production of the Barber of Seville as Count Almaviva, a role he also sang to great acclaim with English National Opera. People of Note – Sunday at 6pm and again on Thursday at midday. Brought to you by PTP

Opera singer Innocent Masuku wowed audiences and viewers in Britain, as well as globally when online videos of his performances in last year’s Britain’s Got Talent went viral. A former member of the Cape Town Opera Young Artist Programme and current member of the English National Opera, the acclaimed tenor will be making a return to Cape Town in August to perform at the Theatre on the Bay in Rossini’s beloved comic masterpiece, The Barber of Seville, directed by Sylvaine Strike. Good Morning Cape Town with Lester Kiewit is a podcast of the CapeTalk breakfast show. This programme is your authentic Cape Town wake-up call. Good Morning Cape Town with Lester Kiewit is informative, enlightening and accessible. The team’s ability to spot & share relevant and unusual stories make the programme inclusive and thought-provoking. Don’t miss the popular World View feature at 7:45am daily. Listen out for #LesterInYourLounge which is an outside broadcast – from the home of a listener in a different part of Cape Town - on the first Wednesday of every month. This show introduces you to interesting Capetonians as well as their favourite communities, habits, local personalities and neighbourhood news. Thank you for listening to a podcast from Good Morning Cape Town with Lester Kiewit. Listen live on Primedia+ weekdays between 06:00 and 09:00 (SA Time) to Good Morning CapeTalk with Lester Kiewit broadcast on CapeTalk https://buff.ly/NnFM3Nk For more from the show go to https://buff.ly/xGkqLbT or find all the catch-up podcasts here https://buff.ly/f9Eeb7i Subscribe to the CapeTalk Daily and Weekly Newsletters https://buff.ly/sbvVZD5 Follow us on social media CapeTalk on Facebook: https://www.facebook.com/CapeTalk CapeTalk on TikTok: https://www.tiktok.com/@capetalk CapeTalk on Instagram: https://www.instagram.com/ CapeTalk on X: https://x.com/CapeTalk CapeTalk on YouTube: https://www.youtube.com/@CapeTalk567 See omnystudio.com/listener for privacy information.

Phelim McDermott is an actor and director from the UK. In 2023, Phelim was awarded the Laurence Olivier Award for Best Director for My Neighbor Totoro.Phelim has staged operas in many of the great opera houses of the world, including countless times at The Met (Akhnaten, The Hours, Cosi fan Tutte,The Enchanted Island) and the English National Opera. In addition, he has directed plays and operas in Germany, Spain, and Australia.Phelim is a passionate advocate for the transformational work of Harrison Owen, who originated a simple conversational framework called Open Space Technology.

Does acid reflux impact your singing performance?Perhaps you've searched the internet and found multiple articles on “The 10 Foods Singers Should Avoid” or medications promising to cure reflux.But before you start making radical changes to your diet, you might want to listen to this episode's guest. Duncan Rock is an acclaimed operatic baritone who's performed with the Metropolitan Opera, The Royal Opera House, English National Opera, and Glyndebourne Festival Opera for over a decade.More importantly, he's a nutritionist and registered exercise professional with a Masters degree in Human Nutrition. He now uses his dual passions for singing and health to help performers maintain their health as they enjoy long, successful careers.According to Duncan, much of what allows singers and performers stay healthy comes not from a specialized exercise regimen or dietary supplements, but a common-sense approach to diet and personal fitness. His holistic take on healthy living makes his advice easy to follow and highly effective for vocal coaches and their students.  Listen as Duncan shares his expertise in nutrition and physiotherapy, and learn:(4:32) How a music scholarship to the Guildhall School of Music & Drama jumpstarted Duncan's decade-long career as a professional opera singer.(5:31) How the 2020 pandemic caused Duncan to switch gears and begin working as a nutritionist for the Voice Care Centre in London.(7:21) How Duncan's personal experiences with dieticians shaped his common-sense views towards nutrition and healthy diets.  (10:05) Why Duncan initially wasn't interested in working as a nutritionist for singers — and how this changed. (15:27) Why good, old fashioned advice on health and nutrition is the most valuable information you can receive in this age of polarized nutritional content.(16:47) Why singers should maintain balanced diets in an industry with performers like Luciano Pavarotti who don't always follow healthy eating habits. (20:43) What research says about how our diets affect our body composition, and how this affects our vocal performance. (23:22) Why being underweight can potentially be more damaging than being overweight or obese.(25:36) How nutritionist advice can help performing singers deal with stress and weakened immune systems.(28:42) The link between eating well and exercising(33:33) The common-sense approach to managing acid reflux.(37:36) The problems caused by myths surrounding singer nutrition(39:55) How the body positivity movement can place negative pressure on singers and performers who change their appearance by adopting healthier habits. (53:44) How vocal coaches benefit from a basic understanding of vocal nutrition in their classrooms.Get more nutritional advice from Duncan by visiting his website. Interested in a more in-depth consultation? Connect with him via email at duncanrocknutrition@gmail.com. You can also download Duncan's IVA webinar, Nutrition and Exercise for Singers — The Missing Link in Vocal Health and Longevity — from the Institute of Vocal Advancement.Tom and Heather have a lot of fascinating guests like Duncan lined up for our podcast! Make sure you meet them all by following us on the Vocal Advancement Podcast and see them by subscribing to our YouTube channel! Is there a teacher, performer, or researcher you think would make a great guest on our show? Email us at hello@vocaladvancement.com and let us know!About the Institute for Vocal AdvancementThe Institute of Vocal Advancement (IVA) was created to provide voice teachers with a support network to provide you with the best teaching tools and strategies to advance your career. Our trainers teach from the empathic mindset, showing you how to improve your own teaching style.Learn how our Teacher Training Programs can help advance your career. Use the code “iva20percent” to get 20% off your first year's course membership fee!

Joshua Conyers is an Assistant Professor of Voice at the Eastman School of Music at the University of Rochester, and a Grammy-nominated Baritone who is known for his captivating performances and recognized as one of the leading dramatic voices of today. He has performed with The Metropolitan Opera, Seattle Opera, Washington National Opera, Lyric Opera of Chicago, English National Opera, New York Philharmonic, National Symphony Orchestra, Carnegie Hall, and many others. His recordings include the Grammy-nominated “X: The Life and Times of Malcolm X” his debut solo album is “A Miracle in Legacy.” He says it tells his story of his “being born into the crucible of poverty, haunted by the specter of addiction and abuse.” He says “yet, amid the shadows, I found my guiding light in the melodies of classical music.” SONG 1: “I’ll Make Love to You” by Boyz II Men from their Album II released in 1994. https://youtu.be/USR_0iImpcM?si=VDXE1s_O2toNwRkJ SONG 2: “Nessun Dorma” by Giacomo Puccini from the opera Turandot...performed here by Franco Corelli from the 1958 film of Turandot.https://youtu.be/fWokel5YxM8?si=_D9UEH6jKbz1Bo2G SONG 3: “Cleanin’ Out My Closet” by Eminem off his 2002 album The Eminem Show. https://youtu.be/4t2ETI2Lrjg?si=pgmx0aGLs4Tag6HASee omnystudio.com/listener for privacy information.

Send us a textIn this episode we talk to Marina Jones,  Executive Director of Development & Public Affairs at the English National Opera and project lead on the history of fundraising for the fundraising think tank Rogare. Including:Why is a historical perspective on fundraising valuable? Is fundraising a particularly hidden part of the history of charity/philanthropy? If so, why?  Are there useful practical lessons modern fundraisers can learn from their historical counterparts about techniques and approaches that work? Are there relevant historical lessons about some of the potential ethical issues that arise from fundraising?Can we find useful historical precedents for some of the recurrent criticisms of fundraising?How have fundraisers harnessed new communications technologies throughout history (e.g. printing, radio, telegraph, TV)?What role has commemoration and recognition of donors played in the history of fundraising? How have celebrities been used for fundraising purposes throughout historyHow far back can we trace the idea of using commercial approaches to raise money for charity?What role did fundraising play in bringing women further into the public sphere?What can we learn from portrayals of philanthropy and fundraising in literature or popular culture? Related links:Rogare's history of fundraising projectTimelines of fundraising history: the classical world (1000BCE-475CE), The Middle Ages (476-1499), Modern era (1500-1899), 20th and 21st centuryMarina's blogScott Cutlip's seminal 1965 book Fund Raising in the United States: Its role in America's Philanthropy (available to borrow on Internet Archive).WPM timeline of UK PhilanthropyRhod's 2016 book Public Good by Private Means: How philanthropy shapes BritainPhilanthropisms interview with Ian MacQuillin from RogarePhilanthropisms episodes on philanthropy and music; gratitude and recognition; and tainted donations

