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Silenced Soil begins with a fragile artefact: a recording of Claude Debussy's Sarabande, composed in 1894 and revised in 1901, then recorded on 11 April 1963 in Gillitts, KwaZulu-Natal, by ethnomusicologist Raymond Clausen. Its only documentation is a handwritten note on a reel-to-reel tape box: “at Gillitt's, copy of Debussy, Sarabande.” No pianist, no studio, no context. The archive offers little clarity. Sometimes it keeps its silence.Listening to this recording in 2025, I was confronted not only by sound, but by history. Why was Western art music recorded here, under whose authority, and for what purpose, during a period still shaped by colonial power? Before reshaping the music, I had to confront my own position as a descendant of European colonisers. This inherited legacy uncomfortable but necessary became central to the work, sharpening my awareness of cultural imposition, culture colonialism and ongoing calls for restitution.From this reckoning, Silenced Soil emerged. I treated Debussy's melody as a fractured map: splintered, dispersed, and reassembled through chance. This approach draws on John Cage's embrace of indeterminacy and my long-standing admiration for atonality in music. The soundscape is composed at 120 BPM (2 Hz), chosen to evoke both calm and alertness. A reflection of historical time moving slowly, yet demanding urgent re-examination. Within this framework, I wove voices and instruments from Zulu culture, women's singing sound fragments, mouth harps, clapping sticks, and rattles — alongside electronics, loops, found sounds, urban noise, and synthesised textures and the original recording of Sarabande. I actively intervened in this source material, editing the refrain of Sarabande into fragmentary notes and embedding them within the soundscape composition. These elements meet not as opposites but as interlocutors, forming a threshold where suppressed traditions and contemporary sound worlds converge.Unanswered questions remain: Who was the pianist? Who authorised the recording? What ethical framework governed it? These absences are integral to Silenced Soil. What is unheard can be as powerful as what is recorded. And the soil? It stands for the restless cosmos, for the sand forever in motion across our planet. What drifts, what scatters, what is buried will, in time, be made visible. My compositional process is guided by intuition and curiosity; notation and atonality serve as a compass rather than a rule, supported here by research into the subject itself. My aural journey began at six at the piano, expanded through Germany's 1990s DJ culture, deepened during my years as a contracted composer with BMG, and refined through studies in Sound & Visual Art at Middlesex University's Lansdowne Centre for Electronic Arts. Together, these experiences shape a practice that moves fluidly between structure and instinct, inquiry and an enduring love for soundscape creation.Piano being played reimagined by Linda Himbert.———Part of the project A Century of Sounds, reimagining 100 sounds covering 100 years from the collections of the Pitt Rivers Museum at the University of Oxford. Explore the full project at citiesandmemory.com/century-sounds
This Day in Legal History: Bruno Hauptmann ConvictedOn February 13, 1935, a New Jersey jury convicted Bruno Hauptmann of kidnapping and murdering the infant son of famed aviator Charles Lindbergh. The crime had transfixed the nation for nearly three years and was widely labeled the “Crime of the Century.” The child was taken from the Lindbergh home in 1932, and despite a ransom payment, was later found dead. Public outrage was immediate and intense, with newspapers covering nearly every development in the investigation and trial.Hauptmann's prosecution relied heavily on circumstantial evidence, including ransom notes and expert testimony linking his handwriting to those notes. The government also introduced evidence tying marked ransom bills to Hauptmann's possession. The trial raised early concerns about the reliability of forensic handwriting analysis and the influence of media attention on jury impartiality. Critics then and now have questioned whether the intense publicity compromised due process protections.The case also reshaped federal criminal law. In response to the kidnapping, Congress enacted the Lindbergh Law, formally known as the Federal Kidnapping Act. The statute made it a federal offense to transport a kidnapping victim across state lines, expanding federal jurisdiction over what had traditionally been a state crime. That shift reflected a broader trend during the early twentieth century toward increased federal involvement in criminal enforcement.Today, the Hauptmann conviction remains a staple in criminal law courses, not only for its tragic facts but also for its lasting procedural and constitutional implications.Goldman Sachs' chief legal officer, Kathy Ruemmler, resigned after newly released Justice Department documents detailed her past communications with Jeffrey Epstein. CEO David Solomon announced that he accepted her resignation, which will take effect on June 30. Ruemmler said the media attention surrounding her prior legal work had become a distraction. The disclosures showed she exchanged numerous emails with Epstein between 2014 and 2019 and received gifts from him, including luxury items. Some emails revealed that she advised Epstein on how to respond to press inquiries about his treatment by prosecutors.The documents also noted that Epstein attempted to contact her by phone on the night of his 2019 arrest on sex trafficking charges. Ruemmler stated that she knew Epstein only in her capacity as a defense attorney and denied any knowledge of ongoing criminal conduct. Before joining Goldman, she led the white-collar defense practice at Latham & Watkins and previously served as White House counsel during the Obama administration.The broader document release has drawn attention to Epstein's connections within major financial institutions, including UBS and JPMorgan. Ruemmler's departure marks one of the most prominent banking exits linked to the renewed scrutiny of Epstein's network.Top Goldman Sachs lawyer Ruemmler resigns after Epstein disclosures | ReutersA federal judge in Minnesota ruled that U.S. Immigration and Customs Enforcement improperly interfered with detainees' access to their attorneys during a recent enforcement operation. U.S. District Judge Nancy Brasel found that ICE's practices during “Operation Metro Surge” effectively denied thousands of people meaningful legal access. The order requires ICE to stop quickly transferring detainees out of Minnesota and to permit attorney visits and confidential phone calls. The ruling will remain in effect for 14 days while the case proceeds.The class action lawsuit was filed on January 27 on behalf of noncitizen detainees. According to the court, many individuals were moved out of state without notice, making it difficult or impossible for lawyers to locate them. In some instances, detainees were transferred so often that ICE itself lost track of their whereabouts. Judge Brasel concluded that while ICE did not formally deny the right to counsel, its actions in practice severely limited that right.The court also cited evidence that detainees were given limited phone access, sometimes sharing a small number of phones among dozens of people, with calls occurring in nonprivate settings. One asylum seeker with a valid work permit was held for 18 days despite a court order requiring his earlier release and was transferred across multiple states without explanation. The judge rejected ICE's claim that it lacked sufficient resources, noting that the agency had committed substantial personnel and funding to the enforcement effort.ICE blocked detainees' access