Podcast appearances and mentions of Richard Sennett

“I'm really interested in the relation between performance and ritual. Where do those two separate?”Richard Sennett grew up in the Cabrini Green housing project in Chicago, attended the Juilliard School in New York, and then studied social relations at Harvard. Over the last five decades, he has written about social life in cities, changes in labour, and social theory. His books include The Performer: Art, Life, Politics, The Hidden Injuries of Class, The Fall of Public Man, The Corrosion of Character, The Culture of the New Capitalism, The Craftsman, and Building and Dwelling. Sennett has advised the United Nations on urban issues for the past thirty years and currently serves as member of the UN Committee on Urban Initiatives. He is the Centennial Professor of Sociology at the London School of Economics and former University Professor of the Humanities at New York University.“I want to show what is kind of the basic DNA that people use for good or for ill. What are the tools they use, if you like, of expression that they use in the creative process?”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I'm really interested in the relation between performance and ritual. Where do those two separate?”Richard Sennett grew up in the Cabrini Green housing project in Chicago, attended the Juilliard School in New York, and then studied social relations at Harvard. Over the last five decades, he has written about social life in cities, changes in labour, and social theory. His books include The Performer: Art, Life, Politics, The Hidden Injuries of Class, The Fall of Public Man, The Corrosion of Character, The Culture of the New Capitalism, The Craftsman, and Building and Dwelling. Sennett has advised the United Nations on urban issues for the past thirty years and currently serves as member of the UN Committee on Urban Initiatives. He is the Centennial Professor of Sociology at the London School of Economics and former University Professor of the Humanities at New York University.“I want to show what is kind of the basic DNA that people use for good or for ill. What are the tools they use, if you like, of expression that they use in the creative process?”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I'm really interested in the relation between performance and ritual. Where do those two separate?”Richard Sennett grew up in the Cabrini Green housing project in Chicago, attended the Juilliard School in New York, and then studied social relations at Harvard. Over the last five decades, he has written about social life in cities, changes in labour, and social theory. His books include The Performer: Art, Life, Politics, The Hidden Injuries of Class, The Fall of Public Man, The Corrosion of Character, The Culture of the New Capitalism, The Craftsman, and Building and Dwelling. Sennett has advised the United Nations on urban issues for the past thirty years and currently serves as member of the UN Committee on Urban Initiatives. He is the Centennial Professor of Sociology at the London School of Economics and former University Professor of the Humanities at New York University.“I want to show what is kind of the basic DNA that people use for good or for ill. What are the tools they use, if you like, of expression that they use in the creative process?”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I'm really interested in the relation between performance and ritual. Where do those two separate?”Richard Sennett grew up in the Cabrini Green housing project in Chicago, attended the Juilliard School in New York, and then studied social relations at Harvard. Over the last five decades, he has written about social life in cities, changes in labour, and social theory. His books include The Performer: Art, Life, Politics, The Hidden Injuries of Class, The Fall of Public Man, The Corrosion of Character, The Culture of the New Capitalism, The Craftsman, and Building and Dwelling. Sennett has advised the United Nations on urban issues for the past thirty years and currently serves as member of the UN Committee on Urban Initiatives. He is the Centennial Professor of Sociology at the London School of Economics and former University Professor of the Humanities at New York University.“I want to show what is kind of the basic DNA that people use for good or for ill. What are the tools they use, if you like, of expression that they use in the creative process?”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I'm really interested in the relation between performance and ritual. Where do those two separate?”Richard Sennett grew up in the Cabrini Green housing project in Chicago, attended the Juilliard School in New York, and then studied social relations at Harvard. Over the last five decades, he has written about social life in cities, changes in labour, and social theory. His books include The Performer: Art, Life, Politics, The Hidden Injuries of Class, The Fall of Public Man, The Corrosion of Character, The Culture of the New Capitalism, The Craftsman, and Building and Dwelling. Sennett has advised the United Nations on urban issues for the past thirty years and currently serves as member of the UN Committee on Urban Initiatives. He is the Centennial Professor of Sociology at the London School of Economics and former University Professor of the Humanities at New York University.“I want to show what is kind of the basic DNA that people use for good or for ill. What are the tools they use, if you like, of expression that they use in the creative process?”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“I'm really interested in the relation between performance and ritual. Where do those two separate?”Richard Sennett grew up in the Cabrini Green housing project in Chicago, attended the Juilliard School in New York, and then studied social relations at Harvard. Over the last five decades, he has written about social life in cities, changes in labour, and social theory. His books include The Performer: Art, Life, Politics, The Hidden Injuries of Class, The Fall of Public Man, The Corrosion of Character, The Culture of the New Capitalism, The Craftsman, and Building and Dwelling. Sennett has advised the United Nations on urban issues for the past thirty years and currently serves as member of the UN Committee on Urban Initiatives. He is the Centennial Professor of Sociology at the London School of Economics and former University Professor of the Humanities at New York University.“I want to show what is kind of the basic DNA that people use for good or for ill. What are the tools they use, if you like, of expression that they use in the creative process?”Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We look at creative work as though the very creative process itself is something good. These are tools of expression, and like any tool, you can use them to damage something or to make something. They can be turned to very malign purposes, for instance, in the operas of Wagner. So I wanted to do this set of books, I want to show what is kind of the basic DNA that people use for good or for ill. What are the tools they use, if you like, of expression that they use in the creative process?”Richard Sennett grew up in the Cabrini Green housing project in Chicago, attended the Juilliard School in New York, and then studied social relations at Harvard. Over the last five decades, he has written about social life in cities, changes in labour, and social theory. His books include The Performer: Art, Life, Politics, The Hidden Injuries of Class, The Fall of Public Man, The Corrosion of Character, The Culture of the New Capitalism, The Craftsman, and Building and Dwelling. Sennett has advised the United Nations on urban issues for the past thirty years and currently serves as member of the UN Committee on Urban Initiatives. He is the Centennial Professor of Sociology at the London School of Economics and former University Professor of the Humanities at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We look at creative work as though the very creative process itself is something good. These are tools of expression, and like any tool, you can use them to damage something or to make something. They can be turned to very malign purposes, for instance, in the operas of Wagner. So I wanted to do this set of books, I want to show what is kind of the basic DNA that people use for good or for ill. What are the tools they use, if you like, of expression that they use in the creative process?”Richard Sennett grew up in the Cabrini Green housing project in Chicago, attended the Juilliard School in New York, and then studied social relations at Harvard. Over the last five decades, he has written about social life in cities, changes in labour, and social theory. His books include The Performer: Art, Life, Politics, The Hidden Injuries of Class, The Fall of Public Man, The Corrosion of Character, The Culture of the New Capitalism, The Craftsman, and Building and Dwelling. Sennett has advised the United Nations on urban issues for the past thirty years and currently serves as member of the UN Committee on Urban Initiatives. He is the Centennial Professor of Sociology at the London School of Economics and former University Professor of the Humanities at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We look at creative work as though the very creative process itself is something good. These are tools of expression, and like any tool, you can use them to damage something or to make something. They can be turned to very malign purposes, for instance, in the operas of Wagner. So I wanted to do this set of books, I want to show what is kind of the basic DNA that people use for good or for ill. What are the tools they use, if you like, of expression that they use in the creative process?”Richard Sennett grew up in the Cabrini Green housing project in Chicago, attended the Juilliard School in New York, and then studied social relations at Harvard. Over the last five decades, he has written about social life in cities, changes in labour, and social theory. His books include The Performer: Art, Life, Politics, The Hidden Injuries of Class, The Fall of Public Man, The Corrosion of Character, The Culture of the New Capitalism, The Craftsman, and Building and Dwelling. Sennett has advised the United Nations on urban issues for the past thirty years and currently serves as member of the UN Committee on Urban Initiatives. He is the Centennial Professor of Sociology at the London School of Economics and former University Professor of the Humanities at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We look at creative work as though the very creative process itself is something good. These are tools of expression, and like any tool, you can use them to damage something or to make something. They can be turned to very malign purposes, for instance, in the operas of Wagner. So I wanted to do this set of books, I want to show what is kind of the basic DNA that people use for good or for ill. What are the tools they use, if you like, of expression that they use in the creative process?”Richard Sennett grew up in the Cabrini Green housing project in Chicago, attended the Juilliard School in New York, and then studied social relations at Harvard. Over the last five decades, he has written about social life in cities, changes in labour, and social theory. His books include The Performer: Art, Life, Politics, The Hidden Injuries of Class, The Fall of Public Man, The Corrosion of Character, The Culture of the New Capitalism, The Craftsman, and Building and Dwelling. Sennett has advised the United Nations on urban issues for the past thirty years and currently serves as member of the UN Committee on Urban Initiatives. He is the Centennial Professor of Sociology at the London School of Economics and former University Professor of the Humanities at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

