Podcasts about creedence

Er det sant at damer med matchende undertøy har en plan? Påstand: Det er aldri feil å spille Creedence

Euch fehlen ein paar Folgen auf Spotify - ruhig durch die Hose atmen. Ihr denkt, wir haben keine Podcast Lizenz? Das weisen wir mit Empörung zurück. In dieser Folge behandeln wir Songs von Creedence, Clearwater, Revival und Oli P. Zwei Good Old Days die es verdient haben.Unsere allgemeinen Datenschutzrichtlinien finden Sie unter https://art19.com/privacy. Die Datenschutzrichtlinien für Kalifornien sind unter https://art19.com/privacy#do-not-sell-my-info abrufbar.

Hoy os dejamos en La Gran Travesía un programa donde podréis escuchar a Halestorm, Black Keys, Creedence Clearwater Revival, Pearl Jam, Oasis, White Zombie, Pulp, Rolling Stones... y muchos más. También recordaros que ya podéis comprar La gran travesía del rock, un libro interactivo que además contará con 15 programas de radio complementarios, a modo de ficción sonora... con muchas sorpresas y voces conocidas... https://www.ivoox.com/gran-travesia-del-rock-capitulos-del-libro_bk_list_10998115_1.html Jimi y Janis, dos periodistas musicales, vienen de 2027, un mundo distópico y delirante donde el reguetón tiene (casi) todo el poder... pero ellos dos, deciden alistarse al GLP para viajar en el tiempo, salvar el rock, rescatar sus archivos ocultos y combatir la dictadura troyana del FPR. ✨ El libro ya está en diversas webs, en todostuslibros.com Amazon, Fnac y también en La Montaña Mágica, por ejemplo https://www.amazon.es/GRAN-TRAVES%C3%8DA-DEL-ROCK-autoestopista/dp/8419924938 ▶️ Y ya sabéis, si os gusta el programa y os apetece, podéis apoyarnos y colaborar con nosotros por el simple precio de una cerveza al mes, desde el botón azul de iVoox, y así, además podéis acceder a todo el archivo histórico exclusivo. Muchas gracias también a todos los mecenas y patrocinadores por vuestro apoyo: Poncho C, Don T, Francisco Quintana, Gastón Nicora, Con, Piri, Dotakon, Tete García, Jose Angel Tremiño, Marco Landeta Vacas, Oscar García Muñoz, Raquel Parrondo, Javier Gonzar, Eva Arenas, Poncho C, Nacho, Javito, Alberto, Pilar Escudero, Blas, Moy, Dani Pérez, Santi Oliva, Vicente DC,, Leticia, JBSabe, Flor, Melomanic, Arturo Soriano, Gemma Codina, Raquel Jiménez, Pedro, SGD, Raul Andres, Tomás Pérez, Pablo Pineda, Quim Goday, Enfermerator, María Arán, Joaquín, Horns Up, Victor Bravo, Fonune, Eulogiko, Francisco González, Marcos Paris, Vlado 74, Daniel A, Redneckman, Elliott SF, Guillermo Gutierrez, Sementalex, Miguel Angel Torres, Suibne, Javifer, Matías Ruiz Molina, Noyatan, Estefanía, Iván Menéndez, Niksisley y a los mecenas anónimos.

You're not really celebrating World Backup Day unless you've got Time Machine humming, Backblaze backing, and Synology syncing. In this week's Mac Geek Gab, you, Pilot Pete, Adam Christianson, and Dave Hamilton dig deep into layered backup strategies with tools like Arq, Hazel, and iDrive e2—plus the always-timely reminder to […]

Nuevo episodio de la serie Cosecha de 1975 dedicada a recordar interesantes discos de la añada de hace 50 años. Cocinamos el menú con el disco homónimo de John Fogerty, su segunda entrega en solitario tras la ruptura de los Creedence. El séptimo álbum de The Who, “The Who by numbers”. El disco “Trouble” de la peculiar banda británica Sailor. O una rareza del rock de Zambia, “Lazy bones!!” del grupo Witch.Playlist;(sintonía) JOHN FOGERTY “Sea cruise” (ST)JOHN FOGERTY “The wall” (ST)JOHN FOGERTY “Almost Saturday night” (ST)JOHN FOGERTY “Where the river flows” (ST)JOHN FOGERTY “Rockin’ all over the world” (ST)JOHN FOGERTY “You rascal you” (ST)THE WHO “Slip kid” (The Who by numbers)THE WHO “Squeeze box” (The Who by numbers)THE WHO “However much I booze” (The Who by numbers)THE WHO “How many friends” (The Who by numbers)SAILOR “A glass of champagne” (Trouble)SAILOR “Trouble in Hong Kong” (Trouble)SAILOR “Girls, girls, girls” (Trouble)WITCH “Tooth factory” (Lazy Bones!!)WITCH “Lazy bones” (Lazy Bones!!)Escuchar audio

Let's talk about a Dole Whip. Not really. Assassin's Creed Shadows gets positive reviews despite pre-release backlash. Marvel scrapped plans for a shared gaming universe. Hasbro ponders Baldur's Gate's future without Larian. Wizards of the Coast cancels Project Sigil, a failed virtual tabletop. Steam surpasses consoles, but new games struggle. 8BitDo controllers challenge Xbox and PlayStation. And lots more including your calls and texts!GAMES PLAYEDSCOTTShotgun King: The Final CheckmateDungeons & Degenerate GamblersPixelJunk Shooter 1+2 UltimateStar of ProvidenceBEAUFF7 Remake hard mode challengesPirate Yakuza FF7 classic with mods Hosted on Acast. See acast.com/privacy for more information.

Let's talk about a Dole Whip. Not really. Assassin's Creed Shadows gets positive reviews despite pre-release backlash. Marvel scrapped plans for a shared gaming universe. Hasbro ponders Baldur's Gate's future without Larian. Wizards of the Coast cancels Project Sigil, a failed virtual tabletop. Steam surpasses consoles, but new games struggle. 8BitDo controllers challenge Xbox and PlayStation. And lots more including your calls and texts!GAMES PLAYEDSCOTTShotgun King: The Final CheckmateDungeons & Degenerate GamblersPixelJunk Shooter 1+2 UltimateStar of ProvidenceBEAUFF7 Remake hard mode challengesPirate Yakuza FF7 classic with mods Hosted on Acast. See acast.com/privacy for more information.

In this supersized final episode on 1970, Steve and Chris each share their most essential songs of the year before wrapping things up with their year-end awards and superlatives. And they close things out by announcing which year they'll be covering next in ROTY 2.0Our Spotify 1970 Playlisthttps://open.spotify.com/playlist/4wh5TDngA4VGroLf04Ouw5?si=a1c9404181bf4babStevie's Time Capsule: https://open.spotify.com/playlist/0aB2CWRdhobURkjETMMpxk?si=42f636b081ee4402Chrissy's Time Capsule: https://open.spotify.com/playlist/5leG2vYSAUqB7zeJ717ar4?si=30c9a80adff846f4James Taylor on Stephen Colbert: https://www.youtube.com/watch?v=Un-FO8iXCrAE-mail:RecordOfTheYearPod@gmail.comInstagram:@recordoftheyear_podcast

In this episode of Dem Vinyl Boyz, we dive into one of the most essential greatest hits compilations of all time—Chronicle, Vol. 1 by Creedence Clearwater Revival. Released in 1976, this collection of timeless classics showcases the raw energy, storytelling, and swamp rock sound that made CCR one of the defining bands of the late 60s and early 70s. With unforgettable tracks like "Bad Moon Rising," "Proud Mary," "Fortunate Son," and "Have You Ever Seen the Rain?," Chronicle, Vol. 1 is packed with hit after hit. These songs became anthems of the Vietnam War era, resonating with themes of working-class struggle, rebellion, and the American experience. John Fogerty’s gritty vocals and driving guitar riffs gave CCR a distinct sound that blended rock, blues, and country influences. In this episode, we’ll explore the impact of CCR’s music, the stories behind these legendary tracks, and how Chronicle, Vol. 1 remains a must-have album for rock fans. Whether you’re a longtime listener or discovering the magic of Creedence for the first time, this episode will take you on a journey through one of the greatest rock catalogs ever assembled. Join us on Dem Vinyl Boyz as we celebrate Chronicle, Vol. 1, an album that immortalized Creedence Clearwater Revival’s legacy and continues to define the sound of classic American rock.

In the 2nd episode of ROTY 1970, Chris and Steve discuss and score the 3 biggest albums of the year according to Spotify streaming data using their tried and true ROTY rubric:1. Production2. Vocals & Lyrics3. Musical Prowess4. Average Song Score5. Listenability & LegacyAfter that, they score their first "One for Chrissy" album pick of the season. Tune in next week for Part 2 as they round out the top 6 albums of the year and tackle their inaugural "One for Stevie" selection.Our Spotify 1970 Playlist https://open.spotify.com/playlist/4wh5TDngA4VGroLf04Ouw5?si=a1c9404181bf4babE-mail:RecordOfTheYearPod@gmail.comInstagram:@recordoftheyear_podcast

In this episode we answer emails from Paul (from Canada), Gary, Ben and Alexi (a/k/a "the Dude").  We discuss finding funds for Canadians, podcast outlet alternatives, the similarities between S&P 500, total market and large cap growth funds and how they can perform the same role in a diversified portfolio, and a gnarly Alpha Exchange podcast about leveraged funds (which the Dude and I both misidentified as "Alpha Architect".)  And the Creedence vs. Tina Turner versions of "Proud Mary."And THEN we our go through our weekly portfolio reviews of the eight sample portfolios you can find at Portfolios | Risk Parity Radio.Additional Links:Portfolio Charts Golden Butterfly page:  Golden Butterfly Portfolio – Portfolio ChartsAsset Correlations (VTI and VOO and large cap growth):  https://testfol.io/analysis?s=63nAL9efMMgGolden Butterfly With Total Market vs. Large Cap Growth:  https://testfol.io/?s=h0ZxYu0txcPAlpha Exchange Podcast on Leveraged Funds:  Michael Green, CFA, Portfolio Manager, Chief Strategist, Simplify Asset Management | Alpha ExchangeAmusing Undedited AI-Bot Summary:Unlock the secrets of successful portfolio diversification on this episode of Risk Parity Radio. Whether you're navigating the Canadian stock market maze or strategizing with U.S. index funds, our conversation will equip you with the tools to conquer currency conversion challenges and leverage international market access through platforms like Interactive Brokers. We share strategies to optimize your asset mix by combining large cap growth with small cap value funds for a truly diversified and resilient portfolio.Ever wondered how to differentiate between total market funds and large cap growth funds? Our discussion sheds light on their high correlation and recent performance trends, urging investors to focus on macro allocation principles and informed bond choices rather than getting lost in the minutiae of fund selection. Discover how pairing assets with varying volatilities and correlations can lead to a more robust investment strategy that withstands market turbulence.Dive into the world of leveraged ETFs and learn about the risks lurking behind these financial instruments. We dissect insights from the Alpha Exchange podcast, stressing the importance of liquidity in minimizing systemic risk. As we share our weekly portfolio reviews, you'll gain valuable insights into market performance and the art of strategic rebalancing. From conservative to dynamic portfolios, we offer a comprehensive look at maintaining diverse asset allocations to optimize growth and stability. Reach out with your questions and explore our website for more resources on mastering the investment landscape.Support the show

This week we'll take some time away for a celebration of Americana sounds from every corner. It's a mixed bag of jazz, blues, country, rock, and everything in between in another of our free form eclectic romps here on Deeper Roots. Count on some wild swings and some quiet moments reserved for the corner booth in the show today. Aretha, Cat Power, Etta Jones and Gale Garnett are some of the female vocalists that we'll feature this morning. We'll also visit that ‘boulevard of broken dreams' with Esquivel, some lighter instrumentals from Ethel Smith and Herb Alpert; classic softer side Americana from Chris Isaak and Pokey LaFarge and the polar opposite from Creedence and BB King. What a way to blast on into 2025. Join Dave Stroud as he begins yet another year with the promise of doing the right thing...always. 

Send us a textIn this episode, we discuss what would be on a hypothetical Fantastic Beasts TV show. Enjoy!Topics/Summary:·      1:52 Dumbledore's past. He is such a deep character, and the struggles of his childhood are a big part of who he is and why he is so committed to defeating Grindelwald. If we could understand just a little bit more about his past, we might be able to appreciate his character more.·      7:49 Newt's Childhood. We catch just a sneak peak of this in the Crimes of Grindelwald, and it is gold to see Newt as a child. He is very committed to protecting magical creatures, and doing good wherever he goes. We don't need as much time as Dumbledore, so seeing him for just a few minutes could give a new edge to his rock solid morals.·      11:39 Creedence's backstory. He is a very emotionally damaged character, and we aren't given the best backstory as to why this is. We can understand him for the most part at the end, but I would rather we have the chance to understand him from the beginning.·      16:57 Tina and Queenie before Newt. These two are as close as can be, and that bond breaking is one of the core parts of the story. If we could have a clearer window into just how strong these sisters are drawn together, it would mean more when Queenie eventually chooses to join Grindelwald. ·      21:32 Dumbledore and Grindelwald's relationship. Without a doubt, their relationship is one of the driving factors that keep the story going. Some of the most compelling scenes are where we see their pain of separation. We need more scenes like the one where Dumbledore pulls the curtain off the Mirror of Erised and sees Grindelwald.·      25:11 Jacob's bakery. There are two moments in time that would give us a better perspective on Jacob. The first is right after the events of the first film, and the second is before the third film. One is him feeling great, getting with Queenie and living great. The second is when he is living without Queenie and he is a mess. The contrast between these two moments combined with how tense their relationship is when their paths cross will show us how difficult it was for Queenie to go and how painful is was for Jacob to stay. Having anything you want to hear or say? Click here for a voice submission or here for text. ThePotterDiscussion@gmail.comthepotterdiscussion.comNox

Vu sur KOMODRAG AND THE MOUNODOR : Vieilles Charrues 2024 Carhaix  Ces irréductibles bretons naviguent le rock à contre-courant. Telle une incantation chamanique, les sept membres de ce supergroupe formé par la fusion de Komodor et Moundrag, tout en rouflaquettes, vestes à franges et rock sudiste américain à la Creedence, Lynyrd Skynyrd et autres Allman Brothers, nous emmènent dans une virée entre rock progressif et heavy […] Cet article provient de Radio AlterNantes FM

On the October 16 edition of the Music History Today podcast, Creedence breaks up, the Grand Ole Opry gets more diverse, & Little Richard records. Plus, it's John Mayer's birthday. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday On this date: * In 1951, Little Richard recorded for the first time. * In 1956, Elvis' film Love Me Tender premiered. * In 1962, Motown started their package concert tour with Mary Wells, Marvin Gaye, The Supremes, Little Stevie Wonder, & the Contours. * In 1965, singer and actress Leslie Uggams married her longtime friend Grahame Pratt. * In 1972, Creedence Clearwater Revival broke up. * In 1975, Bruce Springsteen performed at the Roxy in Los Angeles, which led to him getting noticed by the mainstream media. * In 1976, the disco novelty song by Los Angeles radio DJ Rick Dees, Disco Duck hit #1 on Billboard's hot 100 singles chart. * In 1976, Stevie Wonder hit #1 with the album Songs in the Key of Life. * In 1986, Chuck Berry held his 60th birthday concert, which was filmed for his film documentary Hail Hail Rock N Roll. * In 1986, Marie Osmond married her husband Brian Blosil. * In 1988, the Smile Jamaica charity concert to help Hurricane Gilbert victims was held in London. * In 1992, Sinead O'Connor was booed when she performed at the Bob Dylan tribute concert at Madison Square Garden in New York City. The audience was reacting to the incident on Saturday Night Live a couple of weeks earlier when she ripped up a photo of Pope John Paul II. * In 2003, Apple released the Windows version of the ITunes store. * In 2010, Nicki Minaj set a record for most songs to debut on the Billboard singles chart in the same week with 7, with Bottoms Up with Trey Songz debuting at #11. The record has since been shattered a number of times. * In 2011, singer-songwriter Paul McDonald married actress & screenwriter Nikki Reed. * In 2013, actress & singer Kristen Bell married actor Dax Shepard. * In 2017, Ed Sheeran broke his wrist & elbow in a biking accident, which made him cancel part of his Asian tour. In the world of classical music: * In 1942, Aaron Copland's ballet Rodeo premiered in NYC. In award ceremonies that were held on October 16: * In 2012, the Grand Ole Opry inducted only its third African American member, after DeFord Bailey & Charley Pride. It was Darius Rucker, lead singer of Hootie & the Blowfish and successful solo country music singer. --- Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support

En esta edición de Divas & Divos del Cine Mexicano y en compañía de mi amigo y locutor “Fegabu”, los vamos a llevar a la vida, sus orígenes, su corto período de duración como agrupación y hasta su consagración. Hablamos de Creedence Clearwater Revival (CCR). Un grupo de rock estadounidense, que abarcó cualquier cantidad de géneros musicales y ritmos, además de su estilo Creedence muy reconocido. Fue tan poco lo que duro esta agrupación, que en 6 años consiguieron lo que muchos grupos de gran calidad lo consiguieron en décadas o en mucho tiempo más. Lamentablemente, la forma de ser, de querer manipular al grupo, de querer ser el líder, además de vocalista John Fogerty, fue el culpable y causante de la disolución tan pronta de esta gran agrupación!