Award-winning director Michael Mayer has worked in a broad spectrum of media from theatre and opera to television and film. Current theatre: Swept Away, a new musical featuring songs of The Avett Brothers which opened November 19, 2024 on Broadway, the hit revival of Little Shop of Horrors now playing at the Westside Theatre, the national tour of his hit Broadway revival of Funny Girl (which starred Lea Michele) and the national tour of A Beautiful Noise: The Neil Diamond Musical, which recently ended its Broadway run.  Recent opera:  Jeanine Tesori and George Brant's new opera Grounded which opened the Metropolitan Opera season on September 23, 2024 with performances running until October 19. Upcoming opera: a new production of Aida at the Metropolitan Opera this season opening on December 31, 2024. Other Broadway credits include Adam Driver and Keri Russell in Burn This, Head Over Heels (featuring the songs of The Go-Go's), Neil Patrick Harris in Hedwig and the Angry Inch (Tony Award, best musical revival, also National Tour), Spring Awakening (Tony Award/Best Musical and Tony, Drama Desk and Outer Critics Circle Awards for Best Director; also London, National Tour, Vienna, Tokyo, and Seoul productions); Green Day's American Idiot (also co-author, Drama Desk Award for Best Director; also US, UK and Asia tours); Thoroughly Modern Millie (Tony Award/Best Musical also London and National Tour), Side Man (Tony Award/Best Play also London and Kennedy Center Productions),  A View from the Bridge (Tony Award/Best Revival),  Michael Moore's The Terms of My Surrender, Everyday Rapture, You're a Good Man, Charlie Brown, and Triumph of Love; off-Broadway credits include Lin-Manuel Miranda's 21 Chump Street (BAM), Chess (Kennedy Center), Love, Love, Love (Roundabout), Brooklynite (Also co-author, Vineyard), Whorl Inside A Loop (with Dick Scanlan, Second Stage), 10 Million Miles (Atlantic): Angels in America. London: a record-breaking West End run of Funny Girl and a UK tour. Tokyo: As You Like It (Toho Theatre). Film: A Home at the End of the World (Excellence in filmmaking, National Board of Review, GLAAD nomination), Single All the Way for Netflix, Flicka, The Seagull. He was featured in both the documentaries Those You've Known on HBO and Broadway Idiot. Television credits Include: SMASH (Pilot, producing director: Season One), two seasons of Alpha House (Amazon), and producer for the HBO film WIG. He made his Metropolitan Opera debut with a celebrated new production of Rigoletto, followed by a co-production (with the English National Opera) of Nico Muhly's Marnie, and a new production of La Traviata, which broke box office records. He directed the world premiere of Jeanine Tesori's Grounded at the Washington National Opera. Grounded  opened the Met's 24/25 season on September 23, 2024, and his new production of Aida will premiere at the Met on New Year's Eve 2024.  Additional Awards and fellowships: the inaugural Daryl Roth Creative Spirit award, Drama League Founders Award, Jefferson, Ovation, Alan Schneider, and Carbonell awards;  Fox Foundation, Drama League and TCG/NEA Directing Fellowships.   He serves on the Boards of SDC (Stage Directors and Choreographers Society) and the Arthur Miller. Photos by Sergio Villarini for Broadway.Com- assisted by BrookeBellPhoto Learn more about your ad choices. Visit podcastchoices.com/adchoices

Mark-Anthony Turnage is a composer of contemporary classical music. Once called “Britain's hippest composer”, he has been in a rock band, got drunk with Francis Bacon, and tackled anything from drug abuse to football in his works. Mark was born in June 1960 in the Thames estuary town of Corringham in Essex. His musical talent was nurtured by his parents and he studied composition at the junior department at the Royal College of Music from aged fourteen. There he met the composer Oliver Knussen who became his tutor, mentor, and life-long friend. His first performed work, Night Dances, written while still at the Royal College, won a prize and heralded Mark's evolution into what one critic calls “one of the best known British composers of his generation, widely admired for his highly personal mixture of energy and elegy, tough and tender”. Greek, his debut opera, a reimagining of the Oedipus myth whose protagonist is a racist, violent and foul-mouthed football hooligan, shocked the establishment, which flinched, but accepted “Turnage, the trouble-maker” as a forceful voice. Over the past four decades he has sustained a distinguished and productive career that has seen him working closely with conductors of the stature of Bernard Haitink, Esa-Pekka Salonen and, particularly, Simon Rattle. He has been attached to prestigious institutions, such as English National Opera and both the BBC and Chicago symphony orchestras, and has written a vast range of music for many different instruments and ensembles. His influences include soul, gospel, all sorts of jazz and the great symphonic works of the repertoire. He has written operas, ballets, concertos, chamber pieces and choral works together with orchestrating a football match. His key works include Three Screaming Popes and Blood on the Floor (both inspired by Francis Bacon paintings, and the latter containing an elegy for his younger brother, Andrew, who died of a drug overdose in 1995), as well as more operas including one about the former Playboy model Anna Nicole Smith. Mark lives in North London with his partner, the opera director, Rachael Hewer. DISC ONE: Symphony No. 9 in D Minor, Op. 125 II. Molto vivace - Presto - Molto vivace – Presto. Composed by Ludwig Van Beethoven and performed by The Berlin Philharmonic, conducted by Sir Simon Rattle DISC TWO: St. Matthew Passion, BWV 244 Pt. 1 No. 1, Kommt, ihr Töchter, helft mir klagen. Composed by Johann Sebastian Bach and performed by Bach Collegium Japan, conducted by Masaaki Suzuki DISC THREE: Two Organa, Op. 27 – 1 “Notre Dame des Jouets”. Composed and conducted by Oliver Knussen and performed by The London Sinfonietta DISC FOUR: Blue in Green - Miles Davis DISC FIVE: Living for the City - Stevie Wonder DISC SIX: Puccini: Madama Butterfly, Act II: Un bel dì vedremo. Composed by Giacomo Puccini and performed by Mirella Freni (Soprano) and Wiener Philharmoniker, conducted by Herbert von Karajan DISC SEVEN: Symphony of Psalms (1948 Version): III. Alleluja. Laudate Dominum - Psalmus 150 (Vulgata) Composed by Igor Stravinsky and performed by English Bach Festival Choir and The London Symphony Orchestra, conducted by Leonard Bernstein DISC EIGHT: Let's Say We Did. Composed by John Scofield and Mark-Anthony Turnage and performed by John Scofield, John Patitucci, Peter Erskine, Frankfurt Radio Symphony, hr-Bigband and Hugh WolfBOOK CHOICE: Rebecca by Daphne du Maurier LUXURY ITEM: A grand piano and tuning kit CASTAWAY'S FAVOURITE: St. Matthew Passion, BWV 244 Pt. 1 No. 1, Kommt, ihr Töchter, helft mir klagen. Composed by Johann Sebastian Bach and performed by Bach Collegium Japan, conducted by Masaaki Suzuki Presenter: Lauren Laverne Producer: Sarah Taylor

This week on the podcast is part one of interview with British entrepreneur, Rebecca Driver. She founded RDMR (Rebecca Driver Media Relations) in 2010 after having worked  in classical music PR at Dvora Lewis PR, as publicist at the BBC Proms, BBC Radio 3, and Head of Press at the English National Opera. Make sure you tune in to hear Rebecca's anecdotes and what she's learned over the years working with clients such as the Academy of St. Martin in the Fields and the Royal Liverpool Philharmonic Orchestra.  https://www.rdmr.co.uk/

