Podcasts about Sergio Leone

This is a preview of a premium episode from our Patreon feed, Paid Costly For Me! Head over to Patreon.com/PodCastyForMe to hear more for just $5 a month. We return to our very slow trip through the films of Sergio Leone with 1971's DUCK, YOU SUCKER!, also known as A FISTFUL OF DYNAMITE, also known as GIÙ LA TESTA, a story of the Mexican Revolution starring Rod Steiger and James Coburn. It's a real humdinger of an episode, as Jake's allergies flare up while he tells a long story about some unpleasant men at the barbershop, Ian explains the Mexican Revolution, and we both read passages from Frantz Fanon. Enjoy! Thanks as always to Jetski for our theme music and to Jeremy Allison for our artwork. https://www.podcastyforme.com/ Follow Pod Casty For Me: https://twitter.com/podcastyforme https://www.instagram.com/podcastyforme/ https://www.youtube.com/@podcastyforme Support us on Patreon: https://www.patreon.com/PodCastyForMe Artwork by Jeremy Allison: https://www.instagram.com/jeremyallisonart  

This week, the boys pull up their dacks, lace up their blunnies, pull over their cardies, eat a bikkie, grab a tinny, and lob in for the Ridgy Didge himself, Baz Luhrmann's first feature film, “Strictly Ballroom”. This isn't any ear bashing- we loved it! It made us three happy little Vegemites. After Jeff gives a quick mini-review of “Mission: Impossible— The Final Reckoning”, our native Aussie and gutless wonder, Dave, knackered from a good hissy at his lappy, guides us through this absolute hooley dooley. Don't be a drongo- grab a coldie and listen- you'll be doing the bogo pogo in a jiff!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 6:27 Jeff's mini-review of Mission: Impossible — The Final Reckoning; 11:29 Gripes; 15:01 1992 Year in Review; 39:02 Films of 1992: Strictly Ballroom; 1:21:26 What You Been Watching?; 1:28:53 Next Episode Teaser Additional Cast/Crew: Paul Mercurio, Tara Morice, Craig Pearce, Bill Hunter, Pat Thompson, Gia Carides, Peter Whitford, Barry Otto, Sonia Kruger, Tom Cruise, Hayley Atwell, Simon Pegg, Ving Rhames, Pom Klementieff, Esai Morales, Holt McCalleny, Janet McTeer, Nick Offerman, Shea Whigham, Tramell Tillman, Angela Bassett, Mark Gatiss, Rolf Saxon, Greg Tarzan Davis. Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: Mission: Impossible, submarine, nuclear weapons, Top Gun: Maverick, Ben Mendelsohn, French Accents, The Monuments Men, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Fuhrermuseum, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Wicked, All Quiet on the Western Front, Wicked, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellen Skarsgard, the matt and mark movie show.The Southern District's Waratah Championship, Night of a Thousand Stars, The Pan Pacific Grand Prix (The Pan Pacifics)    

The boys head to Japan this week to discuss Akira Kurosawa's “Yojimbo”. Starring Toshiro Mifune, the film is considered one of the most influential movies of all time. It's so influential that an entire series of westerns ripped it off so good they couldn't be released in the US for years due to threats of lawsuits. Anyway, this film is awesome, but did the boys think it stands up to the other Kurosawa greats? Grab a beer and tune in!  Our phone number is 646-484-9298. It accepts texts or voice messages.  0:00 Intro; 8:56 “Sinners” follow-up; 14:30 Gripes; 21:31 1961 Year in Review; 45:26 Films of 1961: “Yojimbo”; 1:30:53 What You Been Watching?; 1:38:58 Next Week's Movie Announcement Additional Cast/Crew: Toshiro Mifune, Tatsuya Nakadai, Fukuzo Koizumi, Takao Saito, Daisuke Katō, Masaru Sato, Kazuo Miyagawa, Akira Kurosawa.  Hosts: Dave Green, Jeff Ostermueller, John Say Edited & Produced by Dave Green. Beer Sponsor: Carlos Barrozo Music Sponsor: Dasein Dasein on Spotify: https://open.spotify.com/artist/77H3GPgYigeKNlZKGx11KZ 
Dasein on Apple Music: https://music.apple.com/us/artist/dasein/1637517407 Additional Tags: France, The War of 1812, Napoleon, Russia, Russian History, Aristocracy, Dueling, Swans, Ducks, Chickens, Generals, Mean Streets, Taxi Driver, Black Mirror, Slow Horses, The First Look, Ben Mendelsohn, French Accents, The Monuments Men, George Clooney, The Stock Market Crash, Bear Market, Trains, Locomotions, Museums, Fuhrermuseum, Nazis, WWII movies, WWI Shows, Plastic ExplosivesThe Crusades, Swedish Art, Knights, Death, MGM, Amazon Prime, Marvel, Sony, Wicked, All Quiet on the Western Front, Wicked, Conclave, Here, Venom: The Last Dance, Casablanca, The Wizard of Oz, Oscars, Academy Awards, BFI, BAFTA, BAFTAS, British Cinema. England, Vienna, Leopoldstadt, The Golden Globes, Past Lives, Monarch: Legacy of Monsters, The Holiday, Sunset Boulevard, Napoleon, Ferrari, Beer, Scotch, Travis Scott, U2, Apple, Apple Podcasts, Switzerland, West Side Story, Wikipedia, Adelaide, Australia, Queensland, New South Wales, Melbourne, Indonesia, Java, Jakarta, Bali, Guinea, The British, England, The SEC, Ronald Reagan, Stock Buybacks, Marvel, MCU, DCEU, Film, Movies, Southeast Asia, The Phillippines, Vietnam, America, The US, Academy Awards, WGA Strike, SAG-AFTRA, SAG Strike, Peter Weir, Jidaigeki, chambara movies, sword fight, samurai, ronin, Meiji Restoration, plague, HBO Max, Amazon Prime, casket maker, Seven Samurai, Roshomon, Sergio Leone, Clint Eastwood, Stellen Skarsgard, the matt and mark movie show.  

