Podcasts about where art thou

Is it a good movie if you have to watch it ten times? That's the question Chris and Daniel keep circling back to as they take on Christopher Nolan's The Odyssey, skipping the marketing noise and the wireframe-cyclops conspiracy theories to actually ask whether the thing works as a film. They dig into what Nolan is doing as a filmmaker, structurally and emotionally, in his adaptation of the oldest story in Western literature, and why a three hour runtime built around a decade-long wait might be the whole point rather than a flaw. The real conversation is about adaptation itself: what happens when a director spends the entire movie making an audience feel exactly what an intractable wait feels like, and why Nolan's obsession with time connects everything from Memento through Tenet to this one. Daniel makes the case that Nolan has finally figured out how to deliver Tenet's disorienting rewatch effect without forcing anyone to actually rewatch anything. Chris and Daniel also compare Nolan's spectacle-forward approach to what a Denis Villeneuve version might have looked like, and get into why single-vision directors are becoming Hollywood's new IP. Mentioned in this episode: The Odyssey (Christopher Nolan), Tenet, Dunkirk, Interstellar, Memento, Oppenheimer, Denis Villeneuve, Dune, Avatar, James Cameron, Peter Jackson, Annihilation (Alex Garland), Starship Troopers (Paul Verhoeven), Inglourious Basterds, Jackie Brown, Frank Gehry, Steven Spielberg, Disclosure Day, Zack Kreger, Ryan Coogler, Hoyte van Hoytema, Wally Pfister, David Lynch, Jack Fisk, Paris, Texas, O Brother, Where Art Thou?, Master and Commander, Winnie the Pooh: Blood and Honey, Neuromancer (trailer) Special thanks to our sponsor: Center Grid Virtual Studio: https://cgvirtualstudio.com/

The Brothers discuss 1997's "The Jackal," which was maligned at the time but we found quite enjoyable. During which they discuss the Sidney Poitier, Kirstie Alley, and Tom Bergenger thriller "Shoot to Kill," authors David Morell and Stephen Hunter, Jack Black, and Pretty Woman.   Housekeeping starts at 1:17:45 during which J introduces us to RunPee.com for your "best time to go to the restroom during a movie viewed in the theater, Christopher Nolan's "The Odyssey," the other adaptation of the Homer classic "O Brother, Where Art Thou," and a photoshoot with Father Anderson's car.   File length 1:29:28 File Size 68.8 MB Theme by Jul Big Green via SongFinch Subscribe to us on Apple Podcasts Listen to us on Stitcher Like us on Facebook Follow us on Twitter Send your comments to show@notinacreepyway.com Visit the show website at Not In A Creepy Way

Christopher Nolan’s The Odyssey approaches Homer’s epic from a much more literal vantage point than O Brother Where Art Thou, but that doesn’t mean it’s a dutiful, beat-by-beat adaptation. So this week we’re talking through the ways in which Nolan put his personal stamp on one of the most well-known stories in all of literature, from the film’s non-linear structure and preoccupation with time, to the physicality and humanity Nolan brings to this big-screen spectacle about a time of apparent magic. Then in Connections, we look at how these two very different films approach their shared source material, not just in direct character and narrative parallels, but also their interest in the oral tradition and eras coming to an end. Then in Your Next Picture we return to the subject of O Brother ’s music with a recommendation for the 2000 concert film Down From the Mountain. Please share your thoughts about O Brother, Where Art Thou?, The Odyssey, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Matt Johnson’s Tony and Brad Bird’s Ratatouille This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.See omnystudio.com/listener for privacy information.

On the three-hundredth episode of THE THIRD ACT PODCAST, the crew are celebrating a podcasting milestone the way Nolan intended!Jericho, Christian, and Armando defy the cinematic gods by tackling Christopher Nolan's latest IMAX blockbuster experience, THE ODYSSEY by pairing it with Ethan and Joel Coen's folksy 2000 Homer adaptation Oh Brother, Where Art Thou? In the Recently Watched segment, THE FIRM (1989), MADE IN BRITAIN (1982), ROAD (1987), MAGELLAN, and HADESTOWN: THE MUSICAL are discussed.They also talk format fiascos, epic rants, sexual derangement, large scale imagery, and a very special commemorative email!Subscribe to Jericho's Substack: symbioticreviews.substack.comKeep in touch with us on Instagram and email us anytime at: TheThirdActPodcast@gmail.com   

This week on Blues From The Ouse we begin with another outstanding collection of new blues releases, including Shotgun Sam & His World Famous Blues Band, Chicago Nola, Jimmy Regal and the Royals, Kaspar'Berry' Rapkin, The Mercy Brothers and Bob Stroger.Our feature explores Blues in Film & Soundtracks Vol. 2, uncovering incredible blues music featured in films including The Departed, The Wolf of Wall Street, Ghost World, Black Snake Moan, We Bought A Zoo, Goodfellas, O Brother, Where Art Thou? and The Hot Spot.Hour two features classic album deep dives from Koko Taylor, Junior Wells, Magic Sam, Son Seals and Albert King, before winding down with Jimmy Reed, Susan Tedeschi, Charles Brown and Kelly Joe Phelps.If you love Chicago Blues, Delta Blues, electric blues, modern blues, British blues and discovering new artists every week, this episode is packed with outstanding music.Blues From The Ouse #334 Playlist: Shotgun Sam & His World Famous Blues Band - Diamonds For Dollars - 00:00:53Chicago Nola - Homewrecker - 00:05:13Jimmy Regal and the Royals - Don't Know Diddley - 00:09:41Kaspar'Berry' Rapkin - Pearly Gates - 00:13:16The Mercy Brothers - I Believe I'll Make A Change - 00:16:50Bob Stroger & The Headcutters - My First Love - 00:19:57Otis Rush - All Your Love (I Miss Loving) - 00:23:29Jessie Mae Hemphill - Standing in My Doorway Crying - 00:26:43The Allman Brothers Band - One Way Out - 00:31:23Bo Diddley - Pretty Thing - 00:36:43Skip James - Devil Got My Woman - 00:39:40Muddy Waters - Mannish Boy - 00:42:53 Bobby Rush - Chicken Heads - 00:45:49Chris Thomas King - Hard Time Killing Floor Blues - 00:48:28John Lee Hooker & Miles Davis - Coming To Town - 00:50:58Koko Taylor - Voodoo Woman - 00:54:53Koko Taylor - I Got What It Takes - 00:58:37Junior Wells - You Don't Love Me - 01:02:18Junior Wells - Tobacco Road - 01:05:09Magic Sam - That's All I Need - 01:10:40Magic Sam - I Need You So Bad - 01:13:33Son Seals - Your Love Is Like Cancer - 01:19:51Son Seals - Going Home Tomorrow - 01:24:19Albert King - Crosscut Saw - 01:27:54Albert King - The Hunter - 01:30:29Jimmy Reed - Bright Lights Big City - 01:33:29Susan Tedeschi - It Hurt So Bad - 01:36:26Charles Brown - Black Night - 01:41:01Kelly Joe Phelps - Spit Me Outta the Whale - 01:44:04new blues releases, blues podcast, blues radio show, UK blues podcast, Chicago blues, Delta blues, electric blues, British blues, blues soundtrack, blues movie soundtrack, movie blues, blues in films, Muddy Waters, Koko Taylor, Albert King, Junior Wells, Magic Sam, Son Seals, Otis Rush, John Lee Hooker, Miles Davis, Bob Stroger, Jimmy Regal and the Royals, Chicago Nola, modern blues, classic blues, blues guitar, harmonica bluesBlues From The Ouse is a weekly UK blues podcast and blues radio show featuring classic blues, modern blues, British blues and blues rock.Discover blues legends, new blues releases and the best emerging British blues artists — available worldwide.Links

Homer’s Odyssey, a 12,000-line, nearly 3,000-year-old epic poem, is one of the foundational texts of Western literature. (It’s also one of the oldest surviving sequels!) It has inspired a list of movies as varied as Stanley Kubrick‘s 2001: A Space Odyssey, the Coen brothers’ O Brother, Where Art Thou?, and The SpongeBob SquarePants Movie. But there haven’t been very many straight screen adaptations of its full story. Christopher Nolan’s The Odyssey is just the second full-length feature film adaptation of Homer’s Odyssey ever made. It is 173 minutes long. It reportedly cost $250 million to make. And it is currently the No. 1 movie in the world, having grossed $666.7 million in just 12 days in theaters. This hour, rock star classicist and translator Emily Wilson joins us to talk Homer, Nolan, and everything in between. Plus: We impanel a full Nose to parse and dissect the movie as only the Nose can. GUESTS: James Hanley: Co-founder of Cinestudio at Trinity College Shawn Murray: A stand-up comedian, writer, and the host of the Fantasy Filmball podcast Irene Papoulis: Taught writing for a long time at Trinity College Emily Wilson: A classicist who has published verse translations of Homer, Seneca, Sophocles, and Euripides; her new book, Crossing the Wine-Dark Sea: Journeys Through Ancient Literature, is out in September, 2026, in the United States Bill Yousman: Professor of media studies at Sacred Heart University Music featured (in order): Disco Ulysses – Vulfpeck Tales of Brave Ulysses – Cream Take the Long Way Home – Supertramp Zeus’s Law – Ludwig Göransson Ithaca – Ludwig Göransson When I’m Home – James Blake, Travis Scott, Ludwig Göransson Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

We talk about creative processes this week. For more amazing podcasts check out thePFPN.com. Get your comments in at Facebook.com/btaabm2 Get your secret sauce reviews at letterboxd. Watch O Brother, Where Art Thou? for our next B Movies are the Best Movies episode.