Imogen Whitehead is a true trailblazer in the world of trumpet performance. Currently the principal trumpet of the Britten Sinfonia, Imogen has performed as principal trumpet with some of the world's most prestigious orchestras, including the London Symphony Orchestra and the Aurora Orchestra. Alongside her orchestral work, she has also carved out a dynamic solo career, commissioning and premiering new trumpet and flugelhorn music, and championing contemporary compositions.In this interview, we explore the wide-ranging facets of Imogen's career and the personal and professional steps she's taken to build her impressive path. We begin in Part 1 by talking about her recent experience touring with the London Symphony Orchestra, where she reflects on both her audition and the challenges and rewards of playing with such a renowned ensemble.We then move on to discuss her time with the Aurora Orchestra, an ensemble that performs much of its repertoire entirely from memory—a fascinating approach that Imogen describes in detail. She also shares insights into her experience premiering Anibal Vidal's Trumpet Concerto with the Britten Sinfonia, and how this commissioning project came to life.Throughout our conversation, we explore the career strategies Imogen has employed, including the importance of building personal connections and the role that social media has played in expanding her reach. Imogen also takes us back to her time as a student at the Royal Academy of Music, where she recalls a transformative lesson with the legendary Jim Watson.In the second part of our conversation [Subscriber Content], Imogen discusses further studies with Norwegian soloist Tine Thing Helseth in Oslo, shedding light on how brief but impactful experiences can shape a musician's growth. She also provides an inside look at the commissioning process for To Stay Open, a piece by Charlotte Harding inspired by the work of psychologist Pippa Grange.We end on a fun note, as Imogen shares the unique experience of playing in the recording and filming of Mahler's 2nd Symphony for the 2023 Film "Maestro", an American biographical romantic drama about Leonard Bernstein..Whether you're a young player, a seasoned professional, or simply a fan of music, this episode with Imogen Whitehead is sure to inspire you to take chances, put in the work, and grow both as a musician and a person.Would you like more inspirational stories, suggestions, insights, and a place to continue the conversations with other listeners? Visit anthonyplog-on-music.supercast.com to learn more! As a Contributing Listener of "Anthony Plog on Music," you'll have access to extra premium content and benefits including: Extra Audio Content: Only available to Contributing Listeners. Podcast Reflections: Tony's written recaps and thoughts on past interviews, including valuable tips and suggestions for students. Ask Me Anything: Both as written messages and occasional member-only Zoom sessions. The Show's Discord Server: Where conversations about interviews, show suggestions, and questions happen. It's a great place to meet other listeners and chat about all things music! Can I just donate instead of subscribing? Absolutely! Cancel at anytime and easily resubscribe when you want all that extra content again. Learn more about becoming a Contributing Listener @ anthonyplog-on-music.supercast.com!

South African soprano Pumeza Matshikiza has performed at many of the leading opera houses across Europe and the United States and released her debut album Voice of Hope, combining well-known arias with traditional and popular African songs. She has won critical acclaim in the title role of Aida at the State Opera Hannover, as the Fox in Janáček's The Cunning Little Vixen at the English National Opera and this summer performed at London's Classical Pride. She is about to accompany Bryn Terfel on a Christmas tour around the UK and joins Nuala in the studio to sing live.CensHERship is an organisation that looks into ways in which women's health companies are censored across both online and financial platforms. A new report from them sets out how even including a word like ‘vagina' in the launch of a sexual health product can mean that product is blocked. Co-founder of CensHERship Clio Wood joins Nuala to discuss what needs to be done and the findings of the report, alongside Tess Cosad, CEO and co-founder of Bea Fertility, and Farah Kabir, co-founder of Hanx – both of whom have experienced censorship of their business.Author Josie Lloyd joins Nuala to discuss her new novel featuring fictional Alice Beeton, the prim and organised owner of The Good Household Management Agency and distant relative of the real-life Victorian cookery and household writer Mrs Beeton. Alice and her ancestor share a love of recipes and an eye for detail, which comes in handy when Alice becomes involved in a cosy, Christmassy crime in Miss Beeton's Murder Agency. Presenter: Nuala McGovern Producer: Laura Northedge

This week on the podcast is part one of interview with British entrepreneur, Rebecca Driver. She founded RDMR (Rebecca Driver Media Relations) in 2010 after having worked  in classical music PR at Dvora Lewis PR, as publicist at the BBC Proms, BBC Radio 3, and Head of Press at the English National Opera.  Make sure you tune in to hear Rebecca's anecdotes and what she's learned over the years working with clients such as the Academy of St. Martin in the Fields and the Royal Liverpool Philharmonic Orchestra.  https://www.rdmr.co.uk/

Beethoven's first attempt at opera, Leonore, premiered in Vienna on 20th November, 1805. Attendance was sparse, due in part to Napoleon's recent invasion: the audience largely composed of French officers. And, unlike almost all his other work, the piece still has a reputation as ‘A Director's Graveyard'. Why? Possibly because the setting - a jail - is drab and uninspiring. Perhaps because the archetypal characters are mostly singing about their inner life. Or… maybe because it's all sung in German, and Beethoven didn't know how to write for singers? In this episode, Arion, Rebecca and Olly discover how the great composer made an initial impact on Austria thanks to his virtuoso piano skills, not his compositions; reveal the multiple occasions on which he attempted to re-work his flop (finally debuting a revised Fidelio in 1814 to great acclaim); and explain why Leonore was the Spider-Man of its day… Further Reading: • 'Fidelio: Story, Synopsis & More' (English National Opera):: https://www.eno.org/operas/fidelio/ • ‘Beethoven: Fidelio, By Peter Gutmann' (Classical Notes, 2014): http://www.classicalnotes.net/opera/fidelio.html • ‘Stage@Seven: Beethoven: Fidelio (Ouverture) - Andrés Orozco-Estrada' (Frankfurt Radio Symphony, 2020): https://www.youtube.com/watch?v=kQ8xsi42ubA Love the show? Support us!  Join 

Have you ever thought about how you breathe? For many of us, the 20,000+ breaths we take each day go underneath our conscious awareness. But every now and then, a short-lived spout or a chronic case of breathlessness can remind us just how vital good breathing is for our health. But can we all breathe “better”? Some wellness trends suggest so... James Gallagher gets to grips with mouth-taping: the practice of taping the mouth shut during the night to promote exclusive ‘nasal breathing'. Many claim it has improved their sleep, their athletic performance and even given them a more chiselled jaw. Ken O'Halloran, professor of physiology at University College Cork, explains what research has been done looking into this trend and warns about when taping might do more harm than good. James also visits The Coliseum in Covent Garden to hear how an operatic training programme has improved the quality of life for people living with Long-COVID. ENO Breathe, designed by The English National Opera and Imperial College Healthcare NHS Trust, has seen 4000 people learn to breathe like a classical singer to help them handle breathlessness. Creative director, Suzi Zumpe, and respiratory registrar, Keir Philip, talk through the programme and its impacts. Finally, could taking consciousness control of our breathing for a short time each day improve our health? Guy Fincham, researcher at the University of Sussex, dives into his PhD research on breathwork, including his initial studies looking at who might benefit from these practices. Presenter: James Gallagher Producer: Julia Ravey Content Editor: Holly Squire Studio Engineer: Giles Aspen Production Coordinator: Ismael Soriano This programme was produced in partnership with The Open University.

On this episode of the Fundraising Everywhere Podcast Live, host Simon Scriver chats with Marina Jones, Executive Director of Development at English National Opera, about why fundraisers love chasing shiny new ideas instead of learning from the past. Spoiler alert: fundraising wisdom from decades (even centuries) ago still works wonders today! They'll dive into some timeless tips rooted in behavioural science and explore how the fundraisers of the past mastered persuasion long before terms like "heuristics" and "nudges" existed. Plus, they'll tackle age-old challenges like emotional burnout, core costs, and showing impact – and how we can learn from history to solve them now. Individual Giving Conference is back again on 17th October! You can register here. Use discount code FEPODCAST for a 50% discount https://www.fundraisingeverywhere.com/product/individual-giving-conference-2024/?utm_source=Linkedin&utm_medium=Event&utm_campaign=2409IGLinkedinEvent&utm_content=link If you enjoyed this episode, hit follow and turn on notifications to be the first to know when new episodes drop. We can't wait to have you back! And thank you to our friends at JustGiving who make the Fundraising Everywhere Podcast possible.