“We look at creative work as though the very creative process itself is something good. These are tools of expression, and like any tool, you can use them to damage something or to make something. They can be turned to very malign purposes, for instance, in the operas of Wagner. So I wanted to do this set of books, I want to show what is kind of the basic DNA that people use for good or for ill. What are the tools they use, if you like, of expression that they use in the creative process?”Richard Sennett grew up in the Cabrini Green housing project in Chicago, attended the Juilliard School in New York, and then studied social relations at Harvard. Over the last five decades, he has written about social life in cities, changes in labour, and social theory. His books include The Performer: Art, Life, Politics, The Hidden Injuries of Class, The Fall of Public Man, The Corrosion of Character, The Culture of the New Capitalism, The Craftsman, and Building and Dwelling. Sennett has advised the United Nations on urban issues for the past thirty years and currently serves as member of the UN Committee on Urban Initiatives. He is the Centennial Professor of Sociology at the London School of Economics and former University Professor of the Humanities at New York University.Episode Websitewww.creativeprocess.info/podInstagram:@creativeprocesspodcast

Robert Misik in conversation with Richard SennettTHE ART OF SOCIAL AND POLITICAL PERFORMANCE: ACTORS, DEMAGOGUES, SELF-PROMOTERS In his new book, world-famous sociologist and author Richard Sennett dissects the performer – in the German edition called „Der darstellende Mensch“. Sennett, who was a musician and artist before his extraordinary academic career, focuses on theatre and the emancipatory potential of art. But isn't today's dominant social character is also the performing human in a broader sense, curating his or her life, whether in social media or in the roles that he or she has to play? And doesn't the show character of politics give rise to a certain type of politician? Sennett's latest study also provides an opportunity to talk about the big picture of half a century of research. It has been 53 years since Sennett's first legendary work, ‘The Hidden Injuries of Class', was published, which reads as relevant today as ever – followed by ‘The Fall of the Public Man', ‘The Corrosion of Character', ‘On Craftsmanship' and many other works, that deal with the interactions between individuals, identity and society. Taken together, they describe the transformation of the subjects through socialisation, as well as the alienation in neoliberalism, but at the same time they always open windows onto the utopian, onto a non-reified, communal existence.Richard Sennett grew up in the Cabrini Green housing project in Chicago, attended the Julliard School in New York and then studied social relations at Harvard. Over the last five decades, he has written about social life in cities, changes in labour and social theory. His books include The Hidden Injuries of Class , The Fall of Public Man , The Corrosion of Character , The Culture of the New Capitalism , The Craftsman and Building and Dwelling . Sennett has advised the United Nations on urban issues for the past thirty years and currently serves as member of the UN Committee on Urban Initiatives. He is Visiting Professor of Urban Studies at Harvard. Among other awards, he has received the Hegel Prize, the Spinoza Prize and the Centennial Medal from Harvard University.Robert Misik, Author and Journalist

#KöşedekiKitapçı'da bugün

Rollenspiel und Präsentation gehören zum Leben. Der Mensch, der sich gegenüber anderen zeigt und verhält, wird zum Akteur seiner selbst oder einer Performance, sei es künstlerisch oder sozial. Das ist das Thema von Richard Sennetts Essay „Der darstellende Mensch". Rezension von Eberhard Falcke

Rollenspiel und Präsentation gehören zum Leben. Der Mensch, der sich gegenüber anderen zeigt und verhält, wird zum Akteur seiner selbst oder einer Performance, sei es künstlerisch oder sozial. Das ist das Thema von Richard Sennetts Essay „Der darstellende Mensch". Rezension von Eberhard Falcke

Het mbo-onderwijs heeft nog altijd een slecht imago, terwijl de vakmensen die daar worden opgeleid broodnodig zijn voor onze samenleving. In deze aflevering onderzoeken we waarom het mbo nog vaak wordt onderschat, wat het mbo precies inhoudt en welke cruciale rol vakmanschap speelt in onze huidige maatschappij. Onze gast is socioloog dr. Rineke van Daalen, verbonden aan de Universiteit van Amsterdam.