Kontentan 38. Spela Creedence! Livesändning från 21/9. Kontentan gästas denna vecka av Linus bror och Tomas! Ett litet mer ostrukturerat avsnitt än vanligt men kvartetten går igenom P3s lista över världens bästa låtar, filmen “La Belle Epoque” och Zlatans medverkan i Hot Ones. Låtar som spelades under programmet: Roger Miller - King Of The Road Robyn - Dancing on My Own kent - La Belle Epoque Nelly - Hot In Herre Creedence Clearwater Revival - Cotton Fields Medverkande: Jonathan Ärfström, Linus Olofsson, Ludwig Olofsson och Tomas Bergström

Espetáculo Rock Symphony ocorre neste domingo em Santa Cruz do Sul. O maior tributo a Elvis e Creedence da América Latina.

Espetáculo Rock Symphony ocorre neste domingo em Santa Cruz do Sul. O maior tributo a Elvis e Creedence da América Latina.

Welcome Friends and thank you for connecting with us for another wonderful episode of CWC! Join me as I catch up with my favorite Outlaw Queen of Finland Mikaela Finne! Truth be told, Finne was born and spent her childhood on the coast of Finland in Vaasa, and now hails from Stockholm, Sweden. Finne actually found as much inspiration in heavy metal as she did the country genre during her youth, the rebellious spirit she found in both prompting her to pursue her musical passion. Like her contemporaries Sarah Shook and Lydia Loveless, Finne's emotive vibrato is its own instrument, adding an undeniable passion to her songs and making lines like “I've lost count, how many times you've broken my heart“ even more impactful. “The country music comes from my dad,” she explains, recalling his love for Dolly Parton and Creedence. “The word ‘outlaw', for me, [means] you do something that you love regardless of what anybody else thinks about what you're doing. … When I was a teenager, the music and the heavy metal that I listened to were totally outlaw.”For More on Mikaela check out https://www.mikaelafinne.com/ --- Support this podcast: https://podcasters.spotify.com/pod/show/crazywomencountry/support

Original air date: October 3, 2022 This is an UNLOCKED episode. For access to premium episodes, upcoming installments of DEMON FORCES, live call-in specials, and the Grotto of Truth Discord, become a subscriber at patreon.com/subliminaljihad. In the final chapter of CONTRA VII, Dimitri and Khalid explore how Creedence Clearwater Revival went from the #1 chooglin' rock band in the world in 1970 to having their entire fortune stolen by Burt Kanter's notoriously shady, mafia and CIA-infested Castle Bank and Trust. SIDE A: THE ASSASSINATION OF CCR BY THE COWARD BURTON KANTER How CCR's Woodstock headlining set got sabotaged by the Grateful Dead, the silk topper inspiration for “Fortunate Son”, not getting respect from the “cool” rock media, providing material support to the American Indian occupation of Alcatraz, renegotiating their contract with Fantasy Records bigwig Saul Zaentz, Saul convincing CCR to put all their earnings offshore in Castle Bank and a grapevine of shell entities, Tom Fogerty's painful departure in '71, John's revenge on Negative Stu and No-Shuffle Doug with “Mardi Gras” in '72, the end of CCR, Tom's underrated solo career/chooglin' with suslord Jerry Garcia, Tom subtweeting John on “Sign of the Devil”, John's stint with David Geffen and the scrapped lo-fi “Hoodoo” album, realizing that ALL of Creedence's money has vanished into a “Bahamian abyss”, years of seclusion and lawsuits, getting even with Burt Kanter, Zaentz's new role as serrrious Hollywood producer of “One Flew Over The Cuckoo's Nest” and “Amadeus”, John realizing he's Zaentz's Pinocchio puppet, his 1985 return with “Zanz Kant Danz” and “Mr. Greed”, Tom's new “best friend” Saul Zaentz, more lawsuits and fighting, Tom's tragic death from AIDS in 1990, his dying wish that the other three Creedence guys choogle together one last time, and John's NOT-on-haqq refusal to play with Stu, Doug, and Tom's son Jeff at the Rock & Roll Hall of Fame Induction in 1993. SIDE B: EFFIGY Donald Trump's purchase of Resorts International in 1987, cocaine trafficking in 1980s Bahamas, Medellin Cocaine Nazi Carlos “Joe” Lehder making Norman's Cay his castle and garden, US Ambassador to the Bahamas/Slava Ukraini Banderite/WACL suslord Lev Dobriansky telling the CIA station chief to “find another job”, Kanter's relationships with international oil man Bruce Rappaport and Bill Casey, Indonesian oil schemes in the 1960s, the Bank of New York, the ill-fated Aqaba oil pipeline project in Iraq, looting the Soviet economy, Antigua as training ground for Contras, IDF machine guns for Colombian drug cartels, BCCI/Rappaport overlaps, “left-leaning wealth advisor” Josh Kanter's Alliance for a Better Utah and Kanter Family Foundation, Linda Pritzker aka Lama Tsomo's Namchak Foundation in Montana, Nick Pritzker bankrolling Gavin Newsom's career, Tom Pritzker running the Center for Strategic and International Studies, Nick and Tom Pritzker's multiple phone numbers in Epstein's black book, Virginia Roberts Giuffre's allegations against Tom Pritzker, the Kanter law firm of Neal, Gerber, & Eisenberg's continuing services to the Pritzker family, and last but not least, some thoughts on how it doesn't whip ass when left-leaning media influencers try to meme Big Boy JB Pritzker into the White House, especially when one's uncle happens to have been a Burt Kanter protegé/Pritzker family attorney for the last 50 years.

Send us a Text Message.Upcoming Concert at the Alameda County Fairgrounds in Pleasanton, California. Friday June 28 at 8PM. Concerts - Alameda County FairRevisiting CreedenceThe Vinyl Tour Bus Makes all The Stops:Tales Of A Rock-A-RollaMusical History ToursRock Music TriviaGeneral MayhemTune In, Turn On & Rock Out

Welcome to the Instant Trivia podcast episode 1232, where we ask the best trivia on the Internet. Round 1. Category: Flying Maneuvers 1: To do it to a fire, you cover it, to do it to a plane, you lower one wing. Bank it. 2: Noisy term for flying low over a person or area. Buzzing. 3: Also a Coney Island ride, it's a 360-degree maneuver that starts by pointing the nose upward. Loop-the-loop. 4: In this roll named for a container, the plane revolves once on its longitudinal axis. Barrel roll. 5: Pitch is when the plane's nose moves up or down, and this 3-letter word refers to a left or right motion. Yaw. Round 2. Category: For A Song. With For in quotes 1: We know you remember this 1991 duet between Natalie Cole and her dad, because it's.... "Unforgettable". 2: According to Katy Perry, these title gals will "melt your Popsicle". California girls. 3: Zayn Malik and Taylor Swift teamed up on this song from "Fifty Shades Darker". "I Don't Wanna Live Forever". 4: A Creedence classic says, "It ain't me, I ain't no" this title. "Fortunate Son". 5: "I would give the stars above" in exchange in this '60s classic by the Yardbirds. "For Your Love". Round 3. Category: Arabic 1: A shamal is a wind that whips up this blinding phenomenon. a sandstorm. 2: The number 3 is talaata, and this day of the week is El Talaat. Tuesday. 3: The name of this headdress for men may be related to the word "coif". kaffiyeh. 4: Change 1 letter in "wade" to get this, a gully that's dry except during periods of rain. a wadi. 5: In Arabic, follow a hope about the future, like the train arriving shortly, with this, meaning "Allah willing". inshallah. Round 4. Category: British Inventions 1: A perambulator or pram to the Brits, it was invented in 1733 by William Kent for the Duke of Devonshire's kids. a baby carriage. 2: In 1676 Robert Hooke came up with a universal one of these to manipulate the mirrors of his helioscope. a universal joint. 3: The name of this Scot who invented the steam hammer sounds just like the American who invented basketball. (James) Nasmyth. 4: For the military, zoologist John Kerr developed the "dazzle paint" type of this, something animals also use. camouflage. 5: The miner's safety lamp was also called by the name of this British chemist who invented it in 1815. Sir Humphry Davy. Round 5. Category: Classic Lit 1: This story begins, "All children, except one, grow up". Peter Pan. 2: Edmund Dantes is unjustly accused of aiding the exiled Napoleon and imprisoned for life in this novel. The Count of Monte Cristo. 3: "The Jungle Book" contains a story about Rikki-Tikki-Tavi, one of these animals who protects his human family. a mongoose. 4: In a novel by Frances Hodgson Burnett, 7-year-old Cedric Errol inherits a title and is known as "Little Lord" this. Fauntleroy. 5: In "Gulliver's Travels", the sizes in this land are reduced to 1/12. Lilliput. Thanks for listening! Come back tomorrow for more exciting trivia!Special thanks to https://blog.feedspot.com/trivia_podcasts/ AI Voices used

Swamp rock afficianados, this is your podcast!Despite forming in California, Creedence Clearwater Revival was known for their Louisiana sound often described as "swamp rock" or later as roots rock.  They tended towards an earlier rock sound during a time when much of their fellow performers were moving in a more psychedelic direction.  But CCR (as the band was known, or Creedence) would find prolific success in the time from 1969 to 1971 when they would produce 14 consecutive top 10 singles and five consecutive top 10 albums.The band featuring front man and multi instrumentalist John Fogerty, brother Tom Fogerty on rhythm guitar and backing vocals, Stu Cook on bass, and Doug Clifford on percussion got their start as a band playing rock standards and instrumentals in 1959 under the name "The Blue Velvets."  They changed their name to "the Golliwogs" in 1964, then became CCR in 1967.  The name Creedence Clearwater Revival comes from three sources - John Fogerty's friend Credence Newball, a beer commercial touting "clear water," and the word "revival" depicting the members' re-commitment to the band.Cosmo's Factory is the band's fifth studio album takes its title from the warehouse in Berkeley where the band practiced in early days.  Doug "Cosmo" Clifford called it "The Factory" because they practiced there almost daily.  This album went to number 1 on the Billboard 200 charts and remained there for nine weeks.  It is one of those albums that appears to be a "greatest hits" album rather than a studio release because of the number of very familiar songs originating on it.The group would be prolific, but short-lived.  Tom Fogerty left the group at the end of 1971 and the rest had an acrimonious falling out shortly thereafter.  But for a few years, CCR produced a gigantic body of work, despite never having a number 1 hit.Wayne takes us through this classic album of swamp rock for this week's podcast. Who'll Stop the RainOften considered a Viet Nam protest song, the inspiration for this track is actually Woodstock, where multitudes of music fans congregated in the rain to hear the music of the age.  It was released as a double A single along with "Travelin' Band," and went to number 2 on the American charts.Run Through the JungleAnother song mistakenly considered to be a Viet Nam protest (and often used that way in films), Fogerty wrote this about the proliferation of guns in the United States, comparing city streets to a jungle.  This was another double A single release, paired with "Up Around the Bend."  It has appeared in multiple films including "Air America," "Rudy," and "Tropic Thunder."Up Around the BendThis track is a more straightforward invitation to a gathering that is, as you might guess, up around the bend.  It went to number 4 on the Billboard Hot 100 charts and number 3 on the UK singles charts.  John Fogerty wrote this song, as he did most of the original CCR tracks.Travelin' BandThis song draws its inspiration from 1950's rock songs, particularly paying homage to the style of Little Richard.  The lyrics talk about a band on the road.  It's reference to "737 coming out of the sky" - a new passenger plane at the time the song was written - put the song on a list of inappropriate tracks in a post-9/11 memo by Clear Channel. ENTERTAINMENT TRACK:Main theme from the television series “Dark Shadows”A feature length horro film entitled "House of Dark Shadows" was released in 1970 based on the vampire soap opera.  STAFF PICKS:Tears of a Clown by Smokey Robinson & the MiraclesLynch's staff pick has upbeat music that belies the sad lyrics depicting a man who has to put on a happy front despite facing the loss of his love.  The track was originally recorded in 1966, but not released until 1970.  It topped both the UK charts and the US Billboard Hot 100.  Long Long Time by Linda RonstadtRob's staff pick may not be a rock song in the traditional sense, but it shows off the vocal capabilities of one of the leading female rock figures prior to her breakthrough as a soloist.  The song about a woman's undying love for a guy who will never be hers went to number 25 on the Billboard Hot 100.Ain't No Mountain High Enough by Diana RossBruce features a song written by Ashford and Simpson in 1966, and originally a hit for Marvin Gaye and Tammi Terrell who took it to number 19 on the Billboard Hot 100 in 1967.  Diana Ross released this as a solo song with a reworked sound incorporating gospel elements with strings and horns.  It went to number 1 making it Ross's first number 1 solo hit.Vehicle by The Ides of MarchWayne presents a one-hit wonder out of Chicago with a funky sound and a great horns section.  The vocalist and guitarist for The Ides of March would later become a founding member of Survivor.  General Motors used this song extensively in national advertising, and it will tend to get you driving faster! NOVELTY TRACK:Chicken Strut by the MetersThis novelty song inspired a short-lived dance, and wraps up this week's podcast. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

El final de la década de los 60 dejó lo mejor de las bandas que habían definido la década. El año del Festival de Woodstock se publicaron discos brillantes de los Beatles, The Who, los Stones o Led Zeppelin. Aquel año la Creedence Crearwater Revival publicó tres discos ascendiendo de pronto a la más alta cima de la música, el mejor escenario desde el que despeñarse en un abrir y cerrar de ojos.  Uno de esos discos fue Green River, una joya de la música americana que mezclaba con tremendo acierto los ingredientes más sabrosos de la tradición musical y que alejado de los sonidos de la época consiguió conquistar al público.Aquel año, entre tanto genio, la Creedence reinó con canciones brutales que fueron la banda sonora de un 1969 mágico en el que nadie pudo seguir el ritmo del grupo de John Fogerty.Esta semana recordamos aquel disco, esa época y la peculiar historia de una banda que subió a los cielos de la música para explotar y desaparecer dejando un legado inmenso difícil de igualar. Para este viaje nos acompañan Fernando Navarro y Lucía Taboada. 

Para medir el tempo, los músicos utilizan el metrónomo: un aparato que emite regularmente una señal, visual o acústica, que permite al artista mantener un pulso constante al ejecutar una obra. La relación entre un músico y su metrónomo es casi familiar y por eso Alejandro Pelayo nos ha querido presentar esta madrugada al suyo. ¿Qué ritmo necesitan las canciones de David Arnold, Kylie Minogue, Creedence o Isaac Albéniz?

