Podcasts about Mazurka

This week on The Sound Kitchen you'll hear the answer to the question about the new plan for gender equity at France's Ministry of Foreign Affairs. There's a recap of this year's Nobel Prizes, “The Listener's Corner”, and plenty of good music - all that, and the new quiz and bonus questions too, so click on the “Play” button above and enjoy!  Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday – here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week.It's time for you to start thinking about your New Year's resolutions for our annual New Year's Day show. If you've already made up your mind about what you'll aim for in 2025, go ahead and send it to us … if not, be sure you send us your resolution - or resolutions if you are really ambitious! - by 15 December.Erwan and I are busy cooking up special shows with your music requests, so get them in! Send your music requests to thesoundkitchen@rfi.fr  Tell us why you like the piece of music, too – it makes it more interesting for us all!Facebook: Be sure to send your photos to thesoundkitchen@rfi.fr for the RFI English Listeners Forum banner!More tech news: Did you know we have a YouTube channel? Just go to YouTube and write “RFI English” in the search bar, and there we are! Be sure to subscribe to see all our videos.Would you like to learn French? RFI is here to help you!Our website “Le Français facile avec RFI” has news broadcasts in slow, simple French, as well as bilingual radio dramas (with real actors!) and exercises to practice what you have heard.Go to our website and get started! At the top of the page, click on “Test level”. According to your score, you'll be counselled to the best-suited activities for your level.Do not give up! As Lidwien van Dixhoorn, the head of “Le Français facile” service told me: “Bathe your ears in the sound of the language, and eventually, you'll get it.” She should know – Lidwien is Dutch and came to France hardly able to say “bonjour” and now she heads this key RFI department – so stick with it!Be sure you check out our wonderful podcasts!In addition to the breaking news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts that will leave you hungry for more.There's Paris Perspective, Spotlight on France, Spotlight on Africa, and of course, The Sound Kitchen. We have an award-winning bilingual series – an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. And there is the excellent International Report, too.Remember, podcasts are radio, too! As you see, sound is still quite present in the RFI English service. Please keep checking our website for updates on the latest from our journalists. You never know what we'll surprise you with!To listen to our podcasts from your PC, go to our website; you'll see “Podcasts” at the top of the page. You can either listen directly or subscribe and receive them directly on your mobile phone.To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show. Teachers take note! I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr  If you would like to donate stamps and postcards, feel free! Our address is listed below. Another idea for your students: Br. Gerald Muller, my beloved music teacher from St. Edward's University in Austin, Texas, has been writing books for young adults in his retirement – and they are free! There is a volume of biographies of painters and musicians called Gentle Giants, and an excellent biography of Dr. Martin Luther King, Jr., too. They are also a good way to help you improve your English - that's how I worked on my French, reading books that were meant for young readers – and I guarantee you, it's a good method for improving your language skills. To get Br. Gerald's free books, click here.Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. N.B.: You do not need to send her your quiz answers! Email overload!This week's quiz: On 21 September, I asked you a question about a gender equality plan at France's Ministry of Foreign Affairs.  We reported on that plan in our article “France's foreign ministry unveils two-year gender equality strategy”.You were to re-read the article and send in the answer to this question: What is the Foreign Ministry's goal for promoting women to important posts? What is the percentage they are aiming for?The answer is, to quote our article: “According to the ministry, this year more than 45 percent of ambassadors appointed for the first time will be women, while among newly-appointed consuls-general, over 40 percent will also be women.” In addition to the quiz question, there was the bonus question: “How would you define a truly happy person?”, which was suggested by Sabah Binte Sumaiya from Bogura, Bangladesh:Do you have a bonus question idea? Send it to us! The winners are: RFI Listeners Club member Hans Verner Lollike from Hedehusene, Denmark. Hans is also this week's bonus question winner. Congratulations, Hans, on your double win.Also on the list of lucky winners this week are RFI Listeners Club members Samir Mukhopadhyay from Kolkata, India; Mizanur Rahman from Dhaka, Bangladesh, and Faiza Zainab - who's also a member of the International Radio Fan and Youth Club in Khanewal, Pakistan.Last but certainly not least, RFI English listener Tafriha Tahura from Munshiganj, Bangladesh.Here's the music you heard on this week's programme: "Mazurka no. 4" by Frédéric Chopin, arranged by Serge Forté and performed by the Serge Forté Trio; “Threnody for the Victims of Hiroshima” by Krzysztof Penderecki, performed by Antoni Wit and the National Polish Radio Symphony Orchestra; “La Grande Galerie de la Zoologie” by Philippe Hersant, performed by the Ensemble Bestiaire Fabuleux; “The Flight of the Bumblebee” by Nicolai Rimsky-Korsakov; “The Cakewalk” from Children's Corner by Claude Debussy, performed by the composer, and “Don't Worry, Be Happy” by Bobby McFerrin, performed by McFerrin.Do you have a music request? Send it to thesoundkitchen@rfi.frThis week's question ... you must listen to the show to participate. After you've listened to the show, re-read Paul Myers' article “Kenya's Ruth Chepngetich sets women's world record at Chicago Marathon”, which will help you with the answer.You have until 11 November to enter this week's quiz; the winners will be announced on the 16 November podcast. When you enter be sure to send your postal address with your answer, and if you have one, your RFI Listeners Club membership number.Send your answers to:english.service@rfi.frorSusan OwensbyRFI – The Sound Kitchen80, rue Camille Desmoulins92130 Issy-les-MoulineauxFranceorBy text … You can also send your quiz answers to The Sound Kitchen mobile phone. Dial your country's international access code, or “ + ”, then  33 6 31 12 96 82. Don't forget to include your mailing address in your text – and if you have one, your RFI Listeners Club membership number.Click here to learn how to win a special Sound Kitchen prize.Click here to find out how you can become a member of the RFI Listeners Club, or form your own official RFI Club,  