Christopher Nolan’s The Odyssey approaches Homer’s epic from a much more literal vantage point than O Brother Where Art Thou, but that doesn’t mean it’s a dutiful, beat-by-beat adaptation. So this week we’re talking through the ways in which Nolan put his personal stamp on one of the most well-known stories in all of literature, from the film’s non-linear structure and preoccupation with time, to the physicality and humanity Nolan brings to this big-screen spectacle about a time of apparent magic. Then in Connections, we look at how these two very different films approach their shared source material, not just in direct character and narrative parallels, but also their interest in the oral tradition and eras coming to an end. Then in Your Next Picture we return to the subject of O Brother ’s music with a recommendation for the 2000 concert film Down From the Mountain. Please share your thoughts about O Brother, Where Art Thou?, The Odyssey, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Matt Johnson’s Tony and Brad Bird’s Ratatouille This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.Support the show: https://www.patreon.com/join/NextPictureShowSee omnystudio.com/listener for privacy information.

Los cambios del oscarizado director en la epopeya griega indignan a los puristas. Hablamos de este nuevo clásico con el escritor Javier Negrete. En esta nueva entrega del pódcast Par Impar emitida en esRadio, los presentadores Juanma González y Dani Palacios, junto al escritor y especialista Javier Negrete, analizan una muy peculiar adaptación cinematográfica de La Odisea que supuestamente ha dirigido el cineasta Christopher Nolan. Los contertulios destripan esta hipotética superproducción con un tono cargado de humor y crítica, comparando la visión de Nolan con el mito clásico de Homero. La conversación se centra inicialmente en las decisiones técnicas y narrativas de la película, destacando el uso obsesivo del formato IMAX por parte de Nolan. Este sistema, aunque visualmente imponente, dificulta enormemente la filmación de las coreografías de combate en espacios cerrados. Los presentadores comparan este estilo con el de la película Troya, dirigida por Wolfgang Petersen, donde los enfrentamientos entre Brad Pitt y Eric Bana alcanzaron una cota de realismo y espectacularidad difícil de superar. Uno de los temas clave del debate es la representación de la ley de Zeus o la hospitalidad griega (xenia), un elemento sagrado en los poemas homéricos. El invitado Javier Negrete, autor de la novela Odisea editada por HarperCollins, explica cómo en la película de Nolan este concepto se simplifica para convertirlo en una suerte de justificación moral para la matanza final de los pretendientes, adaptándolo al estilo oscuro y denso del director. En cuanto al reparto, destaca la elección de Matt Damon para encarnar a un Ulises que se aleja del héroe astuto clásico para mostrarse como un soldado traumatizado y consumido por la culpa tras la caída de Troya, un enfoque muy en la línea de producciones como Oppenheimer. La actriz Anne Hathaway asume el papel de Penélope, logrando dotar de gran carga dramática a sus escenas frente a un joven Telémaco interpretado por Tom Holland. La película no escatima en licencias creativas y polémicas, como la inclusión del personaje de Sinón, interpretado por Elliot Page, que pertenece en realidad al ciclo troyano de la Eneida de Virgilio. Por su parte, la actriz Zendaya da vida a una Atenea que en esta versión no es una deidad física, sino una representación psicológica de la mala conciencia del protagonista, un recurso muy habitual en la filmografía de Nolan. La mitología fantástica se reinterpreta bajo un prisma de terror y ciencia ficción. El Cíclope es retratado como un gigante mutante con una deformidad ocular vertical, un diseño que combina efectos prácticos con CGI y que recuerda al Grendel de la película Beowulf de Robert Zemeckis. Del mismo modo, la escena de Circe —interpretada por Samantha Morton— se transforma en un pasaje de body horror donde los hombres se convierten en cerdos mediante impactantes efectos físicos. Finalmente, el análisis de la secuencia de las Sirenas y el regreso a Ítaca desvela la maestría de Nolan en el uso del recurso sonoro, ensordeciendo el ambiente para resaltar la música mientras los marineros usan cera en los oídos. Para cerrar la emisión, los presentadores repasan otras adaptaciones populares de la obra, como la comedia O Brother, Where Art Thou? de los hermanos Coen o la mítica versión teatral de El Joglars en los años setenta, concluyendo que esta original propuesta consigue acercar la literatura clásica al gran público.

110 - Ulysses (1954) vs The Odyssey (2026) Nothing New: A Remake Podcast Download Nothing New: A Remake Podcast (Threads | Instagram) is hosted by Andrew Linde (Threads | Instagram) and Justin Quizon (Threads | Instagram). Join our Patreon at just $1 a month to gain access to the bonus feed for episodes like this month's on O Brother, Where Art Thou? (2000)! 00:06:01 - Ulysses (1954) Available on: Tubi (Stream) YouTube (Buy/Rent) 00:56:00 - The Odyssey (2026) Available on: In Theaters Now

Considering The Odyssey is one of the most famous and influential stories of all time, there had been relatively few attempts to directly translate Homer’s epic poem to the big screen until Christopher Nolan came along to do it at a blockbuster scale. It’s been more common for filmmakers, such as Joel and Ethan Coen, to use it as the loose framework for a flawed hero’s journey home, such as the one undertaken by Ulysses Everett McGill in O Brother, Where Art Thou?, a Depression-era musical comedy that maps on to Homer’s version only in the broadest of strokes. But revisiting O Brother through the lens of its stated source material, as we’re doing this week, is a revealing lesson in the malleability of adaptation, as well as the Coens’ ability to make even one of the most familiar tales in all of storytelling uniquely theirs. Then in Feedback, we finally break our silence on the indie-horror phenomenon that is Obsession. Please share your thoughts about O Brother, Where Art Thou?, The Odyssey, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.See omnystudio.com/listener for privacy information.

Considering The Odyssey is one of the most famous and influential stories of all time, there had been relatively few attempts to directly translate Homer’s epic poem to the big screen until Christopher Nolan came along to do it at a blockbuster scale. It’s been more common for filmmakers, such as Joel and Ethan Coen, to use it as the loose framework for a flawed hero’s journey home, such as the one undertaken by Ulysses Everett McGill in O Brother, Where Art Thou?, a Depression-era musical comedy that maps on to Homer’s version only in the broadest of strokes. But revisiting O Brother through the lens of its stated source material, as we’re doing this week, is a revealing lesson in the malleability of adaptation, as well as the Coens’ ability to make even one of the most familiar tales in all of storytelling uniquely theirs. Then in Feedback, we finally break our silence on the indie-horror phenomenon that is Obsession. Please share your thoughts about O Brother, Where Art Thou?, The Odyssey, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.Support the show: https://www.patreon.com/join/NextPictureShowSee omnystudio.com/listener for privacy information.