The Paris games have just started - and France has made a concerted effort to ensure that this year's Olympics will have a legacy of physical activity for the whole population. However, mega sporting events don't always have that effect, and Fiona Bull, head of physical activity for the WHO, joins us to explain why it's increasingly important that they do. We'll also hear from Professor Sir Denis Perera Gray about how a lifetime of general practice, and why continuity needs to be at the heart of any improvement to primary care. Finally, Harry Brunjes went from being a village GP to the chair of English National Opera, and explains what the two careers have in common.   Reading list Olympic Games: linking sports mega events to population physical activity

Neil Armfield AO is a leading Australian director of theatre, opera and film. Alongside Rachel Healy, Neil was Artistic Director of Adelaide Festival between 2017 and 2022. Prior to that, Neil was the inaugural Artistic Director of Belvoir St Theatre, which he also co-founded, for 17 years.   As Artistic Director of Belvoir, and for other companies, Neil has directed well over 100 productions, with a focus on new and Indigenous writing, Shakespeare, David Hare and Patrick White.  Some highlights include; The Tempest, Hamlet, Up the Road, Summer of the Seventeenth Doll, Keating!, Toy Symphony, Dallas Winmar's Aliwa, Angels in America, A Cheery Soul, Signal Driver, The Blind Giant is Dancing and Things I KnowTo Be True. Neil's production of Arthur Miller's Death of a Salesman opened in late 2023 to glowing reviews. Produced by GWB Entertainment and Red Line Productions at Her Majesty's Theatre in Melbourne, it starred Anthony LaPaglia and Alison Whyte. After the success of the Melbourne season, the play will be presented at the Theatre Royal Sydney in May/June 2024.   In 2022, Neil directed the world premiere of the oratorio Watershed: The Death of Dr Duncan by Joseph Twist at the Adelaide Festival, and Glyndebourne Festival's production of Brett Dean's Hamlet at the Metropolitan Opera in New York. Neil directed the same production of Hamlet at Munich's Bayerische Staatsoper in July 2023. For the 2021 Adelaide Festival, Neil directed the Australian premiere of A German Life by Christopher Hampton, starring Robyn Nevin, as well as Britten's A Midsummer Night's Dream in the Festival Theatre. Later that year he directed an acclaimed production of Rameau's comic masterpiece Platée for Pinchgut Opera. In addition to his extensive work in Australia, many of Neil's productions have played internationally. These include Cloudstreet (toured to London, Dublin, Zurich, New York), The Diary of a Madman (with Geoffrey Rush, toured to Moscow, St Petersburg, New York), Exit The King (Broadway), The Book of Everything (toured to New York), The Judas Kiss (toured Australia with Bille Brown, London, New York and Toronto with Rupert Everett), The Secret River (adapted by Andrew Bovell, toured to Edinburgh Festival and London) and the world premiere of David Hare's I'm Not Running for National Theatre in London. Neil frequently collaborates with major opera companies, having directed productions at The Metropolitan Opera, English National Opera, Royal Opera House Covent Garden, Chicago Lyric Opera, Zurich Opera, Bregenz Festival, Washington National Opera, Opera Australia, Pinchgut, Canadian Opera, Welsh National Opera, and Houston Grand Opera. In addition to classics by Mozart, Britten and Wagner, Neil directed the premieres of Frankie and The Eighth Wonder by Alan John, Whitsunday by Brian Howard, Love Burns by Graeme Koehne and Bliss and Hamlet by Brett Dean. For screen, Neil directed and co-wrote the feature film Candy, starring Heath Ledger and Abbie Cornish, which screened at over twenty international films festivals including In Competition at the Berlinale. Neil was awarded Best Adapted Screenplay at the AFI Awards and an AWGIE for Best Screenplay. Neil's second feature film Holding the Man premiered at Sydney Film Festival in 2015. For television, Neil directed miniseries Edens Lost for ABC (AFI Award Best Director and Best Mini-Series), The Fisherman's Wake (by Andrew Bovell), which won an ATOM Award for Best Original TV Production, and Coral Island (by Nick Enright). Over his distinguished career, Neil has received 2 AFI Awards, 12 Helpmann Awards and several Sydney Theatre, Victorian Green Room and Sydney Theatre Critics Circle Awards. He holds Honorary Doctorates from Adelaide, Sydney and NSW Universities, and in 2007 was appointed Officer of the Order of Australia. The STAGES podcast is available to access and subscribe from Spotify and Apple podcasts.

Tom Service talks to Sir Mark Elder about the legacy that he is leaving behind him after 24 years as Music Director at the Hallé Orchestra. He talks to Tom about Charles Hallé and his mission to set up an orchestra for all the people of Manchester, and how his ethos is still central to the orchestra today. Not only has mark Elder evolved the sound of the orchestra and transformed music-making in Manchester, putting generations of choral singers associated with the Hallé centre stage, but he has forged an identity for Hallé as the orchestra to play British music, and particularly the works of Elgar. Mark Elder also talks to Tom about his tenure at English National Opera, and the current funding crises that face music in the UK. As he prepares to step down from the Hallé, he also reflects on how coincidental it is that he should have been destined for Manchester, once the home of his great Uncle. Norman Cocker, who was a well-known organist at the Cathedral there.

US-born Zachary James is a Grammy award winning actor and musician, who has had a lustrous career across stage and screen, having originated several iconic Broadway roles and sung with the world's greatest orchestras and opera companies, including The New York Philharmonic, Philadelphia Orchestra and NHK Symphony Tokyo to name a few.   He will be returning to the West End as ‘Hades' in the Tony and Grammy winning musical, HADESTOWN. The Broadway musical is making its long-awaited London premiere, and follows the entwining mythic tale of two love stories between Orpheus and Eurydice and that of King Hades of the Underworld and his wife Persephone. The show will open at the Lyric Theatre on 10th February, described by Vogue as ‘your next musical theatre obsession'.   After majoring in Musical Theatre at Ithaca College, James made his Broadway debut in CORAM BOY at the Imperial Theatre before playing ‘Thomas Hassinger' in the original cast of the Tony Award winning production of SOUTH PACIFIC (Lincoln Center). He then originated the role of ‘Lurch' in the Broadway musical of THE ADDAMS FAMILY (Lunt-Fontanne Theatre), followed by his professional operatic debut as ‘Abraham Lincoln' in THE PERFECT AMERICAN (Teatro Real) in Madrid, which was written specifically for Zachary by renowned composer, Philip Glass. He then revived the role on the West End for English National Opera and in Brisbane for Opera Queensland.   Following this, Zachary created the role of ‘Amenhotep' in the Olivier Award winning production of AKHNATEN on the West End for English National Opera, later reprising the role for The Metropolitan Opera and Los Angeles Opera. Other theatre highlights include the role of ‘John Claggart' in the Emmy Award winning PBS broadcast of BILLY BUDD (Des Moines Metro Opera), ‘Sweeney Todd' in SWEENEY TODD (Opera Omaha) and more.   Zachary made his first television debut alongside Tina Fey and Steve Martin as ‘Carl', a Federal Agent, on beloved American sitcom 30 ROCK before appearing on a number of series including MURPHY BROWN, LAW & ORDER: ORGANIZED CRIME, and THE BLACKLIST.

On this week's show we discuss questions and potential legal action over the politicisation of arts funding, as Kneecap are denied money by the British government and Arts Council England issues new guidance for anyone thinking of being controversial, plus the legal battle over royalties currently brewing between MLC and Pandora, and more. SECTION TIMES 01: Arts funding (00:04:23) 02: News in brief (00:14:54) 03: MLC v Pandora (00:16:46) (Timings may be slightly different due to adverts) THIS WEEK'S MAIN STORIES • UK Business Secretary Kemi Badenoch's decision to block MEGS funding for Kneecap “unlawful” says band as it prepares legal action • Arts Council says free speech and controversy is fine, but please follow a detailed risk assessment first • MLC sues Pandora over unpaid royalties NEWS IN BRIEF • Tributes pour in as BBC radio presenter Steve Wright dies • Musicians' Union reluctantly reaches deal with English National Opera over orchestra cutbacks • NTIA says nightlife faces cultural crisis after 400 club closures since 2020 • As another grassroots venue closes, MVT renews calls for a ticket levy ALSO MENTIONED • Music industry welcomes German ruling holding TikTok liable for unlicensed content

[@ 4 min] Can't wait to find out who'll win the AFC and NFC conferences? In 'Chalk Talk', we pick the Super Bowl contenders with our patented opera prediction method… [@ 24 min] Jonathan Cohen takes a 'Free Throw' on the different national approaches of performance practice in early music. The cellist, harpsichordist, and conductor nerds out with Oliver on Baroque stuff in advance of his debut with Chicago's MOB… [@ 36 min] In the ‘Two Minute Drill'… Will the English National Opera chorus finally go on strike…? GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 @operaboxscore IG operaboxscore

