Podcasts about Publicity

My co-host Ken Suzan and I are welcoming you the episode 176 of the IP Fridays Podcast. Today's interview guest is returning guest Franklin Graves, who is a senior counsel at Linkedin and teaching IP law at Emerson College. With my co-host Ken Suzan he is discussing how the law for creators has dramatically changed in the past years. Franklin Graves is expressing his personal views and not the views of Linkedin or Microsoft. He is talking about the paper “Upload Complete” before he joined Linkedin. Bio: https://www.linkedin.com/in/franklingraves/ Paper: https://papers.ssrn.com/sol3/papers.cfm?abstract_id=5271442 Website: https://creatoreconomylaw.com/ But before we jump into this interview, I have news for you! Richard Meade, a judge on the UK High Court and one of the most prominent figures in European patent law, was appointed Lord Justice of Appeal at the British Court of Appeal on June 12, 2026. Meade played a key role in numerous landmark British patent decisions, particularly in the area of standard-essential patents (SEPs) and FRAND licenses. In Insulet Corp. v. EOFlow Co., No. 2025-1807, the U.S. Court of Appeals for the Federal Circuit completely overturned the original $452 million judgment (which had already been reduced by the District Court to $59.4 million) in favor of Insulet. In its decision of June 2, 2026, in the case of Fujifilm v. Kodak, the UPC Board of Appeal provided comprehensive clarifications regarding so-called “long-arm jurisdiction”—that is, the question of whether the UPC can also rule on national patent claims outside the UPC territory (such as in the United Kingdom). In 14 guiding principles, the judges established specific procedural rules for various categories of cases. There is no automatic UPC jurisdiction over national patent claims outside the UPC territory. The Munich Regional Court has issued an arrest warrant against the managing director of Polytech Health & Aesthetics GmbH because he is alleged to have continued to exploit the Brazilian company Silimed's patent for breast implants despite a preliminary injunction. A number of IT and automotive industry associations—which are among the most frequent users of Inter Partes Reviews (IPR) at the U.S. Patent and Trademark Office—have filed an amicus brief with the Supreme Court, urging the Court to grant Google's certiorari petition. An attorney for a Las Vegas performer has asked a California federal judge to temporarily prohibit Taylor Swift from using “The Life of a Showgirl” as a trademark while the trademark lawsuit is pending. Swift's attorney called the lawsuit baseless. And now let's hear Ken discuss creator law with Franklin! AI, Platform Law, and the Creator Economy: What Businesses Need to Know Now Franklin Graves has spent his entire career watching digital content move through systems that most people never see. He started in marketing at a major music label right out of law school, then represented individual creators on YouTube in a pro bono capacity, then moved to the platform side at Eventbrite, and today works as Senior Product Counsel at LinkedIn, where he focuses on AI, data, and the regulatory questions that come with both. His recently published law review article, Upload Complete: An Introduction to Creator Economy Law, is the first academic paper to address the creator economy as a distinct legal field. In a recent episode of the IP Fridays podcast, he spoke with host Kenneth Suzan about responsible AI development, platform regulation, and what it actually means to own your audience in a world where the rules keep changing overnight. From Content Creator to Platform Lawyer The through-line in Graves’ career is a genuine understanding of how content moves from an idea in someone’s head to an audience on a screen. That experience, he argues, is precisely what in-house counsel needs right now. Lawyers working on AI and product development cannot afford to sit at a distance from the technology they are advising on. They need to use the tools, experience them as a creator or end user would, and understand the nuances of how a product actually operates before it reaches the public. Understanding the product first is the precondition for everything else. That philosophy translates directly into how he approaches responsible AI implementation. The landscape of AI standards is crowded: NIST frameworks, the EU AI Act, sector-specific guidance, and a growing body of industry-adopted best practices. The challenge for in-house counsel is not knowing that these standards exist. It is making them actionable for the engineering and product teams they support. Abstract principles need to become concrete controls and workflows. Graves offers one practical shortcut: most companies already have open source software review processes that involve the right stakeholders, the right sign-off levels, and the right security checks. Layering the specifics of generative AI or large language models onto those existing processes is far more efficient than building something new from scratch. A Fragmented Regulatory World The geopolitical dimension of AI regulation is something Graves thinks about constantly in his role at LinkedIn. The EU AI Act, shifting US executive orders, and country-specific approaches to data privacy have created a regulatory environment that can change the rules of the game without warning. His analogy is instructive: creators have long understood what it means to build a community on a platform they do not own. An algorithm change, a policy update, or a government ban can wipe out years of audience-building overnight. Businesses deploying AI tools globally now face a structurally similar problem. The response, for creators and for platforms alike, is to build resilience rather than rely on stability that may not last. TikTok is the clearest recent example. When the platform faced the prospect of being shut down in the United States on national security grounds, it triggered a broader conversation about platform dependence that had been building for years. Creators who had invested their entire business in one platform suddenly confronted the possibility that their audience could simply disappear. The lesson is not that platforms are bad. It is that concentration of any kind, whether it is your audience, your data pipeline, or your regulatory compliance strategy, creates fragility. What Is a Creator, Legally Speaking? One of the central contributions of Graves’ law review article is definitional. The terminology matters more than it might seem. When courts and regulators talk about creators without a shared understanding of what that word means, the resulting legal analysis tends to miss the mark. Graves draws a distinction between users who post content, creators who post with the intent to build an audience and eventually monetize it, and influencers, a subset of creators who are actively running a small business through their content. The difference is intent. A parent posting family photos on Facebook is a user. Someone building a subscription community around their professional expertise is running a business, and the legal framework that applies to them should reflect that. That distinction matters practically when it comes to liability. As more creators build their own platforms, whether through custom membership sites, open source tools like Ghost, or federated social networks, they take on obligations that previously fell to large platforms: content moderation policies, privacy notices, terms of service, and compliance with data regulations across multiple jurisdictions. A creator in Tennessee running a membership platform with subscribers in Germany is operating a global business, whether they think of themselves that way or not. Protecting Children Online: A Question Without a Clean Answer The tension between age verification and privacy is one of the more difficult problems in platform law right now. Australia, several European countries, and a growing number of US states have introduced or passed minimum age requirements for social media accounts. The technical challenge is real: verifying age online requires collecting identifying information, and collecting identifying information creates privacy risk, particularly for the young people the laws are designed to protect. Who should bear the responsibility for that verification is also unresolved. Is it the platform? The app store? The mobile operating system? Graves does not pretend there is a clean answer, but he points to the mobile layer as an underexplored option. The Apple App Store and Google Play Store already have significant leverage over which apps reach users on their devices. Whether that leverage should extend to age verification is a question that deserves more attention than it currently receives. The Right of Publicity in the Age of AI Voice cloning, digital replicas, and AI-generated synthetic media have pushed the right of publicity into territory that traditional IP law was not designed to cover. Trademark law, copyright law, and existing publicity rights each capture part of the problem but none of them covers it completely. The result, as Graves describes it, is a period of experimentation: lawyers filing trademarks on vocal sounds and phrases, states updating their publicity statutes to explicitly mention artificial intelligence, and entertainment unions negotiating over who controls a performance and any AI-generated iterations of it. Tennessee’s Elvis Act is a concrete example of the legislative response: the state updated its right of publicity law to include voice and to reference AI directly. Similar efforts are underway elsewhere. The underlying challenge is calibrating protection so that it gives creators and performers meaningful control over their likeness and voice without foreclosing the development of generative AI systems that depend on broad rights to process and learn from content. Somewhere between those two interests, a workable legal framework needs to emerge. The brand deal context may be where the issue becomes most immediately practical. When a brand partners with an influencer and the campaign involves generative AI in any form, the contract needs to address control explicitly. Who has final approval over how the influencer’s likeness or voice is used in AI-generated deliverables? What happens to those assets after the campaign ends? These are not hypothetical questions. They are contract drafting problems that any brand counsel or creator attorney should be addressing today. What Comes Next Graves is cautious about predictions, but his sense of direction is clear. The regulatory environment will continue to fragment before it converges. The right of publicity will be updated, imperfectly, in more jurisdictions. Creators will continue to move toward owning more of their infrastructure. And the lawyers who do this work best will be the ones who understand the technology well enough to translate it into practical, defensible decisions for the people they advise. Full Transcript: Ken Suzan: Thank you, Rolf. Our returning guest today is Franklin Graves. Franklin is the founder and editor of Creator Economy Law, a website and newsletter that educates creator economy professionals on the intersection of law and policy with the world of creators, brands, and platforms. Franklin also published the first law review article focused on the creator economy, Upload Complete, an introduction to creator economy law. He regularly appears across news and media outlets as a commentator and contributor with a focus on educating creators and raising awareness of all legal aspects of the creator economy. Franklin is based in Nashville, Tennessee. Ken Suzan: Franklin was invited to participate as one of the creators and creator economy professionals in the first ever White House creator economy conference. Franklin works full time as a product counsel at LinkedIn Corporation. As a member of the product and data team, he focuses on emerging issues in AI and data. Franklin previously held roles on the technology law group at HCA Healthcare, the commercial legal team at Eventbrite, and the business and legal affairs team at Naxos Music Group. Welcome back Franklin to the IP Fridays podcast. Franklin Graves: Thank you so much for having me. It is exciting to be back and reflecting over the last decade since I last joined and also the paper that I wrote that dives into this in more detail. So I really appreciate it. And yes, full disclosure, I currently work for LinkedIn, which is a subsidiary of Microsoft. I’m here in my personal capacity to talk about this, the paper I wrote before joining LinkedIn and all of that. So thank you so much for having me back. Ken Suzan: Excellent. So Franklin, since your last appearance on IP Fridays in 2017, your career has evolved significantly. You are now senior product counsel at LinkedIn focusing on AI and data. How has working inside a major tech platform changed your perspective on the legal frameworks governing digital content compared to when you were viewing it purely from the creator side? Franklin Graves: I appreciate that question because when I wrote the article, I did not work for LinkedIn. And I had been coming from a history in my career where I, right out of law school, worked for a record label like we talked about almost 10 years ago. And I was on the content creation side. I’ve represented a major distributor of classical music digitally at the time. And that was my first exposure to understanding how content was taken from the initial inception stage from creators and routed through all the various digital platforms that were at the time still evolving and even arguably still today continue to evolve. The early days of YouTube Music launching and then Apple Music launching, and then going through all the phases of high-res audio and everything that came after that. So that was an interesting perspective to start my career with. And then I went to Eventbrite, which is a ticketing platform, but was also focused on elevating event creators. They kind of took on that moniker of “Hey, we are event creators that we support.” And that was arguably my first exposure to the platform side, the tech platform side of it, because Eventbrite is a platform. And so then I evolved from there in my personal capacity, in a pro bono capacity representing individual creators across the YouTube space. And that’s what we talked about a little bit back when I first came on the podcast. Franklin Graves: Over the last decade, it’s been a chance to grow my own understanding of the creator economy. The terminology “creator economy” came around. And then now on the other side of it, having written the article and all that, and now being fully in-house at LinkedIn, I truly am experiencing a social media platform. LinkedIn is of course arguably way more than just the platform itself. There are so many different avenues to it, but it is a chance for me to understand what it is like working for a company that is operating the platform that people are distributing content on. There’s a user journey to content and all of that. So it’s definitely enhanced and given me a different perspective from a major tech platform side. And part of my role at LinkedIn is really heavily focused on understanding regulation and how that from an AI and data perspective impacts the company. And so I’ve been really leveling up my game over the last year and a half that I’ve been here, understanding mostly EU regulations, but also US regulations that are still in their infancy when it comes to AI. But really when it comes to privacy and data, those are pretty well established across the board. It’s been kind of a combination of what I learned at Eventbrite, because I went to Eventbrite when GDPR was going into effect. And so that was an eyes-wide-open moment of getting in the weeds with negotiating data processing agreements, understanding data transfers and cross-border data transfers and the like. So it’s been kind of an evolution as the laws and regulations have evolved. So has my career, so has my own understanding, so have the platforms’ responses to those laws and regulations. And I’m sure that probably resonates with a lot of your listeners who have also been growing their practice and their understanding as the laws and regulations in this realm have been evolving too. Ken Suzan: Yes, indeed. Now let’s switch gears and talk about AI. You advise on AI and data daily. As platforms integrate generative AI tools into their tech stacks, what are the most critical best practices in-house counsel should be adopting right now to embed responsible AI principles into product development? Franklin Graves: So as an attorney, one of my key roles is to understand the technology. Even representing creators and working for creator platforms, that’s something I’m constantly trying to do: put myself in the shoes of being a creator. And I think I talked about this last time I was on, but I come from a background where I was working for a major label doing marketing, video editing, social media work. And I was creating content. I understood the whole life cycle from the inception point of an idea to execution and then to the final delivery and distribution of that content to an audience within a major music label. And so part of that is the same thing that I think attorneys, especially in-house, should be doing: using the tools that the product and engineering teams are either developing in-house or partnering with third parties to develop, or a combination of the two. Using them, understanding them, using