Podcast appearances and mentions of trinity laban

John is joined by Nicolas Godin, one half of the French electronic duo Air, to explore how they wrote, recorded, and produced their iconic debut album, Moon Safari. Formed in 1995 by Nicolas Godin and Jean-Benoît Dunckel, Air rose to global fame with ‘Moon Safari' in 1998, a critically acclaimed, genre-defining album that helped elevate French pop and inspired a generation of down-tempo electronic music. In 2025, the duo marked its 25th anniversary with Blue Moon Safari, a bold reinterpretation by British producer Vegyn. In this episode, Nico shares the story behind ‘Moon Safari', sharing how each track came to life, the creative choices that shaped the album, and the instruments and techniques that defined the iconic Air sound. Tracks discussed: Sexy Boy, La Femme d'argent, Talisman, Kelly Watch the Stars TAPE IT Thanks to our friends at Tape It for supporting the podcast. Visit tape.it/tapenotes or use the promo code TAPENOTES in the app to get 20% off. LANDR  Get 20% off LANDR Distribution and Studio at landr.com/tapenotes TRINITY LABAN  Find out more about Trinity Laban's Songwriting MA here. MUSIVERSAL Skip the waitlist and get your discount HERE LISTEN to ‘Moon Safari' here - https://lynkify.in/album/moon-safari/xYXmfb0a  ‘Parlophone' LINKS TO EVERYTHING TAPE NOTES   linktr.ee/tapenotes  Intro Music - Sunshine Buddy, Laurel Collective - https://lynkify.in/song/sunshine-buddy/YT47TLFI  GEAR MENTIONS AKG C414 Talk Box Leslie Cabin Moog Minimoog Korg MS20 Fostex A80 Sequential Prophet 5 Roland Juno Roland Jupiter-8 ARP 2600 Synton Syrinx Peavey Classic 50 Ensoniq DP/4 Fender Rhodes Whurlitzer Spitfire Audio Instruments Ableton Cubase OUR GEAR https://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOW If you'd like to help support the show you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns. KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes Patreon: Tape Notes To let us know the artists you'd like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We'd love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk TAPE NOTES TEAM John Kennedy Will Brown  Tim Adam-Smith  Will Lyons  Nico Varanese  Guy Nicholls  Jessica Clucas Ali Lewis Evan Lawday Francis Hartgrove

John is joined by American singer and songwriter d4vd, to talk about how he wrote and recorded his debut album ‘Withered'.  David Burke, aka d4vd, broke into music after beginning to produce tracks of his own to accompany Fortnite videos. Having taught himself how to make music on BandLab and uploading tracks online, he first saw success with the single ‘Romantic Homicide', becoming a viral hit. He has since released multiple singles and two EPs ‘Petals to Thorns', which charted on the Billboard 200, and ‘The Lost Petals'.  In this episode, John and David dig into the creative process behind his debut album ‘Withered' and chart David's journey from YouTuber to recording artist. They discuss the details of producing with BandLab on his phone, creating his own vocal chain presets from scratch, and the themes of vulnerability and emotion behind this new record. Tracks discussed: Romantic Homicide, Crashing, You Left Me First TAPE IT Thanks to our friends at Tape It for supporting the podcast. Visit tape.it/tapenotes or use the promo code TAPENOTES in the app to get 20% off. LANDR  Get 20% off LANDR Distribution and Studio at landr.com/tapenotes TRINITY LABAN  Find out more about Trinity Laban's Songwriting MA here. MUSIVERSAL Skip the waitlist and get your discount HERE LISTEN to ‘Withered' here. ‘Darkroom, Interscope Records' LINKS TO EVERYTHING TAPE NOTES   linktr.ee/tapenotes  Intro Music - Sunshine Buddy, Laurel Collective - https://lynkify.in/song/sunshine-buddy/YT47TLFI  GEAR MENTIONS Focusrite Interface Apple Airpods Shure BETA 58 BandLab BandLab FX BandLab EQ BandLab Vintage Limiter BandLab Univerb Ableton OUR GEAR https://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOW If you'd like to help support the show you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns. KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes Patreon: Tape Notes To let us know the artists you'd like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We'd love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk TAPE NOTES TEAM John Kennedy Will Brown  Tim Adam-Smith  Will Lyons  Nico Varanese  Guy Nicholls  Jessica Clucas Ali Lewis Evan Lawday Francis Hartgrove

John is joined by Hollywood royalty and Jazz sensation Jeff Goldblum along with producers Alex Frank and Scott Gilman to talk about how they recorded and produced ‘Still Blooming'. A lifelong pianist, Jeff formed The Mildred Snitzer Orchestra in the 1990s, performing in and around LA for over 20 years. The band's fourth album released in May 2025, ‘Still Blooming', blends Broadway classics and tracks from the great American Songbook with guest vocals from Scarlett Johansson, Maiya Sykes, and Jeff's Wicked co-stars Ariana Grande, and Cynthia Erivo. The record was arranged, recorded and produced by band members Alex Frank and Scott Gillman. In this episode, Jeff, Alex, and Scott walk us through each track's creation, from spontaneous singing on set, to detailed musical arrangements and figuring out keys over the phone. They share the production tricks used to balance pop vocals with jazz recordings, the moments they all jammed together in the studio, and how they plan to bring it all to the stage. Tracks discussed: I Don't Know Why (I Just Do), We'll Meet Again, The Best Is Yet To Come TAPE IT Thanks to our friends at Tape It for supporting the podcast. Visit tape.it/tapenotes or use the promo code TAPENOTES in the app to get 20% off. LANDR  Get 20% off LANDR Distribution and Studio at landr.com/tapenotes TRINITY LABAN  Find out more about Trinity Laban's Songwriting MA here. MUSIVERSAL Skip the waitlist and get your discount HERE LISTEN to ‘Still Blooming' here. ‘Decca' LINKS TO EVERYTHING TAPE NOTES   linktr.ee/tapenotes  Intro Music - Sunshine Buddy, Laurel Collective - https://lynkify.in/song/sunshine-buddy/YT47TLFI  GEAR MENTIONS FabFilter Pro-Q 4 Steinway Pianos Coles 4038 Neumann U67 Neumann U87 Logic Pro Tools OUR GEAR https://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOW If you'd like to help support the show you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns. KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes Patreon: Tape Notes To let us know the artists you'd like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We'd love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk TAPE NOTES TEAM John Kennedy Will Brown  Tim Adam-Smith  Will Lyons  Nico Varanese  Guy Nicholls  Jessica Clucas Ali Lewis Evan Lawday Francis Hartgrove

John sits down with electronic producer and DJ Porter Robinson, to discuss how he wrote and recorded his third album ‘SMILE! :D'  Having begun self-producing at just twelve years old, Porter Robinson has since risen to become one of the most acclaimed artists within the EDM world, collaborating with artists such as Skrillex and Tiësto. His work has seen him tour extensively around the world and has even earned him a Grammy nomination for Best Dance Recording, back in 2019. In this episode, Porter dials in from North Carolina to chat about how he came up with his signature synth sounds, some of his favourite gear, including giving a guitar demo, and drawing inspiration from Coldplay tracks.  Tracks discussed: Cheerleader, Is There Really No Happiness?, Russian Roulette TAPE IT Thanks to our friends at Tape It for supporting the podcast. Visit tape.it/tapenotes or use the promo code TAPENOTES in the app to get 20% off. TRINITY LABAN  Find out more about Trinity Laban's Songwriting MA here. MUSIVERSAL Skip the waitlist and get your discount here LISTEN to ‘SMILE! :D' here. 'Mom+Pop' LINKS TO EVERYTHING TAPE NOTES   linktr.ee/tapenotes  Intro Music - Sunshine Buddy, Laurel Collective GEAR MENTIONS U-He Diva Polyverse Manipulator D16 Tourverb Soundtoys EchoBoy Line 6 Helix Native Kilohearts Trance Gate FL Studio FL Studio Sequencer 3X OSC FL Studio Harmor CLA Plugins Warm Audio Mics Spectrasonics Omnisphere OUR GEAR https://linktr.ee/tapenotes_ourgear HELP SUPPORT THE SHOW If you'd like to help support the show you can join us on Patreon, where among many things you can access full length videos of most new episodes, ad-free episodes and detailed gear list breakdowns. KEEP UP TO DATE For behind the scenes photos and the latest updates, make sure to follow us on:  Instagram: @tapenotes  Twitter: @tapenotes  Facebook: @tapenotespodcast   YouTube: Tape Notes Podcast Discord: Tape Notes Patreon: Tape Notes To let us know the artists you'd like to hear, Tweet us, slide into our DMs, send us an email or even a letter. We'd love to hear!  Visit our website to join our mailing list: www.tapenotes.co.uk TAPE NOTES TEAM John Kennedy Will Brown  Tim Adam-Smith  Will Lyons  Nico Varanese  Guy Nicholls  Jessica Clucas Ali Lewis Evan Lawday

How do you land a job in a higher education music institution? And what do they actually look for in a singing teacher? This week, Alexa sits down with Trudy Kerr, Head of Vocals at London College of Contemporary Music (LCCM), to uncover the reality of teaching at this level. From the application process to lesson structures, student challenges, and even salary expectations, Trudy offers an insight to what it takes to make it in higher education.WHAT'S IN THIS PODCAST? 2:57 What qualifications or experiences do I need?6:42 What is the interview process like?8:27 Do I need to teach any particular methodology?9:42 What might I earn?13:45 What common vocal challenges do the singers experience?21:40 A typical scheme of work at LCCM?27:20 How can teachers fulfil both assessment and singer needs?31:59 What to consider when writing singing curriculum34:32 Private Vs institution teaching38:26 Do I have to be a proficient pianist?About the presenter click HERERELEVANT MENTIONS & LINKSArtists: Raye; Laufey; DaydreamersLinda HutchisonJeanie LoVetriDr Trineice Robinson-MartinLCCMColchester InstituteLondon Jazz FestivalLondon Contemporary VoicesLine HiltonABOUT THE GUESTAustralian-born Trudy moved to the UK in the 90s to pursue music. Her big break came when Ronnie Scott heard her and booked her for a week at his club. She has since performed at major UK venues and festivals, including Glastonbury and Buckingham Palace.With 13 albums as a leader, her latest project, Take 5 - The Music of Paul Desmond, celebrates the alto saxophonist's work. She's collaborated with world-class musicians such as Mulgrew Miller, Jan Lundgren, Georgie Fame, Bob Dorough, Jukka Perko, Michael Garrick, Acker Bilk, and Jamie Cullum.Trudy holds a PG Cert in Jazz Studies from Guildhall School of Music and Drama and recently completed an MA in Teaching Musician at Trinity Laban. A senior fellow of the Higher Education Academy, she is Head of Vocals at London College of Contemporary Music, previously teaching at Trinity Laban, Guildhall, and Chichester University.She has presented at the International Jazz Voice Conference in Finland, adjudicated the 2018 UNISA International Jazz Voice Competition in South Africa, co-hosted BBC Southern Counties' Jazz Hour, and co-owns the Jazzizit record label.E: tkerr@ lccm.org.uk.BAST Training helps singers gain the confidence, knowledge, skills & understanding required to be a successful singing teacher. "The course was everything I hoped it would be and so much more. It's an investment with so much return. I would recommend this course to any teacher wanting to up-skill, refresh or start up." Kelly Taylor, NZ ...morebasttraining.com | Subscribe | Email Us | FB Group

The Value of Studying DanceDanceCast is a podcast that spotlights non-traditional dance artists. It is produced by Silva Laukkanen, an advocate for inclusive dance based in Austin, TX.In this episode of DanceCast, Silva interviews Jasmiina Sipilä, who works as a leading teacher in the dance department of Vocational College Live, where they offer the only professional dance degree in Finland for dancers with special needs. The professional degree in dance is aimed for students with special needs, which means these dance students need individual support, modifications, and extra guidance in their studies and working life. The definition of special needs is used in this interview as an umbrella term to mean students who are neurodivergent, have developmental disabilities, have mental health challenges, or have different bodies and motor functions.  Jasmiina describes how, in the degree, the students focus on contemporary dance, cooperation, somatic skills, performing, choreographing, and inclusive dance theory, as well as curriculum in dance practice and theory. The students' degree has many applications after graduation, from dancing professionally to working in the community with different populations.This episode is part of a series interviewing institutions with inclusive dance programs and individuals who identify as disabled and have experienced formal dance education as either students or teachers. This series is part of Silva's ongoing work as the director of Art Spark Texas' dance program. This year, she is continuing the multi-year community-engaged research project, funded in part by the National Endowment for the Arts, that explores disability-centered accessibility in dance education and how we can create barrier-free dance education for students with disabilities in the US.Jasmiina Sipilä is a dancer (BA Hons in Contemporary Dance, Trinity Laban, City University of London), a dance teacher (Master of Dance, University of the Arts, Helsinki), and a special education teacher (professional teacher training college, Haaga-Helia, Helsinki). She has worked widely for 18 years as a dancer, choreographer and teacher in Finland and Europe. Jasmiina loves exploring inclusive dance practice and its possibilities in improvisation and somatic work.