Topos in Fabula dedicato a Django Unchained e C'era una volta il West Quentin Tarantino e Sergio Leone

IT ALL COMES DOWN TO THIS. A WINDSWEPT FIELD. TWO SUN-BEATEN MEN IN WIDE-BRIMMED HATS. ITCHY TRIGGER FINGERS. THE MUSIC CRESCENDOS. THE FINAL SHOWDOWN.    After a short break and some technical difficulties, Gabe and Patrick are back to finish what they started, looking back at 15 spaghetti westerns released in the year 1968. We saved some the greatest movies and the hottest takes for last – Sergio Corbucci's The Mercenary (Italian: Il mercenario), Enzo G. Castellari's Kill Them All and Come Back Alone (Italian: Ammazzali tutti e torna solo), Corbucci's The Great Silence (Italian: Il grande silenzio), and Sergio Leone's Once Upon a Time in the West (Italian: C'era una volta il West).   Check out Part 1 and Part 2 first.   Check out the complete list of films here: https://letterboxd.com/gabepowers/list/the-spaghetti-westerns-of-1968/   00:00 – Intro (What have we already covered?)  04:11 – The Mercenary 36:52 – Kill Them All and Come Back Alone  55:54 – The Great Silence 1:29:36 – Once Upon a Time in the West 2:06:31 – Outro (What have we learned?)  

Gene Hackman left us in shocking and tragic circumstances on February 18, 2025. With his signature intensity, he may be one of the least stony actors of all time, but he was one of the best. To pay tribute to him we have his trippiest movie this side of CISCO PIKE (1971) with the quick-cut, dolly-shot, bullet-hole-cam madness of Sam Raimi's THE QUICK AND THE DEAD (1995). In this tribute to Sergio Leone's ONCE UPON A TIME IN THE WEST (1968), Gene Hackman delivers one of his most villainous performances as old west tyrant John Herod, who draws every shootist to his desert town for an annual gunfighting competition where the contestants duel to the death. Joining us to talk about Raimi's modern spaghetti western is actor LENNIE LOFTIN, who plays the grizzled townie Foy and gets to toss around an up-and-coming Russell Crowe in the movie. THE QUICK AND THE DEAD also stars Sharon Stone in the gender-swapped Man-with-No-Name role, Crowe in his first U.S. picture, and then rising star Leonardo DiCaprio as the cocky kid who is pretty good with a six-shooter. Plus Lance Henriksen, Keith David, Pat Hingle, Raynor Schiene, Roberts Blossom, and the great Woody Strode in his final film. Just about everybody's in this one and we are so lucky to have Loftin here to talk about this amazing film. Also joining host Bob Calhoun in her OMFYS debut, Rosemary Picado. Now you have heard her haunting vocals in the "O Nosferatu" carol in our NOSFERATU CHRISTMAS episode, but this is her first time as a panelist. She's a QUICK AND THE DEAD expert and fanatic, so we couldn't do this episode without her. Cory, Greg, and Philena are on assignment but they'll be back for The PhilenApocalypse III: Drag Story Time where Philena returns to torture the olds with TO WONG FOO, THANKS FOR EVERYTHING! JULIE NEWMAR (1995) and HURRICANE BIANCA (2016). Subscribe on your favorite podcast app so you don't miss it. Old Movies for Young Stoners Theme by Chaki the Funk Wizard. Used with permission. Web: www.oldmoviesforyoungstoners.com Bluesky: @oldmoviesystoners.bsky.social Instagram/Facebook (Meta): oldmoviesforyoungstoners TikTok: @oldmoviesforyoungstoners Contact: oldmoviesforyoungstoners AT gmail DOT com

James had never seen Sergio Leone's legendary Western The Good, the Bad and the Ugly, so he watched it with Dan and they recorded a podcast about it. In this episode, they discuss Clint Eastwood's iconic gunslinger persona, Eli Wallach's unforgettable performance as Tuco, and Ennio Morricone's soaring score. They also explore the film's sweeping scale, its operatic tension, and the quiet inevitability that leads three outlaws to one of the greatest final showdowns in movie history.Stay Connected:X: @talkinfilmBluesky: @talkinfilm.bsky.socialTikTok: @talkin_filmFacebook: You Talkin' to Me? Film PodcastSubscribe: Available on all major podcast platformsEnjoy our podcast? Share it with friends and leave a review on Apple Podcasts or Spotify

This month Tim is joined by Jordan Farley (from The Movie Wingman) to discuss Sergio Leone's Once Upon a Time in the West (1968). –––––––––––––––––––––––––––––– Once Upon A Time in the West is =95 on the Sight & Sound critic's list. You can read Jordan's own Sight & Sound Top 10 here. –––––––––––––––––––––––––––––– Hosted by Tim Coleman. A Moving Pictures Film Club podcast. You can sign up to our Patreon channel here for just £1/$1 pm. Alternatively you can make a donation to the runnning costs of the pod via Buy Me A Coffee here. Theme music by The Gideon Complex - recorded by FrEQ Audio Recordings. Bluesky: @top100pod.bsky.social  Instagram: @thetop100pod Letterboxd: The Top 100 Email: top100pod@gmail.com –––––––––––––––––––––––––––––– Interview with Ousmane Sembène here. Additional music: Creative Commons — Attribution 3.0 Unported — CC BY 3.0.Music promoted by Copyright Free Music - Background Music For Videos

Waffle On about The Good, The Bad and The Ugly Hello and welcome to this months edition in which Meds and Kell chat away about the brilliant 1967 Western The Good, The Bad and The Ugly. The third film in Sergio Leone's Dollars trilogy, it stars Clint Eastwood, Lee Van Cleef and film stealing star Eli Wallach.  The Good, The Bad and The Ugly DVD https://amzn.to/42tOF1I   The Good, The Bad and The Ugly Soundtrack https://amzn.to/431OcE2   Best of Ennis Morricine  https://amzn.to/4cU3deA    

The gang plays the harmonica this week as they review #52 in the IMDB greatest movies of all time, Once Upon a Time in the West, directed by the great Sergio Leone. After Leone completed his dollars / Man with no name trilogy, he vowed to leave the western genre alone, until he was given the chance to make a movie with his favorite actor of all time, Henry Fonda. What the world got in return was this nearly 3 hour epic in the Spaghetti Western genre. The gang wraps up Spaghetti Western April with this review.... what will May bring the show? Tune in to find outVisit the YouTube channel Saturdays @ 12:30 PM Pacific to get in on the live stream, or just watch this episode rather than just listen!Channel:https://www.youtube.com/channel/UCI1lVsk1xjMSBgZK82uAzgQThis Episode:https://youtu.be/vh1uj_RK0qghttp://www.MCFCpodcast.comhttps://www.twitch.tv/MCFCpodcasthttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclass   Email: MCFCpodcast@gmail.comMerch store - https://middle-class-film-class.creator-spring.com/    Join the Patreon:www.patreon.con/middleclassfilmclass Patrons:JavierJoel ShinnemanLinda McCalisterHeather Sachs https://twitter.com/DorkOfAllDorksChris GeigerDylanMitch Burns Robert Stewart JasonAndrew Martin Dallas Terry Jack Fitzpatrick Mackenzie MinerAngry Otter (Michael)Joseph Navarro     Pete Abeyta  and Tyler Noe

After learning the ropes in Sergio Leone's Italian Westerns, Clint Eastwood took the reins to direct the 1973 film HIGH PLAINS DRIFTER. Not an easy movie to watch, but it makes for an intersting conversation.