them as a creator would, using them as an end user or a client or customer would. And making sure that if you understand the product and understand the nuances of how it operates, and being a part of the iterations of that internally before it fully ramps, that really gives you a chance to understand: okay, we have a lot of responsible AI principles and standards and protocols that are in existence right now, whether it’s NIST, whether it’s based on the EU AI Act or anything and everything in between. It’s understanding how to apply those and bring those into a product and an engineering environment in a way that is practical and actionable for the people that you’re supporting, the stakeholders you’re supporting. So I think one of the critical best practices is, number one, understand the product or features that you’re supporting. Franklin Graves: And then understand how you as an attorney can use your expertise and understanding of responsible AI practices, whether it’s a regulatory standard or an industry-adopted standard or a hybrid of the two, to leverage those and implement those, break those down and make them into actionable controls and processes and flows that work within your existing infrastructure. That’s a lot of high-level talk, but that’s the general idea. One concrete example we talk about frequently is with open source AI. If you’re working with a product team or an engineering team that is taking an off-the-shelf open source model and bringing that in-house, a lot of times companies have pre-existing open source processes that cover the use of open source software or code. Piggyback on that. That’s the easiest quick win for attorneys: leveraging your existing open source processes to just build on top of that the AI flavor and layering. It’s not very much that you have to do, but the underlying process of the key stakeholders that need to be involved in the review, whether it’s security, whether it’s executive sign-off if it gets to that point, even export control considerations should already be part of your existing open source software process. So layering in on those existing processes the specifics of generative AI or large language models that you’re trying to bring in is a great way to put this into practice. Ken Suzan: Now looking at the geopolitical landscape that we currently have, we have the EU AI Act setting strict standards and shifting US executive orders. How should platforms and brands prepare for this fragmented regulatory environment when deploying AI tools to a global user base? Franklin Graves: It’s a great question. It’s something that is still evolving, I think is fair to say. I would equate it, as I do in the paper that I wrote, to how creators and arguably brands don’t own the platforms that they’re building their communities on. That spawned this concept of de-platforming or going into building your own platform, a decentralized platform of sorts, and owning your community. That gives you that control and takes away the level of instability that can come for creators trying to build a business on a platform they don’t own, they don’t control when certain updates happen, when algorithms change, when tools and functionalities either become available or go away completely. So it’s very similar to what we’ve been experiencing in a regulatory environment where we have geopolitical complexities, for lack of a better term, that can overnight seemingly disrupt the way in which a platform or even a multinational brand is able to connect and reach an audience or continue to leverage the user base that they’ve built. I think TikTok is a great example of that, where it became a national security concern and suddenly it was facing an executive order that required it to be effectively disabled in the US or completely owned and operated by a US entity. All the mechanics and technicalities of whether it’s actually possible and still have a global platform with a global user base is a whole different discussion. But that’s an example of very similar considerations that are now not just a discussion point at the creator level or the individual brand level, but also in a much broader context at a platform level as well. Ken Suzan: Franklin, let’s now shift gears and talk about your article. In your recently published journal article, Upload Complete, which we will have linked in our show notes, you advocate for a shift in terminology from internet creator law, a term used during our first podcast almost a decade ago, to creator economy law. Why is this distinction important and how does it change the way legal practitioners should view the ecosystem of creators, brands, and platforms? Franklin Graves: Oh yes, this is part of the reason why I wanted to write the article: to lay this foundation of understanding. Because at the time I’d written the article, the term creator economy and creator had really not appeared but for maybe once in an actual court decision. And it was kind of focused on influencers and this concept, and it was just not getting it right. And so it was also, as you mentioned, when we first spoke I was even using the term internet creators. And I think that was something that was common at the time. The “internet” portion as a qualifier has since dropped off. And now for purposes of the creator economy, the term creators refers to individuals, it can be small businesses, which is what we’ve seen from a regulatory standpoint, how these small businesses are being impacted by regulations. But essentially creators in the article I pin in the context of intent. What is the intent behind the person or the small business that is posting content, trying to build a community and form a community in a virtual environment? And then that can even spill over into real physical world environments. And so the intent is kind of what I look at. Franklin Graves: And I have a chart in the article that has a diagram showcasing the overlap of what I refer to as “users generating content.” It’s a play on the concept of user-generated content, UGC. Users generating content is that large bucket of anyone posting on a platform of some kind. And within that large bucket, that large circle, are smaller subsets. You have creators, you have brands. Those are really the two buckets you can put people into. Otherwise it’s like your grandmother or your parents posting content on Facebook or Instagram, and those are everyday users of a platform. The distinction to get into that subcategory of being a creator more so has been analyzing the intent behind the posting. Are you posting content to build an audience, to build a community, to eventually have a chance to monetize the following that you’re bringing in or sell services or something like that? Brands are posting for that reason. Creators are maybe posting for that same reason. But even within the creator category, there’s a subcategory of influencers that are trying to sell something, that are trying to build more than just an awareness of who they are, their influence. They are trying to do brand deals, partnership deals, upsells and all that, and start an actual small business aside from just the content itself that they’re creating. So that’s kind of the distinctions that I make in the paper. And that’s why it’s important to understand and lay that foundation, that anyone can post content online, but the intent, the why behind their posting that content, really does ultimately matter, especially when you’re looking at it from a court case or from a regulatory standpoint. Ken Suzan: Now, Franklin, we’re seeing unprecedented geopolitical activity around platform ownership. For example, the US legislation targeting TikTok and Brazil’s recent temporary ban of X. How do these macro-level battles impact the day-to-day livelihood of creators? And how can they legally and operationally protect themselves? Franklin Graves: So the shift that we’re seeing, and I alluded to this earlier in our conversation, is this concept of Web 3. And that term may or may not be really popular anymore, but that’s essentially what we’re looking at: a shift into a federated, decentralized operation of a platform. So instead of one owner, one company, one entity owning and operating the platform, it’s decentralized. Anyone can start up a server, and it’s interoperable, meaning anyone can plug and play and connect to that larger network. And it creates this unified social network experience. Within each operating node of that network, there can be your own decisions around content moderation, your own decisions around the hosting providers you use, where you’re operating out of, the terms and conditions that apply to that. But the flip side is that instead of creators posting and sharing in a closed environment run and controlled by a singular entity, you’re now experiencing a peer-to-peer type operation where your experience can change based on which server, which node, which user you’re engaging with. You might have content that’s acceptable in one area but not acceptable in another, and maybe it just doesn’t even show up in that other area. Franklin Graves: But from a liability standpoint, as creators start to build their own networks and communities, even outside of a concept like the fediverse, it’s even down to creators building their own communities through online courses, subscription membership-based platforms that they run on their own website. There’s open source software out there, even something called Ghost, where you have memberships. And that is a creator or a small business in the creator economy that is now taking on the obligations that would typically fall upon a platform. They need to take into consideration terms and conditions, privacy policies, legal aspects, and regulatory considerations for running a platform, especially in a global world. So it’s a lot of liability that then shifts over to those small businesses and even brands sometimes that are doing the same thing. Whether it is something as simple or complex as content moderation or all the way up to monetizing an audience, this new world where creators can spin up and run a platform all dovetails back to the concept of creators not feeling like they have control in reaching the audience and the community that they’re building on an individual platform. And so this really became more mainstream conversation with TikTok and the issues around it potentially being shut down in the US. That was kind of the mindset shift and eyes opening for many creators, especially within the influencer subset, of realizing: we need to make sure that we have a way to reach the audience we’ve built if the individual platform that we’ve committed to over the last year or three years or so is no longer available. We need a way to continue that relationship outside of that one platform controlling it. Ken Suzan: Franklin, we have a few minutes left and a number of topics. So I’m going to switch gears and talk about a few issues. First, a major emerging topic in your paper is the evolution of protecting kids online. With state-level age-gating laws like the CAADCA and the recent FTC updates to COPPA, how should platforms navigate the significant tension between strict age verification mandates and the privacy and First Amendment rights of their users? Franklin Graves: Man, that is a whole discussion to unravel. It is a consideration that we’re seeing happen again, going back to the geopolitical nature of everything. Countries like Australia and certain countries in Europe and now even individual states in the US are trying to look at ways, and some of them have already put into place minimum age requirements before you can even sign up for an account with a social media platform. One of the things I’d just highlight quickly here is that one of the tensions is around how you verify someone’s age online and still maintain the ability to be at least pseudonymous. How do you still have a level of privacy, autonomy, and protection when it comes to having to provide something like a driver’s license or have parental consent tied and connected to an account managed by a parent in a situation where maybe it’s not appropriate or not beneficial to the child in that manner? But then maybe there are counterbalancing factors that outweigh that. All of that comes down to the technicalities of how it’s actually implemented and maintaining the sense of openness and freedom that we’ve had on the internet to date. And then the other element there is, since a lot of the internet that we think of today is more so through mobile applications, is it something that the mobile operating system providers and app store providers should be thinking about? So whether that’s the Google Play Store or the Apple App Store, where does that initial age verification need to fall? Is it at the platform level? Is it the app store or mobile device management level or something else? Yeah, there’s a lot to discuss there. And a lot of the issues we’re seeing with how the internet is changing in terms of being able to browse a website without disclosing personal information that might not have been required before is largely stemming from a focus on protecting children online. Ken Suzan: It sounds like, Franklin, we could have another episode covering lots of issues connected with that one topic alone. Franklin Graves: I would absolutely agree with that. There’s a lot going on there. And again, it’s different across the world. And so I know you all have a global listener base. And so there’s a lot of nuances to that whole discussion too, that are worth exploring. Ken Suzan: Last question for today’s episode is regarding the right of publicity. With the explosion of AI-generated synthetic media, digital replicas, and voice cloning, the right of publicity is taking center stage. What are the biggest legal risks for brands partnering with influencers right now? And how can creators protect their most valuable asset, their likeness? Franklin Graves: That’s a great question. I think we’re seeing kind of a throwing-spaghetti-against-the-wall-to-see-what-sticks approach right now by a lot of different parties, whether it’s trademark attorneys, whether it’s general entertainment attorneys or whoever. For example, we’ve seen Taylor Swift filing trademarks to protect certain sounds of her voice and phrasing that she uses. It’s a difficult area because in the realm of generative AI with deep fakes and virtual avatars, that is where it gets tricky, because traditional IP laws are just not able to fully cover that spectrum. It’s a piecemeal approach, but even then it doesn’t fully cover it. So for example, I’m based in Tennessee and a couple of years ago we had the Elvis Act that updated our right of publicity law to add voice and to explicitly reference artificial intelligence. And so that’s the kind of effort we’re probably going to continue to see: efforts to develop some framework around protecting what is essentially a privacy right, in a manner that doesn’t restrict generative AI systems from continuing to develop and operate the way they’re operating now, while layering in those protections so that in the US at least a First Amendment right doesn’t necessarily get squashed, and those traditional well-recognized efforts to not overregulate a technology in its early stages are respected. Franklin Graves: And so I think a lot of what we’re seeing is just a need to update laws. The SAG-AFTRA debate and the strikes that happened around maintaining control of your performance and any iterations of that, or building upon that by a media company that might come later, it’s all on the table right now and still being discussed, still being worked out. I think in the short run, a lot of times if it’s in a brand deal, the key question is: if you are using generative AI to enhance in some way the final deliverable for the campaign, who has control over that? Who has final say and sign-off on how that likeness or that digital replica or that person’s voice is represented? And even outside of the brand space, we’ve seen actors like James Earl Jones signing over certain aspects like their voice and allowing it to continue to be used in these manners powered by generative AI as Darth Vader. And I think I saw something that Boy George was even starting up an AI company that allows musicians, the original recording artist, to rerecord new versions of their masters so that they don’t miss out on that revenue. It’s powered by generative AI, by taking their voice now, which is significantly different than it was back in the 80s, and using generative AI to make it sound closer to the original, but all based on their current performance. So I think it’s still an evolving area. And what’s interesting too is on the platform side, we’re seeing the early stages of platforms like Google starting to acknowledge and rely on the license grant contained in their terms of service for YouTube, which grants them broad rights to use the content to run their platform. So all that to be said, it’s still early stages. I’m very interested to see where we go from here in the future, especially from a global perspective as well. Ken Suzan: Franklin, I could spend hours talking to you about this. You’re such a knowledgeable person on these topics. Maybe in a few years, will we connect again and talk further on AI and all the things that are yet to be developed? Franklin Graves: Thank you. Yeah, it doesn’t have to be another decade. Maybe we can cut it to half a decade, given the pace at which technology is going now. Ken Suzan: Sounds good, Franklin. Thanks again for being on the IP Fridays podcast.

