Podcasts about creedence

.  We are very happy to announce that Red House Rising Season Five is now in pre-production.  We're excited about the story it tells, and we hope to have it out to you sometime in the Fall of 2026.  Meanwhile our new rock'n'roll murder mystery, The Phantom of Ocean Park, has just hit the podcast airwaves.  In 1968, Ocean Park in Santa Monica was one of those quintessential places at the epicenter of "Somethin' happenin' here", to quote Stephen Stills. Ocean Park, Venice, by the water, it was Haight-Ashbury, with a beach. All peace and love, until Santa Monica City and its developers imposed eminent domain and bulldozed the beach neighborhoods, devastating families and bankrupting P-O-P, our beloved amusement park, so they could tear down the pier and start throwing up high-rises from Pico to Venice. But that summer of '68, they had a big problem. The Cheetah, Ocean Park's world-renowned rock'n'roll club, was still on the pier and wildly popular, with bands like Creedence packing the house nightly… Then the murders started.   The Phantom of Ocean Park, a full cast rock'n'roll murder mystery, wherever you listen to podcasts.

Greetings, fans of My Russian Clementine.  We are excited to tell you about our rock'n'roll murder mysteries.  Like My Russian Clementine, they're full cast audio dramas.  The Bonds of Affection takes place in 1978 in Santa Monica.  And we've just released a kind of prequel to it called The Phantom of Ocean Park.   In 1968, Ocean Park in Santa Monica was one of those quintessential places at the epicenter of "Somethin' happenin' here", to quote Stephen Stills. Ocean Park, Venice, by the water... it was Haight-Ashbury… with a beach. All peace and love, until Santa Monica City and its developers imposed eminent domain and bulldozed the beach neighborhoods, devastating families and bankrupting P-O-P, our beloved amusement park, so they could tear down the pier and start throwing up high-rises from Pico to Venice. But that summer of '68, they had a big problem. The Cheetah, Ocean Park's world-renowned rock'n'roll club, was still on the pier and wildly popular, with bands like Creedence packing the house nightly…. Then the murders started. The Phantom of Ocean Park, a full cast rock'n'roll murder mystery, wherever you listen to podcasts.

Voltamos a falar de discos que detestamos feitos por bandas que amamos! Desta vez, vamos conversar sobre álbuns que apareceram no nosso instagram, na odiada série Quando o Rock Errou. Escolhemos para esta edição os discos Thank You, do Duran Duran, Mardi Gras, do Creedence, e Hot Space, do Queen.See omnystudio.com/listener for privacy information.

Bob Malone is a singer, songwriter, pianist. He played keyboards with John Fogerty, the genius behind Creedence Clearwater Revival, for 13 years. He's also done sessions and tour dates with Ringo Starr, Avril Lavigne, Rickie Lee Jones and Mindi Abair. His songs and piano playing have been heard on shows like NCIS New Orleans, Entertainment Tonight, Lucifer, and The Hallmark Channel. And he performed live twice on The Price Is Right. My featured song is “Metro Shuffle”, from the album The PGS Experience by my band Project Grand Slam. Spotify link. —----------------------------------------------------------- The Follow Your Dream Podcast:Top 1% of all podcasts with Listeners in 200 countries! Click here for All Episodes  Click here for Guest List  Click here for Guest Groupings  Click here for Guest Testimonials Click here to Subscribe  Click here to receive our Email Updates Click here to Rate and Review the podcast —---------------------------------------- CONNECT WITH BOB:www.bobmalone.com —---------------------------------------- ROBERT'S NEWEST RELEASE:“MI CACHIMBER ALL STARS” is the new, expanded version of Robert's single, “Mi Cachimber”, which he wrote for his father. Featuring Camila Cortina on Rhodes and Xito Lovell on trombone in addition to Benny Benack III and Dave Smith on flugelhorn, and Project Grand Slam's rhythm section. CLICK HERE FOR OFFICIAL VIDEO CLICK HERE FOR ALL LINKS —-------------------------------------- ROBERT'S RECENT RELEASE: “MA PETITE FLEUR STRING QUARTET” is Robert's latest release. It transforms his jazz ballad into a lush classical string quartet piece. Praised by a host of classical music stars. CLICK HERE FOR YOUTUBE LINK CLICK HERE FOR ALL LINKS —---------------------------------------- Audio production: Jimmy RavenscroftKymera Films   Connect with the Follow Your Dream Podcast: Website - www.followyourdreampodcast.comEmail Robert - robert@followyourdreampodcast.com   Follow Robert's band, Project Grand Slam, and his music: Website - www.projectgrandslam.comYouTubeSpotify MusicApple MusicEmail - pgs@projectgrandslam.com    

THE PHANTOM OF OCEAN PARK is a Full Cast Audio Drama Podcast – In 1968, Ocean Park in Santa Monica was one of those quintessential places at the epicenter of "Somethin' happenin' here", to quote Stephen Stills. Ocean Park, Venice, by the water, it was Haight-Ashbury, with a beach. All peace and love, until Santa Monica City and its developers imposed eminent domain and bulldozed the beach neighborhoods, devastating families and bankrupting P-O-P, our beloved amusement park, so they could tear down the pier and start throwing up high-rises from Pico to Venice. But that summer of '68, they had a big problem. The Cheetah, Ocean Park's world-renowned rock'n'roll club, was still on the pier and wildly popular, with bands like Creedence packing the house nightly…. Then the murders started. Link: https://sites.libsyn.com/619460 RSS Feed: https://feeds.libsyn.com/619460/rss

Revisiting my DJ D Vicious CD binders 20+ years later. Sometimes we'll have sets from college house parties I DJed, and other times I'm making new mixes utilizing tracks I had saved to use later. Just repurposing these great mashups for more to enjoy on a weekly basis.

In this episode Rosie Moss is joined by writer and lifelong music obsessive Cath Holland. Cath brings her husband Andy vividly to life, a thoughtful, principled “music buff” whose love of records, gigs and humour carried them through 25 years together and somehow held on right until the end.The conversation begins in the life before. Liverpool gig scenes, record shops, and a shared vinyl collection built over decades. Cath still laughs remembering the moment Andy first asked her out, by ringing her landline like it was 1987.Then comes the rupture. Cath walks Rosie through the brutal speed of Andy's bowel cancer diagnosis. The failed prep. The endless hospital wait. Being told there was an “84% chance” of cancer just days before Christmas. Early reassurances quickly turned into the reality of stage four disease.Together they talk about the parts people rarely say out loud. Stomas, infections, DNAR conversations, and the relentlessness of becoming a carer while watching the person you love slip away. Cath also speaks about the strange intimacy of keeping someone at home after they die.From there the conversation moves into the long tail of grief. Funerals. Ashes sitting on a shelf surrounded by Beatles books. The support cliff that arrives after everyone goes home. And the exhausting work of rebuilding a future that was never meant to be yours.This is a conversation about love, music, caregiving, class, and the quiet endurance required to keep going when the soundtrack of your life suddenly stops.In this episode:• How Cath and Andy's relationship was built through music, Liverpool gigs, record collecting and the rituals that still anchor her now.• The diagnostic timeline that still feels unreal: repeat endoscopies, a dread filled wait, and being told there was an “84% likelihood” of cancer days before Christmas.• Medical whiplash and systemic failure when tumours initially shrank but surgery was later ruled out because hospital teams weren't communicating properly.• What “dying at home” can actually look like, from hospice at home support and syringe drivers to district nurses and the decision to stay out of hospital in the final week.• Small moments of joy when there is no bucket list, including record shopping, Saturday lunches and comfort music from The Beatles and Creedence.• After death: the funeral as a rare moment of collective support, a Beatles shrine for the ashes, and the quiet bubble before telling the world.• The secondary losses people rarely talk about including work, identity, grief brain and the physical impact of prolonged stress and caregiving.• The kind of support that actually helps bereaved people and the things well meaning friends often get wrong.A beautiful, honest conversation about music, love, caregiving and the long echo of loss.Chapters0:07 Welcome + Kath and Andy: a life built on music6:50 From first symptoms to diagnosis: the long, frightening wait9:54 Treatment twists: radiotherapy, chemo hope, then stage four12:44 Palliative care, hospice, and choosing home18:59 Living inside terminal illness: day-to-day love, fear, and admin26:07 The last weeks and days: care at home, music, and the moment of death37:04 What happens next: overnight at home, funeral, ashes, and keeping love close42:59 The fallout: isolation, practical help, money, class, and work after loss64:29 Rebuilding a life: identity, exhaustion, joy, and messages for the newly widowed#widowedaf #widowhood #griefpodcast #bereavement #hospicecare #palliativecare #cancerjourney #endoflifeplanning #griefandmoney #workingclassvoices

