Podcasts about Sarabande

This episode we talk about the zenith and slow decline of the sun king. ⚜️   Visit our Wordpress for episode images, score summaries, contact details and more!   Contact us by Email, or follow us on Instagram, our Facebook Group or BlueSky.   Make sure you leave us a review on Apple Podcasts, Spotify or wherever you listen.   You can also support the show on Patreon! Join the official Angry Mob and get access to our bonus content: movie reviews, deep dives, bonus biographies and our exclusive spinoff series rating the Royal Mistresses.   ⚜️   BattleRoyale's intro music is "Dansez" by Fasion. Thank you to them for making this track free to use and listen! Go check out more of their stuff here. Our outro music this episode is the "Sarabande for the King's Bedtime" by Jean-Baptiste Lully, performed by Ernst Stolz and the Violes de Gambe. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, Hear the Dance host Silas Farley leads us on a wide-ranging exploration of Jerome Robbins' 1994 ballet A Suite of Dances. First, he's joined by Repertory Director Jean-Pierre Frohlich, who coaches the work; Principal Dancer Daniel Ulbricht, who initially learned the tour-de-force role in 2019; and former Principal Dancer Peter Boal, who worked with Robbins on the development of the ballet. They walk through the creation and performance of the four movements, highlighting the ways in which A Suite of Dances teaches the performer about themselves—particularly as they grow with and age alongside the piece. (1:05:11) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky 6 Suites for Solo Cello: Prelude & Gigue from Suite 1 in G major, BMV 1007 Sarabande from Suite V in C minor, BMV 1011 Prelude from VI in D major, BMV 1012 by Johann Sebastian Bach All music performed by the New York City Ballet Orchestra Reading List:  Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, By Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Misha: The Mikhail Baryshnikov Story by Barbara Aria Illusions of Camelot: A Memoir by Peter Boal Bach: Music in the Castle of Heaven by John Eliot Gardiner

In this second part of our Hear the Dance journey into Jerome Robbins' A Suite of Dances, Cellist Hannah Holman joins host Silas Farley to provide a deep-dive introduction to the Bach Cello Suites that provide the ballet's exquisite score. As Holman explains, the music is a seminal work for every cellist, with complex challenges and varied delights throughout—all of which are complicated and enriched when performed onstage with the work's solo dancer. (42:48) Written by Silas Farley  Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky 6 Suites for Solo Cello: Prelude & Gigue from Suite 1 in G major, BMV 1007 Sarabande from Suite V in C minor, BMV 1011 Prelude from VI in D major, BMV 1012 by Johann Sebastian Bach Symphony No.4 in E Minor, op.98 (I. Allegro non troppo, II.Andante moderato, III. Allegro giocoso, IV. Allegro energico e passionato) by Johann Sebastian Bach All music performed by the New York City Ballet Orchestra, Yo-Yo Ma and Herbert von Karajan Reading List:  Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, By Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Misha: The Mikhail Baryshnikov Story by Barbara Aria Illusions of Camelot: A Memoir by Peter Boal Bach: Music in the Castle of Heaven by John Eliot Gardiner

Der Pianist erzählt im Gespräch, woher seine Liebe zur Musik Bachs kommt, welche Projekte nun anstehen und warum er ausgerechnet die Sarabande aus der Partita in D-Dur von Bach als Zugabe gespielt hat.

„Bach und Lateinamerika“ lautet das Motto des ersten Internationalen Bachfests, das im März in Stuttgart stattfindet. Die Verbindung scheint zunächst fragwürdig, doch gibt es überraschende Zusammenhänge, wie zum Beispiel bei der Sarabande, deren verworrene Geschichte von Kolonialisierung und Sklavenhandel geprägt ist.