Don't fall for the vicious lies. Follow Bush Go hook up with Madison Tavern. Follow us Vaya con Dios

"A Day on the Green: Celebrating 35 Years Since the Legendary Concert"Larry Mishkin  highlights a significant Grateful Dead concert from May 27, 1989, at Oakland Alameda County Stadium, part of an AIDS benefit organized by Bill Graham. The event featured artists like Tracy Chapman, John Fogerty, Los Lobos, Joe Satriani, and the Grateful Dead. Larry delves into Fogerty's set, backed by Jerry Garcia and Bob Weir, sharing insights and historical context. He also touches on the canceled Neil Young concert due to illness, expressing disappointment and hope for rescheduling. The episode mixes personal anecdotes, music history, and current events in the music world. Grateful DeadMay 27, 1989Oakland Alameda County StadiumOakland, CAGrateful Dead Live at Oakland-Alameda County Stadium on 1989-05-27 : Free Borrow & Streaming : Internet ArchiveA Day On The Green: Aids Benefit Concert:Tracy Chapman                an American singer-songwriter, widely known for her hit singles "Fast Car" from her debut album “Tracy Chapman” (1988) and "Give Me One Reason" from her fourth album which on that day was still a few years awat, “New Beginning” (1995).  Fast Car has enjoyed a resurgence thanks to Country star, Luke Combs, who's cover version went platinum in 2023 and by September that year was a No 1 country hit making Chapman the first black woman with a sole songwriting credit at No. 1 on the Country charts.John Fogerty                Of Credence Clearwater Revival fameLos LobosJoe Satriani              an American rock guitarist, composer, and songwriter. Early in his career he worked as a guitar instructor, with many of his former students achieving fame, including Steve Vai, Larry LaLonde, Rick Hunolt, Kirk Hammett, Andy Timmons, Charlie Hunter, Kevin Cadogan, and Alex Skolnick. Satriani went on to have a successful solo music career, starting in the mid-1980s. He is a 15-time Grammy Award nominee and has sold over ten million albums, making him the bestselling instrumental rock guitarist of all time.[3]In 1988, Satriani was recruited by Mick Jagger as lead guitarist for his first solo tour.[4] Satriani briefly toured with Deep Purple, joining shortly after another departure of Ritchie Blackmore from the band in November 1993.[5] He has worked with a range of guitarists during the G3 tour, which he founded in 1995.Tower of Power, and, last but not least Dead INTRO:                                 Althea                                                Track #3                                                4:51 – 6:21                From the Go To Heaven album (April, 1980), Garcia and Hunter masterpiece.  Always a Jerry favorite and loved by Deadheads everywhere, this was the third song of the show following the Touch of Grey opener (of course) and Greatest Story.  Great guitar work, lovely vocals, this song really launches the show and gets everyone in the groove. Played 273 timesFirst:  August 4, 1979 at Oakland Civic Auditorium, Oakland, CA, USALast:  July 8, 1995 at Soldier Field, Chicago          The weather for the Day On The Green concert was perfect. Bill Graham, apparently, had an exclusive arrangement with some greater power, so that it never, ever rained when he was having a major outdoor show, and his deal remained in place for the May '89 AIDS Benefit. Another oddity about the AIDS Benefit was that there were no less than five opening acts for the Grateful Dead, which I think was some kind of record for a Bay Area Grateful Dead show. To see that whole event would mean at least 12 hours in the sun, just to wipe yourself out for what we all really wanted to see at the very end.            It seems shocking today that a Benefit concert for a terrible disease would be seen as a progressive political act, but such was the Reagan 80s. At least in San Francisco, efforts to prevent AIDS and provide care for those suffering from it had finally expanded beyond the gay community into the general culture. Nonetheless it was still significant when major rock bands headlined a large benefit concert in the Bay Area's biggest venue. Concern for AIDS had finally reached parity with Amnesty International and the Rain Forest, which was a welcome thing. The Coliseum benefit was the largest of several events around the Bay Area, all organized by Bill Graham Presents, and meant to raise awareness as well as money.            Originally the Oakland show was supposed to have joint headliners, with both the Grateful Dead and Huey Lewis and The News. A few weeks before the show, however, Huey Lewis had to drop out of the show. Rather sheepishly, his management publicly conceded that the stadium show was cutting into ticket sales for Lewis around Northern California, and they couldn't afford to work for what was effectively nothing.             The Dead, of course, had no such concerns. At a press conference, Jerry Garcia graciously said that Huey had to listen to his management, it was part of the business.  Huey Lewis And The News were the biggest act in the Bay Area at the time with respect to record sales, and yet the Dead outdrew them by several multiples. The Dead were no longer an aging hippie band who hadn't broken up--they were the biggest draw in town.           By 1989, the Dead were huger than ever, thanks to "Touch Of Grey" – which the Dead opened with - and the Coliseum show was an opportunity for a lot of people who had always wanted to see the Dead but hadn't been been able to get tickets. Frost and Shoreline shows sold out pretty rapidly, so regular rock fans who wanted to see the Dead were out of luck. Thus the crowd was very Dead-positive, with plenty of Deadheads, but far less like the insular club of Deadhead veterans that were characteristic of Bay Area shows at the time.            There were many fascinating aspects to this event, but in retrospect the most fascinating was that former Creedence Clearwater Revival frontman John Fogerty was second on the bill, and it was known before the show that Jerry Garcia and Bob Weir would be part of his backing group.            Creedence had been hugely, titanically popular, but Fogerty had been in a bitter dispute with his record company since the mid-70s, and as a result had refused to play any of his great Creedence songs in concert. By 1989, however, although Fogerty's ire towards Fantasy Records had not subsided, for various reasons he had come to terms with his old songs, so it was widely known that not only would Garcia and Weir be backing Fogerty, but that they would be playing Creedence classics as well. Everything pointed towards an event of historic proportions.            There is a You Tube video of the entire Fogerty set that I encourage you to view.                   Fogerty had a unique status in the Bay Area at the time, and everyone was reminded of that when word was unofficially "leaked", I believe through Joel Selvin's Chronicle column, that not only would Garcia and Weir back Fogerty, but that Fogerty would be playing old Creedence songs.            John Fogerty hit the stage in the late afternoon, last up before the Grateful Dead. His band, previously announced, wasJohn Fogerty-lead guitar, vocalsJerry Garcia-guitarBob Weir-guitarRandy Jackson-bassSteve Jordan-drumsJackson and Jordan were well-known and well regarded as session players. Randy Jackson was a working member of Santana's band at the time, among many other gigs. Today, of course, Jackson is best known as a judge for the TV show American Idol, but that was far in his future. Jordan had played the Bay Area recently, on the 1988 tour with Keith Richards, whose album he had co-produced. Fogerty played 11 songs in about 45 minutes. Born On The BayouGreen RiverDown On The CornerRock And Roll GirlCenterfieldProud MaryMidnight SpecialBad Moon RisingFortunate Sonencores with Clarence Clemons-tenor saxophoneSuzie QLong Tall Sally             The question many would most like to have answered about this show is "who rehearsed?" From watching the video, it is clear that John Fogerty had run through the songs with Randy Jackson and Steve Jordan. Now, Creedence songs are delightfully basic, as well as famous worldwide, so pros like Jackson and Jordan hardly needed many takes. On every song, however, Jackson and Jordan both provide a funky bottom and plenty of accent. They knew the tunes, and they knew how to make them swing, so I think they had worked on them with Fogerty.            Jerry Garcia, however, was notorious for never wanting to rehearse. Weir is far less notorious for avoiding rehearsals, though it is also known that he is famously not on time, so it may amount to something similar. Since John Fogerty wasn't particularly close to any members of the Dead, it's clear that Bill Graham was the one who got Garcia and Weir to accompany Fogerty, and in so doing make it "an event," in classic Graham style. Could Graham have persuaded Garcia to rehearse? The alternative is strange, namely playing a show in front of 40,000 people with at least two band members completely flying blind.            On the day of the show the story is that Garcia and Weir had a dressing room run-through with Fogerty and the rhythm section, agreeing on the tempos and the intros. Sandy Rothman has described how the Jerry Garcia Acoustic Band did not really practice songs, they just agreed on an intro and tempo and sang a chorus together. Granted, Rothman, Garcia and David Nelson had played all those songs before, but it was usually twenty years earlier. Still, one chorus run through was sufficient. So I think Fogerty talked Garcia and Weir through the planned songs, but they had never really played together until they got on stage.            Creedence songs have a nice groove, but they aren't jamming platforms, so of course Garcia just plunks away through the entire show, maybe not his most memorable performance.  On one hand, Jerry Garcia's health in 1989 was as good as it had been in at least a decade, nor it would ever be that good again. Yet the stunning success of "Touch Of Grey," gratifying as it must have been, insured that the bubble of Garcia's life meant that he was more insulated than ever. Garcia wasn't just a legend to Deadheads, he was in the pantheon now, the biggest rock star in the Bay Area, in a beautiful cage with no escape.When Fogerty kicks off the familiar, booming riff of "Born On The Bayou," Garcia is tucked back on stage left, next to Steve Jordan's drums. Randy Jackson is on the other side of Jordan, and Weir is right next to Jackson. Although Garcia plays a very simple figure behind Fogerty for "Bayou," his eyes are on Jordan, and Jerry has a big, happy grin on his face. I'm not imagining this--Garcia has a big grin on his face throughout the entire set, and he mugs happily with Jordan as the drummer plays fills and accents through the set. Weir seems to be having the same kind of fun with Randy Jackson over on stage right. Fogerty is the star, front and center, but the band is getting their own groove on behind him. SHOW No. 1:                    Down On The Corner (and Band introductions)                                                John Fogerty (w. Jerry and Bobby)                                                JERRY GARCIA JOHN FOGERTY CLARENCE CLEMMONS AND BOB WEIR 5-27-1989 AIDS BENEFIT OAKLAND CA (youtube.com)                                                10:49 – 12:42                 "Down on the Corner" is a song by the American band Creedence Clearwater Revival. It appeared on their fourth studio album, Willy and the Poor Boys (1969). The song peaked at No. 3 on the Billboard Hot 100 on 20 December 1969. The flip side, "Fortunate Son", reached No. 14 on the United States charts on 22 November 1969, the week before Billboard changed its methodology on double-sided hits.           The Fogerty set isn't a big deal to Deadheads, but it's hard to get around the fact that Garcia is having a great time. Whether Fogerty was "bigger" than Garcia is beside the point. Fogerty is a genuine star, with genuine hits, so he is the center of attention while he is on stage. For any singer less important than Fogerty--as in, just about all of them--Garcia could not hang back, but he can do so here. For 45 minutes, it's like Garcia is at the Keystone Berkeley or something, hanging out with his peers, playing the guitar parts that are dictated by the music, simple though they may be. When they got to "Down On The Corner," Jerry is practically jumping up and down. In a small but fascinating moment, he steps up to the mic to sing the backing vocals. Now granted, the whole English speaking world knows that it goes "Down on the corner/Out in the street/Willie and The Poor Boys are playing/Bring a nickel, tap your feet," but Jerry actually steps up to sing. Over the years, Deadheads have seen and heard Garcia make lots of guest appearances with various artists. Yet how often did he sing the chorus of other people's hit songs? After "Down On The Corner," Fogerty introduces the band, and Garcia's back is turned when it is his turn, as he's tuning up. Fogerty says "wake him up!' and Garcia turns around. "On guitar, Jerry Garcia!" Garcia grins and goes back to tuning, and Fogerty says "Genius at work." This is just musicians goofing around, albeit goofing around on stage in front of 40,000 people, but Garcia gets to be just another dude on stage, perhaps for one of the last times. A few months later (August 2, 1989), he would share the stage with Carlos Santana and Ruben Blades but that was for a TV special where he was a featured guest. At the Oakland Coliseum, he's just a hired gun playing a bunch of top 40 songs.             As Deadheads, we always wanted certain things from Jerry. When Garcia didn't give us what we want, we grumbled, and thanks to the magic of tape and digital recording, we can collectively complain about it for decades. Good times! But we have to keep in mind that what we wanted wasn't always what Jerry wanted. For a Memorial Day Saturday, Garcia wanted to be in a band, playing songs the way they were written, singing his parts when they came around, grooving with the drummer and letting the front man do the heavy lifting. Did it ever come around again that Jerry got to play simple, popular songs with a front man with enough gravitational pull so that it wasn't All About Jerry? In that sense, Garcia's role as John Fogerty's backing musician is a last look backwards for Garcia, a time when he could just be in the band, if only for 45 minutes.             Or, as I like to think of it, the Fogerty set was a big pre-show jam session for Bobby and Jerry who soon came back out with the Dead for their standard 3+ hour performance.  However you look it at it, the Fogerty set was a fun throwback for Deadheads and a chance to see Jerry and Bobby play with another legend.  MUSIC NEWS: Neil Young show in Chicago canceled 90 minutes before show time  May 23, 2024 at Northerly Island in Chicago.Going to see Dead & Co. this Saturday, June 1, at the Sphere with a bunch of good friends including good buddy Marc from St. Louis.  I hope to be able to have a report on the show for next week's episode but with travel the next day, it may be hard to get the story ready in time.  If so, there will be a big report in two weeks.  Very excited to see the boys, the Sphere and all my good buddies.The Music Plays the Band – new Dead cover album  SHOW No. 2:                    Iko Iko w/Clarence Clemmons                                                Track #5                                                5:09 – 6:11                 The classic Dead cover of the Dixie Cups tune joined by the Big Man wailing on the sax.  Clarence had played a few tunes during Fogerty's set and joined the boys for this tune and a few others during the show.  In '89 the Boss was as big as ever and Clarence was a big part of that success.  But he enjoyed playing in the improv style embraced by the Dead.                 Clarence first played with the Dead at their New Year's run on December 27 and December 31, 1988 in Oakland and soon after this how, on June 21, 1989 at Shoreline Amphitheater.  He also played a number of times with JGB.  And it turns out that one of Clarence's final live performance was playing a show with Phil and Friends a few years back.               When the E Street Band went on hiatus at the end of the Eighties, Clemons, who by then had moved to the Bay Area, went in search of work and new musical experiences. In 1989, he toured with the first version of Ringo Starr's All Starr Band, cut an album with producer Narada Michael Walden, and — not surprisingly, given his new home base — befriended members of the Dead.Starting in early 1989, Clemons sat in with both the Dead and the Jerry Garcia Band (JGB) at several shows. With the Dead, he joined in on songs like “Estimated Prophet” and “Eyes of the World” and partook of the overall Dead vibe. “Clarence was an old pal, a soulful bro,” Bob Weir told RS in 2011, right after Clemons' death from complications of a stroke. “He was a good hang. Back in the late Eighties and early Nineties, he was living out here in Marin County. He was in moving-on mode, and he, Jerry, and I mixed it up a bit. We were dropping by clubs like Sweetwater and sitting in with various bands.”The association wasn't just musical. “Jerry and I were both single at that time, and Clarence suggested the three of us move in together and have a bachelor pad,” Weir recalled bemusedly. “Jerry and I almost went for it. It would've been a lot of fun, but I don't think anyone would have survived. Jerry was in good shape, but we were doing a little drinking.”  SHOW No. 3:                    Stuck Inside of Mobile w.the Memphis Blues Again w/Clarence                                                Track #6                                                2:26 – 3:51 "Stuck Inside of Mobile with the Memphis Blues Again" (also listed as "Memphis Blues Again") is a song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. It has nine verses, each featuring a distinct set of characters and circumstances. All 20 takes of "Stuck Inside of Mobile with the Memphis Blues Again" were recorded in the early hours of February 17, 1966, at Columbia Records's A Studio in Nashville, Tennessee, with the last take selected for the album. This version also appears on Dylan's second compilation album, Bob Dylan's Greatest Hits Vol. II (1971). Dylan played the song live in concert 748 times from 1976 to 2010. A live version recorded in May 1976 was included on the live album from that tour, Hard Rain (1976), and was also released as a single with "Rita May" as the B-side. The first live performance was at the University of West Florida, Pensacola, on April 28, 1976,[32] during the Rolling Thunder Revue tour. Played 70 times by the Dead.  Part of Bobby's first set rotation of Dylan tunes with Queen Jane Approximately, Desolation Row, Masterpiece and Ballad of a Thin Man.First:  March 17, 1988 at Henry J. Kaiser Convention Center, Oakland, CA, USALast:  April 2, 1995 at The Pyramid Arena, Memphis, TN, USA  MJ NEWS                 SHOW No. 4:                    Blow Away                                                Track #11                                                7:37 – 9:10                 A Brent tune, lyrics by John Barlow (? – seems like a lot of Brent rapping during the song)                When you listen to (and read, thanks to the transcription efforts of careful listeners like Alex Allan of The Grateful Dead Lyric and Song Finder site) to Brent's closing rap / rant from the version of “Blow Away” captured on Dozin' at the Knick, you have to acknowledge that, whether the words were improvised or not, they come from the heart, and have a strong sense of immediacy and urgency. Played 23 timesFirst:    June 20, 1988 at Alpine Valley Music Theatre, East Troy, WI, USALast:    July 16, 1990, Rich Stadium, Orchard Park (Buffalo), NY – it died with Brent   OUTRO:                               Wharf Rat                                                Track #17                                                3:59 – 5:26                 Not the closer this night, or most nights, but it could have been a perfect closer.  Hunter/Garcia masterpiece. Wharf Rats are a group of concert-goers who have chosen to live drug and alcohol-free. They arose out of the environment around the rock group the Grateful Dead and their followers the Deadheads, both of which were rooted in the drugs-embracing counterculture of the 1960s.[1]Their primary purpose is to support other concert goers who choose to live drug-free, like themselves. They announce their presence with yellow balloons, signs, and the Wharf Rats information table. At a set break during Grateful Dead (and related) concerts they hold self help style meetings but are not affiliated specifically with any 12-Step organization and have no requirement for attendance at one of their meetings besides providing some helpful drug free fellowship.[2] Like Deadheads, members of Wharf Rats come from all walks of life.[3] By 1990, the Wharf Rats mailing list had some 3,000 names.[1]The Wharf Rats began during the early 1980s[2] as a group of Deadheads under the name "The Wharf Rat Group of Alcoholics Anonymous". The Wharf Rats originally came from a small group of Narcotics Anonymous members who went to a Grateful Dead concert in Philadelphia and located each other by their Yellow balloons with the NA symbol drawn on in Magic Marker.[4] However due to operational differences they soon split off from Narcotics Anonymous, and are not affiliated with them, AA, or any other twelve-step program (though many of members of the Wharf Rats are members of AA, NA or other 12-step programs). The Wharf Rats see themselves as "a group of friends sharing a common bond, providing support, information and some traction in an otherwise slippery environment." The relationship between the Wharf Rats and more traditional such groups has been studied in the academic journal Deviant Behavior.[1]While the Wharf Rats originated at Grateful Dead concerts, they now have a presence at other concerts as well. Similar groups include The Phellowship for Phish, The Gateway for Widespread Panic, The Jellyfish for The String Cheese Incident, Much Obliged for Umphrey's McGee, Happy Hour Heroes for moe., the Digital Buddhas for The Disco Biscuits, Better Than Before for The Werks, the Hummingbirds for Bassnectar, and the Sunny Bunny Recovery for Ween, Dustie Baggies for Billy Strings and The Hot Tea Party for Goose—all based on the Wharf Rats, which remain the best-known.[2]The name of this group comes from the 1971 Dead song "Wharf Rat" (written by Jerry Garcia and Robert Hunter and appearing on Skull & Roses), which contains the self-told story of August West, a down-and-out dockside wino Played: 399 timesFirst:      February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast:      June 25, 1995 at RFK Stadium in D.C. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