to lawyers in Minnesota, judge finds | ReutersPresident Donald Trump announced four new judicial nominations, including a White House attorney selected for a seat on the U.S. Court of International Trade. The nominee, Kara Westercamp, currently serves as associate counsel in the White House and previously worked at the Justice Department. If confirmed, she would join a nine-member court that handles disputes involving U.S. trade laws, including challenges to tariffs. Her nomination comes as numerous companies contest Trump's sweeping global tariffs and seek refunds on duties already paid.Retailers and manufacturers such as Costco, Goodyear, and Revlon have filed lawsuits arguing that the tariffs exceed presidential authority. Earlier rulings from the trade court and the U.S. Court of Appeals for the Federal Circuit blocked most of the tariffs, and the U.S. Supreme Court is now reviewing the matter. Trump has publicly criticized the earlier decisions.In addition to Westercamp, Trump nominated Katie Lane to a federal district court in Montana, Sheria Clarke to a district court seat in South Carolina, and federal prosecutor Evan Rikhye to a 10-year term on the District Court of the Virgin Islands. All nominees must be confirmed by the Senate.Trump nominates White House lawyer to court hearing tariff cases | ReutersFormer CNN anchor Don Lemon is scheduled to appear in federal court in Minnesota to enter a plea related to charges stemming from his coverage of a protest at a St. Paul church. The protest targeted President Donald Trump's immigration enforcement surge in the state. Lemon, now an independent journalist, livestreamed the January 18 demonstration, which disrupted a worship service at Cities Church.Federal prosecutors charged him with conspiring to violate civil rights and with obstructing access to a house of worship under a statute also used in cases involving abortion clinic protests. His attorney argues that the prosecution infringes on Lemon's First Amendment rights and characterizes the case as an attack on press freedom. Trump publicly supported the charges, while Attorney General Pam Bondi stated that authorities would protect the right to worship without interference.The protest occurred during broader demonstrations against federal immigration actions in Minnesota, where thousands had gathered to oppose the crackdown. Lemon was seen on video speaking with activists before and during the disruption and interviewing participants and congregants inside the church. Another journalist, Georgia Fort, faces similar charges and has denied wrongdoing, stating she was reporting rather than participating.Journalist Don Lemon to enter plea in Minnesota ICE protest case | ReutersThis week's closing theme is by Johann Sebastian Bach.Bach stands as one of the central figures of the Baroque era, revered for the structural clarity and spiritual depth of his music. Born in 1685 into a long line of musicians, Bach spent much of his career serving as a church organist and cantor in German cities such as Arnstadt, Weimar, and Leipzig. Though not widely celebrated outside musical circles during his lifetime, his reputation has since grown to near-mythic status. His compositions balance intellectual precision with emotional resonance, blending intricate counterpoint with lyrical expression.This week's closing theme is his Cello Suite No. 1 in G major, BWV 1007, likely composed around 1720 during his tenure in Köthen. The suite opens with one of the most recognizable preludes in all of classical music, built from flowing arpeggios that unfold with quiet inevitability. Written for unaccompanied cello, the piece demonstrates Bach's ability to imply harmony and depth through a single melodic line. The suite follows the traditional Baroque dance structure, moving from Prelude through Allemande, Courante, Sarabande, Menuets, and Gigue.For many listeners, the Prelude evokes clarity, order, and calm—qualities that make it a fitting close to the week. Its simplicity is deceptive; beneath the surface lies careful architecture and subtle harmonic movement. The work fell into relative obscurity until the twentieth century, when cellist Pablo Casals famously revived it and brought it to concert stages worldwide. Today, it remains a cornerstone of the cello repertoire and a touchstone of Baroque artistry. As a closing theme, it offers both reflection and renewal, ending not with flourish but with quiet confidence.Without further ado, Johann Sebastian Bach's Cello Suite No. 1 in G major, BWV 1007–enjoy! This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.minimumcomp.com/subscribe
Johann Pachelbel (1653 – 1706) - Partie Suite in sol maggiore 1. Sonatine (0:01)2. Allemande (1:01)3. Gavotte (3:48)4. Courante (4:38)5. Aria (5:34)6. Sarabande (6:12) 7. Gigue (7:50)8. Adagio (9:18) Musica Antiqua KölnHenk Bouman, clavicembaloReinhard Goebel, conductor
TANSMAN: Sinfonía nº 4 (27.23). Orq. Fil. de la Ópera de Podlasie. Dir.: M. Nalecz. Suite-Divertimento para cuarteto de piano y cuerda (selec.) (Introducción y marcha, Sarabande, Melodia, Nocturne) (13.12). Cuarteto Notos, A. Koster (p.).Escuchar audio
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Aujourd'hui, nous sommes le vendredi 2 janvier, dans la férie de Noël, et nous fêtons saint Basile le Grand et saint Grégoire de Nazianze, évêques et docteurs de l'Eglise. J'essaie de faire de la place en moi en pensant à la Parole de Dieu que je vais entendre. Je lui laisse un espace intérieur où elle pourra se déployer. Je demande au Seigneur de connaître davantage Jésus pour mieux le suivre... Chaque jour, retrouvez 12 minutes une méditation guidée pour prier avec un texte de la messe ! A retrouver sur l'application et le site www.prieenchemin.org. Musiques : Préparez, à travers le désert de C. Boet interprété par Communauté de l'Emmanuel - Best of Avent et Noël © Éditions de l'Émmanuel ; Sarabande in B Flat Major de Sylvius Leopold Weiss interprété par Daniel Shoskes - Weiss Undercover © Creative Commons by-nc-sa license from Magnatunes.
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Aujourd'hui nous sommes le lundi 22 décembre dans la semaine préparatoire à Noël.Je me prépare à entendre le passage biblique où la bienheureuse Vierge Marie prononce le “Magnificat”. Je ramène à ma mémoire ce que je connais de cet épisode : la visite à sa cousine Elisabeth et le cri de joie de celle-ci devant la promesse de l'enfant à naître. Je me prépare à l'entendre bénir Dieu. Témoin de la puissance de l'amour de Dieu, je demande au Seigneur de me rendre ouvrier... Chaque jour, retrouvez 12 minutes une méditation guidée pour prier avec un texte de la messe ! A retrouver sur l'application et le site www.prieenchemin.org. Musiques : Artisans de paix de Dynamique Musicale Ignatienne interprété par Dynamique Musicale Ignatienne - Artisans de paix © ADF-Bayard Musique ; Sarabande in B Flat Major de Sylvius Leopold Weiss interprété par Daniel Shoskes - Weiss Undercover © Creative Commons by-nc-sa license from Magnatunes.
Marin Marais (1656-1728) - Suite à 3 n. 5 in mi minore 1. Prélude2. Fantaisie 2:563. Gavotte 4:204. Rondeau 7:375. Sarabande en rondeau 9:316. Menuet. Passacaille 10:19 Les Talens LyriquesChristophe Rousset, clavicembalo e direttore
durée : 00:06:15 - Le Bach du matin du mercredi 10 décembre 2025 - Ce matin, notre Bach est canadien puisque c'est le pianiste Bruce Liu qui interprète la Gigue et la Sarabande de la Suite française pour piano n°5 en Sol Majeur BWV 816. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
durée : 00:06:15 - Le Bach du matin du mercredi 10 décembre 2025 - Ce matin, notre Bach est canadien puisque c'est le pianiste Bruce Liu qui interprète la Gigue et la Sarabande de la Suite française pour piano n°5 en Sol Majeur BWV 816. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.