Op vrijdag 7 maart vieren we Maurice Ravels 150e verjaardag, dus dat is goede reden om naar zijn muziek en de muziek van zijn bewonderaars te luisteren! Heb je je ooit afgevraagd hoe Ravel op een accordeon zou klinken? Dan worden je vragen in deze aflevering beantwoord! En er zijn heel veel fantastische concerten de komende tijd, die we toch zoveel mogelijk bespreken, op het gevaar af dat er keuzestress ontstaat.. Ravel - Sheherazade Ravel - Le Tombeau de Couperin Gershwin - The Man I love Ravel - Miroirs - door Egorov Dumond - Hommage a Ravel JP de Graaff - YPF (concerttip) Delage - ? Matthaus - Rob Vermeulen / Johannette Zomer (concerttip) eindstuk: Kilar - Exodus Een Zwitserse horlogemaker. Zo noemde Igor Stravinsky zijn Franse collega Maurice Ravel. Ironie en lof tegelijk: hij doelde op Ravels ongelooflijke aandacht voor details, voor nuances, voor de kleine zaken die een muziekstuk groots maken. Die eigenschap zorgde er voor dat een onwillige pianoleerling uitgroeide tot een van de grootste orkestratoren ooit. Ravel was overigens inderdaad half-Zwitsers en zijn vader was uitvinder. Van jongs af aan werd Maurice omringd door radertjes, wieltjes en muziek. De rest van zijn leven zou hij een voorliefde houden voor speeldozen, mechanische vogels en inventief instrumentarium. Zo was hij een absoluut voorvechter van de destijds nog weinig gebruikte saxofoon, en gebruikte hij percussie uit exotische landen. Ravel vertrouwde uitsluitend op zijn spontane inspiratie wat nogal riskant was, zeker omdat hij ook een perfectionist was. Zoals hij zelf opmerkte: “Ik kan er jaren over doen om een bepaalde noot op te schrijven…. En besteed veel tijd aan het weglaten van alles wat overbodig is om tenslotte zo volledig mogelijk de uiteindelijke helderheid te bereiken waarnaar ik streef.” Theodor Adorno karakteriseerde Maurice Ravel 1875-1937) als de 'meester van de klinkende maskers', de onlangs overleden Pierre Boulez beschouwde hem als een van de beste leermeesters op het gebied van de orkestratiekunst. Over Le Tombeau de Couperin: Neem Le tombeau de Couperin: deze suite zou althans op papier zijn meest persoonlijke werk moeten zijn, grotendeels geschreven vlak ná zijn ervaringen aan het front van de Eerste Wereldoorlog, grotendeels gecomponeerd vlak ná de dood van zijn moeder, en zelfs opgedragen aan een reeks vrienden die sneuvelden in de oorlog. Maar het eindresultaat is eerder een set maskers in de vorm van neobarokke, overwegend opgewekte dansen. Zoals een tijdgenoot, componist Jean Roger-­Ducasse, vaststelde: Ravel had niet eens het fatsoen om tenminste een droeve Sarabande toe te voegen. Ravel was nu eenmaal geen romanticus à la Berlioz, en trouwens ook geen luidruchtige revolutionair à la Stravinsky, zelfs geen stille revolutionair à la Debussy. Zie ook het commentaar van een hedendaagse componist, de Brit George Benjamin, die weliswaar een bewonderaar van Ravel is:  ‘Het aspect van Ravel waarin ik mij het minst kan vinden, is het conservatisme van zijn vormen. Die werken perfect voor zijn muziek, maar hij is daarin niet zo avontuurlijk. Het is allemaal zo duidelijk omlijnd en klassiek (…); alles is in hokjes verdeeld, in zekere zin is hij een miniaturist. De vormen hebben een zekere gelijkvormigheid en zijn nogal netjes.'    Nergens lijkt deze analyse sterker op te gaan dan voor Le tombeau de Couperin, een doelmatig conservatieve vormenreeks voor piano solo met de delen Prelude, Fuga, Forlane, Rigaudon, Menuet en Toccata. Ravel begon vlak voor de Eerste Wereldoorlog aan deze hommage aan barokcomponist François Couperin: een zogeheten ‘tombeau' zoals dat in de Barok al gebruikelijk was. Hij voltooide de reeks na zijn terugkeer van het front in 1917, en bewerkte in 1919 vier van de zes delen voor orkest – de Fuga en Toccata vond hij waarschijnlijk te pianistisch gedacht. Toch het vermeend conservatieve karakter van de muziek kan worden genuanceerd. Al inzoomend op de partituur blijkt Ravels fijnzinnige én eigenzinnige invulling van de klassieke structuren. De Prelude bevat weliswaar typische Barok-elementen – doorlopende patroontjes en speelse ­voorslagen, maar Ravel speelt een geraffineerd spel met de harmonieën. Abrupte modulaties en tritonus-­intervallen verraden een twintigste-eeuwse geest, evenals het weidse pianobereik dat op een klavecimbel niet had gepast. De Forlane is harmonisch nóg avontuurlijker: de maten 146 en 147 bevatten zelfs ieder alle twaalf noten van de chromatische ladder. Toen Marguerite Long, de pianiste die de wereldpremière verzorgde, deze passage voor dirigent Camille Chevillard voorspeelde, bedekte hij veelbetekenend zijn oren.

In a markedly hatless era, forward-marching British accessories designer Leo Carlton is turning their talents to digitally-printed crowns, elf ears, breast plates and mysterious sculptural masks. Some of these gentre-defying fashion artefacts feel a bit witchy, with pagan undertones. Others, firmly futuristic. But how do they make them? Wouldn't you like to know! Leo trained at Cordwainers, enjoyed a two-year residency at Sarabande and studied classical millinery techniques - their first job out of college was with the iconic London hatmaker Stephen Jones, and they used to make showpieces for Dilara Findikoglu, Richard Quinn and Charles Jeffrey Loverboy. But these new VR adventures step beyond the confines of the physical word with mind-bending results. From teaching themselves digital printing via Youtube to sculpting in virtual reality, the only limits are: there are no limits.Tell us what you think? Find Clare on Instagram @mrspress Got recommendations? Hit us up!And please share these podcasts.THANK YOU Hosted on Acast. See acast.com/privacy for more information.

durée : 00:03:48 - La Sarabande d'Haendel : l'originale et la contrebande - par : Max Dozolme - A l'occasion du 340e anniversaire de Georg Friedrich Haendel, Max Dozolme se plonge dans la Sarabande de Haendel et ses reprises plus ou moins heureuses, au cinéma comme dans le rap !

Astronauts witness stars in full glory – without the haze of atmosphere. A stunning site that fills us all with wonder and awe. Astronaut Matthew Dominick, in the crew of ISS 71, took these stunning photos with his camera pointed up at the stars, instead of down at Earth, in September, 2024. The movie is set to the music of Catherine Brisset who plays the Cristal Baschet with her personal adaptation of the Sarabande movement from Bach's Cello Suite #1. Series: "Earth Serenade" [Arts and Music] [Show ID: 40511]

Astronauts witness stars in full glory – without the haze of atmosphere. A stunning site that fills us all with wonder and awe. Astronaut Matthew Dominick, in the crew of ISS 71, took these stunning photos with his camera pointed up at the stars, instead of down at Earth, in September, 2024. The movie is set to the music of Catherine Brisset who plays the Cristal Baschet with her personal adaptation of the Sarabande movement from Bach's Cello Suite #1. Series: "Earth Serenade" [Arts and Music] [Show ID: 40511]

Præludium: Georg Friedrich Händel: Sarabande e-mol Fra det G.T.: Esajas 40, 1-8 Salme: 59 "Jesus os til trøst og gavn" Fra det N.T.: Markus 4,21-25 Korvers:Mark Baumann: Guds rige lignes ved et frø (tekst: N.F.S. Grundtvig) Salme: 582 "At tro er at komme til det, der er større" Postludium: Georg Friedrich Händel: Gigue e-mol

durée : 00:06:44 - Sarabande pour guitare FP 179 de Francis Poulenc - "Il y a comme un mystère qui entoure cette partition de la "Sarabande pour guitare FP 179", et sa brièveté fascine. Les silences sont habités et laissent la guitare parler. En quelques lignes, elle esquisse un portrait stylisé du Poulenc dernière époque." Sébastien Llinarès

In this festival of bile, Chris and Maurice pick up their swords and do battle over which of them has produced the worst cultural artefacts for discussion. Will Pam Ayres' dentally based poetry win out? Will Handel's Sarabande eat dust? Will Tess of the D'Urbevilles or the musical Six ultimately fall suffer fatal blows? Tune in to find out.   Originally recorded on Thursday 28th November.

