Podcasts about Sergio Leone

This week, the boys get trippy with the 1980 psychedelic sci-fi transformation drama “Altered States”, a film so divisive that writer Paddy Chayefsky put his three Oscars in a closet and penned his adaptation of his own novel under a pseudonym. The Ken Russell-directed film introduced the film world to William Hurt and let Bob Balaban keep his beard, and it also unleashed Bigfoot on major metropolises. We also revisit F1: The Movie, give some context to the film year 1980, before engaging in our featured conversation. Grab a beer and give us a listen!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro + News; 6:55 Jeff's mini-reviews of “F1: The Movie”; 18:08 1980 Year in Review; 37:30 Films of 1980: “Altered States”; 1:17:14 What You Been Watching?; 1:24:55 Next Week's Episode Teaser Additional Cast/Crew: Jordan Cronenweth, Blair Brown, Charles Haid.  Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: Poop Cruise, Toronto Mayor Rob Ford, Netflix, Apple Film, Times Square, Formula 1, British Grand Prix at Silverstone, Austrian Grand Prix, Lando Norris, Charles Leclerc, Oscar Piastri, Shane, Stick, Peter Pan, Roman Holiday, Mission: Impossible, submarine, nuclear weapons, Top Gun: Maverick, Ben Mendelsohn, French Accents, Tom Cruise, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellen Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Your Friends and Neighbors, The Canadian Grand Prix.

(00:54) Ennio Morricone hat für 500 Filme Musik geschrieben, unter anderem für Filme von Quentin Tarantino oder Sergio Leone. Weniger bekannt: Er hat auch für den Konzertsaal komponiert. Weitere Themen: (06:21) Ein grosses unter den kleinen internationalen Sommerfestivals: das BelluardBollwerk Festival in Freiburg unter neuer Leitung. (10:46) Wenn es in jeder Hinsicht zu heiss ist: der französische Film «Les Femmes au balcon» von Noémie Merlant. (15:40) Ist der Iran ein Gottesstaat ohne Gläubige? Iran-Kennerin Katajan Amirpur ordnet ein.

This week, the boys go treasure hunting with John Huston's 1948 masterpiece “The Treasure of the Sierra Madre”. Dave and Jeff hadn't seen it before, John has seen it several times because he's a fancy film school nerd bro, so we grab a few whiskeys and beers and talk about it! We also catch up on the California tax credit news for film and entertainment, John gives some spoiler-free mini-reviews of “28 Years Later” and “F1”, and we fill you in on all the happenings of 1948 to add context to our feature conversation, which may help you understand why the movie was not a financial hit… at first. Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro + News; 10:02 John's mini-reviews of “28 Years Later” and “F1”; 16:14 Gripes; 17:30 1948 Year in Review; 35:28 Films of 1948: “The Treasure of the Sierra Madre”; 1:13:13 What You Been Watching?; 1:20:27 Next Week's Episode Teaser Additional Cast/Crew: John Huston, Walter Huston, Humphrey Bogart, Tim Holt, B. Travern, Brube Bennett, Alfonso Bedoya, Jose Torvay, Barton MacLane, Jodie Comer, Aaron Taylor-Johnson, Ralph Fiennes, Cillian Murphy, Danny Boyle, Alex Garland, Anthony Dodd Mantle, Joseph Kosinski, Ehren Kruger, Brad Pitt, Damson Idris, Javier Bardem, Kerry Condon, Tobias Menzies, Lewis Hamilton. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: Bogie, Gold, California Tax Incentive, Italy, Tuscany, Cheese, Bread, Wine Tasting, Chianti, Rosé, There Will Be Blood, Paul Thomas Anderson, Poop Cruise, Toronto Mayor Rob Ford, Netflix, Apple Film, Times Square, Formula 1, British Grand Prix at Silverstone, Austrian Grand Prix, Lando Norris, Charles Leclerc, Oscar Piastri, Shane, Stick, Peter Pan, Roman Holiday, Mission: Impossible, submarine, nuclear weapons, Top Gun: Maverick, Ben Mendelsohn, French Accents, Tom Cruise, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellen Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Your Friends and Neighbors, The Canadian Grand Prix.  

A towering figure in the history of the Western, Clint Eastwood redefined the image of the lone hero with his portrayal of the flint-eyed, morally ambiguous gunslinger in Sergio Leone's influential “Dollars Trilogy.” Later, as a director, he fused the stylized detachment of the Italian subgenre with the classic structure of the Hollywood Western — and created a series of unforgettable films that deconstructed the myths of the Old West and earned critical acclaim, including the Academy Award for Best Picture. On this very special episode, bestselling author Shawn Levy joins us to discuss his brand new biography, Clint: The Man and the Movies.And stick around for a bonus interview with returning guest Mark Swan, who shares his thoughts about Eastwood's Westerns and offers a behind-the-scenes look at his new album, All the Gold in the West!Click HERE to purchase Shawn Levy's book. Click HERE to purchase Mark Swan's album.You can find and follow Shawn Levy HEREYou can find and follow Mark Swan (aka Rex Hooper) HERE

I admit it. I hadn't seen all of Sergio Leone's films and the result was frankly incredible for both good and bad reasons. Plus some recent UHD pics.

Hello and welcome the 146th episode of Film Freakz, our podcast about movies! In this episode we talk about the movie The Good, the Bad, and the Ugly from 1966. This podcast features YemmytheFerret (Yemmy), RaeofPositivity (Rae), Taymation Studios (Tay), and JustKalas (Kalas). This movie was recommended by Yemmy who now is stuck doing a cowboy accent forever. In the Southwest during the Civil War, a mysterious stranger, Joe, and a Mexican outlaw, Tuco, form an uneasy partnership -- Joe turns in the bandit for the reward money, then rescues him just as he is being hanged. When Joe's shot at the noose goes awry during one escapade, a furious Tuco tries to have him murdered. The men re-team abruptly, however, to beat out a sadistic criminal and the Union army and find $20,000 that a soldier has buried in the desert. Directed by Sergio Leone. Thanks for listening on all platforms! We want YOUR recommendations for the FAN VOTE! Send them in by commenting on the YouTube version, messaging us on our social medias, or sending us an email! Twitch: https://www.twitch.tv/yemmytheferretTwitter: https://twitter.com/YemmyTheFerretBlueSky: https://bsky.app/profile/yemmytheferret.bsky.socialJoin my Discord: https://discord.gg/b9NaNgp

SEASON 2 - EPISODE 147 - Turning the Tables - TRUE GRIT - David Mullen Cinematographer David Mullen (Season 1, Episode 83 & Season 2, Episode 113) returns for a new edition of the “Turning the Tables” series in this episode of the Team Deakins Podcast. David's questions center around our work on the Coen Brothers' 2010 version of TRUE GRIT, and we had a wonderful time answering them. In addition to the questions concerning how we actually made the film, we also discuss the long history of westerns and the visual variety within the genre. We also reveal the story behind the push-in in the opening shot of the film, what was on location and what was on stage, and how we shot the river crossing scene. We later reflect on working with then-child actor Hailee Steinfeld, and we discuss the script's unique and engaging dialogue. We also reflect on the utility of cowboy hats and on the visual strength of westerns directed by John Ford and Sergio Leone, and we swap stories from our early-career, low-budget exterior shoots. Topics also include: film stocks, aspect ratios, lighting locations and sets, and nighttime nightmares shooting a black mare against a black sky. - Recommended Viewing: TRUE GRIT (2010) - This episode is sponsored by Aputure & Profoto