Reciban un cordial saludo. Desde Cali (Colombia), les habla Sergio Luis López, compartiéndoles un nuevo episodio de "Así la escuché yo..." El cantante argentino, nacionalizado español, Luis Aguilé se anotó un éxito internacional en 1970 con la canción y el álbum homónimo "Embustero y bailarín". Así la escuché yo... Tres años atrás, ya la agrupación española Los Pekenikes había grabado una versión instrumental de esta canción para su álbum "Los Pekenikes II" de 1967, bajo el título "Embustero y bailarín". Los anteriores temas musicales son versiones de una Mazurka que se sabe fue escrita en el siglo XIX; pero, cuyo autor se desconoce, la cual es conocida con el nombre "Mi favorita". ¿Y tú, sabías del origen anónimo de la canción "Embustero y bailarín"? Autor: Anónimo - Versión al castellano Luis Aguilé (español) - Adaptación musical de Alfonso y Lucas Saínz (miembros de los Pekenikes) Embustero y bailarín - Luis Aguilé (1970) "Embustero y bailarín" álbum (1970) Luis Aguilé (nombre real Luis María Aguilera Picca, argentino radicado en España) Embustero y bailarín - Los Pekenikes (1967) "Los Pekenikes II" álbum (1967) Los Pekenikes (agrupación española) Mi favorita (Mazurka) - Anónima (del siglo XIX) single “Mi favorita” (siglo XIX) ___________________ “Así la escuché yo…” Temporada: 8 Episodio: 54 Sergio Productions Cali – Colombia Sergio Luis López Mora

BRUCKNER: Sinfonía nº 5 en Si bemol mayor (Primer y segundo movimientos: Adagio-Allegro, Adagio) (41.23). Orq. Sinf. de Chicago. Dir.: G. Solti. Mazurka en La menor (1.37). C. Eggner (fortep.).Escuchar audio

Tobias Koch, Pianist und Experte für historische Tasteninstrumente, erzählt uns etwas über Tanzmusik auf dem Klavier im 19. Jahrhundert - und verrät nebenbei, dass er sich im Studium sein Geld als Musiker beim Tanztee verdient hat. Wir besuchen Schubert, der Ländler zum Heurigen und den geselligen Zusammenkünften seiner Freunde komponiert, erfahren mehr über Nationaltänze wie Mazurka oder Eccossaisen und machen auch Station bei den Charakterstücken Robert Schumanns und den Klavierwalzern Frédéric Chopins. Ein Gespräch im Dreivierteltakt!

Aram Khachaturian (1903-1978) – Lermontov Suite (1959)1.       Introduction - On the Death of a Poet 2.       Mazurka 03:203.       Waltz 07:054.       Intermezzo and Finale (Lermontov in the Caucasus) 13:35Armenian Philharmonic Orchestra Loris Tjeknavorian, conductor

Aram Khachaturian (1903-1978) - Masquerade Suite1.       Waltz2.       Nocturne        03:563.       Mazurka         07:274.       Romance        10:055.       Galop (Polka) 13:12Scottish National OrchestraNeeme Järvi, conductor

Mazurka del siglo 19 mi favorita tempo allegro armadura un sostenido compas 3 por 4 Aplicaciones utilizadas… afinador Talking Tuner Metrónomo TempoPerfect Si necesitáis alguna indicación poneros en contacto por correo… laguitarraenbraille@gmail.com Sígueme en Facebook… Telegram… Twitter… Publicados en YouTube… ivoox… y otros gestores de Podcast…

On today's episode we talk about the latest on pastor Greg Locke, news about the Ark Encounter and an Oklahoma State Senate candidate's controversial remarks. FFRF's update includes a letter of complaint from FFRF to TN Governor. Also don't miss Reagan's ad we include on the show notes. Monica will bring us a special kind of rant: her own deconversion story. And Sam and Beneil will have fun with the idea of Ancient Aliens. Show Notes: Hate Pastors' "Flat Earth Debate" Ends In "Profanities, Weed Smoking, Rammed Cars, And Police Involvement" - Joe.My.God. (joemygod.com) PuraviveGreg Locke debated a flat earther - it got wild (1) FFRF Kentucky | Facebook Oklahoma Senate candidate: Parents who use IVF are “waging an assault against God” (friendlyatheist.com) News Release Archives - Freedom From Religion Foundation (ffrf.org)  FFRF's Ron Reagan Ad  We would like to thank Ketsa, SuRRism, Redproductions, geoffharvey and Music_For_Videos (version of Chopin's Mazurka, Op. 67 No. 4) for this episode's music tracks. Our sponsors are: https://www.facebook.com/groups/louatheists/   https://www.facebook.com/groups/ffrfky/ https://www.facebook.com/groups/BNLou/ https://www.facebook.com/kysecular Thanks for your support.  

Wykład mgr. Łukasza Mazurka, Festiwal Nauki w Warszawie, 29 września 2018 [0h54min] https://wszechnica.org.pl/wyklad/bitcoin-i-inni-kryptografia-i-kryptowaluty/ Wykładowca wyjaśnia, jak funkcjonują bitcoin i inne kryptowaluty - co to jest blockchain? czym są kopalnie bitcoinów? czy opłaca się być górnikiem Bitcoin to najpopularniejsza kryptowaluta na świecie, której kapitalizacja rynkowa w 2018 roku osiągnęła wartość 30 mld dolarów. Wirtualny pieniądz nie jest kontrolowany przez żadną centralną instytucję – system tworzą użytkownicy połączeni w sieć peer-to-peer. Jak całość funkcjonuje opowiedział podczas Festiwalu Nauki w Warszawie Łukasz Mazurek z Wydziału Matematyki, Informatyki i Mechaniki UW. Bitcoin został stworzony w 2009 roku przez człowieka, bądź grupę osób o pseudonimie Satoshi Nakamoto. Transakcje przy użyciu kryptowaluty opierają się na technologii blockchain. Wspomniany łańcuch bloków to rejestr wszystkich transakcji, jakich dokonano za pomocą wirtualnej waluty. Kopie listy posiadają użytkownicy systemu o specjalnych uprawnieniach, tzw. górnicy („miners). Dopóki większość użytkowników zachowuje uczciwość, całość funkcjonuje poprawnie. Górnicy zarabiają na swojej pracy. Nagrodą są bitcoiny, który pojawiają się w systemie określonych odstępach czasu. Dzielone są one między górników w zależności od mocy obliczeniowej ich komputerów. Maszyny obliczają wartość funkcji haszującej SHA-256. Charakteryzuje ją nieprzewidywalność – dla każdego argumentu przyjmuje inny wynik. Jest też nieodwracalna – nie wiadomo, jakiego argumentu użyć, żeby dany wynik uzyskać. Trzeba strzelać – im większy moc obliczeniowa maszyny, tym więcej strzałów w danej jednostce czasu może oddać. Jak można się domyślić, zwiększa to prawdopodobieństwo odgadnięcia zagadki. Co to są kopalnie bitcoinów? Kiedy opłaca się wybyć górnikiem? Więcej w nagraniu wykładu. Znajdź nas: https://www.youtube.com/c/WszechnicaFWW/ https://www.facebook.com/WszechnicaFWW1/ https://anchor.fm/wszechnicaorgpl---historia https://anchor.fm/wszechnica-fww-nauka https://wszechnica.org.pl/ #bitcoin #kryptowaluty #blockchain #krypto #festiwalnauki