Today's broadcast is C1E99 for Theme Thursday, November 27th, 2025. Today's broadcast is "Listener Picks – vol. 3" - the final installment of a trilogy of outstanding episodes, guest curated, and guest hosted by you.....the listener! Tracklist: Track# / Track Name / Game / System(s) / Composer(s) / Contributing Listener / Timestamp A1) Intro – 00:00:00 01) Into the Darkness – Astal – Saturn – Tatsuyuki Maeda, and/or Tatsuya Kōzaki - Electric Boogaloo – 00:05:37 02) Snowfield – Gradius Gaiden – PS1 – Norikazu Miura – Electric Boogaloo – 00:08:50 03) Stormy Saxophone – King of Fighters '95 – Neo Geo MVS / AES - Masahiko Hataya, Yasuo Yamate, Brother-Hige, Pearl Sibakiti, and/or Akihiro Uchida – Professor Tom – 00:11:40 04) Endless Season – Alpine Racer – Arcade – Takayuki Ishikawa – Electric Boogaloo – 00:14:40 05) Refracting Feelings – Penny's Big Breakaway – Multiplatform – Tee Lopes – The Messenger – 00:17:53 06) Goomba Lagoon – Super Mario Party Jamboree – Switch / Switch 2 - Shigenobu Okawa and/or Yuta Yamaguchi – The Messenger – 00:21:03 07) Opening and Title – Mega Man 2 – NES – Takashi Tateishi – Zach Hugethanks – 00:23:12 08) Chaosium Sword – Ninja Gaiden II – NES – Ryichi Nitta and/or Mayuko Okamura – Zach Hugethanks – 00:24:35 09) Requiem – Ninja Gaiden – NES – Keiji Yamagishi, Ryuichi Nitta, and/or Ichiro Nakagawa – Zach Hugethanks – 00:26:07 10) Captain Neo – Metal Soldier Isaac II – Arcade – Hisayoshi Ogura and/orTadashi Kimijima – Electric Boogaloo – 00:24:48 11) Stage Theme – Bad Dudes – NES - c: Azusa Hara, and/or Hiroaki Yoshida / a: Masaaki Iwasaki, Shogo Sakai, Takafumi Miura, Yuji Suzuki, Yusuke Takahama, and/or I. Uchida – Justin Regan – 00:27:36 12) A New Day Dawns – Ninja Gaiden III – NES - Sugito Miyashiro, Kaori Nakabai, and/or Rika Shigeno – Zach Hugethanks – 00:30:27 13) Blighted Docks – Mina The Hollower – Multiplatform – Jake Kaufman (Virt) and/or Yuzo Koshiro – Adam Huisman – 00:32:28 14) Player's Turn – Military Madness – TG16 – Jun Chikuma – Professor Tom – 00:36:13 15) Irene Captured – Ninja Gaiden II – NES - Ryuichi Nitta and/or Mayuko Okamura – Zach Hugethanks – 00:38:00 16) Castle Demonic – Ninja Gaiden II – NES - Ryuichi Nitta and/or Mayuko Okamura – Zach Hugethanks – 00:39:34 17) Stage 3 – Solar Striker – Game Boy – Toru Osada – Electric Boogaloo – 00:39:59 18) NYC – X-Men: Wolverine's Rage – Game Boy Color – Bob Baffy and/or Ed Cosico – Justin Regan – 00:41:53 19) Start – R-Type – Arcade – Masato Ishizaki – Zach Hugethanks – 00:44:37 20) Bravery on the Clutches – Ninja Gaiden – NES - Keiji Yamagishi, Ryuichi Nitta, and/or Ichiro Nakagawa – Zach Hugethanks – 00:46:16 21) Tower of Faunus 1F-3F – Lady Sword – PC Engine – Keine – Justin Regan – 00:48:19 22) Successor of Fate – Castlevania: Harmony of Disonance – Game Boy Advance – Shoshiro Hokkai – Justin Regan – 00:49:59 23) Bloody Tears – Castlevania II – NES - Kenichi Matsubara, Satoe Terashima, and/or Kouji Murata – Zach Hugethanks – 00:51:15 24) Wily's Castle 1 – Mega Man 2 – NES – Takashi Tateishi – Zach Hugethanks – 00:52:52 25) The Third Sanctuary – Deltarune – Multiplatform – Toby Fox – Adam Huisman – 00:55:32 26) Horizons Unbound – Sea of Stars – Multiplatform – Eric W. Brown – Jeshua Lack – 00:59:37 27) Main Title (Orchestral) - Panzer Dragoon – Saturn / PC – Yoshitaka Azuma – Electric Boogaloo – 01:02:47 28) Compass Points to the Future – Intelligent Qube – PS1 – Takayuki Hattori – 01:07:54 29) Bonds Reforged – Chants of Senaar – Multiplatform – Thomas Brunet – Jeshua Lack – 01:09:51 30) Side Story – Gradius Gaiden – PS1 – Norikazu Miura – Electric Boogaloo – 01:14:02 31) Sarabande of Healing – Vampire Survivors – Multiplatform – c: Michiru Yamane / a: Keygen Church – Adam Huisman – 01:17:08 32) Rip and Tear – DOOM (2016) - Multiplatform – Mick Gordon – Zach Hugethanks – 01:24:19 33) The Entrance – Animorphs: Shattered Reality – PS1 – Chuck E. Myers, and/or Tom Hopkins – Electric Boogaloo – 01:28:35 34) Large Green Meadow – Master of Monsters – Genesis - Hayato Matsuo, and/or Hitoshi Sakimoto – Justin Regan – 01:30:48 35) The Axiom – Axiom Verge – Multiplatform – Thomas Happ – Zach Hugethanks – 01:33:00 36) Raphael's Final Act – Baldur's Gate 3 – Multiplatform – Borislav Slavov – Jeshua Lack – 01:36:18 37) Jelly – World of Goo – Multiplatform – Kyle Gabler – Zach Hugethanks – 01:43:14 38) Animal Well – Animal Well – Multiplatform – Billy Basso – Jeshua Lack – 01:45:44 39) Title – Cyber Shadow – Multiplatform – Enrique Martin – Justin Regan – 01:47:44 40) Ovin Nevarei – Blue Prince – Multiplatform – Trigg & Gusset – Jeshua Lack – 01:50:49 41) Spring Meadows – Clair Obscur: Expedition 33 – Multiplatform – Lorien Testard – 01:58:26 42) Phendrana Drifts – Metroid Prime – GameCube / Wii / Switch - Kenji Yamamoto and/or Koichi Kyuma – Zach Hugethanks – 02:01:06 43) Memories of Memories – Tunic – Multiplatform - Lifeformed, Terence Lee, and/or Janice Kwan – Jeshua Lack – 02:04:44 44) Slingshot – Daytona USA 2: Battle on the Edge – Arcade - M: Fumio Ito / L: Fumio Ita and Ryuichi Hasigawa / V: Dennis St. James – Electric Boogaloo – 02:09:20 45) Rough "B" Rock – Rakuga Kids – N64 - Tomoya Tomita, Kozo Nakamura, and/or Masahiko Kimura – Electric Boogaloo – 02:13:57 46) Stage 4 – Sutte Hakkun – Super Famicom – Akito Nakatsuka – Electric Boogaloo – 02:16:49 47) Construction Site Chaos – Donut Dodo – Mutliplatform – Sean Bialo – The Messenger – 02:19:09 48) Original Mission 7 – Mercs – Genesis - c: Manami Matsumae / a: Yoshiaki Kashima – Justin Regan – 02:21:46 49) Slam Shuffle – Final Fantasy VI – SNES – Nobuo Uematsu – Adam Huisman – 02:23:54 50) Credits – Ninja Gaiden – NES - Keiji Yamagishi, Ryuichi Nitta, and/or Ichiro Nakagawa – Zach Hugethanks – 02:26:05 51) Follow the Knot - River City Ransom Underground (original soundtrack) - PC - Lexi & The Cheap Disaster (Richard Louis Vreeland, Alex Mauer, and/or Dino Lionetti) - Justin Regan – 02:27:48 52) Mr. Handagote – Machinarium – Multiplatform - Tomáš Dvořák - Zach Hugethanks – 02:23:04 53) Fascination Io Stage – Zero Divide – PS1 / PC - Hideyuki