Quaranteam – Book 1: Part 17 Andy has his interview for primetime. Based on a post by CorruptingPower, in 25 parts. Listen to the Podcast at Explicit Novels.   It turned out that a dozen women all getting ready for television appearances was, in fact, a major operation. The master bathroom was large enough that four of the girls could use the mirror at the same time, but beyond that, they had to party up with "prep buddies," each making sure they were getting themselves ready as well as their prep buddy. Andy was, of course, ready long before anyone else was, even with Emily, Sarah, Ash and Niko sharing him in the shower. He left the four of them in there, although they emerged not long after, each running a hair dryer while they applied their make up and got into their outfits. He was glad to escape the bathroom as early as he did. The girls were in go mode now, and the last thing he wanted to do was get in anyone's way, so he took the time to prep the house. The house had a large empty room that seemed like it was meant to be used as a ballroom. They'd used it as their poker room on and off, but it was also just a nice place where lots of people could stand around and talk. It also had French windows opening into the garden, so the lighting of the room was excellent. Andy figured it would be the best place for the group interviews to take place. Katie and Nicolette helped him get enough chairs for everyone into the room, while Jenny was prepping a large lunch for all of them, a massive batch of jambalaya, so they would have a bit of leftovers in case the 60 Minutes crew arrived hungry. They were scheduled to arrive at one in the afternoon, and had asked them not to make plans into the evening, so clearly the interviews would take as long as they took. Nicolette had been doing cleaning a bit at a time for the last two weeks, so the only thing that really needed to get a major touch up was Andy's writing room, which the 60 Minutes people had asked to use for their one on one interviews, something he'd agreed to, although he was going to lock his laptop away before they arrived. He didn't imagine they'd want to steal his writing, but he was notoriously paranoid when it came to that sort of thing. The cats seemed extremely confused by all the hustle and bustle, but also seemed content to just rub up against the leg of whoever was closest, and follow people around when it seemed like they were going from one place to another. Andy also took time to check in with both Tala and Jade, making sure they doing okay and still on board with talking to 60 Minutes, something he was glad he did. Tala, as expected, was starting to feel the mental itch from having been primed the day before but not yet imprinted, though she was handling it far better than Sheridan had, even if she wasn't as far along with it. She said she'd never felt quite so sexually frustrated before, but that it was a great feeling to have, and that she enjoyed her body acting with wills and wants of its own. Jade had news for him as well. "I want you to imprint me as soon as you're done imprinting Tala, Andy," the bubbly blonde said to him. "And I want you to record it. Not for 60 Minutes, though, but for my father. He has tried to control me my entire life, and I'm just friggin' sick of it, so I want him to see that his dang control is broken, and that I'm giving that control to another man, a better man. So you can use my phone to make the video of it, and I don't care what it shows and what it doesn't, as long as he sees my face when I'm taking that orgasm, when I'm starting that imprinting process, so he knows that he can't push me around any more." She'd been talking with a sort of intensity that he'd never seen from her before, and he let her finish. When she stopped talking, it was almost as thought it dawned on her how forcefully she'd been lecturing him on what to do. "That's, that's okay, right?" "You're sure about this, Jade?" he said, taking her hand in his own. "I'm sure he's done some rough things over the years, but he's still your father, and you want to be careful not to do anything you'll come to regret." "The only thing I regret is being that asshole's daughter," she said, wrath in her voice. "I know it's a lot to ask, especially since I'll be sucking you off, which means that it'll be hard not to get your cock at least a little in the shot, but it's important to me, okay? I'm, I'm reclaiming a part of myself that bastard's taken from me. So you asked me earlier what I wanted, and that's what I want. And I want him to see it while I'm imprinting, so there's no way he can talk to me about it." He nodded. "Alright then. You can change your mind at any time between now and then, but if you don't, then that's what we'll do, just for your father, just at your request. Although, you probably also want to record a message for him to go along with it before hand, so he's not just randomly getting that video without any context." She bristled in mirth, nodding quickly. "Good point. I'll record that on my phone after lunch." "Or during the time they're doing one on one interviews with anyone else. I know they're planning on doing smaller interviews, one with Emily and Sarah and one with just me, but I don't know who else they're going to want to talk to." "If they want to talk to me, they can, and if the 49ers organization has a problem with it, well, the heck with them, I don't have to continue being a cheerleader for them anymore." "Give it some thought. You've still got time." By lunchtime, everyone was ready except for the staff, who'd gone to get themselves ready once lunch had been served. Nobody was sure if the 60 Minutes crew would want to talk to them, but Andy felt it best to make sure that anyone who was willing to have a conversation with Katie Couric was in a state where they could. Nicolette had said she didn't care one way or another, and while Katie wasn't thrilled about the idea of being interviewed, she agreed that if Katie Couric wanted to talk to the two of them, she and Jenny would make themselves available for it. Over the course of lunch, it was clear the girls were doing everything they could to keep Andy's mind off the interview, as the family got to know both Tala and Jade better, while Whitney was still in Nicolette's chambers, in the middle of the imprinting process, and Fiona and Moira were in the early stages of it in the master bedroom. Tala had decided that her first project, once she got her workshop set up in the poolhouse, was going to be to make Andy a puzzle desk of his very own, and once that idea had been voiced, all the girls had thoughts and ideas on things to incorporate, with Sarah filling in suggestions based on his books, and Aisling filling in suggestions based on his life. Niko thought it should also incorporate all the girls' names, so that he might have a better time remembering everyone, which made everybody laugh, simply because the family had indeed grown so large. They were just finishing cleaning up after lunch when the doorbell rang, and Andy's heart felt like it stopped just a little. Ash poked him with a smile. "It's just the media, babes," she teased. "You'll do fine. Go say hi." He headed up from the dining room and down to the front door, where Nicolette was standing in the doorway, greeting the visitors. Standing in the doorway was Katie Couric, one of the best known journalists in America, with a couple of crew members behind her. "Hey, Ms. Couric," he said to her as he approached. "Welcome to my home." He held out his hand and she seemed thankful for the normalcy of shaking hands. "Please, Mr. Rook, call me Katie," she said, "and thank you for inviting us for the interview. I know the President's office had something to do with it, but you could have said no if you didn't want to. Having a couple of famous faces like Miss Stevens and Miss Washington selling the new normal will help the general population of the nation make more sense out of this tragic new normal." "Well, I'll call you Katie if you'll call me Andy," he said. "How's your tour of New Eden been so far? Niko mentioned you did a short interview with her at the base, although you mostly just talked with Dr. Varma and my boy Phil." "You're friends with Mr. Marcos?" she said. "Is that how you got in here?" "Well, there's a story behind that. I can tell you now, but I suspect you'd rather get it down on camera. It's not all that long a story, nor is it really that interesting. I suspect Phil's story was a lot more engaging than mine will be." "Did you get your writing room all set up for our interview?" "I did," he said, "and we also set up our ballroom with chairs, so you can talk to all of us together first. I know Em and Sarah are willing to talk to you either in their little studio, or you can use my writing study instead. It's up to you." "I'll have my team take a look at both locations while we're getting set up in the ballroom. Is everyone in the house willing to take part in the interviews?" "Two of my partners have chosen not to take part, simply because they aren't sure how their employers would react to it, but everyone else in the house is willing to chat," he said, as he felt a hand sliding onto his shoulder. He turned around to see Lauren standing behind him. "Actually, Andy, Sheridan and I have decided we're going to do it anyway, and if the Niners or the people at Cirque have a problem with it, fuck'em, we'll sue their asses into the ground," the tall blonde Aussie told him. "If this is gonna be the new normal, pretendin' like it's not is just as bad as sayin' it ain't, so we'll be there." "You're sure, Lauren?" he asked her, smoothing his hand over her hip, knowing it usually soothed her nervous when she was wound up. She placed her hand over his and gave it a soft squeeze, smiling at him. "Yeh, 'sides I dunno how much of management's gone at this point already. You gambled with us, so let us have a turn at the plow fer a change." He leaned up and kissed her softly. "Well, I've known you long enough, hon, to know if your mind's made up, there's no point in trying to talk you out of it." Andy glanced back at Katie Couric, shrugging. "Guess you get your pick of the litter then." Behind her, the crew had started ferrying in lights, tripods and camera equipment. While Andy had thought he'd only seen two additional people at first, it turned out Katie Couric traveled with a crew of nine, and there had been a second and third S U V behind the van that he hadn't seen. It felt a little like his house was being invaded, but he did his best to not get in anyone's way, as Nicolette started to lead a producer away, to show her where both Andy's writing room and the actresses' little studio were located. "C'mon, I'll take you down to the ballroom, and we can get settled there," he said, starting to lead Katie and her two companions down the hallway. One of them, Geraldine Amato, was the unit's head producer, and the other, Poppy Delgato, was the lead camera woman. "Was your crew mostly women before the plague hit?" "Mostly," she said, "although I've got a couple of men in here as well, and thankfully, they've been given the treatment via their wives. My husband has been getting it through myself as well, for about a month now." "I'm a little surprised they let your whole crew into New Eden," he said, as they headed down the stairs to the lower level. "They've been fairly paranoid about letting people in, I've been told, so I imagine you had to quarantine for a little bit after you got here." "We did," she said, stopping to look at one of the promotional posters on the wall, this one in particular for "The Trouble With Werebears." She glanced over at him with that winning smile she loved flashing on the news regularly. "In fact, Geraldine here's now sharing my husband with me, because she didn't have anyone before hand, and needed someone she could count on to be around while doing her job." She reached up and tapped at the words 'New York Times Bestselling Author' on the poster. "It says here you're a bestselling author, but I have to admit that before preparing for this interview, I'd never heard of you." He shrugged with a little smile. "There's leagues of difference between a Bestselling Fiction author and a Bestselling Genre Fiction author, I'm afraid. When you're talking non genre, you're talking hundreds of thousands of copies, but for genre, well, drop a zero off there, so if you're not into urban fantasy, I won't take it as a slight. Jim Butcher, who's probably the most popular of us working in the field, only sold a couple hundred thousand copies for his most recent Dresden Files book, and that series has a huge following, far bigger than my little corner. Hell, I think the reason a publisher finally took a gamble on me was that I was playing in a similar wheelhouse and they were hoping to piggyback off his success." "E. F. Winston is a genre writer, but her books have sold in the hundreds of millions," Katie countered. "So clearly there are breakout stars." "Ah, but those are young adult books, and the teen fiction genre has a handful of crossover success that never seemed to roll over into other things in our genres," he sighed. "The Dagger Academy books were definitely science fiction, but you didn't see a spike in sales for people like John Scalzi or William Gibson when those books took off, did you? The same for those Harry Potter books. Sold by the truckload, and yet, did many of those kids go and read works from Roger Zelazny, Fred Saberhagen, Emma Bull, Terry Pratchett, Steven Brust, Simon R. Green or any of the other massively prolific fantasy masterminds we've had working for decades? No, we're not all that different than any other form of entertainment,  everyone's just hoping that they get one big bite from the apple at some point during their career." "But I heard they're making a movie based on your books?" "Well, when two high profile actresses are willing to sign onto a project, that goes a long way into pushing it out of Movie Hell," he laughed. "The option had been signed years before that, but once Sarah and Emily expressed interest in playing supporting roles, well, that got the whole thing into turnaround quite quickly. It's like the screenwriter William Goldman always said, 'Nobody in Hollywood knows anything.'" Andy shrugged a little bit as they entered the ballroom. "Besides, I figured you'd want to get all this out during the on camera interview." "Oh, we'll go over it again then, but it doesn't hurt to do a little pre camera screening, just so I know what kinds of things you're likely to say, so I can facilitate the conversation in moving in the right directions," she said. "You've been interviewed several times before. Hasn't anyone ever done that?" "Nope," he said, moving to sit in one of the chairs in the front row. "But then again, I've never been interviewed for television before." They'd originally set up the 17 chairs as one chair facing two rows of eight, but Geraldine started moving the two rows of eight into four staggered rows of four. "We'll bring in some risers, so we can get everyone into one big shot," Geraldine told Katie. Poppy nodded. "We'll need to set up four cameras in here," she said, as she started to help Geraldine block out the room. "One for the group shot, one for Katie, one for Andy and one to rove to whoever's answering questions in the group setting. We can use fixed cameras for the first three, and I'll manage the fourth. We'll have them all rolling all the time and you can just pick and choose what you want in the editing room." "How do you want to order them, Katie?" Geraldine asked her. "Well, Andy here in the front corner, then Niko, the woman we interviewed yesterday next to him. That'll be our link between the segments. Then Sarah and Emily next to her, because star power up front. Beyond that, we can figure it out." "I'd like to insist Aisling, my first partner, be up front with me," he said, just as Ash was walking into the room, along with Emily. "The balance might be a little weird," Poppy frowned. "No no," Geraldine, "we can make that work. We'll just do five in front and three in the top row, so we frame Andy in the center, with Niko and Aisling on one side, Emily and Sarah on the other." "Good," Katie said, "that reinforces the whole 'large family' front and forward as our first visual cue, so that the viewer has to confront it right away. Does that work for you?" she said, asking Andy his opinion for the first time. "That'll work," he replied. "You can even put the three staff at the back, since they're willing to be here for this, but aren't likely to volunteer much in the way of answers." "Jenny and Katie, er, Kate might not, Master," Nicolette said, entering the room with the rest of Katie Couric's crew in tow, "but I'm certainly planning on speaking my mind given a chance, because I don't want people to be given the wrong idea." "What's the wrong idea?" Katie asked, tilting her head just a little bit. "That we're here involuntarily, or that this isn't what we wanted, or, hell, even that Master Rook here wouldn't let us change if we wanted," the French maid teased. "You know if I had a nickel for every time he's sort of reminded me I don't have to call him Master, and I've had to remind him that I like calling him Master, well, I could enjoy a nice two week stay in the Bahamas, once it's opened up again. In fact, little secret, every time he reminds me of it lately, I've just gone out of my way to say it even more, so I can watch him blush." "I think you like watching him blush," Ash said, moving to close in around Andy. "Katie Couric," Andy said, "this is my first partner, Ash Blake, and I'm sure you've probably already met Emily Stevens." Katie made it a point to shake Ash's hand first. "A pleasure, Miss Blake." She then turned to Emily, taking the tiny blonde's hand and shaking it as well. "I've actually interviewed you before, Miss Stevens, although I wouldn't be surprised if you didn't remember. You seemed quite busy on that press junket, and I know they were just wheeling journalists in and out for you." "I keep a diary of anyone who's interviewing me, Ms. Couric," Em said, a wry grin on her face, "so I assure you, I remember the interview quite well. Any surprises we should be wary of?" "Oh, I've always got a few things planned to lighten up an interview," the journalist said, somewhat evasively. "It's not like I'm interviewing Vladimir Putin or anything. You're not going to have me murdered for a question you don't like." "Well," the Brit said, "I still wouldn't anger Sarah too much. She's, excitable, and prone to fits of exaggeration." "I'm fairly certain she's never poisoned anyone to win a role, Em," Andy said to her. Emily clicked her tongue in amusement. "Let's not be too hasty with that judgment, Andy. Anyway, shall I round everyone up and we can get started?" "Yes, I think my team will be ready to start in about twenty minutes, so if you can get everyone together, that would be excellent." By the time all the girls were in the ballroom, risers had been placed under the seats, the lights and sound were set up, a boom microphone used to cover the majority of the girls, although clip on mics were used for Katie and Andy. They also had a handheld microphone that the girls could pass around if anyone wanted to give a detailed answer. They were structured as had been discussed, with Niko and Aisling to Andy's left in the front row, and Emily and Sarah to his right. Behind them, Lauren, Taylor, Sheridan and Piper sat. The third row had Asha, Hannah, Tala and Jade. In the back row sat the staff, Kate (his Katie), Jenny and Nicolette. All of the fiancees were up front, and everyone else was sat in order of arrival, with the exception of the staff, who were at the back, at their own request. It felt right that Ash was on one side of him and Emily was on the other, as if the two of them wanted to be close in case he needed support. It wasn't until Andy saw it framed up in the monitor as they were showing Katie that it dawned on him just how big his household was growing, and even still, he knew there were already three more in the house not in this shot. He was always aware of how big his family was, but seeing everyone together in one single framing shot, it really drove the size of it home, and it felt huge. "Okay, Andy, let's start with how you telling us a little bit about yourself and how you got here." For the next few minutes, Andy gave the shortest possible version of his bio, how he'd moved to California a decade and a half ago, his writing for the Silicon Valley companies, as well as his novels, which transitioned nicely into him talking about how he got his vaunted level 5 status, regaling 60 Minutes with the story of how the guy who'd come to test them, Dave, had been a big fan and given he and his then roommate Eric level 5 status as a return gift for Andy having given him an advanced copy of his next novel. "I hope I'm not getting Dave in any trouble by telling that story," he finished. "No no, each member of the initial Bay Area team was given five level 5 statuses to give away as they saw fit," Katie Couric told him. "Most of them just gave them to friends or family, but Dr. David Straussman hadn't used any of his until he met you, and there were no rules on who he could or couldn't give them to, so that's fine." "Straussman," Andy repeated. "Huh. You know, I didn't even know his last name until right now. I hope he's doing okay." "He's doing quite well," Niko said. "I see him every so often wandering around the base." "So Andy," Katie said, bringing them back on task, "how did you fill out the form you were given with the testing process?" "Well," Andy said, "Dave stressed to us when he gave us the link that we should be honest, and to answer the questions knowing we wouldn't be judged for our responses. I don't actually remember a lot of it, because it was a very long questionnaire, like, ridiculously thorough. But I suppose what you're getting at is what key things do I remember answering." "Yes, that's what I'm asking." "There were definitely questions about my sexual preferences, like, a lot of those, but there were also basic demographic questions about what range of people I felt comfortable dating, was I into women, men or both, and how did I feel about polyamory." "Did that surprise you?" she asked him. "Sure, but not as much as I expect it probably shocked people back in the Midwest. It's not what I would call common place around here, but you see it mentioned often enough in people's online dating profiles that most people have at least some awareness of it here in the Bay." "And how did you answer the polyamory question?" "I actually put 'no preference,' but you have to remember, to some extent when this started, we thought this was all some temporary thing, and we certainly didn't know that the casualties to men in America were going to be as high as they were," Andy said, sighing a little bit, Ash taking his hand, squeezing it reassuringly. "Do you remember what ages you put that you would be comfortable with?" "The low end was set to 18, and I didn't adjust it, and I set the high end to 35. I suspected no one younger than their mid twenties would be interested in me, so the low end didn't really matter." "You can start to see how his mind works," Hannah teased, "and how he just misses things sometimes." That let the girls have a soft laugh, releasing a little bit of the tension. "Were there any things that you said were absolute deal breakers?" Katie asked. "Just two," Andy admitted. "Must not be allergic to cats, and must not smoke, although we ended up with someone who vapes." "And who is that?" "That'd be me," Sheridan said, "but I'm working on quitting, so, it's a stopgap on the way to that. And it's been much easier stepping down from that than it was stepping to that from smoking." "Who showed up first?" "Aisling showed up I think it was actually the very next day," Andy said. "I was a little surprised how quickly everything moved. Usually anything the government's managing is a total clusterfuck, but I think since we were basically right by the site where the treatment was developed, they were rushing it out in order to keep as many people safe as they could." "Aisling, let me ask you Aisling, was Andy the sort of man you dreamed about ending up with when you entered into the process?" "At first, my head was a little clouded, because the process when it started wasn't as refined as it is now, so when I met Andy, my mind was a little fogged up with lust, but he ticked all the boxes of what I wanted out of a man. He didn't look exactly like I expected him to, but yeah, within a couple of days, I knew I loved him pretty hard. Still do." "Would he have been the kind of person you would've gravitated to in a bar?" Katie asked her. "I would've thought he was cute, but I was horrible at dating, and only had a couple'a boyfriends before him, so I'm a bad judge of character for that sort of question." "How many of you would've approached Andy in a bar?" Katie asked the group of them. Andy chuckled, rolling his eyes. "Be honest." Sarah put her hand up immediately, and Tala raised her hand as well, as the rest of the group giggled a little bit. "As progressive as we all like to think we are, Katie," Niko said, "women still generally don't approach men in