Mazurka del siglo 19 mi favorita tempo allegro armadura un sostenido compas 3 por 4 Aplicaciones utilizadas… afinador Talking Tuner Metrónomo TempoPerfect Si necesitáis alguna indicación poneros en contacto por correo… laguitarraenbraille@gmail.com Sígueme en Facebook… Telegram… Twitter… Publicados en YouTube… ivoox… y otros gestores de Podcast…

In dieser «Fiirabigmusig» am Mittwoch tauchen wir musikalisch in die vielseitige Schweizer Ländlermusik ein. Volksmusikredaktor Dani Häusler stellt zudem den «Mazurka variata», gespielt vom Quartett Kurt Müller aus dem Jahr 1972 vor. Vom 1. bis 24. Dezember werden in der «Fiirabigmusig» um 18.20 Uhr ausserdem die Adventsgeschichten von Daniel Badraun ausgestrahlt, die er für die SRF Musikwelle geschrieben hat. Heute: «Nüssli für alli».

Mazurka del siglo 19 mi favorita tempo allegro armadura un sostenido compas 3 por 4 Aplicaciones utilizadas… afinador Talking Tuner Metrónomo TempoPerfect Si necesitáis alguna indicación poneros en contacto por correo… laguitarraenbraille@gmail.com Sígueme en Facebook… Telegram… Twitter… Publicados en YouTube… ivoox… y otros gestores de Podcast…

Chopin's collection of Mazurkas is an important manifestation of his Polish identity, comprising a range of musical elements from the traditional folk dance. In this video we'll look closer at the somewhat peculiar and haunting Mazurka in A minor, Op. 17 no. 4. With pianist Henrik Kilhamn. Video: https://youtu.be/znXaTwHMvj4

Mazurka del siglo 19 mi favorita tempo allegro armadura un sostenido compas 3 por 4 Aplicaciones utilizadas… afinador Talking Tuner Metrónomo TempoPerfect Si necesitáis alguna indicación poneros en contacto por correo… laguitarraenbraille@gmail.com Sígueme en Facebook… Telegram… Twitter… Publicados en YouTube… ivoox… y otros gestores de Podcast…

Mazurka del siglo 19 mi favorita tempo allegro armadura un sostenido compas 3 por 4 Aplicaciones utilizadas… afinador Talking Tuner Metrónomo TempoPerfect Si necesitáis alguna indicación poneros en contacto por correo… laguitarraenbraille@gmail.com Sígueme en Facebook… Telegram… Twitter… Publicados en YouTube… ivoox… y otros gestores de Podcast…

Since we last heard from Emily Wolfe (fiddle) and CC Thornley (banjo) they have finished their performances at the Festival of Voices and the Unconformity Festival at Queenstown.  However, since returning home Emily has not been able to find any daycare for the podcast.  So we had to Nan and Pop's place in the country.  CC scares the children.  A large hawk fights two crows for a dead rabbit.  There is drama in the play area.  CC goes over some fingering he developed on some Laing tunes and others.  Emily dusts off an old tune from the vault in C major.  (The "C" stands for complain.) And we examine some voicings of an Esus4 on a Gadd tune.  We also try to promote a gig on November 7 at Mayfairs, Sandy Bay.  But we fail.Tunes played were:1. Richmond Lasses2. Dr Moron Parade with the Derwent Rifles3. Gumnuts Schottische4. Mazurka for a Lost Ship5. Sorrell Windmill6. Black Cat Piddled in the White Cat's Eye/Homebrew 

Mazurka del siglo 19 mi favorita tempo allegro armadura un sostenido compas 3 por 4 Aplicaciones utilizadas… afinador Talking Tuner Metrónomo TempoPerfect Si necesitáis alguna indicación poneros en contacto por correo… laguitarraenbraille@gmail.com Sígueme en Facebook… Telegram… Twitter… Publicados en YouTube… ivoox… y otros gestores de Podcast…

Mazurka del siglo 19 mi favorita tempo allegro armadura un sostenido compas 3 por 4 Aplicaciones utilizadas… afinador Talking Tuner Metrónomo TempoPerfect Si necesitáis alguna indicación poneros en contacto por correo… laguitarraenbraille@gmail.com Sígueme en Facebook… Telegram… Twitter… Publicados en YouTube… ivoox… y otros gestores de Podcast…

