Podcasts about liadov

durée : 01:13:21 - Brahms, Mel Bonis, Liadov - par : Jérôme Fréjaville - Une programmation libre, au fil des associations d'idées qui ira de la musique de la Renaissance à la voix ensoleillée d'Eydie Gormé en passant par quelques pages de musique de chambre française.

Anatol Liadov - The Enchanted LakeSlovak Philharmonic Orchestra Stephen Gunzenhauser, conductorMore info about today's track: Naxos 8.550328Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Anatol Liadov - BagatelleJulia Zilberquit, pianoMore info about today's track: Naxos 8.570237Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Anatol Liadov - Eight Russian Folk Songs Slovak Philharmonic OrchestraKenneth Jean, conductorMore info about today's track: Naxos 8.550328Courtesy of Naxos of America Inc.SubscribeYou can subscribe to this podcast in Apple Podcasts, or by using the Daily Download podcast RSS feed.Purchase this recordingAmazon

Riccardo Muti and the CSO open the 2023/24 Season with two pieces capturing the fairy-tale splendor of Russian music. Stravinsky's suite from The Firebird uses a dynamic orchestral palette to depict infernal dances and a haunting lullaby. Liadov's The Enchanted Lake is a softly iridescent portrait of a moonlit night. Composed at an Austrian lakeside resort, Brahms' Second Symphony captivates with its warm, sunny melodies. Learn more: cso.org/performances/23-24/cso-classical/muti-conducts-the-firebird

Matter of Morales-Morales, 28 I&N Dec. 714 (BIA 2023)8 C.F.R. § 1003.38(c); Matter of Liadov; untimely notice of appeal; claims processing rule; equitable tollingRangel Perez v. Garland, No. 22-60074 (5th Cir. May 2, 2023) Patel; non-LPR cancellation of removal; hardship review; motion to remand; application of legal standard to undisputed facts Oxlaj v. Garland, No. 22-1734 (8th Cir. May 3, 2023) particular social group; particularity; social distinction; witnesses who cooperate with law enforcement; Guatemala Turcios-Flores v. Garland, No. 22-3325 (6th Cir. May 5, 2023)particular social group; immutability; Honduran landownership; fundamental characteristic; single mothers in Honduras; social distinction; police protection; BIA cleaning up factual finding of IJ; one central reason vs. A reason; nexus; extortion; Honduran governmentSponsors and friends of the podcast!Kurzban Kurzban Tetzeli and Pratt P.A.Immigration, serious injury, and business lawyers serving clients in Florida, California, and all over the world for over 40 years.Docketwise"Modern immigration software & case management"Joorney Business Plans"Business-critical documents for every stage of your journey"For 30% off use code: REVJOORNEY30  Capital Good Fund"A social change organization that uses financial services to tackle poverty in America."Want to become a patron?Click here to check out our Patreon Page!CONTACT INFORMATIONEmail: kgregg@kktplaw.comFacebook: @immigrationreviewInstagram: @immigrationreviewTwitter: @immreviewAbout your hostCase notesRecent criminal-immigration article (p.18)Featured in San Diego VoyagerDISCLAIMER:Immigration Review® is a podcast made available for educational purposes only. It does not provide legal advice. Rather, it offers general information and insights from publicly available immigration cases. By accessing and listening to the podcast, you understand that there is no attorney-client relationship between you and the host. The podcast should not be used as a substitute for competent legal advice from a licensed attorney in your state.MUSIC CREDITS:"Loopster," "Bass Vibes," "Chill Wave," and "Funk Game Loop" Kevin MacLeod - Licensed under Creative Commons: By Attribution 4.0Support the show

“Peerless today as a Rachmaninov interpreter” (The Guardian) and in possession of “monstrous technique and lustrous tone” (The New Yorker), pianist Daniil Trifonov performs Rachmaninov's electrifying Third Piano Concerto. Russian folklore animates Stravinsky's magical world of Petrushka and Liadov's dark and fantastical Kikimora. Learn more: cso.org/performances/22-23/cso-classical/trifonov-plays-rachmaninov-piano-concerto-no-3