bars, so maybe that's more on us than saying anything about our tastes." "Sarah, I saw you put your hand up," Katie asked. "You're an Oscar nominated actress who's know worldwide. What about Andy would've made you approach him?" Over the next couple of minutes, Sarah and Emily related the story of how they'd attended one of Andy's Q&As at ComicCon in costume, so that nobody would recognize them, and talked about how she'd had a crush on him because of his writing for a long time, which Katie laughed about, and Andy was certain would make for good television. "So how many of you would say you're in love with Andy now?" she asked the group after Sarah finished her story. About half of women raised their hands, although several of the others looked like they were considering raising their hands. The front row all raised their hands, as expected, but Lauren and Piper also raised their hands, which surprised Andy a little. "So those of you who wouldn't say you're in love with him, how would you describe your relationship with him?" "Deep respect and affection, but not at the love stage, not yet anyway," Sheridan said. Most of the other girls seemed to nod and agree with that. "Why do you say 'not yet,' Sheridan?" "You have to keep in mind, Katie, a lot of us have only known Andy a few weeks right now," she said, leaning forward just a little bit. "We had to make probably the biggest choice of our lives, and we had to do it basically on a hunch. Our choices were to defer treatment and go on being afraid we were going to die, or take the treatment and get paired up with a man for the indefinite future. That's a hell of a gamble to ask of anyone." "Who's unhappy with the decision they made, raise your hand," Katie said, only to get no hands raised in response. "Everyone's happy being paired with Andy, maybe for the rest of your lives?" "Look, Ms. Couric," Hannah said. "You're going to find every one of us girls has a different story, a unique story, and each one of us came to where we are now on an entirely different path, m'kay? But we'll all tell you the same thing,  Andy's treated us with an immense amount of respect and affection, and he's made sure that nobody's doing anything they aren't comfortable with. Shit, he's even done stuff he's been a little uncomfortable with because it's made us feel more comfortable, and how many women can say that about their partner? So while a bunch of us aren't in love with him, yet, we all admire and respect how much he's gone out of his way to make sure we feel like we're part of a goddamn family, a good goddamn family." "Do you want to continue to grow the family, Andy?" "If you ask him," Em said, jumping in before he could respond, "he wanted to stop growing it a while ago." All the girls laughed at that. "But at this point, I think we're all doing what we can to stick together, and a lot of us girls wanted to protect our friends, to keep them safe, so we took turns presenting them all to Andy, trying to convince him to bring them into our home and into our family." "Everyone had someone they wanted to pitch?" Katie said, smiling at Andy. "That must have been overwhelming." "Not everyone wanted to pitch someone, but almost everyone," he said with a laugh. "And it was a lot of names and faces that were presented all at once. I said upfront, though, that I wasn't going to bring everyone on, and that there was only so much of me to go around. In the end, I think we mostly made it work to everyone's satisfaction." "So how many more people are coming?" "Well, we have three people who are in the imprinting process right now, and two more people arriving tomorrow, and if I have any say in the matter, that will absolutely, positively, definitively be the limit of women I can handle in my life," he chuckled. "And how much say do you actually have in that matter, Andy?" "Very little!" Emily joked, and all the girls laughed, as did Katie. "It would take a super compelling case for us to add, like, anyone else to the family past that," Sarah said, "but I think it's totally for the best that we never say never. Sometimes exceptions have to be made." "Like I told you yesterday, Katie," Niko said, "I think if Andy had total control of the matter, he would've probably put a hard limit in after myself, Ash and Lauren were in his life. He told me multiple times early on that he barely felt like he deserved one amazing woman, and at that point, he already had three, so it's been a growth process." "But this is the new normal now," Katie said. "Or at least it's going to be. Families with one man and several women, because so many men in the US have died. Raise your hand if you know a man who's lost their life to the plague here in the US." All the women raised their hands, and of course Andy had his raised as well. "How does that feel?" "I think we're all suffering from some degree of post traumatic stress disorder," Piper said. "The losses, they're too big for any of us to process, so we're sort of clinging to one another, holding on to the only family that we know for certain that we can protect." "Piper, you were actually supposed to have competed in the Olympics by now. How does that feel, knowing that when it starts up again next year, the US basically doesn't have almost any of their male athletes to compete?" "At this point, it's impossible for it to even make sense in my head any more, Katie," she sighed. "Most of the people I trained with have died over the last several months. A lot of my trainers died. I've lost colleagues, friends and family members. I don't even know where to start mourning, because there's so damn many people to mourn. I consider myself lucky that my sister's husband took everything seriously, and completely refused to leave the house this year since the word of the plague got out." "It's something we've talked about in here a bunch," Andy said. "And we sort of keep coming back to that famous Stalin quote. 'A single death is a tragedy, a million deaths are a statistic.' It's so many dead men that the mind can't even make sense of it. It's like 9/11, but if each of the Twin Towers was holding exclusively almost every man each of us knew and loved. My own brother died a few weeks back, and he was one of the kindest and most careful souls I know, but he ran out to help someone get their storm shutters up before a particular bad thunderstorm rolled through, and a few weeks later, he was just gone, almost overnight. It happened so fast, I didn't even hear about it until after he was already gone." "It's actually unproven that's a real Stalin quote," Tala said. "I read an article that said it was attributed to a French humorist." "Sure, but even if Stalin didn't say it," Andy said, "it's still pretty relevant here. It doesn't really matter who said it, it's the sentiment that's important. We're talking about a matter of scale, and the human mind's capacity to comprehend that scale. At the end of the day, that's a hell of a lot for anyone to handle. So we're all just doing our best." "Normally," Emily said, "when a friend or loved one dies, there is typically a funeral or a wake, a gathering of all that person's surviving circle coming together, to celebrate their passing and remember them, but we have been denied that, and it has made all their passings that much harder to process, somehow transformed them all into seeming less real, because our normal emotional milestones haven't happened along the way. We are adrift in our emotional morass." "That's true," Katie said. "We, as Americans, haven't had to confront all the deaths simply because we aren't allowed to go out and do so, and that somehow makes it feel less concrete." "It hits you every day," Jade said, "little by little. Lauren described it to me a few weeks ago as a slow motion car crash that we're all stuck in, and nobody can get out of." "So, Jade, I understand you're one of the newest arrivals here," Katie said. "Have you gone through the imprinting process yet?" "Not yet," she said. "Tala and I arrived yesterday, but we wanted to wait a little bit, to spend some time with Andy and his family, to makes sure that we would be happy getting melted into their pot. I'm happy to say we're both going to do it, but it's the kind of commitment you gotta be certain of, you know?" "Have you seen what the imprinting process is like?" "Um, yes?" she said, trying not to blush a little. "When we arrived yesterday, we had a third person with us, another woman who was joining the staff and faculty of the house, but not the family itself, a young woman named Whitney." "So, Andy, explain to me the difference between family and staff, and how you decide that." He immediately put his hands up, almost like he was at gunpoint. "First and foremost, I do not decide that," he laughed, and all the girls laughed with him. "When the military came and relocated us from our little condo and brought us here to New Eden, the house also came with three members of staff attached with it, all of whom I was told had been selected to mesh with me, and whose boxes I would tick as well." "That was the three of you in the back, Nicolette, Jenny and Kate, yes?" Katie asked. "We had all been told a bit about Andy before he arrived," Nicolette said, "and his answers to the questionnaire implied that he would eventually be willing to play into our tastes." "Eventually?" Katie asked. "Well, sure," Nicolette giggled. "I know the first few times I called him Master, it rattled his cage a little bit, but he eventually realized I liked saying it, and nobody was making me do it. One of the things that we girls all figured out early on was that just because Andy was okay with something didn't mean he had any real experience with it, so we would need to hand hold him a bit through it. So while Andy said he was okay with bondage and discipline stuff in his questionnaire, he didn't have any real practical experience in it. So we've found ways to teach him about that kind of thing without it ever feeling like we were lecturing to him. He sort of set that expectation up front when he told us communication was everything, and he couldn't have been more right." "And Kate? I hear that you and Jenny had a different experience," Katie asked. "Damn, uh? Andy?" Kate (his Katie) asked. "How real you want us to get here?" "We're not hiding anything," he chuckled, "so fire away." "So, uh, Katie," Kate coughed. "I'm actually a lesbian. Not a bisexual who mostly identifies as a lesbian, I mean straight up, hardcore, one hundred percent, unrepentant fully committed lesbian. And Jenny here is my wife, but she's bisexual." "Hi!" Jenny cheerily said with a wave. "When we signed up for this, we, ah, we were planning on hiding that from Andy, and I was simply going to fake it, and go along with the ruse, so that we could stay together, and we could still get the treatment, which, as you already know, takes both a female and a male component to work," she sighed. "So I, er, we lied, and claimed we were both bisexual. Since we were married, wherever we went, we were going to go together, and we figured we could just keep up that lie as long as we needed and make it work." "And what happened?" Katie asked. "Day two, I folded, before we'd even been imprinted," Jenny said with a shrug. "When we met him, Andy wasn't at all what any of us were expecting him to be, but I mean that in a really good way. It didn't feel right lying to him. We'd had a few days together before he showed up, the three of us, us two and Nicolette. We'd talked about it, and Nicolette volunteered to go first, so that if it didn't go well, my Katie and I could request to be moved elsewhere, since we were a little more particular than she was about how we got paired up." "What do you mean, you folded?" "I started talking to Andy, and, and it all just came tumbling out, how we were a little unsure, how my Katie wasn't really into men, and, I just felt like I had to tell him everything before we were committed to anything." "How did you react to that, Andy?" "I could tell they were afraid that I was going to be angry," Andy said, his tone as breezy and relaxed as he could keep it, "but I wasn't. Why would I be? I simply wanted to talk with them about how they wanted to handle it, because at that point, I knew a bit more about the physiological affects of the treatment than they did, so I wanted to prepare them for it, if they wanted to move forward." "Do you still consider yourself a lesbian, Kate?" Katie asked her. "Absolutely. I don't feel any sexual attraction to Andy what so ever," she said. "Now, with that said, I can also admit that I have received biochemically induced orgasms from him regularly as part of the treatment process, and I don't think that affects my sexual identity in any way. But Andy and I haven't ever had direct sex. He's offered, but he's also never pressured. I might take him up on it some day, to see if the chemical and neurological changes the treatment have made to me might compensate for my lack of sexual attraction to him, but then again, I may not. That's my decision, well, our decision, to make," she said, taking Jenny's hand in hers. "And nobody's going to tell me who and what I am. I get to decide that, and fuck anyone who says otherwise." "So if you haven't had direct sex with him, how are you getting what you need from him to keep your treatment managed? Go ahead and be as direct as you want, and we can bleep parts of it out if we need to, but I think they're just going to air it as we send it." "Well, to be frank about it, I don't ever actually fuck Andy, but that doesn't mean I don't swallow his semen. I do that around once a week, either directly from him, or second hand from my wife. I consider sucking his cock just to be another task around the house that needs doing now and again. No offense, Andy." He laughed, waving a hand in his air. "None taken, but you already know that." "And that's enough?" Katie asked. "Just swallowing semen, either directly or second hand?" Kate nodded. "It's fine. I haven't had any adverse side effects, and it's easy enough right before he's about to pop for him to point it elsewhere, or for Jenny and I to split it after he does pop. I'm never going to have an encounter with Andy without Jenny present, and she's always my focus, not him, because she's my wife, and he's just, my boss." "And everyone in the house is okay with that?" "This is the world we live in now," Lauren said. "Lotsa fellas used to get all hung up onna things that they did and didn't like, but who's got time for that anymore? Life's too short to hold onta old grudges, so if we can, we're all gonna take it on the chin and just keep movin' on together." "Now Lauren, I understand you're also a lesbian." "Nah Katie," the tall blonde Aussie corrected. "I'm definitely bisexual, but I just lean a lot more towards the ladies than I do the fellas. I very much enjoy my sexual encounters with Andy, but I'm not one of his primary partners, despite showing up so early. I'm in love with him, like he is with me, but he's not my Big Love, if you folla. I've got me own primary partner here, in Taylor. We'd split before New Eden, and when she came back, I was right pissed off, but we've worked it out, and now she and I are back to being a couple again." "Does that put you on the outs with Andy?" "Nah," she laughed, "it just means the master bed doesn't need triple reinforcement. I love Andy and all he's done for me, for alla us, but I ain't interested in being one of his wives. I wanna marry Taylor at some point, but that doesn't mean I don' wanna stay part of this family. That works for us, so, y'know, fair play." "How many people do sleep in bed with you on any given night, Andy?" "There's always at least five of us in the bed," he answered. "Myself, Ash, Niko, Emily and Sarah. But sometimes more people want to cram in, and we never say no." "What's the most the bed's ever held for a night?" "Oh, uh, everyone who isn't staff, I think, but last week, so before some people had arrived," he said, trying to remember, "so, what, 11?" "Yes, that was the maximum. On the day when we found out Andy's brother died," Emily said, "we all crawled into bed with him and just wrapped our arms around him, as we all shared a good cry, then fell asleep holding one another, but that's extremely uncommon." "Five or six would definitely be the average," Ash said. "So the four of you would say you're closer to Andy than the rest of the women in the house?" "Well, we're all his fiancees, so we'd better be, Katie!" Sarah laughed. "He asked Ash first, and then Niko asked him before he could even get the words out to her, so once he freakin' told us, me and Em, we both demanded he propose to us as well immediately, because we come as a package deal." "What do you mean by that, Sarah?" "Okay, well, here's the thing. Emily and I have been a couple for almost two years now, but we're both, well, we're both totally into dudes and chicks. So while we super love each other, we also knew we were going to need a regular cock in the equation. When we found out that the writer of my favorite freaking book series of all time was in play, we decided we had to freaking have him." Andy was a little amazed Sarah could do so much to self censor, but realized she'd probably been doing it for interviews forever. "So you put in a request for the two of you to be paired up with Andy, and the government made that happen?" There was a long pause, as everyone was trying to decide what to say and how to say it, but eventually Emily broke the silence. "Something like that, yes," she lied. "We'll put a pin in that and come back to it later," Katie said, and Andy's guard was immediately up. He'd been wondering what sort of problems this interview was going to throw up, and now he felt like he knew what one of them was. "Have you had to send anyone back, Andy? Had any partners show up that you didn't think would be compatible?" "Just one," he admitted. "My ex girlfriend was sent to me, because she hadn't disclosed that we'd been together about a decade ago. She was eager to rekindle the relationship, but I was not. It ended on terms that made me unwilling to revisit it again, so we helped her make other arrangements. We hadn't been compatible back then, and I didn't feel comfortable gambling that she'd grown enough that I would've been compatible with her now." "You didn't send her back to the government?" "New Eden isn't that large of a community, so sometimes we just see if we can make things work among ourselves first, and we found a solution that everyone seemed happy with, including my ex. In fact, the people that my partners here pitched to me that I didn't think would be good matches for our family, we worked to pair them up with other people here in New Eden instead, so they were still local and safe. It's a small town, so we have to look out for one another. Problems here are rare and generally manageable." "Not always, though, we've heard," Katie said. "I take it you've heard about the fatality that New Eden had last week?" Everyone nodded. "It was horrible, hearing about someone dying from something so easily preventable," Hannah said. "Like, they totes warned us about that ish before we left the base, so why the hell would someone chance it?" "They did warn you?" "Very thoroughly," Emily insisted, horror in her voice. "They told us multiple times, again and again and again, that if we took in semen from any man other than the one we were paired up with, it would be toxic, if not fatal. They even showed us a recording of a woman who'd already been imprinted getting semen from a man she wasn't paired up with on her skin, and the large, violent rash that immediately broke out. I am told they show that footage to everyone, to drive the point home. Seeing that sort of instantaneous reaction should've been enough to discourage anyone from testing those boundaries." "They're talking on base about showing some of the autopsy photos from the fatality to the people who are getting the treatment now," Niko said, "to make sure everyone understands how serious it is not to dally outside your family." "Have any of you ever been tempted?" "I think we all value our lives too much for that," Sarah joked. "And love Andy far too much for that," Ash said. "Definitely," Emily agreed. "Why would anyone task such a pointless risk?" "Did any of you know the woman who died, or the man she partook from that killed her?" Katie asked them. "I met her briefly," Andy said, "but I wouldn't say I knew her. And none of us ever even met the man accused of doing it to her." "Major Peters told us yesterday he's currently imprisoned at the base, pending local law enforcement being able to take custody of him. They're going to charge him with murder, they were telling us." "They should," Sarah said. "They told everyone when they brought them here to New Eden what would happen if people engaged in any form of sexual activity with anyone they're not paired with, and they fucking did it anyway!" "The problem," Andy sighed, "is that the man, whoever he is, already has multiple women paired up with him, which means that whatever they do to him is going to affect those women as well, even if it's just that they have to come to a prison for their weekly intake. Those women are already tied to him. I'm sure they're looking into some way to remove the binding and reimprint a woman onto a new person, but there's only so many problems they can solve at once." "Does it bother any of you that your health is tied to Andy's?" Katie asked the group. "Bother is the wrong word," Sheridan said, annoyance in her tone of voice. "Concern is the right word. We're very protective of Andy, because he knows our lives are all fully dependent on his for the time being, and that if he dies, we all probably die with him. So, sure, we're concerned, but I think all of us feel comfortable in knowing that Andy's got our best interests at heart, and is keeping that all in mind." "One of the two people arriving tomorrow is going to be his bodyguard," Jenny said. "A friend of mine from college, who's going to guard his life with her own." "Who's the other?" "A director friend of mine," Emily said, "whom I thought would be an excellent addition to the house. She was one of the AD's on some of the latter Dagger Academy movies." Katie Couric clapped her hands together. "Okay, why don't we take a break, then do some of the one on ones, and then we can circle back and do another group interview to close out the day. Our team can leave you one of our cameras here tonight, so you can get that video of someone being imprinted, and we'll come by and pick it up tomorrow before we leave town. We appreciate you trusting us with that, as I know it can't have been an easy decision to make, but I think that footage will go a long way to convincing people this treatment is in their best interest. As for today, we'll go ahead and finish getting set up in Andy's office, and when you're ready Andy, we can sit down and do our one on one and drill down on some things I've got further questions on." "Sure," he said, as all the girls were standing up and stretching. "Let me go grab a quick drink, and I'll meet you in my office in about ten minutes, okay?" "Sounds good." Katie and her crew were escorted by Nicolette down to Andy's office, while the girls stood up and started chatting among themselves, while Emily and Ash closed it around Andy. "That went about as well as can be expected," Emily said to them. "I feel like we've got some kind of curveball coming," Ash said, taking Andy's hand in her left and Emily's hand in her right. "After you're done, Andy, we'll talk a bit again. I'm sure you'll get surprises before any of us do." He took his time, grabbed a bottle of Vanilla Coke, drank it then headed down to his office, which today felt a little like going into a lion's den. With all the girls in the ballroom, the large group session had allowed the attention to bounce around a great deal, and he felt like he could catch his breath, but here, it was just going to be the two of them, and he didn't have anyone to run interference for him from time to time. Andy headed into his office and saw that even his cats weren't in there, likely having been moved by the production crew, as Andy moved to sit down in his writing chair, Katie Couric sitting across from him. "Are you ready?" she said to him. "Yep," he answered. "Let's do it." After the mics were checked, the cameras were tested and the lights were adjusting, Andy's one on one began with a softball question. "So how'd you fall into writing urban fantasy, Andy?" "The best advice I ever got was 'if the stories you want to read don't exist in the world, it's your job to put them there,' so I've stuck with that," he said. "I knew what kind of stories I wanted to read, and nobody was really writing those, a sort of fantasy western/samurai hybrid. I mean, you had Butcher's Dresden books, but those were more of fantasy noir hybrids, and I wanted to get into the sort of stories that people like Akira Kurosawa and Sergio Leone used to tell, where you could kill off characters, where actions had consequences and where you never really knew when the next gunfight was coming, because it felt like they could happen at any time. Joe Abercrombie does it in high fantasy, but I wanted something that was happening in our time, in our world.&am