Greek mythology retellings keep multiplying, and nobody can quite explain why. Christopher Nolan just dropped a $250 million adaptation of The Odyssey, a poem roughly 2,700 years old, and Meaghan and Shirin wanted to figure out what keeps pulling all of us (and Hollywood) back to these stories. This one stays high-level, and neither of us was a classics major, so we'll own that upfront. We walk through what The Odyssey actually is, why Odysseus is a much grayer hero than people remember, and why feminist retellings like Madeline Miller's Circe keep landing so hard. Then we get into Nolan's stacked cast: Matt Damon as Odysseus, Anne Hathaway as Penelope, Tom Holland as Telemachus, Zendaya as Athena, Robert Pattinson as the suitor Antinous, and Lupita Nyong'o doing double duty as Helen of Troy and Clytemnestra. Christopher Nolan's The Odyssey (2026): The Cast, Explained • Nolan's $250 million IMAX adaptation of The Odyssey hit theaters on July 17, 2026, his first film since Oppenheimer. • Confirmed casting: Matt Damon as Odysseus, Anne Hathaway as Penelope, Tom Holland as Telemachus, Zendaya as Athena, Robert Pattinson as the suitor Antinous. • Lupita Nyong'o pulls double duty as Helen of Troy and her sister Clytemnestra. Charlize Theron plays Calypso (some listings say Circe, so we're flagging it).   The Odyssey, For People Who Skipped Classics • The short version: Odysseus spends ten years getting home to Ithaca after the Trojan War, mostly because he pissed off Poseidon. • Penelope holds down the kingdom and fends off suitors while raising their son, Telemachus, not knowing if her husband is alive. • Gods, monsters, a cyclops, the enchantress Circe, the sirens. Odysseus survives on cunning over brute strength, then loses his whole crew anyway.   Why Greek Mythology Retellings Keep Winning • Older texts sort people into good and bad. Modern retellings hand the mic to the ones shoved to the margins. • Feminist retellings are the clearest example, like Madeline Miller's Circe, centering a character the original treats as a footnote. • Odysseus himself was never a clean hero, and that gray area is a big reason the story keeps holding up.   Odyssey Adaptations Hiding in Plain Sight • You've seen more of them than you think: O Brother, Where Art Thou?, Cold Mountain (Charles Frazier, 1997), and [LINK: Ulysses] by James Joyce. • It reaches into sci-fi too, from 2001: A Space Odyssey to the creatures and detours borrowed by Percy Jackson (Rick Riordan).   On Our Nightstand: New Releases and ARCs • Shirin is deep in Dungeon Crawler Carl by Matt Dinniman, now getting a Peacock series from Seth MacFarlane (Princess Donut on screen, finally). • Meaghan is reading an ARC of The Iron Hex, the debut romantasy from Canadian author Victoria S. Walsh, out August 4, 2026. Subscribe on your favorite platform!SpotifyApple PodcastAmazon MusiciHeart RadioPodchaserYoutubeDon't forget to follow us on socials too!InstagramThreadsTikTokBlueSkyFacebook Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A good chunk of Supergirl’s DNA can be traced back to True Grit by way of the comics miniseries the film is adapting, which is why we paired it with Joel and Ethan Coen’s 2010 version of that story. But as our discussion of Craig Gillespie’s new entry in James Gunn’s revamped DC Universe details, Supergirl often feels less indebted to its space-western source material than to several other superhero films that preceded it, including some of Gunn’s. That makes it tough to balance a film we all consider okay-at-best against a stone-cold Coens classic, but we attempt to anyway in Connections as we consider these two films’ shared interest in vengeance, western tropes, and really, really bad guys with murky motivations. Then in Your Next Picture Show, we honorTrue Grit’s star-making performance with a recommendation for another Hailee Steinfeld film that’s a favorite of this podcast, The Edge of Seventeen. Please share your thoughts about True Grit, Supergirl, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Christopher Nolan’s The Odyssey and The Coen Brothers’ (yes, again) O Brother, Where Art Thou? This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.See omnystudio.com/listener for privacy information.

Christopher Nolan is bringing Homer's Odyssey to IMAX with Matt Damon. It'll be an event, and it should be.Before that lands, I want to point you somewhere stranger.O Brother, Where Art Thou? carries Homer's name on the box and almost nothing else. The Coens borrowed a couple of characters, a familiar shape, and then took off in their own direction entirely. Chain gang escapees. Bad hair product decisions. A radio station. It is not an adaptation so much as a rumor of one, and it's better for it.I'll be honest about my own bias here. Everything about this premise told me to skip it. Depression era. Slapstick. A chain gang escape. I was wrong in a way I still haven't fully worked out, and that's most of why I wanted to make this episode.No spoilers in this one. What I do get into: why a movie with barely any plot holds together this well, a piece of filmmaking history that happened quietly on this production and now touches nearly every movie you watch, how the music outgrew the film that birthed it, and a bit of union bureaucracy that erased one of the two people who actually directed it.Nolan's version will be the monument. This one's the detour worth taking first.Available to rent on most streaming platforms. Watch it, then let's talk about it. Enjoy this classic.More reviews and recommendations on the way. If you're enjoying the show, a review wherever you listen genuinely helps.Thanks for listening.

A good chunk of Supergirl’s DNA can be traced back to True Grit by way of the comics miniseries the film is adapting, which is why we paired it with Joel and Ethan Coen’s 2010 version of that story. But as our discussion of Craig Gillespie’s new entry in James Gunn’s revamped DC Universe details, Supergirl often feels less indebted to its space-western source material than to several other superhero films that preceded it, including some of Gunn’s. That makes it tough to balance a film we all consider okay-at-best against a stone-cold Coens classic, but we attempt to anyway in Connections as we consider these two films’ shared interest in vengeance, western tropes, and really, really bad guys with murky motivations. Then in Your Next Picture Show, we honorTrue Grit’s star-making performance with a recommendation for another Hailee Steinfeld film that’s a favorite of this podcast, The Edge of Seventeen. Please share your thoughts about True Grit, Supergirl, or anything else in the world of film, by sending an email or voice memo to comments@nextpictureshow.net, or leaving a short voicemail at (773) 234-9730. Next Pairing: Christopher Nolan’s The Odyssey and The Coen Brothers’ (yes, again) O Brother, Where Art Thou? This episode is presented by⁠ ⁠⁠⁠⁠⁠⁠⁠Regal Unlimited⁠⁠⁠⁠⁠⁠⁠⁠⁠, the all-you-can-watch movie subscription pass that pays for itself in just two visits. Use code NEXTPIC26 for 15% off.Support the show: https://www.patreon.com/join/NextPictureShowSee omnystudio.com/listener for privacy information.

Damn! We're in a tight spot! This week we are seeking treasure with Ulysses Everett McGill and his two companions, Pete and Delmar, in the 2000 Coen Brothers musical comedy O Brother, Where Art Thou? Based loosely upon The Odyssey, this movie was a big hit for The Coens at the time and the soundtrack was massive. But did anyone actually listen to it or was it all just awards hype? Does the early digital colour correction hold up or is it now a bit of an eyesore? Where does this movie rank in the Coen Brothers' filmography? Is it George Clooney's best comedic performance of all time? See you in the funny pages, boys... it's a bushwhack on this week's episode of Film Junk.

We're in a tight spot. This week on Be Kind Rewind, Dave & Cody dig into the Coen Brothers' O Brother, Where Art Thou? (2000), the Depression-era chain gang comedy that's (not so) secretly Homer's Odyssey and accidentally revived an entire genre of American music. We break down what holds up (this is George Clooney's coming out party), the murderer's row of character actors, Roger Deakins making Mississippi look like a sepia dream, and a soundtrack that won Album of the Year at the Grammys as a bluegrass record. We get into what's harder to sit with in 2026, the wild behind-the-scenes stuff (the Coens claim they never read the Odyssey, Clooney said yes without reading the script, the KKK scene is staged like The Wizard of Oz), and a Pastor's Corner on Ulysses Everett McGill as an Ecclesiastes figure who chases every title but bona fide and only finds his knees when the rope comes out. Plus: Adam Sandler officiated the Taylor Swift and Travis Kelce wedding and we have questions, we Muppetize the movie (Dave cheats), and we guess Clooney's top five highest-grossing films, with a number one that made us both genuinely angry.https://linktr.ee/PopCulturePastorPod

O BROTHER, WHERE ART THOU Ulysses Everett McGill is serving a hard-labor sentence in Mississippi when he convinces two fellow prisoners to escape with him. Claiming that a fortune in buried treasure is waiting, he leads the trio across the state. Still shackled together, they race to find the money while staying one step ahead of the authorities. Craig, Elisabeth and guest Brendan Agnew discuss the Odyssey, southern gothic, pomade and the movie “O Brother, Where Art Thou” on this week's Matinee Heroes! Show Notes 0:58 Craig, Elisabeth and Brendan Agnew discuss Marion's summer movie intake. 13:35 Craig, Elisabeth and Brendon discuss "O Brother, Where Art Thou." 49:55 Recasting 1:09:18 Double Feature 1:12:25 Final Thoughts 1:20:33 A preview of next week's episode "Matrix Reloaded." Next week, live from Comicpalooza it's "Matrix Reloaded."

I am the man of constant podcasts   The Becks take some time off from their time off to bring you a brand new episode on the Coen Brothers' 2000 film O Brother, Where Art Thou?, based on Homer's classic epic The Odyssey. Join them as they deep dive into this very The Treatment-coded film, answering questions like: why are there so many cows? what happened to Odysseus' son? and did anyone on set even read the source material? Enjoy!   www.linktr.ee/soonmajorpod   www.ko-fi.com/soonmajorpod   Next Episode Homework: The Odyssey (2026)

O Brother, Where Art Thou? opened in five theaters on December 22, 2000, went on to make $71.9 million worldwide on a $26 million budget, and somehow got outdone by its own soundtrack — which sold over 8 million copies and beat out Bob Dylan and U2 for the Grammy for Album of the Year, only the third movie soundtrack ever to do it.Josh, Garrett, and David kick off Mythology Month with the Coens' loose, sun-bleached riff on the Odyssey. David's watched it since he was eleven and it's in his Letterboxd top four. Josh has loved it since childhood cassette-recording "Man of Constant Sorrow" off the radio. Garrett watched it for the first time this week — and tried to track the Homer parallels in real time, which he'll tell you was a mistake. They get into the Cyclops-with-an-eye-patch stuff, the Homer Stokes subplot and what it says about 1930s (and 2026) politics, and why George Clooney's pomade matters more than you'd think.Let us know what you think.