Rachel is currently Head of Movement at the Guildford School of Acting. She trained at the London Contemporary Dance School, graduating in 2006, and in 2009 she was selected for a unique choreographic programme, Dance Beyond Borders, which took her work across Europe, including Germany, Belgium as well as across the UK.  She holds an MA in Choreography from Trinity Laban, a fellowship from the Higher Education Academy, moreover she's an associate of the Institute for Leadership and Management and a Consent Forward Artist certified by the IDC (Intimacy, Director's and Co-ordinators).  She has collaborated with the Guildhall School of Music and Drama and the British Youth Music Theatre.  Rachel talks me through her love of movement, how it means different things to different practitioners, her work with animal studies and how people who say “it's not their thing” can grow to love and embrace it. Not to mention, how integral it is to the actor's process, finding the body of the character, finding the big expressions and condensing it down into a natural character's characteristics. Thus helping the actor to have a full body experience of the person they're playing whether it's for stage or screen.  Check out Rachel's website for more information on her work and how to get in touch: rachelbirchlawson.co.uk Rachel's Instagram: @rachelbirchlawson  Thank you Rachel!  --- Send in a voice message: https://podcasters.spotify.com/pod/show/uncensored-critic/message

What exactly is Dance Science? What are the main foundations that constitute its rich and detailed history? Given dance's unique position at the intersection of arts and sports, it was inevitable that this field would eventually enter the mainstream. One pioneering institution that played a crucial role in this transformation was the Trinity Laban Conservatoire of Music and Dance, with one individual standing out as a driving force behind this revolution – Professor Emma Redding.Professor Emma Redding is a distinguished practitioner, educator, and researcher in contemporary dance and performance science. Prior to her role as Director of the VCA, she served as Professor in Performance Science and Head of Dance Science at Trinity Laban. Her contributions include co-authoring the first-ever Master's degree in Dance Science and being a key figure in establishing dance science as a recognized field of study in Higher Education. She has also assumed leadership roles as a founding partner of the UK's National Institute for Dance Medicine and Science and as a Past President of IADMS. Kickstarting a brand new season and month of Dance Science, this episode delves into its foundations, significance in the performing arts, and how it could become an integral part of every dancer's education. Ready to discover the scientist within you? Join us as we foreground dance in the background!Emma ReddingVCA DanceTrinity Laban IADMSHealthy ConservatoiresSoundtracks:Birds - Tyler Twombly Poison Ivy Yard Work - Uncle MilkHappy (Dub) - Igor PumphoniaStingray - Lisofv Support the Show.Like our offers? Try Nord VPN Audition for the VCA Subscribe to IAMDS Like what we do? Help us grow by Visiting The Background Dancer YouTube Channel Rate and review here Email me at backgrounddancer.jy@gmail.com Answer a survey Sign up here to receive future updates Leave a thought on Facebook and Instagram Join the Facebook group and introduce yourself as a member of our community

PAULA QUINTAS é directora do festival 6 coreógrafas e codirectora do Festival Corpo(a) terra e traballa coa pedagoxía da danza en Danza Alfaia, cunha liña de investigación contemporánea contorna ao corpo e lineas alternativas de aprendizaxe en Santiago de Compostela. Ademais é especialista en Técnica Laban impartindo talleres en diferentes conservatorios. Licenciada na Universidade de Santiago de Compostela en Historia da arte, presentando o seu proxecto final de carreira en Body Art e vídeo-creación, graduada en Trinity Laban en Danza contemporánea e diplomada en National Centre for Circus Arts Londres. É Máster en Artes escénicas coa proposta de investigación “Filosofía e estética do corpo no circo coreografiado” pola Universidade Rey Juan Carlos - URJC (Madrid) 2019-2020, o cal continuará cun proxecto de tese doutoral en 2021-2022. Os seus últimos espectáculos como creadora son Multiperspectivas (2021), Nina Ninette (2021), SET (2020), Alma ( non é hippie) (2019), Plastic (2018), Analepsis (2017), Up2 down (2015). Forma parte da compañía trasPediante. "Dende o festival 6 coreografas, queríamos axendar unha práctica escénica para todos os grupos. E através dun obradoiro de mediación xorde este grupo regular". "Temos unha pedagoxía moi baseada no mundo cómico, para crear un grupo de traballo moi agradable". "Claquer persoa camiña e se desplaza de un sitio a outro. Entón todos bailamos porque o movemento xa está dentro, é intrínsico e interno ao ser humano". Máis Información PAULA QUINTAS: ✔️Páxina Web: https://www.paulaquintas.com/ ✔️Facebook: https://www.facebook.com/pau.quintassantos ✔️Twitter: https://twitter.com/qpausantos ✔️Instagram: https://www.instagram.com/pauquintass/ ✔️Vimeo: https://vimeo.com/user10312639 ✔️YouTube: https://www.youtube.com/channel/UCm4eAixxHV9NVTGnEgN-8KA ✔️Pinterest: https://www.pinterest.es/pauquintassanto/_saved/ A ESCOLA MUNICIPAL DE ARTES ESCÉNICAS da Estrada, naceu no ano 2012, a partir do que era a antiga Escola Municipal de Teatro. É unha institución dependente da Fundación Cultural da Estrada que dende a súa creación no ano 2002, formou parte dun marco estratéxico de promoción e difusión das artes escénicas na vila. O antecedente da Escola foi a creación no ano 1996 da compañía de teatro afeccionado TEATRO dos TIRINAUTAS, que durante os seus 10 anos de vida, axudou a dar unha alternativa de ocio a moita xente da localidade, e a divulgar a obra de escritores da comarca coma Varela Buxán, Neira Vilas ou Manuel García Barros. Na memoria colectiva aínda pervive aquela “Ensalada de Mosquito” do ano 2003 con 12 funcións consecutivas a teatro cheo e máis de 4.500 espectadores; unha peza que facilitou a entrada na Rede de Teatro Profesional do IGAEM desta nova compañía de actores estradenses. Docentes e profesionais do teatro da talla de Anabell Gago, Xosé Lueiro, Artur Trillo, Nuria Montero, Nuria Sanz, Manuel Lourenzo, Mónica de Nut, Arturo Cobas “Nono”, Fiona Bernárdez, Cándido Pazó ou Cristina Domínguez viñeron colaborando no proxecto docente da institución dando alento escénico a pezas de Molière, Cervantes, Carlos Casares, Vidal Bolaño, Lorca, Labiche, Sergi Belbel, Anton Chèjov ou Bertolt Brecht entre outros. No ano 2012, e dado o carácter multidisciplinar do teatro contemporáneo, a Escola Municipal de Teatro, decidiu diversificar a súa oferta didáctica para ofrecerlle ao alumnado unha formación o máis integral posible, incluíndo na súa programación, clases de danza, de voz e de clown. Esta última disciplina é un vestixio do que foi a antiga Escola de Circo, que este ano 2012 decidiu fundirse coa Escola de Teatro e reimpulsar un novo proxecto docente. Paralelamente á actividade docente, a Escola ten asignada unha unidade de produción propia coa finalidade de medir ás novas remesas de actores diante do público, e tamén organizou durante os anos 2009, 2010 e 2011 un certame de teatro afeccionado, no que os alumnos da escola puideron interaccionar con outras compañías galegas. Máis Información ESCOLA MUNICIPAL de ARTES ESCÉNICAS: ✔️Páxina Web: http://www.emae.aestrada.gal/ ️ "SUSCRÍBETE" ao podcast Máis Información e outras entrevistas: ✔️Facebook: https://www.facebook.com/PabloChichas ✔️Twitter: https://twitter.com/pablochichas ✔️Instagram: https://www.instagram.com/pablochichas/ ✔️Clubhouse: @pablochichas ✔️Twich: https://www.twitch.tv/pablochichas

Building a Music School with Barbara Mohorko-Vuka is another fascinating installment of the Business Awards Show. Barbara grew up in Slovenia, learning cello from the age of six and gaining an extensive musical education that saw her graduate from Trinity Laban and the Royal College of Music. Barbara took over the Wimbledon School of Music in 2018 at just 22 years of age. Depsite a global pandemic attempting to disrupt the development of her school, Barbara has grown the school impressively over the last five years. Most instruments are now taught and the school is going from strength to strength. She tells us about the work of the school, the joy of concerts, how music education is treated differently in Slovenia to the UK and the long term plans for her business. Having won a silver award at the 2023 Best Businesswomen Awards, she also talks about the impact of winning an award, and her plans to enter more local awards in 2024. This is a great episode for any young entrepreneur wondering if they are mature enough to run a business. It reveals the life lessons that music teaching can bring and will be useful to many parents who may be wondering how to get their children into music.   {1:51} Taking over a business at 22. {4:34} The impact on the school of the pandemic. {6:33} The work of the Wimbledon Music School. {7:34} Barbara's music education. {8:35} Difference between music education in Slovenia and the UK. {10:10} Things to consider when starting a business. {11:45} Barbara's music qualifications. {12:37} What excites Barbara about her business. {13:47} Putting on concerts and festivals. {14:53} How awards appeared on the radar. {16:50} Entering other awards. {17:22} Sharing the win with the students. {18:48} Barbara's long term plans. {20:59} Barbara's tips for succeeding in business. {22:58} Life skills gained when learning music.   Connect with Debbie at: https://thebusinessawardsshow.co.uk Connect with Barbara: https://www.wimbledonmusicschool.co.uk/ Instagram: https://www.instagram.com/wimbledonmusicschool/?igshid=YmMyMTA2M2Y%3D Facebook: https://www.facebook.com/wimbledonmusicschool LinkedIn: https://www.linkedin.com/in/barbara-mohorko-vuka-270990110/      