Nous sommes le samedi 16 novembre. Les prières de cette semaine sont guidées par le Secours catholique de la Loire et la diaconie de Saint Etienne. L'Evangile que nous allons écouter présente Jésus qui parle aux disciples de la nécessité de prier sans se décourager. Je me sers de mon imagination pour me représenter les disciples assemblés et je me place parmi eux. Je me mets à l'écoute de Jésus, avec tout ce qui m'habite ce matin. Je lui demande d'augmenter mon... Chaque jour, retrouvez 12 minutes une méditation guidée pour prier avec un texte de la messe ! A retrouver sur l'application et le site www.prieenchemin.org. Musiques : Bénissez le Seigneur, vous tous serviteurs du Seigneur de Communauté de l'Emmanuel interprété par Communauté de l'Emmanuel - Il est vivant © Éditions de l'Émmanuel ; Sarabande in Bb Major de Johannes Fresneau interprété par Edward Martin - Les Larmes of Johannes Fresneau © Creative Commons by-nc-sa license from Magnatunes.

Deze aflevering van Kalm met Klassiek bouwt een klein beetje voort op de aflevering van gisteren. Toen kon je luisteren naar een sarabande van Johann Sebastian Bach. De hedendaagse cellist en componist Peter Gregson is met de muziek van Bach aan de haal gegaan. Gregson heeft Bachs wereldberoemde cellosuites naar eigen hand gezet, en daar horen ook een aantal sarabande-delen bij. Wat vind jij van Gregsons moderne interpretatie? Oordeel zelf, en luister naar zijn '4.4 Sarabande', met de noten van Bach. Wil je meer Kalm met Klassiek? Ga naar npoklassiek.nl/kalmmetklassiek (https://www.npoklassiek.nl/kalmmetklassiek). Alle muziek uit de podcast vind je terug in de bijbehorende speellijst (https://open.spotify.com/playlist/6YgSfm1Sux7CroiJvzeUdx?si=f0f254ee8f4048e7). 

C'est notre spécial d'histoires d'horreur en intelligence artificielle. Le concept est simple, j'ai demandé à mes collaborateurs et collaboratrices de me raconter leurs histoires d'horreur préférées en I.A. Au programme:Shirley : Doctolib – Un médecin qui vous écoute, et qui veut votre «bien»! France 3 : Intelligence artificielle - Doctolib veut révolutionner la consultation médicale avec son nouvel assistantSylvain : Character.IA vous accompagne dans la mort. RTBF « Amoureux d'une intelligence artificielle, un adolescent américain se suicide à 14 ans. Sa mère porte plainte »Frédérick : Boucain d'aéroport, Sora et Lavender – L'intelligence collective au service de la mort -  Brigadier General Y.S., The Human-Machine Team: How to Create Synergy Between Human & Artificial Intelligence That Will Revolutionize Our WorldShirley : Une ville hantée par un Chat étrange, La Ville vous offre ChatGPT. Demandez votre code. Jean-François : Une histoire de possession «démoniaque» - Une AI prend possession de votre pc. Merci au passage à Dimitri et Tsunam-IA, un podcast que j'adore et que j'écoute fréquemment, qui m'a mis sur cette piste. Tsunam-IA #55 - Claude 3.5 Prend le Contrôle de Votre Ordinateur, Apple Intelligence Débarque et GPT-5 en Rumeurs. Et encore plus! Bonne écoute. Merci au passage à Laurent Nicolas-Guennoc et son équipe, de l'excellent podcast Changement d'époque en cours (que je découvre avec bonheur), et sa mention d'IA café (et ses bons mots) dans leur épisode 8, un épisode spécial Halloween – AI et Science-fiction.Production et animation: Jean-François Sénéchal, Ph.DBarristIAs: Fredérick Plamondon, Shirley Plumerand, Sylvain Munger.Collaborateurs et collaboratrices:  Véronique Tremblay, Stéphane Minéo, Fredérick Plamondon, Shirley Plumerand, Sylvain Munger Ph.D, Ève Gaumond, David Beauchemin.En musique :Carlos, Wendy, et Rachel Elkind. "Thème d'ouverture du Shining." The Shining. Warner Bros. Records, 1980.Elfman, Danny. "Thème d'ouverture." Tales from the Crypt. 1989.Carpenter, John. "Thème d'Halloween." Halloween. Varèse Sarabande, 1978.Herrmann, Bernard. "Thème d'ouverture." Psycho. Réal. Alfred Hitchcock, 1960.Manfredini, Harry. "Thème principal." Friday the 13th. 1980.Raffertie. The Substance (Original Motion Picture Score) ℗ 2024 Waxwork RecordsHooper, Tobe, et Wayne Bell. "Thème principal." The Texas Chainsaw Massacre. 1974.OBVIA Observatoire international sur les impacts sociétaux de l'intelligence artificielleDisclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show

Præludium: Georg Friedrich Händel: Allemande e-mol Davidssalme: 100, 1-4 Salme: 492, vers 1-3 "Guds igenfødte, nylevende sjæle" Fra det N.T.: 1. Johannesbrev 4, 12-16a Trosbekendelsen Salme: 492, vers 4-6 Postludium: Georg Friedrich Händel: Sarabande e-mol

Aujourd'hui nous sommes le vendredi 27 septembre et nous fêtons St Vincent de Paul, prêtre français du XVIIe siècle. Pour les oubliés de la société (malades, galériens, réfugiés, illettrés, enfants trouvés) il fonde plusieurs organisations qui perdurent encore aujourd'hui dans le monde entier. Au début de ce temps de prière, je demande la grâce d'être moi-même envoyé vers les oubliés de la société, à la manière de Saint Vincent de Paul... Chaque jour, retrouvez 12 minutes une méditation guidée pour prier avec un texte de la messe ! A retrouver sur l'application et le site www.prieenchemin.org. Musiques : Ubi caritas de Jacques Berthier interprété par Communauté de Taizé - Laudate omnes gentes © Communauté de Taizé ; Sarabande in Bb Major de Johannes Fresneau interprété par Edward Martin - Les Larmes of Johannes Fresneau © Creative Commons by-nc-sa license from Magnatunes.