We're veering south on SUMMER VACATION to discuss Mitt Romney's favorite movie, the Coen Brothers' O Brother, Where Art Thou? (2000) with Mississippi-based musician Andrew Bryant, founding member of Water Liars. We discuss the film's reimagination of Homer's original vacation narrative, explore the relationship of politics, race, and cultural production, and Devin wonders why more parents aren't naming their kids James. Follow us on Twitter, Instagram, or BlueSky at @youretallpod. Follow Ethan on Twitter at @Mathissippi and Devin on Twitter at @stalecooper. Email us at youretallpod@gmail.com. Follow Andrew Bryant on Twitter at @MagnoliaState and check out his music at https://andrewbryant.bandcamp.com and https://andrewbryantmusic.com. 

HAPPY GILMORE Happy Gilmore only wants one thing: to play hockey. But when his grandmother is about to lose her house, he discovers his slap shot gives him an outrageous edge on the golf course. Now he has to turn his anger issues into prize money, while dragging the polite world of professional golf into total chaos. Craig, Elisabeth and guest Jeff Penn talk about golf, mannequin hands, Christopher McDonald's induction into the William Atherton Asshole Hall of Fame and the movie “Happy Gilmore” on this week's Matinee Heroes! Show Notes 0:59 Craig, Elisabeth and Jeff Penn induct Christopher McDonald into the 2nd Annual William Atherton Asshole Hall of Fame. 19:16 Craig, Elisabeth and Jeff discuss "Happy Gilmore." 54:41 Recasting 1:10:30 Double Feature 1:14:59 Final Thoughts 1:27:13 A preview of next week's episode "O Brother, Where Art Thou." Next week, we celebrate Christopher Nolan's "Odyssey" with a different telling of Homer's tale with "O Brother, Where Art Thou."

Whether we choose to admit it or not, we're driven by some level of faith that something lies beyond our current plane of existence. Some of us simply hope so, some profess not to care, others will go wholeheartedly into some form of religion. And the search for God--however you view that particular concept--is a compelling one, especially when you tell a story about someone whose faith is being tested. To that end the Coen Brothers have come up with A Serious Man, the first of two films we'll be looking at in this episode. The Coens are known for cribbing from other stories to create their own tales, and in this case the Coens have come up with a story that will give you echoes of the Biblical story of Job. It's not as direct a pull as their using Homer's Odyssey as the germ of O Brother, Where Art Thou? but you'll still recognize the broader pieces of the tale. In the second half of the episode we'll look at a less-linear story in The Tree of Life.

Message us ANONYMOUSLYIt's finally 'Ben's Birthday Bash 4: You Want Some More?!' and we are joined by requested Guest: Jess(ica) Erin Martin to review Ben's pick "O Brother, Where Art Thou?" (2000 Dir. Joel & Ethan Coen). The episode tells a story about a story about a story with a horny toad, a Cyclops, sacred cows, singing into a can, psychos, sirens, suitors, Soggy Bottom GIRL, and how no matter how hard you ride them... Wild Hogs Can't Be Broken. BONUS! - An advance listen to the trailer for Ben's short film "Rough Ways." 6/23!MORE WITH JESSICA:Wild Hearts Can't Be BrokenGremlinsSupport the show**All episodes contain explicit language**Main Artwork - Ben McFadden'Review Review Intro/Outro' Themes - Jamie Henwood"What Are We Watching?" & "Whatcha Been Doin'?" Themes - Matthew Fosket"Fun Facts" Theme - Chris Olds/Paul RootLead-Ins Edited/Conceptualized by - Ben McFaddenProduced by - Ben McFadden & Paul Root ("Shelf Help" - Paul Root)Podcast/Program Concept - Paul Root

Send us Fan MailJoin Eric and Curtis on a journey in Americana, as a new series begins with the Coen Brothers' classic film Oh Brother, Where Art Thou. Curtis has gone on record as saying he enjoys this movie; Eric has not. Let's see how this shakes out! Light up a cigar from the newest OGT Variety release!Bleak Midwinter IV LINK: https://oakglentobacconist.com/product/bleak-midwinter-iv-box-pressed-belicoso-5-5x54/Sign up for the OGT Cigar Society Subscriptionhttps://oakglentobacconist.com/product/ogt-monthly-subscription/

This week on The Backyard Naturalists, Debbie Foster, Laurie Horne, and Chris take a playful trip through the animal kingdom with a trivia-style episode all about the names for male and female animals. Some are familiar — like a buck and doe, bull and cow, or stallion and mare — while others are far less obvious, including cob and pen for swans, jack and jill for opossums, and even cock and hen for lobsters. Along the way, the conversation wanders in true Backyard Naturalists fashion, from international listeners in places like Vietnam, Iraq, Uzbekistan, and Zambia to jellyfish at the Tampa aquarium, a "passel of possums," and whether anyone could ever win a Jeopardy category devoted entirely to Young Sheldon, Tombstone, and O Brother, Where Art Thou? It's a lighthearted, funny, and surprisingly educational episode that proves nature vocabulary can be just as wild as the animals themselves. In this episode, you'll hear about: Animal-name trivia for ants, bears, coyotes, deer, donkeys, elephants, foxes, goats, geese, horses, jellyfish, lobsters, mallards, opossums, pigs, seahorses, squirrels, swans, tigers, and zebras The difference between familiar terms like boar and sow, drake and hen, and billy and nanny Why some animals share naming patterns across species A few surprising terms, including vixen, cob, pen, sea mare, and sea stallion A fun detour into group names, including a passel of possums The podcast's growing international audience and a warm invitation to visit Backyard Birds in Matthews, North Carolina Whether you already know your ganders from your geese or you're just here for the laughs, this episode is a fun reminder that the natural world is full of curious details hiding in plain sight.

This Postmodern Realities episode is a conversation with JOURNAL author Philp Tallon about his article, “The Life Metamodern with Wes Anderson”. https://www.equip.org/articles/the-life-metamodern-with-wes-anderson/This is also our 500th episode and Philp was our very first guest on Episode 001 with The Films of Quentin Tarantino. and the article Reservoir Gods: Quentin Tarantino's Premodern Theology. Please see more of Philip's work below.One way you can support our online articles and podcasts is by leaving us a tip. A tip is just a small amount, like $3, $5, or $10, which is the cost of a latte, lunch out, or coffee drink. To leave a tip, click here. Please see related articles and podcasts below:Mission Impossible FilmsEpisode 450: The Living Manifestation of Destiny: The Meaning in the Mission: Impossible Movies“The Living Manifestation of Destiny: The Meaning in the Mission: Impossible Movies”Christopher Nolan Films Episode 400: Rage Against the Dying of the Light: Christopher Nolan's Fighting FilmographyRage Against the Dying of the Light: Christopher Nolan's Fighting FilmographyHorror Movies: Episode 350 Possession and Exorcism Movies in a Modern AgeThe Power of the Devil Compels Us: Possession and Exorcism Movies in a Modern AgeSherlock Holmes Episode 243: The Fall of Sherlock: Investigating the Victorian Detective in a Modern AgeThe Fall of Sherlock: Investigating the Victorian Detective in a Modern AgeSteven Spielberg Movies:Episode 139 Clear Skies, Hurt Hearts, Can't Lose: Why Spielberg's Aliens Help Make us More HumanClear Skies, Hurt Hearts, Can't Lose: Why Spielberg's Aliens Help Make us More HumanAlfred Hitchcock films:Episode 100: A. Hitchcock FilmsThe Coen Brother's Films:Episode 050: O Father, Where Art Thou? The Coen Brothers and the Riddle of Existence“O Father, Where Are Thou? The Coen Brothers and the Riddle of ExistenceThe Films of Quentin Tarantino:Episode 001: The Films of Quentin Tarantino“Reservoir Gods: Quentin Tarantino's Premodern Theology  Don't miss an episode; please subscribe to the Postmodern Realities podcast wherever you get your favorite podcasts. Please help spread the word about Postmodern Realities by giving us a rating and review when you subscribe to the podcast. The more ratings and reviews we have, the more new listeners can discover our content.