Meet Haydn, a highly experienced Social and Digital Marketing Consultant focusing on Arts and Non-Profit Organisations. With over 15 years of experience in social media and digital marketing, Haydn has worked with a range of brands, including Coca-Cola, Unilever, Campari Group, Kickers, and more. His work on award-winning experiential, social, and digital marketing campaigns is highly regarded. Haydn has worked in the Arts and Culture sector for the last seven years. He was a part of the team that established the Digital Culture Network as a Tech Champion for the Arts Council England. His work with Bloomberg Philanthropies as a tech fellow for the UK arts and culture organisation The Yard helped them implement new digital platforms and tools. Haydn has collaborated with over 300+ organisations from England and internationally. Some of these include The ICA, Horniman Museum and Gardens, The Southbank Centre, The Brooklyn Museum, and more. Thanks to his Digital Marketing and Social Media expertise, Haydn has been invited to speak and create workshops for The Roundhouse, The Dots, The Barbican, Today at Apple, and Trinity Laban. He has also been a guest lecturer for the Executive Master's programme at the Royal Academy of Arts. In addition to his work within the arts, Haydn is also a founding partner of We Are Stripes. The organisation works to increase opportunities for people from diverse ethnic backgrounds in the creative industries. Working with Disney, Microsoft, The National Gallery, The London Stock Exchange, and more, providing opportunities for diverse work and voices.    In this episode Alicia and Haydn discuss:  - Haydn on Tour - creating and playing in a successful band - Starting a career in advertising late  - The power of a mentor and Sponsor - Marketing Consulting & Different approaches to effective digital marketing - Is the advertising industry for black people? - Being apart of wearestripes and the impact they've had - Next step in the USA 2024    Connect with Haydn here - https://www.haydncorrodus.com/

Mateja Bučar je slovenska koreografija in plesalka, ki je svojo umetniško pot začela kot balerina v Operi in baletu SNG v Ljubljani, pozneje in vzporedno je bila članica Plesnega teatra Ljubljana. Baletno izobrazbo je pridobivala doma in v tujini, prav tako tehnike modernega in sodobnega plesa. Z letom 1992 stopi na samostojno umetniško pot koreografinje in plesalke. Od leta 1999 pod okriljem DUM, Društva umetnikov, so njena dela s področij sodobnega plesa in performansa uprizarjana v mednarodnem prostoru. Mateja Bučar je leta 2015 na Trinity Laban konservatoriju za glasbo in ples londonske univerze prejela doktorski naziv na področju teorije estetskih vprašanj v koreografskih praksah. Svoje umetniško delo ustvarja za različne notranje in zunanje ambiente. Več pa v pogovoru, ki ga bomo poslušali v dveh delih. Vabimo vas k poslušanju! fotografija iz predstave Rdeči čeveljci / Rdeči oktober, LGL, 2021, foto: Jaka Varmuž, www.dum-club.si

ABOUT ROWAN FLACK:Rowan Flack is a south London-based artist known for her introspective and accessible contemporary jazz songs with contemplative lyrics and understated, transparent vocal delivery. As a jazz graduate of Trinity Laban and a former student of The Brit School; her music weaves between the genres of jazz, pop and folk. Inspired by a broad range of singers and instrumentalists; she listens to Astrud Gilberto, Keith Jarrett, Jan Garbarek, Norah Jones, and Gretchen Parlato although early influences also include more downtempo dance and indie-folk bands such as Bonobo, Zero-7, Fleet Foxes, and Villagers. Rowan's mix of influences has given her a palette of different musical textures and personalities to draw from when crafting her own music. Her current influences include contemporaries such as Kokoroko, Eloise and Cleo Sol.With a wealth of experience working in various creative projects and scenes, Flack's music has taken her to all corners of the globe, having spent time in both Norway and China. Flack has been featured in the likes of Jazzwise and Revista Magazine Brasil to name a few. Her upcoming debut EP 'Forest Fires' is due for release this year.CONNECT WITH ROWAN FLACK:Website - Instagram - Spotify - YouTube - Facebook - TwitterSUPPORT THIS SHOWSUBSCRIBE TO YOUR LIFE THE MIXTAPE MAGAZINE

Hannah Horton is a melodic maverick, visionary jazz saxophonist, composer, bandleader and journalist. Star of UK jazz, her music is rooted in jazz, folk and funk. Her established individual and sophisticated sound is edging through boundaries and creating waves worldwide.An official Henri Selmer Artist, alumni of the prestigious Guildhall School of Music and Drama and Trinity Laban, and member of award winning Women In Jazz Media, Hannah works the jazz world in her own authentic way. Her most recent album ‘Inside Out' has received critical acclaim worldwide and she continues to wow audiences with her creative, compelling, emotive and alluring playing, alongside her warm and charming personality on stage.Today Hannah provides inspiration of her own by running ‘J Steps' – a new band initiative designed to nurture the talent of musicians who identify as female or non-binary with it's main aim being to balance a historic lack of representation of women in jazz.Support the show

Teddy Hinde is currently starring as Mike Teavee in the first ever UK and Ireland tour of Charlie and the Chocolate Factory.Based on the novel by Roald Dahl, Charlie and Chocolate Factory has a book by David Greig, music by Marc Shaiman and lyrics by Mark Shaiman and Scott Wittman. This new production is directed by James Brining and designed by Simon Higlett.Having graduated from Trinity Laban in 2022, Teddy made his professional debut in Anyone Can Whistle by Stephen Sondheim and Arthur Laurents at the Southwark Playhouse.Teddy is trans and proudly speaks up for trans rights whilst calling for better representation for trans people in theatre. In this episode, Teddy discusses landing the role of Mike Teavee and his path in theatre so far, as well as all things transness and queerness.Charlie and the Chocolate Factory is touring the UK and Ireland until January 2024, including a run at the New Wimbledon Theatre 21st June - 1st July.  Visit www.charlieandthechocolatefactory.co.uk for info and tickets. Hosted by Andrew Tomlins  @AndrewTomlins32  Thanks for listening! Email: andrew@westendframe.co.uk Visit westendframe.co.uk for more info about our podcasts.  

After finishing in the final 12 for SSSPOTY (Stephen Sondheim Society Performer of the Year) awards, Cassius Hackforth has continued to make a name for himself within the industry. Shortly after the performing at the final, Cassius was announced to be joining the company for the Charing Cross Theatre's production of From Here to Eternity. It was here where he was reunited with SSSPOTY winner Desmonda Cathabel and he got to make his professional West End debut. Earlier this year, Cassius also joined headed to Guildford to play Peter in the premiere production of Alex Parker and Katie Lam's The Railway Children. In both shows, Cassius demonstrated an enthusiasm and determination to succeed in an industry which can be very unpredictable. Indeed, he charmingly admits to regularly writing to writers, directors and producers to express his desire for work.In one of his first ever interviews, Cassius Hackforth sat down to reflect on his recent successes - making his West End debut and being competing as a finalist at SSSPOTY. He revealed his love for screen work too having recently completed work on a  short film: Move On Up and getting to play speaking role in the upcoming Indiana Jones film. We also get to hear Cassius open up about his struggles too - namely his battle with anorexia and admitting the difficulties of gaining work in the industry. After receiving an eating disorder diagnosis during his training at Trinity Laban, he sought treatment and bravely came forward about his experience hoping to inspire more people to come forward about their struggles. There's something quite remarkable about Cassius' love for performing and we are sure there'll be further opportunities to watch him on stage or on screen going forwards.

The three-way conversation begins with introductions from guest curator Daniela Perazzo, then delves into the notion of intimacy and touch in life and in performance, discussing Charlotte's new work Written in the Body, and moving into how practices of wellness and support can exist within artistic work. Finally, we discuss the role of language in Charlotte's work. This is the first episode in a two part mini-series on the theme of 'Re-enchanting British dance,' guest-curated by Daniela Perazzo and supported by Kingston University. Both episodes are three-way conversations between an invited artist, a member of the podcast team, and Daniela Perazzo. Bios: Charlotte Spencer is a choreographer, teacher, curator, mentor and performer. She initiates all projects for Charlotte Spencer Projects, often working across art forms and in outdoor environmental contexts. Charlotte was recipient of a Bonnie Bird Choreographic Development Award in 2020. She has received commissions from The Place, Wellcome Collection, Greenwich Dance, Trinity Laban, Salisbury International Art Festival, South East Dance, Jerwood Galleries, Turner Contemporary, Siobhan Davies Dance and Brighton & Hove Libraries. Charlotte was a Sadler's Wells Summer University Artist 2015-18 led by Jonathan Burrows and Eva Martinez, and Artist Activator at Greenwich Dance 2014-17. She has worked closely with Siobhan Davies Dance since 2010 on a variety of projects, notably leading Next Choreography 2014-16 - their choreography programme for Young People. Charlotte was a priority artist for Dance Dialogues 2 2012-14 and Tour d'Europe des Choreographes 2010/2011. Charlotte graduated from London Contemporary Dance School in 2003 with a 1st Class BA (Hons). She is also in the midst of building a house in Brighton and hanging out with her young child.Petra Söör (collaborator, Written in the Body) is a dancer, maker and facilitator, working in a range of contexts including with Fevered Sleep, Charlotte Spencer Projects, Simone Kenyon, Robert Clark, Robin Dingemans, Carrie Cracknell and the National Theatre. Alongside solo work her own practice often proposes collaborative processes within a diversity of environments, projects include Sleeping a Walking Mountain and Undanced Dances, currently evolving interests in person-centred approaches to movement, tactile pedagogy and different modalities of touch to support health and wellbeing.Louise Tanoto (collaborator, Written in the Body) is a dance-artist based between Belgium and the UK. She trained at Laban and was a member of Transitions 2007. Louise is currently touring with Oona Doherty and Daniel Linehan as well as Charlotte Spencer Projects. Her performance credits within the UK include; Gecko, J Neve Harrington, Requardt & Rosenberg, Tilted Productions, Lost Dog, Damien Jalet and Hussein Chalayan. In Europe she has performed for Kabinet K, Eszter Salamon, Thierry de Mey, Ugo Dehaes, T.R.A.S.H (Netherlands) and was a member of Fabulous Beast. Louise is also a mother. Julia Pond is a choreographer, researcher and teacher. An expert in Isadora Duncan technique and repertory, her contemporary research interests and performance are at the intersection of dance and politics. Her fictional company and performance project, BRED, explores notions of value and productivity. Julia is also a TECHNE-funded PhD student at Kingston University, for her project exploring re-articulations of 'value' towards sustainability through dance and movement knowledges. Daniela Perazzo is a dance and performance scholar with a specialist interest in the intersections of the aesthetic and the political in interdisciplinary movement practices and experimental dramaturgical processes. She joined Kingston University London in 2014, having previously taught at the University of Surrey. She is a Senior Lecturer in Dance and Postgraduate Research Coordinator for the Department of Performing Arts and the School of Arts. Her first monograph, Jonathan Burrows: Towards a Minor Dance, was published by Palgrave Macmillan in 2019.Read more and links: https://www.charlottespencerprojects.org/ Full creative team credits for Written in the BodyConcept & Direction: Charlotte SpencerPerformance: Petra Söör and Louise TanotoSound: Alberto Ruiz SolerDramaturgy: Orrow Amy BellDesign: Bethany WellsCostume: Shanti FreedLighting: Marty LangthorneProducing support: Pip Sayers & Lou RogersPhotography & Film: Rosie PowellAudio Description: Shivaangee AgrawalBSL: Katie FenwickThe 'making' of movement and words : a po(i)etic reading of Charlotte Spencer's Walking Stories (Article by Daniela Perazzo)https://eprints.kingston.ac.uk/id/eprint/37237/Im/possible choreographies : diffractive processes and ethical entanglements in current British dance practices. Dance Research Journal, 51(3), pp. 66-83. ISSN (print) 0149-7677 (Article by Daniela Perazzo) https://eprints.kingston.ac.uk/id/eprint/43913/