Marina Abramović is an artist renowned for performances and feats of endurance, in which her body is pushed to its limits. She has moved, scandalised and delighted audiences for half a century, and is now celebrated by world-leading galleries and institutions. Marina was born in Belgrade in 1946. Her parents were honoured as war heroes for their work for the Partisan resistance movement, and both took up senior roles in the post-war Yugoslav government. Marina became interested in painting during her childhood, and went on to study art. She first made her name as a performance artist in her 20s, creating events which often shocked viewers – and were equally traumatic for her. In 1974 she placed 72 objects, including sharp tools, a whip and a loaded pistol, on a table and invited gallery goers to use them on her, however they wished. She was attacked and left scarred, and part of her hair went white. For many years she led a nomadic existence, creating works with her partner, the German artist Ulay. In 1997, in response to the war in Bosnia, she created a prize-winning work for the Venice Biennale, in which for four days she attempted to scrub the blood from a vast pile of cow bones. In 2010 her exhibition at the Museum of Modern Art in New York attracted almost a million people, many queuing for hours for a chance to sit opposite her in silence as part of her marathon performance The Artist is Present. More recently her work has been celebrated in a major retrospective exhibition at the Royal Academy in London, along with performances at English National Opera, marking the centenary of Maria Callas. DISC ONE: Aria from The Goldberg Variations. Composed by Johann Sebastian Bach German composer and musician, performed by Igor Levit DISC TWO: Norma, Act 1: "Casta diva". Composed by Vincenzo Bellini, performed by Maria Callas (soprano) and Coro del Teatro alla Scala di Milano DISC THREE: 4 Degrees - Anohni DISC FOUR: Paloma Negra - Chavela Vargas DISC FIVE: Private Dancer - Tina Turner DISC SIX: Sherab Nyingpo Mantra (The Heart Sutra) - Tashi Lhumpo Monks DISC SEVEN: Piano Concerto No. 21 in C Major, K. 467 - 2. Andante. Composed by Mozart and performed by Mitsuko Uchida (piano), with the English Chamber Orchestra, conducted by Jeffrey Tate DISC EIGHT: Rum And Coca-Cola - The Andrews Sisters BOOK CHOICE: In Search of the Miraculous by Peter D Ouspensky LUXURY ITEM: A cashmere blanket CASTAWAY'S FAVOURITE: Sherab Nyingpo Mantra (The Heart Sutra) - Tashi Lhunpo MonksPresenter Lauren Laverne Producer Sarah Taylor

Scotland-based American conductor Kellen Gray is Assistant Conductor of the English National Opera and Assistant Conductor of the Royal Scottish National Orchestra. He's attuned to the orchestral repertory, including Bela Bartok, Antonin Dvorak, Aaron Copland, and Ralph Vaughan Williams. He's also passionate about championing African-diasporic composers, and has two critically acclaimed albums - African-American Voices 1 and 2 - with the Royal Scottish National Orchestra. Suzanne spoke with Kellen Gray about his introduction to music growing up in South Carolina, and how it continues to impact his work as a conductor.

Marina Abramovic is an artist who for more than fifty years has pushed her mind and body to their limits - whether walking into a fire and almost dying from smoke inhalation, being stripped and attacked while passively allowing the public to manipulate her with tools and weapons, or sitting without interruption in MOMA for more than 700 hours facing the public. She's currently in London playing Maria Callas on stage at the English National Opera; and she's got a major retrospective of her work at the Royal Academy. We brought her together for a live ons stage interview with the director of the design museum, Tim Marlow, to talk about Nomadic Journey And Spirit of Places - her new book collecting notes, sketches, poetry, and doodles made while travelling. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Lucinda and Rory are joined by Sophie Tebbetts, head of programmes at the food poverty charity FoodCycle, to learn about the different techniques used to attract and retain the charity's 15,000 volunteers.Sophie explains how FoodCycle's roots in universities have informed its volunteer strategy and enabled it to maintain a healthy roster of volunteers, most of whom fall within the 25 to 45 age range. She stresses the importance of flexibility and streamlined induction processes, as well as open communication channels with the charity's core team and events to recognise and celebrate the critical role played by FoodCycle's volunteers.Charity Changed My Life features the story of the forces veteran Brian Brown, who received vital support from Help for Heroes during his recovery from an alcohol addiction and post-traumatic stress disorder.Also in the episode, Rory sheds light on the news of strike-off action initiated against the English National Opera and the surprise departure of its music director.Do you have stories of people whose lives have been transformed for the better thanks to your charity? If so, we'd like to hear them! All it takes is a short voice message to be featured on this podcast. Email lucinda.rouse@haymarket.com for further information.Tell us what you think of the Third Sector Podcast! Please take five minutes to let us know how we can bring you the most relevant, useful content. To fill in the survey, click here.Read the transcript. Hosted on Acast. See acast.com/privacy for more information.

Duncan Rock is a singer and a nutritionist who works with the likes of Vocal Health Education and The Voice Care Centre. He returns to the podcast to discuss the topic of understanding singing and fitness. KEY TAKEAWAYS People often think the benefits of exercise are just weight loss and gaining muscle, but the far more important benefits are around increasing the length and quality of your life.  Exercise also increases your cardiovascular, metabolic, muscular, neurological, digestive and mental health.  Being strong and having good cardiovascular health can be valuable on stage, especially if you're playing a demanding role. An example often given is the role of Don Giovanni in Mozart's Don Giovanni, which requires a fight in the very first scene.  For some people, exercise decreases the time it takes for their body tissues to recover from strenuous work. This is because when you exercise regularly, your blood flow, metabolic health and cellular healing tend to improve. The fitter you are, the more it benefits you. Performers should be mindful of the three pillars of fitness: strength, mobility and cardiovascular endurance. Duncan cautions singers against doing just one type of activity as they may experience hyper-adaptation to that activity over time. This will be to the detriment of your other capacities. Duncan believes that singing teachers often get it wrong when they warn students against lifting weights out of fear it will ruin their voice. He thinks singers need to be mindful of not developing muscular imbalances that could lead to excessive tension and high threshold strategies. These high threshold strategies refer to the unnecessary overworking of muscles, which can impact the vocal mechanism. BEST MOMENTS‘Exercise is one of the best things you can do to increase your length and quality of life' ‘It doesn't matter how good your technique is, if you're out of breath, you're not going to be able to do it'‘People who have high cardiovascular health, their vocal tissue recovers faster' ‘Address each part of the pillar as its own goal' ‘There is no relation to the visibility of someone's six-pack and its rigidity or flexibility'‘Don't do crunches, I don't think it's necessary' ‘Getting the right amount of nutrients from whole foods is infinitely more important than nutrient timing'  EPISODE RESOURCES Website: duncanrocknutrition.com  Social Media:  Instagram: @duncanrock_nutrition  Relevant Links & Mentions:  Singing Teachers Talk Podcast - Ep. 100 The Truth About Singing and Dairy with Nutritionist Duncan Rock  Sussex Back Pain Clinic: https://www.sussexbackpainclinic.co.uk/ Claudia Hodgson-Rodriguez: @claudia.theatrefit Exercises mentioned: Pallof Press; Woodchop; Kettlebell Halo; Deadlift; Romanian Deadlift; Bench Press; Push Ups; Pull Ups/Downs; Rows; Rucking  Mahant Amar Bharati Ji  Firas Zahabi Tristar Gym: https://tristargym.com/trainers/firas-zahabi/ Stephen King and The Voice Care Centre: https://voicecarecentre.co.uk/stephen-king/ ABOUT THE GUEST Duncan is a graduate of the Guildhall School of Music and Drama (London) and West Australian Academy of Performing Arts. He has an active career as an operatic baritone performing roles at many of the world's leading opera houses, including the Metropolitan Opera, Royal Opera, Glyndebourne, English National Opera, Teatro Real and the Boston Lyric Opera. As a baritone soloist, he has recorded and performed with the London Symphony Orchestra and the BBC Symphony Orchestra. Duncan also works as a nutritionist and nutritional science writer. He holds a Masters of Science in Nutritional Science and an advanced diploma in nutrition and weight management. His speciality is combining his parallel fields of study and providing nutritional information for performing artists. He is cognisant, from an academic and personal standpoint, of the heavy demands of a busy performing and travel schedule. He has been using his knowledge of diet and nutrition to propel his own career and help other performers attain optimal vocal and physical health. Duncan is now part of the team at the Sussex Back Pain Clinic.MMus MMperf MSc MRSPH ABOUT THE PODCASTBAST Training is here to help singers gain the knowledge, skills and understanding required to be a great singing teacher. We can help you whether you are getting started or just have some knowledge gaps to fill through our courses and educational events.Website: basttraining.comGet updates to your inbox: Click here for updates from BAST TrainingLink to presenter's bios: basttraining.com/singing-teachers-talk-podcast-biosThis show was brought to you by Progressive Media