Pact Breakers: Pact Breakers are being flagrant with it! Openly breaking the pact and not waiting for Friday night to enjoy Corey content with your boys! Keep the pact alive for next week's new music!Corey Feldman's Medical Emergency: A medical emergency happens midair as Corey Feldman is travelling to Los Angeles. Paramedics met him at the airport and apparently the doctors gave him a misdiagnosis! Publicity stunt?Corey and Scottie On Stern: After our recent Scottie Schwartz interview, Jim goes back to check the apperance mentioned on Stern to fact check!COREY FELDMAN!, SHOW STOPPER!, LET'S JUST TALK!, DON CHEADLE!, BOOGIE NIGHTS!, JIM AND THEM IS POP CULTURE!, COREY FELDMAN SHOW!, REAL ONES!, PO BOX!, PAY ATTENTION BITCH!, JIMTEENTH!, JUNETEENTH!, JDOG RIPDOG!, PACT BREAKERS!, THE PACT!, NO COREY UNTIL FRIDAY!, EMERGENCY!, PLANE!, MAJOR HEADLINES!, MIDAIR EMERGENCY!, ROCK PAPER SCISSORS!, LOVE LEFT 3 BOX!, 22 NECKLACES!, ALMOST FAMOUS!, BEN FONG TORRES!, BIG EVENTS!, KEEP THE PACT!, NEW MUSIC!, DON'T LISTEN!, PLANE EMERGENCY!, SICK!, PANCREATITIS!, GALLSTONES!, STOMACH ACHE!, FOOD POISONING!, TIDE HAS TURNED!, MY TRUTH COMMENTARY!, PRESS RELEASE!, WHAT AM I HERE 4?!, TMZ!, ENTERTAINMENT NEWS!, SCOTTY SCHWARTZ!, THE TOY!, CHRISTMAS STORY!, HOWARD STERN!, GINGER LYNN!, CHARLIE SHEEN!, FACTS!, UPDATES!, ROBIN!, STATUTORY!, BLINDS!, POKER NIGHT!, DIRT!, MASTURBATING!, DEATH!, SCARE!, GETTING OLD!, MISSING BITS!, MEATBALLS 4!, HAPPY CAMPERS!, WICKED GAMES!, CHRIS ISAAK!, JEFF GEEKING!, SHUT THE FUCK UP!, WASTED!, GLASSES!, ROOMBA!You can find the videos from this episode at our Discord RIGHT HERE!

Is food your love language? It certainly is for bestselling author and AWC graduate Anna Johnston – brought to life through her new novel, When Lemons Give You Life. In this episode, Anna dishes up the inspiration and character creation for this latest book and the challenges, strategies and superpowers of being an author with ADHD. She also shares how she deals with writing tough scenes, her writing workflow, and advice for writers. 00:00 Welcome11:18 Writing tip: Cut the Starting Scene13:24 Writers in the wild14:51 WIN: The Bookshop of Buried Pasts by Sarah Clutton16:42 Word of the week: Jakes17:14 Writer in residence: Anna Johnston18:16 Anna explains new book, When Lemons Give You Life20:21 Story themes and origins24:02 Research and authenticity27:10 POV structure and flashbacks29:22 Editing and deadlines32:45 What she learned from AWC courses35:20 ADHD writing strategies38:06 Letting characters go41:34 Organising notes and workflow43:25 Balancing writing life44:39 Publicity and events46:40 Next book plans47:26 Anna’s advice for writers49:28 Final thoughts Read the show notes Connect with Valerie and listeners in the podcast community on Facebook Visit WritersCentre.com.au | ValerieKhoo.comSee omnystudio.com/listener for privacy information.

In this episode of Franchise Marketing Radio, Lee Kantor interviews Heather Holmes, CEO and Founder of Publicity for Good and author of Seen by AI, Found by Customers. Heather discusses how AI is transforming brand visibility, why earned media and third-party validation are becoming critical marketing assets, and how franchisors can use strategic PR to […]

A quick preview of Forbidden Door and Night of Champions, some unfortunate TNA news, and This Day in Pro Wrestling History!   Follow me on Twitter/X! - @JuicySteen Follow me on IG! - @JuicyWrestlingCloset Subscribe on YouTube! - @JuicySteen Subscribe to this podcast on Apple Podcasts! And, if you have the time, swing by iTunes and leave a rating and review. Thank you for your support!  NOW ON SPOTIFY & AMAZON MUSIC!

We Asked a Legendary A&R Exec to Reveal the BIGGEST Mistakes New Artists Make—Her Answer SHOCKED Us! Legendary A&R exec Kim Buie breaks down the evolution of talent discovery, from smoke-filled clubs to today's streaming and AI landscape. Learn her three pillars for artist success, get essential A&R tips, and hear stories from her work with icons like Chris Blackwell, Sturgill Simpson, and Ryan Bingham. If you're an artist, music pro, or just passionate about the music business, this episode is packed with inspiration and real-world advice!

Book launch publicity has changed. Big media opportunities can still be valuable, but the most effective book marketing often comes from knowing your audience, understanding where they spend time, and showing up with consistent value.In this episode of Your Path to Book Publishing, we continue the book launch series with Marissa Eigenbrood, President and Partner of Smith Publicity. Marissa shares what authors need to know about publicity today, how publishing options have evolved, and why a successful launch starts with clarity around the real job of your book.We also talk about why authors should prepare their network early, create content beyond the manuscript, and focus on audience-building opportunities instead of chasing visibility for visibility's sake.In this episode, you'll learn: Why book publicity is more targeted than ever  How content and network engagement support a stronger launch  Why “value over viral” is a better mindset for authors building their platformConnect with Marissa and Smith PublicityTo learn more about Marissa Eigenbrood and Smith Publicity, visit SmithPublicity.com or connect with Marissa on LinkedIn. Smith Publicity works with nonfiction authors, thought leaders, and publishers on book publicity, author promotion, content strategy, and media outreach. Smith Publicity Website: SmithPublicity.com Contact Email: Info@SmithPublicity.com Smith Publicity Phone: (856) 489-8654 Learn more about Your Path to Book Publishing by visiting Juxtabook.com  and discover if traditional publishing, self-publishing, or hybrid publishing is right for you. Liked this episode? Share it and tag us on Instagram @juxtabookpressConnect with the Host on LinkedIn: @ZachKristensenLove the show? Leave a review and let us know!CONNECT WITH US: Website | Instagram | Facebook 

Loghan Paylor (MFA'20) didn't set out to win CBC's Canada Reads competition. They were just trying to write the book they needed to write. In this episode, the author of The Cure for Drowning—winner of Canada Reads 2026, Giller Prize longlistee, and Rakuten Kobo Emerging Writer Prize finalist—opens up about non-linear creative processes, writing queer and trans characters with care, the pros and cons of an MFA, and why the best writing advice has nothing to do with aesthetic morning routines.Links & Resources Mentioned in This Episode:TranscriptContact CarolContact JeevanFrom Here ForwardPodium Podcast CompanyLoghan PaylorCanada ReadsLearn more about the UBC MFA in Creative Writing (00:00) - Introduction (01:42) - Meet Loghan Paylor (02:26) - Canada Reads whirlwind (03:02) - Publicity, introversion, and support (04:22) - The “gap” that wasn't: writing life between milestones (05:29) - Favourite passages and hard-won scenes (06:44) - The Post-it drafting method (08:27) - Finding your process (and ignoring aesthetics) (11:18) - Old drafts, saved folders, and ideas that return (13:18) - Characters, POV, and writing identity (14:52) - Writing Ontario: memory, place, and research accuracy (17:11) - Nature and climate grief (18:17) - Bookworm Games and creative balance (20:14) - Reading influences (21:16) - UBC MFA and becoming a professional writer (24:44) - Advice for emerging writers (27:26) - Reader messages and impact (29:14) - Reviews and boundaries (30:16) - Conclusion

Send us Fan MailIn episode 303 of Beyond The Story, Sebastian Rusk interviews Jim Edmondson, a Serial entrepreneur with multiple business exits, now focused on a passion project born from frustration with media outreach, as he shares how he identified a major gap in the PR world and leveraged technology, obsession with analytics, and a growth mindset to build Press Whisper. This game-changing PR platform makes results-driven publicity accessible to every entrepreneur. Tune in for clear strategies and actionable advice you won't hear anywhere else! TIMESTAMPS[00:00:05] Welcome & Origin Story: Jim's entrepreneurial beginnings[00:02:41] Scaling a defense company & exiting at $100M[00:03:47] Giving back: Building Avri Industries for veterans[00:04:44] The PR problem: High costs, low returns[00:06:35] Pitching journalists & discovering industry bottlenecks[00:08:01] Harnessing AI & analytics for targeted PR[00:09:30] How Press Whisper simplifies the PR process[00:11:04] Scoring, improvement, & getting your story seen[00:13:32] Matching stories with the right journalists[00:16:07] A free offer for listeners & call to action for entrepreneurs[00:18:27] Final motivation: Disrupt your industry and take action now QUOTES"It seemed like quite a bloated industry based on some old relationships and a lot of money for really not doing a huge amount of work." – Jim Edmondson"Go and disrupt your own industries. Just get out there and, you know, make, make some noise." – Jim Edmondson"When is there not work involved? If you want to get it done, roll up your sleeves and make it happen." – Sebastian Rusk  ==========================Need help launching your podcast?Schedule a Free Podcast Strategy Call TODAY!PodcastLaunchLabNow.com==========================SOCIAL MEDIA LINKSInstagram: https://www.instagram.com/podcastlaunchlab/Facebook: Facebook.com/sruskLinkedIn: LinkedIn.com/in/sebastianrusk/YouTube: Youtube.com/@PodcastLaunchLab Jim EdmondsonInstagram: https://www.instagram.com/miccheckjim/ YouTube: https://www.youtube.com/@miccheckjim ==========================Take the quiz now! https://podcastquiz.online/==========================Need Money For Your Business? Our Friends at Closer Capital can help! Click here for more info: PodcastsSUCK.com/money==========================PAYING RENT? Earn airline miles when you use the Bilt Rewards MastercardAPPLY HERE: https://bilt.page/r/2H93-5474 

We'd love to have your feedback and ideas for future episodes of Retail Unwrapped. Just text us!AI search is growing at over 300 percent while traditional browser search is declining. Most retailers and brands are completely unprepared for what that means for their search visibility. Join Shelley and Heather Holmes, Founder of Publicity for Good, as they unpack how brands need to think like their customers and understand how they use agentic search engines including ChatGPT, Claude, or Gemini. Key signals: Consumers are bypassing a brand website, asking AI for recommendations and going directly to purchase. Over 90 percent of what AI surfaces in search results comes from earned media, not paid advertising; brands cannot buy their way to the top of an AI search result. And credibility through legitimate reviews, third-party features, directory listings, and high-domain-authority publications all influence how AI ranks a brand. Listen and learn how to figure out this complex AI paradigm.Special Guest: Heather Holmes, Founder of Publicity for Good For more strategic insights and compelling content, visit TheRobinReport.com, where you can read, watch, and listen to content from Robin Lewis and other retail industry experts, and be sure to follow us on LinkedIn and Twitter.