Ayooo Netflix Book Club number 255 is Once Upon a Time in America! Join the usual suspects @dennisrooney7 and @_miketoohey as they chop up Sergio Leone's last film. Check out the pod's 'gram @netflixbookclubpodcast to see the movie schedule for the month!

This week, the boys discuss the remarkable film year of 1953, the events that transpired around the world in that year, and Fritz Lang's “The Big Heat”. Perhaps an early trailblazer of the detective-with-a-personal-vendetta genre (is it a film noir???), this fascinating film led to a productive conversation! We drank a bit this week, too. Grab a cold one and listen or watch on YouTube! Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro;  4:43 Gripes; 16:27 1953 Year in Review; 48:03 Films of 1953: “The Big Heat”; 1:27:43 What You Been Watching?; 1:34:18 Jeff's second gripe, 1:42:34 Next Episode Teaser Additional Cast/Crew: Glenn Ford, Gloria Grahame, Jocelyn Brando, Alexander Scourby, Lee Marvin, Jeanette Nolan, Peter Whitney, Sydney Boehm, William P. McGivern, Robert Arthur, Charles Lang. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: Shane, Stick, Peter Pan, Roman Holiday, Mission: Impossible, submarine, nuclear weapons, Top Gun: Maverick, Ben Mendelsohn, French Accents, Tom Cruise, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellen Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics), Your Friends and Neighbors, The Canadian Grand Prix.  