"Danzas - Vom Tabu zum Triumph" heißt die neue CD des Ensembles La Ninfea, ein Album voller Tänze wie Sarabande, Volta, Ciaccona, Walzer oder Tango, die es aus der musikalischen Schmuddelecke in die Sphären der Hochkultur schafften.

Darlene Duggan, newly installed President of Anti Cruelty, explains there's an animal welfare desert on the South and Southwest side of Chicago, and the non-profit is in the process of doing something about it. Chicago's shelters are filled or near filled, and she explains why. The big Pour Your Heart Out event is September 26, 6–10 p.m. at Sarabande Chicago, […]

durée : 01:58:37 - Le Bach du dimanche du dimanche 04 août 2024 - par : Corinne Schneider - La Pologne : 5e étape du tour d'Europe avec la musique de Bach, à l'écoute de la claveciniste Alina Ratkowska, du Goldberg baroque Ensemble, de la Capella Cracoviensis, du contreténor Jakub Jozef Orlinski et de l'ensemble Arte Dei Suonatori ; puis « Une heure en Sarabande » (émission n° 286) - réalisé par : Emmanuel Benito

Aujourd'hui nous sommes le vendredi 14 juin.Me voici devant toi Seigneur, pour un temps de dialogue et d'intimité. Je prends le temps de faire silence à l'intérieur de moi et j'oriente mes pensées vers toi. Je te demande la grâce d'écouter ta Parole... Chaque jour, retrouvez 12 minutes une méditation guidée pour prier avec un texte de la messe ! A retrouver sur l'application et le site www.prieenchemin.org. Musiques : Comme un souffle fragile de Pierre Jacob, Gaëtan de Courrèges, François Rauber interprété par Ensemble Vocal Alliance - Chantons en Église 40 chants de pèlerinage terre sainte © Voir le site de l'album ; Sarabande in Bb Major de Johannes Fresneau interprété par Edward Martin - Les Larmes of Johannes Fresneau © Creative Commons by-nc-sa license from Magnatunes.

Open your eyes and ears to the US choral scene, and be surprised! Christina Howell and Luthien Brackett tell Sammy and Robert about the wealth of choral music in the US, from schools to spirituals, social change and MONEY...TRACKS : (1) Trad. Arr. F.M. Christiansen - Beautiful Savior; St. Olaf Choir / Anton Armstrong / Kelly Becker - Listen on Apple Music https://apple.co/3Whv2qS (2) Trad. Arr M. Hogan - My Soul's Been Anchored in the Lord; Atlanta Master Chorale / Eric Nelson (3) Caroline Shaw - Partita: II. Sarabande; Roomful of Teeth - Listen on Apple Music https://apple.co/4aRh57t (4) J.S. Bach - Singet Dem Herrn ein neues Lied: Mvt. III; The Aeolians of Oakwood University / Jason Max FerdinandSupport this show http://supporter.acast.com/choral-chihuahua. Hosted on Acast. See acast.com/privacy for more information.

ALBUMS ON PRESALE TODAY! BUY THE ALBUMS HERE!Volume One:Apple Music: https://music.apple.com/pl/album/j-s-bach-complete-keyboard-works-vol-1-five-early-suites/1742017750Amazon Music: https://amazon.com/music/player/albums/B0D2384W2F?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_RKDX0CTSrSQOjYLoHcLjwnaalVolume Two:Apple Music: https://music.apple.com/jp/album/j-s-bach-complete-keyboard-works-vol-2-original-compositions/1742025499Amazon Music: https://amazon.com/music/player/albums/B0D23KCFB2?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_mHA1bzUWmIrfRclqYKWzKynspVolume Three:Apple Music: https://music.apple.com/pl/album/j-s-bach-complete-keyboard-works-vol-3-misc-preludes/1742020206Amazon Music: https://amazon.com/music/player/albums/B0D23VWM3J?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_jOzPVjVDkSiB8t9qwOuFSXrZ8As for the music covered today, we will hear Doubles layered over their preceding dance movements. A Double is an elaboration on the preceding movement, where the melody is quickened— often twice as quickly. The harmonic structure of the Double and its preceding movement is the same, allowing for one to play both movements at the same time with very interesting results. Pieces studied:Sarabande and Double from Sixth English Suite, BWV 811Gigue and Double from the c minor lute suite, BWV 997Partita in b minor for solo violin, BWV 1002People/places mentioned:Burp Castle at 41 East 7th Street in the East Village of Manhattan (between 2nd Ave & Cooper Square).Paul Spring (guitarist)How To Support This Podcast:https://www.paypal.me/wtfbachhttps://venmo.com/wtfbachhttps://cash.app/$wtfbachor become a paid subscriber at wtfbach.substack.com Get full access to WTF Bach at wtfbach.substack.com/subscribe

Phineas Stolyavitch performs an up-tempo version of Bach's Sarabande in B minor Photo by S. Olivetti