This episode of Film Seizure heads out west for the tale of five people who all have eyes on a seemingly worthless patch of desert in Sergio Leone's classic epic Once Upon a Time in the West. Episodes release on Wednesday at www.filmseizure.com "Beyond My Years" by Matt LaBarber LaBarber The Album Available at https://mattlabarber.bandcamp.com/album/labarber-the-album Copyright 2020 Like what we do? Buy us a coffee! www.ko-fi.com/filmseizure Follow us on Facebook: www.facebook.com/filmseizure/ Follow us on BlueSky: https://bsky.app/profile/filmseizure.bsky.social Follow us on Mastodon: https://universeodon.com/@filmseizure Follow us on Instagram: www.instagram.com/filmseizure/ You can now find us on YouTube as well! The Film Seizure Channel can be found here: https://www.youtube.com/c/FilmSeizure

This week on The Treatment, Elvis speaks with musician and actress Lucia Micarelli about her forthcoming album Anthropology. Then, film scholar Sir Christopher Frayling talks about his newest book Sergio Leone by Himself. And on The Treat, actor Ke Huy Quan talks about a movie that ignited his love for the martial arts.

In 1964, the dream team of actor Clint Eastwood, director Sergio Leone and composer Ennio Morricone changed westerns forever, with A FISTFUL OF DOLLARS. And Akira Kurosawa had something to say about that. Join Ian and Matthew for a discussion of the movie and its impact on decades of moviemaking.

This Sunday at 9 PM, Kev and Jay Mack take a trip to the Wild West as they review A Fistful of Dollars, the Sergio Leone classic that redefined the spaghetti western genre! Tune in as they break down Clint Eastwood's iconic role, Ennio Morricone's legendary score, and the film's lasting impact—courtesy of the studio. #SpaghettiWestern #ClintEastwood #AFistfulOfDollars #SergioLeone #MovieReview

HAKAN und GUESS besuchen mich und meinen Sergio Leone is nen gudder.Bewegtbildbanausen:https://linktr.ee/bewegtbildbanausenWir Quatschen Über Filme:https://www.youtube.com/@wirquatschenueberfilmeVIELEN DANK an meine Patreons:

The gang kicks off their month of Spaghetti Westerns with the granddaddy of them all, from Sergio Leone. The Good The Bad & The Ugly is the third of a trilogy that has Clint Eastwood embody his first major role as the sharp whitted and grey moraled gunslinger, Blondie. Topic is from Joseph, and this movie is his pick too... did it live up to the hype? Tune in and find out for yourselfVisit the YouTube channel Saturdays @ 12:30 PM Pacific to get in on the live stream, or just watch this episode rather than just listen!Channel:https://www.youtube.com/channel/UCI1lVsk1xjMSBgZK82uAzgQThis Episode:https://youtu.be/swSzaOUJ9Lchttp://www.MCFCpodcast.comhttps://www.twitch.tv/MCFCpodcasthttp://www.facebook.com/MCFCpodcasthttp://www.twitter.com/podcastMCFChttp://www.tiktok.com/middleclassfilmclasshttp://www.instagram.com/middleclassfilmclass   Email: MCFCpodcast@gmail.comMerch store - https://middle-class-film-class.creator-spring.com/    Join the Patreon:www.patreon.con/middleclassfilmclass Patrons:JavierJoel ShinnemanLinda McCalisterHeather Sachs https://twitter.com/DorkOfAllDorksChris GeigerDylanMitch Burns Robert Stewart JasonAndrew Martin Dallas Terry Jack Fitzpatrick Mackenzie MinerAngry Otter (Michael)Joseph Navarro     Pete Abeyta  and Tyler Noe

Quando finisce un amore La prima clip è tratta dalla sigla di “Happy days” 1974 all rights reserved. La seconda dalla scena iniziale del film di Woody Allen “Manhattan” 1979 all rights reserved. L'ultima da “C'era una volta in America” di Sergio Leone, musiche di Ennio Morricone, 1984 all rights reserved

The Man with No Name is back and this time his name is Manco and he has a friend Morty (played by Chief Van Cleef). They are in love and express that love by shooting each other's hats!FOR A FEW DOLLARS MORE is the bigger, better, and richer sequel to last week's A FISTFUL OF DOLLARS. Your hosts are joined by a special guest, friend of the pod Max. Max rode into town on a pale horse, joined us at the campfire, ate some beans, and spun us an old cowboy tune.We also talk about Alex and Max's favourite film THE BIKERIDERS, and some other stuff we've been watching like CABARET, THE EXTERMINATING ANGEL, and PRIME CUT (RIP Gene Hackman)Join us next for week for the exciting conclusion of the Dollars Trilogy, THE GOOD, THE BAD AND THE UGLY. Perhaps another lonesome cowboy will drift into our ranch and join us for an impromptu Sergio Leone filmography ranking. You'll have to listen to see who (it's Jordan)You can follow The Franchisees on Twitter and Instagram @thefranchisees or email us at thefranchiseespod@gmail.com 

In episode seven of our Visionary Remakes season, we traverse two classic westerns. First, Kurosawa's Yojimbo (1961) and its nearly immediate Italian reaction, Sergio Leone's A Fistful of Dollars (1964).The western has always been seen as a distinctly American film genre. The "west" in the word is the American West, a grand nearly ungovernable stretch of land filled with plains, deserts, mountains, rivers, and precarious cliffs, both literal and moral. It is a rich canvas that can tell a thousand different stories. Ironically, here we have two non-American voices calling out to the vast wilderness of the West. Perhaps it is a wild and mysterious place that exists in all cultures. Kurosawa's Yojimbo is not necessarily a textbook Western, but of course, it is deeply indebted to Shane (1953), High Noon (1952), The Gunfighter (1950), and John Ford's Stagecoach (1939) and My Darling Clementine (1946). At the same time, the source material was a hardboiled detective American novel from the 1930s, and we can not discount its place in the lineage of the chanbara films. Yojimbo is an amalgamation and many different styles and genres, but it still feels like a Western at its core.A Fistful of Dollars is resolutely a Western, but it came from somewhere left of the dial. Sergio Leone did not speak English nor had he ever been to America, let alone the American West. But Leone was able to spark something new and powerful in the waning genre. Westerns had been around since the beginning of film, but by the 1950s and 1960s, the genre had oversaturated culture mostly through dime-store tv shows: Gunsmoke, The Lone Ranger, Bonanza, and Rawhide. Westerns had become trite and tired. Along came Clint Eastwood, Sergio Leone, and Ennio Morricone to reinvent and rekindle that flickering flame.