Mélanie Bonis (1858–1937), a fine pianist herself, composed some 150 works for solo piano, publishing them with her first name shortened to ‘Mel' to disguise the fact that she was a woman – while she lived among the French haute bourgeoisie as Mme Domange. They sometimes show the influence of Chabrier and have points of contact with the music of Chausson, Debussy, and Pierné, who had been fellow students at the Paris Conservatoire. But they also reveal an individual approach to rhythm, harmony and tone-color – and it's clear that her conventional exterior hid a lively sense of fun, her many miniatures for children perhaps influenced by her own experience as a mother.Tracks Barcarolle in E-Flat Major, Op. 71 (publ. 1906) (4:40) L'escarpolette, Op. 52 (publ. 1901) (4:23) Les Femmes de Légende (publ. 2003) No. 1 Mélisande, Op. 109 (1922) (2:40) No. 3 Ophélie, Op. 165 No. 1 (1909) (5:00) No. 6 Salomé, Op. 100 No. 1 (publ. 1909) (4:26) No. 5 Phœbée, Op. 30 (publ. 1909) (3:21) Romance sans parole, Op. 56 (publ. 1905) (2:18) Mazurka, Op. 26 (publ. 1896) (3:59) Il pleut!, Op. 102 (publ. 1913) (2:34) Méditation, Op. 33 (publ. 1905) (3:08) Cinq petites piéces (publ. 1929) (9:17) Une flûte soupire, Op. 117 (1:59) Berceuse triste, Op. 118 (1:41) Boston Valse, Op. 119 (1:17) Agitato, Op. 120 (1:33) Cloches Iointaines, Op. 121 (2:47) Fauré Clair de Lune, transc. Bonis (publ. 1933) (3:12) Scènes enfantines, Op. 92 (publ. 1912)* (14:01) I. Aubade (2:10) II. Joyeux réveil (1:46) III. Cache-cache (1:37) IV. Valse lente (1:19) V. Marche militaire (1:57) VI. Frère Jacques (2:08) VII. Bébé s'endort (1:39) VIII. Carillon (1:25) Cinq pièces musicales (publ. 1897) (14:43) No. 1 Gai printemps: Impromptu, Op. 11 (publ. 1889) (2:52) No. 2 Romance sans Paroles, Op. 29 (3:16) No. 3 Menuet, Op. 14 (publ. 1889) (3:46) No. 4 Eglogue, Op. 12 (publ. 1889) (3:08) No. 5 Papillons, Op. 28 (1:41) *First Recordings This album is broadcast with the permission of Sean Dacy from Rosebrook Media.

Works include:  Waltzes #3 &6, The Revolutionary Etude, Prelude #17, Scherzo #1, Nocturne #13 and Mazurka # 26. Pianists include: Alfred Cortot, Arthur Rubinstein, Sviatoslav Richter, Claudio Arrau, Dinu Lipatti and Wilhelm Backhaus. 

‘Magins Mazurka' Hij gold als een van de grote Chopin-vertolkers. In Polen is hij ook bekend als componist. Milosz Magin – het zal je verbazen, deze fijne, mijmerende muziek.  Milosz Magin Nostalgie Du Pays (extrait des Miniatures Polonaises) Lucas Debargue, piano (album: Zal, The Music of Milosz Magin)   Milosz Magin Andante, voor viool en piano Gidon Kremer, viool Lucas Debargue, piano (album: Zal, The Music of Milosz Magin)   Frederic Chopin Mazurka, op.33, nr.1 & 4 Milosz Magin, piano (opname: 1968) (album: Chopin, Oeuvres pour piano)

For the Germans, 1915 was a year that should not have been. Their whole strategy had been based on a quick war, but they now found themselves embroiled in a two-front war – on the eastern front against Russia, and on the western front against France fully mobilised and also Britain.Throughout 1915, in a succession of attacks of increasing intensity, the various armies learned the techniques of the new kind of war at very heavy cost.In February 1915, Germany launched the Second Battle of the Masurian Lakes with an attack on the Russians in East Prussia. Meanwhile, the Austrians attempted to push deep back into Galicia, with huge numbers of casualties on all sides.www.patreon.com/historyeuropewww.historyeurope.netMusic composed by Frederich Chopin, Mazurka in C sharp minor, Op. 6 no. 2Picture - Skoda_305_mm_Model_1911_LOC_War_of_the_NationsTheme tune for the podcast by Nico Vettese, www.wetalkofdreams.com Hosted on Acast. See acast.com/privacy for more information.

The first months of fighting in the First World War had seen no major breakthrough from any side. The Germans had captured about ten percent of France, and reached within sixty miles of Paris, but then reached a stalemate as both sides fortified their positions with great long lines of trenches running from Belgium to the Swiss border.Both sides attempt to bring other countries into the war to help break the stalemate and to tip the balance in their favour. The Italians, though deeply divided, decide in the end to join the side of Britain, France and Russia. And an allied attack against the Ottomans fails at Gallipoli.www.patreon.com/historyeuropewww.historyeurope.netMusic composed by Freredich Chopin, Mazurka in C Sharp MinorPicture - Sinking of the LusitaniaTheme tune for the podcast by Nico Vettese, www.wetalkofdreams.com Hosted on Acast. See acast.com/privacy for more information.

Mazurkas represent the pinnacle of Chopin style and a special opportunity for expressing his personal feelings towards life, time, and his country. In this episode I will investigate a Mazurka and gather insights into Chopin's whole poetic world, richness of craft and depth of artistry.After going into details, I will perform the Mazurka. Here a recording by the great pianist Stanislav Bunin: https://open.spotify.com/track/5V1a46tfY5VsWJfpcFDTbG?si=de729e1bc8c445a3Where is the Music Podcast is the home of musical investigation.It is available on all major platforms:SPOTIFY https://open.spotify.com/show/1kBBFkibFPLXPG7xPT39SdAPPLE https://podcasts.apple.com/us/podcast/where-is-the-music/id1686494630YOUTUBE https://youtube.com/playlist?list=PLqRrwZuZFOqwXI4pJurmVn8NvXFD_Wr52TUNEIN http://tun.in/ptYNhLinks to my work:Music, concerts and blog: https://www.albertoferro.com/YouTube: https://www.youtube.com/channel/UCSwjhqixWMo4Fs-qwQM9BPAInstagram: https://www.instagram.com/alberto.l.ferro/Facebook: https://www.facebook.com/alberto.l.ferroSpotify: https://open.spotify.com/artist/2hBpLXGCZigUh0wForJFiU

Blas María Colomer i Pérez (1840-1917) was a Spanish composer, pianist and music teacher that spent most of his life in France. He composed a great number of solo piano pieces, two piano concertos, an opera and other pieces.