The Book of Enoch continues to reveal its secrets and the way it lines up with the Biblical narrative continues to add Creedence to the truth that is the Bible! Follow along as we keep digging!

First, there was Creedence Clearwater Revival, which morphed into Credence Clearwater Revisited, which has now morphed into Revisiting Creedence. And now, Revisiting Creedence will be bringing hit after hit to Maryland Hall on April 16th in a Rams Head Presents concert. Today, we're talking with Kurt Griffey, the lead guitarist, about his career and his audience and Revisiting Creedence's pure rock and roll. So, what can you expect to see and hear on April 16th? Have a listen! LINKS: Revisiting Creedence (Website) Revisiting Creedence (Facebook) Revisiting Creedence (Twitter | X) Revisiting Creedence (YouTube) Revisiting Creedence (TICKETS)

We know that you just want to listen to your Creedence tapes while laying on a comfy rug (that really ties the room together), but new shit has come to light! We're finally talking about The Big Lebowski, a film that we've officially declared as the "official anti-podcast movie". Surprisingly, Austin is the first one to bring back the Coen brothers to the table much to Alex's delight. We got lost in the supposed nothing-burger of this plot, but is there something deeper going on here? It stars Jeff Bridges, John Goodman, Steve Buscemi, Julianne Moore, John Turturro, Tara Reid Follow us on social media - linktr.ee/twodudesbrewsreviews

In This Episode: We talk about the polar vortexes, someone being teased for their accent, some texts from a racist guy, someone who "unknowingly" snitched on his sister, a guy trying to use his estranged daughter for therapy, a listener left with some collectable tractors, and some of Erika's family drama. We also go over our new Zodiac signs! This Episode is sponsored by: Rocket Money! Go to RocketMoney.com/Judgies and cancel your unwanted subscriptions TODAY! Our Patreon is officially open, if you want to see extra content go check it out!  https://www.patreon.com/JudgiesPod  Send us mail! (Addressed However You'd Like)  P.O. Box 58 Ottawa, IL 61350  Leave a Review!  https://podcasts.apple.com/us/podcast/the-judgies/id1519741238  Follow us on Twitter: https://twitter.com/judgiespod Follow us on Instagram: https://instagram.com/judgiespod  Intro Music by: Iván  https://open.spotify.com/artist/5gB2VvyqfnOlNv37PHKRNJ?si=f6TIYrLITkG2NZXGLm_Y-Q&dl_branch=1  Story Links: AITA: Accent Texts: Racist Chester AITA: Snitch on Sister EntitledParents: Daughter's Father's Wife's Therapy Time Stamps: 0:00 Intro 2:52 Polar Vortex 7:12 Mail Time 14:15 AITA: Teased for Accent 19:08 Texts: Racist Chester 24:57 AITA: Snitch on Sister 34:54 EntitledParents: Daughter's Father's Wife's Therapy 43:53 CJ: Changed Zodiac 57:32 LS Sound: Great Energy 1:00:41 LS: Grandpa's Tractors 1:12:45 Erika's Family Drama 1:18:04 Outro Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:04:49 - La chronique de Djubaka - C'est en 1969, en pleine guerre du Vietnam, que les Creedence Clearwater Revival écrivent cette chanson qui raconte comment les enfants de riches américains réussissaient à éviter de se faire trouer la peau au front, alors que les pauvres ne pouvaient pas dire non.

This week Dez and Chase are joined by Nathans for a hilarious good time full of Creedence on a helicopter, holiday movies, and a semi fierce labor day debate. Jump in the high hide and get Wrecked! --- Send in a voice message: https://podcasters.spotify.com/pod/show/wreckedcast/message Support this podcast: https://podcasters.spotify.com/pod/show/wreckedcast/support

Jazzinvloeden in de pop, popstukken in de jazz. Van Neil Young, Creedence en Michael Jackson tot Pink Floyd, maar dan verrassend jazzy... in dit tweede uur van Alll That Jazzz van 17 okt 2023.

On the October 16 edition of the Music History Today podcast, Creedence breaks up, the Grand Ole Opry gets more diverse, & Little Richard records. Plus, it's John Mayer's birthday. ALL MY MUSIC HISTORY TODAY PODCAST LINKS - https://allmylinks.com/musichistorytoday CHECK OUT MY OTHER PODCAST, THE MUSIC HALLS OF FAME PODCAST: LINKS - https://allmylinks.com/musichallsoffamepodcast --- Send in a voice message: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/message Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support

Slottet får ymse gaver - Begravelsesbyråenes "Nille" vil gjøre det billig å dø - Prisverdig engasjement fra publikum Episoden kan inneholde målrettet reklame, basert på din IP-adresse, enhet og posisjon. Se smartpod.no/personvern for informasjon og dine valg om deling av data.

Listen in as Jo and Sandy reflect on the very genesis of Alex the Seal, and how one woman has borne the brunt of the most misheard lyric of all time. All you Lorraines - this one's dedicated to YOU!!If you'd like to be in on the fun, join us on our socials and cast your vote!You can follow us on your socials, here...Facebook: https://www.facebook.com/AlextheSealPodcastInstagram: https://www.instagram.com/alex_the_seal_podcastWe hope you enjoy the banter, and sing-a-long with us: it's less cringey that way ;-)

Listen in as Jo and Sandy introduce this new regular episode called Ripper, paying homage to the compilation albums that were released each year back in the day. If you'd like to be in on the fun, join us on our socials and cast your vote!You can follow us on your socials, here...Facebook: https://www.facebook.com/AlextheSealPodcastInstagram: https://www.instagram.com/alex_the_seal_podcastWe hope you enjoy the banter, and sing-a-long with us: it's less cringey that way ;-)