Shimono, and/or Akihito Okawa – Electric Boogaloo – 02:33:14 54) Garden Theme – Frogger 2 – PS1 / PC / Dreamcast – Andrew Morris – Electric Boogaloo – 02:36:20 55) Bonus Theme 1 – Croc: Legend of the Gobbos – PS1 / Saturn / PC - Karin Griffin, Martin Gwynn Jones, and/or Justin Scharvona – Electric Boogaloo – 02:39:04 56) Heat Man – Mega Man 2 – NES – Takashi Tateishi – Zach Hugethanks – 02:40:40 57) Stage 2-1 - Teenage Mutant Ninja Turtles: Fall of the Foot Clan – Game Boy - Tomoko Nishikawa, and/or Michiru Yamane – Justin Regan – 02:42:55 58) Stage Theme 03 – ESWAT – Genesis – Dolphin and/or Takayuki Nakamura – Justin Regan – 02:44:39 59) Trons Castle – Willy Wombat – Saturn – Masayoshi Ishi – Electric Boogaloo – 02:48:21 60) Funky Spin – Sega Rally 2006 – PS2 – Takenobu Mitsuyoshi – Electric Boogaloo – 02:51:10 61) Revolution – IQ Remix + - PS2 – Tetsuo Ishikawa – Electric Boogaloo – 02:52:17 62) Ruines de Tarm – Legend of Zelda: Oracle of Seasons – Game Boy Color - Kyoko Nakamura, and/or Minako Adachi – Justin Regan – 02:56:28 63) Slow Illusion – Gimmick! - Famicom – Masashi Kageyama – The Messenger – 02:58:18 64) Greenhouse – Game and Watch Gallery 3 – Game Boy – Noriko Nishikawa – The Messenger – 03:00:09 65) Wishes on Wind – Party Project – PC – Blue Loner Wolf – The Messenger – 03:02:01 66) Island Course – True Swing Golf – DS – Katsumi Yokokawa – Professor Tom – 03:05:26 67) T-Triangle – Race Drivin' a Go! Go! - Saturn / PS1 - Kenji Yokoyama, Kensudke Komatsu, and/or Naoki Tsuchiya – Electric Boogaloo – 03:08:20 68) Time – Metropolis Street Racer – Dreamcast - M: Richard Jacques / V: T.J. Davis – Electric Boogaloo – 03:11:49 69) Baka Mitai – Yakuza Zero – Multiplatform – Mitsuharu Fukuyama – The Messenger – 03:15:44 70) Ending – Battlecorps – Sega CD – Martin Iveson – Utopia Nemo – 03:20:29 B1) Outro – 03:24:33 B2) Outtakes – 03:54:56 Music Block Runtime: 03:19:15, Total Episode Runtime: 04:14:03 Our Intro and Outro Music is Funky Radio, from Jet Grind Radio on the Sega Dreamcast, composed by BB Rights. Link to Rerun of Listener Picks – vol 1 (C1E40 – Dec. 2018): https://terraplayer.com/shows/nerd-noise-radio/nerd-noise-reruns-c1e40-listener-picks-vol-1-orig-released-12202018 Link to Rerun of Listener Picks – vol 2 (C1E60 – Dec 2021): https://terraplayer.com/shows/nerd-noise-radio/nerd-noise-reruns-c1e60-listener-picks-vol-2-orig-released-12232021 Link to Shujin Academy VGM Club Podcast (Professor Tom): https://terraplayer.com/shows/shujin-academy-vgm-club Link to A VGM Journey Podcast (The Messenger): https://terraplayer.com/shows/a-vgm-journey Link to Absolutely the Best Podcast: A Work in Progress (Zach Hugethanks): https://absolutelythebest.net/ Link to Retro 411 - @reganjustin1 VGM YouTube Channel (Justin Regan): https://www.youtube.com/@reganjustin1 Link to Pixelated Audio Discord Server (Utopia Nemo) https://discord.gg/49ZDM4hQ And to the A VGM Journey Discord Server (Utopia Nemo / The Messenger) https://discord.gg/m4e6xmtrft Also, link to an episode of The VGMbassy podcast which featured skits written / produced by – and starring Utopia Nemo: https://thevgmbassy.com/tag/blind-listen/ Produced using a nearly equal mix of Audacity and Ardour in Fedora Workstation Linux on an ASUS ROG Zephyrus G14 (2023) laptop with perhaps a little support from a Dell Latitude 7480 (running Fedora COSMIC Linux), a 2017-spec DIY gaming PC (running Bazzite Linux) or the Steam Deck (running Steam OS Linux). Recorded with a Shure SM7B XLR dynamic microphone on a RØDE PSA1+ boom arm through a Cloudlifter and a Focusrite 4i4 XLR-to-USB interface! You can also find all of our audio episodes on https://archive.org/details/@nerd_noise_radio as well as the occasional additional release only available there, such as remixes of previous releases and other content. We are now a member podcast as well. You can find us there at https://terraplayer.com/shows/nerd-noise-radio. Also, check out their outstanding collection of other podcasts and radio stations at https://terraplayer.com/! From now on, when sharing episodes of Nerd Noise Radio, I will most likely use the Terra Player link rather than the Podbean link like I have been using. Our YouTube Channel, for the time being is in dormancy, but will be returning with content, hopefully, in 2022. Meanwhile, all the old stuff is still there, and can be found here: https://www.youtube.com/user/NerdNoiseRadio Occasional blogs and sometimes expanded show notes can be found here: nerdnoiseradio.blogspot.com. Nerd Noise Radio is also a member of the VGM Podcast Fans community at https://www.facebook.com/groups/VGMPodcastFans/ We are also a member of Podcasters of Des Moines at https://www.facebook.com/groups/1782895868426870/ Or, if you wish to connect with us directly, we have two groups of our own: Nerd Noise Radio - Easy Mode: https://www.facebook.com/groups/276843385859797/ for sharing tracks, video game news, or just general videogame fandom. Nerd Noise Radio - Expert Mode: https://www.facebook.com/groups/381475162016534/ for going deep into video game sound hardware, composer info, and/or music theory. Or you can reach us by e-mail at nerd.noise.radio@gmail.com You can also follow us on Threads at https://www.threads.net/@nerdnoiseradio , Instagram at https://www.instagram.com/nerdnoiseradio?igsh=MWF4NjBpdGVxazUxYw== , Mastodon at https://universeodon.com/@NerdNoiseRadio , and BlueSky at And we are also now on TuneIn, Pandora, iHeartRadio, Vurbl, Amazon Music and Audible! But frankly, probably the absolute best way you can connect with us is on our new Discord Channel: "Nerd Noise Radio – Channel D", which includes various sub-channels for all sorts of different types of connection and conversation: https://discord.gg/GUWdaXUw Thanks for listening! Join us again in December for C1E100 (Channel 1, Episode 100): "Now Go and Rest Our Heroes" - our final non-retrospective episode of Nerd Noise Radio – Channel 1: focusing on end credits and ending sequence music - Delicious VGM on "Noise from the Hearts of Nerds"! And wherever you are - Fly the N! Cheers!