In Ep.122 of the Sports Therapy Association Podcast, we are joined by special guest Liz Bayley, who will be presenting 'The Dancer's Foot' in the STA Theatre Therapy Expo 2022 November 23rd & 24th  on the Thursday at 10am, and in the Keynote Theatre at 1.50pm.  When it comes to understanding & managing dance performance related injury, Liz Bayley has a wealth of experience. A professional dancer for 15 years including a year in Paris at ‘The Moulin Rouge', Liz has worked as a sports therapist in the West End on shows such as ‘Wicked', ‘The Wizard of Oz', ‘Singing in the Rain', ‘Shrek', ‘Matilda', and ‘Jersey Boys'. Liz is currently the senior physio on Disney's ‘The Lion King' at the Lyceum Theatre, with the company West End Osteopathy. She is also a specialist performing arts physio with the world renowned ‘Trinity Laban' in London and currently running here extremely popular ‘Foot and Ankle Fundamentals' course. Topics discussed include: 8:24 Liz Bayley link to blogs, podcasts, etc: https://linktr.ee/lizbayleyphysio  10:00 Crossover between working with Dancers and other performance athletes. 10:50 Being Head Physio at Disneys 'The Lion King' at The Lyceum 11:50 Trinity Laban Conservatoire of Music & Dance 14:30 Moving from Sports Therapy to Physiotherapy 19:35 Foot & Ankle Fundamental's Course with Liz Bayley & Lizzie Marlow  32:00 "Physio Level" - Sports Therapists: Know Your Worth!  36:00 Foot & Ankle Fundamental Course: working with calves 40:00 Soleus controversy on Twitter 47:00 Ankle Sprain Variations & Alternative Special Tests 59:00 Invitation from Liz to Sports Therapists: What would you like to see on the Foot & Ankle course? Email: lizbayleyphysio@gmail.com  60:00 Next week's guest:  Bill Taylor - Male Pelvic Health Red Flags Useful Links   Liz Bayley Website Email Liz Bayley Trinity Laban Health Therapy Expo Website STA Website Our sincere thanks to Liz Bayley for giving up her time to be a guest on the show. Remember, Liz will be presenting 'The Dancer's Foot' in the STA Theatre at Therapy Expo on the Thursday at 10am, and in the Keynote Theatre at 1.50pm. See you there! Want to join the live recordings? Episodes of the Sports Therapy Association podcast are recorded live every TUESDAY at 8pm on the Sports Therapy Association YOUTUBE CHANNEL. Everyone is welcome - you do not have to be an STA member! If you cannot join us live, be sure to subscribe to the 'Sports Therapy Association Podcast' on all popular podcast apps to be notified when new episodes are available. Please Support Our Podcast! If you appreciate what we do, please take a couple of minutes to leave us a rating & review on Apple Podcasts. It really does make all the difference in helping us reach out to a larger audience. iPhone users you can do this from your phone, Android users you will need to do it from iTunes. Questions? Email: matt@thesta.co.uk

Xanthe wraps up coverage of Solo: A Star Wars Story (minutes 131-135) by taking a closer look at the music and sound credits. What do sound editors, music editors, orchestra contractors, and re-recording mixers do? We'll also review the nine new leitmotifs that Solo added to the Star Wars oeuvre. Discussion Guide: 00:00 - Hello there! 01:27 - Music and sound end credits and what the various roles do. 1:01:54 - The nine new leitmotifs from Solo. 1:24:30 - Final thoughts on the film, score, and season. 1:37:58 - What does Star Wars sound like (according to all the Solo season guests)? 1:40:16 - SWMM Questionnaire. 1:42:05 - Acknowledgements. References: Solo Credits Wiki: https://jhmoviecollection.fandom.com/wiki/Solo:_A_Star_Wars_Story/Credits Score Mixing Seminar with Shawn Murphy (Mix with the Masters): https://youtu.be/NH7qH9qbjYM Sound Effects Categories - How Do You Organise Yours? (Pro Tools Expert interview with Tim Nielsen, including links to download his sound effect organizing system) - https://www.pro-tools-expert.com/home-page/2017/6/27/sound-effects-categories-how-do-you-organise-yours ANH 20: Jungle Warehouse (Minutes 96-100 with Nick Norton) - https://youtu.be/Db1ZnPnfjKU John Powell's vuvuzela Instagram post: https://www.instagram.com/p/BuX7nvwFz5i/ John Powell's Instagram post showing his orchestral template (2021): https://www.instagram.com/p/CNaPUIyBJrM/ Article about film music orchestrators (The Hollywood Reporter, 2007): Unsung heroes: https://www.hollywoodreporter.com/business/business-news/unsung-heroes-127344/ Hollywood Five Honoured by Trinity Laban - https://www.trinitylaban.ac.uk/news/hollywood-five-honoured-by-trinity-laban/ Being a Composers Assistant: https://www.spitfireaudio.com/editorial/features/being-a-composers-assistant/ 5 Cat Studios: https://5catstudios.com/ May the Score Be with You: Music Editor Ramiro Belgardt Returns for 'Star Wars' Reboot - https://cinemontage.org/may-score-music-editor-ramiro-belgardt-returns-star-wars-reboot/ Complete Catalogue of the Musical Themes of Star Wars (by Frank Lehman): https://franklehman.com/starwars/. Musical Themes: 8. L3-37 1. Young Han Solo (Heroic, comp. JW) 2b. Young Han Solo (Searching Variant, comp. JW) 6. Han & Chewie Where are we in the soundtrack?: "Super Extra Deluxe End Credits Suite (7MEC)" --------------- STAR WARS MUSIC MINUTE QUESTIONNAIRE: 1. In exactly 3 words, what does Star Wars sound like? New answer: Intricate orchestral storytelling. Previous answer: The Cosmic Force. 2. What's something related to Star Wars music or sound that you want to learn more about? New answer: The working relationship between the composer and music editor. Previous answer: I'm curious about how other people experience and engage with the music of Star Wars, on both a macro and micro level. I want to know how other people are making sense of it or analyzing it with frameworks different than mine. Basically, I'm interested in doing what this podcast already gives me the excuse to do -- talk to people about Star Wars music. 3. What's a score or soundtrack you're fond of besides anything Star Wars? New answer: Moonrise Kingdom. Previous answer: There Will Be Blood (composed by Jonny Greenwood) -------- If you want to support the show and join the Friends of Xanthe Discord server, consider becoming a patron: https://patreon.com/chrysanthetan Merch store in progress: https://www.redbubble.com/people/swmusicminute  Leave a voice message, and I might play it on the show...   https://starwarsmusicminute.com/comlink Where else to find SWMM: Twitter: https://twitter.com/StarWarsMusMin Spotify: https://smarturl.it/swmm-spotify Apple Podcasts: https://smarturl.it/swmm-apple YouTube: https://youtube.com/starwarsmusicminute TikTok: https://www.tiktok.com/@starwarsmusicminute? Instagram: https://instagram.com/starwarsmusicminute Email: podcast@starwarsmusicminute.com Buy Me A Coffee: https://buymeacoffee.com/starwarsmusmin

For the best part of a decade, Jordan Broatch has already been performing up and down the country in various productions from Ellen Kent operas to playing in Oliver at Theatre Royal, Drury Lane. Since graduating however, Jordan has established themselves at one of the most exciting newcomers onto the London stage, starring in 2 stellar productions at Southwark Playhouse. Many musical theatre fans saw them redefine the role of J. Bowden Hapgood in Anyone Can Whistle, starring opposite Alex Young and Chrystine Simone. The show was one of the biggest Sondheim revivals since the composer's passing and critics hailed Jordan as a "blazingly engaging" performer. An openly non-binary performer, they have also been a vocal advocate for more diversity and representation of queer characters in the industry. It seemed particularly appropriate that in Lift, he got to play an Avatar - one that is not male or female. Whilst the role was less showy than Hapgood, Jordan remained enthusiastic about the time spent in the show and now proudly calls their company members friends.In this exclusive interview, Jordan Broatch sat down to reflect over the past year so far and expressed his gratitude for getting to make such an impressive debut. It doesn't seem surprising at all to learn that they've been involved in the industry for some time, albeit only recently graduating as an adult performer. Still, they are humble and insists they have more to learn and indeed, we should look forward to whatever Jordan has lined up next. They also describe to us their ambitions for their career, telling us their love for The Other Palace as well as Southwark Playhouse where they made their debut. Jordan also makes it clear they will only work on projects that make them happy and encourages others to do the same, hinting they would also be keen to explore work outside the realms of musical theatre too. It's a fascinating to hear the young graduate speak about his experience and we look forward to watching them continue to flourish in their career.

In this episode, Rusha interviews Praveen Suthrum, Praveen is the healthcare whisperer. A well-known thought leader on the GI business industry, he has become the go to figure to predict the headwinds of the future of healthcare. His insights and interviews on digital health, business consolidation in the industry, and the implications of emerging medical technology are must reads. In this episode, we talk about all these topics and more and you'll learn Praveen's breakdown of the fundamental forces reshaping modern healthcare.NextServices is a company provides a platform that practices need to thrive while facing tougher reimbursements, higher operating costs and increased regulation. Under his leadership, the company developed a cloud-based GI EHR and endoscopy report writer called enki. He has an engineering degree from Manipal Institute of Technology and an MBA from University of Michigan's Ross School of Business. He also completed the Exponential Medicine program at Singularity University. Additionally, he studied sculpture at the New York Studio School and music at Trinity Laban.Key Highlights:[00:01 - 07:45] - Opening segmentRush introduces Praveen Suthrum!Technologies used in healthcareBusiness consolidationPatient behavior[07:46 - 19:29] – Praveen Private equity-led consolidation is one of the forces physicians are most worried aboutThe trend on non-invasive screeningIt leads to decreased access to colonoscopiesHe discusses the role of physician is changing[19:30 - 27:08] – Praveen believes that physicians are the most brilliant people on the planetAbundant mindset versus Scarcity mindsetThe disruption happening in healthcareUnbundling of services[27:09 - 41:08] – The Politicizing of the Public-School SectorPhysicians to reflect on their role in healthcareBurnout is a common issuePatient education as opposed to technologyAI's role in healthcare[41:09 – 51:15] - Closing SegmentPraveen discusses how change is difficult to come by, but it has to happen nowConnect with Praveen at her website, get her book: https://scope-forward.com/, https://www.nextservices.com/, http://redohealthcare.com/, https://twitter.com/suthrum!CRAVING MORE?What are you waiting for? Head to Alchemy of Politics; join the conversation and start a change reaction! Follow us on Instagram and Tik Tok.You can connect with Dr. Rusha on LinkedIn, Instagram, Facebook, and Twitter.Thanks for tuning in! If you liked my show, LEAVE A 5-STAR REVIEW, like, and subscribe!Share it with your friends, and family, and spark a conversation. Contribute, comment, and disagree.Remember: Solutions, not shouting.Tweetable Quotes:Praveen Suthrum - "If you want a different system and if you want to step up, and if that is important enough for you.”Praveen Suthrum - "The answer lies in better patient education and awareness as a society."Rusha Modi - “The unique thing in healthcare that you've been very, very articulate about is this balancing act between needing to enhance the efficiency and the productivity and the effectiveness on a business level.”