Ready to decode the legacy of The Tragically Hip and the enduring impact they've had on Canadian music and culture? Promise us your ears and we'll share an exciting exploration of the band's influence, creativity, and unique place in the hearts of their fans. Today, we're joined by the Emcee of Longslice Presents: Getting Hip to the Hip - An Evening for the Downie Wenjack Fund, Delhi stand-up, Pete Van Dyk. Today he plays the host on his podcast, "Live from the Dutch Hall." And he's invited jD, Pete, & Tim along for the ride. Together we reflect on our personal connections to The Hip, discuss the band's Canadian roots, and consider why their sound may not have resonated as widely beyond Canada's borders.Make sure to get your tickets for Longslice Presents: Getting Hip to the Hip - An Evening for the Downie Wenjack Fund today: https://bit.ly/GHTTHTicketsTranscript0:00:10 - Speaker 2Long Slice Brewery presents Getting Hip to the Hip. 0:00:27 - Speaker 3Hey, it's JD here and I am sans Pete and Tim at the moment, but they'll be joining us in just a few minutes. I am here to set up what is a new series within Getting Hip to the Hip. It's called Getting to Know Your MC And there will be a second installment of this called Getting to Know Your Band, And basically these episodes are designed to allow you to get inside of Long Slice Presents Getting Hip to the Hip an evening for the Downy Wend Jack Fund before that event even occurs. That way, when you buy your tickets and you can buy them at GettingHipToTheHipcom and clicking on the ticket button From there it's easy peasy you just have to show up at the event. So there's that. I would say that Pete van Dijk is a great stand-up comedian and he will be emceeing us. He's also a podcaster, hosting a show called Live from the Dutch Hall, And just recently he had Pete and Tim and myself on as guests And he graciously gave us a copy of the tape. He had it flown in live from Delhi and I'm going to put it up on our feed. It's going to be well. It's going to come up to you in just a second, So why don't I stop Blither Blathering and we'll get to Live from the Dutch Hall with Pete van Dijk and our friends Pete and Tim, as we discuss the podcast on Live from the Dutch Hall. 0:02:41 - Speaker 4Hey, hey, hey, hey. Welcome everybody to the Dutch Hall. We're coming to you live from the Pool Shed in Pine Grove, ontario, for episode 445, believe it or not. 445 times we have done this stupid thing, and this time we have roped two people from different parts of the planet and one person who was from here but had to come back here on a long journey today. That's right, and I'm very happy to have them in. All first timers, all Dutch Hall virgins, and they're here to promote a podcast, which is a really interesting concept, especially for a guy like me from Southern Ontario. The hip is really was really a band that was pivotal, pivotal, pivotal Is that right? That's right. Pivotal to a kid like me. It came up at the right time. They were like hitting it the same time that I was getting in to be in the most awesomeest part of my life, you know, and these guys, two of these fellas have no such experience at all. One of these fellas would have a very similar one, and the idea of the podcast is to let these two guys understand what us two guys feel about this band. And so I entered with these myself. Yet, jamie, yeah, you haven't really now. Oh well, i'll start off by introducing myself. I am the host of the show. In two time You're supposed to say two time, two time. There you go. President's Club Award winner, pete Van Dyke No applause, no applause. And our guest today, the one that's come from Waterford, ontario. He's a. He's a Waterford native, that's right, norfolk County boy. But he's moved to the big city and he's made a life for himself. First time here in the Dutch Hall, ladies and gentlemen, say hello to Jamie, do everybody, jamie do. 0:04:40 - Speaker 3It is great to be back. Great to be back to Norfolk. I mean great to be back in Ontario's garden. Oh yes, Thank you. 0:04:49 - Speaker 4Shout out to us and our guests And you're going to have to help me, jamie, on the last names here, let's try, i will. From San Diego, california, is Tim Lion, lion, everybody, i'll take it Yeah. 0:05:07 - Speaker 5Happy to be here. Thanks for having me. 0:05:10 - Speaker 4Thank you, Tim, And coming from Malaga, Spain. 0:05:14 - Speaker 3Malaga, spain. This is Pete from Spain. He doesn't have a last name. Yes, of course he does Marchica, pete, marchica, everybody. 0:05:22 - Speaker 4Pete Marchica. 0:05:26 - Speaker 1My middle name is is is from Spain. What's your middle? 0:05:29 - Speaker 4name From Spain. Oh, i'm joking, i'm your. You know, actually I have a. I have a nephew and his middle name, his name is this is seriously, his name is Adrian adventure Pitaski And, like it's just so, he could go around his parents name on that So he could tell people my, my adventure is my middle name, right? Wow, i love it. That's my nephew, that's real, that's my nephew, like that's that is cool. Like you want to get named. It's like your parents just made you James Bond, yeah Right. Like it is major, coolest. No, this kid's got to live up to that middle name. He's got to live life, yeah Right, yeah, hopefully he's not trepidatious of everything, yeah. 0:06:10 - Speaker 3What if he's just like an accountant, You know? 0:06:14 - Speaker 4it'll probably be cooking the books. Yeah Yeah, the name like adventure. You know that's a, that's just a gift, that's a gift from your parents, so uh, I think it's a little bit of a, a little bit of a, a little bit of a. It's a gift, that's a gift from your parents. So, uh, i want, I hope so, yeah, yeah, i hope so, or curse, or curse. Um, i wanted to say the band we're talking about is tragically hip. That's right. The band, uh, that, uh, if you the credit tragic lips, from Kingston, ontario, and for some reason the tragically hip have been a band that have uh made it in Canada. They were enormous in Canada, but as much as we tried to explain them to the rest of the band, we tried to explain them to the rest of the world, the rest of the world just didn't get them. 0:06:57 - Speaker 3No, Would you agree with that, Jamie? I would agree with that. And uh, these two are the avatars for the rest of the world. 0:07:03 - Speaker 4Yeah, And now is there a. Is there a band, uh, either in the United States or in Spain, that you would say would be like a band that is beloved in your country, but the rest of the world doesn't get it, You know. 0:07:21 - Speaker 1Tim, you want to take that one for the US Oh tough one, Yeah that is a tough one for US actually. 0:07:26 - Speaker 5Yeah, yeah, i have no idea, because I feel like if you break, i'm going to have to do some homework. 0:07:31 - Speaker 3I feel like if you break in the US, part of that breaking in the US is breaking internationally. 0:07:37 - Speaker 4Yeah, like the rest of the world will like what you guys like. Yeah, there's not much that you guys like, unless there's some guy like you know, like what's the name of that fella? He's, like you know, proud to be an American, or like the, or like one of those country guys who were really like patriotic and over the top. That might be a little bit. That's the country singer. 0:08:00 - Speaker 3What's his? 0:08:00 - Speaker 4name. That might be too much for like people outside the States. 0:08:04 - Speaker 1Yeah, that's true. No, I know what you're saying. 0:08:07 - Speaker 4You know what's the guy's name The big? Yeah, i know who you mean. See, that's me. We're from Canada. We don't know the guy's name? Danim Vast. Yeah, we got tons of them. You know how? about Spain? 0:08:22 - Speaker 1You know there's a band here called Los Planetes, which translates to the planets, if you will, and you know they're extremely popular. I mean they've got like there's a couple of the members have spinoff bands. I mean you can't you can't go to any corner of this country and not know somebody who knows Los Planetes. So they're like sort of as an indie rock band, sort of like I guess you'd say the hip did. But but yeah, dude, outside of if you mentioned Los Planetes outside of Spain, nobody knows what they're talking about. 0:08:54 - Speaker 3Yeah, i've never heard of them, yeah. 0:08:56 - Speaker 4I know that the tragically hip themselves were friends with the band the real statics out of England because they had the same issue as them. They were huge in England but the rest of the world Real statics are from the town. No, not real statics, stereophonics They say those bands were on. Oh, it was about to correct. Yes, i apologize. The real stacks actually open for the hip, yeah, but the stereophonics, and so they'd always, if they came out with an album, the hip would give an album to the stereophonics, stereophonics would give an album to the hips when they came out with a new one, because they had this mutual like kind of like, you know, like sister cities and stuff like that. 0:09:36 - Speaker 3It was like the same thing, but like sister bands, you know, i feel like the last time stereophonics played in Toronto it was post score dying and they played a hip song. Yeah, that would make a huge sense And I didn't. But I didn't know that there was that connection. 0:09:47 - Speaker 4I just thought they were just doing a tribute to oh no, they were big fans of it, like big fans of each other, and they both had the same thing. They could never break in the States and they were like huge in their own countries And even in Canada the stereophonics didn't really make too much of a splash. I just remember that having a stay song. Yeah, i like that band actually. Yeah. 0:10:07 - Speaker 5I can only think of bands from the U S that have done well outside the U S. You know like bigger tours outside the U S, but there are a ton. 0:10:16 - Speaker 1There are a ton of like Canadian bands that like have had broken through to me, for Christ's sake. You got Neil Young, you've got the Lannis, you've got Brian Adams, right, nickelback, you know. 0:10:29 - Speaker 5Nickelback. Yeah, that one band Rush. is that what they're called? 0:10:33 - Speaker 1Yeah, yeah, i mean one of the greatest bands of all time. It's a real crowd splitter rush. 0:10:41 - Speaker 3I agree Because. I've never I was never a Rush guy. 0:10:43 - Speaker 4If you don't, if you like Rush, you really like Rush Big time. I think it's like Bruce Springsteen. You know, bruce Springsteen, the guys that like Bruce, they love Bruce, Like they really like Oh my gosh. 0:10:54 - Speaker 5Yeah, we have a good friend who follows Bruce and I just Yeah, they're like, they're you and Target on that. God bless Michelle. 0:11:02 - Speaker 4Yeah, and my cousin's husband is like that, he's traveled all around to see Bruce, eh, and he knows him Like it. Just it means so much to him. Man, i envy that about him, but I just don't get it. Yeah, it just doesn't. 0:11:18 - Speaker 3I like Springsteen, but I'm not. I wouldn't do a follow along, or Yeah. 0:11:23 - Speaker 4You're in camp too, like either you love him or you're like oh, he's the boss, you know he's good. 0:11:29 - Speaker 5Yeah, i like a couple, you know I like it enough It's fine, there's lots of bands I would go see perform live if I got a free ticket. 0:11:38 - Speaker 1Right, yeah, i got free tickets to see Springsteen. That's the only reason I saw him. But back in the day I think we told this on the pod or I may have mentioned it on the pod when we did some, when we recorded, but back in the day, when I started playing in bands, like 25 years ago, you were, if you were a Rush fan, you were closeted. Like and I'm not even like joking Like in the US like if you liked Rush and you had Rush records, you were closeted. You didn't talk about it. I remember I was playing in a band with a guy named Jason Hirsch and he was our bass player and we played in a band for like seven or eight months and then one day it went over his house and it was like I found a bunch of porno mags in his corner. Like he's like, yeah, dude, i like Rush, and like the same was for Zappa, and I was like, dude, it's cool man, this is a safe space. 0:12:30 - Speaker 4I have a huge kit set up in the closet. I drummed a new apparel. That's funny man, but it was kind of that. There was like you just didn't know if you're, because they split the room, you either love it, like people hated Rush, or they loved Rush. You know, even in Canada, even in Canada, they're hardcore. I don't get it, you know. I think some It might be musicians though too, because like Rush, right, because they're technically Yeah, i mean because you just. 0:13:01 - Speaker 1The work of like the musicianship is like the fact that Geddy Lee can play His multi-instrumentalist on stage and singing is fucking stupid, yeah, like you know It's like Radiohead too. 0:13:16 - Speaker 4Right Like Radiohead, like Yeah, if the musicians get them more than the non-musicians, would you say that's true. 0:13:26 - Speaker 5I don't think so. I think Rush had a special kind of nerd dump. You know, like, if you ever knew, like a group of kids that played D&D, yeah, yeah, yeah. Like you know, like I don't know, rush has their own collective. Like, i have lots of friends who are radiohead fans and many of whom are not. 0:13:44 - Speaker 1We now ostracized the Rush crowd from Pete's podcast and now ostracized the D&D. 0:13:55 - Speaker 4I don't know. 0:13:57 - Speaker 5I saw D&D. friends, we're all good with each other. 0:14:01 - Speaker 4I've never played before. Have you done that Never? 0:14:05 - Speaker 5I won't touch a 12-side. I tried, like, when it became a thing, i tried with some kids in my neighborhood and I sat down with them and I was like are we going to drink some wine? Or you know, and that was the seventh grade Like it just felt like we were supposed to be naked or I don't know. It was just weird. Yeah, like It was really weird. I was like how far can we take role play right now? 0:14:26 - Speaker 4Yeah, you were an advanced. 0:14:27 - Speaker 5There's too much of a tease for me. 0:14:29 - Speaker 4No, i was like you were saying Dungeons Dragons makes a seemed a little like they was going to get a role. Did people wear costumes for that stuff? 0:14:37 - Speaker 5Well, no, i just felt like it was this level of intellectualism, you know, like that wasn't it being experiencing games and rush was kind of the same way, and maybe, you know, maybe the hip was too smart for the US, maybe it might be. 0:14:51 - Speaker 4It might be like there's, but I don't know how smart it was. It was like there's a. It's an interesting thing because I've only because of this podcast started. You know he's kind of reflect on you know I was a hip like, i am a hip fan and it, but I don't know if I'm associating it is just because they were around through a good part of my life. You know what I mean. Yeah, like I was young and having a good time and every show I went to or I could see them a lot, you know. So they were at a lot of like festivals and concerts that I would get a chance to go to. 0:15:25 - Speaker 3They were always on the bar, like whatever bar you go to, they were playing hip, you know yeah. 0:15:30 - Speaker 1They were like the LA. They were like Canada's version of X. If you live in LA, right, sure They were. They were still playing Cause like yeah, right, i know, but actually you could like go to any club on a given night in the 80s and 90s and that band was playing, and they're still playing. 0:15:51 - Speaker 4Yeah, they're still playing, and then I never seen a. The other thing that I think was was interesting about the hip, when you'd see them live, is like I've seen a lot of bands that would jam, you know, like they would like jam out a song, so it didn't sound like a radio version of it, like, but the hips the only one I can really say that vocalist was doing it too Like where the vocalist was jamming vocals, you know, and so you'd go to see them at a show and he'd be like gibberishing up there, you know, while they were like jamming something else out in the middle of a song, and then you'd go see the next tour and it would actually be a song that was on that album, you know, and like, do you remember seeing that too? Absolutely, yeah, i was called it breadcrumbs, right, like it was like little breadcrumbs and you're like that's going to be something like. I remember nautical disaster before it was nautical disaster, right, and then like, so, like I thought that was kind of cool, cause you kind of I don't remember another band that kind of let you in on the what's to come, you know, like, and and and let you watch the creative process, like the writing process, on stage, you know as obvious. 0:17:05 - Speaker 5Maybe the, maybe the doors, yeah, yeah, that's what's good. Jim Morrison did a fair amount of that, but there's not many. I mean, that was like lead singers riffing Yeah, there's not. Not many people are able to do that at all, is this? 0:17:19 - Speaker 4douchey. It really like it has the potential to go a little bit yourself in grandizing. You know, like, where it's like. Look at me, i'm an intellectual and you know even Jim Morrison and then Gord Downey. They both kind of you know they're like I'm not gonna do that. Their critics could accuse them of that, of being a little bit like you know in their own head or like too impressed by themselves. But I didn't get that impression from either of them but because I liked them. 0:17:47 - Speaker 3Yeah, me too. 0:17:48 - Speaker 4But and I like watching the creativity of it, you know, But doors is a perfect example, because that would be, I would say, the closest which I never got. to see them, So yeah. 0:18:00 - Speaker 1Pete, did you have you? because I don't know how much you dug into the pod, but we you know, one of the things that Tim and I struggle with is that you know, when we did the, when we did the pod, we recorded everything, because everything's recorded up into this point. Pretty much We're just kind of trickling the pods out leading up to the finale. But like a lot of folks, like you know, we had a week to digest the record and then it was week over week over week over week And, like so many people, like dude had fucking a year or two years to like and it had their whole lives to get to know this band. I think it's, you know, i'm not gonna we'll smoke up my own ass, but maybe I'll hold a little Tim's ass. But we, you know, i think it's, you know, i think it's, you know it's a little bit of a Tim's ass, but we, you know, i'm. I think it's pretty impressive because at this point, now that we're kind of all done, i fucking love this band. I mean, i've gone back and listened to the records we weren't super keen on and they're just dude, they're. I don't know what American rock fans were fucking thinking back in the day when this band was like pinky. 0:19:14 - Speaker 5Is that why? Yeah, i really think that a big part of why they didn't quote make it in the US, which they did to a degree, they just weren't selling out stadiums. But I think a big part of it had to do must have had to have been because of ill attempted marketing. Like, like, when bands go on tour, there are people behind the scenes that are doing promotions in every city. They're hanging posters, they're giving away tickets, they're talking about on the radio all of these things. You know everybody in LA who does this for a living And I talked to him briefly about it and he said marketing probably was marketing, i and can't. And I'm like, oh, you know, and the labels, when the hip was on with labels who weren't promoting them in the US, like, oh, they're gonna play in these six epicenter cities, we're gonna sell out them, sell out them more, maybe if all the Canadians show up, sure, that was, that was what happened. But man, if they were promoted more in a real way, like other bands on their US labels which I can't remember right now, i think they would have totally hit it. When they were on in my house the other day I said to my wife if this was playing in 1992, i would have been totally into it, cause we were talking about bands we were into in 1992. And some of them, like right now, i might have thought they were pretty good back then, but some of them right now I absolutely do not listen to. But if I would have, heard the hip in 1992, I would definitely be going back to albums right now, I believe. 0:20:48 - Speaker 4Yeah, it's interesting, that's really all. but with both what you guys said, it's really interesting cause I it's not what I expected, like number one, you've just let my audience know you've been, you've been through the entire catalog of the hip, which, when you said it takes you time to process a tragically hip album, i mean I remember like in real time, when these things came out and we would like line up at sunrise at midnight to get the new road apples or whatever you know. And but each album like road apples compared up to here and day for night compared to road apples, or like, or fully, completely, you know they were. they were as soon as you put in the new album you were like, ah, like this is, this isn't as good as the last stuff, and then you'd listen to it like a hundred times and then it would become your favorite album. you know, like totally. And I find Jack White like I'm a huge Jack White fan and it's the same thing with his stuff, cause he's pushing himself and he's growing, you know, and then it kind of takes you a bit to get your head around what he's trying to do And then after a while you start digging it, you know. That's a good example And I think that's. That's the kind of like I. You never liked the hip album when you first got it. You always liked it a couple of weeks later. You know, Like Is it. 0:22:15 - Speaker 5Sorry, is that true? Is that true for you, jamie? Were there any albums you just were like just had on repeat, psyched, go, go, go, go listen to it a hundred times a week. 0:22:26 - Speaker 3I was in love with like from the moment I heard it Like. So There you go, but and fully, completely too Trouble at the hen house. The first time I heard it I was like I'm not sure about this, but you're right, it was, it was, it was different, they were, they were, you're right, They, they were growing and I was stuck behind. Yeah, yeah, now that's like my favorite record. 0:22:46 - Speaker 4Yeah, yeah. 0:22:48 - Speaker 3Like like hands down. 0:22:50 - Speaker 4Yeah, and then, like I, yeah, cause yeah up to here was the only one I would say that I was like I'm in, this is everything's great. And then the only thing is that a lot of songs kind of sounded similar maybe, but but but then everything I was comparing everything up to here And then, and that's just. And then I just wasn't like like you said, i just wasn't developing like the. That's why it takes me a bit just to catch up, cause I'm slow, i'm just. You know, you're just a consumer, you're being fed, fed shit, you only know what you know And then get something new and takes you a bit. 0:23:28 - Speaker 1But you also never know how long it's going to take. I had a. I had a record I won't need to mention cause it's just not even important, but the record from a band that I really liked And when they're it took seven years. Seven years. It came out in 2007 and it wasn't until 2014 when I picked it up again And I literally thought this was the shittiest record I had ever heard. And I picked it up again and it turns out being my favorite record And it was like like it takes time, but for for what, tim and I? the gauntlet that fucking JD's put us through the last seven months, like how many? 0:24:05 - Speaker 3albums There's 14, 14 hours, 14 or 15. Yeah wow. 0:24:11 - Speaker 4And then, uh, yeah, that's crazy, man, that's crazy. So the what was I thinking? Oh, you're to um, you know, david Bowie's black star, that album, last album, yeah, yeah, same thing. I was like you know, i wanted Ziggy Stardust and I got black star. I was upset. And then, uh, you listen to it and you're like this is the greatest thing he's ever done. This is man. That album is incredible. Oh, yeah, and uh, yeah. And then the more you know the fact that he, uh, he doesn't, he, he leaves on an open note Like he doesn't, uh, he doesn't end on the top, on the home note, the number one, the one he doesn't end on, the one you know that's a and he knows he's going to die. 0:24:53 - Speaker 1You know, that's crazy, That album it's funny because I remember when I bought that album right when it came out, right after he died, because he died a couple of days before my birthday, because he died a few days after his birthday, which is January 8th Mine's a 16th and I bought it and I just didn't. I wanted to get it, i couldn't. And then a friend, when I moved back to Spain, explained to me that it was a lot of the songs are built on flamenco chords, spanish flamenco chords, and I was like get the fuck out of here. And then I we listened to it together and explained it to me And I was like, because a drummer of our band? and I was like, oh, that makes sense. And then the whole record made sense to me. 0:25:33 - Speaker 4It took years, isn't that great. That's a beautiful thing about music, our art in general. You know like, no matter what kind of the art, the comedy is the same way you can work your whole life. You're never going to know all the risks and all about it You're never going to. It's just so infinite in the amount. So like, that's what I like about it, about it, you know, like you can, you're never going to feel like you've got all the answers you know, when you find art, when you find art like that, that's timeless, that's, that's, that's the best stuff I think you know. 0:26:04 - Speaker 5Yeah, that's right. Yeah, something you can put on, i mean, just at any point in time. It's just that's, that's. Those are the keepers. Yeah, i don't know if we'll feel the same way. Pete, have you gone back to any any? Bob Rock produced albums. 