Talan er um triðju og eisini best umtóktu heildarútgávuna, sum John Fogerty hevur givið út sum einstaklingur. Kendastu løgini eru 'The Old Man Down the Road' og 'Rock and Roll Girls'. Harumframt verður heitislagið, 'Centerfield', nógv nýtt í USA, tá baseball dystir verða spældir. Tíggju ár vóru liðin síðani aðru útgávuna hjá Fogerty í 1975 og tí verður 'Centerfield' eisini kallað eitt come-back. Sum album var hon plettskot á Billboard 200, og tvær singleplátur frá albuminum vóru ávíkavist á Top 10 og Top 20 á US Billboard Hot 100 vestan hav. John Fogerty var sangarin og gittarspælarin, sum føroyingar kenna væl frá Creedence Clearwater Revival útgávum í árunum rundanum 1970. Eisini skrivaði hann tey flestu CCR løgini, harav Útvarp Føroya spældi, og onkuntíð spælir enn, løg sum Have You Ever Seen The Rain, Proud Mary, Bad Moon Rising, Who'll Stop The Rain, Travelin' Band, Up Around the Bend, Lodi, As Long as I Can See the Light, og fleiri onnur. Stílistiskt sæð verður tilfarið alment kallað: heartland rokkur, americana, og rock and rollur, heríroknað blues og country. Temaplátan verður bólkað sum rokkur. Í støðum minnir hon um Creedence, men hon er eisini sín egin. Plátubarrin 28. februar 2026  

In a lesson straight from Taylor Swift - "Play Stupid Games, Win Stupid Prizes"   No more Patreon. We might start a discord server so we can get to know you. Maybe not though. I don't know yet.   From here on out, you get everything for free.  I'm sure the ads are hard to sleep through, but, we all make sacrifices.Papa V is in control, and we are here to reminisce, re-evaluate, and re-engage with the company formerly known as All Elite Wrestling.Watch Along on HBO Max and get Vince's thoughts on:-Sammy Guevara's Complexion-Nyla Rose-JR-Sadaharu OhGabe is confused again. What a stupid fatass.Creedence is ringside with all his friends and a giant glass of cheeseburger.Email us: thewholeballgame@mail.comFollow on Twitter/X : www.x.com/wholeballgameTiktok: https://www.tiktok.com/@wholeballgameInstagram: https://www.instagram.com/thewholeballgameFacebook: https://www.facebook.com/people/The-Whole-Ballgame/61576876146889/

Nos visitan Simón Sampietro, Alberto Escar y Emilio Bernad, de la banda oscense Flores & McEwen. Acaban de lanzar su tercer disco, titulado "Lucha", que presentarán en concierto en Zaragoza hoy viernes 13 de febrero, a las 22:00 horas en la sala Creedence. Con un sonido potente y moderno, producido por Iker Piedrafita en El Sótano Estudio, Lucha combina raíces clásicas del rock con influencias de Hard Rock, Blues y Pop Rock, ofreciendo melodías pegadizas, letras directas y una energía cruda que define la esencia del nuevo rock n roll.

This week we review and rate the Creedence Clearwater Revival's album Cosmo's Factory. Consumption: Mr. Pold - Falling Skies St. Jimmy - In Fear, Cottage Country, Coherence, Unseen, Psyche season 4, Hippopotamus D'Viddy - Dragon Thief Master Z - Frankenstein, The Last Duel, Cleaner Music Provided By: Greg Gibbs / Most Guitars Are Made of Trees The Toothaches / Proximity Today's Man / Dissolved in Blue

Kurt Griffey, lead guitarist and vocalist talked with us about "Revisiting Creedence" on tour across the country playing the iconic music of Creedence Clearwater Revival.See omnystudio.com/listener for privacy information.

John McFee speaks in depth about his work with Southern Pacific, Jackdawg and his session career. He explains how Southern Pacific evolved, why Jackdawg’s album has been rediscovered, and why the focus of his songwriting is not with The Doobie Brothers. He also looks back at Clover's time in the UK, backing Elvis Costello on My Aim Is True, and the steady flow of session work with Van Morrison, the Grateful Dead, and Steve Miller. John closes with an update on his solo project. Further information Jackdawg's album Podcasts also available: Stu Cook – Jackdawg and Creedence, Pete Briquette – The Boomtown Rats, Jorma Kaukonen – Jefferson Airplane, John Mayall This podcast is also available on Apple Podcasts, YouTube, Google apps and all usual platforms If you like what I do please support me on Ko-fi The post John McFee – Clover, The Doobie Brothers, Southern Pacific, Jackdawg appeared first on The Strange Brew .

Send us a textJohn McFee formed San Francisco-based band Clover in the '60s. Their first, self-titled album on Fantasy came out in 1970. Several years later, they came to realize some key people in the UK pub rock scene were big fans of their music. Nick Lowe, Brinsley Schwarz and also drummer Pete Thomas, who called Clover to see if they would audition for the up and coming Declan MacManus, who would soon change his name to Elvis Costello. Clover got the gig, backing Elvis on My Aim is True and John McFee's great guitar work is what you hear on all the classic tracks like “Alison” and “The Angels Wanna Wear My Red Shoes”. John also played steel guitar on Van Morrison's Tupelo Honey and St. Dominic's Preview. The long list of artists he's contributed guitar, pedal steel and vocals for includes Carlene Carter, Nick Lowe, Emmylou Harris, The Grateful Dead, and Boz Scaggs. In '79, John McFee was asked to join The Doobie Brothers, replacing Jeff Baxter. He also formed Southern Pacific with Keith Knudsen of the Doobies and Stu Cook of Creedence. In the '90s that trio became Jackdawg. The release of their fantastic self-titled album was delayed due to the death of their manager. A CD release was temporarily available in 2009, but the album was out-of-print for years. That is, until now. Tune in to my talk with singer, songwriter, guitarist, record producer, and multi-instrumentalist, John McFee.Photo: Courtesy John McFeeThe classic Jackdawg album is available on vinyl, CD and also digital through Liberation Hall. Purchase options are here.Save on Certified Pre-Owned ElectronicsPlug has great prices on refurbished electronics. Up to 70% off with a 30-day money back guarantee!Euclid Records – Buy and sell records.A gigantic selection of vinyl & CDs. We're in St. Louis & New Orleans, but are loved worldwide!Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Thanks for listening to Frets with DJ Fey. You can follow or subscribe for FREE at most podcast platforms.And now, Frets is available on YouTube. There are a lot of fun extras like videos and shorts and audio of all episodes. Subscribing for FREE at YouTube helps support the show tremendously, so hit that subscribe button! https://www.youtube.com/@DJFey39 You can also find information about guitarists, bands and more at the Frets with DJ Fey Facebook page. Give it a like! And – stay tuned… Contact Dave Fey at davefey@me.com or call 314-229-8033

Creedence and Jimmy Take the reigns.  Watch Along however you'd like, and listen to Chattahoochee man run his c^cksmoker. KoDb and KOdB.JOIN THE PATREON!www.patreon.com/thewholeballgame

On the October 16 edition of the Music History Today podcast, Creedence breaks up, the Grand Ole Opry gets more diverse, & Little Richard records. Plus, it's John Mayer's birthday.For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts fromALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday

Send us a textIn this episode, we talk about why Jude Law should play young Dumbledore in the new TV show. Enjoy!Topics/Summary:·      Listen to episode 298 called “Warwick Davis is returning as Flitwick? Who else should reprise their role?” here!·      2:14 Why two actors? Well, Dumbledore has a complex past. He feels like he was a different person back in his Grindelwald days, and a different person warrants a different actor. Choosing another actor to play a younger version of himself would show us that he is truly a three-dimensional character.·      13:27 Why Jude Law? In Fantastic Beasts, he was fantastic. When interacting with Creedence we saw that Creedence's pain was his own, and that Dumbledore truly regrets the difficult like that Creedence had. He also showed Jacob a huge amount of respect for diving into battle with no way of protecting himself.·      21:13 What if there was only one actor? If Jonathan Lithgow was the only actor, we would lose the perspective of Dumbledore's past. He would become a one-sided character, and we can't have that.·      25:24 Who else should have multiple actors? Dumbledore was one of the only flashback characters that didn't have multiple actors. Voldemort had something like four actors. I think Aberforth deserves multiple actors, as well as McGonagall they play important behind the scenes roles that should be explored.Having anything you want to hear or say? Click here for a voice submission or here for text. ThePotterDiscussion@gmail.comthepotterdiscussion.comNox