In Episode 6, Artist Arena Podcast Host Angelica DeLashmette Hurst interviews one of her long time dance artist friends, Katie Burks, about her experience receiving her MFA degree in choreography abroad in London. As it turns out, the definition of concert dance is very different from how we understand it here in America once you cross the Atlantic Ocean. We talk about Katie's brief time in New York City and why she left - we think its time to debunk the often held assumption that moving to the city that never sleeps is a right of passage for every dancer! We talk about making the decision to get a Master's degree in dance, what you should research and consider before applying to a graduate program, and we share some laughs and memories along the way!

Sonia Rafferty, dance science practitioner, begins by discussing her values and ethos in dance science. We look at the language used around dance science and the potential impacts of this on the connections with the wider dance community. Sonia talks about Safe in Dance International, the importance of awareness of the dancing body and mind, and practitioner experience. We also mention the effects of teaching online on student experience, and potential for future research in this area. Resources - http://www.safeindance.com BSc queries at TL: S.Rafferty@Trinitylaban.ac.uk Information about the BSc Dance Science at Trinity Laban: https://www.trinitylaban.ac.uk/course/bsc-hons-dance-science/ Safe in Dance International social media: https://www.facebook.com/safeindanceinternational https://twitter.com/safeindance https://www.linkedin.com/company/safe-in-dance-international/ Find Sonia here - Email: S.Rafferty@trinitylaban.ac.uk Instagram: @scidancepodcast Contact: jasminefmcook@icloud.com Cover art by Jill North. Original image by Young Images Photography. Intro sound by William Cook.

Román Baca is a classically trained ballet dancer and choreographer. In 2001, recognizing his desire to defend the defenseless, he took a hiatus from dance and enlisted in the United States Marine Corps, serving as a machine-gunner and fire-team leader in Fallujah, Iraq during the Iraq War. After the war, Román returned to dance and co-founded Exit12 Dance Company, which tells veterans' stories choreographically, to increase cross-cultural understanding and heal divisions. Exit12 has delivered its programming in multiple conventional and unconventional performance spaces across the world. Alongside Román's work with Exit12 he is also an Early Career Researcher at the Trinity Laban Conservatoire, a Junior Research Scientist with the USAF/USN Research Unit, and a Ph.D. Candidate at York St. John University in the UK studying the intersection of dance and war. Earlier this year Román worked as an Arts Envoy with the US State Department to Nigeria where he conducted creative workshops with paramilitary, police, and charitable organizations on arts and health. Román completed his MFA at Trinity Laban and was the 2019 awardee of the Selma Jeanne Cohen Dance Lecture Award for his research into the dance and the military. To learn more about Exit12 Dance Company, visit: https://exit12danceco.org Resources: To learn more about Stephen Wolfert and the DE-CRUIT initiative, where veterans find a path to healing through Shakespeare, visit: https://www.decruit.org Román also mentions the National Intrepid Center of Excellence(NICoE) at Walter Reed National Military Medical Center and the research of Allison Winters Fisher: https://walterreed.tricare.mil/NICoE --- Episode information: What's Work Got to Do With Supporting Veteran Through Art and Dance? Guest: Román Baca Host: Nichole Guilfoy Produced and edited by: Helen Schuckers Written by: Helen Schuckers and Anjali Rameshbabu Connect with us Oregon Institute of Occupational Health Sciences and Oregon Healthy Workforce Center on social media: Twitter: twitter.com/OHSUOccHealth Facebook: www.facebook.com/occhealthsci.ohsu LinkedIn: www.linkedin.com/company/occhealthsci Blog: blogs.ohsu.edu/occupational-health-sciences/ Community feedback is important to us. If you love our podcast and want to further support our podcast, please consider leaving us a review. Thank you!

In this episode of the Acrobatic Arts Podcast, Liza Kovacs discusses the question “How much training is too much?” Liza considers herself a dance nerd and is interested in learning mechanisms, knowledge building and pedagogical practices in dance, as well as in the application of periodization concepts in classical training. Since graduating from the National Ballet School of Canada, Liza Kovacs has danced with the National Ballet of Canada, Lalala Human Steps and the BJM as well as collaborating on numerous projects with some of Canada's finest contemporary choreographers. Her passion for dance has led her to a Masters of Arts from the University of Quebec in Montreal and a Masters in Dance Science from Trinity-Laban in London. Since then she has studied kinesthetic anatomy and neuromuscular re-education with Irene Dowd, as well as in physiology, biomechanics, performance psychology, somatic studies and Laban movement analysis. Liza is certified in all levels with ABT's Training Curriculum and is also a certified Pilates instructor and a registered somatic instructor. She joined the teaching team in classical dance of the National Superior Pole of Dance Rosella Hightower in 2019 while developing an online goal setting practice to help aspiring dancers reach their potential, wherever they are. Email terpsichoreintights@gmail.com

Khyle Eccles, S&C at Trinity Laban, discusses athletic competency in dancers. We discuss Khyle's MSc work on maximal strength testing for dancers, as well as physiological fitness for dancers more generally. Khyle debates the impacts of aesthetic demands and athleticism in dance. We look at the challenges of implementing S&C programmes in dance, how schools can facilitate supplementary training to develop physical literacy, and the relevance of student buy-in. Find Khyle here - https://www.trinitylaban.ac.uk/study/teaching-staff/khyle-eccles/ Contact: jasminefmcook@icloud.com Instagram: @scidancepodcast Cover art by Jill North. Original image by Young Images Photography. Intro sound by William Cook.

From her early days as a Principal at the Royal Opera House, Teresa Cahill has sung all over the world and worked with leading opera companies and conductors. She has a wide and eclectic repertoire and a longstanding fascination with bel canto. In addition to performing she is a professor in the vocal department of Trinity Laban, London. In this conversation we explore parallels between our interests and professional worlds. https://teresacahill.com

The conversation: In this 'double interview' Michaela Gerussi and Alice Gale-Feeny (both initiators of the podcast) ask questions about each others' artistic practices, trace some of the ideas which inform them, and unpack different perspectives between their (respective) backgrounds in fine art and contemporary dance. The conversation departs from a place of friendship and familiarity, whereas Alice and Michaela have been working closely since 2019 as peers on the 'MFA Creative Practice: Dance Professional Practice' course with Trinity Laban and Independent Dance.They discuss:-Dialogue; facilitated or 'choreographed' conversations as frames (i.e. Quaker meetings; 'fishbowl conversations', Bohmian Dialogue)-Authorship and collaboration-Notions of ‘material' in both dance and fine art/performance contexts-Fine art training (the changing idea of the art history canon) -States of attention in artistic practice (i.e. distractions as generative)-Objects and written/spoken voice/language as material in physical practice; as extensions of the body; [“The post- in the human suggests not that we come afterways as prosthetic newcomers, but that we were always already embodied in excess of our organs.” (Erin Manning, Politics of touch : sense, movement, sovereignty. University of Minnesota Press, 2007. P. 157)]-Karen Barad, feminist science-Fascia studies-Choreographer and dance researcher Kevin O'Connor -Practice as Research; a perspective which values the tacit knowledge which is present in practice-Performance practice(s) vs dance-making practice(s)-Manchester-based dance-artist and researcher Amy Voris-Making a work vs its performance; witnessing. Where do we locate and emphasize the work?-The Solo performance; implications/optics of that as starting point, where attention is placed, possibilities of subtlety, detail, etc.Interviewee/interviewer: Michaela Gerrusi is a dance artist researching the complexities of how we sense ourselves. Informed by her studies in Craniosacral Biodynamics, her practice is concerned with the intersection of the nervous system, self-regulation, affect and dance-making. michaelagerussi.com Interviewer/interviewee: Alice Gale-Feeny is currently developing a performance practice that investigates the emergent potentials of speaking aloud and being with objects as a way to occupy a middle ground between self/selves and other(s). alicegale-feeny.com 
Read more (links):Bohm, D., & Nichol, L. (2004). On dialogue (Routledge classics). London ; New York: Routledge. (https://www.routledge.com/On-Dialogue/Bohm/p/book/9780415336413)The Cadbury's Bourneville model village (https://www.bvt.org.uk/our-business/the-bournville-story/)Alice Gale-Feeny, Fishbowl Conversations (https://alicegale-feeny.com/incirclesaroundtables)Karen Barad, (2007). Meeting the universe halfway : Quantum physics and the entanglement of matter and meaning. Durham and London: Duke University Press. https://www.dukeupress.edu/meeting-the-universe-halfway Rasmus Olme on magnets, from a SKH Dance Podcast conversation with Eleanor Bauer (https://www.spreaker.com/user/10974845/episode-4-rasmus-o-lme?utm_medium=widget&utm_source=user%3A10974845&utm_term=episode_title)Kevin O'Connor (https://www.ecologicalbodying.com/)Artist Placement Group: (http://flattimeho.org.uk/apg/)Amy Voris (https://www.amyvoris.com)Authentic Movement (https://www.authenticmovementinstitute.com/authenticmovement)The term double interview, and the approach taken for this podcast episode is inspired by a double interview between Mette Edvarsen and Mette Ingvarsten published in February 2016: http://www.metteingvartsen.net/wp-content/uploads/2016/12/2016--double-interview--mette-edvardsen-and-mette-ingvartsen.pdf Keywords:Dance Making; Performance Making; Practice as Research; Contemporary Art Practice; The Nervous System; Language; Writing; Fishbowl Conversation; Dialogue; Somatic Practice; Embodied Knowledge/Research; Post Humanism; Feminist Science.

In this episode we talk to Roswitha Chesher and Alexander Whitley about digital dance and technology. Both started their careers with dance training – film maker and photographer Roswitha Chesher at Trinity Laban and choreographer Alexander Whitley at the Royal Ballet School – but they’ve both moved into exploring dance in different formats – on camera, screen and using digital technology. Whilst it’s true to say that over the past year many of us have been on a crash course when it comes to digital and dance, in contrast these two artists have been working within the digital sphere for years and so we decided to invite them on to talk a little bit more about what it is that excites them and find out how we can all learn to explore and use digital technologies more effectively. We begin by discussing the journey we have been on as a sector which has evolved pretty quickly from the kickstart reaction of many to share back-catalogue documentation to the kind of immersive experience offered recently by Rambert with Rooms. Given their familiarity of the digital space and their enviable access to high quality equipment we also probed a little into whether they themselves had felt creative during covid and how they had reacted either individually or as a company to the challenges of the past year. Alex shares his interest in technologies such as virtual and augmented reality and the potential this is offering him and his company to explore new ways of making and presenting work. And Roswitha shares some of the lessons learnt from thirty years making dance on screen. She reflects upon how of late so much of the material she has been asked to work with has been made on the very small (mobile phone) screen. Together we reflect upon how the luxury so many of us experience of having this technology in our back pockets can be deployed creatively when used with thought, care and skill. We talk about the ability to curate an environment when making theatrical work and how in digital this translates to much more nuanced experiences such as directing the focus and the eye. And we talk about the ways in which technology and dance on screen can be used in hybrid formats to create completely new cultural environments which are no longer as simple as a choice between theatre or TV… Talking Moves is a Greenwich Dance Production Presented by Melanie Precious Production by Carmel Smith, Lucy White and Melanie Precious Recording date: Tuesday 20 April 2021