260612PC Die Infantino-Trump-SpieleMensch Mahler am 12.06.2026Eigentlich bin ich froh, dass Deutschland in Russland und Katar nicht weit gekommen ist. Ich wäre ohnehin dafür gewesen, die WM zu boykottieren, wenn sie in Ländern durchgeführt wird, die die Menschenrechte mit Füßen treten und wie 1936 Adolf Hitler Sportgrossereigenisse für die Publicity von Diktatoren nutzen. In Russland: Deutschland scheidet blamabel als letzter in der Vorrunde aus. Auch in Katar überstand das DFB-Team die Vorrunde nicht. Proteste im Vorfeld und während des Turniers wurden belächelt, deutsche Spieler, die die Eier hatten, auch während des Turniers ihren Prostest gegen die gekauften Spiele auszudrücken, wurden vom DFB und der FIFA abgemahnt. Dass es seit gestern Abend alles noch viel schlimmer kommt, war vorauszusehen. 11 Milliarden Dollar an Einnahmen erwartet die FIFA, und sie liebäugelt mit einem Reingewinn von 3-4 Milliarden. Die Veranstaltung ist voll amerikanisiert – mit Trinkpausen für die Spieler, die eigentlich Werbepausen für die Sponsoren sind. Die ziemlich besten Freunde Trump und Infantino nutzen die Bühne für ihre widerlichen moralisch verwerflichen Doppelpässe. Nachdem Trump vor Wut schäumte, dass er den Friedensnobelpreis nicht bekommen hat, verlieh ihm Infantino kurzerhand einen sogenannten Fifa-Friedenspreis. Der Rest in Schlagzeilen:- Trump droht Mitausrichter Kanada nach wie vor mit Annexion als 51. Bundesstaat- Die Mauer zu Mexiko – ebenfalls Gastgeberland soll nach wie vor gebaut werden. - Die qualifizierten Kicker des Iran mussten auf Geheiß von Donald Trump von Arizona nach Mexiko umziehen. - Es gibt Einreiseverbote für Funktionäre und Fans aus Somalia, dem Iran, Haiti, Senegal und der Elfenbeinküste. - Anhänger aus lateinamerikanischen Staaten müssen damit rechnen, mit der Abschiebepolizei ICE unliebsame Bekanntschaft zu machen. Die zynische Krönung des Ganzen: Am 14. Juni, dem Tag des ersten deutschen Gruppenspiels finden im Beisein Trumps widerliche Käfigkämpfe direkt vor dem weißen Haus statt. Die FIFA braucht einen Neuanfang. Wenn sie den Fußball nicht vollends kaputtmachen will. Weg mit Infantino und seinen Spießgesellen. Keine WM mehr in Ländern, die massiv gegen Menschenrechte und das Völkerrecht verstoßen. Hosted on Acast. See acast.com/privacy for more information.

Revealed: The Top Secrets A&Rs Look for in New Artists Dive into the evolving world of A&R as we chat with Ed Poston, Head of A&R at Symphonic Distribution! Discover what it takes to stand out as an artist, how strong management teams power long-term careers, and how Ed blends analytics with intuition when scouting new talent. Plus, gain actionable advice on career building, finding your true audience, and making the most of today's music industry options! Perfect for musicians & managers ready to level up.

In the world of music, many of the albums produced are backed by record labels. In the Blues, we have Alligator, Blind Pig, Delmark, Ruf, Malaco and a few others. Each of these labels depend upon the skills of their publicists and radio promoters to help get word of each new artist and their respective albums out to the masses. Kevin Johnson has worked with the Delmark label for years, and he also works with the non-profit label, Little Village Foundation. Additionally, Kevin has work of his own, via Proud Papa Promotions and Publicity, and he is our featured guest this week on Time Signatures. Were it not for PR guys like Kevin, Matt LaFollette, Amy Brat, Jon Bleicher, and a few others, Time Signatures would not be in a position to bring you many of today's Blues Artists. Enjoy our chat!Delmark Website: https://delmark.com/ Little Village Foundation Website: https://littlevillagefoundation.com/ Proud Papa Facebook: https://www.facebook.com/ProudPapaPromotionsPublicity# _________________________Facebook: Time SignaturesYouTube: Time SignaturesFacebook: Capital Area Blues SocietyWebsite: Capital Area Blues SocietyFriends of Time Signatures _______Website: University of Mississippi Libraries Blues ArchiveWebsite: Killer Blues Headstone ProjectWebsite: Blues Society Radio NetworkWebsite: Keeping the Blues Alive Foundation

Do you spend your weekends visiting cliffs with your child to find out which ones would be deadliest? Well, that’s something Fiona Hardy did in researching her new ‘cosy crime’ novel, Old Games! In this episode, Fiona joins us to discuss the inspiration for this latest book, her own writing process and how she went from kids to adult fiction! 00:00 Welcome06:31 Writers in the wild11:06 Writing tip: Metrics of success14:31 WIN!: The Clueless Guide to Solving a Mystery by Samera Kamaleddine & Hykie Breeze16:10 Word of the week: ’Obstreperous’16:57 Writer in residence: Fiona Hardy17:50 What is her new book ‘Old Games’ all about?20:09 Plotting and pitching this second novel23:25 Cosy crime without a murder26:19 Writing fight scenes27:41 Realistic consequences28:28 Setting the story in Victoria30:23 Researching crime and cliffs32:42 Balancing bookselling and writing34:11 Daily writing process and goals35:31 Publicity, creating socials and anxiety39:17 How Fiona moved from kids to adult books40:34 Future projects43:39 Writing tip45:10 Final thoughts Read the show notes Connect with Valerie and listeners in the podcast community on Facebook Visit WritersCentre.com.au | ValerieKhoo.comSee omnystudio.com/listener for privacy information.

The Rebbe addresses the naming of summer camps, suggesting a unified name, 'Gan Yisrael,' and discusses whether to emphasize the Chabad connection in all publicity. He advises considering broader outreach and sensitivity to how names may affect different audiences. https://www.torahrecordings.com/rebbe/igroskodesh/017/009/6317

Welcome to Long Time Ago, a journey into the Marvel Star Wars Legends Comics. Our host Angus first made the jump to hyperspace and a galaxy far far away by reading Marvel Star Wars Vol 1 Issue #9 and never looked back! Travel back to 1977 into the origins of the series and discover how comics has supported fandom and in some ways shaped the Star Wars universe. This seventy-second episode reviews issue 58. 'When a malfunction threatens the Rebel fleet, it will be up to the droids to save the day!' We hope you enjoy this latest adventure in the journey! Please drop us a message, send us an mp3 or email to kirbyskidspodcast@gmail.com.Please share your impressions once you have read:Star Wars (1977-1986) #58https://www.amazon.com/Star-Wars-1977-1986-David-Michelinie-ebook/dp/B01498B32W/Long Time Ago Reading List And Schedule For 2026Star Wars (1977-1986)⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.amazon.com/gp/product/B07JJNF8JT⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠January - Issue #53 February - Issue #54 March - Issue #55 April - Issue #56 May - Issue #57June - Issue #58July - Issue #59August - Issue #60September - Issue #61October - Issue #62November - Issue #63December - Issue #64Women's History Month: Louise Simonson⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.marvel.com/articles/comics/women-s-history-month-louise-simonson⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Walt Simonson⁠⁠⁠⁠⁠⁠⁠⁠⁠https://starwars.fandom.com/wiki/Walter_Simonson⁠⁠⁠⁠⁠⁠⁠⁠⁠Leave a message at kirbyskidspodcast@gmail.comPlease join us for our 2026 Graphic Novel Reads⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.kirbyskids.com/2025/11/the-kids-talk-2026-kirbys-kids-graphic.html⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠For detailed show notes and past episodes please visit ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.kirbyskids.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠This series is dedicated in loving memory of Charley Lippincott, who George Lucas hired in late 1975 to join the first Star Wars production as Vice President of Advertising, Publicity, Promotion & Merchandising. He is responsible for Star Wars comics becoming a reality with Marvel! The Force will be with him, always.

Why were Laetitia Casta and Aishwarya Rai criticized for their appearance at the 2026 Cannes Film Festival?What starts as celebrity gossip quickly becomes a much bigger conversation about beauty standards, aging, body image, and social media. Because the more I looked at the comments coming out of Cannes, the more one question kept nagging at me:Did the tabloids disappear—or did we become them?Are. You. Ready?****************Sources & References:Andrejevic, Mark. iSpy: Surveillance and Power in the Interactive Era. University Press of Kansas, 2007.Andrejevic, Mark. Reality TV: The Work of Being Watched. Rowman & Littlefield, 2004.Berger, John. Ways of Seeing. Penguin Books, 1972.Bordo, Susan. Unbearable Weight: Feminism, Western Culture, and the Body. University of California Press, 1993.Dyer, Richard. Stars. British Film Institute, 1979.Festinger, Leon. “A Theory of Social Comparison Processes.” Human Relations, vol. 7, no. 2, 1954, pp. 117–140.Foucault, Michel. Discipline and Punish: The Birth of the Prison. Translated by Alan Sheridan. Vintage Books, 1977.Gamson, Joshua. Claims to Fame: Celebrity in Contemporary America. University of California Press, 1994.Marwick, Alice E. Status Update: Celebrity, Publicity, and Branding in the Social Media Age. Yale University Press, 2013.Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” Screen, vol. 16, no. 3, 1975, pp. 6–18.Senft, Theresa M. Camgirls: Celebrity and Community in the Age of Social Networks. Peter Lang, 2008.Wolf, Naomi. The Beauty Myth: How Images of Beauty Are Used Against Women. William Morrow, 1991.Articles & Reporting:Arieux, Chloe B. “Laetitia Casta : insultes, grossophobie… ce qui s'est passé à Cannes choque.” Public, 29 May 2026.Reporting and commentary covering public reactions to Laetitia Casta and Aishwarya Rai Bachchan during the 2026 Cannes Film Festival, including discussions of ageism, body shaming, beauty standards, and social media scrutiny.****************Leave Us a 5* Rating, it helps the show!Apple Podcast:https://podcasts.apple.com/us/podcast/beauty-unlocked-the-podcast/id1522636282Spotify Podcast:https://open.spotify.com/show/37MLxC8eRob1D0ZcgcCorA****************Follow Us on TikTok & Subscribe to our YouTube Channel!YouTube:@beautyunlockedspodcasthourTikTok:tiktok.com/@beautyunlockedthepod****************Intro/Outro Music:“Fame Inc” by Savvier — https://icons8.com/music

Are You Making THIS Mistake Before Releasing Your Music?  Get an inside look at music marketing and career strategy with Michael Epstein, Head of Marketing at Good Talk and creator of the hey Mike newsletter! In this episode, we break down the must-have digital marketing skills for artists, the underrated power of Twitter, and the real reasons why only 1% of artists make it long-term. Find out what you need in place before releasing music, why proactivity is your superpower, and how saying no can grow your career. Essential listening for artists, managers, and aspiring insiders!

