Podcast appearances and mentions of jonathan burrows

I denne episoden snakker dansekunstnerne i Bøler Samvirkelag – Ingeleiv Berstad, Ida Gudbrandsen, Kristin Ryg Helgebostad, Pernille Holden, Marianne Kjærsund, Sigrid Kopperdal, Venke Marie Sortland og Marie Bergby Handeland – om hvordan et studiofellesskap på Bøler og et ønske om å virke utøvende i prosjekter la utgangspunktet for et dansekompani i form som et samvirkelag. De forteller om sitt nyeste prosjekt, Balladen om Bøler Samvirkelag, og sitt samarbeid med med koreograf og komponist-duoen Jonathan Burrows og Matteo Fargion. Balladen om Bøler Samvirkelag vises på Dansens Hus 13. - 16. mai 2025.Episoden er på norsk.Dansens Hus Podcast er produsert av formidlingskonsulent ved Dansens Hus, Jonas Øren. Musikken er skapt av Basmo Beats. 

What does it take to scale a home service business, exit successfully, and then turn around and coach the next generation of leaders? Tim Brown (Hook Agency) sits down with Jonathan Burrows to unpack the truth about private equity, leadership culture, and why popular gurus may not always have the receipts.They discuss the power of a people-first culture, change management in roofing, and how to coach with real-world experience. If you're leading a growing roofing company or a home service brand—this episode delivers honest, actionable insights on building lasting impact.

Wendy Houstoun in conversation with David Eastaugh https://www.wendyhoustoun.com/ Edgehill University Performance coming up. You can book for this show - or Manchester Lowry 14th March 8.00 pm or Soho Theatre March 20th-23rd 7.00 pm Wendy Houstoun is a director, choreographer and performance maker who was worked  with experimental movement and theatre forms since 1980. Her solo works Haunted Daunted and Flaunted, Happy Hour , The 48 Almost Love Lyrics  , Desert Island Dances and  50 ACTS  have all toured Europe , Australia and the US. Works were made with long collaboraters composer John Avery, lighting designer Nigel Edwards who also act as directorial voices Collaborative work with companies and individual artists include: Lloyd Newson and DV8 Physical Theatre , Tim Etchells and Forced Entertainment , Charlotte Vincent and Vincent Dance Company, film-maker David Hinton, dancer Jonathan Burrows, composer Matteo Fargion, performer Nigel Charnock, dancer Rachel Krische, artist Terry O'Connor ,  performance artist Rose English, Gloria Theatre, Lumiere & Son Theatre, Ludus Dance Comapany   in theatre and site specific pieces , films and installations.

Music journalist and author Emma Warren joins Jude on this week's episode of Songbook to discuss Brian Belle-Fortune's in-depth, self-published history, All Crews: Journeys Through Jungle/Drum & Bass.They also cover a multitude of topics including the challenges and joys of self-publishing, the 90s outside of britpop, the bravery of being the first person on the dance floor, and much more.Emma's new book Dance Your Way Home: A Journey Through the Dancefloor is an intimate foray onto the dancefloor, part-memoir, part-social and cultural history, publishing on 16th March 2023 Dance Your Way Home: A Journey Through the Dancefloor a book by Emma Warren. (bookshop.org)Books mentioned in the podcast:Make Some Space: Tuning Into Total Refreshment Centre by Emma Warren *Audiobook* Make Some Space: Tuning into Total Refreshment Centre | Emma Warren | Sweet Machine Publishing (bandcamp.com)Document Your Culture by Emma Warren *Audiobook* Document Your Culture | Emma Warren | Sweet Machine Publishing (bandcamp.com)Bass, Mids, Tops: An Oral History of Sound System Culture by Joe Muggs and Brian David Stevens Bass, Mids, Tops: An Oral History of Sound System Culture a book by Joe Muggs and Brian David Stevens. (bookshop.org)All Crews by Brian Belle-Fortune All Crews Book - All CrewsA Choreographer's Handbook by Jonathan Burrows A Choreographer's Handbook a book by Jonathan Burrows. (bookshop.org)Reggae Bloodlines: In Search of the Music and Culture of Jamaica by Stephen Davis and Peter Simon Reggae Bloodlines: In Search of the Music and Culture of Jamaica by Simon, Peter,Davis, Stephen: Good Paperback (1992) | WeBuyBooks (abebooks.co.uk)A Quick Ting On Afrobeats by Christian Adofo A Quick Ting On Afrobeats a book by Christian Adofo. (bookshop.org)You can buy the paperback edition of Jude's The Sound of Being Human: How Music Shapes Our Lives here: The Sound of Being Human a book by Jude Rogers. (bookshop.org) Finally, White Rabbit's Spotify Playlist of 'booksongs' - songs inspired by books loved by our guests - is here: https://open.spotify.com/playlist/7chuHOeTs9jpyKpmgXV6uo Hosted on Acast. See acast.com/privacy for more information.