Guest host Simon Chilvers speaks to Trino Verkade, Chief Executive of The Sarabande Foundation, a beacon of support and inspiration for emerging talent in the creative world. Founded by the legendary Alexander McQueen in 2006, Sarabande has blossomed into a nurturing space offering not only studios but also a wealth of knowledge through talks and workshops spanning various disciplines. Trino Verkade's journey intertwines deeply with the legacy of Alexander McQueen himself. Hailing from Liverpool, she began her career as McQueen's first employee, standing witness to the genius and innovation that defined his work until his untimely passing in 2010. Since then, she has continued to shape the landscape of fashion, lending her expertise to renowned brands such as Mary Katrantzou and Thom Browne. However, her heart ultimately found its home at Sarabande in 2017, where she now orchestrates every facet of the foundation's operations. In this special episode, Trino Verkade sits down with Simon to share her insights, experiences, and aspirations. From her intimate beginnings with McQueen to her tireless dedication to nurturing the next generation of creatives, she talks about what makes Sarabande unique and its plans for the future. https://sarabandefoundation.org/  

durée : 00:05:22 - 113. Une Sarabande au saxophone baryton par Matthieu Delage (2024) -

Potser no va ser un pelut soroll

Potser no va ser un pelut soroll

Potser no va ser un pelut soroll

durée : 01:58:59 - Le Bach du dimanche du dimanche 03 mars 2024 - par : Corinne Schneider - Au programme de cette 286e émission : une première heure en Sarabande à l'écoute de Bach, Haendel, Ysaÿe, Debussy, Poulenc, Tansmann et Peter Ilg ; la Cantate nuptiale BWV 210 « O holder Tag, erwünschte Zeit » et les 90 ans de l'organiste Francis Chapelet (né à Paris le 3 mars 1934) - réalisé par : Emmanuel Benito

A memorable collection, a composer whose primacy spans the ages, a great performer. We find ourselves in front of Johann Sebastian Bach's (1685-1750) six Suites for solo cello, performed by Antonio Meneses. In J. S. BACH: THE CELLO SUITES he turns to this precious legacy, which he masters like few others. Around the world, he presents it to audiences. In the past, he has recorded it. Now, a new perspective on these eternally meaningful works leads him to rediscover them. Tracks1. Cello Suite No. 1 in G Major, BWV 1007: I. Prélude – (2:30)         2. Cello Suite No. 1 in G Major, BWV 1007: II. Allemande – (4:13)           3. Cello Suite No. 1 in G Major, BWV 1007: III. Courante – (2:52)          4. Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande – (2:48)         5. Cello Suite No. 1 in G Major, BWV 1007: V. Menuets I & II – (3:33)       6. Cello Suite No. 1 in G Major, BWV 1007: VI. Gigue – (1:52)               7. Cello Suite No. 2 in D Minor, BWV 1008: I. Prélude – (3:54)         8. Cello Suite No. 2 in D Minor, BWV 1008: II. Allemande – (3:33)           9. Cello Suite No. 2 in D Minor, BWV 1008: III. Courante – (2:12)           10. Cello Suite No. 2 in D Minor, BWV 1008: IV. Sarabande – (4:26)           11. Cello Suite No. 2 in D Minor, BWV 1008: V. Menuets I & II – (3:21)    12. Cello Suite No. 2 in D Minor, BWV 1008: VI. Gigue – (2:42)              13. Cello Suite No. 3 in C Major, BWV 1009: I. Prélude – (3:14)          14. Cello Suite No. 3 in C Major, BWV 1009: II. Allemande – (3:54)           15. Cello Suite No. 3 in C Major, BWV 1009: III. Courante – (3:19)           16. Cello Suite No. 3 in C Major, BWV 1009: IV. Sarabande – (3:52)           17. Cello Suite No. 3 in C Major, BWV 1009: V. Bourrées I & II – (3:40)     18. Cello Suite No. 3 in C Major, BWV 1009: VI. Gigue – (3:19)               19. Cello Suite No. 4 in E-Flat Major, BWV 1010: I. Prélude – (4:02)         20. Cello Suite No. 4 in E-Flat Major, BWV 1010: II. Allemande – (4:05)      21. Cello Suite No. 4 in E-Flat Major, BWV 1010: III. Courante – (3:45)      22. Cello Suite No. 4 in E-Flat Major, BWV 1010: IV. Sarabande – (4:01)      23. Cello Suite No. 4 in E-Flat Major, BWV 1010: V. Bourrées I & II – (5:04) 24. Cello Suite No. 4 in E-Flat Major, BWV 1010: VI. Gigue – (2:49)    And others …This album is broadcast with the permission of Bárbara Leu from Azul Music.         

Welcome to Season 4 of Conversations with Musicians, with Leah Roseman. For this first episode in 2024, I welcome the violinist, author and coach Jennifer Roig-Francoli. We talk about her newly released  book, Make Great Music with Ease!: The Secret to Smarter Practice, Confident Performance, and Living a Happier Life, and  her Art of Freedom Method which incorporates the mind-body skills of the Alexander Technique. This episode also features excerpts from her solo violin album, Solo Con Spirito, with music of Kreisler, Enescu and Bach.  Jennifer had the opportunity to study with Nathan Milstein, Josef Gingold and Stanley Ritchie  and has had an interesting career as a performer, including with Appollo's Fire. We talk about performing barefoot at Carnegie Hall, travels to India, and in Jennifer's words” how you do one thing is how you do everything”. I myself have been very influenced by different mind-body practices like the Alexander Technique,  and the power of thought to help me address habitual tensions in my own life has really helped me, and I trust this inspiring and helpful episode will be of help to you, both musical performers and not, because the content of this discussion addresses universal challenges for all of us.  This conversation is punctuated by some excerpts from Jennifer's solo album, and I hope you'll listen to the whole album which you'll find both on streaming services, or better yet for purchase on her website: https://artoffreedom.me/meet-jennifer/ Like all my episodes, you can watch this on my YouTube channel or listen to the podcast, and I've also linked the transcript to my website: https://www.leahroseman.com/episodes/jennifer-roig-francoli Here you can sign up for my weekly newsletter to get access to Sneak Peeks for upcoming episodes: https://mailchi.mp/ebed4a237788/podcast-newsletter I have had several interviews talking about some of the same issues as this episode. My interviews with  Julie Lyonn-Lieberman, Madeline Bruser, Stephen Nachmanovitch, Derek Gripper and Daniel Ramjattan will be good places  to start if you missed any of those.  Finally, I'm an independant podcaster, and I truly need the help of my listeners to keep this project going: https://ko-fi.com/leahroseman photo of Jennifer Roig-Francoli: Tina Gutierrez Timestamps:  (00:00) Intro (04:16) album Solo con Spirito! Celebrating 50 (05:27) excerpt from Kreisler's Recitativo and Scherzo-Caprice (07:07) excerpt from Enescu's Sarabande (07:47) Stanley Ritchie  (10:03) Jennifer's studies at Indiana University, learning baroque violin (12:58) Apollo's Fire (15:11) studies with Nathan Milstein (18:43) Alexander Technique and Primal Alexander touch-free approach (32:58) please support this series! Thanks.  (33:15) the importance of transitions and mindset, performance anxiety, The Art of Freedom Method (41:43) music education, pressure from teachers, competitiveness in the music industry (46:36) excerpt from Ysaye's Ballade (46:34) challenges in parenting for musicians (52:44) music education, letting go of the focus on goals (58:41) excerpt from Bach's Chaconne (01:00:12) performing barefoot (01:02:56) decisions around pitch and more for Solo con Spirito (01:07:25) How you do one thing is how you do everything (01:11:32) India meditation retreat Amma's ashram (01:16:31) connections made through Art of Freedom online coaching --- Send in a voice message: https://podcasters.spotify.com/pod/show/leah-roseman/message