Music for Meditation, Sarabande from Quatrème Suite (Jean-Henri d'Anglebert: 1629-1691). Jean-Henri [Henry] d'Anglebert was a French composer and harpsichordist. His music had an influence upon Johann Sebastian Bach.
François Couperin (1668-1733) - Les Nations No. 41. Gravement, et rondemont2. Vivement 01:413. Gravement 02:244. Vivement, et marqué 03:475. Air 04:576. Second Air 06:087. Gravement, et marqué 07:228. Allemande 09:039. Courante 11:4010. Seconde Courante 13:1211. Sarabande 15:2212. Rondeau 19:2313. Gigue 21:59 Hespèrion XXIJordi Savall, conductor
Jed discusses Angela Hewitt's 2018 remake of the Six Keyboard Partitas by J.S. Bach.Consider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomavenPartita No. 5: Preambulum (recorded 1997) - https://www.youtube.com/watch?v=2c1yNfGVM2E&list=PLPXd6_jpWSlfkR9JT-aCF-MxovL5gwr08&index=30Partita No. 5: Preambulum (recorded 2018) - https://www.youtube.com/watch?v=noHcLr_XPXwPartita No. 4: Sarabande (recorded 2018) - https://www.youtube.com/watch?v=OWe-SnPu7ys&list=PLrhvjDLG-KHCDdSXL_g5WFB7aTZ5R3ksF&index=5Partita No. 4: Sarabande (recorded 1997) - https://www.youtube.com/watch?v=sHs4MHzG16s
Apesar do nome, Bach nunca foi à Inglaterra — e, sinceramente, duvido que tomasse chá às 5. O nome “inglesa” veio depois, talvez por causa de algum nobre britânico misterioso que recebeu a dedicatória. Ou talvez porque... sei lá, “suíte alemã” não soava chique o suficiente.A suíte começa com um Prelúdio cheio de energia, como se dissesse: “Atenção, senhores! A dança vai começar!”. É rápido, ornamentado, e exige que os dedos do cravista estejam mais aquecidos que café no fogão.E então... entram as danças barrocas:A Allemande, cheia de elegância;A Courante, saltitante, quase uma corrida leve;A Sarabande, mais introspectiva — tipo aquela hora da festa em que todo mundo fica sentimental;Depois vem a Double, uma variação mais enfeitada da Sarabande;As Gavottes I e II, que são tipo o biscoito de polvilho da corte: crocantes, leves e ninguém consegue ouvir só uma;E por fim, a Gigue — que fecha com chave de ouro, em ritmo acelerado, como se Bach dissesse: “Pode aplaudir, agora acabou mesmo!”..Apresentado por Aroldo Glomb com Aarão Barreto na bancada. Seja nosso padrinho: https://apoia.se/conversadecamara RELAÇÃO DE PADRINS Aarão Barreto, Adriano Caldas, Gustavo Klein, Fernanda Itri, Eduardo Barreto, Fernando Ricardo de Miranda, Leonardo Mezzzomo,Thiago Takeshi Venancio Ywata, Gustavo Holtzhausen, João Paulo Belfort , Arthur Muhlenberg e Rafael Hassan.
Meet IPR's latest Sound Garden Project ensemble in residence and hear about how they're bringing the sounds of the saxophone quartet to northern Michigan this week. Members Roberto Campa, Laura Ramsay, Kyle Kato and Samuel Dishon visited IPR's Studio A to talk about how they're taking their Fischoff Award-winning sounds from the concert hall to the public, with performances at gas stations, campgrounds, coffee shops and other unexpected places across the region. Music performed in IPR's Studio A Karalyn Schubring, Ambivert: I. Extrovert Edvard Grieg, Holberg Suite, II. Sarabande
This episode we talk about the zenith and slow decline of the sun king. ⚜️ Visit our Wordpress for episode images, score summaries, contact details and more! Contact us by Email, or follow us on Instagram, our Facebook Group or BlueSky. Make sure you leave us a review on Apple Podcasts, Spotify or wherever you listen. You can also support the show on Patreon! Join the official Angry Mob and get access to our bonus content: movie reviews, deep dives, bonus biographies and our exclusive spinoff series rating the Royal Mistresses. ⚜️ BattleRoyale's intro music is "Dansez" by Fasion. Thank you to them for making this track free to use and listen! Go check out more of their stuff here. Our outro music this episode is the "Sarabande for the King's Bedtime" by Jean-Baptiste Lully, performed by Ernst Stolz and the Violes de Gambe. Learn more about your ad choices. Visit megaphone.fm/adchoices
This week, Hear the Dance host Silas Farley leads us on a wide-ranging exploration of Jerome Robbins' 1994 ballet A Suite of Dances. First, he's joined by Repertory Director Jean-Pierre Frohlich, who coaches the work; Principal Dancer Daniel Ulbricht, who initially learned the tour-de-force role in 2019; and former Principal Dancer Peter Boal, who worked with Robbins on the development of the ballet. They walk through the creation and performance of the four movements, highlighting the ways in which A Suite of Dances teaches the performer about themselves—particularly as they grow with and age alongside the piece. (1:05:11) Written by Silas Farley Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky 6 Suites for Solo Cello: Prelude & Gigue from Suite 1 in G major, BMV 1007 Sarabande from Suite V in C minor, BMV 1011 Prelude from VI in D major, BMV 1012 by Johann Sebastian Bach All music performed by the New York City Ballet Orchestra Reading List: Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, By Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Misha: The Mikhail Baryshnikov Story by Barbara Aria Illusions of Camelot: A Memoir by Peter Boal Bach: Music in the Castle of Heaven by John Eliot Gardiner
In this second part of our Hear the Dance journey into Jerome Robbins' A Suite of Dances, Cellist Hannah Holman joins host Silas Farley to provide a deep-dive introduction to the Bach Cello Suites that provide the ballet's exquisite score. As Holman explains, the music is a seminal work for every cellist, with complex challenges and varied delights throughout—all of which are complicated and enriched when performed onstage with the work's solo dancer. (42:48) Written by Silas Farley Edited by Emilie Silvestri Music: Concerto for Violin and Orchestra in D major (1931) by Igor Stravinsky 6 Suites for Solo Cello: Prelude & Gigue from Suite 1 in G major, BMV 1007 Sarabande from Suite V in C minor, BMV 1011 Prelude from VI in D major, BMV 1012 by Johann Sebastian Bach Symphony No.4 in E Minor, op.98 (I. Allegro non troppo, II.Andante moderato, III. Allegro giocoso, IV. Allegro energico e passionato) by Johann Sebastian Bach All music performed by the New York City Ballet Orchestra, Yo-Yo Ma and Herbert von Karajan Reading List: Somewhere: The Life of Jerome Robbins by Amanda Vaill Jerome Robbins, By Himself: Selections from His Letters, Journals, Drawings, Photographs, and an Unfinished Memoir Edited and with Commentary by Amanda Vaill Misha: The Mikhail Baryshnikov Story by Barbara Aria Illusions of Camelot: A Memoir by Peter Boal Bach: Music in the Castle of Heaven by John Eliot Gardiner
In a markedly hatless era, forward-marching British accessories designer Leo Carlton is turning their talents to digitally-printed crowns, elf ears, breast plates and mysterious sculptural masks. Some of these gentre-defying fashion artefacts feel a bit witchy, with pagan undertones. Others, firmly futuristic. But how do they make them? Wouldn't you like to know! Leo trained at Cordwainers, enjoyed a two-year residency at Sarabande and studied classical millinery techniques - their first job out of college was with the iconic London hatmaker Stephen Jones, and they used to make showpieces for Dilara Findikoglu, Richard Quinn and Charles Jeffrey Loverboy. But these new VR adventures step beyond the confines of the physical word with mind-bending results. From teaching themselves digital printing via Youtube to sculpting in virtual reality, the only limits are: there are no limits.Tell us what you think? Find Clare on Instagram @mrspress Got recommendations? Hit us up!And please share these podcasts.THANK YOU Hosted on Acast. See acast.com/privacy for more information.