In the 40 years since their history-making perfect score that earned them a gold medal at the 1984 Winter Olympic Games, figure skaters Jayne Torvill and Christopher Dean have toured the globe presenting ice dancing spectaculars. Now, the pair plan to hang up their skates for good, following a farewell tour they are calling Torvill & Dean: Our Last Dance.This year, one of the greatest shows on earth has been the US presidential race. The theatrics employed to shift allegiances, manipulate audiences and inspire voters call into question the line between politics and performance. The influential social and cultural thinker Richard Sennett turns his mind to these and other topics in his book, The Performer: Art, Life, Politics.

Dr. Thieu Besselink, PhD, Founder of the Academy of Place and the Townmaking Institute, ass. prof. at Utrecht University Thieu Besselink is an urbanist, philosopher and educator. He learned to love the complexities of place during his research with prof. Richard Sennett at the LSE Cities Program and went on to establish two organisations that aim to learn from and develop places as living wholes. The Academy of Place initiates regenerative development processes at landscape scale, and the Townmaking Institute is an R&D institute for urban commons and Societal Asset Development. As an educator Thieu leads the Regenerative Cities Program at Utrecht University where he developed place-based pedagogies to learn and develop with place. In collaboration with Placemaking Week Europe, 2024, Rotterdam. Read more ⁠⁠⁠⁠⁠https://pwe2024.sched.com/⁠⁠⁠⁠ _____ Let's connect and talk further about this episode ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Mustafa Sherif Linkedin⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Visit  ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Mustafasherif.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for collaborations Follow Urbanistica on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ & ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Youtube channel⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.

"Bugün Gazze'de ABD ve İsrail ortaklığı ile bir okul bombalandı 100 Müslüman Filistinli hayatını kaybetti ve bu bilgi, tarihe çok sıradan bir istatistik veri olarak geçti." Varlığını ve meşruiyetini sapık kehanetlere bağlamış bir terör örgütü ile karşı karşıyayız. Kendilerinin seçilmiş ırk olduğuna inanan ve diğer insanların Amâlek, yani "hayvanımsı" varlıklar olduğunu varsayan bir sapıklıkla yüz yüzeyiz. Orta Çağ Hristiyanları haklı mıydı? Kaderin cilvesine bakın ki, bugün Yahudilerin Müslüman, Hristiyan ve diğer din mensupları için yaptıkları tanımlamaların aynısını, asırlar boyu Hristiyanlar Yahudiler için yapmıştı. Yahudilerin tarihine kısaca bir göz atacak olsanız, bugün Filistinlilerin yaşadığı zulmün benzerini, Avrupa'nın birçok başkentinde Yahudiler yaşamıştır. İşin en ilginç yanı da tarih boyunca Yahudilere insanlık dışı muamelede bulunanların Hristiyanlar olmasıdır. Richard Sennett'in "Ten ve Taş" adlı kitabında, "Shakespeare tiyatrosunda kardinallerin, Yahudi tüccarlara iyi davranmasını teşvik ederken, sokaktaki Hristiyanlar Yahudilerin yarı insan, yarı hayvan olduğuna inanmaya devam ediyordu." Batıda Yahudiler için, "maddi ve manevi bütün hastalıkların onlardan kaynaklandığına inanılırdı." Bu sebepten dolayı Babil sürgünü, Atina sürgünü, Roma sürgünü, Paris sürgünü, Londra sürgünü ve liste uzayıp gider. Ayrıca Hristiyanlar 4 konuda Yahudilerden kuşku duyup nefret etmişlerdir: 1. Yahudiler Hz. İsa'yı öldürmüşlerdir. 2. Tefecilik ve faizcilik yapıyorlardı 3. Bebekleri kaçırıp ayinlerde kanını içme sapıklıkları. 4. Maddi ve manevi hatalıkların “veba” dâhil Yahudilerden yayılması. Yahudilerin Hristiyanlarla olan imtihanı, Hollywood yapımı Hitler katliamları ile zihinlerde yer bulmaktadır. Hem Hristiyanlar hem de Yahudiler, Yahudi düşmanlığının gelecek kuşaklara bir gelenek olarak devredilememesi için konunun Hitler'in soykırımcılığı ile sınırlı kalmasından memnunlar. Bu durum oldukça ince düşünülmüş, üzerine büyük siyaset inşa edilmiş bir paradigmaya dayanıyor. Siyonistler, dünya hakimiyetini Hristiyanlardan gelebilecek tehlikelere karşı oluşturmuşlardır. Bir Yahudi hiçbir zaman bir Hristiyan'a güvenmez, onları ancak köleleştirerek rahat ederler. Biden, ağır tonajlı bombaları İsrail'e vermekte kısa bir süre tereddüt edince Netanyahu, "Söz veren Yahudi değilse, o söze güven olmaz" mealinde bir tweet attı.