A man... of few words. A man... with a poncho. A man... with no name. Although perhaps he does have a name and it's Joe but that's not important. We're doing the Dollars Trilogy aka The Man With No Name Trilogy, a series of spaghetti westerns directed by master filmmaker Sergio Leone and starring the god Clint Eastwood. Before we talk about the film we also discuss what we've been watching recently: THE GORGE, WOMAN OF THE HOUR, and 47 RONIN. Ben is back from Halifax and Alex is back from Mexico. How were their trips? Acceptable!Join us next week for the 2nd instalment in the Dollars Trilogy, FOR A FEW DOLLARS MORE. How many dollars more? You'll have to listen to find out, you should know that by now!You can follow The Franchisees on Twitter and Instagram @thefranchisees or email us at thefranchiseespod@gmail.com

This Special Episode introduces “ROUGH RIDER”, my new single. It's the first of four new singles that I'm releasing one per month via this podcast. The song is another return to my instrumental roots. It's got a Cool, ‘60s “Spaghetti Western”, guitar-driven, tremolo sounding, Ventures/Link Wray/Duane Eddy kind of vibe. If you close your eyes as you listen you can just picture Clint Eastwood in one of Sergio Leone's classic movies, like “The Good, The Bad, And The Ugly”, riding into town and taking on the bad guys. Enjoy!YouTube link. All links.---------------------------------------------The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries!For more information and other episodes of the podcast click here. To subscribe to the podcast click here.To subscribe to our weekly Follow Your Dream Podcast email click here.To Rate and Review the podcast click here.—----------------------------------------ROBERT'S RECENT SINGLES:“LOVELY GIRLIE” is Robert's latest single. It's a fun, Old School, rock/pop tune with 3-part harmony. It's been called “Supremely excellent!”, “Another Homerun for Robert!”, and “Love that Lovely Girlie!”Click HERE for All Links—----------------------------------“THE RICH ONES ALL STARS” is Robert's single featuring the following 8 World Class musicians: Billy Cobham (Drums), Randy Brecker (Flugelhorn), John Helliwell (Sax), Pat Coil (Piano), Peter Tiehuis (Guitar), Antonio Farao (Keys), Elliott Randall (Guitar) and David Amram (Pennywhistle).Click HERE for the Official VideoClick HERE for All Links—----------------------------------------“SOSTICE” is Robert's single with a rockin' Old School vibe. Called “Stunning!”, “A Gem!”, “Magnificent!” and “5 Stars!”.Click HERE for all links.—---------------------------------“THE GIFT” is Robert's ballad arranged by Grammy winning arranger Michael Abene and turned into a horn-driven Samba. Praised by David Amram, John Helliwell, Joe La Barbera, Tony Carey, Fay Claassen, Antonio Farao, Danny Gottlieb and Leslie Mandoki.Click HERE for all links.—-------------------------------------“LOU'S BLUES”. Robert's Jazz Fusion “Tone Poem”. Called “Fantastic! Great playing and production!” (Mark Egan - Pat Metheny Group/Elements) and “Digging it!” (Peter Erskine - Weather Report)!Click HERE for all links.—----------------------------------------Audio production:Jimmy RavenscroftKymera Films Connect with the Follow Your Dream Podcast:Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com Follow Robert's band, Project Grand Slam, and his music:Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com

Fue una de las pelirrojas míticas del cine clásico, como Katharine Hepburn, Maureen O'Hara o Rita Hayworth. Una gran actriz que era especialista en melodramas aunque cultivó casi todos los géneros. Nos referimos a Susan Hayward. Este 14 de marzo se han cumplido 50 años de su muerte y en este episodio recordamos su vida y su carrera. También vamos a repasar todas las adaptaciones al cine que se han hecho del personaje de Blancanieves, ya que dentro de unos días se estrena una nueva versión del cuento de la princesa, su madrastra y los siete enanitos. Charlamos con Luisa Ezquerra una veterana actriz de doblaje que acaba de estrenar su primera película como protagonista. Y en la sección dedicada al western tenemos esta semana “Hasta que llegó su hora” de Sergio Leone, la película que convirtió a Henry Fonda en un canalla sin escrúpulos.

We're back with another Western. Ya'll know Hog loves him his nawty Westerns, especially Sergio Leone's spaghetti Westerns. This time, we're exploring Duck, You Sucker. It's also known by Once Upon a Time in the Revolution and A Fistful of Dynamite. It's an awesome film with a grand scale and epic set pieces. Check out our take on this as it's both of our first time watching. Mike's IG: www.instagram.com/miketerrible Will's IG: www.instagram.com/brentwood.buddha Will's Twitter: https://x.com/wwgish Mike's Twitter: https://x.com/MikeSitnikov86 Visit our YouTube Channel for clips from the show: www.youtube.com/@MovieoftheweekPod Visit our YouTube Channel dedicated to Hong Kong Cinema: www.youtube.com/@hkcinemasociety

Yee Haw! The "Dub R" welcomes one and all to a brand, spanking fresh episode! This week's "ep" opens up with a preview of the 2025 WWE "Elimination Chamber" from Toronto, Canada. Up next, It's a special film review "Double Feature"! Take a trip to the movies with Hey Ed and The J. We take a look at Robert Egger's "Nosferatu" and Jason Reitman's "Saturday Night". Continuing the show, it's the explosive conclusion to WR?'s "Fettuccine February"! We close out "ICON Month" with a Sergio Leone biography. As is tradition, we stroll down to the lagoon and deal with the waterfall! Please enjoy responsibly!PRESENTED by CHURCHILL PICTURESTimestamps:00:00:00 - Intro: WWE Preview: Elimination Chamber (2025)0:32:43 - Movie Review: Robert Egger's Nosferatu (2024)0:58:17 -  Fettacinni February: Sergio Leone Biography1:20:56  - Goofs R GoofsThanks for Listening!

Sir Christopher Frayling is a legend of film writing and criticism. His work on Hammer and his books on Sergio Leone and Spaghetti Westerns have been a huge inspiration to many of us. His latest - Sergio Leone by Himself - is available HERE. Learn more about your ad choices. Visit megaphone.fm/adchoices

It's back for another week! The one and only WR? Podcast! This week's opening talk covers some "Sneakerhead" conversation for the first time in a long while. Then, it's a special look at the American pop cultural phenomenon, "Saturday Night Live". The guys discuss their history of being fans since childhood and the big 50th Anniversary show from the past weekend. Then, "Icon Month" on WR? continues! It's our celebration of legendary film director, Sergio Leone! "Fettuccine February" rolls along like a tumbleweed. This week we take a look at arguably Sergio's "Prime", and "Once Upon a Time in the West". Come listen as WR? breaks down this epic spaghetti western classic! As always, the stroll to the lagoon and "G R' G" takes the show home. Please enjoy responsibly!PRESENTED by CHURCHILL PICTURESTimestamps:00:00:00 - Intro: Sneaker Talk0:19:42 - SNL 50 Review and Discussion0:43:57 -  Fettacinni February: Once Upon a Time in the West (1964)1:06:26  - Goofs R GoofsThanks for Listening!