We meet Daniel Lismore live at Hay Festival 2023!Daniel is a London-based artist. He was born in Bournemouth and raised in Fillongley Village on the border of Coventry. Although he started his career as an artist from the perspective of the outsider, working as a photographer within a year he had moved in front of the lens as a model, later emerging as a creative consultant for Mert & Marcus, Steven Klein, David LaChapelle and Ellen von Unwerth. Lismore has been named by Vogue as ‘England's Most Eccentric Dresser'. In 2017 he was selected in the top hundred of the Out 100 List. In 2018 and 2020 he was named in the top hundred, Guardian's Pride Power List.​In 2016, Daniel Lismore became the Circuit Ambassador for the Tate Museums. Here, Lismore hosted his first two exhibitions in Tate Modern 2012 and Tate Britain 2013 featuring self-portraits.​Daniel Lismore's first book, ‘Be Yourself, Everyone Else Is Already Taken,' published by Rizzoli in 2016, documented the 32 figurative sculptures of Lismore which comprised his first USA museum exhibition. The exhibition was co-curated by Raphael Gomes and Savannah College of Art and Design and was later displayed at Miami Art Basel. In May 2017 Lismore exhibited at the Venice Biennale. In June 2018, Lismore curated a month-long show of his work at Harpa Hall in Iceland as the highlight of the Reykjavik Arts Festival. The exhibition subsequently toured Europe, opening at the Pan Museum in Naples and Stary Brower Gallery in Poznań, Poland. The exhibition has been attended by over 150,000+ visitors. In April 2019 Lismore gave a TED Talk at the main TED conference in Vancouver, titled "My Life as A Work of Art" in which he spoke about his life as a Living Sculpture.​In September 2019, Lismore opened Naomi Campbell's Fashion for Relief runway show at the British Museum revealing one of the first costumes he designed for the English National Opera (in collaboration with Swarovski) for Harrison Birtwistle's iconic opera The Mask of Orpheus which was staged at the London Coliseum. ​During the Covid-19 pandemic, Lismore resided between Coventry and London working on LGBTQ+ activism and new artworks. His show Be Yourself, Everyone Else is Already Taken was opened in February 2022 in Coventry UK City of Culture at the Herbert Art Gallery and Museum it attracted around 50,000 guests from all over the world.​In 2021 Lismore took a selection of his show Be Yourself, Everyone Else is Already Taken and exhibited them at the Victoria and Albert Museum in London as part of their Fashion in Motion program. This was also his debut performance as a performance artist. He joined the sculptures exhibiting himself as a statue between his works to deliver a dialogue under a mask to confuse the audience.​In 2023 Lismore exhibited “Studio Visit” a site-specific installation based on the studio environment that is instrumental to his practice, aiming to give visitors a unique insight into the creative process and the development of his work in Giant Gallery Bournemouth, co-curated by Stuart Semple. Follow @DanielLismoreVisit: https://www.daniellismore.com/ Hosted on Acast. See acast.com/privacy for more information.

EPISODE 1548: In this KEEN ON episode, Andrew talks to Peter Cave, the author of HOW TO THINK LIKE A PHILOSOPHER, about the scholars, dreamers and sages who can teach us how to live Peter Cave read philosophy at University College London (UCL) and King's College, Cambridge. He has held lectureships in philosophy at UCL, University of Khartoum, Sudan, and City University London; he was an associate lecturer for many many years at the Open University (and is now Honorary) and New York University (London). Further, he is a principal examiner for the Chartered Insurance Institute. Peter is a Fellow of the Royal Society of Arts, Honorary Member of Population Matters, former member of the Council of the Royal Institute of Philosophy and Chair of Humanist Philosophers – and is a Patron of Humanists UK. He is also a keen supporter of the Wigmore Hall and for some years English National Opera (now under unjustified funding cuts). He was elected to The Athenaeum Pall Mall Club in 2007. Author of numerous philosophical papers, both serious and humorous, Peter's particular interests are paradoxes, ethical matters and life and death dilemmas. He has given guest philosophy lectures at, for example, Copenhagen, Stockholm and Bucharest and has edited collections and written articles for various publications. In previous decades, he was columnist on taxation and money myths for The Investor magazine. Peter has scripted and presented BBC radio philosophy programmes – from a series on the Paradox Fair to more serious ones on John Stuart Mill. He often takes part in public debates on religion, ethics and socio-political matters, in Britain and on the Continent – and believes that one should ‘stand up and be counted' when faced with some horrors, horrors that are often the result of religious belief or unbridled enthusiasm for capitalism. Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children. Learn more about your ad choices. Visit megaphone.fm/adchoices

Fin Ross Russell is joined by Ross Middleton to talk through an action-packed first Semi. They explore Croatia's return to the Grand Final, Serbia's status as contest trend-setters and Norway's nervous moments. Fin also takes a pre-show trip to the Eurovillage to watch the English National Opera perform Eurovision covers with some special guests. The post Eurovision Insight Podcast: Daily News From Liverpool, Wednesday 10th May appeared first on ESC Insight - Home of the Unofficial Eurovision Song Contest Podcast.

The acclaimed British theatre director, Tinuke Craig embarks on her opera debut at the English National Opera with Blue, a tale of police violence in America and its impact on a New York family. The opera has been composed by the Tony award-winning Jeanine Tesori, with a libretto by Tazewell Thompson. Anna Bailey follows Tinuke and her operatic collaborators as she embarks on a challenging new chapter in her career.

The singers Enrico Caruso and Elsie Houston, a new opera at ENO and links between musical and artistic traditions in Latin America, Europe and New York are explored by the academics Ditlev Rindom and New Generation Thinker Adjoa Osei. Plus the baritone Peter Brathwaite has an exhibition of lockdown photographs in which he recreates the poses of black people portrayed in paintings from the last 800 years opening in Bristol (the photographs have also been published in a book) and has a musical work in progress, shown at the ROH, which explores his family's Barbadian history. Shahidha Bari hosts Blue runs at English National Opera from April 20th - May 4th Adjoa Osei is organising a conference at Trinity College, the University of Cambridge on April 28th called Performing Black Womanhood Dr Ditlev Rindom is a British Academy Postdoctoral Fellow at King's College, London currently finishing his first book, Singing in the City: Opera, Italianità, and Transatlantic Exchange, 1887-1914 Peter Brathwaite's Insurrection: A Work in Progress was performed at the Royal Opera House and you can hear more about his research in this Sunday feature for BBC Radio 3 Rebel Sounds: Musical Resistance in Barbados https://www.bbc.co.uk/programmes/m001hg3t An exhibition of his photographs Rediscovering Black Portraiture is at Bristol Museum and Art Gallery from April 14th to July 16th. A book accompanies the show. You can find his Essay series about the portraits on BBC Sounds https://www.bbc.co.uk/programmes/m000nbrl Producer: Torquil MacLeod