The three-way conversation begins with introductions from guest curator Daniela Perazzo, then delves into the notion of intimacy and touch in life and in performance, discussing Charlotte's new work Written in the Body, and moving into how practices of wellness and support can exist within artistic work. Finally, we discuss the role of language in Charlotte's work. This is the first episode in a two part mini-series on the theme of 'Re-enchanting British dance,' guest-curated by Daniela Perazzo and supported by Kingston University. Both episodes are three-way conversations between an invited artist, a member of the podcast team, and Daniela Perazzo. Bios: Charlotte Spencer is a choreographer, teacher, curator, mentor and performer. She initiates all projects for Charlotte Spencer Projects, often working across art forms and in outdoor environmental contexts. Charlotte was recipient of a Bonnie Bird Choreographic Development Award in 2020. She has received commissions from The Place, Wellcome Collection, Greenwich Dance, Trinity Laban, Salisbury International Art Festival, South East Dance, Jerwood Galleries, Turner Contemporary, Siobhan Davies Dance and Brighton & Hove Libraries. Charlotte was a Sadler's Wells Summer University Artist 2015-18 led by Jonathan Burrows and Eva Martinez, and Artist Activator at Greenwich Dance 2014-17. She has worked closely with Siobhan Davies Dance since 2010 on a variety of projects, notably leading Next Choreography 2014-16 - their choreography programme for Young People. Charlotte was a priority artist for Dance Dialogues 2 2012-14 and Tour d'Europe des Choreographes 2010/2011. Charlotte graduated from London Contemporary Dance School in 2003 with a 1st Class BA (Hons). She is also in the midst of building a house in Brighton and hanging out with her young child.Petra Söör (collaborator, Written in the Body) is a dancer, maker and facilitator, working in a range of contexts including with Fevered Sleep, Charlotte Spencer Projects, Simone Kenyon, Robert Clark, Robin Dingemans, Carrie Cracknell and the National Theatre. Alongside solo work her own practice often proposes collaborative processes within a diversity of environments, projects include Sleeping a Walking Mountain and Undanced Dances, currently evolving interests in person-centred approaches to movement, tactile pedagogy and different modalities of touch to support health and wellbeing.Louise Tanoto (collaborator, Written in the Body) is a dance-artist based between Belgium and the UK. She trained at Laban and was a member of Transitions 2007. Louise is currently touring with Oona Doherty and Daniel Linehan as well as Charlotte Spencer Projects. Her performance credits within the UK include; Gecko, J Neve Harrington, Requardt & Rosenberg, Tilted Productions, Lost Dog, Damien Jalet and Hussein Chalayan. In Europe she has performed for Kabinet K, Eszter Salamon, Thierry de Mey, Ugo Dehaes, T.R.A.S.H (Netherlands) and was a member of Fabulous Beast. Louise is also a mother. Julia Pond is a choreographer, researcher and teacher. An expert in Isadora Duncan technique and repertory, her contemporary research interests and performance are at the intersection of dance and politics. Her fictional company and performance project, BRED, explores notions of value and productivity. Julia is also a TECHNE-funded PhD student at Kingston University, for her project exploring re-articulations of 'value' towards sustainability through dance and movement knowledges. Daniela Perazzo is a dance and performance scholar with a specialist interest in the intersections of the aesthetic and the political in interdisciplinary movement practices and experimental dramaturgical processes. She joined Kingston University London in 2014, having previously taught at the University of Surrey. She is a Senior Lecturer in Dance and Postgraduate Research Coordinator for the Department of Performing Arts and the School of Arts. Her first monograph, Jonathan Burrows: Towards a Minor Dance, was published by Palgrave Macmillan in 2019.Read more and links: https://www.charlottespencerprojects.org/ Full creative team credits for Written in the BodyConcept & Direction: Charlotte SpencerPerformance: Petra Söör and Louise TanotoSound: Alberto Ruiz SolerDramaturgy: Orrow Amy BellDesign: Bethany WellsCostume: Shanti FreedLighting: Marty LangthorneProducing support: Pip Sayers & Lou RogersPhotography & Film: Rosie PowellAudio Description: Shivaangee AgrawalBSL: Katie FenwickThe 'making' of movement and words : a po(i)etic reading of Charlotte Spencer's Walking Stories (Article by Daniela Perazzo)https://eprints.kingston.ac.uk/id/eprint/37237/Im/possible choreographies : diffractive processes and ethical entanglements in current British dance practices. Dance Research Journal, 51(3), pp. 66-83. ISSN (print) 0149-7677 (Article by Daniela Perazzo) https://eprints.kingston.ac.uk/id/eprint/43913/