A drifting gunfighter plays two rival families against each other in this Spaghetti Western classic!  Sergio Leone directs Clint Eastwood in A Fistful Of Dollars! We also talk some things we watched this week, some news, and a preview of our next episode Indiana Jones & The Kingdom Of The Crystal Skull! Visit us for all episodes & more at the www.therebelradiopodcast.com Please leave us a 5-Star review on iTunes! You can also find us on Spotify iHeartRadio Follow us on Facebook

This week, the boys head back to 2007 to spin another Roger Deakins film, “No Country For Old Men”, currently streaming on Paramount+. While other shows have covered the film, we shoot from the hip and discuss how it felt to re-watch it and what it means to us. F those other stuffy critic narcs. The cinematographer from Dave's homeland had a helluva a year with three award-winning films, this one winning Best Picture at the Oscars, and cementing the Coen Brothers as industry elites, much to their Chigurh (that's a movie joke). Yeah, it beat “There Will Be Blood”. We talk about it a bit. John also opens with his “MI” and “Friendship” takes. Grab a beer and hear our thoughts. Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 4:29 John's mini-review of “MI: The Final Reckoning” and “Friendship”; 14:52 Gripes; 17:47 2007 Year in Review; 38:52 Films of 2007: “No Country For Old Men”; 1:38:52 What You Been Watching?; 1:47:34 Next Episode Teaser Additional Cast/Crew: Tommy Lee Jones, Josh Brolin, Javier Bardem, Roger Deakins, Joel Coen, Ethan Coen, Kelly Macdonald, Woody Harrelson, Stephen Root, Barry Corbin, Tess Harper, Gerret Dillahunt, Gene Jones, Scott Rudin, Paul Rudd, Tim Robinson, Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: Mission: Impossible, submarine, nuclear weapons, Top Gun: Maverick, Ben Mendelsohn, French Accents, PEN15, Tom Cruise, The Monuments Men, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Fuhrermuseum, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Wicked, All Quiet on the Western Front, Wicked, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellen Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics) 


This is a preview of a premium episode from our Patreon feed, Paid Costly For Me! Head over to Patreon.com/PodCastyForMe to hear more for just $5 a month. We return to our very slow trip through the films of Sergio Leone with 1971's DUCK, YOU SUCKER!, also known as A FISTFUL OF DYNAMITE, also known as GIÙ LA TESTA, a story of the Mexican Revolution starring Rod Steiger and James Coburn. It's a real humdinger of an episode, as Jake's allergies flare up while he tells a long story about some unpleasant men at the barbershop, Ian explains the Mexican Revolution, and we both read passages from Frantz Fanon. Enjoy! Thanks as always to Jetski for our theme music and to Jeremy Allison for our artwork. https://www.podcastyforme.com/ Follow Pod Casty For Me: https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

This week, the boys pull up their dacks, lace up their blunnies, pull over their cardies, eat a bikkie, grab a tinny, and lob in for the Ridgy Didge himself, Baz Luhrmann's first feature film, “Strictly Ballroom”. This isn't any ear bashing- we loved it! It made us three happy little Vegemites. After Jeff gives a quick mini-review of “Mission: Impossible— The Final Reckoning”, our native Aussie and gutless wonder, Dave, knackered from a good hissy at his lappy, guides us through this absolute hooley dooley. Don't be a drongo- grab a coldie and listen- you'll be doing the bogo pogo in a jiff!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 6:27 Jeff's mini-review of Mission: Impossible — The Final Reckoning; 11:29 Gripes; 15:01 1992 Year in Review; 39:02 Films of 1992: Strictly Ballroom; 1:21:26 What You Been Watching?; 1:28:53 Next Episode Teaser Additional Cast/Crew: Paul Mercurio, Tara Morice, Craig Pearce, Bill Hunter, Pat Thompson, Gia Carides, Peter Whitford, Barry Otto, Sonia Kruger, Tom Cruise, Hayley Atwell, Simon Pegg, Ving Rhames, Pom Klementieff, Esai Morales, Holt McCalleny, Janet McTeer, Nick Offerman, Shea Whigham, Tramell Tillman, Angela Bassett, Mark Gatiss, Rolf Saxon, Greg Tarzan Davis. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: Mission: Impossible, submarine, nuclear weapons, Top Gun: Maverick, Ben Mendelsohn, French Accents, The Monuments Men, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Fuhrermuseum, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Wicked, All Quiet on the Western Front, Wicked, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellen Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics)    

The boys head to Japan this week to discuss Akira Kurosawa's “Yojimbo”. Starring Toshiro Mifune, the film is considered one of the most influential movies of all time. It's so influential that an entire series of westerns ripped it off so good they couldn't be released in the US for years due to threats of lawsuits. Anyway, this film is awesome, but did the boys think it stands up to the other Kurosawa greats? Grab a beer and tune in!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 8:56 “Sinners” follow-up; 14:30 Gripes; 21:31 1961 Year in Review; 45:26 Films of 1961: “Yojimbo”; 1:30:53 What You Been Watching?; 1:38:58 Next Week's Movie Announcement Additional Cast/Crew: Toshiro Mifune, Tatsuya Nakadai, Fukuzo Koizumi, Takao Saito, Daisuke Katō, Masaru Sato, Kazuo Miyagawa, Akira Kurosawa.  Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: France, The War of 1812, Napoleon, Russia, Russian History, Aristocracy, Dueling, Swans, Ducks, Chickens, Generals, Mean Streets, Taxi Driver, Black Mirror, Slow Horses, The First Look, Ben Mendelsohn, French Accents, The Monuments Men, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Fuhrermuseum, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Wicked, All Quiet on the Western Front, Wicked, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellen Skarsgard, the matt and mark movie show.  