ENCORE with Benefits: We're revisiting an old favorite with expanded scenes while we're on a short break. This episode, we're settling the score and getting cinematic with movie scores and soundtracks. Geoff, Russ, and Dave delve into the unforgettable melodies of Indiana Jones and the Last Crusade, The Last of the Mohicans, The Untouchables, Amélie, Into the Wild, and O Brother, Where Art Thou?, exploring how music enhances the emotional impact of these cinematic masterpieces.They also give tips and tricks for aging concert goers and talk about a surprise conference with a preschool teacher. Whether you're a seasoned film buff or a casual music enthusiast, this episode is sure to captivate and entertain. So, grab your popcorn, dim the lights, and let the music transport you to the world of cinema. Apple Podcasts Instagram Spotify Playlist Official Site

Ribbit ribbit! Ashley and Hayley recap Pretty Little Liars Season 6 Episode 7, O Brother, Where Art Thou! It's time to 4/20 blaze it cos Toburky's high as a kite, Ali gets kidnapped by her dad, Charles is hosting a bday party!!!!!!!!, and the gurgles carve the microchips out of their necks so… that's cool and fun.ALSO here is a clip of "he shat in a lunchbox" from Real Housewives of Melbourne if anyone wants that: https://www.youtube.com/watch?v=5KI84lMdug0&t=16s Watch weekly snippets of our recap episodes on the Call An Adult YouTube channel: https://www.youtube.com/@CallAnAdultWant weekly ad free audio AND video episodes, as well as bonus monthly content? Come join our Dollhouse over on Patreon! patreon.com/callanadultWant Call An Adult merch? Get something from our collection HERE: https://callanadult.myshopify.com/Follow Call An Adult on socials @call.an.adultFollow Ashley on socials @ashleycrapapFollow Hayley on socials @hayleytantau Hosted on Acast. See acast.com/privacy for more information.

Dan Tyminski was six years old when his parents began taking him to fiddle contests, square dances, and bluegrass festivals across New England. For a young musician who would later become one of the biggest names in modern-day bluegrass, those early experiences were life changing.“Watching live music always spoke to me much louder than sitting in front of my record player,” he remembers. “I loved it. Wherever music was being played, I wanted to go watch. Years later, I still feel that way.”Throughout his 30+ year career, Tyminski has left his mark in every corner of modern music. His voice famously accompanies George Clooney's performance of the Stanley Brothers' classic song, “I Am A Man of Constant Sorrow,” in the film, Oh Brother, Where Art Thou? and his vocal collaboration with Swedish DJ Avicii on the song “Hey Brother” was a global smash, having been streamed more than a billion times to date. His diverse solo projects and years of work with Alison Krauss and Union Station have yielded troves of award-winning music. In recent years, Tyminski's live shows with the Dan Tyminski Band have become bluegrass fan favorites and are regularly on the must-see lists among music fans of any genre. With his newest album release – the Grammy-nominated 2024 concert album Dan Tyminski: Live From The Ryman – he captures the magic of those live shows, while also proving that he still has the same passion for live music as he did when he was growing up.  His earliest touring and recording work was as a part of the band, Green Mountain Bluegrass. He later joined the influential bluegrass group, Lonesome River Band, before embarking on his three decades of work with Alison Krauss and Union Station. The first album that Tyminski recorded as a solo artist was the soul-stirring Carry Me Across the Mountain (2000), followed by the Grammy-nominated Wheels (2008) which was named the 2009 Album of the Year by the International Bluegrass Music Association.  His work with the EDM artist, Avicii, inspired Dan to create the genre-defying Southern Gothic album, released in 2017 to much critical acclaim. Tyminski would then showcase again his heart for bluegrass with the 2022 EP tribute to Tony Rice, One More Time Before You Go, which included guest performances by Molly Tuttle, Sam Bush, Dailey & Vincent, and Billy Strings. The following year saw the release of the full-length bluegrass album, God Fearing Heathen, which quickly hit #1 on Billboard's Bluegrass Albums chart.  Over the course of his career, Tyminski has also evolved into a prolific songwriter, penning songs with Monty Criswell, Phillip Lammonds, Kristian Bush, Ashley Monroe, Chris Stapleton and many others. Dan has been honored with 14 Grammy Awards and is a four-time Male Vocalist of the Year honoree by the International Bluegrass Music Association. He has also recorded instrumental or vocal harmony contributions for projects by Martina McBride, Reba McEntire, Brad Paisley, Dolly Parton, Willie Nelson, Joan Osborne, Charlie Daniels, Kenny Chesney, LeAnn Rimes, Rob Thomas, and Charlie Haden, to name a few. Tyminski certainly represents the pinnacle of modern bluegrass music. While Dan enjoys a good conversation and a good cigar, he can often be found participating in charitable Pro-Am golf tournaments, as well as competing regularly in the Foosball tournament circuit.

After an unexpectedly long odyssey that delayed the Watchcast's scheduled arrival, we're finally back to our movie watching ways, and launching into our month of Coen Brothers comedies, starting with the duo's southern-fried take on one of the great Homeric works in O Brother, Where Art Thou?!CHAPTERS:(00:00:00) - The Nextlander Watchcast Episode 174: O Brother, Where Art Thou? (2000)(00:01:04) - Intro(00:02:53) - It took us longer than we expected to get back, but we're finally here. Now, on a totally unrelated subject, let's talk about The Odyssey.(00:09:17) - The music, and some chatter about our main cast.(00:16:46) - Some last production notes.(00:23:32) - What was our familiarity with this one prior to this watch?(00:27:01) - Break!(00:30:01) - The blind seer's prophecy, and a night on the farm.(00:40:41) - A genuine geographical oddity, and the dreamiest Baptism you ever did see.(00:43:43) - Meeting Tommy at the Crossroads, and singin' into a can.(00:54:19) - Money talk around the campfire, and the introduction of Babyface.(01:04:55) - The sirens, a toad, and Big Dan.(01:13:17) - Homer Stokes, the Wharvey gals, and the pater familias.(01:21:59) - Reuniting with Pete, and rescuing Tommy from the klan.(01:30:11) - Everything converges at the music hall.(01:37:34) - Babyface's fate, and one last challenge to overcome.(01:44:41) - The McGills reunited.(01:46:10) - Final thoughts.(01:49:45) - Next week's movie: The Hudsucker Proxy!(01:51:57) - Outro.

From "O Brother, Where Art Thou" to "Watchmen" to "Poker Face,” Tim Blake Nelson is the actor you call when you want a character's face to tell a lifetime of stories. But Nelson's storytelling isn't limited to acting; lately, he's turned to writing novels, including his latest book, “Superhero: A Novel.” He talks to Rachel about his delinquent childhood in Tulsa and the dangers of prioritizing the present. To listen sponsor-free and support the show, sign up for Wild Card+ at plus.npr.org/wildcard See pcm.adswizz.com for information about our collection and use of personal data for sponsorship and to manage your podcast sponsorship preferences.NPR Privacy Policy

This week, we discuss the recent theatrical release PROJECT HAIL MARY, the Oscar-snubbed THE TESTAMENT OF ANN LEE, the SCAMANDA scandal on SUMMER HOUSE, and the recent episodes leading up to the Season 2 finale of THE PITT.Next time we're watching HOLY SPIDER.Thanks for listening and stay spoopy ya'll!Timestamps:00:00:26 Intro00:01:07 SUMMER HOUSE: Scamanda (Peacock, Bravo)00:13:13 PROJECT HAIL MARY (Theatres)00:23:01 THE TESTAMENT OF ANN LEE (Hulu)00:44:34 O BROTHER, WHERE ART THOU? (AMC+/The Roku Channel)00:57:42 DUNE by Frank Herbert01:08:01 SOMETHING VERY BAD IS GOING TO HAPPEN (Netflix)01:10:17 THE PITT (Season 2, Ep 1-12) (HBO Max) *SPOILERS and TW for Self Harm/Suicide Discussion01:28:36 Next Time - HOLY SPIDER (VOD)01:31:59 GoodbyesThe Grindhouse Girls Podcast is created by Katie Dale and Brit Ray. This week's episode is edited by Katie Dale.Part of the Redacted Entertainment Network.Royalty free music used: Ready Set Go and Outro White SmokeCopyright 2020 Grindhouse Girls PodcastThis podcast uses the following third-party services for analysis: Podcorn - https://podcorn.com/privacy

Our final episode of Soundtrack month is with guest Upstairs Steve as we escape jail to discuss O Brother, Where Art Thou?This is Upstairs Steve's first time watching the movie.How great is that old-timey folk soundtrack? Who gives the best Heat check in the movie? How have we never covered a Coen Brothers before? And what happened when Tim & Tommy saw Blade Runner 2049 in theaters?? All this and more on this week's Haven't Scene It!Follow us on Social Media:Twitter: @SceneItPodInstagram: @SceneItPodTiktok: @SceneItPodBluesky: ‪@podsceneit.bsky.socialYoutube: @HaventSceneIt- Old Glory (15% Off)