Jonathan Burrows trained as a dancer with the Royal Ballet before forming his own group and developing his career as a choreographer. He collaborates widely and his longstanding work with the composer and performer Matteo Fargion has continued over decades. In this conversation we explore the idea of choreography within and beyond the world of dance.  http://www.jonathanburrows.info https://vimeo.com/showcase/burrowsfargion

On our first episode of Interdisciplinary month, your co-hosts Martheya and Azaria interview Norwegian choreographer and performer Mette Edvardsen. In this episode, we go behind the screen and talk about Mette’s artistic career, performance preservation and time scale, repetition, the gap between stage and audience, her work Time has fallen asleep in the afternoon sunshine, and dance as a performing art. Special thanks to Jonathan Burrows for connecting us for this interview.  Show kNOwtes: http://www.knowboxdance.com/podcast.html kNOwBOX dance Film Festival: https://filmfreeway.com/knowboxdancefilmfestival

Many people are reinventing themselves under lockdown. So, when an email popped into my inbox 10 days ago inviting me to 15 minutes of smiling, laughing and connecting to boost my immune system and lift my mood for the rest of day, I thought 'Yes...that's exactly what we ALL need' so I made a podcast about it. Flora Wellesley Wesley is a dancer, choreographer, teacher and writer and sits on the council of Equity (choreographers' seat). She is also a founder member of Nora, a contemporary dance ensemble who make highly original work constantly challenging boundaries. In this podcast we hear pieces of Nora's work woven through Flora's laughter workshop and a sung portrait of her made for '52 portraits' at Sadler's Wells.“When you laugh, you change and when you change the whole world changes around you.” – Dr Madan Kataria, medical doctor and founder of Laughter Yoga.Daily classes are listed at www.florawellesleywesley.com.'52 Portraits' is a digital project by choreographer Jonathan Burrows, composer Matteo Fargion and video maker Hugo Glendinning. Flora's song was performed by Francesca Fargion.'BLOODY NORA! 'Concept, writing, choreography and direction: Liz Aggiss Music: Richard Strauss Also Sprach Zarathustra played by Portsmouth Sinfonia; Dead Belgian (by kind permission) Mazurka Limouson and Ne Me Quitte Pas; Johan Sebastian Bach Sheep May Safely Graze (Extract) and Prelude No. 5 in D; Alan Boorman/Wevie Hornpipe.'Digging' Choreography: Simon Tanguy. Text: Eleanor Sikorski, Simon Tanguy and Flora Wellesley Wesley. Dramaturgy: Marzena Krzemińska.Guest appearance at the end by Emily and Lucy Vermont (recorded for BBC Radio 5 in December 1991).

Many people are reinventing themselves under lockdown. So, when an email popped into my inbox 10 days ago inviting me to 15 minutes of smiling, laughing and connecting to boost my immune system and lift my mood for the rest of day, I thought 'Yes...that's exactly what we ALL need' so I made a podcast about it. Flora Wellesley Wesley is a dancer, choreographer, teacher and writer and sits on the council of Equity (choreographers' seat). She is also a founder member of Nora, a contemporary dance ensemble who make highly original work constantly challenging boundaries. In this podcast we hear pieces of Nora's work woven through Flora's laughter workshop and a sung portrait of her made for '52 portraits' at Sadler's Wells.“When you laugh, you change and when you change the whole world changes around you.” – Dr Madan Kataria, medical doctor and founder of Laughter Yoga.Daily classes are listed at www.florawellesleywesley.com.'52 Portraits' is a digital project by choreographer Jonathan Burrows, composer Matteo Fargion and video maker Hugo Glendinning. Flora's song was performed by Francesca Fargion.'BLOODY NORA! 'Concept, writing, choreography and direction: Liz Aggiss Music: Richard Strauss Also Sprach Zarathustra played by Portsmouth Sinfonia; Dead Belgian (by kind permission) Mazurka Limouson and Ne Me Quitte Pas; Johan Sebastian Bach Sheep May Safely Graze (Extract) and Prelude No. 5 in D; Alan Boorman/Wevie Hornpipe.'Digging' Choreography: Simon Tanguy. Text: Eleanor Sikorski, Simon Tanguy and Flora Wellesley Wesley. Dramaturgy: Marzena Krzemińska.Guest appearance at the end by Emily and Lucy Vermont (recorded for BBC Radio 5 in December 1991).