Topos in Fabula dedicato a Django Unchained e C'era una volta il West Quentin Tarantino e Sergio Leone

IT ALL COMES DOWN TO THIS. A WINDSWEPT FIELD. TWO SUN-BEATEN MEN IN WIDE-BRIMMED HATS. ITCHY TRIGGER FINGERS. THE MUSIC CRESCENDOS. THE FINAL SHOWDOWN.    After a short break and some technical difficulties, Gabe and Patrick are back to finish what they started, looking back at 15 spaghetti westerns released in the year 1968. We saved some the greatest movies and the hottest takes for last – Sergio Corbucci's The Mercenary (Italian: Il mercenario), Enzo G. Castellari's Kill Them All and Come Back Alone (Italian: Ammazzali tutti e torna solo), Corbucci's The Great Silence (Italian: Il grande silenzio), and Sergio Leone's Once Upon a Time in the West (Italian: C'era una volta il West).   Check out Part 1 and Part 2 first.   Check out the complete list of films here: https://letterboxd.com/gabepowers/list/the-spaghetti-westerns-of-1968/   00:00 – Intro (What have we already covered?)  04:11 – The Mercenary 36:52 – Kill Them All and Come Back Alone  55:54 – The Great Silence 1:29:36 – Once Upon a Time in the West 2:06:31 – Outro (What have we learned?)  

Gene Hackman left us in shocking and tragic circumstances on February 18, 2025. With his signature intensity, he may be one of the least stony actors of all time, but he was one of the best. To pay tribute to him we have his trippiest movie this side of CISCO PIKE (1971) with the quick-cut, dolly-shot, bullet-hole-cam madness of Sam Raimi's THE QUICK AND THE DEAD (1995). In this tribute to Sergio Leone's ONCE UPON A TIME IN THE WEST (1968), Gene Hackman delivers one of his most villainous performances as old west tyrant John Herod, who draws every shootist to his desert town for an annual gunfighting competition where the contestants duel to the death. Joining us to talk about Raimi's modern spaghetti western is actor LENNIE LOFTIN, who plays the grizzled townie Foy and gets to toss around an up-and-coming Russell Crowe in the movie. THE QUICK AND THE DEAD also stars Sharon Stone in the gender-swapped Man-with-No-Name role, Crowe in his first U.S. picture, and then rising star Leonardo DiCaprio as the cocky kid who is pretty good with a six-shooter. Plus Lance Henriksen, Keith David, Pat Hingle, Raynor Schiene, Roberts Blossom, and the great Woody Strode in his final film. Just about everybody's in this one and we are so lucky to have Loftin here to talk about this amazing film. Also joining host Bob Calhoun in her OMFYS debut, Rosemary Picado. Now you have heard her haunting vocals in the "O Nosferatu" carol in our NOSFERATU CHRISTMAS episode, but this is her first time as a panelist. She's a QUICK AND THE DEAD expert and fanatic, so we couldn't do this episode without her. Cory, Greg, and Philena are on assignment but they'll be back for The PhilenApocalypse III: Drag Story Time where Philena returns to torture the olds with TO WONG FOO, THANKS FOR EVERYTHING! JULIE NEWMAR (1995) and HURRICANE BIANCA (2016). Subscribe on your favorite podcast app so you don't miss it. Old Movies for Young Stoners Theme by Chaki the Funk Wizard. Used with permission. Web: www.oldmoviesforyoungstoners.com Bluesky: @oldmoviesystoners.bsky.social Instagram/Facebook (Meta): oldmoviesforyoungstoners TikTok: @oldmoviesforyoungstoners Contact: oldmoviesforyoungstoners AT gmail DOT com

This month Tim is joined by Jordan Farley (from The Movie Wingman) to discuss Sergio Leone's Once Upon a Time in the West (1968). –––––––––––––––––––––––––––––– Once Upon A Time in the West is =95 on the Sight & Sound critic's list. You can read Jordan's own Sight & Sound Top 10 here. –––––––––––––––––––––––––––––– Hosted by Tim Coleman. A Moving Pictures Film Club podcast. You can sign up to our Patreon channel here for just £1/$1 pm. Alternatively you can make a donation to the runnning costs of the pod via Buy Me A Coffee here. Theme music by The Gideon Complex - recorded by FrEQ Audio Recordings. Bluesky: @top100pod.bsky.social  Instagram: @thetop100pod Letterboxd: The Top 100 Email: top100pod@gmail.com –––––––––––––––––––––––––––––– Interview with Ousmane Sembène here. Additional music: Creative Commons — Attribution 3.0 Unported — CC BY 3.0.Music promoted by Copyright Free Music - Background Music For Videos

Waffle On about The Good, The Bad and The Ugly Hello and welcome to this months edition in which Meds and Kell chat away about the brilliant 1967 Western The Good, The Bad and The Ugly. The third film in Sergio Leone's Dollars trilogy, it stars Clint Eastwood, Lee Van Cleef and film stealing star Eli Wallach.  The Good, The Bad and The Ugly DVD https://amzn.to/42tOF1I   The Good, The Bad and The Ugly Soundtrack https://amzn.to/431OcE2   Best of Ennis Morricine  https://amzn.to/4cU3deA    

The gang plays the harmonica this week as they review #52 in the IMDB greatest movies of all time, Once Upon a Time in the West, directed by the great Sergio Leone. After Leone completed his dollars / Man with no name trilogy, he vowed to leave the western genre alone, until he was given the chance to make a movie with his favorite actor of all time, Henry Fonda. What the world got in return was this nearly 3 hour epic in the Spaghetti Western genre. The gang wraps up Spaghetti Western April with this review.... what will May bring the show? Tune in to find outVisit the YouTube channel Saturdays @ 12:30 PM Pacific to get in on the live stream, or just watch this episode rather than just listen!Channel:https://www.youtube.com/channel/UCI1lVsk1xjMSBgZK82uAzgQThis Episode:https://youtu.be/vh1uj_RK0qghttp://www.MCFCpodcast.comhttps://www.twitch.tv/MCFCpodcasthttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclass   Email: MCFCpodcast@gmail.comMerch store - https://middle-class-film-class.creator-spring.com/    Join the Patreon:www.patreon.con/middleclassfilmclass Patrons:JavierJoel ShinnemanLinda McCalisterHeather Sachs https://twitter.com/DorkOfAllDorksChris GeigerDylanMitch Burns Robert Stewart JasonAndrew Martin Dallas Terry Jack Fitzpatrick Mackenzie MinerAngry Otter (Michael)Joseph Navarro     Pete Abeyta  and Tyler Noe

After learning the ropes in Sergio Leone's Italian Westerns, Clint Eastwood took the reins to direct the 1973 film HIGH PLAINS DRIFTER. Not an easy movie to watch, but it makes for an intersting conversation.

This episode of Film Seizure heads out west for the tale of five people who all have eyes on a seemingly worthless patch of desert in Sergio Leone's classic epic Once Upon a Time in the West. Episodes release on Wednesday at www.filmseizure.com "Beyond My Years" by Matt LaBarber LaBarber The Album Available at https://mattlabarber.bandcamp.com/album/labarber-the-album Copyright 2020 Like what we do? Buy us a coffee! www.ko-fi.com/filmseizure Follow us on Facebook: www.facebook.com/filmseizure/ Follow us on BlueSky: https://bsky.app/profile/filmseizure.bsky.social Follow us on Mastodon: https://universeodon.com/@filmseizure Follow us on Instagram: www.instagram.com/filmseizure/ You can now find us on YouTube as well! The Film Seizure Channel can be found here: https://www.youtube.com/c/FilmSeizure

This week on The Treatment, Elvis speaks with musician and actress Lucia Micarelli about her forthcoming album Anthropology. Then, film scholar Sir Christopher Frayling talks about his newest book Sergio Leone by Himself. And on The Treat, actor Ke Huy Quan talks about a movie that ignited his love for the martial arts.

This week on The Treatment, Elvis speaks with musician and actress Lucia Micarelli about her forthcoming album Anthropology. Then, film scholar Sir Christopher Frayling talks about his newest book Sergio Leone by Himself. And on The Treat, actor Ke Huy Quan talks about a movie that ignited his love for the martial arts.

In 1964, the dream team of actor Clint Eastwood, director Sergio Leone and composer Ennio Morricone changed westerns forever, with A FISTFUL OF DOLLARS. And Akira Kurosawa had something to say about that. Join Ian and Matthew for a discussion of the movie and its impact on decades of moviemaking.