0:26:18 - Speaker 1You know it's funny. I haven't yet, tim, but I really am looking forward to it because I think it's going to happen. I think eventually all end up like sending a letter Is Bob Rock still alive? 0:26:28 - Speaker 5Yes, oh, my gosh Yeah. 0:26:30 - Speaker 1Okay, then I'll send him like an apology letter and like be like Bob, i'm sorry, cause there are people that love. 0:26:36 - Speaker 3We are the same now And when it came out it was pretty universally derided. And there are people that absolutely adore that record now And I'm I'm one of them. Like, like, i really did not like that record the first time I heard it. Like I remember meeting Greg in the grocery store We were doing fully and completely at the time And I was like, so I did some pre listening and uh, wow, every song sounds the same. It's all droney, it's you know. And now I think, like depression suite is amazing. I love morning moon, um, queen of the Furrows is like weird and out there. But I but I dig it, but it's not, it's not. It still doesn't feel quite like a hip record because there's no Lang Lawn and St Clair backup vocals. You know it's, it's, it's just different. 0:27:24 - Speaker 4Yeah, do you hear that? Uh, i think it was at the Gino's or something. Uh, after CORE Downey died, uh, muse filled in and they did um, it's a, she did a cut. No, it's not, it's not. I said the wrong name FIEST, fiest. Yeah, fiest did, uh, did the vocals and it was for it's. Uh, it's a good life if you don't weaken. Yeah, it's a good life if you don't weaken and uh and. But like when the background vocals kicked in and then it was like, then you're like Oh, this is the hip. Yeah, cause before it was just a cover, you know. And then, as soon as you heard St Clair's backing, it was like Oh man, this is, this is cool, you know, yeah, yeah. 0:28:07 - Speaker 5Um, yeah, i was. I was asking Pete, because this morning when Amy was making coffee, I was like coffee girl. It just happened. So, bob, bob is coming in. Hey, knock on the door. 0:28:23 - Speaker 4Hey, i was hoping, uh, we, so this has been. This is really cool. If you guys, uh, who are listening to this show, if you want to check out this podcast and see how these two people were converted to the ways of the tragically hip um, uh, how can they find the show, jamie? 0:28:39 - Speaker 3go to getting hip to the hipcom and, uh, you can go anywhere that you find your podcasts you'll get getting hip to the hip And it is. 0:28:49 - Speaker 4It's going to all uh, culminate with a grand finale live show in Toronto on September 1st. Yes, sir, and people can get tickets for the show Same place. 0:29:00 - Speaker 3Getting hip to the hipcom and, uh, click on tickets and, uh, you know, uh, we'll get a great host for that evening. 0:29:08 - Speaker 4Well, thank you. Yeah, i'll be hosted by myself and uh, we have uh the finale of the podcast and you have uh entertaining the audience of uh. was it 50 mission cap or? 50 mission 50 mission, which is a hip cover band. They'll be playing, and where is it? 0:29:25 - Speaker 3It's at the rec room in Toronto on Bremner, right across from the sky dome. 0:29:29 - Speaker 4Oh sweet, it's going to be super fun. So please check us out And, uh, we will be running a uh draw here at the Dutch hall for a listener to get a free uh free ticket to the event. How about? 0:29:40 - Speaker 1a pair A pair. 0:29:41 - Speaker 4You can bring a friend. Thank you, that's nice, yeah, and I can even give you a ride if you want, if you're local. So we got all those things working for us, and there'll be details on that at the end of the show, but I don't want to keep these guys any longer doing business. Um does. 0:29:59 - Speaker 1This is the sky down where the blue jays play. Yeah, Oh fuck, that'd be cool. They're playing a game that they're not, they're out of town. 0:30:08 - Speaker 3Are we taking a game? for sure, yeah, Hey, pete. 0:30:12 - Speaker 1Pete, i've been wanting to tell you a joke, man Come tell you a joke, yeah, please do, just to turn After he's done. 0:30:20 - Speaker 5Then, pete, you play guitar to Pete and see if you guys can trade. 0:30:25 - Speaker 4Yeah, you have to do that. Okay, I'll trade your talents. I know two chords. 0:30:30 - Speaker 1So so you know Creedence, right. You know Creed's Clearwater, right. Yeah, yeah, ccr yeah. Yeah, so do you know what the difference between John Fogarty and Marvin Gaye is? 0:30:43 - Speaker 4No, I don't. 0:30:45 - Speaker 1So Marvin Gaye heard it through the grapevine, but John Fogarty played it through the grapevine. Yeah right, Tim, just snickered at that one. It's one of my all-time favorites Whoa man, don't tell that at the finale. Pete, let it sit there. 0:31:09 - Speaker 4Only if I'm really stuck I'm going to pull that one out of the toolbox. You're not going to speak to people like this. No, guys, i want to thank you for spending this time with me and getting to, for taking the time to get to know me and my audience. I really am excited about the podcast And I think it's going to be interesting. Yeah, i hope so. You guys got you guys did kind of shit on them a little bit right. Oh, yeah, they hold back. Yeah, but I think it is interesting to know that even some of the opinions that you held not so long ago may have already changed by the time the finale is going to be For sure. Yeah, Totally have. Yeah, yeah, that's cool, man, and I think that's kind of a testament to why I think they're worthy enough to still be concentrating on. You know is because this shit can happen. This stuff can really happen where people can be turned on to something new and it's new to them. So who cares if Gord's dead? you know, like these guys, never. You know, if you never heard it, like my daughter's. A perfect example Her and the bass player in her band. The bass player in her band said did you hear. Remember when the hip came out with those new tracks? Yeah, and they were all like 90s era sounding. 0:32:27 - Speaker 3They were like road apples. 0:32:28 - Speaker 4Yeah, yeah, they were great, you know, and my daughter's friend brought that to me and they're like, have you heard this? And then they started getting into it and it was brand new to them. Oh, that's hilarious, and so like to watch my kids get into it. What I was into is really a kick. So like, and then like, i think that this is a great example of it. And one time I went fishing in BC and the guy was Australian. That was like running our tour And I asked him about the question what in your country is the band that you guys would love and nobody else gets? Do they say midnight oil? He did say midnight oil And I go well, we all know midnight oil. You know, like beds are burning. And he goes like fuck that song. You know, like you guys don't know midnight oil. If you think it's beds are burning, look into their back catalog when they're a punk band, you know. And then, and it was way different, really Way different, and nothing like anything that made them popular, but it's so, it's. maybe there's bands like this everywhere. You know you can. I never knew about like all all that old good soul music because it never played on any radios that I got to listen to. You know, like I just found out about Al Green like five years ago, like that breaks my heart. You know where was Al Green my whole life? But so there is a lot of good stuff out there And I think this podcast kind of shines a light on that. So I think it was going to be, while we're checking out, so getting hip to the hit, check it out. Everybody And Tim, thank you very much for, for, for the, for doing this for me. 0:34:03 - Speaker 5Yeah, thanks, pete. 0:34:04 - Speaker 1Thanks Pete. Thanks JD, Good to see you guys? 0:34:07 - Speaker 4Good to see you guys. Yeah, and we will see you on September 1st Sounds great. See you September 1st, can't wait. All right, take care, guys. Okay, this show would be nothing without our sponsors at CleanFlow. If you'd like to support them, go to cleanflowcom That's K L, e, e, n, f L O dot com and check out all the great products. Lube up your life with clean flow. And if you'd like to support our show, go to patreoncom. slash dutch hall And you can join our queen, jen Husko, and being a part of dutch hall royalty. And if you're a business that's looking at any sponsorship opportunities, you can also look on Patreon and look at options there. And every time someone on our show gets a little tight ass about what we're putting out on social media, i will put that on Patreon. There was one just recently that Kevin made me not agree not to put out, so I put that on Patreon. And we also have the one that Charter's obviously banned us from putting out. It's on Patreon, so all the band materials on there. So it is well worth the money. There'll be content And you'll also get invited to special events, like my 50th birthday show that's going to be happening in October. This will happen if you are joining our Patreon, or if you even are too cheap to do that. You can go and give us $5 a year. Just E-transfer that to the dutchhallgmailcom and you will become a shareholder of our program, and shareholders get the same rights as the Patreon supporters do. So that's a way you can help us out as well. And lastly, oh, it goes to Port. Johnny's show at the Lazy Flamingo and Hus Village and Hamilton every Monday starts around 8.39 ish around there. Go to see Johnny at the Lazy Flamingo and I will be headlining there tomorrow. And that is it. That is all of our sponsors. I think you can give us some feedback at the dutchhall gmocom or we are at the tall on Instagram. That is it for sponsors, jamie. That is it for sponsors. I promise that's everything. And, of course, you got to keep getting hip to the hip. What You got to keep the lights on. I keep the lights on exactly getting hip to the hip and the go get some tickets to the grand finale, the rec room in Toronto on September 1st. Jamie, thanks again for coming in. Thank you very much. It's been really nice And, as I said, you, i've been watching you promote this thing, i've been watching you put it together and the way that you have curated it, the way that you've cared for it and the way that you've, like, put thoughtful effort into every step of it. It shows through This is being done at a high level, and I'm really proud of the effort you put in. So keep it up, and I'm going to continue to support everything you do, cause I'm real happy to know a guy like you. So thanks for coming in, buddy. 0:37:18 - Speaker 3Thanks for having me. It's great to be here. Finally, yeah, finally We worked it out. 0:37:22 - Speaker 4Yeah. So everyone that's been our show 445 tele friend shared around, be nice to each other And until next week we will see you and T see you next Thursday. 0:38:01 - Speaker 3Thanks for listening to getting hip to the hip. Please subscribe share rate and subscribe podcast, some such. Support this podcast at — https://redcircle.com/fully-and-completely/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Ready to decode the legacy of The Tragically Hip and the enduring impact they've had on Canadian music and culture? Promise us your ears and we'll share an exciting exploration of the band's influence, creativity, and unique place in the hearts of their fans. Today, we're joined by the Emcee of Longslice Presents: Getting Hip to the Hip - An Evening for the Downie Wenjack Fund, Delhi stand-up, Pete Van Dyk. Today he plays the host on his podcast, "Live from the Dutch Hall." And he's invited jD, Pete, & Tim along for the ride. Together we reflect on our personal connections to The Hip, discuss the band's Canadian roots, and consider why their sound may not have resonated as widely beyond Canada's borders.Make sure to get your tickets for Longslice Presents: Getting Hip to the Hip - An Evening for the Downie Wenjack Fund today: https://bit.ly/GHTTHTicketsTranscript0:00:10 - Speaker 2Long Slice Brewery presents Getting Hip to the Hip. 0:00:27 - Speaker 3Hey, it's JD here and I am sans Pete and Tim at the moment, but they'll be joining us in just a few minutes. I am here to set up what is a new series within Getting Hip to the Hip. It's called Getting to Know Your MC And there will be a second installment of this called Getting to Know Your Band, And basically these episodes are designed to allow you to get inside of Long Slice Presents Getting Hip to the Hip an evening for the Downy Wend Jack Fund before that event even occurs. That way, when you buy your tickets and you can buy them at GettingHipToTheHipcom and clicking on the ticket button From there it's easy peasy you just have to show up at the event. So there's that. I would say that Pete van Dijk is a great stand-up comedian and he will be emceeing us. He's also a podcaster, hosting a show called Live from the Dutch Hall, And just recently he had Pete and Tim and myself on as guests And he graciously gave us a copy of the tape. He had it flown in live from Delhi and I'm going to put it up on our feed. It's going to be well. It's going to come up to you in just a second, So why don't I stop Blither Blathering and we'll get to Live from the Dutch Hall with Pete van Dijk and our friends Pete and Tim, as we discuss the podcast on Live from the Dutch Hall. 0:02:41 - Speaker 4Hey, hey, hey, hey. Welcome everybody to the Dutch Hall. We're coming to you live from the Pool Shed in Pine Grove, ontario, for episode 445, believe it or not. 445 times we have done this stupid thing, and this time we have roped two people from different parts of the planet and one person who was from here but had to come back here on a long journey today. That's right, and I'm very happy to have them in. All first timers, all Dutch Hall virgins, and they're here to promote a podcast, which is a really interesting concept, especially for a guy like me from Southern Ontario. The hip is really was really a band that was pivotal, pivotal, pivotal Is that right? That's right. Pivotal to a kid like me. It came up at the right time. They were like hitting it the same time that I was getting in to be in the most awesomeest part of my life, you know, and these guys, two of these fellas have no such experience at all. One of these fellas would have a very similar one, and the idea of the podcast is to let these two guys understand what us two guys feel about this band. And so I entered with these myself. Yet, jamie, yeah, you haven't really now. Oh well, i'll start off by introducing myself. I am the host of the show. In two time You're supposed to say two time, two time. There you go. President's Club Award winner, pete Van Dyke No applause, no applause. And our guest today, the one that's come from Waterford, ontario. He's a. He's a Waterford native, that's right, norfolk County boy. But he's moved to the big city and he's made a life for himself. First time here in the Dutch Hall, ladies and gentlemen, say hello to Jamie, do everybody, jamie do. 0:04:40 - Speaker 3It is great to be back. Great to be back to Norfolk. I mean great to be back in Ontario's garden. Oh yes, Thank you. 0:04:49 - Speaker 4Shout out to us and our guests And you're going to have to help me, jamie, on the last names here, let's try, i will. From San Diego, california, is Tim Lion, lion, everybody, i'll take it Yeah. 0:05:07 - Speaker 5Happy to be here. Thanks for having me. 0:05:10 - Speaker 4Thank you, Tim, And coming from Malaga, Spain. 0:05:14 - Speaker 3Malaga, spain. This is Pete from Spain. He doesn't have a last name. Yes, of course he does Marchica, pete, marchica, everybody. 0:05:22 - Speaker 4Pete Marchica. 0:05:26 - Speaker 1My middle name is is is from Spain. What's your middle? 0:05:29 - Speaker 4name From Spain. Oh, i'm joking, i'm your. You know, actually I have a. I have a nephew and his middle name, his name is this is seriously, his name is Adrian adventure Pitaski And, like it's just so, he could go around his parents name on that So he could tell people my, my adventure is my middle name, right? Wow, i love it. That's my nephew, that's real, that's my nephew, like that's that is cool. Like you want to get named. It's like your parents just made you James Bond, yeah Right. Like it is major, coolest. No, this kid's got to live up to that middle name. He's got to live life, yeah Right, yeah, hopefully he's not trepidatious of everything, yeah. 0:06:10 - Speaker 3What if he's just like an accountant, You know? 0:06:14 - Speaker 4it'll probably be cooking the books. Yeah Yeah, the name like adventure. You know that's a, that's just a gift, that's a gift from your parents, so uh, I think it's a little bit of a, a little bit of a, a little bit of a. It's a gift, that's a gift from your parents. So, uh, i want, I hope so, yeah, yeah, i hope so, or curse, or curse. Um, i wanted to say the band we're talking about is tragically hip. That's right. The band, uh, that, uh, if you the credit tragic lips, from Kingston, ontario, and for some reason the tragically hip have been a band that have uh made it in Canada. They were enormous in Canada, but as much as we tried to explain them to the rest of the band, we tried to explain them to the rest of the world, the rest of the world just didn't get them. 0:06:57 - Speaker 3No, Would you agree with that, Jamie? I would agree with that. And uh, these two are the avatars for the rest of the world. 0:07:03 - Speaker 4Yeah, And now is there a. Is there a band, uh, either in the United States or in Spain, that you would say would be like a band that is beloved in your country, but the rest of the world doesn't get it, You know. 0:07:21 - Speaker 1Tim, you want to take that one for the US Oh tough one, Yeah that is a tough one for US actually. 0:07:26 - Speaker 5Yeah, yeah, i have no idea, because I feel like if you break, i'm going to have to do some homework. 0:07:31 - Speaker 3I feel like if you break in the US, part of that breaking in the US is breaking internationally. 0:07:37 - Speaker 4Yeah, like the rest of the world will like what you guys like. Yeah, there's not much that you guys like, unless there's some guy like you know, like what's the name of that fella? He's, like you know, proud to be an American, or like the, or like one of those country guys who were really like patriotic and over the top. That might be a little bit. That's the country singer. 0:08:00 - Speaker 3What's his? 0:08:00 - Speaker 4name. That might be too much for like people outside the States. 0:08:04 - Speaker 1Yeah, that's true. No, I know what you're saying. 0:08:07 - Speaker 4You know what's the guy's name The big? Yeah, i know who you mean. See, that's me. We're from Canada. We don't know the guy's name? Danim Vast. Yeah, we got tons of them. You know how? about Spain? 0:08:22 - Speaker 1You know there's a band here called Los Planetes, which translates to the planets, if you will, and you know they're extremely popular. I mean they've got like there's a couple of the members have spinoff bands. I mean you can't you can't go to any corner of this country and not know somebody who knows Los Planetes. So they're like sort of as an indie rock band, sort of like I guess you'd say the hip did. But but yeah, dude, outside of if you mentioned Los Planetes outside of Spain, nobody knows what they're talking about. 0:08:54 - Speaker 3Yeah, i've never heard of them, yeah. 0:08:56 - Speaker 4I know that the tragically hip themselves were friends with the band the real statics out of England because they had the same issue as them. They were huge in England but the rest of the world Real statics are from the town. No, not real statics, stereophonics They say those bands were on. Oh, it was about to correct. Yes, i apologize. The real stacks actually open for the hip, yeah, but the stereophonics, and so they'd always, if they came out with an album, the hip would give an album to the stereophonics, stereophonics would give an album to the hips when they came out with a new one, because they had this mutual like kind of like, you know, like sister cities and stuff like that. 0:09:36 - Speaker 3It was like the same thing, but like sister bands, you know, i feel like the last time stereophonics played in Toronto it was post score dying and they played a hip song. Yeah, that would make a huge sense And I didn't. But I didn't know that there was that connection. 0:09:47 - Speaker 4I just thought they were just doing a tribute to oh no, they were big fans of it, like big fans of each other, and they both had the same thing. They could never break in the States and they were like huge in their own countries And even in Canada the stereophonics didn't really make too much of a splash. I just remember that having a stay song. Yeah, i like that band actually. Yeah. 0:10:07 - Speaker 5I can only think of bands from the U S that have done well outside the U S. You know like bigger tours outside the U S, but there are a ton. 0:10:16 - Speaker 1There are a ton of like Canadian bands that like have had broken through to me, for Christ's sake. You got Neil Young, you've got the Lannis, you've got Brian Adams, right, nickelback, you know. 0:10:29 - Speaker 5Nickelback. Yeah, that one band Rush. is that what they're called? 0:10:33 - Speaker 1Yeah, yeah, i mean one of the greatest bands of all time. It's a real crowd splitter rush. 0:10:41 - Speaker 3I agree Because. I've never I was never a Rush guy. 0:10:43 - Speaker 4If you don't, if you like Rush, you really like Rush Big time. I think it's like Bruce Springsteen. You know, bruce Springsteen, the guys that like Bruce, they love Bruce, Like they really like Oh my gosh. 0:10:54 - Speaker 5Yeah, we have a good friend who follows Bruce and I just Yeah, they're like, they're you and Target on that. God bless Michelle. 0:11:02 - Speaker 4Yeah, and my cousin's husband is like that, he's traveled all around to see Bruce, eh, and he knows him Like it. Just it means so much to him. Man, i envy that about him, but I just don't get it. Yeah, it just doesn't. 0:11:18 - Speaker 3I like Springsteen, but I'm not. I wouldn't do a follow along, or Yeah. 0:11:23 - Speaker 4You're in camp too, like either you love him or you're like oh, he's the boss, you know he's good. 0:11:29 - Speaker 5Yeah, i like a couple, you know I like it enough It's fine, there's lots of bands I would go see perform live if I got a free ticket. 0:11:38 - Speaker 1Right, yeah, i got free tickets to see Springsteen. That's the only reason I saw him. But back in the day I think we told this on the pod or I may have mentioned it on the pod when we did some, when we recorded, but back in the day, when I started playing in bands, like 25 years ago, you were, if you were a Rush fan, you were closeted. Like and I'm not even like joking Like in the US like if you liked Rush and you had Rush records, you were closeted. You didn't talk about it. I remember I was playing in a band with a guy named Jason Hirsch and he was our bass player and we played in a band for like seven or eight months and then one day it went over his house and it was like I found a bunch of porno mags in his corner. Like he's like, yeah, dude, i like Rush, and like the same was for Zappa, and I was like, dude, it's cool man, this is a safe space. 