In this Director's Cut length episode of the pod, Harry and Daniel explore Sergio Leone's epic crime saga, Once Upon a Time in America (1984), examining its portrayal of Jewish gangsters, memory, and the American Dream. They are joined by Margalit Fox, author of The Talented Mrs. Mandelbaum: The Rise and Fall of an American Organized-Crime Boss, and veteran film critic George Robinson, author of Essential Judaism: A Complete Guide to Beliefs, Customs, and Rituals. Together, they discuss the film's historical inspirations, its intricate narrative structure, and its place within the broader context of Jewish representation in cinema.Guest LinksMargalit Fox's BooksGeorge Robinson's BooksMovie LinksOnce Upon A Time in America TrailerOnce Upon A Time in America on IMDbOnce Upon A Time in America behind the scenes doc on YouTubeConnect with Jews on Film online:Jews on Film Merch - https://jews-on-film.printify.me/productsInstagram - https://www.instagram.com/jewsonfilm/Twitter - https://twitter.com/jewsonfilmpodYouTube - https://www.youtube.com/@jewsonfilmTikTok - https://www.tiktok.com/@jewsonfilmpod

This week, Moritz Binder – the Oscar-nominated screenwriter of September 5 – joins us to celebrate Sergio Leone's landmark Western The Good, the Bad and the Ugly, from the magnificently sweaty cast to the sun-blasted locations to Ennio Morricone's iconic score. Your genial host Norm Wilner is still a Tuco guy, despite everything.

In this episode, we review our No. 2 film for 1964, “A Fistful of Dollars,” the first true Spaghetti Western that launched the careers of director Sergio Leone, star Clint Eastwood, and composer Ennio Morricone.   Support this project on Patreon!

Welcome to the circus! WR? IS BACK! Another new week, another new episode. Episode 242's opening talk covers everything about this year's "Big Game"! WR? breaks down the NFL's "Superbowl 59" (Eagles/Chiefs). Then, the road to the "Superbowl of Wrestling" begins, the guy's review WWE's 2025 "Royal Rumble". Next, it's the start of "WR? Season Six: ICON Month". We proudly present, "Fettuccine February" as we celebrate the western films of the legendary director Sergio Leone! To kick off our blockbuster month, we start at the beginning. It's Clint Eastwood and Sergio Leone's first collaborations, "A Fistful of Dollars" and "For a Few Dollars More"! As is tradition, we head to the "Land of Goofs" to close out the show. Please enjoy responsibly! PRESENTED by CHURCHILL PICTURES Timestamps: 00:00:00 - Intro NFL Super Bowl 59 Preview and NFL Awards 0:36:26 - Review: 2025 WWE Royal Rumble 0:56:52 -  Fettacinni February: Fistful of Dollars (1964) 1:20:41  - Goofs R Goofs Thanks for Listening!

Dirty Harry (1971) is a film that not only redefined the crime thriller genre but also cemented Clint Eastwood's place as one of cinema's most iconic leading men. In this week's episode of Born to Watch, Whitey and Gow are joined by special guest Will the Worky to discuss this gritty masterpiece that follows the relentless pursuit of justice by Inspector Harry Callahan. With its unforgettable storytelling, striking cinematography, and the moral dilemmas it raises, Dirty Harry is more than just a film—it's a cultural landmark. In this Dirty Harry Movie Review, we'll break down why this movie remains a genre-defining classic.A Plot as Sharp as Harry's MagnumThe plot of Dirty Harry grips you from the very first frame. San Francisco is under siege by the Scorpio Killer, a psychopathic sniper terrorising the city with seemingly random acts of violence. From the chilling opening, where a woman is gunned down while swimming in a rooftop pool, to Scorpio's taunting letters to the police, the film wastes no time establishing the stakes. Harry Callahan is assigned to the case, and the audience is quickly introduced to his no-nonsense approach to law enforcement.The tension escalates as Scorpio's crimes become more horrifying, including a demand for ransom and threats to kill schoolchildren. As Harry tracks the killer, the film raises moral questions about justice. Harry's unorthodox and often brutal tactics contrast sharply with the red tape and legal technicalities that allow Scorpio to evade justice. This moral grey area forms the backbone of the film, making every decision Harry makes feel weighty and consequential.Clint Eastwood as Harry CallahanClint Eastwood's magnetic performance as Inspector Harry Callahan is at the heart of the film. Already a star thanks to his roles in Sergio Leone's Westerns, Eastwood brings a rugged charisma to Harry, a man hardened by years of dealing with San Francisco's worst criminals. Harry's disdain for bureaucracy and willingness to cross ethical boundaries make him a fascinating antihero.Eastwood's portrayal balances toughness with a quiet vulnerability. Harry isn't a superhero; he's a man doing what he believes is necessary to protect the innocent, even if it means operating outside the boundaries of the law. His stoic demeanour and undeniable screen presence make Harry Callahan one of cinema's most enduring characters.A Villain Who Gets Under Your SkinA great hero needs a formidable villain, and Dirty Harry delivers one of the most unsettling antagonists in film history with the Scorpio Killer, played by Andrew Robinson. Inspired by the real-life Zodiac Killer, Scorpio is a sadistic predator who revels in chaos and fear. Robinson's performance is chilling, blending moments of eerie calm with outbursts of unhinged violence.Scorpio's unpredictability keeps the audience on edge, and his ability to manipulate the legal system adds another layer of tension. This isn't a villain Harry can overpower; he must outwit him while navigating the constraints of the justice system. The dynamic between Harry and Scorpio elevates the film, making their battle a thrilling game of cat-and-mouse.Cinematography and the Gritty Streets of San FranciscoOne of Dirty Harry's standout features is its use of San Francisco as a backdrop. The city becomes a character in its own right, with its steep hills, foggy streets, and iconic landmarks providing a rich, atmospheric setting for the story. The cinematography by Bruce Surtees captures the grittiness of urban life in the 1970s, grounding the film in a harsh reality that feels both timeless and authentic.Surtees uses natural light and shadow to great effect, particularly in the nighttime sequences, which heighten the tension and give the film a noir-like quality. The action scenes, from the tense stakeouts to the thrilling final showdown, are shot with a rawness that makes them feel immediate and visceral. The result is a film that immerses viewers in its world, making the stakes feel all the more real.Action and Suspense Done RightDirty Harry masterfully balances moments of quiet suspense with bursts of intense action. The pacing is deliberate, building tension as Harry gets closer to catching Scorpio. When the action erupts, it's brutal and unrelenting, reflecting the story's high stakes. The film's most memorable sequences, including Harry's iconic “Do I feel lucky?” confrontation and the climactic chase through a quarry, are perfectly executed, blending taut direction with Eastwood's commanding screen presence.Dirty Harry's grounding in the story sets the action apart. Every gunshot, every punch, every chase serves a narrative purpose, heightening the stakes and revealing more about Harry's character. The action is never gratuitous; it's a natural extension of the film's themes and conflicts.A Soundtrack That Sets the ToneThe film's score, composed by Lalo Schifrin, is another standout element. The music combines jazz and orchestral elements with avant-garde sounds, creating a sense of unease that mirrors the tension onscreen. Schifrin's unconventional rhythms and eerie melodies enhance the film's atmosphere, making the viewer feel the menace of Scorpio's presence and the relentless drive of Harry's pursuit.Themes of Justice and MoralityOne of the reasons Dirty Harry remains so compelling is its exploration of justice and morality. The film asks difficult questions about the balance between individual freedoms and the need for public safety. Harry's methods are controversial, often skirting the line between heroism and vigilantism. He's a character who doesn't fit neatly into the role of a traditional hero, which makes him all the more fascinating.The film also critiques the bureaucracy of law enforcement, highlighting how red tape and legal loopholes can prevent justice from being served. This theme resonated deeply in the 1970s, a time of social unrest and disillusionment with authority, and it remains relevant today.A Legacy That EnduresMore than 50 years after its release, Dirty Harry continues influencing the crime thriller genre. Its impact can be seen in countless films and TV shows, from Lethal Weapon to Breaking Bad. Harry Callahan's uncompromising attitude and moral complexity have become archetypes for antiheroes, and the film's gritty realism set a new standard for action cinema.Dirty Harry also launched a successful franchise, with Eastwood reprising the role in four sequels. While the later films vary in quality, the original remains a benchmark for the genre—a film that challenges, thrills and entertains in equal measure.Dirty Harry is more than just a movie; it's a cultural phenomenon that redefined what a crime thriller could be. With its sharp storytelling, unforgettable characters, and moral complexity, the film has earned its place as a timeless classic. Whether you're a first-time viewer or a longtime fan, Dirty Harry remains a must-watch for anyone who loves cinema.This week on Born to Watch, Whitey, Gow, and special guest Will the Worky explore why this 1971 masterpiece still resonates with audiences today. Tune in to the latest episode to dive deeper into the legacy of Harry Callahan and the world of Dirty Harry.Please follow the Podcast and join our community at 