Myles Downey has been practising coaching for more than 40 years. His book, Effective Modern Coaching, has sold more than 330,000 copies and is a recommended read on many coaching training courses.In this episode, Myles returns for his second appearance on The Coach's Journey Podcast, with the questions asked by Robbie and Neil – doubling the hosts in order to double the insight!We dive deep into the nuances of coaching, exploring themes of self-actualisation, performance, and the delicate balance between directive and non-directive coaching, leveraging Myles' experience coaching senior executives and leadership teams across the globe.This episode coincides with the release of a new edition of Effective Modern Coaching, which has enabled him to fine-tune everything he has learned about effective coaching over the last 40 years, including through founding The School of Coaching in 1996, the first institution in Europe to focus solely on the development of coaching skills for coaches, managers and leaders.The episode is a treasure trove of insights for new and experienced coaches alike. Myles' wisdom provides a deep dive into the art and science of coaching. Whether you're a seasoned coach or just starting your journey, this episode offers valuable perspectives on how to elevate your practice and truly make a difference in your clients' lives.In particular, we talk about:Pushing back against the culture contagion of compliance: how we get engineered in society and lose the capacity to trust ourselves.Performance coaching and self-actualisation: how to align personal expression with professional performance.Tim Gallwey's Inner Game and its influence on Myles and Neil, including diving into Gallwey's Self One and Self Two.Construing, constructs and creating our maps of reality (and how non-directive coaching makes all the difference).‘Transcend and include' as an underpinning principle in our development as coaches and that of our clients.Proposing: the delicate balance required to offer suggestions to our clients without imposing them.Plus, we talk about whether the shine has come off coaching and other changes Myles has noticed over his decades in the industry, and Neil invites Myles to get into the business-building parts of his work: how he structures engagements, how his sales process looks and more...To listen to Myles' first appearance on The Coach's Journey Podcast, visit https://www.thecoachsjourney.com/podcast/episode-31-myles-downeyFor more information about Myles, visit www.mylesdowney.com or find him on LinkedIn at www.linkedin.com/in/mylesdowneyFor more information about Robbie Swale, visit www.robbieswale.com and for more information about Neil Mackinnon, visit www.neilmackinnon.net.Read more about The Coach's Journey at www.thecoachsjourney.com.Music by My Good Man William: listen on Spotify: https://open.spotify.com/artist/4KmeQUcTbeE31uFynHQLQgTo support the Coach's Journey, visit www.patreon.com/thecoachsjourney and to join the Coach's Journey Community visit www.thecoachsjourney.com/community.Things and people we mentioned (that you might be interested in):Myles' previous appearance on The Coach's Journey Podcast: https://www.thecoachsjourney.com/podcast/episode-31-myles-downey Myles on The Edge of Coaching Podcast: https://open.spotify.com/episode/0EWTGZa8XnMF1n13Q76wSr?si=YF9zAEILScCunFai85RIaQ The Inner Game of Tennis by Timothy Gallwey: https://www.amazon.co.uk/Inner-Game-Tennis-ultimate-performance/dp/1447288505/ The Inner Game of Music by Timothy Gallwey: https://www.amazon.co.uk/Inner-Game-Music-Timothy-Gallwey/dp/1447291727 The new edition of Effective Modern Coaching: https://www.amazon.co.uk/Effective-Modern-Coaching-principles-successful/dp/191595116X/ David Clutterbuck: https://clutterbuck-cmi.com/ Aristotle Onassis: https://en.wikipedia.org/wiki/Aristotle_Onassis Enabling Genius by Myles Downey: https://www.amazon.co.uk/Enabling-Genius-Myles-Downey/dp/1910649538 Academy of Executive Coaching: https://www.aoec.com/ Mihaily Csikszentmihaly: https://en.wikipedia.org/wiki/Mihaly_Csikszentmihalyi Roberto Assagioli: https://en.wikipedia.org/wiki/Roberto_Assagioli The Craftsman by Richard Sennett: https://www.amazon.co.uk/Craftsman-Richard-Sennett/dp/0141022094 Jennifer Garvey Berger on The Coach's Journey Podcast: https://www.thecoachsjourney.com/podcast/episode-42-jennifer-garvey-berger-the-answer-to-either-or-is-both The Prosperous Coach book: https://richlitvin.com/book/ BIOGRAPHY FROM MYLESMyles Downey is one of the leading executive coaches in Europe, with global experience (Europe, North and South America, Asia-Pacific, UAE). He has worked across the C-suite in many prestigious organisations over the last 30 years, in a wide variety of industries, including Banking and Financial Services, Manufacturing, Oil and Gas, Professional Services, Tech and the Public Sector.Myles is a recognized authority on Performance, Coaching and Leadership and the author of three classics in the coaching and performance arena: ‘Effective Modern Coaching', ‘Effective Coaching' (between them 300,00+ books sold); ‘Enabling Genius – a mindset for success in the 21st Century'; ‘The Enabling Manager - how to get the best out of your team' published in July 2022.Myles has deployed his performance coaching programs with the Senior Coaches of the England Rugby Team and with the New Zealand Elite Rugby Coaches.Myles has been a speaker at many leadership conferences, including the BBC's Conference for its top 400 senior executives, the McKinsey Global Partners Conference in Singapore and the ICF Global Conference in Malmo, to name a few. After 33 years living in London, Myles now lives in Norfolk, England. He was born in Dublin, Ireland in 1959. Myles plays for Norfolk Veterans Tennis team and competes occasionally on the ITF Masters Tour.

Richard Sennett, leading cultural and social thinker and Emeritus Professor of Sociology at the London School of Economics, talks to Laurie Taylor. Growing up in a housing project in Chicago, he originally trained in music. An accident put paid to his cello playing and he turned to sociology. Over five decades he's documented the social life of cities, work in modern society and the sociology of culture. His latest study explores the relations between performing in art (particularly music), politics and everyday experience. It draws personally on Sennett's early career as a professional cellist and explores the dangerous and ambiguous nature of performance, from the French theorist, Michel Foucault's hypnotic lectures to the demagoguery of contemporary politicians. He describes the tragic performances of unemployed dockworkers in New York City in the 1960s, as they competed for a dwindling number of jobs, and Aids patients in a Catholic hospital doing a reading of As You Like It and displaying defiance in the face of death and religious disapproval. Producer: Jayne Egerton

Richard Sennett is a sociologist and the Centennial Professor of Sociology at the London School of Economics, whose work has given particular focus to areas such as how we co-exist in urban spaces and our places of employment. But his new book looks at the role of performance in society. The Performer explores how the spectacle of the arts can be mirrored in roles found elsewhere in life, such as in politics and wider everyday business, where we're often being encouraged to try and make ourselves the main attraction. Joining Sennett in conversation for this episode is someone who is no stranger to the merits of a good performance, Philip Colins. He was chief speechwriter for Tony Blair and has been an influential writer and columnist at publications ranging from The Times to Prospect magazine and The Evening Standard. Collins also heads up Writing Company, The Draft. If you'd like to get access to all of our longer form interviews and members-only content, just visit intelligencesquared.com/membership to find out more. For £4.99 per month you'll also receive: - Full-length and ad-free Intelligence Squared episodes, wherever you get your podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series - 15% discount on livestreams and in-person tickets for all Intelligence Squared events - Our member-only newsletter The Monthly Read, sent straight to your inbox ... Or Subscribe on Apple for £4.99: - Full-length and ad-free Intelligence Squared podcasts - Bonus Intelligence Squared podcasts, curated feeds and members exclusive series ... Already a subscriber? Thank you for supporting our mission to foster honest debate and compelling conversations! Visit intelligencesquared.com to explore all your benefits including ad-free podcasts, exclusive bonus content, early access and much more. ... Subscribe to our newsletter here to hear about our latest events, discounts and what's coming up. https://www.intelligencesquared.com/newsletter-signup/ Learn more about your ad choices. Visit podcastchoices.com/adchoices