Cinquième épisode consacré aux Lettres de mon moulin d'Alphonse Daudet : Les oranges. A l'heure de la traçabilité physique des produits qui nous entourent, Alphonse Daudet prend la tangente via la traçabilité sentimentale d'un fruit. Les oranges.... que l'urbain modern contemple plus souvent sur les étalages que dans les arbres. Un voyage nostalgique sous le soleil de Corse et d'Algérie.... Musique de Frédéric Chopin, Mazurka. Un grand merci aux personnes qui me suivent et m'encouragent ! N'hésitez pas à découvrir du contenu inédit sur ma page Tipeee : https://fr.tipeee.com/les-contes-du-soir/ Les Contes du soir est à écouter sur les principales plateformes de podcast : iTunes : http://apple.co/36pTf4B Spotify : http://spoti.fi/3kY5k4T Deezer : http://bit.ly/2LK3PLz Et à suivre sur les réseaux sociaux : YouTube : https://bit.ly/325dUau Instagram https://bit.ly/3n3DrKz Facebook : https://bit.ly/31cOyHJ

If you've ever lived in Chicago, you've probably heard at some point that Chicago has the largest Polish population outside of Warsaw. While that's an exaggeration it's certainly the case that the Chicagoland region has a large population of people of Polish descent and that Chicago is important historically to American Polonia. From the earliest Polish immigrants to Chicago in the 1830s through today, Poles have helped shape the culture, politics, religion, and food of Chicago. This week we dive into that history. Joining me to help us understand more about Polish Chicago is Dr. Dominic A. Pacyga, professor emeritus of history in the Department of Humanities, History, and Social Sciences at Columbia College Chicago and author of several books on Polish immigrants and Chicago, including American Warsaw: The Rise, Fall, and Rebirth of Polish Chicago in 2019. Our theme song is Frogs Legs Rag, composed by James Scott and performed by Kevin MacLeod, licensed under Creative Commons. The mid-roll audio is “Mazurka, Op. 24, No. 4, in B Flat Minor,” by Polish composer Frédéric Chopin, performed by Polish pianist and Prime Minister Ignacy Jan Paderewski in in the early 1920s and captured on an Aeolian Company "DUO-ART" reproducing piano; the performance is in the public domain and is available via the Internet Archive. The episode image is the Tadeusz Kościuszko Monument, an outdoor sculpture by artist Kazimierz Chodziński, installed in the median of East Solidarity Drive, near Chicago's Shedd Aquarium; the photograph was taken by Matthew Weflen on Sunday, February 19, 2023, and is used with permission. Additional Sources: “Poles,”by Dominic Pacyga, Encyclopedia of Chicago, 2005. “Can Chicago Brag about the Size of its Polish Population?” by Jesse Dukes, WBEZ Chicago, October 26, 2015. “Where Have All the Polish Pols Gone?” by Edward McClelland, Chicago Magazine, January 6, 2020. “How Chicago Became a Distinctly Polish American City,” by Marek Kępa, Culture.PL, April 27, 2020. “Explore Polish culture in Chicago's neighborhoods,” Choose Chicago. “Chicago's Milwaukee Av. to be renamed Polish Heritage Corridor in honour of city's Poles,” by Stuart Dowell, The First News, June 20, 2022. “Chicago, The Polish City,” Interview of Dominic Pacyga by Łukasz Kożuchowski, Polish History. “Chicago's Polish Constitution Day Parade is back. This year, it has a new theme,” by Adriana Cardona-Maguidad, WBEZ Chicago, May 3, 2022. Learn more about your ad choices. Visit megaphone.fm/adchoices

VAUGHAN-WILLIAMS: Fantasía sobre un tema de Thomas Tallis (15.21). Orq. Sinf. de la Radio de Birmingham. Dir.: M. Grazinyte-Tyla. MONDONVILLE: Venite Exultemus (Salmo 94) (19.10). C. Padaut (sop.), G. Laurens (sop.), R. del Pozo (contraten.), J. Correas (baj.), Les Chantres de la Chapelle de Versalles, Ensemble Baroque de Limoges. Dir.: C. Coin. SCRIABIN: Mazurka nº 4, Op. 10 (Moderato) (3.45). E. Subdin (p.).Escuchar audio

Brahms, Symphony #3, 4th movt, Schubert, Fruhlingstraum Ponce, Suite in A, 1st movt Delibes, Waltz and Mazurka, from Coppelia Bizet, Jeux d'enfants, 2nd movt Barber, Violin Concerto, 2nd movt Ravel, Don Quichotte a Dulcinee, 1st movt Liszt, Sposalizio in E major This show was broadcast on OAR 105.4FM Dunedin - oar.org.nz

VISIT OUR SPONSORS: Louisiana Renaissance Festival https://www.larf.net/ The Ren Cruise https://www.therencruise.com/  SONGS Raising Black Flags performed by Sea Dog Slams Poems from the album A Night at Devil's Tavern https://www.facebook.com/seadogslam/ Our Boat performed by Pyrates Royale from the album Black Jack http://www.pyrates.com/ Hicks the Pirate performed by Jolly Rogues from the album Hicks the Pirate www.jollyrogues.com Captain Kidd performed by Righteous Blackguards from the album Just The Tip http://www.righteousblackguards.com Roll The Old Chariot Along performed by Pirates Of Rogues Cove from the album Setting Sail http://www.roguescove.org Drunken Pirate performed by Captain John Stout from the album Songs From the Water's Edge disc 2 http://www.porterstout.com/ Johnny Jump Up performed by Crimson Pirates from the album Your Day In The Barrel http://www.crimsonpirates.com/ Hornpipes,Mazurka performed by Wicked Tinkers from the album Hammered The Pirate Alphabet performed by Trinket from the album Landlocked https://www.facebook.com/Trinket-144275768995318/ The Ballad of the Crimson Scourge performed by 2 Merry Men from the album Bawdy Drunken Song-Filled Merriment https://www.facebook.com/2MerryMen/ The Derelict performed by Off Keel from the album Running At A Slant Pirates Lullaby performed by The Leprechaun Pirates from the album The Leprechaun Pirates http://www.leprechaunpirates.com/ The Dark Lady performed by Cheeks and Phoenix from the album Any Requests http://www.cheeksandphoenix.com/ Pirate Heaven performed by The Musical Blades from the album Pieces of Eight https://www.musicalblades.com SEGMENTS Festival update brought to you by The Ren List http://www.therenlist.com HOW TO CONTACT US Post it on Facebook https://www.facebook.com/renfestmusic Email us at renfestpodcast@gmail.com HOW TO LISTEN Apple https://podcasts.apple.com/us/podcast/renaissance-festival-podcast/id74073024 Spotify https://open.spotify.com/show/76uzuG0lRulhdjDCeufK15?si=obnUk_sUQnyzvvs3E_MV1g Pandora http://www.pandora.com/ Podbay http://www.podbay.fm/show/74073024 Listennotes http://www.listennotes.com/podcasts/renaissance-festival-podcast-minions-1Xd3YjQ7fWx/  