Episode 85: Macon And Capricorn Records, Tommy Talton Salute And Who'll Stop The Rain JimJam September 14, 2025 Today's show is a replay from February 2024, bringing some of the great album rock of the 60s and 70s right to your ears and to your mind. I'm a child of the 60s and I just love this music. It brings me back to sense excitement. The smells, the tastes, the feelings of joy, bliss and of course, some sadness as some of our friends and acquaintances didn't survive those times. My intention this hour and every hour of Tales Vinyl Tells is to lift you up. This hour you'll hear a band with Yes members that absolutely kills it. There's Cold Blood with Lydia Pence and salutes to Tommy Talton of Cowboy and Gregg Allman Band, adding some ear-joy from Melanie Safka who also entered the room next door recently. Today's playlist is below. And thanks for listening today.  My email is talesvinyltells@gmail.com.  If you want to hear a Tales Vinyl Tells when it streams live on RadioFreeNashville.org, we do that at 5 PM central time Wednesdays. The program can also be played and downloaded anytime at podbean.com, iHeart podcasts, Player FM podcasts, Listen Notes podcasts and many other podcast places. And of course you can count on hearing the Tales on studiomillswellness.com/tales-vinyl-tells anytime. 85.1 Grand Larceny-Sea Level 85.2 Pick your nose-Cowboy 85.3 Please be with me-Cowboy 85.4 Queen of hearts-Gregg Allman 85.5 Nothing matters but the fever-Sea Level 85.6 Who'll Stop the rain-Creedence and JimJam 85.7 Brand new key-Melanie 85.8 One of these days-Ten Years After 85.9 Birthright-Anderson Bruford Wakeman Howe 85.10 Street Worm-Spirit 85.10a Funky on my back-Cold Blood w Lydia Pence 85.11 Sirius w Games People Play-Alan Parsons Project 85.12 Games People Play-Joe South

Week zero was a nice tease, but we've locked up our backdoors and are ready for some outrageous fun. Gobbling up chalk. Zero chance we get backdoored. It's locked. Don't try it.

Some musicians fight to get control of their old music, and others sell off their back catalog. Songs are just another commodity in the capitalist system. Help support The Next Track by making regular donations via Patreon (https://www.patreon.com/thenexttrack). We're ad-free and self-sustaining so your support is what keeps us going. Thanks! ‌Show notes ‘I tried to be nice. Sometimes I would explode': John Fogerty on Creedence, contracts and control (https://www.theguardian.com/music/2025/aug/15/john-fogerty-creedence-clearwater-revival-contracts-controlling-catalogue) Legacy: The Creedence Clearwater Revival Years (https://amzn.to/4oSwKe6) Elvis Presley - Wikipedia (https://en.wikipedia.org/wiki/Elvis_Presley) Colonel Tom Parker - Wikipedia (https://en.wikipedia.org/wiki/Colonel_Tom_Parker) Berne Convention - Wikipedia (https://en.wikipedia.org/wiki/Berne_Convention) Bowie Bonds - Wikipedia (https://en.wikipedia.org/wiki/Celebrity_bond#Bowie_Bonds) The Technium: 1,000 True Fans (https://kk.org/thetechnium/1000-true-fans/) DGM Live: 1000 Club (https://www.dgmlive.com/1000-club) Our next tracks: Jerry Garcia Band: Live at the Warfield (https://amzn.to/4lKhzRu) Ron Wood: Fearless (https://amzn.to/4n3MOrY) If you like the show, please subscribe in Apple Podcasts (https://itunes.apple.com/podcast/the-next-track/id1116242606) or your favorite podcast app, and please rate the podcast.

John Fogerty goes deep on Creedence Clearwater Revival's roots, mortality, A.I., Springsteen vs. Trump, and much more in an interview with host Brian Hiatt Learn more about your ad choices. Visit podcastchoices.com/adchoices

Chris and Frank take a look at the Padres upcoming series against the Dodgers and entertain the Conskrabacy surrounding Shohei Ohtani after Tony joins us for a little bit of NBA Finals talk

Er det sant at damer med matchende undertøy har en plan? Påstand: Det er aldri feil å spille Creedence

You're not really celebrating World Backup Day unless you've got Time Machine humming, Backblaze backing, and Synology syncing. In this week's Mac Geek Gab, you, Pilot Pete, Adam Christianson, and Dave Hamilton dig deep into layered backup strategies with tools like Arq, Hazel, and iDrive e2—plus the always-timely reminder to […]

Nuevo episodio de la serie Cosecha de 1975 dedicada a recordar interesantes discos de la añada de hace 50 años. Cocinamos el menú con el disco homónimo de John Fogerty, su segunda entrega en solitario tras la ruptura de los Creedence. El séptimo álbum de The Who, “The Who by numbers”. El disco “Trouble” de la peculiar banda británica Sailor. O una rareza del rock de Zambia, “Lazy bones!!” del grupo Witch.Playlist;(sintonía) JOHN FOGERTY “Sea cruise” (ST)JOHN FOGERTY “The wall” (ST)JOHN FOGERTY “Almost Saturday night” (ST)JOHN FOGERTY “Where the river flows” (ST)JOHN FOGERTY “Rockin’ all over the world” (ST)JOHN FOGERTY “You rascal you” (ST)THE WHO “Slip kid” (The Who by numbers)THE WHO “Squeeze box” (The Who by numbers)THE WHO “However much I booze” (The Who by numbers)THE WHO “How many friends” (The Who by numbers)SAILOR “A glass of champagne” (Trouble)SAILOR “Trouble in Hong Kong” (Trouble)SAILOR “Girls, girls, girls” (Trouble)WITCH “Tooth factory” (Lazy Bones!!)WITCH “Lazy bones” (Lazy Bones!!)Escuchar audio

Let's talk about a Dole Whip. Not really. Assassin's Creed Shadows gets positive reviews despite pre-release backlash. Marvel scrapped plans for a shared gaming universe. Hasbro ponders Baldur's Gate's future without Larian. Wizards of the Coast cancels Project Sigil, a failed virtual tabletop. Steam surpasses consoles, but new games struggle. 8BitDo controllers challenge Xbox and PlayStation. And lots more including your calls and texts!GAMES PLAYEDSCOTTShotgun King: The Final CheckmateDungeons & Degenerate GamblersPixelJunk Shooter 1+2 UltimateStar of ProvidenceBEAUFF7 Remake hard mode challengesPirate Yakuza FF7 classic with mods Hosted on Acast. See acast.com/privacy for more information.

Let's talk about a Dole Whip. Not really. Assassin's Creed Shadows gets positive reviews despite pre-release backlash. Marvel scrapped plans for a shared gaming universe. Hasbro ponders Baldur's Gate's future without Larian. Wizards of the Coast cancels Project Sigil, a failed virtual tabletop. Steam surpasses consoles, but new games struggle. 8BitDo controllers challenge Xbox and PlayStation. And lots more including your calls and texts!GAMES PLAYEDSCOTTShotgun King: The Final CheckmateDungeons & Degenerate GamblersPixelJunk Shooter 1+2 UltimateStar of ProvidenceBEAUFF7 Remake hard mode challengesPirate Yakuza FF7 classic with mods Hosted on Acast. See acast.com/privacy for more information.

In this supersized final episode on 1970, Steve and Chris each share their most essential songs of the year before wrapping things up with their year-end awards and superlatives. And they close things out by announcing which year they'll be covering next in ROTY 2.0Our Spotify 1970 Playlisthttps://open.spotify.com/playlist/4wh5TDngA4VGroLf04Ouw5?si=a1c9404181bf4babStevie's Time Capsule: https://open.spotify.com/playlist/0aB2CWRdhobURkjETMMpxk?si=42f636b081ee4402Chrissy's Time Capsule: https://open.spotify.com/playlist/5leG2vYSAUqB7zeJ717ar4?si=30c9a80adff846f4James Taylor on Stephen Colbert: https://www.youtube.com/watch?v=Un-FO8iXCrAE-mail:RecordOfTheYearPod@gmail.comInstagram:@recordoftheyear_podcast

In this episode of Dem Vinyl Boyz, we dive into one of the most essential greatest hits compilations of all time—Chronicle, Vol. 1 by Creedence Clearwater Revival. Released in 1976, this collection of timeless classics showcases the raw energy, storytelling, and swamp rock sound that made CCR one of the defining bands of the late 60s and early 70s. With unforgettable tracks like "Bad Moon Rising," "Proud Mary," "Fortunate Son," and "Have You Ever Seen the Rain?," Chronicle, Vol. 1 is packed with hit after hit. These songs became anthems of the Vietnam War era, resonating with themes of working-class struggle, rebellion, and the American experience. John Fogerty’s gritty vocals and driving guitar riffs gave CCR a distinct sound that blended rock, blues, and country influences. In this episode, we’ll explore the impact of CCR’s music, the stories behind these legendary tracks, and how Chronicle, Vol. 1 remains a must-have album for rock fans. Whether you’re a longtime listener or discovering the magic of Creedence for the first time, this episode will take you on a journey through one of the greatest rock catalogs ever assembled. Join us on Dem Vinyl Boyz as we celebrate Chronicle, Vol. 1, an album that immortalized Creedence Clearwater Revival’s legacy and continues to define the sound of classic American rock.