The distinguished sociologist and cultural thinker Richard Sennett was once a professional cellist and his new book, The Performer, examines the links between artistic performance, politics and the public-sphere. We were delighted to talk to him about his own experiences asa musician and about prominent figures from Leonard Bernstein and Roland Barthes to Donald Trump and Boris Johnson.'The Performer: Art, Life, Politics', by Richard SennettProduced by Charlotte Pardy Hosted on Acast. See acast.com/privacy for more information.

This week, a special interview with the sociologist Richard Sennett takes us from Roland Barthes to Leonard Bernstein; and Hettie Judah on two memoirs inspired by a love of 17th-century art.'The Performer: Art, Life, Politics', by Richard Sennett'Thunderclap: A Memoir of Art and Life & Sudden Death', by Laura Cumming'The Upside-Down World: Meetings with the Dutch Masters', by Benjamin MoserProduced by Charlotte Pardy Hosted on Acast. See acast.com/privacy for more information.

This third episode of How to be Good Ancestors on Indonesia will zoom into the architectural scale to look at another form of debt: the act of disseminating building knowledge as a form of epistemic imposition. We will be revisiting Indonesian colonial history with architectural historian David Hutama Setiadi focusing on design pedagogy. Together we will unpack the ways in which systems of knowledge were imposed through new ways of building generated by capitalist ideology, revealing the complicity of drawing methods and classification systems in marginalising the Metis, an unstructured type of knowledge learned through embodied experience. We will also be discussing the possibilities of reversing the logics of the episteme. How to be Good Ancestors means rereading our past to disentangle future possibilities from systems of oppression. In this podcast series, hosts and AA students Ferial Massoud, Maria Putri and Aude Tollo retrace the common histories of three nominally decolonised states – Burkina Faso, Egypt and Indonesia – through the systems of debt servitude to which they were condemned in the wake of their independence, and which they remain subject to today. We ask: what are the spatial and material consequences of these systems and how can we begin to undo them? Show Notes:- David Hutama Setiadi, Building Practice in the Dutch East Indies: Epistemic Imposition at the Beginning of the 20th Century, 2023- Summarised version of David's book: https://ar.fa.uni-lj.si/2020/re-drawing-javanese-building-practice- James C Scott, Seeing Like a State: How Certain Schemes to Improve the Human Condition Have Failed, 2020- Richard Sennett, The Craftsmen, 2008- Eric Hobsbawm and Terence Ranger, ed, The Invention of Tradition, 2012- Clifford Geertz, The Interpretation of Cultures: Selected Essays by Clifford Geertz, 1973- Jean Couteau, Tubuh, Moral dan Jiwa Zaman, 2019 About A Line Traced:As our society continues to unveil fractures within its social and political systems, A Line Traced aims to examine topics that are immediate, prescient and impact the build environment in ways that require urgent architectural responses. An AirAA podcast recorded, mixed, edited and distributed from the Architectural Association School of Architecture, which is based in Bedford Square in London. Special thanks to Thomas Parkes for his contribution to the production of our episodes. Visit air.aaschool.ac.uk to find out more.

Aujourd'hui, un livre "Un Autre Vin" (Ed. Flammarion). L'auteur : Valentin Morel, vigneron dans le Jura, domaine Les Pieds sur Terre. Le sujet : cépages hybrides. Mais aussi traitement de la vigne (même dans le monde du vin nature). Associations : Francs de Pied Vitis Batardus Liberata  Vigneron.es : Geoffrey Estienne, Vin Nu Lilian et Sophie Bauchet Domaine Pierre Frick Bénédicte et Stéphane Tissot Pierre Sanchez, Duo Oenologies Patrick Meyer Textes :  Ignacio Ramonet, "Un autre monde est possible", Le Monde, mai 1998 Eloge du carburateur, Matthew Crawford, Ed. La Découverte Ce que sait la main, la culture de l'artisanat, Richard Sennett, Ed. Albin Michel Terroirs viticoles du Jura, Michel Campy, Ed. Géologie et paysages "Vitis Prohibita", Stephan Balay, 2019

“Follow”? “Block”? “Accept”? Anthropologist Ilana Gershon joins us to reflect on breakups in both our intimate and working lives. She tells Alexis and Rosie how hearing her students' surprising stories of using new media – supposedly a tool for connection – to end romantic entanglements led to her 2010 book “The Breakup 2.0”. She also shares insights from studying hiring in corporate America and describes how, in the febrile “new economy”, the very nature of networking and how we understand our careers have been transformed.Ilana also celebrates Marilyn Strathern's influential article “Cutting the Network” for challenging our assumptions about endless and easy connection. She responds to the work of sociologists Richard Sennett and Mark Granovetter, and highlights Teri Silvio's theory of “animation” as a fruitful way of thinking about our online selves.Plus: Rosie, Alexis and Ilana share their pop culture picks on this month's theme, from the hit TV show “Severance” to the phenomenon of “shitposting” on Linkedin.Guest: Ilana GershonHosts: Rosie Hancock, Alexis Hieu TruongExecutive Producer: Alice BlochSound Engineer: David CracklesMusic: Joe GardnerArtwork: Erin AnikerFind more about Uncommon Sense at The Sociological Review.Episode ResourcesIlana, Rosie, Alexis and our producer Alice recommendedDan Erickson's TV series “Severance”“shitposting” on Linkedin, as discussed by Bethan Kapur for VICEThe Quebec reality TV show “Occupation Double”Halle Butler's novel “The New Me”From The Sociological Review“A Sociological Playlist” – Meg-John Barker and Justin Hancock“The Sociology of Love” – Julia Carter“Becoming Ourselves Online: Disabled Transgender Existence In/Through Digital Social Life” – Christian J. Harrison“The Politics of Digital Peace, Play, and Privacy during the COVID-19 Pandemic: Between Digital Engagement, Enclaves, and Entitlement” – Francesca SobandeFrom Uncommon Sense: “Intimacy, with Katherine Twamley”By Ilana Gershon“The Breakup 2.0: Disconnecting over New Media”“The Breakup 2.1: The ten-year update”“Un-Friend My Heart: Facebook, Promiscuity, and Heartbreak in a Neoliberal Age”“Down and Out in the New Economy: How People Find (or Don't Find) Work Today”“Neoliberal Agency”Further reading“Puppets, Gods, and Brands: Theorizing the Age of Animation from Taiwan” – Teri Silvio“Forms of Talk” – Erving Goffman“The Corrosion of Character: The Personal Consequences of Work in the New Capitalism” – Richard Sennett“The Digital Lives of Black Women in Britain” – Francesca Sobande“The Strength of Weak Ties” – Mark S. Granovetter“Cutting the Network” – Marilyn StrathernAnd have a look at the basics of Actor–Network Theory.