Astronauts witness stars in full glory – without the haze of atmosphere. A stunning site that fills us all with wonder and awe. Astronaut Matthew Dominick, in the crew of ISS 71, took these stunning photos with his camera pointed up at the stars, instead of down at Earth, in September, 2024. The movie is set to the music of Catherine Brisset who plays the Cristal Baschet with her personal adaptation of the Sarabande movement from Bach's Cello Suite #1. Series: "Earth Serenade" [Arts and Music] [Show ID: 40511]
Astronauts witness stars in full glory – without the haze of atmosphere. A stunning site that fills us all with wonder and awe. Astronaut Matthew Dominick, in the crew of ISS 71, took these stunning photos with his camera pointed up at the stars, instead of down at Earth, in September, 2024. The movie is set to the music of Catherine Brisset who plays the Cristal Baschet with her personal adaptation of the Sarabande movement from Bach's Cello Suite #1. Series: "Earth Serenade" [Arts and Music] [Show ID: 40511]
Præludium: Georg Friedrich Händel: Sarabande e-mol Fra det G.T.: Esajas 40, 1-8 Salme: 59 "Jesus os til trøst og gavn" Fra det N.T.: Markus 4,21-25 Korvers:Mark Baumann: Guds rige lignes ved et frø (tekst: N.F.S. Grundtvig) Salme: 582 "At tro er at komme til det, der er større" Postludium: Georg Friedrich Händel: Gigue e-mol
durée : 00:06:44 - Sarabande pour guitare FP 179 de Francis Poulenc - "Il y a comme un mystère qui entoure cette partition de la "Sarabande pour guitare FP 179", et sa brièveté fascine. Les silences sont habités et laissent la guitare parler. En quelques lignes, elle esquisse un portrait stylisé du Poulenc dernière époque." Sébastien Llinarès
Podcast Méditer l'Évangile, le Psaume ou la Lecture du jour en audio ¦ Prie en chemin
Nous sommes le samedi 16 novembre. Les prières de cette semaine sont guidées par le Secours catholique de la Loire et la diaconie de Saint Etienne. L'Evangile que nous allons écouter présente Jésus qui parle aux disciples de la nécessité de prier sans se décourager. Je me sers de mon imagination pour me représenter les disciples assemblés et je me place parmi eux. Je me mets à l'écoute de Jésus, avec tout ce qui m'habite ce matin. Je lui demande d'augmenter mon... Chaque jour, retrouvez 12 minutes une méditation guidée pour prier avec un texte de la messe ! A retrouver sur l'application et le site www.prieenchemin.org. Musiques : Bénissez le Seigneur, vous tous serviteurs du Seigneur de Communauté de l'Emmanuel interprété par Communauté de l'Emmanuel - Il est vivant © Éditions de l'Émmanuel ; Sarabande in Bb Major de Johannes Fresneau interprété par Edward Martin - Les Larmes of Johannes Fresneau © Creative Commons by-nc-sa license from Magnatunes.
Præludium: Georg Friedrich Händel: Allemande e-mol Davidssalme: 100, 1-4 Salme: 492, vers 1-3 "Guds igenfødte, nylevende sjæle" Fra det N.T.: 1. Johannesbrev 4, 12-16a Trosbekendelsen Salme: 492, vers 4-6 Postludium: Georg Friedrich Händel: Sarabande e-mol
Podcast Méditer l'Évangile, le Psaume ou la Lecture du jour en audio ¦ Prie en chemin
Aujourd'hui nous sommes le vendredi 27 septembre et nous fêtons St Vincent de Paul, prêtre français du XVIIe siècle. Pour les oubliés de la société (malades, galériens, réfugiés, illettrés, enfants trouvés) il fonde plusieurs organisations qui perdurent encore aujourd'hui dans le monde entier. Au début de ce temps de prière, je demande la grâce d'être moi-même envoyé vers les oubliés de la société, à la manière de Saint Vincent de Paul... Chaque jour, retrouvez 12 minutes une méditation guidée pour prier avec un texte de la messe ! A retrouver sur l'application et le site www.prieenchemin.org. Musiques : Ubi caritas de Jacques Berthier interprété par Communauté de Taizé - Laudate omnes gentes © Communauté de Taizé ; Sarabande in Bb Major de Johannes Fresneau interprété par Edward Martin - Les Larmes of Johannes Fresneau © Creative Commons by-nc-sa license from Magnatunes.
"Danzas - Vom Tabu zum Triumph" heißt die neue CD des Ensembles La Ninfea, ein Album voller Tänze wie Sarabande, Volta, Ciaccona, Walzer oder Tango, die es aus der musikalischen Schmuddelecke in die Sphären der Hochkultur schafften.
Darlene Duggan, newly installed President of Anti Cruelty, explains there's an animal welfare desert on the South and Southwest side of Chicago, and the non-profit is in the process of doing something about it. Chicago's shelters are filled or near filled, and she explains why. The big Pour Your Heart Out event is September 26, 6–10 p.m. at Sarabande Chicago, […]
durée : 01:58:37 - Le Bach du dimanche du dimanche 04 août 2024 - par : Corinne Schneider - La Pologne : 5e étape du tour d'Europe avec la musique de Bach, à l'écoute de la claveciniste Alina Ratkowska, du Goldberg baroque Ensemble, de la Capella Cracoviensis, du contreténor Jakub Jozef Orlinski et de l'ensemble Arte Dei Suonatori ; puis « Une heure en Sarabande » (émission n° 286) - réalisé par : Emmanuel Benito
Open your eyes and ears to the US choral scene, and be surprised! Christina Howell and Luthien Brackett tell Sammy and Robert about the wealth of choral music in the US, from schools to spirituals, social change and MONEY...TRACKS : (1) Trad. Arr. F.M. Christiansen - Beautiful Savior; St. Olaf Choir / Anton Armstrong / Kelly Becker - Listen on Apple Music https://apple.co/3Whv2qS (2) Trad. Arr M. Hogan - My Soul's Been Anchored in the Lord; Atlanta Master Chorale / Eric Nelson (3) Caroline Shaw - Partita: II. Sarabande; Roomful of Teeth - Listen on Apple Music https://apple.co/4aRh57t (4) J.S. Bach - Singet Dem Herrn ein neues Lied: Mvt. III; The Aeolians of Oakwood University / Jason Max FerdinandSupport this show http://supporter.acast.com/choral-chihuahua. Hosted on Acast. See acast.com/privacy for more information.