What makes a Faust story? Michael, Ethan, and special guests Josiah & Jacob discuss this ontological question and all things Faust in this special episode.In this episode:Michael begins confrontationally.Is this episode Faust? Is this podcast Faust?Ethan is NOT in Law School.Is capitalism Faust?The Bible is inevitable.Josiah brought it up. Totally. It was Josiah. He's very smart. The Josian Anti-Faust idea (C) 2026.Demon, Helen, Margaret - Where are the lines of demarcation between them?Two questions: 1) What are you willing to sacrifice [to get what you want; and is it your very soul]? 2) What do you worship?(Josiah came up with the smart thing again. (C) 2026.)What you worship you will sacrifice.Ethan cheats with Wikipedia.Vein.American Faust: do we win?(Sorry for the Beetlejuice summoning.)If it looks like an exchange but is a gift, it's grace. If it looks like a gift but is an exchange, it's vampi-- Faust.When you're having night terrors, fart in the Devil's face and confess the Apostles' Creed.Shout-out to Reading Revisited!Every time he comes on this podcast, Jacob makes it a different podcast and/or a deal we need to wiggle out of.There are other things in Detroit other than Eminem.Let it be known, we can be charitable to a garbage fire.The answer is a tautology. Or cake.Here's each work we discuss: Is it Faust?The Age of Innocence, by Edith Wharton: Is it Faust?The book of Job: Is it Faust?It's A Wonderful Life: Is it Anti-Faust? Is it Faust?Jesus tempted in the desert: Is it Faust? Is it Anti-Faust? Is Faust a fan-fiction of Jesus?Genesis 3: Is it the OG Faust?A Christmas Carol, by Charles Dickens: Is it Faust?Trust, by Hernan Diaz: Is it Faust?The Secret History, by Donna Tartt: Is it Faust?The Picture of Dorian Gray, by Oscar Wilde: Is it Faust?"The Ballad of Reading Gaol," by Oscar Wilde: Is it Faust?Of One Blood, by Pauline Hopkins: Is it Faust?Hadestown, by Anaïs Mitchell: Is it Faust? Orpheus & Euridice: Is it [proto-]Faust?Dracula, by Bram Stoker: Is it Faust?Hades & Persephone: Is it Faust?Interview with the Vampire: Is it Faust?Underworld: Is it Faust?"The Devil Went Down to Georgia," by Charlie Daniels: Is it Faust?Robert Johnson: Is he Faust?O Brother, Where Art Thou?: Is it Faust?Oedipus: Is he Faust?Piranesi, by Susanna Clarke: Is it Faust?Devil's Advocate: Is it Faust?Beetlejuice: Is it Faust?Macbeth, by William Shakespeare: Is it Faust?The Waterboy: Is it Faust?Rick & Morty: Is it Faust?Doctor Who: Is it Faust?Peter Pan, by J.M. Barrie: Is it Faust?Ghosts, S4E22-S5E1: Is it Faust?The Passenger, and Stella Maris, by Cormac McCarthy: Are they Faust?Previously featured on Michael & Ethan in a Room with ScotchNo Country for Old Men, by Cormac McCarthy: Is it Faust?Grimm's Fairy Tales, e.g. "The Devil's Sooty Brother," "Bearskin," "The Devil and His Grandmother," "The Gravemound," "The Peasant and the Devil," "Doctor Know-all," "The Spirit in the Bottle": Are they Faust?Irish Fairy Tales, and Russian Stories: Are they Faust?Luther throwing his inkwell at the Devil: Is it Faust?"The Little Mermaid," by Hans Christian Andersen: Is it Faust - WAIT, we'll talk about it later!"The Magic Thread": Is it Faust?Click: Is it Faust?The Merchant of Venice, by William Shakespeare: Is it Faust?Breaking Bad: Is it Faust?Rapid(-ish) Fire:Fullmetal Alchemist"Ain't No Rest for the Wicked," by Cage the ElephantBetter Call SaulMelmoth the Wanderer, by Charles Maturin - WAIT, we might also talk about that later(?)It FollowsThe Imaginarium of Doctor ParnassusDeath Note"Button, Button," by Richard Matheson"The Monkey's Paw," by W.W. JacobsThe Third Man[, by Graham Greene]The Screwtape Letters, by C.S. LewisThe Lion, the Witch and the Wardrobe, by C.S. LewisThat Hideous Strength, by C.S. LewisThe Magician's Nephew, by C.S. LewisOut of the Silent Planet, by C.S. LewisPerelandra, by C.S. LewisThe Book of the New Sun, by Gene WolfeHamlet, by William ShakespeareLove's Labours Lost, by William Shakespeare"Goblin Market," By Christina RosettiHowl's Moving Castle, by Diana Wynne JonesParadise Lost, by John MiltonThe Tempest, by William Shakespeare"Calliope," by Neil GaimanRavelstein, by Saul BellowPreviously featured on Michael & Ethan in a Room with ScotchKPop Demon HuntersThe Life and Opinions of Tristram Shandy, Gentleman, by Laurence SternePreviously featured on Michael & Ethan in a Room with ScotchDon Quixote, by Miguel de CervantesPreviously featured on Michael & Ethan in a Room with ScotchThe Brothers Karamazov, by Fyodor DostoevskyCrime and Punishment, by Fyodor DostoevskyLolita, by Vladimir NabokovFrankenstein, by Mary ShelleyLiar, LiarBruce AlmightyBigDarby O'Gill and the Little PeoplePhantom of the Opera[, by Gaston Leroux]"Alastor," by Percy Bysshe ShelleyLes Miserables, by Victor Hugo"Young Goodman Brown," by Nathanael HawthorneWittenberg, by David Davalos - DON'T BOTHERStranger Things (especially Season 5)Next time Michael and Ethan will discuss “Johannes Cabal and the Blustery Day,” by Jonathan L. Howard! Join the discussion! Go to the Contact page and put "Scotch Talk" in the Subject line. We'd love to hear from you! And submit your homework at the Michael & Ethan in a Room with Scotch page. Join us on GoodReads!Get on our Substack!Donate to our Patreon! MUSIC & SFX: "Kessy Swings Endless - (ID 349)" by Lobo Loco. Used by permission. "The Grim Reaper - II Presto" by Aitua. Used under an Attribution-NonCommercial-ShareAlike License. "Thinking It Over" by Lee Rosevere. Used under an Attribution License.(Links to books & products are affiliate links.)

In Episode #93 of The Hometown Bluegrass Show, Tim Batts and Josh Williams sit down with Grammy-winning bluegrass powerhouse Dan Tyminski just moments before he takes the stage at the Bluegrass Music Hall of Fame & Museum in Owensboro, Kentucky.Best known for his unmistakable voice with Alison Krauss & Union Station and for singing the iconic version of Man of Constant Sorrow from the film O Brother, Where Art Thou?, Dan reflects on his journey through bluegrass, the evolution of his solo career, and the music that continues to inspire him.From classic bluegrass roots to modern collaborations and new music, this episode offers a candid conversation with one of the most respected voices in acoustic music.

Blues From The Movies – Featuring Selwyn Birchwood, Joanne Shaw Taylor & Orianthi, Nina Simone, John Lee Hooker, Eric Bibb and Jimmie Vaughan, in this episode of Blues From The Ouse.Discover the latest blues releases from Selwyn Birchwood, Joanne Shaw Taylor & Orianthi, Drew Neirin Hall and Paul Gemmell & The Black Magic Blues Band, including modern blues, blues rock, UK blues and American blues tracks.Later in the first hour we dive into a special feature — Blues From The Movies — spotlighting great blues tracks that made their way onto the big screen. You'll hear music from Junior Wells, Elmore James, Nina Simone, R.L. Burnside, Koko Taylor and John Lee Hooker, featured in films including Adventures in Babysitting, La Bamba, Ghost World, Road House, The Color Purple and O Brother, Where Art Thou?Hour two brings listener requests, including tracks from Eric Bibb, Danny Bryant, Jimmie Vaughan, Coco Montoya and more.We finish the show with a blues wind-down featuring Larkin Poe, GA-20, The Allman Brothers Band, Jontavious Willis and Chris Corcoran.Blues From The Ouse delivers two hours of modern blues, classic blues, blues rock and listener requests every week. Follow Blues From The Ouse for your weekly dose of modern and classic blues.Blues From The Ouse #316 Playlist:Selwyn Birchwood - Should've Never Gotten Out Of Bed - 00:02:09Joanne Shaw Taylor Ft Orianthi - What Good Is My Love - 00:06:57Neirin - Fairy Lights - 00:10:29Paul Gemmell & The Black Magic Blues Band - Walkin' On Broken Souls - 00:16:24Junior Wells - Good Morning Schoolgirl - 00:22:27Elmore James - The Sky Is Crying - 00:28:29Nina Simone - Feeling Good - 00:31:15R.L. Burnside - Its Bad You Know - 00:34:03Koko Taylor - Wang Dang Doodle - 00:36:41John Lee Hooker - Boom Boom - 00:39:38Tata Vega - Miss Celie's Blues (Sister) - 00:42:07Chris Thomas King - Hard Time Killing Floor Blues - 00:44:38Ry Cooder - Paris, Texas Theme - 00:47:29Rock Bottom - Snake Dancin' Through God's Barnyard - 00:53:37C.W. Stoneking - Jailhouse Blues - 00:59:29Eric Bibb - Muddy Waters - 01:03:58Danny Bryant - Nine Lives - 01:08:33Jimmie Vaughan - Don't Cha Know - 01:12:26Coco Montoya - Top Of The Hill - 01:21:22Lonnie Mack - Oreo Cookie Blues - 01:25:52Larkin Poe - Preachin' Blues - 01:28:25GA-20 - Sit Down Baby - 01:31:26The Allman Brothers Band - It's Not My Cross To Bear - 01:34:17Jontavious Willis - Long Winded Woman - 01:39:10Chris Corcoran - Get Gone - 01:41:40blues podcast, blues music podcast, modern blues podcast, new blues releases, blues from the movies, selwyn birchwood, joanne shaw taylor, nina simone blues, john lee hooker blues, eric bibb blues, jimmie vaughan blues, coco montoya blues, larkin poe, allman brothers band, blues radio show, british blues, UK bluesBlues From The Ouse is a weekly UK blues podcast and blues radio show featuring classic blues, modern blues, British blues and blues rock.Discover blues legends, new blues releases and the best emerging British blues artists — available worldwide.Links