DUTILLEUX: Sarabande et cortège (6.55). B. Boganyi (fg.), B. Engelhard (p.). Sinfonía nº 2 “La Double” (28.17). Orq. de París. Dir.: D. Barenboim. 3 Sonetos de Jean Cassou (8.24). V. Le Texier (bar.), Orq. Nacional des Pays de la Loire. Dir.: P. Rophe.Escuchar audio

Seguimos con la serie de la Suite I de Bach, dando algunas apuntes y disfrutando del estudio.

Stolyavitch plays Bach Phineas Stolyavitch plays Sarabande in B minor by J.S. Bach, in mourning for those killed in Gaza. Photo by Tuzzie Kingclip    

The War for the Crown continues as the Knights of Summer don their suits, ballgowns, and masks and join the Masquerade! Support us on Patreon to access our actual play of the Tyrant's Grasp Adventure Path, new episodes every Monday, and other content: https://www.patreon.com/FindthePath Cast Rick Sandidge is our Gamemaster Heather Allen plays Viscountess Gwenhwyfar Kastner (LG female human Skald 4) Jessica Jenkins plays Baroness Verity Corcina (LN female human Samurai 4) Jordan Jenkins plays Baron Cornelius Merrosett (N male human Arcanist 4) Rachel Sandidge plays Countess Felyx Zespire (LG female human Cleric 4) Ross Scoggin plays Count Oliver Darahan (NG male human Magus 4) In game music provided by Syrinscape! Check them out at https://syrinscape.com/ War for the Crown theme, and other in game music, provided by Ryan Mumford. Minuet by Bernhard Romberg performed by Sir James Galway playing with the Young Danish String Quartet. License Gavotte, Sarabande, Rigaudon, Bourree, and Passepied are all public domain, and copyright free.

As well as exceptional performances, this recording offers phenomenal sound. The recording was made on 3-5 April 2023 at the Fazioli Concert Hall in Sacile, Italy in 5-channel Dolby Atmos high-definition audio and is available as hybrid multichannel SACD as well as a range of digital formats.TracksDisc 1Johann Sebastian BachPartita No. 2 in C Minor, BWV 826 I. Sinfonia (4:31) II. Allemande (4:48) III. Courante (2:33) IV. Sarabande (2:55) V. Rondeau (1:23) VI. Capriccio (3:54) Italian Concerto, BWV 971 I. [Allegro] (3:58) II. Andante (4:06) III. Presto giocoso (4:04) Chromatic Fantasia and Fugue in D Minor, BWV 903 I. Fantasia (6:57) II. Fugue (4:57) Felix MendelssohnVariations sérieuses, Op. 54 I. Andante sostenuto (0:48) II. Variation 1 (0:38) III. Variation 2: Un poco più animato (0:34) IV. Variation 3: Più animato (0:23) V. Variation 4 (0:22) VI. Variation 5: Agitato (0:24) VII. Variation 6: A tempo (0:22) VIII. Variation 7: Con fuoco (0:24) IX. Variation 8: Allegro vivace (0:20) X. Variation 9 (0:26) XI. Variation 10: Moderato (0:43) XII. Variation 11: Cantabile (0:42) XIII. Variation 12: Tempo del Tema (0:34) XIV. Variation 13: Sempre assai leggiero (0:49) XV. Variation 14: Adagio (1:04) XVI. Variation 15: Poco a poco più agitato (0:26) XVII. Variation 16: Allegro vivace (0:21) XVIII. Variation 17 (1:13) XIX. Finale-Presto (1:10) Disc 2Robert SchumannFantasie in C Major, Op. 17 I. Durchaus fantastisch und leidenschaftlich vorzutragen (12:45) II. Mäßig. Durchaus energisch (8:09) III. Langsam getragen. Durchweg leise zu halten (8:18) Frèdèric Chopin Valse in C sharp minor, Op. 64 No. 2 – Tempo giusto (3:56)Two EncoresRobert Schumann Carnaval, Op. 9 – XII. Chopin (1:30) Fantasiestücke, Op. 12 – III. Warum? (2:52) Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) This album is broadcast with the permission of Sean Dacy from Rosebrook Media.