PAULA QUINTAS é codirectora do Festival Corpo(a) terra e traballa coa pedagoxía da danza en Danza Alfaia, cunha liña de investigación contemporánea contorna ao corpo e lineas alternativas de aprendizaxe en Santiago de Compostela. Ademais é especialista en Técnica Laban impartindo talleres en diferentes conservatorios. Licenciada na Universidade de Santiago de Compostela en Historia da arte, presentando o seu proxecto final de carreira en Body Art e vídeo-creación, graduada en Trinity Laban en Danza contemporánea e diplomada en National Centre for Circus Arts Londres. É Máster en Artes escénicas coa proposta de investigación “Filosofía e estética do corpo no circo coreografiado” pola Universidade Rey Juan Carlos - URJC (Madrid) 2019-2020, o cal continuará cun proxecto de tese doutoral en 2021-2022. Os seus últimos espectáculos como creadora son Multiperspectivas (2021), Nina Ninette (2021), SET (2020), Alma ( non é hippie) (2019), Plastic (2018), Analepsis (2017), Up2 down (2015). Forma parte da compañía trasPediante. "A Danza é a expresión artística do corpo, arte do movemento para transmitir a través do corpo aos espectadores". "A expresion do corpo non ten ningún tipo de idade nin de limitación". "O certame 6 Coreógrafas nace da necesidade de dar visibilidade ás grandes creadoras que temos en Galicia". "Na Estrada traballamos en achegar a danza a novos públicos, estamos fascinados coa acollida que tivo o certame de danza contemporanea na Estrada e agardamos que haxa unha segunda edición". "Na Estrada hai moita cultura e unha apertura mental cara a cultura, para min é un pracer impartir aulas aquí". "Na Estrada hai un potencial expresivo moi elevado, estamos facendo un traballo moi profesional na Escola Municipal de Artes Escénicas". Máis Información PAULA QUINTAS: ✔️Páxina Web: https://www.paulaquintas.com/ ✔️Facebook: https://www.facebook.com/pau.quintassantos ✔️Twitter: https://twitter.com/qpausantos ✔️Instagram: https://www.instagram.com/pauquintass/ ✔️Vimeo: https://vimeo.com/user10312639 ✔️YouTube: https://www.youtube.com/channel/UCm4eAixxHV9NVTGnEgN-8KA ✔️Pinterest: https://www.pinterest.es/pauquintassanto/_saved/ A ESCOLA MUNICIPAL DE ARTES ESCÉNICAS da Estrada, naceu no ano 2012, a partir do que era a antiga Escola Municipal de Teatro. É unha institución dependente da Fundación Cultural da Estrada que dende a súa creación no ano 2002, formou parte dun marco estratéxico de promoción e difusión das artes escénicas na vila. O antecedente da Escola foi a creación no ano 1996 da compañía de teatro afeccionado TEATRO dos TIRINAUTAS, que durante os seus 10 anos de vida, axudou a dar unha alternativa de ocio a moita xente da localidade, e a divulgar a obra de escritores da comarca coma Varela Buxán, Neira Vilas ou Manuel García Barros. Na memoria colectiva aínda pervive aquela “Ensalada de Mosquito” do ano 2003 con 12 funcións consecutivas a teatro cheo e máis de 4.500 espectadores; unha peza que facilitou a entrada na Rede de Teatro Profesional do IGAEM desta nova compañía de actores estradenses. Docentes e profesionais do teatro da talla de Anabell Gago, Xosé Lueiro, Artur Trillo, Nuria Montero, Nuria Sanz, Manuel Lourenzo, Mónica de Nut, Arturo Cobas “Nono”, Fiona Bernárdez, Cándido Pazó ou Cristina Domínguez viñeron colaborando no proxecto docente da institución dando alento escénico a pezas de Molière, Cervantes, Carlos Casares, Vidal Bolaño, Lorca, Labiche, Sergi Belbel, Anton Chèjov ou Bertolt Brecht entre outros. No ano 2012, e dado o carácter multidisciplinar do teatro contemporáneo, a Escola Municipal de Teatro, decidiu diversificar a súa oferta didáctica para ofrecerlle ao alumnado unha formación o máis integral posible, incluíndo na súa programación, clases de danza, de voz e de clown. Esta última disciplina é un vestixio do que foi a antiga Escola de Circo, que este ano 2012 decidiu fundirse coa Escola de Teatro e reimpulsar un novo proxecto docente. Paralelamente á actividade docente, a Escola ten asignada unha unidade de produción propia coa finalidade de medir ás novas remesas de actores diante do público, e tamén organizou durante os anos 2009, 2010 e 2011 un certame de teatro afeccionado, no que os alumnos da escola puideron interaccionar con outras compañías galegas. Máis Información ESCOLA MUNICIPAL de ARTES ESCÉNICAS: ✔️Páxina Web: http://www.emae.aestrada.gal/ ️ "SUSCRÍBETE" ao podcast Máis Información e outras entrevistas: ✔️Facebook: https://www.facebook.com/PabloChichas ✔️Twitter: https://twitter.com/pablochichas ✔️Instagram: https://www.instagram.com/pablochichas/ ✔️Clubhouse: @pablochichas ✔️Twich: https://www.twitch.tv/pablochichas

A dance teacher wear’s many hats. Some days we act as a therapist while others we are an advisor. Sometimes a mentor and often a role model. We have all entered into this vocation to change lives, support healthy child development and maybe even inspire the pursuit of a career or education in dance. At the post-secondary and professional level this role does not change much, as professors, artistic directors and ballet masters have indicated that their roles involve aspects of mentorship, guidance and teacher. Today we will take a deeper look into the role of the mentor specifically for early career dance artists. GUEST: After completing her undergraduate training in Dance Theatre at Trinity Laban where she later also completed her master’s degree, Nina Atkinson founded the Loop Dance Company in 1993. In 2004 Nina returned from a two-year sabbatical in New York studying at the Limón Dance Foundation and in 2008 returned to New York to study on the first Limón Teachers Program. Nina’s research interests lie in creating artwork for unusual spaces, from large-scale site-specific work to intimate installation experiences. Nina is, a Lecturer at Canterbury Christchurch University and University of Roehampton and is currently a Visiting Lecturer for Trinity Laban Conservatoire of Music and Dance in their post graduate diploma in Community Dance program. She is currently studying for her PhD at Coventry University.

Hello listeners and newbies alike! Episode 6 of the We are Womxn Podcast features another one of the 8 selected artists for MARCH Art House's  annual (virtual) exhibition which is up and running right now on our website: www.marcharthouse.com. Please go check it out and share with others! You can also look to our IG feed for some images and information about new artists week to week (@marcharthouse). This episode Kate March chats with choreographer and dancer, Irene Fiordilino. Please check out more of her art and creative process on her website: https://irenefiordilino.wixsite.com/choreographer-about. You can also follow Irene on her IG account: @Irene_Fdl!  Irene Fiordilino is a freelance Choreographer and Performer based in London, she is also the Director of Scirocco Dance Theater Company, co-founded in 2020 with Sound Designer Aidan Good. Irene is a Ph.D candidate in Creative Practice at Trinity Laban, where she previously graduated with Distinction (MFA Choreography, 2018). In 2016 she graduated with Honors at Accademia Nazionale di Danza di Roma (BAhons). Irene is also Associate Fellow of Higher Education Academy, and she works as a guest teacher and lecturer internationally.Enjoy and thanks in advance for sharing our podcast supporting womxn artists!

The conversation: How might attention be considered as a connecting point between contemporary dance practice and Craniosacral Biodynamics? With this question in mind, Michaela invites guest Laressa Dickey to speak about the points of overlap she has found between working with language, movement and in therapeutic settings. Together they discuss some of the basic and more complex principles fundamental to Craniosacral Biodynamics, beginning to explore more broadly the ways that this work can inform our sense of ourselves both in life and as applied to movement-based artistic practice. They also discuss:- interdisciplinary artistic practice: tensions/mysteries between forms as generative gaps- compositional resonance between dance and creative writing- rethinking the traditional client-practitioner relationship- improvisationInterviewee: Laressa Dickey's artistic work lands in the fields of writing, movement/performance, and bodywork. She has published four books of poems as well as several chapbooks. Together with sound artist Andrea Steves, Dickey published RADIO GRAVEYARD ORBIT (Sming Sming), a speculative artist's book about space junk. Her collaborative installation with Ali Gharavi, How to Pass Time with No Reference, was included in the Bergen Assembly 2019. Along with Magdalena Freudenschuss, she was commissioned by Bergen Assembly to create a series of feminist essays on the politics of care, entitled: Re:assembling Emotional Labor: On the Politics of Care. Since 2005, she's been using movement improvisation and performance to inform her writing practice, and vice versa. Her bodywork is influenced by Biodynamic Craniosacral Therapy, Body Mind Centering studies, Amerta Movement and an attuned, empathetic imagination.Interviewer: Michaela Gerussi is a Canadian dance artist based between Tkaronto (Toronto, Canada) and London, UK. Michaela's dance practice is nourished by her inquiry into the nervous system, interoception and attunement, in relation to her studies in Biodynamic Craniosacral therapy. Her work considers shifting relationships between people, places and materials, layering subtle perceptual detail with a functional, dynamic approach to movement. Her collaborative performances, intermedia and site-specific works have been presented in Montreal (QC), Toronto (ON), Sherbrooke (QC), Buffalo (NY) and Berlin (DE). She is currently completing an MFA in Creative Practice, based in London at Trinity Laban and Independent dance.Read more:- Suprapto Suryodarmo and Amerta Movement (https://www.amertamovement.co.uk/)- Bettina Mainz (http://www.bettinamainz.de/)- Body Mind Centering (https://www.bodymindcentering.com/)- Deep Listening, founded by composer Pauline Oliveros (https://deeplistening.org/)- Biodynamic Craniosacral Therapy in the UK http://www.cranio.co.uk/Keywords:Paula Mann, Bebe Miller, Joe Goode, Patricia Brown, Myung-Mi Kim, Fanny Howe, Biodynamic Craniosacral therapy, contemporary dance practice, somatic practice, Body Mind Centering, Laressa Dickey, writing

A classical musician by training, Elizabeth studied flute and piano at Royal Welsh College of Music and Drama and then Trinity Laban, London, where an inspirational ‘Business For Musicians' course ultimately proved more interesting than her daily diet of musicology, theory and historical performance practice. She established Worcester-based Encore Communications in 2009, growing the business into a team of experienced, marketing professionals offering a full range of marketing communications services.  Today, Elizabeth is responsible for the day-to-day running of the business, overseeing all Encore Communications' activity and remaining ‘hands-on' with several accounts, delivering integrated media relations, social media, digital marketing, crisis communications and strategy work for clients. Nominated for the Chartered Institute of Public Relation's Outstanding Young Communicator (UK) award in 2006, Elizabeth is a graduate of Common Purpose's Meridian course for senior leaders, a CIM-qualified marketer, member of the Public Relations Consultancy Association, and holds the CIPR's Professional PR Diploma. A passionate advocate of agile working for all, she is Mum to two young children and has more than her fair share of working parent stories - probably best saved for Mummy blogs - having returned to support clients at a key exhibition just six weeks after her eldest was born. Away from the office, Liz is a keen sports fan, having competed nationally in gymnastics and trampolining in her youth. She holds a season ticket at West Bromwich Albion, and also enjoys following cricket, tennis, athletics, rugby etc. In her spare time, she can usually be found ferrying her kids around to various classes and dreaming of the day she can finally go travelling and see the world. Connect with Liz here: https://www.encore-communications.co.uk/ (https://www.encore-communications.co.uk/) https://www.linkedin.com/in/elizabethlaidlermarketingcommunications/   (https://www.linkedin.com/in/elizabethlaidlermarketingcommunications/  ) https://www.linkedin.com/company/encore-communications-ltd/  (https://www.linkedin.com/company/encore-communications-ltd/ ) https://twitter.com/encorecommsuk (https://twitter.com/encorecommsuk)

Jacob Fowler won Little Mix 'The Search' whilst still training for his Musical Theatre degree at Trinity Laban. In this episode, Grace finds out about what it was really like to be part of Little Mix's first talent show and what his plans are for the future with fellow winners, 'Since September'. Jacob shares how he and the band have been coping in lockdown and their new way of making music via zoom! You can find Jacob on Twitter and Instagram @thejacobfowler.If you have enjoyed this episode make sure to subscribe and leave a rating or review. Feel free to share the episode on to friends and family you think may enjoy! Your feedback is so greatly appreciated so you are more than welcome to get in touch @ cuttothegrace@gmail.com. Thank you! See acast.com/privacy for privacy and opt-out information.