In the 2nd episode of ROTY 1970, Chris and Steve discuss and score the 3 biggest albums of the year according to Spotify streaming data using their tried and true ROTY rubric:1. Production2. Vocals & Lyrics3. Musical Prowess4. Average Song Score5. Listenability & LegacyAfter that, they score their first "One for Chrissy" album pick of the season. Tune in next week for Part 2 as they round out the top 6 albums of the year and tackle their inaugural "One for Stevie" selection.Our Spotify 1970 Playlist https://open.spotify.com/playlist/4wh5TDngA4VGroLf04Ouw5?si=a1c9404181bf4babE-mail:RecordOfTheYearPod@gmail.comInstagram:@recordoftheyear_podcast

In this episode we answer emails from Paul (from Canada), Gary, Ben and Alexi (a/k/a "the Dude").  We discuss finding funds for Canadians, podcast outlet alternatives, the similarities between S&P 500, total market and large cap growth funds and how they can perform the same role in a diversified portfolio, and a gnarly Alpha Exchange podcast about leveraged funds (which the Dude and I both misidentified as "Alpha Architect".)  And the Creedence vs. Tina Turner versions of "Proud Mary."And THEN we our go through our weekly portfolio reviews of the eight sample portfolios you can find at Portfolios | Risk Parity Radio.Additional Links:Portfolio Charts Golden Butterfly page:  Golden Butterfly Portfolio – Portfolio ChartsAsset Correlations (VTI and VOO and large cap growth):  https://testfol.io/analysis?s=63nAL9efMMgGolden Butterfly With Total Market vs. Large Cap Growth:  https://testfol.io/?s=h0ZxYu0txcPAlpha Exchange Podcast on Leveraged Funds:  Michael Green, CFA, Portfolio Manager, Chief Strategist, Simplify Asset Management | Alpha ExchangeAmusing Undedited AI-Bot Summary:Unlock the secrets of successful portfolio diversification on this episode of Risk Parity Radio. Whether you're navigating the Canadian stock market maze or strategizing with U.S. index funds, our conversation will equip you with the tools to conquer currency conversion challenges and leverage international market access through platforms like Interactive Brokers. We share strategies to optimize your asset mix by combining large cap growth with small cap value funds for a truly diversified and resilient portfolio.Ever wondered how to differentiate between total market funds and large cap growth funds? Our discussion sheds light on their high correlation and recent performance trends, urging investors to focus on macro allocation principles and informed bond choices rather than getting lost in the minutiae of fund selection. Discover how pairing assets with varying volatilities and correlations can lead to a more robust investment strategy that withstands market turbulence.Dive into the world of leveraged ETFs and learn about the risks lurking behind these financial instruments. We dissect insights from the Alpha Exchange podcast, stressing the importance of liquidity in minimizing systemic risk. As we share our weekly portfolio reviews, you'll gain valuable insights into market performance and the art of strategic rebalancing. From conservative to dynamic portfolios, we offer a comprehensive look at maintaining diverse asset allocations to optimize growth and stability. Reach out with your questions and explore our website for more resources on mastering the investment landscape.Support the show

This week we'll take some time away for a celebration of Americana sounds from every corner. It's a mixed bag of jazz, blues, country, rock, and everything in between in another of our free form eclectic romps here on Deeper Roots. Count on some wild swings and some quiet moments reserved for the corner booth in the show today. Aretha, Cat Power, Etta Jones and Gale Garnett are some of the female vocalists that we'll feature this morning. We'll also visit that ‘boulevard of broken dreams' with Esquivel, some lighter instrumentals from Ethel Smith and Herb Alpert; classic softer side Americana from Chris Isaak and Pokey LaFarge and the polar opposite from Creedence and BB King. What a way to blast on into 2025. Join Dave Stroud as he begins yet another year with the promise of doing the right thing...always. 

Dwight Yoakam is a multi-platinum recording artist with many number one albums and singles, as well as multiple Grammy wins. But despite all his accomplishments as a musician, including his new album Brighter Days, Dwight is just as comfortable being a music historian. Dwight helps Marc chart the movement of country music to California, with Americana music of the mid-20th Century blending with rock and punk to create a unique sound that Dwight was a distinct part of. They talk all about The Byrds, Creedence, The Blasters and many more, in addition to Dwight's new adventures as a first-time dad. Hosted on Acast. See acast.com/privacy for more information.

Send us a textIn this episode, we discuss what would be on a hypothetical Fantastic Beasts TV show. Enjoy!Topics/Summary:·      1:52 Dumbledore's past. He is such a deep character, and the struggles of his childhood are a big part of who he is and why he is so committed to defeating Grindelwald. If we could understand just a little bit more about his past, we might be able to appreciate his character more.·      7:49 Newt's Childhood. We catch just a sneak peak of this in the Crimes of Grindelwald, and it is gold to see Newt as a child. He is very committed to protecting magical creatures, and doing good wherever he goes. We don't need as much time as Dumbledore, so seeing him for just a few minutes could give a new edge to his rock solid morals.·      11:39 Creedence's backstory. He is a very emotionally damaged character, and we aren't given the best backstory as to why this is. We can understand him for the most part at the end, but I would rather we have the chance to understand him from the beginning.·      16:57 Tina and Queenie before Newt. These two are as close as can be, and that bond breaking is one of the core parts of the story. If we could have a clearer window into just how strong these sisters are drawn together, it would mean more when Queenie eventually chooses to join Grindelwald. ·      21:32 Dumbledore and Grindelwald's relationship. Without a doubt, their relationship is one of the driving factors that keep the story going. Some of the most compelling scenes are where we see their pain of separation. We need more scenes like the one where Dumbledore pulls the curtain off the Mirror of Erised and sees Grindelwald.·      25:11 Jacob's bakery. There are two moments in time that would give us a better perspective on Jacob. The first is right after the events of the first film, and the second is before the third film. One is him feeling great, getting with Queenie and living great. The second is when he is living without Queenie and he is a mess. The contrast between these two moments combined with how tense their relationship is when their paths cross will show us how difficult it was for Queenie to go and how painful is was for Jacob to stay. Having anything you want to hear or say? Click here for a voice submission or here for text. ThePotterDiscussion@gmail.comthepotterdiscussion.comNox

On the October 16 edition of the Music History Today podcast, Creedence breaks up, the Grand Ole Opry gets more diverse, & Little Richard records. Plus, it's John Mayer's birthday. For more music history, subscribe to my Spotify Channel or subscribe to the audio version of my music history podcasts, wherever you get your podcasts from ALL MUSIC HISTORY TODAY PODCAST NETWORK LINKS - https://allmylinks.com/musichistorytoday On this date: * In 1951, Little Richard recorded for the first time. * In 1956, Elvis' film Love Me Tender premiered. * In 1962, Motown started their package concert tour with Mary Wells, Marvin Gaye, The Supremes, Little Stevie Wonder, & the Contours. * In 1965, singer and actress Leslie Uggams married her longtime friend Grahame Pratt. * In 1972, Creedence Clearwater Revival broke up. * In 1975, Bruce Springsteen performed at the Roxy in Los Angeles, which led to him getting noticed by the mainstream media. * In 1976, the disco novelty song by Los Angeles radio DJ Rick Dees, Disco Duck hit #1 on Billboard's hot 100 singles chart. * In 1976, Stevie Wonder hit #1 with the album Songs in the Key of Life. * In 1986, Chuck Berry held his 60th birthday concert, which was filmed for his film documentary Hail Hail Rock N Roll. * In 1986, Marie Osmond married her husband Brian Blosil. * In 1988, the Smile Jamaica charity concert to help Hurricane Gilbert victims was held in London. * In 1992, Sinead O'Connor was booed when she performed at the Bob Dylan tribute concert at Madison Square Garden in New York City. The audience was reacting to the incident on Saturday Night Live a couple of weeks earlier when she ripped up a photo of Pope John Paul II. * In 2003, Apple released the Windows version of the ITunes store. * In 2010, Nicki Minaj set a record for most songs to debut on the Billboard singles chart in the same week with 7, with Bottoms Up with Trey Songz debuting at #11. The record has since been shattered a number of times. * In 2011, singer-songwriter Paul McDonald married actress & screenwriter Nikki Reed. * In 2013, actress & singer Kristen Bell married actor Dax Shepard. * In 2017, Ed Sheeran broke his wrist & elbow in a biking accident, which made him cancel part of his Asian tour. In the world of classical music: * In 1942, Aaron Copland's ballet Rodeo premiered in NYC. In award ceremonies that were held on October 16: * In 2012, the Grand Ole Opry inducted only its third African American member, after DeFord Bailey & Charley Pride. It was Darius Rucker, lead singer of Hootie & the Blowfish and successful solo country music singer. --- Support this podcast: https://podcasters.spotify.com/pod/show/musichistorytodaypodcast/support

En esta edición de Divas & Divos del Cine Mexicano y en compañía de mi amigo y locutor “Fegabu”, los vamos a llevar a la vida, sus orígenes, su corto período de duración como agrupación y hasta su consagración. Hablamos de Creedence Clearwater Revival (CCR). Un grupo de rock estadounidense, que abarcó cualquier cantidad de géneros musicales y ritmos, además de su estilo Creedence muy reconocido. Fue tan poco lo que duro esta agrupación, que en 6 años consiguieron lo que muchos grupos de gran calidad lo consiguieron en décadas o en mucho tiempo más. Lamentablemente, la forma de ser, de querer manipular al grupo, de querer ser el líder, además de vocalista John Fogerty, fue el culpable y causante de la disolución tan pronta de esta gran agrupación!