0:12:30 - Speaker 4I have a huge kit set up in the closet. I drummed a new apparel. That's funny man, but it was kind of that. There was like you just didn't know if you're, because they split the room, you either love it, like people hated Rush, or they loved Rush. You know, even in Canada, even in Canada, they're hardcore. I don't get it, you know. I think some It might be musicians though too, because like Rush, right, because they're technically Yeah, i mean because you just. 0:13:01 - Speaker 1The work of like the musicianship is like the fact that Geddy Lee can play His multi-instrumentalist on stage and singing is fucking stupid, yeah, like you know It's like Radiohead too. 0:13:16 - Speaker 4Right Like Radiohead, like Yeah, if the musicians get them more than the non-musicians, would you say that's true. 0:13:26 - Speaker 5I don't think so. I think Rush had a special kind of nerd dump. You know, like, if you ever knew, like a group of kids that played D&D, yeah, yeah, yeah. Like you know, like I don't know, rush has their own collective. Like, i have lots of friends who are radiohead fans and many of whom are not. 0:13:44 - Speaker 1We now ostracized the Rush crowd from Pete's podcast and now ostracized the D&D. 0:13:55 - Speaker 4I don't know. 0:13:57 - Speaker 5I saw D&D. friends, we're all good with each other. 0:14:01 - Speaker 4I've never played before. Have you done that Never? 0:14:05 - Speaker 5I won't touch a 12-side. I tried, like, when it became a thing, i tried with some kids in my neighborhood and I sat down with them and I was like are we going to drink some wine? Or you know, and that was the seventh grade Like it just felt like we were supposed to be naked or I don't know. It was just weird. Yeah, like It was really weird. I was like how far can we take role play right now? 0:14:26 - Speaker 4Yeah, you were an advanced. 0:14:27 - Speaker 5There's too much of a tease for me. 0:14:29 - Speaker 4No, i was like you were saying Dungeons Dragons makes a seemed a little like they was going to get a role. Did people wear costumes for that stuff? 0:14:37 - Speaker 5Well, no, i just felt like it was this level of intellectualism, you know, like that wasn't it being experiencing games and rush was kind of the same way, and maybe, you know, maybe the hip was too smart for the US, maybe it might be. 0:14:51 - Speaker 4It might be like there's, but I don't know how smart it was. It was like there's a. It's an interesting thing because I've only because of this podcast started. You know he's kind of reflect on you know I was a hip like, i am a hip fan and it, but I don't know if I'm associating it is just because they were around through a good part of my life. You know what I mean. Yeah, like I was young and having a good time and every show I went to or I could see them a lot, you know. So they were at a lot of like festivals and concerts that I would get a chance to go to. 0:15:25 - Speaker 3They were always on the bar, like whatever bar you go to, they were playing hip, you know yeah. 0:15:30 - Speaker 1They were like the LA. They were like Canada's version of X. If you live in LA, right, sure They were. They were still playing Cause like yeah, right, i know, but actually you could like go to any club on a given night in the 80s and 90s and that band was playing, and they're still playing. 0:15:51 - Speaker 4Yeah, they're still playing, and then I never seen a. The other thing that I think was was interesting about the hip, when you'd see them live, is like I've seen a lot of bands that would jam, you know, like they would like jam out a song, so it didn't sound like a radio version of it, like, but the hips the only one I can really say that vocalist was doing it too Like where the vocalist was jamming vocals, you know, and so you'd go to see them at a show and he'd be like gibberishing up there, you know, while they were like jamming something else out in the middle of a song, and then you'd go see the next tour and it would actually be a song that was on that album, you know, and like, do you remember seeing that too? Absolutely, yeah, i was called it breadcrumbs, right, like it was like little breadcrumbs and you're like that's going to be something like. I remember nautical disaster before it was nautical disaster, right, and then like, so, like I thought that was kind of cool, cause you kind of I don't remember another band that kind of let you in on the what's to come, you know, like, and and and let you watch the creative process, like the writing process, on stage, you know as obvious. 0:17:05 - Speaker 5Maybe the, maybe the doors, yeah, yeah, that's what's good. Jim Morrison did a fair amount of that, but there's not many. I mean, that was like lead singers riffing Yeah, there's not. Not many people are able to do that at all, is this? 0:17:19 - Speaker 4douchey. It really like it has the potential to go a little bit yourself in grandizing. You know, like, where it's like. Look at me, i'm an intellectual and you know even Jim Morrison and then Gord Downey. They both kind of you know they're like I'm not gonna do that. Their critics could accuse them of that, of being a little bit like you know in their own head or like too impressed by themselves. But I didn't get that impression from either of them but because I liked them. 0:17:47 - Speaker 3Yeah, me too. 0:17:48 - Speaker 4But and I like watching the creativity of it, you know, But doors is a perfect example, because that would be, I would say, the closest which I never got. to see them, So yeah. 0:18:00 - Speaker 1Pete, did you have you? because I don't know how much you dug into the pod, but we you know, one of the things that Tim and I struggle with is that you know, when we did the, when we did the pod, we recorded everything, because everything's recorded up into this point. Pretty much We're just kind of trickling the pods out leading up to the finale. But like a lot of folks, like you know, we had a week to digest the record and then it was week over week over week over week And, like so many people, like dude had fucking a year or two years to like and it had their whole lives to get to know this band. I think it's, you know, i'm not gonna we'll smoke up my own ass, but maybe I'll hold a little Tim's ass. But we, you know, i think it's, you know, i think it's, you know it's a little bit of a Tim's ass, but we, you know, i'm. I think it's pretty impressive because at this point, now that we're kind of all done, i fucking love this band. I mean, i've gone back and listened to the records we weren't super keen on and they're just dude, they're. I don't know what American rock fans were fucking thinking back in the day when this band was like pinky. 0:19:14 - Speaker 5Is that why? Yeah, i really think that a big part of why they didn't quote make it in the US, which they did to a degree, they just weren't selling out stadiums. But I think a big part of it had to do must have had to have been because of ill attempted marketing. Like, like, when bands go on tour, there are people behind the scenes that are doing promotions in every city. They're hanging posters, they're giving away tickets, they're talking about on the radio all of these things. You know everybody in LA who does this for a living And I talked to him briefly about it and he said marketing probably was marketing, i and can't. And I'm like, oh, you know, and the labels, when the hip was on with labels who weren't promoting them in the US, like, oh, they're gonna play in these six epicenter cities, we're gonna sell out them, sell out them more, maybe if all the Canadians show up, sure, that was, that was what happened. But man, if they were promoted more in a real way, like other bands on their US labels which I can't remember right now, i think they would have totally hit it. When they were on in my house the other day I said to my wife if this was playing in 1992, i would have been totally into it, cause we were talking about bands we were into in 1992. And some of them, like right now, i might have thought they were pretty good back then, but some of them right now I absolutely do not listen to. But if I would have, heard the hip in 1992, I would definitely be going back to albums right now, I believe. 0:20:48 - Speaker 4Yeah, it's interesting, that's really all. but with both what you guys said, it's really interesting cause I it's not what I expected, like number one, you've just let my audience know you've been, you've been through the entire catalog of the hip, which, when you said it takes you time to process a tragically hip album, i mean I remember like in real time, when these things came out and we would like line up at sunrise at midnight to get the new road apples or whatever you know. And but each album like road apples compared up to here and day for night compared to road apples, or like, or fully, completely, you know they were. they were as soon as you put in the new album you were like, ah, like this is, this isn't as good as the last stuff, and then you'd listen to it like a hundred times and then it would become your favorite album. you know, like totally. And I find Jack White like I'm a huge Jack White fan and it's the same thing with his stuff, cause he's pushing himself and he's growing, you know, and then it kind of takes you a bit to get your head around what he's trying to do And then after a while you start digging it, you know. That's a good example And I think that's. That's the kind of like I. You never liked the hip album when you first got it. You always liked it a couple of weeks later. You know, Like Is it. 0:22:15 - Speaker 5Sorry, is that true? Is that true for you, jamie? Were there any albums you just were like just had on repeat, psyched, go, go, go, go listen to it a hundred times a week. 0:22:26 - Speaker 3I was in love with like from the moment I heard it Like. So There you go, but and fully, completely too Trouble at the hen house. The first time I heard it I was like I'm not sure about this, but you're right, it was, it was, it was different, they were, they were, you're right, They, they were growing and I was stuck behind. Yeah, yeah, now that's like my favorite record. 0:22:46 - Speaker 4Yeah, yeah. 0:22:48 - Speaker 3Like like hands down. 0:22:50 - Speaker 4Yeah, and then, like I, yeah, cause yeah up to here was the only one I would say that I was like I'm in, this is everything's great. And then the only thing is that a lot of songs kind of sounded similar maybe, but but but then everything I was comparing everything up to here And then, and that's just. And then I just wasn't like like you said, i just wasn't developing like the. That's why it takes me a bit just to catch up, cause I'm slow, i'm just. You know, you're just a consumer, you're being fed, fed shit, you only know what you know And then get something new and takes you a bit. 0:23:28 - Speaker 1But you also never know how long it's going to take. I had a. I had a record I won't need to mention cause it's just not even important, but the record from a band that I really liked And when they're it took seven years. Seven years. It came out in 2007 and it wasn't until 2014 when I picked it up again And I literally thought this was the shittiest record I had ever heard. And I picked it up again and it turns out being my favorite record And it was like like it takes time, but for for what, tim and I? the gauntlet that fucking JD's put us through the last seven months, like how many? 0:24:05 - Speaker 3albums There's 14, 14 hours, 14 or 15. Yeah wow. 0:24:11 - Speaker 4And then, uh, yeah, that's crazy, man, that's crazy. So the what was I thinking? Oh, you're to um, you know, david Bowie's black star, that album, last album, yeah, yeah, same thing. I was like you know, i wanted Ziggy Stardust and I got black star. I was upset. And then, uh, you listen to it and you're like this is the greatest thing he's ever done. This is man. That album is incredible. Oh, yeah, and uh, yeah. And then the more you know the fact that he, uh, he doesn't, he, he leaves on an open note Like he doesn't, uh, he doesn't end on the top, on the home note, the number one, the one he doesn't end on, the one you know that's a and he knows he's going to die. 0:24:53 - Speaker 1You know, that's crazy, That album it's funny because I remember when I bought that album right when it came out, right after he died, because he died a couple of days before my birthday, because he died a few days after his birthday, which is January 8th Mine's a 16th and I bought it and I just didn't. I wanted to get it, i couldn't. And then a friend, when I moved back to Spain, explained to me that it was a lot of the songs are built on flamenco chords, spanish flamenco chords, and I was like get the fuck out of here. And then I we listened to it together and explained it to me And I was like, because a drummer of our band? and I was like, oh, that makes sense. And then the whole record made sense to me. 0:25:33 - Speaker 4It took years, isn't that great. That's a beautiful thing about music, our art in general. You know like, no matter what kind of the art, the comedy is the same way you can work your whole life. You're never going to know all the risks and all about it You're never going to. It's just so infinite in the amount. So like, that's what I like about it, about it, you know, like you can, you're never going to feel like you've got all the answers you know, when you find art, when you find art like that, that's timeless, that's, that's, that's the best stuff I think you know. 0:26:04 - Speaker 5Yeah, that's right. Yeah, something you can put on, i mean, just at any point in time. It's just that's, that's. Those are the keepers. Yeah, i don't know if we'll feel the same way. Pete, have you gone back to any any? Bob Rock produced albums. 0:26:18 - Speaker 1You know it's funny. I haven't yet, tim, but I really am looking forward to it because I think it's going to happen. I think eventually all end up like sending a letter Is Bob Rock still alive? 0:26:28 - Speaker 5Yes, oh, my gosh Yeah. 0:26:30 - Speaker 1Okay, then I'll send him like an apology letter and like be like Bob, i'm sorry, cause there are people that love. 0:26:36 - Speaker 3We are the same now And when it came out it was pretty universally derided. And there are people that absolutely adore that record now And I'm I'm one of them. Like, like, i really did not like that record the first time I heard it. Like I remember meeting Greg in the grocery store We were doing fully and completely at the time And I was like, so I did some pre listening and uh, wow, every song sounds the same. It's all droney, it's you know. And now I think, like depression suite is amazing. I love morning moon, um, queen of the Furrows is like weird and out there. But I but I dig it, but it's not, it's not. It still doesn't feel quite like a hip record because there's no Lang Lawn and St Clair backup vocals. You know it's, it's, it's just different. 0:27:24 - Speaker 4Yeah, do you hear that? Uh, i think it was at the Gino's or something. Uh, after CORE Downey died, uh, muse filled in and they did um, it's a, she did a cut. No, it's not, it's not. I said the wrong name FIEST, fiest. Yeah, fiest did, uh, did the vocals and it was for it's. Uh, it's a good life if you don't weaken. Yeah, it's a good life if you don't weaken and uh and. But like when the background vocals kicked in and then it was like, then you're like Oh, this is the hip. Yeah, cause before it was just a cover, you know. And then, as soon as you heard St Clair's backing, it was like Oh man, this is, this is cool, you know, yeah, yeah. 0:28:07 - Speaker 5Um, yeah, i was. I was asking Pete, because this morning when Amy was making coffee, I was like coffee girl. It just happened. So, bob, bob is coming in. Hey, knock on the door. 0:28:23 - Speaker 4Hey, i was hoping, uh, we, so this has been. This is really cool. If you guys, uh, who are listening to this show, if you want to check out this podcast and see how these two people were converted to the ways of the tragically hip um, uh, how can they find the show, jamie? 0:28:39 - Speaker 3go to getting hip to the hipcom and, uh, you can go anywhere that you find your podcasts you'll get getting hip to the hip And it is. 0:28:49 - Speaker 4It's going to all uh, culminate with a grand finale live show in Toronto on September 1st. Yes, sir, and people can get tickets for the show Same place. 0:29:00 - Speaker 3Getting hip to the hipcom and, uh, click on tickets and, uh, you know, uh, we'll get a great host for that evening. 0:29:08 - Speaker 4Well, thank you. Yeah, i'll be hosted by myself and uh, we have uh the finale of the podcast and you have uh entertaining the audience of uh. was it 50 mission cap or? 50 mission 50 mission, which is a hip cover band. They'll be playing, and where is it? 0:29:25 - Speaker 3It's at the rec room in Toronto on Bremner, right across from the sky dome. 0:29:29 - Speaker 4Oh sweet, it's going to be super fun. So please check us out And, uh, we will be running a uh draw here at the Dutch hall for a listener to get a free uh free ticket to the event. How about? 0:29:40 - Speaker 1a pair A pair. 0:29:41 - Speaker 4You can bring a friend. Thank you, that's nice, yeah, and I can even give you a ride if you want, if you're local. So we got all those things working for us, and there'll be details on that at the end of the show, but I don't want to keep these guys any longer doing business. Um does. 0:29:59 - Speaker 1This is the sky down where the blue jays play. Yeah, Oh fuck, that'd be cool. They're playing a game that they're not, they're out of town. 0:30:08 - Speaker 3Are we taking a game? for sure, yeah, Hey, pete. 0:30:12 - Speaker 1Pete, i've been wanting to tell you a joke, man Come tell you a joke, yeah, please do, just to turn After he's done. 0:30:20 - Speaker 5Then, pete, you play guitar to Pete and see if you guys can trade. 0:30:25 - Speaker 4Yeah, you have to do that. Okay, I'll trade your talents. I know two chords. 0:30:30 - Speaker 1So so you know Creedence, right. You know Creed's Clearwater, right. Yeah, yeah, ccr yeah. Yeah, so do you know what the difference between John Fogarty and Marvin Gaye is? 0:30:43 - Speaker 4No, I don't. 0:30:45 - Speaker 1So Marvin Gaye heard it through the grapevine, but John Fogarty played it through the grapevine. Yeah right, Tim, just snickered at that one. It's one of my all-time favorites Whoa man, don't tell that at the finale. Pete, let it sit there. 0:31:09 - Speaker 4Only if I'm really stuck I'm going to pull that one out of the toolbox. You're not going to speak to people like this. No, guys, i want to thank you for spending this time with me and getting to, for taking the time to get to know me and my audience. I really am excited about the podcast And I think it's going to be interesting. Yeah, i hope so. You guys got you guys did kind of shit on them a little bit right. Oh, yeah, they hold back. Yeah, but I think it is interesting to know that even some of the opinions that you held not so long ago may have already changed by the time the finale is going to be For sure. Yeah, Totally have. Yeah, yeah, that's cool, man, and I think that's kind of a testament to why I think they're worthy enough to still be concentrating on. You know is because this shit can happen. This stuff can really happen where people can be turned on to something new and it's new to them. So who cares if Gord's dead? you know, like these guys, never. You know, if you never heard it, like my daughter's. A perfect example Her and the bass player in her band. The bass player in her band said did you hear. Remember when the hip came out with those new tracks? Yeah, and they were all like 90s era sounding. 0:32:27 - Speaker 3They were like road apples. 0:32:28 - Speaker 4Yeah, yeah, they were great, you know, and my daughter's friend brought that to me and they're like, have you heard this? And then they started getting into it and it was brand new to them. Oh, that's hilarious, and so like to watch my kids get into it. What I was into is really a kick. So like, and then like, i think that this is a great example of it. And one time I went fishing in BC and the guy was Australian. That was like running our tour And I asked him about the question what in your country is the band that you guys would love and nobody else gets? Do they say midnight oil? He did say midnight oil And I go well, we all know midnight oil. You know, like beds are burning. And he goes like fuck that song. You know, like you guys don't know midnight oil. If you think it's beds are burning, look into their back catalog when they're a punk band, you know. And then, and it was way different, really Way different, and nothing like anything that made them popular, but it's so, it's. maybe there's bands like this everywhere. You know you can. I never knew about like all all that old good soul music because it never played on any radios that I got to listen to. You know, like I just found out about Al Green like five years ago, like that breaks my heart. You know where was Al Green my whole life? But so there is a lot of good stuff out there And I think this podcast kind of shines a light on that. So I think it was going to be, while we're checking out, so getting hip to the hit, check it out. Everybody And Tim, thank you very much for, for, for the, for doing this for me. 0:34:03 - Speaker 5Yeah, thanks, pete. 0:34:04 - Speaker 1Thanks Pete. Thanks JD, Good to see you guys? 0:34:07 - Speaker 4Good to see you guys. Yeah, and we will see you on September 1st Sounds great. See you September 1st, can't wait. All right, take care, guys. Okay, this show would be nothing without our sponsors at CleanFlow. If you'd like to support them, go to cleanflowcom That's K L, e, e, n, f L O dot com and check out all the great products. Lube up your life with clean flow. And if you'd like to support our show, go to patreoncom. slash dutch hall And you can join our queen, jen Husko, and being a part of dutch hall royalty. And if you're a business that's looking at any sponsorship opportunities, you can also look on Patreon and look at options there. And every time someone on our show gets a little tight ass about what we're putting out on social media, i will put that on Patreon. There was one just recently that Kevin made me not agree not to put out, so I put that on Patreon. And we also have the one that Charter's obviously banned us from putting out. It's on Patreon, so all the band materials on there. So it is well worth the money. There'll be content And you'll also get invited to special events, like my 50th birthday show that's going to be happening in October. This will happen if you are joining our Patreon, or if you even are too cheap to do that. You can go and give us $5 a year. Just E-transfer that to the dutchhallgmailcom and you will become a shareholder of our program, and shareholders get the same rights as the Patreon supporters do. So that's a way you can help us out as well. And lastly, oh, it goes to Port. Johnny's show at the Lazy Flamingo and Hus Village and Hamilton every Monday starts around 8.39 ish around there. Go to see Johnny at the Lazy Flamingo and I will be headlining there tomorrow. And that is it. That is all of our sponsors. I think you can give us some feedback at the dutchhall gmocom or we are at the tall on Instagram. That is it for sponsors, jamie. That is it for sponsors. I promise that's everything. And, of course, you got to keep getting hip to the hip. What You got to keep the lights on. I keep the lights on exactly getting hip to the hip and the go get some tickets to the grand finale, the rec room in Toronto on September 1st. Jamie, thanks again for coming in. Thank you very much. It's been really nice And, as I said, you, i've been watching you promote this thing, i've been watching you put it together and the way that you have curated it, the way that you've cared for it and the way that you've, like, put thoughtful effort into every step of it. It shows through This is being done at a high level, and I'm really proud of the effort you put in. So keep it up, and I'm going to continue to support everything you do, cause I'm real happy to know a guy like you. So thanks for coming in, buddy. 0:37:18 - Speaker 3Thanks for having me. It's great to be here. Finally, yeah, finally We worked it out. 0:37:22 - Speaker 4Yeah. So everyone that's been our show 445 tele friend shared around, be nice to each other And until next week we will see you and T see you next Thursday. 0:38:01 - Speaker 3Thanks for listening to getting hip to the hip. Please subscribe share rate and subscribe podcast, some such. Support this podcast at — https://redcircle.com/gettinghiptothehip/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Raging Bull, 4K Re-Release - The Disappointed Tourist, Butler Gallery, Kilkenny - John Fogerty & Creedence

