POPULARITY
2 episodes with Petrushka
5 episodes with Petrushka
3 episodes with Petrushka
2 episodes with Petrushka
2 episodes with Petrushka
2 episodes with Petrushka
2 episodes with Petrushka
2 episodes with Petrushka
2 episodes with Petrushka
In this episode we have a great chat with Petrushka Bazin Larsen of Sugar Hill Creamery. Petrushka and her husband have some specific challenges living and operating in New York City.That being said, their community focus and unique activities make it work to the point of National recognition and awards to boot.For more info on Sugar Hill go to:https://www.sugarhillcreamery.comhttps://www.instagram.com/sugarhillicecreamFor information about the North American Ice Cream Assoc, and how you can open and grow your ice cream business with a community that will support you, go to https://icecreamassociation.org/
On this week's episode of Female Gaze: The Film Club, Morgan is joined by Nicola Rose, the writer and director of the film, "Goodbye, Petrushka." The film, “Goodbye Petruschka” follows Claire, a young woman who, on a whim, decides to move to Paris to with her friend in search of artistic fulfillment. Before she leaves New York, she meets Thibaut, an ice skater coming to terms with retirement. The pair reconnect once in Paris as both Claire and Thibaut navigate these new stages of life. You can watch "Goodbye, Petrushka" on Prime, Tubi, Fawesome, and Google Play.For more on the film, you can visit its Instagram or Facebook page.Nicola's second film, "Magnetosphere," is starting its festival run. You can learn more by visiting Instagram, Facebook, or the "Magnetosphere" website.You can follow Female Gaze: The Film ClubInstagramBlueSky
fWotD Episode 2703: Igor Stravinsky Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Saturday, 28 September 2024 is Igor Stravinsky.Igor Fyodorovich Stravinsky (17 June [O. S. 5 June] 1882 – 6 April 1971) was a Russian composer and conductor with French citizenship (from 1934) and American citizenship (from 1945). He is widely considered one of the most important and influential composers of the 20th century and a pivotal figure in modernist music.Born to a famous bass in Saint Petersburg, Russia, Stravinsky grew up taking piano and music theory lessons. While studying law at the University of Saint Petersburg, he met Nikolai Rimsky-Korsakov and studied music under him until the latter's death in 1908. Stravinsky met the impresario Sergei Diaghilev soon after, who commissioned the composer to write three ballets for the Ballets Russes's Paris seasons: The Firebird (1910), Petrushka (1911), and The Rite of Spring (1913), the last of which caused a near-riot at the premiere due to its avant-garde nature and later changed the way composers understood rhythmic structure.Stravinsky's compositional career is often divided into three main periods: his Russian period (1913–1920), his neoclassical period (1920–1951), and his serial period (1954–1968). During his Russian period, Stravinsky was heavily influenced by Russian styles and folklore. Works such as Renard (1916) and Les noces (1923) drew upon Russian folk poetry, while compositions like L'Histoire du soldat (1918) integrated these folk elements with popular musical forms, including the tango, waltz, ragtime, and chorale. His neoclassical period exhibited themes and techniques from the classical period, like the use of the sonata form in his Octet (1923) and use of Greek mythological themes in works including Apollon musagète (1927), Oedipus rex (1927), and Persephone (1935). In his serial period, Stravinsky turned towards compositional techniques from the Second Viennese School like Arnold Schoenberg's twelve-tone technique. In Memoriam Dylan Thomas (1954) was the first of his compositions to be fully based on the technique, and Canticum Sacrum (1956) was his first to be based on a tone row. Stravinsky's last major work was the Requiem Canticles (1966), which was performed at his funeral.While many supporters were confused by Stravinsky's constant stylistic changes, later writers recognized his versatile language as important in the development of modernist music. Stravinsky's revolutionary ideas influenced composers as diverse as Aaron Copland, Philip Glass, Béla Bartók, and Pierre Boulez, who were all challenged to innovate music in areas beyond tonality, especially rhythm and form. In 1998, Time magazine listed Stravinsky as one of the 100 most influential people of the century. Stravinsky died of pulmonary edema on 6 April 1971 in New York City, having left six memoirs written with his friend and assistant Robert Craft, as well as an earlier autobiography and a series of lectures.This recording reflects the Wikipedia text as of 00:51 UTC on Saturday, 28 September 2024.For the full current version of the article, see Igor Stravinsky on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm neural Amy.
Andrés Amorós continúa su repaso a algunas de las mejores obras clásicas, en el día de hoy con ‘Petrushka', de Ígor Stravinsky.
This episode, introducing a new podcast by Joe Straus, is a deep dive into the opening measures of Stravinsky's ballet, Petrushka: a close analysis to hear what makes this music tick. Listen to the rest of Joe Straus's podcast: https://open.spotify.com/show/0kLhnp4GA2qJ5YX9lgMYcLThis episode was produced by Katrina Roush along with Team Lead Lydia Bangura. SMT-Pod Theme music by Zhangcheng Lu; Closing music "hnna" by David Voss. For supplementary materials on this episode and more information on our authors and composers, check out our website: https://smt-pod.org/episodes/season03/
fWotD Episode 2441: The Firebird Welcome to featured Wiki of the Day where we read the summary of the featured Wikipedia article every day.The featured article for Wednesday, 10 January 2024 is The Firebird.The Firebird (French: L'Oiseau de feu; Russian: Жар-птица, romanized: Zhar-ptitsa) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1910 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Michel Fokine, who collaborated with Alexandre Benois and others on a scenario based on the Russian fairy tales of the Firebird and the blessing and curse it possesses for its owner. The Firebird was first performed at the Opéra de Paris on 25 June 1910 and was an immediate success, catapulting Stravinsky to international fame and leading to future Diaghilev-Stravinsky collaborations like Petrushka (1911) and The Rite of Spring (1913).The Firebird's mortal and supernatural elements are distinguished with a system of leitmotifs placed in the harmony dubbed "leit-harmony". Stravinsky made a point to use many unique effects in the orchestra, including with ponticello, col legno, flautando, glissando, and fluttertongue. Set in the evil immortal Koschei's castle, the ballet follows Prince Ivan, who battles Koschei with the help of the magical Firebird.Stravinsky later created three concert suites: in 1911, ending with the "Infernal Dance"; in 1919, which remains the most popular today; and in 1945, featuring significant reorchestration and structural changes. Other choreographers have staged the work with Fokine's original choreography or created entirely new productions using the music, some with different settings or themes from the original. Many recordings of the suites have been made, the first being released in 1928 using the 1911 suite. A film version of the popular Sadler's Wells Ballet production, which revived Fokine's original choreography, was created in 1959.This recording reflects the Wikipedia text as of 00:15 UTC on Wednesday, 10 January 2024.For the full current version of the article, see The Firebird on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm Justin Neural.
Y así termina esta ecléctica entrevista... con asesoría de diseño organizacional. ¿Por qué es necesario? Y además, un par de consejos para jóvenes que buscan trabajo y "no tienen experiencia". #LosDiosesDelMarketing es una producción de Genio. Sí, de Genio.soy
Sigue la plática con Fabiola y Petrushka. Apúntenle los que quieren hacer contenidos. SPOILER: No todo se resuelve con el iPhone 15.
Los Dioses del Marketing es una producción de Genio. Sí, de Genio.group.
Bassoonist Amy Harman and pianist Keelan Carew are today's guests in the studio with Cerys Matthews and Jeffrey Boakye as they add the next five tracks to the playlist. From a gentle nursery rhyme, the musical links take us to a Russian dance, a celebration of the Earth's origins in Estonia, and a testosterone-fuelled TV theme with helicopters and machine guns. Dr Peter J Bentley discusses the increasing use - and challenges - of Artificial Intelligence in music, and the singer/songwriter Mari Kalkun tells us about the origins of her track Kui Kivid Olid Veel Pehmed. Producer Jerome Weatherald Presented, with music direction, by Cerys Matthews and Jeffrey Boakye The five tracks in this week's playlist: Mary Had a Little Lamb by Ramona Singh What a Fool Believes by The Doobie Brothers Russian Dance from Petrushka by Igor Stravinsky Kui Kivid Olid Veel Pehmed by Mari Kalkun The A-Team TV theme by Mike Post and Pete Carpenter Other music in this episode: I wish I Knew How it Would Feel to be Free (Live) by Nina Simone The Rite of Spring by Igor Stravinsky, performed at the BBC Proms by the Aurora Orchestra Fingertips pt 2: Live by Stevie Wonder Gymnopédie No.1 by Erik Satie Theme from The Rockford Files by Mike Post and Pete Carpenter
Jonathan Cross with a personal recommendation for Stravinsky's second ballet Petrushka,
Another great, short piece, here's the first of Joan Tower's Fanfares celebrating risk-taking and adventurous women. This is both celebratory and substantial, plus a workout for brass and percussion. Listening time 8 mins (podcast 5.5', music 2.5') Listen to the music, Fanfare for the Uncommon Woman No.1, here on Youtube, Spotify, Apple Music or Amazon music played by the St. Louis Symphony Orchestra conducted by Leonard Slatkin. You can buy a recording of the piece here at Prestomusic.com (but you have to scroll all the way to the end of a long track listing) On Youtube you can watch the work's dedicatee, Marin Alsop conduct this alongside Copland's Fanfare for the Common Man. And here there's a nice interview with Joan Tower - she seems like a fun person! Copland's Fanfare was featured last time on Cacophony. Stravinsky's Petrushka was episode 138. What do you think? Tell me with a comment at www.cacophonyonline.com! I'd love to hear from you! If you'd like to support Cacophony there are easy, great, ways: – help with the costs of running it (and me) with a one-off contribution or with a regular payment at ko-fi.com. https://ko-fi.com/cacophonyonline – share this episode with someone you know – share the 100 second trailer: http://cacophonyonline.com/trailer – subscribe/ review and keep listening! More episodes at: www.cacophonyonline.com/ Thanks for listening!
“Peerless today as a Rachmaninov interpreter” (The Guardian) and in possession of “monstrous technique and lustrous tone” (The New Yorker), pianist Daniil Trifonov performs Rachmaninov's electrifying Third Piano Concerto. Russian folklore animates Stravinsky's magical world of Petrushka and Liadov's dark and fantastical Kikimora. Learn more: cso.org/performances/22-23/cso-classical/trifonov-plays-rachmaninov-piano-concerto-no-3
Klaus Mäkelä, the first conductor signed to Decca for forty years, brings the Orchestre de Paris to the label for a major new album of Stravinsky's most iconic ballet scores. The album represents Mäkelä's first recording with his French orchestra, which will be followed by a further Ballet Russes release in 2024 featuring Stravinsky's Petrushka and Debussy's Jeux and L'Apres midi d'une faune.Track Listing:1 The Rite of Spring i. L'Adoration de la Terre 1. Introduction2 i. Les Augures printaniers (Harbingers of Spring).3 i. Jeu du rapt (Ritual of Abduction)4 i. Rondes printanie`res (Spring Rounds)5 i. Jeux des cite´s rivales (Ritual of the Rival Tribes)6 i. Corte`ge du sage_ Le Sage (Procession of the Sage_ The Sage)7 i. Embrasse de la terre (Kiss of the Earth)8 i. Danse de la terre (Dance of the Earth)9 ii. Le Sacrifice 9. Introduction10 ii. Cercles myste´rieux des adolescentes (Mystic Circles of the Young Girls)11 ii. Glorification de l'e´lue (Glorification of the Chosen One)12 ii. Evocation des ance^tres (Evocation of the Ancestors)13 ii. 13._Action rituelle des ance^tres (Ritual Action of the Ancestors)14 ii. 14._Danse sacrale (L'E´lue) (Sacrificial Dance)15 The Firebird - Introduction16 Le jardin enchante´ de Kastchei17 Apparition de l_oiseau de feu, poursuivi par Ivan Tsarevitch18 Danse de l_oiseau de feu19 Capture de l_oiseau de feu par Ivan Tsarevitch20 Supplications de l_oiseau de feu21 Apparition des treize princesses enchante´es22 Jeu de princesses avec les pommes d_or23 Brusque apparition d_Ivan Tsarevitch24 Khorovod (Ronde) des princesses25 Lever du jour26 Carillon fe´e´rique, apparition des Monstres-gardiens de Kastchei27 Arrive´e de Kastchei l_immortel28 Apparition de l_oiseau de feu29 Danse de la suite de Kastchei enchante´e par l_oiseau de feu30 Danse infernale de tous les sujets de Kastchei31 Berceuse (l_oiseau de feu)32 Re´veil de Kastchei, Mort de Kastchei, Profondes tene`bres33 Disparition du palais et des sortile`ges de KastcheiClassical Music Discoveries is sponsored by Uber and Apple Classical. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!Donate (classicalmusicdiscoveries.store) staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson and Amanda Bloom).
We've had composer Rob Kovacs on Level in the past to talk about his alter ego, 88bit. This time, he's here to discuss his Prophet 5 modern 80s soundtrack for the VR game Straylight, and I love every minute of it. The music is fantastic, and Rob sits at his piano during our chat to demonstrate some of the musical choices he made. It was so much fun! You can support Rob in many ways, whether on his Patreon, on Twitch, Bandcamp and many other places! You can support Level with Emily on Patreon. Join us on Discord for free. Find this conversation on YouTube and Twitter. Patrons have access to exclusive merch, Discord events and special guest playlists. PLAYLIST by Rob Kovacs for Straylight unless noted otherwise 00:00 Straylight 09:31 Straylight 10:26 Straylight 13:00 Petrushka, Tableau IV “La foire du mardi gras”: Danse des cochers et des palefreniers (1947 version) by Igor Stravinsky, conductor Riccardo Muti, Philadelphia Orchestra 14:12 Straylight 16:40 Straylight 19:40 Star Forge 21:37 Star Forge 23:26 Star Forge 24:40 The Last Campfire 27:12 The Last Campfire 30:02 The Last Campfire 31:56 Void Compass 34:08Void Compass 34:56 Void Compass 35:58 Void Compass 37:40 Devil Star 38:06 Devil Star 40:26 Devil Star 41:18 Devil Star 42:24 Devil Star 44:26 Devil Star 49:20 Devil Star 51:42 Marble Madness “Practice Race” - performed by 88bit/Rob Kovacs 54:18 File Select from Super Mario 64 - 88bit, Save Point Video Game LoFi - Super Mario 64 55:10 Cave Dungeon from Super Mario 64 - 88bit, Save Point Video Game LoFi - Super Mario 64 59:30 The Railgun Run 1:02:28 The Railgun Run 1:03:32 Ascent of the Juggernaut 1:07:40 Ascent of the Juggernaut 1:08:50 Ascent of the Juggernaut 1:09:24 Ascent of the Juggernaut 1:12:32 Ouroboros 1:13:16 Ouroboros 1:15:20 The End 1:16:16 The End 1:17:55 The End 1:20:26 Platform 1:24:42 The Last Campfire 1:28:04 Star Forge 1:29:10 Other Sprouts by Sam Keenan
It's a riot of colour at the carnival in Stravinsky's wonderful ballet, Petrushka, with dancing (of course), puppets, romance (kind of), fighting, and a wild bear. It's got everything - even a French song about a woman's prosthetic limb, but you have to listen for an explanation...! Total listening time 48 mins (podcast 13', music 35') The music is here in full, played by The Cleveland Orchestra conducted by Pierre Boulez - a master of clarity and excitement on Youtube, Apple Music and Amazon. What do you think? Let me know with a comment at cacophonyonline.com. I'd love to hear from you! The recording linked above is available to buy as a high-quality download from Presto Music (where it seems to be cheaper by track than to buy the whole album). If you'd like to support Cacophony there are easy, great, ways: – help with the costs of running it (and me) with a one-off contribution or with a regular payment at ko-fi.com – share this episode with someone you know – share the 100 second trailer – subscribe/ review and keep listening! Thanks for listening!
If you listened to my show last week about Stravinsky's ballet The Firebird, you know that Stravinsky's life was never the same after the premiere of the ballet in 1910. Sergei Diaghilev, the founder of the Ballets Russes and Stravinsky's greatest collaborator, said just before the premiere, “this man is on the eve of celebrity.” Diaghilev was absolutely right, as The Firebird made Stravinsky a Parisian household name practically overnight. Of course, immediately everyone wanted to know what was next. Stravinsky did too, and he was thinking that he needed to stretch himself even more, as even though the Firebird had caused a sensation, he still felt that it was too indebted to his teachers of the past like Nikolai Rimsky Korsakov and other Russian greats like Borodin or Mussorgsky. At first, Stravinsky dreamed of a pagan Rite, but quickly he changed course, wanting to write something that was NOT ballet music, and in fact would be a concerto for Piano and Orchestra. But instead of just a straight ahead abstract piece, Stravinsky had yet another story in mind. This time it was this: “In composing the music, I had in mind a distinct picture of a puppet, suddenly endowed with life, exasperating the patience of the orchestra with diabolical cascades of arpeggios. The orchestra in turn retaliates with menacing trumpet blasts. The outcome is a terrific noise which reaches its climax and ends in the sorrowful and querulous collapse of the poor puppet.” Diaghilev visited Stravinsky in Lausanne Switzerland expecting to hear more about the pagan rituals Stravinsky had been so excited about, but instead Stravinsky played him this strange piano concerto. But Digahliev, ever the visionary, saw the potential in this story and in this music for dance as well, and convinced Stravinsky to turn the piano concerto into a ballet, and Petrushka was born. Within a few months, Petrushka was written, performed, and was yet another sensation. Today, we'll talk all about the brilliant music that Stravinsky composed for the ballet, the integration of choreography and music, and the radical changes that this music heralded for the western music world.
In 1906, the impresario Sergei Diaghilev created a sensation in Paris with an exhibition of Russian Art. This was the first time a major showing of Russian art had appeared in Paris, and from this point forward, the city was obsessed with Russian art, literature, and music. Diaghilev, ever the promoter, then put together the Ballets Russes, the Russian Ballet, in 1909, a company based in Paris that performed ballets composed, choreographed, and danced, by Russians. Over the next 20 years, the Ballets Russes became one the most influential and successful ballet companies of the entire 20th century, and a young composer that Diaghilev plucked from obscurity named Igor Stravinsky had a lot to do with their success. The first season of the Ballet Russes relied on the big names of Russian music, like Borodin, Tchaikovsky, Rimsky Korsakov, but Diaghilev was always restlessly searching for something new. For many years, Diaghilev had wanted to bring not only new Russian art, but also new Russian music to the West, and now he had found the perfect combination - Diaghilev brought together the Russian artist and writer Alexandre Benoit and the Russian choreographer Michel Fokine to create a Russian nationalistic ballet based on Russian folk tales and mythology. He then took a risk, giving the commission for the music to Igor Stravinsky. The result? The Firebird, a ballet that provoked an ecstatic reaction, a score that would propel Stravinsky to worldwide popularity, 3 different orchestral suites played almost every year by orchestras all over the world, and a 19 year collaboration and friendship between Stravinsky and Diaghilev which only ended in Diaghilev's death and resulted in 8 original ballets, including The Rite of Spring and Petrushka. But, let's not get too ahead of ourselves. All of this had to start somewhere, so lets explore the Firebird, in all of its different versions and orchestrations, along with the folk tales and stories that go along with it. Join us!
Esta semana o maestro João Maurício Galindo respondeu perguntas dos ouvintes da Rádio Cultura FM sobre se Tom Jobim era ou não de fato um "Maestro" como as vezes é chamado, se o jazzista norte-americano Duke Ellington realmente aventurou pelo mundo da música clássica, sobre o que é uma Lira, também se existem outros "Motos Perpétuos", ou se só existe de Paganini, e o significado do título "Petrushka", obra sinfônica de Stravinsky. Descubra as respostas no resumo do "Pergunte ao maestro" desta semana.
TSC News TV host Fred Richani interviews Goodbye, Petrushka lead actress Lizzie Kehoe about her critically-acclaimed romantic comedy feature film, getting into showbiz, working with director Nicola Rose, growing in up in Tampa, as well as her many talents including singing and writing! Goodbye, Petrushka currently has a 100-percent rating on Rotten Tomatoes! Streaming now on Amazon Prime Video, Tubi, Google Play, and YouTube! Stream on Amazon: https://amzn.to/3eWapgp Tubi: https://tubitv.com/movies/680460/goodbye-petrushka For more info: https://www.lizziekehoe.com https://www.instagram.com/lizziekehoe/ ✅Subscribe for more interviews: https://www.youtube.com/TSCGaming
This episode I spoke with Nicola Rose of the fantastic indie film “Goodbye Petrushka” that has been taking film festivals by storm. We discuss Nicola's career and this film, her first feature. This episode is dedicated to you, the listeners! As I get close to wrapping up this season. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/johanna-griese/support
DescriptionIgor Stravinsky was a huge proponent of Neoclassicism in music—much to the shock and dismay of some listeners and critics. Take a minute to get the scoop!Listen to: Igor Stravinsky - Octet for Wind Instruments [With score] ℅ YouTubeFun FactA pupil of Rimsky-Korsakov in his native St. Petersburg, Stravinsky had inherited the style of the Russian nationalist group, the so-called kuchka or Mighty Handful, and the ballets he wrote for Sergei Diaghilev's Ballets Russes before and during the First World War – The Firebird, Petrushka, The Rite of Spring, and Les Noces – are post-kuchka works, based on folk tales or rituals, using folk music or poetry, and largely ignoring the orthodox procedures of traditional classical music.About Steven, HostSteven is a Canadian composer living in Toronto. He creates a range of works, with an emphasis on the short-form genre—his muse being to offer the listener both the darker and more satiric shades of human existence. If you're interested, please check out his website for more. Member of the Canadian League Of Composers.__________________________________________________________________You can FOLLOW ME on Instagram.
Joining host Michael Azevedo on this episode is writer/director Nicola Rose. Nicola is an award-winning, New York City-based filmmaker whose work is gathering acclaim on the festival circuit. In 2021, Nicola directed her first feature-length film, Goodbye, Petrushka, a coming-of-age comedy about a starry-eyed, awkward young woman with a big heart who meets a down-on-his-luck figure skater in Paris. Nicola also directed, produced and/or wrote the shorts Creative Block (2017), In the Land of Moonstones (2018), Gabrielle (2019), and Biff & Me (2020), all of which have won numerous awards on the indie film festival circuit. Making Media Now is sponsored by Filmmakers Collaborative, a non-profit organization dedicated to supporting media makers from across the creative spectrum. From providing fiscal sponsorship to presenting an array of informative and educational programs, FC supports creatives at every step in their journey. About the host: www.mrazvo.com and https://www.linkedin.com/in/michael-azevedo/ Sound Engineer: A.J. Kierstead
This week Carol sits down with Petrushka Bazin Larsen to discuss the benefits of having a strong and supportive community, especially as a new parent. Petrushka is the co-founder of a Harlem-based family ice cream shop, an arts educator, life coach, parenting advisor and the mom of three young children. In 2018 she founded a mom's group aimed at helping new moms navigate the first few months with their babies. Carol and Petrushka offer lessons from their parent group experiences, and Petrushka shares helpful parenting tools, some of which she learned from being raised by a single mother and her mom's community of friends. This lively and advice-filled conversation is the perfect reminder that as parents, we are stronger together. Follow us at @GroundControlParenting and on www.groundcontrolparenting.com See omnystudio.com/listener for privacy information.
JOSÉ MARÍA PRESENTA: JUNIO DE BALLETS Igor Stravinsky: "Petrushka". Ballet burlesca en cuatro cuadros.
This week on The Sound Kitchen you'll hear the answer to the question about the Hilder Nursery and Primary School. You'll take a tour of a "GreenLab" house in Dallas, Texas, hear "Ollia's Happy Moment” and “Music from Erwan” - and of course, there's the new quiz question, too. Just click on the “Audio” arrow above and enjoy! Hello everyone! Welcome to The Sound Kitchen weekly podcast, published every Saturday – here on our website, or wherever you get your podcasts. You'll hear the winner's names announced and the week's quiz question, along with all the other ingredients you've grown accustomed to: your letters and essays, “On This Day”, quirky facts and news, interviews, and great music … so be sure and listen every week. Erwan and I are busy cooking up special shows with your musical requests, so get them in! Send your musical requests to thesoundkitchen@rfi.fr Tell us why you like the piece of music, too – it makes it more interesting for us all! Be sure you check out our wonderful podcasts! In addition to the breaking news articles on our site, with in-depth analysis of current affairs in France and across the globe, we have several podcasts which will leave you hungry for more. There's Paris Perspective, Africa Calling, Spotlight on France, and of course, The Sound Kitchen. We have a bilingual series - an old-time radio show, with actors (!) to help you learn French, called Les voisins du 12 bis. And there is the excellent International Report, too. As you see, sound is still quite present in the RFI English service. Keep checking our website for updates on the latest from our excellent staff of journalists. You never know what we'll surprise you with! To listen to our podcasts from your PC, go to our website and click on the three horizontal bars on the top right, choose “Listen to RFI / Podcasts”, and you've got ‘em ! You can either listen directly or subscribe and receive them directly on your mobile phone. To listen to our podcasts from your mobile phone, slide through the tabs just under the lead article (the first tab is “Headline News”) until you see “Podcasts”, and choose your show. Teachers, take note! I save postcards and stamps from all over the world to send to you for your students. If you would like stamps and postcards for your students, just write and let me know. The address is english.service@rfi.fr If you would like to donate stamps and postcards, feel free! Our address is listed below. Another idea for your students: My beloved music teacher from St Edward's University in Austin, Texas, Dr Gerald Muller, has been writing books for young adults in his retirement – and they are free! There is a volume of biographies of painters and musicians called Gentle Giants, and an excellent biography of Dr. Martin Luther King, Jr., too. They are also a good way to help you improve your English - that's how I worked on my French, reading books which were meant for young readers – and I guarantee you, it's a good method for improving your language skills. To get Br. Gerald's free books, click here. Independent RFI English Clubs: Be sure to always include Audrey Iattoni (audrey.iattoni@rfi.fr) from our Listener Relations department in all your RFI Club correspondence. Remember to copy me (thesoundkitchen@rfi.fr) when you write to her so that I know what is going on, too. N.B.: You do not need to send her your quiz answers! Email overload! And don't forget, there is a Facebook page just for you, the independent RFI English Clubs. Only members of RFI English Clubs can belong to this group page, so when you apply to join, be sure you include the name of your RFI Club and your membership number. Everyone can look at it, but only members of the group can post on it. If you haven't yet asked to join the group, and you are a member of an independent, officially recognized RFI English club, go to the Facebook link above, and fill out the questionnaire !!!!! (if you do not answer the questions, I click “decline”). There's a Facebook page for members of the general RFI Listeners Club, too. Just click on the link above and fill out the questionnaire, and you can connect with your fellow Club members around the world. Be sure you include your RFI Listeners Club membership number (most of them begin with an A, followed by a number) in the questionnaire, or I will have to click “Decline”, which I don't like to do! This week's quiz: On 26 March, I asked you a question about an article written by my colleague Laura Angela Bagnetto, which also was a feature on her excellent bi-monthly podcast Africa Calling – which I know you all listen to regularly. Laura Angela's story was about a marvelously dedicated teacher in Uganda, Irene Ocwee Trends, who during the pandemic lockdown took into her very own family home 30 children. The boys and girls – from 13 to 17 years old - were in the final year of her primary school, and Trends wanted them to be able to continue their schooling uninterrupted. And the hard work paid off … all her students passed Uganda's national exams and will go on to secondary school. Teachers. What heroes! Uganda ranks schools on how well students at any particular school do on their national exams. My question to you was: after Ocwee Trends' students took their national exams and passed with flying colors, where did Uganda rank the Hilder Nursery and Primary School in their list of schools? The answer is, as Laura Angela wrote: “Her final year students took their national exams, and Hilder Nursery and Primary school was named the 20th top school in the whole country after the results were announced.” The winners are: M. N. Sentu, who's a member of the RFI Amour Fan Club in Rajshahi, Bangladesh, and Ms. Fatematuj Zahra, who serves as the co-secretary of the Shetu RFI Listeners Club in Naogaon, Bangladesh. Also on the list this week are RFI Club members Jean-Maurice Devault from Montreal, Canada and Ms. Dipita Chakrabarty from New Delhi, India. Last but not least, RFI English listener Aiman Shad from Bogura, Bangladesh. Congratulations winners! Here's the music you heard on this week's program: “Take the A Train” by Billy Strayhorn and Duke Ellington, performed by Duke Ellington and his orchestra; “Dance of the Nursemaids” from the ballet Petrushka by Igor Stravinsky, performed by the Columbia Symphony Orchestra conducted by the composer; “The Flight of the Bumblebee” by Nicolai Rimsky-Korsakov; “Happy” by Pharrell Williams, and “Agondé” from Os Tincoãs. Do you have a musical request? Send it to thesoundkitchen@rfi.fr This week's question ... You have to listen to the show to participate. After you've listened to the show, refer to David Coffey's article“EU fines against Poland's 'rule of law' dispute surpass €160m” to help you find the answers. You have until 30 May to enter this week's quiz; the winners will be announced on the 4 June podcast. When you enter, be sure you send your postal address with your answer, and if you have one, your RFI Listeners Club membership number. Send your answers to: english.service@rfi.fr or Susan Owensby RFI – The Sound Kitchen 80, rue Camille Desmoulins 92130 Issy-les-Moulineaux France or By text … You can also send your quiz answers to The Sound Kitchen mobile phone. Dial your country's international access code, or “ + ”, then 33 6 31 12 96 82. Don't forget to include your mailing address in your text – and if you have one, your RFI Listeners Club membership number. To find out how you can win a special Sound Kitchen prize, click here. To find out how you can become a member of the RFI Listeners Club, or to form your own official RFI Club, click here.
Marionetas, ballet y muchas castañuelas. En este episodio conoceremos a uno de los compositores españoles más famosos de todos los tiempos: Manuel de Falla. La música que escucharás en este episodio: 00:36 El Retablo de Maese Pedro (La Sinfonía de Maese Pedro) [Remastered], del álbum Obras Completas (Remastered). 02:23 Homenajes (Pedrelliana) [Remastered], del álbum Obras Completas (Remastered). 06:19 Concierto para Clavicembalo (Vivace) [Remastered], del álbum Obras Completas (Remastered). 08:25 The Sorcerer's Apprentice de Paul Dukas,del álbum Fantasia 2000 (An Original Walt Disney Records Soundtrack). 08:43 Suite bergamasque, L. 75: Clair de lune de Claude Debussy, interpretado por Finghin Collins. 08:58 Boléro, M. 81 de Maurice Ravel, interpretado por London Symphony Orchestra & Arpad Jóo. 09:18 Petrushka, First Scene: IV. Russian Dance (1911 original version) por Igor Stravinsky, interpretado por Valery Gergiev & Mariinsky Orchestra. 10:08 Noches en los Jardines de España (En los Jardines de la Sierra de Córdoba) [Remastered], del álbum Obras Completas (Remastered). 11:54 El Sombrero de Tres Picos (Danza Final) [Remastered], del álbum Obras Completas (Remastered). 13:09 Danza Ritual del Fuego (El Amor Brujo), dirigido por Ataulfo Argenta. 14:22 La vida breve, Act 2: Spanish Dance, interpretado por Orquesta Nacional de España & Rafael Frühbeck de Burgos y Victoria de los Ángeles. 16:04 El Retablo de Maese Pedro (Final) [Remastered] , del álbum Obras Completas (Remastered). Si te gusta el episodio, califícalo en tu app favorita o puedes dejar tu review. :) No te pierdas ningún episodio. Suscríbete a la newsletter en allegromagico.com/suscribirme y aprendan conmigo sobre música clásica. Síguenos en: Facebook, Twitter, Instagram y Pinterest. Web: allegromagico.com ¿Quieres aprender lo básico de música clásica de forma fácil? Checa nuestra guía para jóvenes y adultos. ¿Ya han escuchado tus niños uno de los cuentos musicales más llamativos que existen? Las Cuatro Estaciones de Vivaldi es una obra ideal para niños.
Nesta edição do Clássicos CBN, Helder Trefzger aborda o papel do piano na orquestra. Mais conhecido por suas atuações à frente da orquestra, como solista, o piano foi ocupando pouco a pouco um lugar na composição da própria orquestra. "No começo, ainda timidamente, apareceu, esporadicamente, em obras de Berlioz, Glinka, Saint-Saëns e Debussy. Foi Stravinsky que, entre 1910 e 1911, na sua obra Petrushka, estabeleceu o piano na orquestra desempenho papel semelhante aos dos demais instrumentos", explica. Ouça!
Today my guest is Nicola Rose, an actor, film producer and director whose films include Creative Block; Gabrielle; and Goodbye; Petrushka. While currently living in the US, Nicola has previously lived in Paris twice and she hopes to move back to France one day. Today, we'll hear about Nicola's experiences in France including:How a spur of the moment decision about visiting France changed her life.The big impact a Parisian bookstore closing had on her.How she finds inspiration and creativity in French arts.Bureaucratic and administrative issues she faced at the Préfecture.An anecdote about the mispronunciation of Tupperware.Her favorite French foods, desserts and rosé wine.If you are considering moving to France like Nicola Rose, Foolproof French Visas can help you navigate the path toward finding the right visa for you. It can be purchased here: https://www.yourfranceformation.com/books or in paperback on Amazon. If you would like to pursue your own Franceformation, you can also request a free 30-minute clarity call with Allison to review your visa options and decide how to move toward creating your ideal life in France: https://www.yourfranceformation.com/free-call If you liked this episode, please leave a positive review and be sure to subscribe so you won't miss next week's episode!
Dig in with Petrushka, co-owner of Sugar Hill Creamery in Harlem, NY --- Support this podcast: https://podcasters.spotify.com/pod/show/letspoon/support
Sugar Hill Creamery. The name says it all. Harlem's first family-owned handmade ice cream shop opened its doors in 2017 and was followed 3 years later by a second location in Hamilton Heights. Sugar Hill is the brainchild of Petrushka Bazin Larsen and her husband Nick Larsen. Their confections include homemade, small batch ice cream, non-dairy frozen desserts with both seasonal and classic flavors. Petrushka's not only a successful entrepreneur, she's also a community activist, hosting programs for Sugar Hill customers and neighbors that include a New Mom's Group, Book Club and Craft Night.
This week we sit down with Petrushka Bazin Larsen, the Co-Owner of the coveted Sugar Hill Creamery to explore what it looks like to truly love and serve your neighbor as a business owner. This Jane of many trades does a phenomenal job explaining her why and how she's honored people who's lived in NYC before her. She's lived in NYC for many years before opening Sugar Hill Creamery with her husband, Nick. Check out Sugar Hill Creamery here: https://www.sugarhillcreamery.com/ Follow Petrushka on IG @askpetrushka Sign up for Petrushka's class Master The Art of Work https://docs.google.com/forms/d/e/1FAIpQLSfLs5xVyu2gHOh2vjf5KesESzuJy_bilAJR5Lr2EIHoxJ7dvg/viewform Support RNY on Patreon: https://www.patreon.com/raisingnewyorkers RNY Instagram: https://www.instagram.com/raising.newyorkers/ Submit a NY Minute: info@raisingnewyorkers.com Enjoyed this episode? Leave us a review on Apple ITunes!
Guitarist James Sherlock and Double Bass player Ben Hanlon have released their 2nd Duo album – STRAVINKSY – a collection of pieces inspired by the Petrushka and Rite Of Spring... LEARN MORE The post Sherlock & Hanlon's Stravinsky appeared first on Bent Notes.
HARLINGEN, Texas - Did you know about the Russia-Paris connection? According to Russian Pianist, Danil Trifonov, to this day, many building and street signs are bilingual Russian/French. Trifonov explained this Russian/French connection when I recently spoke to him about his latest release, Silver Age, an homage to music created during this important period in Russian History.Pianist Danil Trifinov's Silver Age album, includes Scriabin's Concerto for Piano and Orchestra in F sharp minor Op.20; Prokofiev's Piano Concerto No.2 in G minor Op.16; and Three Movements from Stravinsky's Petrushka. On the Silver Age album you will also be able to listen to Prokofiev's Sarcasmes Op.17, Piano Sonata No.8 in B flat major Op.84 and the "Gavotte" from "Cinderella" Op.95 No.2. The album also includes Stravinsky's Serenade. Go straight to track 14 and listen to my favorite--excerpts from The Firebird.The album is available in double disc and e-album formats. I think you will enjoy listening to the podcast of my conversation with Russian Pianist, Danil Trifinov.Editor's Note: Credit for the attached photo of Danil Trifonov goes to Dad]rio Acosta.
Chels and Em sit down with the infamous Buddy the Rat, aka TikTok sensation Jonothon Lyons, who is scouring the streets of New York City making friends with all who are around! Jonothon Lyons is an interdisciplinary theatre artist living in New York City and has worked as a performer in mask, puppetry, and physical theatre. He has performed as a Blueman in Blue Man Group and as a principal cast member in the off-broadway show Sleep No More. As a puppeteer his work includes Moisés Kaufman’s El Gato con Botas at the New Victory Theatre, Basil Twist’s Petrushka and Dogugaeshi, and Anthony Minghella’s Madama Butterfly at the Metropolitan Opera. www.jonothonlyons.com Instagram/TikTok: @jonothonlyons . . . SEND US WHAT YOU'RE "WINING" ABOUT! If you have a story or a GOOD RANT/CELEBRATION you would like to share with W&D, please submit by clicking here or email winesanddolls@gmail.com and put "LISTENER STORY" in the subject line for our new Listener-Sode series! Help Wines and Dolls be the best they can be by supporting us on Patreon at patreon.com/winesanddolls for a cheers on the show and other perks for Patrons. Cheers to our Patrons: Brandon, Sydney, Allison, Noah, Victoria, Amy, Sandra, and Julia! Follow us on Instagram, Facebook, TikTok, and Twitter at winesanddolls Artwork by From Pen to Paper Music from Guys and Dolls, 1992 on Spotify . . . Use promo 10DOLLS for 10% any order of Coffee Over Cardio at coffeeovercardio.com Don't forget to check out I Can't Stop Think About... Podcast AND Murder, She Told anywhere you get your podcasts! Learn more about Fanny Brice in The Fabulous Fanny Brice starring Kimberly Faye Greenberg at http://fabulousfannybriceshow.com/ , use promo FRIENDS --- Send in a voice message: https://anchor.fm/winesanddolls/message
Stravinsky's solo piano output may be modest in size, but it contains one of the absolute pinnacles of piano virtuosity, the Three Pieces from Petrushka. To call these pieces "arrangements" from the ballet score would be true, but misleading: they are brilliant recompositions from the ballet's material, stranger and more elusive, and with the added dimension of extreme virtuosity (he was never brave enough to give a public performance himself). Unlike many composers, Stravinsky always wrote his music at the piano, and the feel of chords-under-fingers, pushing against each other, overlapping and colliding goes a long way towards explaining the unique harmonic imagination that still has an international influence that stretches far beyond the confines of modernist classical music. Where the Romantics had turned the piano from a complex machine into a living, breathing musical being, Stravinsky wanted to unpick the illusion, and bring the mechanical aspects to the fore. He often sought to bypass the pianist's predilection for "expression", and even turned to pianolas for a time, which dispense with the need for a performer altogether. The clockwork character of his writing tends to dehumanise his source materials, whether these happen to be Russian folksongs, Baroque and Classical idioms or the latest jazz. Where does this leave a pianist who is prepared to meet this challenge?A lecture by Marina Frolova-Walker 26 FebruaryThe transcript and downloadable versions of the lecture are available from the Gresham College website: https://www.gresham.ac.uk/lectures-and-events/stravinsky-pianoGresham College has been giving free public lectures since 1597. This tradition continues today with all of our five or so public lectures a week being made available for free download from our website. There are currently over 2,000 lectures free to access or download from the website.Website: http://www.gresham.ac.uk Twitter: http://twitter.com/GreshamCollege Facebook: https://www.facebook.com/greshamcollege Instagram: http://www.instagram.com/greshamcollege
MATÍAS SANTOS A poco de comenzar sus estudios de Danzas Clásicas, a los 18 años, en Entre Ríos, su provincia natal, ingresó al instituto Superior de Arte del Teatro Colón, integrando así el Ballet Joven del ISA, con el que realizó diversas giras como Bailarín principal por el país y el exterior, interviniendo en el “Aberdeen International Youth Festival”, realizado en Escocia, dirigidos por Lidia Segni; como también en el "Festival Barrio Antiguo" en México, entre otros. En el año 2005, ingresa por concurso abierto, y ante jurado internacional al “Ballet Estable del Teatro Colón”, donde se destacó como solista en diversas obras tales como “Who Cares”, “Symphony in C”, “Allegro Brillante” de G. Balanchine, “La Bella Durmiente del Bosque”, “Don quijote”, “El Combate”, “El Lago de los Cisnes”, “Giselle” “Raymonda”, “Pulsaciones”, “El Cascanueces” de R. Nureyev, “Sylvia” de F. Ashton, “Petrushka”, “Adagietto” de O. Araiz, “Por vos Muero” de N. Duato. Como bailarín principal, protagonizó “Before Nightfall” de Nils Christe, “Cenicienta” de Renato Zantella, “Bruch” de Clark Tippet, “Rodín” de Boris Eifman, “Onieguin” de John Cranko, entre otros. Asimismo, intervino en las giras internacionales del BETC por Muscat, Omán, y del Festival Internacional de La Habana, Cuba. Es convocado para realizar una gira por Centroamérica como bailarín principal de la Compañía Tango Pasión y, seguidamente, fue invitado al festival de Cabo Frío, Brasil junto a Estrellas Internacionales de la Danza. En el año 2016, fue elegido y preparado por los maestros Victor y Agneta Valcu en el rol de Onieguin, para el ballet homónimo de John Cranko. Formado artística y académicamente por el Maestro Martín Miranda, ha preparado junto a él, como protagonista, las versiones integrales de “Giselle”, “Coppelia”, “Chopiniana” y “El Corsario”, entre otros; realizando diversas giras. En Junio de 2013, se presentó en el “XII Concurso Internacional de Ballet del Teatro Bolshoi de Moscú” acompañando a Luana Brunetti, recibiendo el premio a la Maestría Artística. Seguidamente, participa en representación del BETC en la Gala Internacional de Ballet en Asunción, Paraguay. En el año 2019, realiza una extensa gira por la República Popular de China como bailarín principal del “Roma City Ballet”. Actualmente, continúa con su formación actoral. Además, como coreógrafo, ha creado las obras "Balletango" y "Sumaj Pachamama", estrenada en el CETC del Teatro Colón junto a La Charo y su música.
Petrushka, Igor Stavinksy's second ballet, is a tragic tale of a living puppet who is treated like a mere toy and brought to the point of madness. Ironically, such a sad tale brought Stravinsky a great deal of success, especially after the triumph that was his previous ballet The Firebird. However, there's more you do not know, hidden behind the curtain. Theme music is by Daryl Banner: https://darylbanner.bandcamp.com/ Become a member of The Composer Chronicles on Patreon to get ad-free versions of all the episodes, early access to those ad-free versions, access to the member-only podcast Unscripted, and other things podcast related! https://www.patreon.com/thecomposerchronicles Join me and an incredible, growing community living healthier lifestyles in a body positive space with Roy Belzer Fitness: https://roybelzerfitness.com/signup and use offer code chronpodcast at checkout! Alexandrian Media Teespring: https://teespring.com/stores/alexandrianmedia Music used in this episode: The Forest Grand by Trevor Kowalski Sub Twin by Jay Varton Siljan by Rannar Sillard Perhaps It's Meant to Be by Trevor Kowalski Looking for Cheese by Jerry Lacey Elm Lake by Elm Lake Concerto for Trumpet and Flute (Melody Stem) by Cercles Nouvelles Cinema Neon by Trevor Kowalski Sources used for this episode: Charles M. Joseph, Stravinsky's Ballets (New Haven: Yale University Press, 2011). Igor Stravinsky, Petrushka (Berlin: Editions Russes de Musique, 1912). --- Send in a voice message: https://anchor.fm/thecomposerchronicles/message
En este episodio conocerán a Igor Stravinsky, considerado por muchos como el mejor compositor del siglo XX. Los niños sabrán cómo fue fu infancia y las principales obras que compuso. Escucharán partes de Petrushka, El pájaro de fuego, y La Consagración de la Primavera. Síguenos en: Facebook, Twitter, Instagram y Pinterest. Si te gusta el episodio, califícalo en tu app favorita (Podcasts iTunes, iVoox, Spotify) o puedes dejar tu review. :) No te pierdas ningún episodio. Súscríbete al newsletter en allegromagico.com/suscribirme.
Two tales of treacherous maids of the water, this week we have “The Siren” by F. Antsey and “Russalka” by Maurice Baring. “The Siren” tells of a siren upon an island who uses her power upon men without heed, when one day a stranger comes unbidden to her shores and makes her question her ways and learn the meaning of love. In “Russalka” a young couple in love run afoul of the powers of the rusalka when on a whim, young Petrushka leaves his work on the river's edge and finds himself in the thrall of the woman of the water to his untimely fate. If you've been enjoying these, give us a review on Apple Podcasts and follow along on Spotify! To learn more about Widdershins, please visit: www.widdershinsstories.com For more information on Ashley, please visit: www.oldgrowthalchemy.com www.patreon.com/oldgrowthalchemy For more information on Joe, please visit: www.joesabourin.com
¡Llega Igor Stravinsky a Allegro Mágico! En este episodio de nuestro cuento musical, el pequeño Tchai y su hermana Clara aprenden lo que es una tormenta de nieve y nosotros nos lo imaginamos con la maravillosa e impactante música del ballet Petrushka, de Igor Stravinsky. Síguenos en: Facebook, Twitter, Instagram y Pinterest. Si te gusta el episodio, califícalo en tu app favorita (Podcasts iTunes, iVoox, Spotify) o puedes dejar tu review. :) No te pierdas ningún episodio. Súscríbete al newsletter en allegromagico.com/suscribirme.
Dans le Paris des années 1910 à 1913, le jeune compositeur a été la coqueluche de l’avant-garde musicale, le favori des adeptes de ballets et le chouchou des vétérans comme Debussy et Ravel. Il a fasciné avec L’oiseau de feu, enchanté avec Petrushka, mais aussi choqué avec Le sacre du printemps. Danick Trottier, professeur de musicologie, explique à Jacques Beauchamp comment Igor Stravinski a su tabler sur ses origines et combiner le folklore russe à la musique moderne.
A continuation of Episode 14, this new episode looks at Igor Stravinsky's second major ballet, Petrushka. Bridging the gap between his impressive and innovative first ballet, The Firebird, and the earth-shattering Rite of Spring, Petrushka is a fairy tale about two puppets at a Russian carnival vying for the love of a third puppet, the ballerina. Filled with quotations from Russian folk tunes and popular melodies from other countries, Petrushka has earned its place in the concert hall as one of the most sparkling celebrations of how orchestral color can tell a story. From the simplest folk tune to the most complex orchestral fluorish, I think you'll be pleasantly surprised!
If you asked any musicologist who are the top five most important composers of the 20th century, Igor Stravinsky will certainly be on that list. Stravinsky's three major ballets - The Firebird, Petrushka, and The Rite of Spring - remain landmarks of innovative soundscapes, introducing exciting new explorations of the basic elements of music. You will also find it fascinating how Stravinsky incorporates well-known folk melodies into his music. In this episode, we will examine The Firebird and discuss how this amazing piece by a composer still in his twenties reaches back, and looks forward, in its stylistic traits.
Un programa dedicado a los niños —varones— que deciden ser bailarines de ballet. Albrecht, Sigfrido, Petrushka, Oneguin... ¿Cuál es ese gran papel para empezar a soñar?
If you’re like the team at Cityscape, you’ve had your fair share of ice cream this summer. It’s the perfect treat on a hot summer day, but then again, if you ask us, it’s the perfect treat anytime. In this edition of Cityscape, we’re checking in with a unique ice cream shop that’s serving both delicious ice cream and the community at large. Sugar Hill Creamery is located in Harlem. It’s owned and operated by husband and wife duo Nick Larsen and Petrushka Bazin Larsen. They describe the shop as “a love affair between community and food," and serve dozens of flavors of handmade ice cream and non-dairy frozen desserts inspired by their Caribbean and Midwestern cultures, as well as the Harlem community they’re a part of. We recently talked with Petrushka and Nick about the shop and their recent partnership with Ice Cream for Change to help fight racism.
If you're like the team at Cityscape, you've had your fair share of ice cream this summer. It's the perfect treat on a hot summer day, but then again, if you ask us, it's the perfect treat anytime. In this edition of Cityscape, we're checking in with a unique ice cream shop that's serving both delicious ice cream and the community at large. Sugar Hill Creamery is located in Harlem. It's owned and operated by husband and wife duo Nick Larsen and Petrushka Bazin Larsen. They describe the shop as “a love affair between community and food," and serve dozens of flavors of handmade ice cream and non-dairy frozen desserts inspired by their Caribbean and Midwestern cultures, as well as the Harlem community they're a part of. We recently talked with Petrushka and Nick about the shop and their recent partnership with Ice Cream for Change to help fight racism.
This week, we learn all about one of the celebrated heroes of the Polish Army during WWII [who just so happened to be a nearly 500-lb bear…]. Lauren tells us the fascinating story of one of history’s greatest mascots, and later gives us a quiz about the wonderful weirdness of MLB mascots! . . . [Music: 1) Igor Stravinsky, “Peasant With Bear,” from Petrushka, 2008; 2) Frau Holle, “Ascending Souls,” 2017. Courtesy of Frau Holle, CC BY-NC 3.0 license.]
Today in the Side Hustle Pro guest chair, we welcome Petrushka Bazin Larsen, the Co-Founder of Sugar Hill Creamery in Harlem, NY. Sugar Hill Creamery is Harlem's only family-owned neighborhood ice cream shop. Petrushka’s Co-Founder is her husband, Nicholas, and prior to opening the shop, she worked as Vice President for Programs & Education at the Brooklyn Children’s Museum and Program Director at the Laundromat Project. Even with her successful career, she had dreams of being an entrepreneur that started when she was in the 3rd grade and those dreams remained with her as she got older. The opportunity for entrepreneurship eventually presented itself when her husband unexpectedly lost his job in the culinary industry. They began thinking about how to develop a business based on foods they love, and it was an experience at a pop-up ice cream shop while on a trip in Washington, DC, that sparked the idea to open an ice shop in Harlem. Petrushka and her husband went all in and found a location, secured a loan, got permits, and opened Sugar Hill Creamery in only 10 months! Listen on Apple Podcasts, Spotify, Soundcloud, Stitcher, This episode is brought to you by: Skillshare Get 2 free months of Premium Membership at skillshare.com/sidehustlepro Links mentioned in this episode Sugar Hill Creamery Gusto Your Money or Your Life Click here to subscribe via RSS feed (non-iTunes feed): http://sidehustlepro.libsyn.com/rss Announcements Join our Facebook Community If you’re looking for a community of supportive side hustlers who are all working to take our businesses to the next level, join us here: http://sidehustlepro.co/facebook Send questions to “Ask Nicaila” You can now send questions for the new “Ask Nicaila” segment that’s coming to Side Hustle Pro. Once I get a critical mass of questions, I can start rolling out this segment. Just email hi@sidehustlepro.co and put hashtag #AskNicaila in the subject. Social Media Info Sugar Hill Creamery (Instagram) - @sugarhillicecream Sugar Hill Creamery (Facebook) - @sugarhillicecream Sugar Hill Creamery (Twitter) - @sugarhillcream Side Hustle Pro – @sidehustlepro #SideHustlePro
Serge Diaghilev was turned down by four composers before turning to Igor Stravinsky to write the music for a new production by the Ballet Russe. Luckily, Stravinsky, eager to try his hand at a ballet, had already been working on the music for a month, and their artistic relationship went on to produce Petrushka and The Rite of Spring.
Creating a business that’s a pastime is one of the ways brick and mortars are keeping customers engaged and coming through their doors. The co-owners of Sugar Hill Creamery have developed such a space and explain how with Shayla today. Show Summary: In this episode, Shayla sits down with Petrushka and Nick Larsen of Sugar Hill Creamery in Harlem. From single scoops to a second location, the Larsens’ explain how creating a space for memories became one of the sweet secrets to their success! Thanks again for being a supporter of Make It Your Business, please rate and review us on iTunes!
Experience an exhilarating night of music as only the great Russian composers deliver! The Lincoln Youth Symphony (Clark Potter, director) joins LSO in a side-by-side performance of Rimsky-Korsakov’s colorful and brilliant Capriccio Espagnol. Before intermission, sloDance (Susan Levine Ourada, director) will present a special performance with Shostakovich’s dark and hauntingly beautiful Chamber Symphony. The evening comes to a close with a suite from the third of Stravinsky’s ballet masterpieces, the charming and brilliant Petrushka.
When I say incredible, I don't just mean every-day incredible. This recording is absolutely incredible. Larry Rachleff walks us through the first two parts of Petrushka at the 2019 International Conducting Workshop and Festival in Sofia, Bulgaria. He goes in to every detail of what it takes to conduct and rehearse and what's going to go wrong with whom and when, and then how to fix it. It's our longest and most valuable episode yet!Connect with us on Facebook, Twitter, and Instagram at @PodiumTimePod and find out more about supporting the podcast at Patreon.com/PodiumTimePod.Support the show (https://patreon.com/podiumtimepod)
Igor Stravinsky is considered one of the most influential composers of the 20th century, in no small part indebted to his three groundbreaking ballets - The Firebird, Petrushka, and The Rite of Spring. These pieces were made possible by Russian artistic visionary Sergei Diaghilev, and his ballet company known as the Ballet Russes. Hear leading arts commentator Lee Christofis, ANAM guest artist Eduardo Strausser and ANAM musician Eve McEwen discuss Russian folklore, a dance revolution, and Stravinsky with the Ballet Russes; a partnership which changed classical music forever. Featuring: Eduardo Strausser, ANAM guest artist Eve McEwen, ANAM musician Lee Christofis, arts commentator Written, edited and produced by Madi Chwasta
Have you ever wondered what it was that made a relationship a lasting one whether it be a friendship or a love thang? My guest Petrushka is the co-owner and operator of an ice cream shop in Harlem and she and I tackle that question. We talk about and try to figure out what some important qualities are for a lasting and loving relationship. We hope you enjoy this episode and that it hits a few marks as well as makes you laugh a bit:) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/nicolette43/message
Upon visiting Stravinsky in late 1910, expecting to find him immersed in composing the Rite of Spring, Serge Diaghilev, director of the Ballet Russe, was quite surprised to find him instead composing the ballet of an anthropomorphized puppet. The story recounts the rise and fall of mischievous Petrushka, a puppet brought to life by a magician as he courts the Ballerina and fights the Charlatan. The work was premiered one hundred years ago, with Nijinsky dancing the title role. Former SFS Music Director Pierre Monteux conducted the work’s world premiere.
On today's episode, Bruce Adolphe the resident lecturer of CMS talks about Stravinsky's Petrushka for Piano, Four Hands. Excerpts performed by Lucille Chueng, Alessio Bax, piano.
The Young People's Concert is a fun and informative "family-friendly" introduction to the symphony. Host/Conductor Steven Schick and the orchestra perform annotated excerpts from the 2018 season-opening concert, including Tan Dun's striking "Concerto for Water Percussion and Orchestra" and Igor Stravinsky's beloved ballet "Petrushka." The program features an audience Q&A in addition to the Conductor's commentary. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34001]
The Young People's Concert is a fun and informative "family-friendly" introduction to the symphony. Host/Conductor Steven Schick and the orchestra perform annotated excerpts from the 2018 season-opening concert, including Tan Dun's striking "Concerto for Water Percussion and Orchestra" and Igor Stravinsky's beloved ballet "Petrushka." The program features an audience Q&A in addition to the Conductor's commentary. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34001]
The Young People's Concert is a fun and informative "family-friendly" introduction to the symphony. Host/Conductor Steven Schick and the orchestra perform annotated excerpts from the 2018 season-opening concert, including Tan Dun's striking "Concerto for Water Percussion and Orchestra" and Igor Stravinsky's beloved ballet "Petrushka." The program features an audience Q&A in addition to the Conductor's commentary. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34001]
The Young People's Concert is a fun and informative "family-friendly" introduction to the symphony. Host/Conductor Steven Schick and the orchestra perform annotated excerpts from the 2018 season-opening concert, including Tan Dun's striking "Concerto for Water Percussion and Orchestra" and Igor Stravinsky's beloved ballet "Petrushka." The program features an audience Q&A in addition to the Conductor's commentary. Series: "La Jolla Symphony & Chorus" [Arts and Music] [Show ID: 34001]
Serge Diaghilev was turned down by four composers before turning to Igor Stravinsky to write the music for a new production by the Ballet Russe. Luckily, Stravinsky, eager to try his hand at a ballet, had already been working on the music for a month, and their artistic relationship went on to produce Petrushka and The Rite of Spring.
Tom Service investigates the link between music and colour ahead of Prom 45 and Stravinsky's colourful folk-ballet Petrushka. A piece of music can be 'dark' or 'bright' or we could be singing the 'Blues' - but what does that mean? Professor Jamie Ward - an expert in synaesthesia - is on hand to help. Tom delves into a world of musical colour from Messiaen and Copland, Scriabin and Ravel to David Bowie and Beyoncé to discover whether music can ever be colourful.
PROGRAM EPISODE: ROCK THE CLASSICS PROGRAM NOTES In today's VINYL VIBRATIONS podcast, I tour LP records from the 1960s and 1970s where the rock or pop artist is performing classical music, or giving a new dimension to classical music. These performances are found on Vinyl LP and today’s show is called ROCK THE CLASSICS ! We will hear from Frank Zappa, Blood Sweat & Tears, Jethro Tull, Emerson Lake & Palmer, Deodato, Steely Dan, today … on ROCK THE CLASSICS. INTRO to ROCK THE CLASSICS (narrate only the names of the groups) Today we hear ROCK THE CLASSICS … we will hear… Zappa entertain us with time riddles from Stravinsky Wendy Carlos reinvents a Cantata from JS Bach, Blood Sweat & Tears soothes us….with music from Erik Satie Jethro Tull and a jazz rendition of a dance from JS Bach Emerson Lake & Palmer rocks us with Bela Bartok Deodato provides fanfare from Richard Strauss … and Steely Dan celebrates a ragtime classic from jazz great, Duke Ellington Tracks Today: M1 Petrushka (I. Stravinsky), Frank Zappa, ‘Tis The Season To Be Jelly M2 Cantata 147, 10th mvt) (J.S. Bach), Wendy Carlos M3 Trois Gymnopedies On A Theme (Erik Satie), Blood Sweat & Tears M4 Bouree (J.S. Bach), Jethro Tull M5 The Barbarian (Bela Bartok) Emerson Lake & Palmer M6 Also Sprach Zarathustra 2001, (Richard Strauss) Deodato M7 East St. Louis Toodle-Oo, (Duke Ellington) Steely Dan In today's podcast we will hear seven examples of a rock or pop artist, in one case a classical music rocker, performing classical music, and with striking interpretations, new instruments or technology, or change to the musical meter as influenced by pop or rock rhythm… produced between 1965 and 1977. M1 Song Petrushka, Album ‘Tis The Season To Be Jelly, Album Artist Frank Zappa, Composer I. Stravinsky (1911), Year 1967, Released By - Bootleg album Petrushka is a ballet with music by Russian composer Igor Stravinsky, composed in 1911. It was premièred in Paris and although the production was a success, music was reviewed as brittle, caustic and even grotesque. Two years later, in 1913, the Vienna Philharmonic initially refused to play the score, considering the score as “dirty music”. As for Frank Zappa and The Mothers of Invention, the album ‘Tis the Season to Be Jelly was recorded at Konserthuset, Stockholm, Sweden on September 30, 1967. Pretty cool really, because The Stockholm Concert Hall (Konserthuset) is the main hall for orchestral music in Stockholm, Sweden, it is the home to the Royal Stockholm Philharmonic Orchestra. Bringing us back to the design of this hall for classical music. Was Zappa compelled or inspired by this great house to include SOMETHING classical? This song, Petrushka, was originally recorded by Zappa and distributed on a bootleg album. So now, going back to the 1913 sentiment about Petrushka being “dirty music”, interesting that the bootleg album cover features a caricature of Zappa’s foot and a smelly sock. Perhaps this truly is… “dirty music”? At the time of this recording, Zappa was 26 years old, so this is very early in his recording career. Only one year earlier, in 1966, Zappa released his debut album FREAK OUT with The Mothers of Invention. And only a week before this concert performance, Frank Zappa wed Gail Sloatman, with whom he was married and produced four children, right until his untimely death in 1993. Today we hear a short rendition of Petrushka, as arranged for rock band, by Frank Zappa and the Mothers of Invention, and as performed in the Konserthuset in Stockholm, in 1967. M2 Song Cantata 147, (Heart and Mouth and Deed and Life), 10th mvt, Album Switched On Bach, Album Artist Wendy Carlos, Composer Johann S. Bach (1716), Year 1968, Released By Columbia Masterworks Records Cantata 147, is written by Johann Sebastian Bach. A cantata is a vocal composition with an instrumental accompaniment, typically in several movements, often with a choir.
Nuevo concierto en el auditorio de conciertos en el que en este capítulo subimos el telón y nos situamos junto al titiritero, para escuchar una obra mágica que narra un cuento universal de forma magistral: Petrushka de Stravinsky. Descubrimos esta fascinante obra junto a los frenéticos 4 estudios op 7 para piano. Con Ana Laura Iglesias.
Nuevo concierto en el auditorio de conciertos en el que en este capítulo subimos el telón y nos situamos junto al titiritero, para escuchar una obra mágica que narra un cuento universal de forma magistral: Petrushka de Stravinsky. Descubrimos esta fascinante obra junto a los frenéticos 4 estudios op 7 para piano. Con Ana Laura Iglesias.
En aquesta edició del programa hem parlat sobre cinema, amb la programació del Zumzeig Cinema? per aquesta setmana, el nou disc de la cantautora americana Angel Olsen, #Phases, que es presentarà el 9 de maig a Barcelona, la programació de El Maldà? amb l'estrena de #GranFacaroli de Els Pirates teatre el 9 de març i #Llibrespercremar de Cia. Pyros, que es podrà veure fins diumenge 4 de març. També hem parlat sobre la SoundEat Opening Party que obre la temporada de Soundeat Bcn?, amb la millor selecció de música electrònica. També hem pogut escoltar una mostra del nou disc de la cantautora catalana Judit Neddermann?, #Nua (que actuarà a la gal·la dels Premis Enderrock dimarts 7 de març a l'Auditori de Girona i publicarà el seu treball el 9 de març amb Satélite K), hem continuat comentant sobre el festival Barcelona Improvisa, organitzat per The Modestos?, que està tenint lloc fins el 4 de diumenge 4 de març (veure entrada al blog #culturayalgomás). Anant cap a la música clàssica, el Conservatori del Liceu ha programat per al 7 de març el recital del gran pianista rus Dmitri Alexeev com a cloenda de la masterclass que impartirà des del 5 de març i aquest cap de setmana podeu gaudir del Petrushka de Stravinski i de "L'arbre des songes" de Dutileux amb l' Orquestra OBC? a L'Auditori de Barcelona?, i aquesta orquestra en format de cambra oferirá un repertori a través d'obres de Mozart, Britten i Chardon per celebrar el Dia Internacional de les Dones. També hem parlat dels festivals Festival de Cançó BARNASANTS? i Tradicionàrius? i de l'homenatge a Tom Petty a Sala Apolo? el 7 de març. També hem llegit un fragment del llibre 'Los cerezos en diciembre', d'Ariel Anglés Almada, Editorial Comanegra?.
En aquesta edició del programa hem parlat sobre cinema, amb la programació del Zumzeig Cinema? per aquesta setmana, el nou disc de la cantautora americana Angel Olsen, #Phases, que es presentarà el 9 de maig a Barcelona, la programació de El Maldà? amb l'estrena de #GranFacaroli de Els Pirates teatre el 9 de març i #Llibrespercremar de Cia. Pyros, que es podrà veure fins diumenge 4 de març. També hem parlat sobre la SoundEat Opening Party que obre la temporada de Soundeat Bcn?, amb la millor selecció de música electrònica. També hem pogut escoltar una mostra del nou disc de la cantautora catalana Judit Neddermann?, #Nua (que actuarà a la gal·la dels Premis Enderrock dimarts 7 de març a l'Auditori de Girona i publicarà el seu treball el 9 de març amb Satélite K), hem continuat comentant sobre el festival Barcelona Improvisa, organitzat per The Modestos?, que està tenint lloc fins el 4 de diumenge 4 de març (veure entrada al blog #culturayalgomás). Anant cap a la música clàssica, el Conservatori del Liceu ha programat per al 7 de març el recital del gran pianista rus Dmitri Alexeev com a cloenda de la masterclass que impartirà des del 5 de març i aquest cap de setmana podeu gaudir del Petrushka de Stravinski i de "L'arbre des songes" de Dutileux amb l' Orquestra OBC? a L'Auditori de Barcelona?, i aquesta orquestra en format de cambra oferirá un repertori a través d'obres de Mozart, Britten i Chardon per celebrar el Dia Internacional de les Dones. També hem parlat dels festivals Festival de Cançó BARNASANTS? i Tradicionàrius? i de l'homenatge a Tom Petty a Sala Apolo? el 7 de març. També hem llegit un fragment del llibre 'Los cerezos en diciembre', d'Ariel Anglés Almada, Editorial Comanegra?.
Serge Diaghilev was turned down by four composers before turning to Igor Stravinsky to write the music for a new production by the Ballet Russe. Luckily, Stravinsky, eager to try his hand at a ballet, had already been working on the music for a month, and their artistic relationship went on to produce Petrushka and The Rite of Spring.
Upon visiting Stravinsky in late 1910, expecting to find him immersed in composing the Rite of Spring, Serge Diaghilev, director of the Ballet Russe, was quite surprised to find him instead composing the ballet of an anthropomorphized puppet. The story recounts the rise and fall of mischievous Petrushka, a puppet brought to life by a magician as he courts the Ballerina and fights the Charlatan. The work was premiered one hundred years ago, with Nijinsky dancing the title role. Former SFS Music Director Pierre Monteux conducted the work’s world premiere.
Charles Owen and Katya Apekisheva talk about performing four-hand transcriptions of The Rite of Spring and Petrushka
How do you tell a story without words? Why, with music of course! Richard Scerbo, founder and artistic director of DC-based Inscape Chamber Orchestra, explains how – and why – composers use music to tell tales. Walk through two very different kinds of musical “stories” in this episode. Watch out for dancing puppets and swamp ghosts. Richard Scerbo. Image courtesy of his website. All music in this episode performed by Inscape Chamber Orchestra: – Excerpts from their new album, Petrushka, by Igor Stravinsky. – “Black Bend” by Dan Visconti from the album American Aggregate. Audio production by Todd “Tiny T-Rex Arms” Hulslander with fleeing by Dacia Clay and editing by Mark DiClaudio. For more Inscape: www.inscape.org For more Richard Scerbo: www.richardscerbo.com
La tredicesima puntata di THE SENSE OF LIFE! ANNA MASPERO, viaggiatrice e scrittrice, è ospite di Markus Zohner negli studi di "PETRUSHKA - The Sense of Life" Nel contesto del suo progetto culturale triennale C.U.T.! la Markus Zohner Arts Company con il suo progetto radiofonico RADIO PETRUSKA – The Sense of Life, porta un incontro fra Anna Maspero e Markus Zohner. Anna Maspero, scrittrice ma soprattutto viaggiatrice da più di trent’anni, ha fatto del viaggio il proprio modo di vivere, tanto che per coltivare questa passione ha perfino abbandonato il proprio lavoro di insegnante. A Petrushka svela il lato femminile e coraggioso dell’avventura, sfatando però alcuni luoghi comuni sui rischi che corrono le donne viaggiando sole. ANNA MASPERO è ospite di Markus Zohner negli studi di "PETRUSHKA - The Sense of Life". Un percorso di vita, quello di Anna Maspero, compiuto in trent’anni, attraverso le nazioni di tutto il mondo. Per Anna viaggiare è un modo di vivere, come lei stessa lo definisce. Attraverso i suoi racconti di viaggio, ha saputo rubare ad ogni paese il respiro di un’emozione e ad ogni emozione il proprio colore, in un mosaico unico e variegato, che ben traspare dai suoi racconti, che non sono reportage di viaggio, ma veri e propri racconti del cuore. Scrivere i propri viaggi per lei è un modo per metabolizzarli, per approfondire e comprenderne il senso. Un significato diverso per ciascuna esperienza e soprattutto per ciascuna persona. Anna Maspero è viaggiatrice e scrittrice. Ha visitato innumerevoli paesi, viaggiando da sola o accompagnando gruppi lungo i sentieri meno battuti un po’ in tutti i cinque continenti. Laureata in Lingue e letterature staniere, collabora come responsabile dell’Ufficio Stampa e Relazioni Esterne con la Casa Editrice Polaris, specializzata in guide di viaggio. Pubblica articoli e la rubrica settimanale Parole Nomadi per il quotidiano online il reporter, vincitore del premio 2009 della Lonely Planet come miglior blog italiano. Scrive per diverse riviste ed espone in mostre fotografiche. Ha collaborato alla scrittura del libro Le vie dei Mercati, Edizioni La Bottega del Caffè Letterario, 2009, con testi e immagini per i capitoli attinenti all’America Latina e alla Bolivia. Ha pubblicato la guida Bolivia, dove le Ande incontrano l’Amazzonia, 2004, per la Casa Editrice Polaris e il libro di saggi/racconti A come Avventura, Saggi sull’arte di viaggiare, Fbe editore, 2006. l’intero prezzo del libro A come Avventura è direttamente devoluto al Progetto umanitario "Bilogo" per la costruzione di un centro sanitario in Burkina Faso. il libro A come Avventura si può acquistare tramite il suo blog e che dopo l’estate uscirà il suo nuovo libro di riflessioni sul viaggio. Quando non è in giro per il mondo, si rifugia in una fattoria sulle colline sopra il lago di Como, per scrivere reportage per riviste di viaggio, preparare nuove avventure, ma anche piantare alberi e collaborare nella gestione dell’azienda agrituristica dove vive. Il suo blog www.annamaspero.com/ racchiude i racconti di tutti i suoi viaggi. Anna Maspero, viaggiatrice, scrittrice | Markus Zohner: C.U.T.! The Sense of life THE SENSE OF LIFE è un progetto podcast di Radio Petruska.
Markus Zohner incontra Alessandro Marchetti negli studi di PETRUSHKA a Verbania / Italia. Alessandro Marchetti: attore, regista, maestro della Commedia dell'Arte, pittore, scultore. Figlio d'arte. "Chi sono? Per me o per gli altri? Visto che mi state per ascoltare, forse vi interessa sapere chi sono come uomo pubblico. Sono un attore, un regista, uno scenografo, un pittore, uno scultore. In breve sono un uomo di teatro che allarga i suoi orizzonti nell'arte. Il virus del teatro mi è stato trasmesso dai miei avi. Ho tentato di togliermelo di dosso quand'ero più giovane ma non ce l'ho fatta. Sono un uomo teatro-positivo. Nel privato sono un uomo che ogni giorno si interroga. L'unica certezza che mi rimane è di non avere nessuna certezza. Ogni giorno mi rimetto in gioco e forse è tutto qui il significato dell'esistenza." --- Alessandro Marchetti, figlio d’arte da tre generazioni, si forma dapprima alla scuola paterna poi a quella del grande attore goldoniano Cesco Baseggio della cui lezione fa tesoro. Negli anni ’60 affianca all’attività d’attore, significative esperienze nel campo dell’arte pittorica. Nel 1968, insieme con l’attrice Luisella Sala dà vita a Milano alla Compagnia TEATRO 7. Nel 1970 riapre con successo il glorioso Teatro Filodrammatici di Milano ma la profonda esigenza di confrontarsi con pubblici e teatri diversi lo fa tornare alla Compagnia TEATRO 7, con la quale per vent’anni effettua numerose tournèe in Italia e all’estero rappresentando autori antichi e moderni. I successi più vasti li raccoglie con “Le farse della Commedia dell’Arte” che recupera da canovacci tramandati oralmente da vecchie famiglie d’arte. Ne cura la regia, la scenografia e recita nella maschera di Arlecchino. Dalla rivalutazione della Commedia dell’Arte quale metodologia di palcoscenico e chiave per l’invenzione di una nuova drammaturgia elabora un personale metodo di lavoro che diffonde attraverso numerosi stages. Dal 1988 collabora quale regista con troupes e teatri europei. Sue regie sono state viste oltre che in Europa nelle Americhe, in Australia, in Giappone, Africa, Medio Oriente, Russia. Si presenta nel suo recital “La maschera e il volto” – viaggio intorno alla Commedia dell’Arte. In qualità di conferenziere è ospite degli Istituti Italiani di Cultura. Ha pubblicato per Klett & Balmer il libro “Arlecchino & Co” scritto in collaborazione con M. Kunz. Si occupa della direzione artistica di un Festival della Commedia dell’Arte in musica sul lago Maggiore. Nel suo piccolo Teatro Studio in Verbania tiene stages per attori e cantanti lirici. --- I tre Alessandro E’ abbastanza insolito che tre generazioni d’attori abbiano lo stesso nome: Alessandro. Il nonno Alessandro fu, oltre che attore, direttore artistico di importanti Compagnie teatrali del suo tempo fra cui la Reale Sarda che annoverava fra attori, attrici e personale tecnico un organico di circa cinquanta persone. Una tournée fatta in Sud America con la “Compagnia Alessandro Marchetti” durò due anni. Ebbe in gioventù una movimentata vita sentimentale finché non più giovanissimo, si sposò in seconde nozze, con una giovane contessina francese da cui nacque il secondo Alessandro. Scrisse anche un volumetto molto noto e discusso: “I tarli dell’arte drammatica”. Una coincidenza: recitò diverse volte nel teatro Filodrammatici di Milano che verrà riaperto - dopo la distruzione dalla guerra - dal nipote negli anni 70. In vecchiaia lasciò il teatro per il giornalismo. Papà Alessandro, ribelle agli insegnamenti paterni, ebbe vita teatrale più avventurosa, passando da compagnie di prima grandezza a compagnie minori, inseguendo ideali socialisti e belle attrici fra le quali la goriziana Mercede Schein madre dell’ultimo Alessandro, che sposò quando il bimbo aveva già cinque anni. Fu attore schivo e solitario ma di grande insegnamento per il giovane Alessandro. L’ultimo Alessandro che non ha avuto la chance di conoscere il celebre nonno, non ha figli. Finisce così la dinastia Alessandro Marchetti. Ma ha tanti allievi sparsi qua e là per il mondo che lo stimano e lo amano e ai quali lascia in eredità l’amore per il teatro.
Ecco, ci siamo con la ottava puntata di THE SENSE OF LIFE! Nel contesto del suo progetto culturale triennale C.U.T.! la Markus Zohner Arts Company con il suo progetto radiofonico RADIO PETRUSKA – The Sense of Life, porta un incontro fra Markus Zohner, uomo di teatro, e Alan Alpenfelt. In occasione della prima assoluta dello spettacolo APOCALYPSE 2072 | end.begin, i due parlano sulla fine del mondo, sui significati della fine per quello che la precede. Affrontano il tema dell'APOCALYPSE in tutte le sue sfaccettature: fine della nostra civilizzazione - significato umano - mondo post apocalittico - idea dell'apocalisse - domande sull'umanità, sul suo esito, sulla poesia del crollo. Il senso di tutto, se tutto avrà una fine. Le domande vitali: inizio, fine, morte, nascita, e quello che abbiamo da fare. Markus Zohner e Alan Alpenfelt: IL SENSO DELLA VITA APOCALYPSE 2072 | end.begin Informazioni dettagliate sulla produzione, con testi, video e fotografie: http://zohner.com/release/c-u-t-apocalypse-2072-end-begin/ Niente sarà come è stato. Il petrolio che spinge la tua macchina che scalda la tua casa che fa crescere la tua verdura che ti porta il pesce dal mare alla montagna che produce i tuoi farmaci e i tuoi vestiti che colora lacca il mondo che lo lubrifica lo stampa e gli aggiunge il gusto di vaniglia …. si sta estinguendo per sempre. E tu con lui. Chi sono quelli che ti raccontano la favola delle risorse inesauribili, della salvezza nella crescita economica e che ci vuole l‘auto più grande, il leasing e un nuovo telefonino ogni due anni? Ancora solo settantacinque anni e la tua attuale epoca sarà storia passata, nessun petrolio, nessuna risorsa energetica fossile, nessun riscaldamento, nessun gusto di vaniglia. E se non farai in tempo a vedere questo cambiamento, potrà ritenerti fortunato. Perché sarà triste. Molto triste. I tuoi figli dovranno imparare a lottare per la loro acqua e non sapranno come cucinarsi le patate che sono riusciti a far crescere in un orto nascosto. Il gas? Quale gas? D’inverno i tuoi figli avranno freddo, un freddo cane, e dovranno difendere l’acqua, il terreno e quel poco che resta loro, da chi ha sete, molta più sete di loro, da chi ha fame e da chi ha bisogno di un tetto per la notte. Ti illudi davvero che questo piccolo paradiso nel quale viviamo sarà nostro per sempre? Ci saranno dieci miliardi di altri uomini, donne e bambini, di tutti i colori e da tutte le parti del mondo, che si sposteranno perché avranno bisogno di vivere. Di sopravvivere. Anche loro. E il piccolo paradiso sarà perduto. Una memoria del futuro. L’inizio di una nuova era, nella quale nulla sarà come noi lo immaginiamo, come noi speriamo che sia. Sarà un nuovo inizio, si. Ogni inizio è pieno di speranze. Ma è anche pieno di nostalgia. Nostalgia per il mondo perso. Dimentica la macchina. Vieni a teatro. APOCALYPSE 2072 | end.begin. Ricordando l’era più grandiosa di tutti i tempi, l’era che sta per finire: la nostra. Uno spettacolo tragicomico, veloce e lento, poetico, radicale e sincero, brutale e dolce. Uno spettacolo musicale, con musica spettacolare. Avrà una fine. Avrà un inizio. Il teatro sarà riscaldato. THE SENSE OF LIFE è un progetto podcast di Radio Petruska. Il programma C.U.T.! The Sense of Life è un dialogo a cui tutti prendono parte. Gli interrogativi sono rivolti all’ospite, ma anche al suo interlocutore e a tutti gli ascoltatori. Tutto viene messo in gioco e si correre il rischio di non avere delle risposte. Il mistero della vita è come una lesione, che non può essere anestetizzata solamente per non percepirne il dolore; non porsi domande sul senso della vita significa rinunciare alla possibilità di comprenderla pienamente. È necessario osare, prendersi cura di questa ferita anche se può far male. Attraverso C.U.T.! The Sense of Life la ferita si trasforma in una feritoia, in un minuscolo varco che consente di affacciarsi sul proprio mondo interiore così da scrutare e indagare la parte più misteriosa e segreta di se stessi. C.U.T.! The Sense of Life è un Audio Art Project della Markus Zohner Arts Company e fa parte del progetto triennale culturale C.U.T.!. RADIO PETRUSKA - LA NUOVA VOCE DALLA SVIZZERA ITALIANA La Markus Zohner Arts Company lancia un nuovo concetto di radio, in forma di podcast, scaricabili dal web, che si propone di esplorare i grandi temi dell’esistenza umana, di ricercare ragionamenti, riflessioni e una verità personale. RADIO PETRUSKA mette in discussione, ed è alla ricerca di ragionamenti, di riflessioni, di una verità personale, artistica e soprattutto umana in grado di arrivare al centro di questioni vitali per l’esistenza.
Martin Cotton compares recordings of Stravinsky’s ballet Petrushka, and makes a personal recommendation
Video review to help spread word of mouth on the beauty and magic to be found within live theatre
Filippo Genucchi, vincitore dell’ultramaratona nello Yukon, in Canada, è ospite di Markus Zohner negli studi di "PETRUSHKA". I due affronteranno un dialogo attorno al viaggio, al camminare e alla vita. Filippo Genucchi è nato nel 1973 e vive a Castro, in Val di Blenio. Durante l'inverno è responsabile della sicurezza e dell'apertura della strada del Passo del Lucomagno. In estate si occupa della segnaletica e della manutenzione dei sentieri tra Valle Bedretto, Leventina, Blenio, Riviera, Bellinzonese e Gambarogno. E attivo nel soccorso alpino ed è ufficiale dell'esercito nelle truppe degli specialisti di montagna. Nel 2012, percorrendo 500 km in 6 giorni, ha vinto la Yucon Arctic Ultra. Quest'anno la gara è stata vinta da Ottmar Flepp, amico e collega di Filippo.
Music for a Summer Evening Friday, July 27, 2012 Rolston Recital Hall Featuring resident artists from the Piano Master Class Piano Sonata in A minor, D. 784 - Franz Schubert (1797-1828) I. Allegro giusto II. Andante III. Allegro vivace Laehyung Woo, piano Violin Sonata in E-flat major, Op. 18 - Richard Strauss (1864-1949) I. Allegro, ma non troppo II. Improvisation: Andante cantabile III. Finale: Andante – Allegro Ben Odhner, violin Jeanie Chung, piano Intermission Piano Sonata No. 27 in E minor, Op. 90 - Ludwig van Beethoven (1770-1827) I. Mit Lebhaftigkeit und durchaus mit Emfindung und Ausdruck II. Nicht zu geschwind und sehr singbar vorgetragen Alexander Malikov, piano Années de pèlerinage, Deuxième année: italie, s. 161 - Franz Liszt (1811-1886) VII. Après une lecture de Dante: Fantasia Quasi Sonata Isabelle David, piano Trois mouvements de Pétrouchka - Igor Stravinsky (1882-1971) I. Danse russe (Russian Dance) II. Chez Pétrouchka (Petrushka’s Room) III. La semaine grasse (The Shrovetide Fair) Anton Smirnoff, piano This concert was recorded by: Benjamin Gendron-Smith (Canada) and Denis Martin (Canada)
From 1910-1913, Stravinsky blazed a trail with his stunning ballet scores The Firebird, Petrushka and The Rite of Spring. Written for Diaghilev's legendary Ballet Russes, these ballets were groundbreaking events not only for their innovative, iconoclastic music but also for the bold set designs and revolutionary choreography. Diaghilev had assembled some of the finest creative artists of the day around him and the impact of these and subsequent productions is with us today. The pre-concert talk explores their relationship and examine what makes Stravinsky's music so special.Igor Stravinsky - Suite - L'Histoire du Soldat Marche du Soldat Musique de la Première Scène (Petits airs au bord du ruisseau) Musique de la Deuxième Scène (Pastorale) Marche Royale Petit Concert Trois Danses (Tango-Vals-Ragtime) Danse du Diable Grand Chorale Marche Triomphale du DiablePerformers: Thomas Kemp (Conductor) Thomas Norris (Violin) Graham Lee (Trombone) Alice Lee (Bassoon) Bruce Nockles (Cornet) Duncan Prescott (Clarinet) Alex Neal (Percussion) Stacey Watton (Double Bass)This event is a part of the series Creative Inspirations.
Gunslinger Girl Volume 6 by Yu Aida. Translated by Javier Lopez. Originally published by Media Works in Japan. Published in US by ADV Manga, $9.99, Rated 16+. The Social Welfare Agency believes that it has learned from its past mistakes and is ready to begin production of a second generation of cyborg assassins. There will be an initial run of 10 girls with design improvements. While the physical abilities of the cyborgs will be less than that of the first, the new "conditioning" process will double their lifespan and make them easier to maintain. If this new system works, the SWA has even started thinking about a way to make money by selling its cyborg girls commercially. The first candidate is Elizabeta Baranovskaya, a ballet dancer who is suffering from bone cancer in one of her legs. It's gotten so bad that the doctors say the only way to save her life is to amputate it. But nobody realizes that Elizabeta's dream of being a great ballerina is stronger than her will to live. If she loses her leg, in her eyes at least, her life is over. End of story. Meanwhile, Giuseppe and Jean take their fratello, Henrietta and Rico, on a rare vacation where they hope to get away from their job. Unfortunately, it ends up dragging up old memories as Jean is reminded of his dead parents, a dead sister, and a fiance killed by Padania. He's not really a happy fellow. Gunslinger Girl really stands out in the writing and characterization departments. That's not to say that Aida can't handle the action sequences as well. In fact, while there is only one short battle in this volume, it is handled exquisitely and cinematically. The way the panels are laid out is something he couldn't do in earlier volumes. It's really cool to see someone mature not just artistically but as a writer too. The new girl, Petrushka, joins a cast that the reader was already very sympathetic to, but in a surprise move, her backstory is front and center. In the past, Aida has glanced over the lives of the girls before they became part of the SWA. It was merely a footnote, so it was a clever twist for Aida to use the newest member to begin some character exploration. Alessandro, Petrushka's handler, comes across as a bit of a jerk, but maybe he's insensitive simply because of the nature of his job. It's pretty creepy that the handler can actually tell the doctors of the SWA exactly what they want their girl to look like. I mean, the hubris of these guys to play God like they do. Unfortunately, if you like this series, it is currently in publishing limbo. This volume was published in December 2007 and there's been no word when ADV will put out the next book. After losing most of their newer anime titles, I'm beginning to wonder if ADV will even be in business this time next year. My Grade A-
Music 271: 4/18/07I: Igor Stravinsky’s contributions to the formation of 20th-century art music: A: Second Stage Nationalist (to the beginning of WWI)1. The influence of Debussy on his ballet scores:• Collaborated with other Russian artist for a series of ballets made for Paris• Oiseau de feu (Firebird) - 1910• Petrushka - 1911• Le sacred u printemps (The Rite of Spring) - 1913• “The Nightingale” opera displays many Debussy influences from Nuages2. The Rite of Spring: and example of “Primitive Nationalism”:• Influenced by Russian composers (including Rimsky-Korsakov, his mentor)• Prompted a riot on its opening night• Based on Stravinsky’s dream about pre-Christian Russian community (Neolithic times). Virgin sacrifice brings about springtime• Represented a turning point for Stravinsky• Marked the ending of Post-Romanticism• 3 major political empires collapsed: Austro-Hungarian Empire, Ottoman Empire, Russian Empire (October Revolution)• Stravinsky fled to Paris following the Russian RevolutionB: Neo-Classicism: a Post WWI reaction to Post-Romanticism:• Defined as a return to absolute music coupled with a rejection of the attitude that music can be descriptive• 1923 - Stravinsky’s Octet for Winds (his first Neo-Classical piece)• Models were deliberately taken from 18th-century style• Elimination or subordination of the strings from the music (Winds and Brass become the standard in Neo-Classicism)• Open texture (Not a think texture, less parts then before)II: American Neo-Classicism: A: The influence of Nadia Boulanger:• French pedagogue of composition• Taught students how to find their own musical style• Demanded that students have knowledge of Western Art Music• Argued for Neo-Classicism in her teachings B: Aaron Copland’s piano variations: 1930•
Norman Lewis has spent a lifetime travelling the world and writing about it. In conversation with Michael Parkinson, he recalls his curious upbringing in Wales with three maiden aunts, his travels in Cuba where he met Ernest Hemingway, and his love of Naples which led to his writing two books on the Mafia. He also chooses the eight records he would take to the mythical island.[Taken from the original programme material for this archive edition of Desert Island Discs]Favourite track: Petrushka by Igor Stravinsky Book: The Histories by Herodotus Luxury: Spirit stove
Norman Lewis has spent a lifetime travelling the world and writing about it. In conversation with Michael Parkinson, he recalls his curious upbringing in Wales with three maiden aunts, his travels in Cuba where he met Ernest Hemingway, and his love of Naples which led to his writing two books on the Mafia. He also chooses the eight records he would take to the mythical island. [Taken from the original programme material for this archive edition of Desert Island Discs] Favourite track: Petrushka by Igor Stravinsky Book: The Histories by Herodotus Luxury: Spirit stove
© 2020-2025 Ivy Podcast Discovery LLC