Der Chatbot ChatGPT hat Künstliche Intelligenz ins breite Bewusstsein gerückt. Über Gefahren und Potentiale dieser revolutionären Technologie spricht Eva Konzett mit Experten aus Informatik bis Ethik, von Alexander Filipovic bis Richard Sennett.------------------------------------------------------------//WERBUNG// Babbel – Die Sprachlern-App: Hier könnt ihr den Rabattcode einlösen! Mit dem Rabattcode "Florian" erhaltet ihr ein Babbel-Jahresabo zum Preis von nur 6 Monaten! Gültig bis zum 30.04.2023 Hosted on Acast. See acast.com/privacy for more information.

Recommend this show by sharing the link: pod.link/2Pages It's 1985, I'm 17, in my final year of high school, and I'm just having fun. There was very little then that hinted at who I'd become now. Though my favorite class was Literature, I wrote nothing aside from the essays that were due the next day. Once, during a school assembly, a classmate of mine got on stage with his cello. Barely knowing what a cello was, I wasn't all that moved when he announced he'd won some big prize. Then, he played it. While I didn't really understand the music, I remember thinking, ‘Oh, this is what it means to be really good at something!' and just how extraordinary it is to be one of the best of the best.  Neil Heyde was that classmate. After graduation, Neil became - and still is - a member of a world-class quartet, a recorded artist, and head of postgraduate programmes at one of the most prestigious music institutions, the Royal Academy of Music in London, which has been his home for decades now. Get‌ ‌book‌ ‌links‌ ‌and‌ ‌resources‌ ‌at‌ https://www.mbs.works/2-pages-podcast/  Neil reads two pages from ‘The Craftsman' by Richard Sennett. [reading begins at 18:20]   Hear us discuss:  “You have to set the agenda for what you want to do.” [4:15] | Discovering the goal through the work you do. [23:57] | “I think of practice as a workshop.” [27:36] | The relationship between your mind and your hand. [29:55] | What it's like to collaborate in a quartet: “I love working in an environment where one has to grapple a bit.” [33:37]  | How to not allow disagreements to destroy your relationships. [34:59]

How can relationships transform us, and our world? The final episode of the series explores how artists are actively collaborating with communities to change their daily realities, and how they are engaging collective dreaming and challenging their own ways of connecting to others. ___ Featuring Rory Pilgrim, Richard Sennett, Sumayya Vally, Amal Khalaf (Civic Curator, Serpentine), and music, performances and contributions from collaborators on Rory Pilgrim's concert work, RAFTS Live. These collaborators include Hugh Prior, Carina Murray, Liam O'Connell, Mark Jones, Emily Butterfly Khoury, Catherina Rowland, Rome Martin-Whilby, Declan Rowe John, and Kayden Fearon. ___ You can read more about REWORLDING and access a full transcript of this episode here. ____ Subscribe now to never miss an episode of Serpentine Podcast. Rate and review to share your responses to REWORLDING with us. ___ Credits Serpentine Podcast: REWORLDING is presented by Gaylene Gould. The series was produced by Katie Callin, with production support from Nada Smiljanic at Reduced Listening, and curated by Serpentine's Editorial team, Hanna Girma and Fiona Glen. Thanks to all members of Serpentine's Programmes, Communications and Audiences teams for their direction and contribution. Special thanks to Serpentine's leadership team Bettina Korek, Hans Ulrich Obrist and Yesomi Umolu. The theme music for REWORLDING was conceived and produced by KMRU, and the visual identity is by the unloved. Jesse Lawson is Executive Producer at Reduced Listening, and Arlie Adlington is the sound mixer. Our thanks go to all guests, contributors and advisors on REWORLDING. ___ RAFTS Live Credits RAFTS: Live at Cadogan Hall is a project by Rory Pilgrim, created in partnership with Green Shoes Arts, Barking and Dagenham Youth Dance, Project Well Being (Interfaith Sanctuary, Boise, Idaho) and the London Contemporary Orchestra. Civic Curators: Amal Khalaf, Elizabeth Graham and Layla Gatens Executive Producer: Holly Shuttleworth Production Manager: Andy Downie  RAFTS Collaborators heard on the podcast: Hugh Prior, Carina Murray, Liam O'Connell, Mark Jones, Emily Butterfly Khoury, Catherina Rowland, Rome Martin-Whilby, Declan Rowe John, Kayden Fearon. ___ Music Tomorrow's Gentle Rain Sung by Declan Rowe John  Song by Rory Pilgrim and Declan Rowe John Arranged by Rory Pilgrim  ___ Rafts of My Mind Sung by Robyn Haddon Song by Catherina Rowland Arranged by Rory Pilgrim  ___ Flowers Sung by Kayden Fearon Song by Rory Pilgrim and Kayden Fearon Arranged by Rory Pilgrim  ___ Rodeo Music  Sung by Declan Rowe John  Song by Rory Pilgrim  Arranged by Rory Pilgrim  ___ The Towel Sung by: Declan Rowe John Song by Rory Pilgrim, Declan Rowe John, Robyn Haddon Arranged by Rory Pilgrim  ___ An Amazing Purse Sung by Robyn Haddon Song by Rory Pilgrim and Robyn Haddon Arranged by Rory Pilgrim  ___ Concert Musicians Harp and Piano: Rory Pilgrim  Conductor: Jack Sheen  London Contemporary Orchestra Players:  Flute: Clare Bennett Clarinet: Alastair Penman Horn: Anna Drysdale  Violin 1: Sophie Mather Violin 2: Blaize Henry  Viola: Freya Hicks Cello: Sergio Serra  Drums and percussion: Kai Akinde-Hummel Choir: Marged Siôn, Ben Francis, Rick Leigh, Todd Harris, Dan Lewis, Karoline Gable, Kate Marlais, Levi Heaton, Sophie Galpin, Seraphina D'Arby ___ RAFTS Partners: Green Shoes Arts Barking Dagenham Youth Dance London Contemporary Orchestra  Interfaith Homeless Shelter, Project Well Being  RAFTS was commissioned by Serpentine Civic for Radio Ballads, in partnership with New Town Culture, a Cultural Impact Award-winning project, part of London Borough of Culture, a Mayor of London initiative.