Violinist and conductor Warren Davidson is a founding member of the Academy String Quartet. He joins Jim Cunningham to discuss the new series of concerts staring Friday September 16 at 7:30 at the Sunnyhill Unitarian Church in Mount Lebanon. The concert will repeat the following evening at the Central Presbyterian Church in Tarentum.  Warren provided his notes on the program “Our program starts with variations, by ten different Russian composers, on a Russian folk song. Some of those composers are well-known to music lovers (Rimsky-Korsakov, Scriabin), some you may have stumbled across a few times (Glazunov , Liadov), and others, we quartet members had never heard of (for example, Victor Ewald and Nicolai Sokolov). The ten short variations each have a particular character, an individual flavor. Pittsburghers will understand when I compare this piece to the cookie table at a wedding: “Which one is the tastiest? Guess I have to try them all…” Joseph Haydn, often called the “father of the string quartet,” was a great master of variation technique. Our concert features a relatively early work, Opus 20 #4, and a late quartet, Opus 76 #3, that each include a variations movement. In the case of the Opus 20 quartet the theme is in the style of an operatic air. Though Haydn's operas are not often heard today, he wrote a lot of them for performance at Esterhazy, the magnificent estate of his princely employer (which had not only an opera theater but a marionette theater, too). It is easy to imagine a character on stage singing this tune, telling to us how they are unlucky in love, and it is hard to know whether we are supposed to take them seriously. The cartoon-like finale movement suggests that perhaps the variation movement should be seen as somewhat tongue-in-cheek. In the Opus 76 quartet, Haydn makes gorgeous variations on a song that he was very proud of: Gott erhalte Franz den Kaiser¸ which was adopted as the Austrian national anthem and (later) as the alma mater of the University of Pittsburgh. This later quartet is, taken as a whole, a grand statement, in which these proud and noble musical lines fit perfectly. In between those fabulous Haydn quartets we bring for you a clever piece of silliness: Stylistic Variations on Smoke on the Water, by Kenneth Abeling. The 1972 hit song by the band Deep Purple is transformed into Latin dance music, a gentle waltz, and a swing tune, before the quartet rocks out in the final section.

Tchaikovsky called his Pathétique Symphony “the best and especially the most open-hearted of my works.” Riccardo Muti leads this masterful and deeply tragic score, which was the last of Tchaikovsky's works to be premiered during his lifetime. It is preceded by Liadov's luminous nighttime scene and former Mead Composer-in-Residence Missy Mazzoli's evocative meditation on her father's experiences as a soldier in Vietnam. Learn more: https://order.cso.org/21933/

Tchaikovsky called his Pathétique Symphony “the best and especially the most open-hearted of my works.” Riccardo Muti leads this masterful and deeply tragic score, which was the last of Tchaikovsky's works to be premiered during his lifetime. It is preceded by Liadov's luminous nighttime scene and former Mead Composer-in-Residence Missy Mazzoli's evocative meditation on her father's experiences as a soldier in Vietnam. Learn more: https://order.cso.org/21933/

On today’s date in 1918, the celebratory “American Fantasy” of the Dublin-born American composer Victor Herbert opened the first program of the newly-formed Cleveland Orchestra. Cleveland had reason to celebrate. World War I had ended one month earlier, and, for some time, city organizers had been trying to build a hometown orchestra. In December of 1918, Father John Powers of St. Ann’s Church wanted to give a concert to raise some money for his parish, and, as Father Powers also happened to be a fine Irish tenor, offered to perform on the same bill as the new orchestra, just in case the untried ensemble of 54 didn’t prove to be a sufficient box-office attraction. So, along with Father Power’s songs and Herbert’s “American Fantasy,” conductor Nikolai Sokoloff lead the Orchestra in Bizet’s “Carmen” Suite, Tchaikovsky’s Fourth Symphony, Liadov’s tone poem “The Enchanted Lake,” and, for a rousing closer, Liszt’s tone poem “Les Preludes.” Over the next 100 years, especially during the period when George Szell was music director of the Cleveland Orchestra, the ensemble came to be regarded as one of the best in the world.

On today’s date in 1918, the celebratory “American Fantasy” of the Dublin-born American composer Victor Herbert opened the first program of the newly-formed Cleveland Orchestra. Cleveland had reason to celebrate. World War I had ended one month earlier, and, for some time, city organizers had been trying to build a hometown orchestra. In December of 1918, Father John Powers of St. Ann’s Church wanted to give a concert to raise some money for his parish, and, as Father Powers also happened to be a fine Irish tenor, offered to perform on the same bill as the new orchestra, just in case the untried ensemble of 54 didn’t prove to be a sufficient box-office attraction. So, along with Father Power’s songs and Herbert’s “American Fantasy,” conductor Nikolai Sokoloff lead the Orchestra in Bizet’s “Carmen” Suite, Tchaikovsky’s Fourth Symphony, Liadov’s tone poem “The Enchanted Lake,” and, for a rousing closer, Liszt’s tone poem “Les Preludes.” Over the next 100 years, especially during the period when George Szell was music director of the Cleveland Orchestra, the ensemble came to be regarded as one of the best in the world.