Natalie Haynes is a writer, broadcaster and “rock star mythologist.” Her retelling of the Trojan War, A Thousand Ships, was shortlisted for the Women's Prize for Fiction and has been translated around the globe. She's out now with No Friend to This House, a reimagining of the story of Medea. In today's episode, Annmarie and Natalie poke fun at Perseus, demystify Greek myths, and discuss the relevance of classic literature in our modern world.  Episode Sponsors: Pocket Books – An independent, queer, feminist bookstore committed to the idea that bookstores are places for communities to share knowledge, wisdom, resources, and connections. We stock an intentional and eclectic selection of books that we hope will help you feel safe exploring something new. Pocket Books is a place of discovery where readers find support for their ideas and new interests. Stop by one of our Lancaster, Pennsylvania locations or shop online at pocketbooksshop.com. Books Are Magic⁠ – A family-owned independent bookstore in Brooklyn, committed to being a welcoming, friendly, and inclusive space for all people. We believe that books are indeed magic and that literature is one of the best ways to create empathy, transportation, and transformation. Stop by or shop online at ⁠booksaremagic.net⁠. Titles by Natalie Haynes:  No Friend to This House A Thousand Ships The Children of Jocasta Stone Blind Divine Might: Goddesses in Greek Myth Pandora's Jar: Women in the Greek Myths Additional Titles Mentioned in This Episode  The Overstory, Playground, and Bewilderment, all by Richard Powers O Brother, Where Art Thou? Official Trailer Clash of the Titans (1981) Official Trailer Natalie Haynes Stands Up for the Classics Follow Natalie Haynes: Facebook: @nataliehaynesstandupclassicist Twitter/X: @officialnhaynes Instagram: @NatalieHaynesAuthor Threads: @nataliehaynesauthor Bluesky: @NatalieHaynes nataliehaynes.com **Writing Workshops:  If you liked this conversation and are interested in writing together, please consider the opportunities below.  For women interested in an online Saturday morning writing circle, you can sign up here.  For anyone interested in an evening class to jumpstart your creative practice, you can sign up here. And if you'd like to travel with your writing, Annmarie is co-leading a writing retreat in Paris this June. Join us!Photo Credit: James Betts Learn more about your ad choices. Visit megaphone.fm/adchoices

DISCLAIMER: This film contains sensitive material depicted for parody. Listener discretion is advised.  This week, we celebrate the 25th anniversary of "O Brother, Where Art Thou?". What makes this release so unique? Is it going nowhere fast, or is this the Coen Brothers best film? How close did we come to not releasing the episode? All of that and more this week on Monoreel Radio.  Join the conversation on social media @monoreelradio on all major platforms or send us an email at monoreelradio@gmail.com. For links to anything you heard on the show, visit our website and if you want to experience the Disney magic for yourself, click here to start planning your next vacation.

The iconic folk duo met at an audition for the only country music band at a prestigious jazz school in Boston. They immediately clicked, and joined the rich lineage of Americana artists that stretches back centuries.In their 20s, Gillian Welch and David Rawlings discovered they had something special when they sang together, a sort of eerie emotional resonance that is usually confined to the blood harmonies produced when siblings sing together.Ever since they've been making music together which draws on the bluegrass, country and folk traditions they love.In their historic recording studio in Nashville, Tennessee (which has withstood three tornadoes in the last century), they craft haunting songs about the ugly and beautiful parts of humanity.For Gill and Dave, the DNA of folk music is something we can all contribute to, and which contributes to all of us.Gillian Welch and David Rawlings are currently touring Australia's eastern states. You can find information about where and when they are playing on their website.Their seventh studio album is called Woodland, named after their indestructible studio.This episode of Conversations was produced by Meggie Morris. Executive Producer is Nicola Harrison.This episode of Conversations was produced by Meggie Morris. Executive Producer is Nicola Harrison.It explores music, recording, career musicians, Woody Guthrie, The Carter Family, Lead Belly, revival folk, Bob Dylan, Joan Baez, Simon & Garfunkel, Joni Mitchell, Emmy Lou, Dolly Parton, Southern America, United States, Pete Seeger, Love, relationship, natural disaster, Neil Young, Gordon Lightfoot, Leonard Cohen, Odetta, Harry Belafonte, Rhiannon Giddens, banjo, guitar, mandolin, true crime, murder ballad, Revival, Time (The Revelator), Soul Journey, The Harrow & The Harvest, All the Good Times (Are Past & Gone), Grammy Awards, Grammys, songwriting, Coen Brothers, O Brother, Where Art Thou?To binge even more great episodes of the Conversations podcast with Richard Fidler and Sarah Kanowski go the ABC listen app (Australia) or wherever you get your podcasts. There you'll find hundreds of the best thought-provoking interviews with authors, writers, artists, politicians, psychologists, musicians, and celebrities.

Patrick, Jan, and JB are bona fide. Download this episode here.Subscribe to F This Movie! on Apple Podcasts Also discussed this episode: Hamnet (2025), No Other Choice (2025), Nuremberg (2025), It Was Just an Accident (2025), The Housemaid (2025), The Running Man (2025), I'm Chevy Chase and You're Not (2025)

Fan Jan rolls on here at @wedrinkandwewatchthings, and this week we're answering a massive listener request by hopping a freight train into the Great Depression-era South with the Coen Brothers' 2000 masterpiece, O Brother, Where Art Thou? Mix yourself a  R-U-N-N-O-F-T by @crft.wrld because we are joining the chain-gang escapees on their quest for buried treasure and, more importantly, some Dapper Dan hair grease.This week, we trace the brilliant parallels between this folk-tale odyssey and Homer's epic poem, looking at how Everett, Pete, and Delmar navigate sirens, a cyclops, and one very charismatic blind prophet. We appreciate the Grammy-winning, T-Bone Burnett-produced soundtrack that single-handedly revitalized bluegrass and old-timey music, and we marvel at George Clooney's pitch-perfect comedic performance as the fast-talking Ulysses Everett McGill. We also spend some time admiring Roger Deakins' groundbreaking, sepia-tinted cinematography that gives the whole film the warm, dusty feel of a living postcard from a bygone era.If you're a fan of quirky Coen Brothers humor, legendary soundtracks, or just want to hear us debate which of the three protagonists we'd actually trust to lead us to safety, this episode is a "bonafide" treat. We're blending our love for this cinematic treasure with our usual casual banter, making this one of our most harmonious Fan Jan entries yet. Come on in, the water's fine!This episode VIDEO is live on YouTube AND Spotify!Follow us on Instagram and TikTok to get ep sneak peaks and find out what's coming next. DM us what you want to hear about next or email us at wedrinkandwewatchthingspod@gmail.com.