What does it actually take to partner with Microsoft, Google, or Amazon — and turn that relationship into real revenue? In this episode, Jeff Mains sits down with Chaitra Vedullapalli, co-founder of Women in Cloud and pioneer of the Co-Launch 4P Framework. Chaitra spent nearly 27 years inside corporate giants like Oracle and Microsoft before stepping out to build a global economic access movement that has unlocked over $600 million for founders across 120 countries.She breaks down exactly why most SaaS founders get ignored by hyperscalers (hint: it's a mindset problem), how to align your go-to-market to their priorities instead of your own, and the practical framework she uses to drive visibility, demand, and partnerships at scale. You'll also learn the critical difference between a gateway offer and a core revenue offer — and why confusing the two is silently killing your pipeline.If you're building a SaaS or AI product and want to stop feeling invisible to enterprise giants, this episode is your roadmap.Key Takeaways4:17 — **The brutal truth about hyperscaler ecosystems.** Billions in multi-year cloud commitments are happening inside the Big Three, and most founders don't even know these opportunities exist. Hyperscalers aren't waiting for you — they're waiting for founders who want to co-launch with them.5:24 — **Why founders get ignored.** Founders enter hyperscaler ecosystems with a founder-led, "me-first" sales mindset — but hyperscalers want partners who can attract customers, build unique IP on their platforms, and co-own go-to-market.8:22 — **Origin of Women in Cloud.** Written on a napkin with a goal to democratize $1 billion in economic access, Women in Cloud has grown into a 150,000-member distribution engine across 120 countries, with $600M already unlocked.19:14 — **What being "in the hyperscaler channel" actually looks like.** It's not just listing your product on a marketplace. True channel presence means co-presenting at events, appearing in joint press releases, getting amplified through their marketing, and executing inside *their* rhythm — not yours.22:29 — **The Co-Launch 4P Framework explained.** Product offer, Promotion, Publicity, and Partnership — and how the EmpowerHer 50 campaign used all four to generate 10 million impressions and unlock $1M in AI scholarships through Microsoft.27:21 — **How to access the hyperscaler calendar.** Join their ISV or founder partner program — the full calendar of AI tours, product launches, and summits is available. Use it to architect your campaign around their priorities, not yours.28:07 — **Gateway offer vs. core offer.** Every founder needs two offers: a gateway offer (free, educational, easy to join — builds visibility and trust) and a core revenue offer (paid transformation — what hyperscalers ultimately care about).33:32 — **How leadership evolves from corporate to founder.** In corporate, someone sets the paradigm shift for you. As a founder, you *are* the paradigm shift. Chaitra shares how she learned to set direction, communicate vision, and lead through ambiguity.37:03 — **Why you have more leverage than you think.** You're not a small fish asking a favor. Your SaaS product drives cloud consumption revenue for hyperscalers. You bring them customers, solutions for their field sellers, and ecosystem diversity — all at once.41:55 — **The one thing to do today.** Learn the language before you knock the door. Replace "sponsorship ask" with "co-investment." Say co-build, co-sell, co-launch — and build something so indispensable they come to *you*.Tweetable Quotes"Hyperscalers are not waiting for founders. They are waiting for founders who want to co-launch their go-to-market with them." — Chaitra Vedullapalli"Being in the hyperscaler channel is not a status. It's an activity. It requires you showing up, staying aligned, and executing inside their rhythm — not your rhythm." — Chaitra Vedullapalli"You don't want to ask them to dance. You have to build something worth dancing with — and make it impossible for them to refuse." — Chaitra Vedullapalli"Stop thinking of yourself as a small fish asking a big fish to help. You are a revenue opportunity, a solution asset, and an ecosystem story — all at once." — Chaitra Vedullapalli"Before you try to dance with the giant, learn the steps they already know." — Chaitra Vedullapalli"If you don't have the 'co' in front of your language, you usually won't survive in the hyperscaler ecosystem." — Chaitra Vedullapalli"Community is underrated — but even in community, you need micro cohorts doing the same thing together." — Chaitra VedullapalliSaaS Leadership Lessons1. Shift from "Me" to "We" — or Stay Invisible Most founders enter hyperscaler ecosystems with a solo founder mindset. Hyperscalers require a "we" mindset: collaboration with their teams, alignment to their goals, and co-ownership of outcomes. The shift isn't optional — it's the price of entry.2. You Have More Leverage Than You Think Your SaaS product drives cloud consumption revenue for Azure, AWS, and Google Cloud. Your vertical solution fills gaps their field sellers can't. You're not asking for a favor — you're bringing them customers, solutions, and ecosystem narrative. Negotiate accordingly.3. Every Go-to-Market Needs Two Offers Build a gateway offer (free, educational, easy to join) that creates demand and visibility, and a separate core revenue offer (paid transformation) that closes. Confusing the two — or having only one — will stall your pipeline before it starts.4. Execute Inside Their Rhythm, Not Yours Join the partner program. Study the hyperscaler's quarterly calendar. Align your campaign architecture to their AI tours, announcements, and field priorities. The companies that win aren't shouting louder — they're speaking through the megaphones the hyperscalers already control.5. Use the ODA Loop When Things Break Down Observe what's actually happening in the market. Orient your team to the new reality. Decide with clarity. Act with precision. When geopolitical shifts, funding droughts, or market pivots hit, this framework prevents panic and keeps momentum.6. Founders Must Set the Paradigm Shift In corporate, leadership defines the vision for you. As a founder, you are the vision. Developing the ability to articulate a compelling paradigm shift — and galvanize collective action around it — is the single most critical leadership skill to build.Guest Resourcescvedulla@womenincloud.comhttps://womenincloud.com/https://www.linkedin.com/in/chaitrav/Episode SponsorThe Futureproof Series - https://www.youtube.com/playlist?list=PLfkXKUPZ5xuOqMPR7_gzGybncTtavyR1NThe Captain's KeysSmall Fish, Big Pond – https://smallfishbigpond.com/ Use the promo code ‘SaaSFuel'Champion Leadership Group – https://championleadership.com/SaaS Fuel ResourcesWebsite - https://championleadership.com/Jeff Mains on LinkedIn - https://www.linkedin.com/in/jeffkmains/Twitter - https://twitter.com/jeffkmainsFacebook - https://www.facebook.com/thesaasguy/Instagram - https://instagram.com/jeffkmains

The Untold Power of Superfans—How to Build a Loyal Audience in 2026! Dive into the future of the music business as we sit down with Matt Jones, CEO of Medallion, on the latest MUBUTV Music Business Insider Podcast. Discover how artist-owned platforms, fan data control, and direct-to-fan communities are changing the game for sustainable music careers. Matt shares lessons from working with Imagine Dragons & Disclosure and unveils why traditional streaming and paid fan clubs just don't cut it anymore. A must-watch for artists and industry pros ready to take control!

In this podcast, we look at The Publicity Photograph from the fifth radio series.The sepia-tinted triumvirate consider how this is another episode starting round the breakfast table and discuss Kenneth Williams's brilliant portrayal of Hillary St. Clair.   The team discuss the rest of the cast and, in particular, Bill's excellent portrayal of his more witless character.  The guys revel how much the £50 photograph would cost in today's money and debate, at length, which of them should really have had their leg cut down the middle in their own fan photograph. Don't forget to rate and subscribe to the podcast. And if you haven't done so already, why not join the Tony Hancock Appreciation Society - full details of how to join are at www.tonyhancock.org.uk. We are holding our annual dinner in Solihull in September, and we'd love to see you there.  In addition, screenings of Hancock's TV episodes on the big screen continue at the Riverside Studios in Hammersmith and we‘ll be back there on the 27th June when we'll be showing three more episodes. This was the last episode in the series; we'll be back in the Autumn. We hope to see you then.

What if visibility wasn't about self-promotion—but about creating meaningful impact? In this episode of Daily Influence, Gregg-Brooke Koleno sits down with Jill Lublin, world-renowned publicity expert, international speaker, and four-time bestselling author, to explore how visibility, credibility, and kindness work together to elevate both business success and positive influence. With over 25 years of experience and more than 100,000 clients served, Jill shares practical insights on how entrepreneurs and leaders can step out of obscurity, embrace authentic visibility, and use their platform as a force for good. In this episode, you'll learn: • Why being a “best kept secret” is holding you back—and what to do instead • How to build visibility without a large budget using “guerrilla publicity” strategies • The connection between kindness, trust, and business growth • How conscious acts of kindness can strengthen relationships and open opportunities • Why responsible influence starts with being seen, heard, and intentional Jill also shares real stories of how kindness circles are creating collaboration, business growth, and meaningful connections across the globe—proving that generosity and visibility are powerful when combined. Whether you're a business owner, leader, or someone looking to make a greater impact, this conversation will challenge you to show up more boldly and lead with purpose. Resources from Jill Lublin: • Free Action Guide: https://jilllublin.com/guide • Kindness Circles: https://jilllublin.com/kindnesscircles Tune in and discover how to amplify your message, build credibility, and use your influence to create real impact. If you'd like to learn more or take your visibility to the next level, you can connect with Jill on social media at @jilllublin

Don't be a sellout. Learn how to tell the difference between paid and earned media. #ThePitch #INICIVOX #VirtualMentorship

The Future of Music Licensing EXPOSED: Chordal's Secrets Revealed! Grayson Sanders CEO of Chordal Unlock the secrets of the sync world with Grayson Sanders, co-founder and CEO of Chordal! In this episode, we explore how Chordal is revolutionizing music licensing by empowering artists, breaking down traditional gatekeeping, and making micro licensing a vital revenue stream. Whether you're an indie musician or a seasoned pro, learn how connection—not just algorithms—is shaping the future of sync licensing in the digital age.

Dr. Beckett explains how stronger reading and writing skills can help collectors enjoy the hobby more through better communication, preparation, and understanding. He reflects on learning through cards as a kid (reading backs, calculating stats, sports biographies) and shares how his parents started a free school in South Dallas to help at-risk students learn basic skills, showing that anyone can make a difference. He contrasts long-form reading with movies and warns against overreliance on Google/AI, including AI “hallucinations,” advocating genuine understanding. He also compares 2025-26 Panini Prizm soccer favorably to Donruss, discusses grading timing ahead of the World Cup, shares finding a Snakeskin in a dollar box, and declines a podcast pitch about cross-border shipping.   01:00 Modern Communication Skills 02:28 Parents Start a School 04:24 Why Reading Matters 05:03 Books vs Movies 06:25 Reading in the Hobby 07:22 AI Summaries and Errors 08:56 My Collecting Phases 11:17 Prizm and Donruss Break 12:09 World Cup Grading Dilemma 12:52 Dollar Box Snakeskin Win 13:14 PR Pitch and Publicity    

Are we still capable of slowing down, paying attention, and finding meaning in a world that never stops? Tune in for an inspiring discussion with Diana Gordon on her new book Loosestrife for Porcupines. Moments with Marianne Radio Show airs in the Southern California area on KMET1490AM & 98.1 FM, an ABC Talk News Radio Affiliate!  https://www.kmet1490am.comDiana Gordon is the prize winning author of Nightly, at the Institute of the Possible, a finalist for the Massachusetts Book Award, and Loosestrife for Porcupines, 2026 finalist for the Blue Light Prize. Her past includes working as a classical pianist, teaching, and performing chamber music; as a political activist, and as an equestrian, schooling dressage mounts with Olympic team members. After a major course correction, Diana dedicated herself to becoming a writer. 10,000 hours later, she's now a novelist, poet, and creative non-fiction writer. As an editor at Hedgerow Books, Diana midwifed the publication of ten poetry collections, several of which were honored as finalists for national awards. Short works have been published widely, in journals such as The Cincinnati Review, Poetry Daily, and Lady Churchill's Rosebud Wristlet—a zine by Small Beer Press. Awards include, but are not limited to, a Massachusetts Cultural Council Artist Fellowship in fiction and Glimmer Train's First Prize for her short story, “The Work of Hunters is Another Thing."  www.dmgordon.comOrder on Amazon: https://a.co/d/00MQKdiZ To learn more about interview opportunities contact us at: https://www.mariannepestana.com 