This episode is very special! It marks 100 episodes of the BAST Singing Teachers Talk podcast! We just wanted to take a second to do a massive shout out to all of the incredible guests we've spoken to and also you, our amazing listeners! To thank you for joining us, we're running a special giveaway to win over a thousand pounds worth of educational videos, knowledge and singing teacher goodness! All you need to do to enter is take a screenshot of this episode of the podcast playing on your device, pop it on your story and tag @basttraining. That's it! You're entered! We'll be announcing winners over on Instagram and Facebook so give us a cheeky follow. Competition entry ends at midnight tonight so get screenshotting! On to the podcast and on this milestone episode we're joined by Duncan Rock, a graduate of the Guildhall School of Music and Drama who has an active career as an operatic Baritone performing roles at many of the world's leading opera houses. He is a nutritionist working with the likes of Vocal Health Education and The Voice Care Centre and is currently training to be a physiotherapist.    KEY TAKEAWAYS   Singers have a ritual of avoiding eating chocolate before singing because they think as it naturally contains caffeine, it will dry you out and constrict the muscles around your vocal cords. It's also an acid reflux trigger, creates more phlegm, and it coats the back of the throat giving you a flatter sounding voice. Duncan believes this is just a performative act people give as there is very little evidence that it will actually have any effect.  Liquids that are emulsive, whether dairy or not, can create the feeling of thickness and can feel like they leave a sticky residue in your throat. This goes away with time and you can even just wash it off with a glass of water.  Sugar has long term effects on our health that happens over time with large consumption. It will not have any short term effects on your voice. We do need to watch our sugar intake, but this is just a long term health risk rather than a vocal one.  In Duncan's opinion, trying to manage chronic inflammation and digestive health seems to have the best overall net result for any vocal health issues around mucus and reflux. Chronic inflammation is becoming more of an issue due to stress and the amount of processed food we eat.  It's a myth that Duncan has heard at every single level of his career in classical music that if you are fit and exercise then you can't sing opera. Pavarotti was an amazing singer despite his weight, not because of it.    BEST MOMENTS   ‘Dairy does not create mucus, this is a myth' ‘You're just as likely to experience the same thing with a soy based drink as with dairy' ‘These lists of best food for singers you find online are rarely based on anything substantial'   EPISODE RESOURCES  Guest Website: www.basttraining.com Social Media: duncanrocknutrition.com  Social Media:  Instagram: @duncanrock_nutrition  Relevant Links & Mentions:  Vocal Health Education: vocalhealtlh.co.uk Pubmed: https://pubmed.ncbi.nlm.nih.gov/ Singing Teachers Talk Podcast: Ep. 60 The Best Nutritional Do's and Don'ts for Singers with Stephanie Moore: https://linktr.ee/basttraining?utm_source   ABOUT THE GUEST    Duncan is a graduate of the Guildhall School of Music and Drama (London) and West Australian Academy of Performing Arts. He has an active career as an operatic Baritone performing roles at many of the world's leading opera houses including the Metropolitan Opera, the Royal Opera, Glyndebourne, English National Opera, Teatro Real and the Boston Lyric Opera. As a baritone soloist, he has recorded and performed with the London Symphony Orchestra and the BBC Symphony orchestra. Concurrently with his performing career, Duncan works as a Nutritionist and Nutritional Science Writer. He holds a Masters of Science in Nutritional Science and an advanced diploma in nutrition and weight management. His speciality is combining his parallel fields of study and providing nutritional information for performing artists. He is cognisant, from both an academic and personal standpoint, of the heavy demands of a busy performing schedule that often includes the demands of rigorous travel. He has been using his knowledge of diet and nutrition to propel his own career as well as help other performers attain optimal vocal and physical health. MMus MMperf MSc MRSPH   ABOUT THE PODCAST   BAST Training is here to help singers gain the knowledge, skills and understanding required to be a great singing teacher. We can help you whether you are getting started or just have some knowledge gaps to fill through our courses and educational events. Website: basttraining.com Get updates to your inbox: Click here for updates from BAST Training Link to presenter's bios: basttraining.com/singing-teachers-talk-podcast-biosSee omnystudio.com/listener for privacy information.

Hugh Jackman talks to Samira Ahmed about his role in Florian Zeller's new film The Son, in which he plays a father struggling with his child's mental health issues. Kevin Jared Hosein, who won the Commonwealth Short Story Prize in 2018, talks about his first novel for adults. Hungry Ghosts tells the stories of the marginalised Hindu people of Trinidad, focusing on a family who, close by a luxurious estate, live in poverty in a ‘barrack', in the early 1940s. Philip Oltermann, the Guardian's Berlin bureau chief tells us why, despite it winning Best Film at the BAFTAs last night, critics in Germany are not showering praise on Netflix's German-language film, All Quiet on the Western Front. And in the light of funding cuts and plans for English National Opera to be moved out of London, the former head of Opera Europa Nicholas Payne and English Touring Opera's chief Robin Norton-Hale discuss what a strategy for opera in the UK could look like. Presenter: Samira Ahmed Producer: Paul Waters

Beijing denies Washington's claims it was being used to spy on the US. Also: Thousands of Israelis protest in Tel Aviv against the plans by the Netanyahu government to give itself more powers over appointing judges, and the English National Opera prepares to stage a newly translated version of Wagner's The Rhinegold.

[@ 4 min] We go ‘Inside the Huddle' with conductor Gil Rose, founder of Odyssey Opera and the Boston Modern Orchestra Project. The companies just completed the second run of John Corigliano's “Lord of Cries” and are preparing the East Coast premiere of the Oliver Sacks opera “Awakenings”… [@ 34 min] In the ‘Listener Mailbag'… A field report on the American Opera Initiative… [@ 37 min] In the ‘Two Minute Drill'… Who blinked in the game of opera chicken between English National Opera and Arts Council England…? We're back with an all-new show next week when we go ‘Inside the Huddle' with soprano Kerriann Otaño, Opera Delaware's VP of Engagement… Join us! SHOW NOTES Gil Rose: https://www.gilroseconductor.com/biography Odyssey Opera: http://www.odysseyopera.org/ BMOP: http://www.bmop.org/ AWAKENINGS: https://tobiaspicker.com/opera/awakenings AOI: https://www.kennedy-center.org/education/opportunities-for-artists/competitions-and-commissions/american-opera-initiative/ ENO: https://www.bbc.com/news/entertainment-arts-64305759 GET YOUR VOICE HEARD operaboxscore.com facebook.com/obschi1 @operaboxscore IG operaboxscore

American composer Michael Torke joins conductor Devin Patrick Hughes on One Symphony. Michael Torke's music has been hailed as "some of the most optimistic, joyful and thoroughly uplifting music to appear in recent years" by Gramophone, and the composer has been commissioned by such orchestras as The Philadelphia Orchestra, the New York Philharmonic, and the San Francisco Symphony; and  by ballet and opera companies around the world including the Met and the English National Opera. He has been commissioned by Disney and Absolute Vodka, has written incidental music for The Old Globe Theater, and has been composer in residence with the Royal Scottish National Orchestra. Beginning his career with exclusive contracts with Boosey and Hawkes, and Decca Records, he now controls his own copyrights and masters through his publishing company, Adjustable Music, and record company, Ecstatic Records. Hailed as a "vitally inventive composer" by the Financial Times and "a master orchestrator whose shimmering timbral palette makes him the Ravel of his generation" by the New York Times, Michael Torke's recent work, SKY, written for violinist Tessa Lark, was a finalist for the 2020 Pulitzer Prize, and was nominated for a Grammy for best classical instrument solo.   Thank you for joining us for on One Symphony. Thanks to Michael Torke for sharing his music and insights, you can get more info at https://www.michaeltorke.com. Works of his heard today include Ecstatic Orange, Time, Bright Blue Music, Being, Sky, and Four Proverbs. Thank you to all amazing performers featured on today's show including: David Zinman & the Baltimore Symphony Michael Torke and the Michael Torke Orchestra American Modern Ensemble David Alan Miller, Tessa Lark, & the Albany Symphony Lester Flatt & Earl Scruggs Catherine Bott and the Argo Band And thanks to Michael Torke, Ecstatic Records, Albany Records, Columbia Records, and Decca Music Group for making the show possible. You can always find more info at OneSymphony.org including a virtual tip jar if you'd like to support the show.  Thanks to Mary and Diane for making this episode possible! Please feel free to rate, review, or share the show! Until next time, thank you for being part of the music!

A program at the English National Opera uses singing techniques to help long COVID patients breathe a little easier. We talk to Suzi Zumpe, creative director of the English National Opera's Breathe program; and participant Joanna Herman.