Original air date: October 3, 2022 This is an UNLOCKED episode. For access to premium episodes, upcoming installments of DEMON FORCES, live call-in specials, and the Grotto of Truth Discord, become a subscriber at patreon.com/subliminaljihad. In the final chapter of CONTRA VII, Dimitri and Khalid explore how Creedence Clearwater Revival went from the #1 chooglin' rock band in the world in 1970 to having their entire fortune stolen by Burt Kanter's notoriously shady, mafia and CIA-infested Castle Bank and Trust. SIDE A: THE ASSASSINATION OF CCR BY THE COWARD BURTON KANTER How CCR's Woodstock headlining set got sabotaged by the Grateful Dead, the silk topper inspiration for “Fortunate Son”, not getting respect from the “cool” rock media, providing material support to the American Indian occupation of Alcatraz, renegotiating their contract with Fantasy Records bigwig Saul Zaentz, Saul convincing CCR to put all their earnings offshore in Castle Bank and a grapevine of shell entities, Tom Fogerty's painful departure in '71, John's revenge on Negative Stu and No-Shuffle Doug with “Mardi Gras” in '72, the end of CCR, Tom's underrated solo career/chooglin' with suslord Jerry Garcia, Tom subtweeting John on “Sign of the Devil”, John's stint with David Geffen and the scrapped lo-fi “Hoodoo” album, realizing that ALL of Creedence's money has vanished into a “Bahamian abyss”, years of seclusion and lawsuits, getting even with Burt Kanter, Zaentz's new role as serrrious Hollywood producer of “One Flew Over The Cuckoo's Nest” and “Amadeus”, John realizing he's Zaentz's Pinocchio puppet, his 1985 return with “Zanz Kant Danz” and “Mr. Greed”, Tom's new “best friend” Saul Zaentz, more lawsuits and fighting, Tom's tragic death from AIDS in 1990, his dying wish that the other three Creedence guys choogle together one last time, and John's NOT-on-haqq refusal to play with Stu, Doug, and Tom's son Jeff at the Rock & Roll Hall of Fame Induction in 1993. SIDE B: EFFIGY Donald Trump's purchase of Resorts International in 1987, cocaine trafficking in 1980s Bahamas, Medellin Cocaine Nazi Carlos “Joe” Lehder making Norman's Cay his castle and garden, US Ambassador to the Bahamas/Slava Ukraini Banderite/WACL suslord Lev Dobriansky telling the CIA station chief to “find another job”, Kanter's relationships with international oil man Bruce Rappaport and Bill Casey, Indonesian oil schemes in the 1960s, the Bank of New York, the ill-fated Aqaba oil pipeline project in Iraq, looting the Soviet economy, Antigua as training ground for Contras, IDF machine guns for Colombian drug cartels, BCCI/Rappaport overlaps, “left-leaning wealth advisor” Josh Kanter's Alliance for a Better Utah and Kanter Family Foundation, Linda Pritzker aka Lama Tsomo's Namchak Foundation in Montana, Nick Pritzker bankrolling Gavin Newsom's career, Tom Pritzker running the Center for Strategic and International Studies, Nick and Tom Pritzker's multiple phone numbers in Epstein's black book, Virginia Roberts Giuffre's allegations against Tom Pritzker, the Kanter law firm of Neal, Gerber, & Eisenberg's continuing services to the Pritzker family, and last but not least, some thoughts on how it doesn't whip ass when left-leaning media influencers try to meme Big Boy JB Pritzker into the White House, especially when one's uncle happens to have been a Burt Kanter protegé/Pritzker family attorney for the last 50 years.

Send us a Text Message.Upcoming Concert at the Alameda County Fairgrounds in Pleasanton, California. Friday June 28 at 8PM. Concerts - Alameda County FairRevisiting CreedenceThe Vinyl Tour Bus Makes all The Stops:Tales Of A Rock-A-RollaMusical History ToursRock Music TriviaGeneral MayhemTune In, Turn On & Rock Out

Swamp rock afficianados, this is your podcast!Despite forming in California, Creedence Clearwater Revival was known for their Louisiana sound often described as "swamp rock" or later as roots rock.  They tended towards an earlier rock sound during a time when much of their fellow performers were moving in a more psychedelic direction.  But CCR (as the band was known, or Creedence) would find prolific success in the time from 1969 to 1971 when they would produce 14 consecutive top 10 singles and five consecutive top 10 albums.The band featuring front man and multi instrumentalist John Fogerty, brother Tom Fogerty on rhythm guitar and backing vocals, Stu Cook on bass, and Doug Clifford on percussion got their start as a band playing rock standards and instrumentals in 1959 under the name "The Blue Velvets."  They changed their name to "the Golliwogs" in 1964, then became CCR in 1967.  The name Creedence Clearwater Revival comes from three sources - John Fogerty's friend Credence Newball, a beer commercial touting "clear water," and the word "revival" depicting the members' re-commitment to the band.Cosmo's Factory is the band's fifth studio album takes its title from the warehouse in Berkeley where the band practiced in early days.  Doug "Cosmo" Clifford called it "The Factory" because they practiced there almost daily.  This album went to number 1 on the Billboard 200 charts and remained there for nine weeks.  It is one of those albums that appears to be a "greatest hits" album rather than a studio release because of the number of very familiar songs originating on it.The group would be prolific, but short-lived.  Tom Fogerty left the group at the end of 1971 and the rest had an acrimonious falling out shortly thereafter.  But for a few years, CCR produced a gigantic body of work, despite never having a number 1 hit.Wayne takes us through this classic album of swamp rock for this week's podcast. Who'll Stop the RainOften considered a Viet Nam protest song, the inspiration for this track is actually Woodstock, where multitudes of music fans congregated in the rain to hear the music of the age.  It was released as a double A single along with "Travelin' Band," and went to number 2 on the American charts.Run Through the JungleAnother song mistakenly considered to be a Viet Nam protest (and often used that way in films), Fogerty wrote this about the proliferation of guns in the United States, comparing city streets to a jungle.  This was another double A single release, paired with "Up Around the Bend."  It has appeared in multiple films including "Air America," "Rudy," and "Tropic Thunder."Up Around the BendThis track is a more straightforward invitation to a gathering that is, as you might guess, up around the bend.  It went to number 4 on the Billboard Hot 100 charts and number 3 on the UK singles charts.  John Fogerty wrote this song, as he did most of the original CCR tracks.Travelin' BandThis song draws its inspiration from 1950's rock songs, particularly paying homage to the style of Little Richard.  The lyrics talk about a band on the road.  It's reference to "737 coming out of the sky" - a new passenger plane at the time the song was written - put the song on a list of inappropriate tracks in a post-9/11 memo by Clear Channel. ENTERTAINMENT TRACK:Main theme from the television series “Dark Shadows”A feature length horro film entitled "House of Dark Shadows" was released in 1970 based on the vampire soap opera.  STAFF PICKS:Tears of a Clown by Smokey Robinson & the MiraclesLynch's staff pick has upbeat music that belies the sad lyrics depicting a man who has to put on a happy front despite facing the loss of his love.  The track was originally recorded in 1966, but not released until 1970.  It topped both the UK charts and the US Billboard Hot 100.  Long Long Time by Linda RonstadtRob's staff pick may not be a rock song in the traditional sense, but it shows off the vocal capabilities of one of the leading female rock figures prior to her breakthrough as a soloist.  The song about a woman's undying love for a guy who will never be hers went to number 25 on the Billboard Hot 100.Ain't No Mountain High Enough by Diana RossBruce features a song written by Ashford and Simpson in 1966, and originally a hit for Marvin Gaye and Tammi Terrell who took it to number 19 on the Billboard Hot 100 in 1967.  Diana Ross released this as a solo song with a reworked sound incorporating gospel elements with strings and horns.  It went to number 1 making it Ross's first number 1 solo hit.Vehicle by The Ides of MarchWayne presents a one-hit wonder out of Chicago with a funky sound and a great horns section.  The vocalist and guitarist for The Ides of March would later become a founding member of Survivor.  General Motors used this song extensively in national advertising, and it will tend to get you driving faster! NOVELTY TRACK:Chicken Strut by the MetersThis novelty song inspired a short-lived dance, and wraps up this week's podcast. Thanks for listening to “What the Riff?!?” NOTE: To adjust the loudness of the music or voices, you may adjust the balance on your device. VOICES are stronger in the LEFT channel, and MUSIC is stronger on the RIGHT channel.Please follow us on Facebook https://www.facebook.com/whattheriffpodcast/, and message or email us with what you'd like to hear, what you think of the show, and any rock-worthy memes we can share.Of course we'd love for you to rate the show in your podcast platform!**NOTE: What the Riff?!? does not own the rights to any of these songs and we neither sell, nor profit from them. We share them so you can learn about them and purchase them for your own collections.