This Sunday at 9 PM, Kev and Jay Mack take a trip to the Wild West as they review A Fistful of Dollars, the Sergio Leone classic that redefined the spaghetti western genre! Tune in as they break down Clint Eastwood's iconic role, Ennio Morricone's legendary score, and the film's lasting impact—courtesy of the studio. #SpaghettiWestern #ClintEastwood #AFistfulOfDollars #SergioLeone #MovieReview

The gang kicks off their month of Spaghetti Westerns with the granddaddy of them all, from Sergio Leone. The Good The Bad & The Ugly is the third of a trilogy that has Clint Eastwood embody his first major role as the sharp whitted and grey moraled gunslinger, Blondie. Topic is from Joseph, and this movie is his pick too... did it live up to the hype? Tune in and find out for yourselfVisit the YouTube channel Saturdays @ 12:30 PM Pacific to get in on the live stream, or just watch this episode rather than just listen!Channel:https://www.youtube.com/channel/UCI1lVsk1xjMSBgZK82uAzgQThis Episode:https://youtu.be/swSzaOUJ9Lchttp://www.MCFCpodcast.comhttps://www.twitch.tv/MCFCpodcasthttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclass   Email: MCFCpodcast@gmail.comMerch store - https://middle-class-film-class.creator-spring.com/    Join the Patreon:www.patreon.con/middleclassfilmclass Patrons:JavierJoel ShinnemanLinda McCalisterHeather Sachs https://twitter.com/DorkOfAllDorksChris GeigerDylanMitch Burns Robert Stewart JasonAndrew Martin Dallas Terry Jack Fitzpatrick Mackenzie MinerAngry Otter (Michael)Joseph Navarro     Pete Abeyta  and Tyler Noe

The Man with No Name is back and this time his name is Manco and he has a friend Morty (played by Chief Van Cleef). They are in love and express that love by shooting each other's hats!FOR A FEW DOLLARS MORE is the bigger, better, and richer sequel to last week's A FISTFUL OF DOLLARS. Your hosts are joined by a special guest, friend of the pod Max. Max rode into town on a pale horse, joined us at the campfire, ate some beans, and spun us an old cowboy tune.We also talk about Alex and Max's favourite film THE BIKERIDERS, and some other stuff we've been watching like CABARET, THE EXTERMINATING ANGEL, and PRIME CUT (RIP Gene Hackman)Join us next for week for the exciting conclusion of the Dollars Trilogy, THE GOOD, THE BAD AND THE UGLY. Perhaps another lonesome cowboy will drift into our ranch and join us for an impromptu Sergio Leone filmography ranking. You'll have to listen to see who (it's Jordan)You can follow The Franchisees on Twitter and Instagram @thefranchisees or email us at thefranchiseespod@gmail.com 

In episode seven of our Visionary Remakes season, we traverse two classic westerns. First, Kurosawa's Yojimbo (1961) and its nearly immediate Italian reaction, Sergio Leone's A Fistful of Dollars (1964).The western has always been seen as a distinctly American film genre. The "west" in the word is the American West, a grand nearly ungovernable stretch of land filled with plains, deserts, mountains, rivers, and precarious cliffs, both literal and moral. It is a rich canvas that can tell a thousand different stories. Ironically, here we have two non-American voices calling out to the vast wilderness of the West. Perhaps it is a wild and mysterious place that exists in all cultures. Kurosawa's Yojimbo is not necessarily a textbook Western, but of course, it is deeply indebted to Shane (1953), High Noon (1952), The Gunfighter (1950), and John Ford's Stagecoach (1939) and My Darling Clementine (1946). At the same time, the source material was a hardboiled detective American novel from the 1930s, and we can not discount its place in the lineage of the chanbara films. Yojimbo is an amalgamation and many different styles and genres, but it still feels like a Western at its core.A Fistful of Dollars is resolutely a Western, but it came from somewhere left of the dial. Sergio Leone did not speak English nor had he ever been to America, let alone the American West. But Leone was able to spark something new and powerful in the waning genre. Westerns had been around since the beginning of film, but by the 1950s and 1960s, the genre had oversaturated culture mostly through dime-store tv shows: Gunsmoke, The Lone Ranger, Bonanza, and Rawhide. Westerns had become trite and tired. Along came Clint Eastwood, Sergio Leone, and Ennio Morricone to reinvent and rekindle that flickering flame.

A man... of few words. A man... with a poncho. A man... with no name. Although perhaps he does have a name and it's Joe but that's not important. We're doing the Dollars Trilogy aka The Man With No Name Trilogy, a series of spaghetti westerns directed by master filmmaker Sergio Leone and starring the god Clint Eastwood. Before we talk about the film we also discuss what we've been watching recently: THE GORGE, WOMAN OF THE HOUR, and 47 RONIN. Ben is back from Halifax and Alex is back from Mexico. How were their trips? Acceptable!Join us next week for the 2nd instalment in the Dollars Trilogy, FOR A FEW DOLLARS MORE. How many dollars more? You'll have to listen to find out, you should know that by now!You can follow The Franchisees on Twitter and Instagram @thefranchisees or email us at thefranchiseespod@gmail.com

This Special Episode introduces “ROUGH RIDER”, my new single. It's the first of four new singles that I'm releasing one per month via this podcast. The song is another return to my instrumental roots. It's got a Cool, ‘60s “Spaghetti Western”, guitar-driven, tremolo sounding, Ventures/Link Wray/Duane Eddy kind of vibe. If you close your eyes as you listen you can just picture Clint Eastwood in one of Sergio Leone's classic movies, like “The Good, The Bad, And The Ugly”, riding into town and taking on the bad guys. Enjoy!YouTube link. All links.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.—----------------------------------------ROBERT'S RECENT SINGLES:“LOVELY GIRLIE” is Robert's latest single. It's a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Fue una de las pelirrojas míticas del cine clásico, como Katharine Hepburn, Maureen O'Hara o Rita Hayworth. Una gran actriz que era especialista en melodramas aunque cultivó casi todos los géneros. Nos referimos a Susan Hayward. Este 14 de marzo se han cumplido 50 años de su muerte y en este episodio recordamos su vida y su carrera. También vamos a repasar todas las adaptaciones al cine que se han hecho del personaje de Blancanieves, ya que dentro de unos días se estrena una nueva versión del cuento de la princesa, su madrastra y los siete enanitos. Charlamos con Luisa Ezquerra una veterana actriz de doblaje que acaba de estrenar su primera película como protagonista. Y en la sección dedicada al western tenemos esta semana “Hasta que llegó su hora” de Sergio Leone, la película que convirtió a Henry Fonda en un canalla sin escrúpulos.

Fue una de las pelirrojas míticas del cine clásico, como Katharine Hepburn, Maureen O'Hara o Rita Hayworth. Una gran actriz que era especialista en melodramas aunque cultivó casi todos los géneros. Nos referimos a Susan Hayward. Este 14 de marzo se han cumplido 50 años de su muerte y en este episodio recordamos su vida y su carrera. También vamos a repasar todas las adaptaciones al cine que se han hecho del personaje de Blancanieves, ya que dentro de unos días se estrena una nueva versión del cuento de la princesa, su madrastra y los siete enanitos. Charlamos con Luisa Ezquerra una veterana actriz de doblaje que acaba de estrenar su primera película como protagonista. Y en la sección dedicada al western tenemos esta semana “Hasta que llegó su hora” de Sergio Leone, la película que convirtió a Henry Fonda en un canalla sin escrúpulos.

We're back with another Western. Ya'll know Hog loves him his nawty Westerns, especially Sergio Leone's spaghetti Westerns. This time, we're exploring Duck, You Sucker. It's also known by Once Upon a Time in the Revolution and A Fistful of Dynamite. It's an awesome film with a grand scale and epic set pieces. Check out our take on this as it's both of our first time watching. Mike's IG: www.instagram.com/miketerrible Will's IG: www.instagram.com/brentwood.buddha Will's Twitter: https://x.com/wwgish Mike's Twitter: https://x.com/MikeSitnikov86 Visit our YouTube Channel for clips from the show: www.youtube.com/@MovieoftheweekPod Visit our YouTube Channel dedicated to Hong Kong Cinema: www.youtube.com/@hkcinemasociety

Yee Haw! The "Dub R" welcomes one and all to a brand, spanking fresh episode! This week's "ep" opens up with a preview of the 2025 WWE "Elimination Chamber" from Toronto, Canada. Up next, It's a special film review "Double Feature"! Take a trip to the movies with Hey Ed and The J. We take a look at Robert Egger's "Nosferatu" and Jason Reitman's "Saturday Night". Continuing the show, it's the explosive conclusion to WR?'s "Fettuccine February"! We close out "ICON Month" with a Sergio Leone biography. As is tradition, we stroll down to the lagoon and deal with the waterfall! Please enjoy responsibly!PRESENTED by CHURCHILL PICTURESTimestamps:00:00:00 - Intro: WWE Preview: Elimination Chamber (2025)0:32:43 - Movie Review: Robert Egger's Nosferatu (2024)0:58:17 -  Fettacinni February: Sergio Leone Biography1:20:56  - Goofs R GoofsThanks for Listening!

Sir Christopher Frayling is a legend of film writing and criticism. His work on Hammer and his books on Sergio Leone and Spaghetti Westerns have been a huge inspiration to many of us. His latest - Sergio Leone by Himself - is available HERE. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's back for another week! The one and only WR? Podcast! This week's opening talk covers some "Sneakerhead" conversation for the first time in a long while. Then, it's a special look at the American pop cultural phenomenon, "Saturday Night Live". The guys discuss their history of being fans since childhood and the big 50th Anniversary show from the past weekend. Then, "Icon Month" on WR? continues! It's our celebration of legendary film director, Sergio Leone! "Fettuccine February" rolls along like a tumbleweed. This week we take a look at arguably Sergio's "Prime", and "Once Upon a Time in the West". Come listen as WR? breaks down this epic spaghetti western classic! As always, the stroll to the lagoon and "G R' G" takes the show home. Please enjoy responsibly!PRESENTED by CHURCHILL PICTURESTimestamps:00:00:00 - Intro: Sneaker Talk0:19:42 - SNL 50 Review and Discussion0:43:57 -  Fettacinni February: Once Upon a Time in the West (1964)1:06:26  - Goofs R GoofsThanks for Listening!

In this Director's Cut length episode of the pod, Harry and Daniel explore Sergio Leone's epic crime saga, Once Upon a Time in America (1984), examining its portrayal of Jewish gangsters, memory, and the American Dream. They are joined by Margalit Fox, author of The Talented Mrs. Mandelbaum: The Rise and Fall of an American Organized-Crime Boss, and veteran film critic George Robinson, author of Essential Judaism: A Complete Guide to Beliefs, Customs, and Rituals. Together, they discuss the film's historical inspirations, its intricate narrative structure, and its place within the broader context of Jewish representation in cinema.Guest LinksMargalit Fox's BooksGeorge Robinson's BooksMovie LinksOnce Upon A Time in America TrailerOnce Upon A Time in America on IMDbOnce Upon A Time in America behind the scenes doc on YouTubeConnect with Jews on Film online:Jews on Film Merch - https://jews-on-film.printify.me/productsInstagram - https://www.instagram.com/jewsonfilm/Twitter - https://twitter.com/jewsonfilmpodYouTube - https://www.youtube.com/@jewsonfilmTikTok - https://www.tiktok.com/@jewsonfilmpod

This week, Moritz Binder – the Oscar-nominated screenwriter of September 5 – joins us to celebrate Sergio Leone's landmark Western The Good, the Bad and the Ugly, from the magnificently sweaty cast to the sun-blasted locations to Ennio Morricone's iconic score. Your genial host Norm Wilner is still a Tuco guy, despite everything.

In this episode, we review our No. 2 film for 1964, “A Fistful of Dollars,” the first true Spaghetti Western that launched the careers of director Sergio Leone, star Clint Eastwood, and composer Ennio Morricone.   Support this project on Patreon!