Le drame de la vie, c'est peut-être de parler. Mais, je vous parle d'un drame qui accapare un pays mental appartenant à Valère Novarina. (Rediffusion du 13 mars 2017).  C'est drôle comme le langage déclenche des avalanches ou des cui-cui. Quand j'entends ce nom de Valère Novarina, tout de suite j'ai l'image d'un visage géant armé d'une bouche énorme posée sur une toute petite botte de sept lieues. Il faut dire que le théâtre de Novarina, metteur en scène et peintre franco-suisse, est peuplé de mots sur pattes. Depuis Le discours aux animaux, jusqu'au Vivier des noms en passant par La chair de l'homme cet architecte du langage bâtit, je ne sais pas quoi... une cathédrale ? Un cabanon ? Ou une toile d'araignée... Les choix musicaux de Valère Novarina Lilian Nordica La mort d'Isolde Damia Ne dis rien Ignaz Friedmann, piano Mazurka de Chopin.

Felipe Pedrell (1841 – 1922) was a Spanish composer, guitarist and musicologist. Among his main direct disciples are Isaac Albéniz, Enrique Granados, Cristòfor Taltabull, Pedro Blanco, Joaquín Turina and Manuel de Falla.

Anniversary banner is here, and Bharos, Dream, and Shadow go over the new, truly overpowered, units. Sylvie, Mylk, Esther upgrades, Louise, Snow, and Mazurka upgrades, and much more! We're in for a ride! Join our Discord for exclusive after-talk content!https://discord.gg/Y9JkMfN Global Exclusive is a Final Fantasy Brave Exvius weekly podcast, by the people that give you the Gamepedia Wiki Unit Rankings.

JOSÉ MARÍA PRESENTA: JUNIO DE BALLETS     Leo Délibes: “Coppélia” (Mazurka)    Claude Debussy: “La boîte à joujoux” (“La caja de juguetes”)   ·        El sueño de la caja   ·        La tienda de juguetes    Josef Bayer: “La muñeca hada”   ·        Preludio   ·        Marcha triunfal   ·        Galop   ·        El regreso a las cajas    Gioachino Rossini - Ottorino Respighi: “La boutique fantasque” (“La juguetería fantástica”)   ·        Tarantella   ·        Mazurka    Erik Satie: “Jack in the box” (Orq. Darius Milhaud).

The powers of Europe, especially Britain and France are concerned by the decline of the Ottoman Empire and growing power and ambition of Russia. This episode focuses on the problems of the Ottoman Sultan Mahmud II, who descendants once ruled a mighty empire that threatened Christendom, but in the 1800's was struggling under the pressures of modernity and the threat of regions breaking away e.g. in Egypt, Arabia and the Balkans. www.patreon.com/historyeuropewww.historyeurope.netMusic: Chopin's Mazurka in C sharp minor, and Etude no. 3 in E major - 'Tristesse'; Mikhail Glinka - Trio PathétiquePicture - Portrait of Sultan Mahmud II See acast.com/privacy for privacy and opt-out information.

Haydn, Symphony #100, 1st movt Mascagni, Turiddu's Farewell, from Cavalleria rusticana Liszt, Hungarian Rhapsody #12 in C sharp minor Tallis, Honor, virtus et potestas Mendelssohn, Symphony #4, 3rd movt Elgar Dream Children, 1st movt Chopin, Mazurka, Op 33, #4 in B minor This show was broadcast on OAR 105.4FM Dunedin - oar.org.nz

Published in 1911. Manuel Ponce (1882-1948). Score: https://musescore.com/user/4887176/scores/6637172

During the episode, we speak with Jessica Zama of Buckles Solicitors, who gives us her insight on topics ranging from Italian citizenship, visas, estate planning and UK domicile. You can find her details here: https://www.buckles-law.co.uk/about/people/jessica-zama/I am including a few approximate minute markers so that you can easily locate the sections that are of interest:Italian citizenship - 2.20Long-stay permits and language requirements - 4.40Visas - 7.15Permesso di soggiorno - 8.30Family reunification visas - 12.00Estate planning - 15.30Inheritance taxes and donations (gifts) - 24.50UK domicile - 27.20The closing music is “L'iride (Mazurka)”, D. Ciolfi, played by Pasquale (O Rêua) and Pietro Taraffo of the Genoese school Hosted on Acast. See acast.com/privacy for more information.