Jonathan Burrows' main focus now is an ongoing series of duets with the composer Matteo Fargion, which have gained an international reputation and continue to tour widely including to Sydney, Australia where we sat down at Critical Path to talk about:   making dances being a ballet dancer photo shoots in the mustang gentrification late capitalism creating iconic pieces cultural dances commercialisations of dance being different from art as practise interconnected communities dance being a material artform writing, translating and reading scores (but those not being the subject of the work) dancing as a parallel practise hiphop dance culture hiphop as a political form     people mentioned:   mette edvardsen Bojana Kunst - podcast dan daw Joe Moran Jonzi D honda solar car racing team katie duck Iñaki Azpillaga - youtube  

Mette Edvardsen om: Jonathan Burrows, foredrag på Dramatikkens hus 11/10-2016 by Dramatikkens hus

"I think that equality comes with assymetry and that it's not necessary for roles to be symmetrical for there to be equality." - Chrysa Parkinson In the first episode of season three, Angela and Jana speak to Chrysa Parkinson on the creativity of the dancer: the work of dance, the authorship of the dancer, and whether excessive praise is how we pay artists in lieu of a living wage. After many years in New York, working with Tere O'Connor Dance among others, Chrysa Parkinson now lives in Brussels. In Europe, she performed initially with Thomas Hauert and David Zambrano, and later with Boris Charmatz, Rosas/Anne Teresa De Keersmaeker, Jonathan Burrows, Mette Ingvartsen, Phillip Gehmacher, Eszter Salomon, John Jasperse, Deborah Hay, Meg Stuart. She is an esteemed pedagogue, teaching annually at PARTS, and currently serving as Director of the New Performative Practices MFA program at DOCH/Uniarts in Stockholm. Chrysa Parkinson would say that her current practice is performance. "I don't really like the idea that there's 'the body'. I don't know what 'the body' is: there's this body, my body, your body... there's no 'the body' disenfranchised from its psyche and its context. It doesn't really exist." - Chrysa Parkinson This, first episode of season three, was very special to us: returning after the summer break, recording in Kieran Ruffles' new studio, with a distinguished international guest. Chrysa was in Australia as part of Adrian Heathfield's project Ghost Telephone, presented by the Biennale of Sydney, and invited to Melbourne by Dancehouse, as part of the Keir Choreographic Award public program. Chrysa floored us with her humility, and the articulacy with which she defined the agency of dancer - going beyond being just a 'material' for a choreographer's mind. Discussed in this episode: dance as manual labour, choreography as middle management; working with Deborah Hay; Richard Sennett arguing with Hannah Arendt about the importance of handiwork; the split between thingliness and beingness; who owns a choreography?; teaching as 'trafficking in procedures'; differences in audiences between New York and Europe, where afterwards at the bar other artists just say 'hi'; and can praise replace a living wage? "I am always attended by what I called the 'art dog', which is just there: pretty big, at my shoulder, a little bit of a nice wet nose, it's kinda looking around, it sees: 'that's life, that's art'." - Chrysa Parkinson Enjoy and stay tuned: we have more exciting and stimulating conversations to come. Podcast bibliography: Moriah Evans: Interview with Chrysa Parkinson (SARMA) Chrysa Parkinson: Self-Interview on Practice (Vimeo) For more information about Chrysa Parkinson’s work, visit her webpage at DOCH. This series of AUDIOSTAGE has been commissioned by DANCEHOUSE as part of the 2016 Keir Choreographic Award Public Program and was generously supported by the Keir Foundation.

Une proposition de Jonathan Burrows « Je considère que l'idée du Temps a émergé parce qu'en prenant conscience, ou en comprenant, que notre expérience se présente comme une suite de changements, nous éprouvons le besoin de la mesurer. » Victoria Lady Welby, in Time as Derivative (1907) Le chorégraphe Jonathan Burrows imagine une soirée de performances sur le temps, les choses et le rapport au rythme. La pièce de Mette Edvardsen, Black, est un solo sur l'apparition des choses, l'artiste étant le médiateur entre son public et le monde qu'elle rend visible. Counting To One Hundred est la dernière création de Jonathan Burrows et du compositeur Matteo Fargion, prolongeant ainsi leur hommage et leur réflexion sur Lecture on Nothing de John Cage. Quant à la pièce Cosas -- les choses en espagnol -- elle est décrite par son auteur, Alma Soderberg, comme une pièce qui essaie de relier à peu près tout avec presque tout le reste.

Jonathan Burrows, Matthew 20:1-16

Jonathan Burrows, Romans 7:1-6

Jonathan Burrows, John 1:9

Jonathan Burrows, 1 Corinthians 15:3-4

Jonathan Burrows, Ephesians 4:1-6

Jonathan Burrows, Acts 1-2

Jonathan Burrows, Mark 3:1-16

Jonathan Burrows, Psalm 92