Welcome to the circus! WR? IS BACK! Another new week, another new episode. Episode 242's opening talk covers everything about this year's "Big Game"! WR? breaks down the NFL's "Superbowl 59" (Eagles/Chiefs). Then, the road to the "Superbowl of Wrestling" begins, the guy's review WWE's 2025 "Royal Rumble". Next, it's the start of "WR? Season Six: ICON Month". We proudly present, "Fettuccine February" as we celebrate the western films of the legendary director Sergio Leone! To kick off our blockbuster month, we start at the beginning. It's Clint Eastwood and Sergio Leone's first collaborations, "A Fistful of Dollars" and "For a Few Dollars More"! As is tradition, we head to the "Land of Goofs" to close out the show. Please enjoy responsibly! PRESENTED by CHURCHILL PICTURES Timestamps: 00:00:00 - Intro NFL Super Bowl 59 Preview and NFL Awards 0:36:26 - Review: 2025 WWE Royal Rumble 0:56:52 -  Fettacinni February: Fistful of Dollars (1964) 1:20:41  - Goofs R Goofs Thanks for Listening!

Dirty Harry (1971) is a film that not only redefined the crime thriller genre but also cemented Clint Eastwood's place as one of cinema's most iconic leading men. In this week's episode of Born to Watch, Whitey and Gow are joined by special guest Will the Worky to discuss this gritty masterpiece that follows the relentless pursuit of justice by Inspector Harry Callahan. With its unforgettable storytelling, striking cinematography, and the moral dilemmas it raises, Dirty Harry is more than just a film—it's a cultural landmark. In this Dirty Harry Movie Review, we'll break down why this movie remains a genre-defining classic.A Plot as Sharp as Harry's MagnumThe plot of Dirty Harry grips you from the very first frame. San Francisco is under siege by the Scorpio Killer, a psychopathic sniper terrorising the city with seemingly random acts of violence. From the chilling opening, where a woman is gunned down while swimming in a rooftop pool, to Scorpio's taunting letters to the police, the film wastes no time establishing the stakes. Harry Callahan is assigned to the case, and the audience is quickly introduced to his no-nonsense approach to law enforcement.The tension escalates as Scorpio's crimes become more horrifying, including a demand for ransom and threats to kill schoolchildren. As Harry tracks the killer, the film raises moral questions about justice. Harry's unorthodox and often brutal tactics contrast sharply with the red tape and legal technicalities that allow Scorpio to evade justice. This moral grey area forms the backbone of the film, making every decision Harry makes feel weighty and consequential.Clint Eastwood as Harry CallahanClint Eastwood's magnetic performance as Inspector Harry Callahan is at the heart of the film. Already a star thanks to his roles in Sergio Leone's Westerns, Eastwood brings a rugged charisma to Harry, a man hardened by years of dealing with San Francisco's worst criminals. Harry's disdain for bureaucracy and willingness to cross ethical boundaries make him a fascinating antihero.Eastwood's portrayal balances toughness with a quiet vulnerability. Harry isn't a superhero; he's a man doing what he believes is necessary to protect the innocent, even if it means operating outside the boundaries of the law. His stoic demeanour and undeniable screen presence make Harry Callahan one of cinema's most enduring characters.A Villain Who Gets Under Your SkinA great hero needs a formidable villain, and Dirty Harry delivers one of the most unsettling antagonists in film history with the Scorpio Killer, played by Andrew Robinson. Inspired by the real-life Zodiac Killer, Scorpio is a sadistic predator who revels in chaos and fear. Robinson's performance is chilling, blending moments of eerie calm with outbursts of unhinged violence.Scorpio's unpredictability keeps the audience on edge, and his ability to manipulate the legal system adds another layer of tension. This isn't a villain Harry can overpower; he must outwit him while navigating the constraints of the justice system. The dynamic between Harry and Scorpio elevates the film, making their battle a thrilling game of cat-and-mouse.Cinematography and the Gritty Streets of San FranciscoOne of Dirty Harry's standout features is its use of San Francisco as a backdrop. The city becomes a character in its own right, with its steep hills, foggy streets, and iconic landmarks providing a rich, atmospheric setting for the story. The cinematography by Bruce Surtees captures the grittiness of urban life in the 1970s, grounding the film in a harsh reality that feels both timeless and authentic.Surtees uses natural light and shadow to great effect, particularly in the nighttime sequences, which heighten the tension and give the film a noir-like quality. The action scenes, from the tense stakeouts to the thrilling final showdown, are shot with a rawness that makes them feel immediate and visceral. The result is a film that immerses viewers in its world, making the stakes feel all the more real.Action and Suspense Done RightDirty Harry masterfully balances moments of quiet suspense with bursts of intense action. The pacing is deliberate, building tension as Harry gets closer to catching Scorpio. When the action erupts, it's brutal and unrelenting, reflecting the story's high stakes. The film's most memorable sequences, including Harry's iconic “Do I feel lucky?” confrontation and the climactic chase through a quarry, are perfectly executed, blending taut direction with Eastwood's commanding screen presence.Dirty Harry's grounding in the story sets the action apart. Every gunshot, every punch, every chase serves a narrative purpose, heightening the stakes and revealing more about Harry's character. The action is never gratuitous; it's a natural extension of the film's themes and conflicts.A Soundtrack That Sets the ToneThe film's score, composed by Lalo Schifrin, is another standout element. The music combines jazz and orchestral elements with avant-garde sounds, creating a sense of unease that mirrors the tension onscreen. Schifrin's unconventional rhythms and eerie melodies enhance the film's atmosphere, making the viewer feel the menace of Scorpio's presence and the relentless drive of Harry's pursuit.Themes of Justice and MoralityOne of the reasons Dirty Harry remains so compelling is its exploration of justice and morality. The film asks difficult questions about the balance between individual freedoms and the need for public safety. Harry's methods are controversial, often skirting the line between heroism and vigilantism. He's a character who doesn't fit neatly into the role of a traditional hero, which makes him all the more fascinating.The film also critiques the bureaucracy of law enforcement, highlighting how red tape and legal loopholes can prevent justice from being served. This theme resonated deeply in the 1970s, a time of social unrest and disillusionment with authority, and it remains relevant today.A Legacy That EnduresMore than 50 years after its release, Dirty Harry continues influencing the crime thriller genre. Its impact can be seen in countless films and TV shows, from Lethal Weapon to Breaking Bad. Harry Callahan's uncompromising attitude and moral complexity have become archetypes for antiheroes, and the film's gritty realism set a new standard for action cinema.Dirty Harry also launched a successful franchise, with Eastwood reprising the role in four sequels. While the later films vary in quality, the original remains a benchmark for the genre—a film that challenges, thrills and entertains in equal measure.Dirty Harry is more than just a movie; it's a cultural phenomenon that redefined what a crime thriller could be. With its sharp storytelling, unforgettable characters, and moral complexity, the film has earned its place as a timeless classic. Whether you're a first-time viewer or a longtime fan, Dirty Harry remains a must-watch for anyone who loves cinema.This week on Born to Watch, Whitey, Gow, and special guest Will the Worky explore why this 1971 masterpiece still resonates with audiences today. Tune in to the latest episode to dive deeper into the legacy of Harry Callahan and the world of Dirty Harry.Please follow the Podcast and join our community at 

Make My Day returns with their first episode of 2025. Get four coffins ready because co-hosts Michael Roffman, McKenzie Gerber, and Adam Carston are joined by Ed Larson of Last Podcast on the Left, The Brighter Side, HGx2, & Murderfist. Together, they gallop into the horizon to discuss Sergio Leone's A Fistful of Dollars. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1984, one of the greatest films of all time was released, though it received little recognition from The Academy or the Palme d'Or. Sergio Leone's Once Upon a Time in America is an epic masterpiece, perfectly suited for today's audience, who increasingly appreciate long-form storytelling. For any true film buff, this cinematic gem deserves to be at the very top of your must-watch list. Those who brought you this film. Directed by: Sergio Leone Produced by: Arnon Milchan Screenplay by: Leonardo Benvenuti Piero De Bernardi Enrico Medioli Franco Arcalli Franco Ferrini Sergio Leone Based on the novel: The Hoods by Harry Grey Starring: Robert De Niro as David "Noodles" Aaronson James Woods as Maximilian "Max" Bercovicz Elizabeth McGovern as Deborah Gelly Joe Pesci as Frankie Monaldi Burt Young as Joe Minaldi Tuesday Weld as Carol Treat Williams as James Conway O'Donnell Danny Aiello as Police Chief Vincent Aiello William Forsythe as Philip "Cockeye" Stein James Hayden as Patrick "Patsy" Goldberg Music by: Ennio Morricone Cinematography by: Tonino Delli Colli Edited by: Nino Baragli Production Design by: Carlo Simi

This was an excellent Friday crossword - not particularly difficult, both cohosts got through it rather expeditiously - but the clues were just fabulous. We've gone through most of them in today's episode, so check that out.In addition, we have a Fun Fact Friday segment on Sergio Leone, so, make our day* and tell others people about us on "the socials" (aka social media).Show note imagery: Harry Chiti, who the METS once traded for himself!!*a Clint Eastwood reference, in case you missed itWe love feedback! Send us a text...Contact Info:We love listener mail! Drop us a line, crosswordpodcast@icloud.com.Also, we're on FaceBook, so feel free to drop by there and strike up a conversation!

Our season of western movies has now entered the spaghetti western phase of the 1960's with Sergio Leone's A FISTFUL OF DOLLARS with Clint Eastwood as The Man With No Name.  Please send any and all feedback to anotherlookpod@gmail.com.  Please follow us on Instagram @anotherlookpod, and check us out on Facebook.  Rate/review/subscribe where ever you get your podcasts.

Join host Aaron Strand live at the historic Plaza Theatre in Atlanta, GA as he presents Sergio Leone's 1967 film 'The Good, The Bad, and The Ugly'. Aaron gives an opening monologue giving a brief historical background of the filmmaker. After the screening, we open up the conversation for a lively audience discussion!Come see us for our next live show, January 23rd where we will be screening Agnes Varda's 1962 film 'Cleo from 5 to 7'Tickets hereEmail us: behindtheslatepod@gmail.comInstagram: @behindtheslatepodTikTok: @behindtheslatepodYouTube: @behindtheslatepodcast Hosted on Acast. See acast.com/privacy for more information.

Actor, improviser, and son of a thousand fathers David Danipour grew up with his dad endlessly replaying Sergio Leone's THE GOOD, THE BAD AND THE UGLY​ (1966). Is it a timeless cinema classic or an overrated, atrociously dubbed relic? Tune in to find out—and to all the dub actors out there, please don't hit “unsubscribe.” Episode Links: David's Website David's IG David's YouTube Channel David's X Joe's Patreon Mr. Owl's Website

The 1964 spaghetti Western A Fistful of Dollars turned Clint Eastwood into a star. He had a famous squint in his closeups, but he told Terry Gross in 1997, it wasn't necessarily character driven. "They bombed me with a bunch a lights, and you're outside and it's 90 degrees, and it's hard not to squint." We'll also hear from Eastwood's co-star in The Good, the Bad and the Ugly, Eli Wallach, who went on to play a bandit in several Westerns. Cultural historian Christopher Frayling tells us how the Italian director Sergio Leone broke the conventions of the Hollywood Western, and stuntman Hal Needham describes his most daring feats.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy