Podcasts about lujon

Hoy se cumplen 100 años del nacimiento de Henry Mancini, compositor, director de orquesta, de quien seguimos disfrutando de sus maravillosos discos, especialmente bandas sonoras de películas como “Desayuno con diamantes”, “Hatari”, “Charada”, “El Guateque”, “La Pantera Rosa”, “Tome & Jerry The Movie”, etc. Ganador de cuatro Oscar y veinte Grammy, su música pervive en la cultura popular. He aquí una selección personal de su legado. Contamos con Charly Faber, nuestro compañero en Radio 3. DISCO 1 HENRY MANCINI Peter GunnDISCO 2 HENRY MANCINI Mr LuckyDISCO 3 HENRY MANCINI Baby Elephant WalkDISCO 4 HENRY MANCINI Moon RiverDISCO 5 HENRY MANCINI Touch Of Evil (Main Title)DISCO 6 HENRY MANCINI Theme From the Great ImpostorDISCO 7 HENRY MANCINI  Two For The RoadDISCO 8 HENRY MANCINI LujonDISCO 9 HENRY MANCINI Four Girls In Town - Main TitleDISCO 10 HENRY MANCINI Latin GolightlyDISCO 11 HENRY MANCINI Days Of Wine And Roses DISCO 12 HENRY MANCINI Experiment In terrorDISCO 13 HENRY MANCINI DreamsvilleEscuchar audio

2024年4月16日是伟大的美国作曲家，指挥家Henry Mancini诞辰100周年，他拥有4座奥斯卡奖，1个金球奖，20个格莱美奖，在他去世一年后，1995年获得了格莱美终身成就奖。他一生中创作了大量银幕和屏幕上的经典旋律，从《粉红豹》The Pink Panther到Breakfast at Tiffany's的《月亮河》Moon River，这首他创作于1961年的Lujon不仅多次出现在不同的电影中，还在不同年代被不同风格的音乐人填词演唱和采样。

Hoy es el centenario del nacimiento de Henry Mancini. Rescatamos canciones salvadoras de Alanos Morissette, Feist o Maria McKee a las que añadimos temas Willie Nile que anuncia gira primaveral y cuatro de Steve Perry en solitario o con Journey porque ayer cumplió 75 años.  DISCO 1 HENRY MANCINI Moon River Cha ChaDISCO 2 DYLAN LEBLANC No Promises BrokenDISCO 3 MARIA McKEE My Lonely Sad Eyes DISCO 4 ALANIS MORISSETTE Thank You DISCO 5 FEIST Any PartyDISCO 6 WILLIE NILE Vagabond MoonDISCO 7 JOURNEY Don’t Stop Believin’DISCO 8 STEVE PERRY Foolish Heart (STREET TALK)DISCO 9 STEVE PERRY If Only For The Moment, Girl (USA FOR AFRICA)DISCO 10 JOURNEY Who’s Crying NowDISCO 11 HENRY MANCINI LujonDISCO 12 MORRISSEY Moon River DISCO 13 HENRY MANCINI DreamsvilleEscuchar audio

In this episode, Jim Shedden and Alan Zweig are joined by longtime 1000 Songs Facebook Group contributor, Rick McGinnis, and special guest, Dave Howard of The Dave Howard Singularity (formerly, The Dave Howard Singers), to discuss songs they love including:  ▶️ The Amorous Humphrey Plugg by Scott Walker  ▶️ Lujon by Henry Mancini ▶️ Se telefonando by Ennio Morricone, featuring Mina Tune in to the 1000 Songs Podcast, Episode 8, where Jim Shedden shares his chosen song, "The Amorous Humphrey Plugg" by Scott Walker. Known for an eclectic range of musical styles spanning five decades and an ethereal vocal quality, upon his death in 2019, the artist was described by the BBC as "one of the most enigmatic and influential figures in rock history". Jim's chosen song is featured on the compilation album, Fire Escape in the Sky: The Godlike Genius of Scott Walker, compiled by Julian Cope (Zoo Records). For Jim, who received this album at the age of 18 from his friend, Lisa Godfrey, the introduction to Walker was “a huge gift”.  Also in this episode, special guest Dave Howard shares his song, “Lujon”, by Henry Mancini. While the song is heard in the 2016 Ron Howard Beatles documentary, Eight Days a Week, it was originally released in the 1961 Mancini album, Mr. Lucky Goes Latin. The influence of 1960's orchestral music and “joyful, melodic” crooners like Walker on Howard has long been evidenced through the avant-garde/electronic orchestrations of Howard's former music band/project, The Dave Howard Singers. Here, Howard shares some of his musical influences and reveals the origins of TDHS band name.  Rick McGinnis shares “Se telefonando” by Ennio Morricone, which raises the discussion of the “parallel sixties” with Alan. While Rick and Alan debate who actually coined the term, the concept is that alongside the emergence of psychedelic rock in the latter years of the decade, the era was also popularly known for crooners and orchestral music. As Alan says, “In 1964, Sinatra was king.”  This episode features references to several songs by Scott Walker, Henry Mancini, and Ennio Morricone, and other artists in the genre of orchestral/soundtrack music. Our closing song for this episode is “Swept Away”, composed and performed by Dave Howard under his new moniker, The Dave Howard Singularity, from the new album out now called, Dark and For Boating (2023).  Follow 1000 Songs podcast on Facebook and Instagram, and stay tuned for our next episode, available wherever you get your podcasts!  Technical production and editing by Lisa Santonato. Visit our website at:  ⁠ http://www.jimshedden.com/#/1000-songs-podcast/⁠  Follow us on Instagram:  https://www.instagram.com/1000songspodcast/⁠  Follow us on Facebook:  https://www.facebook.com/1000songspodcast⁠  Follow Dave Howard at: https://www.facebook.com/The Dave Howard Singers  #1000SongsPodcast #1000Songs #music #musicpodcasts #podcast #ScottWalker #HenryMancini #EnnioMorricone #Mina #DaveHowardSingers #DaveHowardSingularity #TheAmorousHumphreyPlugg #FireEscapeintheSky #Lujon #MrLuckyGoesLatin #Setelefonando #orchestral #orchestralmusic #crooners #soundtrack #SweptAway #DarkandForBoating  tags:  @jimshedden @alanzweig @thedavehowardsingers  @rickmcginnis  @elsantonato

Teresa found herself in an unnerving situation and the high possibility of having to evacuate 20+ dogs and several horses.  Her and Jason have a couple ideas of things to keep on hand in case you are found in an evacuation situation. They also talk about running bears, lions and cats in the high country of New Mexico and how those dogs perform when switching to the desert dry ground hunting.  

Joost buigt zich deze week over een andere zaak. Beeldend kunstenaar Arie Schippers neemt naast Hans plaats in de A2. Ze rijden door Amsterdam langs plekken met een amoureus verleden. -www.arieschippers.nl -Henry Mancini, ‘Fallout!' 1958 -Henry Mancini, ‘Lujon', 1961

  Jason's guests this week on the pod are Micheal Chernus and Emily Simoness, a married couple who join him to take a very deep dive into all the wonderful, like, greatness, man, of 'The Big Lebowski'.   Michael's a Julliard-trained stage, TV, and film actor currently appearing on TV as speechwriter Ken Rosey opposite Edie Falco on the CBS series 'Tommy'.     You might have also seen him as  Piper's brother Cal Chapman on 'Orange Is The New Black' or playing Congressman Edward Tavner in Amazon's 'Patriot'.   Michael's movie roles include portraying The Tinkerer, the original McGyver, in Marvel's Spider-Man: Homecoming; playing Tom Hanks' first mate Shane Murphy in the excellent Paul Greengrass film 'Captain Phillips'; and appearing opposite Will Smith in 2012's 'Men In Black 3".     The other half of this power-couple, Emily, is the founder and executive Director of SPACE on Ryder Farm, a non-profit artistic residency program and organic farm located on the grounds of a 225-year-old family homestead in Putnam County, New York.   But outside their professional accomplishments, they're just wonderful midwestern good people, whose self-effacing humor and innate smarts you'll hear on display in the podcast as we discuss the Coen Brother's 'The Big Lebowski'. ABOUT THE MOVIE:  The Big Lebowski (/ləˈbaʊski/) is a 1998 crime comedy film written, produced, and directed by Joel and Ethan Coen. It stars Jeff Bridges as Jeffrey "The Dude" Lebowski, a Los Angeles slacker and avid bowler. He is assaulted as a result of mistaken identity, after which The Dude learns that a millionaire (also named Jeffrey Lebowski) was the intended victim. The millionaire Lebowski's trophy wife is kidnapped, and he commissions The Dude to deliver the ransom to secure her release; the plan goes awry when the Dude's friend Walter Sobchak (John Goodman) schemes to keep the ransom money. Julianne Moore, Steve Buscemi, David Huddleston, John Turturro and Philip Seymour Hoffman also appear, in supporting roles. The film is loosely inspired by the work of Raymond Chandler. Joel Coen stated, "We wanted to do a Chandler kind of story – how it moves episodically, and deals with the characters trying to unravel a mystery, as well as having a hopelessly complex plot that's ultimately unimportant."[4] The original score was composed by Carter Burwell, a longtime collaborator of the Coen brothers. The Big Lebowski was a disappointment at the U.S. box office and received mixed reviews at the time of its release. Over time, reviews have become largely positive, and the film has become a cult favorite,[5] noted for its eccentric characters, comedic dream sequences, idiosyncratic dialogue, and eclectic soundtrack.[6] In 2014, the film was selected for preservation in the National Film Registry by the Library of Congress, being deemed "culturally, historically, or aesthetically significant".[7][8] A spin-off based on John Turturro's character, titled The Jesus Rolls, was released in 2019 with Turturro also acting as writer and director. Cast Jeff Bridges as Jeffrey "The Dude" Lebowski. Bridges had heard or was told by the Coen brothers that they had written a screenplay for him. John Goodman as Walter Sobchak; a Vietnam veteran and bowling partner and friend of "The Dude." Walter was based, in part, on screenwriter and director John Milius. Julianne Moore as Maude Lebowski; Jeffrey "The Big" Lebowski's daughter, a feminist and an avant-garde artist. Steve Buscemi as Theodore Donald "Donny" Kerabatsos; a bowling partner and friend of "The Dude." Walter's repeated response, "Shut the fuck up, Donny!" is a reference to Fargo, in which Buscemi's character was constantly talking and interrupting conversations when he is not paying attention to the story. David Huddleston as Jeffrey "The Big" Lebowski; a millionaire philanthropist for whom "The Dude" is mistaken. Philip Seymour Hoffman as Brandt; Jeffrey "The Big" Lebowski's executive assistant Tara Reid as Bunny Lebowski; Jeffrey "The Big" Lebowski's blonde 20s-something trophy wife and former porn video performer (“Log Jammin’”) for Jackie Treehorn Productions. According to Reid, Charlize Theron also tried out for the role. Philip Moon as Woo; a Jackie Treehorn thug Mark Pellegrino as the Blond Treehorn thug Peter Stormare, Torsten Voges, and Flea as Uli Kunkel/Karl Hungus, Franz, and Kieffer, the German nihilists; Uli originated on the set of Fargo between Ethan Coen and Stormare, who often spoke in a mock German accent. Jimmie Dale Gilmore as Smokey; a hippie bowler in the league whom Walter threatens at gunpoint over an attempt to mark his frame an eight despite letting his foot move over the alley line Jack Kehler as Marty; The Dude's landlord, who is also a performance artist John Turturro as Jesus Quintana. The Coen brothers let Turturro come up with a lot of his own ideas for the character, like towel-shining the bowling ball and the scene where he dances backward from his bowling alley line, which he says was inspired by Muhammad Ali. David Thewlis as Knox Harrington, an avant-garde videographer-friend of Maude Lebowski Sam Elliott as The Stranger, a smooth-talking urban cowboy who also serves as the narrator of the film Ben Gazzara as big-time porn video producer Jackie Treehorn, to whom Bunny Lebowski owes money Jon Polito as Da Fino, a private dick who mistakes the Dude for a "brother shamus", hired by Bunny's family to return her to them Leon Russom as the Malibu police chief Aimee Mann as Nihilist Woman/Franz's Girlfriend who donates her amputated green nail-polished little toe (proof of Bunny Lebowski's kidnapping) Lu Elrod coffee shop waitress SOUNDTRACK The original score was composed by Carter Burwell, a veteran of all the Coen Brothers' films. While the Coens were writing the screenplay they had Kenny Rogers' "Just Dropped In (to See What Condition My Condition Was in)", the Gipsy Kings' cover of "Hotel California", and several Creedence Clearwater Revival songs in mind.[25] They asked T-Bone Burnett (who would later work with the Coens on O Brother, Where Art Thou? and Inside Llewyn Davis) to pick songs for the soundtrack of the film. They knew that they wanted different genres of music from different times but, as Joel remembers, "T-Bone even came up with some far-out Henry Mancini and Yma Sumac."[26] Burnett was able to secure songs by Kenny Rogers and the Gipsy Kings and also added tracks by Captain Beefheart, Moondog and Bob Dylan's "The Man in Me".[25] However, he had a tough time securing the rights to Townes Van Zandt's cover of the Rolling Stones' "Dead Flowers", which plays over the film's closing credits. Former Stones manager Allen Klein owned the rights to the song and wanted $150,000 for it. Burnett convinced Klein to watch an early cut of the film and remembers, "It got to the part where the Dude says, 'I hate the fuckin' Eagles, man!' Klein stands up and says, 'That's it, you can have the song!' That was beautiful."[25][27] Burnett was going to be credited on the film as "Music Supervisor", but asked his credit to be "Music Archivist" because he "hated the notion of being a supervisor; I wouldn't want anyone to think of me as management".[26] For Joel, "the original music, as with other elements of the movie, had to echo the retro sounds of the Sixties and early Seventies".[16]:156 Music defines each character. For example, "Tumbling Tumbleweeds" by Bob Nolan was chosen for the Stranger at the time the Coens wrote the screenplay, as was "Lujon" by Henry Mancini for Jackie Treehorn. "The German nihilists are accompanied by techno-pop and Jeff Bridges by Creedence. So there's a musical signature for each of them", remarked Ethan in an interview.[16]:156 The character Uli Kunkel was in the German electronic band Autobahn, an homage to the band Kraftwerk. The album cover of their record Nagelbett (bed of nails) is a parody of the Kraftwerk album cover for The Man-Machine and the group name Autobahn shares the name of a Kraftwerk song and album. In the lyrics the phrase "We believe in nothing" is repeated with electronic distortion. This is a reference to Autobahn's nihilism in the film.[28]