Stardust is the new film about David Bowie’s promotional tour of the United States in 1971 during which he began to develop the concept of Ziggy Stardust. Bowie is played by musician and actor Johnny Flynn and the film has already attracted attention as they were unable to secure the rights to Bowie’s songs. Writer and Bowie fan Mark Billingham reviews. A vivid 45,500 year old painting of a warty pig, discovered on a cave wall in the Indonesian island of Sulawesi is the oldest representational art in the world. What does the striking work tell us about the value of art to the civilisation that created it. With archeologist Rebecca Wragg Sykes. Novelist Jenni Fagan talks about her latest book, Luckenbooth. It opens as the devil's daughter rows to Edinburgh in a coffin to work as maid for the Minister of Culture, a man who lives a dual life. But the real reason she's there is to bear him and his barren wife a child, the consequences of which curse the tenement building that is their home for a hundred years. How are students whose arts subjects at university or college require them to undertake in-person tuition adapting to the third lockdown? Callum Bruce, a second year musical theatre student at Trinity Laban in London, and Mary Johnson, third year percussion student at the Royal Welsh College of Music and Drama in Cardiff, discuss how the pandemic has affected their studies. Presenter: John Wilson Producer: Timothy Prosser

Today I am talking to Marrianne Town Smith, a dramatic soprano who found her voice much later than what is the usual trajectory for classical singers. Having had a highly successful career, Marrianne's life in marketing was halted due to changes in her personal circumstances. And then she found singing. In our conversation Marrianne tells about her experiences of stepping into the daunting realm of a music conservatoire in her early forties, she explains of what makes communication a primary skill both in business and in music, and highlights the importance of living life to the full.Marrianne Town Smith started to sing in 2007 as a hobby and distraction from a fast-paced Marketing Management role. Since then she has been on an adventure into opera and classical music, doing as much to learn and grow with a full time job as was possible.  In 2015, she successfully auditioned for a Postgraduate Vocal Studies programme at Trinity Laban and graduated with distinction in 2017.  She has performed many roles in operas and staged scenes at Blackheath Halls Community Opera, Trinity Laban Conservatoire of Music, AIMS international Singing School and City Lit Opera, as well as regularly performing recitals in venues around London and the south east.  She has sung in masterclasses with Susan Bullock, David Gowland and Christa Ludwig.  In 2018 she sang her first opera role with Opera in the Meantime, singing the Witch in Hänsel und Gretel.  In 2019 she covered the roles of Maddalena in Andrea Chenier, and Madeleine Lidoine in Les Dialogues des Carmélites with Midsummer Opera.  She performed her first role with orchestra singing Donna Anna in Don Giovanni in Sicily at the Mediterannean Opera Studio and Festival in July 2019.  In December last year she sang both the Witch and debuted the role of Getrude with Opera in the Meantime's revival production of Hänsel und Gretel.  2020 started with two Requiems and the opportunity to add oratorio roles to her resume, with Verdi's Requiem and the Brahms's Requiem, both conducted by Peter Fender.  And then sadly Covid-19 took over and all other plans for this year have been postponed.  However, she remains optimistic—she has been working away in her garden “She Shack” learning new roles and repertoire.  She is also having online coaching with amazing International singers and stage directors as well as continuing to work with her wonderful teacher Raymond Connell.  Website: www.marrianne.co.ukFacebook: www.facebook.com/marriannetownsmithsoprano

This podcast presents the fourth and final segment of our four-part series ‘Beethoven Variations: A Poet’s Journey through the Music and Life of Beethoven’ with renowned British poet Ruth Padel and eminent pianist Karl Lutchmayer. This series has been put together by Prateeti Punja Ballal. In Part IV of the series, Ruth and Karl take us through Beethoven’s last years. His last great love affair, when he was forty-one, was a prelude to five years of barrenness, misery and writer’s block − and then to some of the most poignant, profound and redemptive music ever written. In this four-part series, Ruth Padel takes us on an intimate journey through Beethoven’s life and music, illustrated by her poetry from her recent book. Professor of Poetry at King’s College London, she has written many collections of poetry, and books of non-fiction and fiction. Her earlier book Darwin: A Life in Poems, released on Darwin’s centenary, captured her great great grandfather memorably. Concert pianist and lecturer, Karl Lutchmayer held an academic lectureship at the Trinity College of Music in London, now Trinity Laban, for fifteen years. He has played at all the major London concert halls and across the world, and his London lecture-recital series, Conversational Concerts, garnered critical and public acclaim. Karl performs Beethoven’s music for us and gives us his insights into its composition and context. Ruth and Karl are joined by guest artists, soprano Nina Kanter, cellist David Waterman and the Endellion String Quartet, one of the world’s leading quartets.

This podcast presents the third segment of our four-part series ‘Beethoven Variations: A Poet’s Journey through the Music and Life of Beethoven’ with renowned British poet Ruth Padel and eminent pianist Karl Lutchmayer. This series has been put together by Prateeti Punja Ballal. In Part III of the series, titled ‘The Essence of Romanticism’, poet Ruth Padel and pianist Karl Lutchmayer take us through the time when Beethoven is thirty-five, and Napoleon’s army captures and occupies Vienna and its Empire. Along with his anguish in this time of war, he keeps losing chances of love. Through it all, he continues writing works that will live forever, such as the Fifth Symphony, after which this episode gets its title. In this four-part series, Ruth Padel takes us on an intimate journey through Beethoven’s life and music, illustrated by her poetry from her recent book. Professor of Poetry at King’s College London, she has written many collections of poetry, and books of non-fiction and fiction. Her earlier book Darwin: A Life in Poems, released on Darwin’s centenary, captured her great great grandfather memorably. Concert pianist and lecturer, Karl Lutchmayer held an academic lectureship at the Trinity College of Music in London, now Trinity Laban, for fifteen years. He has played at all the major London concert halls and across the world, and his London lecture-recital series, Conversational Concerts, garnered critical and public acclaim. Karl performs Beethoven’s music for us and gives us his insights into its composition and context. Ruth and Karl are joined, for the Fifth Symphony, by guest artists from the South Asian Symphony Orchestra and the Orchestra’s founder-trustee, Ambassador Nirupama Menon Rao. The Orchestra is a peace-building initiative made up of musicians from the countries of South Asia and the South Asian diaspora.  

This podcast presents the second segment of our four-part series ‘Beethoven Variations: A Poet’s Journey through the Music and Life of Beethoven’ with renowned British poet Ruth Padel and eminent pianist Karl Lutchmayer. This series has been put together by Prateeti Punja Ballal. In Part II of the series, Ruth and Karl take us through the years when Beethoven contemplates suicide, then decides to ‘live for his art’. Inspired at first by the French Revolution, and Napoleon whom he regards as ‘a man of the people,’ and also by falling deeply in love, Beethoven writes a series of innovative masterpieces. In the series, Ruth takes us on an intimate journey through Beethoven’s life and music, illustrated by her poetry from her recent book. Professor of Poetry at King’s College London, she has written many collections of poetry, and books of non-fiction and fiction. Her earlier book Darwin: A Life in Poems, released on Darwin’s centenary, captured her great great grandfather memorably. Concert pianist and lecturer, Karl Lutchmayer held an academic lectureship at the Trinity College of Music in London, now Trinity Laban, for fifteen years. He has played at all the major London concert halls and across the world, and his London lecture-recital series, Conversational Concerts, garnered critical and public acclaim. Karl will perform Beethoven’s music for us and give us his insights into its composition and context.

This is the first segment of our four-part series ‘Beethoven Variations: A Poet’s Journey through the Music and Life of Beethoven’ with renowned British poet Ruth Padel and eminent pianist Karl Lutchmayer. This series has been put together by Prateeti Punja Ballal. In Part I of the series, Ruth and Karl take us through Beethoven’s early years, his childhood in Bonn, his arrival in Vienna first as a virtuoso Pianist and then as a promising composer, and his early worries, at age 28, about deafness. In the series, Ruth will take us on an intimate journey through Beethoven’s life and music, illustrated by her poetry from her recent book. Professor of Poetry at King’s College London, she has written many collections of poetry, and books of non-fiction and fiction. Her earlier book Darwin: A Life in Poems, released on Darwin’s centenary, captured her great great grandfather memorably. Concert pianist and lecturer, Karl Lutchmayer held an academic lectureship at the Trinity College of Music in London, now Trinity Laban, for 15 years. He has played at all the major London concert halls and across the world, and his London lecture-recital series, Conversational Concerts, garnered critical and public acclaim. Karl will perform Beethoven’s music for us and give us his insights into its composition and context. In future episodes, they will be joined by guest artists, soprano Nina Kanter, cellist David Waterman and the Endellion String Quartet, one of the world’s leading quartets, and the South Asian Symphony Orchestra with musicians from the countries of South Asia and the diaspora. Subscribe to the BIC Talks Podcast on your favourite podcast app! BIC Talks is available everywhere, including iTunes, Spotify, Google Podcasts, Castbox, Overcast, and Stitcher.

Anastasia Paschali discusses her research into health promotion and wellbeing in dance. We look at overall concepts of health and wellbeing, enablers and barriers to health in a dance population, as well as what Anastasia hopes to see in the future of health promotion in dance. Resources - Perkins et al. (2017) https://www.frontiersin.org/articles/10.3389/fpsyg.2017.00968/full Araújo et al., (2017) https://www.frontiersin.org/articles/10.3389/fpsyg.2017.01558/full Social determinants of health (Dahlgren & Whitehead, 1991): https://www.gov.uk/government/publications/health-profile-for-england/chapter-6-social-determinants-of-health IADMS Resources: https://www.iadms.org/page/186 ODUK COVID19 Guidance: https://www.onedanceuk.org/covid-19-guidance/ Trinity Laban blog - Dance for Health during COVID19: https://trinitylaban.wordpress.com/2020/03/31/dance-for-health-during-the-covid-19-pandemic/ Find Anastasia here - Twitter: @APaschali_ LinkedIn: https://www.linkedin.com/in/anastasia-paschali-671080156/ Contact: jasminefmcook@icloud.com Instagram: @scidancepodcast Cover art by Jill North. Original image by Young Images Photography.