El final de la década de los 60 dejó lo mejor de las bandas que habían definido la década. El año del Festival de Woodstock se publicaron discos brillantes de los Beatles, The Who, los Stones o Led Zeppelin. Aquel año la Creedence Crearwater Revival publicó tres discos ascendiendo de pronto a la más alta cima de la música, el mejor escenario desde el que despeñarse en un abrir y cerrar de ojos.  Uno de esos discos fue Green River, una joya de la música americana que mezclaba con tremendo acierto los ingredientes más sabrosos de la tradición musical y que alejado de los sonidos de la época consiguió conquistar al público.Aquel año, entre tanto genio, la Creedence reinó con canciones brutales que fueron la banda sonora de un 1969 mágico en el que nadie pudo seguir el ritmo del grupo de John Fogerty.Esta semana recordamos aquel disco, esa época y la peculiar historia de una banda que subió a los cielos de la música para explotar y desaparecer dejando un legado inmenso difícil de igualar. Para este viaje nos acompañan Fernando Navarro y Lucía Taboada. 

El final de la década de los 60 dejó lo mejor de las bandas que habían definido la década. El año del Festival de Woodstock se publicaron discos brillantes de los Beatles, The Who, los Stones o Led Zeppelin. Aquel año la Creedence Crearwater Revival publicó tres discos ascendiendo de pronto a la más alta cima de la música, el mejor escenario desde el que despeñarse en un abrir y cerrar de ojos.  Uno de esos discos fue Green River, una joya de la música americana que mezclaba con tremendo acierto los ingredientes más sabrosos de la tradición musical y que alejado de los sonidos de la época consiguió conquistar al público.Aquel año, entre tanto genio, la Creedence reinó con canciones brutales que fueron la banda sonora de un 1969 mágico en el que nadie pudo seguir el ritmo del grupo de John Fogerty.Esta semana recordamos aquel disco, esa época y la peculiar historia de una banda que subió a los cielos de la música para explotar y desaparecer dejando un legado inmenso difícil de igualar. Para este viaje nos acompañan Fernando Navarro y Lucía Taboada. 

Para medir el tempo, los músicos utilizan el metrónomo: un aparato que emite regularmente una señal, visual o acústica, que permite al artista mantener un pulso constante al ejecutar una obra. La relación entre un músico y su metrónomo es casi familiar y por eso Alejandro Pelayo nos ha querido presentar esta madrugada al suyo. ¿Qué ritmo necesitan las canciones de David Arnold, Kylie Minogue, Creedence o Isaac Albéniz?