ALBUMS ON PRESALE TODAY! BUY THE ALBUMS HERE!Volume One:Apple Music: https://music.apple.com/pl/album/j-s-bach-complete-keyboard-works-vol-1-five-early-suites/1742017750Amazon Music: https://amazon.com/music/player/albums/B0D2384W2F?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_RKDX0CTSrSQOjYLoHcLjwnaalVolume Two:Apple Music: https://music.apple.com/jp/album/j-s-bach-complete-keyboard-works-vol-2-original-compositions/1742025499Amazon Music: https://amazon.com/music/player/albums/B0D23KCFB2?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_mHA1bzUWmIrfRclqYKWzKynspVolume Three:Apple Music: https://music.apple.com/pl/album/j-s-bach-complete-keyboard-works-vol-3-misc-preludes/1742020206Amazon Music: https://amazon.com/music/player/albums/B0D23VWM3J?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_jOzPVjVDkSiB8t9qwOuFSXrZ8As for the music covered today, we will hear Doubles layered over their preceding dance movements. A Double is an elaboration on the preceding movement, where the melody is quickened— often twice as quickly. The harmonic structure of the Double and its preceding movement is the same, allowing for one to play both movements at the same time with very interesting results. Pieces studied:Sarabande and Double from Sixth English Suite, BWV 811Gigue and Double from the c minor lute suite, BWV 997Partita in b minor for solo violin, BWV 1002People/places mentioned:Burp Castle at 41 East 7th Street in the East Village of Manhattan (between 2nd Ave & Cooper Square).Paul Spring (guitarist)How To Support This Podcast:https://www.paypal.me/wtfbachhttps://venmo.com/wtfbachhttps://cash.app/$wtfbachor become a paid subscriber at wtfbach.substack.com Get full access to WTF Bach at wtfbach.substack.com/subscribe
Guest host Simon Chilvers speaks to Trino Verkade, Chief Executive of The Sarabande Foundation, a beacon of support and inspiration for emerging talent in the creative world. Founded by the legendary Alexander McQueen in 2006, Sarabande has blossomed into a nurturing space offering not only studios but also a wealth of knowledge through talks and workshops spanning various disciplines. Trino Verkade's journey intertwines deeply with the legacy of Alexander McQueen himself. Hailing from Liverpool, she began her career as McQueen's first employee, standing witness to the genius and innovation that defined his work until his untimely passing in 2010. Since then, she has continued to shape the landscape of fashion, lending her expertise to renowned brands such as Mary Katrantzou and Thom Browne. However, her heart ultimately found its home at Sarabande in 2017, where she now orchestrates every facet of the foundation's operations. In this special episode, Trino Verkade sits down with Simon to share her insights, experiences, and aspirations. From her intimate beginnings with McQueen to her tireless dedication to nurturing the next generation of creatives, she talks about what makes Sarabande unique and its plans for the future. https://sarabandefoundation.org/
durée : 00:05:22 - 113. Une Sarabande au saxophone baryton par Matthieu Delage (2024) -
Potser no va ser un pelut soroll
Potser no va ser un pelut soroll
durée : 01:58:59 - Le Bach du dimanche du dimanche 03 mars 2024 - par : Corinne Schneider - Au programme de cette 286e émission : une première heure en Sarabande à l'écoute de Bach, Haendel, Ysaÿe, Debussy, Poulenc, Tansmann et Peter Ilg ; la Cantate nuptiale BWV 210 « O holder Tag, erwünschte Zeit » et les 90 ans de l'organiste Francis Chapelet (né à Paris le 3 mars 1934) - réalisé par : Emmanuel Benito
A memorable collection, a composer whose primacy spans the ages, a great performer. We find ourselves in front of Johann Sebastian Bach's (1685-1750) six Suites for solo cello, performed by Antonio Meneses. In J. S. BACH: THE CELLO SUITES he turns to this precious legacy, which he masters like few others. Around the world, he presents it to audiences. In the past, he has recorded it. Now, a new perspective on these eternally meaningful works leads him to rediscover them. Tracks1. Cello Suite No. 1 in G Major, BWV 1007: I. Prélude – (2:30) 2. Cello Suite No. 1 in G Major, BWV 1007: II. Allemande – (4:13) 3. Cello Suite No. 1 in G Major, BWV 1007: III. Courante – (2:52) 4. Cello Suite No. 1 in G Major, BWV 1007: IV. Sarabande – (2:48) 5. Cello Suite No. 1 in G Major, BWV 1007: V. Menuets I & II – (3:33) 6. Cello Suite No. 1 in G Major, BWV 1007: VI. Gigue – (1:52) 7. Cello Suite No. 2 in D Minor, BWV 1008: I. Prélude – (3:54) 8. Cello Suite No. 2 in D Minor, BWV 1008: II. Allemande – (3:33) 9. Cello Suite No. 2 in D Minor, BWV 1008: III. Courante – (2:12) 10. Cello Suite No. 2 in D Minor, BWV 1008: IV. Sarabande – (4:26) 11. Cello Suite No. 2 in D Minor, BWV 1008: V. Menuets I & II – (3:21) 12. Cello Suite No. 2 in D Minor, BWV 1008: VI. Gigue – (2:42) 13. Cello Suite No. 3 in C Major, BWV 1009: I. Prélude – (3:14) 14. Cello Suite No. 3 in C Major, BWV 1009: II. Allemande – (3:54) 15. Cello Suite No. 3 in C Major, BWV 1009: III. Courante – (3:19) 16. Cello Suite No. 3 in C Major, BWV 1009: IV. Sarabande – (3:52) 17. Cello Suite No. 3 in C Major, BWV 1009: V. Bourrées I & II – (3:40) 18. Cello Suite No. 3 in C Major, BWV 1009: VI. Gigue – (3:19) 19. Cello Suite No. 4 in E-Flat Major, BWV 1010: I. Prélude – (4:02) 20. Cello Suite No. 4 in E-Flat Major, BWV 1010: II. Allemande – (4:05) 21. Cello Suite No. 4 in E-Flat Major, BWV 1010: III. Courante – (3:45) 22. Cello Suite No. 4 in E-Flat Major, BWV 1010: IV. Sarabande – (4:01) 23. Cello Suite No. 4 in E-Flat Major, BWV 1010: V. Bourrées I & II – (5:04) 24. Cello Suite No. 4 in E-Flat Major, BWV 1010: VI. Gigue – (2:49) And others …This album is broadcast with the permission of Bárbara Leu from Azul Music.
The War for the Crown continues as the Knights of Summer don their suits, ballgowns, and masks and join the Masquerade! Support us on Patreon to access our actual play of the Tyrant's Grasp Adventure Path, new episodes every Monday, and other content: https://www.patreon.com/FindthePath Cast Rick Sandidge is our Gamemaster Heather Allen plays Viscountess Gwenhwyfar Kastner (LG female human Skald 4) Jessica Jenkins plays Baroness Verity Corcina (LN female human Samurai 4) Jordan Jenkins plays Baron Cornelius Merrosett (N male human Arcanist 4) Rachel Sandidge plays Countess Felyx Zespire (LG female human Cleric 4) Ross Scoggin plays Count Oliver Darahan (NG male human Magus 4) In game music provided by Syrinscape! Check them out at https://syrinscape.com/ War for the Crown theme, and other in game music, provided by Ryan Mumford. Minuet by Bernhard Romberg performed by Sir James Galway playing with the Young Danish String Quartet. License Gavotte, Sarabande, Rigaudon, Bourree, and Passepied are all public domain, and copyright free.