Was wäre Film ohne Musik? Ein Experiment ;) Musik im Film spielt seit jeher eine tragende Rolle. Wir blicken deshalb auf die Entwicklung von Filmmusik, ehren einen vielseitigen Komponisten, sprechen über zwei Filme, deren Musik uns besonders bewegt und empfehlen schlließlich eine Musikdoku, die sich ihren Charme bis heute bewahren konnte.

ep 153 - Da Henry Mancini a Corona..Una selezione che non ti aspetti, la contrapposizione fra musica sofisticata e quella commerciale. A Snippet succede anche questo. Lujon di Henry Mancini del 1961 è la protagonista della prima parte, a seguire campionamenti della sua composizione da parte di Dimitri from Paris,..Hooverphonic, Snoop Dogg. Poi cambio sound radicale con la nuova hit dei Black Eye Peas con l'evidente campione della dance hit di Corona degli anni ‘90.

ep 153 - Da Henry Mancini a Corona..Una selezione che non ti aspetti, la contrapposizione fra musica sofisticata e quella commerciale. A Snippet succede anche questo. Lujon di Henry Mancini del 1961 è la protagonista della prima parte, a seguire campionamenti della sua composizione da parte di Dimitri from Paris,..Hooverphonic, Snoop Dogg. Poi cambio sound radicale con la nuova hit dei Black Eye Peas con l’evidente campione della dance hit di Corona degli anni ‘90.

ep 153 - Da Henry Mancini a Corona..Una selezione che non ti aspetti, la contrapposizione fra musica sofisticata e quella commerciale. A Snippet succede anche questo. Lujon di Henry Mancini del 1961 è la protagonista della prima parte, a seguire campionamenti della sua composizione da parte di Dimitri from Paris,..Hooverphonic, Snoop Dogg. Poi cambio sound radicale con la nuova hit dei Black Eye Peas con l’evidente campione della dance hit di Corona degli anni ‘90.

I am Cecil (Sesil) Jenkins, ​of the act, brand as "Sesil & Lujon" ​The Last Protégé of Marvin Gaye. Below you will find information, I hope will cause you and your friends​,​ whom all loved the legendary Marvin Gaye, ​to do business. ​​To​ invent reason​s​ ​and​ allow ​us​ to perform for you​ in concert.​ My mentors memory​ and music,​​ lives on, and has a greater desire in the market place than ever before. ​The act Sesil & Lujon was formed at his request before his untimely death. ​Therefore as well as​ our own​ original​ ​music, a medley of his music is performed live in concert by Sesil Jenkins and will be through out our ​career​. I live presently in Las Vegas Nevada with the family, My sister Zeola Gaye. ​ There is a huge anticipation to see this act today, by fans on both the East and West coast; through out the world. Reason, Sesil & Lujon's 1st recordings were manufactured and distributed in joint venture with Macola records out of Hollywood CA. The same distribution company marketed NWA's first hit. Dre, Easy E, Ice Cube. The records were "I Don't Wanna Go" and " Be Yourself " They were played on more than 80 radio stations around the world. The acts timing was their enemy. Rap consumed radio air play around the world. Macola Records file for bankruptcy while the act was touring the East Coast. This was with out the acts knowledge, therefore leaving Sesil & Lujons with out the opportunity to recover. Although barely able to maintain due to marketing dollars, R&B suddenly, was limited and soon after removed from mainstream radio. How ever, ​l​ike everything in life there is a new surge for the trend setting R&B sound of Sesil & Lujon​. Sky Pilot Radio The Soundtrack of your Life 60's thru the 80's http://player.live365.com/a60498?l

1 ~ Lujon by Henry Mancini 2 ~ Moon Bird by The Roger Webb Sound 3 ~ Gente Aberta by Erasmo Carlos 4 ~ Afro Beat Blues by Hugh Masekela 5 ~ You Can't Turn Me Away by Sylvia Striplin 6 ~ I Can't Go For That (No Can Do) (12" Remix) by Hall & Oates 7 ~ New Life by Fresh & Low 8 ~ Selfless State by So Inagawa 9 ~ Liquid Sunshine by John Cameron 10 ~ Prototype by Outkast 11 ~ Clair De Lune by Claude Debussy

Ice DJ — 26.08.07 Функции Фанка на Мегаполис ФМ 1st part: 1. A.A.B.B. – C.O.L.D. [I Dentify] 2. Aaron Neville – Hercules [Jazzman] 3.Ben Westbeech feat. The Dap-Kings – So Good Today [Brownswood] 3. The Vibrettes – Humpty Dump (pt. 1) [Lujon] 4. James Taylor Quartet – Money (That’s What I Want) [Dome] 5. Spanky […]

Remix of Henry Mancini’s “Lujon”. One morning in 1999, I woke up to hearing this song (the original) on my clock radio. While in a half-dreaming state, I imagined hearing these extra layers and rhythms underneath the song. Later on that day, I put this together… Because this is a remix of a song belonging […] The post Lujon (Henry Mancini Remix) appeared first on Canton Becker.