Welcome to Get Up in the Cool: Old Time Music with Cameron DeWhitt and Friends. This week's friend is Devon Léger! We recorded this Friday afternoon at his home in Seattle. Tunes in this episode: Reel de la Bière Alpine (André à Toto original) (1:12) Jig à Jos Léger (21:20) Bake the Bread (49:28) Charley Kahana's Pigtown Fling (1:16:45) Avant-deux fredonné (1:38:35) BONUS TRACK: Valse d'Inkerman Ferry (André à Toto original) Follow Hearth Music on Instagram Support Tall Poppy String Band's second album on Kickstarter! Come to TransTrad! See Sweeten the Third at Abbie Weisenbloom's in Portland Support Get Up in the Cool on Patreon Send Tax Deductible Donations to Get Up in the Cool through Fracture Atlas Sign up at Pitchfork Banjo for my clawhammer instructional series! Schedule a banjo lesson with Cameron Visit Tall Poppy String Band's website and follow us on Instagram follow Sweeten the Third on Instagram

Growing a podcast gets exciting fast, but the moment podcasters need a publicity plan is usually the same moment things start feeling a little more exposed than expected. In this episode, our cast and crew talk with publicist Cyndee Harrison about what happens when your voice starts reaching beyond your own audience and why visibility brings more than just opportunity. We get into reputation, media attention, handling criticism, difficult guest moments, and the reality that people may judge your entire brand off one clip or one headline. You know the one, that comment or moment that sticks in your head way longer than it should. We also talk through practical ways creators can prepare before chasing more exposure, from media kits to personal branding and knowing what your show actually stands for before things go sideways. By the end, the conversation keeps circling back to one uncomfortable truth: the bigger your platform gets, the more important it becomes to know who you are before everyone else decides for you.Episode Highlights:[00:00] Welcome and Setup[02:50] Meet Publicist Cyndee[05:06] What a Publicist Does[06:25] Why Podcasting Is Going Mainstream[10:17] Publicity Strategies for Podcasters[14:55] DIY Media Outreach and HARO Tips[23:19] Visibility Risks and Guest Controversies[28:26] Crisis Lessons and Emotional Fallout[31:47] Think Ahead Before Publishing[40:54] Preparing for More Exposure[44:49] When to Get PR Help[53:52] Community Invite and Wrap-UpLinks & Resources: Cyndee's PR Firm:https://prshield.com/Feature Your Podcast on the Podcasting Morning Show:https://PodcastingMorningShow.com/spotlightThe Podcasting Morning Show:⁠⁠www.podcastingmorningshow.com⁠⁠Ways to Watch or Listen:⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠https://www.podcastingmorningshow.com/joinus/Meet the PMS Cast and Crew:⁠⁠https://podcastingmorningshow.com/people⁠⁠Join The Empowered Podcasting Facebook Group:⁠⁠www.facebook.com/groups/empoweredpodcasting⁠⁠⁠Book A Free Call With Marc:https://calendly.com/ironickmedia/freestrategycallApplication To Submit Your Show For Evaluation:⁠⁠⁠⁠⁠https://podcastingmorningshow.com/eval⁠⁠Join us every other Monday at 8 AM ET for the Obsession Worthy Podcasts:⁠⁠⁠http://podcastingmorningshow.com/owp/⁠⁠Join us LIVE every weekday morning at 8 am ET (US) on ⁠Clubhouse⁠: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://podcastingmorningshow.com/clubhouse⁠⁠EPC3 Speaker Application:⁠⁠ ⁠https://empoweredpodcasting.com/speakersPowered by⁠⁠⁠ ⁠iRonickMedia.com⁠⁠⁠⁠ and⁠ ⁠ContentCreatorsAccountant.com⁠⁠Send in your mailbag questions:⁠⁠⁠⁠ https://www.podcastingmorningshow.com/contact/⁠⁠⁠⁠ or ⁠marc@ironickmedia.com⁠Want to be a guest on The Podcasting Morning Show? Send me a message on PodMatch, here:https://podmatch.com/hostdetailpreview/1729879899384520035bad21b

World Building with Merch: Inside the New Rules of Music Branding with Dan Goldberg Unlock the secrets of music merch as Ritch Esra and Eric Knight sit down with industry strategist Dan Goldberg! In this episode of the MUBUTV Music Business Insider Podcast, we explore how artist merch has evolved from simple concert swag to a powerful symbol of fandom, community, and identity. Learn why building a merch brand matters now more than ever—and discover actionable tips on connecting with superfans, creative cohesion, worldbuilding, and leveraging collectibles like vinyl to grow your music career.

As exchanges between China and Africa continue to deepen, media cooperation has become an increasingly important bridge for mutual understanding and people-to-people ties. In an interview with China Africa Talk, Zimbabwe's Minister of Information, Publicity and Broadcasting Services, Zhemu Soda, shared his views on strengthening China-Africa storytelling, Zimbabwe's expectations for China's zero-tariff policy for African countries, and how Zimbabwe hopes to learn from China's development experience as it advances its Vision 2030 agenda.

*Please forgive my echoey audio in this episode! I had cleared out my office to move, and it was - well - echoey.*Vale Siegrist won a year of Public Relations work from Publicity for Good, who has been sending some pretty great podcast guests my way lately! I was watching their contest, so curious to see who won - and while talking with Vale, she let me know it was her!Vale started Circular Mom Club after struggling post partum. One day she sent a  photo of her newborn in a cute outfit she had bought to some family and friends, and got very encouraging responses. Dressing her daughter up made her feel good, so she began buying outfits - and her daughter grew out of them quickly, of course. Vale couldn't justify continuing to buy new, and didn't want to buy super cheap and contribute to the textile waste problem, so she developed Circular Mom Club, to keep perfectly fine, cute clothes in rotation. Circular Mom Club memberships start at $29, including 5 pieces/month. I asked about clothing swaps, and her answer made so much sense after hearing her story: you don't get to choose, really, with a swap. Choice is something that has come up in several conversations I've had lately  - especially in the economy we're living in. When things are expensive, and we're told quality is better for us, but it's hard to afford - choice feels out of reach. We talked a lot about eco-guilt and guilt in general, as a parent and human.  The guilt conversation is so real, and I really appreciate Vale's vulnerability, and, of course, it fueled her need to do things right. She has really thought of everything in her planning, including gift cards, so if a parent is on the fence, maybe a family member or friend could get the process started...As someone who doesn't have children, I'm totally sold on the value of Circular Mom Club, and am so glad to have been Vale's first podcast interview, to learn all about this!You can check out the website here: https://circularmomclub.com/They're on Instagram here: https://www.instagram.com/circular___club/They're on TikTok here: Send me a message!Support the showLike this episode? Send me a message!Please follow the podcast on Instagram here YouTube channel Email me at amysgardenjam@gmail.com Amy's Garden Jam site (podcast has its own tab on this site!)Amy's email newsletter: How Do I Get There From Here by Jane Bolduc - hear more at https://www.janebolduc.com/Podcast cover by Becca Kofron- follow here on Instagram here https://www.instagram.com/skate_cute_but_loud/ and check out her awesome art projects. Grounded in Maine Podcast is hosted by Buzzsprout, the easiest podcast hosting platform with the BEST customer service! Learn more at https://www.buzzsprout.com/?referrer_id=1851361 You can support this podcast one time (or many) with the Buy me a coffee/Hot Chocolate link here: https://www.buymeacoffee.com/groundedinmaine Grounded in Maine Podcast is sponsored by ESG Review. Learn more about the good they're doing at https://esg...

How to Survive 25 Years in the Music Industry: Silverstein's Paul Koehler Reveals All! The Balancing Act of Artist & Manager. Dive into the MUBUTV Music Business Insider Podcast Paul Koehler as we explore the unique journey of Silverstein's drummer and Tandem Management co-founder. Learn how Paul juggles artist creativity with the demands of music management, working with top acts like The Devil Wears Prada and Saosin. This episode covers artist longevity, music industry trends, networking, and the evolving artist-label relationship. Essential insights for anyone serious about a career in the modern music business!

British writer and librarian India-Rose Bower’s folk horror debut novel, We Call Them Witches explores the concept of ‘eldritch’ creatures in a surreal post-apocalyptic world. In this episode, India-Rose discusses her surprising inspirations for the novel, what ‘eldritch’ actually means and a unique writing tip we should all try! 00:00 Welcome06:45 Writing tip: Don’t use AI for a pitch!08:05 WIN!: The Infinite Sadness of Small Appliances by Glenn Dixon9:57 Word of the week: ‘Mélange’10:17 Writer in residence: India-Rose Bower11:04 What is her book, We Call Them Witches about?12:22 Origins of the story15:02 Designing the eldritch ‘witches’17:02 Creating the first draft18:42 Entering a competition and securing an agent21:07 Selling yourself and the book22:21 Publicity and author life23:35 Writing around work and health issues25:29 Next book and research habits}28:41 India-Rose’s unique writing tip30:58 Final thoughts Read the show notes Connect with Valerie and listeners in the podcast community on Facebook Visit WritersCentre.com.au | ValerieKhoo.comSee omnystudio.com/listener for privacy information.

What if one simple hug—just 20 seconds of connection—could change everything in a child's life? Tune in for an inspiring discussion with Katherynne Martin on her new children's book The Twenty Second Love Hug. Moments with Marianne Radio Show airs in the Southern California area on KMET1490AM & 98.1 FM, an ABC Talk News Radio Affiliate!  https://www.kmet1490am.comKatherynne Martin is a passionate children's author with a big heart and an even bigger hug. As a wife, mother, and first-time grandmother, she has embraced the storytelling journey from a young age. After devoting years to raising her family, she finally made her dream of becoming a published best selling author a reality with her debut picture book, The Twenty Second Love Hug. Katherynne's writing reflects her belief in the power of love and connection, inspired by her family's unwavering support.  https://katherynnemartin.comOrder on Amazon:  https://a.co/d/0hT9Al2s To learn more about the show and interview opportunities contact us at: https://www.mariannepestana.com

What if the parts of yourself you've been avoiding hold the key to your greatest growth? Tune in for an inspiring discussion Kelly Ann Street on her new book Embrace the Dark: Heal & Find Balance in Life's Deepest ShadowsMoments with Marianne Radio Show airs in the Southern California area on KMET1490AM & 98.1 FM, an ABC Talk News Radio Affiliate!  https://www.kmet1490am.comKelly Ann Street is a licensed therapist, author, and speaker whose work focuses on trauma, grief, and major life transitions. She integrates depth psychology, Internal Family Systems (parts work), psychedelic-informed perspectives, and intuitive practices to help people navigate dark nights of the soul and reconnect to their bodies, minds, and spirits with clarity and self-trust. She is the author of Embrace the Dark and host of the Embrace the Dark & the Light podcast. https://embracethedarkandthelight.com Order on Amazon: https://a.co/d/03IjzP6G To learn more about the show and interview opportunities contact us at: https://www.mariannepestana.com 

Breaking into the education market can transform your publishing business—but many independent publishers and author-publishers don't know where to start. On today's episode of “Inside Independent Publishing (with IBPA),” Teacher Created Materials Publisher, Trade Division Kyra Ostendorf pulls back the curtain on how books actually get into schools and classrooms, revealing the strategies, positioning, and industry know-how to turn your titles into trusted classroom resources. If you're ready to unlock a powerful new revenue stream and get your books directly into the hands of students, this episode shows you how. PARTICIPANTS  Kyra Ostendorf is Publisher, Trade Division at Teacher Created Materials, where she leads Free Spirit Publishing, Shell Education, and Curiosity Unlocked Books. With leadership experience spanning educational publishing, curriculum development, and early childhood education, she previously served as Vice President of Education at Kaplan Early Learning Company and as Acquiring Editor at Redleaf Press, where she helped grow the publishing portfolio by more than 200 titles. Kyra holds an M.Ed. in Early Childhood Education from the University of Minnesota and a B.A. from Macalester College. Independent Book Publishers Association is the largest trade association for independent publishers in the United States. As the IBPA Director of Membership & Member Services, Christopher Locke assists the 4,000 members as they travel along their publishing journeys. Major projects include managing the member benefits to curate the most advantageous services for independent publishers and author publishers; managing the Innovative Voices Program that supports publishers from marginalized communities; and hosting the IBPA podcast, “Inside Independent Publishing (with IBPA).” He's also passionate about indie publishing, because he's an author publisher himself, having published two novels so far in his YA trilogy, The Enlightenment Adventures.LINKS Learn more about the many benefits of becoming a member of Independent Book Publishers Association (IBPA) here: https://www.ibpa-online.org/ Follow IBPA on: Facebook – https://www.facebook.com/IBPAonline X – https://twitter.com/ibpa Instagram - https://www.instagram.com/ibpalovesindies/ Learn more about Teacher Created Materials at https://www.teachercreatedmaterials.com/ Follow Teacher Created Materials on: Facebook - https://www.facebook.com/tcmpub LinkedIn - https://www.linkedin.com/company/tcmpub/ Instagram - https://www.instagram.com/tcmpub/ X - https://x.com/tcmpub This episode is presented by Marquis. Learn more at https://www.ibpa-online.org/page/marquis