In 1979, sociologist and NYIH founder Richard Sennett, and philosopher Michel Foucault, discussed the connections between the history of sexuality and self consciousness. In this episode from the Vault, the two discuss their research and, by extension, the underpinnings of the idea of solitude. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1979, sociologist and NYIH founder Richard Sennett, and philosopher Michel Foucault, discussed the connections between the history of sexuality and self consciousness. In this episode from the Vault, the two discuss their research and, by extension, the underpinnings of the idea of solitude. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1979, sociologist and NYIH founder Richard Sennett, and philosopher Michel Foucault, discussed the connections between the history of sexuality and self consciousness. In this episode from the Vault, the two discuss their research and, by extension, the underpinnings of the idea of solitude. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

In 1979, sociologist and NYIH founder Richard Sennett, and philosopher Michel Foucault, discussed the connections between the history of sexuality and self consciousness. In this episode from the Vault, the two discuss their research and, by extension, the underpinnings of the idea of solitude. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In 1979, sociologist and NYIH founder Richard Sennett, and philosopher Michel Foucault, discussed the connections between the history of sexuality and self consciousness. In this episode from the Vault, the two discuss their research and, by extension, the underpinnings of the idea of solitude. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1982, the Institute held a multi day discussion of censorship. In this session from the Vault, sociologist Richard Sennett talks about Jean Jacques Rousseau's ideas about censorship in the arts. The discussion is moderated by Aryeh Neier, and includes Sidney Morgenbesser, Susan Sontag, Joseph Brodskey, Richard Gillman, Frances Fitzgerald, Karen Kennerly, Hans Magnus Enzensberger, and Michael Scammell. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1982, the Institute held a multi day discussion of censorship. In this session from the Vault, sociologist Richard Sennett talks about Jean Jacques Rousseau's ideas about censorship in the arts. The discussion is moderated by Aryeh Neier, and includes Sidney Morgenbesser, Susan Sontag, Joseph Brodsky, Richard Gillman, Frances Fitzgerald, Karen Kennerly, Hans Magnus Enzensberger, and Michael Scammell. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1982, the Institute held a multi day discussion of censorship. In this session from the Vault, sociologist Richard Sennett talks about Jean Jacques Rousseau's ideas about censorship in the arts. The discussion is moderated by Aryeh Neier, and includes Sidney Morgenbesser, Susan Sontag, Joseph Brodskey, Richard Gillman, Frances Fitzgerald, Karen Kennerly, Hans Magnus Enzensberger, and Michael Scammell. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In 1982, the Institute held a multi day discussion of censorship. In this session from the Vault, sociologist Richard Sennett talks about Jean Jacques Rousseau's ideas about censorship in the arts. The discussion is moderated by Aryeh Neier, and includes Sidney Morgenbesser, Susan Sontag, Joseph Brodskey, Richard Gillman, Frances Fitzgerald, Karen Kennerly, Hans Magnus Enzensberger, and Michael Scammell. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In 1982, the Institute held a multi day discussion of censorship. In this session from the Vault, sociologist Richard Sennett talks about Jean Jacques Rousseau's ideas about censorship in the arts. The discussion is moderated by Aryeh Neier, and includes Sidney Morgenbesser, Susan Sontag, Joseph Brodskey, Richard Gillman, Frances Fitzgerald, Karen Kennerly, Hans Magnus Enzensberger, and Michael Scammell. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In 1982, the Institute held a multi day discussion of censorship. In this session from the Vault, sociologist Richard Sennett talks about Jean Jacques Rousseau's ideas about censorship in the arts. The discussion is moderated by Aryeh Neier, and includes Sidney Morgenbesser, Susan Sontag, Joseph Brodskey, Richard Gillman, Frances Fitzgerald, Karen Kennerly, Hans Magnus Enzensberger, and Michael Scammell. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1982, the Institute held a multi day discussion of censorship. In this session from the Vault, sociologist Richard Sennett talks about Jean Jacques Rousseau's ideas about censorship in the arts. The discussion is moderated by Aryeh Neier, and includes Sidney Morgenbesser, Susan Sontag, Joseph Brodskey, Richard Gillman, Frances Fitzgerald, Karen Kennerly, Hans Magnus Enzensberger, and Michael Scammell. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

In 1982, the Institute held a multi day discussion of censorship. In this session from the Vault, sociologist Richard Sennett talks about Jean Jacques Rousseau's ideas about censorship in the arts. The discussion is moderated by Aryeh Neier, and includes Sidney Morgenbesser, Susan Sontag, Joseph Brodskey, Richard Gillman, Frances Fitzgerald, Karen Kennerly, Hans Magnus Enzensberger, and Michael Scammell. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In 1982, the Institute held a multi day discussion of censorship. In this session from the Vault, sociologist Richard Sennett talks about Jean Jacques Rousseau's ideas about censorship in the arts. The discussion is moderated by Aryeh Neier, and includes Sidney Morgenbesser, Susan Sontag, Joseph Brodskey, Richard Gillman, Frances Fitzgerald, Karen Kennerly, Hans Magnus Enzensberger, and Michael Scammell. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/french-studies