Chun Wai Chan was 13 years old, when he first performed in The Nutcracker. He played the role of a young boy attending a Christmas party in the classic ballet by Russian composer Pyotr Ilyich Tchaikovsky. 陈镇威首次在《胡桃夹子》中表演时只有13岁。在这部俄罗斯作曲家彼得·伊里奇·柴可夫斯基作曲的经典芭蕾舞剧中，他扮演一个参加圣诞派对的小男孩。During the past decade, Chan, now 29, has performed in numerous different versions of The Nutcracker, and in both complete performances and excerpts.如今29岁的陈镇威，在过去的十年中已经在许多不同版本的《胡桃夹子》里表演过，其中既有完整的演出，也有些精彩片段。The ballet tells the story of a young girl and her Nutcracker Prince, who battle the Mouse King and embark on a journey through the Land of Sweets with the Sugar Plum Fairy.这部芭蕾舞剧讲述了一个小女孩与胡桃夹子王子的故事，他们和老鼠王战斗，并与糖梅仙子一同踏上了穿越糖果之国的旅程。陈镇威在《胡桃夹子》的演出中 受访者供图On Dec 12, as a soloist with New York City Ballet, Chan played the role of The Cavalier in a performance at the Lincoln Center for the Performing Arts which was choreographed by George Balanchine.12月12日，巴兰钦版的《胡桃夹子》在林肯表演艺术中心上演。作为纽约城市芭蕾舞团的独舞演员，陈镇威在这场演出中饰演了男一号骑士。Based on the story, The Nutcracker and the Mouse King, written by E.T.A. Hoffmann in 1816, the ballet piece has enchanted audiences since it premiered in 1892 in St. Petersburg, Russia. Balanchine, regarded as one of the foremost contemporary choreographers, staged The Nutcracker for New York City Ballet in 1954, helping to make it a holiday classic.这部芭蕾舞剧改编自霍夫曼于1816年创作的童话故事《胡桃夹子与老鼠王》。舞剧自1892年在俄罗斯圣彼得堡首演以来，就深受观众喜爱。1954年，被视为当代一流编舞大师之一的巴兰钦，为纽约城市芭蕾舞团排演了一版《胡桃夹子》，助这部舞剧成为了节日中的经典。陈镇威出演香港芭蕾舞团《胡桃夹子》Balanchine's The Nutcracker is a very demanding theatrical, staged ballet. According to New York City Ballet, "All 90 dancers, 62 musicians, 40 stagehands and more than 125 children, in two alternating casts, from the School of American Ballet join forces to make each performance as magical as possible."巴兰钦版的《胡桃夹子》是一部要求很高的芭蕾舞台剧。据纽约城市芭蕾舞团，“美国芭蕾舞学校的90名舞蹈演员、62名音乐家、40名舞台工作人员和不少于125位儿童，在两组演员的交替阵容中，通力合作，使每场演出尽可能地充满奇幻色彩。”The most famous example is "the one-ton Christmas tree" that grows from a height of 3 meters to 13 meters, it adds, "evoking audible gasps of disbelief from the audience at each performance".最著名的例子是一棵从3米长到13米高的“一吨重的圣诞树”，“每次演出都让观众发出难以置信的惊叹声”。Chan, born in Huizhou, Guangdong province, was introduced to the art of dance by his elder sister. He was admitted to Guangzhou Arts School in 2004 at the age of 12.出生于广东惠州的陈镇威，通过姐姐开始接触舞蹈艺术。2004年，12岁的他被广州艺术学校录取。陈镇威在广州市艺术学校Though his parents and grandparents were not very supportive of his decision to become a dancer, Chan has shown determination in pursuing his goal since he was a teenager.虽然陈镇威的父母和祖父母不太支持他成为一名舞者，但自青少年时期起他就展现出了追求目标的决心。"I wrote a letter to my dad on Father's Day when I was 11 years old, telling him that dance is what I love and I wanted to become a dancer," Chan says. "He allowed me to try because he knew dancing is very hard and requires a lot of effort. He thought that I would quit in three months. However, I didn't quit and worked very hard to achieve my goal."陈镇威说道，“11岁的时候，我曾在父亲节那天给父亲写过一封信，告诉他我热爱舞蹈，我想成为一名舞者。他让我试一试，因为他知道跳舞很难，需要付出很多精力。他以为我三个月后就会放弃。然而，我非但没有放弃，反而更加认真地练习以实现我的目标。”▲ 陈镇威在节目《舞蹈风暴》中 受访者供图When he played the role of the Nutcracker Prince with Hong Kong Ballet as a guest principal dancer in Hong Kong in 2018, Chan's parents and grandmother watched his performance and told him they felt proud of him, Chan adds.陈镇威补充道，2018年他在香港芭蕾舞团以客席首席舞者的身份饰演了《胡桃夹子》中王子的角色，他的父母和祖母在看了他的表演后为他感到骄傲。In 2010, Chan entered the Prix de Lausanne, an annual international competition for young dancers held in Switzerland. He became a finalist and earned a full scholarship.2010年，陈镇威参加了洛桑国际芭蕾舞比赛，该比赛每年都会在瑞士为年轻舞者们举办。进入决赛的他还获得了全额奖学金。He moved to the United States to study with Houston Ballet's second company, Houston Ballet II, when he was 18. In 2012, he joined the main company of Houston Ballet. In 2014, Chan performed in the group dance in The Nutcracker by the renowned choreographer Ben Stevenson.18岁时，陈镇威搬到美国开始在休斯顿芭蕾舞团的第二剧团学习。2012年，他加入休斯敦芭蕾舞团。2014年，他以群演身份参演著名编舞家本·史蒂文森版的《胡桃夹子》。▲ 图源：微博 @陈陈镇威In 2016, thanks to his solid technique and dedication, Chan became the first Chinese dancer with Houston Ballet to play the role of the Nutcracker Prince, in a version choreographed by Stanton Welch, artistic director of Houston Ballet.2016年，陈镇威凭借自己扎实的基本功和不懈的努力，出演了休斯敦芭蕾舞团艺术总监斯坦顿·韦尔奇版《胡桃夹子》中的王子一角，创造了该剧首位华裔演员出演的历史时刻。As Chan recalls, it was the first time that he got to put his own stamp onto the role."I was very excited then and couldn't wait to perform it," Chan says. "All the moments onstage still lingered in my head after I finished my performance." In December 2017, Chan, then 25, was promoted to the position of principal dancer with Houston Ballet.陈镇威回忆，这是他首次为这个角色打上自己的烙印。“我当时非常兴奋，迫不及待地想要上台表演。演出结束后，舞台上的所有场景仍萦绕在我的脑海中。”2017年12月，时年25岁的陈镇威被提拔为休斯敦芭蕾舞团首席舞者。His repertoire also includes Mazurka boy in Etudes, the Bluebird in The Sleeping Beauty, Aminta in Sylvia and the Prince Siegfried in Swan Lake.他出演的剧目角色还有《练习曲》中的马祖卡男孩，《睡美人》中的蓝鸟，《西尔维亚》中的阿米塔和《天鹅湖》中的齐格弗里德王子。▲ 图源：@微博 陈陈镇威Chan moved to New York and joined New York City Ballet as a soloist in August 2021. He is the only Chinese dancer in the company. During the COVID-19 pandemic, Chan has kept himself busy by sharing his daily training regime and giving workshops through social media.2021年8月，陈镇威搬到纽约，以独舞演员的身份加入纽约城市芭蕾舞团。他是舞团中唯一的中国舞者。在新冠肺炎疫情期间，陈镇威依旧让自己保持着忙碌的状态，他通过社交媒体分享自己的日常训练计划，举办线上研讨会。In 2020, he appeared as a contestant on the Chinese television show Dance Smash on Hunan Satellite TV, which gained him a large following.2020年，陈镇威以选手的身份参加了湖南卫视的电视节目《舞蹈风暴》，收获了一大批粉丝。▲ 陈镇威在舞剧《谭元元和她的朋友们——美术馆奇幻夜》中 受访者供图In 2021, he also performed with Tan Yuanyuan, a prima ballerina with San Francisco Ballet, in a theatrical production, Tan Yuanyuan and Her Friends－Magical Night at the Art Museum, in Beijing. With Tan as its artistic director and co-choreographer, the production was praised as an immersive experience that offered parallel ways to appreciate art: music, dance and paintings.2021年，陈镇威在北京与谭元元出演了舞剧《谭元元和她的朋友们——美术馆奇幻夜》。作为旧金山芭蕾舞团的首席女演员，谭元元还担任该剧的艺术总监和联合编舞。这部备受称赞的作品为观众们提供了一次身临其境的体验，让他们欣赏到音乐、舞蹈和绘画艺术的融合。"I met lots of talented young Chinese dancers when I returned. I also felt excited that my family could watch me dancing on a TV show," Chan says.陈镇威说，“回国后，我遇到了很多才华横溢的年轻中国舞者。能让家人们看到我在节目中跳舞也令我兴奋。”