Paula is queen for the day as she hosts a devious episode no one is happy about. This Game is Broken is a comedy board game panel show with Matthew Jude, Dave Luza, Paula Deming, Nick Murphy and Mike Murphy. We play a lot of nonsense games full of role playing and trivia as well as other fun stuff which can be found at the links below. Support us here! PATREON - https://www.patreon.com/thisgameisbroken This Game is Broken is eternally thankful to our Sponsors Restoration Games Find them at https://restorationgames.com/ Twitter - https://twitter.com/TGiBpodcast iTunes - https://itunes.apple.com/gb/podcast/this-game-is-broken/id1282526804?mt=2 Instagram - https://www.instagram.com/this_game_is_broken_podcast/ Facebook - https://www.facebook.com/Thisgameisbrokenpodcast/ Email - Thisgameisbrokenpodcast@gmail.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

One should strive to perform Misvot humbly and discreetly, without publicizing the religious act or making a spectacle of himself. In fact, the greatest Sadikim are "Sadikim Nistarim" – "concealed" Sadikim whose piety is not discernible, whom people view as ordinary laymen. There is great value to Misvot fulfilled in private, without anyone knowing about it. Conversely, the Rabbis of Mussar warn of the severity of performing Misvot for the sake of impressing people and drawing attention to oneself. Based on the comments of the Hobot Ha'lebabot (Rabbenu Bahya Ibn Pakuda, Spain, d. 1120), they warn that performing Misvot for publicity could be even graver than idol-worship. When a person performs a Misva to earn people's admiration, then he is serving himself, not G-d – and this is a grievous sin akin to idolatry. We must always remember that the objective of Misvot is to bring glory and honor to Hashem, and not to bring glory and honor to oneself. Some Rabbis taught that when a person receives praise and compliments for a Misva which he performed, then Hashem sends angels to bring his reward, instead of rewarding him directly. The angels delivering the reward are exposed to the risk of sabotage by the prosecuting angels who deny the individual's worthiness, and so the reward is not certain to materialize. By contrast, people who fulfill Misvot in an invisible manner, hidden from view, become "invisible" to the prosecuting angels, and cannot be harmed by them. Indeed, there are stories of "hidden" Sadikim, who kept their piety secret, and actually became invisible, unseen by those who were trying to harm them. The Hida (Rav Haim Yosef David Azulai, 1724-1806) writes that if a person receives praise for a Misva or for his good qualities, he should immediately remind himself that he has yet to accomplish even a fraction of what he is meant to accomplish. He should recognize, first and foremost, that a lot of the praise people give is false flattery, spoken to earn his favor. And even if it was spoken sincerely, he should remember that he has so much more to do. Even Abraham Abinu, as great as he was, said about himself, "I am but dust and ash" (Bereshit 18:27). King Shlomo teaches us in Mishleh (27:2), "Yehalelucha Zar, Ve'lo Picha" – "Let others praise you, but not your mouth." Even if other people give us praise, we should refrain from giving ourselves praise, and should instead humbly acknowledge our imperfections and how much better we can be. Unfortunately, in our day and age, people expect their good deeds to be noticed and praised, instead of feeling content knowing that they did a Misva. The desire for attention and compliments calls the person's sincerity into question, and could undermine the value of the Misva which he performed. If a person takes upon himself a fast, for example, he should keep it private and not tell anyone about it. A fascinating story is told of Rav Yaakob Kuli (Turkey, d. 1732) who decided to observe a three-day fast, for a full 72 hours. Toward the very end of the fast, with only about one hour left, he was with somebody who was drinking coffee and offered him some. Rav Yaakob agreed to drink the coffee, breaking his fast which he had nearly completed, in order not to disclose his piety. If a person wishes to accept upon himself a certain stringency, he must try to conceal it. People often use stringency as a way to showcase themselves, to put themselves on display, to make themselves appear more religiously committed than others. This undermines the value of an otherwise admirable religious practice. It is also not uncommon for people to use stringencies as a way of "upstaging" their Rabbi, of pretending that they are more devout than he is. They choose to observe a certain stringency that he does not observe and then make a point of telling him about it, thus presenting themselves as more religious. This is not only very disrespectful, but also the diametric opposite of the kind of humility and sincerity with which Misvot are to be performed. The Mishna in Pirkeh Abot (1:13) warns very sternly, "U'd'ishtamash Be'taga Halaf" – one who uses Torah as a "crown" for glorifying himself deserves to be eliminated from the world. I am reminded of the time when, many years ago, before it was common for married men to wear Tefillin Rabbenu Tam, a regular fellow started putting on Tefillin Rabbenu Tam in front of everyone in the Deal Synagogue. Rav Yom Tob Yedid reprimanded him, noting that even the great Rabbis of Halab (Aleppo, Syria) would not put on Tefillin Rabbenu Tam in the synagogue; they wore it in the privacy of their home, so as not to publicize their observance of this admirable measure of piety. Another example of this mistake is when a person walks into shul in the morning with a towel around his neck, publicizing the fact that he went to the Mikveh before praying. If he were really sincere in his desire to achieve purity, then he would not need to draw attention to himself by wearing a towel. This applies also to the way we pray in the synagogue. A person should not pray in an unusual manner, swaying and throwing his hands around, turning his emotions into a public display. It is told that Rabbi Akiba would be standing at the end of his prayer in a different part of the room because he moved so much while praying – but this was only when he prayed at home. In public, one must not do anything unusual that would attract attention. The Peri Megadim (Rav Yosef Teomim, 1727-1792) notes that refraining from public displays of religiosity helps one avoid scorn and derision. One of the difficult obstacles that arise when people seek to grow in their religious observance is the ridicule that they hear from their peers. If one keeps his religious growth private, he is not subject to the scorn of cynical onlookers who seek to discourage him. Moreover, private endeavors are more likely to succeed and endure. The first Luhot (tablets) which Hashem gave to Moshe were shattered soon afterward – in response to the sin of the golden calf – whereas the second lasted forever. The Sages noted that the first Luhot were given as part of a public spectacle, whereas the second Luhot were given to Moshe privately, in quiet – and so the second Luhot endured. An important exception to this rule is religious observance in the presence of one's children. It is crucially important for children to see their parents' religious devotion so they learn from their example. The Torah says in the Book of Debarim (29:28), "Ha'nistarot L'Hashem Elokenu, Ve'ha'niglot Lanu U'l'banenu Ad Olam" – "The concealed matters are for Hashem our G-d, whereas the revealed matters are for us and our children, for all time." This has been explained to mean that everything we do for Hashem should be "Nistarot" – kept hidden, except that "Lanu U'l'banenu," with respect to our role as parents educating our children, our deeds should be "Niglot," revealed, open for them to see, so they can learn how to properly serve Hashem. Ultimately, of course, the most important factor is one's sincerity. The goal of every Misva act must be the pure service of Hashem, and connecting to Him to the best of one's ability, without any ulterior motives.

He Put 10,000 Hours Into BREAKING Artists… Here's What Actually Works! Step inside the evolution of artist management on MUBUTV Music Business Insider Podcast. We sit down with acclaimed manager and former A&R executive Nick Groff, who reveals what today's artists need beyond pure talent. Explore how drive, social media, artist data, and being your own CEO are shaping successful music careers. Plus, get Nick's take on the misunderstood realities of major labels and the future of the music industry.

Publicity feels like the breakthrough moment every author is chasing—but most big interviews, features, and media hits don't translate into book sales the way you expect. In many cases, they don't move the needle at all.In this episode, we unpack what publicity really is—TV, radio, magazines, online media—and why it's rarely a direct path to sales. The core problem is simple: you're often putting your book in front of a cold audience with no reason to act right now. Visibility without context, trust, or repetition doesn't convert.We break down the “glamorous” marketing choices authors make that sound impressive but quietly underperform, and then shift into a more effective strategy.The key is reframing publicity as an asset, not an outcome.When used correctly, media coverage becomes a long-term marketing tool—something you can leverage across your website, media page, Amazon presence, and ongoing promotion. We talk through how to extract value from every feature: pulling quotes, building credibility, reinforcing your positioning, and creating repeat exposure so readers recognize you later and feel more confident buying. Because for books, familiarity isn't optional—it's what reduces perceived risk and drives decisions.We also tackle a listener question on marketing books that require deeper trust—topics like grief, caregiving, and spiritual struggle. These readers aren't casually browsing; they're actively looking for guidance and reassurance. That means your publicity and marketing need to clearly communicate authority, experience, and proof. We show you how to position those “receipts” so your visibility actually leads somewhere.If you've ever landed a great interview and wondered why it didn't translate into sales—or you're trying to make your publicity work harder for you—this episode gives you a more strategic framework.Subscribe, share it with an author who's chasing publicity, and stay tuned—because next, we'll break down how to actually land the right podcast interviews in the first place.Send us your feedback!Help shape our 2026 content by taking our 30-second listener poll!

In this illuminating and refreshingly honest conversation, Anna sits down with Richelle Fredson, Book Proposal Coach, publishing aficionado, and former Director of Publicity & Book Marketing at Hay House. With 20+ years of industry experience — including roles in acquisitions, author development, and major launches — Richelle has helped thousands of authors turn their ideas into compelling proposals and land publishing deals.Richelle has worked with powerhouse authors like Farnoosh Torabi, Chrissy King, Jennifer Racioppi, Terri Cole, Jen Winston, and more. But what makes her so unique is her commitment to transparency. She lifts the veil on an industry that often feels opaque, intimidating, and gatekept — and replaces fear with clarity and empowerment.This conversation goes far beyond book deals. It's about visibility, identity, confidence, and what happens inside someone when they decide to put their voice into the world in print.In this episode, we explore:• Why Richelle believes we need more books — especially from mission-driven leaders, creatives, and underrepresented voices• Why the idea that “there are already enough books” is a myth that keeps people silent• The most common fears aspiring authors face (imposter syndrome, pressure to have a perfect platform, fear of rejection) and how she helps them move through it• How the publishing industry actually works — and what most people misunderstand about it• Why a strong book proposal is not just a business document, but a clarity document• The deeper emotional and identity transformation authors experience during the proposal and writing process• How visibility wounds show up when someone starts writing a book — and what it takes to move through them with compassion• Why writing a book is as much about personal evolution as it is about craft, platform, or salesWhether you're already writing, secretly dreaming, or just curious about the world of publishing, this episode gives you both the strategy and the soul of what it takes to bring a book to life. Connect with Richelle Fredson• Website: https://richellefredson.com/• The Book Proposal Assembly: https://richellefredson.com/assembly/• Podcast: Bound and Determined• Instagram: https://www.instagram.com/richellefredson/ Connect with Anna• Instagram: https://www.instagram.com/anna_holtzman/• Website: https://www.annaholtzman.com/• Free workshop — Let Yourself Be Seen: https://www.annaholtzman.com/beseen

On this episode of CA Media Podcast, the crew comes on and dive in on the aftermath of Wrestlemania. As Lawd Dweez is crowned season 1 of The Wrestling Show Champion.Enjoy this amazing conversation and dive in to your thoughts.#camediapod #Wrestlemania #LawdDweezVisionary Minds Public Relations and Media is a founding supporting sponsor of the CAMedia PodcastMake sure you get your Publicity, Digital Marketing, Writing, Media Consulting Services at visionarymindsny@gmail.com where Tammy Reese is the owner.You can listen to the podcast on the following platforms:Apple Podcast: https://podcasts.apple.com/us/podcast/ca-media-podcast/id1534508960SPOTIFY: https://open.spotify.com/show/0T1qlQvvRNpBjrFz4N5X26?si=7a873afde9ed4e34You can follow the podcast atFacebook: ⁠facebook.com/CAMediaPodcast⁠Instagram: ⁠Instagram.com/CAMediaPodcast⁠Blue Sky:⁠https://bsky.app/profile/camediapodcast.bsky.social⁠X: ⁠https://x.com/CAMediaPodcast⁠If you want to be on the podcast you can email the podcast at ⁠camediapodcast@gmail.com⁠ or book on linktree at linktr.ee/CAMediaPodcast and click in the booking link.