Nedeljska gostja je virtuozinja na violini Lana Trotovšek, ki že 16 let živi in ustvarja v Londonu. Po končanem študiju v Salzburgu, Ljubljani in Londonu je leta 2012 debitirala z orkestrom Marijinega gledališča pod taktirko Valerija Gergijeva. Od takrat nastopa s številnimi svetovnimi orkestri, gostuje s solističnimi koncerti na prestižnih glasbenih odrih in festivalih. Več let je bila članica klavirskega tria Greenwich, skupaj s čelistom Stjepanom Hauserjem (nekoč član 2Cellos) in pianistko Joko Misumi. Danes poučuje na londonskem konservatoriju za glasbo in balet Trinity Laban ter snema za radio BBC. Lana Trotovšek igra na violino Pietra Antonia dalla Coste iz leta 1750. Z njo se je pogovarjala Nina Zagoričnik. Foto: lanaviolin.com

What things should you put in place now to help your music go to the distance? In episode 29 'Future proofing your music business' of Millicent's podcast 'Success Beyond The Score', Millicent shares an extract from her Keynote speech given at the 'Get Business Ready' conference by Sound Connections, Trinity Laban and Musicians Union: - Music is relational, treat people right! - Plan for the long haul, not the short cut! - Grow a fan base - Create a Team - Keep learning! Get Business Ready conference Fri 10th July 2020: https://www.sound-connections.org.uk/events/get-business-ready Complete the 'Making Music Making Money' Survey here: https://www.millicentstephenson.co.uk/Making-Music-Making-Money-Survey Get your free copy of 'Revealed - 25 Secrets of the Successful Gigging Musician, Singer, Rapper and Spoken Word Artiste' here: https://www.millicentstephenson.co.uk/pl/120288 full with information and insights to help musicians, singers, rappers and spoken word artiste find their way in the music industry by Millicent Stephenson, a Multi-award winning saxophonist. At the time of this recording Millicent is a member of the Executive Committee of the Musicians Union and also a member of Midlands Regional Committee and Equalities sub-committee of the Musicians Union; Founder and Creative Director of Cafemnee. Millicent is featured on Radio and TV. Millicent is a Harry Hartmann Fiberreed Endorser. Website: www.millicentstephenson.com Contact: info@millicentstephenson.com

What things should you put in place now to help your music go to the distance? In episode 29 'Future proofing your music business' of Millicent's podcast 'Success Beyond The Score', Millicent shares an extract from her Keynote speech given at the 'Get Business Ready' conference by Sound Connections, Trinity Laban and Musicians Union: - Music is relational, treat people right! - Plan for the long haul, not the short cut! - Grow a fan base - Create a Team - Keep learning! Get Business Ready conference Fri 10th July 2020: https://www.sound-connections.org.uk/events/get-business-ready Complete the 'Making Music Making Money' Survey here: https://www.millicentstephenson.co.uk/Making-Music-Making-Money-Survey Get your free copy of 'Revealed - 25 Secrets of the Successful Gigging Musician, Singer, Rapper and Spoken Word Artiste' here: https://www.millicentstephenson.co.uk/pl/120288 full with information and insights to help musicians, singers, rappers and spoken word artiste find their way in the music industry by Millicent Stephenson, a Multi-award winning saxophonist. At the time of this recording Millicent is a member of the Executive Committee of the Musicians Union and also a member of Midlands Regional Committee and Equalities sub-committee of the Musicians Union; Founder and Creative Director of Cafemnee. Millicent is featured on Radio and TV. Millicent is a Harry Hartmann Fiberreed Endorser. Website: www.millicentstephenson.com Contact: info@millicentstephenson.com

Adam Frith is an actor from Leicester. Adam originally trained in dance at Trinity Laban. After a successful career as a dancer, Adam set his sights on acting. He began his training at The Actors Centre and has just recently graduated from Drama Centre London. We talk about grieving, anger and following your passion.  

In this podcast, British-born choreographer, performer and educator, Freddie Opoku-Addaie shares his journey from East London to studying at London's top contemporary dance school and going on to create a successful freelance career working with renowned companies such as Clod Ensemble, Candoco Dance Company, Arthur Pita, Wayne McGregor's Random Dance and more. Freddie is also the Founder and Artistic Director of SystemsLAB, a platform that gives opportunities to a range of artists to showcase their work. Listen to Freddie talk about curating the SystemsLAB mixed bill, featuring the work of THĒO INART, Becky Namgauds, Ffion Campbell-Davies/ tyroneisaacstuart and hip hop legend Jonzi D; through which he raises interesting and important questions about contemporary dance history and the framework and voices within the industry. SystemsLAB Triple Bill is showing 6 March at University of Canterbury and 12 and 13 March at Trinity Laban. Follow Freddie and SystemLabs on Instagram! PRESS PLAY!

In this episode David Waring, artistic director of Transitions Dance Company from Trinity Laban shares his philosophy, experience and advice. We delve into the balancing act of being a true artist, educator and performer. An episode not to be missed!

Agnes Bakucz Canario is a Portuguese/Hungarian movement artist based in London who works is often multidisciplinary and collaborative. Agnes’ work focuses on searching for tenderness and flows with regards to human relationships, flows, money, borders and water. Having lived and worked in four different waterborne cities (Lisbon, Budapest, Inverness and London) has made water, as a source, incredibly important to Agnes’ being and practice, using it as a means to connecting to spaces and the people that inhabit it. Agnes has previously performed Isabel Lewis’ ‘Occassions’ at the Tate Modern (Tanks), Bouchra Ouizguen’s ‘Corbeaux’ the Tate Modern and more recently, Hagit Yakira’s ‘If One Keeps Walking’ at Trinity Laban. Hear Agnes talk about the different processes of performance through working intimately with people in underground bunkers as well as how their own process of choreography develops with the passing of time and their deep connection to music that drives their creativity forward. Tracklist: Amália Rodrigues - Gaivota Conan Osiris - Celulitite Nirvana - Something in the Way Chopin - Nocturne in C Sharp Minor, Op.27, No.1 Dan Bodan - Dp

The fifteenth Thoroughly Good Podcast was recorded in August 2018 at the British Youth Opera rehearsals in London South Bank University. British Youth Opera - an opera training company for graduates and young professionals was founded in 1987. It has annual programme of productions, masterclasses and workshops for new opera talent. Amongst its alumni features Laura Attridge who appeared on the Thoroughly Good Podcast about Trinity Laban's production of Rape of Lucretia a few episodes back. This year British Youth Opera stage two productions at the Peacock Theatre from 1st September - Stravinsky's Rakes Progress and Jeremy Sams' Enchanted Island. You'll hear from the Enchanted Island cast and production team talk about the experience of working in British Youth Opera later in this podcast. First, is a conversation with Executive Director David Balcombe. Performances of The Enchanted Island are on Saturday 1, Wednesday 5 and Friday 7 September at 7.00pm at the Peacock Theatre on Portugal Street. The production of The Rake's Progress is on Tuesday 4, Thursday 6 and Saturday 8 September, also at the Peacock Theatre. Please rate, like and share the podcast on Twitter and Facebook. You can support its ongoing development by visiting the Thoroughly Good Blog and thoroughlygood.me and clicking on the donate button. If you'd like to get in touch tweet me [@ThoroughlyGood](http://www.twitter.com/thoroughlygood), like the [Thoroughly Good Page on Facebook](https://www.facebook.com/thoroughlygoodme/), or email [jon.jacob@thoroughlygood.me](mailto:jon.jacob@thoroughlygood.me).

Creating ‘thinking dancers’ at world-leading dance school.Jessica Wheeler is the principal of the prestigious and world-renowned Elmhurst Ballet School, and has been since 2010. Under her leadership the school has received glowing OFSTED reports, record-breaking exam reports, and even received a royal visit! After studying contemporary dance at Trinity Laban she started her career in dance education. Jessica has created a set of videos for Teachers TV, and OFSTED has described her as a ‘highly effective leader’.In this podcast we discuss Jessica’s creative and musical influences, childhood ambitions and role models, as well as moving schools and changing her definition of success.Support the show (https://www.amazon.co.uk/dp/0992691362)

In GBA 325 we get better acquainted with Giselle. She talks about making things with your body and with your voice, creation through association, travelling between cultures, the connections and intersections between art, ritual and myth and so much more. We also spend quite a lot of time talking about the process behind and around her recent appearance as Violita on the magical realist podcast drama The Family Tree. http://thefamilytreepodcast.co.uk/branches/the-family-tree-season-2-episode-9-nine-lives/ Giselle plugs: The Family Tree: http://thefamilytreepodcast.co.uk/ https://itunes.apple.com/gb/podcast/the-family-tree/id1113714688 I plug: Mansplaining Masculinity: The Book https://unbound.com/books/mansplaining-masculinity/ What About the Men? Mansplaining Masculinity: https://soundcloud.com/standuptragedy/sut-presents-what-about-the-men-mansplaining-maculinity http://mansplainingmasculinity.co.uk/ Down to a sunless sea: memories of my dad: https://medium.com/@goosefat101/down-to-a-sunless-sea-memories-of-my-dad-d1d2d3a61360 We mention: Stratford Circus Arts Centre: https://stratford-circus.com/ Matt Hill: https://soundcloud.com/gettingbetteracquainted/gba-300-matt Marcus Lyon: http://www.marcuslyon.com/home/ Trinity Laban: https://www.trinitylaban.ac.uk/ Andy Warhol: https://en.wikipedia.org/wiki/Andy_Warhol Picasso: https://en.wikipedia.org/wiki/Pablo_Picasso Stanislavsky: https://en.wikipedia.org/wiki/Stanislavsky Candomblé: https://en.wikipedia.org/wiki/Candombl%C3%A9 Collective Unconscious: https://en.wikipedia.org/wiki/Collective_unconscious Contact Improv: https://en.wikipedia.org/wiki/Contact_improvisation Pinter: https://en.wikipedia.org/wiki/Pinter Albee: https://en.wikipedia.org/wiki/Edward_Albee Greek Tragedies: https://en.wikipedia.org/wiki/Greek_tragedy The Birthday Party: https://en.wikipedia.org/wiki/The_Birthday_Party_(play) Oedipus: https://en.wikipedia.org/wiki/Oedipus_Rex Help more people get better acquainted. If you like what you hear why not write an iTunes review? Follow @GBApodcast on Twitter. Like Getting Better Acquainted on facebook. Tell your friends. Spread the word!

Alison Swann talks about her experience in using movement and dance to support all areas of the primary school curriculum. Alison is a Dance in Education Specialist with 30 years experience. She trained at Laban (now Trinity Laban) in Contemporary Technique and Movement Analysis. Dance Educates strives to raise standards through a multisensory approach to learning, supporting teachers in delivering your curriculum through  cross-curricular dance (http://www.danceeducates.co.uk/advice/what-is-cross-curricular-learning/)  and movement sessions. We believe an exciting, social and creative learning environment is the key to children and young people engaging and retaining knowledge enabling them to be confident learners and building skills for life. What we do: We offer CPD courses and INSET workshops We work with EYFS through to Key Stage 5 We have over 20 years experience of dance in education We continue to support teachers and Artists after the programmes have finished We have worked with institutions such as the  Richard Alston Dance Company (http://www.richardalstondance.com/)   https://www.facebook.com (https://www.facebook.com) http://www.danceeducates.co.uk (http://www.danceeducates.co.uk) https://twitter.com/danceeducates (https://twitter.com/danceeducates) https://www.tes.com/resources/search/?authorId=20876207 (https://www.tes.com/resources/search/?authorId=20876207) https://www.creativeartsweeks.co.uk (https://www.creativeartsweeks.co.uk)   To find out more information about the ‘Music and the Arts in primary schools’ season please visit www.EducationOnFire.com (https://www.educationonfire.com) Support this podcast