Welcome back to the digital wasteland, fellow survivors. We kick things off in the FOLLOW UP by marking a year since the LA Fires—hello, PTSD—alongside a 4th Strokiversary and three years of sobriety, all while wondering why America is currently obsessed with shooting its own civilians in the face.In the IN THE NEWS segment, Wired is finally teaching us how to protest safely in the age of surveillance, and the EFF is cheering on the hackers fighting ICE's Nazi-adjacent tracking tactics. Meanwhile, Meta is harvesting your AI chats for targeted ads, Disney is paying $10 million for spying on kids, and Grok has spent the holidays generating nonconsensual child abuse material—a problem Elon Musk won't have to legally reckon with until the Take It Down Act hits in May. Instagram's Adam Mosseri has basically surrendered to the AI "slop", suggesting we fingerprint "real" media because the fake stuff has already won the war.As we continue the descent, OpenAI is launching a ChatGPT Health portal despite their "loser energy" and compute limits, while Character.AI and Google are quietly settling lawsuits for bots that encouraged teen suicide. Polymarket gamblers are learning that "decentralized" juries will fist you over the definition of an "invasion" just as fast as a bank. Uber showed off a new Lucid-based robotaxi, but we're pumping the brakes on the safety hype given that autonomous vehicles are five times more likely to crash at dusk. To wrap up the news, Tim Cook took home $74 million last year, which is a lot of "systematic philanthropy" he could be doing right now instead of just writing checks to his own ego.In MEDIA CANDY, we're suffering through the Stranger Things wrap-up and a John McTiernan holiday marathon, though the real highlight is MTV Rewind's tribute to music videos. We've got Traitors, The Pitt, and even a John Candy doc on the list, while APPS & DOODADS brings us the DJI Osmo 8, Victrola's turntable-vibrating speakers. At least California's DROP tool lets you purge your data from 500 brokers at once.Finally, we go to THE DARK SIDE WITH DAVE to hear Dave Bittner rant about holiday tech support, health insurance gouging, and Dave Filoni taking the Star Wars reins. We close out with a look at ILM's 50th, the deepfake porn cesspool formerly known as Twitter, and a birthday toast to the Starman himself, David Bowie.Sponsors:CleanMyMac - Get Tidy Today! Try 7 days free and use code OLDGEEKS for 20% off at clnmy.com/OLDGEEKSPrivate Internet Access - Go to GOG.Show/vpn and sign up today. For a limited time only, you can get OUR favorite VPN for as little as $2.03 a month.SetApp - With a single monthly subscription you get 240+ apps for your Mac. Go to SetApp and get started today!!!1Password - Get a great deal on the only password manager recommended by Grumpy Old Geeks! gog.show/1passwordShow notes at https://gog.show/728Watch on YouTube: https://youtu.be/x-2GTUC6rcUIN THE NEWSHow to Protest Safely in the Age of SurveillanceHow Hackers Are Fighting Back Against ICEMeta's New Privacy Policy Opens Up AI Chats for Targeted AdsDisney to Pay $10 Million After Feds Say It Broke Kids' Privacy Rules on YouTubePeople Spent the Holidays Asking Grok to Generate Sexual Images of ChildrenHere's When Elon Musk Will Finally Have to Reckon With His Nonconsensual Porn GeneratorInstagram chief: AI is so ubiquitous 'it will be more practical to fingerprint real media than fake media'ChatGPT is launching a new dedicated Health portalCharacter.AI and Google settle with families in teen suicide and self-harm lawsuitsGambling platform Polymarket not paying bets on US invasion of VenezuelaUber reveals the design of its robotaxi at CES 2026Maybe We Should Pump the Brakes on the Idea That Robotaxis Are SaferHere's how much Tim Cook and other Apple execs made last yearMEDIA CANDYThe PittDownton Abbey: The Grand FinaleJurassic World RebirthThe Darjeeling LimitedOh Brother, Where Art Thou?Honey Don'tJohn Candy: I Like MeMTV Rewind is a developer's tribute to 24/7 music video channelsAPPS & DOODADSDJI Osmo Mobile 8Netflix GamesThis speaker by Victrola sits underneath turntables and streams audio via BluetoothDelete Request and Opt-out Platform (DROP)THE DARK SIDE WITH DAVEDave BittnerThe CyberWireHacking HumansCaveatControl LoopOnly Malware in the BuildingIndustrial Light & Magic: 50 Years of InnovationDave Filoni to run Star WarsWho's who at X, the deepfake porn site formerly known as TwitterSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

25 years ago this month, the Coen brothers' Americana Odyssey "O Brother, Where Art Thou" was released in theaters. While the movie saw a paucity of award recognition, its soundtrack managed to land a Grammy for Album of the Year, giving rise to a major revival of American roots and bluegrass music in the mainstream. Music writer Allison Hussey discusses the soundtrack and its legacy as part of our Silver Liner Notes series, and listeners share their feelings about the film, and the soundtrack.

We're back with a positively joyful episode about white-knuckling it through life :) These are scenes where characters are undercover, pretending to be different than they are, or otherwise just trying to act normal while being observed and under significant stress. Yikes! To help light a path through this nine-eyed, five-0 vision quest we're joined by writer, actor, comedian, and podcaster Rebecca Rose Bulnes! This is a free-ranging conversation with all the trimmings, so put your shades on and tuck in. Coens Covered: Burn After Reading, Blood Simple, The Hudsucker Proxy, Fargo, The Big Lebowski, O Brother, Where Art Thou?, Intolerable Cruelty, The Ladykillers, Hail, Caesar! Plus: The Beekeeper, Weapons, The Wolf of Wall Street, Spike Lee's “vitaminwater: From New York” Check out Rebecca's podcast Classroom Crush! Want to join the study group? Follow us on social media, tell your friends about the show, and leave a rating/review on Spotify and Apple Podcasts. These all really help. **You can also support the show directly at https://ko-fi.com/tothewhitesea**  And join the Discord too! For all things TTWS visit tothewhitesea.me

Friday, December 5th is a momentous ocassion! It's the 25th anniversary of the release of the O Brother, Where Art Thou? soundtrack. To celebrate, Chris Holm, Berek Awend and a multitude of other amazing Minnesota musicians with gather to celebrate at the Granada Theater. Learn more about the artists, the history and the truly crucial music that will make this a night no to be missed. Enjoy!

“O God, Where Art Thou?”Doctrine and Covenants 121–123Joseph Smith Podcast for Kids Liberty Jail You're listening to Come Follow Me Kids!A Come Follow Me Podcast for Primary Kids of The Church of Jesus Christ of Latter-Day Saints.We are an interactive game play podcast for kids. Children will learn shout the scriptures while playing games that go with the Come Follow Me Lessons from the church.This year we are studying the Doctrine and Covenants. If you are looking for a Doctrine and Covenants Podcast for Primary Kids, look no further! Our podcast is called Come Follow Me Kids. Come Follow Me for kids that are primary aged 2-12 in the Church or Jesus Christ of Latter-Day Saints. We follow the come follow me manual from the church but are not officially affiliated in any way. Some audio segments come from the friend magazine and other church sources. On this podcast we play interactive games while learning about the gospel and atonement of Jesus Christ.If your children would like to be guests on this podcast or to receive a baptism shout out, please email us at their info at comefollowmekidspodcast@gmail.com With God, adversity can “be for [my] good.”“Let us cheerfully do all things that lie in our power.”Righteousness brings the “powers of heaven.”

WORD: AFFLICTION This week we are studying, O God, Where Art Thou, Doctrine and Covenants 121-123 in Come, Follow Me. You will find the word of the week, teaching tips, and more in our newsletter. Here's what to look forward to in this episode: MY SON EVEN IF A TEMPLE PRISON THE PRIVILEGE OF PRIESTHOOD We love studying with you! Grace and David You will find the word of the week, teaching tips, and more in our newsletter. Sign up here: www.dontmissthisstudy.com Videos can be found on YouTube: Don't Miss This Grace Freeman Instagram: @thisweeksgrace David Butler Facebook: https://www.facebook.com/mrdavebutler/ Instagram: @mrdavebutler Come, Follow Me is a resource offered by The Church of Jesus Christ of Latter-day Saints. It is designed to be used in the home to support personal and family scripture study to build faith in Heavenly Father and His plan of salvation and in the Savior Jesus Christ and His Atonement. Come, Follow Me is self-contained and adequate, when used properly. Products and materials designed to supplement this resource, though they may be helpful in some instances, are not necessary for a successful home study program.

Those Soggy Bottom Boys really know how to carry a tune! Emily St. James joins us to talk about O Brother, Where Art Thou?, a wonderful film whose reputation was ultimately eclipsed by its octuple-Platinum soundtrack of “old timey” bops. When we're on track, we're talking peak Clooney, digital color correction, T. Bone Burnett, and the history of Southern politics. When we're off track in this episode? Expect some discussion around Linkin Park's Hybrid Theory and the Emmy-winning run of The Practice. “Blank Check Theme (Sirens version)” Performed by:Amy Irving Olivia Ellen Lloyd Maggie Feldman Recorded and Produced by Gabe BarretoMixed by Alan Smithee Sign up for Check Book, the Blank Check newsletter featuring even more “real nerdy shit” to feed your  pop culture obsession. Dossier excerpts, film biz AND burger reports, and even more exclusive content you won't want to miss out on. Join our Patreon for franchise commentaries and bonus episodes. Follow us @blankcheckpod on Twitter, Instagram, Threads and Facebook!  Buy some real nerdy merch Connect with other Blankies on our Reddit or Discord For anything else, check out BlankCheckPod.com Learn more about your ad choices. Visit megaphone.fm/adchoices