As well as exceptional performances, this recording offers phenomenal sound. The recording was made on 3-5 April 2023 at the Fazioli Concert Hall in Sacile, Italy in 5-channel Dolby Atmos high-definition audio and is available as hybrid multichannel SACD as well as a range of digital formats.TracksDisc 1Johann Sebastian BachPartita No. 2 in C Minor, BWV 826 I. Sinfonia (4:31) II. Allemande (4:48) III. Courante (2:33) IV. Sarabande (2:55) V. Rondeau (1:23) VI. Capriccio (3:54) Italian Concerto, BWV 971 I. [Allegro] (3:58) II. Andante (4:06) III. Presto giocoso (4:04) Chromatic Fantasia and Fugue in D Minor, BWV 903 I. Fantasia (6:57) II. Fugue (4:57) Felix MendelssohnVariations sérieuses, Op. 54 I. Andante sostenuto (0:48) II. Variation 1 (0:38) III. Variation 2: Un poco più animato (0:34) IV. Variation 3: Più animato (0:23) V. Variation 4 (0:22) VI. Variation 5: Agitato (0:24) VII. Variation 6: A tempo (0:22) VIII. Variation 7: Con fuoco (0:24) IX. Variation 8: Allegro vivace (0:20) X. Variation 9 (0:26) XI. Variation 10: Moderato (0:43) XII. Variation 11: Cantabile (0:42) XIII. Variation 12: Tempo del Tema (0:34) XIV. Variation 13: Sempre assai leggiero (0:49) XV. Variation 14: Adagio (1:04) XVI. Variation 15: Poco a poco più agitato (0:26) XVII. Variation 16: Allegro vivace (0:21) XVIII. Variation 17 (1:13) XIX. Finale-Presto (1:10) Disc 2Robert SchumannFantasie in C Major, Op. 17 I. Durchaus fantastisch und leidenschaftlich vorzutragen (12:45) II. Mäßig. Durchaus energisch (8:09) III. Langsam getragen. Durchweg leise zu halten (8:18) Frèdèric Chopin Valse in C sharp minor, Op. 64 No. 2 – Tempo giusto (3:56)Two EncoresRobert Schumann Carnaval, Op. 9 – XII. Chopin (1:30) Fantasiestücke, Op. 12 – III. Warum? (2:52) Help support our show by purchasing this album at:Downloads (classicalmusicdiscoveries.store) This album is broadcast with the permission of Sean Dacy from Rosebrook Media.
This week, Cindy Juyoung Ok speaks with Kiki Petrosino, who has published five elegant and remarkable books, all with Sarabande, including the memoir Bright (2022) and the poetry collection White Blood: A Lyric of Virginia (2020). Petrosino speaks about crestfallenness and her new essay in the October issue of Poetry, “On Crestfallenness: A Pilgrim, Not a Tractor,” which appeared as part of the Hard Feelings series. She also talks about having her mother join her for her research, teaching across languages, and her love of cookbooks and the stories they tell. With thanks to Danelle Cadena Deulen for the clip of her reading Brigit Pegeen Kelly's poem “Closing Time; Iskandariya” on the podcast Lit from the Basement.
Sweepers - This Dirty House (Self-released)Erik Nervous - Drop Dead (Feel It)Powerplant - Beautiful Boy (Static Shock)Carambolage - Fußgängerzone (Tapete )Human Error - Dread (Upset Condition)Mutant Strain - Knuckle Dragger (Sorry State)Proletariat - Options (Modern Method)Cuticles - Rogue Feather, Life Hunter (Siltbreeze)Andy Stratton - I Don't Know (All the Madmen/Sealed)The Time Flys - Low Life (Douchemaster)INU - Fade Out (Mesh-Key)Single Bullet Theory - I've Got a Secret (Feel It)Dogs - Teenage Fever (Reminder)The Judges - The House Always Wins (Total Punk/Anti Fade)The Comas - Anything for Kicks (Therapeutic)A-Bones - Gonna Be Loved (Exile Records)Black Time - Beat of the Traps (Yakisakana)Fireworks - Silver Moon (Easy Action)Snakefinger - Living in Vain (Ralph)Data Unknown - Down at the Valero (Self-released)The Serfs - Electric Like an Eel (Trouble in Mind)Junjo Presents: Roots Radics - Young Banana Dub (Greensleeves)Exek - French Alps Insurance Group (Foreign)John Carpenter - Kick Ass (Varèse Sarabande)
It's that time of year again…spooky season! Hosts Jim DeRogatis and Greg Kot revisit their conversation with horror writer, director and composer John Carpenter. Then, they share their favorite spooky movie music. Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:John Carpenter, "Halloween Theme - Main Title," Halloween (Original 1978 Motion Picture Soundtrack), Columbia, 1979John Carpenter, "The Shape Stalks," Halloween (Original 1978 Motion Picture Soundtrack), Columbia, 1979Bebe Barron and Louis Barron, "Forbidden Planet Soundtrack - a) Main Titles - Overture - b) Giant Footprints In The Sand," Forbidden Planet, Planet, 1976Bernard Herrmann, Joel McNeely & Royal Scottish Orchestra, "Scotty Trails Madeline (Including: Madeline's First Appearance, Madeline's Car, The Flower Shop, The Alleyway, The Mission, Graveyard, and Tombstone)," Vertigo: Original Motion Picture Score, Varèse Sarabande, 1995John Carpenter, "Dark Star," Anthology: Movie Themes 1974-1998, Rodeo Suplex, 2017John Carpenter, "Skeleton," Lost Themes III: Life After Death, Sacred Bones, 2021Dimitri Tiomkin, "High Noon - Theme," Movie Memories: Music from the Greatest Films, Colosseum, 1995John Carpenter, "Dead Eyes," Lost Themes III: Life After Death, Sacred Bones, 2021Frankie Valli, "The Sun Ain't Gonna Shine (Anymore)," The 4 Seasons Present Frankie Valli Solo, Philips, 1967Goblin, "Suspiria," Suspiria: The Complete Original Motion Picture Soundtrack, Cinevox, 1977Childish Gambino, "Redbone," "Awaken, My Love!", Glassnote, 2016Tobe Hooper and Wayne Bell, "The Texas Chainsaw Massacre," The Texas Chainsaw Massacre, N/A, 1974Magnet, "Willow's Song," The Wicker Man, Trunk, 1998David Lynch and Peter Ivers, "In Heaven (Lady in the Radiator Song)," Eraserhead: Original Soundtrack, I.R.S., 1982Luniz, "I Got 5 On It (feat. Michael Marshall)," Operation Stackola, C Note, 1995Mike Oldfield, "Tubular Bells, Part One," Tubular Bells, Virgin, 1973Tangerine Dream, "Rain In the Third House," Near Dark (Original Motion Picture Soundtrack), Varèse Sarabande, 1987Colin Newman, "Alone," A-Z, Beggars Banquet, 1980Krzysztof Komeda, "Main Title," Rosemary's Baby (Music from the Original Motion Picture Score), Dot, 1968Bauhaus, "Bela Lugosi's Dead," Press the Eject and Give Me the Tape, Beggars Banquet, 1982Philip Glass, "Helen's Theme," Candyman (Original 1992 Motion Picture Soundtrack), One Way Static, 2014Pearl Jam, "Yellow Ledbetter," Lost Dogs, Epic, 2003