By Andrew McCaldon The extraordinary and explosive relationship between director Alfred Hitchcock and the film composer Bernard Herrmann. Recorded live at Alexandra Palace with the BBC Concert Orchestra playing Herrmann's scores from the partnership's iconic films - Vertigo, North by Northwest and Psycho. Bernard Herrmann ..... Tim McInnerny Alfred Hitchcock ..... Toby Jones Alma Hitchcock ..... Joanna Monro Lucy Anderson/Tippi ..... Tara Ward Lew Wasserman/Cary/Paul ..... Jonathan Forbes BBC Concert Orchestra conducted by Ben Palmer Produced by Neil Varley and Tracey Neale Directed By Tracey Neale By the late 1950s Herrmann and Hitchcock – known to each other as ‘Benny' and ‘Hitch' – have formed the most famous composer-director partnership in film history, creating masterpieces of cinema together, including Vertigo, North by Northwest and Psycho. But with tensions growing between the two maverick artists and change afoot in the movie industry, Benny and Hitch's collaboration and friendship comes to a catastrophic end at a recording session for the film Torn Curtain. But who is really responsible for the break-up? From beyond the grave, Benny and Hitch set out to determine which man has blood on their hands? Recorded in front of an audience at Alexandra Palace and starring two stellar actors, Tim McInnerny and Toby Jones, this thrilling and witty drama, will feature performances of Bernard Herrmann's music by the brilliant BBC Concert Orchestra. Writer: Andrew McCaldon worked with the BBC as a key creative on Ten Pieces, for which he wrote a series of acclaimed films and BBC Proms concerts. He has also combined music and drama in numerous shows for the BBCCO, BBCSO and the BBC Singers. Other recent writing work includes: Wemba's Dream, a community music-drama event with the Royal Philharmonic Orchestra, for which Andrew acted as Creative Director (2021); Abracadopera!, an original TV opera-comedy-drama, created and written by Andrew for English National Opera and broadcast on Sky Arts and Sky Kids (June 2022); and Gnomus, a site-specific play for Puppets With Guts staged at Stonehenge (April 2022). Cast & Performers: Tim McInnerny has just finished filming One Day for Netflix and plays the lead role in the forthcoming film Killers Anonymous. He can be seen in Ten Percent, the UK version of Call My Agent and also appeared in Game of Thrones. Toby Jones can be seen in The English for the BBC. Other work includes Jon S. Baird's Tetris for Apple TV and Sam Mendes's film Empire of Light, due for release in January. He will also appear in the forthcoming Indiana Jones film. Joanna Monro has been a member of the BBC Radio Drama Company several times. Her TV credits include Doctors and Doctor Who. She was a presenter on That's Life and her theatre credits include Blood Brothers and Mamma Mia! Tara Ward has worked in film, television, stage and radio. Recent appearances were in the film Justice League and Sky TV's Riviera. She played Mrs March in Radio 4's Little Women. Tara has written a number of books on personal development. Jonathan Forbes played the lead role in the film Conspiracy of Silence. TV highlights include Hornblower, Foyle's War and Black Mirror. He played Sharon Hogan's brother in Catastrophe for Channel 4. He also starred in Radio 4's returning series Tracks. The BBC Concert Orchestra appears on Radio 2's Sunday Night Is Music Night as well as exploring music from classical to contemporary on Radio 3. Soundtracks include Blue Planet and Serengeti for BBC 1 and in February it worked with over 20 artists for Radio 2's Piano Room Month. It appears annually at the BBC Proms and at London's Southbank Centre. The Conductor, Ben Palmer is Chief Conductor of the Deutsche Philharmonie Merck in Darmstadt and Babylon Orchester Berlin and Artistic Director of Covent Garden Sinfonia. He is one of Europe's most sought-after specialists in conducting live to picture. Next year he conducts the German tour of Star Wars: Episode VII - The Force Awakens. Production Team: Directed by Tracey Neale Produced by Neil Varley & Tracey Neale Production Co-Ordinators, Ben Hollands, Ayesha Labrom & Hannah O'Reilly Technical & Outside Broadcast Team: Chris Rouse, Alison Craig, Gilly Chauhan, Simon Nicklinson and Jon Wilson

Lucy Prebble, acclaimed playwright and Succession screenwriter, talks to Tom about the return of I Hate Suzie Too, her TV collaboration with Billie Piper about a B-list celebrity making a reality TV comeback, following an intimate phone hacking scandal. Immersive and interactive exhibitions, performances and ‘experiences' are everywhere, from the Frida Kahlo exhibition at the Reel Store in Coventry to a Peaky Blinders experience in London. Tom is joined by author Laurence Scott and art critic Rachel Campbell-Johnson to ask if we've reached peak immersion. After having its funding slashed and being told it must move out of London, where does the English National Opera go from here? Manchester has been mooted, although there are reports that the Arts Council may be about to grant the ENO a reprieve. The company's chief executive Stuart Murphy will give us an update, and we'll hear from Richard Mantle, chief executive of Leeds-based Opera North, which tours to cities including Greater Manchester. And Manchester-based opera singer Soraya Mafi, who has performed with ENO, explains what the move might mean to her. Image: Billie Piper as Suzie Pickles in I Hate Suzie Too Photographer: Tom Beard Copyright: Sky UK Ltd.

Paul Boross is joined by ENO chairman, executive, and founder of Premier Medical Group Dr. Harry Brunjes. Brunjes has built a career as a force to behold in boardrooms of companies, surgeries and the English National Opera. “There are many ways to lead. I personally find comedy and being light-hearted works best.” Hear Dr. Harry Brunjes discuss how lightness, laughter, and leadership go together like a symphony. Dr. Brunjes provides all of the tips, tricks, and stories you need to bring a sense of humour into any business or boardroom only on The Humourology Podcast. Hosted on Acast. See acast.com/privacy for more information.

Lara Feigel and Tom Shakespeare review Netflix's new adaptation of Lady Chatterley's Lover, starring Emma Corrin. The English National Opera stages an operatic reimagining of It's a Wonderful Life, the classic 1946 Christmas film, by the composer Jake Heggie and librettist Gene Scheer. Jake joins Samira. The casting of Ukrainian actors who have arrived here escaping the conflict, with actors Kateryna Hryhorenko and Yurii Radionov, and casting directors Olga Lyubarova and Rachel Sheridan. And the death has been announced of Dr Feelgood guitarist Wilko Johnson. We hear an extract from his memorable interview on Front Row following what he thought was a terminal diagnosis. Presenter: Samira Ahmed Producer: Sarah Johnson

[@ 6 min] George goes ‘Inside the Huddle' for a double header with two of the team behind “Gods of the Game”, the football opera that opened at Grange Park Opera in England. The discussion kicks off with company's founder and chief executive Wasfi Kani and concludes with cast member Milly Forrest… [@ 33 min] Friend of the Show Larry Brownlee takes a ‘Free Throw' on the comic-tragic role of Rameau's Platée, the star bel canto tenor's first French Baroque role… [@ 40 min] In the ‘Two Minute Drill'… With government funding for British opera houses in turmoil, English National Opera may put the company's home court advantage at risk…. Next week, we go ‘Inside the Huddle' with soprano Megan Gillis... Join us! SHOW NOTES Lawrence Brownlee: https://www.youtube.com/watch?v=RUfgrHrEs1g Good Call: https://www.npr.org/sections/goatsandsoda/2022/11/06/1127221864/when-she-left-ukraine-an-opera-singer-made-room-for-a-most-precious-possession operaboxscore.com facebook.com/obschi1 @operaboxscore IG operaboxscore

Arts Council England have announced the most dramatic shift in funding for decades, diverting investment from London towards other parts of the country. The Chair of Arts Council England, Sir Nicholas Serota, Stuart Murphy of English National Opera, which is set to relocate out of London, and arts journalist Sarah Crompton discuss the details. Director Tas Brooker discusses her new film When We Speak, a documentary about female whistleblowers, including Rose McGowan and Katherine Gun, whose evidence lifted the lid on abuse and corruption. To mark the start of the COP 27 climate conference in Egypt, Samira explores the art of the infographic and the appeal of data visualisation with Professor Ed Hawkins, creator of the viral Show Your Stripes temperature change graphic and information designer Stefanie Posavec. Presenter: Samira Ahmed Producer: Ellie Bury Image: Show Your Stripes infographic representing the global average temperature for each year since 1850 to 2021 (data source: UK Met Office) Credit: Creator: Professor Ed Hawkins, National Centre for Atmospheric Science, University of Reading Licensor: University of Reading Licence: Creative Commons

Today the planned rail strikes have been cancelled at the 11th hour. Is this an indication that a deal may be soon reached to end the months of disruption?  Also on the podcast, after it was announced that Arts Council England would cut its funding, it looks like the English National Opera will be forced out of London. Is this 'levelling up'?  Katy Balls speaks to Fraser Nelson and James Forsyth.  Produced by Oscar Edmondson.

As Grandson of George V, George Lascelles was a first cousin to Queen Elizabeth II and with his distinguished beard and Nero style jackets, he was the very image of aristocracy, moving in the highest of royal circles, yet it was in the Royal Circles of Britain's opera houses that he felt most at home. It was at English National Opera North (now Opera North) that Lesley Garrett first met George. With their shared love of all things musical, and both proudly from Yorkshire, they developed a friendship that was to last a lifetime. Having survived capture during the Second World War (deepening his knowledge of opera whilst interned as a prisoner of war), he dedicated much of his time to making opera accessible to all. He strove to deliver the best of opera for everyone, with a genuine passion and commitment that inspired all those he worked with. During his career he served as Director of The Royal Opera House, Chairman of the Board of The English National Opera, Managing Director of the ENO, Managing Director of English National Opera North (now Opera North) and outside of opera he served as a Governor of the BBC and President of the British Board of Film Classification. His other great passion was football. He served as President of Leeds United Football Club from 1961 until his death and was President of the Football Association from 1963 to 1972. As Lesley recalls, he believed that both music and sport were 'levelling', that in these worlds there were no kings or paupers. Throughout his life he supported both of these passions, opening doors for everyone, instilling values of accessibility that live on till this day. He died on 11th July 2011 aged 88. Lesley is joined by Professor Alexandra Wilson, a musicologist, author and cultural historian, specialising in Italian opera and British operatic culture from the 1920's to the present day. Presented by Matthew Parris Produced by Nicola Humphries for BBC Audio Bristol