Llegarán a la segunda edición del festival Remind GNP 2023

Está con nosotros una de las voces y una de las guitarras más poderosas del rock en el mundo, estarán en la 2da edición del Festival Remind GNP 2023 el 22 de abril en Parque Bicentenario: Dan McGuiness y Kurt Griffey, Vocalista y Guitarrista de Revisiting Creedence

What's all the hub bub about this long awaited and much talked about release of one of Creedence's last and most heralded live shows? Support the show

This weeks show features the return of a Rock & Roll Hall of Fame inductee back to VRP, someone I first interviewed in May 2021, someone part of one of the biggest bands of the late 60s and early 70s – I'm talking about the wonderful Doug 'Cosmo' Clifford from Creedence Clearwater Revival! I wanted to get him back on to talk about previously unreleased music from the 70s that he made with former Derek and the Domino's man Bobby Whitlock, which he is now putting out called 'California Gold'. Plus I wanted to get the lowdown on the new Netflix film 'Travellin' Band', a brilliant live performance from CCR at London's Royal Albert Hall with some great documentary footage included from their tour across Europe! And of course I wanted to hear some more classic Creedence stories too!   If you want to hear my previous chat with Doug Cosmo Clifford where he tells a fantastic story about the bands performance at the legendary Woodstock Festival in 1969, then please check out Episode 28 of Vintage Rock PodDon't forget to subscribe (for free) to the Vintage Rock Pod YouTube channel as well - where you can get to see lots of the incredible rock stars that I've interviewed over the years tell some great stories! There's also great Community content with polls posted every day for you to get involved with - well worth checking out!It would also be great if you followed/liked Vintage Rock Pod on the social media sites too, just search for Vintage Rock Pod on Facebook - Twitter - Instagram!  

For access to full-length premium episodes and the SJ Grotto of Truth Discord, subscribe to the Al-Wara' Frequency at patreon.com/subliminaljihad. In the final chapter of CONTRA VII, Dimitri and Khalid explore how Creedence Clearwater Revival went from the #1 chooglin' rock band in the world in 1970 to having their entire fortune stolen by Burt Kanter's notoriously shady, mafia and CIA-infested Castle Bank and Trust. SIDE A: THE ASSASSINATION OF CCR BY THE COWARD BURTON KANTER How CCR's Woodstock headlining set got sabotaged by the Grateful Dead, the silk topper inspiration for “Fortunate Son”, not getting respect from the “cool” rock media, providing material support to the American Indian occupation of Alcatraz, renegotiating their contract with Fantasy Records bigwig Saul Zaentz, Saul convincing CCR to put all their earnings offshore in Castle Bank and a grapevine of shell entities, Tom Fogerty's painful departure in '71, John's revenge on Negative Stu and No-Shuffle Doug with “Mardi Gras” in '72, the end of CCR, Tom's underrated solo career/chooglin' with suslord Jerry Garcia, Tom subtweeting John on “Sign of the Devil”, John's stint with David Geffen and the scrapped lo-fi “Hoodoo” album, realizing that ALL of Creedence's money has vanished into a “Bahamian abyss”, years of seclusion and lawsuits, getting even with Burt Kanter, Zaentz's new role as serrrious Hollywood producer of “One Flew Over The Cuckoo's Nest” and “Amadeus”, John realizing he's Zaentz's Pinocchio puppet, his 1985 return with “Zanz Kant Danz” and “Mr. Greed”, Tom's new “best friend” Saul Zaentz, more lawsuits and fighting, Tom's tragic death from AIDS in 1990, his dying wish that the other three Creedence guys choogle together one last time, and John's NOT-on-haqq refusal to play with Stu, Doug, and Tom's son Jeff at the Rock & Roll Hall of Fame Induction in 1993. SIDE B: EFFIGY Donald Trump's purchase of Resorts International in 1987, cocaine trafficking in 1980s Bahamas, Medellin Cocaine Nazi Carlos “Joe” Lehder making Norman's Cay his castle and garden, US Ambassador to the Bahamas/Slava Ukraini Banderite/WACL suslord Lev Dobriansky telling the CIA station chief to “find another job”, Kanter's relationships with international oil man Bruce Rappaport and Bill Casey, Indonesian oil schemes in the 1960s, the Bank of New York, the ill-fated Aqaba oil pipeline project in Iraq, looting the Soviet economy, Antigua as training ground for Contras, IDF machine guns for Colombian drug cartels, BCCI/Rappaport overlaps, “left-leaning wealth advisor” Josh Kanter's Alliance for a Better Utah and Kanter Family Foundation, Linda Pritzker aka Lama Tsomo's Namchak Foundation in Montana, Nick Pritzker bankrolling Gavin Newsom's career, Tom Pritzker running the Center for Strategic and International Studies, Nick and Tom Pritzker's multiple phone numbers in Epstein's black book, Virginia Roberts Giuffre's allegations against Tom Pritzker, the Kanter law firm of Neal, Gerber, & Eisenberg's continuing services to the Pritzker family, and last but not least, some thoughts on how it doesn't whip ass when left-leaning media influencers try to meme Big Boy JB Pritzker into the White House, especially when one's uncle happens to have been a Burt Kanter protegé/Pritzker family attorney for the last 50 years.

Bob, Chuk and Mike, Inflation, concert prices, Peppers, Fugazi, Creedence, Beck, Porno for Pyros, Lynyrd Skynyrd, The Allman Bros, TV shows, Naked and Afraid, Alone, Green Day, Dave Chapelle, Vin Scully dies while we are recording, is complete abstenience is becoming rare in recovery?

Sometimes theres man. Not a hero, but a man. Ah F**k it dude. Let's go bowling. The chronicled tale of the Dude is both pointless and imperative. A movie wrapped in its own feelings more than it's own story. So let's pack a ringer with our whites, mix up another Caucasian, and bash up a corvette after we botched a random handoff. Turn off the Eagles and crank the Creedence tapes and relax while we break down The Big Lebo… hey do you have any Kahlua?•0:00:00-  Introductions/Reviews/Chats•0:04:30 - Memories of first viewing•0:09:00- Pertinent movie details •0:13:15  - Critical and fan reviews•0:21:00  - Scene by scene breakdown •1:47:00- Modern day ratings——————————————————————**Cedar Ridge Distillery-  Go check out our sponsor and order some whiskey.  http://cedarridgewhiskey.com——————————————————————**Every link you could need from us.   Http://confusedbreakfast.com——————————————————————**Give us a call and leave a voicemail about your thoughts of the show!  319.804.9596——————————————————————**Link to our friend Kyle Wyatt, who did the Mortal Kombat/Confused Breakfast yell.  Get more info on him and order a Mortal Kombat related cameo https://direct.me/MORTALKOMBATVOICE——————————————————————**Also, we have a Patreon.  If you are enjoying the podcast, want to support us and enjoy some extra perks and bonus content, check it out at http://patreon.com/confusedbreakfast and speaking of Patreon, our highest tier supporters get mentioned in the actual episode and in the liner notes.  Dane, Joel, Robin Fawcett, Nick Merulla, Mark Prior, Keerlana, Jordon, Elisha, Nick Fulkerson, Camden Griffith, Francisco Rivera, Cameron Jay,  Bud Larsen, BigBigAndy, Katie Beeks, Travis Hunziker, Bryan Hernandez,  Greg Jackson, Mr and Mrs Roommate, Cale James, Jason Davis, Emilio Perez, Shaun Dixon, Jordan Hooten, Brynna Misener, Willie Cox III, Jenel Lewis, Joseph Thomas, Marshall G, Ryan Carlton, Josh Miller, Conor, Macy, Jason Botsford, Stephen Moore, Chris Prior, Paul DeAro, Jason Hahn, Travis Scanlan, Erik Hein, Michael Hodde, Gary McCarthy, Corey Vaughn, Damien Zemek, Ranger Rick and Suebaloo, Zachary Hearon, Dallas B, Kitty VVitch Chaos, Revis, David Waggoner, Tim Nash, Duane Van, Robert Vens, Joey Piemonte, Koel Derocher, David Waters, Allen Cross, Shawn, ZerophoniK, Amy N, Ryan O, Samuel Miller, David Gould, John Devlin, Zachary Jones, Seth Murray, Tina Hansen, Rolland and Julie, Leeloo Dallas Multipass, Joshua Goodman, Lance Davis, Jesse Anderson, MikeBeingMike, Dale Prystupa, Lana Kropf, Anthony Guidi, Mike Wheeler, Andrew Sawtell, Erik Harding, Gerret Layoff, Aaron Baker, Ryan Grabski, Michael Nash, Adam Bathon, Ryan Weaver, Quinton Moore, Aaron Vandergriff, Zach Evans, Willard Brown, Justin Wooley, Todd Fatjo, The Original Caffeinator, PEOW, Jared Bushman, Christopher Dearo, Anthony Rochette, Melinda Miller, Luke Bittues, Gary Son of Gary, Sean Hatley, Rachel Heintz, Bailey, Jason McCarten, Calen Chance, Merkie, Tyler Darke, Brock Tyler, John Miller, Caleb Kampsen, NoBlueCheck, Dean Roan, Austin Hartman, Jason Ruby Rod Rodgers, Mike Oxhard, Chris M, Cody Kirker, Ian Anderson, Chris Kleman, Louie Loniewski, Alexandra Hemingway and Kennedy Harris.  You are the best.  You will always be number 1 in our hearts.   Thank you.