Make My Day returns with their first episode of 2025. Get four coffins ready because co-hosts Michael Roffman, McKenzie Gerber, and Adam Carston are joined by Ed Larson of Last Podcast on the Left, The Brighter Side, HGx2, & Murderfist. Together, they gallop into the horizon to discuss Sergio Leone's A Fistful of Dollars. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1984, one of the greatest films of all time was released, though it received little recognition from The Academy or the Palme d'Or. Sergio Leone's Once Upon a Time in America is an epic masterpiece, perfectly suited for today's audience, who increasingly appreciate long-form storytelling. For any true film buff, this cinematic gem deserves to be at the very top of your must-watch list. Those who brought you this film. Directed by: Sergio Leone Produced by: Arnon Milchan Screenplay by: Leonardo Benvenuti Piero De Bernardi Enrico Medioli Franco Arcalli Franco Ferrini Sergio Leone Based on the novel: The Hoods by Harry Grey Starring: Robert De Niro as David "Noodles" Aaronson James Woods as Maximilian "Max" Bercovicz Elizabeth McGovern as Deborah Gelly Joe Pesci as Frankie Monaldi Burt Young as Joe Minaldi Tuesday Weld as Carol Treat Williams as James Conway O'Donnell Danny Aiello as Police Chief Vincent Aiello William Forsythe as Philip "Cockeye" Stein James Hayden as Patrick "Patsy" Goldberg Music by: Ennio Morricone Cinematography by: Tonino Delli Colli Edited by: Nino Baragli Production Design by: Carlo Simi

Once Upon a Time in the West directed by Sergio Leone and starring Charles Bronson, Henry Fonda, and Claudia Cardinale. Episode Roundup: The Cowpunchers make the determination that they'd be terrible 19th Century Robber Barons. Amy asks for "The Jug." Mel loved Claudia Cardinale's performance; hated her wardrobe. Whenever Stu gets thirsty, he asks for a cool, refreshing sip of Hat Water.

This was an excellent Friday crossword - not particularly difficult, both cohosts got through it rather expeditiously - but the clues were just fabulous. We've gone through most of them in today's episode, so check that out.In addition, we have a Fun Fact Friday segment on Sergio Leone, so, make our day* and tell others people about us on "the socials" (aka social media).Show note imagery: Harry Chiti, who the METS once traded for himself!!*a Clint Eastwood reference, in case you missed itWe love feedback! Send us a text...Contact Info:We love listener mail! Drop us a line, crosswordpodcast@icloud.com.Also, we're on FaceBook, so feel free to drop by there and strike up a conversation!

Der Western wurde schon oft totgesagt. Nachdem sich John Wayne zur Ruhe gesetzt und Sergio Leone die Mundharmonika an den Nagel gehängt hatte, hauchten Leute wie Clint Eastwood oder Kevin Costner dem Genre neues Leben ein. Und der aktuelle Erfolg einer Serie wie „Yellowstone“ zeigt: der Western boomt mal wieder. Zeitgleich ist die Country-Musik international so erfolgreich wie nie. Spiegelt sich in der Kultur also die Sehnsucht nach einem ländlichen Amerika das es so schon lange nicht mehr gibt? Findet man in diesem Trend gerade einen Schlüssel, um die USA nach der Wahl von Donald Trump besser zu verstehen? Oder sind die Geschichten doch universeller als man denkt? Welche Bilder und Selbstbilder verbinden wir mit Cowboyhut und Westerngitarre? Karsten Umlauf diskutiert mit Dr. Thomas Klein - Film- und Medienwissenschaftler, Arthur Landwehr - Journalist und Autor, Prof. Dr. Heike Paul - Kulturwissenschaftler

Our season of western movies has now entered the spaghetti western phase of the 1960's with Sergio Leone's A FISTFUL OF DOLLARS with Clint Eastwood as The Man With No Name.  Please send any and all feedback to anotherlookpod@gmail.com.  Please follow us on Instagram @anotherlookpod, and check us out on Facebook.  Rate/review/subscribe where ever you get your podcasts.