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"A Day on the Green: Celebrating 35 Years Since the Legendary Concert"Larry Mishkin  highlights a significant Grateful Dead concert from May 27, 1989, at Oakland Alameda County Stadium, part of an AIDS benefit organized by Bill Graham. The event featured artists like Tracy Chapman, John Fogerty, Los Lobos, Joe Satriani, and the Grateful Dead. Larry delves into Fogerty's set, backed by Jerry Garcia and Bob Weir, sharing insights and historical context. He also touches on the canceled Neil Young concert due to illness, expressing disappointment and hope for rescheduling. The episode mixes personal anecdotes, music history, and current events in the music world. Grateful DeadMay 27, 1989Oakland Alameda County StadiumOakland, CAGrateful Dead Live at Oakland-Alameda County Stadium on 1989-05-27 : Free Borrow & Streaming : Internet ArchiveA Day On The Green: Aids Benefit Concert:Tracy Chapman                an American singer-songwriter, widely known for her hit singles "Fast Car" from her debut album “Tracy Chapman” (1988) and "Give Me One Reason" from her fourth album which on that day was still a few years awat, “New Beginning” (1995).  Fast Car has enjoyed a resurgence thanks to Country star, Luke Combs, who's cover version went platinum in 2023 and by September that year was a No 1 country hit making Chapman the first black woman with a sole songwriting credit at No. 1 on the Country charts.John Fogerty                Of Credence Clearwater Revival fameLos LobosJoe Satriani              an American rock guitarist, composer, and songwriter. Early in his career he worked as a guitar instructor, with many of his former students achieving fame, including Steve Vai, Larry LaLonde, Rick Hunolt, Kirk Hammett, Andy Timmons, Charlie Hunter, Kevin Cadogan, and Alex Skolnick. Satriani went on to have a successful solo music career, starting in the mid-1980s. He is a 15-time Grammy Award nominee and has sold over ten million albums, making him the bestselling instrumental rock guitarist of all time.[3]In 1988, Satriani was recruited by Mick Jagger as lead guitarist for his first solo tour.[4] Satriani briefly toured with Deep Purple, joining shortly after another departure of Ritchie Blackmore from the band in November 1993.[5] He has worked with a range of guitarists during the G3 tour, which he founded in 1995.Tower of Power, and, last but not least Dead INTRO:                                 Althea                                                Track #3                                                4:51 – 6:21                From the Go To Heaven album (April, 1980), Garcia and Hunter masterpiece.  Always a Jerry favorite and loved by Deadheads everywhere, this was the third song of the show following the Touch of Grey opener (of course) and Greatest Story.  Great guitar work, lovely vocals, this song really launches the show and gets everyone in the groove. Played 273 timesFirst:  August 4, 1979 at Oakland Civic Auditorium, Oakland, CA, USALast:  July 8, 1995 at Soldier Field, Chicago          The weather for the Day On The Green concert was perfect. Bill Graham, apparently, had an exclusive arrangement with some greater power, so that it never, ever rained when he was having a major outdoor show, and his deal remained in place for the May '89 AIDS Benefit. Another oddity about the AIDS Benefit was that there were no less than five opening acts for the Grateful Dead, which I think was some kind of record for a Bay Area Grateful Dead show. To see that whole event would mean at least 12 hours in the sun, just to wipe yourself out for what we all really wanted to see at the very end.            It seems shocking today that a Benefit concert for a terrible disease would be seen as a progressive political act, but such was the Reagan 80s. At least in San Francisco, efforts to prevent AIDS and provide care for those suffering from it had finally expanded beyond the gay community into the general culture. Nonetheless it was still significant when major rock bands headlined a large benefit concert in the Bay Area's biggest venue. Concern for AIDS had finally reached parity with Amnesty International and the Rain Forest, which was a welcome thing. The Coliseum benefit was the largest of several events around the Bay Area, all organized by Bill Graham Presents, and meant to raise awareness as well as money.            Originally the Oakland show was supposed to have joint headliners, with both the Grateful Dead and Huey Lewis and The News. A few weeks before the show, however, Huey Lewis had to drop out of the show. Rather sheepishly, his management publicly conceded that the stadium show was cutting into ticket sales for Lewis around Northern California, and they couldn't afford to work for what was effectively nothing.             The Dead, of course, had no such concerns. At a press conference, Jerry Garcia graciously said that Huey had to listen to his management, it was part of the business.  Huey Lewis And The News were the biggest act in the Bay Area at the time with respect to record sales, and yet the Dead outdrew them by several multiples. The Dead were no longer an aging hippie band who hadn't broken up--they were the biggest draw in town.           By 1989, the Dead were huger than ever, thanks to "Touch Of Grey" – which the Dead opened with - and the Coliseum show was an opportunity for a lot of people who had always wanted to see the Dead but hadn't been been able to get tickets. Frost and Shoreline shows sold out pretty rapidly, so regular rock fans who wanted to see the Dead were out of luck. Thus the crowd was very Dead-positive, with plenty of Deadheads, but far less like the insular club of Deadhead veterans that were characteristic of Bay Area shows at the time.            There were many fascinating aspects to this event, but in retrospect the most fascinating was that former Creedence Clearwater Revival frontman John Fogerty was second on the bill, and it was known before the show that Jerry Garcia and Bob Weir would be part of his backing group.            Creedence had been hugely, titanically popular, but Fogerty had been in a bitter dispute with his record company since the mid-70s, and as a result had refused to play any of his great Creedence songs in concert. By 1989, however, although Fogerty's ire towards Fantasy Records had not subsided, for various reasons he had come to terms with his old songs, so it was widely known that not only would Garcia and Weir be backing Fogerty, but that they would be playing Creedence classics as well. Everything pointed towards an event of historic proportions.            There is a You Tube video of the entire Fogerty set that I encourage you to view.                   Fogerty had a unique status in the Bay Area at the time, and everyone was reminded of that when word was unofficially "leaked", I believe through Joel Selvin's Chronicle column, that not only would Garcia and Weir back Fogerty, but that Fogerty would be playing old Creedence songs.            John Fogerty hit the stage in the late afternoon, last up before the Grateful Dead. His band, previously announced, wasJohn Fogerty-lead guitar, vocalsJerry Garcia-guitarBob Weir-guitarRandy Jackson-bassSteve Jordan-drumsJackson and Jordan were well-known and well regarded as session players. Randy Jackson was a working member of Santana's band at the time, among many other gigs. Today, of course, Jackson is best known as a judge for the TV show American Idol, but that was far in his future. Jordan had played the Bay Area recently, on the 1988 tour with Keith Richards, whose album he had co-produced. Fogerty played 11 songs in about 45 minutes. Born On The BayouGreen RiverDown On The CornerRock And Roll GirlCenterfieldProud MaryMidnight SpecialBad Moon RisingFortunate Sonencores with Clarence Clemons-tenor saxophoneSuzie QLong Tall Sally             The question many would most like to have answered about this show is "who rehearsed?" From watching the video, it is clear that John Fogerty had run through the songs with Randy Jackson and Steve Jordan. Now, Creedence songs are delightfully basic, as well as famous worldwide, so pros like Jackson and Jordan hardly needed many takes. On every song, however, Jackson and Jordan both provide a funky bottom and plenty of accent. They knew the tunes, and they knew how to make them swing, so I think they had worked on them with Fogerty.            Jerry Garcia, however, was notorious for never wanting to rehearse. Weir is far less notorious for avoiding rehearsals, though it is also known that he is famously not on time, so it may amount to something similar. Since John Fogerty wasn't particularly close to any members of the Dead, it's clear that Bill Graham was the one who got Garcia and Weir to accompany Fogerty, and in so doing make it "an event," in classic Graham style. Could Graham have persuaded Garcia to rehearse? The alternative is strange, namely playing a show in front of 40,000 people with at least two band members completely flying blind.            On the day of the show the story is that Garcia and Weir had a dressing room run-through with Fogerty and the rhythm section, agreeing on the tempos and the intros. Sandy Rothman has described how the Jerry Garcia Acoustic Band did not really practice songs, they just agreed on an intro and tempo and sang a chorus together. Granted, Rothman, Garcia and David Nelson had played all those songs before, but it was usually twenty years earlier. Still, one chorus run through was sufficient. So I think Fogerty talked Garcia and Weir through the planned songs, but they had never really played together until they got on stage.            Creedence songs have a nice groove, but they aren't jamming platforms, so of course Garcia just plunks away through the entire show, maybe not his most memorable performance.  On one hand, Jerry Garcia's health in 1989 was as good as it had been in at least a decade, nor it would ever be that good again. Yet the stunning success of "Touch Of Grey," gratifying as it must have been, insured that the bubble of Garcia's life meant that he was more insulated than ever. Garcia wasn't just a legend to Deadheads, he was in the pantheon now, the biggest rock star in the Bay Area, in a beautiful cage with no escape.When Fogerty kicks off the familiar, booming riff of "Born On The Bayou," Garcia is tucked back on stage left, next to Steve Jordan's drums. Randy Jackson is on the other side of Jordan, and Weir is right next to Jackson. Although Garcia plays a very simple figure behind Fogerty for "Bayou," his eyes are on Jordan, and Jerry has a big, happy grin on his face. I'm not imagining this--Garcia has a big grin on his face throughout the entire set, and he mugs happily with Jordan as the drummer plays fills and accents through the set. Weir seems to be having the same kind of fun with Randy Jackson over on stage right. Fogerty is the star, front and center, but the band is getting their own groove on behind him. SHOW No. 1:                    Down On The Corner (and Band introductions)                                                John Fogerty (w. Jerry and Bobby)                                                JERRY GARCIA JOHN FOGERTY CLARENCE CLEMMONS AND BOB WEIR 5-27-1989 AIDS BENEFIT OAKLAND CA (youtube.com)                                                10:49 – 12:42                 "Down on the Corner" is a song by the American band Creedence Clearwater Revival. It appeared on their fourth studio album, Willy and the Poor Boys (1969). The song peaked at No. 3 on the Billboard Hot 100 on 20 December 1969. The flip side, "Fortunate Son", reached No. 14 on the United States charts on 22 November 1969, the week before Billboard changed its methodology on double-sided hits.           The Fogerty set isn't a big deal to Deadheads, but it's hard to get around the fact that Garcia is having a great time. Whether Fogerty was "bigger" than Garcia is beside the point. Fogerty is a genuine star, with genuine hits, so he is the center of attention while he is on stage. For any singer less important than Fogerty--as in, just about all of them--Garcia could not hang back, but he can do so here. For 45 minutes, it's like Garcia is at the Keystone Berkeley or something, hanging out with his peers, playing the guitar parts that are dictated by the music, simple though they may be. When they got to "Down On The Corner," Jerry is practically jumping up and down. In a small but fascinating moment, he steps up to the mic to sing the backing vocals. Now granted, the whole English speaking world knows that it goes "Down on the corner/Out in the street/Willie and The Poor Boys are playing/Bring a nickel, tap your feet," but Jerry actually steps up to sing. Over the years, Deadheads have seen and heard Garcia make lots of guest appearances with various artists. Yet how often did he sing the chorus of other people's hit songs? After "Down On The Corner," Fogerty introduces the band, and Garcia's back is turned when it is his turn, as he's tuning up. Fogerty says "wake him up!' and Garcia turns around. "On guitar, Jerry Garcia!" Garcia grins and goes back to tuning, and Fogerty says "Genius at work." This is just musicians goofing around, albeit goofing around on stage in front of 40,000 people, but Garcia gets to be just another dude on stage, perhaps for one of the last times. A few months later (August 2, 1989), he would share the stage with Carlos Santana and Ruben Blades but that was for a TV special where he was a featured guest. At the Oakland Coliseum, he's just a hired gun playing a bunch of top 40 songs.             As Deadheads, we always wanted certain things from Jerry. When Garcia didn't give us what we want, we grumbled, and thanks to the magic of tape and digital recording, we can collectively complain about it for decades. Good times! But we have to keep in mind that what we wanted wasn't always what Jerry wanted. For a Memorial Day Saturday, Garcia wanted to be in a band, playing songs the way they were written, singing his parts when they came around, grooving with the drummer and letting the front man do the heavy lifting. Did it ever come around again that Jerry got to play simple, popular songs with a front man with enough gravitational pull so that it wasn't All About Jerry? In that sense, Garcia's role as John Fogerty's backing musician is a last look backwards for Garcia, a time when he could just be in the band, if only for 45 minutes.             Or, as I like to think of it, the Fogerty set was a big pre-show jam session for Bobby and Jerry who soon came back out with the Dead for their standard 3+ hour performance.  However you look it at it, the Fogerty set was a fun throwback for Deadheads and a chance to see Jerry and Bobby play with another legend.  MUSIC NEWS: Neil Young show in Chicago canceled 90 minutes before show time  May 23, 2024 at Northerly Island in Chicago.Going to see Dead & Co. this Saturday, June 1, at the Sphere with a bunch of good friends including good buddy Marc from St. Louis.  I hope to be able to have a report on the show for next week's episode but with travel the next day, it may be hard to get the story ready in time.  If so, there will be a big report in two weeks.  Very excited to see the boys, the Sphere and all my good buddies.The Music Plays the Band – new Dead cover album  SHOW No. 2:                    Iko Iko w/Clarence Clemmons                                                Track #5                                                5:09 – 6:11                 The classic Dead cover of the Dixie Cups tune joined by the Big Man wailing on the sax.  Clarence had played a few tunes during Fogerty's set and joined the boys for this tune and a few others during the show.  In '89 the Boss was as big as ever and Clarence was a big part of that success.  But he enjoyed playing in the improv style embraced by the Dead.                 Clarence first played with the Dead at their New Year's run on December 27 and December 31, 1988 in Oakland and soon after this how, on June 21, 1989 at Shoreline Amphitheater.  He also played a number of times with JGB.  And it turns out that one of Clarence's final live performance was playing a show with Phil and Friends a few years back.               When the E Street Band went on hiatus at the end of the Eighties, Clemons, who by then had moved to the Bay Area, went in search of work and new musical experiences. In 1989, he toured with the first version of Ringo Starr's All Starr Band, cut an album with producer Narada Michael Walden, and — not surprisingly, given his new home base — befriended members of the Dead.Starting in early 1989, Clemons sat in with both the Dead and the Jerry Garcia Band (JGB) at several shows. With the Dead, he joined in on songs like “Estimated Prophet” and “Eyes of the World” and partook of the overall Dead vibe. “Clarence was an old pal, a soulful bro,” Bob Weir told RS in 2011, right after Clemons' death from complications of a stroke. “He was a good hang. Back in the late Eighties and early Nineties, he was living out here in Marin County. He was in moving-on mode, and he, Jerry, and I mixed it up a bit. We were dropping by clubs like Sweetwater and sitting in with various bands.”The association wasn't just musical. “Jerry and I were both single at that time, and Clarence suggested the three of us move in together and have a bachelor pad,” Weir recalled bemusedly. “Jerry and I almost went for it. It would've been a lot of fun, but I don't think anyone would have survived. Jerry was in good shape, but we were doing a little drinking.”  SHOW No. 3:                    Stuck Inside of Mobile w.the Memphis Blues Again w/Clarence                                                Track #6                                                2:26 – 3:51 "Stuck Inside of Mobile with the Memphis Blues Again" (also listed as "Memphis Blues Again") is a song by American singer-songwriter Bob Dylan from his seventh studio album, Blonde on Blonde (1966). The song was written by Dylan and produced by Bob Johnston. It has nine verses, each featuring a distinct set of characters and circumstances. All 20 takes of "Stuck Inside of Mobile with the Memphis Blues Again" were recorded in the early hours of February 17, 1966, at Columbia Records's A Studio in Nashville, Tennessee, with the last take selected for the album. This version also appears on Dylan's second compilation album, Bob Dylan's Greatest Hits Vol. II (1971). Dylan played the song live in concert 748 times from 1976 to 2010. A live version recorded in May 1976 was included on the live album from that tour, Hard Rain (1976), and was also released as a single with "Rita May" as the B-side. The first live performance was at the University of West Florida, Pensacola, on April 28, 1976,[32] during the Rolling Thunder Revue tour. Played 70 times by the Dead.  Part of Bobby's first set rotation of Dylan tunes with Queen Jane Approximately, Desolation Row, Masterpiece and Ballad of a Thin Man.First:  March 17, 1988 at Henry J. Kaiser Convention Center, Oakland, CA, USALast:  April 2, 1995 at The Pyramid Arena, Memphis, TN, USA  MJ NEWS                 SHOW No. 4:                    Blow Away                                                Track #11                                                7:37 – 9:10                 A Brent tune, lyrics by John Barlow (? – seems like a lot of Brent rapping during the song)                When you listen to (and read, thanks to the transcription efforts of careful listeners like Alex Allan of The Grateful Dead Lyric and Song Finder site) to Brent's closing rap / rant from the version of “Blow Away” captured on Dozin' at the Knick, you have to acknowledge that, whether the words were improvised or not, they come from the heart, and have a strong sense of immediacy and urgency. Played 23 timesFirst:    June 20, 1988 at Alpine Valley Music Theatre, East Troy, WI, USALast:    July 16, 1990, Rich Stadium, Orchard Park (Buffalo), NY – it died with Brent   OUTRO:                               Wharf Rat                                                Track #17                                                3:59 – 5:26                 Not the closer this night, or most nights, but it could have been a perfect closer.  Hunter/Garcia masterpiece. Wharf Rats are a group of concert-goers who have chosen to live drug and alcohol-free. They arose out of the environment around the rock group the Grateful Dead and their followers the Deadheads, both of which were rooted in the drugs-embracing counterculture of the 1960s.[1]Their primary purpose is to support other concert goers who choose to live drug-free, like themselves. They announce their presence with yellow balloons, signs, and the Wharf Rats information table. At a set break during Grateful Dead (and related) concerts they hold self help style meetings but are not affiliated specifically with any 12-Step organization and have no requirement for attendance at one of their meetings besides providing some helpful drug free fellowship.[2] Like Deadheads, members of Wharf Rats come from all walks of life.[3] By 1990, the Wharf Rats mailing list had some 3,000 names.[1]The Wharf Rats began during the early 1980s[2] as a group of Deadheads under the name "The Wharf Rat Group of Alcoholics Anonymous". The Wharf Rats originally came from a small group of Narcotics Anonymous members who went to a Grateful Dead concert in Philadelphia and located each other by their Yellow balloons with the NA symbol drawn on in Magic Marker.[4] However due to operational differences they soon split off from Narcotics Anonymous, and are not affiliated with them, AA, or any other twelve-step program (though many of members of the Wharf Rats are members of AA, NA or other 12-step programs). The Wharf Rats see themselves as "a group of friends sharing a common bond, providing support, information and some traction in an otherwise slippery environment." The relationship between the Wharf Rats and more traditional such groups has been studied in the academic journal Deviant Behavior.[1]While the Wharf Rats originated at Grateful Dead concerts, they now have a presence at other concerts as well. Similar groups include The Phellowship for Phish, The Gateway for Widespread Panic, The Jellyfish for The String Cheese Incident, Much Obliged for Umphrey's McGee, Happy Hour Heroes for moe., the Digital Buddhas for The Disco Biscuits, Better Than Before for The Werks, the Hummingbirds for Bassnectar, and the Sunny Bunny Recovery for Ween, Dustie Baggies for Billy Strings and The Hot Tea Party for Goose—all based on the Wharf Rats, which remain the best-known.[2]The name of this group comes from the 1971 Dead song "Wharf Rat" (written by Jerry Garcia and Robert Hunter and appearing on Skull & Roses), which contains the self-told story of August West, a down-and-out dockside wino Played: 399 timesFirst:      February 18, 1971 at Capitol Theatre, Port Chester, NY, USALast:      June 25, 1995 at RFK Stadium in D.C. .Produced by PodConx Deadhead Cannabis Show - https://podconx.com/podcasts/deadhead-cannabis-showLarry Mishkin - https://podconx.com/guests/larry-mishkinRob Hunt - https://podconx.com/guests/rob-huntJay Blakesberg - https://podconx.com/guests/jay-blakesbergSound Designed by Jamie Humiston - https://www.linkedin.com/in/jamie-humiston-91718b1b3/Recorded on Squadcast