Getting Your Music Video Noticed By Vevo's Decision Makers Unlock the secrets of music video success with Vevo's VP of Music & Talent, Jordan Glickson, in this powerhouse episode of the MUBUTV Music Business Insider Podcast! Discover how data and gut instinct combine to launch emerging artists, why visual content is more important than ever, and how you can maximize your reach on platforms like YouTube and Connected TV. Featuring real-world tips and untold stories about breaking artists through flagship series like Discover and Artists to Watch, this is essential listening for artists and industry hopefuls alike.

Jill Lublin is a 25+ year Media Magnet. She is a world-renowned publicity expert, international speaker and 4x Best Selling author. Jill has made thousands of stage appearances alongside celebrities such as Tony Robbins, Barbara Corcoran and Jack Canfield, to name a few. Recently honored with a Humanitarian Award, she has worked with over 100,000 clients implementing her signature formula for getting media attention, creating next-level visibility in the marketplace that results in boosted sales. These lead and profit generating formulas are included in her signature program, the Media Mastery Intensive and her monthly Kindness Circles.Jill Lublin!Website –  https://JillLublin.comThe Guide -  https://JillLublin.com/guideKindness Circles - https://jilllublin.com/kindnesscircles/LinkedIn -  https://Linkedin.com/in/jilllublin Twitter -  http://twitter.com/JillLublin Instagram -  http://instagram.com/jilllublin Facebook - http://facebook.com/jilllublin Facebook Business Page - http://facebook.com/publicitycrashcourseAnne Zuckerman!Website -- https://annezuckerman.com/ Website -- https://justwantedtoask.com/Facebook -- https://www.facebook.com/AnneInPinkInstagram -- https://www.instagram.com/annezuckerman/LinkedIn -- https://www.linkedin.com/in/annezuckerman/Bezi Woman -- https://beziwoman.com/ | https://www.beziwoman.shop/two-step-order1591558404525Bezi Bra Discs - Facebook -- https://www.facebook.com/bezibradiscs

Send us Fan MailThe needle is moving faster than ever in the film industry. In this episode of Film Hustlers, host Mark Roberts, Rod "Tuddy" Rinks are joined by veteran exec and producer  Ann Lewis Roberts to break down the radical shift from traditional gatekeepers to independent success.We dive deep into the "ultimate blueprint" for modern filmmakers: the story of Iron Lung, a film made by a YouTuber for $3M that bypassed streamers to gross over $52M globally. Whether you have 40 million subscribers or 400, the lessons on viral hooks, authenticity, and betting on yourself are universal.

Mark interviews former publicist to the stars Isabelle Knight who is the founder of Build Your Author Brand, an online consultancy helping fiction and non-fiction authors to grow your readership, raise your profile and give your books the best chance of success. Prior to the interview Mark shares that he is on the road at the Writers and Illustrators of the Future annual workshops and gala as one of the writer judges and is using his digital voice clone from ElevenLabs to record the introduction and closing reflection. He also shares a word about this episode's sponsor. This episode is sponsored by an affiliate link to Manuscript Report. Use code MARK10 at checkout and save 10% off your own personalized report. During the interview Mark and Isabelle talk about: Isabelle's background as a publicist for film, TV, and books Recognizing how there's a real knack of knowledge for creating an effective brand/profile Teaching authors the basics of that branding without using the terms PR or publicity The idea of creating foundations of how an author can be able to pitch their books to an audience How talking about marketing can quickly fill authors with a sense of terror The importance of wanting to know, before helping an author, what makes them tick How the author's story is what tells us who they author is and ultimately "why do we care?" about your book(s) Finding the themes that can tie books together rather than what makes them different when an author has written more than one book The challenge of wanting, too much, to share the details from a book, the plot, the tropes, etc versus sharing higher level themes and patterns The misconception that PR and Publicity is only for celebrities or people who are comfortable being in the spotlight A misperception that authors have about how to provide content for social media How Isabelle doesn't work like a traditional publicist The course that Isabelle runs with a cohort about three times a year And more... After the interview Mark shares a few reflections about the conversation. Links of Interest: Build Your Author Brand Manuscript Report (Mark's affiliate link - use MARK10 to save 10%) Buy Mark a Coffee Patreon for Stark Reflections Mark's YouTube channel ElevenLabs (AI Voice Generation - Affiliate link) Mark's Stark Reflections on Writing & Publishing Newsletter (Signup) An Author's Guide to Working With Bookstores and Libraries The Relaxed Author Buy eBook Direct Buy Audiobook Direct Publishing Pitfalls for Authors An Author's Guide to Working with Libraries & Bookstores Wide for the Win Mark's Canadian Werewolf Books This Time Around (Short Story) A Canadian Werewolf in New York Stowe Away (Novella) Fear and Longing in Los Angeles Fright Nights, Big City Lover's Moon Hex and the City Only Monsters in the Building Once Bitten (Novella) The Canadian Mounted: A Trivia Guide to Planes, Trains and Automobiles Yippee Ki-Yay Motherf*cker: A Trivia Guide to Die Hard Merry Christmas! Shitter Was Full!: A Trivia Guide to National Lampoon's Christmas Vacation I Think It's A Sign That The Pun Also Rises   Former publicist to the stars, including titans of industry JK Rowling and the BBC, Isabelle Knight is the founder of Build Your Author Brand, an online consultancy helping fiction and non-fiction authors to grow your readership, raise your profile and give your books the best chance of success.   The introductory, end, and bumper music for this podcast ("Laser Groove") was composed and produced by Kevin MacLeod of www.incompetech.com and is Licensed under Creative Commons: By Attribution 3.0

On this episode of CA Media Podcast, "The Wrestling Podcast Crew" dives into our prediction for WrestleMania 42 as Lawd Dweez, Lasheen, Casanova and Clyde makes their predictions on The Show of Shows. We have a new guest on Lasheen as he was previously on SubwayMania a show that was created by Tim HANN Rivera as he shared his experience on being selected to take part of a special episode of SubwayMania. Then we dive into our predictions; As Lawd Dweez is currently ahead by 5 wins more than the second place person Qasim. As WrestleMania closes our 1st official year.We dive into CM Punk v. Roman Reigns; Cody Rhodes v. Randy Orton with Pat McAfee; Oba Femi v. Brock Lesnar with Paul Heyman; AJ Lee v. Becky Lynch as John Cena Host's WrestleMania 42.This show is sponsored by Visionary Minds Public Relations and Media is a founding supporting sponsor of the CA Media Podcast. Make sure you get your Publicity, Digital Marketing, Writing, Media Consulting Services at visionarymindsny@gmail.com where Tammy Reese is the owner.The New sponsor is brought to you by Untold Truth Fragrance by Schanell Marie Carol "Wear Your Truth Unapologetically!". Untold Truth Men's and Women's fragrance can be purchased on untoldtruthfragrance.com, select Macy's locations and on amazon.com.You can listen to the podcast on the following platforms:Apple Podcast: https://podcasts.apple.com/us/podcast/ca-media-podcast/id1534508960SPOTIFY: https://open.spotify.com/show/0T1qlQvvRNpBjrFz4N5X26?si=7a873afde9ed4e34You can follow the podcast on social media at:Facebook: ⁠facebook.com/CAMediaPodcast⁠Instagram: ⁠Instagram.com/CAMediaPodcast⁠Blue Sky:⁠ https://bsky.app/profile/camediapodcast.bsky.social⁠X: ⁠https://x.com/CAMediaPodcast⁠ If you want to be on the podcast you can email the podcast at ⁠camediapodcast@gmail.com⁠ or book on Linktree at linktr.ee/CAMediaPodcast and click in the booking link.#SubwayMania #wwe #wrestlemania #cmpunk #romanreigns #codyrhodes #obafemi #brocklesnar #espn #CAMediaPod

Before you dive in, grab your free spot at my SWEEP Workshop on April 9th, the marketing framework that makes everything you're about to hear actionable for your own business. REGISTER HERE.What happens when a burned-out startup employee discovers jigsaw puzzles as her stress relief, and then decides to completely reinvent the category? You get Jiggy, one of the most creative and scrappy real founder stories we've featured on Dear FoundHer.Kaylin Marcotte is the founder of Jiggy Puzzles, a multi-million dollar brand that transformed the humble jigsaw puzzle into a lifestyle product, a wellness tool, and a platform for emerging female artists. She launched in November 2019, just months before a global pandemic turned puzzles into the hottest product on the internet. She landed in Anthropologie before COVID hit, struck a deal with Mark Cuban on Shark Tank, and built a three-channel business with a team of three.But here's what makes Kaylin's story so compelling for every woman startup founder listening: she did almost all of it without a marketing budget, without paid ads, and without a playbook. Just creativity, partnerships, and a relentless willingness to do the legwork.In this episode, you'll hear:How Kaylin identified a gap in the market and built company messaging around elevating puzzles from a toy aisle product into a lifestyle and wellness brandThe scrappy manufacturing process that got Jiggy off the ground, including negotiating her way onto the end of a factory run to meet impossibly low minimumsHer early publicity strategy, pitching herself, leveraging HARO, and doing her own PR long before she could afford to outsource itHow she grew an audience from day one by baking a built-in partner network into the business model itself, her artistsThe partnership with Anthropologie that changed everything, and how it came directly through Instagram before she'd spent a dollar on adsWhat founder visibility looked like for a one-woman show, and how leaning into organic social and authentic partnerships drove real growthHer Shark Tank experience from start to finish, how she got scouted, what the process was really like, and what happened to her business the night it airedThe real scaling challenges of going from DTC startup to a multi-channel brand in Bloomingdale's, Nordstrom, and Macy'sHow she has managed rapid growth and built a B2B custom business, including a puzzle collaboration with Kacey Musgraves, with a team of just three peopleWhy she believes getting press and building partnerships is a more powerful and sustainable growth strategy than performance marketing will ever beThe honest truth about managing teams as a solo founder, and how freelancers, contractors, and a scrappy mindset have kept Jiggy lean and profitableThis episode is for every woman startup founder who is building something from nothing, trying to figure out how to get press without a PR budget, and wondering if it's really possible to grow an audience without throwing money at ads.Kaylin's answer is a resounding yes, and she gives you the exact roadmap in this conversation.Connect with Jiggy:Instagram: @jiggypuzzlesWebsite: jiggypuzzles.comEverything you just heard in this episode? It's SWEEP in action. Join me on April 9th for a free live SWEEP Workshop where I'll teach you the exact framework that makes marketing simple, consistent, and effective for women business owners just like you. Register for free, and I'll see you there.Subscribe to The FoundHer Files Follow Dear FoundHer on Instagram Loved this episode? Share it in your stories and tag @lindsaypinchuk and @dearfoundher. And if you haven't already, subscribe and leave us a five star review, it's how other women startup founders find real stories like this one.This episode originally ran on April 18, 2023. Hosted on Acast. See acast.com/privacy for more information.