In this episode of “How Do You Say That?!” sponsored by britishvoiceover.co.uk, Sara Starling joins Sam and Mark to talk about voiceover in the dark recesses of space, and how to bring a real person to life when you're voicing their words!Our VO question this week is all about the average day in a voiceover's life!Get involved! Have you got a Wildcard suggestion that we should try? Send it to us via Mark or Sam's social media or email it directly to podcast@britishvoiceover.co.ukScript 1I don't often get foxed, but I came mighty close on Sarabande for Dead Lovers. Now, the filming was done in Prague. And there's a scene in it - the retreat from war. Now, to have a retreat, you need an army. And when you have an army, that means 300 extras. And when you have 300 extras, you need uniforms, tricorn hats and 300 pairs of buckled shoes. Clothes were still on ration, but I managed to get everything ... except the shoes. Oh, you could get two pairs here, half a dozen there. But 300? Script 2[Reporters talk in German, Italian and French] [Neil Armstrong recording]From walking on the moon [pause] to landing on Mars, silicones have played an integral part in taking us to space, pushing the boundaries of innovation and our knowledge of the universe.Derived from quartz extracted from the Earth's crust, silicones enable technologies that allow us to explore outer space [pause] and help us understand [pause] where we come from [pause] and where we are going. Silicones. A world of possibilities.**Listen to all of our podcasts here - you can also watch on YouTube, or say "Alexa, Play How Do You Say That?!"About our guest: Sara Starling is a versatile and intuitive voice over artist with a whole clutch of awards under her feathers, and a voice that makes you feel as though all's well in the world. Sara's been voicing for 3 decades, starting her career at the BBC as a radio studio manager in the days when razors & sticky tape were all the rage, before becoming a BBC continuity announcer, newsreader & presentation director, pressing a lot of buttons along the way.Since 2006, she's been voicing for clients worldwide from her studio across all genres, for clients including Netflix, ITV, PepsiCo, Boots, Ocado, AstraZeneca, Sky Kids etc (that drama degree still comes in handy).From commercials to corporates, promos to fiendishly complex medical narration and fun-filled animation, she voices it all. She hopes you never have to hear her instructing you on how to use a defibrillator though!Her work? It's all about that magical human connection.Sara's Website @sara.starling.voiceover on Instagram @Voiceoverbird on Twitter Sara on YouTubeMark's demos & contact details:

This week, Cindy Juyoung Ok speaks with Kiki Petrosino, who has published five elegant and remarkable books, all with Sarabande, including the memoir Bright (2022) and the poetry collection White Blood: A Lyric of Virginia (2020). Petrosino speaks about crestfallenness and her new essay in the October issue of Poetry, “On Crestfallenness: A Pilgrim, Not a Tractor,” which appeared as part of the Hard Feelings series. She also talks about having her mother join her for her research, teaching across languages, and her love of cookbooks and the stories they tell. With thanks to Danelle Cadena Deulen for the clip of her reading Brigit Pegeen Kelly's poem “Closing Time; Iskandariya” on the podcast Lit from the Basement.

Sweepers - This Dirty House (Self-released)Erik Nervous - Drop Dead (Feel It)Powerplant - Beautiful Boy (Static Shock)Carambolage - Fußgängerzone (Tapete )Human Error - Dread (Upset Condition)Mutant Strain - Knuckle Dragger (Sorry State)Proletariat - Options (Modern Method)Cuticles - Rogue Feather, Life Hunter (Siltbreeze)Andy Stratton - I Don't Know (All the Madmen/Sealed)The Time Flys - Low Life (Douchemaster)INU - Fade Out (Mesh-Key)Single Bullet Theory - I've Got a Secret (Feel It)Dogs - Teenage Fever (Reminder)The Judges - The House Always Wins (Total Punk/Anti Fade)The Comas - Anything for Kicks (Therapeutic)A-Bones - Gonna Be Loved (Exile Records)Black Time - Beat of the Traps (Yakisakana)Fireworks - Silver Moon (Easy Action)Snakefinger - Living in Vain (Ralph)Data Unknown - Down at the Valero (Self-released)The Serfs - Electric Like an Eel (Trouble in Mind)Junjo Presents: Roots Radics - Young Banana Dub  (Greensleeves)Exek - French Alps Insurance Group (Foreign)John Carpenter - Kick Ass (Varèse Sarabande)

Hahn recorded all six sonatas in chronological order. “In playbacks, I was struck by how surprising my own playing sounded to me. The goosebumps told me I was headed in the right direction. These sonatas are truly hypnotic, and when we'd wrap for the day, I'd step into the winter air in a haze, my brain reharmonized by the tonalities that had vibrated through my jawbone: a sound bath if ever there was one.”Track Listing:1 Sonata No. 1 In G Minor – À Joseph Szigeti / I. Grave. Lento Assai2 Ii. Fugato. Molto Moderato3 Iii. Allegretto Poco Scherzoso. Amabile4 Iv. Finale Con Brio. Allegro Fermo5 Sonata No. 2 In A Minor – À Jacques Thibaud / I. Obsession : Prélude. Poco Vivace6 Ii. Malinconia. Poco Lento7 Iii. Danse Des Ombres : Sarabande. Lento8 Iv. Les Furies. Allegro Furioso9 Sonata No. 3 In D Minor10 Allegro In Tempo Giusto E Con Bravura – Tempo Poco Più Vivo E Ben Marcato11 Sonata No. 4 In E Minor – À Fritz Kreisler / I. Allemanda. Lento Maestoso12 Ii. Sarabande. Quasi Lento13 Iii. Finale. Presto Ma Non Troppo14 Sonata No. 5 In G Major – À Mathieu Crickboom / I. L'aurore. Lento Assai15 Ii. Danse Rustique. Allegro Giocoso Molto Moderato16 Sonata No. 6 In E Major – À Manuel Quiroga / Allegro Giusto Non Troppo VivoHelp support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber#AppleClassical Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