Welcome to Kermode on Film. This episode was recorded live at the BFI Southbank on Monday 16 December 2024.Mark Kermode was joined by Professor Sir Christopher Frayling, to talk about his new book Sergio Leone by Himself, which touches on the life and legacy of one of cinema's most iconic directors. He then talked to Mike Leigh and Michele Austin about Leigh's new film HARD TRUTHS, a powerful film about complicated relationships and the raw emotional terrain of real-life struggles.The second half of the live show will be podcast a week today, when Mark is joined by Andrew Garfield and director John Crowley to discuss their new film WE LIVE IN TIME, followed by a conversation with Jason Isaacs about his upcoming work in THE SALT PATH. acting, awards season, and playing Cary Grant in ARCHIE. Make sure to tune in for Part 2 next week. Thanks for listening, and remember, keep watching the skies! Hosted on Acast. See acast.com/privacy for more information.

Join host Aaron Strand live at the historic Plaza Theatre in Atlanta, GA as he presents Sergio Leone's 1967 film 'The Good, The Bad, and The Ugly'. Aaron gives an opening monologue giving a brief historical background of the filmmaker. After the screening, we open up the conversation for a lively audience discussion!Come see us for our next live show, January 23rd where we will be screening Agnes Varda's 1962 film 'Cleo from 5 to 7'Tickets hereEmail us: behindtheslatepod@gmail.comInstagram: @behindtheslatepodTikTok: @behindtheslatepodYouTube: @behindtheslatepodcast Hosted on Acast. See acast.com/privacy for more information.

Actor, improviser, and son of a thousand fathers David Danipour grew up with his dad endlessly replaying Sergio Leone's THE GOOD, THE BAD AND THE UGLY​ (1966). Is it a timeless cinema classic or an overrated, atrociously dubbed relic? Tune in to find out—and to all the dub actors out there, please don't hit “unsubscribe.” Episode Links: David's Website David's IG David's YouTube Channel David's X Joe's Patreon Mr. Owl's Website

This week, we break into the top 10 best movies of all time. A three hour long western that oozes style, has the best dirty face closeups you will ever see, has some of the worst ADR in film, and also maybe the best score of all time. The Good, The Bad and The Ugly (1966), directed by Sergio Leone.

LECTURE A DEUX VOIX, mardi et vendredi à 10h et 16h.Chronique littéraire animée par Valère-Marie Marchand. Cette semaine, Valère-Marie nous parle du livre "Total Western" de François Cérésa (Séguier) & la BD "Sergio Leone, la révolution du western" d'Amazing Améziane (Editions du Rocher).Hébergé par Ausha. Visitez ausha.co/politique-de-confidentialite pour plus d'informations.

Melanie and Ed love watching old movies and dishing on them. This week's movie is FISTFUL OF DOLLARS (1964), directed by Sergio Leone and starring Clint Eastwood in his first leading role, alongside Gian Maria Volonté, Marianne Koch, Wolfgang Lukschy, Sieghardt Rupp, José Calvo, Antonio Prieto and Joseph Egger. Send podcast comments and suggestions to Melanded@whothehellarewe.com Don't forget to subscribe to the show!

Welcome to the DMF. Where I try to find out what motivates people behind the scenes in the world of acting and entertainment. Today on the podcast I am talking to Paul Todisco. He is a director and we talk about his directing and everything in between. As always you can reach me on Twitter, Instagram, and Facebook with my name Justin Younts. Thank you for listening and sit back and enjoy. I discovered my passion for filmmaking with Paul Tudisco, a talented writer, director, and producer. In our conversation, Paul shares his journey from growing up in the small suburb of North Syracuse, New York, to becoming a filmmaker with a unique voice. He reflects on the isolation he felt growing up in the 80s, a time before the internet, and how that experience shaped his storytelling. Paul reveals how his love for storytelling began at a young age, inspired by authors like Stephen King and filmmakers like Steven Spielberg. He discusses the importance of supportive parents and how they nurtured his artistic inclinations. Paul also dives into his creative process, emphasizing the significance of rehearsal and collaboration with actors to achieve authentic performances. He shares insights into his films, including 'Freak Talks About Sex' and 'One Day Like Rain,' highlighting the themes of connection, isolation, and the human experience. Throughout our conversation, Paul emphasizes the importance of staying true to one's artistic vision and the challenges of navigating the film industry. His passion for storytelling and dedication to his craft shine through, making this discussion a must-listen for aspiring filmmakers and anyone interested in the art of cinema. 00:00:00 - Introduction and Guest Introduction 00:00:18 - Paul's Background and Upbringing 00:01:32 - Paul's Early Interest in Filmmaking 00:02:32 - Family Support and Early Arts Exposure 00:03:28 - Paul's Musical Journey 00:04:29 - Influence of Stephen King and Horror Genre 00:06:12 - Paul's Supernatural Experience 00:08:27 - Inspirational Films and Artists 00:11:42 - Unexpected Interruption 00:12:19 - Influence of Art on Filmmaking 00:14:02 - Moving to California and University Experience 00:15:25 - Influence of David Lynch and His Films 00:17:13 - Discussion on One Day Like Rainbows 00:20:21 - Experience at University of Southern California 00:23:16 - Reflections on Television and Its Evolution 00:27:10 - Making of Freak Talks About Sex 00:30:44 - Discussion on Dialogue and Authenticity 00:31:45 - Shooting in the Mall and Personal Experiences 00:32:54 - Character Development and Symbolism 00:35:25 - Challenges and Compromises in Film Making 00:42:06 - Discussion on Film Titles and Distribution 00:44:54 - Introduction to One Day Like Rain 00:46:50 - Shooting Locations and Independent Financing 00:48:12 - Transition to Digital Filming 00:50:08 - Discussion on One Day Like Rain's Impact and Interpretation 00:50:40 - Reflection on Character Development 00:53:20 - Filmmaking Philosophy and Independent Cinema 00:55:47 - Discussion on Realistic Dialogue 00:58:41 - One Day Like Rain's Reception 00:59:47 - Directing Style and Emphasis on Visuals 01:02:08 - Discussion on Audience Influence and Authenticity 01:04:27 - Reflection on Star Wars Series 01:07:46 - Critique on Rise of Skywalker 01:10:06 - Discussion on Film Marketing and Audience Expectations 01:12:06 - Directing Non-actors in One Day Like Rain 01:13:39 - Importance of Rehearsal and Detailed Planning 01:15:00 - Writing Process and Dialogue Creation 01:17:58 - Writing Process and Drafts 01:18:29 - Influence of Personal Research and USC on Writing Style 01:18:39 - Role of Reading and Literature in Writing 01:20:56 - Experience with Film Editing 01:23:33 - New Film Project and Its Differences 01:25:58 - Discussion on A Clockwork Orange 01:26:08 - Theatre Experience and Audience Behavior 01:29:31 - Importance of Patience and Immersion in Film Watching 01:33:36 - Discussion on Film Appreciation and Analysis 01:34:58 - Concerns About New Filmmakers and Authenticity 01:35:54 - Reflection on Devil's Whisper 01:37:19 - Discussion on Film Cuts and Authentic Versions 01:39:46 - Appreciation of Sergio Leone's Work 01:42:24 - Discussion on A Clockwork Orange 01:44:09 - Discussion on Empathy for Antagonistic Characters 01:44:36 - Debate on Perception and Meaning 01:46:37 - Discussion on Conspiracy Theories 01:48:46 - Discussion on Fear and Manipulation 01:49:30 - The Importance of Learning and Listening 01:50:28 - Discussion on Meditation and Its Benefits 01:51:22 - Critical Thinking and Education 01:57:55 - Exploring Personal Meditation Practice 02:00:19 - Discussion on Reading and Its Influence 02:04:17 - Discussion on Personal Music Preferences 02:05:35 - Discussion on Film Scores 02:06:23 - Discussion on Current and Classic Films 02:12:50 - Reflection on Ingmar Bergman's Work 02:16:25 - Conclusion and Contact Information