Dienraščių kultūros puslapių apžvalga.Domanto Razausko muzikinės naujienos.Su rubrika „Mano skaitiniai” rašytoja, eseistė Danutė Kalinauskaitė pasakoja apie perskaitytas Johno Maxwello Coetzee – iš Pietų Afrikos kilusio, Australijoje gyvenančio vieno garsiausių šiuolaikinių rašytojų, Nobelio literatūros premijos laureato – knygas.„Kalbos ryte” – apie į mūsų kalbą iš anglų kalbos ateinančias santrumpas, jų kilmę ir užrašymą tekste. Linos Smolskienės pokalbis su Lietuvių kalbos instituto Lietuvių bendrinės kalbos tyrimų centro vyr. mokslo darbuotoja dr. Ramune Vaskelaite. „Žymiausiems XX a. filmams, tarp jų ir Sergio Leone „spaghetti vesternams“, geriausiems filmams apie gangsterius ir jautriausioms dramoms kompozitorius sukūrė begalinę iki šiol mus pasivejančią muzikinę erdvę, kuri tęsiasi ir po filmų peržiūrų žiūrovui švilpaujant įsiminusią temą", – apie Ennio Morricone muziką filmams pasakoja laidos „Įgarsintas vaizdas“ vedėja Ieva Buinevičiūtė.Kokią galią, mažinant socialinę atskirtį, turi ekskursijos po miestą? Pokalbis su Vilniaus vietų istorijas pasakojančiomis gidėmis iš „Idėjų karalystės“ Elena Gasiulyte ir Rūta Norkūne. Domisi Indrė Kaminckaitė.„Emilis Mlynarskis (1870 – 1935), gimęs Kybartuose, gyvenęs Suvalkuose, mokęsis pas vengrų smuikininką Leopoldą Auerį, kompozicijos pas Anatolijų Liadovą, o instrumentuotės pas Nikolajų Rimskį-Korsakovą Peterburge, pasaulyje garsus lenkų smuikininkas, kompozitorius ir dirigentas, simpatizavęs Lietuvai ir lietuviams, čia, deja, daugeliui labiau žinomas kaip Ilguvos dvaro savininkas”, – pasakoja doktoratą apie jo kamerinę kūrybą ir operos „Vasaros naktis” arijas ruošianti pianistė Šviesė Čepliauskaitė.Ved. Laima Ragėnienė.

Originally recorded on August 17, 2006, featuring:1. Jeong Ga Ak Hoe: The Korean Traditional Music Players - May 19th, 2006Soaring Toward Absolute Solitude by Hyejin Yoon (World Premiere) Hong Yoo, taegeum; Hyang Hee Lee, piri; Seung Hee Lee, haegeum; Yoo Jin Sung, kayageum; Jae Hyun Chun, komungo2. Sally Porter Munro with Robert Schwartz and the Rimsky-Korsakov String Quartet - March 17h, 2006Chanson perpetuelle, Op. 37 by Ernest ChaussonSally Porter Munro, mezzo-soprano Robert Schwartz, piano; Mikhail Bondarev, violin; Ekaterina Belisova, violin; Alexey Popov, viola; Stanislav Lyamin, cello3. Kazue Sawai, bass koto - live performanceHomura by Tadao SawaiThe Rimsky-Korsakov String Quartet, March 17th, 20064. Mazurka by Nikolai Sokolov5. Sarabande by Felix Blumenfeld6. Mazurka by Anatoly LiadovMikhail Bondarev, violin; Ekaterina Belisova, violin; Alexey Popov, viola; Stanislav Lyamin, cello'

durée : 00:12:12 - Le Disque classique du jour du jeudi 20 juin 2019 -

Con Carlos Iribarren | "Hoy Toca" despeja el escenario para dar paso al solista y su instrumento, en este caso, el piano. Carlos y Mario Mora conversan amigablemente (la parte en la que se pelean la hemos censurado) mientras escuchan piezas poco habituales del repertorio romántico y de la primera mitad del siglo XX. Mussorgsky o Scriabin sí son más conocidos, pero... ¿habías escuchado antes la música de Liadov, Madetoja o Josef Hofmann? Un piano, un pianista y una partitura inspirada es la sencilla pero estupenda combinación con la que hoy queremos hacerte disfrutar en esta nueva entrega de "Hoy Toca", el programa de Clásica FM Radio que te quiere sorprender.

Con Carlos Iribarren | "Hoy Toca" despeja el escenario para dar paso al solista y su instrumento, en este caso, el piano. Carlos y Mario Mora conversan amigablemente (la parte en la que se pelean la hemos censurado) mientras escuchan piezas poco habituales del repertorio romántico y de la primera mitad del siglo XX. Mussorgsky o Scriabin sí son más conocidos, pero... ¿habías escuchado antes la música de Liadov, Madetoja o Josef Hofmann? Un piano, un pianista y una partitura inspirada es la sencilla pero estupenda combinación con la que hoy queremos hacerte disfrutar en esta nueva entrega de "Hoy Toca", el programa de Clásica FM Radio que te quiere sorprender.

The UC Davis Symphony Orchestra performs Liadov's Kikimora under the baton of Christian Baldini.