Chris and Sridhar discuss concerts during COVID, tips for writing program notes, buying a digital piano, the International Chopin Piano Competition, and the music of Frédéric Chopin in general. Join the discussion: Tweet us @shreggz and @chris_arkin Episode clips on Instagram @impolitelisten Useful links: International Chopin Piano Competition - wikipedia 2021 Chopin Piano Competition - full playlists Bruce Liu, first prize winner - first round Bruce Liu - second round Bruce Liu - final round Chopin Cello Sonata - Natalia Gutman and Sviatoslav Richter Kristin Zimerman plays Ballade no. 1 in G Minor Zimerman plays Ballade no. 4 in F Minor Zimerman plays Waltz in A-Flat Major (from 1975 Chopin Competition) Zimerman plays Mazurka in G Minor (from 1975 Chopin Competition) Zimerman plays Grande Polonaise Brillante (from 1975 Chopin Competition) Maurizio Pollini at the 1960 Chopin Competition Pollini plays Chopin Preludes Op. 28 Glenn Gould plays Chopin Piano Sonata no. 3 in B Minor Hershey Felder - wikipedia Hershey Felder - stream his shows on his website Hershey Felder in "Maestro: The Art of Leonard Bernstein"

We look at a few very recent editions to Tasmanian folk music given to us from friends in China, Scotland, and Ireland.  Emily's cat causes issues with its wants and needs.  Some irrelevant but brief pop cultural references regarding the Journey to the West by Wu Cheng En.  We discuss what makes a folk songs folk without reaching any real or useful conclusions.  Also, Emily reveals her teen fan idolization of the Scottish band Fiddler's Bid.Songs include: The Jasmine; Michael's Mazurka;  Hamnataing; The Ortaba Waltz; Inisheer.

The shift from Mazurka to The Rotting Sea of Flames is one of the truer representations of the old turn of phrase "out of the frying pan, into the fryer" we've ever run across.  The game remains much the same, only now everything is protracted needlessly by resource drain, so we've clipped out the hours of lamenting our new situation and left you with some final thoughts on the book, a piece of Brent's truly bizarre fan-theory headcannon of Nickelodeon's live action sitcoms, and a few sojourns into some Extremely 90s videogame music marketing collabs.   Also, a named character from the broader SMT universe finally makes an appearance in-game. Boy howdy. We made it.

After weeks upon weeks of tile sweeping for items, all the while enduring increasingly caustic barbs from the denizens of the dungeons (in addition to the dungeons themselves), we finally loop back around to clear out some big baddies.  It's a double header this week as we set out to take on Loki and Hecate before taking our first real steps into the fiery basement of Mazurka that serves as the foyer to the Sea of Flames.  Oh, did you know you can learn Japanese simply by watching un-sub'd anime?  Also, don't submarines just totally freak you out?

We discover that Mazurka is, in fact, THREE separate dungeons stacked in a trench coat masquerading as one, and every tile we clear brings us one step closer to a confrontation with the *ahem* naked thief, Gaia.  Gaia does one of the worst things any video game character has ever done to us.  The sheer scope of the map situation forces us to break out the pen and paper once again, as our musical chatter devolves into questioning the very nature of sound itself.  Sometimes metalcore/post-hardcore bands write eerily similar songs so we take a moment to unpack a bit of that as well.

The never ending search for Latos's Statue continues across two more days of play, and honestly, we've forgotten why we needed it in the first place.  As the clearing of tiles rolls ever onward, we revisit childhood memories of christian youth group sports retreats, share peanut butter & jelly sandwich tips, and bring up Guyver again.  Jovana (@dirt.petal) also pops in for a spell to answer for her audio crimes and chat about the pros and cons of various methods of indigo dyeing textiles!  We get like, really close to getting out of Mazurka too.  We don't quite get there though.

Our desperation to escape Mazurka reaches a fever pitch.  We continue fleshing out floors of the map, each one a more twiztid shape than the last, searching for Latos's Statue, finding only pain.  Not to be hyperbolic, but this is where the game begins to do the absolute most disrespectful things a video game has ever done to us personally.  Yet still, we persevere, finding time along the way to discuss the dark truth behind what happened to Just Mayo, as well as the finer points of the marketing rollout for the Travis Scott X McDonald's collab.

The dungeon of Mazurka is huge, and it's brutal, and it's empty.  This week, instead of dwelling on the most frustrating aspects of an incredibly frustrating (and old) game, we're cutting all that out and leaving you with a lot of horsehockey about facebook marketplace lewd drawings, space fortresses in the Gundam universe, daytime Overwatch ranked matches, and being accused of "colorbusting" as a child in the Mississippi public school system.  We convince a Basilisk to join us also. We chatter about P4/P5 too.