What do Bruce Lee, Shrek, Mean Girls, Sergio Leone, Get Out, Bollywood, Kill Bill, Charlie Chaplin, and All About Eve have in common? NOTHING! But that didn't stop first-time writer/director Nida Manzoor from throwing them all into a single movie. It's Polite Society. Check us out on...Twitter @TSMoviePodFacebook: Time SensitiveInstagram: @timesensitivepodcastGrab some Merch at TeePublicBig Heads Media 

This week we break the classic ending to the Sergio Leone's 1966 spaghetti western masterpiece The Good, The Bad And The Ugly. A tale of bounty hunters on a quest for hidden treasure buried in a secret place. Wow, what a scene! Enjoy the conversation! Make sure to play along with each festival and leave comments so we can interact with you and remember to subscribe to the channel if you like what you see.  Follow us for more interaction and content: INSTAGRAM: https://instagram.com/deepdivefilmschool  YOUTUBE: https://www.youtube.com/deepdivefilmschool TIKTOK: https://www.tiktok.com/@deepdivefilmschool Join our growing community for new videos every week! 

Welcome back to Aquarium Drunkard Transmissions, this week on the show, we're joined by three guests—though, not all at once.  In the first half of the show: Mark “Frosty” McNeill of dublab and the LA Phil to discuss a new compilation he helped produce, Even the Forest Hums: Ukrainian Sonic Archives 1971​-​1996; in the second-half of the show, Estevan and Alejandro Gutierrez, better known as Hermanos Gutiérrez just us to discuss their latest album of spacey guitar instrumentals, Sonido Cosmico. Assembled by Light in the Attic Records in partnership with the Kyiv-based archival label, Shukai, Even the Forest Hums offers music rarely heard outside of its homeland—a genre diverse compilation of Ukrainian music recorded under the USSR's reign and in the aftermath of its collapse, from post-punk to folk, from jazz rock to early electronic music, from downtempo hip-hop to oddball pop.  “Music has always pulled Ukrainians out of the abyss,” writes Vitalii “Bard” Bardetskyi in the liner notes. “When there is no hope for the future, there is still music. At such moments, the whole nation resonates under a groove. Music, breaking through the concrete of various colonial systems, is an incredible, often illogical, way to preserve dignity.” Mark “Frosty” McNeill takes us behind the scenes. Brothers Estevan and Alejandro Gutiérrez grew up in two words, splitting time between their father's native Switzerland and Ecuador, where their mother's family hailed from. On past records, they've evoked the imaginal expanses of Spaghetti Westerns through a pan Latin/surf/psychedelic sound for guitar and lap steel.  Their latest is called Sonido Cósmico. Joined by producer Dan Auerbach, they flesh the surroundings out even more this go-round, dialing in a song that's as suited for the desert expanses of Mars or the moon as much as any Sergio Leone film.  Estevan and Alejandro joined us to discuss setting their sights on the stars, channeling feminine energy via their abuela, and the intent that fueled committing their earliest musical efforts to vinyl. Aquarium Drunkard is supported by our subscribers. Head over and peruse our site, where you'll find nearly 20 years worth of playlists, recommendations, reviews, interviews, podcasts, essays, and more. Subscribe at Aquarium Drunkard.  Transmissions is a part of the Talkhouse Podcast Network. Visit the Talkhouse for more interviews, fascinating reads, and podcasts. This episode is brought to you by DistroKid. DistroKid makes music distribution fun and easy with unlimited uploads and artists keep 100% of their royalties and earnings. To learn more and get 30% off your first year's membership, visit: distrokid.com/vip/aquariumdrunkard

Join host Aaron Strand live at the historic Plaza Theatre in Atlanta, GA as he presents Sergio Leone's 1967 film 'The Good, The Bad, and The Ugly'. Aaron gives an opening monologue giving a brief historical background of the filmmaker. After the screening, we open up the conversation for a lively audience discussion!Come see us for our next live show, November 20th where we will be screening John Flynn's 1977 film 'Rolling Thunder'Tickets: https://www.plazaatlanta.com/movie/behind-the-slate-rolling-thunderEmail us: behindtheslatepod@gmail.comInstagram: @behindtheslatepodTikTok: @behindtheslatepodYouTube: @behindtheslatepodcast Hosted on Acast. See acast.com/privacy for more information.

The 1964 spaghetti Western A Fistful of Dollars turned Clint Eastwood into a star. He had a famous squint in his closeups, but he told Terry Gross in 1997, it wasn't necessarily character driven. "They bombed me with a bunch a lights, and you're outside and it's 90 degrees, and it's hard not to squint." We'll also hear from Eastwood's co-star in The Good, the Bad and the Ugly, Eli Wallach, who went on to play a bandit in several Westerns. Cultural historian Christopher Frayling tells us how the Italian director Sergio Leone broke the conventions of the Hollywood Western, and stuntman Hal Needham describes his most daring feats.Learn more about sponsor message choices: podcastchoices.com/adchoicesNPR Privacy Policy