The Book of Enoch continues to reveal its secrets and the way it lines up with the Biblical narrative continues to add Creedence to the truth that is the Bible! Follow along as we keep digging!

First, there was Creedence Clearwater Revival, which morphed into Credence Clearwater Revisited, which has now morphed into Revisiting Creedence. And now, Revisiting Creedence will be bringing hit after hit to Maryland Hall on April 16th in a Rams Head Presents concert. Today, we're talking with Kurt Griffey, the lead guitarist, about his career and his audience and Revisiting Creedence's pure rock and roll. So, what can you expect to see and hear on April 16th? Have a listen! LINKS: Revisiting Creedence (Website) Revisiting Creedence (Facebook) Revisiting Creedence (Twitter | X) Revisiting Creedence (YouTube) Revisiting Creedence (TICKETS)

In This Episode: We talk about the polar vortexes, someone being teased for their accent, some texts from a racist guy, someone who "unknowingly" snitched on his sister, a guy trying to use his estranged daughter for therapy, a listener left with some collectable tractors, and some of Erika's family drama. We also go over our new Zodiac signs! This Episode is sponsored by: Rocket Money! Go to RocketMoney.com/Judgies and cancel your unwanted subscriptions TODAY! Our Patreon is officially open, if you want to see extra content go check it out!  https://www.patreon.com/JudgiesPod  Send us mail! (Addressed However You'd Like)  P.O. Box 58 Ottawa, IL 61350  Leave a Review!  https://podcasts.apple.com/us/podcast/the-judgies/id1519741238  Follow us on Twitter: https://twitter.com/judgiespod Follow us on Instagram: https://instagram.com/judgiespod  Intro Music by: Iván  https://open.spotify.com/artist/5gB2VvyqfnOlNv37PHKRNJ?si=f6TIYrLITkG2NZXGLm_Y-Q&dl_branch=1  Story Links: AITA: Accent Texts: Racist Chester AITA: Snitch on Sister EntitledParents: Daughter's Father's Wife's Therapy Time Stamps: 0:00 Intro 2:52 Polar Vortex 7:12 Mail Time 14:15 AITA: Teased for Accent 19:08 Texts: Racist Chester 24:57 AITA: Snitch on Sister 34:54 EntitledParents: Daughter's Father's Wife's Therapy 43:53 CJ: Changed Zodiac 57:32 LS Sound: Great Energy 1:00:41 LS: Grandpa's Tractors 1:12:45 Erika's Family Drama 1:18:04 Outro Learn more about your ad choices. Visit megaphone.fm/adchoices

durée : 00:04:49 - La chronique de Djubaka - C'est en 1969, en pleine guerre du Vietnam, que les Creedence Clearwater Revival écrivent cette chanson qui raconte comment les enfants de riches américains réussissaient à éviter de se faire trouer la peau au front, alors que les pauvres ne pouvaient pas dire non.

Está con nosotros una de las voces y una de las guitarras más poderosas del rock en el mundo, estarán en la 2da edición del Festival Remind GNP 2023 el 22 de abril en Parque Bicentenario: Dan McGuiness y Kurt Griffey, Vocalista y Guitarrista de Revisiting Creedence