Hace medio siglo, Richard Sennett publicó The Uses of Disorder: Personal Identity & City Life [Vida urbana e identidad personal: los usos del desorden] (1970), un manifiesto en el que propone que algunos tipos de “desorden” facilitan el contacto social y pueden ayudar a las personas a aceptar lo diferente e inesperado. Sin embargo, hoy en día la tendencia global es que nuestras ciudades sean cada vez más rígidas. En Diseñar el desorden (2021), Sennett y Pablo Sendra proponen formas de acabar con esta rigidez en el futuro para dar lugar a espacios públicos flexibles que faciliten el contacto social.Más información de este acto

La radiografía: Pasado, presente y futuro de nuestras ciudades (III). Diseñar el desorden. Pablo Sendra. Hace medio siglo, Richard Sennett publicó The Uses of Disorder: Personal Identity & City Life [Vida urbana e identidad personal: los usos del desorden] (1970), un manifiesto en el que propone que algunos tipos de “desorden” facilitan el contacto social y pueden ayudar a las personas a aceptar lo diferente e inesperado. Sin embargo, hoy en día la tendencia global es que nuestras ciudades sean cada vez más rígidas. En Diseñar el desorden (2021), Sennett y Pablo Sendra proponen formas de acabar con esta rigidez en el futuro para dar lugar a espacios públicos flexibles que faciliten el contacto social. Explore en canal.march.es el archivo completo de Conferencias en la Fundación Juan March: casi 3.000 conferencias, disponibles en audio, impartidas desde 1975.

Bu bölümde konuğum çevirmen, editör ve yazar Tuncay Birkan. Ayrıntı ve Metis yayınlarında uzun yıllar editörlük yapan, çevirileriyle Slavoj Žižek'ten Richard Sennett'e pek çok yazarın eserini Türkçe'ye kazandıran Birkan, aynı zamanda çevirmenler Meslek Birliği ÇEVBİR'in kurucularından ve ilk başkanı.Ama onu konuk etmek istememin özel bir nedeni daha var ki, o da Tuncay Birkan'ın, Refik Halid Karay, Vâlâ Nurettin, Adnan Adıvar, Sermet Muhtar Alus, Ahmet Ağaoğlu, Süleyman Velioğlu gibi yazarların gazetelerde kalmış, unutulmuş yazı ve fikirlerini bugüne taşıması, hatırlatması, yeni kaynak yaratırken bizi şaşırtarak yeni keşiflere çıkarması... Birkan ile çevirmenlikten editörlüğe, araştırmacılıktan önsöz ve arka kapak yazılarına pek çok konudan söz açtık... Bitişi de bugünlerde iyi gelecek bir "birlikte nasıl daha iyi yaşarız"la yaptık...

You know when you're talking about ethical shopping, climate change and GDP, but then end up being confused for Chris Martin at a service station? Precisely. Lee and Simon talk about buying services not things, investing in the body or the face, lingering glances, self-expectations, overnight contextual changes, lunch 'with' Gwyneth and Chris, delusion and self-judgment, and Darth Vader.Get in touch with Lee and Simon at info@midlifing.net.Related Links and References:Paynter Jacket Co: https://paynterjacket.comCorrection: Simon mentions a book by Richard Sennett but it's actually a book by Richard Denniss called Curing affluenza: how to buy less stuff and save the world. Here's an extract: https://www.themonthly.com.au/blog/richard-denniss/2017/28/2017/1511857191/curing-affluenzaGDP and climate change: https://www.weforum.org/agenda/2016/04/gdp-ignores-the-things-that-matter-like-climate-changeDance, mirrors and body image: https://alreadypretty.com/dance-and-body-image-interview-with/Dismorphia: https://en.wikipedia.org/wiki/Body_dysmorphic_disorderVastus medialis: https://en.wikipedia.org/wiki/Vastus_medialis VMO and cycling: https://www.bicycling.com/training/a20023377/how-to-build-this-iconic-cycling-muscle/Chewing on piece of rubber to improve jawline: https://melmagazine.com/en-us/story/guys-are-gnawing-on-a-fat-rubber-ball-to-try-to-grow-a-chiseled-jawRunt: https://en.wikipedia.org/wiki/RuntPas de deux: https://en.wikipedia.org/wiki/Pas_de_deuxChris Martin and ashtanga yoga: https://www.huffpost.com/entry/the-karma-of-coldplay_b_8720004River Cafe: https://rivercafe.co.uk/Jamie Oliver on being discovered at River Cafe: https://www.youtube.com/watch?v=ANwzrT4-8Y4Gwyneth Paltrow's Goop: https://goop.com/Self-awareness: https://hbr.org/2018/01/what-self-awareness-really-is-and-how-to-cultivate-itDelusion: https://en.wikipedia.org/wiki/DelusionNegative self-judgments: https://www.psychologytoday.com/us/blog/the-wise-open-mind/200910/you-can-let-go-negative-self-judgmentsSpider-man: https://en.wikipedia.org/wiki/Spider-ManDarth Vader breathing: Get in touch with Lee and Simon at info@midlifing.net. ---The Midlifing logo is adapted from an original image by H.L.I.T: https://www.flickr.com/photos/29311691@N05/8571921679 (CC BY 2.0)

E.J. Dionne and Interview Editor Lucy Schmitz talk about the 2020 election, religion in politics, and the history behind support for Trump. During the podcast, E.J. mentions several books, including: The Hidden Injuries of Class, by Richard Sennett and Jonathan Cobb Strength to Love, Martin Luther King, Jr. Franklin D. Roosevelt and the New Deal (1932-1940), by William E. Leuchtenburg Several Books by Michael Walzer: Radical Principals: Reflections of an Unreconstructed Democrat Politics and Vision Spheres of Justice: A Defense of Pluralism and Equality One Nation After Trump: A Guide for the Perplexed, the Disillusioned, the Desperate, and the Not-Yet Deported, by E.J. Dionne E.J. recommends the podcast "The Ezra Klein Show" Theme Music by Russell Lawrence

'Be in command of your own joy'Malcolm Gladwell, The Roches, Don McCullin, Brian Eno, Rick Rubin, David Byrne, Ted Kaptchuk, Richard Sennett