Eight exceptional composers, eight premiere recordings with a legendary orchestra, and one spectacular soloist: LONDON CELLO CONNECTION is a captivating compendium of contemporary compositions by celebrated cellist Ovidiu Marinescu and the London Symphony Orchestra with conductor Miran Vaupotić.Marinescu's emotive, lush sound and superb technical command provide the continuous thread throughout the program, from the elegant “Sarabande” by Marvin Lamb to Arthur Gottschalk's regal “Brunetti Meditations” to the shimmering, pulsing “Soul Dance” of Diane Jones, connecting and contrasting each of these works and others by John Robertson, Katherine Price, Joanna Estelle, L Peter Deutsch, and Keith Kramer.Recorded in June 2022 at the LSO's St. Luke's Church, the historic site on London's Old Street which dates to 1733 and was restored to become home to the orchestra's recording, community, and music education programs.For more information about this album, please visit London Cello Connection – Navona Records.This episode of Classical Music Discoveries is sponsored by Apple Music Classical.Updated with new promo 3.24.23

Handel's keyboard suites have remained strangers to most concert pianists. Seong-Jin Cho hopes that his latest album for Deutsche Grammophon will shed new light on some of the most heartfelt of all Baroque music. Set for release today, The Handel Project contains three of the 28-year-old South Korean pianist's favourite suites from Handel's first collection of Suites de pièces pour le clavecin. These are coupled with Brahms's virtuosic Variations and Fugue on a Theme by Handel, which Cho believes to be “the best variations that have ever been written”.Track Listing:1 Adagio 02:362 Allegro 02:183 Adagio 01:374 Allegro 02:105 Prélude 02:166 Allegro 02:297 Allemande 03:058 Courante 01:419 Gigue 02:0110 Prélude 02:0911 Allemande 04:3412 Courante 01:4313 Air & 5 Variations "The Harmonious Blacksmith" 03:3514 Aria 00:4915 Var. 1 00:4716 Var. 2 (Animato) 00:4217 Var. 3 (Dolce) 00:4418 Var. 4 (Risoluto) 00:4919 Var. 5 (Espressivo) 00:5720 Var. 6 00:5621 Var. 7 (Con vivacitá) 00:3822 Var. 8 00:3623 Var. 9 (Poco sostenuto) 01:1724 Var. 10 (Energico) 00:3525 Var. 11 (Dolce) 00:4826 Var. 12 (Soave) 00:4927 Var. 13 (Largamente, ma non più) 01:2528 Var. 14 (Sciolto) 00:3829 Var. 15 00:4430 Var. 16 (Piano ma marcato) 00:3131 Var. 17 (Più mosso) 00:2932 Var. 18 (Grazioso) 00:5133 Var. 19 (Leggiero e vivace) 01:0634 Var. 20 (Legato) 01:2335 Var. 21 (Dolce) 00:5136 Var. 22 01:0537 Var. 23 (Vivace e staccato) 00:3338 Var. 24 00:3339 Var. 25 00:3840 Fugue 05:0841 Sarabande 02:3642 Minuet (Arr. Kempff for Piano) 04:17Help support our show by purchasing this album  at:Downloads (classicalmusicdiscoveries.store) Classical Music Discoveries is sponsored by Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.comThis album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).

It's that time of year again…spooky season! Hosts Jim DeRogatis and Greg Kot revisit their conversation with horror writer, director and composer John Carpenter. Then, they share their favorite spooky movie music. Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah  Mobile: sayhi.chat/soundops Featured Songs:John Carpenter, "Halloween Theme - Main Title," Halloween (Original 1978 Motion Picture Soundtrack), Columbia, 1979John Carpenter, "The Shape Stalks," Halloween (Original 1978 Motion Picture Soundtrack), Columbia, 1979Bebe Barron and Louis Barron, "Forbidden Planet Soundtrack - a) Main Titles - Overture - b) Giant Footprints In The Sand," Forbidden Planet, Planet, 1976Bernard Herrmann, Joel McNeely & Royal Scottish Orchestra, "Scotty Trails Madeline (Including: Madeline's First Appearance, Madeline's Car, The Flower Shop, The Alleyway, The Mission, Graveyard, and Tombstone)," Vertigo: Original Motion Picture Score, Varèse Sarabande, 1995John Carpenter, "Dark Star," Anthology: Movie Themes 1974-1998, Rodeo Suplex, 2017John Carpenter, "Skeleton," Lost Themes III: Life After Death, Sacred Bones, 2021Dimitri Tiomkin, "High Noon - Theme," Movie Memories: Music from the Greatest Films, Colosseum, 1995John Carpenter, "Dead Eyes," Lost Themes III: Life After Death, Sacred Bones, 2021Frankie Valli, "The Sun Ain't Gonna Shine (Anymore)," The 4 Seasons Present Frankie Valli Solo, Philips, 1967Goblin, "Suspiria," Suspiria: The Complete Original Motion Picture Soundtrack, Cinevox, 1977Childish Gambino, "Redbone," "Awaken, My Love!", Glassnote, 2016Tobe Hooper and Wayne Bell, "The Texas Chainsaw Massacre," The Texas Chainsaw Massacre, N/A, 1974Magnet, "Willow's Song," The Wicker Man, Trunk, 1998David Lynch and Peter Ivers, "In Heaven (Lady in the Radiator Song)," Eraserhead: Original Soundtrack, I.R.S., 1982Luniz, "I Got 5 On It (feat. Michael Marshall)," Operation Stackola, C Note, 1995Mike Oldfield, "Tubular Bells, Part One," Tubular Bells, Virgin, 1973Tangerine Dream, "Rain In the Third House," Near Dark (Original Motion Picture Soundtrack), Varèse Sarabande, 1987Colin Newman, "Alone," A-Z, Beggars Banquet, 1980Krzysztof Komeda, "Main Title," Rosemary's Baby (Music from the Original Motion Picture Score), Dot, 1968Bauhaus, "Bela Lugosi's Dead," Press the Eject and Give Me the Tape, Beggars Banquet, 1982Philip Glass, "Helen's Theme," Candyman (Original 1992 Motion Picture Soundtrack), One Way Static, 2014Pearl Jam, "Yellow Ledbetter," Lost Dogs, Epic, 2003